sam wanamaker playhouse 2017/ 18
‘Dancing on air Weightless and blissfully unaware Dancing on air Like Ginger Rogers and Fred Astaire, twirling there Dancing on air’ Romantics Anonymous
The Winter Selection is my final season as Artistic Director at Shakespeare’s Globe, and it will be full of treats. It is sometimes easy to forget that theatre is a joyful indulgence; a night out to be told a story, to be entertained, gripped, amused and challenged. As a child, I remember vividly that a trip to the theatre was intoxicating and thrilling. We planned it, looked forward to it, then, when the night came, put on our best clothes and entered the dark world of ‘what ifs?’ The Sam Wanamaker Playhouse is the most delicious, the most unique, and most beautiful box of delights there is. Magical and intimate, ancient and immediate, this is the ultimate place to be transported back to a state of wonder, to the primal need to tell and hear stories, and to a world of rare human interaction. And this season, transport you we will! The Winter Selection will take you to a singing chocolate factory in France, the inner sanctum of Elizabeth I’s court, the dark and dangerous world of All’s Well That Ends Well, the palaces of India, the emotional depths of Vivaldi, and the tender chaos of Meow Meow’s Christmas, before we tumble back down the rabbit hole with the return of The Little Matchgirl. I have assembled some of my favourite artists and matched them with the theatrical flavours I hunger for. I believe we are in for the most sumptuous, surprising, heartfelt and touching of seasons. Join us, join me, and pick and mix as many delights as you can. We can’t wait to make these tempting theatre treats, and I can’t wait to savour and share them all with you.
Emma Rice, Artistic Director
A New Musical
‘Add a few ingredients Bold, and brave, and new. Don’t you love how chocolate is so unlike you?’
Angélique makes beautiful chocolates, carefully infused with all the emotion that seems to overwhelm her in daily life. Jean-René runs a chocolate factory that is running out of steam, rather like his own existence. Both seek help from the usual sources: Jean-René favours self-help tapes and Angélique joins a support group, Les Émotifs Anonymes. Romantics Anonymous is an unusual and tender love story in which the obstacles to happiness are not the usual external barriers, but those sneaky little ones we know all too intimately: the ones within. Adapted by Emma Rice from the French-Belgian film Les Émotifs Anonymes, with lyrics and music by Christopher Dimond and Michael Kooman, this new musical promises to be a treat for all the senses. Filled with all the joy and pain it takes to survive and love in the modern world, this is a tale that will lift any heart.
Performing in the Sam Wanamaker Playhouse 20 October 2017 – 6 January 2018 Book Emma Rice Lyrics Christopher Dimond Music Michael Kooman Based on the film Les Émotifs Anonymes, written by Jean-Pierre Améris and Philippe Blasband Director Emma Rice Designer Lez Brotherston Music Supervisor Nigel Lilley Choreographer Etta Murfitt Lighting Designer Malcolm Rippeth Sound Designer Simon Baker By special arrangement with Radio Mouse Entertainment
The Dark Arts of Elizabeth’s Spymaster
‘It’s not enough that men are watched; they must think themselves watched, even when they are not’
Espionage, double-crossing and blackmail come to the Sam Wanamaker Playhouse in this new spy thriller. Spymaster Sir Francis Walsingham oversees a vast surveillance network from the heart of Elizabeth I’s court. As the nation’s relationship with Europe deteriorates and civil unrest grows, Walsingham adopts ever more extreme tactics to keep his queen and country safe. But does he risk losing control of the apparatus he has created and destroying the lives of those closest to him? Matthew Dunster, the Globe’s Associate Director, directs this new play by Anders Lustgarten, an award-winning playwright renowned for his bold approach to social and political questions. The Secret Theatre asks what we are prepared to sacrifice in order to ensure our safety. Shot through with moments of the blackest humour, this smart, tense thriller finds its perfect setting in the shadowy recesses and flickering candlelight of the Playhouse.
Performing in the Sam Wanamaker Playhouse 16 November – 16 December 2017 Writer Anders Lustgarten Director Matthew Dunster Designer Jon Bausor
Crisis is Born Meow Meow returns to Shakespeare’s Globe for a Christmas show like no other. Following her appearance in Emma Rice’s A Midsummer Night’s Dream in 2016, the post-modern cabaret sensation brings her hilarious and heart-wrenching festive extravaganza to the Sam Wanamaker Playhouse. This most untraditional of Christmas shows combines moments of hare-brained hijinks with poignant and tender reflections on loneliness, lost dreams and the apocalypse. You will not want to miss this chaotic whirlwind of a show, full of wit and surprises, all played out in the majestic setting of the Playhouse.
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‘Mad, subversive, anti-festive brilliance... Describing it doesn’t do it justice. Go and see it.’ Time Out
‘A supremely crafted show from a woman with an extraordinary voice and a wickedly witty offbeat sense of humour. Meow Meow is one Christmas present that won’t disappoint.’ The Guardian
Performing in the Sam Wanamaker Playhouse 20 – 31 December 2017 Conceived, created and performed by Meow Meow (with a little help from her friends) Originally commissioned by Southbank Centre. This show is recommended for ages 14+
Helena has lost and buried her father. Now an orphan – and an outsider – she pines for the love of Bertram, the son of her adopted family. He too is reeling from the death of his father. Will grief unite or divide them? When Bertram leaves to become the King’s ward, Helena risks her life to win his love, but only succeeds in driving him away. What follows is the story of one woman on a mission: a new kind of heroine who is prepared to stop at nothing to get what she wants. Set in a decaying world where kings are dying and wars are brewing, this is a knotty tale of young rebellion and boundless determination. After her ‘splendid’ (The Guardian) and ‘astonishingly powerful’ (Time Out) production of The Taming of the Shrew in 2016, Caroline Byrne brings this dark, twisted and dangerous interpretation of All’s Well That Ends Well to the candlelit intimacy of the Sam Wanamaker Playhouse.
‘The web of our life is of a mingled yarn, good and ill together’ Performing in the Sam Wanamaker Playhouse 11 January – 3 March 2018 Writer William Shakespeare Director Caroline Byrne Dramaturg Annie Siddons Designer Colin Richmond
An ageing Emperor and his Governor rage at the loss of their youth and beauty. Two fratricidal sons are spurred from victory in war to the warfare of love. And all four are besotted with the same Captive Queen. This timely story of passion, politics and patriarchy is a reimagining of John Dryden’s Restoration drama, Aureng-zebe (1675). The Captive Queen is set in the late 20th century during the last days of the great woollen mills of the north of England, but retains a flavour of Dryden’s original Mughal Indian setting. The original score by Niraj Chag re-creates the rhythms of war, of workmanship, and of India, providing the backdrop for the regular beat of Dryden’s rhyming couplets, which echo the relentless whirring of the machines. Barrie Rutter, Artistic Director of Northern Broadsides, assembles a cast of British Asian actors in this wry exploration of the folly of old age, the allure of power, and the bewildering effects of lust and desire.
‘...she shall know this hour, What is a husband’s and a monarch’s pow’r.’
Performing in the Sam Wanamaker Playhouse 2 February – 4 March 2018 Writer John Dryden Director Barrie Rutter Designer Jessica Worrall Composer Niraj Chag A Shakespeare’s Globe and Northern Broadsides co-production
A Reimagining Vivaldi’s The Four Seasons comes to thrilling, theatrical life in an exhilarating show combining Gyre & Gimble’s master puppeteers with a quintet of London’s finest musicians. The performance will conjure a poetic and emotional narrative in response to Max Richter’s acclaimed recomposition of Vivaldi’s masterpiece, which has been newly arranged for the Sam Wanamaker Playhouse. This unprecedented collaboration will explore the crystalline acoustic and candlelit ambience of the space in an enchanting new way. As well as being a composer, Max Richter is an accomplished pianist, producer and collaborator, and indisputably one of the most prolific of contemporary musical artists. Gyre & Gimble place puppetry at the heart of storytelling. The company, founded by former associate puppetry directors of War Horse, use puppetry to create compelling characters and tell fantastical, improbable – even impossible – stories. ‘[an] intelligent and deeply felt homage to Vivaldi’s great work.’
‘This out-does both War Horse and The Lion King in the puppetry stakes.’
The Telegraph on Recomposed by Max Richter: Vivaldi, The Four Seasons
The Guardian on Gyre & Gimble’s Running Wild
Performing in the Sam Wanamaker Playhouse 9 March – 21 April 2018 Composer Max Richter Directors Finn Caldwell and Toby Olié for Gyre & Gimble Set and Costume Design Paul Wills Puppet Design Finn Caldwell and Toby Olié
and Other Happier Tales To bring our season to a magical close, we welcome an old friend back to the Sam Wanamaker Playhouse. After a triumphant run in 2016, The Little Matchgirl and Other Happier Tales will once again have you crying with laughter and laughing through tears. As our destitute heroine struggles to survive, she strikes her matches to keep warm. Each match will conjure a new story, a new vision, and we will hold her hand as we tumble down the rabbit hole together. Inspired by the beautiful and devastatingly sad Hans Christian Andersen tale, The Little Match Girl, and combining Andersen’s other tales, The Princess and the Pea, The Emperor’s New Clothes and Thumbelina, The Little Matchgirl and Other Happier Tales reveals a spellbinding world of magic and mystery. Steeped in the metaphor and meaning that runs through the veins of Andersen’s enduring stories, this will be a night to delight, transport and surprise. For adults and brave children alike, expect music, puppetry, dark magic... and perhaps some modern truths that we would all rather remain hidden.
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‘An out-and-out triumph. Endlessly inventive, gloriously silly, poignant, topical, edifying.’
‘Theatre to snuggle down into on a frosty night.’
WhatsOnStage
The Guardian
Performing in the Sam Wanamaker Playhouse 27 March – 21 April 2018 From the stories by Hans Christian Andersen and Other Storytellers Writer and Co-Adaptor Joel Horwood Director and Co-Adaptor Emma Rice Designer Vicki Mortimer Composer and Additional Lyrics Stephen Warbeck Choreographers Etta Murfitt and Annie-Lunette Deakin-Foster Puppet Director Sarah Wright Puppet Designer Lyndie Wright A Shakespeare’s Globe and Bristol Old Vic co-production
sam wanamaker playhouse
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prices Fixed position standing £10 Seated £15, £20, £26, £32, £38, £48 £62 premium tickets also available
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Prices may vary by production. Please check when booking.
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Lords’ Lords’ Boxes Boxes
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PARKING Two parking spaces are available for disabled patrons. Spaces must be booked in advance and are allocated on a first-come, first-served basis.
Lower Gallery and Pit Upper Upper Gallery Gallery
fixed standing Lower
Lower Gallery Gallery
Pit Pit
Shakespeare’s Globe, New Globe Walk, Bankside, London SE1 9DT Shakespeare’s Globe is easily accessible by all forms of public transport. Visit shakespearesglobe.com/your-visit to plan your journey.
Deaf people And People with hearing Loss
Upper Upper Gallery Gallery
An induction loop is available at all performances. Hearing aids should be switched to ‘T’ or ‘3’ position to access the loops. Loops may be affected by climate.
Lower Lower Gallery Gallery
A small number of hearing loop enhancers are available; please ask at the Welcome Desk in the foyer on arrival. Please inform the Box Office or Access Information line if you wish to bring a hearing dog to a performance.
UPPER GALLERY
Stage Stage
Lords’ Boxes
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HOW TO FIND US
Please inform the Box Office if booking for captioned performances to ensure you have suitable seats.
To St Paul’s
UPPER TH
AMES STRE ET
BANKSIDE
Tate Modern
BANKSID
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To Waterloo National Theatre
SUM
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LOWER GALLERY
pit
Blind and Visually Impaired people Touch tours are available before audio-described performances. Guide dogs are welcome – please inform Box Office at the time of booking or email access@shakespearesglobe.com. Large format brochures are available on request.
SOUT HWAR K BRID GE
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A relaxed performance is intended to be sensitive to, and celebrating of, audience members who need a non-judgemental environment. There is a more casual approach than usual to front of house etiquette. We ask patrons to be aware of people’s needs to move or make involuntary noise. Amongst the magic and marvel of the season, patrons are advised that some of our tales contain tense and darkly suspenseful elements.
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STAGE STAGE
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RELAXED PERFORMANCES
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PIT PIT
Wheelchair users must inform the Box Office at the time of booking. Unfortunately, we may be unable to accommodate you if you book an unsuitable ticket or do not notify us at the time of booking.
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BEA
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NEW
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SEATING
Children and families are very welcome at Shakespeare’s Globe. A ticket is required for anyone aged 3 and over. The intimate nature of the Sam Wanamaker Playhouse may not be suitable for under 3s or babes-in-arms. Young children may find visibility from the Upper Galleries difficult, particularly from standing positions where visibility will be entirely obscured. If you have any questions or concerns, please speak to the Box Office when booking and they will be happy to advise. Please note that any child or group disturbing a show or other patrons may be asked to leave.
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Doorway Doorway
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Latecomers are admitted but may be asked to wait until a suitable point in the production or the interval.
CHILDREN
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LATECOMERS
A cloakroom is available (for a charge) for patrons attending performances. Large bags must be left in the cloakroom. Shakespeare’s Globe reserves the right to refuse oversized or obstructive items into the theatre, and cannot be held responsible for any personal items brought to the venue or left in the cloakroom. Random bag searches may take place.
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Shakespeare’s Globe provides a free Access Scheme with a view to improving the experience of visitors. Patrons who are members of the scheme are eligible for adjusted ticket prices. Visit shakespearesglobe.com/access to join.
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MILLENNI
If you have problems climbing stairs or suffer from vertigo, you are advised to book tickets in the Pit.
CLOAKROOM
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Wheelchair users
STAIRS
Seating consists of cushioned wooden benches.
Access Scheme
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Upper Gallery
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Doorway Doorway
All gallery seats are held up by pillars. The shape of the galleries and auditorium means that some seats are at an acute angle to the stage. Candelabra above the stage may move during a performance to create various lighting states. There is no seat from which the action is not obscured at some point. All seats are priced accordingly.
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VISIBILITY – PLEASE NOTE
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SITE MAP
Tel: 020 7902 1409 10.00am – 5.00pm, Monday – Friday access@shakespearesglobe.com
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To London Bridge
schedule
december Monday
Captioned performances Theatre captions are similar to television subtitles, turning the actors’ lines into text for Deaf, deafened and hearing impaired people. Please note that for captioned performances in the Sam Wanamaker Playhouse, captions are provided on individual captioning tablets. Please state the number of tablets you will require at time of booking.
Relaxed performances With a more relaxed view of front of house etiquette, these performances are intended to be sensitive to, and celebrating of, audience members who may enjoy a more relaxed environment. Audio-described performances Audio description translates actions on the stage into words for blind and visually impaired people.
Tuesday
4 Romantics Anon
7.30pm
2.00pm 7.30pm
Secret Theatre
7.30pm
7.30pm
12 Romantics Anon Secret Theatre
2.00pm 7.30pm
13 Secret Theatre Secret Theatre
2.00pm 7.30pm
18
6
19
✤
Tuesday
Wednesday
Thursday
Friday
Saturday
Sunday
20
21
22
Romantics Anon 23
24 7.30pm
30 Romantics Anon
Romantics Anon
25 7.30pm
Romantics Anon
7.30pm
26 Romantics Anon Romantics Anon
7.30pm
Romantics Anon
7.30pm
Romantics Anon
7.30pm
28 Romantics Anon Romantics Anon
2.00pm 7.30pm
27 2.00pm 7.30pm
Romantics Anon
29 The Alehouse
✤ 6.30pm
Romantics Anon
7 7.30pm
13
Romantics Anon
7.30pm
Romantics Anon
8 Secret Theatre Romantics Anon
2.00pm 7.30pm
9 Romantics Anon Secret Theatre
2.00pm 7.30pm
10 Secret Theatre Secret Theatre
1.00pm 6.30pm
7.30pm
15 Romantics Anon Secret Theatre
2.00pm 7.30pm
16 Secret Theatre Secret Theatre
2.00pm 7.30pm
2.00pm 7.30pm
23 Romantics Anon Apocalypse Meow
2.00pm 7.30pm
2.00pm 7.30pm
30 Romantics Anon Apocalypse Meow
2.00pm 7.30pm
7.30pm
Apocalypse Meow
7.30pm
22 Romantics Anon Apocalypse Meow
2.00pm 7.30pm
28 Romantics Anon Apocalypse Meow
2.00pm 7.30pm
29 Romantics Anon Apocalypse Meow
Tuesday
Wednesday
Thursday
Friday
Saturday
2
3
4 Romantics Anon Romantics Anon
5
6 Romantics Anon Romantics Anon
Romantics Anon
7.30pm
Romantics Anon
8
9
10
15
16
17 All’s Well All’s Well
7.30pm
All’s Well
7.30pm
22
All’s Well
7.30pm
23 7.30pm
All’s Well
11
2.00pm 7.30pm
All’s Well
7.30pm
25 All’s Well All’s Well
All’s Well
Romantics Anon
7.30pm
12 7.30pm
18
24 7.30pm
2.00pm 7.30pm
17
24
31 Apocalypse Meow
7.30pm
All’s Well
All’s Well
7.30pm
All’s Well
7.30pm
7.30pm
20 All’s Well All’s Well
2.00pm 7.30pm
21 Brodsky Quartet ✤ 3.00pm Brodsky Quartet ✤ 7.30pm
7.30pm
27 All’s Well All’s Well
2.00pm 7.30pm
26 2.00pm 7.30pm
All’s Well
7 2.00pm 7.30pm 14 Brodsky Quartet ✤ 3.00pm Brodsky Quartet ✤ 7.30pm
19 7.30pm
Sunday
13
Thursday
Friday
Saturday
Sunday
Monday
Tuesday
Wednesday
Thursday
Friday
Saturday
2
3
5
29
30
31
1
2
3
7.30pm
4 Romantics Anon Romantics Anon
2.00pm 7.30pm
7.30pm
11 Romantics Anon Romantics Anon
2.00pm 7.30pm
2.00pm 7.30pm
Romantics Anon
7.30pm
7.30pm
9 Romantics Anon Romantics Anon
2.00pm 7.30pm
Romantics Anon 15
21 7.30pm
Secret Theatre
7.30pm
22 Secret Theatre Secret Theatre
7.30pm
28 Romantics Anon Secret Theatre
2.00pm 7.30pm
29 Secret Theatre Secret Theatre
27
2.00pm 7.30pm
1 Romantics Anon Romantics Anon
2.00pm 7.30pm
Secret Theatre
Julie Fowlis
✤ 6.30pm
12
18
Captive Queen 5 All’s Well
6 7.30pm
Captive Queen
7.30pm
7 Captive Queen Captive Queen
7.30pm
13 All’s Well Captive Queen
2.00pm 7.30pm
14 Captive Queen Captive Queen
2.00pm 7.30pm
7.30pm
20 All’s Well All’s Well
2.00pm 7.30pm
21 All’s Well Captive Queen
2.00pm 7.30pm
7.30pm
27 All’s Well All’s Well
2.00pm 7.30pm
28 All’s Well Captive Queen
2.00pm 7.30pm
12
19
7.30pm
Secret Theatre
7.30pm
Secret Theatre
7.30pm
Secret Theatre
6.30pm
7.30pm
24 Secret Theatre Romantics Anon
2.00pm 7.30pm
25 Romantics Anon Romantics Anon
2.00pm 7.30pm
26 Secret Theatre Secret Theatre
1.00pm 6.30pm
30 Secret Theatre
Romantics Anon 17
23 2.00pm 7.30pm
Romantics Anon 10
16 Secret Theatre
Romantics Anon
1.00pm 6.30pm
Wednesday
8
14
20
3 Secret Theatre Secret Theatre
21
Sunday
28
february Tuesday
6
2.00pm 7.30pm
1
All’s Well
7.30pm
november Monday
Romantics Anon
All’s Well
31 7.30pm
2.00pm 7.30pm
2 Romantics Anon Secret Theatre
Monday All information correct at time of printing, but may be subject to change
Monday
27 Romantics Anon Apocalypse Meow
Saturday
1 Romantics Anon Romantics Anon
january
October
Romantics Anon
26
7 Secret Theatre Secret Theatre
Friday
14
20 Apocalypse Meow
25
Music event Please see our website for details of music events in the Playhouse.
Thursday
5 Romantics Anon Romantics Anon
11 Romantics Anon
Wednesday
All’s Well 19 All’s Well 26
7.30pm
All’s Well
8
9 Captive Queen All’s Well
7.30pm
Captive Queen
Captive Queen
6.30pm
2.00pm 7.30pm
10 All’s Well All’s Well
2.00pm 7.30pm
11 Captive Queen Captive Queen
1.00pm 6.30pm
2.00pm 7.30pm
18 Captive Queen Captive Queen
1.00pm 6.30pm
2.00pm 7.30pm
25 Captive Queen Captive Queen
1.00pm 6.30pm
Captive Queen
7.30pm
15 All’s Well All’s Well
2.00pm 7.30pm
All’s Well
7.30pm
17 All’s Well All’s Well
7.30pm
23 All’s Well All’s Well
2.00pm 7.30pm
24 All’s Well Captive Queen
Captive Queen
4 7.30pm
2.00pm 7.30pm
16
22
Sunday
March Wednesday
Thursday
Friday
Saturday
1
2 Captive Queen All’s Well
3 All’s Well All’s Well
Captive Queen 5
6
7
7.30pm
8
9
13
19
26
14
Four Seasons
7.30pm
20 Four Seasons Four Seasons
2.00pm 7.30pm
Four Seasons
15 7.30pm
Four Seasons
7.30pm
7.30pm
22 Four Seasons Four Seasons
2.00pm 7.30pm
7.30pm
29 Little Matchgirl Four Seasons
2.00pm 7.30pm
21
27
Four Seasons 28
Little Matchgirl 7.30pm
Little Matchgirl
Tuesday
Wednesday
2.00pm 7.30pm
10
Four Seasons 12
2.00pm 7.30pm
Sunday
16 Four Seasons Four Seasons
7.30pm
Four Seasons
1.00pm 6.30pm
11 7.30pm
Four Seasons
6.30pm
18 Four Seasons Four Seasons
1.00pm 6.30pm
17 2.00pm 7.30pm
Four Seasons
7.30pm
Four Seasons
7.30pm
24 Four Seasons Four Seasons
2.00pm 7.30pm
30 Four Seasons Little Matchgirl
2.00pm 7.30pm
31 Little Matchgirl Four Seasons
2.00pm 7.30pm
23
4 Captive Queen Captive Queen
25
april Monday
2 Little Matchgirl
7.30pm
3 Little Matchgirl Four Seasons
2.00pm 7.30pm
Four Seasons
7.30pm
7.30pm
10 Little Matchgirl Four Seasons
2.00pm 7.30pm
11 Four Seasons Four Seasons
2.00pm 7.30pm
7.30pm
17 Little Matchgirl Four Seasons
2.00pm 7.30pm
7.30pm
9 Little Matchgirl 16 Little Matchgirl
Thursday
4
Saturday
Sunday 1 Four Seasons Four Seasons
1.00pm 6.30pm
2.00pm 7.30pm
6 Little Matchgirl Little Matchgirl
2.00pm 7.30pm
7 Little Matchgirl Four Seasons
2.00pm 7.30pm
8 Four Seasons Four Seasons
1.00pm 6.30pm
Little Matchgirl
7.30pm
13 Little Matchgirl Little Matchgirl
2.00pm 7.30pm
14 Little Matchgirl Four Seasons
2.00pm 7.30pm
15 Four Seasons Four Seasons
1.00pm 6.30pm
19 Four Seasons Little Matchgirl
2.00pm 7.30pm
20 Little Matchgirl Four Seasons
2.00pm 7.30pm
21 Four Seasons Little Matchgirl
2.00pm 7.30pm
12
18 Four Seasons
5 Four Seasons Little Matchgirl
Friday
22
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DELIVERY CHARGE
TOP UP DONATIONS
All mailed tickets are subject to a postal charge of £1.50 ( UK ) or £2.50 (groups and overseas).
We receive no government funding and depend on our audiences to support our work and ambitions. Whilst booking your tickets please consider making an additional donation. Adding just a small amount to your ticket purchase will be of huge benefit to us.
020 7401 9919 REFUNDS and exchanges Shakespeare’s Globe cannot give refunds on any ticket sold. We can exchange tickets for a later performance of the same production on the condition that we receive the tickets at least 28 days before the performance. There is an administration fee of £2.50 per ticket (free for Friends of Shakespeare’s Globe).
(£2.50 transaction fee applies)
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