SHANE SMITH
Undergraduate Architecture Portfolio
INTRODUCTION Let me introduce myself. My name is Shane Smith; I recently graduated from the Clemson University School of Architecture. I am currently looking for a full time position after graduation. Let me help you get to know me as a person and hopefully my portfolio will give you a glimpse of my potential as a designer. I am an avid reader though some might say bookworm, and I am equally content to read a book on architecture theory as a science fiction novel and anything in between. That’s not to say I don’t live an active lifestyle; I spent a substantial portion of my free time at Clemson hiking the foothills searching out hidden waterfalls. I am an adventurer and a wanderer, and I’ve never been lost, though I have been mighty confused a few times. I am a food enthusiast (though a terrible chef) and though I am good with people I’m bad with jokes, I always seem to get the punchline wrong. I encourage you to take a look through my portfolio; within you will find a broad range of projects which showcase my talents as a designer. If you have questions or like what you see you can find my resume and contact information at the end of this portfolio. I look forward to hearing from you. Sincerely,
Shane Smith
Invigorate
Brew Crew
Creating A Revitalized Community
Mobile Nano-Brewery Design/Build Spring 2014 | Clemson, South Carolina
Spring 2012 | Fountain Inn, South Carolina
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Mobile Brew Team
Passeig Del Mercat Connecting Market Place to Public Space Fall 2012 | Barcelona, Spain
PATCH An Interface for Connectivity
Spring 2014 | Asheville, North Carolina
Illuminate Sculptural Lamp and Centerpiece Spring 2013 | Charleston, South Carolina
Fountain Inn, South Carolina Rendered perspective of Train Station
INVIGORATE
R E V I TA L I Z AT I O N T H R O U G H R E _ I N T E G R AT I O N Set in Fountain Inn, South Carolina; Invigorate was part of a master planning project for the town. Fountain Inn is a typical southern town on the decline; most of the industry from the town has dried up and moved on. All that is left is a shrinking downtown with no life to speak of, and a seldom used railroad that cuts through the town. The challenge of this project was to find a way to reconnect and revitalize Fountain Inn. My hope was that by redeveloping Fountain Inn as a destination to visit from the larger city of Greenville it would reinvigorate the downtown area and create a new vision of Fountain Inn. The second part of the project focused on the design of a critical element of the master plan. I chose to design a Light Rail station. By imagining a light rail from Greenville to Fountain Inn I provided a much needed link to the City both for the residents of Fountain Inn and an escape from the City for the residents of Greenville. I wanted my design to be an Iconic structure to represent a new beginning for Fountain Inn so while I held my design to the scale of the surrounding context I made no attempt to mimic the existing town. My Train Station features an ornamental canopy structure to shade and cover the platform area. The canopy was inspired by Origami corrugation patterns and is a variation on the Yoshimura folding pattern. The station itself is a small open concept plan nestled beneath the canopy that is mostly dedicated to circulation space. I wanted to add some texture to the glass faรงade without compromising the fullness of the light entering the space; After some research I found a product called Slump glass, a structural glass system that allows for greater spans of glass with less structural frame support.
SITE PLAN
CANOPY PLAN
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SECOND FLOOR PLAN
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FIRST FLOOR PLAN
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1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20.
ENTRY FOYER TICKETING BOOTH LOUNGE SEATING/CIRCULATION WOMENS RESTROOM MENS RESTROOM FIRE STAIR ELEVATOR STATION CAFE BOARDING PLATFORM DEBARKING PLATFORM ELEVATOR CATWALK ROOFTOP LOUNGE HALL WAITING AREA OFFICE SUITE FIRE STAIR ADMIN OFFICE CONFERENCE
R E V I TA L I Z AT I O N T H R O U G H R E _ I N T E G R AT I O N
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INVIGORATE
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INDEX
Fountain Inn, South Carolina Interior perspective of Train Station
R E V I TA L I Z AT I O N T H R O U G H R E _ I N T E G R AT I O N
SECTION A.02
INVIGORATE
SECTION A.01
eig ss Pa cia ra
G de
Site with relation to City Barcelona, Spain
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PASSEIG MERCAT C O N N E C T I N G M A R K E T P L A C E TO P U B L I C S PA C E
L’Eixample in Barcelona, Spain is a unique urban environment whose design owes its roots to Ildefons Cerda, a Spanish architect and urban planner who conceived of what is now the typical city block structure. L’Eixample is composed of square city blocks with chamfered corners which allow for ease of pedestrian movement, and a network of roads within the Eixample is composed of main arteries which connect centers of the city and subsidiary roads which network the neighborhoods together. While L’Eixample is an amazing example of urban planning it falls short of Cerda’s original plan. Cerda originally called for “green avenues for pedestrian movement between the blocks but future urban planners took advantage of the space and filled them in to be the four sided block that is typical in Barcelona. Pedestrian space is seeing a new rise in demand and the need to explore new options for the often dead space within the block is becoming more pressing. The Development of “Passeig del Mercat” (which in Catalan means Market Promenade) was an attempt to meet two needs at once while creating a unique usable space out of what is now a parking garage at the center of a block. Passeig combines a marketplace with a public square while retaining the existing parking structure that occupies the site. The goal was to create a hidden oasis above the converted parking structure for public activities and to improve the interior appearance of the block interior as a neglected façade. By introducing a walkable surface and green space above the market place and creating access to the site it became possible to redefine the interior of the block as a nucleus for social and commercial interactions.
Barcelona, Spain L’ Eixample at the Intersection of Passeig de Gracia and Gran Via
SECTION
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INDEX 1. 2. 3. 4. 5. 6. 7.
@ PROMENADE LEVEL
MARKET PLACE CATWALK SUNKEN COURTYARD STOREFRONT ENTRANCE ALLEY ENTRANCE HOTEL ENTRANCE ROOFTOP PROMENADE WITH GARDENS
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INTERIOR FLOOR PLAN @ STREET LEVEL
PASSEIG MERCAT C O N N E C T I N G M A R K E T P L A C E TO P U B L I C S PA C E
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Passeig, Market and Park Rooftop Render with Context
Section Perspective, Promenade In relation to Marketplace
SECTION A.01
Passeig del Mercat, Market and Park Entry Sequence C O N N E C T I N G M A R K E T P L A C E TO P U B L I C S PA C E
PASSEIG MERCAT DEL
Overhead view from office ELEVATED PATHWAY CORTEN LIGHT WELL GREEN ROOF EXISTING CATALAN VAULT EXISTING IRON STRUCTURE INTERIOR PATHWAY
Exploded Axon of Basic Elements
Asheville NC, MOOGFEST 2014 PATCH Architecture Installation
PATCH
A N I N T E R FA C E F O R C O N N E C T I V I T Y In the spring of 2014 my senior studio was challenged with the opportunity to create an engaging public installation space for Moogfest 2014, we responded with the concept of Patch: a place for interaction and connection between both festivalgoers and Asheville locals. Inspired by Bob Moog’s use of cables to patch singular sounds together to create complex songs within his legendary synthesizers, the installation aims to link the many diverse pixels (people, ideas, places) that inhabit our space into a collective image that expresses a common passion for design, music and innovation. Patch consists of four key interfaces to achieve this goal: a groundscape for comfortable conversation, a userscape with movable furniture and cell phone charging stations, a mediascape with photo backdrops and virtual interactive games, and a cloudscape that hovers over the users, acting as a visual landmark and providing shelter from the elements.
Asheville NC, MOOGFEST 2014 PATCH Architecture Installation Custom Stools
BROADWAY
ROSETTAS KITCHEN
LORETTA'S
EMERALD LOUNGE
TV EYE
VOLTAGE
BLEND
I DO DANCES
ON A ROLL
12' FIRE LANE INFLATABLE CANOPY CLASS A TYVEK WITH PARACORD SAFTEY CABLES
120 VOLT BLOWER FAN FOR INFLATABLE ABOVE CONTAINER AND LIGHTING (2 OUTLETS) TYP.
20' ISO SHP. CONT.
NOTE: ALL EXTENTION CORDS COVERED WITH CABLE DROP COVER " YELLOW jACKET" TYP.
DRAWING USED FOR CITY PERMITING
10' ISO SHP. CONT.
19'-6"
10' ISO SHP. CONT.
19'-2"
MAP ART INSTALLATION 110 VOLT OUTLET TYP.
20' ISO SHP. CONT. 41'-6"
TEMPORARY INSTALLATION PLAN
26'-8"
36'-8"
20'-4"
10' ISO SHP. CONT.
10' ISO SHP. CONT.
19'-2"
I-240 ABOVE
CHARGING STATION: 120 VOLT NOTE: 30 STOOLS MULTI CHARGER AND LED PER "ROOM" TYP. LIGHTING (2 OUTLETS) TYP.
39'-6"
27'-4"
1
12' FIRE LANE
N. LEXINGTON AVE..
12' FIRE LANE
GENERATOR 2
NOTE: 30 STOOLS PER "ROOM" TYP.
FOREVER TATTOO
10' ISO SHP. CONT.
NOTE: ALL EXTENTION CORDS COVERED WITH CABLE DROP COVER " YELLOW jACKET" TYP.
10' ISO SHP. CONT.
20' ISO SHP. CONT. 25'-8"
24'-10"
ADHESIVE REMOVABLE OUTDOOR GROUND SURFACE EACH "ROOM" GENERATOR 1
39'-0"
INFLATABLE CANOPY CLASS A TYVEK WITH PARACORD SAFTEY CABLES
A N I N T E R FA C E F O R C O N N E C T I V I T Y
PATCH
Asheville NC, MOOGFEST 2014 Overall Render of PATCH Installation
Asheville NC, MOOGFEST 2014 Snapshot Render of PATCH Installation
WHY PATCH?
WHAT are we patching?
Inspired by Bob Moog’s way of patching synthesizers.
..that starts with the city of Asheville itself.
WHO?
WHY?
GATHERING SPACES WITHIN OUR SITE
FESTIVAL GOERS + ASHEVILLE LOCALS
SPACES BETWEEN VENUES + WITHIN THE CITY
Virtual Connection
Physical Connection
Physical Connection
Virtual Connection
INTERACTIVE EXPERIENCES: MOOGFEST + ASHEVILLE
Physical Connection
Virtual Connection
A N I N T E R FA C E F O R C O N N E C T I V I T Y
to provide an engaging interstitial space that fuses the surrounding Moogfest venues.
PATCH CONNECTS PEOPLE, IDEAS & PLACES THROUGH AN INTERFACE...
PATCH
Our Task
How?
THROUGH A SERIES OF INTERFACES
VIRTUAL_SCAPE QR Tag + Media Patching
CLOUD_SCAPE
Inflatable Canopies + Charging Stations
USER_SCAPE
Furniture Elements
STREET_SCAPE Shipping Containers
A N I N T E R FA C E F O R C O N N E C T I V I T Y
PATCH
DATE:
04.21.14
BREW CREW DATE:
MOBILE NANO-BREWERY DESIGN/BUILD
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04.21.14
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Mobile Brew Team
The Nano- Brewery Project was developed for a creative inquiry in the Spring of 2014. The Clemson University Brew Crew a campus club wanted a mobile platform to mount their Nano-Brewery System which they could then take to brew festivals around the country to use as a teaching mechanism. This project came with many challenges; the first of which was the very narrow budget, we were given $1,000 to provide the club with a fully functional mobile platform for brewing. In order to make the most of this budget we acquired a trailer used for a previous design/build that had fallen out of use and begun to deteriorate and which the club could lease until they had the funds to purchase it outright. The Trailer now formed the foundation of the project and we had to constrain our design to fit within its envelope. The result is a compact program contains Kitchen facilities, storage space, Brew space and a teaching porch from which the club can educate participants on the science of brewing and their own unique brew system. We utilized a variety of materials and construction methods to create the space. Most of the major elements were cut on the CNC Router to cut down on material waste. Also Several Items such as the sink and water return tank were reclaimed and repurposed materials salvaged from the junk yard. Construction Began in July 2014 and is expected to be complete in early August. Photos of the final product will follow when they become available.
NOTES:
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Polycarbonate stair treads on all frames in 5 Fascade Skinning Guide: Exterior Plywood front of an opperable door. Seal all edges (painted white with latex paint). with heat activate shrink wrap. Attach to Fascade Skinning Guide: Galvalume 6 steel frame with self tapping screws. (dark grey). 2 Untreated exterior plywood - Attached to joists in subfloor. Covered by vinyl tile with epoxy adhesive paint. 1
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10’ 1x6 pressure-treated wood (2) used for running board. Attach to steel frame using self tapping screws. 4 2 pc. counter top. Maple finish grade plywood poly coated and covered with resin. Tabbed into wall and legs. 3
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ROOF PLAN
SCALE: NOT TO SCALE
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MEASURED FLOOR PLAN
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FLOOR FRAMING PLAN
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Mobile Brew Team
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ELEVATIONS
SCALE: NOT TO SCALE
MOBILE NANO-BREWERY DESIGN/BUILD
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Fascade Skinning Guide: Exterior Plywood 1 Tabed cabinetry. CNC routed 3/4� maple (painted white with latex paint). plywood. Treated with poly rub and sanded three times. 2 Fascade Skinning Guide: Galvalume Sliding doors on two tracks. Maple frames 2 (dark grey) routed to house cut to size galvalume. wheels attached on both sides of the 3 Fascade Skinning Guide: Polycarbonate frame. 3 Installed refrigerator. 4 CNC route Brew Crew Logo into rear top plywood sheet. Paint original surface with white latex paint. Cover recessed surface with deck sealant. 1
BREW CREW
1 3
NOTES:
NOTES: Galvalume Roofing. Overlap one corrigation totalling 3 sheets from side to side. Overlap 2 sheets (modify length if necessary) so that the ends overlap over one full span between the steel supports. 2 Plytood wall. Exterior grade plywood Attach to frame using self tapping screws. painted white with latex paint. Rubber Seal all seams with silicone caulk. C-channels attached to top and bottom of plywood sheets. Fill the seem with Sliding doors on two tracks. Maple frames 4 silicone. Attach to steel frame using routed to house cut to size galvalume. self-tapping screws. wheels attached on both sides of the frame. 1
Install sink system into counter top with faucet, sink basin, water tank and drain tank.
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Mobile Brew Team
MOBILE NANO-BREWERY DESIGN/BUILD
BREW CREW
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Step One: Strip Frame of paint, Repair and grind structural members, Prime and Repaint.
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Step Two: Frame floor joists, Apply plywood Sub-floor and Composite Vinyl Tiles. Install Water Tank.
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Step Three: Cut and Install stair treads out of 1” White Polycarbonate
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Step Four: Install Front and Rear wall panels (3/4” Pine Plywood) Sealed and painted with White exterior grade Enamel
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Step Five: Apply Galvalume to remaining walls and roof overlapped by one corrugation, afix with 3/4” Self tapping screws.
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Step Six: Install cabinetry and countertops, Sink, Fridge and other Electrical and Plumbing Fixtures.
Box Project View from above into lamp
ILLUMINATE SCULPTURAL LAMP AND CENTERPIECE
Illuminate began as a project in an Intro to Craft Studio; the original project was to build a box, the box could contain anything so long as it fit within the volumetric limits of the project. After some thought about what I would put in a box and if the box would be used often, I began to think of unconventional things to put in a box; this is how Illuminate was born. I wanted to design a Box to contain light; a traditional lamp with a shade was not an option. The end result of my design is a truncated prism composed of two components; the base and the shade. The shade is built like a lattice that is denser at the base than the top, this allows light to bleed out from the larger openings and less from the tighter weave. The base contains all of the electrical components of the lamp. Because the lamp is intended to act as a centerpiece I did not want it to have a cord so I incorporated a battery operated system that is activated by remote. The lamp is not intended as a source of light in most cases, rather it is intended to be used for ambience or low lighting.
ORDER OF OPERATIONS:
LATTICE CONSTRUCTION 1. Cut 1 12” segment from walnut using circular saw 2. On Band Saw split in half 3. Plane and Join to ¼” thickness 4. Assemble DADO Blade on Table Saw and use Sled to Adjust height of blade to cut 1/8” 5. DADO board segments in specified increments on one side of Boards 6. Flip boards and DADO second set of specified increments 7. Check that measurements between alternating DADO cuts are correct 8. Replace fine cut blade on Table Saw and rip boards into ¼ X ¼” strips (88) 9. Divide Strips into 4 equal groups of 22 10. Weave strips together according to pattern beginning at the Dense base area 11. Glue Lattice together and set aside to dry FRAME CONSTRUCTION 1. From unfinished piece of Walnut cut one 20” segment using circular saw 2. Join and Plane to ½” 3. Rip into (4) 2” strips on table saw and set aside remainder for later 4. STEPS 5 THROUGH 10 APPLY TO ALL FOUR 2” STRIPS (SIMULTANEOUS EXECUTION) 5. Set angle of blade on table saw to 45.555 degrees 6. Cut wood so that inside of the miter is ¼” from edge of wood ( verify that transverse dimension is ¾” long) 7. Reverse wood and cut another miter to bookend miter joint 8. Trim flat outside edge of second piece to that inside of miter is ¼” from new edge. 9. Set up DADO Blade to 1/4” and set height to cut ¼” deep; rip outside corners of miter joint along the entire length of the segment 10. DADO mitered strip on Inner Top edge @ 82 Degrees 11. Set aside for later (8PCS)
12. STEPS 12 THROUGH 16 APPLY TO ALL FOUR SIDES OF TOP FRAME 13. Using section of board planed to ½” set aside in (step 3 of FRAME CONSTRUCTION) rip one ¾” strip from edge and set aside remaining for use later. 14. Set angle of Table Saw to 82 Degrees and trim (2) parallel sides of strip so that the width between has a dimension of ½” 15. Set up DADO Blade on Table Saw @ ¼” at a cutting height of ¼” at an 82 Degree angle and DADO a ¼” strip from edge of segment 16. Cut into (4) equal segments using Compound Miter Saw 17. Replace Cross Cut Blade and angle to 45.555 Degrees and miter ends of segments so that the dimension along the outer face is ( ) (Verify that four segments form a square with side dimension of ( ) and set aside for later. 18. STEPS 19 THROUGH 22 APPLY TO ALL FOUR SIDES OF BOTTOM FRAME 19. Using section of board planed to ½” Set angle of Table Saw to 82 Degrees and rip (2) ¼” strips from edge and set aside remaining for use later 20. Lay strip flat in ½” dimension and rip to ¼” 21. Using Compound Miter Saw cut into 10” segments 22. On Table saw angle blade to 45.555 Degrees and miter ends of segments so that long dimension on outside is (8”) ASSEMBLY OF FRAMES 1. Assemble 4 individual trapezoidal frames together and glue ATTACHING THE LATTICE TO FRAMES 2. Overlay the frames on the Latticework and trace Edges onto Lattice 3. Using the Band Saw cut excess from verticals and Rough trim horizontals 4. Angle Table Saw Blade to 82 Degrees and trim horizontals Flush with tracings 5. Glue lattice to frames 6. Glue individual frames together along miter joint to form a trapezoidal prism END OF LAMP SHADE CONSTRUCTION.
RESUME RELEVENT SKILLS PROGRAMS
AutoCAD Rhino Sketch Up Revit MasterCam Illustrator Photoshop InDesign Muse AfterEffects Maxwell Render 3DS MAXX Grasshopper V-Ray Autodesk Inventor
DIGITAL FABRICATION 3D Printer Use/Maintenance/Repair Laser Cutter Use/Maintenance/Repair CNC Router Use/Maintenance/Repair
WOODWORKING
Proficient with a variety of woodworking tools. See portfolio for sample project [ILLUMINATE]
METALWORKING
Welder [MIG] Plasma Cutter Gas Welder/Cutter
OBJECTIVE:
To gain experience in multiple categories of architecture design and scale in order to grow as a designer and determine my future career path.
EDUCATION:
Clemson University: Clemson, South Carolina
AFFILIATION:
Degree: Bachelor of Arts Major:Architecture GPR: 3.0 Major GPA: 3.9 Minor: Business Administration Expected Graduation: August 8, 2014
Alpha Lambda Delta Honors Fraternity (ALD) American Society of Architecture Students (AIAS) Clemson Outdoor Recreation Education (CORE) Outdoors Club Member Club Teams: Ultimate Frisbee, Softball
AWARDS:
Palmetto Fellows Scholarship ($7,500 Annual) Trustee Scholarship ($2,500 Annual) Dean’s List
Woodland High School: Graduated May, 2010 Saint George, South Carolina
AFFILIATION:
GPA: 4.0
National Honors Society National Technical Honors Society Interact Club FIRST Robotics Team (BOSCH TEAM 342) Varsity Cross Country Team 2006-2010
ARCHITECTURAL EXPERIENCE:
Byers Design Group: Full Service Architecture & Landscape Architecture Firm
CONTACT INFO Shane M. Smith Preferred Email: shane3@clemson.edu
Alternate Email: smsarch21@gmail.com
Phone: 843.560.0860 Mailing Address: 373 1st Texas Rd. Saint George SC, 29477
Project Types: Commercial, Mixed Use, Residential Period: January 2013 – June 2013 (7 months) Position: Architectural Intern CAD Drafting Translating sketches to measured drawings Creation Responsibilities:
of construction documents Code research Some small scale project management Contact/Reference: Sandy Byers (Principle) Luke Jarrett (Principle)
Address: 125.5 Spring St.
Charleston SC, 29403
Phone: 843.577.5703
RELATED EXPERIENCE:
Bourne Group: Graphic design of all facets of onboard signage for cruise vessels. Period: Freelance May 2013 - July 2013 Position: Freelance Graphic Designer Responsibilities: Graphic design of cabin life saftey documents for the Carnival Triumph and P&O Cruises Pacific Jewel
Dover Hydraulics: Hydraulic Systems repair shop Period: May 2012 – August 2012 (Summer Job) Position: Office Assistant/CAD Designer Responsibilities: Office Responsibilities: Clerical work Shipping and Receiving Billing and Invoicing Inventory Management Purchasing Customer assistance.
CAD Design Responsibilities; Designed replacement hydraulic assemblies to be contracted out for production and for internal use.
Banks Construction: Asphalt Paving and Land Grading Company Period: May 2010 – August 2010 (Summer Job) Position: Plant Maintenance/Laborer Responsibilities: Landscaping and Basic Maintenance of Plant Machinery and Grounds Operated CAT Loader and other Equipment as needed.
Landmasters Development: Underground Utilities Contractor (Storm Drain/Water/Sewer) Period: May 2008 – August 2008 / May 2009 – August 2009 (Summer Job) Position: Laborer Responsibilities: General Job Labor, assisted crew in installation and repair of Storm/Water and Sewer Systems. Trained on CAT Track-hoe and Loader.