WARHOL, ANDY. General Custer.
Screenprint in colours on light cardboard, 1986, one of 50 Artist’s Proofs from a total edition of 250, signed lowerleft, with the artist’s copyright inkstamps on the reverse, published by Gaultney-Klineman Art, New York, printed by Rupert Jasen Smith, New York, with the blind stamp lower right, 91.5x 91.5cm.
WARHOL, ANDY. Shoes.
Screenprint in colours with diamonddust, 1980, on ArchesAquarelle Cold Pressed paper, signed, inscribed and numbered in pencil on the reverse, an hors commerce impression aside from the edition of 60, published by the artist with his copyright inkstamp on the reverse, printed by Rupert Jasen Smith, New York. Published by Andy Warhol, New York, 101 x 150.8cm.
WARHOL, ANDY. Mick Jagger.
Silkscreen in colours, 1975, on textured watercolour paper by Arches, signed by the artist, numbered from the edition of 250, additionally signed in red felt-tip pen by Mick Jagger, printed by Alexander Heinrici, New York, published by Seabird Editions, London, with stamp on the reverse, 111 x 73.5cm.
WARHOL, ANDY. Vesuvius.
Screenprint in colours, 1985, on Arches 88 paper, from the edition of 57 unique trial proofsaside from the standard edition of 250, signed in pencil lower right, printed by Rupert Jansen Smith, NY, with his blindstamp, published by Fondazione Amelio, Naples, Italy., with the artist's copyright stamp and the publisher's stamp verso, with the collection stamp of Donald J. Christal, 80 x 100cm.
WARHOL, ANDY. Tattooed Woman Holding Rose.
Offset lithograph printed in orange on thin green wove paper, circa 1955, with The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts ink stamps and inscribed 'PM15.0365' in pencil, verso, 74.3 x 28cm.
WARHOL, ANDY. Cooking Pot.
Etching on paper, 1962/64, stamped with the Andy Warhol stamp, an E.A. from the edition of 60, printed by Atelier Georges Leblanc, Paris, published by Galleria Schwarz, Milan, 25.8 x 19cm.
POONS,
LARRY. 89AS-1.
Acrylic, mixed media on canvas, signed and titled verso, 25.4 x 120cm.
POONS, LARRY. Boy Bandit King.
Acrylic on canvas, signed, titled and dated verso, 163.8 x 309cm.
POONS, LARRY. 82H-14.
Acrylic on canvas, signed, titled and dated verso, 87.6 x 49.3cm.
POONS, LARRY. 01AS-3.
Acrylic on canvas, signed and dated verso, 47.6 x 59cm .
ANUSZKIEWICZ, RICHARD. Of the Same Brilliance.
Liquitex on board, 1964, signed and dated 'RICHARD ANUSZKIEWICZ 1964' reverse, 61.3 x 91.4cm.
ANUSZKIEWICZ, RICHARD. Untitled.
Acrylic on board, 1985, signed and dated and inscribed '780' verso, 53.3 x 40.6cm.
ANUSZKIEWICZ, RICHARD. Untitled.
Acrylic on board, 1985, signed and dated and inscribed '780' verso, 53.3 x 40.6cm.
ESTES, RICHARD. Urban Landscapes No. 3.
The complete set of eight screenprints in colours, 1981, on Fabriano Cotton paper, with full margins, all signed and numbered from the edition of 250 in pencil (there were also 15 artist's proofs), published by Parasol Press, Ltd., New York, 50 x 70cm.
HARING, KEITH. Bad Boys.
The complete set of six silkscreens, 1986, on B.F.K. Rives paper, each signed and numbered A.P. from the edition of 7 aside the standard edition of 30, printed by Ger Stahlhofer, Rotterdam, published by House Bebert, 50.8 x 65.7cm.
HARING, KEITH. The Story of Red and Blue.
The complete set of 20 lithographs in color, 1988, each signed, dated and numbered AP from the edition of 90, large folio, title-page, dedication page, with the artist’s printed signature, stamp of authenticity verso, 56 x 42cm.
ROSENQUIST, JAMES. Miles from America: The Third Century.
Lithograph in colours, 1975, on wove paper, signed and dated in pencil, numbered from the edition of 200, published by APC Editions, New York, 76.3 x 56.7cm.
RAUSCHENBERG, ROBERT. Miles from America: The Third Century.
Screenprint with collage additions in colour, 1975, on wove paper, signed and dated in pencil, numbered from the edition of 200, published by APC Editions, New York, 76.3 x 56.7cm.
NEVELSON, LOUISE. City-Sunscape.
Polyester resin multiple, 1979, with the artist's incised signature and date on a metal plaque affixed verso, numbered from the edition, 150, published by Pace Editions, Inc., New York, 32.4 x 22.9 x 5.1cm.
WEI WEI, AI. Papercut Portfolio.
Portfolio of eight papercuts, each signed and numbered from the edition of 250, published by Taschen, 60 x 60cm.
JOHNS, JASPER. Savarin 4.
Lithograph, on Richard de Bas paper, 1978, signed and dated in pencil, numbered from the edition of 42, published by ULAE, West Islip, New York, with their blind stamp, 65.7 x 50.2cm.
VALDES, MANOLO. Don Juan.
The complete set of ten etchings in colour, 2007, on handmade Richard de Bas paper, signed and numbered from the deluxe edition of 12 sets in Roman numerals published by Edouard and Julien Weiss, Paris, 75.4 x 55cm.
LICHTENSTEIN, ROY. Imperfect Diptych, from: Imperfect Series Woodcut and Screenprint with collage in colours, 1988, on Archivart 4-ply Museum Board, signed and dated in pencil, numbered from the edition of 45, printed & published by Gemini G.E.L., Los Angeles, with their blindstamps, inkstamp and workshop number verso, 117.5 x 231.1cm.
LICHTENSTEIN, ROY. Modern Head #4, from: Modern Head Series.
Lithograph in colours, 1970, on engraved aluminium, with incised signature and date on the reverse, numbered from the edition of 100, published by Gemini G.E.L., Los Angeles, with their copyright screenprint mark verso, in the original polished aluminium frame, 53 x 44cm.
Screenprinted vacuum-formed Plexiglas multiple in colours,1967, scratch-signed, dated and numbered from the edition of 101, mounted to a card support, 36.1 x 32.9 x 2cm.
WESSELMANN, TOM. Seascape (Foot).
JOHNS, JASPER. Four Panels from Untitled
The complete set of four lithographs printed in colours with embossing, 1973-74, each signed in pencil, inscribed 'A/D', 'B/D', 'C/D' and 'D/D' respectively and numbered from the edition of 45, the first dated, on Laurence Barker handmade paper, with the blindstamp of the printer and publisher, Gemini G.E.L., Los Angeles,104 x 74cm.
LICHTENSTEIN, ROY. Illustration for ‘Amérique’, from La Nouvelle Chute de l'Amérique
Etching with aquatint, 1992, on 250-gram Velin d’Arches paper, initialled and numbered from the edition of 80, printed by Atelier Dupont-Visat, L’Inediteur, Paris, published by Les Editions du Solstice, Paris, 35.4 x 48cm.
LICHTENSTEIN, ROY.Illustration for ‘Auto Poésie: en Cavale de Bloomington’, from La Nouvelle Chute de l'Amérique
Etching with aquatint, 1992, on 250-gram Velin d’Arches paper, initialled and numbered from the edition of 80, printed by Atelier Dupont-Visat, L’Inediteur, Paris, published by Les Editions du Solstice, Paris, 35.4 x 48cm.
LICHTENSTEIN, ROY. Illustration for ‘De Denver au Montana, Départ 27 Mai 1972’ (II), from La Nouvelle Chute de l'Amérique
Etching with aquatint, 1992, on 250-gram Velin d’Arches paper, initialled and numbered from the edition of 80, printed by Atelier Dupont-Visat, L’Inediteur, Paris, published by Les Editions du Solstice, Paris, 35.4 x 48cm.
LICHTENSTEIN, ROY. Illustration for ‘Hüm-Bum!’, from La Nouvelle Chute de l'Amérique
Etching with aquatint, 1992, on 250-gram Velin d’Arches paper, initialled and numbered from the edition of 80, printed by Atelier Dupont-Visat, L’Inediteur, Paris, published by Les Editions du Solstice, Paris, 35.4 x 48cm.
PISTOLETTO, MICHELANGELO. Cartella A.
Complete set of four screenprints in colour,1983, on polished aluminum foil, signed and numbered from the edition of 500, published by Fratelli Alinari Stamperia d'Arte, Florence, 42 x 33cm.
JOHNS, JASPER. The Critic Sees.
Embossing and screenprint, 1967, signed, titled and dated from the edition of 200, published by Tanglewood Press, New York, 60.96 x 50.8cm.
HOCKNEY, DAVID. My Window, ‘No. 281’, 23rd July 2010
8-color inkjet print, 2009, on cotton-fiber archival paper, signed and numbered by the artist, published by Taschen, London, Book Edition of 250, 43.2 x 56cm.
HOCKNEY, DAVID. My Window ‘No. 610’. 23rd December 2010
8-color inkjet print, 2009, on cotton-fiber archival paper, signed and numbered by the artist, published by Taschen, London, Book Edition of 250, 43.2 x 56cm.
HOCKNEY, DAVID. My Window ‘No. 778’. 17th April 2011
8-color inkjet print, 2009, on cotton-fiber archival paper, signed and numbered by the artist, published by Taschen, London, Book Edition of 250, 43.2 x 56cm.
JOHNS, JASPER. Evian Black State.
9-colour lithograph, 1972, signed, dated and numbered from the edition of 64 in pencil, printed and published by Universal Limited Art Editions, Ink. 109 x 74cm.
RAUSCHENBERG, ROBERT. Suite of Nine Prints.
Complete set of nine offset lithographs, 1979, silkscreen on vellum, signed, dated and numbered from the edition of 100, published by Multiples, Inc., New York with the blind stamp of the printer Styria Studio, New York., 78 × 59cm.
LICHTENSTEIN, ROY. Imperfect print.
Woodcut with screenprint and collage in colours, 1998, on 3-ply Supra 100 paper, signed in pencil, dated, numbered from the edition of 45, printedand published by Gemini G.E.L., Los Angeles, 170.6 x 231cm.
VASARELY, VICTOR. Axo 99.
Hand-painted acrylic on wood three-dimensional multiple, 1990, signed and numbered from the edition of 175, published by Circle Fine Art Corporation, Chicago, 70 × 10 x 34.5cm.
VASARELY, VICTOR. Tsillag.
Hand-painted acrylic on wood three-dimensional multiple, 1990, signed and numbered from the edition of 175 in ink, 52.7 x 61 x 79cm.
STELLA, FRANK. Yellow Journal.
Lithograph, 1982, on white Arches Cover, mould-made paper, signed, dated and numbered in pencil, an A.P. aside the edition of 50, published by Tyler Graphics Ltd., Bedford Village, NY, 133.5 x 97.8cm.
STELLA, FRANK. Jonah Historically regarded.
Etching, aquatint, relief, screenprint, drypoint, carborundumand engraving, 1991, on white TGL handmade paper, signed, dated and numbered from the edition of 30, Published by Tyler Graphics Ltd, Mount Kinsco, NY, 186.7 x 139.1cm.
NAM JUNE PAIK. Robot.
Mixed metal multiple with lightbulb, 1990, signed in black ink, dated, numbered from an edition of 91 unique works, published by Edition Mönchehaus-Museum, Goslar, Germany, height: 55 cm.
TWOMBLY, CY. Five Greek Poets and a Philosopher
The complete set of seven lithographs with embossing, 1978, on Richard de Bas mould-made paper, initialled and numbered in pencil from the edition of 40 verso, printed by Matthieu Studio, Zurich-Deilsdorf, published by Propylaen Verlag, each 65 x 50cm.
RAUSCHENBERG, ROBERT. Sign.
Screenprint in colours, 1970, on wove paper, signed in pencil, dated and numbered from the edition of 250, printed and published by Castelli Graphics/ Styria Studio, New York,108.5 x 85.6cm.
LICHTENSTEIN, ROY. Flowers.
Screenprint, 1973, on wove paper, stamped initialled by Roy Lichtenstein, numbered from the edition of 380, published by Galerie Beyeler, 40.5 x 25cm.
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TERMS AND CONDITIONS
The conditions of all prints has been described; all items in this catalogue are guaranteed to be complete unless otherwise stated.
VAT number G.B. 105 103 675
NB: the illustrations are not equally scaled Exact dimension will be provided on request
Design Costanza Sciascia
Photography Magdalena Wittchen and Natasha Marshall