Baskerville Type Specimen by Sharfaa Badurdeen

night is&&& only a sort of paper, &&&&&&&& Blueblack, with the much-poked periods &&&&&&&&&&&&&& Letting in the light, peephole after peephole --A&&&&&&&&&&&&&&&&&& bonewhite light, like death, behind all things. Under the eyes of the stars and the moon’s rictus He&&&&&&&&&&&&&&&&&&&&&& suffers his desert pillow, sleeplessness Stretching its fine, irritating sand in all directions. &&&&&&&&&&&&&&&&&&&&&&&&&&&&

Sylvia Plath poetry in

“

Nightlong, in &&&&& invisible cats &&&&&& Have been howling damaged instru&&&&&&& Already he can &&&&&& white disease, Creeping up &&&&&& of trivial repe&&&&& The city is a map of now, &&&& And every&&&& eyes mica-sil-

carbon

&&& of stars &&&& &&&& &&&&& && &&& & Over and over the && && old, gran&& ular movie Exposes && embarrass&&& &&& ments--the mizzling &&& days &&&& Of childhood and &&&& adolescence, &&&& sticky with dreams, &&&& Parental faces &&&&& on tall stalks, alternately &&&&& stern and &&&&& tearful, A garden of &&&&& buggy rose that &&&&&& made him cry. His forehead is bumpy as a sack of rocks. &&&&&&&&&&&&&&&&&&&&&&&&& Memories jostle &&&&&& each other for face-room like &&&&&& obsolete film stars. &&&&&& He is immune to &&&&&& pills: red, purple, blue --&&&&&&& How they lit the &&&&&&& tedium of the protracted evening! &&&&&&& Those sugary plan&&&&&&& ets whose influence won for him &&&&&&& A life baptized in no&&&&&&& life for a while, And the sweet, &&&&&&& drugged waking of a &&&&&&&& forgetful baby. Now the pills are &&&&&&&& worn-out and silly, like &&&&&&&& classical gods. Their poppy-sleepy &&&&&&&& colors do him no &&&&&&&& good. &&&&&&&& His head is a little inte&&&&&&&& rior of grey mirrors. Each gesture flees &&&&&&&& immediately down an &&&&&&&& alley Of diminishing &&&&&&&& perspectives, and its significance &&&&&&&& Drains like water out &&&&&&&& the hole at the far end. He lives without priva&&&&&&&& cy in a lidless room, &&&&&&&& The bald slots of his eyes stiffened wide&&&&&&&& open &&&&&&& On the incessant heat-lightning flicker &&&&&&& of situations. &&&&&&& the granite yard, &&&&&&& &&&&&&& like women, or ments. &&&&&& feel daylight, his &&&&&& with her hatful &&&&& titions. &&&&& cheerful twitters &&&&& where people, &&&& ver and blank,

”

baskerville

Are riding to work in rows, as if

The night is only a sort of carbon paper, Blueblack, with the much-poked periods of stars Letting in the light, peephole after peephole --- A bonewhite light, like death, behind all things. Under the eyes of the stars and the moon’s rictus He suf fers his desert pillow, sleeplessness Stretching its fine, irritating sand in all directions. Over and over the old, granularmovie Exposes embarrassments--the mizzling days Of childhood and adolescence, sticky with dreams, Parental faces on tal stalks, alternately stern and tearful, A garden of buggy rose that made him cry. His forehead is bumpy as a sack of rocks Memories jostle each other for face-room like obsolete film stars. He is immune to pills: red, purple, blue --- How they li the tedium of the protracted evening! Those sugary planets whose influence won for him A life baptized in no-life for a while, And the sweet, drugged waking of a forgetful baby. Now the pills are worn-out and silly, like classical gods. Thei poppy-sleepy colors do him no good. His head is a little interior of grey mirrors. Each gesture flees immediately down an alley Of diminishing perspectives, and its significance Drains like water out the hole at the far end. He lives without pri vacy in a lidless room, The bald slots of his eyes stiffened wide-open On the incessant heat-lightning flicker of situations Nightlong, in the granite yard, invisible cats Have been howling like women, or damaged instruments. Already he can fee daylight, his white disease, Creeping up with her hatful of trivial repetitions. The city is a map of cheerful twitters now And everywhere people, eyes mica-silver and blank, Are riding to work in rows, as if recently brainwashed. The night is only a sort of carbon paper, Blueblack, with the much-poked periods of stars Letting in the light, peephole after peephol --- A bonewhite light, like death, behind all things. Under the eyes of the stars and the moon’s rictus He suffers his deser pillow, sleeplessness Stretching its fine, irritating sand in all directions. Over and over the old, granularmovie Exposes em barrassments--the mizzling days Of childhood and adolescence, sticky with dreams, Parental faces on tall stalks, alternate ly stern and tearful, A garden of buggy rose that made him cry. His forehead is bumpy as a sack of rocks. Memories jostle each other for face-room like obsolete film stars. He is immune to pills: red, purple, blue --- How they lit the tedium of th protracted evening! Those sugary planets whose influence won for him A life baptized in no-life for a while, And the sweet drugged waking of a forgetful baby. Now the pills are worn-out and silly, like classical gods. Their poppy-sleepy colors d him no good. His head is a little interior of grey mirrors. Each gesture flees immediately down an alley Of diminishing perspectives, and its significance Drains like water out the hole at the far end. He lives without privacy in a lidless room The bald slots of his eyes stiffened wide-open On the incessant heat-lightning flicker of situations. Nightlong, in the gran ite yard, invisible cats Have been howling like women, or damaged instruments. Already he can feel daylight, his white disease, Creeping up with her hatful of trivial repetitions. The city is a map of cheerful twitters now, And everywhere peo ple, eyes mica-silver and blank, Are riding to work in rows, as if recently brainwashed. The night is only a sort of carbo paper, Blueblack, with the much-poked periods of stars Letting in the light, peephole after peephole --- A bonewhite light like death, behind all things. Under the eyes of the stars and the moon’s rictus He suffers his desert pillow, sleeplessness Stretching its fine, irritating sand in all directions. Over and over the old, granularmovie Exposes embarrassments--th mizzling days Of childhood and adolescence, sticky with dreams, Parental faces on tall stalks, alternately stern and tearful, A garden of buggy rose that made him cry. His forehead is bumpy as a sack of rocks. Memories jostle each other for faceroom like obsolete film stars. He is immune to pills: red, purple, blue --- How they lit the tedium of the protracted evening Those sugary planets whose influence won for him A life baptized in no-life for a while, And the sweet, drugged waking of a forgetful baby. Now the pills are worn-out and silly, like classical gods. Their poppy-sleepy colors do him no good. His head is a little interior of grey mirrors. Each gesture flees immediately down an alley Of diminishing perspectives, and its significance Drains like water out the hole at the far end. He lives without privacy in a lidless room, The bald slots of his eyes stiffened wide-open On the incessant heat-lightning flicker of situations. Nightlong, in the granite yard, invisible cats Have been howling like women, or damaged instruments. Already he can feel daylight, his white disease, Creeping u with her hatful of trivial repetitions. The city is a map of cheerful twitters now, And everywhere people, eyes mica-silve and blank, Are riding to work in rows, as if recently brainwashed. The night is only a sort of carbon paper, Blueblack, wit the much-poked periods of stars Letting in the light, peephole after peephole --- A bonewhite light, like death, behind al things. Under the eyes of the stars and the moon’s rictus He suffers his desert pillow, sleeplessness Stretching its fine, irri tating sand in all directions. Over and over the old, granularmovie Exposes embarrassments--the mizzling days Of child hood and adolescence, sticky with dreams, Parental faces on tall stalks, alternately stern and tearful, A garden of buggy rose that made him cry. His forehead is bumpy as a sack of rocks. Memories jostle each other for face-room like obsolet film stars. He is immune to pills: red, purple, blue --- How they lit the tedium of the protracted evening! Those sugary plan ets whose influence won for him A life baptized in no-life for a while, And the sweet, drugged waking of a forgetful baby

S.P S.P S.P S.P S.P

TYPE SPECIMEN BOOK

{ BASKERVILLE { featuring poetry written by

sylvia plath

Published by Sharfaa Badurdeen Centennial College Story Arts Campus Two Dimensional Design and Typography 2 GMD-126301_2016W MARCH 2016

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H isib ng o ls t nt v lo pr tediupoilw e -----heryed, themeunin nsa in ight s e t f ce H bblulu w ls: oisf imev y prsla. clee te s N r o e in en slot opil me ted arsta esno m r for stle e H diuH c g flub o e jo k h p ck in o ro th s sa flic n tnae-ot bald cy te otra e sfiulme in ke e- in o rie . a is O wd id ehhe argiva lu b pr hos hos lihimfacedachilee,mo cks y as ead gu T -n pr ra vom xE e T s w r tiz e hM ro a p reh of yg ei sop bm sar en et n fo bap r a w t, of obfum fo or s a s rd l, d m e o is s, s g e r e s e m w life fo we kin H ga rfu an tely alk ce ht stn zi ad A -life he s wa by. e ry. like A tea ern rna ll st al fa ta t-- ilz sy c fO ooh a st alte ta ent s, ith ce, ar c ly, eh gn no d t ged ba ls im am ih a d elod cits rd l il d n l s on Par eam y w scen nd e A rug tfu peil h d -d dn ecs yk ae raP o ih dr stick ole d a hild d rge thead an . epy n tiw ,sm ne t n tla s m e c c ,e h ad hoo f c ys ling --th fo owt mout ods -sle at la e t t .yr f l s l nr re ae O da izz ts Ntharn- al g ppy ca at ta a n fr A - s m men iH se ,skl yle dn ,lu drag se o ic o im ssar se fs b ro w lass eir p do h ra emb xpo vie ne ro mu fo c h s . gy y E mo r irp n- T r he yp cor eM ae f fo g e T d r e lo o bu a g ulaavgra ehhe diwd O da sa .sk irom o hc -eca kil fi co go is of si as a yc lab t -eant n ifl se ht or o e ml s no ad ior ni ls d epo eh ekc H oj re o sb ts kc ee n he ter n ni r fl is e sllip lb lets rof m telo .sra e w is sto c o i : e giN H tle in rs. stur do se f m r eu oH t th ni as m ,de --- t w uide orp lit irro ge tely ol isiv tn s h m rt hT e nu up h dia g e it e ,gn lb aH c m t a y r ot elp il fo tc so s w ni ac e ev w Ea me ey ishin and , t t eht de us e ohw f no fil A on , st eeb mo i ll h in s e im a e v g es ro e l- A n ,ne tsn n dim ctive e ter e ne yra ni ih ab f efi t dn urd f a i a c f o p e ur !gn nalp eufl m ezit a ro s eh egg egr oN w O rsp can e w at th m lA - ecn d ne er w d ft w ro lc pe nifi s lik ole .st yda d ni lihw ,tee aw b lu eht o-n issa hT c t a sig rain e h ik a p u c e lo . ,e ou ily ns gn .yb slli na t g la p ri sro g on D t th d. ith , ed hg io t w t n a d sdo po d oo H u fo , l m n i r i c e o r e es oo iff s C e llis . yp o .d e a us h ltt m sih eer h dir fa e liv ss r s st ,y ict gs. ae i e rri E ls- i ip il all s n’s r hin ole ee m i d etn sro ca mi a H lidle eye gn ek t h s in yp o g a s roir . eg h em la n fO p u is e ll a h p d n o a p in s d l fo tn an ss m d pee riut ai e id re is iw of er let y im ceps fiing arD uo f gh . ht g s ple the hin r pe rg h efl y t-li ns tin , lee d e fte ed ye sin it c ni t a re se wod ih ev na l s ht e r eH a ea tio ita rd, s an , b a ok h n gn a ,s ec eki oh e .dn vil ldil fo h itua irre yloa w tars eath hole h-p fta hs il p c se sse sih w l dn t w lu ae is nitp e s e d ee u ta e sti l-t tauet , grsaertehf tth , likh t, pro e m ehsoertih fo tiw oor eye re ht ta i h g o i n s o e ac a d th o fi ede rg o keht w gh d th tu ,m ffits in .snits this nayes lilig nil limaith r, f nnlyesi , ne gn ing rs hetei e linitge ieldgtheega, w apeleise o,esa k p t e y h h kg olddoever ver tch ff rar t oww ae in d c n h O re su ,d e hne m g bla bo ig St He Und bor deattin lue car n A o L Bl e e f n , ca ase he dise ite wh of in s l t fu cy slo at nt iva ld rh pr ba en essa he e op c h Th e- e in f wit widn th r o , in s up is ing ng cat en . O icke s h t lo t le e , n fl t, p igh ib b n e y gh ee N invis ave ome trum ead ayli Cr H w ins Alr d d an e th na gr r ula ovie ses m po Ex bar em sse ra -th tsen ng m izzli m ys ildda f ch nd e, O d a cenc o s h ho ole wit s ad ky s, face stic eam tal lks, dr ren sta ly Pa tall ate on ern and alt rn l, of ste arfu den is k te gar ad ac A he s re s a fo a stle y. is y cr H ump cks. s jo r b ro orie r fo im of em the eh ad M ch o oom te tm ea ce-r bsole. ha o fa e o tars et et , os lik s un ple yr film imm pur gg , e bu th e is ed H ls: r -- lit e g! pil e - they f th enin lanblu ow o d ev y p nce H dium cte gar flue te otra e su e in in pr hos hos him ed ile, T s w r tiz h a et n fo bap r a w t, of wo life fo wee king A -life he s wa by. e like no d t ged ba ls ar illy, An ug ful pil s dr rget the and . epy fo ow out ods -sle N rn- al g ppy wo ssic po him cla heir s do . ey T lor od gr a co go is of s no ad ior ee n he er e fl w is t H tle in rs. stur do lit irro ge tely g its m ch dia Ea me ey ishin and im all in es, r an f dimectiv ce ate e O rsp can e w at th pe nifi s lik ole t sig rain e h ou D t th d. ith , ed ou en es w oom en iff r fa e liv ss r s st H lidle eye g a his in tn of gh -li s. at ion d, ar he uat ey sit nit ra eg e th lik ng d wli age ho am d or l fee n , ca ase he dise ite

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font families........................................................pg 6 non-letter glyphs.................................................pg 7 alphabet styles....................................................pg 8 insomnic quote....................................................pg 9 language variations...........................................pg 10 insomniac poem excerpt...................................pg 12 insomniac quote.................................................pg 14 colophon..............................................................end

S.P S.P S.P S.P S.P S.P S. .P S.P S.P S.P S.P S.P S.P

REGULAR regular

ITALIC italic

SEMIBOLD semibold

SEMIBOLD ITALIC semibold italic

BOLD bold

BOLD ITALIC bold italic

BASKERVILLE baskerville BASKERVILLE baskerville BASKERVILLE baskerville BASKERVILLE baskerville BASKERVILLE baskerville BASKERVILLE baskerville

non-letter glyphs regular italic semibold semibold italic bold

bold italic

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Ƹ ƹ ƺ ƻ Ƽ ƽ ƾ ƿ ǀ ǁ ǂ ǃ ȜȝȢȣɁɂ

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₫

€

₴

extended latin b punctuation

supercripts and subscripts numbers

currency

$ ^ ` ¢ ¦ § ¨ © ¸˂˃˄˅˒˓˔ ˜˝˞˟˥˦˧˨˩˪˫˭˯˰˱˲˳ ΄΅᾽᾿῀῁῍῎ ₫€₴℃℉ £¤¥ ®¯°´¶ ˕ ˖ ˗ ˘ ˙ ˚ ˛ ˴˵˶˷˸˹˺˻˼˽˾˿ ῏῝῞῟῭΅´῾ №℗™◊

symbols

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math symbols

; ΄ ΅ · ᾽ ι ᾿ ῀ ῁ ῍ ῎ ῏ ῝ ῞ ῟ ῭ ΅ ` ´ ῾

greek 7

REGULAR regular

ITALIC italic

SEMIBOLD semibold

SEMIBOLD ITALIC semibold italic

BOLD bold

BOLD ITALIC bold italic

ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890 ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890 ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890 ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890 ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890 ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890 18/21.6 pt

alp habet

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Memories jostle each other for face-room like obsolete film stars.

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-Sylvia Plath, Insomniac 9

regular

italic

semibold

semibold italic

À Á Â Ã Ä Å Æ Ç È É Ê Ë Ì Í ÎÏÐÑÒÓÔÕÖ× Ø Ù Ú Û Ü Ý Þ ß Ā ā Ă ă Ą ą Ď ď Đ đ Ē ē ĜĝĞğĠġĢģĤĥĦ ĶķĸĹĺĻļĽľĿŀŁłŃ Ć ć Ĉ ĉ Ċ ċ Č č Ĕ ĕ Ė ė Ę ę Ě ě ħĨĩĪīĬĭĮįİıĲĳĴĵ ń Ņ ņ Ň ň ŉ Ŋ ŋ Ō ō ƀƁƂƃƄƅƆƇƈ ƉƊƋƌƍƎƏƐ ƑƒƓƔƕƖƗƘƙ ƚƛƜƝƞƟƠ

ơƢƣƤƥ ƦƧƨƩƪƫƬ ƭƮƯưƱ ƲƳƴƵƶ

ǄǅǆǇǈǉ ǊǋǌǍǎǏǐǑǒ ǓǔǕǖǗǘǙǚ Ǜ ǜ ǝ Ǟ ǟ Ǡ

ǡǢǣǤǥǦǧǨǩ ǪǫǬǭǮǯǰǱ ǲǳǴǵǶǷǸ ǹ Ǻ ǻ Ǽ ǽ

Ά ΈΉ Ί Ό Ύ Ώ ΐΑΒΓΔΕΖΗ ΘΙΚΛΜΝΞ ΟΠΡΣΤΥΦ ΧΨΩΪΫάέή ίΰαβγδεζηθι

κλμνξοπρςσ τυφχψωϊϋό ύώἀἁἂἃἄἅἆἇ ἈἉἊἋἌ ἍἎἏἐἑἒἓ ἔἕἘἙἚ

ἛἜἝἠἡἢἣἤἥ ἦἧἨἪἫἬἭ ἮἯἰἱἲἳἴἵἷἸἹἺἻ ἼἽἾἿὀὁὂὃὄὅ ὈὉὊὋὌὍ

ὐὑὒὓὔὕὖὗὙὛὝ Ὗὠὡὢὣὤὥὦὧ ὨὩὪὫὬὭ ὮὯὰάὲέὴήὶίὸό ὺύὼώᾀᾁᾂᾃᾄᾅᾆᾇ

ЀЁЂЃЄЅІ ЇЈЉЊЋЌЍ Ў Џ А Б В Г Д Е Ж

ЗИЙКЛ МНОПР С Т У Ф Х ЦЦЧШЩ

ЪЫЬЭЮЯабв гдежзийклмн опрстуфхчшщ ъыьэюяѐёђѓє

ѕіїјљњћќѝўџ ѢѣѤѥѦѧѨ ѩѪѫѬѭѲ ѳѴѵѶѷҌҍҐґҒғ

bold

bold italic

àáâãäåæçèéêëìíî ïðñòóôõöøùúûüýþÿ

basic latin and latin 1

ŎŏŐőŒœŔŕŖŗŘ Ũ ũ Ū ū Ŭ ŭ Ů ů Ű ű Ų řŚśŜŝŞşŠšŢţŤťŦŧ ų Ŵ ŵ Ŷ ŷ Ÿ Ź ź Ż ż Ž ž

extended latin a

ǾǿȀȁȂȃȄȅȆȇȈȉȊ Ȩ ȩ Ȫ ȫ Ȭ ȭ Ȯ ȯ Ȱ ȱ Ȳ

extended latin b

ȋȌȍȎȏȐȑȒȓȔȕȖ ȳȴȵȶȷȺȻȼȽȾȿɀɃɄ ȗȘșȚțȞȟȠȡȤȥȦȧ Ʌ Ɇ ɇ Ɉ ɉ Ɋ ɋ Ɍ ɍ Ɏ ɏ ᾈ ᾉ ᾊ ᾋ ᾌ ᾍᾎᾏᾐᾑᾒᾓ ᾔᾕᾖᾗᾘᾙᾚ ᾛᾜᾝᾞᾟ ᾠᾡᾢᾣᾤᾥᾦᾧ ᾨᾩᾪᾫᾬ

ᾭᾮᾯᾰᾱᾲᾳᾴᾶᾷ

ҖҗҘҙҚқҜҝ ҠҡҢңҤҥҪҫ ҮүҰұҲҳҶҷҸ ҹҺһӀӁӂӐӑӒ

ӐӑӒӓӔӕӖӗӘә ӚӛӜӝӞӟӢӣӤ ӥӦӧӨөӪӫӬӭӮ ӯӰӱӲӳӴӵӸӹ

greek

ᾷᾸᾹᾺΆᾼῂῃῄῆῇῈ ΈῊΉῌῐῑῒΐῖῗῘῙῚΊ ῠῡῢΰῤῥῦῧῨῩῪΎῬ ῲῳῴῶῷῸΌῺΏ cyrillic

langu ages 11

Insomniac

by sylvia plath excerpt

Regular, align left, 6/8 pt

Regular, align left, 8/10 pt Over and over the old, granular movie Exposes embarrassments--the mizzling days Of childhood and adolescence, sticky with dreams, Parental faces on tall stalks, alternately stern and tearful, A garden of buggy rose that made him cry. His forehead is bumpy as a sack of rocks. Memories jostle each other for face-room like obsolete film stars.

Regular, align left, 9/11 pt

a ni h fo stols i eht nO stac elbisiv hw sih

wat e r hole at the H e lives priv a c y room, The bald e n e d wide-open heat-lightning flicker of situations. Nightlong, in the granite yard, inhowling like women, or damaged instruments. Already he can feel daylight, up with her hatful of trivial repetitions. The city is a map of cheerful twitters And everywhere people, eyes mica-silver and blank, Are riding to work in rows, as if recently brainwashed. The night is only a sort of carp a p e r, black, the muchperiods o f Letting in the peephole after peephole bonewhite light, like death, bethings. Under the eyes of the stars moon’s rictus He suffers his desert pillow, lessness Stretching its fine, irritating a l l directions. Over and over the old, m ov ie Exposes embarrassmizzling days Of childhood and sticky w i t h dreams, Parental faces o l y s t e r n and tearful, A gard that made him cry. His for The night is o of carbon paper, Bluebla poked periods of stars Letting in the li A bonewhite light, like death, behind all thing moon’s rictus He suffers his desert pillow, sleeplessne rections. Over and over the old, granzling days Of childhood Parental faces on tearful, A garden cry. His forerocks. Memf a c e - ro o m He is imple, blue dium of n i n g ! whose him A life baptized in no-life t h e sweet, drugged wakb a b y. Now the pills are ly, like classical gods. Their colors do him no good. His head or of grey mirrors. Each gesm e diately down an alley ishing perspectives, signif-

Regular, align left, 7/9 pt

r e t -aw eht ta eloh sevil e H y c a v -irp dlab ehT ,moor nepo-ediw d e n e -ni ,dray etinarg eht ni ,gnolthgiN .snoitautis fo rekcifl gninthgil-taeh ,thgilyad leef nac eh ydaerlA .stnemurtsni degamad ro ,nemow ekil gnilwoh

Regular, align right, 10/12 pt

tros a ylno si thgin ehT -hcum eht htiw ,kcalbeulB ,repap nobrac fo hpeep retfa elohpeep ,thgil eht ni gnitteL srats fo sdoirep dekop eht fo seye eht rednU .sgniht lla dniheb ,htaed ekil ,thgil etihwenob A tirri ,enfi sti gnihctertS ssensselpeels ,wollip tresed sih sreffus eH sutcir s’noom me sesopxE eivom ralu -narg ,dlo eht revo dna revO .snoitcer loda dna doohdlihc fO syad gnilz t no secaf latneraP nedrag A ,lufraet -erof siH .yrc -meM .skcor moor-ecaf -mi si eH eulb ,elp fo muid ! g n i n esohw efil-on ni dezitpab efil A mih -kaw deggurd ,teews e h t era sllip eht woN .y b a b riehT .sdog lacissalc ekil ,yl daeh siH .doog on mih od sroloc -seg hcaE .srorrim yerg fo ro yella na nwod yletaid - e m ,s ev i t -cepsrep gnihsi -fin -gis

Over and over the old, granular movie Exposes embarrassments--the mizzling days Of childhood and adolescence, sticky with dreams, Parental faces on tall stalks, alternately stern and tearful, A garden of buggy rose that made him cry. His forehead is bumpy as a sack of rocks. Memories jostle each other for face-room like obsolete film stars. Regular, center justified, 12/14.4 pt Over and over the old, granular movie Exposes embarrassments--the mizzling days Of childhood and adolescence, sticky with dreams, Parental faces on tall stalks, alternately stern and tearful, A garden of buggy rose that made him cry. His forehead is bumpy as a sack of rocks. Memories jostle each other for face-room like obsolete film stars.

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Regular, justified, 7/10 pt with 0.125 indent

Italic, center justified, 7/8.4 pt Over and over the old, granular movie Exposes embarrassments--the mizzling days Of childhood and adolescence, sticky with dreams, Parental faces on tall stalks, alternately stern and tearful, A garden of buggy rose that made him cry. His forehead is bumpy as a sack of rocks. Memories jostle each other for face-room like obsolete film stars.

Semibold, align center, 8/9.6 pt

The night is only a sort of carbon paper, Blueblack, with the muchpoked periods of stars Letting in the light, peephole after peephole --A bonewhite light, like death, behind all things. Under the eyes of the stars and the moonâ&#x20AC;&#x2122;s rictus He suffers his desert pillow, sleeplessness Stretching its fine, irritating sand in rections. Over and over the old, granularmovie Exposes embarrassments zling days Of childhood and adolescence, stick Parental faces on tall stalks, alte tearful, A garden of buggy cry. His forehea rocks. Memf a c e - ro o m He is imple, blue dium of n i n g ! whose him A life baptized in no-life t h e sweet, drugged wakb a b y. Now the pills are ly, like classical gods. Their colors do him no good. His head or of grey mirrors. Each gesm e diately down an alley ishing perspectives, signif-

wat e r hole at the H e lives priv a c y in a room, The bald slots of his e n e d wide-open On the incesheat-lightning flicker of situations. Nightlong, in the granite yard, invisible cats Have been howling like women, or damaged instruments. Already he can feel daylight, his white disease, C up with her hatful of trivial repetitions. The city is a map of cheerful twitters n o w, And everywhere people, eyes mica-silver and blank, Are riding to work in rows, as if recently brainwashed. The night is only a sort of carb p a p e r, B black, w the muchp periods o f st Letting in the lig peephole after peephole --bonewhite light, like death, behind things. Under the eyes of the stars and the moonâ&#x20AC;&#x2122;s rictus He suffers his desert pillow, sleeplessness Stretching its fine, irritating sand in a l l directions. Over and over the old, granularm ov ie Exposes embarrassments--the mizzling days Of childhood and adolescence, sticky w i t h dreams, Parental faces on tall stalks, alternatel y s t e r n and tearful, A garden of buggy rose that made him cry. His forehead is

-Sylvia Plath, Insomniac

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A garden of buggy rose that made him cry.

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Published by Sharfaa Badurdeen Printed With Centennial Lasetjet Printer Typeset In Baskerville By John Baskerville Printed And Bound At The Centennial College Story Arts Campus MARCH 2016

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rections. Over and over the old, granzling days Of childhood Parental faces on tearful, A garden cry. His forerocks. Memf a c e - ro o m He is imple, blue dium of n i n g ! whose him A life baptized in no-life t h e sweet, drugged wakb a b y. Now the pills are ly, like classical gods. Their colors do him no good. His or of grey mirrors. Each m e diately down an ishing perspecsig-

ularmovie Exposes embarrassments--the mizrections. Over and over the old, granularmovie Exposes embarrassments--the mizand adolescence, sticky with dreams, zling days Of childhood and adolescence, sticky with dreams, tall stalks, alternately stern and Parental faces on tall stalks, alternately stern and of buggy rose that made him tearful, A garden of buggy rose that made him head is bumpy as a sack of cry. His forehead is bumpy as a sack of ories jostle each other for rocks. Memories jostle each other for like obsolete film f astars. c e - ro o m like obsolete film stars. mune to pills:He red,ispurimmune to pills: red, pur--- How they ple, litblue the te--- How they lit the tethe dium protracted of evethe protracted eveThose n i n sugary g ! planets Those sugary planets w hinfluence ose won for influence won for him for A a while, And life baptized in no-life for a while, And t h eing of a forgetful sweet, drugged waking of a forgetful b a b y . worn-out and silNow the pills are worn-out and silly, like p o p py - s l e e py classical gods. Their p o p py - s l e e py head c o l o r s is a little interido him no good. His head is a little interigesor of ture flees imgrey mirrors. Each gesture flees imalley m e - Of dimindiately down an alley Of dimintives, ishing and its perspectives, and its nifsig- i c a n c e nifi c a n c e Drains like Drains like wat e r w a out the t e r out the hole at the hfar o l e end. at the far end. H e lives w iH t h oeu t lives without priv a c y in a l i d l e sps r i v a c y in a lidless room, The bald slots of his eyes stiffroom, The bald slots of his eyes stiffe n e d wide-open On the incess a n t e n e d wide-open On the incess a n t heat-lightning flicker of situations. Nightlong, in the granite yard, invisible cats Have been heat-lightning flicker of situations. Nightlong, in the granite yard, invisible cats Have been howling like women, or damaged instruments. Already he can feel daylight, his white disease, Creeping howling like women, or damaged instruments. Already he can feel daylight, his white disease, Creeping up with her hatful of trivial repetitions. The city is a map of cheerful twitters n o with up w, her hatful of trivial repetitions. The city is a map of cheerful twitters n o w, And everywhere people, eyes mica-silver and blank, Are riding to And everywhere people, eyes mica-silver and blank, Are riding to work in rows, as if recently work in rows, as if recently brainwashed. The brainwashed. The night is only a night is only a sort of carsort of carbon bon p a p e r, p a p e r, BlueBluelack, black, with with muchthe muchpoked poked iods o f periods stars o f stars ting in the Letting light, in the light, hole after peephole peephole --- A after peephole --- A newhite light, like death, bebonehind all white light, like death, behind all ngs. Under the eyes of the stars things. and the Under the eyes of the stars and the on’s rictus He suffers his desert pillow, moon’s sleeprictus He suffers his desert pillow, sleepessness Stretching its fine, irritating l e s s - sand in ness Stretching its fine, irritating sand in a l l directions. Over and over the old, a l granularl directions. Over and over the old, granularm ov ie Exposes embarrassments--the m ov ie Exposes embarrassments--the mizzling days Of childhood and adolescence, mizzling days Of childhood and adolescence, sticky w i t h dreams, Parental faces on tall stalks, alternate- sticky w i t h dreams, Parental faces on tall stalks, alternatel y s t e r n and tearful, A garden of buggy rose l y s t e r n and tearful, A garden of buggy rose that made him cry. His forehead is that made him cry. His forehead is

rections. Over and over the old, granularmovie Exposes embarrassments--the mizrections. Over and over the old, granularmovie Exposes embarrassments--the mizzling days Of childhood and adolescence, sticky with dreams, zling days Of childhood and adolescence, sticky with dreams, Parental faces on tall stalks, alternately stern and Parental faces on tall stalks, alternately stern and tearful, A garden of buggy rose that made him tearful, A garden of buggy rose that made him cry. His forehead is bumpy as a sack of cry. His forehead is bumpy as a sack of rocks. Memories jostle each other for rocks. Memories jostle each other for f a c e - ro o m like obsolete film f astars. c e - ro o m like obsolete film stars. He is immune to pills:He red,ispurimmune to pills: red, purple, blue --- How they ple, litblue the te--- How they lit the tedium of the dium protracted of evethe protracted even i n g ! Those n i n sugary g ! planets Those sugary planets whose w hinfluence ose won for influence won for him A life baptized in no-life him for A a while, And life baptized in no-life for a while, And t h e sweet, drugged wakt h eing of a forgetful sweet, drugged waking of a forgetful b a b y. Now the pills are b a b y . worn-out and silNow the pills are worn-out and silly, like classical gods. Their ly, like p o p py - s l e e py classical gods. Their p o p py - s l e e py colors do him no good. His head c o l o r s is a little interido him no good. His head is a little interior of grey mirrors. Each gesor of ture flees imgrey mirrors. Each gesture flees imm e diately down an alley m e - Of dimindiately down an alley Of diminishing perspectives, ishing and its perspectives, and its signifsig- i c a n c e nifi c a n c e Drains like Drains like wat e r w a out the t e r out the hole at the hfar o l e end. at the far end. H e lives w iH t h oeu t lives without priv a c y in a l i d l e sps r i v a c y in a lidless room, The bald slots of his eyes stiffroom, The bald slots of his eyes stiffe n e d wide-open On the incess a n t e n e d wide-open On the incess a n t heat-lightning flicker of situations. Nightlong, in the granite yard, invisible cats Have been heat-lightning flicker of situations. Nightlong, in the granite yard, invisible cats Have been howling like women, or damaged instruments. Already he can feel daylight, his white disease, Creeping howling like women, or damaged instruments. Already he can feel daylight, his white disease, Creeping up with her hatful of trivial repetitions. The city is a map of cheerful twitters upo with n w, her hatful of trivial repetitions. The city is a map of cheerful twitters n o w, And everywhere people, eyes mica-silver and blank, Are riding to And everywhere people, eyes mica-silver and blank, Are riding to work in rows, as if recently work in rows, as if recently brainwashed. The brainwashed. The night is only a night is only a sort of carsort of carbon bon p a p e r, p a p e r, BlueBluelack, black, with with e muchthe muchpoked poked riods o f periods stars o f stars ting in the Letting light, in the light, phole after peephole peephole --- A after peephole --- A newhite light, like death, bebonehind all white light, like death, behind all ngs. Under the eyes of the stars things. and the Under the eyes of the stars and the oon’s rictus He suffers his desert pillow, moon’s sleeprictus He suffers his desert pillow, sleepessness Stretching its fine, irritating l e s s - sand in ness Stretching its fine, irritating sand in a l l directions. Over and over the old, a l granularl directions. Over and over the old, granularm ov ie Exposes embarrassments--the m ov ie Exposes embarrassments--the mizzling days Of childhood and adolescence, mizzling days Of childhood and adolescence, sticky w i t h dreams, Parental faces on tall stalks, alternate- sticky w i t h dreams, Parental faces on tall stalks, alternatel y s t e r n and tearful, A garden of buggy rose l y s t e r n and tearful, A garden of buggy rose that made him cry. His forehead is that made him cry. His forehead is

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