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::NEWS&VIEWS FEATURES | POLLS | TAKING LIBERTIES | EXPRESSO

MELISSA LEE JOHNSON

Cream City Goes Green

HOW ATTRACTIVE IS MILWAUKEE FOR ENVIRONMENTALLY CONSCIOUS VISITORS? ::BY MICHAEL POPKE ob Wills was a teenager on the first Earth Day—April 22, 1970—and he still remembers the significance of that event. He later went on to work for Earth Day founder, Gaylord Nelson, a staunch environmental activist who also was Wisconsin’s 35th governor and a U.S. Senator.

Given Wills’ history, it’s no surprise that the longtime owner of Cedar Grove Cheese in Plain, Wis., wanted to go green when converting a former Historic Third Ward brownfield site into what is now Clock Shadow Creamery.

“There had never been a cheese factory in Milwaukee, which I found weird,” Wills says. “This was really an opportunity to see how far we could push the environmental angle.”

Today, five years after the 5,000-square-foot Clock Shadow Creamery opened at 138 W. Bruce St., it has become a model of urban sustainability. The building, constructed with mostly recycled materials, features geothermal walls for more efficient heating and cooling, boasts a rooftop vegetable garden with cisterns that collect rainwater used to flush the creamery’s toilets, and houses a four-story elevator that generates electricity on the

6 | JUNE 1, 2017

way down to power trips back up. And many of the company’s local deliveries are made via bicycle.

Individuals like Liz Wessel, a Madison-based planner of eco-friendly travel packages and owner of Green Concierge, are paying attention to what Clock Shadow Creamery and other sustainable Milwaukee businesses are doing—and she’s telling others about them.

“People who are interested in green tourism live their lives a certain way and take that lifestyle with them when they travel,” Wessel says.

“They seek out green destinations.”

That’s one reason why the Grohmann Museum, an art gallery on the Milwaukee School of Engineering campus dedicated to the evolution of work, is so popular among visitors, according to James Kieselburg II, the museum’s director. Since 2008, a green roof atop the Grohmann covered with plants and grass has kept the building cooler in the summer and helped conserve energy. The planters, six to eight inches deep, consume rainwater and reduce the amount of storm water runoff that enters the city’s sewer system.

The rooftop, which allows for stellar views of Lake Michigan and also features a dozen 1,000-pound, 9-feet-tall bronze sculptures of men toiling in different types of labor, has become a destination for several organizations’ special events, and Visit Milwaukee heavily promotes it to convention groups and tourists. The rooftop also is the starting point for most museum tours.

“That sets the tone for what visitors are going to see in the gallery,

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because the rooftop statues are inspired by smaller works in our permanent collection,” Kieselburg says. “The roof is a main part of the tour, and it has exceeded our expectations because of its uniqueness and accessibility.”

THE YEAR OF SUSTAINABLE TOURISM The United Nations designated 2017 as the International Year of Sustainable Tourism for Development. According UN World Tourism Organization Secretary-General Taleb Rifai, that designation gives communities and businesses “a unique opportunity to advance the contribution of the tourism sector to the three pillars of sustainability: economic, social and environmental.”

Or, as Wills more succinctly puts it: “What we’re doing gives people ideas about things they can incorporate into their lives and homes. But there’s also a widespread awareness that the earth is in jeopardy if we continue to do things that we’ve always done.”

Although the definition has changed over the years, “ecotourism” is defined as “responsible travel to natural areas that conserves the environment, sustains the well-being of the local people, and involves interpretation and education,” according to the International Ecotourism Society.

In 2006, the Wisconsin Department of Tourism created the “Travel Green Wisconsin” certification to promote smart, environmentally friendly business practices.

The first-of-its-kind program has paved the way for sustainable travel programs in other states, and many Milwaukee institutions are on the list of Travel Green Wisconsin-certified businesses.

They include Great Lakes Distillery, the Harley-Davidson Museum, MillerCoors Brewery Tour and Miller Park. Several hotels, including The Pfister and Holiday Inn Express Airport, are also certified, as is the Potawatomi Hotel & Casino, which is involved in a biodigester project that converts food waste (including whey from Clock Shadow Creamery) into renewable energy.

“Milwaukee is a great example of an urban area with lots of ecotourism aspects,” Wessel says, pointing to such local amenities as the Mitchell Park Horticultural Conservatory, a variety of urban trails and plans for the Milwaukee Streetcar, which is expected to begin providing service in late 2018. “The people of Milwaukee are doing a lot of what needs to be done, and that is making the city a better destination for all of us.”

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Milwaukee-area residents obviously can boost ecotourism locally by supporting green businesses, but they also can participate in the movement during their own travels this summer.

Wessel, who has appeared on The Weather Channel and in USA Today, recommends travelers research sustainable businesses located in their destination city and plan to patronize them. “A lot of great places exist all over, but you wouldn’t know about them unless you looked for them,” she says. “A walking tour should be the first thing you do in a new city. And don’t get a car until you need a car. You can learn much more about a location and its people when you’re rubbing shoulders with everyday people using the public transit system.”

Renting bicycles, dining at restaurants that promote farm-to-table menu options, and staying at local bed and breakfast locations that work with sustainability partners are other ways to be effective ecotourists, she adds.

More businesses also are emphasizing their sustainability components to local residents.

On every Clock Shadow Creamery tour, Wills or another employee makes it a point to educate visitors about the cheese-making process, the history of making cheese, the company’s role in the community and the green decisions that inspire how the business operates.

Ecotourism is expected to play an increasing role in local economies, regardless of the Trump administration’s environmental policies, Wessel predicts. Why? Because the movement has fostered a connection between business owners, patrons and visitors that cannot easily be broken.

“That sense of community is not going away,” she says.

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JUNE 1, 2017 | 7

NEWS&VIEWS::FEATURE

A New Era For East North Avenue?

BARS ARE CLOSING, HIGHER-END RESTAURANTS ARE OPENING ON A STREET THAT ONCE WAS PARTY TOWN ::BY ROB HULLUM

P

atrick Kapple opened Yield at 1932 E. Kenilworth Place in 2005.

Over the course of 11 years it became a favorite among the young and music obsessed on the East Side, hosting countless memorable local rock shows throughout its tenure. Then, at the end of the night on Friday, May 27, 2016, the bar suddenly closed for good.

Yokohama 1910, a ramen restaurant owned by Aaron Gersonde and Andrei Mikhail of Movida, was announced as a replacement not long after.

Since the spring of 2013, when Judge’s, an Irish pub that sat on the corner of North and Cambridge avenues for 25 years, closed its doors, at least 12 other bars and restaurants in the direct vicinity of North Avenue have closed. This has led to people saying the area is “dying,” and wondering what happened.

But after talking to a number of business owners, residents and other stakeholders, it’s clear that the East Side is instead going through a massive transition period.

HOW DID WE GET HERE?

North Avenue was for decades a thriving nightlife and entertainment district, catering to the college students at UW-Milwaukee. Students flocked to the pubcrawls, all-you-can-drink nights and other deals that were easily accessible most nights of the week. While this model worked for years, a number of changes made these business models less sustainable.

Bars saw decreased traffic due to an oversaturation of similar businesses in the area. “I think the ’08, ’09 crash happened, and suddenly where we had maybe three or four real college-aged focused bars, we had seven or eight,” Jim Plaisted, executive director of the East Side Business Improvement District, explained. “They cannibalized each other. Some went out of business shortly after the crash and some went out of business recently. For as many college students as there are, it’s still a finite market.”

Demographics and social habits changed, and many establishments in the area didn’t take the appropriate steps to keep up. “I think clientele coming into the neighborhood wants more than just a plain burger,” said Mike Vitucci, owner of a number of bars and nightclubs, including Whiskey Bar and Belmont Tavern, as well as the building that houses Divino Wine & Dine and the former Rascals and The Winchester. “They don’t want the all-you-can-drinks.”

Technology was also a factor, with Vitucci adding, “You see Uber picking them up and taking them to what they do want. People look at what they have, and if they don’t like the product, it’s a shared Uber ride for about $2 to get them to what they want.”

Kapple pointed to another giant tech trend that 8 | JUNE 1, 2017

is impacting the bar business. “It may sound odd, but I think the dating apps affect people going out,” he said. “If you wanted to go out and meet a girl or a guy you used to have to go out to the bars, have a couple of drinks with your friends and try and meet someone. You don’t have to do that anymore.” If this is true, one could easily imagine that higher-end establishments would be favored over all-you-can-drink nights and pubcrawls.

One thing is certain: Neighbors in the area were not fans of the rowdy bar scene. The sudden number of closings has led to speculation about whether the city is actively trying to get rid of loud college bars in favor of more family and young professional-friendly establishments. Alderman Nik Kovac, whose third district includes the East Side, denies setting out to get rid of bars, but he did shed some light on what actually happened.

Some neighbors were vocal about their disdain for the number of bars, and the noise and disruption that came along with them, Kovac said “If you go back to 2013, I had a lot of neighbors saying, ‘Why aren’t you going to shut some of these bars down?’” Kovac said. “They would come to every licensing renewal and say, ‘Would you please reduce the number of licenses.’” Despite this, Kovac insists no bars were ever shut down, or even suspended.

While Kovac did not respond to these calls with reduced licenses, he did take steps to curb out-of-hand behavior. “We did raise the standards for bars, and insist that they not participate in massive and sloppy bar crawls, and told them that we’re keeping a closer eye on them in terms of over serving,” he said.

While these actions may have helped appease angry residents, it put a strain on many bar owners’ bottom lines according to Kapple. “There’s not a lot of support from the neighborhood associations surrounding North Avenue,” he said.

“They were not particularly pleased with any of the events the bars would participate in. Not getting a lot of support from them forced the bars to not have these events, as their liquor licenses could be in danger of not being renewed if they participated.”

Kapple cited a popular bar crawl as an example. “Take something like the Shamrock Shuffle, which started on North Avenue, and this year it wasn’t even on North Avenue because the guy who runs it, Michael Sampson, didn’t want to do it there because he would get too much heat from the neighborhood association,” he said. “That hurts the bars. That was a day that bar owners could rely on for X amount of sales that could cover some of the maintenance that we needed to do for a month, or rent or our overhead. Then, that’s gone, and you’re just relying on your average daily sales. That hurts.”

While things may look grim, there is an influx of people moving in to the neighborhood, and a flock of new businesses opening up, looking to reestablish the area as a citywide destination.

A NEW DIRECTION FOR THE EAST SIDE

“The grandchildren of white flight are realizing how crazy their ancestors were, so they’re moving back,” Kovac said. “They have resources. A lot of those resources are coming from their parents or grandparents who did the white flight, and they’re realizing, ‘Why do I want to have to drive 10 minutes just to get a gallon of milk?’”

The biggest talking point regarding the changing East Side, with the possible exception of the bar closings, has been the number of tall, new and, in most cases, high-rent apartment buildings that have been built in recent years. Four major developments, The Overlook, Edge on North, The Standard and Greenwich Park, have been built in the area since summer of 2014, when The Standard was completed. Another is planned for Prospect Avenue, in the lots that held a Qdoba and its adjoining parking lot.

“New apartments are coming in, and new apartments are obviously pricey,” said Vitucci.

With pricey new apartments come people with disposable income and different tastes than your average college student.

April Rechlitz is a 24-year-old foundation administrator and lifelong Milwaukeean who has lived around North Avenue for nine months. She says it’s disappointing to drive by and see vacant buildings, but feels that the area is slowly moving in the right direction. Like many residents her age, she typically leaves the area when going for a night out, saying she prefers “laid back” bars, breweries and brunch spots. She hopes that new businesses in the area will offer these experiences.

Plaisted is optimistic about the future, and is embracing a changing East Side. “We’re going to continue working on shaping the evolving nature of this district,” he said. “I don’t think we’ll ever go back to what we were 25 years ago as far as the density of bars.”

He seems to have a clear vision for how to at-

tract and keep the new residents of the neighborhood. “We have to give them reasons for coming here,” he said. “That’s the encouragement of more and better experience options. Whether it’s an experience like Nine Below, or The Oriental, or food like Yokohama, Izumi’s—which is still an excellent dining experience—or FreshFin. We’ve just got to offer more, because this demographic is just going where the heat is.”

While many older businesses have gone under, this new crop of business owners are feeling embraced by the community and ready for success. Steph Davies, who owns The Waxwing, an artist consignment shop that moved from its original location in Shorewood to the East Side in December 2015, has seen an increased level of foot traffic since the move, and is reaching a new customer base. “I love the complete diversity of who comes in here,” she said. “There are people from all walks of life, ages and economic standings.”

Nate Arkush opened FreshFin Poké this January after seeing how well the poké concept was succeeding on the west coast. When scouting new locations for the restaurant, he was set on either the Third Ward or East Side. “I’ve been very pleasantly surprised with a much higher level of support than I expected,” he said. “Milwaukee really supports local businesses.”

WHAT DOES THE FUTURE HOLD?

While there may be some deserved cause for alarm, the East Side is far from dying. Kapple chalks it all up to perspective. “Those who have fond memories of going out and having a bunch of drinks at bars throughout North Avenue will have the perspective that North Avenue is dying because things are changing so drastically,” he said. “Those who are now in the area that are looking for more quality places to go will have the view that it’s just changing.”

So what’s next for the East Side? In the immediate future Vitucci has big plans for the spaces that Rascals and The Winchester occupied. He will partner with Divino Wine & Dine on a new gastro pub called Izzy Hops Swig and Nosh, which will go in the former Rascals space. Kawa Japanese Restaurant, which currently has a space on Silver Spring Drive near Bayshore, will open a second location called Kawa Ramen and Sushi in the space that held The Winchester. Vitucci recently received approval from the East Side’s architectural review board to add retractable windows and create an open-air concept throughout the entire building.

Strange Town, which will specialize in cocktails, craft beer and organic wine, will open at 2101 N. Prospect Ave. by the end of summer.

Luxury apartments are reportedly in the works for the old Judge’s building, and Plaisted said progress is being made on filling the spaces Rosati’s and BBC left.

Vitucci isn’t worried about the fate of the East Side. He sees the people moving in and new businesses opening as the beginning of a major upswing. “Milwaukee is a great city, and people are coming here for a reason,” he said. “If you focus on the good of what’s happening today and what’s surviving, that will tell you exactly where the neighborhood is going.”

Comment at shepherdexpress.com. n SHEPHERD EXPRESS

NEWS&VIEWS::FEATURE

The March for Science Continues Milwaukee activists form advocacy group to press the case for ‘evidence-based policy’ ::BY DAVID LUHRSSEN

E

arth Day has always been a time to rally, but this April 22, the demonstrations took a new turn. In Washington, D.C., 150,000 people participated in the first-ever March for Science in response to alarming signals from the Trump White House, especially threats to renounce the Paris Climate Agreement.

Fueled by social as well as conventional media, grassroots marches for science surfaced on Earth Day in hundreds of cities across the world. Milwaukee’s March for Science drew more than 2,000 participants to Red Arrow Park, according to local organizers. Unwilling to let the momentum of that day dissipate, a group of participants were inspired to establish Milwaukee Area Science Advocates (MASA) to continue to put the message before the public and political leaders.

“We want real engagement in the community—a community-based effort to support science education, community health and sustainability,” says Jason Kern, MASA’s communications director.

EDUCATING THE PUBLIC Kern and MASA’s managing editor of its websites and podcasts, Lisa Taxier, insist that their organization will remain non-partisan.

It will critique proposed legislation, not the

legislators. “We intend to come out with statements on proposed bills—to educate the public about those bills so that the public can understand how fact-based science supports or does not support the legislation,” Kern says.

Fundamental to MASA’s mission is to increase popular awareness of the meaning of science and how it underlies the technology of contemporary life. “Our interest is to increase scientific literacy—to show how science impacts people day to day,” Taxier says.

She concedes that academic science has often placed walls between itself and public understanding. “MASA intends to be for the general public—to make sure there is no exclusion.”

While social media helped the March for Science to organize around the world on Earth Day, it has also been one of the reasons that science is under threat. “Social media has played a big role in the spread of fake news,” Kern says. “It’s so shareable and so infectious.

Many people aren’t taking the time to break down the ‘news’ they receive and validate it before they share it. People share things before vetting. MASA will only dispense sourced and validated content. The world needs people who will take time to vet the content they share.”

As part of its outreach, MASA will mix education with entertainment at public events starting with a kick-off event from 4-7 p.m. on Sunday, June 11 at Anodyne Coffee Roasting Co., 224 W. Bruce St. There will be a panel discussion on how climate change affects public health with UW-Milwaukee climatology professor Mark D. Schwartz, the Milwaukee Public Museum’s Hillary Olson and Compost Crusaders founder Melissa Tashjian among the speakers. There will be interactive science exhibits, a voter registration booth staffed by the League of Women Voters, food trucks and live music by Coyote and King Courteen.

For more on Milwaukee Area Science Advocates, visit their website at milwaukeescience.org or to learn about the kick-off event, search for them on Facebook.

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NEWS&VIEWS::SAVINGOURDEMOCRACY ( JUNE 1 - 7, 2017 )

E

ach week, the Shepherd Express will serve as a clearinghouse for any and all activities in the greater Milwaukee area that peacefully push back against discriminatory, reactionary or authoritarian actions and policies of the Trump administration and other activities that promote social justice. We will publicize and promote actions, demonstrations, planning meetings, teach-ins, party-building meetings, drinking/discussion get-togethers or any other actions that are directed toward fighting back to preserve our liberal democratic system.

Saturday, June 3

March for Truth @ Doyne Park (4900 W. Wells St.), 11 a.m.-1 p.m.

The Wisconsin Progressive Alliance will hold a march this Saturday to call for a Congressional investigation that is “resourced and pursued free of partisan interests, or an independent investigation,” among other requests pertaining to Trump’s tax returns. The march route will go up Bluemound Road to 68th Street, then down 68th Street to State Street in Wauwatosa, and finish up at Hart Park.

Peace Action Wisconsin: Stand for Peace @ Corner of National Avenue and Miller Parkway, noon-1 p.m.

Every Saturday, from noon-1 p.m., concerned citizens join with Peace Action Wisconsin to protest war. Signs will be provided for those who need them. Protesters are encouraged to stick around for conversation and coffee afterwards.

National Gun Violence Awareness Day Event @ Northside YMCA (1350 W. North Ave.), noon-3 p.m.

The HELP Project, Moms Demand Action for Gun Sense and the Northside YMCA are teaming up to put on an event coinciding with National Gun Violence Awareness Day. This fair-style community event will feature a bounce house, carnival games, arts and crafts tables and more.

Wednesday, June 7

Refuel the Resistance @ Bounce Milwaukee (2801 S. Fifth Court), 5-8 p.m.

Every Wednesday, Bounce Milwaukee offers a space to organize, as well as a free drink to anyone who brings evidence of resistance in the past week, including protest signs, an email to an elected official or a selfie at the capital.

Grass Roots at South Shore Monthly Meeting @ Humboldt Park Beer Garden (3000 S. Howell Ave.), 6-8 p.m.

This meeting will include a special screening of a film about taking Detroit back one neighborhood at a time. The usual monthly meetings take place at the Cudahy Family Library, 3500 Library Drive, Cudahy.

Drink Liberally @ The NASH (522 Sixth St., Racine), 6-8:30 p.m.

At this free event hosted by Forward Racine, you can talk about politics, plan action and spend time with like-minded people.

To submit to this column, please send a brief description of your action, including date and time, to savingourdemocracy@shepex.com. Together, we can fight to minimize the damage that this administration has planned for our great country.

NEWS&VIEWS::POLL

You Don’t Support Harsher Sentences for Nonviolent Drug Offenders

Last week we asked if you agreed with Attorney General Jeff Sessions’ policy of seeking the harshest prison sentences for nonviolent drug offenses. You said: Yes: 14% No: 86%

What Do You Say?

The White House has disputed a memo from former FBI Director James Comey alleging that Trump asked him to end an investigation into Michael Flynn’s ties to Russia. Who do you believe has more credibility?

James Comey Donald Trump Vote online at shepherdexpress.com. We’ll publish the results of this poll in next week’s issue.

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Walker’s Treacherous Trampoline to Nowhere ::BY JOEL MCNALLY

W

isconsin Gov. Scott Walker accidentally came up with a perfect metaphor to describe his cruel proposal to require poor people to perform tricks before they can receive any publicly assisted health care in his state. “We should treat public assistance more like a trampoline than a hammock,” Walker declared.

Walker got that ugly hammock image from his friend House Speaker Paul Ryan. Ryan portrays desperately poor Americans whose families need government assistance as lolling around on hammocks enjoying lives of leisure. Impoverished families are far more likely to be living in fear and despair.

Walker’s trampoline for the poor is his own invention. No one knows what he really means. He’s surely not suggesting his state’s inferior version of Medicaid bounces poor people up into the Mercedes level of health care available to the wealthy.

Walker actually turned down hundreds of millions of federal dollars to cover more people in his state when Democrats expanded health care to more than 20 million more Americans who couldn’t afford it previously.

But Walker’s perilous trampoline isn’t a bad description of the obstacle courses Republican governors want to set up to dismantle health care state by state since the nationwide effort by Ryan and Donald Trump to destroy insurance coverage for 23 million Americans appears headed for defeat in the U.S. Senate.

Anyone familiar with trampolines knows they can be really dangerous. All they do is create an illusion of a lot of motion that doesn’t really get anyone anywhere. But it can be amusing to watch people performing tricks on them. That fits perfectly with Republicans requiring the poor to dance for their benefits. If Republicans can’t wipe out public assistance entirely, they can at least make the poor jump through hoops based on crude stereotypes of race and class.

Republicans believe the only reason minorities can’t afford health care is they’re either too lazy or too drug addled to work. Their stereotyping of poor whites in dying small towns and rural areas who voted for Trump is insulting in a completely different way. Republicans think those people are so dumb they’ll accept anything.

Contempt for impoverished working-class voters of every race is behind Walker’s meanspirited proposal to make Wisconsin the first SHEPHERD EXPRESS

state ever to force low-income residents to submit to drug tests and get a damn job before they can receive publicly assisted health care through Medicaid.

MUTILATING HEALTH CARE FOR 69 MILLION AMERICANS It’s an ugly right-wing mutilation of one of Democratic President Lyndon Johnson’s most successful remaining Great Society anti-poverty programs. Medicaid now provides access to health care and nursing homes for more than 69 million low-income, disabled or aging Americans.

Walker doesn’t just want to reverse the public health gains for Wisconsin under Obamacare. He wants to reverse history more than half a century to finally abolish Medicaid itself. No governor has been allowed to do that for 52 years under any president, Republican or Democrat. But then, of course, Trump is not any president. Trump’s and Ryan’s vile version of states rights would allow individual states to abolish federal health care guarantees the same way they abolished democracy and human rights in their states with Jim Crow laws.

Republican hostility toward the poor has always been based upon a lie. Poverty has never been a comfortable life. Poverty is a lot harder work than most affluent folks have ever done. Affluent people also can afford a lot more drugs.

State Sen. Lena Taylor noted about 1,900 women in Wisconsin’s W-2 welfare reform program were drug-tested as of March. Only nine women failed drug tests and were referred for treatment. Similar infinitesimal numbers found in other states show drug testing to qualify for public benefits to be an exorbitant waste of tax dollars.

Jon Peacock, research director of the Wisconsin Council on Children and Families, points out requiring someone to pass a drug test to get access to health care is exactly backwards. Drug abuse is a health problem.

“We need to get people into health care programs . . . and then get them the treatment they need,” Peacock said. Instead Walker is trying to make it more difficult for low-income residents in his state who need health care to get any.

In a bizarre twist, last week the Legislature’s Republican-controlled Joint Finance Committee voted to set aside $2.3 million over the next two years to try to reduce the number of frequent visits to emergency rooms by people with chronic illnesses.

For the past seven years, the U.S. has had a successful health care program that reduces emergency room visits by providing essential health services to anyone with pre-existing conditions regardless of income. It’s reduced the number of uninsured Americans to the lowest point in history.

All Republicans have to do is stop trying to destroy public health care and join with Democrats to improve it for the American people instead.

NEWS&VIEWS::ISSUEOFTHEWEEK

Why Does Wisconsin Continue to Fall Short in Job Creation?

T

he newly released numbers from the U.S. Bureau of Labor Statistics’ Quarterly Census of Employment and Wages has shown again that Wisconsin continues to rank among the worst-performing states for job growth. For the past year, December 2015 through December 2016, Wisconsin increased the number of jobs by less than one half of one percent or .48%. This past year has represented the worst 12-month period for job growth since 2010, which was the middle of the financial crisis.

Gov. Scott Walker won his first election by promising to create 250,000 additional jobs in his first four-year term. Obviously that was just a made up number with no sound strategy to back it up, but he rode that number to victory in 2010. Now, more than six years later, Wisconsin has created only about 180,000 additional jobs, which puts it very close to the bottom in terms of job creation performance among our neighboring Midwestern states.

This failure in job creation was not some unfortunate, random accident. It is the direct result of failed policies of the Republicans who have controlled state government for the past six years. There is a long-discredited theory of job creation championed by the right wing to defend their policies of massive tax breaks for the wealthy and cutting social programs for the rest of us. The theory argues that giving massive tax reductions to the wealthy; dramatically cutting environmental, health, safety and various other business regulations; and cutting government spending, including monies for education, will create a “good business climate” and result in robust job growth.

The problem is that the theory just doesn’t work out well in practice. Essentially, these policies are trying to make the state look more like Mississippi or Louisiana, which have some of the lowest job-growth rates in the country. Policies like this are what conservative business economists argue create a strong business climate. And, yes, there are some companies that will respond to these policies, but they are becoming fewer and fewer and progressive business owners view them as the bottom feeders.

The forward-looking companies and entrepreneurs want to live and work in a state that highly values education at all levels, protects the environment, has a fair tax system and efficiently utilizes these taxes for things like modern infrastructure. States that follow these forward-looking policies are some of the states with the highest job-creation rates. There is a reason that states like California are creating a lot of new jobs.

As long as Gov. Walker pursues his current strategy of trying to make Wisconsin look like Mississippi, Wisconsin will continue to be among the weakest states in terms of job creation. When will the voters begin to realize that Wisconsin’s very weak job growth is not an unfortunate accident, but a result of flawed policies?

Comment at shepherdexpress.com.

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Vegan Pages

To advertise on these pages, contact AMY 414-276-2222 EXT 230 or email her at amy@shepex.com

I’M INTERESTED IN BEING VEGAN, BUT ISN’T THAT GOING TO BE REALLY DIFFICULT IN MILWAUKEE, THE LAND OF CHEESE AND BRATS?

-CURIOUS

Dear Curious, Actually, it’s really quite easy to be vegan in our great city!

Every day there are more and more vegan options available at local restaurants and stores, and there are lots of ways to find support in local groups.

An easy way to start trying vegan foods is to visit one of over 100 restaurants in the Milwaukee area that offer

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vegan options. We currently have one all-vegan restaurant called Urban Beets (and a few more are on their way soon) and five other all-vegetarian restaurants that offer tons of vegan dishes. You’ll find a wide variety of vegan options in cuisines including Italian, Asian, Middle Eastern, African, Indian, Mexican and American, with items ranging from bakery, sausages, doughnuts, pizza, ice cream, gluten-free options and much more. You can go for healthy or deepfried—we’ve got it all!

If you’re one of the tons of Milwaukeeans that love local beer, keep an eye out for incredible vegan pop-up meals put on by Beatrix Foods. They have partnered with several of Milwaukee’s fantastic pubs and breweries to offer beer or cider pairings with exciting vegan dishes.

Maybe you want to eat vegan at home, but you’re not quite ready to handle cooking on your own. There are several local companies that provide vegan meals or personal chef services, including Sol D’licious Kitchen, The Cultured Vegan and My Whole Foods Kitchen.

If you’re ready to try cooking for yourself, you won’t have to go far to find all the vegan groceries you need.

Milwaukee’s Outpost Foods and Riverwest Co-op carry a lot of vegan products and offer great pre-made options in their cafés as well. Bigger stores like Whole Foods, Trader Joe's, Fresh Thyme and Woodman’s also have a wide selection of vegan ingredients. It’s exciting that some chain stores like Pick ‘n Save, Fresh Market, Sendik’s, MetroMarket, Target and ALDI have also started carrying a variety of vegan

staples like faux cheese, milks and meats. If you’re looking for the latest vegan foods or trying to track down a specific product, we’re lucky enough to have VeganEssentials.com located nearby in Waukesha. They’ve been shipping out a huge selection of vegan products since 1998 and offer fast delivery to the Milwaukee area.

As you can see, you’ll easily be able to find all the food you need locally, but it helps to have the support of likeminded people. Milwaukee has that covered too! Check out the monthly vegan potluck at the Urban Ecology Center to share food, discover new recipes and make new vegan friends. Looking for a family friendly way to help animals?

Visit one of the farm sanctuaries nearby, take a tour or even volunteer. If you want to take action for animal rights, there are several organizations in town like Citizens United for Animals, Direct Action Everywhere, Global Conservation Group and still more that expand outside of the city.

Wherever your interest lies, you’ll find friendly Milwaukee vegans to help you find your way!

Now that you’ve got some insider tips on how to be vegan in the Milwaukee area, stay up to date on the latest local restaurants with vegan food, events, organizations and more at VeganMilwaukee.com.

-Vegan MKE Email your questions to: veganmilwaukee@gmail.com.

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Rendang Beef from Peking Chef

Fox Point’s Peking Chef Worth the drive for Indonesian cuisine ::BY LACEY MUSZYNSKI

udge a book by its cover, and you might miss out on some of the best dishes at Peking Chef. If you stick to the Chinese American food that the restaurant’s name implies, you’ll eschew the best section of the menu: Indonesian cuisine.

Indonesian food is hard to come by in Milwaukee. Unless there’s a daily special on a menu or an Indonesianthemed pop-up dinner, this small, family run spot in Fox Point is the only restaurant specializing in Indonesian cooking in the area. It’s well worth the trip up I-43 to experience food you’ve never had before—plus high-quality versions of some of your favorite Thai and Chinese American dishes.

Tucked away in the corner of a strip mall, the interior of Peking Chef is just about the same as every other Asian strip mall restaurant: It’s long and narrow, with a kitchen at the back—though this one is open, so you can see the cooks scurrying around—and with generic Asian décor. The only hints of distinction are the Indonesian puppets on one wall.

Seat yourself if you’re eating in and there’s no employee around; chances are everyone’s busy preparing food or packing up take-out orders.

You’ll be greeted shortly by various family member employees who will undoubtedly be chatty and smiling. In all of my visits here—there have been many over the years—I have never encountered an employee who wasn’t in good spirits. (That

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congeniality often leads to complimentary wontons of small shrimp, sliced beef and Chinese sausage. or sugar donuts, especially with large orders. You’ll Singapore rice noodles ($9.95), which are often feel like a guest in your server’s home.) found on Chinese American menus, inhabit the Start your exploration of the Indonesian portion Indonesian menu here. This version is made with of the menu with rendang beef ($13.25). It’s a stew shrimp and chicken with mild curry spices. of tender beef and potato chunks, slow cooked in If you can convince yourself to try other portions a thick sauce of lemongrass, ginger, chiles, coconut of the menu, there are some gems waiting for you. milk and fragrant spices like cloves and cinnamon. It’s Phat Thai ($9-$11) can be made with chicken, pork similar to some Indian curries, but with a Southeast or shrimp. It’s made with thin noodles here, in a Asian kick of citrus. Sambal udang ($12.95) is a stir fry bright orange sauce with lots of fried egg and a of shrimp, green beans, slivered onions, bell peppers, thick wedge of lime on the side. Phat see eeu ($10tempeh and tofu. The green beans are flash fried for $12.50) is made with thick, supple fun noodles and that familiar wrinkly skin. Shrimp is large and plump, full of fresh gai lan, otherwise known as Chinese while the tempeh—a soy product similar to tofu that broccoli. There’s also a good version of the Chinese originated in Indonesia—is earthy and even a little American chicken in garlic sauce ($8.95) here, made smoky. It’s all bathed in a small amount of flavorful with large, flat pieces of cloud ear mushroom, snow brown sauce made with tamarind. peas and bamboo shoots. Skip the orange chicken Fried chicken fans will love ayam goreng mentega ($10) and, instead, opt for the spicy lemongrass ($13.25), or what’s known as butter-dipped chicken. chicken ($10) from the Thai menu. It’s not the Boneless pieces of chicken thigh are coated in a thick most traditional dish on the menu, but it’s full of batter, deep fried and served lemongrass aroma and mixed covered in a sweet, dark sauce vegetables. made with butter. It’s served The best way to experience with a few slices of cucumber Peking Chef is with a group Peking Chef and tomato, but it’s so rich people ordering numerous 8673 N. Port Washington Road of that you should plan to order dishes and eating family style.

414-228-8222 | $$ vegetables, like the Thai-style If you’d like to try a dozen or pekingchefwi.com eggplant ($9) on the side. so of their Indonesian dishes, Noodles make an then plan to attend their Handicap access: Yes | CC appearance on the Indonesian annual Mother’s Day buffet.

Tu-Th 11 a.m.-8:30 p.m., menu as kweetiau goreng We just missed it this year, so F-Sa 11 a.m.-9 p.m., ($9.95). Wide rice noodles are you better mark your calendar Su 3-8:30 p.m. stir fried with a combination for 2018.

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Milwaukee Pretzel Company Offers True BavarianPretzels

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n Germany, Bavarian-style soft pretzels are part of everyday meals and are as commonplace as rolls sold behind bakery counters in American supermarkets. When Matt and Katie Wessel, founders of Milwaukee Pretzel Company, first discovered these large, tangy, browned pretzels while living in Germany, the couple savored not only the unique flavor but also the experience of socializing in a biergarten (beer garden) while pairing a pretzel with a mug of German suds. When the Wessels returned to Milwaukee, they could easily find German beer and sausage, but not a good pretzel, so they decided to make it themselves.

Matt and Katie are both Marquette University graduates with business and marketing backgrounds, but Katie had always liked to cook and had once considered attending culinary school. She researched the science behind baking, and the couple spent about six months developing a recipe that matched the pretzels they enjoyed in Germany. Different regions throughout Germany produce slightly different pretzels, Katie noted, so they married a few different regions of pretzels they liked.

German Fest seemed to be a natural place to launch their pretzels, so Matt and Katie contacted festival organizers in early July 2013 with the possibility of selling at the festival the following year. “We got a call back a day or two later, asking if we wanted to vend at the 2013 fest, which was two weeks away at that time. So we got our family and friends to help make 1,500 pretzels to sell,” Matt recalled. The pretzels were a hit, selling out before the festival’s end. Their wholesale business has snowballed ever since.

After working out of commercial kitchens in South Milwaukee (and later the Third Ward), the Wessels moved two and a half years ago to a 3,500-square-foot space on Holton Street near Capitol Drive. Approximately 20 employees craft one-pound and one-and-a-half-pound pretzels and pretzel buns using Esmach mixers and other German-made commercial baking equipment. Each pretzel is twisted by hand.

American soft pretzels—like the kind often dunked in gooey cheese sauce—use sugar as a flavor profile and are more dense and doughy; whereas, Matt said, their Bavarian pretzels get flavor from malt powder, rye flour, butter and low fermentation times. The production process involves showering each pretzel with a special solution that provides that tangy flavor and rich brown surface. The pretzels are slightly crisp on the outside and have a light, chewy texture inside. Few condiments are needed—except for maybe a little quality mustard for dipping.

Not to mention the impressive size of Bavarian pretzels! The oneand-a-half pounder is not much smaller than a car steering wheel and could be a meal in itself.

Milwaukee Pretzel Company’s artisan products are free from GMOs and preservatives.

The Wessels make business decisions that are best for the product instead of just focusing on profit. Katie said they’ve turned down larger projects that they felt they weren’t yet ready to tackle. The rewards of growing Milwaukee Pretzel Company have outweighed the work, and Katie said they also take great pride in employing local people.

Milwaukee Pretzel Company’s products are served at several local establishments, including Milwaukee Ale House, Rumpus Room, ABV Social, Mader’s, Bavarian Bierhaus, Good City Brewing and St. Francis Brewing Company and its Craft Beer Garden at Humboldt Park.

For more information, visit milwaukeepretzel.com.

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Good Eating This Friday in the Third Ward Street Eats, the Shepherd Express’ popular food truck event, returns to the Third Ward for another season this Friday, June 2. Street Eats features more than a dozen food trucks with appetizing selections that span the globe from Jamaica to India and from Brazil to the American South.

At this year’s Street Eats, you’ll find everything from hamburgers and donuts to jerk chicken and vegetable biryani. And don’t forget the beer. Lakefront Brewery will be pouring Lakefront IPA, Riverwest Stein, Eastside Dark Lager, El Wisco Mexican Lager and New Grist. First beer purchase is $5 and comes with a Lakefront Brewery cup.

Refills will be $4 a cup.

There will be lots to do while eating and drinking.

Milwaukee Irish Fest will be on hand with games and giveaways, and Milwaukee Irish Dance Company will do a performance. The J Ryan Trio will be playing throughout the event. Food vendors include Dan-O’s Donuts, Double B’s BBQ, Gypsy Soul, Hidden Kitchen MKE, Jamaica Kitchen, Jericho’s BBQ, Pedro’s South American Food, Punjabi Accent, Rich’s House of Cakes, Shawarma House, That Salsa Lady, The Fatty Patty, Tasty Café, Pig Tailz and Tudo Sabor Brasil. (David Luhrssen) Street Eats runs 4-8 p.m. at Catalano Square in the Historic Third Ward on the corner of Menomonee and Young streets.

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::SPORTS Rollie Fingers’ Forgettable Final Season in Milwaukee ::BY MATTHEW J. PRIGGE

I

n the summer of 1984, Rollie Fingers was back to his old self. After missing the 1982 playoffs and all of 1983 with a severe muscle tear, his arm was healthy and he was one of the few bright spots on a dismal Brewers team. By late July, he sported a sub-2.00 ERA and had recorded 23 saves. Fingers had been dealing with a back issue since May, a troublesome injury, but not one that kept him off the mound. But, fielding a ground ball one night, he felt a tweak and

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finished the game in serious pain. An examination revealed that he had a herniated disk and needed surgery. His season was done.

Reporting to spring training in 1985, Fingers had no issues with his back and looked forward to the final two years on his contract with the Brewers. He opened the year with a flourish, throwing five scoreless innings over his first four appearances. But things quickly unraveled. He blew three of his next four save opportunities, including a brutal outing against the A’s in which he walked three and gave up five runs in a single inning. As he walked off the mound, his ERA now at 7.15, the County Stadium crowd booed him heartily. In June, he blew four straight save chances, and the Brewers lost six straight games in which he appeared—something once unthinkable for the legendary fireman. By the All-Star break, he was sharing the closer’s role with third-year pitcher Bob Gibson. “I have no idea what’s going on anymore,” he told the newspapers. “No idea.”

SETTING THE RECORD FOR SAVES On Sept. 4 at Minnesota, he pitched a clean ninth to seal an 11-10 Brewers win and mark his 341st save. It was the highest career total in

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baseball history and would remain so until Jeff Reardon passed it in 1992. And it was the last save of Fingers’ career. Two days later at Kansas City, Fingers came in on the 11th inning to try to preserve a 3-2 Brewers lead.

After getting an out, he gave up a home run, saw a runner reach on an error and allowed a run-scoring double to John Wathan to end the game. Two days after that, still in KC, he came on to hold an 11-11 tie. He pitched a perfect 10th but gave up a booming home run to Steve Balboni in the 11th to lose it.

There was still a month left in the season, but Fingers saw action just one more time. The Brewers were at Baltimore, locked in a 1-0 pitchers’ duel between Ted Higuera and Ken Dixon. With the Brewers down, Higuera got two out in the eighth before being tagged for three quick runs. Manager George Bamberger called for Fingers to mop up and, with a runner on second, Fingers served up a meatball that outfielder Gary Roenicke crushed for a two-run homer. Fingers then struck out Rick Dempsey to end the inning. It was an unglamorous way to end a Hall of Fame career.

After the final homestand of the season, Finger asked permission to leave the team and skip the closing New York/Boston road trip. “No use spending the money on an extra room if I’m not going to get into a game,” he told the Milwaukee Journal. Gathering his things and preparing to return home to San Diego, Fingers compared the end of the sea-

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Rollie Fingers

son to “being released from jail.” Six weeks later, the Brewers released Fingers, eating his $250,000 salary for 1986. That same day, they also cut Pete Vuckovich, Pete Ladd and Mark Brouhard, all members of the 1982 pennantwinning team.

Like Fingers, Vuke struggled to stay healthy after the 1982 season. He threw three innings in ’83, missed all of ’84 and turned in 22 mostly regrettable starts in 1985. Also, like Fingers, he felt he had a little more left in the tank. He ended up resigning with the Brewers but managed only six starts in 1986 before his arm finally gave out. Fingers toyed with joining the Cincinnati Reds for 1986 but refused to adhere to the Reds’ no-facial hair policy by shaving his trademark handlebar mustache.

He officially retired shortly after.

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EXPLORING ‘BOUNDARIES’ All that jazz (and more) at Present Music season finale ::BY JOHN JAHN ianist and composer Cory Smythe, guest artistic director of Present Music’s last concert of its 35th season, says that, “after the first wave of gratitude and excitement had passed” after he was approached with the job, he soon realized what an enormous undertaking lay before him. “I’ve marveled at Artistic Director Kevin Stalheim’s unerring knack for illuminating innovative, probing new works beneath twinkling party lights—bringing a repertoire I had long associated with nerdy specialists to improbably large, diverse, rapt audiences,” Smythe explains. Thus began his search for “artists who, like Present Music itself, tethered their musical innovation to a deep commitment to connect viscerally and emotionally with their listeners” for the concert he was about to helm.

Present Music’s “Boundaries” concert seeks to explore the grey area between musical genres, making the individual works on the program difficult, if not impossible, to pigeonhole into neat categories such as classical, jazz, rock and folk. This conception brought Smythe to Steve Lehman, who Smythe describes as “a composer, improviser, performer and general talent whose work cuts across multiple scenes; Steve makes some of the most outlandishly original, impeccably crafted and undeniably electrifying music you’ll ever hear.”

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Lehman’s compositions lean toward jazz-flavored small combos—trios, quartets, quintets and so forth.

Two of his albums have garnered prestigious awards thus far: Travail, Transformation & Flow (2009) won Jazz Album of the Year from the New York Times; Mise en Abîme (2014) won Best New Album from the NPR Music Jazz Critics Poll. In this concert, Lehman and Smythe (the latter a Grammy Award-winner, himself) come together to perform three works for the remarkable combination of saxophone and piano (occasionally further joined by live electronics): Lehman’s Laamb, a piece he derived from a recent collaboration with hip-hop artist Sélébéyone; Smythe’s Two Rooms (2014); and Anthony Braxton’s Composition No. 6L (1971). Braxton (b. 1945) is a composer, instrumentalist and retired professor (Lehman’s a former student of his) who received the title of Jazz Master from the National Endowment of the Arts three years ago.

Intriguing as those sax-piano duos may be, there’s much more to this season finale. Finnish composer Kaija Saariaho (b. 1952) wrote music early on that tended toward serialism—a musical technique tracing its roots back to Arnold Schoenberg’s 12-tone system. This penchant has given way in recent years, however, to musical spectralism—a compositional method originating in the ’70s that utilizes computer analysis of timbre in acoustic music or, alternately, uses non-natural timbres derived from a synthesis of the two. Saariaho’s nature-imbued works speak of gardens and summer. This concert features her Petals for cello and live electronics.

Other works by Lehman on the program include Nos Revi Nella (2010) for string quartet and Dub (2008) for piano, saxophone and string quartet. The String Quartet No. 4 (Amazing Grace) by Benjamin Burwell Johnston Jr. (b. 1926) will also be heard; it’s a seven-limit, microtonal quartet that has thus far proven to be Johnston’s most famous and Present widely recorded piece.

Music Cory Smythe’s Reenactment Boundaries for piano, quarter-tone guitar, June 2, 9 p.m. violin and viola receives its world Hot Water premiere at this concert. The genesis of this piece is remarkable—an attestation of just how all-encompassing the inspiration can be for a musical composition. It’s also revelatory of how the same sounds, heard by different people, can move them intellectually and emotionally in totally different ways.

Smythe recalls that he was exploring the combination of piano and detuned guitar, and the resulting sounds struck him as somewhat reminiscent of (as he relates) “present-day bands doing faithful recreations of Civil War-era tunes—preserving and renewing a repertoire of deeply disturbing, racist and violent melodic turns of phrase. Reenactment is a short, tightly wound ghost story premised on this lurid musical undertaking.”

Present Music and guests Steve Lehman and Cory Smythe, perform “Boundaries” at 6 and 9 p.m. Friday, June 2 at Hot Water & Wherehouse Night Club, 818 S. Water St. For tickets call 414-271-0711 or visit presentmusic.org.

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MATTHEW BUSHEY

::THISWEEKINMILWAUKEE

Hoops

FRIDAY, JUNE 2 Extra Crispy Brass Band

THURSDAY, JUNE 1

Hoops w/ Parts & Deeper @ Cactus Club, 9 p.m.

Indiana psych-pop outfit Hoops are on track for what looks like a banner year. Their debut fulllength, Routines, out earlier this month via Fat Possum Records, is on its way to becoming a summer ’17 staple following praise from the likes of Pitchfork, Stereogum and Paste. The bright, atmospheric album packs synth-washed vibrancy comparable to bands like Wild Nothing and Real Estate. “Meet me in the sunlight / Meet me when the moon’s ripe,” Kevin Krauter croons in “Sun’s Out.” Sounds like a plan.

Jazz in the Park: Extra Crispy Brass Band @ Cathedral Square Park, 6 p.m.

Bay View Gallery Night & Jazz Fest @ multiple venues

One of Milwaukee’s most popular summer concert series, Jazz in the Park returns to Cathedral Square Park for its 26th year, with a lineup heavy on Milwaukee favorites like Christopher’s Project, Streetlife and Foreign Goods. Kicking things off this year is the Extra Crispy Brass Band, a New Orleans-inspired brass group that’s won a WAMI award for best horn band. Like all of this year’s installments of Jazz in the Park, this one is preceded by a 5 p.m. happy hour with drink specials.

Especially over the last decade, as local businesses have popped up around every crevice and offshoot of Kinnickinnic Avenue, Bay View has emerged as one of the Milwaukee’s most arts-dense neighborhoods. For the neighborhood’s latest gallery night, more than 50 businesses will display the work of hundreds of artists. As with recent installments of the event, this one will also run in conjunction with the Bay View Jazz Fest, which is sponsoring live music at nearly a dozen venues, including District 14, The Magnet Factory, Highbury, Tonic Tavern and Revel Bar. For the complete lineup, visit bvgn.org.

Downtown Dining Week @ multiple locations

Norah Jones w/ The Candles @ Riverside Theater, 8 p.m.

You know all those restaurants you’ve been meaning to try forever, if only you could justify spending the money? Downtown Dining Week takes that excuse off the table. For eight days more than three dozen Milwaukee restaurants will be offering special threecourse meals, priced at $12.50 for lunch and $25 or $35 for dinner. All include an appetizer, an entrée and a dessert. More popular (and pricier) restaurants tend to fill up fast, so you may want to start planning your reservations now.

Ahh, Norah Jones. Does anyone else feel relaxed just thinking her name? Jones’ 2002 hits “Come Away With Me” and “Don’t Know Why” bring instant comfort. For her Day Breaks tour this spring, the nine-time Grammy winner returns to her jazz and piano roots. Day Breaks features the silky, ambient vocals fans know and love with added freshness from Jones’ congealed maturity and self-assurance.

Savoy Brown w/ Tallan Nobel Latz @ Turner Hall, 6:30 p.m.

Fifty years after the release of British blues band Savoy Brown’s debut album, Shake Down, it’s a wonder the band is still touring. They’re still making music, too. The group’s 2014 release, Goin’ Down to the Delta, features the polished, Chicago-style electric blues the group have become experts at curating. Time has done nothing to diminish frontman Kim Simmonds’ exemplary songwriting, guitar and vocal prowess. With a vast discography to choose from, here’s hoping their set includes some oldies (1969’s “Train To Nowhere” in particular still bangs).

FRIDAY, JUNE 2

‘American Idiot’ @ Tenth Street Theatre, 7:30 p.m.

Green Day might have been remembered as a relic of the ’90s if not for 2004’s American Idiot, the politically loaded, Grammy-winning rock opera that cemented their status as one of the most important rock acts of their time. Five years later the album became the basis for a Broadway musical, which remains a box-office draw to this day (there’s also a film adaptation in the works). Directors Don Linke and Sherry Summers share their own vision of the musical with this local production through the Milwaukee Rock Theatre, where Linke has already directed six rock musicals.

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Norah Jones

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SUNDAY, JUNE 4

Brewtown Rumble @ Pabst Milwaukee Brewery, 11 a.m.

Harley-Davidson still looms large over Milwaukee motorcycle culture, but Harley’s annual gathering is no longer the only big motorcycle gathering in town. Now in its third year, the Brewtown Rumble pairs a ride-in vintage motorcycle show with food and music from the Milwaukee acts The Grovelers and Devil Met Contention. Admission is free, and if you haven’t checked out Pabst’s newly expanded brewery yet, this is as good a chance as any.

SATURDAY, JUNE 3 Grandioso: A Multicultural Arts Celebration @ N. 76th Street and Dean Road, 11 a.m.

Melting pots don’t get much fuller than here in Milwaukee, where cultures from around the world have left their mark on the city’s arts scene. Granville looks to celebrate that diversity with its inaugural Grandioso celebration, a day of music, dance, visual arts and spoken word. The event will feature blues music from The NuBlu Band (featuring Carlise Guy, daughter of blues legend Buddy Guy), the reggae outfit Unity The Band and the Heritage Chorale of Milwaukee.

Michael McDermott w/ Sam Llanas @ Shank Hall, 8 p.m.

Diana Krall @ The Riverside Theater, 8 p.m.

Seasoned jazz musician Diana Krall has enjoyed steady prominence in the world’s diverse jazz scene since she burst onto the scene in the ’90s. Her 1999 release, When I Look In Your Eyes, earned Krall a Grammy for Best Jazz Vocal Performance, and was the first jazz album nominated for Album of the Year in 25 years. Krall earned many awards after that—to date, she has five Grammy and eight Juno awards, and smart money says more are on the way. She’s currently on a world tour in support of her new album, Turn Up The Quiet.

WEDNESDAY, JUNE 7

Rock musician Michael McDermott catapulted to notoriety at a young age in 1991 with the release of 620 W. Surf, and found a fan in author Stephen King, who notably dubbed McDermott “one of the best songwriters in the world and possibly the greatest undiscovered rock ’n’ roll talent of the last 20 years.” McDermott has had to wade through the hardships of early fame these past few decades, managing to come out on top despite bouts with drug and alcohol addiction. One listen to the title track of ’16’s Willow Springs, McDermott’s 10th studio album, and it’s clear he still has his finger on the pulse of rock music.

Future Islands w/ Milo @ Pabst Theater, 8 p.m.

TIM HINES

Future Islands are one of those bands that you have to see live to truly understand. That’s why the Baltimore synth-pop group’s breakthrough moment came from a television appearance, when a performance of their single “Season (Waiting on You)” went viral, thanks to the impassioned performance and drunken-dad dance moves of frontman Samuel T. Herring. The singer’s passion is on full display on their latest album, The Far Field, another collection of dreamy, deeply romantic neo-new wave. Opening for the group on this tour is Milwaukee rapper Milo. He may seem like an odd choice to warm the stage for an indie-rock act, but he’s got ties to the band. Herring, rapping under his alias, Hemlock Ernest, appeared on “Lavender Chunk,” a track from Milo’s Scallops Hotel project.

Michael McDermott

SUNDAY, JUNE 4

UPAF Ride for the Arts @ Summerfest Grounds

Since 1981, riders have raised millions of dollars for the United Performing Art Fund as part of the Ride for the Arts, one of the nation’s largest recreational bike rides. All riders are welcome.

Routes start at an easy five miles, and at 70 miles for more serious riders, but all of them are plenty scenic, making good use of the city’s lakefront. The day ends with a big party at the finish line featuring music, food and family entertainment. Proceeds will benefit a litany of performing arts groups.

JUNE 16-18

Future Islands

MAM.ORG/LFOA

Enjoy Milwaukee’s most art-filled outdoor festival featuring music and entertainment, food and drink, activities for the kids — and world-class art by juried artists from across the nation.

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::PERFORMINGARTSWEEK THEATRE

2017 One-Act Play Festival

Village Playhouse presents a dozen short plays ::BY JOHN JAHN

M

ore than three decades ago, a performing group called Third Coast Playwrights was looking for a venue to treat their season ticket holders to some one-act plays.

Meanwhile, Mini-Theatre Players were looking for a way to produce the winner of a play-writing contest they recently held. Necessity, indeed being the mother of invention, these two necessities gave birth to Village Playhouse’s annual One-Act Play Festival.

The 2017 festival has such a strong selection of material that there are 12 one-acters to be performed in two six-play, rotating groups. Some of the new plays to be presented are Talk to the Wall (Mike Willis), The Painting (Mark Borchart), The Wedding (Michelle Demos) and Playing Solitaire (Michael Lucchesi).

There are, of course, many more.

June 2-18 at Inspiration Studios, 1500 S. 73rd St. For a full schedule and tickets, visit brownpapertickets.com or call 414-207-4879.

And Then There Were None

“I wrote the book after a tremendous amount of planning, and I was pleased with what I made of it,” wrote Agatha Christie in her memoirs about her 1939 novel, And Then There Were None. It’s a work that she also thought represented her finest level of “craftsmanship.” Four years postpublication, she reworked it into a play, and it is that work that Sunset Playhouse brings to the stage. In this chilling-yet-funny play, several people have been enticed to a home on an island; there, they find a pair of house servants. All 10 of them now endure the sort of “whodunit” tale that no one told better than Christie.

June 1-18, Furlan Auditorium, 800 Elm Grove Road. For tickets, call 262-7824430 or visit sunsetplayhouse.com.

Barefoot in the Park

A play that premiered on Broadway with Robert Redford and Elizabeth Ashley and, four years later, became a smash-hit movie (with Redford and Jane Fonda), mustn’t be ignored. Neil Simon had his longest-running hit with Barefoot in the Park (it’s also the 10th-longest-running non-musical play in Broadway history). Sublime comedic writing and both thoroughly relatable characters and situations certainly have propelled Barefoot’s lengthy success story. New York City. Disparate newlywed couple. Odd neighbors. It’s all here in Waukesha Civic Theatre’s production.

June 2-18, Margaret Brate Bryant Civic Theatre Building, 264 W. Main St., Waukesha. For tickets, call 262-547-0708 or visit waukeshacivictheatre.org.

In the Time of Old Age

Memories Dinner Theater presents this comedy by Gord Carruth, author of 2012’s Thank God it’s Wednesday. As Memories describes In the Time of Old Age, two friends—one a Jewish widower, the other an Irish American World War II vet—join with a “beautiful lawyer [to] pull off a brilliant sting on a bank manager of questionable integrity and morality, all to the benefit of the elderly.” As with all Memories Dinner Theater shows, food is part of the experience: a plated dinner is served throughout the run, and a buffet is available to show goers Tuesday, June 20. Vegetarian and gluten-free options are also available.

June 6-21, Memories Ballroom, 1077 Lake Drive, Port Washington. For tickets, call 262-284-6850 or visit memoriesballroom.com.

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MUSIC

“I Sing Thee, America”

Under the baton of Music Director Eduardo García-Novelli, the Master Singers of Milwaukee present “I Sing Thee, America”—a concert of rare and beautiful American choral pieces—folksongs, spirituals, minstrel songs and more—stemming from our nation’s diverse cultures and heritages. There’s Aaron Copland’s “Ching-a-Ring Chaw,” “Glory, Glory Hallelujah!” by Howard Helvey, William Billings’ sacred a cappella tune “Emmaus” and several other works in both historically informed and astutely creative arrangements.

Sunday, June 4, Wauwatosa Presbyterian Church, 2366 N. 80th St. For tickets, visit mastersingersofmilwaukee.org.

DANCE

Real Time’s First Friday Finale

Andrea and Daniel Burkholder’s monthly dance series, “Real Time,” begun two years ago and showing on the first Friday of every month, comes to an unfortunate end with this 26th installment. Even so, the Burkholders will continue to be active in Milwaukee’s arts community: They’ve planned a gallery showing/installation at Alfons Gallery in the summer of ’18, and their “Real Time” performance events may continue to occur (as they put it) “as inspiration (exciting collaborator, a new space, a friend’s idea, etc.) strikes.”

Friday, June 2, Danceworks Studio Theater, 1661 N. Water St. Cash-only, open-priced tickets go on sale at 8 p.m. on the performance date.

FUNDRAISER

The Big Event

Milwaukee philanthropists Claire and Glen Hackmann will be the recipients of the Sharon Lynne Wilson Center’s EDDY Award for supporting the arts and education. Also, Milwaukee Youth Symphony Orchestra will receive the Center’s Educational Excellence Award “in recognition of organizational achievements that exemplify collaboration in the arts.” These awards will be given at “The Big Event,” the Wilson Center’s foremost fundraiser, bringing together more than 600 community and business leaders from throughout the region. The gala features food, cocktails, an auction and live music (the latter a Motown tribute billed as “The Shindig”).

Saturday, June 3 from 5:30 p.m.-midnight at the Sharon Lynne Wilson Center, 19805 W. Capitol Drive, Brookfield. For tickets, call 262-373-5033 or visit wilson-center.com/the-big-event.

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A&E::INREVIEW

Edo de Waart PHOTO BY JESSE WILLEMS

MUSIC

Edo de Waart Ends on a High Note

The Performing Arts Matter. Join us on Sunday, June 4, for UPAF’s largest annual fundraising event. Ride and raise pledges to benefit 15 outstanding performing arts groups in Southeastern Wisconsin. With five routes for all types of riders, it’s fun for everyone. For more information or to register visit UPAFRide.org or call (414) 276-RIDE.

::BY RICK WALTERS

E

do de Waart ended his eight years as music director of the Milwaukee Symphony Orchestra in a noble and high-minded fashion this weekend with one of the greatest of orchestral works, Gustav Mahler’s Symphony No. 3. The sense of occasion on Friday evening deepened the profound, powerful performance.

Lasting 100 minutes, with more than 100 musicians onstage, plus soloist, women’s chorus and children’s chorus, this symphony is only for a master conductor such as de Waart. As he always does, he brought clarity and heightened detail to all aspects, with careful pacing and defined contrasts. Mahler constructed the symphony in six movements, with the first, “Pan Awakens, Summer Marches In” as the gigantic Part 1. The following movements organize a progressive, abstracted journey through nature to the final movement, “What Love Tells Me.” This orchestra de Waart built (hiring more than a third of the current players) performed as if inspired. Woodwind playing was elegant and artful. Thrills from the brass section included wonderfully accomplished solos from trombonist Megumi Kanda and trumpeter Matthew Ernst. Horns were glorious in sound. The string playing that began the final movement was heartbreakingly beautiful.

Mezzo-soprano Sasha Cooke has emerged as one of the major Mahler interpreters working today. She performed the fourth and fifth movements with lustrous voice and enlightened artistry. Voices of Eterna from the Milwaukee Children’s Choir and women from the Milwaukee Symphony Chorus sang with fresh, crisp sound.

Some pieces illustrate the ache in humans for something higher, something poetically elevated from the prose of living. De Waart has been our guide to just that. He created an MSO that no one, including the musicians themselves, knew was possible.

I’ve had the opportunity of hearing most of the major orchestras in the U.S. and Europe in recent years. MSO belongs among them in its quality. The one thing it lacks is a concert hall that will let it attain its full potential.

The audience gave de Waart warm ovations before and after the concert. We will all be forever grateful for the world-class standard of performance he brought to this city.

Critics are calling it: “Inventive!”

“Masterful!”

“Thrilling!”

“Powerful!”

TICKETS SELLING FAST! DON’T MISS IT!

414-291-7800 | skylightmusictheatre.org 158 N. Broadway in the Historic Third Ward

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A&E::FILM

A&E::FILMCLIPS Complete film coverage online at shepherdexpress.com

Alien: Covenant R

Ridley Scott’s pacesetting Alien (1979) had Sigourney Weaver and a monster the likes of which had never been seen. His sequel to the Prometheus prequel, Alien: Covenant, may be visually state-of-the-art, but it has an unmemorable cast and—yes!—monsters, lots and lots of bursting, leaping monsters. The crewmembers of the cargo ship Covenant are over their heads when lured by a ghost transmission to a previously unknown planet where videogamestyle action awaits. Michael Fassbender is suitably unanimated as the android who embraced the dark side. (David Luhrssen)

Captain Underpants: The First Epic Movie PG

When misbehaving 9-year-olds Harold and George (voiced by Kevin Hart and Nick Kroll) are sent to the office of Principal Krupp (Ed Helms), they hypnotize him, turning the hapless administrator into Captain Underpants. He immediately begins chasing down bewildered bad guys while clad in nothing but a red cape and jockey shorts. Horrified, Harold and George try to reverse the hypnotic trance. Animated to recreate the illustrations of Dav Pilkey’s kids book, the film features toothy, egg-shaped characters with yarn hair and bulbous noses. The look is particularly fetching on barrel-bellied Captain Underpants as he rocks those tighty-whities.

Grammar-school stunts pulled on teachers and other grownups may not amuse parents allto-familiar with such behavior. (Lisa Miller)

Wonder Woman PG-13 ‘Paris Can Wait’

On the Road to Paris in Eleanor Coppola’s Comedy ::BY DAVID LUHRSSEN

A

nne lingers on the hotel balcony overlooking the balmy Mediterranean, snapping photographs of the croissants and orange juice on the table. Her husband’s phone chatter—shoptalk about “cutting production costs in half”—drifts like a nudging sea breeze. Anne (Diane Lane) and Michael (Alec Baldwin) are a comfortably married old couple. He’s a Hollywood producer and she is his companionable wife, tagging along as he cajoles, deals and troubleshoots. For reasons too slight to recount, he flies out from Cannes, and she is entrusted to his French business associate.

Jacques (Arnaud Viard) is tasked with driving Anne to Paris.

For her feature debut, Paris Can Wait, writerdirector Eleanor Coppola took to heart the dictum “write what you know.” One hesitates to call the film autobiographical, but who couldn’t speculate that some resonance of her life as 22 | J U N E 1 , 2 0 1 7

wife of Francis Ford Coppola isn’t heard in the screenplay? While Michael clearly hasn’t forgotten Anne, he has a second wife in the form of his work. She has nothing to do while he’s working but amuses herself by taking still pictures as the motion picture industry hums around her.

Paris Can Wait is a road movie—a car trip with many stops and digressions. Jacques is a worldly Frenchman who loves the sensuous play of sunlight through the leaves and the taste of freshly baked bread. He can expound for hours on the heady bouquet of wine and the mellow tang of goat cheese. The world has given rise to countless varieties of both, and he is intimate with every one.

She is in a hurry to get to Paris, and he is in no hurry—inventing one reason after another to stop, look, taste and experience life. She is bemused with furrowed brow, but her impatience is lightly worn. Anne has some knowledge of art history and begins to connect with the country that once was the worldwide focus of culture.

She suggests visiting a certain medieval cathedral.

Paris Can Wait Inside the dark sanctuary, she Diane Lane lights a candle and Arnaud Viard opens to Jacques, Directed by recounting the Eleanor Coppola death of her son, age 39 days.

Rated PG The mood of Paris Can Wait is light comedy gently flecked with pathos and irritation. An almostromantic moment between Jacques and Anne is interrupted by the bleating of a text from her teenage daughter—a total drag. The twitching wire of suspense in this charming trifle of a film concerns whether Jacques and Anne will share more than wine and a ride. Well, there’s enough material left over for a sequel, should Coppola find the financing.

Positioned as an origin story, this adaptation reveals that Wonder Woman is the child of Zeus and an Amazonian queen (Connie Nielsen). As World War I unfolds, Diana Prince/Wonder Woman (Gal Gadot) lives on an Amazonian island, cut off from the outside world until fighter pilot Steve Trevor (Chris Pine) crashes his plane there. Hearing of the war, Diana believes she can save mankind from self-destruction. Her tool kit includes immortality, superhuman strength, impeccable warrior training and weapons imbued with special powers. Advance screening attendees praise the film’s inspirational tone and coherent action sequences. Wonder Woman is the first major superhero production directed by a woman—Patty Jenkins. (L.M.)

[HOME MOVIES/OUT ON DIGITAL] “The Frank Sinatra Collection: The Timex Shows Vols. 1 & 2”

Frank Sinatra didn’t mince words: He hated rock ’n’ roll. And so it was more than remarkable when he invited the King of Rock ’n’ Roll onto his television show. The “Welcome Home Elvis” episode is included on Vol. 2 of the new DVD releases of his Timex-sponsored TV specials.

The homecoming, on the occasion of Elvis Presley’s return from obligatory army service, was a stroke of marketing genius that rocketed ratings to the moon. Most of the airtime, however, was devoted to Sinatra, his daughter, Nancy, and his Rat Pack pals—especially a thoroughly pumped Sammy Davis Jr. and Joey Bishop playing the straight man. Sinatra was suave while singing his own recent hits. Much of the staging was hokey—and at last, Elvis emerged in tux and dickey, singing “Stuck on You.” The Voice and the King, when finally brought together for a “Witchcraft”-“Love Me Tender” mash-up, appeared to enjoy their brief moment together.

The Rolling Stones: Olé Olé Olé!

A Trip Across Latin America

Rolling Stones’ concert documentaries are proliferating lately—vintage as well as recently shot films showing the boys in well-oiled form. The latest, Olé Olé Olé!, is a companion piece to the recent Havana Moonlight and was filmed on the same trans-continental tour that eventually brought the Stones to Cuba. Remarks by band members are interesting, the crowds are thrilled, and the band is thoroughly drilled and looking like they’re still having the time of their life.

Keep Quiet

“One ticket to Auschwitz, please,” Csanád Szegedi says to the ticket seller at the train station. He’s no ordinary pilgrim to that place of death. Szegedi was a leader in Hungary’s far-right Jobbik Party and the paramilitary Hungarian Guard. He was also a fervent anti-Semite—until he discovered he was Jewish. Keep Quiet documents a fascinating journey of discovery as he navigates between hatred from his former comrades and Jews who doubt his sincerity.

—David Luhrssen

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A&E::VISUALART

SPONSORED BY

VISUALART|REVIEW

ALTERED SPACES, HARD EDGES IN NINA BEDNARSKI’S ‘OTHERLANDS 5-D’ ::BY KAT KNEEVERS

“O

therlands 5-D” is a name that fits like a gossamer glove around the new works

by Nina Bednarski. On view at Grove Gallery in Walker’s Point, the installation starts with a painting of a red disk over a green landscape, a ladder-back chair painted with the word “Rest,” and an array of plants, rocks and branches in the storefront window of the historic building. It’s an invitation into this airy, intimate space.

Tune in at 8 a.m. every Wednesday for “Talking Arts”

Bednarski’s paintings are crisp, with hard edges and flat colors like a mid-century minimalist, but the figurative and symbolic aspects are the real focal points. A triptych called Otherlandia is inhabited in three pieces by a jackrabbit, a deer and a fox. All are creatures of the wild, dotted with sparse arrays of red dots and star shapes. Done on glass, they are painted on the reverse side so their surfaces are particularly pristine. They inhabit candy-colored landscapes of vibrant greens and yellows, accompanied by red trees and purple mountains in a psychedelic Eden.

Their altered appearance suggests something to be learned by attentiveness to otherworldly qualities.

Other figures appear like sages in these painting and three-dimensional wall pieces. Harmony includes a feminine form decked out with horns like a mystical seer, standing in a pale, cave-like entrance. Outside, a towering red plant grows from the ground, tendrils of roots still visible. Approaching this place is a sapphire figure with head bowed, surrounded by haloes of varied blues. It is like the dream of a pilgrimage to find a source of solace or knowledge.

In the exhibition statement, Bednarski explains that these works were not simple endeavors, but borne of personal journeys and a belief in the ability to “create a lighter, brighter place for our dreams to rest.” There are times when we all need this, a respite and a place to recharge energy. Her words conclude by stating, “Love always wins.” This is not a sentiment of easy flowers, but something more spiritual, searching for bedrock as solid as the contour lines of these figures and landscapes.

Through June 18 at Grove Gallery, 832 S. Fifth St. Nina Bednarski, Neo-romantics, Acrylic on Canvas, 22x30”

VISUALART|PREVIEWS

Nohl Fellowship Exhibition

Uncrating Peter Max’s Brilliant Career at Gallery 505

For the past 14 years, the Greater Milwaukee Foundation’s Mary L. Nohl Fund Fellowships for Individual Artists has dispersed tidy sums to a select group of emerging and established local artists. The five recipients of the 2016 Nohl Fellowships will unveil their new works at Marquette University’s Haggerty Museum of Art during an opening reception on Wednesday, June 7, from 6-8 p.m. The works include Rose Curley’s graphic memoir of growing up as a black child in a white family and Brooke Thiele’s adaptation of the traditional Korean musical art of pansori—a reflection on the experience of being adopted into a Green Bay family from her native South Korea as a young child.

Haggerty Museum of Art | 530 N. 13th St.

::BY TYLER FRIEDMAN

P

eter Max’s aesthetic has become visual shorthand for the 1960s. His depictions of cultural monuments such as the Statue of Liberty and bywords like “love” were rendered fresh and timely by Max’s use of fluorescent Day-Glo colors. But, unlike many other countercultural icons, Max has neither burned out nor faded away. He has painted the past seven U.S. presidents and been the Official Artist of the Grammys, five NFL Super Bowls and countless other events that wish to be associated with Max’s chromatic evocation of a better world.

A newly curated collection of Max’s paintings, spanning 1960 to 2017, will be on display in Gallery 505 (517 E. Silver Spring Drive) beginning with an uncrating event on Friday, June 2, from 6-8 p.m.

The exhibition features some of the artist’s most famous works, including the Statue of Liberty, his “Flag” pieces, Umbrella Man and Cosmic Runner.

Peter Max himself will make in-gallery appearances on Saturday, June 11, from 6-8 p.m. and Sunday, June 12, from 2-4 p.m.

Peter Max, Statue of Liberty

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Sculpture Milwaukee

Various locations along Wisconsin Avenue from Sixth Street to O’Donnell Park You may have noticed various sculptures popping up along Wisconsin Avenue like mushrooms on a decomposing log. This glut of public art comes courtesy of Sculpture Milwaukee, an urban installation that will culminate in 22 sculptures by 21 artists stretching from Sixth Street to O’Donnell Park. Contributors include internationally known names such as Santiago Calatrava (designer of the Milwaukee Art Museum’s iconic Quadracci Pavilion) and minimalist master Sol Lewitt—alongside Milwaukee’s own Michelle Grabner, Paul Druecke and Jason S. Yi. The sculptures are on view through Oct. 22.

SHEPHERD EXPRESS

::OFFTHECUFF

Celebrating Milwaukee’s Diversity Off the Cuff with Granville BID Executive Director Mary Hoehne ::BY ROB HULLUM

I

t’s no secret that Milwaukee is an extremely diverse, though segregated, city. We celebrate the many cultures that call our city home through the array of ethnic festivals throughout the summer.

While these festivals celebrate individual groups, Mary Hoehne, executive director of the Granville Business Improvement District—which includes the area from Good Hope Road to W. Brown Deer Road between 91st and 124 streets—set out to showcase all of Milwaukee’s diverse cultures in one event. That was the birth of “Grandioso,” a multicultural arts festival that will be held on Saturday, June 3 from 11 a.m.-6 p.m.

Grandioso’s lineup includes reggae from Unity the Band, The NuBlu Band (featuring Carlise Guy, daughter of Chicago blues artist Buddy Guy), award-winning dance group The Gravity Benders, local actor Delvyn Crawford and The Heritage Chorale of Milwaukee. Off the Cuff caught up with Hoehne about the event and what sets Granville apart from other Milwaukee neighborhoods.

What are you most personally excited about for the event?

The lineup of entertainment is great. We have acts that do not perform at all the other events, which again makes this special. I am also excited about the possibilities in year two, three and beyond. This year, we concentrated on music and performing arts; as we evolve, we will grow with the visual arts and community participation. There is a wonderful festival in Arizona that I envision Grandioso becoming in the future. Stay tuned. But attend this year and be here for the start of what will be one of Milwaukee’s best festivals.

What do you feel makes Granville special?

Granville is home to people from all cultures and welcomes people to celebrate blending cultures and the richness of multiethnicity. Granville is also an area that has true potential for people looking to make roots in Milwaukee and buy homes and condos. We have homes that are in secluded, beautiful neighborhoods that resemble suburbia for less than $100,000. We are close to SHEPHERD EXPRESS

the shopping meccas of the suburbs, close to jobs and close to Downtown. Location, location; we are a great location for the person looking for a home and the business looking to grow.

What do you wish more people knew about Granville?

Granville is a neighborhood that has vitality, energy, jobs and a very diverse population in both income and background. It is a neighborhood that is thriving despite old perceptions that have become entrenched in the mindset of many. Facts show that Granville has a very low crime rate and has a daytime population exceeding 36,000 and growing. Its industrial base continues to grow, senior facilities thrive, old commercial businesses succeed and car dealers drive the

retail economy. Its problems are not alone compared to areas developed around large shopping malls and the explosion of strip malls surrounding the malls. The dead mall syndrome might strangle Granville in the minds of those who do not understand the neighborhood’s strengths and potentials.

Quietly, the Granville Business Improvement District has championed changing the image of Granville.

“Grandioso” takes place Saturday, June 3 from 11 a.m.-6 p.m. at the corner of 76th Street and Dean Road. You can find more information at granvillebusiness.org.

Mary Hoehne

The Greater Milwaukee Foundation’s Mary L. Nohl Fund

FELLOWSHIPS FOR INDIVIDUAL ARTISTS 2016 on view JUNE 8 – SEPTEMBER 17, 2017 FREE ADMISSION marquette.edu/haggerty J U N E 1 , 2 0 1 7 | 25

::HEARMEOUT

For more, log onto shepherdexpress.com

ASK RUTHIE | UPCOMING EVENTS | PAUL MASTERSON

::UPCOMINGEVENTS May 31: Pink Hat Party at This Is It (418 E. Wells St.): The Pink Hat Party offers more than questionable headgear. It’s a great way to raise money for various causes, including this month’s charity, ARCW. Grab your crimson best and head over to this Wells Street staple for drink specials, raffles and more during the 9 p.m. fundraiser.

June 2: Street Eats at Catalano Square (147 N. Broadway): It’s baaack! Milwaukee’s favorite food truck feast returns for the summer with this 4 p.m. kickoff.

Sample food from more than a dozen of the city’s hottest food trucks and carts in addition to beer, live music and more!

Horny Cheeseheads, Unite!

LOVE LIFE ENTERTAINMENT ADVICE

Dear Ruthie says, “Hear Me Out! ”

AND FOR EVEN MORE FUN VISIT RUTHIE AND CYNTHIA AT RUTHIE’S BITCHIN KITCHEN.COM

26 | J U N E 1 , 2 0 1 7

I

t’s that time again, kids. Time to clear out my inbox. (That sounds dirty, doesn’t it? “Hey, sailor, let’s share a bottle of gin and clear out my inbox!”) That said, I thought we’d take a moment to quickly answer some reader emails before diving into the weekly happenings. Do you have a question for me? Want to tell me about an event you think needs to be in a future list of happenings? Drop me a line, sugar, at dearruthie@shepex.com.

Dear Ruthie, Is tweeting my ex cheating on the guy I’m dating now? He thinks it is. I say it’s not.

What do you think?

Dear Tim,

—Timmy

Sugar booger, if your guy thinks it’s cheating, it is. If you have to ask if it’s cheating, it is. Unplug from the past and get your naughty-naughty on with the guy in your present.

Dear Ruthie, What do you think about men who believe that women were put on this earth to serve them?

Dear Thinker,

—Free Thinker

I think they’re going to be very lonely.

Dear Ruthie, Being a Milwaukee icon yourself, which local figure would you most like to hook up with?

Dear Curious,

Thanks, Curious

I’d like to knock boots with Milverine in the backseat of that black religious car while Art Kumbalek takes photos. Let’s make it happen! Horny Cheeseheads, unite!

June 3: Family Coffee at Colectivo Coffee (6745 W. Wells St.): Want to make new friends in a stress-free environment? Join this monthly LGBTQ coffee klatch for folks 50 and over! Coffee and food are available for purchase, but the socializing is free at the 10 a.m.-2 p.m. event. Ask for your host, Bob! June 3: Spring Art Walk: Spring on Brady (various locations on Brady Street): Hit always-fun Brady Street for a memorable day of art, shopping, beverages, food, crafts and more beverages! More than 30 merchants sell their wares at two locations: Brady and North Arlington and Brady and North Marshall. You name it, you’ll find it at this delightful noon-4 p.m. shopping extravaganza.

June 3: Fruit Fest 2017 at Plan B (924 Williamson St., Madison): Kick off pride season with this annual good time. Special performances, drink specials, food and more make this a party to remember, so head to Madison for the 2-9 p.m. event.

June 4: ‘Ruthie’s Starry Night Revue’ at Hamburger Mary’s (735 S. Fifth St.): Join me as Joan Rivers when I host the celebrity impression show taking the city by storm! I’m rolling out the red carpet for stars such as Cher, Tina Turner, Brittany Spears and others. Don’t miss live vocals from special guest Lori Minneti as Marilyn Monroe and Nancy Sinatra. Call 414-488-2555 for reservations for the 7 p.m. show.

June 4: Milwaukee Taco Fest at the Harley Davidson Museum (400 W. Canal St.): Tacos and tequila and cervezas, oh my! Don’t miss this fourth annual sampling of the city’s best in Southwestern cuisine. Enjoy live entertainment, chihuahua beauty pageant, taco-eating contest and more during the noon-4 p.m. food fest. See milwaukeetacofest.com for ticket packages that start at $15, as well as lists of vendors and entertainers.

Want to share an event with Ruthie? Need her advice on a situation? Email dearruthie@shepex.com.

SHEPHERD EXPRESS

::MYLGBTPOV

Veterans for Diversity Supporting LGBT Service Members ::BY PAUL MASTERSON

W

hen a Prussian baron, General Friedrich Wilhelm von Steuben, arrived at Valley Forge in 1778, his affection for men was known by his recruiter, Benjamin Franklin. General George Washington also knew. It’s rumored John Adams’ reputedly gay son had a fondness for the Prussian as well. Called the father of the United States Army, von Steuben is considered the reason for the colonial victory in the American Revolution.

Since then, thousands of gays, lesbians, bisexuals and, more recently, transgender service members, have served and continue to serve in the various branches of the United States Armed Forces. However, over the decades, von Steuben’s legacy has not been celebrated in all its aspects. The history of LGBT service members has been hardly as welcoming as his. From criminalization to the interim solution of “Don’t Ask Don’t Tell,” gays in the military have been targets of a repression that was only officially relieved under President Obama in 2011.

A Milwaukee-based, all-volunteer organization, Veterans for Diversity (VfD), was founded prior to the rescinding of Don’t Ask Don’t Tell as a means to support LGBT veterans and their families. Today it’s known for its Ceremonial Color Guard at PrideFest. Its members staff an information booth at that event’s Health and

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JUNE 9

Wellness Area. But the group is actually responsible for a much greater impact on the treatment of former LGBT service members. According to Ellen Kozel, one of the group’s founding members, Veterans for Diversity made the Veterans’ Administration (VA) aware of the existence of LGBT veterans and their specific needs. That opened the door for the development of the VA’s LGBT friendly attitude.

And, with the increasing needs of veterans, the organization continues to expand its reach to all former service members. “No veteran is ever turned away,” Kozel explained. She then went on to list upcoming retreats and other events where VfD is collaborating with a broad spectrum of partners. For example, the Fifth Annual VA Mental Health Summit takes place on Friday, June 16. Here the VA is working in conjunction with the Military & Veterans Resource Center at UW-Milwaukee and various service and social organizations like VfD to provide LGBTQ+ veterans with resources and access to information about programs available to them. The group will have a booth at the VA’s 150th Anniversary Celebration on Saturday, June 3, and from June 23-25, the Center for Creative Learning hosts “Healing Warrior Hearts” with VfD support.

Then there’s a Healing Retreat, Aug. 18-20.

All LGBT veterans are welcome to attend. It will provide a program specifically designed to address the health issues of LGBT veterans who served under “Don’t Ask Don’t Tell” and the problems they still experience as well as the continued discrimination against active LGBT military and veterans. Finally, VfD will be represented at the Indian Summer veterans’ area.

Information on these events may be found online on the Facebook pages of both Veterans for Diversity and No Veterans Left Behind.

We’ve just celebrated Memorial Day in remembrance of those who have died or been wounded in the wars that have preserved our nation. Our LGBT veterans are equally part of our military heritage. We should never forget them.

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::MUSIC

For more MUSIC, log onto shepherdexpress.com

SCOTT PAULUS/MILWAUKEE BREWERS

FEATURE | ALBUM REVIEWS | CONCERT REVIEWS | LOCAL MUSIC

What is it that drew you to Rihanna?

Originally it was her looks. I used to be drawn to her attractiveness.

And obviously her music has changed over the years. She’s gone from the Good Girl Gone Bad album all the way up to Anti, and it’s changed throughout the years, so I just feel like she appeals to so many different types of people, from teenage girls to 20-something dudes.

Typically for their entrance music players use hard songs that pump them up. But you use a pop star.

Yeah, it’s always been my thing. I try to use a different song every year.

Usually I switch it up throughout the year at some point. This one [“Same Ol’ Mistakes”] was a new one for me this year. It’s a cover of a different song, which I didn’t realize. I try to mix it up with her, but it’s always her that’s playing.

What are you looking for when you pick a song?

For me it’s just a song I like. I’m not necessarily looking for it to pump me up or anything like that. I’m just more of a vibe guy. I like the vibes coming off of a song. The one I have now is perfect.

Travis Shaw

Travis Shaw on Rihanna and the Art of the Perfect At-Bat Song ::BY EVAN RYTLEWSKI

nother happy surprise in a season that’s been full of them, Brewers third baseman Travis Shaw has been one of the team’s most dependable hitters since arriving from Boston as part of a trade for reliever Tyler Thornburg. Along with the hot bat and strong arm, Shaw also brought with him perhaps the most distinctive at-bat song in the majors: Rihanna’s “Same Ol’ Mistakes,” the pop star’s irresistibly catchy cover of a Tame Impala track. That song selection is no fluke, either. Shaw has used Rihanna as his walk-up music at every level of baseball. “It’s something that’s just kind of continued throughout my whole career,” he says.

“She’s my favorite artist.” Shaw stepped away from batting practice for a bit last week to chat with the Shepherd about his RiRi fandom.

28 | J U N E 1 , 2 0 1 7

It’s also got such a distinctive groove. At this point I can’t even really hear the song without thinking of you, because I associate it with all the times I’ve heard it in the ballpark.

That’s kind of my goal. It seems like any time people think of Rihanna now they think of me. I get texts all the time when people hear her, and with former teammates and the guys, any time Rihanna comes on I’m the first guy everybody looks at. Everybody knows that she does it for me.

Do your teammates ever give you flak about that?

They try, but then they realize that it’s a legitimate passion. I do like Rihanna music, and it’s something those guys know me for.

I’ve always wondered if batters even really hear their entrance music, or if they’re so in their head when they take the plate that it’s all just background noise.

No, you hear them. That’s why guys pick them. You wanna feel yourself a little bit before you go to the plate, so you pick a song that you want to hear on a daily basis.

Do you ever burn out on them?

I have burned out a couple of her songs that I’ve used for walkouts before. They kind of ran their course. “Talk That Talk,” I had that one for a while, but I burned out on it. I had “Rude Boy,” too.

What’s your favorite Rihanna album?

That’s a tough one. I’d probably have to say Unapologetic. That’s an excellent one. The latest one, Anti, that’s pretty good. I like her recent stuff better than her older stuff. The older stuff was a little more poppy, but the recent albums have more substance.

Anti is the one that bowls me over. Her vocals on that whole album are so bold; she’s doing so many things I’ve never heard any singer do before.

Yeah, each album has a completely different feel. That’s something I’ve been impressed with about her. It seems like every album has a completely different vibe to it. Each one is different, but each one I’ve liked so far.

I’ve always been fascinated by walk-up music, because no other sport has anything like it. It’s not like basketball players all get their own song. It really lets players showcase their individuality.

Yeah, and people are always surprised by mine. New stadiums, new teams, new fans—people are always shocked when I come out to Rihanna. But it’s my thing.

SHEPHERD EXPRESS

MUSIC::LOCAL

Evacuate The Earth Look to the Apocalypse ::BY EVAN RYTLEWSKI

H

ow’s this for truth in advertising: Evacuate The Earth’s self-titled sophomore album does, indeed, end with an evacuation. After a half hour of compositions inuenced by the more avantgarde corners of prog-rock, No Wave and free jazz, the record ďŹ nishes with a ďŹ ve-movement “Evacuation Suite,â€? detailing the race to a spaceship and culminating in a blastoff.

Evacuate The Earth probably wouldn’t consider themselves a political band, but they’ve made an album that speaks to the times. Intentionally or not, their self-titled record cap-

tures the sense of perpetual crisis and looming dread that’s deďŹ ned the ďŹ rst months of the Donald Trump administration and the longing to disassociate from it all. With the prospect of nuclear war more real than ever, it’s hard not to fantasize about escaping every now and then.

The band was ďŹ xated on the apocalypse long before Trump took ofďŹ ce, though. The three musicians ďŹ rst started playing together with little sense of what they might sound like. As drummer Darrin Wolf tells it, his background was in punk music, while bassist Daniel Kern was more of a classic-rock guy, and saxophonist-singer Erin Brophy had played in a ska band. The resulting sound, to use a word that Wolf returns to often when describing the group, was intense. “It’s deďŹ nitely a stew of different inuences,â€? he says.

On their self-titled album, produced by Shane Hostetler at Howl Street Recordings, they dial up that intensity even further, piling on sound effects, overdubs and unnerving Theremins. Actual space recordings help hit home the sci-ďŹ vibe. “NASA made all their sounds available for free on their website, so we took advantage of that,â€? Wolf says.

From time to time, the group lets a little whimsy slip into their songs. With its dueling

Evacuate The Earth PHOTO BY ARTISTRY OF E

saxophone and bass leads, “Interplanetary� struts along like an imagined team-up between Morphine and Primus. But more typical of the record are tracks like “Arrival� and “The Eyes,� which end in blasts of feedback of distressed saxophone squalls.

For a band that’s decidedly an acquired taste, Wolf says the group generally goes over pretty well live. “I don’t think we’ve ever cleared a room,� he says. “Usually people will be walking by when we’re playing, and they’ll stop and do a double take because they haven’t heard anything like us before, so the

response is usually extremely positive.�

Even if there wasn’t an audience for it, though, Wolf says it’s rewarding playing music this heated. It’s cathartic, a kind of musical equivalent of punching a pillow. “I think if I didn’t play in this band I would probably be in a nut house right now,� Wolf says.

Evacuate The Earth hosts a listening party for their new record at 8 p.m. on Saturday, June 3, at Puddler’s Hall. They play a release show in Chicago on Thursday, June 8 at The Emporium.

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Season Highlights:

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Jon Kimura Parker, piano

â– Thurs., Aug. 3

DvorĂĄk and His Time I Mark Kosower, cello

â– Sat., Aug. 5

Arthur Fiedler & The Boston Pops Terry Everson, trumpet

â– Tues., Aug. 8 PMF Showcase

Melissa Snoza, piccolo Amy Sims, violin Paul Ledwon, cello Christi Zuniga, piano Joan DerHovsepian, viola

â– Thurs., Aug. 10

Dvořåk and His Time II Anna Lee, violin

â– Sat., Aug. 12

Mozart’s Greatest Hits Eric Olson, oboe Ralph Skiano, clarinet Richard Britsch, horn Philip Pandolfi, bassoon

Victor Yampolsky Music Director and Conductor

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â– Tues., Aug. 15

Summers in Spain

Desiree Ruhstrat & Dimitri Pogorelov, violins

â– Thurs., Aug. 17

Dvořåk and His Time III Vassily Primakov, piano

â– Sat., Aug. 19 Festival Finale

James Ehnes, violin

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J U N E 1 , 2 0 1 7 | 29

MUSIC::CONCERTREVIEW

MUSIC::LISTINGS THURSDAY, JUNE 1

Amelia’s, Jackson Dordel Jazz Quintet (4pm) Angelo’s Piano Lounge, Acoustic Guitar Night Cactus Club, Bruiser Queen w/Tigernite & Beach Patrol Cafe Carpe (Fort Atkinson), Mike Mangione Caroline’s Jazz Club, Funky Thursday w/On The One & Mike Miller Colectivo Coffee On Prospect, Joan Shelley w/Jake Xerxes Fussell Company Brewing, Sidewalk Chalk w/Foreign Goods County Clare Irish Inn & Pub, Acoustic Irish Folk w/Barry Dodd Frank’s Power Plant, Whiskey of The Damned w/Michael Strike & The God Damn Band, and Two and a Half Stars Harry’s Bar & Grill, Kyle Feerick (6pm) Jazz in the Park (Cathedral Square Park), Extra Crispy Brass Band (6pm) Kelly’s Bleachers (Big Bend), Thursday Night Acoustic Open Jam w/host Michael Sean Mason Street Grill, Mark Thierfelder Jazz Trio (5:30pm) Miller Time Pub, Joe Kadlec Packing House, Barbara Stephan & Peter Mac (6pm) Potawatomi Hotel & Casino, In Bar 360: Mark Croft (8pm), In the Fire Pit: Pat McCurdy (8:30pm) Shully’s Cuisine and Events (Thiensville), Shully’s River Sounds: Eddie Butts Band (6:30pm) Stoneridge Inn (Hales Corners), Julie Nelson (6pm) The Bay Restaurant, Carley Baer The Metal Grill (Cudahy), La Armada w/Disaster Strikes Turner Hall Ballroom, Savoy Brown w/Tallan Noble Latz Von Trier, Hudson reunion w/Jonas, Liban, Meixner & Mir

WebsterX PHOTO BY MELISSA MILLER

WebsterX w/

The Milwaukee Medley @ Turner Hall Ballroom

MAY 26, 2017 ::BY THOMAS MICHALSKI

O

ver the last few years, WebsterX has gone from unknown upstart to one of the Milwaukee music scene’s brightest lights, yet while his considerable skills behind the microphone should be self evident, there’s also no denying that his rise has been helped along by a symbiotic relationship with a cadre of equally talented collaborators, namely the eclectic New Age Narcissism crew. Now, after an impressive string of buzz-building singles and EPs, WebsterX has finally put out his first full-length record, Daymares, which handily proved the hype had been well deserved. True to form, he took this album-release show as an opportunity to get as many of his peers involved as possible, which is undeniably admirable, but it also proved how having too many cooks in the kitchen can dilute even the strongest flavors.

For the first two-and-a-half hours or so, the show mostly consisted of something the promotional poster called “the Milwaukee Medley,” basically extremely short sets by a wide variety of artists from across the city’s flourishing rap scene, among them Mic Kellogg and Taj Raiden. In theory, that sounds amazing, but in practice it felt a little like an overstuffed talent show. It was clearly meant to be an inclusive and supportive move, but trying to pack a ton of people onto a bill is always incredibly difficult to execute well. The rapid-fire, awkwardly paced sets, too brief to allow the musicians to gain much traction with the audience, didn’t do any of the acts any favors, nor did the one-size-fits-all sound mix, which prioritized rib-rattling bass at the expense of everything else.

Although some performers were perhaps burdened by the cumbersome format, nobody was bad per se, and Zed Kenzo and Klassik were clear standouts. Had they simply opened, instead of being another in a string of people to filter on and off stage, their sets would have had far more impact, and the same goes for the headliner, whose impassioned, trippy show would have been twice as impressive had it not come at the end of a long slog. It also lessened the thrill of what otherwise would have been memorable guest spots, such as a dozen choreographed dancers popping out of nowhere, or when—at long last—erstwhile friends Lex Allen, Lorde Fredd33 and Siren helped wrap up the evening. Eventually, even the special stuff, just got lost in the shuffle.

30 | J U N E 1 , 2 0 1 7

FRIDAY, JUNE 2

American Legion Post #449 (Brookfield), Elvis - David Kirby Angelo’s Piano Lounge, Piano Night Anodyne Coffee Walker’s Point Roastery & Cafe, Trapper Schoepp w/Ha Ha Tonka Bay View Various Locations, Bay View Jazz Fest Cactus Club, Hoops w/Parts & Deeper Cafe Carpe (Fort Atkinson), Ameranouche Caroline’s Jazz Club, Adekola Adedapo & The Paul Spencer Band Circle-A Cafe, Alive at Eight: Chain Drive w/American Monroe (8pm); DJ: LaFontaine & Triplett (10pm) Company Brewing, Ravi/Lola album release show w/Phylums & Blue Unit County Clare Irish Inn & Pub, Traditional Irish Ceilidh Session Frank’s Power Plant, Man Random w/Telethon & Mechanical Life Vein George’s Tavern (Racine), The Joe Marcinek Band Iron Horse Hotel, The B Side Band Iron Mike’s (Franklin), Jam Session w/Steve Nitros & Friends Jokerz Comedy Club, Kevin Bozeman Lakefront Brewery Beer Hall, Brewhaus Polka Kings (5:30pm) Linneman’s Riverwest Inn, Gabriel Harris Group w/Mumblemouth Mamie’s, Stokes & The Old Blues Boys Mason Street Grill, Phil Seed Trio (6pm) Milwaukee Ale House, Life In a Tree Miramar Theatre, Dead Man’s Carnival w/Prof. Pinkerton & The Magnificents Packing House, Chanel le Meaux & the Dapper Cads w/Jeff Stoll (6:30pm) Pizzeria Piccola, Tom & Barb Webber (5:30pm) Potawatomi Hotel & Casino, In Bar 360: Kirk Tatnall (9pm), In the Fire Pit: The Brian Dale Group (8:30pm) Potbelly Sandwich Shop (East Side), Texas Dave (noon) Riverside Theater, Norah Jones w/The Candles Rotary Park (Port Washington), Pirate Fest: Vinyl Groove (5pm) Site 1A, SNBRN Tenth Street Theatre, Milwaukee Rock Theatre presents: Green Day’s “American Idiot” The Bay Restaurant, Rick Aaron & The Men in Black Trio The Local/Club Anything, Sanctuary Festival Up & Under Pub, Ako w/Laska Von Trier, Leroy Airmaster

SATURDAY, JUNE 3

American Legion Post #449 (Brookfield), The Falcons Angelo’s Piano Lounge, Piano Night Bootz Saloon, Rick Monroe Cactus Club, Collections of Colonies of Bees w/Dramatic Lovers Cafe Carpe (Fort Atkinson), Rick Thum w/Steve Seifert Caroline’s Jazz Club, The Paul Spencer Band w/James Sodke, Larry Tresp, Neil Davis & Warren Wiegratz Chill On the Hill (Humboldt Park), D’Amato w/Bay View High School & Parkside Drum Lines (6pm) Circle-A Cafe, Alive at Eight: Mouse Corn w/3D Printer (8pm); DJ: Theresa Who (10pm) Colectivo Coffee On Prospect, Grant-Lee Phillips Company Brewing, Noh Life: Tons of Friends 04 Frank’s Power Plant, Mr. Russia w/The Dead Morticians & Guerilla Ghost Hilton Milwaukee City Center, Vocals & Keys

Jokerz Comedy Club, Kevin Bozeman Lapham Peak State Park, Party in the Park w/Fun House Milwaukee Ale House, Detour Milwaukee VA Medical Center, Close Enuf Band (11:30am) Miramar Theatre, Lex Allen w/Ric Wilson & Antics (all-ages, 9pm) Mo’s Irish Pub (Downtown), The Brew City Rockers Mo’s Irish Pub (Wauwatosa), Vinyl Road Packing House, Lem Banks, Jeff Stoll, Alvin Turner & Omar (6:30pm) Potawatomi Hotel & Casino, In Bar 360: SaddleBrook Acoustic w/ Trevor & Joey Riverside Theater, Daniel O’Donnell Shank Hall, Michael McDermott w/Sam Llanas Tenth Street Theatre, Milwaukee Rock Theatre presents: Green Day’s “American Idiot” The Local/Club Anything, Sanctuary Festival The Rock Sports Complex, Summer Concert Series in Umbrella Bar: Oil Can Harry Up & Under Pub, Crowning the Tyrant Urban Harvest Brewing Company, Big Hot Robot

SUNDAY, JUNE 4

Angelo’s Piano Lounge, Live Karaoke w/Julie Brandenburg Big Head Brewing Company, “Big Head - Big Heart” fundraiser w/ Mona Augustin Cactus Club, BarWork 2: prettygirlhatemachine, Taiyamo Denku (CyphaDen), November Criminals, Rich P. Neu Dae & Jahmarri Deal Circle-A Cafe, Alive at Eight: Drummer Exchange Program w/Joe Zumpano (8pm); DJ: Trail Boss Tim Cook (10pm) District 14 Brewery & Pub, Third Coast Blues with Jim Liban, Johnny Burgin & Quique Gomez (4pm) Frank’s Power Plant, The Living Deads w/Fairville Renegades Riverside Theater, Diana Krall Rounding Third Bar and Grill, The Dangerously Strong Comedy Open Mic Scotty’s Bar & Pizza, Country Music w/Bill Spaulding & Friends (4pm) Tenth Street Theatre, Milwaukee Rock Theatre presents: Green Day’s “American Idiot” The Metal Grill (Cudahy), By The Thousands w/In Search Of Solace, Under Aegis, Erase // Evolve, Growing, Reaching Everest & Project Concinnity (all-ages, 5pm) Von Trier, On the Patio: Frogwater (4pm)

MONDAY, JUNE 5

Linneman’s Riverwest Inn, Poet’s Monday w/host Timothy Kloss & featured reader Jess Harrison (7:30-10:30pm) Mason Street Grill, Joel Burt (5:30pm) Paulie’s Pub and Eatery, Open Jam w/Christopher John Up & Under Pub, Marshall McGhee and the Wanderers Open Mic

TUESDAY, JUNE 6

Cactus Club, Thelma and the Sleaze w/The Traveling Suitcase & DJ Boyfrrriend Frank’s Power Plant, Duck and Cover Comedy Open Mic Highbury Pub, Steel City Jug Slammers w/Sweet Sheiks Mamie’s, Open Blues Jam w/Carole & the DV8’s Mason Street Grill, Jamie Breiwick Group (5:30pm) McAuliffe’s Pub (Racine), Parkside Reunion Big Band Miramar Theatre, Tuesday Open Mic w/host Sandy Weisto (sign-up 7:30pm) Pabst Theater, Lenny: America IRL The Jazz Gallery Center for the Arts, Jazz Jam Session Transfer Pizzeria Cafe, Transfer House Band w/Dennis Fermenich Turner Hall Ballroom, The Suicide Girls: Blackheart Burlesque

WEDNESDAY, JUNE 7

Cactus Club, Midwest Death Rattle w/The MeloManiacs & Joe Crockett Caroline’s Jazz Club, Harvey Westmoreland w/Knee Deep Blues Jam Colectivo Coffee On Prospect, Jeff Austin Band Conway’s Smokin’ Bar & Grill, Open Jam w/Big Wisconsin Johnson District 14 Brewery & Pub, Wednesday Open Mic Iron Mike’s (Franklin), Danny Wendt Noodle Jam (6pm) Kochanski’s Concertina Beer Hall, Polka Open Jam Linneman’s Riverwest Inn, Acoustic Open Stage w/feature Jeff Stehr (sign-up 8:30pm, start 9pm) Mason Street Grill, Jamie Breiwick Group (5:30pm) Miramar Theatre, Stage Right Pub: Mike Plaisted & Terry Vittone Morton’s (Cedarburg), Andrew Koenig Band w/Benny Rickun (6:30pm) Nomad World Pub, The Residency: The Cactus Brothers Pabst Theater, Future Islands w/Milo Packing House, Ellen Winters & Theo Merriweather (6pm) Paulie’s Field Trip, Humpday Jam w/Dave Wacker & Mitch Cooper Potbelly Sandwich Shop (East Side), Texas Dave (noon)

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Assistant Business Manager The Shepherd Express is looking for a full-time Assistant Business Manager.

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from Summit Credit Union Disclaimer: Offer ends 6/21/17. Restrictions apply. Not available in all areas. New residential customers only. Limited to Performance Internet service. Equipment, installation, taxes and fees, including regulatory recovery fees, Broadcast TV Fee (up to $6.50/mo.), Regional Sports Fee (up to $4.50/mo.) and other applicable charges extra, and subject to change during and after the promo. After promo, or if any service is cancelled or downgraded, regular rates apply. Comcast's service charge for Performance Internet Service ranges based on area, from $59.95/mo. to $61.95/mo. (subject to change). TV and Internet Service limited to a single outlet. May not be combined with other offers. TV: Limited Basic Service subscription required to receive other levels of service. Internet: Wi-Fi claim based on the March 2016 study by Allion Test Labs. Actual speeds vary and are not guaranteed. XFINITY hotpots are included with Performance Internet and above only. Available in select areas. Requires compatible Wi-Fi hotspots enabled laptop or mobile device. 30-Day Money-Back Guarantee applies to one month's recurring service charge and standard installation up to $500. Call for restrictions and complete details. Š2017 Comcast. All rights reserved. All trademarks are the property of their respective owners.

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J U N E 1 , 2 0 1 7 | 31

THEME CROSSWORD

BALL GAME

By James Barrick

PSYCHO SUDOKU! “Greater-Than Sudoku”

For this “Greater-Than Sudoku,” I’m not giving you ANY numbers to start off with!

Adjoining squares in the grid’s 3x3 boxes have a greater-than sign (>) telling you which of the two numbers in those squares is larger. Fill in every square with a number from 1-9 using the greater-than signs as a guide. When you’re done, as in a normal Sudoku, every row, column, and 3x3 box will contain the numbers 1-9 exactly one time. (Solving hint: try to look for the 1’s and 9’s in each box first, then move on to the 2’s and 8’s, and so on). psychosudoku@gmail.com

32 | J U N E 1 , 2 0 1 7

70. Like a malapert 71. Interdiction 72. Semiaquatic creature 73. — celebre 74. Juvenile heroine 75. Flog 76. Annex 77. Lover of classical dance 79. Test answer 80. Discharged 82. Aromatic plant 83. Freight carrier 84. Blind as — — 85. Immature bird 87. Cement 88. Part of medieval Spain 91. Flora and fauna 92. One of the Balkans 96. Aeronaut 98. Forensics branch 100. Buffalo’s lake 101. Gill or Lombardi 102. — lord 103. Body of poetry 104. Receptions 105. The Demon Star 106. Senior 107. Dimple DOWN 1. Broccoli — 2. Wings 3. Plaza 4. “The — Progress” 5. Compound formed with the acid of apples 6. Shame 7. Word with dog or salad 8. Maven 9. Gets and organizes 10. Stateroom 11. Praying figure 12. Depend

13. Liq. meas.

14. Fold of geologic strata 15. Expedition 16. Protection: Var. 17. SUVs 18. Three-pip card 24. Upper-body exercise 26. Pitched 29. Kind of garden 32. Old exclamation 33. Parts of boaters 34. Fodder for NSA 35. Loop 36. Item for a scryer: 2 wds.

37. Unhelpful 38. — -and-true 39. Foul up: 3 wds.

40. Seat location 41. Passe 43. Loud sounds 44. Calls to mind 45. Bitter remedy 48. Chartered 50. Speed 52. Knife of a kind 53. Base for a column 54. Sponge 56. Made greater 57. Percussionist’s hammer 58. Ordinary language

60. Event in poker 61. Structural piece 62. Spud 63. Soap plant 64. “I — Have Danced All Night” 65. Lithograph 66. — macabre 67. Malicious look 69. Gentleman’s helper 70. Expressionless 73. Don Juan 74. Friendly 75. Having a tail 77. Hindu form of address: Var. 78. Neglect 79. Canine’s canines 81. Scores in golf 83. — -than-thou 85. Lake herring 86. Inn 87. Protuberance 88. Help in crime 89. Thin 90. Inter — 91. Cherry type 92. Ran, as colors 93. Ready to eat 94. Desktop picture 95. Aide: Abbr.

97. Zero 99. Trouble

Solution to last week’s puzzle

U N A N V A E L

U L O T I T E E R E S I T R E I C I T

A C K

Y L E

5/25 Solution

WORD FIND This is a theme puzzle with the subject stated below. Find the listed words in the grid. (They may run in any direction but always in a straight line. Some letters are used more than once.) Ring each word as you find it and when you have completed the puzzle, there will be 19 letters left over. They spell out the alternative theme of the puzzle.

Globetrotting Solution: 19 Letters

© 2017 Australian Word Games Dist. by Creators Syndicate Inc.

ACROSS 1. Cloverleaf exit 5. “— Secretary” 10. Short-legged dog 15. Denomination 19. Jai — 20. Manila hemp source 21. Spheres 22. Japanese isinglass 23. Pro or amateur athlete 25. Powerhouse: 3 wds.

27. Marine plant 28. Gleaming 30. Posh 31. Nerve network 32. Port city in Belgium 33. Obscure 34. Carve 37. Calydonian — 38. Place near Venezuela 42. Standards 43. Machine element: 2 wds.

46. Estuary 47. Squirt guns and popguns 48. Auditoria 49. Usual weather 50. Army 51. Ending for heir or peer 52. Ring location 53. Clogs 54. Wood for furniture 55. Torpor 57. Lowed 58. Mailed, British style 59. Buenos — 60. “A Day at the —” 61. Chicken stock 62. Spilled the beans 64. Summons 65. Money realized 68. Yellow color 69. Sheer fabric

A T H X O U G H A T

Bali Buenos Aires Cairo Cambodia Canada Cape Town Caribbean Chile Christchurch Cuba Devon Dubai Fiji Ghana

Haiti Hanoi India Italy Kuta Laos Libya Lima Malta Monaco Nepal New York Nice Oman

Peru Philippines Reno Rio de Janeiro Rome Spain Switzerland Timor Togo Ubud Victoria Wellington

5/25 Solution: Beautiful and essential SHEPHERD EXPRESS

Solution: Broaden your horizons

© 2017 United Feature Syndicate, Dist. by Andrews McMeel Syndication

L O B B Y S P P L B S F A C I A L E Q T O U B U Z Z W O R D E D O F O R T U N M R H Y J O K E I M M S G R O H A R A S S U I N T S A C R O N Y M

Creators Syndicate 737 3rd Street • Hermosa Beach, CA 90254 310-337-7003 • info@creators.com

Date: 6/1/17

::CHUCK SHEPHERD’S

::FREEWILLASTROLOGY ::BY ROB BREZSNY GEMINI (May 21-June 20): “The most intense moments the universe has ever known are the next 15 seconds,” said philosopher Terence McKenna. He was naming a central principle of reality: that every new NOW is a harvest of everything that has ever happened; every fresh moment is a blast of novelty that arises in response to the sum total of all history’s adventures. This is always true, of course. But I suspect the phenomenon will be especially pronounced for you in the near future. More than usual, you may find that every day is packed with interesting feelings and poignant fun and epic realizations. This could be pleasurable, but also overwhelming. Luckily, you have the personal power necessary to make good use of the intensity.

CANCER (June 21-July 22): Nobody likes to be scrutinized or critiqued or judged.

But we Crabs (yes, I’m one of you) are probably touchier about that treatment than any other sign of the zodiac. (Hypersensitivity is a trait that many astrologers ascribe to Cancerians.) However, many of us do allow one particular faultfinder to deride us: the nagging voice in the back of our heads.

Sometimes we even give free rein to its barbs. But I would like to propose a transformation of this situation. Maybe we could scold ourselves less, and be a bit more open to constructive feedback coming from other people. Starting now.

LEO (July 23-Aug. 22): The lion’s potency, boldness and majesty are qualities you have a mandate to cultivate in the next three weeks. To get in the righteous mood, I suggest you gaze upon images and videos of lions. Come up with your own version of a lion’s roar—I mean actually make that sound—and unleash it regularly. You might also want to try the yoga posture known as the lion pose. If you’re unfamiliar with it, go here for tips: tinyurl.com/lionpose. What else might help you invoke and express the unfettered leonine spirit?

VIRGO (Aug. 23-Sept. 22): “What does it matter how many lovers you have if none of them gives you the universe?” French psychoanalyst Jacques Lacan posed that question. I invite you to put it at the top of your list of hot topics to meditate on. In doing so, I trust you won’t use it as an excuse to disparage your companions for their inadequacies. Rather, I hope it will mobilize you to supercharge your intimate alliances, to deepen your awareness of the synergistic beauty you could create together, to heighten your ability to be given the universe by those whose fates are interwoven with yours.

LIBRA (Sept. 23-Oct. 22): From my study of the lost prophecies of Nostradamus, the hidden chambers beneath the Great Pyramid of Cheops, and the current astrological omens, I have determined that now is a favorable time for you to sing liberation songs with cheeky authority…to kiss the sky and dance with the wind on a beach or hilltop…to gather your most imaginative allies and brainstorm about what you really want to do in the next five years. Do you dare to slip away from business as usual so you can play in the enchanted land of what-if? If you’re smart, you will escape the grind and grime of the daily rhythm so you can expand your mind to the next largest size.

SCORPIO (Oct. 23-Nov. 21): “On some hill of despair,” wrote poet Galway Kinnell, “the bonfire you kindle can light the great sky—though it’s true, of course, to make it burn you have to throw yourself in.” You may not exactly feel despair, Scorpio. But I suspect you are in the throes of an acute questioning that makes you feel close to the edge of forever. Please consider the possibility that it’s a favorable time to find out just how much light and heat are hidden inside you. Your ache for primal fun and your longing to accelerate your soul’s education are converging with your quest to summon a deeper, wilder brilliance.

SAGITTARIUS (Nov. 22-Dec. 21): You’re in a phase when you have the power to find answers to questions that have stumped you for a while. Why? Because you’re more open minded and curious than usual. You’re also ready to be brazenly honest with yourself. Congrats! In light of the fact that you’ll be lucky at solving riddles, I’ve got three good ones for you to wrestle with. 1. Which of

SHEPHERD EXPRESS

your anxieties may actually be cover-ups for a lazy refusal to change a bad habit? 2. What resource will you use more efficiently when you stop trying to make it do things it’s not designed to do? 3. What blessing will you receive as soon as you give a clear signal that you are ready for it?

CAPRICORN (Dec. 22-Jan. 19): A typical Capricorn cultivates fervent passions, even to the point of obsession. Almost no one knows their magnitude, though, because the members of your tribe often pursue their fulfillment with methodical, business-like focus. But I wonder if maybe it’s a good time to reveal more of the raw force of this driving energy than you usually do. It might humanize you in the eyes of potential helpers who see you as too strong to need help. And it could motivate your allies to provide the extra support and understanding you’ll need in the coming weeks.

AQUARIUS (Jan. 20-Feb. 18): In accordance with the astrological omens, I invite you to carry out a flashy flirtation with the color red. I dare you to wear red clothes and red jewelry. Buy yourself red roses. Sip red wine and savor strawberries under red lights. Sing Elvis Costello’s “The Angels Want to Wear My Red Shoes” and Prince’s “Little Red Corvette.” Tell everyone why 2017 is a redletter year for you. For extra credit, murmur the following motto whenever a splash of red teases and pleases your imagination: “My red-hot passion is my version of high fashion.”

PISCES (Feb. 19-March 20): “If you want a puppy, start by asking for a pony,” read the bumper sticker on the Lexus SUV I saw.

That confused me. Would the owner of a Lexus SUV be the type of person who didn’t expect to get what she really wanted? In any case, Pisces, I’m conveying a version of this bumper-sticker wisdom to you. If you want your domestic scene to thrive even more than it already does, ask for a feng shui master to redesign your environment so it has a perfect flow of energy. If you want a community that activates the best in you, ask for a utopian village full of emotionally intelligent activists. If you want to be animated by a focused goal that motivates you to wake up excited each morning, ask for a glorious assignment that will help save the world.

ARIES (March 21-April 19): Life is in the mood to communicate with you rather lyrically. Here are just a few of the signs and portents you may encounter, along with theories about their meaning. If you overhear a lullaby, it’s time to seek the influence of a tender, nurturing source. If you see a type of fruit or flower you don’t recognize, it means you have a buried potential you don’t know much about, and you’re ready to explore it further. If you spy a playing card in an unexpected place, trust serendipity to bring you what you need. If a loud noise arrives near a moment of decision: Traditionally it signifies caution, but these days it suggests you should be bold.

TAURUS (April 20-May 20): Your body is holy and magic and precious. I advise you not to sell it or rent it or compromise it in any way—especially now, when you have an opening to upgrade your relationship with it. Yes, Taurus, it’s time to attend to your sweet flesh and blood with consummate care. Find out exactly what your amazing organism needs to feel its best. Lavish it with pleasure and healing. Treat it as you would a beloved child or animal. I also hope you will have intimate conversations with the cells that compose your body. Let them know you love and appreciate them. Tell them you’re ready to collaborate on a higher level.

Homework: Your imagination is the single most important asset you possess. Listen to the podcast: http://bit.ly/YourProphecy.

Go to RealAstrology.com to check out Rob Brezsny’s Expanded Weekly Audio Horoscopes and Daily Text Message Horoscopes. The audio horoscopes are also available by phone at 1-877-873-4888 or 1-900-950-7700.

NEWS OF THE WEIRD

Can’t Possibly Be True Suzette Welton has been in prison in Alaska for 17 years based almost solely on now-debunked forensic evidence, but the state’s lack of a clemency process means she cannot challenge her 99-year sentence unless she proves “complete” innocence. Evidence that the fire that killed her son was “arson” was based not on science but on widely believed (but wrong) folklore on how intentional fires burn differently than accidental ones. (The bogus arson “trademarks” are similar to those used to convict Texan Cameron Todd Willingham, who suffered an even worse fate than Welton’s: Willingham was executed for his “arson” in 2004.)

Reverence for the lineage of asparagus continues in epic yearly Anglican church festivities in Worcester, England, where in April celebrants obtained a special blessing for the vegetable by local priests as a costumed asparagus pranced through the street praising the stalks as representing “the generosity of God.” Critics (including clergy from other parishes) likened the parades to a Monty Python sketch, and “an infantile pantomime.”

UV light on her pen. (2) On testing day in March for Romania’s 14- and 15-year-olds, administrators of the country’s popular DEX online dictionary, acting on suspicion, changed the definitions of two words likely to be improperly looked up by cheaters during the exam. “[H]undreds” of school searches for the words took place that morning, but administrators were still mulling an appropriate punishment for the cheaters (who were, of course, easily identified by their misapplication of the suspect words).

Awesome!

India’s Supreme Court approved an order recently that forced bars and liquor stores to close down if they were located less than 500 meters (1,640 feet) from state or national highways. India Times reported in April that the Aishwarya Bar in North Paravoor, Kerala, is still (legally) operating at its old location even though it is clearly within the 500-meter restricted area.

The owner explained that since he owns the land behind the bar, too, he had constructed a “serpentine” wooden maze in back and front that requires any entering customer to take the equivalent number of steps it would take to walk 500 meters. (A tax office official reluctantly accepted the arrangement.) © 2017 CHUCK SHEPHERD

Leading Economic Indicators

Andrew Bogut, signed as a free agent by the NBA’s Cleveland Cavaliers in March and expected to be a key player in the team’s quest to defend its league championship, checked into his first game and played 58 seconds before crashing into a bench and breaking his leg. For that 58 seconds, the Cavs owe Bogut $383,000. (2) Jose Calderon signed as a free agent with the Golden State Warriors in March, but the NBA-leading Warriors changed their mind (for unforeseen reasons) two hours after the deal and released Calderon. For his 119 minutes as a Warrior (6:06 p.m. to 8:05 p.m.), Calderon was paid $415,000.

Everything you need to look and feel your best - after hours!

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BACHELORETTE SEASON? We have the perfect ways to celebrate!

Police Report

In May, as Taunton, Mass., police were about to arrest Amy Rebello-McCarthy, 39, for DUI after she left the road and crashed through several mailboxes (with the crash causing all of her tires to deflate), she, laughing, told officers there was one other thing: She had a bearded dragon in her bra (where it was riding while she drove). The lizard was turned over to animal control.

Bright Ideas

Skills: (1) In May, the British tribunal dealing with student cheating rejected the appeal of a law student who was caught taking an in-class exam with her textbook open (permitted) but containing handwritten notes in the margins—not permitted, but written in invisible ink legible via the

N136 W21931 Bonniwell Rd., Richfield (Just off Hwy 45 & 145) 262-628-4545 J U N E 1 , 2 0 1 7 | 33

THEBACK::ARTFORART’SSAKE

Yellow Press Fever ::BY ART KUMBALEK

I

’m Art Kumbalek and man oh manischewitz what a world, ain’a? So listen, sorry to say I’m not able to squeeze out a lucid loaf of essay for you’s this week. Instead I’ve got to assess whether or not I got the bile in my belly so as to throw up my hat into the ring to be your next governor here in the great state of Wisgunsin, I shit you not.

I don’t have any big-time dough for the campaign yet, but I’ll tell you what I do have. Vision. Yes, sir.

That’s what I got, ’cause if you don’t have vision, what do you got? You got a tin cup and a cane, that’s what you got. What the fock.

I’m supposed to meet with my brain trust over by the Uptowner tavern/charm school. But they’re not open yet, so I’m headed over to my favorite open-daily 23-hours-and-59-minutes restaurant. Come along if you want but you leave the tip. Let’s get going.

Bea: Hey there, Artie, nice to see you. What’s your pleasure?

Art: How ’bout a nice cup of the blackest, thickest and cheapest cup of whatever you’re calling plain-old American coffee today, thank you very kindly. And by thickest, Bea, I mean this coffee ought to come out of a mold, not a pot.

Bea: Coming right up, Artie. And here’s a fork and chisel to go with it. So what do you hear, what do you know.

Art: Went the other day by the doctor’s for a little checkup. He told me, “The best thing for you is to

cut out the sweets, the fatty food, give up alcohol and stop smoking.� And I said, “Well sir, not to be overly humble, but I believe that I do not deserve the best.

What’s second best?�

Bea: You got to have your health. He write you a prescription, Artie?

Art: That he did. Near novelistic it was, in scope and length. Upon fulfillment, sure to afford some honcho at Pfizer the cost of Mediterranean beachfront property. You ever write anything, Bea? Bea: I write a shopping list. Every week. Like clockwork.

Art: You betcha. Writing’s hard work—discipline, dedication. It’s a lonely, solitary life. But at least you get to drink on the job; so I guess there’s worse ways to make your buck two-eighty. Anyways, I hear the new season of “Game of Thrones� is starting soon.

You ever seen it, Bea? Bea: Can’t say that I have, Artie.

Art: It’s a medieval fantasy show with kings, knights, incest and piss-ants based on about a hundred books by some guy named George R.R. Martin. It’s focking fabulous, but then you got your hoity-toity knuckleheads who always say: Don’t see the movie, the book is so much better.

Bea: I’ve heard that.

Art: HEYYY! The book is never better than the movie. Cripes, these days, the book costs three times what you fork out for a movie and it takes about five times longer to get through. Take that book Hamlet by what’s-his-name. You spend days reading it and all that happens is everybody sits around talking and then they all get killed one way or another.

Bea: Sounds familiar.

Art: Now, I could write a movie version of Hamlet that the people would say is better than the book.

I’d have some snappy one-liners, a car chase with a

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little gunplay, couple of musical numbers with some stacked chorus gals and, bingo!—boy gets girl in the end, everybody’s happy and it only took 70 minutes, tops, to get to the focking point.

Bea: Is that right, Artie.

Art: Darn tootin’, Bea. People benefit more from the “craft� of writing than they do from the “art� of writing. Regular society benefits more from the writing of a parking ticket than it does from the writing of another weepy, mopey poem. Of course, when you combine craft with art, then everybody wins.

Bea: Really, Artie.

Art: I’m not joking, Bea. Listen: In olden days, when knights were bold, a beloved noble knight was to leave on crusade and called for his trusted squire. “I am leaving on crusade, trusted squire. I trust you with the key to my wife’s chastity belt. If, in 10 years, I have not returned, you may use this key to unlock said belt,

as I am sure she will have needs.�

And so the beloved, noble knight sets forth upon the dusty road. He takes one last loving look at his castle. In the distance he sees a cloud of dust. Within this cloud rides the knight’s trusted squire, breathlessly calling to his master: “Stop! Stop! Noble knight!

You’ve left me the wrong key!�

Bea: That’s art, all right.

Art: God bless you, Bea. I got to run, so thanks for the coffee and for letting me bend your ear there, Bea—utiful. See you next time.

Bea: My pleasure, Artie. Always nice getting talked at by you. Take care.

(OK, off to the Uptowner, where the show’s about to begin. If I see you there, then you buy me one ’cause I’m Art Kumbalek and I told you so.)

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