MASTERWORKS: Thursday 7, November 2019

Page 1

M ASTER W ORKS CENTURIES OF ARTISTIC EXCELLENCE

7 NOVEMBER 2019 DURROW, CO. LAOIS


LOT 134


WWW.SHEPPARDS.IE PSRA NO. 003183

MASTERWORKS

CENTURIES OF ARTISTIC EXCELLENCE

7 NOVEMBER 2019

PREVIEW DURROW, CO. LAOIS, R32 FN88, IRELAND 2 – 6 NOVEMBER 2019

10:00-17:00 EACH DAY

ORDER OF SALE DURROW, CO. LAOIS, R32 FN88, IRELAND 7 NOVEMBER 2019

10:30-13:00: LOTS 1 - 147

REMOVAL OF GOODS ITEMS MUST BE COLLECTED OR ARRANGEMENTS MADE FOR COLLECTION NO LATER THAN 16:00 15 NOVEMBER 2019. ITEMS NOT COLLECTED BY THIS TIME WILL ENTER A STORAGE FACILITY. STORAGE CHARGES OF €5 PER ITEM PER DAY WILL APPLY. WHERE ITEMS REMAIN IN STORAGE FOR LONGER THAN TWO WORKING WEEKS THEY MAY BE RE-SOLD BY PUBLIC AUCTION OR PRIVATELY WITHOUT NOTICE TO THE BUYER. ONLINE BIDDING ABSENTEE AND TELEPHONE BIDDING BIDDING FACILITIES ARE AVAILABLE VIA WWW.SHEPPARDS.IE. LIVE ONLINE BIDDING AVAILABLE VIA WWW.THE-SALEROOM.COM, WWW.LIVEAUCTIONEERS.COM, AND/OR WWW.INVALUABLE.COM. CONTACT DETAILS DURROW, CO. LAOIS, R32 FN88, IRELAND • PHONE: +353 (0)57 874 0000 • FAX: +353 (0)57 873 6546 INFO@SHEPPPARDS.IE • ACCOUNTS@SHEPPARDS.IE • VALUATIONS@SHEPPARDS.IE • SHIPPING@SHEPPARDS.IE


1 19TH-CENTURY FRENCH SCHOOL

Portrait miniature of a lady wearing a royal blue coloured dress, Enclosed in an ormolu frame 16 x 11 cm. €800 - 1200

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2 19TH-CENTURY WALNUT AND ORMOLU MOUNTED CHEVAL DRESSING MIRROR

the serpentine arched plate, within a parcel gilt frame, raised on pillar and scroll ends, below a floral basket pediment 207 cm. high; 85 cm. wide €3500 - 5500

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3 REGENCY PERIOD MAHOGANY AND BRASS MOUNTED WINE COOLER

the circular chamfered top with brass lined interior, above a chamfered vase shaped body, raised on a cylindrical pedestal with panelled door, supported on a chamfered plinth 100 cm. high; 43 cm. diameter €2500 - 3500

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W W W.SH E P PAR D S.IE | 9


4 IMPORTANT 19TH-CENTURY KILLARNEY YEW WOOD AND ARBUTUS MARQUETRY CENTRE TABLE

the oval serpentine shaped top, above a conforming frieze, raised on a circular platform pod, decorated with Irish harps and leaf sprays. Provenance: purchased at the dispersal sale Bettyglen House, Watermill Road, Raheny, Dublin 5, CIRCA 1979, Former home to the Jameson family, of Jameson whiskey fame 76 cm high; 160 cm. long; 111 cm deep €8,000 - 12,000

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5 NATHANIEL HONE THE ELDER RA (1718-1784)

18th-century portrait miniature of a young lady, on Ivory, Enclosed in an 18 ct. gold case, mounted on a bracelet Provenance: collection of Dorothy Oakes, Monart House, Co. Wexford €2500 - 3500

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6 NATHANIEL HONE THE ELDER RA (1718-1784)

18th-century portrait miniature of a gentleman, on Ivory, Enclosed in an 18 ct. gold case, mounted on a bracelet Provenance: collection of Dorothy Oakes, Monart House, Co. Wexford €8000 - 12000

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7 LUKE SULLIVAN (1705-1771)

18th-century portrait miniature of a lady, on Ivory, Enclosed in an 18 ct. gold case Provenance: collection of Dorothy Oakes, Monart House, Co. Wexford €1500 - 2500

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W W W.SH E P PAR D S.IE | 17


8 19TH-CENTURY MAHOGANY AND ORMOLU MOUNTED BIJOU TABLE

the oval glazed top opening to a glazed panelled display case, raised on cabriole legs 76 cm. high; 64 cm. wide; 49 cm. deep €3000 - 5000

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9 ENGLISH SCHOOL

18th-century portrait miniature of a woman on Ivory, Enclosed in silver vesta Provenance: collection of Dorothy Oakes, Monart House, Co. Wexford €800 - 1200

W W W.SH E P PAR D S.IE | 21


10 IMPORTANT LARGE WILLIAM IV MAHOGANY CIRCULAR DINING TABLE

the expansive circular top, raised on a turned stem and platform base, terminating on scroll feet 75 cm. high; 191 cm. diameter €14000 - 18000

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11 FRANK MYERS BOGGS, 1852 - 1926 Porte St. Denis a Paris Oil on canvas 55 x 65 cm. €8000 - 12000

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W W W.SH E P PAR D S.IE | 25


12 19TH-CENTURY CARVED GILTWOOD SALON SUITE (5 piece) each with an armorial back and serpentine fronted seat, raised on cabriole legs to the fore, comprising: 4 armchairs and a settee 117 cm. high; 180 cm. wide; 70 cm. deep €4000 - 6000

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W W W.SH E P PAR D S.IE | 27


13 MARCEL DYF, 1899 - 1985

Young lady Oil on canvas Frost & Reed – Art publishers (Bristol) label verso 65 x 55 cm. €6000 - 8000

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W W W.SH E P PAR D S.IE | 29


14 19TH-CENTURY COROMANDEL CASED IVORY GAMES COMPENDIUM

The gently domed lid opening to a comprehensive fitted interior 18 cm. high; 34 cm. wide; 33 cm. deep €1400 - 1800

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W W W.SH E P PAR D S.IE | 31


15 DELPHIN ENJOLRAS, 1857 – 1945

Lady reading by a table lamp, Pastel 55 x 37 cm. €8000 - 12000

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W W W.SH E P PAR D S.IE | 33


16 PAIR OF 19TH-CENTURY GILT FRAMED WING BACKED ARMCHAIRS

each with a damask upholstered back and seat, raised on scroll legs to the fore 100 cm high; 73 cm. wide; 72 cm. deep €2500 - 3500

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W W W.SH E P PAR D S.IE | 35


17 JOHN EMMS, 1843-1912

‘Eile and St. John’. Horse and a terrier in a courtyard Oil on canvas 70 x 85 cm. €10000 - 15000

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W W W.SH E P PAR D S.IE | 37


19 JAMES EDWIN MEADOWS, 1822 - 1888 Fishing boats Oil on canvas 50 x 76 cm. €5000 - 7000

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W W W.SH E P PAR D S.IE | 39


18 18TH-CENTURY CARVED CHIPPENDALE OVERMANTLE MIRROR the serpentine plate with a leaf scroll and rocaille carved frame, below a pagoda pediment, flanked by a figure on either side 150 cm. high; 150 cm. wide €4000 - 6000

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W W W.SH E P PAR D S.IE | 41


20 LARGE 17TH-CENTURY FLEMISH TAPESTRY

Depicting exotic birds in a landscape to the fore, with a chateau in the distance 270 x 263 cm. €4000 - 6000

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21 OCTAVE SAUNIER, 1842 - 1887 Lady in the flowers, Oil on canvas 70 x 102 cm.

€8000 - 12000

W W W.SH E P PAR D S.IE | 45


22 REGENCY PERIOD GRAND TOUR SPECIMEN MARBLE TOPPED TABLE the inlaid figure decorated circular marble top, above a bird's eye maple base with a conforming frieze, raised on a chamfered baluster stem and platform base, terminating on scroll feet 73 cm. high; 85 cm. diameter €4000 - 6000

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W W W.SH E P PAR D S.IE | 47


23 BERNARD POTHAST, 1882 - 1966 Mother and children Oil on canvas 80 x 100 cm €8000 - 12000

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W W W.SH E P PAR D S.IE | 49


24 19TH-CENTURY PERIOD MARBLE CHIMNEY PIECE

The serpentine mantle above a leaf and bell petal carved arched body, complete with metal insert 128 cm. high; 204 cm. wide €8000 - 12000

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W W W.SH E P PAR D S.IE | 51


25 JOHN A. WHEELER, CIRCA 1896

‘Retreat’, Horse in a Stable Oil on canvas Signed 71 x 92 cm €2500 - 3500

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W W W.SH E P PAR D S.IE | 53


26 IMPORTANT LATE 19THCENTURY MAHOGANY AND ORMOLU MOUNTED COMMODE by Collinson & Lock, London, the D-shaped top above a frieze drawer, over two panelled doors, raised on turned and fluted legs 86 cm. high; 125 cm. wide; 55 cm. deep €8000 - 12000

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W W W.SH E P PAR D S.IE | 55


27 WILLIAM LEE HANKEY, 1869 - 1952 Picnic by the river Oil on canvas Signed 64 x 77 cm €7000 - 9000

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W W W.SH E P PAR D S.IE | 57


28 IMPORTANT LOUIS XVI STYLE ORMOLU MOUNTED COMMODE

19th-century, after Jean Henri Riesener, inspired by the model at Chateau de Fontainebleau, the rich marble top above a marquetry panelled front raised on scroll legs 92 cm. high; 169 cm. wide; 64 cm. deep €8000 - 12000

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W W W.SH E P PAR D S.IE | 59


29 HAROLD CLAYTON

Flowers in a white vase Oil on canvas Frost & Reed – Art publishers (Bristol) label verso 46 x 56 cm €3000 - 5000

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W W W.SH E P PAR D S.IE | 61


30 19TH-CENTURY KINGWOOD AND ORMOLU VERNIS MARTIN VITRINE

the serpentine crest above a curved glazed front, enclosing shelves, over a painted panel base, raised on cabriole legs 191 cm. high; 95 cm. wide; 48 cm. deep €3500 - 5500

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W W W.SH E P PAR D S.IE | 63


31 MARCEL DYF, 1899 - 1985 Still life of flowers Oil on canvas 71 x 56 cm €4500 - 6500

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W W W.SH E P PAR D S.IE | 65


32 CHINESE QING PERIOD HUANGHUALI KANG TABLE

the rectangular top, above a conforming frieze, raised on square scroll legs 35 cm. high; 90 cm. wide; 59 cm. deep €1500 - 2500

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W W W.SH E P PAR D S.IE | 67


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33 HENRI LA THANGUE, 1859 - 1929 Homeward bound, Oil on canvas 38 x 50 cm €7000 - 9000

W W W.SH E P PAR D S.IE | 69


34 19TH-CENTURY BOULLE ORMOLU MOUNTED AND SEVRES PANELLED TABLE the oval shaped top, inset with a Sevres painted panel , raised on scroll legs, joined by an undershelf 77 cm. high; 66 cm. wide; 49 cm. deep €6000 - 9000

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W W W.SH E P PAR D S.IE | 71


35 HENRY SCOTT, 1911 - 2005 Clipper Ship Oil on canvas Signed 31 x 41 cm €5000 - 7000

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W W W.SH E P PAR D S.IE | 73


36 PAIR OF 19TH-CENTURY WALNUT AND ORMOLU MOUNTED CABINETS

each with a rectangular shaped top, above a Sevres porcelain panel inset frieze and glazed panelled door, raised on a moulded square plinth 113 cm. high; 88 cm. wide; 35 cm. deep €3000 - 5000

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W W W.SH E P PAR D S.IE | 75


37 CHARLES MOORE SMITH, 1905

Fete at the Opening of the International Art Exhibition, Venice, Oil on canvas Signed 66 x 102 cm €9000 - 12000

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W W W.SH E P PAR D S.IE | 77


38 PAIR OF IMPRESSIVE DUBLIN HIDE UPHOLSTERED WING BACK ARMCHAIRS

each with a loose cushioned seat, raised on cabriole legs, fronted by a boldly carved apron, centred by a scallop shell, terminating on claw feet 127 cm. high; 86 cm. wide; 100 cm. deep €8000 - 12000

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W W W.SH E P PAR D S.IE | 79


39 PIERRE – EUGENE MONTEZIN, 1874 - 1946 Barges moored along the canal Oil on canvas Signed 50 x 65 cm €14000 - 18000

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W W W.SH E P PAR D S.IE | 81


40 19TH-CENTURY KINGWOOD, ORMOLU AND PARQUETRY BUREAU DE DAME

the parquetry slope front opening to a fitted writing interior, raised on cabriole legs 86 cm. high; 73 cm. wide; 43 cm. deep €1200 - 1800

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W W W.SH E P PAR D S.IE | 83


41 ULISSE CAPUTO, 1872 – 1948

Night at the opera Oil on canvas Signed 73 x 92 cm €13000 - 15000

8 4 | M A STERWORK S AT S H E P PARD'S


W W W.SH E P PAR D S.IE | 85


42 19TH-CENTURY LOUIS XV STYLE SATINWOOD AND INLAID COMMODE

the richly veined marble top, above two short and three long drawers, furnished with brass ring handles, raised on cabriole legs 91 cm. high; 134 cm. wide; 54 cm. deep €3000 - 5000

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W W W.SH E P PAR D S.IE | 87


43 WILLIAM SADLER II, 1782-1839 A wooded river landscape with figures and animals. A folly on a hillside. Perhaps near Tivoli, Cork. Oil on board Enclosed in a gilt frame 45 x 56.5 cm €2000 - 3000

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W W W.SH E P PAR D S.IE | 89


44 PAIR OF 19TH-CENTURY SATINWOOD & INLAID PIER CABINETS

each with a demi lune shaped top, above a conforming frieze, over a series of shelves, enclosing a secret compartment, raised on turned and fluted legs 84 cm. high; 84 cm. wide; 46 cm. deep €5000 - 8000

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W W W.SH E P PAR D S.IE | 91


45 CHINESE SCHOOL

Kowloon harbour Oil on canvas laid on panel Enclosed in an ebony frame 17 x 17 cm. €1500 - 2500

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W W W.SH E P PAR D S.IE | 93


46 GROUP OF 3 LATE GEORGIAN PAINTED ARMORIAL CRESTS

each enclosed in a bird's eye maple frame 25 x 18 cm. €500 - 800

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47 WILLIAM FITZ English School Terrier and a cat Oil on canvas Signed 34 X 44 cm. €400 - 600

W W W.SH E P PAR D S.IE | 95


48 PAIR OF GEORGE III CARVED WOOD MIRRORS

Each with a rectangular plate, gently rounded on the upper corners, within a leaf carved frame, below a tri-angular broken arched pediment 109 cm. high; 61 cm. wide €2500 - 3500

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W W W.SH E P PAR D S.IE | 97


49 ERIC MEADE KING, 1911-1987

Spaniels putting up pheasant Watercolour Signed 44 x 34 cm. €700 - 900

9 8 | M A STERWORK S AT S H E P PARD'S


W W W.SH E P PAR D S.IE | 99


50 19TH-CENTURY KILLARNEY ARBUTUS & YEW WOOD MARQUETRY WORKTABLE

The rectangular lift-up top, centred by a panel depicting Muckross Abbey, above a conforming frieze, and tapered box, raised on a tapered stem and circular platform base, terminating on brass claw feet 70 cm. high; 57 cm. wide; 42 cm. deep €8000 - 12000

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W W W.SH E P PAR D S.IE | 101


51 WILLIAM HENRY HUNT 1790-1864 Sportsman with boy, pony and dog Oil on canvas 44 x 54 cm. €3000 - 5000

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W W W.SH E P PAR D S.IE | 103


52 PAIR OF 19TH-CENTURY SATINWOOD & MARQUETRY PLINTHS

each with a square top, above a tapered stem and moulded square plinth 117 cm. high; 37 cm wide; 30 cm. deep €2500 - 3500

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W W W.SH E P PAR D S.IE | 105


53 JULIEN CAUSSÉ, (1869-1909) Bust of a lady, Signed bronze 59 cm. high; 44 cm. wide €2500 - 3500

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W W W.SH E P PAR D S.IE | 107


54 PAIR OF IRISH GEORGE III PERIOD MAHOGANY AND GILT CONSOLE TABLES each with a demi lune shaped and crossbanded mahogany top, above a profusely decorated conforming frieze, raised on square tapered legs 85 cm. high; 132 cm. wide;58 cm. deep €8000 - 12000

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W W W.SH E P PAR D S.IE | 109


55 19TH-CENTURY FRENCH SCHOOL

Portrait miniature group, Mother and child Enclosed in an ormolu frame 16 x 12 cm. €800 - 1200

1 1 0 | M A S TERWORK S AT SHEP PA RD'S


W W W.SH E P PAR D S.IE | 111


56 19TH-CENTURY JAPANESE BRONZE GONG

on stand, of circular form, surmounted by a fearsome figure 111 cm. high; 43 cm. wide; 34 cm. deep €1800 - 2400

1 1 2 | M A S TERWORK S AT SHEP PA RD'S


W W W.SH E P PAR D S.IE | 113


57 JEF LAMBEAUX, (1852-1908) Bust of a lady, Signed bronze 50 cm. high; 39 cm. wide €2200 - 3200

1 1 4 | M A S TERWORK S AT SHEP PA RD'S


W W W.SH E P PAR D S.IE | 115


58 19TH-CENTURY TABLE TERRESTRIAL GLOBE

a new terrestrial globe, compiled from the latest and most authentic sources including all the recent geographic discoveries, London, 1851, raised on a turned fluted legged mahogany stand 33 cm high; 32 cm. wide â‚Ź800 - 1200

1 1 6 | M A S TERWORK S AT SHEP PA RD'S


W W W.SH E P PAR D S.IE | 117


59 SET OF SIX 19TH-CENTURY REVERSE PAINTED GLASS ICONS

each enclosed in a Gothic arched frame, fronted by spiral turned columns 70 cm. high; 24 cm. wide; 6 cm. deep €5000 - 7000

1 1 8 | M A S TERWORK S AT SHEP PA RD'S


W W W.SH E P PAR D S.IE | 119


60 REGENCY PERIOD MAHOGANY AND BRASS MOUNTED METAMORPHIC LIBRARY STEPS the curved crest splat, above a bergere panelled back and seat, between scroll arms, raised on sabre legs to the fore when open, the steps with tooled inset panels 89 cm. high; 55 cm. wide; 57 cm. deep €2500 - 3500

1 2 0 | M A S TERWORK S AT SHEP PA RD'S


W W W.SH E P PAR D S.IE | 121


61 19TH-CENTURY REVERSE PAINTED ICON

of circular form, enclosed in a carved gilt wood Florentine frame 56 cm. diameter €1400 - 1800

1 2 2 | M A S TERWORK S AT SHEP PA RD'S


W W W.SH E P PAR D S.IE | 123


62 19TH-CENTURY KILLARNEY YEW WOOD AND ARBUTUS MARQUETRY DAVENPORT

Inlaid with multiple views of Killarney, The sloped top opening to a fitted interior, above a series of enclosed drawers on one side and an opposing panelled door on the other side, raised on bun feet 101 cm high; 68 cm. long; 68 cm deep €6000 - 9000

1 2 4 | M A S TERWORK S AT SHEP PA RD'S


W W W.SH E P PAR D S.IE | 125


63 CIRCLE OF FRANCOIS BOUCHER, 1703-1770

Full length portrait of Madame Pompadour wearing a long silk gown, trimmed with lace and wearing a pearl necklace and bracelet Oil on canvas Enclosed in original carved giltwood frame 133 cm. high; 100 cm. wide €22000 - 32000

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W W W.SH E P PAR D S.IE | 127


64 CARY, GEORGE & JOHN II AND JOHN I & WILLIAM

A Pair Of English 12-Inch-Diameter Library Globes. London: G. & J. Cary, ‘1833’ (Terrestrial) And J. & W. Cary, ‘1800’ (Celestial) 65 cm. high; 40 cm. diameter €6000 - 8000

1 2 8 | M A S TERWORK S AT SHEP PA RD'S


W W W.SH E P PAR D S.IE | 129


65 PORTRAIT OF JEAN-BAPTISTE LYNCH, (1749 - 1835)

Mayor of Bordeaux, Count of the First French Empire, Peer of France Oil on canvas Provenance: Derk Estate, county Limerick and thence by decent 76 x 64 cm.; 30" x 25" €40000 - 60000

1 3 0 | M A S TERWORK S AT SHEP PA RD'S


W W W.SH E P PAR D S.IE | 131


66 19TH-CENTURY FRENCH LOUIS XV STYLE KINGWOOD AND ORMOLU WRITING DESK the curved tooled leather inset top, enveloped by a series of curved drawers, over a series of frieze drawers, raised on cabriole legs 89 cm. high; 136 cm. wide; 64 cm. deep €12000 - 18000

1 3 2 | M A S TERWORK S AT SHEP PA RD'S


W W W.SH E P PAR D S.IE | 133


67 PORTRAIT OF LIEUT. COLONEL BRYAN BORROUGH O'TOOLE, C.B., (CIRCA 1766 - 1825)

County Wexford born military officer depicted wearing medals and decorations awarded by the Portuguese, British and French. Oil on canvas Provenance: Derk Estate, county Limerick and thence by decent. 76 x 64 cm., 30" x 25" €10000 - 15000

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W W W.SH E P PAR D S.IE | 135


68 19TH-CENTURY MAHOGANY AND MARQUETRY LADIES WRITING DESK

the rectangular writing surface below a series of small drawers, and a concealed screen, over a series of frieze drawers, raised on square tapered legs, joined by stretcher rails 90 cm. high; 55 cm. wide; 84 cm. deep €14000 - 18000

1 3 6 | M A S TERWORK S AT SHEP PA RD'S


W W W.SH E P PAR D S.IE | 137


69 PORTRAIT OF JOHN TALBOT, 16TH EARL OF SHREWSBURY, 16TH EARL OF WATERFORD (1791–1852) Oil on canvas

Provenance: Derk Estate, county Limerick and thence by decent. 76 x 64 cm., 30" x 25" €10000 - 15000

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W W W.SH E P PAR D S.IE | 139


70 GENTLEMANS OUTFIT

Provenance: collection of Dorothy Oakes, Monart House, Co. Wexford €200 - 300

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W W W.SH E P PAR D S.IE | 141


71 RODERIC O'CONOR 1860-1940 Soleil en Foret, CIRCA 1902-07 typed exhibition label on reverse; also with "atelier O'Conor" stamp on reverse oil on canvas Provenance: Studio of the artist, Hotel Drouot, Paris, 7 February 1956: Private collection Exhibited: 'O'Conor', Musee de Pont-Aven, 30 June to 30 September 1984, catalogue no. 49, illustrated p. 46 Literature: Jonathan Benington, Roderic O'Conor, a Biography with a Catalogue of his Work, Irish Academic Press, Dublin 1992, no. 284, p. 224 A shaft of bright sunlight pierces the canopy of a group of tall, probably coniferous trees, reaching down as far as the lower sections of tree trunk and glancing across the forest floor. Here O'Conor consciously revisits the time-honoured theme of the sous-bois, favoured by the likes of Coubet, Diaz and Cezanne for its romantic associations: Nature captured at its wildest, exposed to the full force of the elements and far removed from the 'civilising' influence of Man. O'Conor treated the theme of the sous-bois for the first time in 1892 in one of his seminal 'striped' compositions. The Glade (acquired by New York's Museum of Modern Art in 1956). That work was devoted to a fairly tame and well-visited tract of woodland, the Bois d'Amour in Pont-Aven, in contrast to the taller and denser planting of trees seen in Soleil en Foret. There are also strong stylistic differences between the two works, bearing in mind that they are separated by a gap of at least ten years, in the course of which O'Conor abandoned the Van Goghinfluenced expressionism of the early 1890's in preference for a less stylised, more painterly approach. What both works do share, however, is a claustrophobic sense of being enclosed within the wood, reinforced by the dense foliage screening off the sky from the viewer's gaze. In Soleil en Foret the straightness of the tree trunks, uninterrupted by any lateral branches, is such that the artist has to utilise a low vanishing point in order to redirect the viewer's gaze earthwards again. At this juncture, O'Conor rewards us with a flurry of his most sensuous and painterly brushstrokes, blending ochre, vermilion and white so as to render the dazzling shaft of warm sunlight that traverses the foreground and middle ground of the composition. It is worth noting that landscapes of northern France are exceedingly rare in O'Conor's work after 1902. Their scarcity means that they can be very difficult to date. This example had previously been ascribed to the 1920's by the present writer(Benington. op. cit., p. 224). However, the thick creamy brushwork that is particularly evident in the highlights of the picture prompts comparison with works such as Girl Reading of 1907-08 (Cartwright Hall Art Gallery, Bradford), making an earlier dating a much more likely proposition. The focus on trees as a subject, especially the way dense foliage is penetrated and transformed by bright light, also suggests a link with O'Conor's series of landscapes devoted to the treelined banks of the River Loing, executed at Montigny on the edge of the Barbizon forest around 1902. Jonathan Benington April 2009 61 x 51 cm. â‚Ź65000 - 850000 00 - 85000 1 4 2 | M A S TERWORK S AT SHEP PA RD'S


W W W.SH E P PAR D S.IE | 143


72 IVORY GLOVE STRETCHER AND IVORY BEADS

Provenance: collection of Dorothy Oakes, Monart House, Co. Wexford €200 - 300

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W W W.SH E P PAR D S.IE | 145


73 17TH-CENTURY DUTCH SCHOOL

Still life of dead game, Oil on canvas 66 x 100 cm. €5000 - 7000

1 4 6 | M A S TERWORK S AT SHEP PA RD'S


W W W.SH E P PAR D S.IE | 147


74 PAIR OF ART NOUVEAU FIGURAL CANDLESTICKS silver gilt bronzed 34 cm. high; 24 cm. wide €400 - 600

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W W W.SH E P PAR D S.IE | 149


75 JAMES HARDY JNR. R.I. 1832-1889 The day's bag, Watercolour 22 x 29 cm. €1000 - 1500

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W W W.SH E P PAR D S.IE | 151


76 19TH-CENTURY SILVER MOUNTED ISLAMIC JAMBIYA

enclosed in a richly chased silver scabbard 40 cm. long €400 - 600

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W W W.SH E P PAR D S.IE | 153


77 COLIN GRAEME, 1850-1910

Horse and two hounds Oil on canvas 50 x 40 cm. €1200 - 1800

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W W W.SH E P PAR D S.IE | 155


78 PAIR OF 19TH-CENTURY ORMOLU MOUNTED MARBLE URNS

each of vase shape, below a turned finial, raised on a square foot 55 cm high; 14 cm. diameter €1000 - 1500

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W W W.SH E P PAR D S.IE | 157


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79 JOHN SERGEANT NOBLE, R.B.A. 1848-1896

In the highlands Watercolour 42 x 60 cm. €2000 - 3000

W W W.SH E P PAR D S.IE | 159


80 PAIR OF 19TH-CENTURY CORK GLASS CASSOULETS

each with a domed lid and hobnail decorated vase shaped body, raised on a square foot 36 cm. high; 15 cm. diameter €400 - 600

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W W W.SH E P PAR D S.IE | 161


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81 MICHAEL LYNE 1912-1989

The Warwickshire at Compton Wynyates Oil on canvas 70 x 90 cm. €2000 - 3000

W W W.SH E P PAR D S.IE | 163


82 ARCHAIC ROMAN MARBLE HEAD OF A CANINE

CIRCA 2nd century A.D. 30 cm. High; 20 cm. wide; 20 cm. deep €1800 - 2400

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W W W.SH E P PAR D S.IE | 165


83 PAUL JONES, 1855-1888 Terriers ratting Oil on canvas 20 x 24 cm. €700 - 900

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W W W.SH E P PAR D S.IE | 167


84 PAIR OF 19TH-CENTURY BLUE JOHN MARBLE URNS

each of vase shape, raised on a square foot 40 cm. high; 13 cm. diameter €1800 - 2400

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W W W.SH E P PAR D S.IE | 169


85 KANDEE SIGH KANG 20th-century Ivette in red Oil on canvas 120 x 90 cm. €800 - 1000

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W W W.SH E P PAR D S.IE | 171


86 19TH-CENTURY BRONZE CENTRE PIECE

the Roman inspired urn set on a circular under plate 40 cm. high; 34 cm. diameter €1200 - 1800

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W W W.SH E P PAR D S.IE | 173


87 CHARLES WALTER SIMPSON, R.I. 1885-1971

Arthur Thatcher with the Fernie hounds Oil on canvas 124 x 182 cm. €14000 - 18000

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W W W.SH E P PAR D S.IE | 175


88 19TH-CENTURY SEVRES PORCELAIN AND ORMOLU JARDINIÈRE

with a painted oval panel, depicting nymphs and cherubs by a pool 31 cm. high; 31 cm. wide; 21 cm. deep €4000 - 6000

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W W W.SH E P PAR D S.IE | 177


89 GARNET RUSKIN WOLSELEY 1884-1967 The young ballet dancer Oil on canvas Signed 127 x 100 cm. €3000 - 5000

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W W W.SH E P PAR D S.IE | 179


91 R. WILSON, ENGLISH SCHOOL, CIRCA 1930 In the farmyard Oil on canvas 70 x 90 cm. €350 - 650

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W W W.SH E P PAR D S.IE | 181


92 19TH-CENTURY CONTINENTAL PORCELAIN AND ORMOLU WINE DISPENSER

flanked by a bird on either side 30 cm. high; 26 cm. wide; 7 cm. deep €4000 - 6000

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W W W.SH E P PAR D S.IE | 183


93 ANDY WARHOL 1928-1987

Female head Graphite/paper 27 x 20 cm.

Provenance: Part of an American Private Collection of master drawings €4000 - 6000

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W W W.SH E P PAR D S.IE | 185


94 19TH-CENTURY ORMOLU JEWELLERY CASKET

of rectangular form, with a glazed lift up lid, opening to a glazed panelled interior with velvet lined base 12 cm. high; 24 cm. wide; 12 cm. deep €200 - 300

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W W W.SH E P PAR D S.IE | 187


95 VERY FINE VIOLIN, POSSIBLY NEAPOLITAN SCHOOL, CA. 1900-1930

The two-piece back of narrow flamed, slab cut maple. Excellent condition. In case with bow. Property of a retired professional violinist Length of back 358mm €10000 - 15000

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W W W.SH E P PAR D S.IE | 189


96 AN ATTRACTIVE UNLABELLED VIOLIN, CIRCA 1830-1840, ATTRIBUTED TO LORENZO VENTAPANE OF NAPLES

A very similar violin is illustrated on p.614 of the book: "Four centuries of violin making" by John Dilworth and Tim Ingles and published by Sotheby's (2006). Both violins show a similar difference in the shapes of the lower loops of the bass and treble f-holes. The two-piece back of plain maple. Excellent condition. Provenance: Property of a retired professional violinist Length of back 359mm. €10000 - 15000

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W W W.SH E P PAR D S.IE | 191


97 A VERY FINE UNLABELLED CELLO, LATE 18TH/EARLY 19TH CENTURY, MOST LIKELY ITALIAN

The cello is in very good condition, with suede soft case and bow. Provenance: Property of a retired professional violinist Length of back 752mm €7000 - 10000

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W W W.SH E P PAR D S.IE | 193


98 RUSSIAN SILVER WINE JUG

CIRCA 1900, Hallmark. CIRCA 1958, Russian (Soviet-era) hallmark 875 with star, hammer and sickle plus another mark with the letters 2T and Yu. 22 cm. high €500 - 800

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99 CHÂTEAU MARGAUX 2006 Margaux, 1er cru classé In original wooden case 12 bottles

Provenance: Private collection €4000 - 6000

100 CHÂTEAU LATOUR 2005 Pauillac, 1er cru classé In original wooden case 12 bottles

Provenance: Private collection €5000 - 7000

101 CHÂTEAU MARGAUX 2005 Margaux, 1er cru classé In original wooden case 12 bottles

Provenance: Private collection €6000 - 9000

102 CHÂTEAU MOUTON-ROTHSCHILD 2005 Pauillac, 1er cru classé In original wooden case 12 bottles

Provenance: Private collection €4000 - 6000

W W W.SH E P PAR D S.IE | 195


103 LYNCH BAGES 1998

Pauillac In original wooden case 12 bottles Provenance: Private collection €600 - 900

104 CHÂTEAU DUCRU BEAUCAILLOU 2007 Saint-Julien-Medoc In original wooden case 12 bottles

Provenance: Private collection €800 - 1200

105 CHÂTEAU DURFORT-VIVENS 1998 Margaux, 2ème cru classé In original wooden case 12 bottles

Provenance: Private collection €600 - 900

106 CHÂTEAU LAFITE-ROTHSCHILD 2004 Pauillac, 1er cru classé In original wooden case 12 bottles

Provenance: Private collection €5000 - 7000

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107 CHÂTEAU LYNCH BAGES 2012 Pauillac, In original wooden case 12 bottles

Provenance: Private collection €600 - 900

108 CHÂTEAU DUCRU-BEAUCAILLOU 2007 Saint-Julien-Medoc In original wooden case 12 bottles Provenance: Private collection €800 - 1200

109 CHÂTEAU MARGAUX 1999 Margaux, 1er cru classé In original wooden case 6 bottles Provenance: Private collection €1500 - 2500

110 CHÂTEAU MONTROSE 2005 Saint-Estèphe, 2ème cru classé In original wooden case 12 bottles Provenance: Private collection €800 - 1200

W W W.SH E P PAR D S.IE | 197


111 15 CT. GOLD AMETHYST & DIAMOND DROP EARRINGS

Provenance: collection of Dorothy Oakes, Monart House, Co. Wexford €1600 - 2400

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112 18 CT. WHITE GOLD & DIAMOND PENDANT

Provenance: collection of Dorothy Oakes, Monart House, Co. Wexford €1200 - 1800

W W W.SH E P PAR D S.IE | 199


113 14 CT. GOLD IMPERIAL RING set with diamond, sapphire, ruby, tourmaline and moon stone €700 - 900

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114 18 CT. GOLD BURMESE RUBY AND DIAMOND RING Ruby, approximately 8 to 10ct. Provenance: collection of Dorothy Oakes, Monart House, Co. Wexford €7000 - 9000

W W W.SH E P PAR D S.IE | 201


115 PLATINUM DIAMOND SOLITAIRE RING 3.87 ct.

Provenance: collection of Dorothy Oakes, Monart House, Co. Wexford €25000 - 30000

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116 18 CT. YELLOW GOLD OLD CUT DIAMOND RING

2.00 ct. Provenance: collection of Dorothy Oakes, Monart House, Co. Wexford €2200 - 2800

W W W.SH E P PAR D S.IE | 203


117 18 CT. YELLOW GOLD BEE BROOCH

encrusted with approx. 2.00 ct. old cut diamonds. Provenance: collection of Dorothy Oakes, Monart House, Co. Wexford €6500 - 8500

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118 18 CT. ROSE GOLD BEETLE BROOCH

set with diamonds, sapphires, ruby and pearl. Provenance: collection of Dorothy Oakes, Monart House, Co. Wexford €3500 - 5500

W W W.SH E P PAR D S.IE | 205


119 18 CT. GEORGIAN DROP EARRINGS

set with rose cut diamonds.

Provenance: collection of Dorothy Oakes, Monart House, Co. Wexford €1000 - 1500

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120 PLATINUM DIAMOND CLUSTER EARRINGS Approximately 2.9ct. diamonds

Provenance: collection of Dorothy Oakes, Monart House, Co. Wexford €3500 - 5500

W W W.SH E P PAR D S.IE | 207


121 18 CT. TURQUOISE AND DIAMOND RING

Provenance: collection of Dorothy Oakes, Monart House, Co. Wexford €1800 - 2400

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122 18 CT. YELLOW GOLD DIAMOND STICK PIN Provenance: collection of Dorothy Oakes, Monart House, Co. Wexford €1500 - 2500

W W W.SH E P PAR D S.IE | 209


123 18 CT. YELLOW GOLD RUBY AND PEARL BROOCH

Provenance: collection of Dorothy Oakes, Monart House, Co. Wexford €1200 - 1800

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124 9 CT. RUBY BROOCH

Provenance: collection of Dorothy Oakes, Monart House, Co. Wexford €250 - 350

W W W.SH E P PAR D S.IE | 211


125 LOT OF FOUR STICK PINS

Provenance: collection of Dorothy Oakes, Monart House, Co. Wexford €1400 - 1800

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126 ANTIQUE STRING OF CHINESE JADE BEADS Provenance: collection of Dorothy Oakes, Monart House, Co. Wexford €1400 - 1800

W W W.SH E P PAR D S.IE | 213


127 NORTH INDIAN AMRISTAR CARPET

early 20th-century, red ground with blue border 363 x 303 cm. €7000 - 9000

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128 SOUTH EAST PERSIAN KIRMAN CARPET

with sickle leaf vine scrolls, red ground with navy border 358 x 270 cm. €10000 - 15000

W W W.SH E P PAR D S.IE | 215


129 GAVIN MORTON & G. K. ROBERTSON CARPET Arts and Crafts, puce red ground with large red border 348 x 407 cm. €8000 - 12000

2 1 6 | M A S TERWORK S AT SHEP PA RD'S


130 RARE SPANISH RUNNER, CIRCA 1930 all over arch pattern with chandeliers and flowerheads 390 x 80 cm. €2500 - 3500

W W W.SH E P PAR D S.IE | 217


131 WILLIAM MORRIS CARPET

with bird themed central medallion and large floral outer border 308 x 310 cm. €4000 - 6000

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W W W.SH E P PAR D S.IE | 219


132 19TH-CENTURY EBONY AND ORMOLU MOUNTED PIER CABINET

the inverted breakfront top, with angled projecting corners, above a fitted frieze drawer, opening to a writing interior, above a white enamelled low relief carved door, centred by an 18th-century black lacquered panel, between spiral turned columns, raised on bun feet 126 cm. high; 102 cm. wide; 50 cm. deep €5000 - 7000

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W W W.SH E P PAR D S.IE | 221


133 PAIR OF 19TH-CENTURY DUBLIN SATINWOOD PAINTED AND INLAID PIER TABLES

each with a semi-elliptical shaped top, above a conforming frieze, raised on square tapered legs 78 cm. high; 89 cm. wide; 45 cm. deep €4000 - 6000

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W W W.SH E P PAR D S.IE | 223


134 VERY RARE AND IMPORTANT CHINESE BLUE AND WHITE FLASK, BIANHU

This large work of circular form, with a short cylindrical neck, flanked on either side by a lug handle, above a flat base, unglazed with a countersunk centre, the domed front, with a central raised roundel depicting an arabesque Islamic star with flower head, enclosed by a leaf scroll and flower head decorated wide border, and wave scroll painted outer border in cobalt blue. The side also with leaf scroll and flower head decoration. Provenance: Co. Cork private collection. Special Condition: Bidder registration approval for premium lot 134 is subject to payment of a deposit. 49 cm. high; 42 cm wide â‚Ź80000 - 120000

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W W W.SH E P PAR D S.IE | 225


135 CHINESE QING PERIOD ARCHAISTIC BI DISC

Intricately carved on both sides, with a dragon and phoenix. Supported on a mother o'pearl and huanghuali stand 16 cm. long €1200 - 1800

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W W W.SH E P PAR D S.IE | 227


136 RARE CHINESE BLUE AND WHITE PORCELAIN DRAGON-HANDLED WINE EWER Kangxi period 26.5 cm. high

€8000 - 12000

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W W W.SH E P PAR D S.IE | 229


137 A RARE BLACK-GROUND GREEN-GLAZED STONEWARE VASE

of fluted Meiping form, the vase decorated with five clawed dragons writhing in foaming waves and swirling clouds while contesting the sacred Tama (flaming pearl), the glaze well controlled, exhibiting an opulent iridescence and stopping at the fluted foot, revealing iron oxide traces. Kangxi, 16621722, with apocryphal mark to base. Provenance: Private collection. Acquired at Christie's, London 1996 10 cm. high; 9 cm. square â‚Ź800 - 1200

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W W W.SH E P PAR D S.IE | 231


138 RARE GILT BRONZE FIGURE OF MAITREYA, BUDDHA OF THE FUTURE

standing before a flaming mandorla on a four legged plinth, with inverted lotus lappets, the figure wearing flowing robes, the right hand raised in Abhaya mudra, the left hand lowered in bhumisparsa mudra , the face with a faint smile hovering upon the lips, the bronze skin with traces of red lacquer and gilding, the reverse bearing a dated inscription: 10th day of the 6th moon in the sixth year of Zheng Guang's reign 525 A.D. ( reign name of Xiao Ming Di ). Inscription Translated by Professor Wang Tao, School of Oriental and African Studies, London. Provenance: Christies, London. 10.5 cm. high; 3.5 cm. wide â‚Ź800 - 1200

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W W W.SH E P PAR D S.IE | 233


139 RARE CHINESE WHITE JADE THUNDER AXE

depicting Sheng Lung, the divine dragon, carved in relief, boldly sweeping across the centre of the ritual jade, the arched form creating a sweeping C- scroll, the tactile jade skin perforated with scattered diverse configurations of lei-wen spirals (thunder and cloud) motifs, variously incised and executed in low relief, the base of the jade terminating in a stylised upward hatchet curve, the reverse of the jade secreting a Zhu Niao (Red bird), of archaic form, hiding among archaistic spirals, the jade further revealing a clawed foot secreted among stylised clouds, the perforated recesses showing evidence of calcification. Song dynasty 960-1279 A.D. Provenance: Private Collection. Christie's July 2000 5.5 x 4.5 cm. â‚Ź600 - 800

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W W W.SH E P PAR D S.IE | 235


140 19TH-CENTURY CHINESE SILVER WALKING STICK HANDLE with dragon scroll decoration 13 cm. wide €400 - 600

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141 19TH-CENTURY CHINESE SILVER WALKING STICK HANDLE 6.5 cm. diameter €250 - 350

W W W.SH E P PAR D S.IE | 237


142 PAIR OF QING PERIOD MILLEFIORI VASES

each of baluster form with elephant scroll handles. Seal mark of Qianlong to base 65 cm. high; 40 cm. diameter €10000 - 15000

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W W W.SH E P PAR D S.IE | 239


143 CHINESE POTTERY FIGURE

Han Dynasty 206 B.C. - 220 A.D. 37 cm. high; 14 cm. wide €1500 - 2500

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144 CHINESE POTTERY FIGURE

Han Dynasty 206 B.C. - 220 A.D. 25 cm. high; 7 cm. wide €500 - 800

W W W.SH E P PAR D S.IE | 241


145 CHINESE BLUE AND WHITE BOWL

of circular form, decorated with playful youths, Kangxi period, with apocryphal mark to base 10 cm. high; 20 cm. diameter €500 - 800

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W W W.SH E P PAR D S.IE | 243


146 IMPORTANT 19TH-CENTURY SEVRES PANELLED AND ORMOLU CLOCK GARNITURE

Comprising: Clock and a pair of urns, CIRCA 1860 50 cm. high; 26 cm. wide; 12 cm. deep €8000 - 12000

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W W W.SH E P PAR D S.IE | 245


147 EXCEPTIONAL 19TH-CENTURY FRENCH PINK SEVRES & ORMOLU MANTLE CLOCK 45 cm. high; 30 cm. wide €800 - 1200

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W W W.SH E P PAR D S.IE | 247


148 PAIR OF REGENCY PAINTED PIER TABLES each with a demi lune floral painted shaped top, above a conforming frieze, raised on turned and fluted leaf carved legs Provenance: Collection of the late Major Stephen Vernon and Lady Ursula Vernon Grosvenor 77 cm. high; 84 cm. wide €3,000 - 5,000

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W W W.SH E P PAR D S.IE | 249


Lot 67 2 5 0 | M A S TERWORK S AT SHEP PA RD'S


CONDITIONS OF SALE 1.

DEFINITIONS IN THESE CONDITIONS, SHEPPARD’S, WHO ACT ONLY AS AUCTIONEERS AND AGENTS FOR THE VENDOR, ARE CALLED ‘THE AUCTIONEERS’ AND THE REPRESENTATIVES OF SHEPPARD’S CONDUCTING THE AUCTION IS CALLED ‘THE AUCTIONEER’.

2.

GENERAL: WHILST SHEPPARD’S MAKE EVERY EFFORT TO ENSURE THE ACCURACY OF THEIR CATALOGUE AND THE DESCRIPTION OF ANY LOT. (A) EACH LOT AS SET OUT IN THE CATALOGUE OR AS DIVIDED OR COMBINED WITH ANY OTHER LOT OR LOTS IS SOLD BY THE VENDOR WITH ALL FAULTS, IMPERFECTIONS AND ERRORS OF DESCRIPTIONS. (B) SHEPPARD’S DO NOT ACCEPT RESPONSIBILITY FOR THE AUTHENTICITY, ATTRIBUTION, GENUINENESS, ORIGIN, AUTHORSHIP, DATE, AGE, PERIOD, CONDITION OR QUALITY OF ANY LOT, UNLESS THEY HAVE BEEN INSTRUCTED IN WRITING BY THE VENDOR SO TO CERTIFY, AND IN SUCH CASE THE AUCTIONEERS DO SO AS AGENTS OF THE VENDOR ARE NOT THEMSELVES RESPONSIBLE FOR SUCH CLAIMS. (C) ALL STATEMENTS, WHETHER PRINTED IN THE CATALOGUE OR MADE ORALLY, AS TO ANY OF THE MATTERS SET OUT IN (B) ABOVE ARE STATEMENTS OF OPINION ONLY AND ARE NOT TO BE TAKEN AS BEING OR IMPLYING ANY WARRANTIES OR REPRESENTATIONS OF FACT BY SHEPPARD’S, UNLESS THEY HAVE BEEN INSTRUCTED IN WRITING BY THE VENDOR SO TO CERTIFY AND IN SUCH CASE THE AUCTIONEERS DO SO AS AGENTS OF THE VENDOR AND ARE NOT THEMSELVES RESPONSIBLE FOR SUCH CLAIMS.

3.

THE AUCTION: (A) THE AUCTIONEER HAS ABSOLUTE DISCRETION TO DIVIDE ANY LOT, TO COMBINE ANY TWO OR MORE LOTS OR TO WITHDRAW ANY LOT OR LOTS FROM THE SALE, TO REFUSE BIDS, REGULAR BIDDING OR CANCEL THE SALE WITHOUT IN ANY CASE GIVING ANY REASON OR WITHOUT PREVIOUS NOTICE. HE MAY BID ON BEHALF OF THE VENDOR FOR ALL GOODS WHICH ARE BEING OFFERED SUBJECT TO RESERVE OR AT THE AUCTIONEER’S DISCRETION. (B) THE HIGHEST BIDDER SHALL BE THE BUYER EXCEPT IN THE CASE OF A DISPUTE. IF DURING THE AUCTION THE AUCTIONEER CONSIDERS THAT A DISPUTE HAS ARISEN, HE HAS ABSOLUTE DISCRETION TO SETTLE IT OR RE-OFFER THE LOT. THE AUCTIONEER MAY AT HIS SOLE DISCRETION DETERMINE THE ADVANCE OF BIDDING OR REFUSE A BID. (C) ALL CONDITIONS, NOTICES, DESCRIPTIONS, STATEMENTS AND OTHER MATTERS IN THE CATALOGUE AND ELSEWHERE CONCERNING ANY LOT ARE SUBJECT TO ANY STATEMENTS MODIFYING OR AFFECTING THE SAME MADE BY THE AUCTIONEER FROM THE ROSTRUM PRIOR TO ANY BID BEING ACCEPTED FOR THE LOT.

4.

RECISSION: NOTWITHSTANDING ANY OTHER FORMS OF THESE CONDITIONS. IF WITHIN FOURTEEN DAYS AFTER THE SALE SHEPPARD’S HAVE RECEIVED FROM THE BUYER OF ANY LOT NOTICE IN WRITING THAT IN HIS VIEW THE LOT IS A DELIBERATE FORGERY AND WITHIN TWENTY-ONE DAYS AFTER SUCH NOTIFICATION THE BUYER RETURNS THE SAME TO SHEPPARD’S IN THE SAME CONDITION AS AT THE TIME OF SALE AND BY PRODUCING EVIDENCE, THE BURDEN OF PROOF TO BE UPON THE BUYER, SATISFIES SHEPPARD’S THAT CONSIDERED IN THE LIGHT OF THE ENTRY IN THE CATALOGUE THE LOT IS A DELIBERATE FORGERY THEN THE SALE OF THE LOT WILL BE RESCINDED AND THE PURCHASE PRICE OF THE SAME REFUNDED.

5.

DEFAULT: SHEPPARD’S DISCLAIM RESPONSIBILITY FOR DEFAULT BY EITHER THE BUYER OR THE VENDOR BECAUSE THEY ACT AS AGENTS FOR THE VENDOR ONLY AND THEREFORE DO NOT PAY OUT TO THE VENDOR UNTIL PAYMENT IS RECEIVED FROM THE BUYER. INSTRUCTIONS GIVEN BY TELEPHONE ARE ACCEPTED AT THE SENDER’S RISK AND MUST BE CONFIRMED IN WRITING FORTHWITH.

6.

IN THE EVENT OF A SALE BY PRIVATE TREATY BOTH THE VENDOR AND THE BUYER AGREE TO BE BOUND BY THE GENERAL AND ANY SPECIAL CONDITIONS OF SALE.

7.

INSPECTION: EACH BUYER BY MAKING A BID FOR A LOT ACKNOWLEDGES THAT HE HAS SATISFIED HIMSELF FULLY BEFORE BIDDING BY INSPECTION OR OTHERWISE AS TO ALL THE SALE CONDITIONS THE PHYSICAL CONDITION OF AND DESCRIPTION OF THE LOT INCLUDING BUT NOT RESTRICTED TO WHETHER THE LOT IS DAMAGED OR HAS BEEN REPAIRED OR RESTORED.

8.

PROPERTY AND RISK LEGAL TITLE WILL NOT PASS TO THE BUYER UNTIL THE LOT(S) HAS BEEN PAID FOR IN FULL AND THE AUCTIONEERS SHALL HE ENTITLED TO A LIEN ON ANY LOT SOLD UNTIL THE PURCHASE PRICE (AS DEFINED IN 11 BELOW) IS PAID IN FULL BUT EACH LOT IS AT THE SOLE RISK OF THE BUYER FROM THE FALL OF THE HAMMER. EACH BUYER SHALL FORTHWITH GIVE HIS FULL NAMES AND PERMANENT ADDRESS AND IF CALLED UPON TO DO SO BY THE AUCTIONEER SHALL FORTHWITH PAY TO SHEPPARD’S SUCH PROPORTION OF THE PURCHASE PRICE AS THE AUCTIONEER MAY REQUIRE. IF THE BUYER FAILS TO DO SO, THE LOT MAY AT THE AUCTIONEER'S SOLE DISCRETION BE PUT UP AGAIN AND RE-SOLD.

9.

EVERY BIDDER SHALL BE DEEMED TO ACT AS PRINCIPAL UNLESS THERE IS IN FORCE A WRITTEN ACKNOWLEDGMENT BY SHEPPARD’S THAT HE ACTS AS AGENT ON BEHALF OF A NAMED PRINCIPAL.

10. REMOVAL OF GOODS. (A) NO PURCHASE SHALL BE CLAIMED UNTIL IT HAS BEEN PAID FOR AND THE SALE HAS BEEN CONCLUDED. ALL PURCHASES SHALL BE PAID FOR AND REMOVED AT THE BUYER’S RISK AND EXPENSE, FAILING WHICH THE AUCTIONEER SHALL NOT BE RESPONSIBLE IF THE SAME ARE LOST, STOLEN, DAMAGED, OR DESTROYED AND ALL LOTS NOT SO REMOVED SHALL REMAIN AT THE RISK OF THE BUYER AND SUBJECT TO A MINIMUM WAREHOUSING CHARGE OF €5 PER ITEM PER DAY. IF THEY ARE NOT PAID FOR AND REMOVED WITHIN SEVEN DAYS OF THE SALE THE AUCTIONEER MAY RE-SELL THEM BY AUCTION OR PRIVATELY WITHOUT NOTICE TO THE BUYER. ANY LIABILITY WHICH THERE MAY BE ON THE PART OF THE AUCTIONEER IN RESPECT OF ANY LOSS SHALL BE RESTRICTED TO A MAXIMUM OF THE PRICE PAID BY THE BUYER OF THE LOT. (B) IN THE EVENT OF ANY FAILURE OF THE BUYERS TO COMPLY WITH ANY OF THE CONDITIONS THE DAMAGES RECOVERABLE BY THE SELLER OR THE AUCTIONEERS FROM THE DEFAULTER SHALL INCLUDE ANY LOSS ARISING ON ANY RE-SALE OF THE LOT, TOGETHER WITH THE CHARGES AND EXPENSES IN RESPECT OF BOTH SALES, AND ANY MONEY DEPOSITED IN PART PAYMENT SHALL BE HELD BY THE AUCTIONEERS ON ACCOUNT OF ANY LIABILITY OF THE DEFAULTER TO THEM OR TO THE SELLER. THE AUCTIONEERS ARE UNABLE TO ACCEPT PAYMENT FROM SUCCESSFUL BIDDERS OTHER THAN IN CASH OR BY THE BIDDER’S OWN CHEQUE. CHEQUES DRAWN BY THIRD PARTIES WHETHER IN THE AUCTIONEER’S FAVOUR OR REQUIRING ENDORSEMENT, CANNOT BE ACCEPTED. 11. PURCHASE PRICE: THE PURCHASER SHALL PAY THE HAMMER PRICE TOGETHER WITH A PREMIUM OF 20% + VAT AT STANDARD RATE. THE PREMIUM ATTRACTS VAT AT THE STANDARD RATE AND IS PAYABLE BY ALL PURCHASERS. THE VENDOR AUTHORISES THE AUCTIONEER TO DEDUCT COMMISSION AND EXPENSES AT THE STATED RATES FROM THE HAMMER PRICE AND ACKNOWLEDGES THE AUCTIONEER’S RIGHT TO RETAIN THE PREMIUM PAYABLE BY THE PURCHASER. PAYMENT BY CASH OR GUARANTEED CHEQUE. ALTHOUGH EVERY EFFORT IS MADE TO REPORT DAMAGE AND RESTORATION TO LOTS IN THIS CATALOGUE, ABSENCE OF CONDITION DOES NOT IMPLY A LOT IS FREE FROM DAMAGE, AND PROSPECTIVE PURCHASERS MUST IN ALL CASES BE RESPONSIBLE FOR DETERMINING CONDITION THEMSELVES.

COMMISSION BIDS: IF INSTRUCTED WE WILL EXECUTE BIDS AND ADVISE INTENDING PURCHASERS. THE SERVICE IS FREE. LOTS WILL ALWAYS BE BOUGHT AS CHEAPLY AS IS ALLOWED BY OTHER BIDS AND RESERVES. BIDS, WHEN PLACED BY TELEPHONE, ARE ACCEPTED ONLY AT THE SENDER’S RISK, AND MUST BE CONFIRMED BY LETTER.

IMPERFECTIONS NOT STATED SPECIAL CONDITION: ALL PURCHASES TO BE PAID FOR THE EVENING OF SALE. EXPLANATION OF CATALOGUING PRACTICE: A WORK CATALOGUED WITH THE NAME(S) OR RECOGNISED DESIGNATION OF AN ARTIST, WITHOUT ANY QUALIFICATION, IS, IN OUR OPINION, A WORK BY THE ARTIST IN OTHER CASES. THE FOLLOWING EXPRESSIONS, WITH THE FOLLOWING MEANINGS ARE USED: “ATTRIBUTED TO . . .’’ IN OUR OPINION PROBABLY WORK BY THE ARTIST IN WHOLE OR IN PART. “STUDIO OF . . .” IN OUR OPINION A WORK EXECUTED IN THE STUDIO OR WORKSHOP OF THE ARTIST, POSSIBLY UNDER HIS SUPERVISION. “CIRCLE OF . . .’’ IN OUR OPINION A WORK OF THE PERIOD OF THE ARTIST AND SHOWING HIS INFLUENCE. “FOLLOWER OF . . . ” IN OUR OPINION A WORK EXECUTED IN THE ARTIST’S STYLE BUT NOT NECESSARILY BY A PUPIL. “MANNER OF . . . ’’ IN OUR OPINION A WORK EXECUTED IN THE ARTIST’S STYLE BUT OF A LATER DATE. “AFTER . . .’’ IN OUR OPINION A COPY (OF ANY DATE) OF A WORK OF THE ARTIST. “SIGNED . . .’’ IN OUR OPINION THE WORK HAS BEEN SIGNED/DATED/INSCRIBED BY THE ARTIST. “WITH SIGNATURE . . ’’ IN OUR OPINION THE SIGNATURE/DATE/INSCRIPTION IS BY A HAND OTHER THAN THAT OF THE ARTIST. “WITH DATE . . .’’ “WITH INSCRIPTION . . .’’

W W W.SH E P PAR D S.IE | 251


ABSENTEE BID FORM MASTERWORKS

7 NOVEMBER 2019 Fax: 057 873 6546 ∙ Email: bids@sheppards.ie Telephone Bids: +353 (0)57 874 0000 Please bid on my behalf for the undermentioned lots up to the prices shown which do not include the buyer’s premium. These bids are to be executed as cheaply as is permitted by other bids, or reserves, if any, and subject to the conditions of sale printed in the catalogue.

NAME  ADDRESS

EMAIL  TELEPHONE/MOBILE  LOT

DESCRIPTION

MAXIMUM BID

Please bid early. Telephone bids should be confirmed in writing, preferably on this bid form. Buy-bids are not accepted. Your limit should be the amount at which you would stop if you were bidding in the room. 20% Buyer’s Premium + V.A.T. @ 23% will be added to your successful bid. 2 5 2 | M A S TERWORK S AT SHEP PA RD'S


Lot 71 W W W.SH E P PAR D S.IE | 253


MASTERWORKS CENTURIES OF ARTISTIC EXCELLENCE VENUE: DURROW, CO. LAOIS, R32 FN88, IRELAND PREVIEW: 2 – 6 NOVEMBER,

10:30 am - 5:00 pm each day

AUCTION: THURSDAY 7 NOVEMBER,

10:30 am


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