URBAN FABRICS by BA (Hons) Interior and Spatial Design, University of the Arts London

BAISD 2022

URBAN FABRICS Interior and Spatial Design Exhibition Catalogue

Salma Shedeed, Diana Bazhaeva, Mia Bizard, Yu Cao, Kiwi Chan, Ao-Yun Chen, Chun-Ting Chiang, Saara Chowdhury, Chloe Daye, Jiahui Ding, Lea Fakhouri, Xiaoyan Fan, Maya Hammoud, Iveta Hanzenova, Najma Haydare, Yungsong Hua, Aysen Ibrahim, India Lawrence, Laura Lemoine-Wright, Defeng Li, Shiyuan Liu, Xiquan Liu, Xuan Liu, Georgina Lombardero, Ya Mo, Aleksandra Mucha, Serena Patel, Wenhui Peng, Keren Permutti, Alex Ross, Dalisto Sakala, Tommaso Scanu, Hyebin Seok, Aaisha Shah, Akshay Sharma, Botao Shi, Re-Anne J. Tan, Clarisa Turuta, Qiao Wang, Jiangnan Xiang, Fang Zhan, Chenjie Zhang, Chuqiao Zhang, Keqin Zhang, Xu Zhang, Weihao Zhong

Course Leader Shibboleth Shechter Academic Team Adrian Friend, Astrid Bois d’Enghien, Colin Priest, Darren Farrell, Francesca Merton, Gabriele Brambilla, Harriet Lee, Lewis Campbell, Lucy Eccles, John Cullinan, Kat Outten, Kaye Price, Kieran Mahon, Korina Zaromytidou, Madoka Ellis, Matt Schwab, Max Merino, Peter Maloney, Piera Dencker-Rasmussen De Mascoli, Rain Wu, Reem Charif, Shukri Sultan, Simon Kinneir, Taylor Huggins, Thanapond Sukthana. Visiting Lecturers Akil Scafe-Smith, Catalina Pollak, Jacob Valvis, Jason Coleman, Joris Pauwel, Kate Goldsworthy, Kirsty Badenoch, Leopold Lambert, Laura Ford, Lucy Orta, Mariana Pestana, Muf Architecture/Art, Malcolm McGregor, Robin Jenkins, Sayan Skandarajah, Sanne Visser, The Migration Musuem, Theo Jones, Xavi Ilarch Font, Vodicka Goran.

Urban Fabrics BA Interior and Spatial Design 2021/22

All spaces have stories to tell. Every material, threshold and object represent various forms of individual and collective thought and endeavour to texture our lives. Depending on how these aspects come together, a unique sense of atmosphere and environmental perspective emerges. As interior and spatial designers, we co-operate with and translate these stories, understanding the past, observing the present to project a sustainable future for everybody. Weaving a narrative through writing, drawing and making to imagine patterns of relationship and memory. This year we focused on how our shared remote site, the Artiach building a former biscuit factory in Zorrotzaurre, a peninsula in Bilbao, Spain lives. Coming together after working from home through experimental material and spatial practices, research and regular virtual dialogue with students and academics at IED Kunsthal, Bilbao we mapped the urban fabric. Carefully clarifying how landscape, buildings, people and cycles of time have transformed the area. Situating its stories and translate the histories of a place through a variety of analogue and digital modes. These texts and textures of the place, referencing the United Nations Sustainable Development Goals, framed the design of urban fabrications for the city. Proposals range from ecological exhibitions to immersive experiences, community hubs to sensitive refurbishment, architectural furniture to virtual realities. The Summer Show designed and built by the students with 121 Collective testifies to individual fortitude and collective strength after a complex couple of years of study. Altogether, the work reveals the importance of challenging the status quo and actively push the boundaries of interior and spatial design in a modern world. The work will be travelling to Bilbao soon for exhibition as a part of DRS22, Design Research Society conference.

Table of contents I N T E R I O R A N D S PAT I A L D E S I G N

04 CHUNTING CHIANG

AO YUN CHEN

IVETA HANZENOVA

YU CAO

DEFENG LI

SERENA PATEL

JUNSONG HUA INDIA LAWRENCE TOMMASO SCANU AAISHA SHAH AKSHAY SHARMA

KIWI CHAN LEA FAKHOURI NAJMA HAYDARE LAURA LEMONE-WRIGHT SHIYUAN LIU XUAN LIU GEORGINA LOMBARDERO ALEKSANDRA MUCHA ALEX ROSS HYEBIN SEOK SALMA SHEDEED CLARISA TURUTA QIAO WANG LESLEY ZHANG

YA MO WENHUI PENG KEREN LISA PERMUTTI

POLITICAL STRATEGIST

MIA BIZARD

HEALTH ENVIROMENTALISTS

MAYA HAMMOUD

COMMUNITY ACTIVISTS

ARTISTS AND ARCHITECTURE

RE - ANNE J. TAN

ARTISTS AND ARCHITECTURE

MAYA HAMMOUD

COMMUNITY ARTS CENTRE

The viewports overlook into other spaces, guiding the eye into new fragments of space.

PROJECT DESCRIPTION Following my dissertation about the architecture of museums and how people behave and experience them, it sparked an interest into how designers can use interiors to connect with each other. The proposed arts centre offers a unique experience to its visitors through the arrangement of a gallery space, an auditorium and a multi-purpose social space to host community meetings and events. The spatial layout explores the act of observing, using thresholds and viewports to make visitors see, experience and question their surrounings. This proposal will create a shared space for people to gather, learn and talk about a shared interest into Bilbao’s creative industries. It is these moments that play an integral role in the development of our cities.

THEME: Artists and Architecture

Left: Auditorium

Curved timber panels are used to create architectural moments between the spaces.

Right: Social Space

CAMBERWELL BAISD 2022 | URBAN FABRICS CAMBERWELL BAISD 2022 | URBAN FABRICS

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IVETA HANZENOVA

A STORY OF EXPERIENCE: DUESTUIBARRA

Dining and Living area

PROJECT DESCRIPTION Duestuibarra epitomises the essence of the island’s lifestyle and is a finely-tuned expression of its distinct urban style. My dissertation ‘’Architecture that shaped us’’ focuses on how our presence influences the spaces we live in. Extending beyond its scope I have created a unique short stay apartments that create an immersive experience while visiting one of the most beautiful regions in Spain, Basque country. The interior and exterior of the site plays with colours, materials and patterns which get uncovered with the moving sun as the day goes by. This play with shadows is done with a modular wall that is mounted on the exterior of the building. It is designed to guide the viewers eye onto the city as the individual slats can be moved up and down by the occupant of the room. This proposal is designed to bring back life to the Deusto island and expand the potential of this historic site.

THEME: Artists and Architecture

Exterior Wall

CAMBERWELL BAISD 2022 | URBAN FABRICS

Bedroom Area

JUNSONG HUA

PASSENGER TUNNEL PROJECT DESCRIPTION My paper was mainly about Zorrotzaurre transportation development and master plan integrated. So I aim to create a new way into the Artiach house, which can provide new feeling of transport and comfortable emotions to tourist. Then I found that in Artiach house they only have a single simple staricase provide for publics. Therefore, I thought it will be useful and interesting to design a new transportation way for tourist and resident. Then I create two rotating staircase and a slide into the building, which allow people have new experience when they walk through it.

THEME: Artists and Architecture

Image annotations if you want

CAMBERWELL BAISD 2022 | URBAN FABRICS

INDIA LAWRENCE

THE SPATIAL FADE OF ZORROTZAURRE

Scale 1:20 Elevation and Section of the Staircase Design

PROJECT DESCRIPTION My final project centres around a phrase that I have personally curated called Spatial Fading, which is a term used to describe, not only the aesthetic fade of a building, but the fading of memory within the space and the rebirth of new spatial narratives within this. Through the development of my concept of spatial fading, I learnt how the memories of Basque heritage are fading into the urban landscape. My aim across this project is to express the importance of the preservation of Bilbao’s history and raise a question on how we all percieve our own history. The essense of escapism offered from these new developments of spatial narratives, allows access to an inner smoothness and respect for the palimpsests held in these spaces.

THEME: Artists and Architecture

Drawings of the Protected House, reimagining the space from a remote location Viewpoint Drawings, of the Artiach and the Protected House CAMBERWELL BAISD 2022 | URBAN FABRICS

Scale 1:20 Floorplans of the 1st and 2nd Floor of the Staircase Design Collaged Image of Staircase Design, displaying material integration

TOMMASO SCANU

THE ETHICS OF AUTHENTICITY IN URBAN REGENERATION, A CASE STUDY OF ZORROTZAURRE, BILBAO PROJECT DESCRIPTION My Unit 10 project focuses on the preservation of the authentic industrial identity of the Artiach factory in Zorrotzaurre, Bilbao. This derives from the fact of wanting to understand how urban redevelopment and architectural preservation relate, and how urban regeneration is able to bring to new life, or bring back to a previous condition of efficiency, integrity and dignity a territory as disused as the one of Zorrotzaurre, while preserving its architectural, cultural, and experiential authenticity. In order to achieve this, I designed a series of temporary structures that are able to represent the industrial past of the factory and the area in which it sits in. These structures include a temporary cookie production line, a sculptural exhaust pipe, a vertical tomato garden, and a staircase. These structures are able to achieve a sufficient level of authenticity through public reappropriation of the space around the factory, thus, bringing back to life a building that was abandoned for years. THEME: Artists and Architecture

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CAMBERWELL BAISD 2022 | URBAN FABRICS

AAISHA SHAH

GO WITH THE FLOW PROJECT DESCRIPTION The project represents Zorrotzaurre’s backboneRiver Nervion through cotton curtains. The project explores the spatial aspects of the water body and its influence on people. It communicates human insignificance compared to the river, shown by fading footprints as people walk ‘deeper’ into the space. The audience will exit the exhibition through a passage which gets intense towards the end due to the closely placed curtains, thus making them feel trapped, as though the audience has reached the deep end. The experience of the exhibition is linear. However, the existence of chairs called ‘The Bird’ by Tom Dixon in a few spots will allow people to sit, recline from, and incline towards the curtains, giving them time to immerse in the experience. The exhibition is a gradient from shallow to deep, light to dark. The curtains of the exhibition can be converted into tote bags when fully immersed in blue dye, helping reduce waste. THEME: Artists and Architecture

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CAMBERWELL BAISD 2022 | URBAN FABRICS

AKSHAY SHARMA

EXPRESSING EMOTION, A SPATIAL RESPONSE PROJECT DESCRIPTION UNIT 10 - URBAN FABRICATION

UNIT 10 - URBAN FABRICATION

THEME: Artists and Architecture

SCALE 1:50

CAMBERWELL BAISD 2022 | URBAN FABRICS

UNIT 10 - URBAN FABRICATION

Throughout my thesis I was exploring the ideas and philosophies within abstract expressionism and how its seamless dissolution into the realm of the built environment lead to the creation of ‘expressive space’. I want to display emotion through interior surfaces and space. This was the underlying theme that developed throughout my thesis. It was something that developed by pure coincidence of the integration of large scale canvases into space. The space became an extension of the work and the motifs displayed by the artist. I am presenting a process which is an extension of a classical curational approach to art. I am connecting the artworks to architecture, creating a somatic, immersive experience. In a world where things are very much leant towards learning by interaction, this process could lead to the creation of spaces that, due to how they are experienced, can create a better understanding of the artwork and artist in question. This idea of ambiguity is being embraced within society and should be embraced across all artforms. These spaces will start to resonate on an emotional level, creating a memorable experience.

COMMUNITY ACTIVISTS

MIA BIZARD

MOBILE COMMUNITY REPAIR CAFES PROJECT DESCRIPTION Using my research on themes exploring accessibility, connection, and communities throughout the previous unit, this project continues my investigation of my interest in the architecture of connection. Connecting people, city, and environment. Proposing a series of workshops and gallery spaces that essentially becomes repair cafes, all connected with foldable canopies. This project promotes the reduce of waste and sustainable, social community-focused lifestyles, the idea is bridging and connecting these places of gatherings and engagement, as well as the local community through these fragmented series of spaces. The proposal of the Mobile Community Repair Cafes aims to help empower residents to take an active part in shaping their communities, as well as building on the legacy of the site by adding a participatory and engaging design project that will help promote and attract the area, and essentially becomes an extension of the site’s current creative space.

Post-digital Render

THEME: Community Activist Post-digital Render

Section Drawing

Post-digital Render CAMBERWELL 2022 | URBAN FABRICS CAMBERWELLBAISD BAISD 2022 | URBAN FABRICS

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YU CAO

REFLECTION OF NATURE PROJECT DESCRIPTION The topic I have chosen is the relationship between water, human activity and urban transformation. In Unit 9, the main idea I expressed in my thesis was that human activity has had a great impact on the construction of cities. Therefore, I would like to focus on the impact and importance of human water on the spatial and urban development of human activities. In redesigning artiach, I want to bring the whole site into harmony with nature and connect with people through my design, I will incorporate water elements into the design and divide the space into an exterior as an experience and feeling and an interior as a space for relaxation and rest. I want to focus mainly on reflection, reflecting the view of the canal into the site through the design and distribution of the interior and exterior installations, and extracting the form of water into the site design.

THEME: Community Activist

Different views over time

CAMBERWELL BAISD 2022 | URBAN FABRICS

KIWI CHAN

(JUNK)SCAPE PROJECT DESCRIPTION Are car parks simply slabs of tarmac or are they something more? Learning from non-places, this project represents creative ways to transform these ‘asphalt fillers’ from (nonplace) anonymity to (non-place) urban character and enable car parks to live in a car-free future. (Junk)scape app aims to be a system that proposes efficient uses for ‘wasted’ spaces and energy around ‘non-places’. This app rethinks and recycles underutilised parking lots through renting and scheduling. My design proposal for my rented nonplace explores ‘placeless’ people, in hopes to provide support for the local homeless community and raise awareness around the ‘invisible class’ in Zorrotzaurre through film and programmes. Collaborating with a non-profit organisation– Bizitegi and featuring products from the Bilbao Homeless Film Festival, the (Junk)scape cinema would display emotional stories that document the reality of everyday social exclusion. This parallel system looks to engage local communities with social impact on top of redefining ‘non-places’. THEME: Community Activist

CAMBERWELL BAISD 2022 | URBAN FABRICS

(Junk)scape Cinema Visualisations

LEA FAKHOURI

COMMUNITY AND THE VERNACULAR PROJECT DESCRIPTION Community and the Vernacular responds to the brief of how a space lives in the context of Zorratzaurre, Spain. Through my research I have noticed that the locals felt disregarded in the urban regeneration of the island, so both proposals conveys how spaces should embody the views and demands of communities as a collective, with a known challenge of bringing them together at a time where interaction is at a minimum due to the pandemic Unit 9 depicts multiple placement cards in virtual reality representing different aspects of the islands topography as an interactive tool where the student community, the leading future of the island, can create their own city in a collective space Unit 10 is an extension of the project where a spatial proposition is created in the Artiach cookie factory situated in Bilbao, Spain. I designed both a physical world and virtual world exhibiting the importance of community interaction.

Storyline snapshots of physical space

Community Activist activist THEME: Community

Virtual space video

Unit 9 interaction with IED students CAMBERWELL BAISD 2022 | URBAN FABRICS

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NAJMA HAYDARE

FROM POWER TO EMPOWER PROJECT DESCRIPTION This project started from research on the Guggenheim Museum and the economic power it gave Bilbao. The museums’ grandeur and materiality put Bilbao on the map however, the plan had little to no community involvement or benefits. I have designed an installation to contrast the Guggenheim Museum which empowers the community instead. By mimicking it’s size and skeleton my installation invites people to visit the Artiach and take part in the workshops provided by Espacio Open. The installation will be built by students and anyone in need of manufacturing experience who in return will recieve certificates which can be used in CVs. The installation is built by the community for the community. The community assembling and painting the installation.

THEME: Community Activist

CAMBERWELL BAISD 2022 | URBAN FABRICS

Watercolour elevation of the Artiach with the installation.

LAURA LEMOINE-WRIGHT

MULTI-FUNCTIONAL IN-HOUSE GARDEN

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PROJECT DESCRIPTION By exploring the two main themes of my thesis, I brought together Biophilic design and design for autism to create an autism friendly community garden space for the Artiach building in Bilbao, Spain. My design aims to explore large public spaces and how they can become more autism friendly. I used curved walls to lead the eye and shorten sightlines, I included individual insulated office pods for concentration, and I used spatial zoning meaning each area has a different spatial quality to define its use. I positioned my design to bring together the existing businesses who will open into the space, there are areas for these businesses to use such as for breaks and meeting areas. Biophilic design inspired the use of wood for walls and the balconies and bridge which are comfortable circulation spaces but also provide ‘prospect’ outlooking views. The pods on the ground floor bring together ‘escape’ and ‘refuge’ spaces which provide respite from the larger environment. THEME: Community Activist Scale Model 1:100

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CAMBERWELL BAISD 2022 | URBAN FABRICS

SHIYUAN LIU

FABRIC-WOMEN-MUSEUM PROJECT DESCRIPTION F A B R I C - W O M E N - M U S E U M aims to spatialise the inequalities suffered by women in the workplace during the industrial revolution. The site is a former biscuit factory, Artiach in Zorrotzaurre, Bilbao, Spain. Based on the research into the history of Artiach during the industrial revolution, approximately 80% of the workers were women. Although Artiach offered work opportunities for women, their working conditions and treatment were poor. The design translates the inequality of women in the workplace into four thematic rooms: Control, Inconvenience, Isolation and Vulnerability. The interactive exhibition helps visitors understand the conditions suffered by women workers in workspaces during the industrial revolution, encouraging them to reflect on how far gender equality has come, and what can still be done for gender equality today.

First Floor

THEME: Community Activist

Ground Floor CAMBERWELL BAISD 2022 | URBAN FABRICS

XUAN LIU

HER SPACES PROJECT DESCRIPTION I attempt to disentangle the functional significance of architecture in order to investigate its value at the level of people’s consciousness. The design method entails physically demolishing a portion of the Artiach cookie factory, a modernist facility, and presenting it in a non-functional form in order to show the gender contradiction hidden in a female industry that society deems to have its own consciousness. As stated in the unit 9 paper, modernist architecture is an expression of patriarchal society; therefore, I considered this cut to be my critique of patriarchal society. As a result, I placed a highly expressive folly in the factory and hypothesised, in reverse chronological order, that it would survive as a ruin many years hence, further provoking people’s imagination. I drew inspiration for the assertion of space from the deep bond between Basque mythology and local women and used mythology as a metaphor for the evolution of local women. THEME: Community Activist

Unit 9 Map It talks the evolution of women’s workplace around Zorrotzaurre since 19th century.

Unit 10 Space CAMBERWELL 2022 | URBAN FABRICS CAMBERWELLBAISD BAISD 2022 | URBAN FABRICS

GEORGINA LOMBARDERO

8 (CIRCLE) PROJECT DESCRIPTION From my Unit 9 dissertation ‘How Urban Design influences in the Making or Breaking of a protest’ one of my conclusions was how there is no such thing as designing a place specifically for protest. They are often spontaneous acts which occur according to each narrative/situation. If designing such spaces is something which can not be done, then why not design the space before that. A place were people can go learn, debate, reflect and grow so that their next journey is birthed in a (profitale/worthwhile) way. This is a project which encourages visitors to create their own experience of the space. It is given an organic form so that it can be seen and recognized from all sides and were both social and independent moments are formed.

Intimate and social moments being formed and collage of the lighting which gives the users a sense of comfort with the use of sensory design. This is achieved through the materiality, height variations and colours.

THEME: Community Activist

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ISO view of the space being used in multiple ways. CAMBERWELL BAISD 2022 | URBAN FABRICS

Interaction of the interior and exterior.

ALEKSANDRA MUCHA

NIÑOS LIBÉLULA PROJECT DESCRIPTION My unit 10 project focused on co-designing a space with a group of children, in order to create a design which reflects the user. The process consisted of some design workshops, aiming to explore children’s creativity and further aid their psychological development by encouraging initiative and skill building. Together with the girls, we designed a theatre for the community of Zorrotzaurre. Our space offers children a space in which they can explore different roles, emotions and further make decisions regarding the special performance set-up. My aim was to show how as designers, it’s crucial we place aside our individualistic perceptions of what space should be, and rather give voice to those who use it and give it life.

THEME: Community Activist Chair Construction

CAMBERWELL BAISD 2022 | URBAN FABRICS

ALEX ROSS

ESPACIO LIBRE

Staircase Sketch and Facade Visualisation

PROJECT DESCRIPTION ‘The shabbier the collected chamber, the better the deomcracy’ - Carne Ross Espacio Libre is a temorary structure made entirely from scaffolding, that aims to celebrate the present environment whilst building communities for the future. It is a completely accessible, 100% public space where visitors are encouraged to appropriate the environment, adapting it for their desired use. Built in contrast to the vast and permanent upcoming developments to the site, Espacio Libre is an underdesigned space, with the ability to facilitate organic community engagement. The structure consists of a staircase, lift and rooftop platform.

THEME: Community Activist PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

CAMBERWELL BAISD 2022 | URBAN FABRICS

Moveable, Versatile Functional Furniture Design

Collage View of the Space in Use

HYEBIN SEOK

HOW DO WE BRING LIFE TO SPACE? THE SPATIAL EFFECTS OF COMMUNICATION BETWEEN PEOPLE AND SPACE How can we bring life to space? What should I do for Artiach as a spatial designer? I think designing a public space where people can communicate at Zorrotzaurre is one of the most effective ways, and I think this public space will also have a good impact on the urban regeneration of Bilbao in the long run. Thus, my project for Unit 10 is a public space design which has strong communication characteristics and the power of vitality. Also, this is one of the spaces where people can have the most freedom to communicate and use. I want to design a space where not only for specific targets, but a space where anyone can participate and communicate, regardless of gender, age, no matter what job they do, where they live, or where they come from. THEME: Community Activist

CAMBERWELL BAISD 2022 | URBAN FABRICS

SALMA SHEDEED

RELIGION URBANISM

Interior Renders

PROJECT DESCRIPTION The integration of places of worship has caused segregation between various religious groups. By integrating religion urbanism on the island, religious communities should play a role in the regulation and maintenance of sacred buildings. Focusing on Christianity, Islam, Hinduism, and Judaism to create a permanent, integrated multifaith, and safe place of worship. This will evoke feelings of calmness and comfort between religious groups and individuals to create a space for all. Using polygons to create geometrical shapes relating to the architectural interiority of places of worship, each geometrical dome has different uses identifying each religion.

THEME: Community Activist

Geometrical Domes

CAMBERWELL BAISD 2022 | URBAN FABRICS

Entrance to Multi-faith Space

CLARISA TURUTA

PEACE, LOVE AND LET GO COVID-19 MEMORIAL

Unit 10 Shadow Work Daylight Matters

PROJECT DESCRIPTION Unit 10 wil create a place of remembrance and celebration to unify the community and commemorate every single moment throughout the Covid-19 pandemic period. It will unify everyones experience in Bilbao and in hope it would help people that have gone through a hard time, commemorate and peacefully let go and start fresh. The path is difficult, but it is something that we go through as human beings, the cycle of life can be painful sometimes, but it does not necessarily have to be if we have hope on changing ourselves and our mindset towards a better and more positive life. The reason why Covid-19 is a focal point is because it is important for the audioence to feel heard throughout all the hard times people have gone through so this safe space that I have structured is designed for people to have their small, peaceful, quiet moments.

THEME: Community Activist

Unit 9 Garment Pieces Representing Physchological Change

CAMBERWELL CAMBERWELL BAISD BAISD 2022 2022 || URBAN URBAN FABRICS FABRICS

Unit 10 Light and Commemoration

QIAO WANG

TIME TRAVELLER PROJECT DESCRIPTION In the final project I completed a temporary exhibition to promote tourism of local cultural heritage. The duration is about 3-5 years. This solar-powered installation is based on the simplified shape of the Zorrotzaurre, which is intended to provide visitors with a quick tour of the island. To arouse the interest of visitors, they will feel as if they are exploring the maze while walking inside the installation, just like they are discovering and seeking knowledge in an unfamiliar city. The existence of this project promotes the industrial heritage culture of the region to visitors from all over the world, while boosting the local tourism economy and providing educational cultural dissemination. In the installation, I used the pulley structure of the factory and woven fabric, which was inspired by my map. All materials are sustainable.

THEME: Community Activist RENDERING

HERITAGE ARCHITECTURE LAYOUT

CAMBERWELL BAISD 2022 | URBAN FABRICS

LESLEY ZHANG

“CABINET” OF BASQUE LANGUAGE

Section of “Cabinet”

PROJECT DESCRIPTION This project aims to provide visitors with a unique tour of the Basque Language Culture. In my Unit 9 Thesis and map, I discussed the development of space and the Basque Language. With the ambition of promoting this endangered language to more, people. I design a tour to encourage people to come and explore the culture of the Basque language themself. By using a torch to light the dark cabinet room, visitors could find different objects and talks about different stories through the ramp. The ramp is designed as a timeline, in this way visitors could go through the history from 2000 BC to today. At the end of the trip, a lift with colourful neon lights would take visitors back to the scarf shop, which is the textile map I made in Unit 9. Each colour of the scarf represents a kind of language, visitors could recall the tour by the colour coding system on the scarf.

THEME: Community Activist

Storyboard of “Cabinet”

CAMBERWELL BAISD 2022 | URBAN FABRICS

Lighting Strategy Axonometric

HEALTH ENVIRONMENTALISTS

CHUNTING CHIANG Post-digital Render

HAND IN PAW PROJECT DESCRIPTION In this project, I was planning to increase the urban green public space between people and dogs, transform the environment, improve the social activity space of dogs, and have more play time with people. Use large areas of glass to create better space and extensibility. The use of a glass ceiling is one of the main materials because, in rainy and hot weather, dogs also need a sheltered place to achieve, so the ceiling uses a lot of glass materials. Concrete is used in the surroundings to echo the green space and give the feeling of wildlife. And the latest infinity sky swimming pool is adopted to improve the utilization of outdoor space. At the same time, I want to provide a different way of experience, so all the designs are designed around dogs.

THEME: Health Environmentalist

Post-digital Renders

CAMBERWELL BAISD2022 2022 | URBAN FABRICS CAMBERWELL BAISD | URBAN FABRICS

Post-digital Render

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DEFENG LI

AN ECO FARM BUILD IN THE CITY OF BILBAO PROJECT DESCRIPTION With the development of society and the expansion of cities, environmental protection, ecology and nature have gradually become a hot social topic. Bilbao has made a perfect urban transformation since 1970, and plans to continue to develop into an advanced, cultural and educational city in the future. Eco-urbanism is the topic of my thesis for unit 9 and the inspiration for unit 10. I tried to build an ecological farm in the existing space to enhance and reflect local communication, the progress of the city and the protection of Bilbao’s ecology. Adding green elements to the grey steel structure was a huge and challenging idea. The eco-farm combines the original building structure and new elements to create more communication between space and people.

Post-digital Render

Interior Space Section

THEME: Health Environmentalist Building Section

CAMBERWELL BAISD 2022 | URBAN FABRICS CAMBERWELL BAISD 2022 | URBAN FABRICS

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Elevation

Bird View

Post-digital Render

YA MO

REWRITING THE STORY OF LIFE

Image annotations

PROJECT DESCRIPTION Drawing on - in psychology - the concept of narrative dialogue. If we think of every event in our lives as an ‘active information point’. Then those points of information that have particular significance and are more obvious to us are ‘connected’ together and become our stories. Stories can be constructed, and they can certainly be deconstructed. I have tried to ‘transform’ the spaces where Bilbao has a special meaning into information points in different spatial layers in a new way, thus building a new picture of the story.I used Kevlar and wood architecture to create an open space where there are no walls, no obstructions to your view. The space invites you to pay attention to everything around you. “As you keep climbing determinedly forward, don’t forget to look back. Perhaps you will see sights you once did not see and hear sounds you once did not hear.“ THEME: Health Environmentalist

CAMBERWELL BAISD 2022 | URBAN FABRICS CAMBERWELL BAISD 2022 | URBAN FABRICS

The ‘information point’ story that I first constructed in my mind.

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The reconfigured space was difficult to achieve, but the aim of the actual reconfiguration was to interpret the architectural space in a new language and to strengthen the connection between the new space and the actual space. I therefore shifted my thinking and used the resulting form as a way to assist in spatial association and as a device to trigger memory. It can be any object in the space, including a chair, a table, a handrail, a guardrail, etc. The relationship to the original space is reinforced by functional assocations.

WENHUI PENG

‘WAKE UP’

‘Cause of Flooding’

PROJECT DESCRIPTION The project is an educational exhibition on the Ground floor of the old cookie factory that popularises the knowledge of flooding and reminds people of the dangers of flooding and the issue that climate change acts on our environment.

Ummm... Human Activities...

It presents the general facts about the flooding and includes immersive elements during the journey. Part of my design aims to mimic a flooding experience and make an unforgettable memory for the audience.

THEME: Health Environmentalist

It's wet and soft... it feels weird...

It is so dark there... Mom I am so afraid...

WOW!! We need to wear this!! That's interesting!!

Introduction Area

CAMBERWELL BAISD 2022 | URBAN FABRICS

‘Different Level of Flooding’

KEREN LISA PERMUTTI

H2O PAVILION PROJECT DESCRIPTION In a world currently facing the devastating consequences of Global Warming, water represents both an object of desire and a disruptive phenomenon at times. My research on the topic began with the study of the River Nerviòn’s flooding of 1983 that affected the city of Bilbao, Spain. The H2O Pavilion is a bio-integrated exhibition space that aims to raise awareness of worldwide water-related effects of global warming through videos and conferences. The visitor of the pavilion is also invited to have a drink and donate to support non-profit water organisations. The design is both energy and material efficient thanks to its shape, which comprises three intersecting geodesic domes, creating the shape of a water molecule. Additionally, moss panels that reduce CO2 and purify the atmosphere are placed on the structure. The design is an example of a probiotic, fully sustainable floating architecture.

Exterior view - bridge leading to the entrance.

THEME: Health Environmentalist

Interior view - entrance, videos and River’s water inside the pavilion.

Section of the Pavilion in context Interior view - drinking station. CAMBERWELL BAISD 2022 | URBAN FABRICS

POLITICAL STRATEGISTS

AO YUN CHEN

A SPACE FOR ALL

Main hall with the Basque city introduced

PROJECT DESCRIPTION The incubation space is ought to bring the people of the space together, a place where people are felt at ease while being able to have interconnectivity with variety of people in various areas of specialty. To maintain the image of heritage and belonging, the space is designed with the components of Bilbao, combining the aesthetics of architecture and other monumental destinations in the Basque country. Furthermore, the site is made to promote and enhance young minds especially entrepreneurs that seeks a space to further develop their work, while connecting them with various opportunities and support needed. This is to go alongside the Zaha Hadid masterplan in which the project is hoping to attract the younger youth to either wanting to stay in the city to work or attracting young minds elsewhere.

THEME: Political Strategists

Post-digital Render and Open working community space

CAMBERWELL BAISD 2022 | URBAN FABRICS

Orthographic image of the whole space

SERENA PATEL

THE BREAKOUT LIBRARY : AN INVESTIGATION INTO MULTI-SENSORY SPACE PROJECT DESCRIPTION

Based on the research, activity, and project brief produced in my thesis concentrating on private versus public space in historical and current architecture, I generated a spatial concept for the Artiach site on the island of Zorrotzaurre in Bilbao, Spain. Creating a permanent place that could be improved over time to serve the general public, Bilbao residents, and tourists. I propose a multi-sensory library with a non-formal environment where people are invited to come in and participate with the area rather than just use it for studying. This library will have a variety of places, from study areas to sunken conversation pits that can be used in a community or private setting.With a nearby university that lacks a library, my idea aligns with UN Sustainable Development Goal 4 by enabling a productive learning environment that improves education quality not only for students and young children, but for the entire community. THEME: Political Strategists

Post-digital Render

CAMBERWELL BAISD 2022 | URBAN FABRICS

RE - ANNE J. TAN Children engaging with the broccoli shaped treehouse in daytime.

ZORRO - VEGE PARK PROJECT DESCRIPTION Ever wonder why children hate eating vegetables? This is because children pick up on bitter flavours more than adults. Babies are born with about 9,000 taste buds and they’re great at regenerating. As you age, taste buds don’t regenerate as well and your sense of taste dulls. Some people are also born with a gene that makes them more sensitive to bitter flavour and have a heightened sense of every taste (salty, sweet, bitter, sour, and umami). This vegetable themed park are designed to combined fun and vegetables for children to interact with. It was build to educate children be more knowledgeable about vegetable and start eating healthy. Children can then grow their own vegetable by planting in the designed area around the play area. The façade designs were chosen based on the colour- (blue, pink, green and black) were added to the illustrated map to represent the area in Zorrotzaurre Island. THEME: Political Strategists

Digital model of ZorroVegePark in different angles.

CAMBERWELL BAISD2022 2022 | URBAN FABRICS CAMBERWELL BAISD | URBAN FABRICS

Illustrated map of the Zorro-VegePark.

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CONTACTS p.8

MAYA HAMMOUD mayahammoud22@gmail.com

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ALEKSANDRA MUCHA alexmucha68@gmail.com

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IVETA HANZENOVA ivet.hanzen@gmail.com

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ALEX ROSS Alexpzross@gmail.com

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JUNSONG HUA Junsonghua0424@gmail.com

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HYEBIN SEOK hyebinseok.ual@gmail.com

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INDIA LAWRENCE indym.lawrence@gmail.com

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SALMA SHEDEED Salmashedeed@hotmail.com

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TOMMASO SCANU tommasoscanu20@gmail.com

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CLARISA TURUTA clarissaturuta@yahoo.com

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AAISHA SHAH aaishawaseem8@gmail.com

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QIAO WANG 1621812464@qq.com

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AKSHAY SHARMA akshaysharma14@hotmail.com

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LESLEY ZHANG chuqiao0731@gmail.com

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MIA BIZARD miabizard72@gmail.com

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CHUNTING CHIANG chiangchunting1213@gmail.com

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YU CAO 898644152@qq.com

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DEFENG LI Tobylildf@gmail.com

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KIWI CHAN kiwiccy@gmail.com

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YA MO uokuyada@qq.com

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LEA FAKHOURI Leafakhouri@gmail.com

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WENHUI PENG anniepeng19990428@gmail.com

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NAJMA HAYDARE Najma.haydare@gmail.com

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KEREN LISA PERMUTTI keren.permutti@gmail.com

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LAURA LEMONE-WRIGHT Lauralemowri@gmail.com

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AO YUN CHEN Irvin.olive@gmail.com

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SHIYUAN LIU 905619159@qq.com

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SERENA PATEL Serena_patel@hotmail.co.uk

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XUAN LIU liuxuanann@126.com

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RE - ANNE J. TAN rjtan2000@gmail.com

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GEORGINA LOMBARDERO Georgina-lombardero@hotmail.com

Interior and Spatial Design 2022