研石造物專刊 preview

Page 1

CONTENTS 暥ę?—

Chapter 3: And, What We Did in 2017

Introduction

ĺ€´ĺƒ˝ď˜šä§ŽâŚ›ę&#x;š㨼ç ‡ç€–鸤ćš&#x;

㟏锸

Being the Interface of the Stone Industry and the World ⥲ć?€ç€–ĺ‹ž援ĺ™ čŽ…é?¤éŽ™äŒŒ朸⚼âž?ç˝?

004

The Opportunities of the Hualien International Stone Workshop

ć­‹ç ‡ç€–鸤ćš&#x;ę&#x;šă‰Źćś¸ă¤?ĺ ĽčŽ…â?œĺ‰šë&#x;Š

006

Chapter 1: How We Began

Sustainability and Innovation: Challenging Taiwan Stone Industries’ Limited and Possibilities 䒂糾莅✞倞 䎋䨞蔅角瀖勞援ĺ™ 朸ꣳ⾖莅〳腋äš?

Future Tourism of Eastern Taiwan: Discover the Charm of Stone Processing !

錚ë&#x;Šî›‹ă€ľćŠ“ĺŒŒéżˆĺŠ˘â˘ľĺ ‡é ¤îš‰äŽ•乥ç€–ĺ‹žâ¸ˆäŠ¨ëˆƒâ¸‚î™°

036

2017 Workshop Diary 2017 äŠ¨âĄ˛ă–ˇĺ‚ˆéŽš

ç ‡ç€–鸤ćš&#x;朸鼹ë&#x;Š

040

2017 Works

Before Workshop : Try to Explore a New Road for Taiwan Stone Industry ç ‡ç€–鸤ćš&#x;ę&#x;š㨼⛓⾚#MBODPS ㎲鑑♧哭ć?‚➃ę&#x;š䏪éş•朸倞é¨&#x;

009

2016 Year in Review ç ‡ç€–鸤ćš&#x;ă”?ęłƒ

011

2017 ⥲ă…ˇę§Œ Takkiri

ă ˘ç€–ĺ‹žâ¸ˆäŠ¨ăˇ¸çť˘

Hidden Fragrance

Touch Marble

048

Floating Marble

Swing Swing

050

Aroma Stone

052

Pose Table Mirror

054

Marble Weaving

056

Switch-Table Lamp

058

Primitive

060

New Realm

063

Marble Side Table

064

Path Stool

Spotlighted Blocks For Grownup The Meal

Overview of the Stone Industry

瀖勞援ĺ™ ĺšŒ幣

015

Dreaming in the Glacier#3

Process of Stone Manufactoring

016

Bridge Saw Water Jet Hand Carving Shaping with Diamond Tools

鰋�㟭�꾺� 翚�

ăŁ?➃朸ç?ŽĺŠ

č ˜ë‚¨č?ł ♲âŚ?ćš&#x;â&#x;? 儿莅㢚 #10

çą—ĺƒ¤ćś¸ăźŠç?– #2 ăŁ†ă–ˆâąşĺąŽ #3

ăŁ?ă˜—ă•Šćš?ꎿ ㋲程ꉣ ĺ €✊

ĺŽ?ⴉ⸈䊨

äŠ›ä­°äŠ¨â°¨ę§¨âľ â¸ˆäŠ¨ ęŹ’ĺž¸ä§­ă˜—â¸ˆäŠ¨

017 017

CNC

018

Finishing (Polished)

019

Finishing (Honed)

021

Lathing (Dry)

023

Lathing (Wet)

025

Finishing

KUANG-LONG Faces New Possibilities in Market Trends after a Half Century

錚ë&#x;Šî›‹鼼éş•âźąâš†ç§ âŻ•ęĽ‘ęŹ—㟊ä‹‘ăœĽĺľ ćƒ?朸倞〳腋

䞸âĄ™äąžâľ–â¸ˆäŠ¨ę‹łäŽŻ é‚?ꏗ贖椚 ⯕ꏗ

é‚?ꏗ贖椚 â??⯕ꏗ

鎌äŽŻâ¸ˆäŠ¨ âœ?ä’­

鎌äŽŻâ¸ˆäŠ¨ ć†ˆä’­

�ꏗ贖椚

026 027

錚ë&#x;Šî›‹â&#x;ƒç‘ ę&#x;Śé“ž佌âœ˛ 鸎乺〾抓莅⚆歲朸Ⰵ〥

询ꝝę €

徼瀖猺⴪ ㅡꝝ瀖 ę–?ę&#x;Ž 玥瀖

ę&#x;šęĄ ć•š

ăŁ?椚瀖䊯ćš? ë&#x;Šä—ąćš? 倞㞯

ăŁ?椚瀖韚呲 ꢯ꣍

066 068 070 072 074 076 078 080 082 084

065

Tell Stories through Spaces Gateway Connecting Taiwan and the World

Stone Processing Technology

Wire Cutting

Day & Night #10 Stellar Symmetry #2

ç€–ĺ‹žâ¸ˆäŠ¨äŞŽé Żĺ´ŠçŽ‘ă•Ź äŒ˘é‹…ç€–ĺ‹žâ¸ˆäŠ¨äŞŽé Ż

㿋�⚼朸幎崊

Stand By Me

Chapter 2: Learning from Stone Processes

Giant Circular Saw

046 046

Silk Fan Platter

035

086

Chapter 4: Those Who Joined Us ⿎莅ㅡ晌莅é?¤éŽ™äŒŒ

027 029 029

2017 Participate Brands 2017 ⿎莅ㅡ晌

089

031

2016 Participate Designers 032

2016 ⿎莅é?¤éŽ™äŒŒ

093

Chapter

01

Before Workshop: Try to Explore a New Road for Taiwan Stone Industry 灇瀖鸤暟Ꟛ㨥⛓⵹Blancor ㎲鑑♧哭搂➃Ꟛ䬪麕涸倞騟 俑㶵 = Blancor Chia-Yu Lin 卌㹻榮

C H 1: H ow We Began

㕬晚⢵彂 私ꏗ晚շⰟ鏤儘➿ո

How We Began 灇瀖鸤暟涸饱럊

Before “Blancor Studio” began planning for the Hualien International Stone Workshop. The initial trigger originated in 2015, when the team visited Italy to film “It Takes Two”, a documentary discussing the mutually beneficial relationship between design and manufacturing in Italy, and how design vigorously developed after World War II. This project was also the making of the “Blancor”. The members of the team including some college students, director Jiachen Ye, film producer Xincheng Li, freelance photographer Jiaqi Zhou, Marketing Agent Peiling He, PR Yuxuan Liu, Creative Executive Chia-Yu Lin. A multidimensional team composed of media communication and

In 2015, Blancor Studio visited Italy and interviewed a number of furniture brands, galleries, critics, designers, manufacturers, and design organizations. In search of mutual possibilities in the Taiwanese design and manufacturing industry, the journey was made into a documentary: “It Takes Two”. After returning to Taiwan, following the success of the first “Hualien International Stone Workshop”, with SRDC, there was hope to merge the two industries and find a new breakthrough.

design professionals. What we didn’t know was that Blancor would make not only a film but also become a platform for the stone and design industry in Taiwan at that time. In 2016, when “It Takes Two”was broadcasted around Taiwan, many viewers from the design and manufacturing industry reacted to the cultural and environmental differences between Italy and Taiwan. Some of them misunderstood that we tried to flatter Italy.

䎃#MBODPS 4UVEJP 䖰〵抓ⴀ涮荛纏㣐ⵄ鏞锓㢵⦐⪧⥡ㅷ晦谁䐤

"Let's try it in Taiwan!" We think maybe we can also try to put

〳腋䚍⚛㼟Ⰹ㺂⻽꧌䧭私ꏗ晚շⰟ鏤儘➿ո㔐〵⛓䖕 䎃莅瀖须⚥

the audience who watched the documentary, we sensed a strong

瑳灶〡

work with marble, because this wasn’t a material they often came

鐱锸㹻鏤鎙䌌醢鸤㉂莅鏤鎙穉籽鑑㕬䖰⚥䱳㼦〵抓鏤鎙莅醢鸤Ⱏ欰涸

design and manufacturing together in Taiwan. From feedback of

䗱⤛䧭痧♧㔐յ灇瀖鸤暟ն劍劆㼟醢鸤莅鏤鎙Ⰽ畮涸腋ꆀ⻽꧌䪪ⵌ倞涸

feeling of interest from Taiwanese designers. They want to try to

瘼ⷔյ灇瀖鸤暟ն⵹剓ⴲ涸⹛堥彂倴 䎃䧮⦛⵹䖃纏

㣐ⵄ䬝伢շⰟ鏤儘➿ո♧鿈䱳鎣纏㣐ⵄ鏤鎙莅醢鸤⛓ ꟦㥶⡦✽ⵄⰟ欰鹎罜雊纏㣐ⵄ涸鏤鎙䖰✳䨞䖕觍⸽涮㾝

涸 私 ꏗ 晚#MBODPS 㕰 ꥙ ⛳ 僽 㔔 姽 妄 䬝 伢 鎙 殥 罜 穉 䧭 殹 儘䧮⦛涸㕰꥙歋䎙⡙㣐㷸㔋䎃秹欰䨾穉䧭⺫わ㼬怵衞㹻

鴇佟㣐䑞ꨶ醢晚勛妇惶佟㣐䑞ꨶ伢䕧ヰ㹻犍 GSFFMBODFS遤ꌼ⟱ⷔ⡦⢆梥佟㣐䑞ꨶⰗꡠⷠ肬

榄〵猰㣐䒊眡ㄤⶾ䠑㛂遤卌㹻榮〵猰㣐䊨鏤僽♧

⦐歋䕧⫹⫄久㼠噠莅鏤鎙㼠噠醳ざ罜䧭涸㕰꥙饱ⴲ⛳尝剤 갸䟝ⵌ剚䖰䕧⫹醢⡲饥ぢ鏤鎙䊨⡲㖷欩荛䧭捀〵抓瀖勞欴 噠莅鏤鎙涸㼩鑨䎂〵

䎃շⰟ鏤儘➿ո㖈〵抓久僦儘鏪㢵鏤鎙㕖ㄤ醢鸤噠錚

滞䠮㎒纏㣐ⵄ〵抓涸俒⻋莅橇㞯䊴殯⛳剤铐鍑շⰟ鏤儘

➿ո僽オ䰌㕜㢫涸耫갉չ齡랃♶㥶㖈〵抓⛳鑑鑑溏ゅպ 雊 #MBODPS 对㹁⟃〵抓捀㜥㚖㼟鏤鎙莅醢鸤佞㖈♧饱㎲鑑 〵抓晝劥涸Ⱏ鏤儘➿䖰僦䖕㼩锓⚥䊺錏䖤〵抓鏤鎙䌌⦛ 剤肆鬪鬪妝鑑涸腋ꆀ⸈♳鯱㼱剤堥剚䱺鍸㣐椚瀖勞颶䨾

⟃嶋䜂♧ⴀ⿾䥰湱殹骈鬪♶麕剓끇㋐涸僽殹ⴲ㼦䪪 ざ⡲醢鸤倰儘⟃捀剚♶倬焥㠗尝䟝ⵌ耢窄瀖须⚥䗱䖕♧

鸒ꨶ鑨用⽰锓㹁鹎♧姿涸ざ⡲⿻꬗锓䩞涮植瀖勞醢鸤畮⛳ ꬌ䌢劍䖊殯噠ざ⡲鸏僽䧮⦛麕⿡♧湬鿪劢腋䱺鍸ⵌ涸倞⚆ 歲

across in design. What pleasantly surprised us was that when we were looking for manufacturers to collaborate with, we had assumptions that it wasn’t going to be easy. There seems to be a reputation that designers and manufactures have difficulty in communicating. But very surprised, we received a call from SRDC agreeing to further collaboration and discussions, we also came to opportunities to collaborate in future.

08 / 09

to find that the manufacturing industry were also looking forward

“I'm not trying to be the hero to save the industry but I'm co-creating with artisans the least wasting marble design.�

Őš ♜掚䭑佚援ĺ™ 朸č–Šę§†ď˜šç˝œâźżă šäŠ¨âť â°&#x;âśžăŁ?椚瀖é?¤éŽ™朸ĺ‰“âĄœĺľ éĄĽď˜ˇŐş 3

Moreno Ratti Adviser of Workshop 2016-2017

ç ‡ç€–鸤ćš&#x;äŠ¨âĄ˛ă–ˇăźŹäŒŒ

concern.� However, he also regularly creates large-scale designs for marketing purposes. Moreno not only told us of his wonderful stories during the workshop, he also truthfully shared his experience of working with the Italian marble industry. The Balance between Design and Manufacturing is Hidden within the Details of Continued Discussion. On day two, the workshop visited 3 local stone manufacturers to learn more about different manufacturing processes. “Ashan�, owner of Shinying Enterprise, also shared his viewpoint with designers. “The greatest inspiration comes from nature�, He said, while pointing at the sink, A zen style chair, and an exquisite stone swan he made himself. Meanwhile, Ashan, Moreno and the other designers also had a very ninformative discussion of how “Shinying� balances the quality and quantity of their production. After understanding the basic stone processes, the designers spent an entire day having a tutorial with Moreno

.PSFOP â›łé“‡ăťœă”?ç˜¸ď˜šé¸’äŒ˘ă˘ľäž¸âž ĺƒ˝â&#x;ƒ䧭ĺŠĽç˝Œę†€ď˜šăź¤ę…žé†˘é¸¤ç•Žćś¸ăź

Although SRDC and factories could only support limited resources

ä?ž朸ăŁ?ă˜—✞⥲ď˜ˇ .PSFOP 3BUUJ ♜」ăź&#x;皥㼪佌âœ˛âŤ„äš…ď˜šç˝œęŹŒäŒ˘ćşŤăťœă–’

site for research and exploration, and allowing the designers had

ăťœâżśă€łä Śćś¸é?¤éŽ™äŒŒď˜ˇ

their prototypes. One of the technicians mentioned: “Marble is

é?¤éŽ™čŽ…醢鸤朸䎂邂ë&#x;Š询ă–ˆâ™śĺ€ŹéŽŁé”¸ćś¸ç¨Łçœ?⚼

hardness due to variations in sedimentation rates and directions,

äŠ¨äŠ¨ĺ˛ čŽ…ĺ Ľâ°¨ď˜ˇâ°ŚâšĽęš™ć§‡ç˝‰ę ¸ęŁšăż‹ă†Ľćšśâ´˝čŽ…⿎莅䊨⥲㖡朸é?¤éŽ™äŒŒâŚ›

where is the balancing point between design and manufacturing?

䭸襽č?ˆäŠšâ¨ž朸峤äŠ›ă€ľď˜śâ°¨ĺ‰¤ç‹Şä ‘朸ç€–ĺ–ąď˜śäŠ¨ĺ˛ 稣芾朸瀖㣔딭铞襽ď˜ˇ

workshop.

ć?­ĺ‘˛ĺ–ąď˜ść‰ľĺŽ?ă?źď˜śç€–ć•šç˜žď˜šć”¨äž•âżśĺ‰¤ä&#x;?ĺ˛ ćś¸ç˝‰ę ¸ęŁšăż‹ă†Ľď˜šâ™śčŻ˘çŒ™ă–’

M o re n o s a i d t h a t “ C a r r a r a d o e s n ' t h a v e a w o r k s h o p f o r

ă…ˇé˘śď˜ˇ

manufacturers�. The end of the workshop really spelt the

ă–ˆâœŤé?‘ă›‡ĺŠĽâ¸ˆäŠ¨é†˘çŽ‘ä–•ď˜šŐľç ‡ç€–鸤ćš&#x;Őśâ™§é ¤âžƒč”…â™§äžŽăŁ”čŽ… .PSFOP

designers, two parties should maintain close contact! It was also

â˝°ĺ„˜âĽœ姝ä&#x;?ĺ˛ ď˜ˇ .PSFOP čŽ…é†˘é¸¤ăźŹäŒŒă–ˆâžŤç¨ŁâœŤé?‘卌⥙é?¤éŽ™äŒŒ朸✞ä ‘

that the mutualism of design and industry could become a reality

ĺ™ â´źĺ€ŹčŽ…ăœĄâ­†ď˜šâ™śéş•âžŽâ›łĺ‰šăš ĺŠ?✞⥲ă‹˛ç§Ťéť ă –é ¤ęŒźď˜śă&#x;žéšŽă…ˇć™Śćżźă ?

in 2016. The workshop still did their best to provide a burden-free

锓⿝莅çş?ăŁ?⾄瀖勞援ĺ™ â?œäŠ›獤ë€żď˜šé›ŠäŠ¨ä‘–äŒŒ⊏⌛鿪暹掚ă‹?姚é¸?⥙铇

opportunities to learn production processes of marble and produce unlike other material, the same piece of marble can have different

乺襽ď˜šäŠ¨âĄ˛ă–ˇă–ˆç—§âœłăŁ”ăťœă–’鼼é?žâœŤâ™˛ăšťă–ˆă–’äŠ¨ä‘–ď˜šâœŤé?‘ă ?ç??ç€–ĺ‹žâ¸ˆ

so it requires more effort and attention while processing it.� Thus,

â´•â?§âœŤč?ˆäŠšćś¸éŒšë&#x;Šîš‰՚䧎ă€Ťĺƒ˝âš›âŚ?ăź­čˆĄéƒ?ď˜šęŤ™ä Žâ˘ľč?ˆăŁ?č?ˆć?­ď˜ˇŐşâžŽ

This was the main theme explored at the first edition of the

䧭ç”¨ĺ€´ĺ­—ă•œ 䎃朸ęš™ć§‡ď˜šćŹ´ă…ˇâ&#x;ƒă•¨č° č° é Żç€–ĺ‹ž援ă…ˇć?€âšşď˜šâşŤă‚?č?ˆ

â´•â?§ă ?ă˜—ăŁ?椚瀖✞⥲ă…ˇď˜šâ›łé¨ˆ .PSFOP éŽŁé”¸ăĽśâĄŚăš â­†âš›â°Żęłƒ援ꆀ莅

designers to gather together, to work and explore closely with

äŠ¨ä‘–ĺƒ˝ĺ™˛ć?€ć¤?ăťœ朸ćŠ‡ăžŻď˜šĺ„˜ę&#x;Śď˜śâžƒâ¸‚ď˜śćš&#x;⸂瘞é?Şă˘ľä§­ĺŠĽéżŞę¨ž

éŠ´éŽ™çšżď˜ˇ äŽƒă–ˆă ?갪饝彂莅獤ë€żćśźçˇ„â›˜äž•幣â™´ď˜šâž ćšˆâ¸‚䲿 âŁ˜â™§âŚ?ĺ°?ĺ‰¤é žäşŒ朸ăœĽăš–ç ‡ç‘–äąłç¨‹ď˜šé›Šé?¤éŽ™äŒŒâ™śă€ŤćśŽäł¸ăź ĺ™ ď˜š ĺˆżă–ˆâœŤé?‘ăŁ?椚瀖援醢姿ë ?ä–•âą„éšŽé ¤ćśŽä&#x;?ď˜śä˝–č‘ťčŽ…援â´€ď˜šé†˘é¸¤

㟏䌌䲿âľŒîš‰ŐšăŁ?ć¤šç€–â™śâŤšĺŠ 깧䧴Ⰼ➎勞颜ď˜šă šâ™§ă?†ăŁ?椚瀖剚

ă””ć?€ĺ°?ç?Žé¸ ä?žčŽ…ĺ€°ă ˘â™śă šç˝œ鎿ç‚˝â™śă šď˜šé¸?ĺƒ˝ă–ˆâ&#x;¤âĄŚâ¸ˆäŠ¨â™łéżŞ

C H 1: H ow We Began

Moreno frankly answered that “Usually cost is still main

ꨞéŠ´ćšśâ´˝ĺ˛¤ä ‘朸ď˜ˇŐşă””姽é?¤éŽ™čŽ…醢鸤朸䎂邂ë&#x;ŠčĄ†ă–ˆă†­îšŽ䧭ć?€ â´˛ă”?Őľç ‡ç€–鸤ćš&#x;ŐśäąłéŽŁćś¸ę…žéŠ´âšşę˛—ď˜ˇ

.PSFOP é“žâ˝“äŹ˜äŹ˜ĺ°?ĺ‰¤Őľç ‡ç€–鸤ćš&#x;՜〳雊é?¤éŽ™äŒŒçżšę§Œâ™§ă›”ď˜ś âš›ĺ‰¤ĺ Ľĺ‰šé¨ˆé†˘é¸¤ç•Žâ™§éĽąç­?ăş™äŠ¨âĄ˛čŽ…ç ‡ç‘–ď˜šŐšâĄŽäŠ¨âĄ˛ă–ˇćś¸çŠĄĺ‹˛

äŠžĺƒ˝é†˘é¸¤čŽ…é?¤éŽ™溍姝ăŁ?ę†€ĺ˝˜é¸’朸ę&#x;š㨼ď˜šę§ąĺ€°äĽ°âĽƒä­°ăş™â´—č€˘ 粯պ➎ę&#x;šć˘–ç–Žă–’é“žéŠ´ćšˆă€łč…‹â™śĺ€ŹŐšé?¸ç„ĽŐşé†˘é¸¤ăźŹäŒŒâŚ›ď˜šä¨ž ĺŠ?ä–Š朸é?¤éŽ™čŽ…援ĺ™ â°&#x;揰äŠžă€łč…‹ă–ˆĺŠ˘â˘ľĺŽĽâ™§ăŁ”朎揰ď˜ˇ

beginning of frequent communication between manufacturers and

3BUUJ 鎣锸é?¤éŽ™ď˜šâ™śĺ„˜â›łčŽ…é†˘é¸¤ăźŹäŒŒĺ˝˜é¸’é†˘é¸¤â™łă€łč…‹ĺ‰šç„ĽâľŒ朸ă‰?ę˛—ď˜š

necessary to constantly discuss with technicians from SRDC, so

čŽ…ę¨žĺŽ â›“ä–•ď˜šęŚ‘â˝°ă¸žäą–卌âŚ?âžƒâľŒéť ă –朸䊨䑖彋⪔勞俲ㄤę&#x;š㨼䊧ĺžşď˜ˇ

in the near future.�

掚ĺ„˜ď˜šéŠ´äľťă–ˆâ°?㣔Ⰹ㸤䧭ⴲ姿é?¤éŽ™䊧ĺžşď˜šăźŠé?¤éŽ™čŽ…醢鸤â°?倰⢾铞鿪 ĺƒ˝ćšąćŽšăŁ?朸䎋䨞

and technicians from SRDC. They insured each designer was polished and capable to be produced under the limitation of the stone manufacturing processes in the following few days. This was a great challenge for both the designers and 7

manufacturers!

5

9

6 8

3_ GIOTTO / Moreno Ratti

4

4_ SPLIT MARBLE COLLECTION / Chia-Ling Chang 6_ SCAPE CUP / Forn-Woei Koong

瀖꾺 ă‚&#x;棇⭑

ㅡ㒂♧〥�兞 㜰繗�

7_ A TABLE SERIES / Chin-Ho Lien 8_ A PIECE OF MARBLE / Hua Wu 9_ JIU-TAO / Kuan-Yu Lin

A TABLE SERIES 鸎⚡ㄤ

ă?†ç€– ă‚&#x;㧄輎 ę‚‹ć† ĺ?Œâą&#x;㸙

12 / 13

5_ SHIH-SHIH / Chen-Yi Wu

ç ś ä“šăšťçť™

Overview of the Stone Industry

Chapter

02

瀖勞援ĺ™ ĺšŒ幣

Before 1980, Hualien marble goods were widely exported to Japan, Europe and America. However, due to global trending policy change, the Hualien stone industry turned to produce building materials, importing large quantities of raw stones and selling processed construction products to China and the local market. Factories that produced marble goods were largely reduced, those that survived cooperated with global traders, and focused on low priced, mass produced products for export. In recent years, real estate market had started to decrease in China and Taiwan. Meanwhile, Taiwan had started to face issues of population aging. We could foresee the collapse of housing prices and related building materials industries coming. With the stone market changing rapidly and constantly, most of Taiwanese stone industry’s machines in operation today are outdated. Also, the industry has long suffered from insufficient

Learning from Stone Processes

manpower, hugely affecting the production capacity. This is the

ă ˘ç€–ĺ‹žâ¸ˆäŠ¨ăˇ¸çť˘

in Taiwan stone industry. However, true to the observation of

most pressing fundamental issue that needs to be addressed Italian marble designer Moreno Ratti, Hualien has all the right conditions for success, and with innovative thinking, it still has the opportunity to take Taiwan’s stone industry to a new era. “Hualien International Stone Workshopâ€? aims to introduce Taiwanese furniture and home dĂŠcor brands. Starting with developing new products, to trigger the cycle of energy between industries, thus bringing real and substantial value and brand image to both sides. We’ve listed the industry profiles relevant, to help our readers

The history of the Taiwan stone industry cannot be fully described in a few words, but Hualien did have its golden era. Local marble goods were widely exported to Japan, Europe and America. Marble floor tiles or furniture are commonly found in most households in Taiwan. The industry has declined,

ăŁ?㢾čŽ…ă•œâ°‰饏ĺƒ’ă‰‚ę‚‚ă –ď˜šâ&#x;ƒę†€âľ–â­†朸㢍ęŒźć?€âšşď˜ˇé?ąâ ŽéľœäŽƒ ä’Šĺ‹žĺ™ ă„¤ä¨źä‹‘ĺ…žĺ­ľď˜šâŤšä¨źă–’援é¸?겳â&#x;ƒčŽŠâŤˆéŁ‘éĄ ď˜śă”œç?Žć‹°âĄ˛ď˜ś

颪â´€ć ˝âľ„朸âŤˆ⚥ă˜—獤ć†˜ĺž¸ä’­ćšĄâľšĺ§ťč´–ĺ€´ë„žä‚žď˜šâĄŽâ ŽéŽ™

äŽƒä–•ď˜šă””ć?€âžƒă€ĄçŠĄĺœ“ă„¤âšĽă•œä˜°é¸ čŽŠâŤˆĺ˛™ĺą âť‹ä•§ę° ď˜šă€ľćŠ“䨟 ⭆ㄤ䒊勞援ĺ™ ă€łč…‹ĺ‰šęŹ—č?†ä„śćš?ď˜ˇ

ꏗ㟊ç€–ĺ‹žä‹‘ăœĽćś¸ćž–äœ‚č ?éšśď˜šă€ľćŠ“ç€–ĺ‹žĺ™ ćšĄâľšćŹ°ćŹ´çŽ â™łćś¸â¸ˆ äŠ¨ĺ Ľâ°¨ă˘ľäž¸ç˝‰čŽ?ď˜šăź&#x;â™śâľ„ĺ€´ä‹‘ăœĽç•šć˜°ď˜šâ¸ˆâ™łę&#x;€ĺŠ?硄䊨ă‰?겗 ä•§ę° ď˜šâ˝°â¤‘éŽŽă‹˛ĺź‰č?›ď˜šćŹ´č…‹⽿ć?‚ĺ˛ âŁ˜估ď˜šé¸?ĺƒ˝ćšĄâľšă€ľćŠ“ç€–

ĺ‹žâ¸ˆäŠ¨ćŹ´ĺ™ ĺ‰“ć?€éś—â´—ꨞ銴é?‘寚朸㛇劼ă‰?ę˛—ď˜ˇâĄŽé“‡㼜çş?ăŁ?âľ„ ăŁ?椚瀖é?¤éŽ™äŒŒ .PSFOP 3BUUJ éŒšăťŒď˜šă€ľćŠ“č”…č§’ç€–ĺ‹ž援ĺ™ 朸ă ? ę°Şĺ“­â&#x;?ćśźâŞ”ď˜šă€ŤéŠ´â¸ˆâ°…âśžĺ€ž朸ä™źçŹžď˜šćšąćŽšĺ‰¤ĺ Ľĺ‰šäŞŒ鹲〾抓 ç€–ĺ‹žä‹‘ăœĽă˝ˇâš´ď˜ˇŐľç ‡ç€–鸤ćš&#x;ŐśĺŠ?劆㟏Ⰵ〾抓⪨⼥㚝ꡇ朸援 ă…ˇé?¤éŽ™äŒŒď˜šâŻ“䖰ㅡ晌㉂ㅡę&#x;š朎⥲ć?€鼹㨼ď˜šéšŽç˝œäŒ&#x;âš›援ĺ™ â›“ ę&#x;Śćś¸č…‹ę†€ä—…ćŠ‡ď˜šăťœ颜ć?€꧹倰äŒ&#x;⢾援⧊莅ㅡ晌䕎é&#x;?ď˜ˇ

䧎⌛䞎ć¤šâ´€â™´â´Şă€ľćŠ“ç€–ĺ‹žčŽ…â¸ˆäŠ¨äŞŽé Żćś¸ć¤?幣â´•ĺ?€ď˜šâ¤‘倴隥 ç˝?ä˜°é¸ ć¤šé?‘援ĺ™ ćŠ‡ăžŻčŽ…ĺ‹ž俲ꣳ⾖

〾抓➲揰瀖ç??ć?€ŐšăŁ?ć¤šç€–Őşď˜śŐščˇ‘ç§™ä€ľŐşď˜šâ°ŚâšĽăŁ?椚瀖

âŁœç‡´âźŚĺ‰¤ćśŻď˜śćŠŤď˜śëžąâ›“â´•ď˜šć?­ç˝œęŚ‘燴彂ĺ?Ťç•Ťä§´ç‡´ĺĽšę¨ˆâ&#x;ƒăž? ä’‚朸ă”ŽăžŻď˜šĺŠĽă–’援瀖ç??姝顡äŽƒéťƒĺšžâšĽď˜ˇ

䨞â™śă šď˜šĺŤŚäŽƒâ­†ĺ‘”â›łĺ‰šĺ‰¤ĺ˛šâš›ď˜šé?¤éŽ™äŒŒäŽ‹éź‡援ㅡ䨞⢪揽朸

marbling colors of white, grey and black differ depending on the mining area. With the depletion of mineral sources and boundaries in mining rights, the production of local stones has been decreasing year by year.

Taiwanese people’s daily life.

stone as building materials, however the cost is higher than locally

〾抓âŻ?小朸é?¤éŽ™č…‹ę†€ď˜šä§ŽâŚ›ĺŠ?劆⹄♧匄ăź&#x;瀖醢援ㅡꅞ倞äŒ&#x;ă”?ă€ľćŠ“ĺ‚ˆäŒ˘ćŽšâšĽď˜ˇ

č° ă…ˇî™ˇęŹŒĺŒ˘ĺ‹ž겳朸醢鸤䑖⾹ăŁ?ę†€ç°Žĺšžď˜šč?›âž›㜸掆♴⢾朸

1. Taiwan currently produces “marble� and “serpentine�. The

2. Since the 1980s, Taiwan has begun importing large quantities of

ĺ‘˛ĺ–ąâłłď˜śă–’ç…´ç˜žď˜ˇć¤?ă–ˆ朸瀖勞醢ㅡ囙兞ꧪâ™śâą„ď˜šâĄŽ顴éş•ć¤?ĺ‰¤â¸ˆäŠ¨äŞŽé Żď˜šâĄ â&#x;ƒ

č?ˆ姽čŽ…ć–Šä’Šĺ™ ĺ…ž孾援揰ë„žä?žęĄ č€˘ď˜ˇç˝œ➲劼⥼剓ăŁ?㸝朸瀖勞

č?ˆ äŽƒâžżâ&#x;ƒ⢾ď˜šă€ľćŠ“ăŁ?ꆀ階〥瀖勞⥲ć?€ä’Šĺ‹žď˜šĺ…œéş’⢾

energy, we look forward to once again bring stone products back to

âžżď˜šăŁ?ꆀ劼㖒援朸ăŁ?ć¤šç€–é†˘ćŹ´ă…ˇă˘ŤęŒźĺ§˜皥ĺ‚ˆď˜šăšťăšťä¨Šä¨Šâ›łĺ…œéş’ă–’䚊剤ăŁ?椚瀖

çœĄĺ‹ž俲朸醢鸤⚛階〥ăŁ?ꆀ➲ç€–ď˜šâ´€ă€Ąâ¸ˆäŠ¨ä’Šĺ‹žâľŒâšĽă•œď˜šâ›ł

quickly understand the industry and their material restrictions:

but through basic knowledge of the processing techniques and rich design

〾抓瀖勞援ĺ™ 朸ĺ¨œă€ˇâš›ęŹŒç€Šç€ŠäŽ™ćś°ăśśă€łâ&#x;ƒ㸤䞎䲞霤ď˜šâĄŽč”…č§’ç„ˇăťœĺ‰¤éş•ëž”ę†„äŽƒ

㢍ęŒźâľŒĺ‚ˆĺŠĽčŽ…ĺ§˜皥ď˜šć™‹ä–•ęŚ‘襽ă•œ꼚äž•âš´éšśéź„ď˜šéą˛ă ˘çŤ¤ć–Šä’Š

sourced materials. Stone prices can be vary depending on the stone type and tend to be fluctuated yearly.

C H 2: Le ar ni ng from Stone Processes

as China had built up, their own production settled, and the

äŽƒâ›“âľšď˜šă€ľćŠ“č”…č§’ç€–ĺ‹ž援ĺ™ ăź&#x;ăŁ?ꆀ劼㖒援ăŁ?椚瀖醢ㅡ

é“žď˜šéšŽă€Ąç€–ĺ‹žâ­†ĺ‘”卲鼹劼㖒援瀖勞⢾ä–¤ë„žď˜ˇâ­†ĺ‘”é‹•ç€–ç??剤 ç€–ĺ‹žĺ„˜ď˜šă€łčŽ…é†˘é¸¤ç•ŽâŻ“é ¤éŽŁé”¸ď˜šâ&#x;ƒâŁ˜éĄŠď˜śâ­†ĺ‘”ç?˝ăš 朸瀖勞 ć?€âŽ›âŻ“ç˝Œę†€ď˜ˇ

éş•⿥〾抓瀖勞援ĺ™ 㢾čŽ…ć–Šä’Šĺ™ ę‚‚ă –ď˜šä§´â&#x;ƒă‹˛â™§ç€–ĺ‹ž⥲ć?€

援ă…ˇâž˛äż˛ď˜šă””姽♜䚲ę&#x;€äşŒâ&#x;¤ćŽŻĺ‹ž颜䞎ă –朸éŒŹč’€ď˜šč•°ĺ‰¤ćŽŻĺ‹ž 颜ę‚‚ă –ę¨žĺŽ ď˜šć?‚é”¸ĺƒ˝ă˘Ťĺ‘Ľä§´ăś°ĺłŻď˜šä’Šé™žé†˘âĄ˛ĺ˘žⰨ䲿âŁ˜çŞ?瀖

ĺ‹žä‘–ă‰‚ď˜ˇâš›âš‚ă””ę&#x;€â›‰â&#x;ƒ⢾ă€ľćŠ“ç€–ĺ‹žâ¸ˆäŠ¨äŞŽé Żâž â&#x;ƒăŁ?ă˜—ĺŒ˘ĺ‹ž ć?€âšşď˜šć?‚é”¸ĺƒ˝ĺ Ľâ°¨ä§´äŒŒ⊏䊛䊨朸醢⥲礜ä?žăźżĺŠ˘č…‹麨âľŒꤲ捙 䧴ă?–俲é†˘ă…ˇćś¸ă›‡ĺ˝‹ď˜šć¤?é ¤ćś¸é?¤éŽ™꼣媯âž ꨞéŠ´â´Şâ°…ç˝Œę†€掚âšĽď˜ˇ

3. In recent times decades, Taiwan’s stone manufacturers mainly produced construction material, and mostly used single types of stone as final products. Therefore, they are lacking the experience to integrate different materials. We strongly suggest providing a profile gauges to manufacturers if design requires to assemble stone with other materials. In addition, tolerance is another issue, designers would need to be careful with, depending on what type of manufacturer they are working with, we should expect this situation to improve in the near future through further 14 / 15

cooperation.

Process of Stone Manufactoring ç€–ĺ‹žâ¸ˆäŠ¨äŞŽé Żĺ´ŠçŽ‘ă•Ź

C H 2: Le ar ni ng from Stone Processes

A-1 Giant Circular Saw ăŁ?ă˜—ă•Šćš?ꎿ The giant circular saw is the common tool for cutting raw rocks into machinable material. It’s also the essential process for defining the datum surface for further processing. The leftover rock skins are also popular for interior use nowadays. The size of the circular saw for giant stone cutting varies, the outdoor model can process rock up to 30 tons, and the indoor model can cut up to 5 tons, and the size can be customized. ăŁ?ă˜—ă•Šćš?ęŽżĺƒ˝ç€–ĺ‹ž➲ç‡´äžŽäż˛äŒ˘ćŹ˝ćś¸â¸ˆäŠ¨ĺ Ľâ°¨ď˜šćŹ˝â˘ľăź&#x;➲燴鄪ⴗ 䧭ĺ€°ĺ§ťćś¸ä•Žćœœď˜šă šĺ„˜ăš çş?â´€ä–•çłľâ¸ˆäŠ¨ćś¸ă›‡ĺ˝‹ęŹ—ď˜šâ&#x;ƒâľ„Ⰼ➎䖕糾

â¸ˆäŠ¨ćś¸éšŽé ¤ď˜ˇăŁ?ă˜—ă•Šćš?ꎿ鄪ⴗ㸤䧭ä–•䨞✌♴朸瀖勞韚俲ç?–⛓ć?€ 瀖桟ď˜šéľœäŽƒâ›łé„„ăŁ?ꆀ估揽ĺ€´ç‘ ę&#x;Śé…¤ęˇ‡â™łď˜šâłźęł?瀖勞➲㨼ęŹ—é —ď˜ˇ

Stone is an uneven, hard natural material. Each type of stone has its own mechanical property and need to be treated differently. In this chapter, we have organized a simple chart including different stone manufacturing processes; from mining, cutting, sheet material & 3D object processes, and 6 different common surface finishings. Each process has its own code linked to the further introduction in following pages. Through this information, we hope to assist designers to have better understand of how to design a stone product within ideal cost, with the right finishings.

♜㠚倴㖳颜朸ꆄ㿂勞俲ď˜šç€–ĺ‹žĺƒ˝â™§ç??獤éş•ę&#x;€ĺ„˜ę&#x;Śĺ°Žç?Ž揊č?›éšśé˘śćś¸â™ś 㖳颜勞俲ď˜šé¸?âŚ?éş•çŽ‘â›łé¸¤ă˝ âœŤć Źćšśćś¸ăŁ”ć?­ç§™ć¤šď˜šâ›łĺƒ˝éź‡ĺ‹žâ™łę¨žéŠ´ćšś ⴽ岤ä ‘朸ď˜šâ&#x;ƒé?Şă˘ľâžƒä ŚćŹ˝ćś¸ăŁ?椚瀖ć?€⢿ď˜šé„­ç§™ĺ„˜äŒ˘ĺ‰š朎揰ă–ˆâ™śă šę˛? č’€朸â?œäąşč´–ď˜ˇĺ§˝ă˘Ťç€–ĺ‹ž颜ă–’ă›šç‚˝ç˝œč…›ä“łď˜šă””姽ă–ˆ援ă…ˇćś¸éźšéŒŹä’Šé™žé?¤ éŽ™äŒŒâ¸ˆâ™łäżˇéŒŹä§´ă•ŠéŒŹď˜šęŁŽâĄœéźšéŒŹä„śé„­ćś¸ę´?ęŚ–ď˜ˇ

劼畎çœ?ăź&#x;〾抓瀖勞援ĺ™ ĺšŒ幣čŽ…â¸ˆäŠ¨ĺ´ŠçŽ‘䞎椚䧭ă•Źé‚?ď˜šä–°ç‡´ăœĽę&#x;š买➲ ç€–ď˜śäžŽäż˛ď˜šâą„â´•ć?€ĺŒ˘ĺ‹žâ¸ˆäŠ¨čŽ…掯ă˜—î™ˇâ™˛çŹžćš&#x;â&#x;?î™¸â¸ˆäŠ¨ď˜šĺ‰“ä–•ĺƒ˝ç€–ĺ‹ž é‚?ęŹ—č´–ć¤šď˜šĺŤŚâ™§âŚ?姿ë ?鿪剤玥焺㟊估䖕糾朸⸈䊨ç&#x;Śâž?ď˜šĺŠ?劆腋雊é?¤

瀖勞㚔Ⰹ㟭é?¤âŞ”⾹ꣳę…ž ă‘™â&#x;ƒâ™´ď˜šă˝Żăź„âŁœăš?䭸㚠é„Şâ´—ď˜ˇ

Processing Accuracy: Electric Machine Control Tolerance Method: + 2~5mm Processing Equipment: Circular Saw â¸ˆäŠ¨ç¤śä?ž 겳卲䒭乞⾖㚠⥙ äŠ¨ĺ˛ â°—äŠ´ _ NN â¸ˆäŠ¨ĺ Ľâ°¨ ă•Šćš?ꎿ

Shin-Ying Enterprise Co., Ltd. ꚙ槇â&#x;ąĺ™ 肆â&#x;¨ĺ‰¤ęŁłâ°—ă €

03-852 6326 / 03-852 6336 No. 102, Nanhai 2nd Street, Ji’an Township, Hualien County č”…č§’ç°–ă —ă¸žę€€âž‹ă¸žĺ‹ â˝‚ĺľłâœłé ł č´Ť

16 / 17

éŽ™äŒŒâŚ›ĺˆżâœŤé?‘㼜⥌éşŒ揽㟊朸â¸ˆäŠ¨äŞŽé Żâ˘ľĺœ“ä™źč?ˆäŠšćś¸ćŹ´ă…ˇď˜ˇ

瀖勞䞎俲â&#x;ƒę…žę†€â´•겳â¸ˆäŠ¨ćś¸ĺ€°ä’­ď˜šä¨Šă˘ŤăŁ?ă˜—ĺ Ľă€ľęŁłę…ž ă‘™â&#x;ƒâ™´

C H 2: Le ar ni ng from Stone Processes

D-1 Finishing (Polished) �ꏗ贖椚 ⯕ꏗ

C-2.3 CNC 䞸âĄ™äąžâľ–â¸ˆäŠ¨ę‹łäŽŻ

D-2 Finishing (Honed)

é‚?ꏗ贖椚 â??⯕ꏗ

C o m p u t e r n u m e r i c a l c o n t ro l ( C N C ) i s t h e a u t o m a t i o n

Wet polishing is a basic finishing treatment, with air-powered

of machine tools by means of computers executing pre-

polishing tool or manual polishing machine. Different numbers

programmed sequences of machine control commands. With

correlate to the roughness of abrasive materials that will

CNC, the milling process can accurately shape the material to

directly effect the gloss level.“Polished finish� provides a shiny

desired 3D shape.The most common CNC stone mills model

surface, with almost no porosity and brighter appearance,

in Taiwan is 3 axes. The cost of this service is relative high and

while improving resistance. “Honed finish� provides a matt

can be time consuming. Its more likely use is for prototyping

look, with or without reflection of light.

or customized works. ꨜčˆĄäž¸â§Šäąžâľ–â¸ˆäŠ¨ $/$ ä ‘ä­¸éşŒ揽䞸âĄ™ä’Šĺž¸ćś¸ĺ€°ä’­ď˜šéˇ´éş•éşŒçšż

瀖勞ĺŽ?熌ć?€ç€–ĺ‹žä‘–äŒ˘é‹…朸é‚?ęŹ—č´–ć¤šď˜šäŒŒ⊏éşŒ揽䊛䭰孾⚛䊧熌䊨

ĺ‹žâ´—âľľâ´‰â°¨éšŽé ¤ç¤śĺ˝‹朸ç€–ĺ‹žâ™˛çŹžâ¸ˆäŠ¨é†˘âĄ˛ď˜ˇ

援ㅡ朸é‚?ꏗ⯕ä?žď˜šč•°ć?‚ćšśĺŠŒę¨žĺŽ ď˜šé¸’äŒ˘â¸ˆäŠ¨č?›âŻ•ęŹ—ď˜šę¨žéŠ´äŽ‚âŻ•

Ⱘ䧴ĺŽ?ç†Œă€ľăźŠç€–ĺ‹žé‚?ęŹ—éšŽé ¤äŠ§ç†Œď˜ˇâ™śă šĺŽ?ç†Œć™š贍䞸磧稣剚䕧ę°

鎿ë„“ăź&#x;ĺž¸ă˜—鹲äł–䧭 $/$ â¸ˆäŠ¨ĺ Ľâ´‰â°¨é¨&#x;ä–œçŽ‘ä’­ď˜šâš›侊ę‚‚éť ă –朸瀖

䧴Ⰼ➎é‚?ꏗ磧缴ä?žă€łčŽ…â¸ˆäŠ¨ä‘–âźżé”…ď˜ˇĺŽ?熌é?¤âŞ”朸韇揽âŁœäŠ¨â&#x;?ăŁ? ăź­ç˝œăš ď˜šâ™§č?› ⛨â&#x;ƒ â°—â´•â&#x;ƒâ™łęŹ—ç?Žâ›“ĺŒ˘ĺ‹žĺ‰š揽ĺŽ?ç†Œă€ľéšŽé ¤

ă–ˆă€ľćŠ“ç€–ĺ‹ž $/$ ꋳ䎯ăŁ?㢾䞸ć?€â™˛éŻĽâ¸ˆäŠ¨ď˜šĺŚ?éšŽé ¤ $/$ â¸ˆäŠ¨âľš

锞⚥䗳⯓莅䊨䑖é?ąâ Žâ¸ˆäŠ¨ćś¸ă€łé ¤äš?ď˜ˇ$/$ 朸鎙⭆倰䒭㢾â&#x;ƒâ¸ˆäŠ¨ ĺ„˜ę&#x;ŚéŽ™çšżď˜šă””ĺ§˝éť ćŹ˝ĺ€´ăźąę†€ăš?é†˘ď˜śćŹ´ă…ˇäŠ§ĺžşčŽ…â¸ˆäŠ¨âľšćś¸çŁ§čƒźä§­ ă˜—ď˜ˇ

Processing Accuracy: 0.001mm Tolerance Method: Âą 1mm Processing Equipment: Three Axial CNC Milling Machine, Customized Diamond Tools â¸ˆäŠ¨ç¤śä?ž 㚠⥙礜ä?ž NN äŠ¨ĺ˛ â°—äŠ´ p NN

ç ‡ç†Œď˜šăź­ęŹ—ç?Ž䧴韚éŒŹäŠ§ç†Œâľąâ&#x;ƒâžƒäŠ¨ĺ€°ä’­éšŽé ¤ď˜ˇ

é żă•°ĺ˛ âžƒç€–ĺ‹žĺ†¸éĄťĺ˝‚援ĺ™ ç ‡ç‘–朎ăž?⚼䗹 03-842 3899 No.534, Sec. 1, Nanbin Rd., Ji’an Township, Hualien County 蔅角簖㠗㸞ꀀ⽂憺é¨&#x;♧媯 č´Ť

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Processing Accuracy: Unable to position Tolerance Method: Âą 2mm Processing Equipment: Pneumatic Tools, Stone Polishing Machine â¸ˆäŠ¨ç¤śä?ž ć?‚ĺ˛ ăš âĄ™ äŠ¨ĺ˛ â°—äŠ´ p NN

â¸ˆäŠ¨ĺ Ľâ°¨ äŠ›ä­°ä’­ĺ­ľâš›äŠ¨â°¨ď˜śĺŽ?ç†Œă€ľ

Chia-Thai Marble Co., Ltd. ㎗㣖â&#x;ąĺ™ 剤ꣳⰗ㠀

03-852 7737 / 0935-907 034 No. 203, Nanhai 1st Street, Ji’an Township, Hualien County č”…č§’ç°–ă —ă¸žę€€â˝‚ĺľłâ™§é ł č´Ť

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â¸ˆäŠ¨ĺ Ľâ°¨ â™˛éŻĽäž¸âĄ™äąžâľ–â¸ˆäŠ¨ę‹łäŽŻď˜śéŽŽé†˘ęš˝ç€–â´‰â°¨

Stone & Resource Industry R&D Center

Chapter

03

Sustainability and Innovation: Challenging Taiwan Stone Industries’ Limited and Possibilities 䒂糾莅✞倞 䎋䨞蔅角瀖勞援ĺ™ 朸ꣳ⾖莅〳腋äš?

C H 3: A nd, What We Di d i n 2017

And, What We Did in 2017 ĺ€´ĺƒ˝ď˜šä§ŽâŚ›ę&#x;š㨼ç ‡ç€–鸤ćš&#x;

Recalling the preparations and workshop in 2016, SRDC found that even if the 6-day workshop brought designers together, the communication between design and manufacturing was still insufficient. This year, with referral from Blancor, SRDC collaborated with Studio Shikai, led by curator Shikai Tseng, to organize the “2017 Hualien International Stone Workshop�. From the first year, which was only focused on design, we extended to the development of possible cross-industry business collaboration.

The first collaboration between the two industries created a high level of discussion in the Taiwanese design industry. Therefore, we went on to the 2nd “Hualien International Stone Workshop� this year. We not only considered this from a designers point of view, but also focused on the branding, and how to operate it as a business. This brought a winwin opportunity for both designers and stone processing firms, as well as plans to establish this influence internationally within the next 3-5 years.

The whole new plan started from Apr. 2017, the team brought the owners of stone industries from Hualien to Taipei to visit the Creative Expo Taiwan. Through 2 days guidance from Shikai Tseng, he introduced how other industries evolute to current stage, and invited Taiwanese home dĂŠcor brand JIA and TOAST to share insights in product development as well as marketing related experiences, let the stone industries start to

銎ⴀ騗歲㠖⥲朸ç—§â™§ĺ§żď˜šă–ˆă€ľćŠ“é?¤éŽ™ă•–ä’¸éĽąćŒĄę´?č?›朸ć”¨é™žď˜šâ›“ä–•ĺ€´ĺƒ˝Őľç ‡

connect with new world they will join in the near future. Fast-

äŒŒéŒŹä?žä™źç˝Œď˜šç˝œĺƒ˝ăĽśâĄŚé›ŠŐľç ‡ç€–鸤ćš&#x;Őśă…ˇć™Śâť‹ď˜śäŞŞâ´€ă‰‚ĺ™ ĺž¸ä’­ď˜šäŒ&#x;⢾é?¤éŽ™

introducing the project to the design industries. Intellectual

ę&#x;Śćś¸ä•§ę° â¸‚ď˜ˇ

designers, manufacturers and SRDC, also been drafted and

瀖鸤ćš&#x;Őśéľ”âœŤâ˘ľâœłă”?暥ď˜ˇä’‚çłľ 䎃䨞㤎â™´ćś¸ă›‡ç€–ď˜šä§ŽâŚ›â™śă‹˛ă‹˛ä–°é?¤éŽ™

forwarding to June, a “Design Briefing Session� was held for

äŒŒčŽ…ç€–ĺ‹žâ¸ˆäŠ¨ä‘–朸꧹飡ă¤?ĺ Ľď˜šâš›é‹Šâˇ”ĺŠ˘â˘ľ Ö‰ 䎃ę&#x;Śä’Šç”¨ç ‡ç€–鸤ćš&#x;ă–ˆă•œ꼚

property, exhibition authorisation and other rights among discussed during the meeting.

ă”?ęłƒŐľ ç ‡ç€–鸤ćš&#x;ŐśçĄ âŞ”ĺ¨œçŽ‘čŽ…ĺ´žâš›ă›‚é ¤ď˜šç€–饝⚼䗹朎ć¤?

⽰⢪äŠ¨âĄ˛ă–ˇçżšę§Œé?¤éŽ™äŒŒâ°™ăŁ”朸ĺ„˜ę&#x;Śď˜šé¸?âŚ?鸎乺é?¤éŽ™čŽ…醢鸤⛓ę&#x;Ś 援揰朸㟊鑨➠ęł?ä–¤â™śé§ˆď˜ˇă””姽âž›äŽƒă–ˆ #MBODPS ä’¸čŽ„â™´ď˜ščŽ…ç˜źăž?

âžƒĺ‰Žć“łâłŻä¨žćĄ§ęą†朸 4UVEJP 4IJLBJ ę&#x;š㨼վ ç ‡ç€–鸤ćš&#x; 蔅角 ă•œ꼚瀖勞é?¤éŽ™äŠ¨âĄ˛ă–ˇŐśćś¸é‹Šâˇ”čŽ…ă›‚é ¤ď˜šä–°çżšć?‹ă–ˆé?¤éŽ™â›“â™łď˜šâž› äŽƒĺˆżčĄ˝ę…žä’‚⠽䏪ăž?č?›é¨—援ĺ™ 朸ă‰‚ĺ™ ă –⥲〳腋äš?ď˜ˇ

➛䎃朸䞎넓鋊⡔䖰 剢ę&#x;š㨼ď˜šăź&#x;蔅角瀖勞援ĺ™ 朸ĺ™ âšşâŚ›äŒ&#x;ä–ƒă€ľ âť?⿎éŒšŐšă€ľćŠ“äż’â˝ˆĺ‰šŐşď˜šéˇ´éş•ĺ‰Žć“łâłŻćś¸ăźŹéŒ’é“žĺƒˆď˜šăťœ꼚雊䊨䑖

ç•Žćş?é‹…ă€ľćŠ“äż’âśžă…ˇć™Śĺ§ťéĽĽă–ˆâžŠëžƒĺžşćś¸éşĽé¨&#x;â™łď˜šâš›ă¸žäą–ă€ľćŠ“➲✞ ⟧䎃獤ĺ¨œ朸⪨㞀ㅡ晌 +*" 莅 50"45 â´•â?§ă‰‚ă…ˇę&#x;š朎ĺ¨œçŽ‘čŽ…ä‹‘ăœĽ

ęŒźăˆ’ď˜šé›Šéş•⿥」剤莅饏ĺƒ’ă‰‚ă –⥲朸ç€–ĺ‹žĺ™ ç˝?ď˜šćśŽäąĄčŽ…ă…ˇć™Śď˜śé?¤ éŽ™äŒŒă –⥲朸〼♧ç??ă€łč…‹ď˜ˇęŹ—㟊é?¤éŽ™äŒŒâľąĺ€´ 剢鋊⡔՚é?¤éŽ™é“žĺƒˆ

ĺ‰šŐşď˜šę¤‘âœŤäŽ‚é‚‚é?¤éŽ™äŒŒď˜śäŠ¨ä‘–莅瀖饝⚼䗹♲倰弚⾄çş?⚥㢍ď˜šâ›ł

ĺ€´é ¤âľšăź&#x;ă€ľćŠ“ç€–ĺ‹žâ¸ˆäŠ¨äŞŽé Żâž?稲莅ꣳâľ–é†˘âĄ˛Őšç€–ĺ‹žé†˘çŽ‘äŠ›âą Őşď˜š ă–ˆäŠ¨âĄ˛ă–ˇâľšâŻ“é ¤ä’Šç”¨ăźŠç€–ĺ‹žé†˘é¸¤ćś¸ă›‡ç‡Šé’˘é™?ď˜ˇ

Őľç ‡ç€–鸤ćš&#x;՜⍚ĺƒ˝â™§äŠ?ę&#x;Œď˜šé›Šâ™śĺ‰Žä–ƒ⢾朸â°?âŚ?援ĺ™ ăž?ę&#x;šç—§â™§ĺŚ„ éŚ„éľœé¨…ę¨†äąşé?¸ď˜šâš›䲿âŁ˜ă€Ľă˘Ťâ™§âŚ?é‹•éŒŹď˜šé›Šć?‚é”¸ĺƒ˝äŞ?ć€ľäŞŽé Żç•Žé¸Ž

犥朸瀖饝⚼䗹䧴é?¤éŽ™äŒŒâšŽé¸Žćś¸ 4UVEJP 4IJLBJď˜šéżŞćş?é‹…âœŤĺŠ˘ă¸¤ćś¸

â¸†é“­ď˜ˇĺŠ˘â˘ľď˜šä§ŽâŚ›ĺŠ?ä–ŠŐľç ‡ç€–鸤ćš&#x;՜溍姝障䧭♧âŚ?꧹㠢ĺ˝˜é¸’čŽ… ă –⥲朸äŽ‚ă€ľď˜šé›Šé?¤éŽ™čŽ…é†˘é¸¤éżŞč…‹ç„Ľä¸­â´€ĺˆżă˘ľćś¸ă€łč…‹äš?ď˜šă–ˆâš†ć­˛ 朸莝〾♳雊〾抓ăŁ?椚瀖é?¤éŽ™é†˘ă…ˇâ™śĺ€ŹćśŽâŻ•朎ć”¨ď˜ˇ

At that moment, Hualien International Stone Workshop has gradually become a platform, enhance the conversation and collaboration among industries. Through this annual project we truly hope to change the stone industry in Taiwan step by step, scene again.

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and make Taiwan stone industry shine on the international

July 22nd (Sat)

DAY 03

July 24th (Mon)

DAY 05

Think, Talk, and Try! 欴噠錚㻌莅鎣锸

Final stage! 剓穅꬗鑑醢玑鎣锸

The group visited KUANG-LONG Museum. As a pioneer of stone industry in eastern Taiwan, this year. In addition to gemstone processing, KUANG-LONG has also diversified its businesses to include tourism and deep ocean water. This also provided the designers another route to observe the industry onsite. After the tour, the designers took an hour to reflect on

勞欴噠⯓뀝⯕ꥑ⽈暟긭➛䎃僽⯕ꥑ꧌㕰 鹋䎃饥麕⼱涰ꤑ✫桪㼂瀖⸈䊨⛳騗駈錚

W ith the tutorial result from fourth day,

㻜㖒넓뀿〵抓瀖勞欴噠涸〥㢫♧哭騟箁㔐ⵌ

designers to visit the factories to discuss

鏞䗱䖤䧴䲿ⴀ毠㉏莅 .PSFOP 3BUUJ䊨⡲㼭

the final interview for the participator , which

⯕欴噠嵳峕幀㾵宐瘞㢵錬⻋竤斊雊鏤鎙䌌

technicians made arrangements for the

⚥䗱䖕鏤鎙䌌⦛ꆚ㼩麕⿡♧㣔⼱涸欴噠㻜㖒饥

processes and select materials. This was like

穉⿻鏤鎙䧭㆞Ⱏず鎣锸ぐ荈涸錚㻌

would determine whether their designs at this workshop would eventually be produced. Technical feasibility would dictate the fate of

the 1.5 day visit, and propose thoughts and

July 23rd (Sun)

DAY 06

Design for everyone.

To be continued...

鏤鎙涮䟝鎣锸傈

䊨⡲㖷㔐꺈剚陾

drew sketches. After the preliminary designs, Moreno Ratti, Shikai Tseng and technicians from SRDC took stage, and proposed questions and suggestions regarding stone processing techniques, design, and marketing. Through the questions and answers, the designers developed better solutions (or found

溏瀖勞⸈䊨䪮遯鸏ꡠ僽♶僽腋麕䖤⿡✫䖰㷸

㆞鎣锸㹔獵⹛涸❜鸒鮦Ⰹ莅䊨䑖鎣锸植㜥 鿪戴恠衽♧肆筝䓹罜鑠阷涸孨㕠

㖈鏤鎙涮䟝ꥣ媯剤❉鏤鎙䌌用ⵠ䩧Ꟛꨶ舡

After the last trip to the factories for

䧴粭醢䩛珳ⴲ姿㸤䧭虋珳䖕⽓䬘䬘㣐椚

had already chosen processing technique

䒊 % 垸㘗⛳剤鏤鎙䌌獵⹛➮贖鹎遤鎣锸 瀖鏤鎙䌌 .PSFOP 3BUUJ假薊欴ㅷ鏤鎙䌌剎

擳⳯⟃⿻瀖须⚥䗱涸醢鸤㼬䌌ⴕⴽ歋瀖勞 ⸈䊨䪮遯䥰欽鏤鎙莅䋑㜥ꌼ㈒ぐ㾵꬗䲿ⴀ 毠㉏莅䒊陾㖈♧㉏♧瘸涸❜崩⚥⡂⛖鿪䪪

ⵌ刿㥪涸倰呪殹搭⛳䪪ⴀ刿㢵涸㉏겗럊

production meeting, most of the designers and material, but a few designers decided to contemplate more. After returning to the base, a feedback meeting was held for all participating designers, where they proposed new ideas on the overall objectives, structure and direction of Hualien International Stone Workshop, and looked forward to 2018.

♳⼯駵㸤剓䖕♧馫䊨䑖鹎遤醢玑鎣

锸㣐鿈ⴕ鏤鎙䌌鿪对㹁㥪⸈䊨䪮遯 莅瀖勞⡎⛳鼩僽剤♧Ⰽ⡙鏤鎙䌌对

㹁䢩䊨ⴀ稣崞ⱄ㢵䟝Ⰽ㕖♴⼯㔐 ⵌ䖕㿋٥㿋䖕佦✲긭⛓䖕넓䊨⡲ ➃㆞莅⿮莅ㅷ晦ㄤ鏤鎙䌌ꆚ㼩յ 灇瀖鸤暟ն侮넓湡垦莅倰ぢ穡圓䲿ⴀ ♶ず涸倞䟝岁ㄤ䒊陾⛳雊㣐㹻ⱄ劍

䖊 յ 灇瀖鸤暟ն涸ⵌ⢵⡲捀➛ 䎃 㣔䊨⡲㖷涸㼭穡

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more issues).

鑑鸏妄䊨⡲㖷涸鏤鎙僽や腋㣁갫ⵄ欰欴

July 25th (Tue)

DAY 04

walked around to discuss with others, or hand-

勞㼩⿮莅鏤鎙䌌⦛罜鎊鸏♧㣔㽠⫹剓穅꬗

their way to the factories.

executive team, and fellow designers.

right away for 3D drawing, while some others

鎙䌌ⴕꂂⵌ黠ざ涸䊨䑖莅罉꠸鎣锸⡲岁莅鼇

their designs, and everyone was nervous on

questions to discuss with Moreno Ratti, the

Some designers turned on their computers

呏亙⵹♧㣔涸鎣锸穡卓醢鸤㼬䌌㼟嫦♧穉鏤

C H 3: A nd, What We Di d i n 2017

KUANG-LONG celebrated its 50th anniversary

䱺糵衽ꏈ꘮菛涸䊨䑖䊣狲傈♳⼯⢵ⵌ匌鿈瀖

ChiHong

STAND BY ME

Designer Design Director

The marble in this piece can be more low key and closer to people’s daily life instead of being in distance in the glamorous palace. Chihong’s furniture, based on simple design element, wishes to create a laid-back atmosphere in the space. The inspiration comes from the daily life especially in the alleyway where the concrete, the stone and the brick wall are mixed together to support the cloth stand or the flags, etc. These familiar images and structure are transformed into this piece. The marble here plays an important and supportive role but not

Chi-Hong Chuang / 蛅 꾸듳

$IJIPOH 涸ㆹ㷸僽㖈㛇劥涸⸆腋꨾宠♴鷴麕矦㋲涸鏤鎙箁哭 雊⪨⥡㖈瑠꟦⚥荈搭ㄤ镜㖒㶸㖈衽罜鎹䥊酭涸㣐椚瀖籏ⴀ植㖈

钗䓹涸螠뜩嫄㛔䧮⦛䋞劆㸐刿䱺鵜♧菛傈䌢欰崞꣮⡜넞锅

Category

Dimensions

挡罇䠮⿻騅ꨆ䠮㔔姽䧮⦛㼟傈䌢䋀䒚酭䌢字ⵄ欽宐岟䧴煴걧

Coffee Table / 邊桌

(1) L35 X W35 X H45 (cm)

⟝⡲ㅷ♳ⵄ欽㣐椚瀖涸鋕錏莅ꅾꆀ⢵䎂邂鼹呲尝剤㣐椚瀖

Material

⢵琽㔿⿻佅丑刳邆卺偫疊涸兰䢵鱲⻋ⵌյSTAND BY MEն鸏 鼹呲㽠搂岁畀用⛳♶ⱄ㸤侮ꅾ銴⽿⿶♶麕ⴕ涸㶸㖈

(2) L50 X W50 X H40 (cm)

Taiwanese White Marble, Stainless Steel ㄤ䎂涯㣐椚瀖♶ꗄꏈ

Manufacture Heng Chang Stone Co., Ltd. 䛎僅瀖噠剤ꣳⰗ぀

over emphasized as a marble table.

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SALUTE TO MASTER ぢ㣐䌌荜価

Gallery Chuan 瘥繡遯

From paper to stone, Gallery Chuan has used Hualien marble to transform the iconic artworks of Chen T ing-Shih into artistic home accessories. Because of the usage of cane dregs, the prints feature unique cracking effect. Gallery Chuan has linked this unique cracking with the natural pattern of marble. Through the different size of milling and drilling on marble, the color block of print has extent to sculptural object. The works

Designers

are redesigned as vase, mini storage box, and accessories stand.

Project Manager

This presents the passage of visual. 歋秶鬪Ⰵ瀖瘥繡遯㼟谁遯㹻꤫䏭鑘涸植➿䬄韍晝殥穡ざ〵抓

瀖勞遥欰鏤鎙捀欰崞仗⟝Ⱖ晝殥剤衽欥訵匢斊鸤ⴀ栬♧搂✳䄶 鄭佪卓瘥繡遯㼟鸏珏䄶鄭秙騟鸮穡荛㣐椚瀖荈搭秙椚鱲⻋瀖

I-Ting Liao / 䑁 绐㮵 Designer

You-Syuan Chang / 䓹 牃榄

勞⫄窡չꋳ㶰պ䪮岁捀鏤鎙⯋稇㼟晝殥蒀㝆䒂⠽䧭用넓倰㕩

⚛鷴麕♶ず㽯㼄⛓ꋳ㶰⿻㕩䓞ⴕ⶷涸鋊ⷔ㼟鄄鋕倴긅俲⛓㕩叙 ⱄ妄麌欽鏤鎙ⴀ♧禺⴪⡲ㅷ䵩ꂂ䎙⡦ꖖ瑠ꆄ㿂ꂂ⟝䎂꬗晝 殥♧鬪罜䧭蔅㐼縨暟渱귇ㅷ卺㾝植㝆꬗鋕錏涸瑠꟦䲀獵

DAY & NIGHT #10 儿莅㢹 #10

Ting-Shih Chen ꤫䏬鑖 1972

From paper to stone, Gallery Chuan has used Hualien marble to transform the iconic artworks of Chen Ting-Shih into artistic home accessories. The original print “DAY & NIGHT #10”, is a description of daytime and nighttime, that shows the change from light to dark also drives the rhythms of life. Through milling and drilling, the designer has transformed the rest part Category Marble Vase / 㣐椚瀖蔅㐼

Dimensions L26 X W6 X H25 (cm)

Material Taiwanese White Marble ㄤ䎂涯㣐椚瀖

Manufacture Heng Chang Stone Co., Ltd.

With the light form different angle, the shadow shifts among the holes, creating a sense of passage of time. As a vase, the plants here can be seems as a part of work, but also as beyond the original frame of print. 歋秶鬪Ⰵ瀖瘥繡遯㼟谁遯㹻꤫䏭鑘涸植➿䬄韍晝殥穡ざ〵 抓瀖勞遥欰鏤鎙捀欰崞仗⟝յ 儿莅㢹 ն捀꤫䏭鑘⟃蒀䕙 㝆꬗邍植ⴀ㣖ꤿ僈冝撑㼙涸隶⻋✮➃儘꟦刿剐鼄獵涸䠮䝎鏤

鎙䌌鷴麕⫄窡涸չꋳ㶰պ䪮岁㼟յ 㣆㖈ⱺ屎 ն倰䕎蔅櫖醢 ⡲儘䨾ⴗ♴涸⚥꟦㕩叙鿈ⴕ鱲⻋鏤鎙捀յ 儿莅㢹 ն用넓蔅

㐼ꦑ衽⯕箁撑㼙錬䏞涸♶ず㖈㶰峯⛓꟦〳䠮「ⵌ⯕䕧涸䒂 ⠽歋㝆꬗鋕錏瑠꟦涸䲀獵䊫㦫涸箎鸤儘꟦涸䖒⹛䠮⡲捀蔅 㐼俷꬗♳䨾䳄涸蔅虋㖈䧭捀⡲ㅷ♧鿈ⴕ涸ず儘⛳騥膨ⴀ⾲ 㨥晝殥涸呥卺

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䛎僅瀖噠剤ꣳⰗ぀

of “DREAMING IN THE GLACIER #3 - Vase” into another vase.

MARBLE WEAVING 管瀖

“MARBLE WEAVING” is a series of low tables made of offcut materials from normal stone processes. We waterjet cut and seamlessly assemble the fragmented materials with the pattern from traditional bamboo weaving, turn the useless materials into a daily use item. Moreover, this series tells the stories of local cultures, textures, materials and industries. 蔅匌簳靽㔔㖒椚⡙縨⿻欴噠暶䚍 剤鏪㢵瀖勞⸈䊨䖕涸鼹錬俲 㣐鿈ⴕ涸勞俲㔔捀鸤㘗꬗琎♶㸤侮 䨾⟃ꨈ⟃麌欽 ⛳㔔姽㉬涮 ✫䧮⦛涸䟝岁 䋞劆剤佪涸㼟鼹俲ꅾ倞麌欽 䭨䱺䧭捀〳鄄ⱄ妄 ⢪欽涸꬗勞䊫㦫涸麌欽瀖勞兜麒涸宐ⴉ⿻搂簧䭨䱺䪮遯 穡

ざ⫄窡管籽涸䎙⡦齅鱀 㼟㛚炽涸瀖勞鱲⻋䧭厬鮿涸㕬呪鏤鎙 ⟃管籽涸䠑韍䭨顦䧭捀㢵欽鸁涸㸤侮꬗勞 䲿⼮鼹俲ⱄ鄄⢪欽 涸堥桧յ管瀖նⰨ剤畾管鰋渠涸厬鮿㕬垺ㄤ㣐椚瀖勞栬暶涸 琽㔿秙椚 鸮穡㖈㖒涸欴噠ꑙ勞颶⿻蒀䕙 ⫄麨〵抓㣐椚瀖栬 暶涸颶㖒莅俒⻋

PiliWu-Design ゟ孒鏤鎙剤ꣳⰗ぀

Category

Dimensions

Table / 桌几

L70 X W70 X H45 (cm)

Material

Manufacture

Designer

Rojo Alicante Marble, Serpentinite

Chia-Thai Marble Co., Ltd.

Design Director

Taiwanese White Marble, Stainless Steel

銯棵暆秋㣐椚瀖跑秙瀖 ㄤ䎂涯㣐椚瀖♶ꗄꏈ

㎗㣖⟱噠剤ꣳⰗ぀

x2

Pili Wu / 吳 孝儒 Product Designer

Chiu Yen / 邱 彥璋 74 / 75

SWITCH - TABLE LAMP ę&#x;šęĄ ć•š

“SWITCH - TABLE LAMP� is like a pile of building blocks created by kids. The lamp has the mushroom look which builds with the combination of a semicircle and blocks geometric shape. The look has vaguely revealed some of the clues. By rotating the stone, as if exposure to the cell private room with complicated gimmicks. When the lights lit up, it shows table lamp image impressively. It seems like a ceremony when the bright lighting of the living room brought the magic moment.

㼜ă šăź­ĺ‰ŚâżźęŚ‘äŠ›ă›œç€ľâ´€朸ç?ŽĺŠ ď˜šäŽ™⥌ä•Žćœœ朸⟹㕊莅倰ă?†çŠ‰ă –ç˝œ䧭

朸č?“ćœœ鸤ă˜—ď˜šęŚĄç§‰顴ꪍâ?‰çŽ ç¨‹ď˜šéˇ´éş•ĺ ’鹲 䲀ç?ľç€–ă?†朸âš›⥲ď˜šä•ą ä– 縨魨ĺ€´ĺ ĽęĄ ę…žę…žćś¸ăş™ăš”ď˜šćŽšć•šâŻ•â?ŽéĽąćś¸é˝Ąâ™§ęŠž齥ď˜šĺ‘˛ć•šä ‘é&#x;?éĽ&#x; ć?­ęł?ć¤?ď˜šâ­‘ä’­äš?朸㸤䧭âœŤë&#x;Šâ?ŽéĽąăž€ăš”朸ç‰&#x;㣟ć™šâľ ď˜ˇ

䒸揽č?ˆć?­ć­˛ĺ‰“溍ăťœ朸ă–’颜ć¤?é&#x;?ď˜šëžąćśŻćśŻëžąď˜šâ?œćŻ•ă„Ž估襽ăŁ?椚瀖朸

魨⚆ ⟪č ?䎃ę&#x;Śä´°âš›äŞŒ鹲颜éšśď˜šéˇ´éş•äŽ™âŚ?瀖ă?†朸ę?ŤâĄ™ď˜šâ¤‘駈â&#x;ƒé›Š 䧎⌛䗹깆ç‰&#x;ĺ‰šď˜šă–ˆé¸?猺⴪⚼č?ˆć?­čŽ…➃鸤â™§ă šĺœ“çœĄâ´€ĺ‰¤éŚąćś¸ăźŠĺŤ˛čŽ… 㟊é‘¨ď˜ˇ

Pistacchi Design 桟䙟麨㣟é?¤éŽ™ĺ‰¤ęŁłâ°—ă €

Designer Design Director

Mike He / 饭 âž‹ćŚ?

Category

Dimensions

Table Lamp / ĺ‘ąć•˜

(1) L11 X W16.5 X H18.5 (cm) x 2 (2) L10 X W18 X H30 (cm) x 2

Material Taiwanese White Marble, Taiwanese Black Marble Steel Plate, LED

ㄤ䎂术ăŁ?ć¤šç€–ď˜śă„¤äŽ‚ëžąăŁ?ć¤šç€–ď˜ś ę˜ŽĺŒ˘ď˜ś-&%

Manufacture SRDC

瀖饝⚼䗹

76 / 77

NEW REALM 倞㞯

In this piece of work, we reflect on the cultural significance of furniture that marks its existence in Taiwan, tracing its root and combing out again the oriental genes that have been blended into our blood. Fur niture with embedded marble is a page in people’s memory, we try to deduce again the combining and embedding applications of marbles and solid wood fur niture. Making decorations becomes a part of the structure. Simplistic designs correspond to m o d e r n a e s t h e t i c s t o re s h a p e o u r c u l t u r a l m e m o r i e s . 㖈劥⡲ㅷ⚥䧮⦛⿾䙼㹻Ⱘ㖈荩抓剎竤㶸㖈涸俒⻋邍䗚鷆劥彸

彂ꅾ倞唚椚輑倴䧮⦛過腠酭涸匌倰㛇㔔幢劊儘劍「ⵌ匌銯倰俒

⻋涸❜輑欴ⴀ✫螠繡涸䑞䒭㹻Ⱘꦑ⛓罜⢵涸䪮遯莅䒭垺遼 乹⢪䖤ꚩ䅺㣐椚瀖涸㹻Ⱘ䧭捀䧮⦛欰崞涸♧媯鎹䥊䧮⦛ꅾ

倞怵糋✫㣐椚瀖莅㻜加㹻Ⱘ涸ꚩ䅺穡ざ麌欽⢪酤귇穡圓⻋⟃

Woodychic

〢捀Ⰹ⟃倞捀㢫㣐椚瀖莅加勞❜簳涸秙騟琎稡涸僽㿂倴鸏

㝆㕼㖒涸娜玑矦秉涸鏤鎙䩛岁㼩䥰殹➿繡㷸ꅾ㝖䧮⦛涸俒

覇๙璤

⻋鎹䥊

Designers Design Director

Chui-Hung Lin / 卌 㘍䒾 Furniture Designer

Category

Dimensions

Table / 長桌

Table: L167 X W65 X H76 (cm)

Stool / 長凳

Stool: L124 X W26 X H45 (cm)

Material

Manufacture

Burma Padauk, Taiwanese White Marble

Heng Chang Stone Co., Ltd.

㣐卓稙塚ㄤ䎂涯㣐椚瀖

Yu-Syuan Wang / 桬 㧄榄

䛎僅瀖噠剤ꣳⰗ぀

80 / 81

2017 Participate Brands

Chapter

04

2017 ⿎莅ㅡ晌♧鋰 7OCEANS DESIGNS â™Źĺľłă•œ꼚ăťœĺ™ č‚†â&#x;¨ĺ‰¤ęŁłâ°—ă €

Website / www.7oceansdesigns.com Email / info@7oceansdesigns.com

Established in 2005, we explore a variety of outdoor materials and extensive use of color. With talented young designers and through exquisite handmade, we create simple, modern, elegant high-quality outdoor furniture. It’s time to put down the hassle and relaxing into the outdoor enjoyable life.

ANDWE Co. Ltd. ⟧筹剤ꣳⰗ㠀 Website / www.andwe.com

Email / info@andwe.com

Those Who Joined Us ⿎莅ㅡ晌莅é?¤éŽ™äŒŒ

ANDWE is established in June, 2016. We have decades branding experience, including product development, brand and channel planning. In addition to industrial design, ANDWE focus on strategy and planning. We are looking forward to create interesting things with different teams. Just like our name: AND WE, with you. WE, with you.

䖰ㅡ晌â&#x;ąâˇ”ď˜śă‰‚ă…ˇę&#x;š朎âľŒčŽ…âžƒäąşé?¸ćś¸é¸’é¨&#x;é‹Šâˇ”ď˜šĺ™ 歲稥ç?ŽéŚ„éş•⟧äŽƒă…ˇć™ŚçŤ¤ ë€żď˜š"/%8& ĺšŒä™‚ă…ˇć™Śĺ§ťä’­ĺ€´ 䧭ç”¨ď˜ˇę¤‘âœŤé?¤éŽ™ď˜šĺˆżč?žâ¸‚ĺ€´ă…ˇć™Śç˜ź ćŽœčŽ…援ă…ˇâ&#x;ąâˇ”ď˜šă šĺ„˜ď˜šăźŠăŁ?ă–’颜ĺ‹ž朸ă‹?ä ŚčŽ…ă›šä­°ď˜šéˇ´éş•čŽ…â™śă šăŁŽ⠜朸ă –⥲ď˜š ć?€ç˝‰ĺ‹ž颜岤â°…ć?‚ꣳč…‹ę†€ď˜ˇĺŠ?ä–Šé¨ˆâ™śă šă•°ęĽ™ă –⥲ď˜šâ°&#x;✞皥㼪âœ˛ćš&#x;ď˜šé“‡㼜ㅡ晌 ă ?ç?–䨞爚"/% 8&ď˜šă„¤âĄšâ™§éĽąď˜ˇ

CH4: Those Who Joined Us

⛨鯺 䎃朸䨊㢍㚝Ⱘ援ĺ™ 獤ë€żď˜š 0$&"/4 %&4*(/4 倴 䎃䧭ç”¨ď˜ˇ ㅡ晌ă ?ç?–《č?ˆĺľłĺł•ď˜šä‹žĺŠ†äŒ&#x;çŞ?âžƒâŚ›㼜ăŁ?ĺľłč?›éź’ęĄ€ď˜śčŽžéť ď˜śä?‘ę&#x;Ľćś¸č?ˆć?­ĺ­¨ă• ď˜ˇ 䧎⌛♜倏朎乥ă ?ç??éť ă –䨊㢍朸剓倞勞颜ď˜šęŤ™ĺ´žéşŒ揽č’€ä•™ď˜šĺˆżç?Žĺ™˛ă–’莅⢾č?ˆ ďˆŁć¤•ă ?ă–’äŠžčž ĺł•形朸䎃鰋é?¤éŽ™äŒŒă –⥲ď˜šéˇ´éş•礜çŻŠă–’äŠ›äŠ¨é†˘é¸¤ď˜šć?€ä?Ąâśžé¸¤ć¤? âžżď˜śâŽ›ę§‰朸ë„žă…ˇé˘śä¨Šă˘Ťăšťâ°¨ď˜ˇä˝žâ™´äŽ‚ĺ‚ˆ朸ç­?ä“šď˜šéĽĽâ°…䨊㢍â?§ă€Œ揰ĺ´žď˜ˇ

Ateliea Tea â™śâœłă›”

Website / www.ateliea-tea.com Email / customer@ateliea-tea.com

Ateliea Tea, by integrating the professionalism of tea and wares with oriental aesthetics basis, we create new tea experience to meet the internal needs of modern people. Our philosophy is People, Teaware and Tea, in the pursuit of innovation and fashion that demonstrate the extraordinary attitude of the new generation.

â™śâœłă›”ď˜ščź‘ă –č˜˘čĄžčŽ…č˜˘â°¨â°?ç˝?朸㟠ĺ™ ď˜šâ&#x;ƒć¤?âžżĺŒŒĺ€°çšĄăˇ¸ć?€ă›‡ç‡Šď˜šć–Š鸤ç—˜ă – ć¤?âžżâžƒâ°‰ä—ąę¨žĺŽ 朸č˜˘ë„“ë€żď˜ˇâ™śéˇ†㟌ë„žăż‹ĺ­ľď˜šä§ŽâŚ›ćŁ‡é‹•č˜˘čĄž朸âŚ?äš?ď˜šă””姽卌 ĺŒ‰č˜˘ĺź”鿪âŻ?ć€?襽♜㠚朸ꝝ孾莅揼描ď˜ˇâ™śâœłă›”朸՚âžƒď˜śă?źď˜śč˜˘Őşă…ˇă„‚ă†šăˇ¸ď˜š éˇ†ĺŽ č˜˘âśžĺ€žčŽ…ĺ„˜ăźżď˜šăž?ć¤?ĺ€žâš†âžżćś¸č˜˘ä˘€ä?žď˜ˇ

In 2016, it had 10 young designers selected in a very short time by online audition to joined 1st “Hualien International Stone Workshop�. This year, following the workshop strategy and objective, we invited 15 Taiwan original brands (including 19 designers) in a six-day workshop. Because of these talented designers, “Hualien International Stone Workshop� is truly

ChiHong

full of vitality, infusing nearly 60 years traditional stone industry with new

Website / www.chihongcasa.com Email / chihongcasa@gmail.com

and creative energy. 䎃â&#x;ƒ珪é¨&#x;ä—šéź‡ĺ€°ä’­ď˜šă–ˆĺ™˛ç€Š朸ĺ„˜ę&#x;Śâ°‰é?ąéź‡â´€⟧âĄ™äŽƒé°‹ćś¸ć Źç”¨é?¤éŽ™äŒŒď˜šâżŽ čŽ…âœŤç—§â™§ă”?Őľç ‡ç€–鸤ćš&#x;՜ äŽƒâŁœä—…ç˜źćŽœčŽ…暥垌é?¤ăš ď˜šä˝–â&#x;ƒŐšéź?锞⾖պ䏸 ⚏âœŤâź§â?€âŚ?〾抓⪨⼥㚝ꡇ➲✞ă…ˇć™Śď˜šâ°&#x;⟧⛰⥙é?¤éŽ™äŒŒâ™§ă š⿎莅ć?€ĺŠ?Ⱉ㣔朸é?¤

éŽ™äŠ¨âĄ˛ă–ˇď˜ˇă””ć?€ĺ‰¤âœŤé¸?â?‰é?¤éŽ™äŒŒâŚ›朸⿎čŽ…ď˜šŐľç ‡ç€–鸤ćš&#x;Őśé¸?âŚ?鎙掼溍姝âŻ?ć€? âœŤćŹ°ă„?â¸‚ď˜šć?€é¸?ăź&#x;éľœâ™§ć­Œ㜊朸⍄窥援ĺ™ 岤Ⰵ♧肆ⴽ倴â&#x;ƒä–ƒ朸ĺ´žĺŽ?ď˜ˇ

The design style is simple and relaxing which is inspired by the eye through daily life. Despite the basic function, it creates some flexibility and spaces for users to define the usage by themselves. This spirit reflects the conceptual narrative of the spaces and calmness in the oriental zen spirit.

é?¤éŽ™â&#x;ƒç&#x;Śă‹˛é°‹ë…źćś¸ę´?ĺ‘”ä•Žä˘€ď˜šä–°ĺ‚ˆäŒ˘ćś¸éŒšăťŒď˜śćŹ°ĺ´ž朸佌âœ˛â´€朎ď˜ˇę¤‘âœŤă›‡ĺŠĽ â¸†č…‹ę¨žĺŽ ă˘Ťď˜šäŠ§é¸¤ä”žäš?â&#x;ƒâżťâ°¨ç‘ ę&#x;Śä&#x;?⍚朸⪨⼥ď˜śćŹ°ĺ´ž揽ă…ˇď˜ˇčĄ˝ę…žćš&#x;â&#x;?騈➃ čŽ…ćŠ‡ăžŻćś¸ăźŠé‘¨ęĄ â¤šă„¤äžŽë„“孾孨朸ć–Š鸤ď˜šâĽƒćŽ†â™§ë&#x;Šä”žäš?çŞ?⢪揽ç˝?⿥é‚?ć¤?㿂倴 č?ˆäŠšćś¸ç‘ ę&#x;Śĺ­¨ă• ď˜šâŤšĺƒ˝ĺŒŒĺ€°ćś¸ćŽ†术čŽ…ä ‘ăžŻď˜šéˇ´éş•ꌥäš?朸倰䒭é‚?ć¤?ď˜ˇăź&#x;ç‘ ę&#x;Ś ⚺㟏弚韊çŞ?⢪揽ç˝?ď˜šä˛żâ´€ĺ€ž揰ĺ´ž朸⪨⼥䲿ĺ‘Şď˜ˇ

88 / 89

灇瀖鸤暟蔅角㕜ꥹ瀖勞鏤鎙䊨⡲㖷鎹ꏗ 2016 - 2017 Ꟛꛂ鏤鎙莅醢鸤涸搂ꣳ〳腋

⟱ⷔ㛂遤 Studio Shikai

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缺陼吥㼩 Adam Druett剎 擳⳯Moreno Ratti

䪮遯곃㉏ 頿㕰岁➃瀖勞冸须彂欴噠灇瑖涮㾝⚥䗱

伢䕧㕰꥙ ⷠ ⤧⡡꤫ 䕔㸞䓹 ꧉瘱㐑ざ鏤鎙 ゟ 〈⚑㸡 荞黇

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