S h i v a n g i 2015 - 2018
01.
INSTITUTIONAL STUDIO
02.
Page no. About
: 04 - 07 : Center for Applied Research.
COMMERCIAL STUDIO
03.
Page no. About
: 08 - 11 : Outreach Office for CEPT University.
RESIDENTIAL STUDIO
04.
Page no. About
: 12 - 15 : Nrutya - a mixed use of residence and studio for classical bharatnatyam dancer.
INSTITUTIONAL STUDIO
05.
Page no. About
: 16 - 21 : Experience Center for shape changing materials.
FURNITURE DESIGN
06.
Page no. About
: 22 - 25 : The Heights : high stool for Habitat 67.
CONSTRUCTION TECHNOLOGY Page no. About
: 26 - 29 : Vernacular material construction techniques.
02. 07. 04. 08. 06. 09. 08. 10. 10. 11. 12.
COMMERCIAL STUDIO.
WORKING DRAWINGS
Page No. : 7 - 10 Page no. : 30 - 33 Project Name : Outreach Office. About : Technical drawings development for proposed design About : Replying to and the bathroom. existing architecture. kitchen
INSTITUTIONAL STUDIO. Page No. : 15 - 18 RETHINKING ON MODELS Project Name : Experience Studio. About Page no.: Bubbles : 34 -in 37the space. About
: Food and city, Archiprix nominated project, proposing conceptual models by interpreting the drawings.
CONSTRUCTION TECHNOLOGY.
Page No.
: 23 - 26
About : The understanding INTERNSHIP PROJECTS of different material construction. Page no. About
: 38 - 41 : Vibrant gujarat stall design for HNGU university and appartment design for 3d visualizer.
TECHNICAL REPRESENTATIVE DRAWINGS. Page No. : 31 - 34 Project Name : The Cave. About : To create a void space out of the mass.
HOSPITALITY STUDIO Page no. About
: 42 - 45 : Proposed cultural sport center, museum and restaurant at historical site in Sydney. KAMLA AMRUT - PDC ARCHITECTS.
Page No.
: 39 - 42
About
: The non-academic activities.
RETAIL STUDIO
Page no. : ABOUT MYSELF About
Page No.
01.
10.
05.
02.
12. 11.
46 - 49 : Experince store for the cleaning product brand named : 49 -METHOD 50 - people against dirty.
DESIGN THESIS 03. 07. RESEARCH 04. Page no. About
: 50 - 53 : Enabling the teleological dominance at the morphological threshold.
2017
2016 2nd Year.
2018 3rd Year.
01
Institutional S t u d i o. Program : Centre for Applied Research. Clients :
Architect, Industrial Designer, NGO organizer, Public.
Site :
Opp. Cept University, Ahmedabad, Gujarat.
Area :
350sqm.
Material : Metal and concrete. About : This studio facilitates the design of spatial articulation in response to the chosen program as well as physical and visual attributes of a given site context. It was a explore design research, program brief, understanding various built form systems as well as design and organization of various spatial elements. Concept : The axial placements of functions by derivations of the light required in the space. And developing the concentric axises for the transitions between the two functions. Basically the aim was to learn about the space planning. And the use of the natural light in the space.
Conceptual development.
Model - Structure and circulation.
Detailed flooring system.
Exploring organization and spatial zoning.
Beam junction detail.
Column to floor detail.
02
Co m m e rc i a l S t u d i o. Program : Designing a workspace Clients :
Cept Outreach Office.
Site :
Cept Workshop, Ahmedabad, Gujarat.
Area :
250sqm.
Materials : Polycarbonate sheet, Concrete, Metal. About : This studio course involves generation of small-scale commercial interior environment. This will be through research, analysis, conceptualization and design. The projects include exercises in spatial planning as a response to function. Exercise undertake organization of products/objects to explore circulation and transactions with material exploration. Concept : To involve biomimicry of the tree in space. So reassembling the tree in office space by the transition of functions through levels and fractal geometry derived from tree. Also, the material exploration plays an important role. The polycarbonate sheets and metal were the main material and explored in the space. The idea of inbuilt furniture was also explored.
Exploring point, line and surfaces in the given space and response to the curved roof.
Detailed Models - whole to part.
Understanding of open, semi-public and private spaces, also the transition through the levels and visual aspects.
Circulation and visual and physical connections.
Final Office Plan.
03
Residential S t u d i o.
Program : Nrutya - Residence and workplace for a Dancer. Clients :
A Bharatnatyam dancer and a housewife.
Site :
Living Interiors, 5 storey building, Ahmedabad, Gujarat.
Area :
450sqm.
Materials : Mud, Wood, Metal. About : The approach of architecture and interior design for two divergent end usages: the residential and the workplace are different. Varied, complex, interwoven sometimes (with the lifestyle of a person), fundamentally different; the physical manifestation of spaces requires an understanding and sensitivity to bring about the two together on a common ground to function simultaneously. Concept : The main idea is to involve the movement and balance in the space, by studying the “ Namashkaram� of bharatnatyam. The study approaches to mathematical grid, which is followed in the plan and the section. Hence the element - staircase, plays an important role in the space as a balancing element, and contributes to connect workspace and a residence.
Derivation of the movement.
The raw, untreated m the lightness of spark A space that expresse qualities inherent to
Development of the derivation of the nam in the body are the o of the structure beco the two spaces.
View of a dance studio entrance.
Studio entry
Living Area
Studio space.
Kitchen Space
Residence entry
View of a kitchen on first floor.
Conceptual ground floor plan.
Master Bedroom
Conceptual first floor
Her son’s Bedroom
Working space for son.
View of a master bedroom on second floor.
Conceptual second floor plan.
Conceptual third floo
matter, but it equally calls to mind kling wine. es refinement and elegance, this project as a whole.
functions in the section from the mashkaram. The balancing points origin of the functions and the rest omes the connections between
Grandparents room
Iso - view of the kitchen - first floor.
Pooja room
r plan.
or plan.
Gathering Area.
Iso - view of the dance studio - ground floor.
04
Institutional S t u d i o. Program : Experienced Centre. Clients :
Architect, Interior designer and Public.
Site :
Kathwada, nr. Ahmedabad, Gujarat.
Area :
380sqm.
Material : Polycarbonate sheet, metal, terrazzo. About : As an approach, Interior spaces can be visualized and created by using three layers. Each layer can be an outcome from: Programme + Site context, Image of the place, and Qualitative aspect for execution of details (Function + Construction + Aesthetics) Concept : Bubbles in biomimicry. From the derivation using site context and user my centre is like “Industrial Chemical Laboratory� and from the further research the detailed concept is bubbles i.e. derived from program and functions. Thus, project develops the process and understanding in developing the initiative to details . And the project is still underdevloping.
Physically isolated.
Motion.
Visually well connected.
Transparency.
Exploring the form of the built form.
10 11 12 1
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Space enclosed by the skin of bubbles.
filledtowards with the the small to large bubbles. FirstSpace approach facade detail respecting light and degree of spaces.
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Reflection - Refraction.
Volumetric.
Floating.
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Approach to first problem solving details - Maximum light gain - Facade.
Transformation by merging.`
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Pantry
Server room Lvl +300
Private Washroom
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Public Washrooms
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Informal Space
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Owner's area
Reception Area
History area, Display 1
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Approach to a sequence detailOrganization - circulation revolves - connecting systems. around the circulation movement. Lvl +00
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Long Elevation
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Detail B - Bottom up intersection between existing and inserted structure Bridge detail at first floor - Short section and long section.
Detail D - Incorporating light element into the insertion element.
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Owner's area
Reception Area
History area, Display 1
Detail Da (Left) - Handrail and horizontal plane junction - metal ball, layered glass and metal section.
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Detail Db (top) - Tension members between two handrail.
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Approach to a sequence detail - circulation - connecting systems. Lvl +00
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Informal Space
05 Fu r n i t u re Design.
“Some people say that creating a piece of furniture is like creating a piece of jewelry.� - Ron Arad. About : The main aim was to deal with the materials - wood and metal, and explore the idea of the joineries and the techniques of constructions and also ergonomics. Design : The wooden high stool need to be designed for the habitat 67 residence space. The main concept was to follow the principles of the space in the furniture development.
Joineries between two sections.
Exploring metal properties through hands on experience in the workshop, by replicating the bent pipe chair in the group of 4.
Exploring types of wood and its properties through differnt joineries by replicating the chair in 1 : 1 scale in the workshop.
Designing a bar stool for the habitat - 67 interior residential spaces and the criteria of the material was the wood. Exploring the structure and ergonomics of the furniture and a beautiful process was followed for the structure study, Then it was been executed in 1 : 1 with the help of other two of my friends.
06
Co n s t r u c t i o n Te c h n o l o g y. About : Studying the vernacular constructions and its reason causes according to the environmental responses. The course helps to develop the material understanding, design execution on the site and also exploring the new intervention regarding the new construction techniques. The vernacular houses of himachal - “ kath - khuni “, rajasthan rammed earth and wattle - daube where studied regarding the structure and its joinery method and process of development.
Learned the properties of bamboo and mud. Explored the technique of the wattle and daube construction. Enjoyed working with 20 others from the process of foundation to the execution.
Exploration of brick bonds and its strength with the learning of methods of constructions, properties of bricks and the design execution on the site with the group of 8.
Learned the Kath - khuni vernacular construction using making the model with actual material i. e. wood and stone in group of 2 and also explore the members and elements of the construction.
07 Wo r k i n g D r a w i n g.
About : The main aim was to do working drawing of kitchen, and also to learn about functionality and to make it a non - typical kitchen. Also the health study was carried out to understand the functions of the kitchens. The approach was from whole to part development through the orthographical drawings. Attention to each and every juctions were carried out. Design : My attempt was to explore the materials like soapstone, bronze and other basic structured materials. And also tried to explore the functions and working of the cabinates.
1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12.
This drawing is the property of 'SPACE IN.'. It shall not be reproduced, copied, loaned, exhibited or used except for the purpose it is issued. All dimensions are in millimeter. All measurements are from unfinished surface to unfinished surface. All dimensions are to be read and not to be measured. Drip mould is to be provided at all the external window lintels. Dimensions of structural steel section and junction details to be approved from structual engineer before execution. Soil testing to be carried out before commencement of the foundation. Centreline dimensions, levels, etc. should be referred invariably from working drawings. Before commencing the work, it is must to obtain prioir permission from the respective authorites. In case of any discrepancy between architect's drawing and any other consultant's drawing, it should be brought to the notice of the Architect before commencement of work. In case of any ambiguities on site, the Architect must be informed. It is must to inform and to have prioir permission of the Architect before making any changes on site.
1.
This drawing is the p reproduced, copied, the purpose it is issu 2. All dimensions are in 3. All measurements a surface. 4. All dimensions are to 5. Drip mould is to be p lintels. 6. Dimensions of struct be approved from str 7. Soil testing to be car foundation. 8. Centreline dimensio invariably from work 9. Before commencing permission from the 10. In case of any discre any other consultant notice of the Architec 11. In case of any ambig informed. 12. It is must to inform a Architect before mak
DETAIL - C
SCALE - 1:5
1. 2. 3.
1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12.
This drawing is the property of 'SPACE IN.'. It shall not be reproduced, copied, loaned, exhibited or used except for the purpose it is issued. All dimensions are in millimeter. All measurements are from unfinished surface to unfinished surface. All dimensions are to be read and not to be measured. Drip mould is to be provided at all the external window lintels. Dimensions of structural steel section and junction details to be approved from structual engineer before execution. Soil testing to be carried out before commencement of the foundation. Centreline dimensions, levels, etc. should be referred invariably from working drawings. Before commencing the work, it is must to obtain prioir permission from the respective authorites. In case of any discrepancy between architect's drawing and any other consultant's drawing, it should be brought to the notice of the Architect before commencement of work. In case of any ambiguities on site, the Architect must be informed. It is must to inform and to have prioir permission of the Architect before making any changes on site.
4. 5. 6. 7. 8. 9. 10. 11. 12.
This drawing is the property of 'SPACE IN.'. It shall reproduced, copied, loaned, exhibited or used exce the purpose it is issued. All dimensions are in millimeter. All measurements are from unfinished surface to un surface. All dimensions are to be read and not to be measur Drip mould is to be provided at all the external windo lintels. Dimensions of structural steel section and junction d be approved from structual engineer before executio Soil testing to be carried out before commencement foundation. Centreline dimensions, levels, etc. should be referre invariably from working drawings. Before commencing the work, it is must to obtain pr permission from the respective authorites. In case of any discrepancy between architect's draw any other consultant's drawing, it should be brought notice of the Architect before commencement of wo In case of any ambiguities on site, the Architect mus informed. It is must to inform and to have prioir permission of t Architect before making any changes on site.
08 08 09
RRTe eet cthhhi innnkikciiannlgg mm Roeonpnre soeodndeteal lstsi v-- e AAr rc cDhh riaipp wrriinxxg2017 2s.0 1 7 About : : Food To explore different media to create imaginary masses Program and the City : Culture and Safety of space, and then scoop out mass to create light in these spaces. A certain geometry was derived out of these that was then converted Designer : Alisa Silanteva to schematic plans and sections. Apart getting familiar schematics, model-making and Aboutfrom : The intent was towith develop a techniques to translate, rendering, thisinterpret studio sensitized of light. The articulate and key ideastoofdifferent a designqualities as a 3D reflections. course methodology involves a rigorous process of tangible model making to ideat the design. Concept : Many materials were tried in order to reach closer to my imagination of the spatial quality in the project. Functionally there were three layers in the project - the communication frame, the biosocial fabric and the habitable plasma. In the process the spatial relations defined by the designed are translated, clarified and sometimes exaggerated by the relationships and contrasts among the materials.
Structural Analysis.
Interconnected merging of habitation and landscape through a specific kit of slabs, trunk, and landscape. Light plays an importan Derived key words from the project : Graphical, Abstract, Organic forms, Tindle Effect.
rough the frames.
Exploring the cells, functions and forms.
nt role creating a tindle effect, when it filters in through the spaces.
Enjoyed creating a space by exploring mass and void. Learned the derivation of the geometry and the light in the space. Each section help to develop the layers and depth in the space. Also the learning of light in such spaces has been studied.
09 11 09
IInternship n et et hr ni nskhiProjects inpg R oPnr omj eocdtesl.s A rc h i p r i x 2 0 1 7 Program : Internship Projects Food and the City : Culture and Safety Designer Silanteva About : : Alisa This was about bridging the gap between academics and professional life. It was a exploration of on site working, understanding materials, looking to the functionality of About : The various intent was to develop a techniques to translate, the space,and dealing with client meetings, developing workingThe articulate interpret key ideas of a design as a 3Dthe reflections. drawings, learning from skilledacraftperson and organization of course methodology involves rigorous process of tangible model various making spatial to ideatelements. the design. Firm : U.: A.Many Design, Ahmedabad Concept materials were tried in order to reach closer to my imagination of the spatial quality in the project. Functionally there were three layers in the project - the communication frame, the biosocial fabric and the habitable plasma. In the process the spatial relations defined by the designed are translated, clarified and sometimes exaggerated by the relationships and contrasts among the materials.
HNGU - Vibrant Stall at Ahmedabad - Plan
HNGU - Vibrant Stall at Ahmedabad - Elevation
HNGU - Vibrant Stall at Ahmedabad - View
Few details and material finishes selection. View from living room to dinning room - designed element as partition.
Exploring the cells, functions and forms.
View from living room to dining room - designed element as partition and connection to dinning table.
Living room - Elevation - T.V. Cabinet
nt role creating a tindle effect, when it filters in through the spaces. View from dinning room to living room - designed element.
Living room - Elevation - Entrance Door
Dinning room - Elevation
10 10 12
tuyt KHHospitality aoms lpai tAaml irSpaces S pAarc c ehsi t. e c t s PDC Kamla Amrut was an industrial which a small club Program : Community centre, development, Hospitality andinMuseum house need to be designed. The first level of space planning and Clients Local in La Perouse. the HVAC: and thepeople detail staying of the furniture were done, when I used to join for the project. Site : Bare Island, La Perouse, Sydney My role in the project was to do correction based on space Area : and 1500sqm planning developing the sectional drawings. HVAC, furniture, horizontal and vertical systems were taken care during the development the section and needed theofchanges werewithin done. About : Theofstudio focuses onifthe agency the interior the content of the urban morphologies and civic typologies of the participations twenty-first-century It acts environment in Other : Also acity. small role as in an developing the space which thelayout knowledge and can beofsynthesised, refined planning options forskills the client Cotton Industry andand the communicated with proficiency, mirroring the processes, products Nursing Hospital. and dispositions of professional design practice. Aims to develop proficiency in the investigation, articulation and presentation of a feasible relationship between client, project brief and site by locating, evaluating and using relevant information to inform the design process. Concept : The approach to the program was through the research of la perouse locals, main idea was to serve to local community and the aboriginal people together. The community centre is the sports learning centre which serves to every age of people. And the museum is about living history museum which share the ritual and ceramonies of aboriginal peoples to the community and help to maintain the traditions.
Analyzing the site context - La Perouse
Cable House - Circulation and Addition Diagram
Analyzing the heritage - Bare Island Fort, through organisation, function, circulation, degree of enclosure, structure and material.
Bare Island Fort - Circulation and Addition Diagram
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R ePa t aniol rSapmaac eo.f my l i fe. “Analysis is the art ofspace creation through destruction.” Programme : Retail Clients
: Method - people against dirty
- P.S. Baber
Looking into my book, it is always about the destructions of Site : 5th avenue, New York the spaces into the abstract. Hence such analysis of the spaces help me into more creative imagination about the space and Area : 560sqm its development. Even every result is a outcome of the some destructive process followed by me. About : Marketing shares a lot of burden of promoting a brand, the spaces in which brands operate, their branded environments, are their most powerful touchpoints. These spaces provide an opportunity of converting the intangible aspects of a brand into tangible experiences. The nuances of multi-sensorial spatial experiences in these get as directly transferred to “If you can’t generated describe what you spaces are doing a process, you don’t the perceived image/value know what you’re doing.” of the brand and this in turn influences consumer behavior, which is the ultimate litmus -W. testEdwards for any brand. Deming I think traveling is a process for me become a successful Concept : Through this store, theto brand intends to create a love designer, as it makes me aware the different culture, art andof craft, mark! It intends to transform theoftraditional retail environment heritage traditions. This collectively help me toenvironment design with the an FMCG and brand into an informative and experiential innovative concepts and a chance explore beautifulAn designed leading to intensified customer and to brand relationship. spaces. experienced store that creates mystery through sensuality which leads customer and brand relation to intimacy.
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Exploded isometric showing the integration of bubble as concept into a existing space.
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Storefront - VM and EG Strategies.
Long section showing the insertion element - serving EG strategies of store
12 Design Research Thesis.
To Calibrate - A preview on the evolution of the interior design due to technology
and nature. Measuring the mechanical and biological analogies as a functional analogy by observing the relationship between the techniques, morphology and the spatial organization.
To Reciprocate - Introducing the perspective on the teleological phenomena in the
domain of biology and drawing parallels into interior design. Tracing the roots of the Darwinian theory of evolution in teleology enables the physiological aspects of biology. Reconciling the physiological and morphological aspects in the domain of interior design by extracting the propositions from biology through the study of Bernard’s theory.
To Decipher - Concentrating the study at the emergence as a morphogenetic strategy and particularly on the threshold elements in the space as the bounding element of spatial organization. Determining the boundaries as a level of scale and as interlocking elements. Furthermore, through the measures of versatility and vicissitude, the homogeneous spaces are facilitating the heterogeneous organization.
To Synthesis - Analyzing existing spatial systems through the derived parameters of the heterogeneous organization.
A strategic investigation at the
Intersection of technology and biology Teleology as a phenomena at morphogenetic threshold Enabling its dominance in the spatial
organization in the form of gradient threshold conditions in spatial environment.
Technology and Design
Nature and Design
Causalities
The Mechanical Analogy
The Biological Analogy
Condition of Existence
(Function)
(Morphology)
Final Cause
Formal Cause
Efficiency Cause (Techniques)
Teleology at the Morphological Threshold
Theory
Darwanian
Adaptation and Evolution
Ramifications and potentials
Emergence
Heterogeneous spatial organisation
Homeostasis as a mechanism of stabilisation
Differentiation: Modulated Environments
Organizational Closure
Theory
Divergence to the organisational accounts
Bernard’s
Gradient threshold conditions
Design is to design a noun.
A general concept.
verb.
A process.
The ascent of modern science brought up the rapid innovative progression in technology; significant changes took place over the years in the field of design. Converging on the built environment, factors like evolving scale, the of intensity, the organization of design tostructure produce a design. social relations, techniques and materials emerges new challenges. noun. noun. In the natural environment, there are gradients, physical properties which are evolving, growing and adapting to theorutilities. While in the builtThe environment, A plan results. instead of gradients, sharp limits and assemblies are major factors. intention. Also operates in the response of its way of change and perpetual quality through the interaction of a user.
Currently, the designers are grabbing the non-linearity and presuppose their conventional definitions, for example, Conceptualization - more interested biomimicr y, organic, blobs,inand amorphous through taking analogies Space Planning, from nature by the measuring modern sciences, for Detailing, example, the hypothesis of relativity, complexity, chaos, etc. Abstract representation, Furniture Design, Analysis Hand Drafting, Hand Rendering, Sketching, Model Making.
Wood, Metal, Bamboo, Ceramics. AutoCad 2D, AutoCad 3D, Photoshop, Indesign, SketchUp, 3DsMax.
On the other hand, there are designers whose concern is to perform systems which operate effectively and monitor assets and vitality. Measuring the analogies from nature like evolution, self-organization, adaptation, and many more through modern science demands higher morale, which works symbiotically with nature. The complex association between morphological and organizational analogies are essential to measure as it plays a major purpose in the interaction between the user and space. Versatile surfaces, elements and forms are the output of interior design which demand to have an association with the function of the user.
Current technologies help to execute the complex forms and structure from nature, but it obliges the connection to the organizational analogies. Nature makes every judgment depend on the input and output of the system, which commences to the complex relationship between morphology and organization. Hence this research looks International Workshop-Archiprix-Rethinking Models, Ahmedabad, 2017. Internship at PDC Architects, Mayand 2017 output to July 2017. uponAhmedabad, design input as an interface to measure International Workshop - Archiproducts - Architectours, Milan, 2017. the relationship between morphology and organization. Furthermore, Classical Dancer - Kathak (5years). the teleological examination infers the Teaches me the discipline, and takestome to theup journey of thein all directions by requirement follow causation space with respect to which time and themotion. purpose of the structure or behavior is affected. Thus, this research involves the study of Aristotle’s model and reflexes of morphology and organization in the domain of interior design through biology.
Classical Singer - Shastriya Sangeet (4years). toask measure the relations, responses The “ Taal� of the music, me to reflect in my spaces.
Calibr ating The s y mbiosis b et w e en te chnolog y, de sig n and biolog y
Biology
Design
Technology
Defining relationship at the morphological threshold Organism Behaviour Ecosystem
Bottom - Top Approach Top - Down Approach
Form
CAD - Simulation process
Material
Fabrication
Structure
Assembly
Potato Beetle Protective wing case - Natural fiber composite - Chitin fiber reinforced protein matrix
Component system Geometric morphology of a double layered system
Morphological Analysis
Glass Fiber Articulation Carbon Fiber Structural
Macro level : Variable structural depth Meso level : Module variation Micro level : Fiber direction
Structure Spatial Layout
ICD Research Pavilion 2013-14 It is always difficult to understand nature composition and morphology meticulously, and designers find restrain in evolving the conceptual designs to prototypes and products.
Emergence redefine the built working relationships as the iterative techniques and new material models its proposes.
Recent developments have largely employed us with tools which have given us the new horizon into biological systems with which we can elevate manufacturing techniques; heterogeneous compositions and complex geometries easily equated with conventional method.
R e ci p r o c a t i n g Tele olog ic al dimension in t he biolog ic al and built env ironement
Design noun.
Biological is to design systems
Teleology a design to produce a design.Built systems
verb.
noun.
noun.
Transmutting causalities in interior design
A general concept.
Formal Cause: A process. Morphology
A plan or intention.
The results.
Conceptualization - more interested in biomimicr y, Space Planning, Detailing, Effect: Table Abstract representation, Final Cause:Furniture Design, DiningAnalysis Hand Drafting, Hand Rendering, Sketching, Morphology Model Making.
Wood, Metal, Bamboo, Ceramics.
Enabling teleological dimension Interdependency of linkages
Material Cause: Wood
Efficient Cause: Carpentary
Organisation
Natural Systems Identifications Causes
Climate and temperature
2D, Environment AutoCadTopography AutoCad 3D, Vegetation Photoshop, Indesign, Soil SketchUp, Water 3DsMax.
Causes Basic needs
Applications
Occupants
Belief and Culture Societal Relationships
Built Systems
Materials
It is precisely the Form and structure International Workshop-Archiprix-Rethinking Models, Ahmedabad, 2017.and dynamic A conceptual complex at PDC Architects, Ahmedabad, May 2017 to July 2017. exchange between framework Internship where International Workshop - Archiproducts - Architectours, Milan, 2017. natural identification an organism and its is carried out on the environment, and Techniques and causes which are then the functionality that Technologies followed andClassical analysis Dancer - Kathak (5years). evolves from it, that Impacts Teaches me to the journey of the so that the impact is me the discipline, and takes makes synthetic life space with respect to time and motion. the application of the interesting for built built system forms. Classical Singer - Shastriya Sangeet (4years). The “ Taal� of the music, ask me to reflect in my spaces. core of the argument consists in establishing a connection between organisation and
The teleology through the concept of evolution: biological organisation determines itself in the sense that the effects of its activity contribute to determine its own conditions of existence.
D e ci p h e r i n g Biolog ic al g r adient t hre shold condit ions in inter ior de sig n
Biological systems
Gradient threshold conditions
Built systems
Closure circular regime
Integrated interactions among set of entities from parts to whole in human being
Interior Closure
Self organisation and Emergence
Maturation: Experience, transmission equilibrium
Functions
Organisations and Adaptations
Assimilation and Accomodation
The system must have some knowledge for instance utilize the accessible data efficiently by consolidating the bits of data in stable, versatile systems and adapt quickly to new participation from the user.
Differentiation: Modulated Environment
Varied scopes of material systems can accommodate differing spatial organisation together with climatic forces. This includes the deployment of the inherent behavioural qualities and modulation limits of building components and systems, as opposed to a review streamlining process towards monofunctional effectiveness. From this emerges a comprehension of efficiency as a unique attribute of the effective, in light of using redundancy prevalently as inert ability to perform a progression of various task, instead of a wellbeing measure.
The comprehension and arrangement of gradient thresholds conditions in materiality and natural conditions can yield the potential for complex execution limits of material systems. Along these lines, input among stimuli and reactions and the conditioning connections among requirement and capacity will turn into the operative components of heterogeneous spatial organisation.
Sy n t h e s i z i n g Homogene ous - emer gent mor ph ogenet ic s t r ateg ie s f acilit at ing h eterogene ous spat ial or g aniz at ion emergent morphogenetic strategies
Design is to design a design to produce a design. Heterogeneous Homogeneous noun.
verb.
A general concept.
A process.
facilitating spatial organization
noun.
noun.
A plan or intention.
The results.
Conceptualization - more interested in biomimicr y, Space Planning, Detailing, Abstract representation, Furniture Design, Analysis Hand Drafting, Hand Rendering, Sketching, Model Making.
The methodological and theoretical system concerns the escalated differentiation of energetic interventions and material that are evolved from their particular behavioural tendencies in a given domain and with respect to their mutual criticism relationship, passive modulation strategies and hypothesis on the resultant connection among spatial and social arrangements and habitational possibilities and patterns.
Wood, Metal, Bamboo, Ceramics. AutoCad 2D, AutoCad 3D, Photoshop, Indesign, SketchUp, 3DsMax. Inherent Unity
Taichung metropolitan opera house by Toyo Ito, 2016,
Metabolism
Inherent Stability
Information carrying subsystem
International Workshop-Archiprix-Rethinking Models, Ahmedabad, 2017. Internship at PDC Architects, Ahmedabad, May 2017 to July 2017. International Workshop - Archiproducts - Architectours, Milan, 2017. Extricating from connection and transitions between systems and sub-systems of biological entities, in the built systems connections between components and elements are almost always discontinuous and articulated as dividing seams, instead of smoother transitions in materiality and thus functionality. The understanding and deployment of gradient thresholds in materiality and Dancer - Kathak (5years). environmental conditions Classical can yield the potential for complex performance capacities of material systems. Feedback between stimuli Teaches me the discipline, and me to the of the and responses the conditioning relation between constraintstakes and capacity will journey become the operative elements of heterogeneous space with respect to timespatial and motion. organisation.
Based on the introduced morphological design approach Classical Singer - Shastriya Sangeet (4years).and the corresponding comprehension of The “ Taal�and of the music, ask me to reflect in spaces. redundancy, optimisation efficiency correponding tomy multi-performative construction systems and material show an altoghether different interpretation of spatial organisation, environmental modulation and at last, social formation.
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