SHIYU GUO ARCHITECTURE PORTFOLIO 2013 - 2018
EDUCATION: New Haven, CT August 2017-Current
Los Angeles, CA August 2011-May 2016
Rome, Como, Italy January 2015-May 2015
YALE UNIVERSITY School of Architecture Degree: Master of Architecture
Los Angele
June 2015-July
UNIVERSITY OF SOUTHERN CALIFORNIA School of Architecture Degree: Bachelor of Architecture Minor: Entrepreneurship
ITALY STUDY ABROAD PROGRAM Participated in the workshop ROMA 20-25: New Life Cycles for the Metropolis, sponsored by the Urban Transformation of the City of Rome and involved twenty-four foreign universities Work exhibited in MAXXI Museum Helped with book editing for ROMA 20-25
Shenzhen, C
Summe
Shenzhen, C
Decembe
AWARDS: IIT Summer 2016
MIES CROWN HALL AMERICAS PRIZE (MCHAP) STUDENT AWARD NOMINATION Thesis project: Bilirious-Decollage (Bhartiya City)
USC Spring 2016
USC Spring 2016
Shenzhen,China Summer 2014
USC Fall 2014
USC Fall 2011
Shenzhen, C
Summe
EXPO SUPERJURY FINALIST 2016 Thesis project: Bhartiya City
BEST UNDERDRADUATE THESIS PROJECT OF THE YEAR With Socially Conscious Award
Shenzhen, C
Summe
2ND PLACE OF SHENZHEN SHUIBEI DISTRICT REDEVELOPMENT MASTERPLAN COMPETITION EXCELLENT STUDENT PROJECT LACMA++
EXCELLENT STUDENT PROJECT Surface Garden
Shenzhen, C
Summe
es, CA
SHIYU GUO EXPERIENCE & ACTIVITIES: CALLISONRTKL - Designer
y 2017
Developed concept and schematic design of 250,000sqm Nanchang Greenland Mixed-Use Center In charge of Zhengzhou Jingshuiwan competitions (1st place) Working directly with project architect and project manager Helped with graphic design, presentation sets, building construction drawings, and coordination with consultants
China
CAPOL BUILDING INDUSTRIALIZATION CO. - Intern
er 2014
Researched in pre-fabricated concrete building design and construction Helped design and build the one-bedroom module unit of Shenzhen Public Housing Phase III
China
er 2014
SOUTHERN CHINA BUILDING INDUSTRIALIZATION SEMINAR - Event Coordinator Studied and discussed the development and challenge of building industrialization of China in current stage Facilitated the arrangement of the event and help prepare presentation materials
China
SHENZHEN INSTITUTE OF BUILDING RESEARCH CO. - Intern
er 2013
Participated in design and restoration of Shanghai Yangpu Piano Factory Led surveying and measurement of historical buildings on site In charge of rebuild 3D model of historical buildings in Revit and provide REVIT training
China
HUAYI DESIGN - Intern
er 2013
Responsible for the facade design of Zhuhai Kindergarten Helped developed schematic design for AnYang Culture Center in Yunnan Province Helped with site documentation and research
China
CUBE ARCHITECTURE DESIGN AND CONSULTANCY CO. - Intern
er 2012
sissi.guo@yale.edu 213 806 0002 100 Temple Street #201 New Haven, CT, USA 06510
Contributed to site research and concept design of Jintian Zhengshi Kindergarten In charge of large scale physical model making
SKILLS & TECHNOLOGY: MODELING: Rhino, Grasshopper, Revit, Sketchup DRAWING: AutoCAD, Adobe Creative Suite (Illustrator, Photoshop, InDesign) HOBBY: Watercolor Painting Hand Drawing: lead, pen, marker Wood & Rubber Board Engraving
CONTENTS
01 BHARTIYA CITY Redefine Mixed-Use Typology
02 LIVE/WORK TOWER A Vertical Community
03 FRESHKILLS TRASH MUSEUM A Museum Designed to Alert
04 LACMA A Museum That’s More Than A Museum
05 CALA An ‘Open’ Gallary
06 COLUMN An Exploration of Virtual Space through Optical Illusion
07 INSTALLATION A Material Tectonic Exploration
08 OTHER WORKS Professional Projects & Photography
Perspective View 1
BHARTIYA CITY Re-define Mixed-Use Typology Location: Bangalore, India Instructor: Warren Techentin, Spring 2016 5th Year Academic Project Group Member: Eugene Su, Benson Chien
BHARTIYA CITY is a thesis project located in Bangalore, India. The core mission is to invent new typologies of mixed-use and live-work spaces. During the trip in India, I’m intrigued by the creative chaos that defines the urban interactions and constructions. The elevations of Indian street fronts are a mashup of different structural systems, materials, and programs. Time and events have built up the variety of layers, yet through all the chaos of the ad hoc buildings and repair, life functions fluidly. Inspired by that, this project is interested in recreating the multiplicity of Indian urban life in a modern form. The delirious bricolage of India’s urban level is its accomplishments and roots differentiate India from globalization.
Site Plan Oblique 2
BHARTIYA CITY | Concept Diagrams
The project begins by questioning the core of the different programs. By trimming out the fat of traditional program and pulling out all the amenities, it re-uses all amenities as communal and circulatory space.
Trim out 25% of all the required programs to shared amenities
Distribute retail program along the Rambla and break down the massing to maintain village scale
Keep the office massing as a whole to accommodate various office types, float the office massing to avoid interrupting the urban streetscape
Insert live/work program to blur the line of office and retail layer
Locate hotel on the roof to gain best views
Distribute amenities into four layers
Roofscape
Floating Office
Middle Layer
Neighborhood
Concept Section Four layers of Bhartiya City 3
BHARTIYA CITY | Program Diagram
The four layers of the project consist of the retail layer on the bottom, the workplace floating above, the live work blurring the lines between, and the hotel lying on the roof. This is arranged in a spiraling spring of program by pulling the spring apart the negatives become the connection and amenity. By raising the offices, the bulk of the program, up into the air, the ground floor is able to be broken up into a more intimate scale consist of small streets of India around a main pedestrian walkway. Creating
these porous boundaries allows user to meander and experience the space. Utilizing the large footprint of the floating office, the amenity spirals through and spills over the roofs cape, where it becomes a collage of iconographic objects/pavilions. The live-work spaces then cascade down the in-between space of the ground and the floating offices. In its most simplistic form, the Bhartiya City harbors multiple fragments of utopias in the air while connecting them to its urban environment through thin strands of circulation. 4
BHARTIYA CITY | Program Scale Study
Further specify the mixed-use programs into nine categories to study the dimension of each category. The bottom three programs are located on the ground layer, the top three settled inside the floating office massing, while the middle three are inserted where they are needed.
120m
120m
120m
120m
20m
30m
20m
20m
20m
30m
7m
Squint/Opera
Accel
HP
IDEO
SV Angel
Creative Corporation
Sagmeister & Walsh
15m
15m
7m
15m 20m 15m
20m
Cafe
10m
Retail.
5
20m 50m 20m
Gym
50m
Google Ventures
Tech Funding.
25m
25m
16m
16m
8m
25m 8m
38m 38m 25m
25m 25m
16m
16m
16m 16m
Swimming Pool
AirBnB
AMC Theatres
Etsy
B&B Hotels
YMCA
Holiday Inn
Starbucks
YouTube
Hilton
10m
KPCB
SOM
7m
Hotel,
30m
Apple
7m
30m
Reebok CrossFit
Amenity.
15m
15m
7m
7m
Imaginary Zebra
Live/Work.
15m
15m
10m
10m
10m
10m
Staples
SnapChat
Kumon
Best Buy
Venmo
United Day Care
Windows
USC
Samsung
Start-Up.
Yelp
Institution.
CVS
Process Massing Study
4 Office Tower + Retail & Hotel on Top
Office Massing + Retail & Hotel Inserted Inside
3 Amenity Tower + Retail & Hotel Plates
Mixed Massing + Carved Out Public Space
4 Mixed Tower + Pixel Programs in The Middle
Leaning Tower Massings + Stepping Retail Street
Program Relation
Live/Work + Creative Corporation+ Amenities
Hotel + Retail
Start-Up + Retail + Institution
Live/Work + Retail
Retail + Start-Up
Start-Up + Hotel + Amenities
6
BHARTIYA CITY | Enlarged Plan Oblique of Four Layers
Amenity/Hotel Layer
Office Layer
Live/Work Layer
Retail Layer
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BHARTIYA CITY | Office Level Plan Oblique
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BHARTIYA CITY | Example of One Office Strand
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BHARTIYA CITY | Office Typology Study
1970s
2010s
Office Tower
Large Plate Tech Office
Future Terraced Office 4 Min 2 Min
8 Min
10 Min 6 Min
Provide Natural Lighting/Ventilation & Improve Collaboration
8 Min
TRADITIONAL OFFICE T0WER
LARGE PLATE TECH CAMPUS
TERRACE OFFICE
Provide natural lighting /ventilation & improve collaboration
The project applies the terrace office typology to the 30mĂ—30m grid set up across the site, creating 9 strands of terraced offices. Using the terrace as frame, each of the office strand has different layout accommodating various company needs: from Taylorism to BĂźrolandschaft, to cubicle, and to active office. The entire office massing is an encyclopedia of office space.
30m
Strand 1
Strand 2
Strand 3
Strand 4
Strand 5
Strand 6
Strand 7
Strand 8
Strand 9
30m
120m
Terraced Office Module 12000sm Work Space 18000sm Meeting Space
120m
10
BHARTIYA CITY | Amenity Level Plan Oblique
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BHARTIYA CITY | Amenity Typology Study
Characterize amenities into four categories: rest, exercise, play and gather. Then insert them into negative space in the four layers where they are needed.
Rest
Exercise
Play
Amenity Placement
Other
Other
Pure Air Lounge
Arcade
Pitching Machine
Pure Air Lounge
TV Island
Discotheque
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BHARTIYA CITY | Retail Level Perspective View
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BHARTIYA CITY | East-West Section
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BHARTIYA CITY | Office Level Perspective View
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BHARTIYA CITY | North-South Section
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BHARTIYA CITY | Physical Model
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BHARTIYA CITY | Physical Model
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Perspective View 19
LIVE/WORK TOWER A Lively Vertical Community Location: San Francisco, CA, Fall 2015 Instructor: Roland Wahlroos 5th Year Academic Project
The objective of this project is to explore the relationship between live and work programs by accommodating a high-rise building in the city of San Francisco, where the merging of live and work spaces has become a trend. Unlike the conventional loft approach with workspace on the lower levels and living space on the upper levels, this project intentionally ‘isolates’ live and work program by setting up two separate circulation systems. These two circulation systems only intersect at three public floors where all amenities are located (outdoor cinema, rock climbing wall, pool, etc.) When residents need to commute between live and work program they will need to use one of the public floors. By maximizing residents’ movements inside the building, the tower creates a dynamic vertical community that enhances interaction between tenants.
Tectonic Axon 20
LIVE/WORK TOWER | Concept Diagrams
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LIVE/WORK TOWER | Diagrams
Massing Diagram
Program Diagram
22
LIVE/WORK TOWER | Plans
10th Floor Plan
3rd Floor Plan
Residential Program Office Program Public Program
1st Floor Plan 23
0 ft
10 ft
20 ft
40 ft
N
LIVE/WORK TOWER | Section Axon
Residential Access Office Access Public Access
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LIVE/WORK TOWER | Perspective View of Top Public Floor
Facade Material Study
Live
Work
Tinted Glass 25
Slatted Wood
Perforated Metal
The finish materials of the tower include two types of wood facades to distinguish live and work space and accommodate different programmatic needs. All the exterior wood material will be prepared to be fire resistant. Slatted cypress wood slats in three different depth and thickness as the facade of work space, and bamboo screen facade for apartments.
26
LIVE/WORK TOWER | Facade Section @ 1/32”=1’-0”
Structure Diagram
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LIVE/WORK TOWER | Perspective View of Workspace
Structure Tectonic Detail
28
Interior Renderings 29
FRESHKILLS TRASH MUSEUM A Museum Designed to Alert Location: Staten Island, NYC Instructor: Joel Sanders, Fall 2017 1st Year M.Arch Project Group Member: Nicole Doan
Freshkill used to be one of the largest land fill in the world. Instead of greenwashing, we propose to build a trash museum, to pay tribute to the history of Freshkill, to educate people of the contemporary issue of trash, specifically in NYC. The trash museum, combining with a ferry terminal, takes advantage of the stream of people brought in by ferry program. An operating trash conveyor belt system travels through the entire building exhibiting the process of trash gettinh recycled and reused. Human circulation is designed along the conveyor belts with special moments where visitors could enter into designed rooms to interact with trash in various ways that would provide them a multi-sensory experience.
1948-2001 NYC LANDFILL
2008-NOW PUBLIC PARK
13,000 TONS OF TRASH PER DAY
200 SPECIES OF WILDLIFE
EAST MOUND + 125’
MANHANTTAN 29 Miles
TRASH
NORTH MOUND + 147’
STATEN ISLAND TRANSFER STATION
UCK TR
SOUTH MOUND + 136’
AUTO M
OBIL
E
WEST MOUND + 194’
NY CF
ER
RY
N
N
TRASH STORAGE TRASH COMPACTOR ENTRY FROM LAND TRASH SORTING
BACK TO STATEN ISLAND TRANSFER STATION
TRASH PIT
ENTRY FROM WATER
ED UCT STR
TER WA
E
EDG
N
CO REN
N
Concept Diagrams 30
FRESHKILLS TRASH MUSEUM | Program & Circulation Diagram
31
FRESHKILLS TRASH MUSEUM | Floor Plans
HEARING & SMELL EXHIBIT
NORTH MOUND VIEWING POINT
TOUCH & SMELL EXHIBIT
VIEWING POINT TOWARDS STATEN ISLAND TRANSFER STATION
EAST MOUND VIEWING POINT
ELEVATOR
TRASH STORAGE
SMELL EXHIBIT
TOUCH EXHIBIT WEST MOUND VIEWING POINT ELEVATOR
CLASSROOM CLASSROOM
HEARING EXHIBIT
SOUTH MOUND VIEWING POINT
WORKSHOP
LECTURE HALL
N 2ND FLOOR PLAN @ 1/16”=1’-0”
OFFICES
TRASH COMPACTOR
COAT ROOM
ADMIN LOBBY
ELEVATOR
TICKETING
LOBBY
MAIN ENTRY
TRASH PIT
ATRIUM
PARKING LOT GIFT SHOP
ELEVATOR CAFE TRASH SORTING
MAIN ENTRY
FERRY DOCK
N 1ST FLOOR PLAN @ 1/16”=1’-0”
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FRESHKILLS TRASH MUSEUM | South-North Section
33
FRESHKILLS TRASH MUSEUM | South-North Section
Visitors will first entering into the central atrium where a huge glass container with recycled trash is hanging above head acting as a space installation. Shared programs such as cafe, ticket office and gift shop are all distributed around the atrium. If passengers decide to continue their tour into the museum, they could take the ramp upstairs and walk through the leanring, making, exhibiting wings to understand the before and afterlife of trash. At the end of each wing, there is a viewing point looking out towards a pre-existing trash mounds that relates the interior exhibition to the exterior context.
34
3D Print Physical Model 35
LACMA++ A Museum That’s More Than A Museum Location: Los Angeles, CA Instructor: David Gerber, Fall 2015 4th Year Academic Project
Los Angeles County Museum of Art (LACMA) is the largest art museum on the west coast consists of seven buildings constructed at different times. This hypothetical project tries to create a replacement museum within the museum complex with an additional incubator dining program to bring people back to the museum. By introducing the dining program, the project attempts to expand the potential roles museums play in people’s daily life and turn the museum into the city’s living room. Each gallery has a restaurant inside related to the exhibition content. The massing is formed based on a continuous circulation route around series of large opening spaces. The project is designed to engage the city at both local and urban levels while providing visitors a holistic cultural experience.
Concept Model 36
LACMA | Perspective View form North Side
37
LACMA | Concept Diagram From online research, the top-rated reason of not going to museum is “it doesn’t occur to me.” In order to bring people back to the museum, the museum needs to provide a reason for people to come to the site, and that’s something more important than the exhibition program. LACMA is located on mid-Wilshire, a residential area mixed with office buildings. However, there aren’t any parks or gathering space for the residents. The new proposal tries to turn LACMA into a public park by lifting the building to the second level and give back the entire ground floor to the city. The new ground floor will be populated with sports facilities, water feature, amphitheater, and performance square. The new design will attract people to gather and linger around in their spare time instead of just treating it like a special museum tour.
The original seven buildings on site were separated and laid out randomly made the visiting experience through the museum chaotic and unorganized.
After research, the new proposal kept four of the original buildings and replaced the rest. Draw axes of important streets around the site and locate major public programs on five intersections.
Offset outwards from the five intersection spots to create ring shape space around the public program. The distance of offset depends on the museum programs took out.
Merge five ring shape spaces into one to form a continuous plane. The circulation through the plane provide a continuous chronological experience.
Pull up the plane to form the museum massing which connects to the two existing museums on the east and embodied the Japanese museum in the middle.
Lift the entire massing by one level, turning the ground level into a public park. Design the new landscape with multiple entries to bring people into the site.
38
LACMA | Plan Axon
Contemporary Art Gallery Molecular Cuisine
Korean Art Gallery Seoul Bibimbap
Art of The Ancient World Gallery Wild Barbeque Restaurant
39
Art
LACMA | Circulation Diagram
Contemporary Art
L3
3rd Level
Art Rental & Sales Gallery
Modern Art
L2
2nd Level
German Art Gallery
German Art
WurstkĂźche (Sausage Kitchen)
2nd Level
Art of the Pacific
L1
1st Level
Latin American Art
European Art
L1
L3
Islamic Art
L2
Korean Art
Art of the Ancient World
1st Level
GL
Ground Level
GL GL
Ground Level
South and Southeast Asia Art
Circulation Diagram The continuous route through three levels and four volumes of the building would take people through a chronological journey of art, and from the east world to the west world. Beside art, the project integrated food into the design. In each gallery, there is a themed restaurant related to the culture and history of the exhibition in the gallery. The restaurant program will provide people a unique experience where they could enjoy the whole package of a culture, from art to food, from vision to taste. Right now, it’s holding an exhibition of modern art inspired by food.
40
LACMA | Main Entrance Perspective View (Top)
41
LACMA | Long Section (Bottom)
42
LACMA | Korean Art Gallery Perspective View (Top)
43
LACMA | Physical Model (Bottom Three)
44
North East Corner Perspective View
45
CALA An ‘Open’ Gallery Location: Los Angeles, CA Instructor: Graham Morland, Fall 2014 3rd Year Academic Project
Center for Architecture and Urbanism Los Angeles (CALA) locates in the heart of downtown Los Angeles - the historic zone. Facing towards skyscrapers on Bunker Hill, the design was generated from thinking what the role of this public project is with civic, educational, and exhibiting functions set on the border where history and modernity meets. The building opens up the north side and ground level to seamlessly integrate into city fabrics while keeps the top rectangular floor to define the corner like renaissance structures. The form of the edge helps blend this modern building into the historic zone, and the spherical auditorium functions as a city sculpture to define the uniqueness of CALA.
Section Model 46
CALA | Concept Diagrams
The site is located on the foot of Bunker Hill, one of the historical districts in Los Angeles and right now the skyscraper zone. On the opposite corner across the street is the Angel’s Knoll Park. Hence, the site enjoys great view of LA skyline and greenery in front. The concept is to design a building that fully embraces the urban context and the open culture of Los Angeles by blurring the line between outdoor and indoor space. The design challenges the orthodox concept of what enclosed programs should be.
47
CALA | Massing Diagram
Lay down the required programs on site. Arrange public programs like retail on the bottom and private programs like galleries on top.
Cut out the south corner of the massing to expose the inside of the building. The new massing opens towards the Angels Knoll and Bunker Hill skyline on the opposite corner on the other side of the street.
Adjust the floor heights to create spaces with different scales. Place a spherical auditorium on the corner as an iconic art piece and the statement of the building, also to compensate for the missing area.
Raise the sphere volume to level 2 to free up the ground floor and to better connected to the city’s pedestrian system.
Push the inside surfaces in and out to better engage the building with the sphere volume.
Cut a hole on the top level to introduce sunlight to the lower level of the project to create a naturally illuminated environment. 48
CALA | Perspective View from Level 6 Outdoor Library
49
L1 Plan @ 3’-0”
N 0 ft
L3 Plan @ 33’-0”
10 ft
20 ft
40 ft
50
CALA | Perspective View from Level 8 Gallery
51
L5 Plan @ 63’-0”
N 0 ft
L8 Plan @ 121’-0”
10 ft
20 ft
40 ft
52
CALA | Section Tectonic
Detail A @ 1/2”=1’-0”
Detail B @ 1/2”=1’-0”
Detail C @ 1/2”=1’-0”
53
Wall Section @ 3/16”=1’-0”
CALA | Section Axon
54
CALA | Section Model
55
CALA | Section Model
56
COLUMN ILLUSION | Full Scale Physical Model
57
COLUMN ILLUSION An Exploration of Virtual Space through Optical Illusion Location: YSOA, New Haven, CT Instructor: Amir Karimpour, Fall 2017 1st Year M.Arch Project
This project trys to challenge our conventional perception of space through the use of mirrors. The project started from tectonic exploration of a single building element - column. The ultimate 3D kaleidoscope effect is simulated in Maya. The use of computational tools, including grasshopper scripts and 3d modeling lead to the creation of a series of columns that stemmed from a singular profile with parametric values. The script allowed the design process to be simplified with the values of height, curves and proportions becoming unique aesthetic choices. The complexity of the final design lead to the creation of unique representational methods, ultimately using mirrors and 3d printing of column sections to create the illusion of an infinite room of column colonnades. This strategy allowed the final, physical object to showcase both the design idea and the visual potential of a single column in the physical medium.
58
ACRYLIC INSTALLATION | Partial Axon
59
ACRYLIC INSTALLATION | Detail
60
ACRYLIC INSTALLATION | Physical Model @ 1/8”=1’-0”
61
ACRYLIC INSTALLATION A Material Tectonic Exploration Location: USC, Los Angeles, CA Instructor: Lauren Broughton, Spring 2013 2nd Year Academic Project
This project studies the relationship of materials, connections, and larger systems of assembly towards the creation of an interior environment: a spatial installation. Using a given form, the Small House of SANAA, I am trying to express various spatial quality of the same geometry through transparent materials, blurring the boundary between materials and space.
62
ACRYLIC INSTALLATION | Partial Axon
63
ACRYLIC INSTALLATION | Detail
Double ring connection used here to ensure flexible swing
64
Concept Sketches of Central Plaza
Concept Section of Central Plaza
Sketch of Beer Court Option 1
Sketch of Beer Court Option 2
Sketch of Beer Court Option 3
65
NANCHANG GREENLAND CENTER A Retail Center in the Form of An Entertainment Park Location: Nanchang, China Company: CallisonRTKL, Fall 2016 Professional Project
Nanchang Greenland Center is located on the west side of Gan River, the opposite side of the historical city center. The goal of this project is to create an authentic mixed-use urban destination for the people of Nanchang. The development focuses on living, working, shopping, and playing programs. With hotel, lofts, offices, outdoor retail, and indoor mall, this project will become a prime destination for all the generations. Bounded by Hongwan Avenue to the north and new residential development to the south, the long east west site divides nicely into a lively and vibrant northern commercial district and a serene and quiet southern residential district. Districts further divide into three parcels, and consequently phases, running from east to west.
Office
Hotel
Open Space Retail
Malan Road
Office
Gan River
Hotel
Loft
Wetland Park
Loft Loft
Office
Show -case Retail
Community Lifestyle
Slow Food Plaza
Entertainment Retail
Pro
me
Loft
Office
Wine Yard
nad e
Beer Court Hongwan Road
Loft
Loft
Entertainment Retail
Central Plaza
Community Lifestyle
Office
Retail Mall
Show -case Retail
Dongfeng Canal
Program Diagram
Perspective View of Central Plaza
66
L2 Floor Plan
South Side Perspective Perspective View 67
HAERBING SALES OFFICE A Facade Exploration Location: Haerbing, China Company: CallisonRTKL, Spring 2016 Professional Project
The sales office is created by having the two spiral massing wrap around the cylinder in the middle, with one end facing the main street in front and the other end facing the residential development on the back. The highlight of the project is the facade formed by twisted metal panels, which gives the sales office a vibrant flowing appearance.
Panel Profile & Connection Study
Panel Profile
0 0
50
0 200 50
0
50 150
200 150 50 0
200 50 0
150 0 150 150
150
200
200
200
Unfolded Elevation
Module Panels
68
OTHER WORK | Photograph Taken Around the World
69
OTHER WORK | Photograph Taken In China
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SHIYU GUO sissi.guo@yale.edu 100 Temple St #201 New Haven, CT, USA 06510