PO
R
Architectural Design Work
Shota Enda
TF
LI
2017 - 2019
Shota Enda Date of Birth: 10/03/1996 Nationality: Japanese Location: Osaka,Japan Phone: (+33) 06 52 03 85 80 E-mail: shota.enda@gmail.com
Work Experience 2017-2019
KYO TOMOTAKA ARCHITECTS (Osaka)
Part-time Job : Architectural Design 3D modeling, model making, Make CG
2018
SHOWA SEKKEI (Osaka)
Internship (2 weeks) : Architectural Design planning of toilette
2018
NIKKEN SEKKEI (Tokyo)
Internship (1 week) : Urban Planning
2016
2019Sep.
Master of Architecture ENSA Paris La Villette One year Erasmus exchange as a part of my master at Osaka University
2018 -
Master of Engineering : Architecture Osaka University Graduate School of Engineering, JAPAN
2014 -2018
Bachelor of Engineering : Architecture Osaka University School of Engineering, JAPAN
Apr.
Apr.
Internship (1 month) : Architectural Design model making
Qualification/Skills Rhinoceros 6
Vray
Revit
Model making
AutoCAD
Windows
VectorWorks
Mac OS
Illustrator
InDesign
Photoshop
ArchiCAD
03 | Contents
Education
CHIBA MANABU ARCHITECTS (Tokyo)
Contents
SITE
02
The bund of Shanghai (China) -Design Chinese traditional li-long resitense-
PROJECT Hd 2017.10-
Nd 2018.10-
Es 2017.4-
HYDROPHILIC AGORA -Design several Urban hydrophilic space-
04
AA Visiting School OSAKA -Tradition and Inovation-
NODAL OBSERVATORY
-Design Chinese traditional li-long resitense-
EBYSU TERMINAL STATION
-Redevelopment of the terminal station-
01 Osaka Bay Area (Osaka) -Design of hydrophilic space-
WORKSHOP 2019.3-
AA Visiting School OSAKA Tradition and Inovation
03 Abeno (south Osaka) -development of the terminal station-
05 | Projects
Vs
01
PROJECT
Osaka Bay Area (Osaka) HYDROPHILIC AGORA
-Design of hydrophilic space2017.10-
Nd 2018.10-
Es 2017.4-
-Design several Urban hydrophilic space-
NODAL OBSERVATORY
-Design Chinese traditional li-long resitense-
EBYSU TERMINAL STATION
-Redevelopment of the terminal station-
WORKSHOP Vs 2019.3-
AA Visiting School OSAKA Tradition and Inovation
HYDROPHILIC AGORA Redefinition of revetment wall -Design Urban hydrophilic space-
Diploma Project
Redefinition of revetment wall -Design Urban hydrophilic spaceyear location program
C
2018 Osaka, Japan port of a ferryboat
urrently, in Osaka, I often feel like we don't have enough public space which is available for everyone, and every place cannot use unless we pay the charge for it. In other words, many of the public spaces in the city are attached to large commercial facilities and are maintained by the foundations running their facilities. Although these spaces itself, related to commercial facilities, can be used for free, we still have less area for users and consumers.
01 Site / Context 8 ferry boat services
Taisho Ward, which is surrounded by rivers and the ocean on all sides. some rivers still play a role as transportation. Osaka has still 8 ferry boat services to across the river for pedestrian.
Objective ◀
01
Ochiai-kami
◀ 05 Jimbe
◀
02 Ochiai-shimo
◀ 06 Chitose
The main purpose of this project is redevepment of the urban public space. I respect the existing idling riverside space which separated from the city by port development, and redevelop it as a freely usable public space, without trade-off with building area. Focusing on revetment walls which are dividing rivers and towns in modern times, expanded the wall to make urban public space as a playground and a living room for neighbors. as the only possibility of reactivate the urban hydrophilic space, reconstructed that this expanded w a l l " = A rc h i t e c t u re " a s a c o n n e c t i n g s p a c e connecting the river and the city.
Idling space ◀ 07 Funamachi
◀
03 Senbonmatsu
◀
◀ 08 Tempo-zan
04 Kizugawa 護岸 = revetment, seawall 転成 = redefinition, recreation
11 | Hydrophilic Agora
Accessible space
02 Analysis / History hydrophilic space from Edo era
Changes of water level
Current usage of ships
History of the site Osaka is a city that was created by reclamating the land used to be under the sea, and the city was repeatedly affected by floods. Seawalls were built in the riverside space to deal with the floods, and people lost access to the
river and lost its landscape. However, Only this Site in the Taisho Ward has a culture of the ferryboat from long ago. In this site with ferry boats, there are still some places to access the river across the seawall.
Cultural foundation of using water transport Dynamics of the relation Human - Water
Dynamics of the relation Human - Water
13 | Hydrophilic Agora
OSAKA EXPO 2025
2025
ferry boat
2018
revetment
1995
"kitamae boat"
1854
1832
"Ishi-bato"
THIS PROJECT
03 PLAN / STRATEGY Strategy I loaded some features from around the sites "river level, revetment height, waterflow, land-use, local materials." And I translated them to some a rc h i t e c t u r a l v o c a b u l a r y a s construction diagram to create the space people can feel something relative to water.
float 水に浮かぶ床
sink 水に沈む床
sink
leveling
GL+1300 GL+1250 GL+1000
Perspective
site 03
Perspective
site 01
I defined the level of the slubs reflected the average of river level from the graphs. while the river level change, the slubs go in and out the river response to the level by times.
lead
reflection wrap
expand
insert
Insert - Eave The eaves of the large roof are set as the height of the average water level in the Kizugawa River, which is an index to measure the water level everyday.
Expand - Roof Expanding the top surface of the revetment wall that separates the present living space and the hydrophilic space, and make it a space to which people stay.
4550
4550
4550
4550
3640
4550
4550
7280
4550
船着場
7280
7280
GL+1400
◀
01 Ochiai-kami
◀
03 Senbonmatsu
船着場
7280
GL+1400
7280
水盤 GL+1200
3640
7280
待合空間 GL+1500
5460
2730
待合空間 GL+1500
5460
500
GL+2
0
00
+5
GL
200
300
GL+1
400
GL+1
5460
GL+1
0
20
+1
GL
000
5460
15
47
0
GL+2
200
GL+1 300
GL+1
所 待合 500 GL+1
000
GL+1
63
70
場 船着 250 GL+1
0
75
+1
GL
場
8190
着
船
0
75
+1
GL
80 72
PLAN
0
50
+2
GL
500
GL+1
000
GL+1
0
50
+2
7280
54
60
GL
9100
3640
7280
4550
3640
6370
5460
000 GL+5
3640
4550
04 Kizugawa 15 | Hydrophilic Agora
空間 ィス オフ 000 GL+5
空間 共用 500 GL+5
7280
5460
2730
5460
4550
空間 ィス オフ 000 GL+5
3640
◀
6370 6370
4550
3640
2730
3640
637
0
637
0
637
0
637
0
637
0
637
0
364
0
364
0
7 GL+
6
450
0
4
6
GL+
Residence
637 0
6
Industry
Residence
Business
400
0
637 0 637 0
4 GL+
6
0
7
GL+
5
GL+
450
600
0
637
7
Back plan
Second floor plan
500
0
0
1
GL+
0
637 0
6 2
637 0
0
0
150
5
500
637
GL+
637 0
4
0
637
2
0
637 455
0 455
728
0
0 455
0 364
待合
GL+
0
所
150
0
455
0
2 728
0
1 2 3
事務
728 0
所
455
0
GL+
220
455 0
0
728
455
0
6
364
0
728
0
6
GL+
450
728
0
455 0
0
吹き 抜け
GL+
220
GL+
0
0
6
GL+
0
6
728
1. ferry stop 2. waiting room 3. administration 4. common space 5. parking 6. study space 7. deck
GL+ 2 ラウ 000 ンジ
4
450
5
GL+
6
350
0
420
0
吹き 抜け GL+
7
400
0
GL+
350
0
Second floor plan
First floor plan
21 | Hydrophilic Agora
This site is industrial and business area in between residences. and in one side there is a school, most of students go to there through this site. thus this place is mainly used by students. that is why I assume the academic function in this site for students and neighbors as well.
7
600
0
Ochiai-shimo
0
02
吹き 抜け
6
728 0
0
5
455
site
455
GL+
0
Function - Academic For students who regularly pass through this site to school, I propose a place to study between their school and home. In this site, I created a green space by capturing the flow of the river, set up desks along the revetment, and set up places where we could study and talk with each other. it's going to be a place to talk with friends or study as an extension of school.
▽TL GL+9000
▽2FL GL+5000 3750
3500
▽1FL GL+1000
site 02
1250
1500
Perspective
Section site 02 7200
7200
7200
7200
7200
7200
7200
落合下渡船場 断面図 S=1:400
7200
PRODUCED BY AN AUTODESK STUDENT VERSION
2180
58
1100
347
350
1000
25
Study Space 910
910
30
315
495
50 30
1419
181
670
89 400
Platform
425 3660
2000
The eaves of the large roof are set as the height of the average water level in the Kizugawa River, which is an index to measure the water level everyday.
Deck
2500
Insert - Eave
25
Expanding the top surface of the revetment wall that separates the present living space and the hydrophilic space, and make it a space to which people stay.
144
Expand - Roof
PRODUCED BY AN AUTODESK STUDENT VERSION
1320
Axonometric
Section Detail site 02
7
01 Ochiai-kami Port of a ferryboat
02 Ochiai-shimo Port of a ferryboat 3640 3640
03 Senbonmatsu
吹き 抜け
4550
Port of a ferryboat
4550 4550
4 4
04 kizugawa Port of a ferryboat
吹き 抜け
7 7280
7
Second floor plan
1
7280
2 船着 場 GL+1 400
2 7280
4 待合
空間 500
3640
GL+1
4550 4550 4550
7280
3640 4550
2 4550
7280
4550 3640 4550
7280
01
7280
7 2730
7280
7
7280
吹き 抜け
5
待合 空間 GL+1 500
4
吹き 抜け
Second floor plan
First floor plan S=1:300
17 | Hydrophilic Agora
1. ferry stop 2. waiting room 3. administration 4. common space 5. parking 6. study space 7. deck
2730
Focusing on revetment walls which are dividing rivers and towns in modern times, expanded the wall to make urban public space as a playground and a living room for neighbors. as the only possibility of reactivate the urban hydrophilic space, reconstructed that this expanded wall"=Architecture" as a connecting space connecting the river and the city.
水盤 GL+1 200
3
Ochiai-kami
2
1
4550
site
船着 場 GL+1 400
First floor plan
GL
+5
00
0
3
60
0
54
2
0
75
50 +2
GL
+1
船
81
着
90
場
1
GL
2
0
47
15
4
け 抜 き 吹
70
GL
80
0 50 +3 GL
72
50 0+0 +5 GL
+2
50
0
0 00 +6 GL
63
4
所 合 0 待 400 + GL
60
54
0 00 +5 GL
6 54
0
54
60
5
+
2
54
60
GL
吹 き 抜
け
UP
0
0 12
00
0
40
+1
GL
54
60
5 +2
GL
5
け
0
30
+1
GL
吹 き 抜
4
0
47
90 81
場 着 0 船 125 + GL
Second floor plan 60
54
2
4 0
00
+1
GL
0
50
+1
GL
4
site
03
Senbonmatsu 1. ferry stop 2. waiting room 3. administration 4. common space 5. parking
The third port from the upstream of Kizu River. Residential areas and small and medium-sized factories are mixed in the surrounding area. Although there are many families, there is no open space for children to play.
25 | Hydrophilic Agora
GL
80
0
30
+1
GL
1
00
0 +1
4 72
7
0
20
+1
GL
2
70
0
+2
GL
00
15
+ GL
63
所
合
待
00
15
3
GL
60
1
54
け 抜 き 吹
+1
75
0
54
60
54
60
GL
+1
20
0
4
3640
駐輪スペース
7280
GL+1500
7280 3640
2
待合所
GL+1500
2730
3640
5460
5
船着場
1
5460
2
5
GL+1500
3640
3640
5460
7280
GL+5000
6
5
3
7280
GL+5000
オフィス空間
First floor plan 4550
3640 5460
4
GL+5000
7280
6
6370
6370
6
オフィス空間
2730
共用空間 GL+5500
6370
5
6370
6
7280
4
7
4550
4 2
4550 9100
6
2730
6
1 4550
2730
5 2
3640
3640
4550
1
4550
6370
4
5460
4550
1. ferry stop 2. waiting room 3. administration 4. common space 5. parking 6. office 7. deck
5460
There are no houses around the site, and there are large factories such as shipbuilding and steel industry. This location is mainly used by employees of the factory for daily commuting.
4550
Kizugawa
6370
04
7 9100
site
3
First floor plan
Second floor plan
02
The bund of Shanghai (China) -Design Chinese traditional li-long resitense-
PROJECT Hd 2017.10-
2018.10-
Es 2017.4-
HYDROPHILIC AGORA -Design several Urban hydrophilic space-
NODAL OBSERVATORY
-Design Chinese traditional li-long resitense-
EBYSU TERMINAL STATION
-Redevelopment of the terminal station-
WORKSHOP Vs 2019.3-
AA Visiting School OSAKA Tradition and Inovation
NODAL OBSERVATORY
Shanghai-joint workshop 2018
Shanghai-joint workshop 2018 with Tong-ji university
Historical European style buildings / Li-long residential area year location program
2018
Shanghai, China commerce, hotel, office, library
T his is a design Chinese traditional li-long resitense. There are a couple of things I have thought about working on this subject. At first, we take look a series of a new and historical building at the Waitan area in the detail.
Both are beautiful and having important history, contexts, and concepts like as we consider them at the building. And this is the reason why we think we should recognize again about the relations between new and historical buildings.the building already built on this site, having a facade just imitating Western style is a incorrect way to respect the relation of two series of buildings.
01 Context / History Historical European style buildings / Li-long residential area
As we consider about this sensitive problem, Contrary, we regard this area as not the part of the bund but the turning or end point of the series of traditional buildings. We propose this building as observatory. Not imitate the historical building, we should discard the existing methods for preserve the historical facade
Analysis
â—€ n
ea op ur
lE
ica
or
st
Hi yle
st gs
in
ild
bu
Traffic conditions
Li-long residence
th
e
bu
nd
Series of historical facades
Back plan
View from this site
â—€
02 PLAN
ica or st Hi
Historical European style buildings / Li-long residential area
op ur
lE n ea yle st gs in
nd bu
ild bu
R+5 plan
2
5
R+4 plan
1
2
7
2
7
R+3 plan 2
3
2
Li-long residential area 7
R+2 plan 1. entrance 2. commerce 3. event space 4. reception/ robby 5. administration 6. terrace 7. square
RDC plan
R+1 plan
This square is intended not only horizontally to match to the scale of the li-long but also vertically to ensure the adequate scale for residents by surrounding by an artificial deck and some green Northern Square -semi-public space for li-long -
We considered what we should do for who live in this place li-long. As this result, we created the park at the side of li-long with surrounding the commerce re s i d e n t s w i l l u s e . T h i s square would connect between li-long area and central square and even the bund area which mainly used by tourists.
Section
Southern Square - semi-private space for li-long -
02 Plan Historical European style buildings / Li-long residential area
R+16
OFFICE individual / shared
R+15
OFFICE individual / shared
R+9 plan
R+13 plan
R+14
R+16 plan
OFFICE individual / shared
R+13
OFFICE individual / shared
R+12
OFFICE individual / shared
R+11
R+8 plan
R+12 plan
R+10
R+15 plan
R+9
OFFICE individual / shared
OFFICE individual / shared
OFFICE ADMINISTRATION individual / shared
R+7 plan
R+6 plan
R+11 plan
R+10 plan
R+14 plan
Axonometric
1. entrance 2. commerce 3. event space 4. reception/ robby 5. administration 6. terrace 7. square 8. common space 9. parking
Central Square - intersection of residents and touristsThis square has an open void which connect lower side to the upper side with a series of the circulation by escalator from the grand floor to the 4th floor. So people who visit here can easily go up to the 4th floor.
And around this void, there is a row of the shops. the lower side shop is daily use and upper side shop is the brand shop for tourist. This place would be the center of the activities.
7F
8F
9F
10F
11F
12F
13F
14F
15F ‌Floor
17F
I intended as you go to the lower side, you have the smaller the slab area and the larger public space, with stacking the boxes which have several functions. Office and hotel are separated each other by central core. this tower has co-existing layers with shifting one to z-direction a little bit from the other and people can move from one to the other without disturbing the others. People can reach the middle-level slab both from the office side and hotel side. the middle-level slabs have the function used by visitors, such as common library, rest space, small sports playing room, restaurant, and having green for relaxation outside as well. Elevation
41 | Nodal Observatory
16F
03 Abeno (south Osaka) -development of the terminal station-
PROJECT Hd 2017.10-
Nd 2018.10-
HYDROPHILIC AGORA -Design several Urban hydrophilic space-
NODAL OBSERVATORY
-Design Chinese traditional li-long resitense-
EBYSU TERMINAL STATION 2017.4-
-Redevelopment of the terminal station-
WORKSHOP Vs 2019.3-
AA Visiting School OSAKA Tradition and Inovation
EBYSU TERMINAL STATION
bachelor project 2017
Redevelopment of the terminal station year location program
2017 Osaka, Japan tram station, hostel
01 Context / History abeno
diagram
A site nearby Shinsekai, south Osaka. this is the ter minal station connected to Abeno,center of Osaka. It is a place prospering as one of Osaka's biggest entertainment districts, especially popular among foreign tourists, and it is a place where many foreigners visit. In the north there are streets of geek culture such as Otaku, which is a former electric town, and now Otaku, there is a street of Otaku culture in the south and Abeno Harukasu and Tobita Shinchi which is a deep
part of Osaka, so you can go to Sumiyoshi Taisha by a single tram And is full of various contents. Even if putting a commercial facility easily, it is consumed immediately, and the whirlpool of dismantling can be involved as soon as it is left behind in fashion. It will only prolong life. It becomes a crowd of disappearance from the New World, and further visualization of the charm of the New World by its bustle appearing as a facade.
02 PLAN
R+5
HOSTEL ROOM
R+4
HOSTEL ROOM
R+3
10
HOSTEL ROOM
9 R+2.5
HOSTEL ROOM
R+2
HOSTEL ROOM
5
R+1
HOSTEL SHARED ROOM SHARED KITCHEN
1
4
7
RDC
TRAM STATION STATION COMMERCE
7
9 7
1. gallary 2. shared ketchen 3. event space 4. reception/ robby 5. administration 6. terrace 7. hostel bedroom 8. public bath 9. common space 10. parking
9
RDC plan
02 PLAN Function / Circulation
1
2
9
7
Elevation
7 大浴
場
9
8
9
7
R+1 plan
9
2 7
North Section S=1/200
R+2.5 plan
1. gallary 2. shared ketchen 3. event space 4. reception/ robby 5. administration 6. terrace 7. hostel bedroom 8. public bath 9. common space 10. parking
04
AA Visiting School OSAKA -Tradition and Inovation-
PROJECT Hd 2017.10-
Nd 2018.10-
Es 2017.4-
HYDROPHILIC AGORA -Design several Urban hydrophilic space-
NODAL OBSERVATORY
-Design Chinese traditional li-long resitense-
EBYSU TERMINAL STATION
-Redevelopment of the terminal station-
WORKSHOP Vs 2019.3-
AA Visiting School OSAKA Tradition and Inovation
Vs
TRADITION AND INOVATION ARCHITECTURAL ASSOCIATION VISITING SCHOOL SCHOOL OF ARCHITECTURE LONDON
AA Visiting School OSAKA year location program
2019 Osaka, Japan 1/1 mockup
The Osaka Visiting School will bring together leading figures in both fields: lecture-based and advanced modelling activities will be opposed to practical wood working workshops thanks to close collaboration with the Takenaka Museum, Carpenter’s Tool Museum as well as visit to traditional architectures in the prefecture area (Todai-ji Temple, Jodo-ji Temple, etc.). After a thorough understanding of old values, the approach will be to better understand until which extent new technologies can support the revitalization of the traditional building culture. As these relations and processes will be studied and highlighted, students will be able to design and realize a new interpretation of a small wooden building, in the form a small temple, a tea house or simply a traditional pavilion that will incorporate several design choices related to traditions. Attention to details, both in terms of design and construction is extremely important, in order to satisfy all the necessary requirements as consideration on size system, framework, decorativeness, festivals and rituals. Collaborations with carpenter’s workshops or digital fabrication labs will be arranged to fully support fabrication process.
01 Context tradition and inovation
PAGODA Roof is an essential part of the image of the japanese pagodas. It defines the skyline of the traditional city, and add the mass and the weight that the religious significance requires. As most of the pagodas were designed to be looked from far away, the roof silhouette describes the proportion and the general design intentions of the building.
DIGITAL FABRICATION The main topic of the workshop was to understand the relationship between the traditional japanese architecture and techniques from a modern perspective, both conceptually and in terms of tools and processes.
REPETITION Traditional Japanese architecture is based on the notion of proportion, function and beauty. The repetition of structual elements creates an hipnotic and beautiful architectural language that has became the esential
Carpentry masterpieces and traditional knowledge Carpentry masterpieces have been the at core of Takenaka Corporation’s realizations for over 400 years, from traditional buildings to offices and houses, all over Japan. Wood working techniques, tools and skills have been handed down from generation to generation in a Country where a building and its components have very strong meanings. However, the efficiency that nowadays is demanded, both in terms of time and costs, is seeing the traditional knowledge slowly fading. Traditional rules of proportions, fabrication techniques and strong relations with the building material are making space to economically driven factors that suffocate a strong cultural identity, that is being lost. Japan is a country that is facing depopulation and we think that retrieving its culture would improve architecture and life quality. Though technology is thought to soon replace human labour, there is a wide variety of metaphysical concepts dear to people that cannot not be learnt by machines. At the moment, we find ourselves in a situation where old carpenters have the knowledge, tools and skills to revive such fading building culture and where the young generation is experimenting and dealing with robots, advanced fabrication techniques and virtual worlds: a toolset mostly unknown to the older generation. Takenaka as leader in construction in Japan, is willing to reunite and put together these two generations to secure a new dawn for the traditional building techniques.
02 Design
GROUP STUDY_ PAG | ODA MYKOLA TSYHARIN, THOMAS ESSEX-PLATH, SHOTA ENDA, RICARDO V, QIAN SHA, HIROYA INAGE
tradition and inovation
Traditions change, societies evolve. The knowledge builds up on the experience gained through the iterative trial-and-error process. The Japanese Carpentry came to perfection after this process has been going on for thousands of years, shaped by the climatic conditions, the seismic activity, the culture and the available materials throughout the Japanese islands. The Reciprocal Pagoda is a symbol of this knowledge, showing a structure that builds up on itself. It reveals the craft manship of the carpenters through the complexity of its joints. But it also exposes the fragility of a tradition that can be easily lost, if it is not transmitted to the new generations, if it doesn’t adapt to the changes in society.
CONCEPT 1) Respect the central pillar 2) Make the central pillar visible 3) Emphasize centrality 4) Draw people inside 5) Make inside dynamic, Emphasize verticality and centrality
FINAL DESIGN
DIAGRAMS
3rd Level
1. Centarize Rafter/Inner Ring Joint
Rafter/Rafter Joint
Rafter/Outer Ring Joint
Rafter/Column Joint
2nd Level
Roof Patterns
Roof Structure
1st Level
2. Split
3. Emphasize Center
03 Fabrication detail tradition and inovation
RULED SURFACE Following the rotation of the reciprocal structure, the roof expands between the main structural members of the pagoda: the rafters, creating a ruled surface. The ruled surface is solved with a stagered waffle system
that sits on top of the main structural members. Roof and tower structure are independent from each other so the design, fabrication and assembly of the roof could happen in paralel whilst the main structure is
Front view perspective
JOINERY DETAILS
1
1 2 3
1
Primary Roof Members
2
Secondary Roof Members
3
Tension Ring
4
Compresion Ring
5
Rafters
PROCESS Process was driven by material and assembly constrains. To accomodate the varying lenghts of Hinoki panels, primary members were extended by using “finger joints”. Secondary members act as a secondary structure to the roof, supporting primary members and locking the “finger joints”.
3
4
5 1
2
Plan Diagram
04 Assemble tradition and inovation
