2017-2019 portfolio

PO

R

Architectural Design Work

Shota Enda

TF

LI

2017 - 2019

Shota Enda Date of Birth: 10/03/1996 Nationality: Japanese Location: Osaka,Japan Phone: (+33) 06 52 03 85 80 E-mail: shota.enda@gmail.com

Work Experience 2017-2019

KYO TOMOTAKA ARCHITECTS (Osaka)

Part-time Job : Architectural Design 3D modeling, model making, Make CG

2018

SHOWA SEKKEI (Osaka)

Internship (2 weeks) : Architectural Design planning of toilette

2018

NIKKEN SEKKEI (Tokyo)

Internship (1 week) : Urban Planning

2016

2019Sep.

Master of Architecture ENSA Paris La Villette One year Erasmus exchange as a part of my master at Osaka University

2018 -

Master of Engineering : Architecture Osaka University Graduate School of Engineering, JAPAN

2014 -2018

Bachelor of Engineering : Architecture Osaka University School of Engineering, JAPAN

Apr.

Apr.

Internship (1 month) : Architectural Design model making

Qualification/Skills Rhinoceros 6

Vray

Revit

Model making

AutoCAD

Windows

VectorWorks

Mac OS

Illustrator

InDesign

Photoshop

ArchiCAD

03 | Contents

Education

CHIBA MANABU ARCHITECTS (Tokyo)

Contents

SITE

02

The bund of Shanghai (China) -Design Chinese traditional li-long resitense-

PROJECT Hd 2017.10-

Nd 2018.10-

Es 2017.4-

HYDROPHILIC AGORA -Design several Urban hydrophilic space-

04

AA Visiting School OSAKA -Tradition and Inovation-

NODAL OBSERVATORY

-Design Chinese traditional li-long resitense-

EBYSU TERMINAL STATION

-Redevelopment of the terminal station-

01 Osaka Bay Area (Osaka) -Design of hydrophilic space-

WORKSHOP 2019.3-

AA Visiting School OSAKA Tradition and Inovation

03 Abeno (south Osaka) -development of the terminal station-

05 | Projects

Vs

01

PROJECT

Osaka Bay Area (Osaka) HYDROPHILIC AGORA

-Design of hydrophilic space2017.10-

Nd 2018.10-

Es 2017.4-

-Design several Urban hydrophilic space-

NODAL OBSERVATORY

-Design Chinese traditional li-long resitense-

EBYSU TERMINAL STATION

-Redevelopment of the terminal station-

WORKSHOP Vs 2019.3-

AA Visiting School OSAKA Tradition and Inovation

HYDROPHILIC AGORA Redefinition of revetment wall -Design Urban hydrophilic space-

Diploma Project

Redefinition of revetment wall -Design Urban hydrophilic spaceyear location program

C

2018 Osaka, Japan port of a ferryboat

urrently, in Osaka, I often feel like we don't have enough public space which is available for everyone, and every place cannot use unless we pay the charge for it. In other words, many of the public spaces in the city are attached to large commercial facilities and are maintained by the foundations running their facilities.

Although these spaces itself, related to commercial facilities, can be used for free, we still have less area for users and consumers.

01 Site / Context 8 ferry boat services

Taisho Ward, which is surrounded by rivers and the ocean on all sides. some rivers still play a role as transportation. Osaka has still 8 ferry boat services to across the river for pedestrian.

Objective ◀

01

Ochiai-kami

◀ 05 Jimbe

◀

02 Ochiai-shimo

◀ 06 Chitose

The main purpose of this project is redevepment of the urban public space.

I respect the existing idling riverside space which separated from the city by port development, and redevelop it as a freely usable public space, without trade-off with building area.

Focusing on revetment walls which are dividing rivers and towns in modern times, expanded the wall to make urban public space as a playground and a living room for neighbors. as the only possibility of reactivate the urban hydrophilic space, reconstructed that this expanded w a l l " = A rc h i t e c t u re " a s a c o n n e c t i n g s p a c e connecting the river and the city.

Idling space ◀ 07 Funamachi

◀

03 Senbonmatsu

◀

◀ 08 Tempo-zan

04 Kizugawa 護岸 = revetment, seawall 転成 = redefinition, recreation

11 | Hydrophilic Agora

Accessible space

02 Analysis / History hydrophilic space from Edo era

Changes of water level

Current usage of ships

History of the site Osaka is a city that was created by reclamating the land used to be under the sea, and the city was repeatedly affected by floods. Seawalls were built in the riverside space to deal with the floods, and people lost access to the

river and lost its landscape. However, Only this Site in the Taisho Ward has a culture of the ferryboat from long ago. In this site with ferry boats, there are still some places to access the river across the seawall.

Cultural foundation of using water transport Dynamics of the relation Human - Water

Dynamics of the relation Human - Water

13 | Hydrophilic Agora

OSAKA EXPO 2025

2025

ferry boat

2018

revetment

1995

"kitamae boat"

1854

1832

"Ishi-bato"

THIS PROJECT

03 PLAN / STRATEGY Strategy I loaded some features from around the sites "river level, revetment height, waterflow, land-use, local materials."

And I translated them to some a rc h i t e c t u r a l v o c a b u l a r y a s construction diagram to create the space people can feel something relative to water.

float 水に浮かぶ床

sink 水に沈む床

sink

leveling

GL+1300 GL+1250 GL+1000

Perspective

site 03

Perspective

site 01

I defined the level of the slubs reflected the average of river level from the graphs. while the river level change, the slubs go in and out the river response to the level by times.

lead

reflection wrap

expand

insert

Insert - Eave The eaves of the large roof are set as the height of the average water level in the Kizugawa River, which is an index to measure the water level everyday.

Expand - Roof Expanding the top surface of the revetment wall that separates the present living space and the hydrophilic space, and make it a space to which people stay.

4550

4550

4550

4550

3640

4550

4550

7280

4550

船着場

7280

7280

GL+1400

◀

01 Ochiai-kami

◀

03 Senbonmatsu

船着場

7280

GL+1400

7280

水盤 GL+1200

3640

7280

待合空間 GL+1500

5460

2730

待合空間 GL+1500

5460

500

GL+2

0

00

+5

GL

200

300

GL+1

400

GL+1

5460

GL+1

0

20

+1

GL

000

5460

15

47

0

GL+2

200

GL+1 300

GL+1

所 待合 500 GL+1

000

GL+1

63

70

場 船着 250 GL+1

0

75

+1

GL

場

8190

着

船

0

75

+1

GL

80 72

PLAN

0

50

+2

GL

500

GL+1

000

GL+1

0

50

+2

7280

54

60

GL

9100

3640

7280

4550

3640

6370

5460

000 GL+5

3640

4550

04 Kizugawa 15 | Hydrophilic Agora

空間 ィス オフ 000 GL+5

空間 共用 500 GL+5

7280

5460

2730

5460

4550

空間 ィス オフ 000 GL+5

3640

◀

6370 6370

4550

3640

2730

3640

637

0

637

0

637

0

637

0

637

0

637

0

364

0

364

0

7 GL+

6

450

0

4

6

GL+

Residence

637 0

6

Industry

Residence

Business

400

0

637 0 637 0

4 GL+

6

0

7

GL+

5

GL+

450

600

0

637

7

Back plan

Second floor plan

500

0

0

1

GL+

0

637 0

6 2

637 0

0

0

150

5

500

637

GL+

637 0

4

0

637

2

0

637 455

0 455

728

0

0 455

0 364

待合

GL+

0

所

150

0

455

0

2 728

0

1 2 3

事務

728 0

所

455

0

GL+

220

455 0

0

728

455

0

6

364

0

728

0

6

GL+

450

728

0

455 0

0

吹き 抜け

GL+

220

GL+

0

0

6

GL+

0

6

728

1. ferry stop 2. waiting room 3. administration 4. common space 5. parking 6. study space 7. deck

GL+ 2 ラウ 000 ンジ

4

450

5

GL+

6

350

0

420

0

吹き 抜け GL+

7

400

0

GL+

350

0

Second floor plan

First floor plan

21 | Hydrophilic Agora

This site is industrial and business area in between residences. and in one side there is a school, most of students go to there through this site. thus this place is mainly used by students. that is why I assume the academic function in this site for students and neighbors as well.

7

600

0

Ochiai-shimo

0

02

吹き 抜け

6

728 0

0

5

455

site

455

GL+

0

Function - Academic For students who regularly pass through this site to school, I propose a place to study between their school and home.

In this site, I created a green space by capturing the flow of the river, set up desks along the revetment, and set up places where we could study and talk with each other. it's going to be a place to talk with friends or study as an extension of school.

▽TL GL+9000

▽2FL GL+5000 3750

3500

▽1FL GL+1000

site 02

1250

1500

Perspective

Section site 02 7200

7200

7200

7200

7200

7200

7200

落合下渡船場 断面図 S=1:400

7200

PRODUCED BY AN AUTODESK STUDENT VERSION

2180

58

1100

347

350

1000

25

Study Space 910

910

30

315

495

50 30

1419

181

670

89 400

Platform

425 3660

2000

The eaves of the large roof are set as the height of the average water level in the Kizugawa River, which is an index to measure the water level everyday.

Deck

2500

Insert - Eave

25

Expanding the top surface of the revetment wall that separates the present living space and the hydrophilic space, and make it a space to which people stay.

144

Expand - Roof

PRODUCED BY AN AUTODESK STUDENT VERSION

1320

Axonometric

Section Detail site 02

7

01 Ochiai-kami Port of a ferryboat

02 Ochiai-shimo Port of a ferryboat 3640 3640

03 Senbonmatsu

吹き 抜け

4550

Port of a ferryboat

4550 4550

4 4

04 kizugawa Port of a ferryboat

吹き 抜け

7 7280

7

Second floor plan

1

7280

2 船着 場 GL+1 400

2 7280

4 待合

空間 500

3640

GL+1

4550 4550 4550

7280

3640 4550

2 4550

7280

4550 3640 4550

7280

01

7280

7 2730

7280

7

7280

吹き 抜け

5

待合 空間 GL+1 500

4

吹き 抜け

Second floor plan

First floor plan S=1:300

17 | Hydrophilic Agora

1. ferry stop 2. waiting room 3. administration 4. common space 5. parking 6. study space 7. deck

2730

Focusing on revetment walls which are dividing rivers and towns in modern times, expanded the wall to make urban public space as a playground and a living room for neighbors. as the only possibility of reactivate the urban hydrophilic space, reconstructed that this expanded wall"=Architecture" as a connecting space connecting the river and the city.

水盤 GL+1 200

3

Ochiai-kami

2

1

4550

site

船着 場 GL+1 400

First floor plan

GL

+5

00

0

3

60

0

54

2

0

75

50 +2

GL

+1

船

81

着

90

場

1

GL

2

0

47

15

4

け 抜 き 吹

70

GL

80

0 50 +3 GL

72

50 0+0 +5 GL

+2

50

0

0 00 +6 GL

63

4

所 合 0 待 400 + GL

60

54

0 00 +5 GL

6 54

0

54

60

5

+

2

54

60

GL

吹 き 抜

け

UP

0

0 12

00

0

40

+1

GL

54

60

5 +2

GL

5

け

0

30

+1

GL

吹 き 抜

4

0

47

90 81

場 着 0 船 125 + GL

Second floor plan 60

54

2

4 0

00

+1

GL

0

50

+1

GL

4

site

03

Senbonmatsu 1. ferry stop 2. waiting room 3. administration 4. common space 5. parking

The third port from the upstream of Kizu River.

Residential areas and small and medium-sized factories are mixed in the surrounding area.

Although there are many families, there is no open space for children to play.

25 | Hydrophilic Agora

GL

80

0

30

+1

GL

1

00

0 +1

4 72

7

0

20

+1

GL

2

70

0

+2

GL

00

15

+ GL

63

所

合

待

00

15

3

GL

60

1

54

け 抜 き 吹

+1

75

0

54

60

54

60

GL

+1

20

0

4

3640

駐輪スペース

7280

GL+1500

7280 3640

2

待合所

GL+1500

2730

3640

5460

5

船着場

1

5460

2

5

GL+1500

3640

3640

5460

7280

GL+5000

6

5

3

7280

GL+5000

オフィス空間

First floor plan 4550

3640 5460

4

GL+5000

7280

6

6370

6370

6

オフィス空間

2730

共用空間 GL+5500

6370

5

6370

6

7280

4

7

4550

4 2

4550 9100

6

2730

6

1 4550

2730

5 2

3640

3640

4550

1

4550

6370

4

5460

4550

1. ferry stop 2. waiting room 3. administration 4. common space 5. parking 6. office 7. deck

5460

There are no houses around the site, and there are large factories such as shipbuilding and steel industry. This location is mainly used by employees of the factory for daily commuting.

4550

Kizugawa

6370

04

7 9100

site

3

First floor plan

Second floor plan

02

The bund of Shanghai (China) -Design Chinese traditional li-long resitense-

PROJECT Hd 2017.10-

2018.10-

Es 2017.4-

HYDROPHILIC AGORA -Design several Urban hydrophilic space-

NODAL OBSERVATORY

-Design Chinese traditional li-long resitense-

EBYSU TERMINAL STATION

-Redevelopment of the terminal station-

WORKSHOP Vs 2019.3-

AA Visiting School OSAKA Tradition and Inovation

NODAL OBSERVATORY

Shanghai-joint workshop 2018

Shanghai-joint workshop 2018 with Tong-ji university

Historical European style buildings / Li-long residential area year location program

2018

Shanghai, China commerce, hotel, office, library

T his is a design Chinese traditional li-long resitense. There are a couple of things I have thought about working on this subject.

At first, we take look a series of a new and historical building at the Waitan area in the detail.

Both are beautiful and having important history, contexts, and concepts like as we consider them at the building. And this is the reason why we think we should recognize again about the relations between new and historical buildings.the building already built on this site, having a facade just imitating Western style is a incorrect way to respect the relation of two series of buildings.

01 Context / History Historical European style buildings / Li-long residential area

As we consider about this sensitive problem, Contrary, we regard this area as not the part of the bund but the turning or end point of the series of traditional buildings.

We propose this building as observatory.

Not imitate the historical building, we should discard the existing methods for preserve the historical facade

Analysis

â—€ n

ea op ur

lE

ica

or

st

Hi yle

st gs

in

ild

bu

Traffic conditions

Li-long residence

th

e

bu

nd

Series of historical facades

Back plan

View from this site

â—€

02 PLAN

ica or st Hi

Historical European style buildings / Li-long residential area

op ur

lE n ea yle st gs in

nd bu

ild bu

R+5 plan

2

5

R+4 plan

1

2

7

2

7

R+3 plan 2

3

2

Li-long residential area 7

R+2 plan 1. entrance 2. commerce 3. event space 4. reception/ robby 5. administration 6. terrace 7. square

RDC plan

R+1 plan

This square is intended not only horizontally to match to the scale of the li-long but also vertically to ensure the adequate scale for residents by surrounding by an artificial deck and some green Northern Square -semi-public space for li-long -

We considered what we should do for who live in this place li-long. As this result, we created the park at the side of li-long with surrounding the commerce re s i d e n t s w i l l u s e . T h i s square would connect between li-long area and central square and even the bund area which mainly used by tourists.

Section

Southern Square - semi-private space for li-long -

02 Plan Historical European style buildings / Li-long residential area

R+16

OFFICE individual / shared

R+15

OFFICE individual / shared

R+9 plan

R+13 plan

R+14

R+16 plan

OFFICE individual / shared

R+13

OFFICE individual / shared

R+12

OFFICE individual / shared

R+11

R+8 plan

R+12 plan

R+10

R+15 plan

R+9

OFFICE individual / shared

OFFICE individual / shared

OFFICE ADMINISTRATION individual / shared

R+7 plan

R+6 plan

R+11 plan

R+10 plan

R+14 plan

Axonometric

1. entrance 2. commerce 3. event space 4. reception/ robby 5. administration 6. terrace 7. square 8. common space 9. parking

Central Square - intersection of residents and touristsThis square has an open void which connect lower side to the upper side with a series of the circulation by escalator from the grand floor to the 4th floor. So people who visit here can easily go up to the 4th floor.

And around this void, there is a row of the shops. the lower side shop is daily use and upper side shop is the brand shop for tourist. This place would be the center of the activities.

7F

8F

9F

10F

11F

12F

13F

14F

15F ‌Floor

17F

I intended as you go to the lower side, you have the smaller the slab area and the larger public space, with stacking the boxes which have several functions.

Office and hotel are separated each other by central core. this tower has co-existing layers with shifting one to z-direction a little bit from the other and people can move from one to the other without disturbing the others.

People can reach the middle-level slab both from the office side and hotel side. the middle-level slabs have the function used by visitors, such as common library, rest space, small sports playing room, restaurant, and having green for relaxation outside as well.

Elevation

41 | Nodal Observatory

16F

03 Abeno (south Osaka) -development of the terminal station-

PROJECT Hd 2017.10-

Nd 2018.10-

HYDROPHILIC AGORA -Design several Urban hydrophilic space-

NODAL OBSERVATORY

-Design Chinese traditional li-long resitense-

EBYSU TERMINAL STATION 2017.4-

-Redevelopment of the terminal station-

WORKSHOP Vs 2019.3-

AA Visiting School OSAKA Tradition and Inovation

EBYSU TERMINAL STATION

bachelor project 2017

Redevelopment of the terminal station year location program

2017 Osaka, Japan tram station, hostel

01 Context / History abeno

diagram

A site nearby Shinsekai, south Osaka. this is the ter minal station connected to Abeno,center of Osaka. It is a place prospering as one of Osaka's biggest entertainment districts, especially popular among foreign tourists, and it is a place where many foreigners visit.

In the north there are streets of geek culture such as Otaku, which is a former electric town, and now Otaku, there is a street of Otaku culture in the south and Abeno Harukasu and Tobita Shinchi which is a deep

part of Osaka, so you can go to Sumiyoshi Taisha by a single tram And is full of various contents.

Even if putting a commercial facility easily, it is consumed immediately, and the whirlpool of dismantling can be involved as soon as it is left behind in fashion. It will only prolong life.

It becomes a crowd of disappearance from the New World, and further visualization of the charm of the New World by its bustle appearing as a facade.

02 PLAN

R+5

HOSTEL ROOM

R+4

HOSTEL ROOM

R+3

10

HOSTEL ROOM

9 R+2.5

HOSTEL ROOM

R+2

HOSTEL ROOM

5

R+1

HOSTEL SHARED ROOM SHARED KITCHEN

1

4

7

RDC

TRAM STATION STATION COMMERCE

7

9 7

1. gallary 2. shared ketchen 3. event space 4. reception/ robby 5. administration 6. terrace 7. hostel bedroom 8. public bath 9. common space 10. parking

9

RDC plan

02 PLAN Function / Circulation

1

2

9

7

Elevation

7 大浴

場

9

8

9

7

R+1 plan

9

2 7

North Section S=1/200

R+2.5 plan

1. gallary 2. shared ketchen 3. event space 4. reception/ robby 5. administration 6. terrace 7. hostel bedroom 8. public bath 9. common space 10. parking

04

AA Visiting School OSAKA -Tradition and Inovation-

PROJECT Hd 2017.10-

Nd 2018.10-

Es 2017.4-

HYDROPHILIC AGORA -Design several Urban hydrophilic space-

NODAL OBSERVATORY

-Design Chinese traditional li-long resitense-

EBYSU TERMINAL STATION

-Redevelopment of the terminal station-

WORKSHOP Vs 2019.3-

AA Visiting School OSAKA Tradition and Inovation

Vs

TRADITION AND INOVATION ARCHITECTURAL ASSOCIATION VISITING SCHOOL SCHOOL OF ARCHITECTURE LONDON

AA Visiting School OSAKA year location program

2019 Osaka, Japan 1/1 mockup

The Osaka Visiting School will bring together leading figures in both fields: lecture-based and advanced modelling activities will be opposed to practical wood working workshops thanks to close collaboration with the Takenaka Museum, Carpenter’s Tool Museum as well as visit to traditional architectures in the prefecture area (Todai-ji Temple, Jodo-ji Temple, etc.).

After a thorough understanding of old values, the approach will be to better understand until which extent new technologies can support the revitalization of the traditional building culture.

As these relations and processes will be studied and highlighted, students will be able to design and realize a new interpretation of a small wooden building, in the form a small temple, a tea house or simply a traditional pavilion that will incorporate several design choices related to traditions.

Attention to details, both in terms of design and construction is extremely important, in order to satisfy all the necessary requirements as consideration on size system, framework, decorativeness, festivals and rituals. Collaborations with carpenter’s workshops or digital fabrication labs will be arranged to fully support fabrication process.

01 Context tradition and inovation

PAGODA Roof is an essential part of the image of the japanese pagodas.

It defines the skyline of the traditional city, and add the mass and the weight that the religious significance requires.

As most of the pagodas were designed to be looked from far away, the roof silhouette describes the proportion and the general design intentions of the building.

DIGITAL FABRICATION The main topic of the workshop was to understand the relationship between the traditional japanese architecture and techniques from a modern perspective, both conceptually and in terms of tools and processes.

REPETITION Traditional Japanese architecture is based on the notion of proportion, function and beauty.

The repetition of structual elements creates an hipnotic and beautiful architectural language that has became the esential

Carpentry masterpieces and traditional knowledge Carpentry masterpieces have been the at core of Takenaka Corporation’s realizations for over 400 years, from traditional buildings to offices and houses, all over Japan. Wood working techniques, tools and skills have been handed down from generation to generation in a Country where a building and its components have very strong meanings.

However, the efficiency that nowadays is demanded, both in terms of time and costs, is seeing the traditional knowledge slowly fading. Traditional rules of proportions, fabrication techniques and strong relations with the building material are making space to economically driven factors that suffocate a strong cultural identity, that is being lost. Japan is a country that is facing depopulation and we think that retrieving its culture would improve architecture and life quality.

Though technology is thought to soon replace human labour, there is a wide variety of metaphysical concepts dear to people that cannot not be learnt by machines. At the moment, we find ourselves in a situation where old carpenters have the knowledge, tools and skills to revive such fading building culture and where the young generation is experimenting and dealing with robots, advanced fabrication techniques and virtual worlds: a toolset mostly unknown to the older generation.

Takenaka as leader in construction in Japan, is willing to reunite and put together these two generations to secure a new dawn for the traditional building techniques.

02 Design

GROUP STUDY_ PAG | ODA MYKOLA TSYHARIN, THOMAS ESSEX-PLATH, SHOTA ENDA, RICARDO V, QIAN SHA, HIROYA INAGE

tradition and inovation

Traditions change, societies evolve. The knowledge builds up on the experience gained through the iterative trial-and-error process. The Japanese Carpentry came to perfection after this process has been going on for thousands of years, shaped by the climatic conditions, the seismic activity, the culture and the available materials throughout the Japanese islands.

The Reciprocal Pagoda is a symbol of this knowledge, showing a structure that builds up on itself. It reveals the craft manship of the carpenters through the complexity of its joints. But it also exposes the fragility of a tradition that can be easily lost, if it is not transmitted to the new generations, if it doesn’t adapt to the changes in society.

CONCEPT 1) Respect the central pillar 2) Make the central pillar visible 3) Emphasize centrality 4) Draw people inside 5) Make inside dynamic, Emphasize verticality and centrality

FINAL DESIGN

DIAGRAMS

3rd Level

1. Centarize Rafter/Inner Ring Joint

Rafter/Rafter Joint

Rafter/Outer Ring Joint

Rafter/Column Joint

2nd Level

Roof Patterns

Roof Structure

1st Level

2. Split

3. Emphasize Center

03 Fabrication detail tradition and inovation

RULED SURFACE Following the rotation of the reciprocal structure, the roof expands between the main structural members of the pagoda: the rafters, creating a ruled surface.

The ruled surface is solved with a stagered waffle system

that sits on top of the main structural members. Roof and tower structure are independent from each other so the design, fabrication and assembly of the roof could happen in paralel whilst the main structure is

Front view perspective

JOINERY DETAILS

1

1 2 3

1

Primary Roof Members

2

Secondary Roof Members

3

Tension Ring

4

Compresion Ring

5

Rafters

PROCESS Process was driven by material and assembly constrains. To accomodate the varying lenghts of Hinoki panels, primary members were extended by using “finger joints”.

Secondary members act as a secondary structure to the roof, supporting primary members and locking the “finger joints”.

3

4

5 1

2

Plan Diagram

04 Assemble tradition and inovation