Portfolio 2023

Page 1

PORTFOLIO

Taubman College of Architecture and Urban Planning

University of Michigan

Selected works

2014-2023

shrav@umich.edu

Contents Post-Pandemic Performance A New Normal | Public gathering in a post-pandemic world Competition Entry | Non-Architecture & Project Platypus 28 7 Site Temple A Loop of Life Competition Entry | Site Temple ArkXSite 32 8 Farmer A Collective Farm | Re: Produce Design Dissertation 35 9 Virtual Gods Online Group Art Exhibit Lockdown 37 10 _Opolis Architects Mumbai, India Professional Practice 41 11 junya.ishigami+associates Tokyo, Japan Professional Practice 45 12 Displacement // six feet under Washinton DC, United States Institutions | ARCH-552 - Architectural Design (2G) 3 1 Toolkits A Camera Cleaning Toolkit ARCH -537 - Fabrication 8 2 Re-Imagining the Urban Crematorium Marine Lines, Mumbai, India Design Dissertation 11 3 Public Library in the Hill Mazgaon, Mumbai, India Architectural Design and Town Planning studio 19 4 Islands of Resistance Pali Hill, Mumbai, India Architectural Design studio & Resarch Documentation 22 5 Extension - Center for the Development Studies and Activities Bavdhan Khurd, Pune, India Architectural Design studio 24 6
of Michigan Master of Architecture
and Exhibition
University of Mumbai Bachelor of Architecture
Practice Mumbai &
University
Competition
Pandemic
Professional
Tokyo

Displacement // six feet under

Washinton DC, United States

Institutions | ARCH-552 - Architectural Design (2G)

Taubman College of Architecture and Urban Planning

University of Michigan | Semester 01| December 2022

Studio instructor : Prof. Steven Mankouche

This studio project focuses on designing an embassy for nations facing displacement due to the rise in ocean levels and coastal erosion. The project will take place on a site along the Potomac River in Washington DC/ Georgetown that is expected to be underwater in the coming decades. The current Swedish and Icelandic Embassies are located on this site, and these two nations will be added to the list of possible embassies that students can select. The project encourages students to interpret, translate, and develop an architectural vocabulary based on their understanding of the nation’s culture and building practices, even if they are not nationals of the state they are designing for. As the site is expected to flood, the proposed building must adapt to changing flood levels either by resisting water or being movable. Depending on funding and student and college administration disposition, the studio might travel to Washington DC to visit the site. The project aims to address the issue of displacement due to climate change, which is affecting nations globally, and to provide a solution for nations that cannot afford an embassy in the capital.

3
1
4
Section | Public toilet and stepped library
Section | Office spaces, Exhibition and Ambassador’s residence View | Island Nation Embassy
Section | Fabric Pavilion 01 and Ambassador’s Residence
3 1
Master Plan | Island Nation Embassy 1. Embassy building 2. Fabric Pavilion
5 0 5 0 5 0 20 0 10 0 1 2
3. Potomac River
5
Drawings | Plan at +2250 (left) and Plan at +3750 (right)
Section | Linear through elevated walkway Section | Fabric Pavilion 01 and Ambassador’s Residence Section
|
Office spaces, Exhibition and Ambassador’s residence 1. Fabric Pavilion 01 2. Embassy building - Public Office Counters 3. Embassy building - Private Office Counters 4. Chancery (office) 5. Island Nation Exhibition 6. Ambassador’s Residence 7. Ambassador’s Residence 8. Fabric Pavilion 02 9. Fabric Pavilion 03 - Exhibition
9 5 7 6 4 1 2 3 8 11 2
10. Elevated walkway
6 Exploded Isometric | Fabric Pavilion 03 Exploded Isometric | Fabric Pavilion 01
7 Plan | Cut plan at +3250mm (top), Sectional Isometric (bottom) Exploded Isometric | Fabric Pavilion 02 - Exhibition

Toolkits

A Camera Cleaning Toolkit | ARCH-537 - Fabrication

Taubman College of Architecture and Urban Planning

University of Michigan | Semester 01| December 2022

Studio instructors : Tsz Yan Ng (coordinator), Rachel Henry, Mark Meier.

GSI: Zaid Marji, Yi-Chin Lee, Christopher Voltl

In this assignment, students in the Fabrication class were tasked with designing and creating their own personal toolkits for a specific activity or scenario of use.

Toolkits are functional containers that cater to an individual’s preferences and are usually activity-based, containing small hand instruments that aid in work and leisure activities. They are often personal and belong to the owner, allowing them to use their own tools at the ready. The toolkit should be transportable, have an open and closed position, and fit into a backpack. If it is stationary, such as a desk organizer, it should account for different arrangements of tools and objects ready for use and display. The toolkit should also allow easy access to tools unencumbered. Students could even consider creating customized tools within the kit, but must highlight techniques developed in the workshop rather than unrelated processes. The assignment emphasizes the importance of designing and crafting a personalized toolkit that enhances one’s skills and fits their unique needs and preferences.

8
2

Foam 2mm cut - Zund

Foam 2mm cut - Zund

Metal Hinge

Metal Hinge

CNC Plywood layer 2

Foam 2mm cut - Zund

Foam 2mm cut - Zund

CNC Plywood layer 1

9
Exploded Isometric | Toolkit
10 Hinge Foam layer above ply Straps to keep component in place 367mm 175 mm Magnetic closure 32.0 7.7 155.0 110.1 347.0 367.0 2.5 24.0 110.0 5.0 28.0 5.0 110.0 58.5 32.0 62.5 10.0 58.5 175.0 7.7 24.0 62.5 175.0 62.5 10.0 155.0 26.0 85.0 15.0 3.0 129.6 15.0 80.0 EQUAL 44.0 10.0 EQUAL 15.0 130.0 10.0 10.0 2.9 2.5 115.0 28.0 10.0 38.8 7.7 EQUAL 10.0 143.5 44.8 367.0 EQUAL 56.5 129.6 143.5 3.0 25.0 10.0 3.0 80.0 15.0 204.0 367.0 175.0 80.0 347.0 25.0 7.7 15.0 56.5 Plan | Toolkit Drawings | Concept drawing (top), Sections (bottom)

Publication

Unbuilt 2.0 : Architecture of Future Collectives

Honors & Awards

Tamayouz Excellence Award 2020 | Top 20 Shortlist - International Graduation Project Award

DNA Paris Design Awards 2020 | Emerging Architect (Public Architecture) - Winner

UnIATA’20 | Architecture Graduation Project Awards - Top Shortlisted Entry

Re-thinking the Future (RTF) Awards 2020 | Category : Education Awards - Runner-Up

Re-Imagining the Urban Crematorium

Marine Lines, Mumbai, India

Design Dissertation

Semester 10 | April 2019

Studio mentor : Prof. Samir Bagdadi

Crematorium and cemetery planning have been influenced by society and its cultural beliefs where the idea of a sacred space is partially lost. This could be due to rapid increase in population and increase in demand for land, which invariably doesn’t leave much scope for such public spaces in the urban context. The lack of sensitivity in planning has led to unpleasant yet functional architecture, that also happens to be perceived as a taboo.

The project looks to re-imagine crematoriums in the city as a module where a secular approach is undertaken to understand the psychology of the primary user (mourner) without any religious bias. By segregating the public and making provisions for a public park and a contemplative park; the proposal looks at making such public spaces approachable, inviting, experiential and viable.

11
3

sets

of people - public and mourner

Landscape – atmosphere - segregation

Trees to segregate and create zones to define the spirit of the place. Level play as a means of segregation of different sets of users drawn into particular programs. Contemplative and reflective nature of a set of people as compared to different users balancing each other and creating a sense of unforced harmony.

Existing trees

Journey - preparation (threshold)

Movement of specific set of people (mourners, family members) to contemplate, reflect and come to terms with the inevitability of death. The urban fabric and noise in the most purest sense sets the tone for an uncomfortable environment diluting the sentiment of the user.

Spirit of a space

What makes a space sacred and defines its spirit.The patio from a single volume narrow container into an open yet enclosed area. Architecture to create subconscious effects on the mind and studying the metaphysical aspect of us beings; including the relationship between mind and matter.

Addition and segregation

Bringing one more set of people, which means catering to another secondary program; questioning the generic psyche and perception towards such sacred spaces. The sanctity of such spaces is questioned through ways of compartmentalizing different needs of different programs by secular means and understanding of the basic idea of a specific program. The basic idea gives an idea of oneness in thought and lack of prejudice.

sequence . order . logic | Process models and drawings in a sequence to define logical solutions sequence . order . logic | Process models and drawings in a sequence to define logical solutions
12
Site plan | Chandanwadi crematorium and burial ground
Mourner General public Intersection (secular) Crowding
Mourner General public 7. Maharshi Karve Road 8. Shrikant Palekar Marg 9. Chandanwadi Road 5 1 2 7 8 6 3 9 10 4
10. Marine Lines Flyover
Two
Contemplative Area 1m x 1m Gabion iteration -6m Contemplative Area 0.5m x 0.5m Gabion iteration -3m Public Area Public park 0.0 Secular Area Contemplative Park -4m Mourner Area Ritual -2m Public Area Public park & crossing Mourner Area Ritual areas and prayer Secular Area Contemplative park and pavilion Journey - preparation through threshold play Spirit of a space Addition and segregation

groups plant it in their graveyards too so that the fragrant flowers fall on the graves throughout the year. It is also

It is one of the most beautiful of all tropical trees when it sheds its leaves

Plans | Roof plan (left) & Floor plan (right)

to bees and butterflies. The flowers are pollinated by insects.

Indian

Gulmohar

These are most commonly found with red or orange flowers. The flowers have their own distinct smell and are pollinated by birds. When in full bloom they’re also seen to attract white-browed wagtails, rose-ringed parakeets, bulbuls and others.

Plan | Plan at -4m level Parallel projection | Birds eye view Existing and proposed vegetation
14
1. Washing/Shrouding 2. Meeting Area 3. Patio 4. Prayer room/Mosque 5. Ablution area 6. Public Toilet 7. Office/Admin 8. Public Toilet 9. Internal Courtyard 10. Internal courtyard 11. Meeting/Waiting area 12. Prayer room 13. Wood/Ash storage area 14. Iron pyre furnace 15. Gas furnace 16. Pavillion 17. Public canteen 1. Cemetery building 2. Crematorium building 3. Iron Pyre furnace 4. Gas furnace 5. Islamic grave 6. Hindu burial 7. Contemplative mourner park 8. Pavillion joining the two areas 9. Islamic grave 10. Parking Pagoda Tree Laburnam 1. Marine Lines Railway Station 2. Electric Crematorium 3. BMC ‘C’ Ward Office 4. Maharshi Karve Road 5. Shrikant Palekar Marg 6. Chandanwadi Road
Pavilion Cemetery building Islamic burial Child burial 5 Crematorium building Contemplative Park 6 3 2 5 6 1 4 7 Islamic burial 2 9 1 10 8 16 17 4 5 3 6 2 1 3 4 6 7 15 14 13 12 11 10 7 8 9 20 0 20 0 20 0
7. Marine Lines Flyover Exploded parallel projection | Iron pyre Section CC | Wood & ash storage for stand alone crematorium and prayer Section AA | Office and framed courtyard towards waiting area and cremation Section BB | Courtyard and waiting area (initial rituals) Exploded parallel projection | Internal framed courtyard (Pagoda tree) and adjoining waiting area with pedestal to place the deceased
15 A B C D 5 0 5 0 5 0
Section DD | Stand alone wood cremation and burial Section EE | Mosque (prayer for the deceased) Section II | Marine Lines station (context), crematorium and cemetery separated by public park in the middle
Section FF | Islamic burial and adjoining courtyard F E 5 0 5 0 5 0
Exploded parallel projection | Cemetery building

Contemplative Park and Pavilion

The park caters to the primary user (mourner). The pavilion acts as a midway connection between the Islamic burial ground and the park, stressing on the secular nature of such a program. The gradual decend sloping onto the pathway with light entering alternate openings draws the user to multiple smaller areas to contemplate and reflect. The Gabion walls (retaining walls) create a sense of separation from the urban context, making it subtly introverted in nature.

Public Park

The public access through the crematorium is altered by segregating public entry and mourner entry.

The public, entering to cross to the other end of Chandanwadi is drawn to the public park questioning society’s perception towards such spaces as taboo. The public park ends with the eating area and connects the public to the mosque and prayer room without disturbing the mourners.

Section HH | Pavilion
Section JJ | Contemplative Park and child burial through gas crematorium, stand-alone crematorium and initial ritual areas overlooking the public park
Exploded Parallel projection | 17
Section GG | Pathway into pavilion along contemplative park Public Park
H H G G
5 0 5 0 5 0
Models in isolation | Prayer and Mosque Models in isolation | Context and proposal 18

Public Library in the Hill

Mazgaon, Mumbai, India

Architectural Design and Town Planning studio

Semester 09 | November 2018

Studio mentor(s) : Dr. Martina Spies and Ar. Vivek Pai

Lying above a water reservoir, the Joseph Baptista garden, locally known as Mazgaon garden, is a 1.5 acre park in Mazgaon. Overlooking the Dockyard station and bustling arterial roads, the park offers a panoramic view of the city catering to neighbourhood residents, students, couples and senior citizens.

The park has adequate security due to the fact that it lies above the oldest working water reservoirs. Efforts by the BMC to beautify the garden has led to uprooting of trees and restrictions in the park upsetting the local residents. The schools in the vicinity lack public spaces especially at times when the park is usually shut.

Considering the context of the park and its unique placement, the program(s) proposed would cater to providing a secluded, quiet, naturally well lit and ventilated space in a noisy and crowded city like Mumbai.

19
4
20 1 2 3 5 4
Section |
Ramp to terrace and 1.5m mound Plans | Terrace plan (left), Ground plan at 25m (centre), Upper level plan at 29m (right) 1. Dockyard Station 2. Ramp (1:15) 3. Public Library 4. Joseph Baptista Garden
5 0 5 0 5 0 20 0 10 0
5. Water reservoir
Views
Sectional models | Break up to show different parts of the library 21
Site model

Islands of Resistance

Pali Village, Mumbai, India

Architectural Design studio & Research documentation

Semester 05 | October 2016

Studio mentor(s) : Ar. Suprio Bhattacharjee, Ar. Wasim Noorani, Ar. Sailee Gosavi, Ar. Asif Syed, Ar. Aameer Chauhan

The project focuses on the formation of a building program that echoes nuances of community, congregation and society; thus becoming the trigger to envisage an urban marker or a series of markers.

Triggers such as needs, limitations and desires were analysed within social, cultural, economic aspects of each living community. Programs based on analysis of different village communities were formulated i.e. a mix of housing, community archive, etc.

22
5

Problems

Lack of community spaces for people to gather and interact.

Most of the lanes in pali are extremely narrow (space constraint)

Narrow by-lanes causing excessive crowding in those areas leading to increased noise levels

Footfall during peak hours can be around 100-150 which indirectly causes increased noise levels in a particular area at a given time. Disputes different communities.

High rise and commercial establishments have sprouted over the last decade, bringing with them crowds, traffic and other annoyances.

Considerations and observations

Architecture of the old structures at pali are largely portuguese influenced.

Big windows with stained glass patterns. Sloping mangalore tile roofs.

Houses characterized by a verandah for people to engage in dialogue and communicate with their local residents. Large wooden porches, external staircases, pointed roofs, and sometimes a touch of neoclassical elements to keep up with changing times

Numbering of houses in pali starts from the abandoned house which is left untouched for reasons unknown.

23
Section aa Section bb Section cc
Section dd
Detail | Tensile roof Plan | Plan at + 1250
Section dd
Sections
Plan | Plan at +5250

Extension - Center for the Development Studies and Activities

Bavdhan Khurd, Pune, India

6
Guest dormitory Canteen Library Classroom Office Administration E E
Legend 1. Courtyard entrance 2. Administration 3. Office 4. Library 5. Classroom 6. Clubhouse - Eating area 7. Wet core 8. Guest Dormitory 9. Courtyard 10. Extension A B B C C D D A 5 6 8 8 8 9 1 5 4 3 2 -2.0 -1.8 -1.5 -1.3 -1.0 -0.8 -0.5 -0.3 0.0 0.0 5 0 5 0 5 0 5 0 20 0
A B B C C D D A

Publication

Non-Architecture Journal

Honors & Awards

Non-Architecture | Healing - Finalist

Post-Pandemic Performance

A new normal | Public gathering in a post pandemic world Competition entry (Project Platypus, Non-Architecture)

Lockdown | June 2020

Virtual studio mentor : Ar. Shahveer Irani

A set of isotropic grids (2m x 2m) are formulated complimenting the urban public life. The grid initiates logical solutions by following a set of rules. A public park and two typologies of performance are understood via a linear pattern of planning.

Post-pandemic planning will call for a very different understanding of public life and culture with respect to social-distancing norms. Fabric separators, minimum infrastructure and seating modules ensure entry restriction preventing contamination and direct contact in each module. Sanitation pits located at regular intervals help in maintaining public space sanitation. The proposed park, visually frames multiple smaller gardens, giving one a sense of being in a park without actually being in one. Private gardens and hammocks are separated by fabric restricting interaction and crowding. The performance space and the park together as repeating modules ensure strict gathering of people by enforcing a set of rules to be followed stressing on the relationship between the built and the unbuilt in the most efficient and humane manner.

7
Diagram mapping | 3 2 1
Legend 1. Public Park 2. Private Performance
10 0
3. Public Performance

Seating modules | fabric separator initiating social-distancing

Seating modules | fabric separator initiating social-distancing

Private Performance | Hammock park and private gardens with fabric to initiate social-distancing
x=2m x=2m x=2m
31 x=2m x

Site Temple

A Loop of Life

Site Temple | ArkXsite Competition entry

Lockdown | October 2020

Collaborators: Shravan Suresh, Anuj Modi

A temple with an inner space and a set of multiple sequence of spaces are realised with the existing ruins as means of memory and outdoor spaces. The temple is located at the intersection of the existing ruins and the pathway along the steep contour. Located at the intersection of the existing ruins and the pathway along the steep contour; the intervention, is deliberately muted in expression downplaying the built form by means of in-situ excavation and forms replicating cliff surfaces constantly eroded by the wind and water. The meandering pathways through the landscape are planned with the thought of utilising the views onto the Atlantic Ocean; with a public Bath signifying the purpose of cleansing the mind, body and soul before entering a place of spiritual significance. The simple act of giving back inspires the thought behind the Water Catcher which draws water from the atmosphere, giving it back to the ocean.

8
Site Temple | ArkXsite Competition entry 1. Pathway to site 2. Bath 3. Temple 4. Water Catcher 5. Ruins 1. Pathway to site 2. Bath 3. Temple 4. Ruins 2. 1. 1. 5. 2. 3. 4.
10 0 50 0
3.
34 Bath Rainwater Radiative Cooling AirFlow Dew Condensation Antennas Supporting Cables Humidity & Condensation L I F E
The pathway to the Bath and the Temple. Temple with Water Catcher

Farmer

A Collective Farm | Re: Produce Ideas Forward 24 hour competition | 35th edition Farmer

Lockdown | September 2020

Collaborators: Shravan Suresh, Anuj Modi

Honors & Awards

Ideas Forward 24 hour Competition | 35th edition Farmer - Honorable Mention

Increased awareness of the idea of urban farming, from an early age is not a sustainable approach to living, but also mildly grounding and refreshing. Production for the entire country in the given context is stressful and unfair on the farmers. With the advent of urbanization, and an increasing population, sutainable agriculture and access to organic food are becoming desperately important.

A vertical farm module, comprising of varying produce as per community requirement and initiatives, use methods of hydroponics, aquaponics and aeroponics along with ways of educating through exposure help developing a sustainable community.

35
9
Children are encouraged to print their own modules and grow their own foods 36

Virtual Gods

Online Group Art Exhibit

Lockdown | September 2020

Collaborators : Shravan Suresh, Kuldeep Jangid, Ishita Parmar, Sneha Desai, Nayan Mote, Devarsh Sheth, Janhavi Shinde, Yash Pradhan, Advaita Kelkar, Sohil Soni, Jinal Wadgama

Online Publications

Homegrown India | Virtual Gods: A 3D Art Collaboration Capturing Post-Lockdown Deja Vu

KooZA/rch | Virtual Gods Digital Exhibition

Mash India | Virtual Gods: An Online Virtual Group Art Exhibi

Paper Planes | Visual Media Meets Architecture In This Online Exhibit

The Curator Mag | Virtual Gods by ARC.HV

Platform magazine, India | Virtual Gods by ARC.HV

Supari.in | Virtual Gods: A 3-D Art Collaboration For A Post COVID World

In a time as challenging as that of a global pandemic, there is an insistence to negate the magnitude of it. As designers, we feel a grounding sense of calm in community and inspiration.

VIRTUAL GODS was created to investigate new methods of effective collaborations and exhibitions. This experimental exercise was initiated to facilitate an essence of togetherness during the 2020 COVID-19 lockdown.

During an exchange that spanned across 3 weeks, various multi-disciplinary participants connected to trade new tools and design languages while discovering new processes & theories. The goal was to traverse a beautiful dialogue while manifesting unique 3D Virtual Worlds. These 3D creations and their formation have been documented in an Online Group Art Exhibit.

37
10
Process | Illustration exchange initiating collaboration
Hejduk x Scarpa Ando x SANAA
John Hejduk Carlo Scarpa
39
Tadao Ando SANAA
40

India

Screen details | Sections Screen elevation | West Screen elevation | North Plan | Second floor - Screen Plan | First floor - Screen 41 LIVING AREA 5550 X 5025 BALCONY FIRST FLOOR LVL. +3240 SECOND FLOOR LVL. +6480 TERRACE LVL. +9795 SCREEN NORTH ELEVATION CLIENT DRAWING TITLE SANKHE RESIDENCE No. DRAWN BY CHECKED BY NOTES: DATEREVISION RG NO.: COMPASS AGAMI ENGINEERING SHRAVAN BALCONY POWDER ROOM 2350 X 2050 DINING AREA 3060 X 5850 LIVING AREA 5550 X 5025 LIVING AREA 5550 X 5025 BALCONY SWING FIRST FLOOR LVL. +3240 SECOND FLOOR LVL. +6480 TERRACE LVL. +9795 WOODEN 150 65 SCREEN - WEST ELEVATION CLIENT DRAWING TITLE SANKHE RESIDENCE No. DRAWN BY CHECKED BY NOTES: DATEREVISION RG NO.: COMPASS AGAMI ENGINEERING SHRAVAN FIRST FLOOR LVL. +3240 SECOND FLOOR LVL. +6480 TERRACE LVL. +9795 LIVING AREA MASTER BEDROOM FIRST FLOOR LVL. +3240 SECOND FLOOR LVL. +6480 TERRACE LVL. +9795 FIRST FLOOR LVL. +3240 SECOND FLOOR LVL. +6480 TERRACE LVL. +9795 CLIENT DRAWING TITLE SANKHE RESIDENCE DATE SCALE SHEET No. DRAWN BY CHECKED BY NOTES: DATEREVISION RG NO.: COMPASS AGAMI ENGINEERING SCREEN DETAILS SECTIONS 22.09.2021 1:30 @ A2 A12-02 SHRAVAN
Professional Practice 11 BALCONY MASTER BED ROOM MASTER BED ROOM 5721 X 5270 BALCONY SWING BALCONY ROOF ABOVE MASTER BED ROOM 5721 X 5270 SCREEN SECOND FLOOR PLANS 1:50 @ A2 A3-05 CLIENT DRAWING TITLE RESIDENCE DATE SCALE SHEET No. DRAWN BY CHECKED BY NOTES: DATEREVISION RG COMPASS AGAMI ENGINEERING 22.09.2021 SHRAVAN BALCONY MASTER BED ROOM MASTER BED ROOM 5721 X 5270 BALCONYBALCONY SWING BALCONY ROOF ABOVE MASTER BED ROOM 5721 X 5270 DRAWING TITLE RESIDENCE DATE No. DRAWN BY NOTES: DATEREVISION COMPASS 22.09.2021 SHRAVAN Sankhe Residence Mumbai, India _Opolis Architects Project Architect : Shravan Suresh
_Opolis Architects Mumbai,
42 Screen details | Construction drawings CLIENT DRAWING TITLE SANKHE RESIDENCE DATE SCALE SHEET No. DRAWN BY CHECKED BY NOTES: DATEREVISION RG NO.: COMPASS AGAMI ENGINEERING SCREEN DETAILS 23.09.2021 SCALE @ A2 A12-01 SHRAVAN CLIENT DRAWING TITLE SANKHE RESIDENCE DATE SCALE SHEET No. DRAWN BY CHECKED BY NOTES: DATEREVISION RG NO.: COMPASS AGAMI ENGINEERING SCREEN DETAILS 23.09.2021 SCALE @ A2 A12-01 SHRAVAN

Pawna Lake, India

_Opolis Architects

Project Architect : Shravan Suresh

Model | Contour study Plan | Plan | 43
Site
Pawna House

Rathi House

Kamshet, India

_Opolis Architects

Project Architect(s) : Maria Talib, Shravan Suresh

House in Pune

Pune, India

_Opolis Architects

Project Architect : Aravindan Arunagiri

junya.ishigami+associates

Tokyo, Japan Professional Work

Ishizaka Industry

Saitama, Japan

junya.ishigami+associates

Project Manager(s) : Masayuki Asami, Kei Sato

Presentation | Models, Drawings and Views Truss | Warren truss trials through models 45
12 junya.ishigami+associates junya.ishigami+associates S=1/300 南北断面図 研修室 保育室 エントランス junya.ishigami+associates junya.ishigami+associates

Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.