Portfolio_Shreya_Arora_2017

“ Design is nothing but a humble understanding of materials, a natural instincts for solutions and respect for nature. “ Balkrishna Vithaldas Doshi, Indian Architect

PORTFOLIO Shreya Arora

B.Arch | Undergraduate works | 2015-2017 |

leadership

DO.

Shreya Arora

Bengaluru, India shreya_arora@outlook.com +91 - 9535429137

“

In my role as a designer, what I do, may not just feed into a larger ecosystem but may trigger a change through the built environment to become a way of life. Personally, I find nothing more empowering than that.

Hence, I am resolved to balance it with the social and environmental responsibilities that come alongside my belief.

“

welfare self growth

CONTENTS 01

Ideation - planning = think

entrepreneurship

Competition [Sep, 2016] - National War Memorial Competition, Delhi

02

organisation - interiors = see

Internship [Jan, 2017] - Hands Of India Flagship Store, Bangalore

03

construction - Architecture = work

Internship [Mar, 2017] - Malnad Times Resort, Sakleshpur

04

Culmination - architecture = lead

Thesis Studio [Jul, 2017] - Where The Kurinji Blooms - Proving The Validity Of The Kuznet Curve Hypothesis Through Architecture As Its Medium, Nilgiris

05

Urban design = extracurriculars = write 8 Learn

Density & Architecture [Sep, 2016] - IA&B Magazine Article, Mumbai Urban Design Studio [Nov, 2015] - The Bazaar Street, Mattancherry Art Installations [Mar 2013, Apr 2014, Mar 2015] - RVCA Annual Exhibition Openhouse

BE.

Graphics & Handcrafts - Freelance graphic work & Hippie-potamus Self Product Venture

See. Learn. Let’s Think.

01 Ideation

01

- planning

Competition [Sep, 2016]

National War Memorial Competition, Delhi

*

software skill assistance Data Graphics : Adobe Illustrator Composition : Adobe InDesign Render & Model: Trimble SketchUp Base Drawing: AutoCAD

*Personal

skill assistance

Content Writing Graphic Designing Secondary Research Conceptual Planning & Ideation Attack Points Army Regiments Paramilitary and Special Forces Naval Bases Air Force Bases

Military Base Connection Map The above map represents the plotting of all connections established by various bases, during the attacks made, creating the frames for design implementation.

*External

Credits

Senior Supervision : Ar. Guru Prasanna C Digital Rendering: Frank Martin [Intern] Proof Reading: Ar. Deepa Suriyaprakash

See. Learn. Let’s Think. 02

Keeping the Amar Jawan Jyoti and the strength of its symbolism in mind, our entire effort has been to magnify its presence and pay homage to all the lives lost in the name of our country’s security. This highest level of sacrifice and the status thus attained can be related to a mother’s womb where the fetus has no influence of any kind and nestles the purest and unattained form of the human existence. We seek the mother nature to offer a similar unconditional protection, in it is purest form, to those who dedicate their lives to her, in duty through sacrifice of their lives. Thus the “protector” in the memorial happens to be nothing but nature, made of trees and plants and of land and water.

now that the day will come y sight of this earth shall be lost, fe will take its leave in silence, ng the last curtain over my eyes.

st Curtain’ Ranbindranath Tagore War,Attack Insurgency/TerrorAttack

Walk Of Remembrance Injuries Caused Fatalities/Deaths

Timeline of Attacks The above infographic represents the wars and insurgencies that have occured in India, after the on-set of Independence and its impact of the country’s sacrificed lives

The design process started by the mapping of all the event of wars, attacks, insurgencies that have impacted the country since the on-set of Independence till date. The exercise settled the enormity of the sacrifice provided by the Indian Military service , toward the nation and its civilians during these times of distress. This eventually lead to plotting the regiments, location of attack and identifying the extents of service with the protection sent from various parts of the country and the army. We started connecting the incidents as points to the insurgencies as lines and the regiments which came into action as planes. These abstract shapes , we felt captured the depths of the military’s unity and gusto to combat the specific situation and distress. Thus each of these are impact frames dedicated to each attack that occurred.

Knowing the site context and the need of establishing a war memorial in the memory of these heroic Martyrs, our idea was to localize and involve each of these unique frames of unity into the Lutyen’s lawns in such a way, that it creates moments of pause, forming a path that takes a person through the timeline of sacrifice, one step at a time thus a journey of remembrance. Of time. Of grief. Of loss. Thus the “plazas” in the memorial are the impact frames placed along a path.

03

Transport / Access Map The below map indicates the various modes of transportation links via metro, buses and railway, that connect the site to the surrounding Lutyens Bungalow Zone. The inference drawn from this study was to load the Copernicus Marg with pedestrians and activities in the site to attract public engagement.

Tourist Attraction Map The below map indicates the location of various crowd drawing places in the surrounding Lutyens Bungalow Zone such as cultural centres, museums and iconic tourist attractions. The inference drawn from this study was to emphasise the prominence of the museum and involve it into the nearest trail observed.

Public Convenience Map The below map indicates the location of public facilities and help centers provided by the government around the site. The inference drawn from this study was to situate the necessary administrative programs accordingly on site and ensure that, majority of the ground level area of the museum was open to public access.

Residence at Hollywood hills, California by Aaron Neubert Architects.

Image source - houzz.com Cover image of book “City of Dijnns”by William Dalyrmple.

Image source -goodreads.com

Carve out spaces for the Tree canopies in the Museum facade and Floor layout

Hover the New structure above the Existing building and tree line to 1. Create a shaded roof lvl plaza 2. Allow the trees to breathe

Employ the Metaphor of the layered city (Delhi) in the museum design.

Retain the existing trees at site and extending the “clean air field” from the memorial to the museum

Sketch of Qutub Minar, Old Delhi Image source -incolors.club

Permanent International Fair, Tripoli Oscar Niemeyer.

Image source - greekarchitects.gr

Recreate the monumental scale by not building more but preserving more

Retain much of the existing structures at site and look into adaptive reuse of the same

Use material that withstands time and ages gracefully. i.e Unprocessed raw material

To create a Pedestrian friendly, experience driven public building

Create a Green Roof that opens a mid level public plaza

Ithaca commons Design Process. Sasaki Associates Image Source - sasaki.com

Highline by Field Operations, Diller Scofidio + Renfro Image Source - nycparks.org

Air purifying trees Other trees

192 Shoreham Street by Project Orange Image source - Dezeen.com

The Ontario College of Art and Design.

by ALSOP Architects Image Source - Dezeen.com Tree cover plotted as per the info provided in the survey map.

War Museum Princess Park.Delhi.

Sheet 02- Intentions

Recreational Activity Map The below map indicates the various recreational places that are regularly visited in the surrounding region such as cafes, libraries and local markets.

The inference drawn from this study was to create an ambience of relaxation or a pause point at site level, that could refresh people and bring back the importance of green spaces.

Concept Diagram Diagram

04

Think. Let’s Learn. See.

Camouflage Green

The Commemorative Wall The wall was designed by means of a graphical excercise taking the strong symbolism of the Amar Jawan Jyoti. Metaphorically it shows the cycle of life span lived by the martyrs, as they begin their journey in a womb and are nestled back by mother earth in similar way after their undying bravery and sacrifice. Amidst these figurines, stand the names of the martyrs listed sequentially in memory of their service.

Camouflage Black The Commemorative Wall

War Frames Walk of Remembrance

The wall was designed by means of a graphical excercise taking the strong symbolism of the Amar Jawan Jyoti.

Metaphorically it shows the cycle of life span lived by the martyrs, as they begin their journey in a womb and are nestled back by mother earth in similar way after their undying bravery and sacrifice.

Amidst these figurines, stand the names of the martyrs listed sequentially in memory of their service.

The Commemorative Wall

The wall was designed by means of a graphical excer-

The Wall Of symbolism Remembrance cise taking the strong of the Amar Jawan

Wall Of Remembrance

Jyoti.

Metaphorically it shows the cycle of life span lived by the martyrs, as they begin their journey in a womb and are nestled back by mother earth in similar way after their undying bravery and sacrifice.

Amidst these figurines, stand the names of the martyrs listed sequentially in memory of their service.

Camouflage Brown

The Wall Of Remembrance

Chattri

Camoflage Cream

Master Plan Of The National War Memorial When we questioned the larger problem of pollution of the city, we knew this memorial should have a larger purpose and impact, just like the soldiers do for their nation’s civilians. Resonating with the belief that the heroism of these martyrs live forever and continue to protect us from where ever they might be, we decided to collaborate our process with the next idea of making the memorial the lungs of the city. The landscaping of the masterplan has been sensitively developed using trees and plants that purify air to the maximum extent and help bring about a significant change in the micro climate. The second selection criteria of these air purifiers was made in such a way, that the memorial and its colors visually draw the attention towards the camouflaging colors of the military uniform during combat, to strengthen the higher purpose of the unconditional gift of offering made by these heroes, even in their physical absence.

Generation of The Impact Frames In conclusion, We saw this memorial as a place where people remember the martyrs of our nation as the ones, who came of the land and went for the land, to the arms of ever caring mother nature. We have designed a park to that supports this vision. A ‘’Wall of remembrance” that depicts the life cycle of the martyr, and their countless names. A “Walk of remembrance” that sequences the different incidents as objects in land, surrounded by the air purifying trees and plants. Our, one leap of faith and homage to the unmeasurable courage and sacrifice.

Lead.Work.Let’s See. 02 organisation

05

- interiors

Internship [Jan, 2017]

Hands Of India Flagship Store, Bangalore

*

software skill assistance Composition : Adobe InDesign Render & Model: Revit Presenation Graphics: Adobe Photoshop Base Drawing: AutoCAD

*Personal

skill assistance

Diagramming & Infographics Composition Model Making [Stencil Work] Overall Organised Project Presentation

Manually Cut Stencil prepared that was used to spray paint a feature wall of the symbolism of the store and their story

*External

Credits

Artwork & Sketch : Ar. Guru Prasanna C Project Architect: Ar. Manasa Ram Principal Architect: Ar. Deepa Suriyaprakash

ing he sts ling the nts

and een and ind been tric mind ing etric ent ping on ment and on and

was om was hat oom that set eted set cted one

Lead.Work.Let’s See. 06 Hands Of India (HOI for short) started as a collective dream of two sisters, Malyada and Ramya. The people who are masters of such traditional and inspiring skills which are now dying, in a town called Vrindaban, which is one of the most important religious centers in India. They were encouraged Hands (HOI for short) started as a collective of two to take Of careIndia of what is called the “Vastra Kothri” meaning dream “Clothes Room”. sisters, andthe Ramya.

The people who are of such traditional WhileMalyada managing inventory there, HOI hasmasters spent time working with the and inspiring skills which nowand dying, in a towncreated called Vrindaban, which artisans, identifying the are issues challenges, using simple, natural istechniques one of the most important religious centers in India.

They were relying solely on the accumulated knowledge ofencouraged generations of to take care of what is called the “Vastra Kothri” meaning “Clothes Room”. artisans and the skill of the human hand.

While managing the inventory there, HOI has spent time working with the This is their first flagship store, located in Jayanagar,one of the oldest dense artisans, identifying the issues and challenges, created using simple, natural residential areas of Bangalore, by the vicinities of Ashoka Pillar and Lalbagh, techniques relying solely on the accumulated knowledge of generations of afterartisans taking and theirthe online shopping portals by storm. skill of the human hand.

This forms the axis wall that acts as the datum line to divide the various sizes of clothing into respective rooms.

Keeping the importance in mind, it works as a historic feature wall emphasising what the venture stands for and highlighting its threads of origin.

This is their first flagship store, located in Jayanagar,one of the oldest dense residential areas of Bangalore, by the vicinities of Ashoka Pillar and Lalbagh, after taking their online shopping portals by storm.

Ceiling Panels in different rooms where it signifies the various kinds of hand printing crafts found across the country.

Furniture Module repeats itself in the various rooms.

Each room houses a particular size of clothing making it easy for the shopper to style and check out the various kinds of combinations available for their fit.

The shell of the existing built component was maintained as it is and the opening of the spaces were maintained as a reference to placing the furniture and shelves.

This ensured light and ventilation, enhancing the efficiency of the place even without the artificial spot lighting during the day.

Hands Of India - Flagship Store, Bangalore Entry Code: 001730

07

INDIGO DABU

Dabu or daboo is an ancient mud resist hand block printing technique from Rajasthan.

KALAMKARI

Cotton fabric patterned multiple times through the medium of vegetable dyes by free-hand painting and blockprinting.

JAHOTA

Jahota is block print originated in Jahota in jaipur. It is famous for it’s chilani print.

IKKAT

Ikkat is resist dyeing by binding bundles of yarns with a tight wrapping applied in the desired pattern.

IKKAT

Ikkat is resist dyeing by binding bundles of yarns with a tight wrapping applied in the desired pattern.

AJRAKH

Unique form of blockprinted shawls and tiles found in Sindh, Pakistan; Kutch, Gujarat; and Barmer, Rajasthan in India

The furniture and shelves have been placed keeping in mind the anthropometric comforts of shopping and arrangement of clothes based on combinations and visual connect.

The designing was done taking one room as the module that contained the entire set required for selected that belonged to one partcular clothing size. The module then replicated itself to fit into the various other rooms housing the other clothing sizes available for the ease of the customer’s choice.

Write. Lead. Let’s Work.

03 construction

08

- Architecture

Internship [Mar, 2017]

Malnad Times Resort, Sakleshpur

*software

skill assistance

Presentation Graphics : Adobe Photoshop Working Drawing: Revit Modelling: Revit

*Personal

skill assistance

Working Drawings Diagramming Quantitative Calculations Construction Detailing & Drawing

Conceptual diagramming of the evvolution of the form as an idea to upcycle waste hume pipes available in the vicinity of the site.

*External

Credits

Senior Supervision : Ar. Guru Prasanna C Digital Rendering: Frank Martin [Intern] Proof Reading: Ar. Manasa Ram

300 300 300 1' - 0" 1' - 0" 1' - 0"

UP 1

3

09

220 0' - 9"

12mm Inner Thick Polycarbonate Sheet Bolted to Outer 12mm Thick Outer Polycarbonate Sheet with 75 X 55 X 1.6mm Aluminium Z Section

3150 10' - 4"

12mm Poly Carbonate Sheet Bolted to 60 X 40 X 2.5mm Box Section with 20 X 1mm C Section Aluminium Capping

710 2' - 4"

12mm Inner Thick Polycarbonate Sheet Bolted to Outer 12mm Thick Outer Polycarbonate Sheet with 75 X 75 X 55mm Aluminium Z Section Waterproof Tarpaulin Sheet hooked to the SS Section

3

1 UP

Thread - 300mm Rise - 150mm

6 1130 3' - 8"

900 2' - 11"

1130 3' - 8"

3150 10' - 4"

1

Site Plan 1 : 25

UP

LEGEND

PROJECT NAME AND ADDRESS

PURPOSE

300 300 300 1' - 0" 1' - 0" 1' - 0"

NOTES

1 A-302

SHEET TITLE

Hume Pipe -Acrylic Alternative

1

Site Plan

Sakleshpur

1 : 25

SCALE DEALT

SIGNATURE

CONTRACTOR

3

GURU

DRAWN

SHREYA A

DATE

27/08/16

SHEET NO

24, 35TH Main, Dollars Scheme, 1st Stage, Btm Layout, Bangalore 560068 Phone:+91 080 42035815 Fax: +91 080 42035815 office.betweenlines@gmail.com www.betweenlines.in

PROJECT NO

NOTES

N

Malnad Times Resort,

A-102 B-AVA-HOS001

12mm Inner Thick Polycarbonate Sheet Bolted to Outer 12mm Thick Outer Polycarbonate Sheet with 75 X 55 X 1.6mm Aluminium Z Section

ALL DIMENSIONS ARE IN MILLIMETERS, UNLESS SPECIFIED. ALL DRAWINGS TO BE READ AND NOT MEASURED. THE ROAD LEVEL IS CONSIDERED T O BE +/- 0'0". ALL DRAWINGS ARE TO BE READ WITH RESPECTIVE DETAIL DRAWINGS. INCASE OF ANY DISCREPANCY, THE ARCHITECT IS TO BE NOTIFIED IMMEDIATELY. FOR ALL STRUCTURAL, ELECTRICAL AND PLUMBING DETAILS, RESPECTIVE DRAWINGS ARE TO BE REFERRED.

960 3' - 2"

960 3' - 2"

530 1' - 9"

2 A-301 A

Roof

Mesh

530 1' - 9"

Filled 12mm Inner Poly Carbonate Sheet Bolted to Z Section

3

+1.01 m

Openable

Openable

1

24, 35TH Main, Dollars Scheme, 1st Stage, Btm Layout, Bangalore 560068 Phone:+91 080 42035815 Fax: +91 080 42035815 office.betweenlines@gmail.com www.betweenlines.in

Waterproof Tarpaulin Sheet hooked to the SS Section

째 60 20 X 1mm C Section Aluminium Capping

PROJECT NAME AND ADDRESS Hume Pipe -Acrylic Alternative Sakleshpur

A-301 A

75mm Thick RCC Base

Plinth

Marking Drawing

1

CONTRACTOR

+0.59 m Hume Pipe Sea Level

Waterproof Tarpaulin Sheet Hooked to the SS Section

60 째

750 2' - 6"

Bed Level

12mm Poly Carbonate Sheet bolted to 60 X 40 X 2.5mm Box Section with 20 X 1mm C Section Aluminium Capping

460 1' - 6"

50mm Diameter 1.6mm Thickness Hollow SS Section

50째

12mm Outer Poly Carbonate Sheet bolted to 60 X 40 X 2.5mm Box Section with 20 X 1mm C Section Aluminium Capping

A-301 A

12mm Poly Carbonate sheet bolted to 60 X 40 X 2.5mm Box Section with 20 X 1mm C Section Aluminium Z Section

50mm Diameter 1.6mm Thick Hollow SS Section

1130 3' - 8"

Filled

PURPOSE

1 : 25

+0.26 m

o

SIGNATURE

3

SHEET TITLE

Thread - 300mm Riser - 150mm

12mm Thick Poly Carbonate Sheet bolted to 60 X 40 X 2.5mm Box Section with 20 X 1mm Flat Aluminium Beading

Section - 1

1 : 25

SCALE

GURU

DEALT

1 : 25

SHREYA A

DRAWN DATE

670

2' - 2"

710

2' - 4"

750

350 1' - 2"

2' - 6"

SHEET NO

300

UP

N

Section - 1

PROJECT NO

1' - 0"

1

1

900 2' - 11"

960 3' - 2"

50mm Diameter 1.6mm Thick Hollow SS Section

Mesh

594

350 1' - 2"

960 3' - 2"

+3.33 m

20mm Rough Sadarahalli Stone top/ Approved alternative as coping

2 A-301

530 1' - 9"

LEGEND

50째

1100 3' - 7"

1100 3' - 7"

1100 3' - 7"

1100 3' - 7"

1100 3' - 7"

1100 3' - 7"

27/08/16

A-301

B-AVA-HOS001

ALL DIMENSIONS ARE IN MILLIMETERS, UNLESS SPECIFIED. ALL DRAWINGS TO BE READ AND NOT MEASURED. THE ROAD LEVEL IS CONSIDERED TO BE +/- 0'0". ALL DRAWINGS ARE TO BE READ WITH RESPECTIVE DETAIL DRAWINGS. INCASE OF ANY DISCREPANCY, THE ARCHITECT IS TO BE NOTIFIED IMMEDIATELY. FOR ALL STRUCTURAL, ELECTRICAL AND PLUMBING DETAILS, RESPECTIVE DRAWINGS ARE TO BE REFERRED.

I-R-00

1

Floor Plan

2

1 : 25 LEGEND

PURPOSE

PROJECT NAME AND ADDRESS

Poly Sheet Profile 1 : 25

ALL DIMENSIONS ARE IN MILLIMETERS, UNLESS SPECIFIED. ALL DRAWINGS TO BE READ AND NOT MEASURED. THE ROAD LEVEL IS CONSIDERED TO BE +/- 0'0". ALL DRAWINGS ARE TO BE READ WITH RESPECTIVE DETAIL DRAWINGS. INCASE OF ANY DISCREPANCY, THE ARCHITECT IS TO BE NOTIFIED IMMEDIATELY. FOR ALL STRUCTURAL, ELECTRICAL AND PLUMBING DETAILS,

SHEET TITLE 0

NOTES

530 1' - 9"

Write. Lead. Let’s Work.

NOTES

4490 14' - 9" 550 1' - 9"

3400 11' - 2"

750 2' - 5"

Roof

550 1' - 10"

3000 9' - 10"

750 2' - 5"

LEGEND

1

+3.33 m

60 X 40 X 2.5mm Thick Box Section

A-302 A

2320

7' - 7"

2730 9' - 0"

12mm Inner Polycarbonate Sheet Bolted to 60 X 40 X 2.5mm Thick Box Section with 20 X 1mm Flat Aluminium Beading

12mm Outer Polycarbonate Sheet Bolted to x X y X zmm Thick Z Section

Bed Level

Grinded and Polished Floor Surface

+1.01 m

Compacted Earth

24, 35TH Main, Dollars Scheme, 1st Stage, Btm Layout, Bangalore 560068 Phone:+91 080 42035815 Fax: +91 080 42035815 office.betweenlines@gmail.com www.betweenlines.in

PROJECT NAME AND ADDRESS Hume Pipe -Acrylic Alternative Sakleshpur

410

Plinth

1' - 4"

3 A-302 A

2

20mm Kadappa Stone CONTRACTOR

A-302 A

+0.59 m

Brick Course

+0.26 m

PURPOSE

610 2' - 0"

Hume Pipe Sea Level

SIGNATURE

N.G.L.

SHEET TITLE

-0.02 m

Section - 2

N

2

Section - 2 1 : 25

SCALE

1 : 25

DEALT

GURU SHREYA A

DRAWN

27/08/16

DATE

NOTES

A-302

SHEET NO PROJECT NO

B-AVA-HOS001

ALL DIMENSIONS ARE IN MILLIMETERS, UNLESS SPECIFIED. ALL DRAWINGS TO BE READ AND NOT MEASURED. THE ROAD LEVEL IS CONSIDERED TO BE +/- 0'0". ALL DRAWINGS ARE TO BE READ WITH RESPECTIVE DETAIL DRAWINGS. INCASE OF ANY DISCREPANCY, THE ARCHITECT IS TO BE NOTIFIED IMMEDIATELY. FOR ALL STRUCTURAL, ELECTRICAL AND PLUMBING DETAILS, RESPECTIVE DRAWINGS ARE TO BE REFERRED.

50mm Diameter X 1.6mm Thick Hollow SS Section

Bed Level Bed Level Bed Level +1.01 m +1.01 m

1 Detail - 1 11 Detail - 1 11 :: 55

NOTES NOTES

I-R-00

50mm Diameter X 1.6mm Thick 50mm SS Diameter Hollow SectionX 1.6mm Thick Hollow SS Section

+1.01 m

Waterproof Tarpaulin Sheet hooked to the SS Section

Detail - 1

Waterproof Tarpaulin Sheet Waterproof Sheet hooked to theTarpaulin SS Section hooked to the SS Section

1:5

LEGEND

LEGEND LEGEND

20mm Rough Sadarahalli Stone Top 20mm Rough Sadarahalli Stone Top 20mm Rough Sadarahalli Stone Top

Plinth Plinth Plinth +0.59 m +0.59 m

75mm RCC Concrete Base

+0.59 m

75mm RCC Concrete Base 75mm RCC Concrete Base

6

Outer 12mm Polycarbonate Sheet

6 6

Outer 12mm Polycarbonate Sheet Outer 12mm Polycarbonate Sheet

24, 35TH Main, Dollars Scheme, 1st Stage, Btm Layout, Bangalore 560068 Phone:+91 080 42035815 Fax: +91 080 42035815 office.betweenlines@gmail.com www.betweenlines.in

Inner 12mm Thick PROJECT NAME AND ADDRESS 24, 35TH Main, Dollars Scheme, 1st Stage, Poly Carbonate Sheet Btm Layout, Bangalore 560068

7mm Thick X 100mm SS Hook Screwed to 50mm Diameter X 1.6mm Thick Hollow SS Section

7mm Thick X 100mm SS Hook 7mm Diameter Thick X 100mm SSThick Hook Screwed to 50mm X 1.6mm Screwed to 50mm Diameter X 1.6mm Thick Hollow SS Section Hollow SS Section

Roof Roof +3.33 m +3.33 m

+3.33 m

Detail - 3

Hume Pipe -Acrylic Alternative Sakleshpur Sakleshpur CONTRACTOR

50mm Diameter X 1.6mm 50mm Diameter X 1.6mm Thick Hollow SS Section Thick Hollow SS Section

CONTRACTOR CONTRACTOR

PURPOSE

PURPOSE PURPOSE

SIGNATURE

7mm Thick X 100mm SS Hook Screwed to 50mm SIGNATURE Diameter X 1.6mm SIGNATURE Thickness Hollow SS Section

Inner 12mm Polycarbonate Sheet Inner 12mm Polycarbonate Sheet 50mm Diameter X 1.6mm Thick Hollow SS Section

3 Detail -- 33 Detail 33 11 :: 55

Alternative

PROJECT NAME AND ADDRESS PROJECT AND ADDRESS Hume Pipe NAME -Acrylic Alternative

50mm Diameter X 1.6mm Thick Hollow SS Section

Inner 12mm Polycarbonate Sheet

50mm Diameter X 1.6mm Thick 50mm Diameter X 1.6mm Thick Hollow SS Section Hollow SS Section

24, 35TH Main, Dollars Scheme, 1st Stage, Hume Pipe -Acrylic Phone:+91 080 Fax: +91 080 42035815 Btm 42035815 Layout, Bangalore 560068 office.betweenlines@gmail.com www.betweenlines.in Phone:+91 080 42035815 Fax: +91 080 Sakleshpur 42035815 office.betweenlines@gmail.com www.betweenlines.in

Inner 12mm Thick InnerCarbonate 12mm Thick Poly Sheet Poly Carbonate Sheet

Roof

2 Detail - 2 22 Detail - 2 11 :: 55

Detail - 2

7mm Thick X 100mm 7mm Thick X 100mm SS Hook Screwed to SS Hook Screwed to 50mm Diameter X 1.6mm 50mm Diameter 1.6mm Thickness Hollow X SS Section Thickness Hollow SS Section

SHEET TITLE Details

SHEET TITLE SHEET TITLE Details Details

N SCALE

1:5

DEALT N

GURU

N

SHREYA A DRAWN 1:5 SCALE 1 : 5 DATE SCALE 27/08/16 GURU DEALT GURU SHEET NO DEALT A-301 A SHREYA A DRAWN SHREYA A DRAWN B-AVA-HOS001 PROJECT NO 27/08/16 DATE 27/08/16 ALL DIMENSIONS ARE IN MILLIMETERS, UNLESS SPECIFIED. ALL DRAWINGS TO BE READ AND NOT MEASURED. THE ROAD LEVEL IS CONSIDERED TO BE +/- 0'0". ALL DRAWINGS ARE TO BE READ WITH RESPECTIVE DETAIL DRAWINGS. INCASE OF ANY DISCREPANCY, THE ARCHITECT IS TO BE NOTIFIED IMMEDIATELY. FOR ALL STRUCTURAL, ELECTRICAL AND PLUMBING DETAILS, RESPECTIVE DRAWINGS ARE TO BE REFERRED. DATE A-301 A SHEET NO A-301 A SHEET NO B-AVA-HOS001 PROJECT NO B-AVA-HOS001 PROJECT NO

1:5

1:5

ALL DIMENSIONS ARE IN MILLIMETERS, UNLESS SPECIFIED. ALL DRAWINGS TO BE READ AND NOT MEASURED. THE ROAD LEVEL IS CONSIDERED TO BE +/- 0'0". ALL DRAWINGS ARE TO BE READ WITH RESPECTIVE DETAIL DRAWINGS. INCASE OF ANY DISCREPANCY, THE ARCHITECT IS TO BE NOTIFIED IMMEDIATELY. FOR ALL STRUCTURAL, ELECTRICAL AND PLUMBING DETAILS, RESPECTIVE DRAWINGS ARE TO BE REFERRED.

ALL DIMENSIONS ARE IN MILLIMETERS, UNLESS SPECIFIED. ALL DRAWINGS TO BE READ AND NOT MEASURED. THE ROAD LEVEL IS CONSIDERED TO BE +/- 0'0". ALL DRAWINGS ARE TO BE READ WITH RESPECTIVE DETAIL DRAWINGS. INCASE OF ANY DISCREPANCY, THE ARCHITECT IS TO BE NOTIFIED IMMEDIATELY. FOR ALL STRUCTURAL, ELECTRICAL AND PLUMBING DETAILS, RESPECTIVE DRAWINGS ARE TO BE REFERRED.

I-R-00 I-R-00

I-R-00

10

Write.Think. Let’s Lead.

04 Culmination

11

- architecture

Thesis Studio [Jul, 2017]

Where The Kurinji Blooms, Niligiris - Proving The Validity Of The Kuznet Curve Hypothesis Through Architecture As Its Medium

*awarded

merits

A3 NATIONAL INNOVATIVE DESIGN 2017 AWARD - A3 Foundation For Research & Promotion of Sustainable & Innovative Architecture, Chandigarh Winner Amongst 300 National Entries for Above Category [18th November, 2017]

*

software skill assistance Data Graphics : Adobe Illustrator Presentation Graphics : Adobe Photoshop Modelling & Nuetral Renders : Revit Base Drawing: AutoCAD Rendered Views: Lumion

*Personal

skill assistance

Sketching

Content Writing

Diagramming

Secondary Research

Graphic Designing Composition

Model Making Hand Drafting & Rendering

Hand sketched and illustration of the context settlement of Muttinadu Village adjecent to the site chosen for the thesis demonstration, in this Nilgiris district.

*External

Credits

Thesis Mentor: Prof. Nandita Srinivas Thesis Panel: Prof. Nandita Srinivas, Ar. Vagish, Ar. Seema Maiya, Ar. Bakul Jani Final External Juror: Ar. Arun Swaminathan, Ar. Meera Vasudev

Write.Think. Let’s Lead.

12

The enquiry/learning of the thesis is to examine whether architecture and its passive bioclimatic building explorations can help/increase the efficiency of the proposed economy generating facility and its storage support systems, at the same time being ecologically sensitive and contributing to its natural environment.

The Environmental Kuznet’s curve (EKC) is a hypothesis that was first advanced by the Nobel Laurate Economist, Simon Kuznet in the 1950’s to the 1960’s.

The hypothesised relationship is between environmental quality and economic development: various indicators of environmental degradation tend to get worse as modern economic growth occurs until average income reaches a certain point over the course of development.

As internal migration by farmers looking for betterpaying jobs in urban hubs causes a significant ruralurban inequality gap, rural populations decrease as urban populations increase. Inequality is then expected todecrease when a certain level of average income is reached and the rise of the welfare state, benefits from rapid growth and increase the per-capita income. Kuznets believed that inequality would follow an inverted “U” shape as it rises and then falls again with the increase of income per-capita.

Thus, the thesis project aims to prove and examine the possibility and existence of the Environmental Kuznet Curve as a predetermined outcome of a building design process using Architectural methods of addressing a given context via a responsive program and spatial sensitivity can decrease environmental degradation, while still promoting positive economic growth.

Sighting these parameters, the overall concept and definition of sustainability is to be re-looked and carefully understood as an overalling concept of space, program and the context in which architecture or design takes place, is the main agenda/issue raised through this project.

13

Exploded Isometric View of Krishi Udyog

The design stances taken have been to revive back architectural practices and evolve them to be important of key highlights in the architecture of the built, programatically address the farmers and the general community groups along with catering to the tourists and their awareness about agriculture and the native identities of the people of the region. The architecture and spactial quality has aimed to be a derivative of the vernacular livelihoods of the people and accomodate flexible programs that can engage the space constantly through the various seasons, making sure to optimise the efficiency of the intervention while reducing the built footprint and preserve the remaining parts of the site for cultivation and larger gatherings and open ended activitites.

14

Community Center

Indegenous Communtiy Kitchen

Community Core Environmental Core Commercial Core Post Harvest Facility Block

Design Stance - 1 The massing and architectural that follows a longitudinal axis, is compliments and weaved by tiers of green bands, to create passive climatic comfort, visual connectivity and relation to the valley and inhabit programatic landscape courts for users.

Design Stance - 2 Giving due importance to the community and culture of the region, flexible spaces are integrated in the master planning and design, that can be used for various festivities and community swell spaces, which can accomodate extra seasonal & social activities.

Design Stance - 3 The design detailing of architectural components have been inspired by old vernacular techniques, to re-inforce the identity and wisdom of the rich culture that exists in the region. It also brings about a sense of belonging and the feeling of community ownership.

Agrarian Knowledge & Tourist Center Indegenous Food Packaging & Making Block

Isometric Sectional View of Agrarian Knowledge Center

Promoting agricultural tourism and awareness during tourist season time, the center also provides workshops,knowledge repository, Krishi seed bank, water harvesting and bio-waste management wisdom with the aim to induce pricison farming and advancement amongst our farmers, coherent to the Mission 2022 of Government Initiatives

Write.Think. Let’s Lead.

Write.Think. Let’s Lead.

B C

A

Legend

Badaga Language

N

Tamil Language Malayalam Language

Lingual Diversity

Chosen Site Location

Scale: Proportional

Material Pallette of Softscapes & Hardscapes of the Krishi Udyog to Excite & Evoke the Sensorial Experiences Soft Scape Cement Pavers

Mud & Dung Flooring

Forest Girth Pin Wood

Fired Smooth Mud Pavers

Random Rubble Masonry Walls

Waxed Concrete Water Walls

Local Random Stone Pavers

Step Water Activity Wells

Semi-Permiable Grass Pavers

Woonden Batten Passage Roofers

Local Shingle Roofing Tiles

Stabilised Rammed Earth Walls

B’

A’

C’

N

Entry Level Plan ENTRY +0m

Scale: Proportional

PLAN at - 1.5 m

15

Write.Think. Let’s Lead.

16

Legend Tea Estate Workers Horticulture Farmers

N

Casual/Daily Wage Workers Other Works Chosen Site

Current Employment Scale: Proportional

View Of The Cold Storage Facility Area From The Open Air Amphitheatre

N

Amphitheatre Level Plan Scale: Proportional

PLAN at - 5.5 m

17

2

N

Community Kitchen Plan Scale: Proportional

PLAN at - 9.0 m

SECTION AA’

On-Farm Waste Management Cycle:

The programatic solution, reduces methane emmisions due to rotting of live produce and efficiently provides activities in the agricultural facility to generate income of by products at every stage

SECTION BB’

SECTION CC’

Produce Management Cycle

Using the cradle to cradle approach, the Krishi Udyog program and the architectural planning is done, so that the various life cycles of the produce and plants grown, are productively involved in each phase.

This results in massive decrease in the emmision of Methane gas released due to utilisation and natural soil rejuvenation of nutrients on site.

Write.Think. Let’s Lead.

The installation is at a given peace thoughts, move do ultimately lead to That one thought.

Be. Do.Let’s Write.

The triangles thoughts: the pers life altering, that m

05 writing

- Urban design = extracurriculars

18

The installation w RVCE- Old Archit a studio assignm Kochi Muzaris Art

Density & Architecture [Sep, 2016] - IA&B Magazine Article, Mumbai Urban Design Studio [Nov, 2015] - The Bazaar Street, Mattancherry

The Installa the RVCA the RVCE O

*awarded

merits

2nd TITLE - NATIONAL STUDENT WRITING COMPETITION by IA&B MAGAZINE [Indian Architect & Builder Magazine] ‘Density & Architecture by Shreya Arora’ Published Article in IA&B Magazine, Special 30th Anniversary Edition Issue, October 2016, alongwith complimentary student pass to attend 361 Degree Architectural Conference, Mumbai held in Febuary, 2017.

The though the installa remembran student we

The origam symbolise While the show the s

TOP 10 UD Project Proposals of RV UD Batch Studio by Ar.Mohan Rao [Concept & Final Selection & Presentation to Urban Design Jury Panel] Special Mention of Written Frame - InFrames Workshop Review Section C Editor & Proof Reader - UD Mattancherry Journal 2015 Issue

*

software skill assistance Presentation Graphics : Adobe Photoshop Modelling & Nuetral Renders : Trimble SketchUp Presentation Panels: MS Powerpoint

*Personal

skill assistance

Sketching

Content Writing

Diagramming

Secondary Research

Public Oration Composition

Model Making Hand Drafting & Rendering

*External

Credits

UD Studio Mentor : Prof. Anitha Suseelan UD External Guest Juror: Ar. Mohan Rao

Miscellaneous extra curricular work done in individual interest and volunteered contributions, apart from the academic course work. Upcycling as a concept has always been amusing for me to explore along with the depth of issues that can be expressed through art installations.

The ins awaren of sham by vario symboli society.

The ins the life colourfu united t the soc safety o Surpris came in women Bindi of themse was ext note, as

DENSITY AND ARCHITECTURE

Be. Do.Let’s Write.

19

Density in its pressurised sense with reference to the present global situation, leads to the pondering of the macro and micro implications it has on architecture.

On looking at the relationships that can be derived on the measuring scales of context, the following are variants of possible decoding.

Density in Architecture

Architecture and Density today

While architecture seems to be a wide compass of variety, compilation of a few distinct styles in architecture (post Modernism), have been yet controlling the progression, in relation to globalisation.

Globalisation has helped us all approach resources, pool knowledge about architecture and its advancements, to uplift our scenarios of infrastructure based on comparisons of various existing styles. However, this is also invariably quantified a standardised language of materiality and structure to portray a notional symbol of architectural advancement, tiring down the vernacular richness of individualistic dense areas around the world. It has changed its priority of being a symbolic tool globally, rather than an globalised space.

On factors of the minimal scale, density in architecture forms social links, tying up a relation with its existence in the environment of constriction. The space then, dictated by architecture yearning balance, looks at the density in its components like a jig-saw puzzle. Worked out through solutions of design, these densities give rise to modules of culture, context, comprehensions of the negative impacts and its iterations, efficiency of function and the quality of the dense architectural spaces inhabited by people. But the most unique result of such constrictions is challenging the notional function of architectural components and their functional definitions; such as a wall, a boundary, an opening or even a roof. Thus, the building and its structure is constantly a body in the state of repair, due to fluctuations in density, while its components and their function are in transcendence over time.

Architecture in Density Observing Michael Wolf’s documentation and inference of dense habitats being mesmerizing abstractions, the positives of density on a macro scale can be redefining what private, semi-private and public spaces of occupancy might just be in the real world.

Dense habitats weave strong communication and expressions amongst those living in it, reinforcing sense of community and cultural complexities of interest.

The shared spaces amongst people bring out events of interactions, relations and spaces without individualistic ownership. In a way, it relaxes the economic disparities in addition to the dynamic sequencing of movement and adjustments made related to the environment and the corresponding behaviour that refines their living conditions. Togetherness then becomes a compulsion rather than a choice.

A individual unit of space fails to function without the system transgressed my such multiple units.

Thus the architecture in such contexts of density plugs itself in, to mediate the existent flow of movement and events through spatial solutions of planning and compact creations of utilitarian design solutions.

Architecture notified as change in such densities, is just another commodity of symbolism instead of a tackled solution for the face of globalisation. It manifests as a product of accumulation of technology and other products used, leaving a very superficial underlying need of the architectural character itself, that pays no richness to the local indigeneity of its context. And as a product, architecture this disconnected to its densities builds itself on assumptions rather than real life genres, with a life span so short and replicable unlike the timelessness that the architecture and spatial carving once held in the same contextual soil, now neighboured to the present vision. With the dialogue between the disconnected and a vernacular identity, densities give rise to third spaces which grope its mass into relation and mediation of acceptance.

But globalisation on the other hand has also given rise to a new aspect of architectural rationality, where the grouping of random systems of experimentation amongst architectural styles give way to being cases solutions to problems and complex scenarios of dense spheres, looking at strategy aimed innovation towards contradicting ideologies and new models of thought intuition.

There is no one way of adaptation, but is density of architecture itself becoming a probing body of symbolism instead of different medias of viability in its explorations?

Hence, the modest contemplation in the globalisation context would be, trying to decode architecture as the factor giving rise to densities of smarter, smaller, compact regions or rethinking whether, letting densities control its spaces, is what is giving rise to the definition of what we know as architecture and its style today.

Be. Do.Let’s Write. 20 THE DOCKING of HUNDRED HANDS To crease, to trend, to fold, to mend, To design their regional fabric, Not for those stitches, that its edges hold, Not for the divide Calvathy chivvied, But to balm, those hundred hands, that design and showcase Mattancherry!

These hands of sort, diverse the thought, Of expressions, patterned to gesture, Richness of culture, blended flavours of coast, Will history continue lining its texture?

The question of course, to new auctioneers of sorts is, How will thou wear this complexity?

Would you embrace its true nature of kind?

Or mould it to customised dexterity?

Twenty vibrant minds ran wild and free, To tweak and craft this fine fabric, Twenty hands printed stories untold Colouring styles with boundaries elastic.

Then twenty, stitched and sewed with care, To accommodate its tailor-made tree, Of buttons of star anise to cuff, Beads of black pepper rowed in three.

Twenty hands fine-tuned this embroidery, Roughened hands that touched to see, intricate details and perfect workmanship for acquired tastes of just you and me!

When twenty hands now sit down to knit, re-needling its tangible intertwining, to weave solutions of disparities in kinds, to crotchet the silver linings!

For those small twenty hands to discover, The soiled texture they so fondly touch, Bear the gifts of their time to tell, only if they resort to such, exposure of the new world across the dock, mustn’t threaten this originality, but embrace and transform with elegance, to its new found binding tactility!

Mattancherry, a town in Kochi, houses a diverse span of people. The physicality of the place may extend to limited edges, but the outreach of its characteristic intangibility and variance of culture seems to extend beyond its perceived bounds. (Both historically and occupationally). Every spatial cluster in this locality is so unique in its identity, but yet manages to organise and link itself amongst the chaos experienced, in very interesting and organic ways.

Hence for a traveller/inquisitive novice, the region tends to grip him/her towards its multiple complex layers of life and the concept of ‘Third spaces’ created by its edges and boundaries, that have manoeuvred their way through over the years. (Each is to their very own, in understanding what these terms ‘edges or boundaries’ resonate here and its implications/effects over its architectural and spatial interaction, after having explored this locality.)

The poetry, is a dedication to its people, that describes an objectified belief that Mattancherry, like a span of fabric, is yet to be unfolded, to showcase its underlying vibrancy, which has been crafted and designed to detail by its people and their contribution. The assembly of these memories and prospects that the locality holds for them, now lies to be decided and acted upon by their next of kin. Keeping this in mind, the process has been to understand the tide of the issues so far, its potential progress occurring and intervene architecturally in a subtle manner, only to play the role of a catalyst that positively accelerates Mattancherry’s growth and strengthens the unity of the region on the macro scale. Through micro injections, the aim has been to convert these identified solid architectural edges and boundaries into dissolved shared spaces/third spaces that are designed and used by both sides, eliminating the claim or question of sole ownership of a community driven place.

ILLEGAL SETTLEMENTS

CONCEPTUAL SECTION OF ACCESSING UNDERUTILISED TOP FLOORS OF EXISTING STRUCTURES

UNDERUTILISED BUILT

DILAPIDATED BUILT OCCASIONAL GREEN RELIEF

VERY NARROW VISUAL WATER CONNECT

CURRENT NATURE OF ELEVATION NOTICED IN BAZAAR STREET

21

ALTERNATIVE VERTICAL MOVEMENT Vertical zoning or adaptive mixed use in buildings is a way to ensure higher productivity of a built space or a complex comparatively to its previous usage gesture.

Vertical Zoning necessarily does not mean, that the programs are stacked one above the other but also means the enhancement of circulation, above ground and in different levels of built spaces. Thus circulation of people across the vertical axis as a result of zoning programs strategically in a building, becomes the priority in this type of insert method.

Green Wall Frame

Reinforced Sea Rocks

EXPLORING VERTICAL AND HORIZONTAL MOVEMENT BY PUBLIC, WORKERS AND PRIVATE ACCESS

THE SUSTAINABILITY The design idea attempts to provide overall sustainence with respect to livelihood, community survival,economic system and of course the architectural elements which are in harmony to the vernacular materials of the context chosen

THE SITE/CONTEXT The design looks into reviving the forgotten water edge and attempts to dissolve boundaries amongst the people. It unites them through the working demand of the proposed Bazaar Street programmatic intervention

Laterite Blocks

THE ORIGINALITY The entire process from the idea, program,design, aesthetics and solutions created are solely in relation to the local indegienity of people living in Bazaar Street in the micro scope and program wise strongly related to the Mattancherry town itself. It is all in response to the current scenario of the context

THE IDEA/CONCEPT To enhance local collaboratives and make Bazaar Street a ‘Corridor of Enterprises’, by using design only as a mere catalyst to trigger its growth in an organic manner and make it an important link to the market trade of the town

Insulated Hollow Clay Blocks

Red Mud Brick

MICRO INTERVENTION OF A FLEXIBLE SPACE These micro-injections are primarily to allow dissolution of boundaries and solid edges amongst neighbours and workers that exist due to the existing gowdown structures. Since Bazaar Street lies in the UNESCO World Heritage Zone, it can be accomodated as a temporary structure which can be co-owned by people and serves for various community stalls especially during festivities and tourist market swells and during the off seasons can serve as petty community thrid spaces such as small eateries, barber shop, laundry, flower shop, spices etc

Solar Panelling

Top Space for Fish/Spice drying

Flexible Space for Benefit of the community

The Spririt of Street Art

Free Expression Walls Designed by Co-owners/Community People

22 INFERENCE/INTERVENTION MAP Important Boundary Zones Edges as Current Third Spaces Dilapidated Structures Underutilised Structures/Gowdowns Contextual Built in Good Condition Sea Water Edge

Concept Vision Map just like you do arrow diagrams and access points have to cover, water sight and cirlculation swellings

DESIGN STANCES/ZONING MAP Core Functioning Units Formation of New Dependencies After Intervention Open Community Third Spaces

Current divide in zoning seen, motive to strenthen the connect between that dying wholesale area as a dependent factor for the service core or tourist areas

Visual Connect to the Sea Space for Domestic/Community/Informal Work Present Docks Re-organised Sea Water Edge

TRANSITION MAP-BAZAAR STREET MATTANCHERRY Biennale Interactives Commercialisation Tourist Purchase Points EWS Housing Predominantly Wholesale Natural Water Edges

FUTURE PROSPECT AFTER INTERVENTION

Analysing the current changes in and around the city, there is a major need to occupationally find a dependency between the people and the current economic activities. Especially during the off-seasons. Hence the planning idea has been to introduce Bazaar Street as the confectionary zone that services the needs to the major tourist nodes and Kochi city, since this site is an invariable route and connect for tourists, traders, jetty transport users and union daily wage workers The map shows the major line to connect between Fort Kochi area and Jew Town, Mattancherry.

Stair Wells/Notional Security Towers Shift in Third Spaces and Increased Water Edge Interaction after Intervention End Product Retail Intermediate Product Wholesale Dependent and Affected Local Economical Establishments Community Space used as Working nodes During the daytime

Krishi Tarang Helpline

Freelance Graphic Design

Cities As Ideas Entry

Charles Correa Z-Axis Competition

23

PMAY Logo Entry

National Logo Design Competition

The above Logo was a competition entry made, for the National Competition of Logo Design for the Pukka Housing Scheme, Pradhan Mantri Awaas Yojana, declared and call for entries, made by the Government of India. The Logo design, aimed to highlight the transition of life of people in the greys of uncertainity into that of stability and security provided by the roof they’d have, as a result of the Government’s Initiative and supoort, through this PMAY scheme.

ક્રિષી તરંગ

ખેતી માહિતી સેવા

ક્રિષી તરંગ ખેતી માહિતી સેવા

વિનામલ્ુ યે!

0૭૯ ૬૬૨૧ ૮૮૨૧

આ સેવા તમારા મોબાઈલ પર ચાલુ કરાવવા આજે જ હમસકોલ કરો!!!

હવના મૂલ્યે તમારા મોબાઈલ પર ખેતી માહિતી મેળવો તમારા ખેતીને લગતા કોઈપણ પ્રશ્ન પૂછો જે નો

0૭૯ ૬૬૨૧ ૮૮૨૧

0૭૯ ૬૬૨૧ ૮૮૨૧

જવાબ 48 કલાકમાં મળી જશે

In light of the Orlando shootings and attack on the LGBT community that took place in 2016, it was found to be a moving and alerting event worldwide.

In memory of that, to offer condolence, postcards and posters of the burning issue were made in personal capacity, in an attempt to spread awareness and question whether the power of independent sexual identity of a person belonged to the society prefernce or the individuals, themselves, that those of choice were to be punished and ridiculed for life, for something so private, a choice. These were also submitted as graphic works for the Charles Correa, Z-Axis Architectural Conference Graphic Postcard Design Entry on the topic - ‘Cities As Ideas’

રજીસ્ટ્રેશન માટે હમસકોલ કરો ! વિનામુલ્યે!

0૭૯ ૬૬૨૧ ૮૮૨૧ ક્રિષી તરંગ શુંછે ? ક્રિષી તરંગ એ ખેતી માહિતી સેવા છે િે માં તમને તમારા કપાસ પાકની માહિતી હબલકુલ હવનામૂલ્યે મળી શકશે. હમસકોલ આધાક્રરત સેવા - આપને કોઈપણ પ્રકારનો ખચડ નિીં થાય

રજીસ્ટ્રેશન માટે હમસકોલ કરો ! વિનામલ્ુ યે!

તમારા પાકની સંપૂણડ ખેતી પદ્ધહતની માહિતી

તમારા ખેતીને લગતા કોઈપણ પ્રશ્ન પૂછો િે નો િવાબ 48 કલાકમાં મળી િશે હવના મૂલ્યે તમારા મોબાઈલ પર ખેતી માહિતી મેળવો

વિનામલ્ુ યે!

ક્રિષી તરંગ ખેતી માહિતી સેવામાં આપનો મોબાઈલ નંબર રહિસ્ટર્ડ કરાવવા આિે િ અમારા 0૭૯ ૬૬૨૧ ૮૮૨૧ નંબર પર હમસકોલ કરો ફક્ત હમસકોલ કરી આપનો મોબાઈલ નંબર રહિસ્ટર્ડ કરાવો રજીસ્રેશન બાદ આ સેવા આપના મોબાઈલ પર હબલકુલ હવનામુલ્યે મેળવો

0૭૯ ૬૬૨૧ ૮૮૨૧ પાકની માહિતી િે વી કે; • ખાતર વ્યવસ્થા • રોગ-જીવાત હનયંત્રણ • િવામાન માહિતી

દર અઠવાક્રર્યે એક માહિતી સંદેશ મેળવો િે માં આપના પાકની માહિતી િશે આ સેવા તમારા મોબાઈલ પર ચાલુ કરાવવા આિે િ હમસકોલ કરો!!!

The Krishi Tarang team, support smallholder farmers in developing countries by providing customized information and services that increase productivity, profitability, and environmental sustainability.

With a motive of increasing farmer productivity in our country, PAD’s India program recently launched a new hotline service called Krishi Tarang, which roughly translates to “agriculture wave” or “vibe” in both Gujarati and Hindi. The tagline, Mahiti tamara hatma, literally means “information in your hands.”

This was done specifically to help the cotton farmers of Gujarat.

The client requested graphics for a awareness brochure and a three fold pamphlet that was to be distributed in the villages, amongst the cotton farmers in Gujarat. The requirement was that is should be visually direct and understandable for the illiterate farmers at the same time, textually explain the motives and benefits of the organisation.

The following content shown in this segment, is the fraction of the project work done as a freelancer, in individual capacity from the ideation, graphics and presentation.

The projects were done for a social cause and on volunteered or participation basis.

Copyrights of the pamphelt and brochure, logo works now belong to Precision Agriculture for Development - Krishi Tarang - India.