Shreya Dongre Selected Works 2015-2020
Architecture Portfolio
| Architecture Portfolio | 2015-2020 |
Profile I’m a B.Arch graduate from Pillai College of Architecture, Mumbai University. The experiences gained from academics and other activities have helped me to shape my abilities to visualise, conceptualise and to think critically about the things that are related to architecture.
Contact Email id- shreyadongre@gmail.com Work page- @_archi.diary_ (instagram) Phone no.-+91 9960658148
Education 2015-2020: Pillai College of Architecture, New Panvel, Navi Mumbai
Languages English, Hindi, Marathi
This portfolio contains selected works from the authors five years of Architecture course. P.S. 1) All the drawings, images and texts in this portfolio have been produced by the author. 2) For group projects, images produced by the author have been compiled. If otherwise, credicts have been mentioned.
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Achievements
Workshops
Academics
2018
Redo Workshop by Ar. Yatish Chavan,
2017
Tensile Workshop by Ar. Shreya Sen
2017
Hands-On Workshop for Natural Design under Ar. Gerard D’cunha,
2020
CGPA- 8.14
2017
3 O’clock Design Studio, Bungalow Project, Sem 3
Extra- curricular 2018
Mindscape Hospitality Head,
2017
Mindscape Creative Team,
2016
Workshop Head, Alegria,
2016
Mindscape Creative Team,
2016 2015
(Kinesthesia)
(Kinesthesia)
(Architecture Autonomus, Goa, India)
Pillai College of Architecture
Pillai College of Architecture
Pillai College of Architecture
Skills Autodesk Autocad Revit Rhino
Pillai College of Architecture
Google Sketchup
2nd Place,
Adobe Photoshop
Inter- PiCA Football
Creative Team, Alegria,
Pillai College of Architecture
Adobe Illustrator Adobe Indesign Adobe Lightroom Vray
Competitions 2020
International Architecture Design Awards,
2020
Architectural Thesis Award 2020,
2017
Ethos Transparence,
Lumion MS Suite
Commercial ‘20, uni.xyz Mango Architecture Railport
Work Experience Nov 2018March 2019
Interniship under Ar. Archis Kulkarni at Arin Designs, Nashik
Documentation Nov 2017
Cenotaphs,
Jan 2017
Village Documentation,
Dec 2016
Belur- Halebidu Temple Complex,
Dec 2015
Goa
Orchha, MP, India
Maldunge, Panvel, India Karnataka, India
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Profile Narrative 1
Rethinking Workspace through Social Inclusion Architectural Thesis 6-17
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Railport- Future Ready Semester 9 18-27
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We-Work We-Live Semester 7 28-35
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Pavillion in Vietnam Semester 5 36-41
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Village Documentation Semester 4 42-47
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Working Drawings Semester 6 48-53
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La Sagrada Familia Literature- Semester 4 54-57
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Belur- Halebidu Documentation Semester 4 58-59
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1
Rethinking Workspaces through Social Inclusion Kanjurmarg, Mumbai
Due to the increasing employment in the Metropolitan cities like Mumbai, there is an increasing need to have dedicated spaces for business purpose and social meeting spaces. Due to Urbanisation, there is increase in the built scape in the city and reduction in the open spaces in metro cities. In addition, urban and social modernization has caused rapid increase and concentration of urban services and, as a result of it, it has caused population increase and architectural densification. Like Open green spaces (parks and gardens) are breathing spaces for the city, Urban Open Spaces (plazas and squares) are the breathing spaces for the people in the city. There is an urgent need to increase such planned urban open spaces in the city for people. In brief, open space and street for pedestrians have decayed. Expansion of buildings, reduction of streets, and degeneration of open spaces have started to diminish a space for public activity, this has connected to fall quality of its macro-environment and consciousness of sharing, and then the quality of the city has fallen as a result. Also, with the increasing skyscrapers in the city, there is no interaction between the open spaces and the Urban fabric.
Project type: Architectural Thesis Organisation: Pillai College of Architecture, New Panvel Project Year: 2019-2020 Project Location: Mumbai, India
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Urba n i s a ti o n Urbanisation occurs mainly because people move from rural areas to urban areas and it results in growth in the
Mumbai, Maharashtra is the most popular city in India, and the fourth most popular city in the world.
size of the urban population and the extent of urban areas.
Bombay
Good little bay
M U M B A I
Bombaim Financial capital of India
Bombay to Mumbai
IMPACT OF MIGRATION ON CITIES Problems of Over Population Disintegration of Joint Family Cost of Living Increase in Crime Rates Impersonal Relation Problems of Pollution Stress
This is not India. There are people here from every part of India, but Bombay isn’t India. Bombay is an own-world, a world in itself. The real India is out there.
Environmental Degradation
URBAN BUILT AND OPEN SPACES Most of the cities green cover has been turned into the cement forest which leaves only 1.1 sqm of Open urban space per person.
Lateral growth pattern of Mumbai Open space per person in Mumbai The population growth and Urbanisation of Mumbai has affected the city spaces in many ways.
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O f f i ce Tre n d s It can be said that these parameters define a healthy and lively workplace with a good work + play + eat + shop environment.
1 Work Old work place
< 10% of floor area is flexible
Community Spaces
Work
Play/Amenities
New work place < 40% of floor area is flexible A range of flexible spaces suited to different kinds of work
2 Convenience
Traditional work place
Convenient Work place
3 Food
Eating as knowledge sharing
4 Recreation
Active Recreation
Distributed food options
Passive Recreation
These facilities will allow their employees to remain healthy and recharge themselves, and also act as places where employees can come together and make the relationships that bind them together as a community.
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Diagrams showing form development
Setback + Vehicular movement restricted to periphery
Plan with micro level context
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Total built up massing
Built-up mass sliced in plaza along the axis
n between to create a
| Architecture Portfolio | 2015-2020 |
Few chuncks removed from the built-up to ensure effective entry of light and ventilation
Final design
Section of the complete building
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Perspective section
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Perspective section showing internal spaces
View of the North Plaza
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View of cut-outs in the building
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View of the break-out spaces
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View of the complete structure
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Railport- Future ready Anand Vihar Railway Station, New Delhi
Plan showing site with macro level context
Location- Anand Vihar Railway Station, New Delhi
Project type: Architectural Thesis Organisation: Pillai College of Architecture, New Panvel Project Year: 2019-2020 Project Location: Mumbai, India
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Ethos along with Saint-Gobains arranged a competition- Transparence, for a Railport- Future Ready. The aim of this design competition was to design a Railway Station and their precinct that can help users through improved circulation and decrease of conflict areas, thereby making it effective and efficient landmark public area in the city.
As per the modernization measures being undertaken by the Ministry of Railways, separate entry and exits for passengers, and separate arrival and departure area for vehicles will help in security arrangements and effective circulation and traffic management.
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Site along with micro level context
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Diagram showing Urabn level planning arround the site
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Departure level plan showing the internal spacial planning
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Diagrams showing internal connectivity throughout the building
Basement level plan showing connectivity to the underground walkways
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Arrival Level plan showing internal spaces
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Meazzanine Plan
Departure Level plan showing internal spaces
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Section cut through the building and railways platforms
Section showing the internal spaces of building and railway platform
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3 We-Work We-Live MBPT, Mumbai
The aim of this project was to build a Co-working and Coliving space in the Mumbai Port Trust area of Mumbai. The site has a strong history and context which was taken into consideration while designing the project. The view towards the sea on the East side was a primary considering factor. Co-working space demanded inclusive space for all types of professions. Co-living spaces were designed to cater families, bachelors and couples from considering different professions as well.
Project type: Individual, Academic Organisation: Pillai College of Architecture, New Panvel Project Year: 2018 Project Location: Mumbai, India
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Mind map showing the context of site located in MBPT.
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Con cept a n d Fo r m D e ve l op me nt
1-Setbacks
2-Buit-up mass
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3-Changing the angles of building for views, light and ventilation
4-Adding nodes in between buildings for common spaces
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Axonometric view of the built-up
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Longer Section showing the internal co-working anc co-living spaces
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4 Pavillion in Vietnam Process Drawings for the concept of Pavillion
Project type: Group work,Academic Organisation: Pillai College of Architecture, New Panvel Project Year: 2017 Project Location: Vietnam Project Team: Poornima Panjwani, Ashwin Vishwanathan, Shreya Dongre
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The Pavillion was a hypothetical proejct with a site according to the authors choise. The Pavillion design was inspired from the works of Architect Vo Trong Nghia and the site and pavillion was also located near one of his projects in Vietnam.
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Plan showing the pavillion
Section
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View of the Pavillion in Vietnam
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5 Village Documentation
Diagram showing the view of Bapdevadi Village near Panel Project type: Group Documentation, Academic Organisation: Pillai College of Architecture, New Panvel Project Year: 2017 Project Location: Mumbai, India
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The documentation was done as a part of design process of Semester 4 project.
The village had a provision of a primary school for girls and boys and small open and closed meeting spaces for the elders.
The villages near Panvel were documented to study the context building style, building materials and internal spaces of the houses.
All the villagers worked in the farms nearby the village to provide for their families.
This particular Village in Maldunge- Bapdewadi consisted of small 28-30 number of low-cost houses.
The building materials used by the villagers in their houses were locals materials like cow-dung and clay.
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Plan of house 28 showing internal spaces
Plan of house 22 showing internal spaces
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Plan of house 6 showing internal spaces
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| Architecture Portfolio | 2015-2020 | Butyl trap
Rake flashing
Gasket screws
Metal roofing Panel
SE
Steel staircase
SC
Aluminium roof
EXISTING STONE WITH MUD PLASTERED WALL
Railing
Steel Support
JOINERY BRICK W
Verandah
ELEVATION SCALE 1:50
FRONT ELEVATION
MANGALORE TILES BATTEN
SCALE 1:50
FACIA BOARD
construction typology CONSTRUCTION TYPOLOGY
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WA
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+5.25M Mangalore Tiles
+3.25M Karvi Wall +2.20M
Stone Plinth
+0.75M
Wooden Platform
SIDE ELEVATION SCALE 1:50
MANGALORE TILES
BATON
Mangalore Tiles CONCRETE COLUMN FOR SUPPORT
BEAMS
Facia Board CONNECTING TIES OF STEEL , EVERY FOURTH COURSE
MUD PLASTERED KARVI PARTITION
Y DETAIL OF STONE WALL AND WALL
BACK ELEVATION
CORNER DETAIL OF ROOF
GLASS TILE MANGALORE TILES
FACIA BOARD
SCALE 1:50
ALL PLATE
ROOFS HAVE GLASS TILE USED AS A SKYLIGHT FOR THE SUNLIGHT TO PARTIALLY ENTER.
G.L
SECTION SCALE 1:50
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6 Working Drawings
Project type: Individual, Academic Organisation: Pillai College of Architecture, New Panvel Project Year: 2018 Project Location: Mumbai, India
Floor plan
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Section through staircase
Toilet Plan in Detail
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Section through toilet
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Strip Section
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Staircase Plans at levels
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Staircase Section
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Door details
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7 La Sagrada Familia BARCELONA, SPAIN Paper
Abstract
The Sagrada Famíliais Gaudí’s unfinished work, to which he exclusively dedicated his last years of life. Even though he only got to build a small part of the total, he defined the rest through models and drawings. Gaudí’s design for the inside of the Temple was based on a new geometric architecture which made extensive use of ruled surfaces (paraboloids, hyperboloids), opening a new field which later architects have followed.
Project type: Academic, Individual Organisation: Pillai College of Architecture, New Panvel Project Year: 2017
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L a S ag r a da Fa m i l i a Paper
Construction of the aisle vaults, 1997 Construction of Temple of the Sagrada Famíliais began in 1882, more than a century ago. The temple is still under construction, with completion expected in 2026. It is perhaps the best-known structure of Catalan Modernisme, drawing over three million visitors annually. Architect Antoni Gaudi worked on the project until his death in 1926, in full anticipation he would not live to see it finished.
Construction of the aisle vaults, 1997 Gaudi was appointed architect in 1883 at 31 years of age, following disagreements between the temple’s promoters and the original architect, Francisco de Paula del Villary Lozano. He maintained del Villar’s Latin cross plan, typical of Gothic cathedrals, but departed from the Gothic in several significant ways. Most notably, Gaudi developed a system of angled columns and hyperboloidal vaults to eliminate the need for flying buttresses. Rather than relying on exterior elements, horizontal loads are transferred through columns on the interior. Aerial View of the construction of La Sagrada Familia
Ground Level Plan
La Sagrada Familia utilizes three-dimensional
forms comprised of ruled surfaces, including hyperboloids, parabolas, helicoids, and conoids. These complex shapes allow for a thinner, finer structure, and are intended to enhance the temple’s acoustics and quality of light. Gaudi used plaster models to develop the design, including a 1:10 scale model of the main nave measuring five meters in height and width by two meters in depth. He also devised a system of strings and weights suspended from a plan of the temple on the ceiling. From this inverted model, he derived the necessary angles of the columns, vaults, and arches. This is evident in the slanted columns of the Passion facade, which recall tensile structures but act in compression. Ground Floor Plan
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Tiled vault
Gaudi
embedded
religious
symbolism
in
each aspect of La Sagrada Familia, creating a visual representation of Christian beliefs. He designed three iconic facades for the basilica, the Glory, Nativity, and Passion facades, facing south, east, and west, respectively. The sculpting of the Nativity facade recalls smooth, intricate corbelling and was overseen by Gaudi. The Passion Facade is characterized by the work of Joseph Maria Subirachs, whose angular sculptures extend the modernist character of the temple. The sculptor Etsuro Sotoo is responsible for the window ornaments and finials, which symbolize the Eucharist.
Detail of the Passion Facade
The central nave soars to a height of 45 meters, and is designed to resemble a forest of multi-hued piers in MontjuĂŻc and granite. The piers change in cross section from base to terminus, increasing in number of vertices from polygonal to circular. The slender, bifurcating columns draw the eye upward, where light filters through circular apertures in the vaults. These are finished in Venetian glass tiles of green and gold, articulating the lines of the hyperboloids. Once completed, La Sagrada Familia will feature eighteen towers composed to present a unique view of the temple from any single vantage point. Four bell towers representing the Apostles crown each facade, reaching approximately 100 meters in height. At the north end, a tower representing the Virgin Mary will stand over the apse. The central tower will reach 72 meters in height and symbolize Christ, surrounded by four towers representing the Evangelists.
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Details in the facade of La Sagrada Familia
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1925
Subsequent generations of craftsman and
architects have relied on the remaining drawings and plaster models to advance the project, adhering to Gaudi’s vision as closely as possible. As a result, the design of the temple is a collaboration spanning centuries.
Gaudi himself viewed the project as the collective
work of generations. “I will grow old but others will come after me. What must always be conserved is the spirit of the work, but its life has to depend on the generations it is handed down to and with whom it lives and is incarnated.”
The Nativity Façade
Even as construction continues, older portions are undergoing cleaning and restoration. The temple has relied entirely on private donations since its inception, and has seen many delays due to lack of funding. A particularly significant setback occurred during the Spanish Civil War, when Gaudi’s workshop was destroyed, including much of the documentation he left behind.
In recent decades, La Sagrada Familia has adopted contemporary digital design and construction technologies. Architects and craftsmen use Rhinoceros, Cadds5, Catia, and CAM to understand the complex geometries and visualize the building as a whole. Plaster models are still used as a design tool, now generated by a 3-D printer to accelerate the process.
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8 Belur Documentation
Elevation of the Basadi
Section of the Basadi
Project type: Group Documentation, Academic Organisation: Pillai College of Architecture, New Panvel Project Year: 2017 Project Location: Belur, Karnataka, India
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Away from the hustle bustle of the city, in a quite town near Bellur, Karnataka, there stands a temple complex hidden from the tourists and interlopers. This complex mainly known as the â&#x20AC;&#x153;shanthinatha basadiâ&#x20AC;? is a jain temple complex consisting of 2 massive temples and one smaller temple in-between them. These temples have a complex geometry, detailed sculptures carved into the soap stone with the most intricate designs leaving the by-stander completely wonderstruck at the quality of work in such quantity
The Shan 1192AD and in Santinatha. The focu Garbhagriha, wh has a complex d the soft soap st known as Jagat Hoysala innovat
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Column Details of the Basadi
nthinath Basadi was built around nside it resides a tall statue of
us of the temple is mainly the here the deity resides. The temple design with decorations chiselled-in tone. It is built on a raised platform ti which follows a star shaped plan, a tion.
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List
of
a d d i t i o na l
Projects
Project type: Competition Project Year: 2020
Project type: Label Design Competition Project for: Moonshine Meadery Project Year: 2020 Description: Label designed for a competition lead by Moonshine Meadery based in Pune, India, for their new Mead “Grilled Pineapple Mead” launch.
Project type: Instagram Page (@_archi.diary_) Project Year: 2020
Project type: Academic(Documentation), Group Organisation: Pillai College of Architecture, Project Year: 2017-2018 Project Location: Orchha, India Description: In this documentation, we studies and documented India’s oldest 15 Cenotaphs/ Chhatris (1434-1530) of the mighty Bundela Kings located on the banks of Betwa river in Orchha, India.
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Project type: Instagram Page (@_archi.diary_) Project Year: 2020
Project type: Freelancing, Individual Project for: Skinish Project Year: 2020 Project Location: Raipur, India Description: Illustrations made for the launch of Skinish Organic Hair & Skincare brands new launch of products and E-books on Haircare.
Project type: Academic, Group Organisation: Pillai College of Architecture, Project Year: 2018-2019 Project Location: Mumbai, India Description: This project investigated the issues related to traffic congestion around the Panvel Railway Station, New Panvel,India and intended to provide solutions to combat those issues as a part of Urban Design Studio.
Project type: Internship Organisation: Arin Designs, Nashik Project Year: 2019 Project Location: Nashik, India Description: The interior designing project handled during the internship was designed according to the climatic and domestic needs of the user.
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Shreya Dongre
Architecture Portfolio Selected Works 2015-2020 shreyadongre@gmail.com