Shue Wei-chengportfolio of graphic design

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設計哲學

Shue Wei-cheng design philosophy


At train, Taiwan. June,17.2006

Photography byShue Wei-cheng



Nouvelle / EDITORIAL DESIGN

Copyright © 2008 Index Book,T.W

First edition published in 2009 by Nouvelle Publishing Pte Ltd.

Title Name 薛偉成的設計哲學 Shue Wei-cheng design philosophy

Printed and bound in Taiwan


Shue Wei-cheng portfolio of graphic design Shue Wei-cheng philosophy



Shue Wei-cheng March 2009

Contents 目錄

Shue Wei-cheng portfolio of graphic design Shue Wei-cheng philosophy Publisher

Art Direction

Nouvelle by S. Wei-cheng Shue Wei-cheng Author Shue Wei-cheng Graphic Design Shue Wei-cheng

008 Introduction by Shue Wei-cheng 個人簡介

012 Photography 影像創作 023 Layout design 編排設計 035 Animation design 動畫設計 041 Project design 專題設計

061 Prodution and development 創作的背後


個人簡介

Personal introduction

Shue Wei-Cheng. First published in 2009 by myself. Graduate from Lin Tung university Visual communication design department Do you want to know me? A simple introduction; I am I, makes itself importantly; Achieves the matter diligently well. Truth is the truth I don't need to beat around the bush responded,I directly stated the truth.The design like this; I had found my design philosophy.

Specialty: Excelling typegraphy,layout design,book cover design and poster design. Experience: Advertisement design third class examination. Participation 2008 Golden Calf Award-TV advertisement class.The principal rewards. Participation statistical chart design competition. Participation 2006 National poster competition. Participation 2007 National poster competition.


Personal introduction Shue Wei-cheng March 2009

薛偉成 出生於1986年,台灣島。 台北縣,板橋市金門街305號之11 2F

畢業於嶺東科技大學 視覺傳達設計係 你想認識我嗎?簡單的介紹;我就是我,做自 己最重要;努力把事情做到最好。事實就是事 實我不須要拐彎抹角的去回答,我只是直接陳 述了事實。設計就像這樣;我從中找到了自己 的設計哲學。

專長: 擅長編排設計,書籍封面設計,平面海報設計。

經歷: 廣告設計丙級檢定 參加2008時報金犢獎-電視廣告類 校長獎 參加統計圖設計比賽 參加2006全國海報比賽 參加2007全國海報比賽



Shue Wei-cheng portfolio of photography Continues the next page

The show just begin


Photography 影像創作 Nikon FM2,Ilford B&W film 2006


Shue Wei-cheng 2006

Remaining watching angle 殘碎的視角

殘破的肢體,陳靜在廢棄的角落。在斑剝的舊房子裡,我發現了 一場正在上演的舞台劇,它正在述說當年的風華。 Broken body The broken body, places the corner which abandons. I had detected a performed living theater, it was saying same year's grace and talent.

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The office workers look like the puppet. 上班族像個傀儡。 Taichung Canon EOS 40D 16

The office workers look like the puppet.


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在忙碌的工作中,一成不變的生活中,是否覺得自 己像個傀儡一樣;總是受人擺佈,如何讓自己從中 解脫,是個重要的課題。 In a busy work, hard and fast life, are rejected as like a puppet; people are always exposed to the mercy of how to extricate themselves from, is a very important topic.

Photography 影像創作 Photography Shue Wei-cheng


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documentary Shue Wei-cheng's B&W scenery

Photography 影像創作 Nikon FM2,Ilford B&W film 2006

Shue Wei-cheng's B&W scenery


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Photography 影像創作 Holga 120,Ilford B&W film 2006

Shue Wei-cheng's trip



Photography Turning upsidedown

Shue Wei-cheng

Taichung 2009 at 02.19

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Mulan yang in white room. 2009


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Photography 影像創作

往下跳,掉下去! WOW! SCARE. AND YOU.

Taichung 2009.02.09 Wendy's home. Canon EOS 40D


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Photography Shue Wei-cheng

正因想像力是無窮盡也無限制 的,如果將它們實際化,而看 起來似幻似真是攝影師最大的 挑戰,當你相信親眼所見,才 是真正的幻想實現。

有時候事情沒有想像的那麼糟 糕,轉個角度看世界,將有不 同的樂趣,其實生活是可以過 得更美好。 Because of the imagination is being inexhaustible also unlimited, if they are real, looks like to resemble the imaginary vraisemblance is the

photographer biggest challenge, when you believe that personally sees, is the true fantasy implements.

Sometimes the matter doesn't have the imagination that bad,transfers an angle to look at the world, will have the different pleasure,actually the life may have happily.



Shue Wei-cheng portfolio of layout design Continues the next page

The show just begin


Layout design Shue Wei-cheng 2007

University second year’s design work

Shue Wei-cheng layout design

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Shue Wei-cheng typography

Layout design Shue Wei-cheng 2007 大學二年級的編排設計作業。 University second year’s design work Illustrator Size:A4

大學二年級編排設計課,是我設計的轉捩點,學習編排讓我更清楚文字與圖文之 間的對話,編排是一門很細緻的學問;需要用心的觀察文字中的主標、副標跟內 文之間的密切關係,所以我在編排課之中學到很多,如果沒有編排課,就沒有今 天這本作品集。




Layout design Shue Wei-cheng 2007

University second year’s design work

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con the words of layout Layout design Shue Wei-cheng 2007

大學二年級的編排設計作業。 University second year’s design work Illustrator Size:A4


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Layout design Shue Wei-cheng 2007

Conception de disposition Shue Wei-cheng 2007

大學二年級的編排設計作業。 University second year’s design work

大學二年級的編排設計作業。 University second year’s design work

Illustrator Size:A4

Illustrator Size:A4


Planentwurf Shue Wei-cheng 2007

レイアウトデザイン Shue Wei-cheng 2007

大學二年級的編排設計作業。 University second year’s design work

大學二年級的編排設計作業。 University second year’s design work

Illustrator Size:A4

Illustrator Size:A4 31


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Layout design Shue Wei-cheng 2009 自由創作編排設計作業。 Free style design work Illustrator Size:A4

平常無聊的時候會隨意的做一些設計,因為只有在在學時期可以做一些自己喜歡做的事,以後開 始工作時可能就沒那麼自由了,所以我喜歡在休息時做一些自己喜歡的設計。


Name card design Shue Wei-cheng 2009

名片設計 Name card design

Illustrator Size:9cm×5cm

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自由創作編排設計作業。 Free style design work

Layout design Shue Wei-cheng 2009


Illustrator Size:A4

Pages layout 35

所以平時太愛幻想了,很喜歡設計一些書籍封面,自以為自己 好像出了書,總覺得自己必須不斷的學習,學習觀察更多事 物,不想被制約住,有空時總是會去看看展覽,希望有一天能 出國,讓自己可以增廣見聞。



Shue Wei-cheng portfolio of animation design Continues the next page

The show just begin


動畫設計

Animation editing

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Ex.01 What is design? Manufacture process

Shue Wei-cheng 2007


Affter effect Size:640×480

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非常的困難,從開始製作到完成,總共花了我三天的時間。從有構想開始,必 須先畫好草稿,在利用AfterEffect慢慢的調整,修改,到最終完成。 The unusual difficulty, from starts to manufacture to completes, altogether has spend I three days. From has the conception to start, must first draw the good rough draft, is using the AfterEffect slowly adjustment, the modification, and completes.


動畫設計

Animation editing

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Shue Wei-cheng 2007

Ex.02 Bang&Olufsen AD. Manufacture process


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Affter effect Size:1280×720

這是我為Bang&Olufsen所製做的簡易形象廣告,我在內 容中大量的使用編排的元素,並且大膽的配色,讓顏色與 Bang&Olufsen的產品可以相互融合;在配合上簡約輕柔的 音樂,製作出典雅,舒服的形象廣告。 This is I the simple image advertisement which makes for Bang&Olufsen,I’m in the content the massive use arrangement element, and bold matching colors, lets color and Bang&Olufsen product may fuse mutually,in coordination brief gentle music, manufactures the elegant, comfortable image advertisement.



Shue Wei-cheng portfolio of project design Continues the next page

The show just begin


KIMLAN image design

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Conception d’image de KIMLAN


金蘭形象設計 KIMLAN image design

KIMLAN image design

Shue Wei-cheng 2007

Illustrator Size:10:1

金蘭形象設計,這段期間的設計還蠻辛苦的;團體合作變成一個很重要的要素,雖 然辛苦了很多天;也熬了很多天的夜,但是從這之中所學到的東西是無價的,我學 習到很多未來將會遇到的經驗。


金蘭形象設計 KIMLAN image design Illustrator Size:10cm×14.5cm

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Conception d’image de KIMLAN KIMLAN image design Shue Wei-cheng 2007


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KIMLAN image design


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My case Icon design

SECTION ONE FROM MY CASE 程式圖像設計,我利用簡單容易辨識的圖像,加上清 爽明亮的顏色,構成出簡單又容易辨識的圖像。 The program image design, I use the image which simple is easy to recognize, in addition the neat bright color, frame the image which simple also is easy to recognize.


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Design by Shue Wei-cheng,2006 程式圖像設計


Chueng Shine Web design

Illustrator Size:1024Ă—768cm


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My case Web design

Design by Shue Wei-cheng,2007 網頁編排設計

我很滿意這個網頁設計,這是跟我的好朋友們一起接 的案子,我很開心業主喜歡這樣的設計,也感謝朋友 們給我一個工作的機會。


網頁編排設計

Web design

solsoftware homepage

Shue Wei-cheng 2007


illustrator Size:1024Ă—768

solsoftware about us


書籍編排設計

book design

Shue Wei-cheng 2008


indesign Size:A5

Profile design Shue Wei-cheng 2008

這是專題複審時所做的給評審的簡介書,雖然評審覺得我們攝影 的技術以及表現的氛微不夠好,但是我還是很喜歡攝影,這本簡 介只用了很簡單的文字編排跟騎馬釘的裝訂方式,但是卻形成了 一種我喜歡的簡約設計。


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The touching moments Project design Shue Wei-cheng 2008


大學畢業製作。 University project design Indesign Size:B5

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Les moments émouvants


Project design Shue Wei-cheng 2008

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大學畢業製作。 University project design

Indesign Size:B5


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Project design Shue Wei-cheng 2008 大學畢業製作。 University project design Indesign Size:B5

這是專題總審時的最後結果,雖然中間經歷了很多波折,但最 終還是完成他了,雖然新一代沒有入圍但是可以受到學校老師 跟業界評審的喜歡就很欣慰了。


形象海報 Poster design

Illustrator Size:A1

Project design Shue Wei-cheng 2008


Project design Shue Wei-cheng 2008

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Shue Wei-cheng portfolio of Prodution and development

創作的背後


「一棵樹要長得更高,接受更多的光明,那麼它的根就必須更深入黑暗。」 -尼采-

A tree should grow taller, accept more brightness, then its root must be deeper and darker. -Nietzsche-




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