GSAPP Graduating Portfolio, 2018, part 3

Page 1

Year 3: Inheritance and Memory

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| 71 Shugars | GSAPP 2018
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Concord National Military Park

Critic: Michael Bell

Semester: FA2017

Site: Concord Naval Weapons Station, Concord, CA

Size: 5,000 acres

Program: military park and memorial

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Sketch of Concord subdivision of Quinault Village, former naval ofcers’ housing on the edge of the Concord Naval Weapons Station, plus sketch of quantum coherence (property of how a chlorophyll particle nds its way by collapsing future possibilities and inhabiting all paths simultaneously). >

“How is the housing question to be settled, then? In present-day society, just as any other social question is settled: by the gradual economic leveling of demand and supply, a settlement which reproduces the question itself again and again and therefore is no settlement....”

“Broad internalization of such discursive regimes as taming the frontier, advancing civilization, leading the free world, or ridding the world of terror creates spontaneous consent, the prerequisite for hegemony, thus enabling imperial conduct abroad while reinforcing domestic hierarchies.”

“According to Maxwell’s second law of thermodynamics, the entropy in a system will increase...unless new energy is put in.... The city, the polis, is struggling to grow, and to change, perhaps even toward the day when the idea of the human is recognized in the energy, the life impulse and actions of each human being.”

“Identities and memories are not things we think about, but things we think with.”

| 75 Shugars | GSAPP 2018 58 | Chapter 3 | Memory and Inheritance
- Engels, “The Housing Question” - Hixson, “The Myth of American Diplomacy”

In the vast folded landscape is a eld of carbon husks. Some are tall and rigid like soldiers, in long lines describing perimeters through the yellow hills; below, others spread out like a dark pool, like a black lake spotted with trees. Between them, green lines of avenues reveal an irregular and curving grid: the husks occupy plots of what was a city on the plane below the hills, where now only a few skeletal towers rise from a thick forest that stretches to the distant line of mountains, which fall into the misty coast.

You begin cutting down the steep ridges toward the husks. The only sounds are the wind in the long grass, mice and other small creatures, birds, a hawk overhead, and your footsteps on the soft, dry ground.

The rst line of carbon vigils stand every twenty feet and are each the size of a young tree, maybe ten feet tall and top-heavy. Near them you can hear a soft noise like radio static coming from them. Their far side is concave and porous like a sponge.

Looking down the line of tall, silent husks you notice some unusual mounds in the grass: repetitive, and too regular to be natural. As the sun has moved into afternoon, shadows indicating more mounds visibly dot the hills – hundreds around you, concentrated on the at lowlands. You approach the closest mound. It is forty feet long and half as wide, taller than you, and thickly overgrown. Some digging reveals stained but intact concrete.

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> Husks in eld, Concord Naval Weapons Station Regional Park, year 3525 (CE).
| 77 Shugars | GSAPP 2018
Various sketches from carbon study notebooks. Images from an early carbon orchard as it grows a nanotube forest over ten days. Image from an early Carbon farm growing, from upper left to lower right. These farms sequester atmospheric carbon into hard, usable panels.
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< Postcards of newly opened Concord Naval Weapons Station Regional Park and memorial, year 2050. Sketch from designer’s notebook of CNWS Park’s carbon scaffolds, marking the location of former barbed wire fence posts, year 2045. >

Morning fog through the hills sits in the valleys and drifts across the backs of ridges, leaving trails of dew. The carbon sentinels crackle softly in the electolytic air. Fog rises into their hoods, soaks into structural wood members, and excites the proton exchange membrane sitting across them. The humidity pulls bicarbonate crystals of carbon dioxide from the hood’s resin and into the membrane, shuttling them across its span until they decouple into carbon and oxygen. Oxygen bubbles into the headspace of the membrane’s elecrolyser cells, and carbon molecules rise into bundles of honeycomb nanotubes and loose carbon strands that drift and self-assemble in the current exchanging bicarbonate and water.

The husks are left by an early experiment in carbon nanober technology: carbon sponges grown on longdecayed wooden scaffolding. Their intertwined layer wind up like clockwork under solar radiation, and the lightest electric contact instigates an electric cascade. Carbon nanober sponges are up to 1,000 times more conductive than copper, and have 300 times the strength to weight ratio of steel. They are 90% air.

| 79 Shugars | GSAPP 2018 61 GSAPP 2018
> Wooden scaffolds, newly built, CNWS Regional Park, year 2048.

As carbon syphoned from atmospheric carbon dioxide accumulates, the roofs of Concord darken and thicken. Family after family begins to meet their energy needs with carbon nanotube solar collectors, and nds economic independence from their homes by selling the excess. First local businesses and then nearby steel mills and processing factories switch from grid electricity to cheaper home-generated energy. Power plants gradually shrink into obsolescence, replaced by the aggregate power harvested by millions of homeowners. Subtly, economic and political power shifts into the hands of detached single-family homeowners, whose collective sprawl commands huge tracts of sky.

Single-family homes grow and diversify economically, facilitating new households and in-home businesses. Concord transitions from a bedroom community to the cultural center of Contra Costa County. In Pittsburg to the north, single-family terracotta-roofed blue-pooled villas spread across the crest of hills overlooking the Concord Naval Weapons Station Regional Park, and their trucks of grading dirt –37,000 tons – permanently ll 171 weapons storage magazines, ensuring their longevity.

Carbon shells in the elds of the Naval Weapons Station trace old lines of barbed wire fences; carbon on the houses provide solar energy

Down the hill, past more buried magazines, through more lines of dark crackling husks, you cross a low stream grown around with willows, cottonwoods, oaks, and ashes. The sound of a woodpecker nearby, and startled lizards running across the rocky creekbed.

As you approach the edge of the grid of low-lying husks they are much larger than their sentinel counterparts. They are squat and arched, and very dark, like caves turned inside-out. They reect almost none of the orange light that casts long blue shadows. They are maybe twelve feet tall, forty feet wide. They touch the ground with irregular arms that reach down from their domed tops. Grass, low bushes, and intermittent trees grow between them, up to their edges, and under them. They sit like discarded insect skins, dark and inert, in curving rows back as far as you can see.

You touch a carbon wall. A shower of sparks expands from your nger like a ripple, cascading around the dome and down the legs.

80 | Chapter 3 | Memory and Inheritance | 63 Shugars | GSAPP 2018

UniveXX XXXX XXXX XXXX XXX XX XX X XX XXXX

XXX XXX sanctioned by XXXX XXXX X XXXational [redacted], which work has potential significance for the country’s future in XXX XXXXX X.

This article is part of an ongoing series about recent work of prominent thinkers in contemporary American architecture.

practice of communication whose detailed to a exterior

CARBON NANOTUBE TECHNOLOGY, THE CHEAP

upcoming XXXX architect’s drawings from [redacted], chronicling culturally technology of cultural as part XXXXX at the XXXX XXXational significance series thinkers in CHEAP carbon widespread technologies, of concept of adaptable (CNTs), we ecosystems — grew on a holy practice, building resilient efficient. offset the copper capture quantity impacts. organicism harmony must be has had arguably well. unpredictable practice of communication whose detailed to a exterior Likewise designated building — instance — However, provided a environment itself accommodate that a scaffolding months, tree only be months of harden, on the depending on faster pollutants. occupancy until the and the process that architects inspecting caretakers, personality stretched and architecture, certain

Likewise designated building — instance — However, provided a environment interior itself accommodate that a scaffolding months, carbon tree only be months of harden, on the depending on faster pollutants. occupancy until the and the process that architects inspecting caretakers, personality stretched and architecture, certain favored benefits earthquakes, comparable west coast housing and eerie entire towns months with silent settling technology capture siphon releasing other uses. and are to their composed bonds circulation sequestered exchange carbon electrolysis. The carbon closed carbon developed by University’s form of resin-coated conditioners. removed washed laborinclude Much terminology is technology, such “carbon referring to collection), “hive (usually) consist of nanotubes that

incorporation in building technologies, of course, fundamentally changed our concept of architecture. With nanotechnology as adaptable and forgiving as carbon nanotubes (CNTs), we were able to design buildings as ecosystems — buildings that, rather than being raised, grew on their own. At least this was the rhetoric, a holy grail of architecture: true organicism. In practice, the technology hybridized traditional building systems, making them more robust and resilient — stronger, longer-lasting, lighter, more efficient. While ambiently-harvested carbon offset the demand for such intensive materials as copper and steel, producing the resin used to capture atmospheric carbon dioxide in the quantity demanded had its own environmental impacts. The carbon ecosystem’s promise of organicism and purity, the myth of humans in harmony with nature through architecture, then, must be moderated.

demand for such intensive materials as copper and steel, producing the resin used to capture atmospheric carbon dioxide in the quantity demanded had its own environmental impacts. The carbon ecosystem’s promise of organicism and purity, the myth of humans in harmony with nature through architecture, then, must be moderated.

Carbon ecosystems bred new and unpredictable relationships with buildings.

its interior performance, within designated parameters. Certain areas within a building — bathrooms and storage spaces, for instance — were still fully designed and contained. However, once seeded, the carbon ecology provided a reasonably stable and comfortable environment for working or living. The building’s interior itself needed to be flexible enough to accommodate unpredictable growth patterns as well.

synthesis of CNTs from atmospheric carbon dioxide and their subsequent widespread incorporation in building technologies, of course, fundamentally changed our concept of architecture. With nanotechnology as adaptable and forgiving as carbon nanotubes (CNTs), we were able to design buildings as ecosystems — buildings that, rather than being raised, grew on their own. At least this was the rhetoric, a holy grail of architecture: true organicism. In practice, the technology hybridized traditional building systems, making them more robust and resilient — stronger, longer-lasting, lighter, more efficient. While ambiently-harvested carbon offset the demand for such intensive materials as copper and steel, producing the resin used to capture atmospheric carbon dioxide in the quantity demanded had its own environmental impacts. The carbon ecosystem’s promise of organicism and purity, the myth of humans in harmony with nature through architecture, then, must be moderated.

With that disclaimer, CNT architecture has had deep cultural and social impacts — arguably political, economic, and psychological as well. Carbon ecosystems bred new and unpredictable relationships with buildings.

When it first appeared within the practice of architecture, drawing and communication standards had to adapt to buildings whose appearance couldn’t be predicted or detailed to a fine degree. Fundamentally, a building’s exterior form became a matter of chance. Likewise its interior performance, within designated parameters. Certain areas within a building — bathrooms and storage spaces, for instance — were still fully designed and contained. However, once seeded, the carbon ecology provided a reasonably stable and comfortable environment for working or living. The building’s interior itself needed to be flexible enough to accommodate unpredictable growth patterns as well.

>

With that disclaimer, CNT architecture has had deep cultural and social impacts — arguably political, economic, and psychological as well. Carbon ecosystems bred new and unpredictable relationships with buildings.

New carbon architecture, one projection: structure grows organically on built scaffolding. Above, close-up vignettes.

With that disclaimer, CNT architecture has had deep cultural and social impacts — arguably political, economic, and psychological as well. Carbon ecosystems bred new and unpredictable relationships with buildings.

When it first appeared within the practice of architecture, drawing and communication standards had to adapt to buildings whose appearance couldn’t be predicted or detailed to a fine degree. Fundamentally, a building’s exterior form became a matter of chance. Likewise its interior performance, within designated parameters. Certain areas within a building — bathrooms and storage spaces, for instance — were still fully designed and contained. However, once seeded, the carbon ecology provided a reasonably stable and comfortable environment for working or living. The building’s interior itself needed to be flexible enough to accommodate unpredictable growth patterns as well.

When it first appeared within the practice of architecture, drawing and communication standards had to adapt to buildings whose appearance couldn’t be predicted or detailed to a fine degree. Fundamentally, a building’s exterior form became a matter of chance. Likewise its interior performance, within designated parameters. Certain areas within a building — bathrooms and storage spaces, for instance — were still fully designed and contained. However, once seeded, the carbon ecology provided a reasonably stable and comfortable environment for working or living. The building’s interior itself needed to be flexible enough to accommodate unpredictable growth patterns as well.

When it first appeared within the practice of architecture, drawing and communication standards had to adapt to buildings whose appearance couldn’t be predicted or detailed to a fine degree. Fundamentally, a building’s exterior form became a matter of chance. Likewise its interior performance, within designated parameters. Certain areas within a building — bathrooms and storage spaces, for instance — were still fully designed and contained. However, once seeded, the carbon ecology provided a reasonably stable and comfortable environment for working or living. The building’s interior itself needed to be flexible enough to accommodate unpredictable growth patterns as well.

Timescales of construction shifted, so that a building’s foundation and seeding scaffolding could be put together within a couple months, and the assembly draped in a carbon tree membrane, but the building itself would only be ready for occupancy after three to six months of allowing the carbon shell to grow and harden, and of cultivating the carbon circuits on the scaffolding — occupancy time depending on environment, the urban buildings growing faster with greater exposure to carbon pollutants. However, some owners chose to delay occupancy until the building had fully ripened, until the carbon shell had densified and petrified, and the carbon circuitry fully stabilized, a process that could take years. Owners and their architects would visit the buildings as they grew, inspecting their conditions and speaking with the caretakers, watching as the interior took on the personality of its shell, as the shell dipped and stretched and punctured, finding its own preferred form.

Timescales of construction shifted, so that a building’s foundation and seeding scaffolding could be put together within a couple months, and the assembly draped in a carbon tree membrane, but the building itself would only be ready for occupancy after three to six months of allowing the carbon shell to grow and harden, and of cultivating the carbon circuits on the scaffolding — occupancy time depending on environment, the urban buildings growing faster with greater exposure to carbon pollutants. However, some owners chose to delay occupancy until the building had fully ripened, until the carbon shell had densified and petrified, and the carbon circuitry fully stabilized, a process that could take years. Owners and their architects would visit the buildings as they grew, inspecting their conditions and speaking with the caretakers, watching as the interior took on the personality of its shell, as the shell dipped and stretched and punctured, finding its own preferred form.

Timescales of construction shifted, so that a building’s foundation and seeding scaffolding could be put together within a couple months, and the assembly draped in a carbon tree membrane, but the building itself would only be ready for occupancy after three to six months of allowing the carbon shell to grow and harden, and of cultivating the carbon circuits on the scaffolding — occupancy time depending on environment, the urban buildings growing faster with greater exposure to carbon pollutants. However, some owners chose to delay occupancy until the building had fully ripened, until the carbon shell had densified and petrified, and the carbon circuitry fully stabilized, a process that could take years. Owners and their architects would visit the buildings as they grew, inspecting their conditions and speaking with the caretakers, watching as the interior took on the personality of its shell, as the shell dipped and stretched and punctured, finding its own preferred form.

Schematic section to diagram new carbon-ecosystem construction technologies. Dashed lines indicate unpredictable growth patterns of carbon shell.

Timescales of construction shifted, so that a building’s foundation and seeding scaffolding could be put together within a couple months, and the assembly draped in a carbon tree membrane, but the building itself would only be ready for occupancy after three to six months of allowing the carbon shell to grow and harden, and of cultivating the carbon circuits on the scaffolding — occupancy time depending on environment, the urban buildings growing faster with greater exposure to carbon pollutants.

However, some owners chose to delay occupancy until the building had fully ripened, until the carbon shell had densified and petrified, and the carbon circuitry fully stabilized, a process that could take years. Owners and their architects would visit the buildings as they grew, inspecting their conditions and speaking with the caretakers, watching as the interior took on the personality of its shell, as the shell dipped and stretched and punctured, finding its own preferred form.

Though still a niche branch of architecture, carbon-based construction grafted well to certain cultures. In the US, California in particular favored this kind of architecture for its ecological benefits and high performance in fire and earthquakes, which came much cheaper than comparable alternative building technologies. The west coast landscape of spontaneous and frequent housing developments experienced a sudden and eerie phenomenon of seeded communities, entire neighborhoods or even small developer towns standing, skeletal and empty, for months with hardly any human activity, fenced-off and silent except the creaking and crackling of settling carbon.

Schematic

Timescales of construction shifted, so that a building’s foundation and seeding scaffolding could be put together within a couple months, and the assembly draped in a carbon tree membrane, but the building itself would only be ready for occupancy after three to six months of allowing the carbon shell to grow and harden, and of cultivating the carbon circuits on the scaffolding — occupancy time depending on environment, the urban buildings growing faster with greater exposure to carbon pollutants. However, some owners chose to delay occupancy until the building had fully ripened, until the carbon shell had densified and petrified, and the carbon circuitry fully stabilized, a process that could take years. Owners and their architects would visit the buildings as they grew, inspecting their conditions and speaking with the caretakers, watching as the interior took on the personality of its shell, as the shell dipped and stretched and punctured, finding its own preferred form.

Though still a niche branch of architecture, carbon-based construction grafted well to certain cultures. In the US, California in particular favored this kind of architecture for its ecological benefits and high performance in fire and earthquakes, which came much cheaper than comparable alternative building technologies. The west coast landscape of spontaneous and frequent housing developments experienced a sudden and eerie phenomenon of seeded communities, entire neighborhoods or even small developer towns standing, skeletal and empty, for months with hardly any human activity, fenced-off and silent except the creaking and crackling of settling carbon.

Though still a niche branch of architecture, carbon-based construction grafted well to certain cultures. In the US, California in particular favored this kind of architecture for its ecological benefits and high performance in fire and earthquakes, which came much cheaper than comparable alternative building technologies. The west coast landscape of spontaneous and frequent housing developments experienced a sudden and eerie phenomenon of seeded communities, entire neighborhoods or even small developer towns standing, skeletal and empty, for months with hardly any human activity, fenced-off and silent except the creaking and crackling of settling carbon.

Though still a niche branch of architecture, carbon-based construction grafted well to certain cultures. In the US, California in particular favored this kind of architecture for its ecological benefits and high performance in fire and earthquakes, which came much cheaper than comparable alternative building technologies. The west coast landscape of spontaneous and frequent housing developments experienced a sudden and eerie phenomenon of seeded communities, entire neighborhoods or even small developer towns standing, skeletal and empty, for months with hardly any human activity, fenced-off and silent except the creaking and crackling of settling carbon.

The primary categories of CNT building technology are as follows:

Though still a niche branch of architecture, carbon-based construction grafted well to certain cultures. In the US, California in particular favored this kind of architecture for its ecological benefits and high performance in fire and earthquakes, which came much cheaper than comparable alternative building technologies. The west coast landscape of spontaneous and frequent housing developments experienced a sudden and eerie phenomenon of seeded communities, entire neighborhoods or even small developer towns standing, skeletal and empty, for months with hardly any human activity, fenced-off and silent except the creaking and crackling of settling carbon.

The primary categories of CNT building technology are as follows:

1. Carbon trees which capture atmospheric carbon dioxide and siphon it into carbon nanotubes, either releasing the oxygen or storing it for other uses.

< Carbon architecture retrofits, on multi-story office building and midcentury suburban home, on roofs and facade. >

The primary categories of CNT building technology are as follows:

The primary categories of CNT building technology are as follows:

1. Carbon trees, which capture atmospheric carbon dioxide and siphon it into carbon nanotubes, either releasing the oxygen or storing it for other uses.

The primary categories of CNT building technology are as follows:

1. Carbon trees which capture atmospheric carbon dioxide and siphon it into carbon nanotubes, either releasing the oxygen or storing it for other uses.

Carbon trees take many forms, and are almost infinitely flexible due to their simplicity. A carbon tree is composed of a fractal resin molecule that bonds to carbon dioxide, a water circulation system that un-bonds the sequestered carbon dioxide, and a proton exchange membrane that separates the carbon and oxygen through electrolysis. The electrolysis is usually powered by carbon circuits, creating an efficient closed

1. Carbon trees which capture atmospheric carbon dioxide and siphon it into carbon nanotubes, either releasing the oxygen or storing it for other uses. Carbon trees take many forms, and are almost infinitely flexible due to their simplicity. A carbon tree is composed of a fractal resin molecule that bonds to carbon dioxide, a water circulation system that un-bonds the sequestered carbon dioxide, and a proton exchange membrane that separates the carbon and oxygen through electrolysis. The electrolysis is usually powered by carbon circuits, creating an efficient closed system (see carbon circuits and carbon husks).

The earliest carbon trees, developed by Klaus Lackner at Columbia University’s Earth Institute in 2009, took the form of rooftop boxes with rows of resin-coated membranes, resembling air conditioners. The membranes would be removed like slices of a beehive and washed (removing the carbon dioxide) in a laborintensive process that did not include separation of carbon and oxygen. Much

1. Carbon trees which capture atmospheric carbon dioxide and siphon it into carbon nanotubes, either releasing the oxygen or storing it for other uses. Carbon trees take many forms, and are almost infinitely flexible due to their simplicity. A carbon tree is composed of a fractal resin molecule that bonds to carbon dioxide, a water circulation system that un-bonds the sequestered carbon dioxide, and a proton exchange membrane that separates the carbon and oxygen through electrolysis. The electrolysis is usually powered by carbon circuits, creating an efficient closed system (see carbon circuits and carbon husks).

The earliest carbon trees, developed by Klaus Lackner at Columbia University’s Earth Institute in 2009, took the form of rooftop boxes with rows of resin-coated membranes, resembling air conditioners. The membranes would be removed like slices of a beehive and washed (removing the carbon dioxide) in a laborintensive process that did not include separation of carbon and oxygen. Much of our contemporary terminology is derived from this early technology, such as “carbon tree”, “carbon boxes”, “carbon orchards” (rather than farms, referring to the ex-urban fields of carbon collection), and portable carbon collectors’ “hive boxes”.

2. Carbon shells, which grow on (usually) carbon-based scaffolding, consist of millions of layers of carbon nanotubes that accumulate gradually, typically beneath a

Carbon trees take many forms, and are almost infinitely flexible due to their simplicity. A carbon tree is composed of a fractal resin molecule that bonds to carbon dioxide, a water circulation system that un-bonds the sequestered carbon dioxide, and a proton exchange membrane that separates the carbon and oxygen through electrolysis. The electrolysis is usually powered by carbon circuits, creating an efficient closed system (see carbon circuits and carbon husks).

The earliest carbon trees, developed by Klaus Lackner at Columbia University’s Earth Institute in 2009, took the form of rooftop boxes with rows of resin-coated membranes, resembling air conditioners. The membranes would be removed like slices of a beehive and washed (removing the carbon dioxide) in a laborintensive process that did not include separation of carbon and oxygen. Much of our contemporary terminology is derived from this early technology, such as “carbon tree”, “carbon boxes”, “carbon orchards” (rather than farms, referring to the ex-urban fields of carbon collection), and portable carbon collectors’ “hive boxes”.

2. Carbon shells, which grow on (usually) carbon-based scaffolding, consist of millions of layers of carbon nanotubes that accumulate gradually, typically beneath a modified carbon tree membrane. Though some variation exists in the technology, the most common membrane tree systems release sequestered carbon dioxide in the presence of evaporated water, and then use a modified STEP (solar thermal electrochemical process) to electrolyze and assemble the carbon into CNTs. Because of their molecular properties of attraction, CNTs layered in this manner will self-assemble into

Schematic section to diagram retrofitting strategies of carbon

carbon

| 81 Shugars | GSAPP 2018
WIDE OFFER EVIDENCE THEORY HISTORY, EASTERN DIVISION]
section to diagram new carbon-ecosystem construction technologies. Dashed lines indicate unpredictable growth patterns of carbon shell. Schematic section of above building at early life-stage, before maturation.
as well. unpredictable
Schematic section to diagram retrofitting strategies of carbon technology on older buildings. Schematic section to diagram new carbon-ecosystem construction technologies. Dashed lines indicate unpredictable growth patterns of carbon shell. Schematic section of above building at early life-stage, before maturation. Schematic section to diagram retrofitting strategies of See detail drawings below.
technology on older buildings.
Schematic section of above building at early life-stage, before maturation. Schematic Schematic Schematic section to diagram retrofitting strategies Schematic section to diagram new carbon-ecosystem Dashed lines indicate unpredictable growth patterns Schematic section of above building at early life-stage, Schematic section to diagram new carbon-ecosystem construction technologies. Dashed lines indicate unpredictable growth patterns of carbon shell. Schematic section of above building at early life-stage, before maturation. Schematic section to diagram new carbon-ecosystem construction technologies. Dashed lines indicate unpredictable growth patterns of carbon shell. Schematic section of above building at early life-stage, before maturation.

Chapte

< Schematic diagram of successive layers of carbon nanotubes, mechanically storing energy through stocastic resonance.

Section: retrofitted suburban roof with sketched lines showing progressive build-up of carbon. >

< Detail: nanoscale of semi-permeable membrane collecting carbondioxide on trees and creating carbon nanotubes through a passive electrolysis, which separates carbon from oxygen.

Detail: below membrane, glass tubes run water which evaporates, disengaging carbon from nanotrees above. >

Chapter 3 | Memory and Inheritance 6 C ha pte r 3 | M emo r y ry and In her e ita nc e nce c C ha pte r 3 | M emo r y ry and In her e ita nc e nce c
pter 3 | Memory ry and Inher her e itance nce c

Solar energy collection materials – silicon in solar cells, lithium or cobalt or silver in batteries – and luminescent materials – phosphorus, zinc, strontium – are mined or collected in salt ats of Argentina, in pit mines of the Congo, Chile, and China. Their production is hazardous and their supply limited. They are articially cheap because they are more valuable than their producers. They sit on your roof and run through your walls.

The house rises around you: wood from trees processed by gas-powered machines, plastic pipes and linoleum oors and asphalt shingles from petroleum by-products, nickel from Indonesian mines, copper wires, berglass insulation produced in industrial smelting plants from sand and limestone. Materials collected, disassembled, and re-combined in ordered bers, each step dissociating the product from its origin. Your house feels safe, contained, and human because the ecology has been stripped from every element. The world of your house is clean – you dust and vacuum to remove the debris of passing days, the material deterioration of walls and carpets.

Your environment is carefully organized to reinforce your centrality. Lines of production coming from around the world, across time and space, tapping ancient veins of energy and minerals, carried on the backs of countless disposable workers, coordinated by numerous global economic supply chains to deliver raw materials to inhuman-scale factories, all conspiring to bring you the screws in your walls, laminate on your counters, expanse of your carpets, vinyl baseboards, and pristine length of your glass windows. You are presented with the house as an object, divorced from its erection. Your house on its street, in its quiet neighborhood, in its city, with its transit lines and highways, with its glass skyscrapers and green parks and expansive parking lots, plays its role in a vast social mechanism designed to deny its origin, to efface its nature. It’s designed to say: you are safe, you are an individual, you are important.

| 83 Shugars | GSAPP 2018 65 GSAPP 2018
> CNWS Regional Park under construction, with bunkers already grown over, year 2020.

Meanwhile, the hills rise behind your house. You see them in postcards advertising your bucolic city. The hills are wrapped in the military’s barbed wire. The hills are ancient. In nearby cities, without naval bases controlling the territory, you’ve heard of mountain lions coming down from the hills and mauling people in their backyards.

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> Schematic model of black carbon roofs on existing single-family Concord homes, year 2025. > Concord Naval Weapons Station today, year 2017.

In the 1960s during the Vietnam War and again in the 1980s during the Central American Crisis protesters frequently picketed outside the gates of the Naval Weapons Station. They protested the magazines of weapons – white phosphorus that reduced human bodies to messy liquids, nuclear missiles that, like magnets, exerted inert pressure, guns and ammunition – being shipped to American soldiers abroad, or to anti-communist dictators and insurgent groups in Nicaragua and Ecuador. They

protested the moral war fought by the United States in the increasingly gray decades after the end of World War II, between competing economic-political systems, capitalism and communism: a war staged on the moral grounds of evil Axis powers and, earlier, of noble races verses savage foreigners. The grounds of Manifest Destiny and continental expansion – the grounds of god-given hegemony, sanctifying global crusades against less enlightened nations.

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The Cobblestones of Pelourinho

| 89 Shugars | GSAPP 2018 70 | Chapter 3 | Memory and Inheritance

Critic: Mario Gooden

Semester: SP2018

Site: Largo do Pelourinho, Salvador, Brazil

Size: 3,500 SF

Program: public bathroom and park

The performance of rain on the cobblestones. The performance of vines rooting. The performance of shoes eroding stone.

The ritual of concrete curing.

The ritual of removing, cleaning, and putting back. The ritual of downhill ows and channels.

The fact of inltration. The fact of cracks widening. The fact of need

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The square of Pelourinho, site of Salvador’s colonial-era public punishments and later a red light district, now the city’s tourist center. >

“some 1,350 properties [were] restored in Pelourinho district…[for] tourism. Concurrently, the number of residents in the historic centre decreased from 9,853 in 1980 to 3,235 in 2000...

“[During this time, IPAC’s renovation policies were] draining the historic centre of its key management, administrative and business functions and leading to a progressive population exodus and a corresponding deterioration of the urban landscape.”

“[IPAC] usurp[ed] the right to care for and police the historic center’s inhabitants so as to safeguard its monuments...”

| 91 Shugars | GSAPP 2018 72 | Chapter 3 | Memory and Inheritance
- UNESCO Retrospective - John Collins, Revolt of the Saints < Photos from Pelourinho taken during site visit March 2018. Opposite: photos of Salvador taken during site visit March 2018. >
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“The world's only law. The masked expression of all individualisms, of all collectivisms. Of all religions. Of all peace treaties.”

Anthropophagite Manifesto, 1928.

“It was because we never had grammars, nor collections of old plants. And we never knew what was urban, suburban, boundary and continental. Lazy men on the world map of Brazil. A participating consciousness, a religious rhythm.”

Anthropophagite Manifesto, 1928.

“Against plant elites. In communication with the soil.”

Anthropophagite Manifesto, 1928.

| 93 Shugars | GSAPP 2018 74 | Chapter 3 | Memory and Inheritance
< Photos of Lina Bo Bardi’s Coaty restaurant, now abandoned, taken during site visit March 2018. >

“Euro-North American fascination with the unraveling of natural and cultural distinctions...points to the importance of...debates about “vitality” in the heritage center, and thus the ways these discussions help focus attention on issues of origins. This seems especially appropriate in the Pelourinho due to its associations with sexuality, reproduction, death, immoral acts, and bodily

PROGRAM

Literal (site specic)

functional:

pee shit fart vomit

pleasure/illicit: drugs

sex (self)

sex (partner) selling solicitation appearance changing upkeep (touch-ups)

washing

showering

social emotional break

semi-private conversation pleasantries advertising practice (speech)

meditative

art (drawing, graffiti)

social media/email

reading writing thinking psychological restraint/concealment

embarrassment

exposure/vulnerability

over-sensitivity (misperception)

Interpretive (not site specic)

1. self-collection self-ablution

2. spontaneous encounters clandestine encounters

3. intimacy investigation / discovery

4. affirmation and reaffirmation learning social language(s)

5. discipline expression

6. reection (n) / reection (v) dreaming / daydreaming

7. polite indifference nightmares

8. creativity creation

94 | Chapter 3 | Memory and Inheritance | 75 Shugars | GSAPP 2018
uids.” - John Collins, Revolt of the Saints > Diagram of parallel processes of connecting with own humanity.

OCCUPANTS: max 50; ambient max 600

NUM. REQ. FIXTURES:

(as IBC 2015 A-3 Assembly)

stalls: 6

urinals: 3

sinks: 3

wash areas: N/A

mirrors: N/A

seats: N/A

changing areas (incl. baby): N/A

NUM. REQ. FIXTURES:

(as IBC 2015 R-3 Congregate living)

stalls: 5

urinals: N/A

sinks: 5

wash areas: 6

mirrors: N/A

seats: N/A

changing areas (incl. baby): N/A

NUM. PROPOSED FIXTURES:

stalls: 8

urinals: 10

sinks: 4

wash areas: 2

mirror areas: 3

seat areas: 2

changing areas (incl. baby): 3

SPACE PER FIXTURE:

stalls: 20SF (assumes inscribed circle)

urinals: 10SF (assumes privacy radius)

sinks: 10SF

wash areas: 10SF (est.)

mirrors: 10SF (est.)

seats: 10SF

changing areas (incl. baby): 10SF (est.)

SPACE NEEDED:

stalls: 160SF

urinals: 100SF

sinks: 40SF

wash areas: 20SF (est.)

mirrors: 30SF (est.)

seats: 20SF (est.)

changing areas (incl. baby): 30SF (est.)

PROGRAMMED AREA:

400SF + 168SF (40%) circulation

+ 126SF (30%) support = 694 SF

CURRENT AREA: 3400SF

FREE AREA: 2666SF (80%)

AREA BY PROGRAM (with redundancy)

Function: 340SF

Pleasure/illcit: 210SF

Appearance: 110SF

Social: 130SF

Meditative: 160SF

Psychological: 210SF

> Program diagrams assuming co-living occupancy status, to promote alternative uses of public restroom by local populations in need.

MEDITATION PLEASURE FUNCTION

Function: 340SF

Pleasure/illcit: 210SF

Psychological: 210SF

Meditative: 160SF

Social: 130SF

Appearance: 110SF

stalls (F+M+Pl): 38%

urinals (F+Ps): 24%

sinks / wash (A+F+S+Ps): 19%

seats / changing (S+Pl): 12%

mirrors (A+Ps): 7%

“As Malaquias and I left the Maciel, we stopped by the Praça das Artes, Cultura, e Memória (Plaza of Arts, Culture, and Memory), an interior courtyard restored by IPAC in 1999. There a sculpture called “Redemption” gurgled hopefully. Encrusted with semiprecious stones whose safeguarding requires that the artwork be enclosed by an iron fence, the fountain announces that:

OBSERVATIONS

Adjacent no touch:

Meditation/Social

Pleasure/Psychology

Pleasure/Appearance

Not Adjacent no touch:

Meditation/Psychology

Meditation/Appearance

Appearance becomes completely absorbed in Psychology

Function is mostly unoccupied, as is Pleasure

APPEARANCE PSYCHOLOGY SOCIAL

‘water washes away evil as compassionate tears sacralize this contemporary ritual. In the end, then, the place’s negative energies are inverted.

‘The Pelourinho’s destructive aspects evaporate, and from this we extract its regenerative power.

‘Out of condemned material we extract magical power, the mana of the condemned, whose magic is that of knowing how to reinvent life in a ritualized form again and again, again and again.’ ”

| 95 Shugars | GSAPP 2018 76 | Chapter 3 | Memory and Inheritance
SEATING/ CHANGING STALLS
URINALS WASH/ SINKS MIRRORS

stall: corrugated concrete + burnished steel

changing: matte concrete + corrugated glass

PRIMARY MATERIALS

Function: (stalls, urinals, wash, sink)

1. corrugated concrete

2. matte concrete

3. burnished steel

urinal: matte concrete

mirror: polished steel

4. corrugated glass

Pleasure/Illicit: (stalls, changing, seating)

1. matte concrete

2. corrugated concrete

3. corrugated glass

4. burnished steel

Psychological: (urinals, wash, sink, mirrors)

1. matte concrete

2. polished steel

sink: matte concrete + burnished steel

wash: corrugated concrete + corrugated glass + burnished steel

seating: matte concrete

3. burnished steel

Meditative: (stalls)

1. corrugated concrete

2. burnished steel

Social: (seating, changing, wash, sink)

1. matte concrete

2. corrugated concrete

3. corrugated glass

4. burnished steel

Appearance: (mirrors, wash, sink)

1. polished steel

2. corrugated concrete

3. matte concrete

4. corrugated glass

5. burnished steel

96 | | 77 Shugars | GSAPP 2018
> Fixtures designed for Bo Bardi-inspired interior.
| 97 Shugars | GSAPP 2018 78 | Chapter 3 | Memory and Inheritance >
Interior view of bathroom.
98 | Chapter 3 | Memory and Inheritance 86 and Inheritance
> Interior oor plan

The stones of Pelourinho have witnessed 450 years of Salvador’s life, including periods of violence and displacement. Their removal symbolically uncovers buried realities; their replacement in a new conguration allows the possibility of change.

| 99 Shugars | GSAPP 2018 87 GSAPP 2018
> East-West site section.

> Site section demonstrates complex vertical relationships which allow light, air, and safety for the underground space, while preserving the important plaza surface for performances. The lower site, today a fenced-off vacant lot, collects and filters water and liquid waste from the upper site and plaza.

> Upper site section: public facilities with performance plaza above, ceiling plates staggered for light and air, and plantings beneath cobblestones to conduct storm and waste water to lower site.

> Lower site section: Burle-Marx inspired garden and wetland, with underground drainage running from upper site under cobblestones.

The project’s ambiguous plantings and tense location encourage inltration and occupation. It is meant for street people, shop owners, and tourists.

The project’s construction involves removing and replacing every cobblestone in the square. The stones are replaced differently. Some are used to create a plaza in the new park; their vacancies allow plantings that conduct water from the bathroom to the wetland.

1. REMOVAL - of cobblestones from site to empty lot

2. EXCAVATION - of earth to empty lot; rerouting underground pipes

3. RETAINING - of earth; erection of molds

4. POURING - of concrete retaining walls

5. PLACING - of pipes, structure, and ltration systems

6. PLANTING - of ltration path, of underground ltration, of new park

7. REPLACING - of cobblestones in Pelourinho, of cobblestones in new park

8. BUILDING - of oor, xtures, and ceiling slabs; of paths and benches in new park

102 | Chapter 3 | Memory and Inheritance 82 | and Inheritance
> Site plan
| 103 Shugars | GSAPP 2018 | 83 GSAPP 2018

Brazilian ltration plants for constructed wetland Brazilian decorative and ambient plants

104 | Chapter 3 | Memory and Inheritance 84 | and Inheritance
10 callisia repens 11 tradescantia spathacea 13 ophiopogon japonicus 14 neomarica caerulea 15 chlorophytum comosum 16 hemigraphis colorata 17 syngonium angustatum 18 tradescantia zebrina 19 aechmea black jack 19 billbergia amoena 19 billbergia pyramidalis 19 neoregelia compacta 1 typha domingensis 2 lasia spinosa 3 typhonodorum lindleyanum 4 colocasia esculenta 5 anubias hastifolia 6 cyperus alternifolius 7 xanthosoma aurea > Plant choice informed by Agua Carioca project by Studio X Rio, which uses Brazilian plants to lter waste from a restroom.
| 105 Shugars | GSAPP 2018 | 85 GSAPP 2018
106 | Chapter 3 | Memory and Inheritance
| 107 Shugars | GSAPP 2018
Interlude 3 : Dreaming
108 | Chapter 3 | Memory and Inheritance
| 109 Shugars | GSAPP 2018
110 |
| 111 Shugars | GSAPP 2018 | 5 GSAPP 2018

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