EDUCATION
Tokyo University of Science | Faculty of Architect | April 2011 - present Reserch Student of Architecture and Urban Design Tokyo University of Science | Faculty of Engineering Division1 | Department of Architecture Bachelor of engeneering in Architecture | | April 2007 - March 2011 Cum loude | Major GPA 3.45 Tokyo University of Science | Faculty of Science and Technology | Department of Civil Engennring Transfered to Department of Architecture | April 2005 - March 2007 Deans List | April 2007 - December 2011
UIA 2011 TOKYO | September 2011 | Elected Poster Session The design competition of Architectual Institute of Japan | August 2011 TAJIMA encouragement award Elected final presentator of the design studios | Diploma | February 2011 Third grade | January 2010 Second grade | January 2009
EXHIBITION
TOKYO 2050 // 12 VISIONS FOR METROPOLIS | September 2011 | main planner & Resercher Tokyo University of Science diploma exhibition | Aplil 2011 | Exhibitor ZUKOU EXHIBITION 2009 | December 2009 | director & curator ZUKOU EXHIBITION 2008 | September 2008 | advertize manager & chief exihibitor SHOMEI EXHIBITION 2008 | Octorber 2008 | director & curator & product designer SHOMEI EXHIBITION 2007 | Octorber 2007 | product designer
上 双葉 八木長 F u t a ba Y a k ic h o
ヱ
丹波屋 T a n b a ya
板倉屋 I t a k u ra ya
鳥安 T or iy a s u
神茂 K a nm o
木屋 Ki ya
山本海苔店 Ya m a m o t o m n o ri
井上海苔店 I nou e nor i
榮太樓總本鋪 Eit a r o S ou h ont en
竺仙 弁 松 総 本 店 J ikBenm u s en a t s u S ou h ont en
榛原 H a iba r a
江戸屋 E d o ya
玉ひで T a m a hi d e
伊場 仙 I ba s en
志乃 だ 寿 司 総 本 店 S h inod a S u s h i
釜屋人 形 焼 本 舗 板 倉 屋 K aNingyouyaki maya Itakuraya
中庄株式会社 N a ka j y o C o.
海老屋美術展 Ebiy a A r t S t or e
創業一八〇六年
にんべん Ni n b e n
小津 和 紙 O d u wa s h i
さるや Saruya
丹波屋 T a nba y a
板倉屋 Itakuraya
鳥安 T o r i y as u
神茂 K an mo
八木長
Y ak i c h o
日本橋
黒江屋 Ku ro e ya
上 NIHONBASHI 400 YEARS MAP
三越 川島紙店 三原 堂 本 店 M it s K u kos a wahsih im a K a m it enM ih a r a d ou H ont en
Through NIHONBASHI 400 years MAP project, I conformed a Japanese traditional culture with japanese proud at the same time, 山本 海 苔 店 井上海苔店 榮太樓總本鋪 弁松総本店 I木屋 to think of K iystart a Y a m a mthat ot om norconnection i Inoue no r i cultural E i taractivity o S o u h o n te n andB eurban n mats u S o u hplanning o n te n create a historical identity in the modern city.
MADARA TOKYO
江戸屋 Ed oy a
玉ひで T a m a h id e
伊場仙 I b as e n
志乃だ寿司総本店 S h i n o da S u s h i
人形焼本舗板倉屋 Ningyouyaki Itakuraya
In generally doing architectural and urban design,the architecture can match,If we can think not only the given condition like a architectural law and ground condition but also the context between site and history,we can design the architecture can match other cities view. 黒江 屋 にん べ ん 小 津 和that 紙 さるや 島 紙 店 roll in the Through the project, I learned architectural position 川and K u r oey a N inben O du w as h i S ar u y a K aw as h i ma K ami te n urban city to capture the feature of urban city with the macro view.
order and disorder AND WINDOW Through My Diploma project, I completely think about the existence of urban space and private space.This project is that I realize that essence done landscape, buildingscape and windowscape are the human activity in Tokyo's residence that we can't feel historical context effective design.
wind-generated plant in skyscraper I answered architectural way thinking about energy producing for the future to research about environmental and urban problems of modern city.Through this project, I feel that it is needed for the city that sustainable and self-sufficient architecture is demand for future scene.
ヱ
上 丹波屋 Tanbaya
板倉屋 Itak u raya
鳥安 Toriyasu
神茂 Kanmo
Y a k icho
八木長
三越 Mits u k o s hi
三原堂本店 Miha ra do u H o nten
榛原 H aibara
木屋 Kiya
山本海苔店 Yamamotom nori
井上海苔店 Inoue nori
榮太樓總本鋪 Eitaro Sou honten
弁松総本店 B enm a ts u S o u ho nten
黒江屋 K u ro ey a
にんべん N inb en
中庄株 式 会 社 Na k ajyo Co.
江戸屋 Edoya
玉ひで Tamahide
伊場仙 Ibasen
志乃だ寿司総本店 Shinoda Sushi
人形焼本舗板倉屋 Ningyouyaki Itakuraya
小津和紙 Odu w a s hi
さるや S a ru y a
竺仙 Ji kusen
釜屋 Kam ay a
創業一八〇六年
海老 屋 美 術 展 Ebi y a Art Store
日本橋
双葉 Futaba
NIHONBASHI 400 YEARS MAP Around the world, we should let to show the only one charm of 400 years history in Nihonbashi to connect identical site and memories. This challenge will make buried cultural heritage in Nihonbashi coming out. If we can do visualize the value which hard to find in Nihonbashi and charming history and culture, it is possible to notice the charm and information to foreigner and global people, furthermore Nihonbashi is going to get revitalization. It is great opportunity to think about Japanese re-thinking that to show the character and charm and ability of Nihonbashi clearly from world of view. Above, we will make the best detailed database of Nihonbahi to be platform of Japanese culture. Young generations(students & children), Stranger (foreigner & new coming people ) Stupid(revolutionist & producer)These targets make Nihonbashi more active and comfort place. We are aiming to create global network that is used unreal and real information originated in Nihonbashi Area for the user including A residents and workers. Usually, people gather the place of main information source. And then the people who are gathered at the place of information platform redesign Nihonbashi to being center of urban-city. It is important thing for us to excavate and notice the information which is great cultural heritage of Nihonbahi. The people are gathered on the main point of information base. And the gathered people will be advertisement and spread the information to people. At the end, the scene of Nihonbashi will get fame again.
ヱ
上 丹波屋 Tanbaya
板倉屋 Itak u raya
鳥安 Toriyasu
神茂 Kanmo
Y a k icho
八木長
三越 Mits u k o s hi
三原堂本店 Miha ra do u H o nten
榛原 H aibara
木屋 Kiya
山本海苔店 Yamamotom nori
井上海苔店 Inoue nori
榮太樓總本鋪 Eitaro Sou honten
弁松総本店 B enm a ts u S o u ho nten
黒江屋 K u ro ey a
にんべん N inb en
中庄株 式 会 社 Na k ajyo Co.
江戸屋 Edoya
玉ひで Tamahide
伊場仙 Ibasen
志乃だ寿司総本店 Shinoda Sushi
人形焼本舗板倉屋 Ningyouyaki Itakuraya
小津和紙 Odu w a s hi
さるや S a ru y a
竺仙 Ji kusen
釜屋 Kam ay a
創業一八〇六年
海老 屋 美 術 展 Ebi y a Art Store
日本橋
双葉 Futaba
NIHONBASHI 400 YEARS MAP Location of the project Nihonbashi / Tokyo / Japan type of the project academic Grope work My role in the project Web page design / resercher My contribution to the project Construct web site coding / Webpage design / Reserch and Interview The level of the project Tokyo University of Science Project in my professors Cultual project 2011 in Chuou-ku The date 30 / Mar / 2012 The supervisor of the project UNO motomu : muno@gol.com TANAKA yousuke : tnkysk@rs.kagu.tus.ac.jp
NIHONBASHI 400 YEARS MAP
MAP of Various kind of Factor
Urban design research and proposal Project
Index
Research
Mapping
Story
Concept
Layout
Page Sample
We put on the distribution on the map not only research and post on the information about detail of traditional architecture, location of the long established shops and relationship between the each shops but also check the new trend and incident have happened in this area more complicate. To show relationship between historical context and visualized present condition in Nihonbashi, to notice it to sort of people is primary goal of this Nihonbashi Project. マキイマサルファインアーツ
PhotoSpot
gallery
Lower Akihabara.
ギャラリー
写真スポット
P2G-pilot program gallery
MOTUS FORT
ギャラリー港屋
title Radi-um CASHI
photo Gallery Terra Tokyo FOIL GALLERY noya op gallery αM TARO NASU
ZENSHI Yuka Sasahara Gallery
35° 41 00.42 N 139° 46 42.48 E
KANEKO ART TOKYO Maki Fine Arts
space355
クンストバウ｜東京 Tobin Ohashi Gallery Unseal Gallery (近日オープン)
Nihonbashi area 日本橋地区区域
Nihonbashi area 日本橋地区区域
HIghway 高速道路
戦後 : 1958 震災後 : 1935 明治 : 1874 江戸 : 1850
Since the WW2, the traditional cultures and buildings have covered with the modern movement and infrastructure on this site. Actually, this area has been scattered various kinds of outstanding things. Taken the peculiar scenes are introduced on this map, Some of us can re-consider that Nihonbashi is outstanding place in Tokyo which have various kind of funny visual.
現在 : 2011
Nihonbashi 400years map
shrine
HIghway 高速道路
戦後 : 1958 震災後 : 1935 明治 : 1874 江戸 : 1850
現在 : 2011
In the present being limit of enduring the modern architectures and buildings, renovated old dwellings are focused by some designer and artist as a workplace and housing, and this area inform the good place for designers to show their masterpieces.
Nihonbashi 400years map
long-established store 老舗
神社
5 1982(29)
Tanbaya/ 丹波屋
階数 5 現在地
2006(5)
10
建築年 10 4
Oduwashi/ 小津和紙 8
Egawa-shunshoudo/ 江川春祥堂 Ebiya Art Shop/ 海老屋美術店 Nihonbashi area 日本橋地区区域
Nihonbashi area 日本橋地区区域
Station 駅
Station 駅
HIghway 高速道路
1990(11)
10
8
1965(46)
戦後 : 1958 震災後 : 1935 明治 : 1874 江戸 : 1850
Nihonbashi 400years map
copyright(c)uno-lab,all rights reserved.
In the past, this area was called "EDO's Kitchen". The shrine where the place god was given in watched and saw the people who live in Nihonbashi area have been left in here yet. The Nihonbashi area, to preserve memorable place and to improve economy, is the most complex city in Tokyo.
戦後 : 1958 震災後 : 1935 明治 : 1874 江戸 : 1850
Ibasen/ 伊場仙
Saruya/ さるや
1992(19)
9
9
9
Kanmo/ 神茂 1991(20) Yamamotonori/ 山本海苔店
現在 : 2011
1940(71) 2Edoya/ 江戸屋 1992(19)
5
Benmatsu/ 弁松総本店
HIghway 高速道路
現在 : 2011
3 Toriyasu/ 鳥安
1990(21) Futaba/ 双葉商店 3 3 Itakuraya/ 板倉屋 42
Kaishoken / 快生軒 Tamahide/ 玉ひで 1958(53) 3 Koharuken / 小春軒1980(31)
Matsumura Bakery/ まつむらパン
1958(53)
Haibara/ 榛原
1990(11)
Nihonbashi 400years map
copyright(c)uno-lab,all rights reserved.
The long established shops that keep on managing from Edo-period are leaving on the Nihonbashi area. These shop’s products are produced unchanged feature with influenced by the modernism and industrialism by professional craftmans. This fact must be stimulation for buyer’s greed to buy good things when they researched this visualized traditional site and information.
NIHONBASHI 400 YEARS MAP
Urban design research and proposal Project
Research historical policy by INTERVIEW
Index
Research
Mapping
Story
Concept
Layout
Page Sample
We have interviewed the master of old store standing at Nihonbashi. These storis directly hearing from them are precious, trustful and high quolity information which are never able to get on internet. We asked various and plenty kind of storis about historical Nihonbashis scene, hope of manager of leader from then to now.
No. / SHOP NAME / Date / Location / items /interviewer
No.16 / SARUYA / Jul.06.2011 / Muromachi / Toothpick / Mr.Yamamoto
No.11 / TAMAHIDE / Jun.15.2011 / Ningyocho / Japanese Cooking / Mr.Yamada
No.01 / IBASEN / Apr.22.2011 / Kofunacho / Japanese Fan / Mr.Yoshida
No.06 / BENMATSU / Jun.08.2011 / Honcho / Restaurnt / Mr.Higuchi
No.02 / EDOYA / May.23.2011 / Ohdenmacho / Brush / Mr.Hamada
No.07 / EGAWASHUNJYOUDOU / Jun.09.2011 / Muromachi / Sign / Mr.Egawa
No.12 / MATSUMURA PAN / Jun.18.2011 / Ningyocho / Bread / Mr.Matsumura
No.17 / TANBAYA / Jul.12.2011 / EAST Nihonbashi / Fassion / Mr.Aoki
No.03 / ODUWASHI / May.30.2011 / Honcho / Japanese Paper / Mr.Matsuura
No.08 / FUTABA / Jun.10.2011 / Ningyocho / Tofu / Mr.Tanaka
No.13 / KAISEIKEN / Jun.21.2011 / Ningyocho / Cafe / Mr.Sato
No.18 / TORIYASU / Jul.09.2011 / EAST Nihonbashi / Japanese Duck Cooking / Mr.Watanabe
No.04 / YAMAMOTONORI / Jun.06.2011 / Muromachi / Nori / Mr.Yamamoto
No.09 / EBIYA / Jun.14.2011 / Muromachi / Antique / Mr.Yamamoto
No.14 / HAIBARA / Jun.27.2011 / Yaesu / Japanese Paper / Ms.Nakamura
No.05 / KANMO / Jun.07.2011 / Muromachi / Kamaboko / Mr.Inoue
No.10 / ITAKURAYA / Jun.14.2011 / Ningyocho / Japanese Pancake / Mr.Fujii
No.15 / KOHARUKEN / Jun.28.2011 / Ningyocho / Western Cooking / Mr.Kojima
Research historical products by CRAFTMANS
01
伊場仙 /Ibasen
●品
●材料
扇子•団扇
竹、紙
●材料の産地
●職人の数、場所
房州
？
02
江戸屋 /Edoya
●品
●材料
刷毛•ブラシ
木、毛
●材料の産地
●職人の数、場所
？
全国各地
03
小津和紙 /Ozuwashi
●品
●材料
和紙•不織布
こうぞ
●材料の産地
●職人の数、場所
土佐、美濃など
全国各地
04
山本海苔店 /Yamamotonoriten
●品
●材料
海苔
海苔
●材料の産地
●職人の数、場所
有明海など
？
05
上
●品
●材料
練り物
鮫
●材料の産地 気仙沼（震災後は 神茂 /Kanmo
南紀勝浦、銚子、広島）
16
●職人の数、場所
10 人、日本橋
●品
●材料
楊枝
黒文字
●材料の産地
●職人の数、場所
各地
各地に多数
さるや /Saruya
11
●品
●材料
鳥料理 ●材料の産地
？
玉ひで /Tamahide
12
●品
パン
●職人の数、場所
●材料の産地
●材料
小麦
２０人（職人 2 人）
むらまつ / Muramatsu
15
●品
●材料
洋食
●職人の数、場所 ●職人の数、場所
●材料の産地
●職人の数、場所
●品
●材料
小春軒 /Koharuken
06
●品
折箱ー湯島
07
色々 ●職人の数、場所
？
江川春祥堂 /Egawasyunsyoudo
●品
●材料
印鑑
つげ、シャム
●材料の産地
●職人の数、場所
特定の産地なし
？
08
双葉／ Futaba
●品
●材料
豆腐
大豆
●材料の産地
●職人の数、場所
09
ヱ 海老屋美術展
Ebiya Bijutsuten
●品
●材料
古美術 ●材料の産地
10
●品
？
●材料
人形焼き ●材料の産地
●職人の数、場所 板倉屋／ Itakuraya
17
●品
●材料
13
雑貨 ●職人の数、場所
●材料の産地 丹波屋 /Tanbaya
５８人
●品
快生軒 /Kaiseiken
●材料
喫茶 ●材料の産地
●職人の数、場所
14 創業一八〇六年
弁松総本店 /Benmatu souhonten
●材料
日本橋
弁当 ●材料の産地
●職人の数、場所
●品
●材料
和紙•不織布
こうぞ
●材料の産地 榛原 /Haibara
18
合鴨料理
●職人の数、場所
●材料の産地 鳥安 /Toriyasu
埼玉
合鴨
●職人の数、場所
７人（固定 4 人）
NIHONBASHI 400 YEARS MAP
Urban design research and proposal Project
伊場仙 /Ibasen
Since 1590
Index
Research
Mapping
Story
Concept
Layout
扇子・団扇 / Fan
Architecture
People
伊場仙 /Ibasen
1th floor plan
美しい It is whether a National boy meets a fine day.
代々引き継がれている 「見えないもの」への思い
The thought to "the thing which is not visible" succeeded from generation to generation
伊場仙１４代当主吉田さんのお話の中に、出てきた「見えないもの」への思い。地元の お祭りに協力をする、震災では町をあげて支援をする。そんな人とのつながりこそ価値 があり、重要である。家訓ではなく人間の生き方を代々大切にしてきたと言う。 これは伊場仙の歴史を振り返ればわかることであろう。明暦の大火、安政の大地震、関 東大震災など十数回もの災害に見舞われ「見えるもの」は消失してしまった。 しかし、江 戸時代以前から今なお続く伊場仙の本質はその「見えないもの」の中に詰まっている のだろう。
The thought to "the thing which is not visible" which came out into main Mr. 14 generation of Ibasen this Yoshida's talk. It supports by raising a town with the earthquake disaster which cooperates in a local festival. Just relation with such a person is worthy and important. It is said that the way of life of the human being instead of family precepts has been valued from generation to generation. This will be understanding, if it looks back upon the history of Ibasen. It suffered no less than about ten times of disasters, such as a conflagration of Meireki, a big earthquake of Ansei, and the Great Kanto Earthquake, and "what visible" has disappeared. However, probably, the essence of Ibasen which still continues from the Edo period or before is choked up into the "thing which is not visible."
Architectual date 建築年／19XX年 階数／10F 構造／SRC 特徴／海老蔵が目印 Year of building／19XX Number of stairs or stories／10F Structure／SRC Characteristic／Kabuki actor Ebizo puts a mark.
the 8th generation Miyake Rizaemon design.
お客とお茶しながら美術品を語る with a visitor. 500
3000
1000
5000
5000
Goods
History
扇子・団扇 / fan
Since 1590
先の見えない こんな時代は れんこんを覗いて先を見通そう
伊場仙 /Ibasen
Now
江戸のデザインはシャレが効いている。れんこんやとんぼ、瓢箪。一見何の意味も感じることはできないが、実はそこには隠れた意味が ある。それに気づいたときについ「くすっ」 と笑ってしまう、そんな江戸っ子のおしゃれは現代の私たちが見ても新鮮でかっこいい。
14th 新潟県小千谷市 Chijimi, Nigata Heisei 平成
19 89
68 18
16
Taisho Showa 大正 昭和
19 1 19 2 26
Meiji 明治
03
Edo 江戸
イギリスが東インド会社を設立 Britain establishes the East India Company.
小千谷縮の生産地 Ojiya Pongee - producing area
This time when the point is not visible will look into a lotus root, and will foresee the point.
千葉県館山市 Tateyama City,Chiba 竹の生産地 Baboo - producing area
Link 浜松市伊場町(遠州伊場村) Iba-cho,Hamamatsu City
The design of Edo has the effective joke. A lotus root, and a dragonfly, a gourd. Although no meaning can be felt apparently, in fact, it has the hidden meaning there. When you notice it, you will laugh it as "hee-hee" in spite of yourself. Even if present-day we look at an Edoite's fashion, it is fresh and smart.
日本橋堀江町(1590)
滋賀県近江 Oumi,Shiga 竹の生産地 Baboo - producing area
シェークスピアの『ベニスの商人』が出版される Shakespeare's "merchant of Venice" is published.
新潟県小千谷市 Chijimi, Nigata
The short coat (hanten)of the Ebiya of
A work of art is told going get a cup of japanese tea
伊場仙１４代目当主 吉田誠男さん The 14th generation of President Ibasen Mr. Masao Yoshida 1000
千葉県館山市 Tateyama City,Chiba
８代目三宅利右衛門デザインの海老屋の半纏
愛知県岡崎市 Okazaki City, Aichi
愛知県岡崎市 Okazaki City, Aichi 創業者出身地 Founder s native place
滋賀県近江 Oumi,Shiga
浜松市伊場町(遠州伊場村) Iba-cho,Hamamatsu City 創業地 Establishment place
街道 / traditional highway
堀江町の版元伊場屋 伊場仙は徳川家康と共に江戸に上がった浜松の商人、伊場屋勘左衛門によって創業。当時の屋号伊場屋は初代の出身地が遠州伊場村（ 現在の浜松市伊場町） であったことからなづけられたもの。創業当時は江戸日本橋堀江町（現在の東京都中央区日本橋小舟町）にて、江 戸幕府の御用を承り、主に和紙、竹製品、などを扱っていました。江戸後期よりうちわ浮世絵を扱い始め、版元として 「伊場屋」の名を江戸 市中に広めました。現在その当時の「伊場仙版」の絵は国内の美術館はもとより大英博物館、ボストン美術館、 メトロポリタン美術館、ヴ ァンゴッホ美術館等海外の著名美術館でも見ることができる。
Site date
とんぼ(勝ち虫) / Dragonfly(win insect)
東京都中央区日本橋小舟町4-1 ・営団メトロ 三越前駅 A4出口 徒歩７分
先が見える / The point can be seen. れんこんは穴があいているので、先が見える。将 来の見通しがつくと言う景気の良いデザイン。 Since the hole has opened, the point of a lotus root can be seen. The good design of the business said that a future outlook brightens.
4-1 Nihonbashikofunacho,Chuou-ku,Tokyo ・Metro Mitsukoshi-mae A4 exit On foot 7min
Publisher Ibaya of the Horie town Ibasen is started by the merchant of Hamamatsu gone up to Edo with Ieyasu Tokugawa. since the first hometown of the shop name Italian theater of those days was Enshu Iba-mura (present Hamamatsu Iba-cho). foundation that time -- an Edo Nihonbashi Horie town (present Nihombashi Kofuna-cho, Chuo-ku, Tokyo) -- business was heard and Japanese paper, bamboo goods, etc. were mainly treated [ of the Edo Shogunate ]. From the second half of Edo, it was begun to treat fan ukiyoe and the name of the "Italian theater" was spread to an Edo in the city as publishers.The domestic art museum can see the picture of the "Ibasen-ban" of those days from the first also in overseas prominent art museums, such as the British Museum, Museum of Fine Arts, Boston, Metropolitan Museum of Art, and Van Gogh Museum, now.
れんこん / Lotus root
前進あるのみ / only step forward とんぼは前にしか飛ばない。前進あるのみ。気合 いの入るデザイン。 A dragonfly flies only in front. It only moves forward. The design containing concentration.
N
1000
3000
６つの瓢箪 / Six gourds
雪景色 / Snowscape
無病 /Non-illness
視覚的にも涼しく / Also visually, it is coolly.
６つの瓢箪。むっつのびょう。むびょう。無病。健康祈願のデザイン。 A gourd is pronounced with a "Hyoutan" in Japanese. In short Byou .6 pronounces with a "Mu" in Japanese. The non-illness is pronounced with a "Mubyou" in Japanese.
夏に使う団扇ですが、描かれているのは冬の雪景色。何 だかいつもより冷たい風が吹いてくる気がする。かも？ It is a snow-covered landscape of winter to be drawn although it is a fan used in summer. I feel that a wind somehow colder than usual blows.
5000
Introducing the long founded shops from various stand of view. For example, architectural planning and elevation and interior plan. Furthermore, some of interview to CEO of each shop, introducing of products, derive of the shop and so on. The information that We never know from ordinal life and relationship of each epoch on the store are included in this research project. From now on, I am going to introduce one of example of all.
Page Sample
madara Tokyo/ Hongo-Ueno - Asakusa This proposal, based on the findings of science and technology of the 21st century, is a plan to install “natural” urban environment into “Tokyo 2050” , for reviewing and evaluating “nature” of Tokyo as it has, and for visualizing her original form and nature.Contemporary Tokyo is the mega-city where overwhelmingly dominant are artifacts such as roads, railways, buildings, and condominiums. The land of Tokyo has been covered with modern architecture and modern city planning, to be invisible its substance that natural things generally have, “form of madara (fluctuation) “. Natural things mentioned here are: 1) natural topography, geology, and soil 2) a variety of ecological systems, and 3) human beings, animals and plants."madara Tokyo" means "fractal city Tokyo" that is the concept of our project for the treatments to unnatural parts of over-artificial Tokyo, and that is an architectonic proposal for the "natural" urban environment to be updated. It is a vision of Tokyo, with nature, of nature, for nature, and it will for people to live in “natural” urban environment. And Tokyo will gradually turned to be "natural city” . Target is the area from Hongo plateau, via Ueno hill, to Asakusa area. Hongo, Ueno, Asakusa, inherently, are the places where nature is dominant, that is, it is the heterogeneous area or the land with " uneven form and nature". It is a mixed site of lowland and terrace, located on the periphery of early Tokyo central district. Tokyo has been grown up, changed, and developed as a result of mediation of urban lifestyle, which was born in the modernity. This area is now a little bit old Tokyo with calm atmosphere of Showa-era, and then, it has a capacity and possibility of big transformation in the future. Shinobazu-no-ike is a large pond in the lowlands between Hongo plateau and Ueno hill. 150 years ago, the Meiji government of Japan here held a major international exposition to show the western civilization to Japanese people. People were strongly interested in the newest products and events of the western countries.Western style of schools, school of medicine and school of physics, are established at the site of former Kaga-han residences on Hongo Plateau, and School of fine arts and museum of arts were established at the of former Kaneiji-temple on Ueno hill. Western modernization of Japan began at the place of Ueno, introducing western science and arts. There is Senso-ji Temple near Sumida River in Asakusa area, Higashi- Honganji Temple and large and small temples are there surround. A lot of town people, merchants and craftsmen, have been lived in that area.This region is the uptown and downtown of the first generation in modern Tokyo, and mixture of natural objects and artifacts will be there, and "natural buildings" will also be there fitting to the land they stand. It is the schne of "Tokyo 2050". It is the new city to live together with diverse of people and living things. "madara Tokyo" will be a model of 21C city for people to live in together with nature, where people of varieties of nationality will visit, live, and stay for short-term, medium-term and long-term stay or settlement,
madara Tokyo/ Hongo-Ueno - Asakusa Location of the project HONGO - UENO - ASAKUSA area type of the project academic group work My role in the project Chief of the team / Mccount of tear / Main planner of the urban planning My contribution to the project Management of the team / Model making for urban design planning / Making drawing / Role of account The level of the project Tokyo Culture Creation Project: organized by the Tokyo Metropolitan Government and the Tokyo Metropolitan Foundation for History and Culture in cooperation with arts organizations and NPOs, The date 2011/9/23 to 2011/10/2 The supervisor of the project UNO motomu : muno@gol.com ITO kaori : kaori@rs.noda.tus.ac.jp YOSHIMI shunya : yoshimi@iii.u-tokyo.ac.jp
MADARA TOKYO
Tokyo Metropolitan Government called
Index
Ground Research
the Tokyo Culture Creation Project
Story
Concept
Human Reserch
Site Information
Proposal
Layout
Research of People and Place One Hour / One Day / one Life The relationship between human activities and the built environment.
Station
Hotel
Shrine・Temple
Altitude zone of 10 m
School facilities
River ・Pond
Greenery
Railway
Walking
Stopping
Seationg
Lying down
Plot of the relationship between area residents and a variety of mixed time span. In 2050, the life style will be ''medievalized'' in sense. People will move more during their life, and the networks among cities will be enhanced and globalized. Meanwhile, their daily movement will be more diverse, which results that suburb-to-CBD commuting will not be essential.''Place" appears to be superposition of movings of "people." We consider Tokyo 2050 from the viewpoint of the relationships between place and the activities of people who stay or pass through there.
Street planting, lost the speed of the bike.
Bench serves as a bed under the shade.
Discovered space and chained
Coexistence of consumers and tourists
Playing space at the waterside
Photo with the city’ s attractions
Stalls lined as ‘Cityscape’
Some avoids them, some stops for them
Street as a stage
The town continues updating
actions are found to sit
Notation of human activity
Boundary Line
Shadow
Plants
Artificial Objects
Cliff
Distant view
Centripetal object
Centripetal Human
Stopping
Seating
Lying down
Walking
We researched about various kinds of activity that people response the real condition around the traditional and cultural place. Peoples show individual behaviors respectively, furthermore, there are trend around peculiar things and places. I note these typical behavior and proper for the future urban design. Just they react against encountered things and event. This notation shows each typical behavior at the peculiar place. Compiling these notation is used analyze human activity and design new urban design.
MADARA TOKYO
Tokyo Metropolitan Government called
Index
the Tokyo Culture Creation Project
Story
Ground Research
Human Reserch
SUGAMO
Concept
Site Information
MIKAWAJIMA
WEST-NIPPORI
Proposal
Layout
MINOWA
SENGOKU NIPPORI
SHINOHTSUKA
The research of Ground condition
HONKOMAGOME
SENDAGI
UGUISUDANI
HAKUSAN
We experienced the terrible earthquake last 11 March , after that association of urban design and
FRONT OF UNIVERSITY TOKYO NEZU
MYOUGANI
association of architecture and the other many researching institutions are reconfirming various
KEISEI-UENO
the risk and conditions.
EDPGAWABASHI
by all designers.
YUSHIMA HONGOSANCHOUME
A Map of THE LIQUEFACTION The mottle places are especially hard and not to being liable to get liquefaction.
KAGURAZAKA Liquefaction is peculiar disaster in Japan have advanced civil engineering. This map shows the frequency and easy to be happen of the liquefaction. Therefore, the new fundament to judgement for new land and howUSHIGOMEKAGURAZAKA degree of dangerousness, we are able to propose the safety idea and planning.
UENO
KEISEI-ASAKUSA
INARICHO TAHARACHO
UENOHIROKOUJI
KOURAKUEN & KASUGA
To know the present condition of strata and ground information should be reflected to critical design
ASAKUSA
JR UENO
kinds of data composing urban structure to judge
is one of the important thing. After that, this
IRIYA
GOKOKUJI
ASAKUSA
OKACHIMACHI
SHINOKACHIMACHI NAKAOKACHIMACHI
A MAP of SUIDOUBASHI THE REALM of STATIONS In Tokyo, almost all people choose the train to move. So,the stations that IIDABASHI
are used by people show the realm sharing the user. This map shows the realm using by Voronoi diagram. we can design effective layout planning with this realm and the other maps.
SUIDOUBASHI
OCHANOMIZU
AKIHABARA ASAKUSABASHI
The areas "Hongo, Ueno and Asakusa" complexed
KUDANSHITA
by lowland and terrace were genuinely well natured
OSHIAGE KOTOHIRABASHI
HONJYOAZUMABASHI
JINBOUCHOU
IWAMOTOCHO
RYOUGOKU RYOUGOKU
AWAJICHOU
sites that had heterogeneous form and spotted character. However, nowadays,the land is covered by homogeneous and modern feature of urban planning and architecture, the form of madara (changeable condition) which the nature thing has universally is hard to discover. Therefore, we focus on under the ground covered by infrastructures, define and analyze the site again.
A MAP of OFFICIAL LAND PRICE
The Map of the official land price is changed by the current of load, railway, and various kinds of factors, but the cultural heritage and the place of overpopulated area are rocketing. To guess and analyze the information and fluctuation, I realized that it is possible to be able to design new feature and landmark to the future plan.
A MAP of GROUND-WATER FORM
A DISTRIBUTION MAP of SURFACE-SOIL
The surface soil are distributed whole place, especially there are rich soil in 0 – 3 meter of depth under the ground. The surface soil is brought from another place by people, therefore the location of high frequency which suppose the risk of liquefaction shows the tendency that being gathered much surface-soil.
A MAP of GROUND-WATER LEVEL The ground-water level is shallow at low land, on the other hand plateau
A MAP of SAND CONDITIONS
A loamy layer of Kanto spread to the part of table-lands mainly. At lowlands, the distribution of sand, cray, silt, and a conglomerate are mixed. In former days, Tokyo lowlands were under the sea. Therefore the condition of around the Sumidagawa river’ s strata has heavily conglimerate with going toword closer to tablelands,we could understand the conditions are changing light sand and clay.
A MAP of LEAF MOLD
Ground-water changes gradually from low land to plateau.
shows deep depth.
Supported by Civil Engineering center TOKYO METROPOLITAN GORVERNMENT The data informed by the Ministry of Land, Infrastructure and Transport The Geographical Survey Institute Falling leaves and living things make up nutrious leaf mold for long years. The distribution ofdepth and width are diverse. Therefore the soil can decide precious resorces. 0-5
5-10
10-15
15-20
20-25
25-30
KINSHICHO
MADARA TOKYO
Tokyo Metropolitan Government called
Index
Ground Research
the Tokyo Culture Creation Project
Story
Concept
LAYOUT PLAN
08 : Stalls of Vegetable
07 : INN of holly
At Sumidagawa river, The place divided to the area of Skytree and Senso-ji temple is always crowded and make a stream by lots of people coming from all over the world who want to eat various kinds of vegetables and cooking, The market managed by diverse visitors will have kept to be sparkling all day.
The crowd coming from the foreign countries, who tours the new broaden cycling-road started from the back side of Senso-ji temple to giving rise to the vigor areas.
Human Reserch
Site Information
Proposal
Layout
Designing from Human activity and ground condition, I put essential designs on each historical key location 01 to 08.
04 : Rich greener curtain hanging on infrastructure The metropolitan highway and curtain of greener, inorganic matter and organic matter, the warm atmosphere is created by various kinds of vegetables which make human prosperity under the poor lighted metropolitan highway. When everyone start to walk forward to plats or river with brilliant scenes, all one surely meet new green landscape of industry and tradition.
03 : Vigorous wind terrace
01 : The park of an early summer rain
There are greatest green that is divided by man-made structure on the edge of ueno plateau towering smoothly cultural facilities. The cultural facilities engaged in history of Japan, newly produced green landscape and the terrace which can be commanded a whole view of the two blowing breath upon the divided deep pool.
If you focus on your senses, you can still smell the fragrance of flowers and find traces of a tasteful view in Kikusaka area. However, it is difficult to mix the complex man-made objects that these things are difficult to notice to people. In many cases the original floral scenes are only preserved in the form of a flower pot. The tracks of the changing scene will be formed eventually a loop and lead to the next greener.
MADARA TOKYO
Tokyo Metropolitan Government called
Index
Ground Research
the Tokyo Culture Creation Project
Story
Concept
LANDSCAPE DIAGRAM
Human Reserch
Site Information
Proposal
Layout
PLANNING DIAGRAM
Landscape diagram Connecting the directions and vistas from shinobazuike pond to various historical key locations. Planning diagram In each floor, I decide the theme and vista. So the floor layout is concluded automatically and the each roles are allocated.
02 : UENO PROJECT I design small landmarks softly between forgotten Shinobazuike pond and traditional architecture. Connecting to Shinobazuike pond and the landmark of architecture around the pond slightly, Hongo and Ueno area turn back to vigorous unite. Once upon a time, at the time of the sound of the bell in Sensoji temple had been heard from everywhere, so we hope to extent and expand space of recognizing from here to all places with designing small devises.
05 & 06 : KAPPABASHI PROJECT Kappabashi possess strong and weak ground at the same time and make ‘Madara condition’ . These conditions have a possibility of dramatical change in the future. As students from all over the world, researchers of urban agriculture and foreigners stay on here for middle term or short term, urban structure is going to be designed and constructed circulative system. Agriculture of urban style will spread mainly to Kappabashi. Kappabashi has equipped the system of products will be gradually charming city with Asakusa, Skytree and Ueno.
order and disor der AND W INDOW This design consists of only windows of this industrialized standard of Japan. A design starts from the form of this window and all the space is constituted. The new building seen from Sumidagawa river gives new order to a town, and makes a new tale to historical city of Nihonbashi. A place is the Nihonbashinakasu. This ground is a delta from the first. It develops from the Edo period and is a town which is reclaimed, serves as a residential section and consists of three major infrastructures of a skyscraper, metropolitan quantity, and an artificial river now. A building group raises each breath by composition of a window, it responds to it, and people gather. It is the same that people gather, even if time passes. The facade of night exists in the night or daytime in the daytime, and it is charmed by the facade, and people stray, while not knowing.The functions which I designed on this ground are SOHO, a vacant lot, and galley. I think that it is the state of future Tokyo that fixed not a place but space deal with people. The grace of the new scenery of this ground is located on this place, and can be tasted. These space is made from the facade of the composed window. A main window certainly exists in every room. Interior space and exterior space are connected by the main window, and induce people's new harmony. A window is emphasized and the facade which they are not usually conscious of also serves, as a focus which turns consciousness to the present space only by being connectable with an inside. This design will become indispensable to the building-scape of Japan which are rationalized and had been closed in the internal section. People walk looking at a self-awareness of the issues and the fading scene, when you walk along a town.If a focus is hit to a window, a lot of beautiful rows of houses exist in the world.Each is respectively orderly and it is beautiful. But, Japan is different. As for a piece, beauty and a feeling of a life are not felt.To the window of the causing which is not beautiful, I doubted and started the design this time. The design of the composition of a window. The route which walks along a town exists without limit. The composition method of a window also exists infinite. Those who one tale exists at a time in how to walk, and walk along a town feel about the same order as a window-scape.The window-scape Is accumulated, becomes disorderly and is made open in front of people. Space follows the windows. The composition of a window, and the outline of the construction which acted in union, The two fusion serves as an antithesis to the rationalized present condition.
order and disor der AND W INDOW
Location of the project Nihonbashiyaesu Tokyo Japan type of the project academic individual work My role in the project Own ploject / making all planning and doccuments My contribution to the project All things The level of the project Tokyo University of Science Diploma ploject and Thesis The last grade of Bachelor The date 17 / Feb / 2011 The supervisor of the project UNO motomu : muno@gol.com TANAKA yousuke : ysktnk@rs.kagu.tus.ac.jp
order and disorder AND WINDOW
DIPLOMA PLOJECT
Index
WindowScape Research
Property
Concept
Rule
Site
How to Planning
Information
Plan
Outer Perspective
Inner perspective Experience on street
Morphological analysis of the continuity of building facades along the canal - Compare to Amsterdam and Nihonbashi Conclution 1 : Both cities have high percentage of opening ratio as an architecture grope standing along the canal. 2 : There are peculiar type of form, window and entrance each cities, furthermore these factors are designing identical cityscape. 3 : By comparison, if there is continuity of window sequence, identified cityscape is created by the harmony. To sum up, superiority or inferiority exist in what produces a feeling of unification of façade.
Amsterdam and Nihonbashi are famous for the aquapolis. Nowadays, Amsterdam's beautiful canalscape have been preserved by people, on the other hand, in japan, the beautiful scene was changed by various kind of reasons. In this theses, I did a design analysis of the current waterfront architecture in both cities.It is my purpose to survey, contrast and find out the morphological difference between both city with focusing both city's condition of preservation about architectural form and surface of identity.
Morphology
WINDOW ENTRANCE ATTRIBUTE
FORM
Rectangle Uneven
Extracting the characteristics of both citys facade through site investigation and research of literature. Grouping the extracted facade designs based on form, opening ratio,decorative element and color composition. Analyzing the patterns in terms of continuity and verifying the sequence of both citys streets.
House Like Others
Patern
Continuation
Direct
Others
Undirect
Colors
Window ratio
Use
History
10/09/10 本人撮影 2010 Dam Square
by A Short History of Amstrdam 2010 Dam lack
Sequence
1 : Photo
Analysis Matrix keizels graht
1
area
α β γ α β γ α β γ
A
form
B C D ornament area
uniformity not uniformity unequality n o t horizontal vertical continuation one aspect up stare type irregular balcony type 出窓 roof ornament 3D 2D area left right direct center left indirect right center have or not ornament unifomity hue color how many distribute
opening
entrance
attribute
top side window
ratio belong
equality
windw entrance openning
1003
2
938
/
3
2 : Form
4
1165
1009
●
●
5
1026 ●
6
1022
/
7
1118
2012
1610
3 : Window
/
8
12
1235
9
1064
10
2688
●
●
●
11
1163 ●
4 : Entrance
13
1187 ●
●
14
1224
15
4905
16
3321
● 297 ●
● 273
426 ●
● ● 419 ●
● 332 ●
●
● ●
276
● 416
383
●
●
●
● ● ● 387 ●
17
272 ●
18 54 ●
19
990
20
1004
21
1067
●
●
● ● 574
● ●
●
454 ●
●
342
●
429 ●
●
●
●
1510
1096
●
●
22
23
24
●
●
●
1037
819
944
nihonbashi river
25
● 0
0
●
●
●
●
form
386 ●
410 ●
●
●
405 ●
402 ●
● 246 ●
408 ●
● 454 ●
● 84
114
77
● ●
96 ●
● 83
●
●
●
●
80 ● ● ●
66
●
● 48 ●
128
● ●
●
●
● ● 180 ● ● ●
36
● ● ● ●
●
●
117 ● ●
427 ● ● ●
● ● 168 ●
●
1 29.1 12.2 41.3
1 36.6 6.6 43.2
1 41.5 9.5 51
1 32.4 8.1 40.4
1 27 7.8 34.8
1 37.2 5.9 43.1
1 31 3.9 34.9
1 36.4 12 48.4
1 21.4 6.7 28.1
1 39 3.1 42.1
1
house
house
house
house
house
house
house
house
office
house
store
house
●
C
● ●
● ●
● ●
●
●
●
D ● ornament
area
α β γ● α β γ α β γ
top ● side window
2
●
37 4
38 6 39 7 40 5 8
9
10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 27 ●
70 ●
25
●
60
●
●
●
54
71
●
●
72
38 ●
●
●
28
53 ●
●
●
●
●
●
●
● ●e n t r a n c● e ●
●
●
●
1 28.8 10.1 38.9
1 35 9.6 44.6
1 30.8 8.7 39.5
1 33 5.1 38.1
1 0 25.7 25.7
1 0 46.3 46.3
1 39 6.1 45.1
1 40.8 5.4 46.2
1 38 6.7 44.6
1 38.8 6.9 45.7
1 30 4.6 34.7
house
house
vacant
house
house
office
house
house
house
house
office
1 43.2 3 46.2 office
1 42.4 4.9 47.3
attribute
ratio
務所 事務 b e所l o住 n g宅
49.4 101.6 261.2 ● ● ●
86
210.2 850.5 332.9 144.9 47.9 39.8 ● ● ● ● ● ●
5.7 100.9 ● ●
23 ●
141.6 78.8 20.8 53.1 163.9 8.8 ● ● ● ● ●
19.2 127.1 58.4 20.3 2620 331.5 109.5 220.3 966.1 135.7 132 ● ● ● ● ● ● ● ● ●
●
●
●
●
●
● ● ●
● ● ● ● ● ● ● 270 299.8 697.7 83.3 110.1 55.3 135.4 650.1 323 93.9 246.9 35.2 ● ● ●● ● ● ●
● ● ●
●
●
● ●
●
●
●
●
●
● 27.7 18.7 66 54 10.7 40 ● ● ● ● ● ● ● ● ● ●
●
●
●
2.6 ●
●
● ●
●
●
77 ●
●
25
●
●
●
69.7
●
481 165.4 94.8 17.3
●
●
●
● ● ●
● ● ●
●
●
● ●
●
6.6
7.8
13.8 39.2
● ●
● ●
● ●
1.1 ●
4.8 ●
24.3 ● ● ●
5.1 ●
9.1
●
2.3
30.3 12.7 75.6
●
2.6 ●
35.6 82.8
● ●
● ●
38
● ●
●
● ●
2.5
4.5 ●
●
41.3 12.5
●
3.2 460.9 71.6 ● ●
22
33.2 303.7
18
323.1 108.4 136.6 67.8 18
●
● ● ●
● 8.6
●
●
● ●
●
6.4113117 34 20.9 42.3 10.9 ● ● ● ● ● ●● ● ● ● ●
●
82.8 28.8 98.3 427.5 11.3 34.9 ● ● ● ●
18.4 25.3 ● ● ● ●
● 8.7 ● ● ● ●
7.6 ● ●
2.5 ●
0.9 ●
0.4 ●
4.5 ●
●
1.3
7.6
●
●
●
●
3.5 ●
1.1
●
●
3.4 ●
●
● ● glass
14.5 ● ● ●
●
●
●
1.8 ●
2 ● ●
6.8
2.1
1.6
●
●
●
●
● ●
●
●
●
● ●
●
●
1 2 1 2 1 1 1 1 1 1 2 1 1 2 2 2 1 1 2 2 1 2 1 1 1 1 1 2 1 1 2 1 1 1 2 1 1 2 1 1 1 2 1 2 1 1 2 1 27.8 38.0 27.2 45.7 43.9 38.4 31.3 37.6 19.0 39.0 9.6 34.7 17.9 61.6 49.0 22.9 34.4 29.5 29.1 33.2 56.6 49.7 65.4 36.1 22.9 40.4 30.0 55.2 53.4 48.2 12.5 67.0 50.5 28.4 23.4 32.5 21.4 15.8 17.6 21.6 20.1 15.1 31.4 13.3 24.4 32.8 22.5 16 6.0 4.8 2.1 9.0 7.8 8.5 1.8 5.6 8.4 3.2 12.1 31.9 2.8 4.8 8.6 4.5 2.2 4.7 9.3 5.9 8.8 3.0 2.6 5.2 5.2 2.3 7.0 4.5 5.7 5.4 4.4 5.3 6.4 8.8 20.5 10.4 5.4 3.6 7.9 1.8 9.8 25 40.1 31.2 36.2 38.8 53.4 52.4 46.0 22.2 51.1 41.5 37.5 22.7 70.2 53.5 25.1 39.1 38.8 35.0 41.9 59.5 52.3 70.7 41.3 25.1 47.4 34.5 60.9 58.8 52.7 17.8 73.4 59.4 48.9 33.9 37.8 25.0 23.6 19.4 31.4 45.4 33.8 36.7 29.9 29.8 43.2 31.3 2 .332.637.9 41.1 40.2 42.836.9 39.8 house house 住宅 office 事 office house house house office office office house house house office office house house house 所事務所 店 restau 店 restau 住 宅 事 務 house 所 事務 所 住office 宅 house 住 宅 house 住 宅 house 店舗（食） rant house office house rant office office 事務所
windw entrance openning
住宅
238.4 161 159.6 872 ● ● ● ●
●
● ●
● ● uniformity equality not uniformity● unequality n o t ● ● horizontal ● vertical continuation one aspect ● up stare type irregular balcony type ● window ● ● ● roof ornament 3D 2D 37.9 103a r e a13 48 41 13551.4146 ● ● ● left ● ● direct right ● ●● ● center ● ● left indirect right center ● have or not ornament ● ●● unifomity ● hue color 2 2 how many ●
3
84 241.1 1067 126 1017352.6 8942079 898 1078 1835 306.5 249.5 1303 90.3 ● ● ● ● ● ● ● ● ● ● ● ● ●
distribute
●
1 29.6 8.4 38
A B
●
●
120
1
area
1071
opening ●
2012
1657
/
● ●
10/08/21 本人撮影 2010 Nihonbashi
1886 Nihonbashi
1
order and disorder AND WINDOW
DIPLOMA PLOJECT
Index
WindowScape Research
Property
Concept
Rule
Site
How to Planning
Information
Plan
Outer Perspective
Inner perspective Experience on street
Location
1: 2: 3: 4:
TOKYO metropolitancity Chuou ku Nihonbashi area Nihonbashi-Nakasu
1: 2: 3: 4: 5: 6: 7:
Traditional nihonbashi bridge Concealed junction Appeard high way Skyscraper complex Various type of mantions Near the Sumida river Complex junction
Detail 01
Detail 02
View from metropolitan highway
Detail 03
View from sumida river
order and disorder AND WINDOW
DIPLOMA PLOJECT
Index
WindowScape Research
Property
Concept
Rule
Site
How to Planning
Information
Plan
Outer Perspective
Inner perspective Experience on street
Research of window-scape All over the world
Tunis
San Lois
Bruges
Kanazawa
Rio de janeiro
Reykjavik
Alberobello
Cape Town
REPUBLIC of TUNISIA
FEDERATIVE REPUBLIC of BRAZIL
KINGDOM of BELGIUM
JAPAN
FEDERATIVE REPUBLIC of BRAZIL
REPUBLIC of ICELAND
ITALY
REPUBLIC of SOUTH AFRICA
The arrangement method of various windows exists in the world. The scene of each window expressed the feature of the town and made traditional beautiful building-scape. It has a respectively characteristic atmosphere n each countries.
Research of window-scape On Nihonbashi
The Nihonbashi’ s window-scape is different from others. especially missmatched and no designed city-scape is existing. This present condition ask us what will you be able to design future scene of Tokyo.
CONCLUTION of THE RESEARCH & DESIGN METHOD
1 : The window as an eye-stop of materials and color 2 : Facade design on window composition 3 : The feeling of functional rhyme of window First, I definet the size of window ,wide1200mm×Height1400, Second,start to design composition of window on the facard. Third,main window creat proper designe space to inner area When we usuary design architecture,the order are research the site, zoning, planning...
zoning & planning facade design
facade design (window scape)
zooning & planning
Finally,dicide the conposition of window with thinking about matching around condition. However, in this ploject,I changed design order compleatly opposite. To sum up with,design window composition →Generation of Form & Volume → Spacic Generation
order and disorder AND WINDOW
DIPLOMA PLOJECT
Index
WindowScape Research
Property
Concept
Rule
Site
How to Planning
Information
Plan
Outer Perspective
THE DIAGRAM of ELEVATION DESIGN
1: 2: 3:
Extracting both factor of Tokyo metoropolitan high way and Sumidagawa river, I designed the window composition inspire from both factore. Understanding and analyzing the factor of constructing urban design that prepared four walls to design faรงade, I design the faรงade to express great perspective and sequence with composition of window for each districts. Creating the volume of the building composed by two designed facade, comfronting two facade make diversity amosfere in this site.
THE DIAGRAM of GENERATING SPACES
street view planning planning of experoence which is focused on perspective is different from ordinal planning. I am going to design windowscape to research urban city.
Main window which design inner space is decided by the ratio of area.This is key point in creating inner space.
The program of inner space is decide by the spacial scal and access. Outstanding prossess from normal planning originate new architecture from. :
Inner perspective Experience on street
order and disorder AND WINDOW
DIPLOMA PLOJECT
Index
WindowScape Research
Property
Concept
Rule
Site
How to Planning
Information
Plan
Outer Perspective
Inner perspective Experience on street
THE DIAGRAM of PLAN DESIGN
HOUSE
COMMON
OFFICE
CH = 2100
SHOP
CH = 2100
CH = 2100
CH = 7777
CH = 3000
CH = 4000
CH = 5400 2FL - 300
E.V.
CH = 6800
CH = 5300
2FL - 200
E.V.
SHOP
E.V.
SHOP
CH = 2200
CH = 2700
COMMON CH = 2700
SHOP
CH = 5700
OFFICE
E.V. CH = 3300
2FL - 480
E.V.
2FL - 480
CH = 2700
E.V.
CH = 3700
CH = 2700
CH = 3500
E.V.
E.V.
CH = 2200
CH = 12800
E.V.
E.V. E.V.
CH = 2200
CH = 4000
E.V.
E.V.
E.V.
CH = 4000
E.V.
E.V.
CH = 6700 2FL - 480
CH = 3700 2FL - 480
CH = 3200
E.V.
CH = 3200
CH = 3200
CH = 3200
CH = 2800 3FL - 720
CH = 3700
CONCEPT Actually town-scape and inner space should be connected by design. We can not find this connection in Tokyo that we are able to live effectively and confortablely. In the urban city ,to design the colorful sighit of cityscape, the connection between Architecture and urbanism are encoureged.
order and disorder AND WINDOW
DIPLOMA PLOJECT
Index
WindowScape Research
Property
Concept
Rule
Site
How to Planning
Information
Plan
Outer Perspective
DAY TIME PERSPECTIVE
NIGHT TIME PERSPECTIVE
On lunch time, order and disordered windows show various kinds of human activity from inner space. Some of foreigner and tripper from local japan come to feel this new atmosphere of Tokyo’ s building and communicate with habitats. This way will be new communication way in Tkyo.
At the night time, plenty of light from disordered window create fancy atmosphere around streets. These rhymes are matching each streets. The people who live in this residence go back home with attracted and excited in beautiful window-scape.
Inner perspective Experience on street
order and disorder AND WINDOW
DIPLOMA PLOJECT
Index
WindowScape Research
Property
Concept
Rule
Site
How to Planning
Information
Plan
Outer Perspective
Inner perspective Experience on street
In the inner space, there are main window to see outside mainly. Main window must be prepared even if there are many consonanted windows. Each composed window create various kinds of inner space s form. Looking up over the sky, the life activity is overflowed from each windows which make harmony. The person who walk along the windowscape encountered residenses, shop and various people. Entering to the architecture, we can feel matched inner space to mix conplexly the all funnctions and the space of composed window.
w i nd-generated power pl ant of skyscraper -towar d self-su stain able sky scraper districtShifting from Energy Consumer to Supplier On the day of 3.11 the Great Earth Quake and Tsunami, nuclear power plants in Fukushima, Japan are seriously damaged. The damaged plants not only stopped generating electricity, instead, it start releasing radioactive materials and emitting radiation through out the whole wide vicinity, forcing people to evacuate. People of Fukushima pays tremendous sacrifices for having nuclear power plants in their back yard putting their life at risk of radiation in case of an accident. We now have to think what city can do to help and support them in the long term period and beyond. So all those electricity generated from the nuclear power plants were used by people of the city. The most important thing is that people of the city must start generating their own safe and clean recyclable energy in their own back yard. Not only for their own but supply the surplus energy to the surrounding district. But there is a problem. Where can we build such a big electric power plant to supply all the energy consumed in the city in itself? Vacancy in Skyscrapers by Population Shrinkage The population in most of developed countries start to decrease in recent years and it is accelerating its speed. Of course, Tokyo is not an exception. When total population decreases, many vacant tenants or residences will be spread though out the city. Because population is shrinking year by year, these vacant spaces will tends to increase and be vacant for very long time with no particular usage. Wind-Generated Power Plants using Winds Blowing Through Skyscrapers In between skyscrapers, there are strong winds blowing through the tall building. These winds are pretty consistent throughout the years. In this proposal, we propose Skyscraper Wind-generated Power Plants by taking off the curtain walls of the vacant floor of the skyscraper for the wind to go though,setup micro-windmills on that floor to generate electric power. As population decreases and more vacant floor appers, more windmills can be set-up to generate electricity, and eventually whole skyscraper district becomes wind-generated power plants for manage its own energy as well as the surrounding city.
w i nd-generated power pl ant of skyscraper -towar d self-su stain able sky scraper districtLocation of the project Shinjyuku / Tokyo / Japan type of the project academic individual work My role in the project Own ploject / making all planning and doccuments My contribution to the project All things The level of the project Tokyo University of Science Graduate school of architecture Urban design planning The date 20 / Jul / 2012 The supervisor of the project GOTA momoyo : gota@rs.kagu.tus.ac.jp INASAKA akiyoshi : inasaka@rs.kagu.tus.ac.jp
WIND-GENERATED POWER
Urban design research and proposal Project
PLANT OF SKYSCRAPER
TOKYO 2011 toward the self-sustainable city SHINJUKU AREA
MARUNOUCHI AREA
Story
Concept
Energy Reserch
Site Information
Proposal
Layout
77,358,424 47,086,067
162,213,432 80,629,393
108,446,134 37,634,378
286,901,874 18,858,273
177,588,924 -41,571,745
102,961,840 47,086,067
231,214,669 183,637,632
168,336,510 127,041,502
513,604,797 357,290,885
268,387,879 140,580,830
New York
Shinjuku
As we compare with cities around the world, Tokyo is the city where population difference of daytime and night-time is significantly big. Especially, core center of Tokyo, population concentrates during the daytime up to 5 times the population of the night-time. This concentration of the population is made possible by the skyscrapers. In Tokyo, there are several skyscraper districts. The most famous one is Shinjuku Skyscraper District.
Tokyo
2100
67,034,638 -219,495,982
Self-sufficiency
92,079,777 -258,360,868
r sources Rise of natural power
40,034,686 -52,544,591
Tokyo
2050
64,055,497 -42,607,461
London 2011
32,027,748 -7,550,326
The fall of capital
SHINBASHI AREA
Decrease in population
SUPPLY PRODUCTION
SHINAGAWA AREA
City Research
SITE
PRODUCTION AND SUPPLY ENERGY (kWh/YEAR) OSAKI AREA
Index
1,151,534 575,454
2,673,065 554,685
2,089,920 1,537,195
ENERGY SUPPLY AREA 2100
night population
day population
ENERGY yamanote line
TOTAL PRODUCTION 2100 : 1,284,496,695kWh TOTAL PRODUCTION 2100 : 885,636,916kWh
Electric Power Japan is Mostly Consumed in Tokyo. Even though Shinjyuku area only has an area of 18 square-kilometer, they consume 1% of the total energy consumption in Japan. It is in fact 200 times the value in area ratio. However, even though Tokyo is the biggest energy consumption area, there are no production of it in central Tokyo. In a time of disaster, Tokyo is vulnerable when power grid fails, it loses all modes of urban activity.
Tokyo 2100. As vacancy of the tenants increases, all the sky scraper district like Shinjuku, changes its mode to Wind-Generated Power Plants. Skyscraper district, where energy production exceed the consumption, will start supplying electricity to the surrounding areas. Skyscraper districts will change its role from tertiary industry to energy producing secondary industry, evolving to new urban space.
BUILDING free tenant percentage（％）
ENERGY SUPPLY AND DEMAND
POPULATION TRANSITION date : 2010/09 level : over 96 m total floor space : 3,077,110 m free tenant : 252,273 m a number of building : 25 18.11
(mWh)
9,000,000
500,000
2
29.62 64.42 18.42
11.36 19.23 5.45 9.1 33.33 15.09 6.38 5.45 6.06
0 3.85 0 8.16
9.68 3.33
2.94
39.39 0
9.43
8,000,000
2
empty
full
In Shinjuku, there are 25 buildings over 20 stories high, built densely in small area. It is one of the biggest business districts with gross floor area of over 3 million square meters and over 210,000 people works there. On the other hand, there are 250,000 square meters of vacant tenants and it covers 12% of the total gross floor area of the district. It is hardly likely that vacant tenants will be filled again and a lte r n a tive u sa ge is highly questioned.
400,000
7,000,000
6,000,000
300,000
5,000,000
200,000
4,000,000
100,000
3,000,000
2,000,000 2010
2020
2030
2040
2050
2060
2070
2080
2090
2100
(year)
Population of Japan decreases hereafter. Sooner, the needs of tenants of Shinjuku Skyscraper also decreases and hollowing of the city shows up.
2010
2020
2030
2040
2050
2060
2070
2080
2090
2100
(year)
In this proposal, wind-generated power plants starts from 2011. As population shrinks energy consumption also shrinks, but production of electricity increases. In 2050, the production of electricity overwhelms the consumption of it, creating energy sustainable city.
WIND-GENERATED POWER
Urban design research and proposal Project
PLANT OF SKYSCRAPER
Process of skyscraper becoming Wind-Generated Power Plants
Index
City Research
Story
Concept
Energy Reserch
Site Information
Proposal
Layout
DESIGN PROCESS
suburb and rural area supply
supply wind power plant
nuclear power plant
city
Phase 0 : power supplied from outside
housings
skyscrapers
At the first phase, we will set up windmills on existing vacant floor of the skyscraper. We generate power by the wind generator but not enough to manage the whole building at this time. So we buy electricity from outside as ordinary.
buildings
supply
supply
fire power plant
solar power plant
suburb and rural area supply
supply
city
nuclear power plant
As population shrinks, tenants will become vacant.
wind power plant
The curtain wall of the vacant tenant floor will be opened along the wind going though the skyscrapers. Setup the windmill and power is generated in Shinjuku.
buildings
Phase 1 :
housings
WGPP starts to be self-sustaining skyscrapers
wind power plant
WGPP
housings
Second phase, the population gradually decreases. Aspopulation decreases, more vacant floor appears. Take off the curtain wall, set up more windmills. Eventually this process keeps going until the power consumed in the skyscraper equals the power generated by windmills on the vacant floor!!
buildings
supply
fire power plant
supply solar power plant
suburb and rural area solar power plant
By flow of the wind weave though the skyscraper, the wind gets stronger, generating power continuously.
POWER PLANT
WIND
This is a proposal of building windmills in Shinjuku skyscraper district. These windmills are installed in vacant tenants and as these become vacant, windmills are filled in one after another. These windmills can capture enough wind from strong wind blowing though tall building.
wind power plant
city buildings buildings
supply
buildings
supply
housings
supply
skyscrapers
wind power plant
wind power plant
Phase 2+3 : WGPP start supplying power to the surroundings and outside
supply
WGPP
housings
supply housings
housings
supply
buildings
buildings
housings
solar power plant
Third phase. The population still gradually shrinks. The power generated by the windmills on the skyscraper overwhelms consumption of it, being able to supply electricity to the surrounding city.
N
In-between the skyscraper, there are very strong wind blowing though tall buildings Incase of Shinjuku, this strong wind blows from north to south or vice versa. The layouts of the buildings forces wind direction to change intricately, showing strong wind in some parts. This wind blows not only on the ground level but, it appears as strong wind at several meters height.
WIND-GENERATED POWER
Urban design research and proposal Project
PLANT OF SKYSCRAPER
1.
2. 3. 4.
Index
City Research
Story
Concept
Energy Reserch
View from metropolitan govt house : Looking at the same floor of the opposite building. Coexistence of office floor and windmills can be observed.
View in the building : Looking at the building. Matching the city-view and power production. View from the street : Looking up the building. Get the grip of power production from pedestrians. Birds eye view : Looking toward Shinjuku Skyscrapers. Strong wind blowing through the voids.
Site Information Layout
Proposal