Wellington Classic Dressage
2017
Gold Coast Dressage Association
Equine Law G&L has personal and professional legal experience in numerous types of issues involving horses.
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Professional Experience: Greenstein & Lubliner has an office location in the heart of Wellington, Florida, five minutes away from the Wellington Equestrian Festival. Since the opening of the firm, both Rich Lubliner and Blanca Greenstein have handled dozens of matters involving the buying and selling of horses. The firm is also experienced in the representation of Olympic athletes, polo players, and all equestrians, from amateurs to professionals. The firm has also written several articles on equine issues and hosted several equestrian symposiums outlining important equine issues. Personal experience with the love of the horse is a fundamental foundation to properly engaging in and understanding equine issues such as:
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Wellington Classic Dressage
2017
Gold Coast Dressage Association
Palm Beach County and Dressage...
A Winning Combination! Wellington Classic Dressage & Gold Coast Dressage 2017 Show Season
The Wellington Classic Dressage Series(WCD) and Gold Coast Dressage Association(GCDA) series include over 14 weeks of National and International Dressage Competitions and educational events throughout the year. Welcome to our Amateur and Professional Riders, Spectators and Friends as we host our 2017 Palm Beach Dressage Season at three fantastic venues: The Global Dressage Stadium at PBIEC, the Palm Beach Equine Sports Complex and Jim Brandon Equestrian Equestrian Center. Our first shows of the 2017 Winter Season include the Gold Coast Fall Fling November 12-13, 2016 and Global Holiday Challenge December 10-11, 2016 at the beautiful Global Dressage Stadium at PBIEC. We thank Global & Palm Beach Equine for their support of our 2017 Season Shows. NOTE: Gold Coast Dressage will again be hosting the GCDA Adult Amateur Challenge to honor our 2017 Season High-Scoring Adult Amateurs presented at the GCDA Year End Awards Banquet November 18, 2017. GCDA Amateur Riders can qualify for these exciting awards with shows from GCDA, WCD & Global(see GCDA website for rules). Season Highlights at Global: Celebrate the New Year with us on January 6-8, 2017 with Wellington Classic Dressage Season Kick Off/ NAJYRC at the Global Dressage Stadium at PBIEC as a great warm-up for the Global Dressage Festival CDI season. Join us next at the Gold Coast Opener CDI2*/CDI-Am/ NAJYRC January 19-22, 2017 and again for the Gold Coast Finale I & II/ NAJYRC April 14-16, 2017, the Global Spring 1 April 22-23, 2017 and Wellington Classic Dressage In The Tropics I & II July 29-30, 2017. Season Highlights at Palm Beach Equine: Join GCDA in May as we return to the Palm Beach Equine Sports Complex for the GCDA May Dressage Show on May 20-21, 2017 and also 2 more great summer shows there: GCDA Summer Solstice June 17-18, 2017 & the GCDA Made In The Shade I & II (Two 1-day shows) on August 19-20, 2017. 2017 Schooling Shows & Clinics: Train with GCDA & German FEI Rider/ Trainer Volker Brommann for a clinic on January 6-8, 2017 and Ride A Test Clinic with Janet Foy February 2017 at Standing Oaks FarmStay tuned for more GCDA Clinic details and future dates! GCDA SchoolingShows: April 2, 2017 at Global and October 22, 2017 at Jim Brandon GCDA Fall Fling November 11-12, 2017 at Global (2018 season Qualifier) GCDA Year End Awards Banquet on Saturday November 18, 2017 at the Wanderers Club in Wellington, FL.
i * Mark your calendars this exciting season of shows, educational events and clinics! We wish to extend our thanks to our sponsors, advertisers and vendors for their support and enthusiasm, and also thank our hardworking staff and officials. We invite you to support the sport of Dressage with GCDA, Wellington Classic and the Adequan Global Dressage Festival for this year’s exciting show season!
For further information, including updated schedules and events, please visit our websites at:Gold Coast Dressage Association | www.gcdafl.org Wellington Classic Dressage | www.WellingtonClassicDressage.com Wellington Classic Dressage
2017
Gold Coast Dressage Association
Wellington Classic Dressage
2017
Gold Coast Dressage Association
Olympians. They’re Just Like Us. Only Different.
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ure. They ride fabulous horses and look oh-so-elegant piaffing their way to Olympic Bronze medals, but they put their white breeches on one leg at a time. Yes, the 2016 Team USA Olympic athletes are just like us—only they can ride really, really well—and they won a Bronze medal in Rio. Take Laura Graves, who lives near Orlando in Geneva, Florida, where she is in the process of building a new barn. Graves captured the hearts of many a dressage fan as she sat calmly, correctly and motionless aboard Verdades (aka Diddy), her 14-year-old KWPN gelding (Florett AS x Liwilarda). She may be all business on a horse, but when she received her Olympic ring, she was as giddy as a schoolgirl. Graves didn’t have a chance to attend the early-October White House ceremony in which the U.S. Olympic and Paralympic riders received their rings, so she pestered the people at the USEF office about the expected arrival of her ring.
Laura Graves on Verdades Photo By: Susan J. Stickle|Photography
“I was driving the staff at USEF crazy because I was calling every day,” she said. “Everyone was posting pictures on Facebook of their Olympic rings and here I am, stomping my feet because I still don’t have mine.” One evening, as she and her boyfriend, Curt Maes, were headed out the front door to do night check, they stumbled over a tiny box on the doorstep. “I was like, ‘I wonder what this is,’” she explained. “And he said, ‘Oh, probably your ring’. I turned back and tore into that box and I wore my diamond Olympic ring to do night check that night! It’s not a piece of jewelry that you would go, ‘Oh, yeah. That looks like Laura.’”
Graves is fiercely proud of her role as an Olympic athlete. “Having earned the title of Olympian, I very proudly wear my Team USA clothes,” she said. “I wear my ring pretty much every day. It made me very, very proud to be American.” Graves said there were many times she was honored to represent her country, but one that stands out is during the Opening Ceremonies in Rio de Janeiro, Brazil. The nations were lined up in order and the Team USA athletes filed in behind Michael Phelps. Not only did people from around the world watch the pageantry on TV, but the balconies on the exterior of the buildings lining the route were filled with people. “USA starts to go through and all the people on the balconies started chanting ‘USA,’” she said. “With everything going on in the world, it was a really heart-warming moment to have that much support so far away from home. And they didn’t do it for every country.” Team mate Allison Brock, who rode Rosevelt (aka Rosie) Klaudine and Fritz Kundrun’s 14-year-old Hanoverian stallion (Rotspon x Lore), also became emotional during the Games. Wellington Classic Dressage
2017
Gold Coast Dressage Association
“I knew before we left Europe, I would be the first one in and I would be starting the team off,” she said of her stint as lead-in rider for Team USA. “That first day, I was a little bit emotional in the morning and a little bit surprised at myself because, normally, I’m kind of a stonecold killer and hyper-focused. I kept getting all these wonderful emails and text messages from people and Facebook messages on my wall. The support I was getting from home was so incredible. It made me have to check myself to make sure I wasn’t bursting into tears. To go down centerline in my first Olympics was, for me, a really big deal. Once I got to the Grand Prix, I snapped out of it and recovered and was stone-cold killer again. I was just surprised at myself. I was clearly emotional and like, ‘Wow. You’ve actually made it and here you are.’” Brock said Team USA was all business when in Rio. “The dressage squad was pretty tightly buttoned up, even the night we got the medal we had a very small party at the hotel but nobody went crazy,” she said. “We were very restrained. We all knew we were there to do a job and we weren’t there to play around and we behaved ourselves. We wanted to win.”
“Everyone got sick when we were there,” she said. “The jumpers brought in some super bug which went through our troops like wildfire.” On top of that, her coach, Michael Barisone, had what Brock called an unfortunate incident. “We were all drinking bottled water,” she explained. “We all had multiple bottles and Michael had drunk half a small bottle and recapped it and left it on the counter in his room and went about his day.” The hotel cleaning lady entered the room and used a half bottle of water to extend some of her cleaning fluid. She scratched the label, marked it with a pen, recapped it and left it on the counter. “Upon his return, Michael takes what he thinks is his bottle of water and slams it and proceeds to swallow some extended cleaning fluid,” Brock said. “He got sick and had to go to the hospital and was put on fluids. It burned him going down it was so caustic. I will say that apparently the hospital was brand new and they took excellent care of him. True to Michael’s form, he got out of the hospital mid-day and showed up at the showgrounds and was there for me.”
It was truly a team effort. “We had such a good group of people,” she continued. “Everybody who had a piece of it was outstanding. If you’ve got good people, good things happen. I thought Robert [Dover] did a superb job ‘chefing us.’ Giving up patriAllison Brock on Rosevelt (aka Rosie) He was absolutely operating at otic stories or a mediPhoto By: Susan J. Stickle|Photography his highest form of himself as cal scare was easy for did the entire team we had with the two Olympians, but us — all the USEF people, the USET people, Dr. Mitchell, when asked about funny or embarrassing teammate tales, Kenny the farrier, and Tom doing the physio stuff. We just they both said they couldn’t think of anything. “We’re had such an outstanding support group. There was a lot probably a team that will keep each other’s secrets,” of comfort and security I derived by being part of a team Graves said. that was surrounded by this incredible, loving, supportive environment. It was just really cool.“ The riders were thrilled to reunite at September’s 2016 Rolex Central Park Horse Show in New York and Graves She said that although everyone tried to micro-mansaid another reunion is planned for February when team age themselves, their horses and their environment, some member Steffen Peters will join the others in Wellington things were out of their control. during the weekend of the CDI5*, the AGDF 5 scheduled for Feb. 8-12.
“We get so excited when we see each other,” Brock admitted. “It’s ridiculous! I, for sure, made friends for life.” So, what’s ahead for the two athletes? Neither rider plans to rest on her Olympic laurels and both plan to compete their superstar horses as well as some talented young ones coming up the ranks. Graves said she and Diddy are going to try and qualify for the 2017 Reem Acra FEI World Cup Dressage to be held in late March in Omaha, Nebraska. “The 2015 World Cup was such an experience in Las Vegas and now we have the chance to host it again,” she said. “I won’t want to miss that. And then we’ll see.” And, if all goes well, the duo will return to the 2017 Festival of Champions which will be back at USET Headquarters in Gladstone, New Jersey, in mid-May. “Then he will have a long summer and, if Wellington Classic Dressage
2017
he is still ready to go, we will gear up for the 2018 World Equestrian Games. I have another horse this year we’ll try to qualify for Developing Horse so that will kind of be a nice change of pace for me.” Brock said that, in a perfect word, she and Rosie would compete in a couple of qualifiers and then pick and choose what she thinks the stallion feels good about. “I’m not going to make a run at World Cup and just enjoy my Olympic horse,” she said. “You have to take it day-by-day with these guys and have a loose plan. I’ll see what they’re up to and not get too wound up about stuff. I am just focusing on the next group of horses coming up.” Yeah. They’re just like us.
Gold Coast Dressage Association
Wellington Classic Dressage
2017
Gold Coast Dressage Association
This season, the place to be is AEGT. Once again, talented horse people will croon, strut and twirl their way toward a grand prize of $10,000 in the 2017 American Equestrians Got Talent (AEGT). The third annual event has found a new home in the Grande Ballroom of the Wellington Community Center and for nine nights your friends, neighbors and cohorts will vie for a $1,000 prize during the weekly auditions with an eye on the Grand Finale on Sunday, March 19. American Equestrians Got Talent is the brainchild of Robert Dover, chef d'equipe of the U.S. Dressage Team.
Looking for a way to raise funds to benefit USEF highperformance programs, Dover knew that horse people aren’t just one-trick-ponies and AEGT became a rousing success. Beginning Wednesday, Jan. 11 and for eight more weeks, you’ll enjoy toetapping, fire-twirling talent critiqued by celebrity judges. Audience applause is factored into the naming of the victor at the weekly auditions with the winners moving on to go head-to-head in the Grande Finale at the International Stadium on the Global Dressage Festival showgrounds. Auditions are open to the entire equestrian community, including riders, grooms, working students and anyone involved in any discipline. Acts should sign-
Wellington Classic Dressage
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up in advance by contacting Robert Dover at Rdover2@ aol.com or (561) 758-6186. Rehearsal times will also be scheduled the day and evening of the auditions. Walk-in performers may be accepted, as time permits. Dinner begins at 6 p.m. and the show begins at 7 p.m. Each audition week will feature a themed buffet catered by the Wellington Hospitality Group, formerly Aaron's Catering of the Palm Beaches. Aaron Menitoff and Julie Larson are known for their artistry and ability to present and serve scrumptious fare with the highest level of customer excellence. They wowed polo brunch spectators for years at International Polo Club Palm Beach with their spectacular work and have been the goto caterer for the finest equestrian events in Wellington.
Gold Coast Dressage Association
Tickets include a one-time individual gourmet dinner for $60 or a package of gourmet dinners at all nine auditions for $450. A one-time standing room only ticket is $10. A table of 10 for one audition night is $600 and a table of
10 for all nine auditions is $4,500. Tickets may be purchased for beverages, wine, beer and spirits. The winner, who will be named America's Most Talented Equestrian, will receive
a grand prize of $10,000 sponsored by Robert Dover, chef d'equipe of the U.S. Dressage Team, and Robert Ross, P.A., luxury equestrian realtor for Keller Williams.
Ki Juan Minors
When: Wednesday, Jan. 11 Wednesday, Jan. 18 Tuesday, Jan. 24 Wednesday, Feb. 1 Wednesday, Feb. 8 Wednesday, Feb. 15 Wednesday, Feb. 22 Wednesday, March 1 Wednesday, March 8 Grande Finale, Sunday, March 19 – Global Dressage Festival Showgrounds 6 p.m. Dinner 7 p.m. Show begins Where: The Grande Ballroom at The new Wellington Community Center 12150 Forest Hill Boulevard • Wellington, Florida 33414 • (561) 753-2484 Why: Proceeds benefit USET and high-performance athletes How: Individual One-Time Ticket: includes gourmet dinner $60 Individual Package: includes gourmet dinner at all nine auditions $450 Individual Standing Room One-Time Ticket: $10 Table of 10 One-Time: includes gourmet dinner $600 Tables of 10 for all nine auditions: includes gourmet dinner $4,500 Ticket purchase for beverages, wine, beer and spirits Social media #theplacetobeisAEGT www.facebook.com/AmericanEquestriansGotTalent/ @AmEqGotTalent americanequestriansgottalent AmEqGotTalent Wellington Classic Dressage
2017
Gold Coast Dressage Association
Wellington Classic Dressage
2017
Gold Coast Dressage Association
Wellington Classic Dressage
2017
Gold Coast Dressage Association
Wellington Classic Dressage
2017
Gold Coast Dressage Association
Kasey Perry-Glass and Dublet
Allison Brock and Rosevelt
2016 Olympic Team Bronze Medal U.S. Dressage Team
2016 Olympic Team Bronze Medal U.S. Dressage Team
They Share More Than An Olympic Medal They Share Triple Crown USA Dressage teammates, Allison and Kasey shared the podium at the 2016 Olympics and they both fuel their horses with Triple Crown feed, the official feed sponsor of USEF Eventing, Jumping and Dressage teams. All Triple Crown feeds include EquiMix® Technology—a unique combination of probiotics, prebiotics, six organic minerals, yeast cultures, digestive enzymes and kelp meal— designed to help optimize digestion, aid in fermentation and optimize absorption. So join the nation’s top riders and let Triple Crown bring out the best in your horse.
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Wellington Classic Dressage
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Gold Coast Dressage Association
Wellington Classic Dressage
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Gold Coast Dressage Association
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ith close proximity to the Wellington Equestrian Festival and the Global Dressage Festival, we are ready to keep your horses fit and competing. For more than 30 years, Reid and Associates Equine Clinic has strived to provide the highest quality veterinary medicine to every horse. Along with two board certified specialists, our dedicated team is recognized industry-wide for going above and beyond to treat you and your horse with respect and care.
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Gold Coast Dressage Association
Wellington Classic Dressage
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Gold Coast Dressage Association
Wellington Classic Dressage
2017
Gold Coast Dressage Association
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Gold Coast Dressage Association
Wellington Classic Dressage
2017
Gold Coast Dressage Association
Wellington Classic Dressage
2017
Gold Coast Dressage Association
Our Media Partners Chronicle of the Horse Published weekly since 1937, The Chronicle of the Horse has been the nation’s leading source of sport horse news for more than 71 years. The first US magazine to cover dressage, The Chronicle and then editor Alexander Mackay-Smith, played an instrumental role in the foundation of The United States Dressage Federation encouraging horsemen to join, organize, and support. Today, the magazine covers more than 50 dressage competitions from coast-to-coast and internationally each year providing detailed reporting, photography, interviews and results. We are honored to be named as an Official publication of The United States Dressage Federation. If you do not subscribe, visit www.chronofhorse.com, order your subscription and enjoy next-day online coverage, instant delivery of each weekly issue, and much, much more.
For more than 10 years, DressageDaily.com has been the leading Internet site for news and information on the world of dressage. Packed full with news, features, profiles and photos, DressageDaily.com is the place to visit for your daily dose of dressage. Its ‘On the Scene’ coverage makes readers feel like they’re there. Its popular Who’s Who provides in-depth profiles of America’s leading riders and trainers. Its new Virtual Vendor section provides information on a wealth of services and products for equestrians and its Horsemarket has unmatched success for buyers and sellers of quality sport horses. DressageDaily.com was created by Mary Phelps-Hathaway who made her name in the equestrian world as a premier show photographer. She and her husband, J.J., also operate HorsesDaily.com and PhelpsPhotos. Stay abreast of the latest happenings in the dressage world through www.dressagedaily.com.
Dressage Today is dedicated to the fast-growing sport of dressage--a French term meaning "training." We are unique--the only magazine that focuses on in-depth stepby-step training articles every month. In addition to training, readers get articles on the latest innovations in the care and feeding of dressage horses, rider fitness, news of the dressage world and profiles of top horses and riders.
Elite Equestrian magazine has been published since 2008. It has recently re-launched as a full size 8.5 x 11” glossy magazine. Produced as both a hard copy and digital online version, Elite Equestrian is a useful resource for equestrians of all disciplines globally. It offers original, inspiring content from award winning contributors including, L.A. Pomeroy, Vicky Moon, Discovery Channel Auction Kings celebrity appraiser Dr. Lori, Jeanne Chisholm, New Bolton Veterinary Center and more. Complimentary copies are available in the show office and around the show grounds. Visit www.EliteEquestrian.us to view any issue online for free, with hyper-links to advertisers and organizations.
It has always the aim for Dressage Headlines to deliver top quality articles and news about the sport of Dressage. Started in 2014, Betsy LaBelle set the coding and programming of Dressage Headlines in order to write memorable stories for the reader through informative articles about those in the world-wide dressage community. Informative and heartfelt stories have a positive effect on the sport and it’s the goal to tell real stories about the athletes’ inspirations, their horses, goals, trainings and impact of their approach, competition progression and triumphs, Dressage Headlines steadily grows to be a top news coverage source. www.dressageheadlines.com
Wellington Classic Dressage
2017
Gold Coast Dressage Association
The Equine Journal is a monthly, all-breed/discipline regional publication for horse enthusiasts covering a broad area of the U.S. with special editions for New England, the Mid-Atlantic region, the Southeast and the Midwest. Known as the “voice of the horse industry,” the Equine Journal aims to educate, entertain and enable amateurs and professionals alike to stay on top of new developments in the horse industry with a variety of interesting news items and feature stories. Every month, the Equine Journal presents feature articles and columns spanning the length and breadth of horse-related activities and interests from all corners of the country. Check out the latest in the Equine Journal at www.equinejournal.com.
The Horseman’s Yankee Pedlar is one of the oldest regional equestrian publications in America. It serves the needs of horsemen and women throughout the Northeastern U.S., from New Jersey to Maine and from Pennsylvania to the Atlantic Ocean. Covering “all breeds and all disciplines,” the Pedlar offers everything from news and information to training tips, travel hints, interesting features and an extensive calendar of events throughout the region. Although a “regional” publication, the Pedlar provides coverage of distant events, such as those in Florida, in an effort to keep track of the competitive successes of its Northeastern-based riders. Check out the Pedlar at www.pedlar.com.
PhelpsSports.com, overseen by President Mason Phelps Jr., is a highly innovative subscription equestrian sports website that offers equestrians and fans of equestrian sports from around the world a single web address for the latest breaking news of the Hunter, Jumper, Dressage, Eventing and other High Performance disciplines. PhelpsSports. com features up-to-the-minute audio reports, live video interviews and unique features from around the globe, photography, and the creative writing and reporting of some of the finest equestrian journalists in the world. Check it out at www.phelpssports.com.
In publication since 1988, Sidelines is devoted to the people and personalities that make the horse world exciting. Based in the winter capital of show jumping, polo, dressage and eventing, Sidelines is nestled firmly in the heart of the horse world. During summer circuits Sidelines follows its readers as they travel the country. Sidelines is a media partner of the American Grand Prix Association (AGA), the Winter Equestrian Festival (WEF), and Horse Shows In The Sun (HITS). Regular departments and features in Sidelines include: Gossip from the show grounds and polo fields, rider/trainer/player profiles and interviews, horse show/event briefs, and contributions from regular columnists. In addition to the magazine, Sidelines now operates the popular Barn Books series that covers much of the East Coast providing regional “yellow pages for horse people.” Check out the magazine and learn more about the Barn Books for your region at www.sidelinesnews.com.
Founded by Ashley Holzer, one of Canada’s leading competitors, Today’s Equestrian is an exciting monthly magazine dedicated to covering the East Coast equine community. Today’s Equestrian focuses on East Coast riders, trainers and horses in a unique, upbeat and comprehensive style bring to its readers what they most want including training tips from the East Coast’s most respected trainers and judges, local barn news and newsletters from various horse-related organizations, horse care articles and a New Product Spotlight and horse show highlights as well as classifieds, a directory listing and much more. Run by a staff of tried-and true horsepeople with an involvement in the horse industry for many decades, you can check out Today’s Equestrian at www.todaysequestrian.com.
Wellington Classic Dressage
2017
Gold Coast Dressage Association
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Wellington Classic Dressage
Gold Coast Dressage Association
Wellington Classic Dressage
2017
Gold Coast Dressage Association
Wellington Classic Dressage
2017
Gold Coast Dressage Association
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Wellington Classic Dressage
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Gold Coast Dressage Association
Wellington Classic Dressage
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Gold Coast Dressage Association
Wellington Classic Dressage
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Gold Coast Dressage Association
Wellington Classic Dressage
2017
Gold Coast Dressage Association
Spectator Guide to Dressage ‘The object of Dressage is by systematic work, to make the horse calm, light and obedient, so that he may be pleasant in his movements and comfortable to the rider.’ (De la Gueriniere, quoted by Jackson in Effective Horsemanship. P. 20) THE ART OF CLASSICAL HORSEMANSHIP THE PREPARATION The art of riding was developed to a high degree and Dressage is a sport where competitors pursue the unobtainhas it roots in classical Greek horsemanship. Writings on able 100% mark. In order to even come close, meticulous attenthe subject by the Greek statesman and general, Xenophon, tion to detail, in addition to ability is necessary. Marks may be can be found as early as 400 BC A great deal of emphasis out of reach because of lack of talent, experience or technique; was placed on an attitude of kindness in the earliest writings but they should not be thrown away for lack of preparation. on training. While many of the arts deThe attention to detail starts with clined between Ancient Greece and the good horsemanship. Quality veterinary Middle Ages, the art of riding endured care, proper feeding and an on-going through the Middle Ages and brought training program are the foundation. a more systematic approach to traincorrectly fitted equipment and good ing. Even today, different schools exgrooming are also necessary ingrediist with respect to training methods, but ents, in dressage thc general appearance the goal is always the same - to strive is much more important than in other for ever greater levels of precision and equestrian disciplines. The horse and excellence in the horse’s movement and rider that are turned out immaculately, harmony between horse and rider. with everything gleaming and in place, Early visual representations of make it hard for the judge not to give the Dressage often depict European Arisbenefit of the doubt to the combination tocrats displaying well-trained horses that pleases the eye Dressage is a perforin elaborate equestrian pageants. But mance, and as such, competitors strive Dressage was well rooted in the military to looks as beautiful as nature will allow. world of horsemanship, as the value of At a show, the final preparations are this training method was recognized by completed almost automatically. A groom the cavalry. When Dressage made its usually sees that the horse is turned out to introduction at the 1912 Olympics, it perfection. His coat shines brightly, mane was for military riders exclusively and is carefully braided, hooves oiled and Adrienne Lyle and Wizard remained so for another 40 years. Evensaddlery is cleaned and all metal fittings Photo by SusanJStickle.com tually, the competition was open to and polished to a brilliant shine. is now dominated by civilian riders. Riders polish their high black boots, brush their elegant tail coats and the ladies spend time perfecting the most flatterTHE COMPETITORS ing hairstyle, before donning dressage’s version of the top hat. Dressage is one sport which presents a variety of Just like any other athletes, horse and rider warm-up competitors. While age is not a criteria, many riders before their test to bring their abilities to a peak prior to enspend a number of years training and refining their tering the arena. One of the most important aspects of being talents, as well as their partnerships with the horses a successful competitor is determining the method and time they ride in competition. Apparel for the rider is needed for proper warm-up, as each horse and rider have difvery specifically delineated in the regulations for ferent requirements. As the warm- up proceeds, the mental the competition. Dressage horses can be of any link with the horse becomes more and more definite and idebreed, sex, color, or size. Exceptional basic paces ally, all thoughts other than how to ride ‘this’ horse in ‘this’ - walk, trot and canter - together with a willing test are pushed out of the rider’s mind. temperament are basic requisites for a potential THE COMPETITION dressage horse. Equipment permitted on the horse for competition is controlled by comThe ‘playing field’ for competitive dressage is a 20 x 60 petition regulations much the same as it is meter arena with 12 letter markers spaced at specific points for the rider. along the rails. Here, horse and rider perform a designated test, containing a series of required movements at specific locations within the arena. The letter markers serve as reference for these movements and the accuracy of the movements relative to these points affects thc scoring. Interestingly, no one seems to know the original source of the peculiar sequence of the letters or when their use was introduced to the sport.
This horse show features training level through the ‘International’, or most advanced levels of dressage competition. In order of difficulty, they are, Training through Fourth Level, the Young Rider Tests, the Prix St. Georges, Intermediaire I, Intermediaire II, and the Grand Prix. Within the Grand Prix level are the Grand Prix de Dressage, the test used to determine team medals at the Olympics and other international championships; and the Grand Prix Special. The third test at this level is the Grand Prix Freestyle - a musical ride choreographed by the rider. This test is used to determine the individual medals at Olympic and World Championship competitions. Although certain movements must he performed and each performance has a time limit, the competitor can create a program that suits his horse and is especially pleasing to the eye. Those with flair, choose music to suit the rhythm of the movements, paces and the way their horse moves. It is these International tests where we see the most spectacular movements: Piaffe, the highly collected, elevated trot in place; Passage, the suspended trot in slow motion Pirouette, a rhythmic turning in place at the walk and canter; Half Pass, a forward and sideways movement at the trot or canter where the horse crosses his legs; Flying Change, a skipping type of movement at the canter where the horse changes his leading leg every fourth, third, second and finally every stride. All of these movements are very highly refined natural movements of the horse. The ultimate challenge is for the horse to perform these demanding movements willingly, on command, and with grace. The harmony required is a test for both the horse and rider combination. The quality of the ride is a test of the horse’s natural athletic ability, willingness to work with the rider and over-all visual impression to the spectator. One to five judges, positioned at specific locations around the arena, evaluate the performance from their different perspectives. Scores are awarded on a scale of zero (not executed) to 10 (excellent) for each movement, with some particularly difficult movements earning scores that are multiplied by two.
Spectators tend to base their judgments on general impressions -- how pleasing the performance was as whole. The judges also take this into consideration when awarding the ‘collective marks’ for paces, impulsion, submission and the rider’s position. Scores are tallied and divided by the total possible, and the final score given as a percentage.
Mikala Gundersen and My Lady Photo by SusanJStickle.com
These final percentages are somewhat misleading, the winning score may only be a 63%. You must keep in mind that the marks are given movement by movement, and are judged against a standard of absolute perfection. The greatest dressage riders in the world today can only hope to achieve a final score in the mid - 70% range. Each competitor will be given a few minutes to familiarize his horse with the arena before the judge’s bell calls him to begin his test. Often the horse tenses at the sight of the stands full of people, the brightly colored flowers, the fluttering banners and decorated judge’s boxes around the arena. Every test begins with the competitor entering the arena at the ‘A’ marker and proceeding down the center line to the halt and salute at X’, which is an unmarked spot in the exact center of the arena. The halt must be ‘square’, with the front and back feet even and the horse’s body straight. The horse should stand quietly, but move off promptly and smoothly when asked by the rider. Now and throughout the test pay attention to the horse’s attitude. Does he seem to be happy and alert? Are horse and rider in harmony? A tossing head, swishing tail and ears pinned back are
Wellington Classic Dressage
2017
signs of tension and resistance. On the other hand, ears cocked slightly hack show that the horse’s mind is tuned to the rider; that he is listening to the rider’s unspoken aids. A gently swinging tail signified relaxation and a quiet head shows the horse’s obedience and attention to his work. As the test proceeds, watch how the horse moves on both straight and curved lines. On the straight, his body should be straight and his hind feet should follow the path of the front feet. On turns and circles he should bend his body uniformly along the are in order to create the same path with fore and hind feet. Watch for round circles and smooth even turns. The transitions between gaits should be smooth, and the horse should immediately establish a rhythm in the new gait. When extended and collected gaits are asked for, look for an obvious difference in the length of the stride. These are transition also. During an extension, the horse’s frame is lengthened and each stride should cover more ground. During a collected movement, the frame is shortened and each stride should cover less ground without any loss of impulsion or energy. The horse should carry his head in a vertical position, indication that he accepts the bit and is continually feeling for he rider’s aids. The horse with his nose stiffly out in front of him, and the over bent one with his chin on his chest, are not accepting the rider’s hand. Now let’s talk about the rider. He should ride with-out apparent effort, maintaining his balance, with his upper body erect but supple and his thighs and legs steady and stretched downward. The elbows should be Close to the body. In this position the rider should be able to follow the movements of the horse smoothly and to apply his aids imperceptibly. THE APPEAL OF DRESSAGE The combination of athletic ability, physical grace and visual pleasure makes Dressage a wonderful sport for participants and spectators, alike. The rapport that develops between horse and rider exists at all levels of Dressage. A blending of discipline, demanding work and artistry in a harmonious partnership between horse and rider is, perhaps, the greatest appeal of Dressage. You be the Judge!
Gold Coast Dressage Association
Lendon Gray Leads the Way with...
Lendon Gray is the pied piper of dressage. The former Olympic athlete and dressage superstar is on a mission to educate young people interested in the sport. It all started at the 1998 USDF meeting in Portland, Oregon, and now her multi-faceted Dressage4Kids (D4K) program leads the way in preparing young people for the future.
Gray said she was bothered by the trend of young riders memorizing how to ride a dressage test without learning how to care for a horse. “I grew up in the backwoods of Maine with horses in my back yard and pony club was my life until I was an adult,” she said. “With pony club, there is an emphasis on stable management and horse care.” The growing trend was that people with more expensive dressage horses were rewarded at the expense of education. She decided to create a show with three equal parts: a dressage test where the quality of the horse comes into play in the score, an equitation class where the skill of the rider is more important, and a written test on an assigned book where the horse doesn’t count at all – with all three phases being equal. “That was the beginning of the Northeast Dressage Championships in 1999,” she said of what is now called the Youth Dressage Festival, the flagship event for D4K. “As an aside, that was where Laura Graves got her start—in that show. That’s what got her hooked on dressage.” The Youth Dressage Festival, held in Saugerties, New York, grew from 70 participants the first year to 325 in 2016. “Now it’s a huge undertaking with three days of different types of competition from judging conformation to Prix Caprilli (a dressage test with jumps), to tack room decoration,” she said. “But, the main piece is still the dressage/equitation/written test. The Youth Dressage Festival in New York is huge. Two smaller ones have been going on for a few years – one in Michigan and one in Georgia outside Atlanta. I wish I had more of them.” The ideas kept on coming and Gray created a Dressage4Kids Weekend Equestrian Program held in late January in Woodbury, Connecticut, featuring two days of lectures covering a variety of topics. From a round-table discussion for parents of riders to programs for judges to an all-day program on how to teach, 300 people attended the popular event in 2016. Wellington Classic Dressage
2017
Gold Coast Dressage Association
G
ray said she then borrowed an idea from the hunters and jumpers and created the Emerging Dressage Athlete Program (EDAP) which has evolved into a year-round series of 23 clinics including the Robert Dover Horsemastership Clinic held in Florida every winter and the Courtney King Dye Horsemastership Clinic held every summer in Maryland. There are also two-day clinics held across the U.S., including Maine, Florida, Texas, New Mexico, Oregon, Kentucky, Illinois and Michigan. “With the support of Kim Boyer, we cover the country,” she said of the shorter clinics in which she teaches 12 riders a private lesson each day. The participants must also attend two lectures each day. Lectures include topics such as fitness, saddle fitting, stable management and theory. “At the clinics, I’ll have somebody working on piaffe/ passage and I’ll have a 6-year-old on an Amish pony. The clinics are fantastic because, for some of them, it’s their first time watching older kids riding and doing higher level things. It’s nice that’s there’s a variety. I’m proud of the fact that they are showing they want more education. Just over three-quarters of the riders in the National Championships have been part of the EDAP program.” Gray maintains contact with the past participants by sending them frequent educational materials via email and she encourages them to reach out to her with questions or problems. “I get contacted on a moderately regular basis about opportunities,” she said. “Breyer wanted eight dressage kids to spend time with Charlotte Dujardin. The German Hannoveraner Verband wanted someone to help with preparing the stallions for auction in their pilot Rider Exchange Program and Rosie Simoes from Barrington, Illinois, was selected from the EDAP program to do that.” Gray also created the Winter Intensive Training Program (WIT), a three-month total immersion in dressage based out of Kimberly Van Kampen Boyer’s Hampton Green Farm in Wellington. The 14 participants for 2017 include riders ages 11-20 who hail from Maine, California, Oregon, Missouri, Wisconsin, Massachusetts, Ohio, Texas, and Trinidad. “It’s one of the things of which I am most proud,” she said. WIT kids attend fitness classes every morning, engage in current event discussions, muck stalls, feed and care for their horses. When chores are done, lessons begin. In the afternoon, participants learn from top experts in their fields of nutrition, sports psychology, learning skills, fitness, shoeing and veterinary medicine. Frequent field trips to visit some of the top trainers, competitors and experts, as well as volunteer opportunities round out the program. High quality lectures, hands on learning and experience are applied to mold each participant into a well-educated and complete professional. Somewhere along the way, D4K became a non-profit and they now raise money for programs and scholarships. “In everything we do, we try to make it possible for everybody, and not just those who have a little extra money,” Gray explained. “We keep everything as low expense as we can. Any kid that has been a part of D4K in any way is eligible to apply for scholarships for equestrian education. We were able to award $18935.00 this year in scholarship money.” Gray credits her remarkable Board of Directors and committee who give their time and talent to help make these programs possible.
Wellington Classic Dressage
2017
Gold Coast Dressage Association
“A lot of them come from trainers who don’t have a lot of experience and the kids don’t realize they can be doing more,” she said. “Ideally, Dressage4Kids gets them started, gets them on the right path and gives them some good education. At the November USEF clinic George Williams conducted at Hilltop Farm, every one of the participants was an alumni of the Emerging Dressage Athlete’s Program.
LENDON'S 2017 YOUTH DRESSAGE FESTIVAL REQUIRED READING BY AGE
“I’m not taking credit for their success,” she said. “I am taking credit for giving them one more opportunity along the road. We want to give an opportunity to those who will become teachers of kids and those who will become grooms or stable managers. We are not just for the elite rider – at all. We want to be for all the kids interested in dressage.”
Excerpts from World Class Grooming by Hill and Ford
To learn more about Dressage4Kids, log onto www.dressage4kids.org. To donate, go to www. dressage4kids.org/make-a-donation. Like them on Facebook at www.facebook.com/Lendon-Gray-andDressage4kids. If you would like to visit the WIT program while in Wellington, contact Lendon Gray at graydressage@gmail.com for more information.
2017 WINTER INTENSIVE TRAINING PROGRAM PARTICIPANTS
Age 11 and Under Excerpts from the USPC Manual D Level Edition 2 Age 12-14 Excerpts from Dressage in Harmony by Walter Zettl (new edition in paperback) - Chapters 2 - 6 and 9 11
Age 15-21 Excerpts from Dressage in Harmony by Walter Zettl (new edition in paperback) - Chapters 2 - 14 Excerpts from World Class Grooming by Hill and Ford
The 2017 participants range in ages 11-20 and come from as far away as Trinidad. Alexa Brown - California Kendall Cox - Missouri Jori Dupell - Oregon
THE DRESSAGE4KIDS YEAR IN NUMBERS 3-
the number of Youth Dressage Festivals held nationally
the number of states in which an EDAP Clinic was held
Annie Klepper - Ohio
Kyla Marshall - California Ariane Martinelli - Texas Jillian La'Rae Romano – New York Michelle Sabga-Aboud - Trinidad
the number of scholarships awarded
Leah Tenney - Main
325 - the number of entries at Lendon's Youth Dressage Festival in Saugerties, NY
Wellington Classic Dressage
Kayla Kadlubek - Virginia Cammy Manuli – New Jersey
350 - the number of people who attended the Dressage4Kids Weekend Equestrian Program 32 -
McKayla Hohmann- Wisconsin Tessa Holloran - Massachusetts
234 - the number of participants in the Emerging Dressage Athlete Program Clinics 15 -
Eliza Gardner- Rhode Island
2017
Gold Coast Dressage Association
Golf Car Rental LLC 1-888-FUN-SLOT 561-315-6969 Office 561-300-8878 Fax 6901 Okeechobee Blvd., D5 F2 West Palm Beach, FL 33411 Reserve Your Cart in Advance by Calling 561-315-6969 and Get 10% OFF!
Wellington Classic Dressage
2017
Gold Coast Dressage Association
When Dakotah Thiery was a barrel racer, if her horse had trouble turning to the left, she was told to change out the bit. Now she knows better. As a recent graduate of the Academy of Equine Dentistry in Glenns Ferry, Idaho, Thiery’s reasons for providing good oral health care for your horse would make any dressage rider swoon. “It’s so beneficial to the horses,” she said. “It not only helps the horses’ quality of life, their teeth will last a lifetime and they’re more supple and more through. I want to educate the horses’ owners that their horses can have freer movement and better balance and be more comfortable.”
She is spreading her nearly evangelistic appeal for excellent equine oral health care everywhere she can. “If the teeth don’t function properly, it can lock the jaw in place,” she explained. “So when you are looking for collection, they can’t function. When you are looking for a release in the muscles, this can make them a lot more comfortable.” Thiery was born and raised in Loxahatchee and has been a fixture at local dressage shows for eight years, helping out wherever she is needed. She started assisting some equine dentists around town and was soon hooked. “Ever since then, I have been on fire for it,” she said. “I never truly realized how important dentistry is.” A good friend helped put her through the two years of formal education and she’s back in South Florida to help people understand why it is important.
Wellington Classic Dressage
2017
Gold Coast Dressage Association
She recommends that horses have their first thorough oral exam at around the age of 2 before they have a bit placed in their mouths, and then annually therafter. During the procedure, she uses a speculum to open the horse’s mouth and then peers inside with the aid of a headlamp to check out the integrity of the teeth and to make sure the whole mouth is functioning properly. Next, she equilibrates the teeth, a new term for “floating.” She removes protuberances and checks for abnormalities, all the while rinsing and cleaning to make sure she sees and attends to anything needing her attention. When she is done, she closes the horse’s mouth and excurds the teeth, making them go from one side to the other like when they chew. “When the teeth go across each other, you can see any bumps or blemishes and you can adjust so all the teeth go together evenly.” The equine dentistry practitioner plans to continue her education about dentistry while enthusiastically reminding that providing good dental health care to your horse makes for a more willing partner. “Equilibration promotes a balanced mouth, healthy living and an exceptionally supple animal,” she said.
Music to a dressage rider’s ears – straight from the horse’s mouth.
Thiery is available for appointments by calling Advanced Thiery Equine Dentistry LLC at: (561) 723-4980 or emailing her at advancedthiery@gmail.com Wellington Classic Dressage
2017
Gold Coast Dressage Association
Wellington Classic Dressage
2017
Gold Coast Dressage Association
Wellington Classic Dressage
2017
Gold Coast Dressage Association
2017 Show Staff & Officials For The Wellington Classic Dressage Series And The Gold Coast Dressage Association Show Series GCDA President & Show Manager- Noreen O’Sullivan GCDA & Wellington Classic Show Secretaries: Ann Hart, Debra Reinhardt & Steve Reinhardt GCDA Sponsorship Director: John Flanagan GCDA Summer Show Liaison: Amy Swerdlin Wellington Classic Show Manager & Managing Partner: Noreen O’Sullivan Wellington Classic Sponsorship & Managing Partner: John Flanagan Show Staff Coordinators: Anne Devine & Merrilynn Griffin Equine Nanny Services: Kathie La Croix Show Season Veterinarian: Palm Beach Equine Clinic- Dr Scott Swerdlin FEI Veterinarian Delegate: Dr Shana Chase Paramedic Services: Julie Heslin Farrier Services: Jerry Hofer Show Program Graphic Design Services: Equessolutions FEI JUDGES Gary Rockwell, 5*, USA; Hans Christian Matthiesen, 5*, DEN Gabriel Amando, 4* ARG Lee Tubman, 4*, CAN Lois Yukins, 4*, USA USEF JUDGES Sue Malone-Casey, “S” Sandi Chohany, “S” Anne Cizadlo, “R” Joan Darnell, “S” Fran Dearing-Kehr, “S” Liselotte Fore, “S” Merrilynn Griffin, “R” Sue Kolstad, “S” Sue Madden Mandas, “S” William McMullin,”R” Thomas Poulin, “S” Gary Rockwell, “S” Jennifer Roth, “S” Charlotte Trentleman, “S” Bill Warren, “S” FEI Stewards/ TD’s Frances Cross “R” Nancy Holsing “R” Carol Bulmer “R” Victoria Mozykowski “R” Show Announcers: Brian O’Connor & Jason Curtis Scorers: Anne Cizadlo, Anne Devine, Paula Enos, Arnelle Liblit Show Photographer: Susan Stickle Photography (Official Show Photographer) & Joanna Jodko Photographer (Summer) Show Videographers: Danielle Campfield Video (Winter Season) Special Thanks to All Our Officials and Hardworking Staff! (Officials as of 12/18/16, subject to change) Wellington Classic Dressage
2017
Gold Coast Dressage Association
Wellington Classic Dressage
2017
Gold Coast Dressage Association
Wellington Classic Dressage
2017
Gold Coast Dressage Association
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Wellington Classic Dressage
2017
Gold Coast Dressage Association