SIFA 2022 - Festival Guide

FESTIVAL GUIDE

20 MAY – 5 JUN

ABOUT ARTS HOUSE LIMITED (AHL)

Arts House Limited (AHL) is a not-for-profit organisation committed to enriching lives through the arts. AHL is the cultural place manager of Singapore’s Civic District. It manages two key national monuments – The Arts House, a multidisciplinary arts centre with a focus on literary programming, and the Victoria Theatre & Victoria Concert Hall, a heritage building that is home to the Singapore Symphony Orchestra. It also runs performing arts space Drama Centre as well as three creative enclaves for artists, arts groups and creative businesses – the Goodman Arts Centre, Aliwal Arts Centre and Stamford Arts Centre.

AHL organises the Singapore International Festival of Arts – an annual pinnacle performing arts festival; as well as the Singapore Writers Festival – a multilingual festival presenting the world’s leading literary talents. In addition, AHL manages Our Cultural Medallion Story – the showcase on Singapore’s Cultural Medallion recipients at The Arts House.

AHL was set up in 11 December 2002 as a public company limited by guarantee under the National Arts Council and was officially renamed Arts House Limited on 19 March 2014. For more information, visit artshouselimited.sg.

ABOUT SIFA

As Singapore’s annual pinnacle performing arts festival, the Singapore International Festival of Arts (SIFA) presents captivating and diverse works across theatre, music, dance, film and visual arts. First launched as the Singapore Festival of Arts in 1977, the festival has gone through several evolutions and inspired generations of arts lovers and practitioners.

Under the helm of Festival Director Natalie Hennedige from 2022 to 2024, SIFA will focus on performance and creation in the physical and online space, around the theme The Anatomy of Performance , accompanied by a changing subtitle.

Today, the highly anticipated festival is a high point on Singapore’s arts and cultural calendar. SIFA continues its festival mission to champion the creation and presentation of Singaporean and international works.

SPECIAL THANKS TO

Festival

Festival Donors

Jeremy Lee

Mr & Mrs Victor & Michelle Sassoon

FESTIVAL CALENDAR

FROM MAY 2022

+DREAM

DELICATE SPELLS OF MIND

By Lucy McRae (AU)

20 May – 10 Jul, Fri – Sun

Online: sifa.sg/life-profusion

+DISCUSS

Between 20 May – 5 Jun (Free to view)

Online: sifa.sg/life-profusion

+GROW

From May (Free to view)

Online: sifa.sg/life-profusion

EMPTINESS – AN EXHIBITION BY SEAN LEE

20 May – 5 Jun, Fri – Sun

The Arts House

DELICATE SPELLS OF MIND

SIFA X

oneirism – Ceremony

21 & 28 May, Sat & Sat,

Performance (Free with registration)

21 – 28 May, Sat – Sat

Exhibition (Free to view)

Goodman Arts Centre

oneirism – Ritual

27 May & 4 Jun, Fri & Sat

Performance (Free to view)

27 May – 4 Jun, Fri – Sat

Exhibition (Free to view)

Aliwal Arts Centre

ONEIRISM

20

– 22 MAY, FRI – SUN

HOLLY HERNDON: PROTO

HOLLY

HERNDON: PROTO (USA)

20 & 21 May, Fri & Sat, 8pm

Victoria Theatre

MEPAAN

By Singapore Chinese Orchestra (SG) and Tuyang Initiative (SWK)

20 – 22 May, Fri – Sun, 8pm

Pasir Panjang Power Station

CEREMONIAL ENACTMENTS

By MAX.TAN, Nadi Singapura and Bhaskar’s Arts Academy (SG)

21 & 22 May, Sat & Sun, 7.30pm Esplanade Theatre

25 – 29 MAY, WED – SUN

REMOTES X QUANTUM

By John Torres (PH) and Eleanor Wong (SG)

25 – 27 May, Wed – Fri, 8pm

28 & 29 May, Sat & Sun, 4pm & 8pm

The Arts House

REMOTES X QUANTUM

ubin

By Drama Box (SG)

25 – 29 May, Wed – Sun, 6.15pm

Meeting Point:

Changi Point Ferry Terminal

THE NEON HIEROGLYPH

By Tai Shani (UK)

27 – 29 May, Fri – Sun, 8pm

Pasir Panjang Power Station

THE NEON HIEROGLYPH

MEPAAN

project SALOME

project SALOME

By Ong Keng Sen / T:>Works (SG)

27 May, Fri, 8pm

28 May, Sat, 2pm & 8pm

Victoria Theatre

Image Credit: Sean Lee

Image Credit: Vera Marmelo

Image Credit: Aisha Causing

Image Credit: Ceren Saner

ubin

ubin

ubin

By Drama Box (SG)

1 – 5 Jun, Wed – Sun, 6.15pm

Meeting Point: Changi Point Ferry Terminal

BANGSAWAN GEMALA MALAM

By Teater Ekamatra (SG)

2 – 4 Jun, Thu – Sat, 8pm

Victoria Theatre

DEVIL’S CHERRY

DEVIL’S CHERRY

By Kaylene Tan and Paul Rae (SG/AU)

3 – 5 Jun, Fri – Sun, 7.30pm Pasir Panjang Power Station

THE ONCE AND FUTURE

By Yeo Siew Hua (SG) featuring members of the Berliner Philharmoniker (DE)

3 Jun, Fri, 8pm

4 Jun, Sat, 2pm & 8pm

5 Jun, Sun, 2pm

Esplanade Theatre

THE ONCE AND FUTURE

BANGSAWAN GEMALA MALAM

CEREMONIAL ENACTMENTS

DELICATE SPELLS OF MIND

DELICATE SPELLS OF MIND

By Lucy McRae (AU)

BANGSAWAN GEMALA MALAM

By Teater Ekamatra (SG)

MEPAAN

By Singapore Chinese Orchestra (SG) and Tuyang Initiative (SWK)

CEREMONIAL ENACTMENTS

By MAX.TAN, Nadi Singapura and Bhaskar’s Arts Academy (SG)

SIFA.SG/LIFE-PROFUSION

SIFA’S VIRTUAL VENUE AND CREATION PLATFORM

Digital commission featuring Lucy McRae (AU)

Bite sized virtual art curated by Syndicate (SG)

Written responses curated by Hong Xinyi (SG) +GROW

Artist insights and learning resources

+DISCUSS

A series of artist talks

EXECUTIVE DIRECTOR’S MESSAGE

It seems almost obvious that in the face of the incredible uncertainty of this current moment – that reclaiming and reaffirming the rituals of our daily lives has become ever more important as a bulwark against the shifting sands of contemporary existence. The constancy, history and repetitiveness of social rituals seem almost a comfort and source of solace.

For many of us, the Singapore International Festival of Arts (SIFA) is an annual ritual we all look forward to. This year, celebrate a long-awaited return to whatever new normal awaits us, as the SIFA team deliver bold new artistic experiences for everyone to enjoy safely, of course.

Arts House Limited (AHL) as the festival organiser is proud to have with us Natalie Hennedige to helm SIFA as Festival Director from 2022 to 2024. As a recipient of the National Arts Council Young Artist Award in 2007 and the JCCI Singapore Foundation Culture Award in 2010, Natalie is known for presenting progressive, cross-disciplinary work exploring contemporary issues.

Anchoring the national arts calendar from 20 May to 5 June, SIFA 2022 will enter a thrilling new chapter. SIFA 2022’s visual palette of red, green and blue core is built on the original SIFA colours from the 1977 festival. As a homage to the Festival’s genesis, these colours, rekindled in 2022, have now taken on saturated hues as a sign of SIFA’s embrace of the new digital of performance and the arts. This is but a small reflection of how, as organisers, we are embracing the future trajectories of art while acknowledging the rich legacy of the festival.

One of the questions we asked ourselves, as organisers of SIFA at Arts House Limited, is how do we position the Festival in this brave new post-COVID world? Firstly, we believe in putting artists, especially local artists, at the centre, as originators, creators and thinkers about the issues and questions of our time.

Secondly, we see the need to embrace the intersectionality of global artistic practices as an international festival that matters. The old disciplinary silos are being challenged and disrupted. Beyond the silos of physical versus digital, local versus global, Asia versus Non-Asian, contemporary performance globally is being informed and transformed by its encounters with other genres and creative disciplines.

Thirdly, the digital and the virtual is no longer an option. We aim to conceive of the digital as a stage in itself, an act of creation and a generative engine, not just an archive or post production documentation of a physical event.

Putting together this year’s festival would not be possible if not for the hard work of the SIFA team, our local and international artists, performers and crew, and other partners in the arts community. We would like to also thank our sponsors, Singapore Tourism Board, JCDecaux, The Show Company and Agility Fairs & Events, as well as our festival donors, Mr Jeremy Lee and Mr & Mrs Victor & Michelle Sassoon.

I am confident that this year’s line-up across the various art forms, platforms and venues, will have something for everyone to enjoy. I invite you to come and savour the new sensations and expressions of the new iteration of SIFA. We look forward to seeing you at SIFA 2022!

Tan Boon Hui Executive Director

FESTIVAL DIRECTOR’S MESSAGE

SIFA 2022 reflects a dissolution of categories or labels; to invite, instead, and adopt artistically fluid collaborations and collaborators, gathering within individual creations a range of artistic disciplines, practices and perspectives. The festival invites practitioners of vivid cultural hues from different walks of life to embrace a blending of genres, artistic disciplines and internationality – in performances made by artists with strong and unique perspectives – in the poly-dynamic and universal language of art.

This echoes the ways in which contemporary performance is being made in the world. Also, importantly, it reflects how our dialogue with each other on a human level requires nuance because we live in systems of such complexity, within a world having gone through serious bouts of illness and faced with pertinent social and political movements that continue to test our passions and challenge us. The performing arts, therefore, needs to be upheld as space for reflection, openness and nuanced creative articulation to be freely expressed.

It was important for me too that SIFA be a platform for originality, propelling artists and performance creation coming from Singapore, while imagining what a meaningful international dynamic looks like within our city’s pinnacle performing arts festival.

The next three editions of SIFA will see a recurring title The Anatomy of Performance, accompanied by a changing subtitle. 2022’s is Ritual

Ritual can be distilled into the conditions of time, artefact and gesture. In performance, we adhere to these conditions. Time (is duration), artefact (is costume, installation and prop) and gesture (is expressive movement and charged stillness). Rituals are evolving.

They relate to our shifting perspectives. They relate to our beliefs and life’s philosophy. We can define our own rituals to effect transformation in our lives and immediate surroundings, as well as to create powerful performance.

SIFA 2022 is forging a deepened relationship with some of Singapore’s most prolific artists to engineer dynamic design possibility. Wong Chee Wai, Andy Lim, Philip Tan, Brian Gothong Tan, Randy Chan and Max Tan create for multiple commissions. Notably, Wong Chee Wai creates a set designed for two commissions within the Pasir Panjang Power Station, his imaginative dexterity discovering transformative design strategies in relation to this magnificent space. Architect Randy Chan dynamises the Esplanade’s proscenium theatre for three festival commissions woven into a singular experience, with festival attendees positioned on stage as well as in the auditorium, offering unique perspectives and engagement with the work depending on where you are seated.

Situating commissions within the historic premises of Pasir Panjang Power Station, idyllic remote locations such as Pulau Ubin, and a newly imagined virtual venue defined by SIFA’s Life Profusion, highlights SIFA’s intent to treat audiences with the experience of the unusual excursion where the venue or destination holds as much charm and creative vitality as the actual performance.

The curatorial strategy is comprised of three layers:

CREATION or prime offerings

Life Profusion or digital offerings

SIFA X or wilder offerings

CREATION is a platform for SIFA’s prime offerings encompassing new commissions, fresh iterations of works and the presentation of outstanding works from around the world to capture the imagination and inspire.

Life Profusion is SIFA’s virtual platform; a portal for creation, discovery and exchange. Creation begins with an empty stage. Virtually, you can also define an empty stage as a portal for inspired artistic creation. For me, it was about essentialising a new imagination for SIFA’s online presence, mining the digital space creatively because the possibilities are almost as vast as the physical universe.

Finally, SIFA X, a (micro) festival within the festival, injects transformational energy within Goodman Arts Centre and Aliwal Arts Centre with music, dance and installation.

CREATION, Life Profusion and SIFA X in unison explore and expand notions of Ritual and contemporary performance practice in unending and nuanced dimensions.

I want to thank Arts House Limited’s (AHL) Executive Director Tan Boon Hui and the AHL team including Ken Tan, Mervyn Quek, Hoo Kuan Cien, Christie Chua, Fezhah Maznan and Ye Junmin whose constancy and creative dynamism ground and propel this festival.

The world changes rapidly and erratically. We can’t tell where it is going or what tomorrow brings. Like a protagonist in an epic narrative, the world stands perpetually at a turning point of crisis struggling in a crucible of trial and testing, flawed and awesome at once. Yet, Art carries a kind of prophetic quality: it can embody and reveal things about the past, present and future, moving us to think and feel, reminding us that we all have a place and a say in this strange and beautiful world.

Welcome to SIFA 2022. May we all in precious fleeting moments be moved by the beauty and power of art.

Natalie Hennedige  Festival Director

CREATION is a platform for SIFA’s prime offerings encompassing new commissions, fresh iterations of works and the presentation of outstanding works from around the world to capture the imagination and inspire.

MEPAAN

By Singapore Chinese Orchestra (Singapore) and Tuyang Initiative (Sarawak, Borneo – Malaysia) –

20 – 22 May, Fri – Sun

8pm Pasir Panjang Power Station

1h 15m, No Intermission

Rating to be determined

Recommended for audiences age 13 and above

Tickets: $58*

*Limited concessions available for students, NSFs and seniors

Also available on SIFA On Demand

$15 per show

$25 for bundle of 4 (U.P $60)

From the Singapore Chinese Orchestra and Tuyang Initiative comes a magnificent performance evoking the sublime rituals of Southeast Asia and its native people, brought to life by an electrifying team of creatives.

MEPAAN – meaning always in the Kayan language of the indigenous Kayan people of Borneo – is a sonic and visual trip into the wellspring of spiritual and cultural nuance embedded in Southeast Asian native culture.

In a breathtaking performance, stirring strains of indigenous music and vocal tradition from Southeast Asia’s island nations are woven into a fabric of powerful orchestral compositions, evoking grand ritual and ceremony to transport the mind into the pristine rainforests of Southeast Asia.

Helmed by the Singapore Chinese Orchestra in collaboration with Tuyang Initiative – a Sarawak-based creative agency focused on Borneo indigenous cultural heritage – MEPAAN delves into dynamic new dimensions with astounding design interventions.

Local fashion designer Max Tan creates the costumes, weaving the ethereal with the earth connecting bodies in rapt musical and physical expression, with fabric and design that vertically connects the natural with the eternal.

Singaporean Sean Lee’s photography and Sarawak-based indigenous film-maker Harry Frederick capture through their unique individual lens and artistic approaches the anatomical landscape and cultural history embodied in indigenous bodies and lived spaces.

The imagination of set designer Wong Chee Wai and lighting designer Andy Lim collectively evoke the surreal grandeur of the work set within the cavernous halls of Pasir Panjang Power Station, as multimedia artist Brian Gothong Tan takes the entire experience into transcendence with his visual treatment.

Directed by Natalie Hennedige, MEPAAN is set to thrill audiences in an arresting evening of music, beauty and transcendence.

Festival Commission

EMPTINESS

An exhibition by Sean Lee

–20 May – 5 Jun, Fri – Sun 10am – 7pm daily

The Arts House

Free Admission

In tandem with SIFA 2022’s opening performance, MEPAAN, acclaimed Singaporean photographer Sean Lee showcases a selection of his works depicting of a kaleidoscopic universe of flora and fauna. Originally captured and featured in festival commission MEPAAN at the Pasir Panjang Power Station, this companion photographic exhibition offers an alternative encounter with Lee’s sensuous nature imagery.

Image Credit: Sean Lee

HOLLY HERNDON: PROTO

(United States)

–

20 & 21 May, Fri & Sat

8pm

Victoria Theatre

1h, No Intermission

Rating to be determined

Recommended for audiences age 13 and above

Tickets: $38*, $48

*Limited concessions available for students, NSFs and seniors

One of the most intelligent, disruptive musical voices of our age, experimental musician Holly Herndon dazzles in her first concert in Asia at SIFA 2022.

Billed as “shaping the future of A.I.” by CNN, Holly Herndon navigates the nexus of technological evolution and musical catharsis through elevated live performances with her vocal ensemble.

Operating at the edge of electronic and avant-garde pop music, her work involves augmentation of her voice and image, facilitated by critical research in Artificial Intelligence and decentralised infrastructure.

On her most recent full-length album, PROTO (released in 2019 via 4AD), Herndon fronts and conducts an electronic pop choir, comprised of both human and A.I. voices, over a musical palette that encompasses everything from synths to Sacred Harp stylings.

PROTO is a thrilling engagement with one of today’s greatest cultural shifts – the “protocol era” – where rapidly surfacing ideological battles over the future of A.I. protocols, centralised and decentralised internet protocols, and personal and political protocols are emerging.

The sounds synthesised on stage by Herndon, her A.I. “baby” Spawn, and the ensemble combine elements from Herndon’s dynamic and idiosyncratic personal journey: the timeless folk traditions of her childhood experiences in church-going East Tennessee (particularly the prismatic layered practice of Sacred Harp singing); the avantgarde music she explored while at Mills College; and the radical club culture of Berlin; all enhanced by her recent PhD composition studies researching machine learning and music.

Euphoric, dynamic and eye-opening, Holly Herndon: PROTO promises to be an exhilarating concert from a musician at the forefront of today’s technological revolutions.

CEREMONIAL ENACTMENTS

By MAX.TAN (Singapore), Nadi Singapura (Singapore) and Bhaskar’s Arts Academy (Singapore)

–

21 & 22 May, Sat & Sun 7.30pm

Esplanade Theatre

2h, No Intermission

Rating to be determined

Recommended for audiences age 6 and above

Tickets: $38*, $48*, $58

*Limited concessions available for students, NSFs and seniors

Also available on SIFA On Demand

$15 per show

$25 for bundle of 4 (U.P $60)

In Ceremonial Enactments, three Singaporean companies imagine a resplendent tapestry of local customary rituals, told with a contemporary twist.

Drawing from customs and rites within Singapore’s diverse cultures, Ceremonial Enactments features three festival commissions, woven into one seamless performance experience.

Held at the Esplanade Theatre, Ceremonial Enactments flips conventional notions of staging and the audienceto-performance relationship within a traditional proscenium theatre.

In Act I, designer powerhouse and label MAX.TAN opens the evening with ANG, a fashion performance inspired by Chinese and Southeast Asian birth rituals. Conceived as a sartorial love letter to designer Max Tan’s mother, Tan constructs and weaves garments of ethereal beauty, layered with ideas of birth, re-birth and Samsara.

In Act II, percussion ensemble Nadi Singapura, led by Artistic Director Riduan Zalani, presents one of the grandest ceremonies within the Malay community – the wedding or the majlis persandingan. 293NW elegantly weaves dance and narrative, along with Nadi Singapura’s signature style of traditional Malay percussion rhythms.

Festival Commission

In Act III, Bhaskar’s Art Academy presents Yantra Mantra, an enactment of an ancient dance ritual performed in Hindu temples. Choreographed by Cultural Medallion recipient the late Mrs Santha Bhaskar and Meenakshy Bhaskar, the creation draws from compositions by the Indian classical composer Sri Muthuswamy Dhikshitar and poetry by the 18th century Tanjore Quartet, where dancers pay obeisance to the nine celestial custodians that guard the eight directions and the centre of the earth.

Ceremonial Enactments features a stellar team of creatives, including Randy Chan of Zarch Collaboratives Architectural Studios conceiving the startling set design,

Brian Gothong Tan, Andy Lim and Philip Tan designing multimedia, light and music respectively, Gino Babagay lending choreographic unity along with fashion designer Max Tan conceiving costumes for the entire work.

Grand and gorgeously realised, Ceremonial Enactments is a sensorial awakening celebrating customary rituals in a highly contemporary performance.

REMOTES X QUANTUM

By John Torres (The Philippines)

and Eleanor Wong (Singapore) –

25 – 27 May, Wed – Fri, 8pm

28 – 29 May, Sat – Sun, 4pm & 8pm

The Arts House

1h 20m, No Intermission

Rating to be determined

Recommended for audiences age 13 and above

Tickets: $35*

*Limited concessions available for students, NSFs and seniors.

From playwright Eleanor Wong and filmmaker John Torres comes a gripping multi-disciplinary work, reimagining life in Singapore and the Philippines on the brink of a dystopian world order.

A leading artistic force in New Philippine Cinema, independent auteur John Torres’s poetic sensibility and anthropological eye fuse to create films utterly his own.

Matched by acclaimed Singaporean poet and playwright Eleanor Wong – known for her wit and dramatic range – Remotes x Quantum is a thrilling collaboration between two seminal artists, marrying themes from Torres’ futuristic film The Remotes and Wong’s recent text, The Quantum of Space.

In Remotes x Quantum, two countries collide in their contrasting realities. In the Philippines, ordinary people sell the control of their bodies to become avatars purely to survive. While in Singapore, an island ladened with first-world preoccupations, people struggle to find new meaning in the face of existential challenges.

Blending film, poetry, theatre and sound in a swirling multi-disciplinary live installation, Remotes x Quantum is a searing examination of the state of possession, both as noun and verb.

Wong and Torres conjure a dream language, set against their home cities on the brink of a dystopian world order, to meditate on the physicality, spirituality, and politics of human bodies limboed in varied states of possession. In a universe where our moral codes and human desires drive the need to possess, are there other roads to nirvana?

Festival Commission

Image Credit: Aisha Causing

ubin

By Drama Box (Singapore)

–

25 – 29 May, Wed – Sun

1 – 5 Jun, Wed – Sun

6.15pm

Please arrive by 6pm to allow for pre-registration. Due to the nature of the performance, latecomers will not be admitted.

This is a shine-only event. Participants are recommended to come dressed comfortably for walking.

Meeting Point:

Changi Point Ferry Terminal

Approx 4h, No Intermission

Rating to be determined

Recommended for audiences age 13 and above

Multilingual with English translations

Tickets: $58*

*Ticket price is inclusive of round-trip boat transfers to Pulau Ubin. Limited concessions available for students, NSFs and seniors.

Part theatre, part collective experience, ubin by Singapore theatre company Drama Box invites you to an immersive walking tour uncovering the stories and sites of Pulau Ubin – and share in a moment to reimagine the island’s future.

There is another reality alongside ours – one where nature, community and a slower rhythm quietly stand against the march of urbanisation.

This is Pulau Ubin: an island mere 15 minutes away from the main island of Singapore. Ubin, which means “squared stone” in Javanese, was once a thriving kampong with a bustling economy. With records of inhabitants tracing back to the 1800s, today its native islanders number at a hundred; come nightfall, only around 30 remain.

As the population on Pulau Ubin ages and dwindles, what will happen to life and culture on the island? Who will safeguard its rustic beauty and cultural relevance? Will there be new inhabitants and how will they sustain the island’s vibrancy? How will the living, the spiritual and the embedded continue to exist in the future?

Billed for its socially-engaged productions, Singapore theatre company Drama Box invites you to this extraordinary three-hour journey through the sites and scenes of Ubin. From the forests to the birds to the islanders and the iconic granite quarries, leave behind the bustle of the city and immerse yourself in the stories of the island, as you meet stakeholders of the land and join in the re-imagining of its future.

A reflective intimate journey through one of Singapore’s most rustic sites, ubin promises to be an unforgettable evening of history, nature and culture.

project SALOME

By Ong Keng Sen / T:>Works (Singapore)

–

27 May, Fri, 8pm

28 May, Sat, 2pm & 8pm

Victoria Theatre

1h 15m, No Intermission

Rating to be determined

Admission only for audiences age 18 and above

Performed in English and Arabic with English surtitles

Tickets: $48*, $58

*Limited concessions available for students, NSFs and seniors

A T:>Works (Singapore) production.

Conceived, Written and Directed by Ong Keng Sen (Singapore)

In collaboration with Camille Lacadee (Berlin), Elizabeth Mak (Singapore), Heman Chong (Singapore), Janice Koh (Singapore), Kaffe Matthews (Berlin), Michael(a) Daoud (Berlin) and Shahrzad Rahmani (Berlin)

With the text of Oscar Wilde

From internationally acclaimed Singapore director Ong Keng Sen, comes an arresting evocation of the enigmatic character Salome from Oscar Wilde’s renowned play. Ong joins the ranks of towering artists throughout history who have re-imagined famous classics to make ground-breaking art. In project SALOME, Ong unveils the rituals of projecting – via social media and creative documentary film-making – to finally recast the idiom “heads will roll”.

“How do we express ourselves, and remain free, during the challenging restrictions of the pandemic? As our bodies are locked down, can we find the imaginative freedom to roam the wildest fantasies in our apartment? This was the beginning of the project to transform my apartment in Berlin into the world of SALOME. Two, juxtapose that with a live performer in Singapore. Three, harness social media as the site of performance which have long superseded our theatre buildings. It’s necessary to assert performance with the limited resources available, as we become debilitated by regulations and our theatres continue to be under threat. The rest as they

say is history. We know we are now in a new world of reimposed barriers, in a precarious future where we are struggling to regain our imagination of the possible.”

Ong Keng Sen

Salome is a larger-than-life character who has from time immemorial horrified and fascinated all. Who is SALOME in our contemporary times, who attempts to transform their position of no-power into some kind of power?

Based on English playwright Oscar Wilde’s symbolist play from 1891, SALOME fights to be free from the systems of morality and patriarchal power which have imprisoned them. Salome stoked both controversy and acclaim when it was first performed – and today, Ong’s SALOME strikes a provocative and ferocious double portrait of individuals unafraid to pursue their deepest instincts to become emancipated.

Ong collaborates with Berlin-based performance artist Michael(a) Daoud, to navigate the edges of documentary film, and Singapore actress Janice Koh,

to occupy social media with a love at all costs. Set in an unexpected installation by Heman Chong with the energising rhythms of composer Kaffe Matthews, they jointly contemplate the SALOME complex from diverse directions.

In an intriguing pre-performance on social media, The SALOME Complex is performed, even before the audience enters the theatre. Koh embodies her character Seah Loh Mei on Instagram @thesalomecomplex from now till 26 May 2022.

Meanwhile, Daoud performs their mesmerising autobiography on film from Berlin, recounting their perilous journey into the European Union fortress and the shedding of different selves in order to survive en route to freedom.

A meditation on the rituals of projecting, transitioning, becoming and self-mythologising, project SALOME is a startling performance from one of Asia’s most accomplished directors.

Image Credit: Ceren Saner

THE NEON HIEROGLYPH

By Tai Shani (United Kingdom)

–

27 – 29 May, Fri – Sun

8pm Pasir Panjang Power Station

1h, No Intermission

Rating: General

Recommended for audiences age 16 and above

Tickets: $35*

*Limited concessions available for students, NSFs and seniors

Take a trip into the unconventional mind of Turner Prize award-winning artist, Tai Shani, in this exciting new iteration of her film The Neon Hieroglyph , created for SIFA 2022.

With her singular ability to build worlds of arresting and mythic beauty, British artist and the 2019 Turner Prize award winner Tai Shani draws inspiration from forgotten sources, fictional stories and collective fantasies.

The Neon Hieroglyph is a filmic performance that takes audiences into a hallucinatory universe, where Shani unleashes her artistic imagination to an unlikely subject: a speculative history of ergot, a fungus that grows on common grains, linked to mass hallucinations in Europe.

Shani weaves a series of psychedelic vignettes around ergot that encompass a historical narrative between myth and reality, including references to a continuous 450-year outbreak of ergot poisoning in Alicudi, one of seven islands that make up Italy’s Aeolian islands.

With scenes set in ‘impossible places’, The Neon Hieroglyph segues from the cellular to the planetary, from ice cream sundaes to Palaeolithic caves, dancing plagues to communist witches, as Shani weaves her subtle commentaries on altered states, communality and speculative futures.

In the register of the fantastical, immaterial and mystical, Shani casts well-known Malaysian actress Jo Kukathas in the role of narrator for this new exciting iteration of The Neon Hieroglyph , created for SIFA 2022.

Astonishing, iconoclastic and full of surprise, The Neon Hieroglyph is a spectacular filmic performance not to be missed.

The film series The Neon Hieroglyph was commissioned and produced by Manchester International Festival. The project is also commissioned by The British Art Show, and is developed in collaboration with Serpentine’s Back to Earth project.

BANGSAWAN GEMALA MALAM

By Teater Ekamatra (Singapore)

–2 – 4 Jun, Thu – Sat

8pm Victoria Theatre

2h, No Intermission

Rating to be determined

Recommended for audiences age 6 and above

Performed in Malay with English surtitles

Tickets: $38*, $48

*Limited concessions available for students, NSFs and seniors

Also available on SIFA On Demand

$15 per show

$25 for bundle of 4 (U.P $60)

In a merry night of theatre, Singapore ethnic minority theatre company Teater Ekamatra remakes Shakespeare’s classic A Midsummer Night’s Dream, inspired by the splendour of Bangsawan opera and Nusantara.

In its heyday in Singapore in the 1930s and 40s, Bangsawan, a form of Malay operatic theatre, would regale audiences with its fantastical characters, and its mix of drama, music, and dance.

Now, Singapore ethnic minority theatre company Teater Ekamatra presents a lush, contemporary take on Bangsawan , in its highly-original adaption of one of Shakespeare’s beloved plays, A Midsummer Night‘s Dream.

Promising to be the most whimsical of love stories, this comic tale follows four lovers as they escape to the forest, only to be bewitched by fairies in a deceptive game of love and fantasy.

Now set against the exuberance of Nusantara, Bangsawan Gemala Malam revisits Shakespeare’s magicinfused world with music, set and costumes celebrating the region’s cultural vibrancy.

Conceived by Artistic Director Mohd Fared Jainal and directed by Aidli Alin Mosbit, Bangsawan Gemala Malam stars Aisyah Aziz, Rizman Putra, Munah Bagharib, Fir Rahman, and Vanda Miss Joaquim, amongst many other brilliant talents, along with costumes by local fashion designer, Max Tan.

Don’t miss this delightful evening of theatre, as Bangsawan Gemala Malam invites you to revel in the world’s perennial obsessions: love, jealousy and magic.

DEVIL’S CHERRY

By Kaylene Tan and Paul Rae (Singapore/Australia) –

3 – 5 Jun, Fri – Sun

7.30pm

Pasir Panjang Power Station

1h 10m, No Intermission

Rating to be determined

Recommended for audiences age 16 and above

Tickets: $48*

*Limited concessions available for students, NSFs and seniors

Two lost Singapore souls cross the Devil’s path in Australia. As they reckon with personal demons and the ghosts of the landscape, will they be an easy catch, or has the Devil met his match?

Set where urban life meets the Australian Bush, Devil’s Cherry is a fantastical tale of ordinary desire, the escape it promises, and the dreams it damns.

Debbie and Mo are a couple in search of themselves and on the run from each other. Lured by the Singapore dream of Australia’s wide open spaces, they’ve been on the road for months now. When these lost souls stumble across the Devil’s path, they seem like an easy catch. But maybe this time he has met his match, and it’s the Devil’s cherry that’s ripe for the picking.

In Devil’s Cherry, SIFA is proud to announce the return of Kaylene Tan and Paul Rae, formerly of cult Singapore performance company spell#7. Bringing their trademark everyday poetry and bare-bones theatricality to the atmospheric environment of Pasir Panjang Power Station, they will stage a hallucinatory collision of beauty, banality and terror.

Featuring some of Singapore’s most charismatic actors –Lim Kay Siu, Neo Swee Lin and enigmatic new-generation actor Elizabeth Sergeant Tan – and mohiniyattam-trained Indian-Australian queer dancer Raina Peterson, the experience blends striking visuals by Andy Lim and Wong Chee Wai with immersive spatial audio by Darius Kedros and the gothic Outback blues of fabled Australian songsmith, C.W. Stoneking.

As personal demons collide with the ghosts of the landscape, Devil’s Cherry is an intimate epic about our careworn past, uneasy present, and necessary future.

Festival Commission

THE ONCE AND FUTURE

By Yeo

Siew Hua (Singapore) featuring members of the Berliner Philharmoniker (Germany)

–

3 Jun, Fri, 8pm

4 Jun, Sat, 2pm & 8pm

5 Jun, Sun, 2pm

Esplanade Theatre

1h 15m, No Intermission

Rating to be determined

Recommended for audiences age 18 and above

The filmic aspects of the work feature mature themes.

Tickets: $58*, $68*, $88

*Limited concessions available for students, NSFs and seniors

Experience a coming together of film, laser display and live musical performance in The Once and Future, as awardwinning director Yeo Siew Hua’s cinematic exploration of voyages is brought to life by live music from members of the Berliner Philharmoniker, librettist Anandi Bhattacharya and a mesmerising choreography of lights and lasers.

“In terms of a sensorial experience it goes well beyond the boundaries of what you’ll normally experience in cinema.” – Stanley Dodds

Set in the Esplanade Theatre, The Once and Future opens to a new work of speculative fiction by acclaimed Singaporean filmmaker Yeo Siew Hua. Shot entirely in Argentina during the pandemic, Yeo’s film is a searching exploration of our humanity, the future of our Earth, and the voyages we may have to make.

Breathing life to the film is an arresting musical score of original compositions by leading contemporary composer Eugene Birman, described as a composer of “high drama” and “intense emotion” (BBC). Eugene’s music will be performed live by the ZeMu! Ensemble Berlin, the latest ensemble coming out of the world renowned Berliner Philharmoniker and conducted by the esteemed Stanley Dodds, which will make their premiere at The Once and Future.

Joining the orchestra is acclaimed Indian librettist and vocal soloist Anandi Bhattacharya, celebrated for her ‘golden voice’ and prowess in classical Indian music alongside world music and pop. She will play the Artificial Intelligence in The Once and Future, guiding the audience through song on this sensorial journey. Complementing the filmic and live performance is an intricate dance of lasers, choreographed to the majestic orchestral soundscape.

Journeying from monumental landscapes to intimate everyday moments, The Once and Future is a daring cinematic experience about the borders of land, body and love, to discover what separates and binds us, and ultimately, what makes us truly human.

Co-commissioned by the New Vision Arts Festival, Hong Kong

SIFA On Demand

For latest viewing period, please refer to sifa.sg

SIFA On Demand features three SIFA 2022 Creations through the lens of filmmaker Tang Kang Sheng. Our festival commission film Delicate Spells of Mind will also be available on SIFA On Demand.

$15 per show

$25 for a bundle of 4 (U.P $60)

MEPAAN

By Singapore Chinese Orchestra (Singapore) and Tuyang Initiative (Sarawak, Borneo – Malaysia)

From the Singapore Chinese Orchestra and Tuyang Initiative comes a magnificent performance evoking the sublime rituals of Southeast Asia and its native people, brought to life by an electrifying team of creatives.

Ceremonial Enactments

By MAX.TAN, Nadi Singapura and Bhaskar’s

Arts Academy (Singapore)

Three Singaporean companies imagine a resplendent tapestry of local customary rituals, told with a contemporary twist.

Bangsawan Gemala Malam

By Teater Ekamatra (Singapore)

Singapore ethnic minority theatre company Teater Ekamatra remakes Shakespeare’s classic A Midsummer Night’s Dream, inspired by the splendour of Bangsawan opera and the Nusantara region.

Delicate Spells of Mind

By Lucy McRae (Australia)

Raw and ambitious, Delicate Spells of Mind is an intriguing performance film the dissects the operating system of the mind – where a seeker contends with ego, the inherited artificial intelligence.

For more information, visit sifa.sg/vod

SIFA X marks the spot for wilder performance offerings, injecting fierce transformational energy within the compounds of two iconic arts spaces, Goodman Arts Centre and Aliwal Arts Centre, as diverse multidisciplinary artists band together to collectively drum up a fantastic performance experience.

2022’s SIFA X is helmed by Andy Chia, SAtheCollective’s artistic director whose vision of oneirism takes us on a trip with heady music and a rush of surreal performance reflecting dreamlike illusions of ritual and ceremony.

ONEIRISM

–

oneirism – Ceremony

21 & 28 May, Sat & Sat

Performance (Free with registration)

21 – 28 May, Sat – Sat

Exhibition (Free to view)

Goodman Arts Centre

oneirism – Ritual

27 May & 4 Jun, Fri & Sat

Performance (Free to view)

27 May – 4 Jun, Fri – Sat

Exhibition (Free to view)

Aliwal Arts Centre

Performances at Goodman Arts Centre

Free with registration, with a refundable deposit of $10 per ticket

Audience members are advised to arrive no later than 15 minutes after the programme begins

Unclaimed seats will be given to walk-in patrons

SAtheCollective presents oneirism [ō-nī′rĭz′əm], a chance to access an irregular state of consciousness, in which dreamlike illusions are experienced – all while wide awake. Discover the enchanting duality of oneirism at Ceremony, Goodman Arts Centre, as well as Rituals, Aliwal Arts Centre, this May.

Join us for a journey into the third space at twilight (彼は誰時 “kawatare-doki”), a time in which our reality overlaps with the spirit realm, and encounters with supernatural occurrences become possible - where the transformation and hybridisation of identities and cultures are encouraged and explored, freed from the shackles of hierarchy and the politics of polarity. oneirism Ceremony imbues Goodman Arts Centre with transformative energy and life, inviting creatures of the third realm into our reality for one special, unforgettable experience of merrymaking.

Where has your body been? Where has it walked, what has it touched, what has it experienced? We shed a cumulative of 200 million skin cells everyday, leaving invisible yet tangible footprints of our DNA throughout the material world. These worn clothes and used chairs, carrying trace elements of all the people that have ever inhabited them, is what sets the stage for our twilight festival. oneirism Rituals awakens energy and life in Aliwal Arts Centre by gathering up these forgotten pieces and celebrating the things oft taken for granted.

A magical sum of two parts, oneirism Ceremony at Goodman Arts Centre and oneirism Rituals at Aliwal Arts Centre is imbued with the richness of contemporary live performance expression, evoking the ceremonies and rituals drawn from Southeast Asian culture, and inspiring us all to rediscover the magic hidden in everyday mundanity.

Curated by Andy Chia and produced by SAtheCollective, features SAtheCollective (SA), Tiramisu, deførmed, NADA, Randolf Arriola, Mohamed Noor, Stylish Nonsense, P7:1SMA, Ezzam Rahman, Andy Yang, Ashley Chiam, Bright Ong, and UTB (Under The Bridge) Collective led by Sufri Juwahir.

oneirism Ceremony @ Goodman Arts Centre

21 May*

Opening Ceremony

28 May*

Roving Performances:

Bright Ong, Under The Bridge, P7:1SMA (Singapore)

21 – 28 May:

Exhibition: Yellow Box by Ashley Chiam (Singapore)

SAtheCollective (SA) (Singapore)

Randolf Arriola & Mohamed Noor (Singapore)

deførmed (Singapore)

Tiramisu (Singapore)

Stylish Nonsense (Thailand)

NADA (Singapore)

oneirism Rituals @ Aliwal Arts Centre

27 May*

Opening and Closing Performances

4 Jun*

27 May – 4 Jun:

Exhibition: Rituals

*The start times for both performances at Goodman Arts Centre and Aliwal Arts Centre will vary from day to day to observe civil twilight timings. Please refer to the SIFA website for the latest timings.

Andy Yang (Singapore)

Andy Chia (Singapore)

Ezzam Rahman (Singapore)

LIFE PROFUSION

sifa.sg/life-profusion

Life Profusion is SIFA’s virtual platform running parallel to the festival’s liveness.

Make your way through five unique content portals: +DREAM, +EAT, +READ, +GROW and +DISCUSS, designed to expand, organise and deepen the profusion of ideas and artistry radiating from each festival edition’s line of thought.

1 VIRTUAL DESTINATION

5 CONTENT CATEGORIES OVER 50 ARTISTS

+DREAM

Premiering on +DREAM is Lucy McRae’s astounding performance film Delicate Spells of Mind, marking SIFA’s foray into high-profile commissioning in the digital arena and emphasising SIFA’s commitment to the virtual space as a stage for inspired artistic creation.

+EAT

Bite-sized virtual art and multidisciplinary performance pieces featuring local and international artists. Curated by Syndicate.

+READ

A series of written articles and creative responses exploring the artistry and ideas explored in SIFA. Curated by Hong Xinyi.

+GROW

Insight into individual artists’ creative stances, strategies and perspectives.

+DISCUSS

A series of artist talks that lend insight to the creative process, moderated by Alfonse Chiu and Chong Gua Khee.

Raw and ambitious, Delicate Spells of Mind is an intriguing performance film by Lucy McRae that dissects the operating system of the mind – where a Seeker contends with ego, the inherited artificial intelligence.

SIFA commissions renowned British-born, Australian science fiction artist, body architect, film maker and TED fellow Lucy McRae to create a world premiering performance film for Life Profusion.

Delicate Spells of Mind occupies two worlds: that of a ‘Seeker’ and ‘Other’. The Seeker’s self-invented ‘practice’, appearing as acts of care and game, are her sincere attempts to flee from pain and error. With a dashboard of gadgets and controllers to calculate outcome, the Seeker attempts to pre-meditate the best outcome – anything to circumnavigate the incessant thoughts she doesn’t choose, but drives her.

Simultaneously, the ‘Other’s’ world is populated with a procession of dancers costumed in inoperable mocap suits, a committee, an organism, traveling and prostrating in search.

Switching between worlds, the Seeker and the Other are caught in a tug of war, grappling with a riddle of a rope – the ‘lifeline’ contraption. They eventually come to share the same plain of existence, emptying through movement, shape and ritual, to invite healing, where both Seeker and Other co-exist.

Designed to invite multiple interpretations, Delicate Spells of Mind approaches the spectator as a malleable subject for change and self-reflection, allowing for higher states of consciousness, where humanity, science, ethics, technology shapeshift, integrate and unite.

An existential voyage into psyche, Delicate Spells of Mind is an attempt to invite acceptance, belonging and learning to fit in as we are, rather than rooting out ego once and for all.

Accompanying SIFA’s world premiere of Lucy McRae’s Delicate Spells of Mind is a companion video feature Delicate Spells of Mind ’s Map composed by Lucy and comprised of the artist taking us through the breadth of her artistic trajectory leading to her latest creation Delicate Spells of Mind - a gorgeous performance film reflecting futuristic and timeless notions of ritual.

Premiering on +DREAM is Lucy McRae’s astounding performance film Delicate Spells of Mind, marking SIFA’s foray into high-profile commissioning in the digital arena and emphasising SIFA’s commitment to the virtual space as a stage for inspired artistic creation.

Festival Commission

DELICATE SPELLS OF MIND

By Lucy McRae (Australia)

–5 Jun – 10 Jul Fri – Sun

$15

Also available on SIFA On Demand

$25 for bundle of 4 (UP: $60)

10m

Rating to be determined

EAT

+EAT features seasonal digital capsules of multidisciplinary art by local and international artists.

Anise (SG) x Brandon Tay (SG)

Cybercesspool (SG) x deførmed (SG) x Claude Glass (SG)

Kiat (SG) x Strangeloop (US)

Lenne Chai (SG)

Yeule (SG)

Phua Juan Yong (SG) x Weish (SG)

Shelhiel (MY)

Curated by Syndicate

–

SYNDICATE presents new works in an exploration of fresh collaborations, experiments and pollination between artists, designers and creatives of various disciplines. What are the forms and narratives of a performance when the performer is removed from a traditional physical audience setting? Are there specific rituals that arise in the digital sphere? Explore a kaleidoscopic view of scenes that lie somewhere between utopia and dystopia.

CAPSULE #1: MUSIC

Release: From Feb 2022

Anise x Brandon Tay (Singapore)

–

Borrowing and subverting from her dark folk repertoire, Anise fragments her former identity with her new sonic palette. A cinematic blend of harsh glitchy beats cut through tender, shimmering vocals. Her new music is a portrait of the boundaries or lack thereof between the grotesque and beautiful.

Brandon Tay is a Singaporean artist working between the fields of installation and the moving image. His projects are concerned with how agency is defined – in culture, technology, and politically. Drawing parallels between these fields, he creates CGI films and projection-mapping installations that depict how similar principles in these disparate domains inform each other.

Artistic collaborators

Amanda

Lee Koe, Mervin Wong and Sonia Kwek

Cybercesspool x deførmed x Claude Glass (Singapore)

–

Cybercesspool is a Singapore-based visual artist. Her art consists of visually manic collages and occasionally mixed-media installations. Her practice navigates the nature of the Internet such as Cyberemotions, memes and how humanity embodies this space.

Claude Glass is the solo musical project of songwriter Isa Ong. Experimenting with electronic and acoustic sources, he crafts songs that explore beauty in the tumultuous and the quiet – forming warped, surreal stories refracted from personal experience.

deførmed (Abdul Hakiim) is an electronic based music producer. Described as “refreshing, wild, raw and highly imaginative”, he desires to bring forward a new identity of music in Singapore. His musical influences range from many styles such as electronic, traditional, acoustic, experimental and video game music.

deførmed (SG)

Cybercesspool (SG)

Claude Glass (SG)

Brandon Tay (SG)

Anise (SG)

EAT

CAPSULE #2: MOVEMENT

Release: From Apr 2022

Kiat (Singapore) x Looop (United States)

The adventurous themes in Kiat’s works are closely linked to the artist’s fascination with emotions and freedom. Known for his compositions that veer towards the leftfield boundaries of electronica, his tunes are sought after by international DJs, whilst receiving radio airplay on BBC Radio 1 and 1XTRA. A designer by trade, his creative approaches has led him to develop works crossing various mediums –from music for clubs to catwalks, and theatrical stages to site-specific art installations. His work has been featured by Peranakan Museum, Art Science Museum, Adidas, Dior, Selfridges, and SHOWstudio.

David Wexler (aka Looop fka Strangeloop) is a Los Angeles based digital artist and director. He has created visual show design for acts such as Flying Lotus, The Weeknd, Bonobo, Erykah Badu, The Glitch Mob, and Skrillex.

His work has been featured in the Amsterdam Film Festival, Telluride Film Festival, and in the feature films Perfect and Kuso. He is also the co-founder of Strangeloop Studios, a visual content production company – and Spirit Bomb, the world’s first virtual artist label.

Lenne Chai (Singapore)

–

Lenne Chai is a photographer and director who enjoys creating work inspired by her dystopian homeland of Singapore. Based between Singapore, New York and Los Angeles, Lenne got her start as a photographer in 2010, shooting for fashion publications and brands. In 2015, she began exploring mediums beyond photography – Lenne’s first exhibition was a karaoke-inspired video installation, and she went on to show Salvation Made Simple in 2018, an interactive mixed-media art installation exploring the conflations between religion and commerce. In 2019, A 377A Wedding, a photo series inspired by her experiences as a queer woman in Singapore, was shown at Objectifs and featured in BBC World News, Dazed, CNN, and more. She was more recently included in a lineup of modern and contemporary Singaporean artists for The Body as A Dream: A Singapore Art Story at Singapore Art Week 2020.

Lenne Chai (SG)

Kiat (SG)

Looop (US)

CAPSULE #3: DIGITAL BEINGS

Release: From May 2022

yeule (Singapore)

–

Nat Ćmiel is a non-binary, Singaporean painter, musician, performance artist and cyborg entity. In adolescence they found solace and comfort in an internet of niche online communities, MMORPG gaming, and tumblr. Their digital immersion from a young age led to an interest in augmented realities, the dystopian aesthete, and digital intimacy. yeule is a manifesto of Ćmiel’s own identity. They have access to multiple avatars, the freedom to change or contort at will, and a mutable, chameleon-like multiplicity.

Phua Juan Yong x Weish (Singapore)

–

Phua Juan Yong is an artist whose primary focus is image-making through 3D software. In recent years, his work has centred around pursuing the qualities of traditional paintings through digital means. That fascination has since evolved into an exploration of the broader relationship between the physical and the digital, be it in presentation, experience and consumption.

weish is a composer, musician and writer. Her practice spans a diverse range of genres and disciplines – she forms part of dark pop duo .gif, experimental group sub:shaman, audiovisual collective Syndicate, and is also an associate artist at Checkpoint Theatre. In recent years, she has written both music and dramatic text for theatre and film, experimenting with divergent and formbending modes of storytelling. Her works have taken her around the globe – from Sundance Film Festival to the Golden Melody Awards.

Yeule (SG)

Shelhiel (Malaysia)

–No stranger to the regional music scene, Shelhiel has toured across Southeast Asia, playing festivals and shows including Good Vibes Festival and Urbanscapes, while also opening for acts such as Hyukoh, FKJ and Crystal Castles. He has been lauded on publications including i-D, JUICE, Mulazine and Buro, and recently won the Malaysia PWH Music Award 馬來西亞娛協獎 (Yu Xie Jiang) award for best arrangement for one of his productions – Shio’s Extrication, which was also picked up by Netflix as a theme song for The Ghost Bride. Another one of his collaborative works - AAA with NYK, for which he cowrote and co-produced has also garnered over 40 million streams on Chinese music platforms to date since its release in March. His latest debut EP SUPERSTROBE was selected as NME’s “The 25 Best Asian Albums of 2020”.

Weish (SG)

Shelhiel (MY)

Phua Juan Yong (SG)

To curate this editorial project for +READ, writer, editor and producer Hong Xinyi reached out to creators from various disciplines, and with diverse areas of interests. They will respond to SIFA 2022’s line-up through essays, photography, soundscapes, and audio commentary that hope to provide context, generate insights, and spark conversations.

Little Histories of Big Topics

Release: From Feb 2022

Ahead of the festival, check out a series of essays that bring contextual colour to SIFA 2022’s performance offerings.

Authors include singer-songwriter Alena Murang, the first professional female Sape’ musician in Malaysia and Borneo; writer, researcher and curator Marcus Ng, who explores the natural and human histories of Singapore’s islands and shores; and the Malay Heritage Centre’s Jamal Mohamad, who will share more about the unique place of Bangsawan in Singapore’s performing arts.

Experiments in Reciprocations

Release: From May 2022

These longform creative responses – including text, photo essays, soundscapes, digital illustrations and audio commentary – bring reflection and perspective to the performances and performance spaces of SIFA 2022.

Look out for striking images from documentary photographers Edwin Koo and Ore Huiying; soundscapes from sound designer Kenn Delbridge; a discussion on the creative process moderated by musician Samuel Wong; and insights from writers Dana Lam, Faris Joraimi, Justin Zhuang, Sheere Ng, Becca D’Bus, Sheryl Gwee, as well as emerging regional voices who have been published in PR&TA, a journal of creative praxis in Southeast Asia.

Ore Huiying

Dana Lam

Hong Xinyi

Justin Zhuang, Sheere Ng

+READ explores the artistry and ideas driving the performance offerings in SIFA 2022, through text, images and sound.

Samuel Wong

Becca D’Bus

Alena Murang

Sheryl Gwee

Edwin Koo

Marcus Ng

Faris Joraimi

Kenn Delbridge

Jamal Mohamad

sifa.sg/life-profusion

Release: From May 2022

+GROW is a set of learning resources comprising notes, reflections, sketches and exercises by artists participating in SIFA 2022.

Offering a contemplative perspective into artists’ creative stances and strategies, the resources will be made freely available as downloadable files.

+DISCUSS is a series of artist talks lending insight to the creative processes governing SIFA 2022’s Creation works. Facilitating +DISCUSS is a cast of two select individuals – Alfonse Chiu and Chong Gua Khee – whose diverse interests and specialisations deepen and expand the conversation.

Release: Between 20 May – 5 Jun 2022

Image Credit: Shirlene Loo

Image Credit: Mike HJ Chang

Chong Gua Khee

Alfonse Chiu

VENUES

ALIWAL ARTS CENTRE

28 ALIWAL STREET, SINGAPORE 199918

GOODMAN ARTS CENTRE

90 GOODMAN ROAD, SINGAPORE 439053

ESPLANADE - THEATRES ON THE BAY

1 ESPLANADE DRIVE, SINGAPORE 038981

PASIR PANJANG POWER STATION

27 PASIR PANJANG ROAD, SINGAPORE 117537

PULAU UBIN

51 LOR BEKUKONG, SINGAPORE 499172

GATHERING POINT: CHANGI POINT FERRY TERMINAL

VICTORIA THEATRE & VICTORIA CONCERT HALL

9 EMPRESS PLACE, SINGAPORE 179556

THE ARTS HOUSE

1 OLD PARLIAMENT LANE, SINGAPORE 179429

TICKET HOLDER PRIVILEGES

–

Flash your SIFA 2022 tickets to enjoy special deals at our partner outlets.

All offers valid from 20 May to 10 July 2022

BQ Bar

39 Boat Quay, Singapore 049828

– 10% off all F&B items on menu

• Not valid for promotional items

Café Melba @ Goodman Arts Centre

90 Goodman Road Block N #01-56, Goodman Arts Centre, Singapore 439053

– 10% off all F&B items

– Special pre-show combo (priced at $35++) including a starter, main and a coffee.

• Only applicable to selected mains and coffee.

• Not valid for promotional items

First Grill

18 Pahang Street, Singapore 198615

– 15% of all F&B items on menu with free coffee or tea (non-free flow)

• Valid for dine-in only

• Not valid for promotional items

First Grill Signature

2A Bukit Pasoh Rd, Singapore 089860

– 15% of all F&B items on menu with free coffee or tea (non-free flow)

• Valid for dine-in only

• Not valid for promotional items

Privé ACM

1 Empress Place, #01-02, Singapore 179555

– 10% off a la carte items

• Only valid for a la carte food and drink items only

• Applicable for both dine-in and takeaways

• Split bills are not allowed

• Privé reserves the right to amend the terms and conditions from time to time and without prior notice

Molly Malone’s

56 Circular Road, Singapore 049411

– 10% off all F&B items on menu

• Not valid for promotional items

The Exchange

8 Marina View, #01-05, Asia Square Tower 1, Singapore 018960

– 10% off all F&B items on menu

• Not valid for promotional items

The Fabulous Baker Boy

28 Aliwal St, #01-01, Singapore 199918

– 10% off all café menu items

• Not valid for promotional items

Timbre X S.E.A. @ TAH

1 Old Parliament Lane, #01-04 The Arts House, Singapore 179429

– Twin Tiger Crystal Draught at $24 nett

– Twin Rojak Gin & Tonic at $18 nett

– Twin glasses of Red or White Wines at $18 nett

For more ticket holder privileges, please visit sifa.sg/ticketing/privileges

Terms & Conditions

Unless otherwise stated, all promotions are valid till 10 July 2022. Not applicable with other promotions, discounts, vouchers and offers by credit privilege cards. Management reserves the right to amend any promotional terms and conditions without prior notice. Merchants’ terms and conditions apply.

TICKETING

–

Tickets are available via online booking at sifa.sg and phone booking via Book

My Show’s hotline at +65 65918871 (from Monday to Friday, 10am - 9pm; Saturday and Sunday, 10am - 6pm)

BOOK NOW!

Ticketing Promotions

Bundle of 3

Till 5 Jun 2022

20% off ticket purchases**

**Valid for purchase of 3 or more different SIFA programmes

SIFA On Demand Bundle of 4

Till 10 Jul 2022

$25 (U.P $60)***

***Valid for purchase of all 4 digital titles: Ceremonial Enactments, MEPAAN, Bangsawan Gemala Malam and Delicate Spells of Mind

**Applicable for selected programmes only

Concessions

SIFA offers 20%* off ticket purchases to local and international students, NSFs and seniors aged 55 and above (applicable to selected ticket categories).

*Applicable to selected ticket categories

Toteboard Arts Grant

For selected programmes, government schools may enjoy subsidies up to 50% of the ticket price. Applicable for Secondary Schools, Junior Colleges, Centralised Institute and Institute of Technical Educations (ITE) levels.

Special Education Schools may use the Tote Board Arts Grant to subsidise up to 70% of the programme cost. For more details on school bookings or Tote Board Arts Grant, please email sifatickets@artshouse.sg.

For corporate bookings, group bookings and ticket enquiries, please contact sifatickets@artshouse.sg.

Do note that there will be a booking fee of $1 for tickets valued at $20 and below, $3 for tickets valued between $20.01-$40 and $4 for ticketed valued above $40.

SMM GUIDELINES

–

Arts House Limited (AHL) places the utmost importance on the safety and well-being of all patrons, staff and artists visiting our venues. Please be assured all our venues are SG Clean-certified and that Safe Management Measures (SMMs) have been implemented across all venues.

For your health and safety, please observe the following when visiting any of our venues, including:

TraceTogether check-in and check-out required

Mask to be worn at all times for indoor performances

Ensure safe distancing of 1 metre for all mask-off settings

As the COVID-19 situation in Singapore evolves, these measures will be updated in accordance to the latest advisories issued by the Singapore Government. For the latest advisories, please visit sifa.sg.

FOLLOW US #SIFA2022

We can’t wait to welcome you at SIFA. Share with the world (and us!) what you are most excited to see at this year’s festival, or your photos and videos of your favourite SIFA festival moment.

sifa.sg

sifa_sg

artshouselimited

Sign up for the latest festival happenings and view digital versions of the festival guide and house programme booklets at sifa.sg.

SIFA SHOP SHOP SHOP

SHOP FOR OUR EXCLUSIVE MERCHANDISE AT SIFA.SG

SIFA 2022 TOTE

A versatile, oversized tote designed in heavier canvas for all occasions

SIFA 2022 x MAX TAN T-SHIRT

A limited edition T-shirt designed by Singaporean designer Max Tan

PARTNER US

–Join us and support the arts!

At Arts House Limited (AHL), we count it as our mission to push artistic boundaries and present programmes that will nurture the love for the arts in Singapore.

Through the commitment, generosity and vision of our passionate donors, AHL has been able to transform ideas into reality, present our signature programmes, from the Singapore International Festival of Arts (SIFA) to the Singapore’s Writer’s Festival, and nurture the vibrancy of Singapore’s Civic District.

By supporting AHL, you’ll join a vibrant community of arts lovers helping to develop the next generation of Singaporean artists and audiences. Your contribution supports capability development, collaborations and presentations, as well as provides a network for support, exchange and engagement.

Find out how a partnership can help you or your organisation play a key role in shaping Singapore’s arts and cultural scene. Every Corporate Partner or Donor will be provided with a unique sponsorship package, tailored to meet your objectives and maximise your return on investment.

For partnerships and sponsorship opportunities and enquiries, please contact us at partnership@artshouse.sg

...Sodade... by Cirque Rouages (France), 2018