366° F Compilation

366 째 F

COMPILATION A DIRTY ART DEPARTMENT WORK BY STEF MEUL

2012 - 2013

366째 F Compiled by Stef Meul, Dirty Art Department, SI Amsterdam Printed at sign6.org Binded at rietveldt

BACKOF TITLE PAGE

All publicity works upon anxiety.

The sum of everything is money, to get money is to overcome anxiety.

Alternatively the anxiety on which publicity plays is the fear that having nothing you will be nothing.

Money is life. Not in the sense that without money you starve.

Not in the sense that capital gives one class power over the entire lives of another class. But in the sense that money is the token of, and the key to, every human capacity.

the power to spend money is the power to live. According to the legend of publicity, those who lack the power to spend money become literally faceless.

able.

those who have the power become lov-

Ways of seeing; page 137; John Berger

ABOUT

...

STEF MEUL TOO NAIEVE FOR SCHOOL TOO STUPID FOR BUSINESS TOO ARROGANT FOR WORK TOO COMPATIBLE FOR LOVE TOO DISTRACTED FOR ART

FIRST PIECE DESIGNING POVERTY

PLEASE COMPLETE THE FOLLOWING SENTENCES

1. I am a victim of . . . . . . . . . . . . .

2. If I was rich girl I would . . . . . . . . . . . . .

3. When I am old I want . . . . . . . . . . . . .

4 With 10 000 Euro I can . . . . . . . . . . . . .

‘Thank you for your cooperation’ REPLY FORM FOR MAILCHIMPS -------------------------------------------------------------ENERGY BODY ACCUMULATION EXERCISES “FITPANIC”

FIRST PIECE -------------------------------------------------------------Anthems melody : “USA for Africa” (Michael Jackson) alternative lyrics : “ We are the world (shalom) We are the rich men (jamon) We are the ones that make a desert place for us to live in (come on) It’s a storm we’re faking We’re wasting our own lives For you to make another box To let me die.” melody : “I wanna know what love is” “I wanna know what poor is I want you to rob me.

I wanna feel what poor is I want you to rape me.

I wanna buy what poor is I want you to own me.

I wanna live what poor is I want you to kill me.”

FIRST PIECE -------------------------------------------------------------POEM - MANTRA “SILENCE IS GOLDEN MONEY IS PAPER WATER IS LIFE DIAMONDS ARE FOREVER HUMANS ARE CARBON TAXES ARE NICE. -------------------------------------------------------------NOTES ON CONFERENCE 10 YEARS IN 30 SECONDS NOT GOOD AT : GRAPHIC DESIGN / WEBDESIGN / CODING GOOD AT : WRITING / AUTOMATION / COA THING 2 COMPANIES : OUTCOPY.COM & SUPERTALK EXAMPLES PREVIOUS PROJECTS GET YOUR REMOTE

FIRST PIECE

REVIEW ONE EXAMPLE IN DEPTH TO MAIN TOPIC SPECULATION ON HISTORY OF CONFERENCE MILITARY STRATEGIES, GUESS SOMETHING GOES WRONG TOTAL RESTART VIDEOFRAGMENT “DOCTOR STRANGELOVE” SOUNDBLAST SURPRISE SALESMAN CONFERENCE PRODUCT PLACEMENT “STRANGE SUN” COLIN POWELL POWERPOINT CONFERENCES FOR UN ABOUT AFGHANISTAN LAS VEGAS CONFERENCE PLAYING / ACTING / LIGHTS INTERVENTIONS / BANDS CONFERENCE FOR PRODUCTS DEMO

FIRST PIECE

MICROSOFT “DON’T BE PHYSICAL” TOO PHYSICAL TO TALK “I LOVE THIS COMPANY, YEAH” IPHONE TRICK 3 PRODUCTS IN ONE 1 IMAGE - 1 WORD 3 DEVICES IN ONE = IPHONE DOESN’T SHOW THE PRODUCT TALKS ABOUT THE DESIGN ISSUES PROCESS, GRAPHS, ETC. COMMENTING ON SCREEN ‘60’s CONFERENCE TELE PRESENCE TECH DIALOG TED ONE MAN SHOWS IDEOLOGY OF PERFECT SAVIORS EXAMPLE : TED 2023, THE BUSINESSMAN THAT WILL CURE DEATH ARTISTS ARE FOND OF CONFERENCES (LECTURE PERFORMANCES) EXAMPLE : SUPERTALK OTHER THAN THE ABOVE

FIRST PIECE

NEAR FUTURE PROJECTS PREVIOUS PROJECTS GAME JACKPOT - LOOSE (3 TIMES) - WIN. *** HOW TO MAKE A CONFERENCE 1) THE PRODUCT NEVER WORKS (EMBARRASSMENT) 2) THE IMAGE COMES TOO SOON OR TOO LATE. SHOULD OF COURSE SYNC. 3) NO PAUSES OR INTERRUPTIONS 4) IF THEY DON’T KNOW WHAT IT IS, THEY NEED TO THINK. ABSTRACTION, SYMBOL/ LOGO 5) ONE PERSON TALKING WHILE VIEWER IS DE-CYPHERING THE IMAGE 6) TOOLS, FRAMEWORKS. DON’T USE POWERPOINT CEDRIC - HOW TO DO DESIGN CONFERENCE MISE-EN-ABYME (IMAGE IN AN IMAGE) LOOKING AT SOMEONE TALKING WHILE WATCHING IMAGE

FIRST PIECE

THE IMAGE IS FAKE WHILE THE CONFERENCE IS LIFE TOOLS 1) SPECIAL DEVICE (IPHONE PRODUCT PROMOTION) 2) FAIL (DEVISE NEVER WORKS) 3) NO FRAMEWORK, JUST DESKTOP. 4) WAR GAMES - STRATEGIES (HUMOR, PRACTICAL JOKES) 5) SYNCHRONIZE - 1 IMAGE / 1 WORD 6) PHANTOM OPTION - STEVE JOBS BLACKOPS TOO LONG CONFERENCE - CEDRIC BLAMES THE TECHNICAL ISSUES (IRONICALLY) -------------------------------------------------------------HIGH TECH KEYNOTE - CONTENT MEETING (WORKSHOP DAY 1) DESIGN POVERTY FICTION

FIRST PIECE

MONS - BERGEN - GRAND HORNU (OLD COLE MINE) ONE OF POOREST REGIONS OF EUROPE 20% OF POPULATION IS UNEMPLOYED 40 YEARS SINCE THE FIRST OIL CRISIS (1973) NOW EVERY TWO YEARS CRISIS. - A CONFERENCE AS A PLACE TO MAKE FICTION FOR YOU. EXAMPLE: THE HOW TO SHIT IN THE WOODS MANUAL LIVING OF THE GRID. THE BACKWOOD MEN. - EDITING WORK - PRE-EXISTING WORK - PRESENT AS A LEGITIMATE LECTURER TOPICS SCHIZOPHRENIA OF CAPITALISM (MONEY VALUE <> LIFE VALUES) NON-SPECIALIST (DILETTANTE) ENERGY & BODY = RESOURCES POOR-NO!

FIRST PIECE

LEGEND OF POOR WHERE IS THE FOOD? MAGIC AIR - SELLING NOTHING - ATTENTION ECONOMY EXAMPLE : THE EMPERORS NEW CLOTHES (NAKEDNESS)

GROUP INTERLUDE FOR A TOILET BREAK 3 MINUTES 30 seconds.

5 seconds - this is the break 10 seconds - body awareness Attention deficit disorder SYNCHRONIZE - 1 IMAGE / 1 WORD

FIRST PIECE

“and now we have a toilet break” (And now for something completely different monthy python) waterfall noise - stimulation niceness LIVE POURING WATER (OFFSTAGE) VIDEO ON AIR REFRESHMENTS (TOILET FRESH, LEMON, …) convention : toilet break no overty without P -------script VIDEO ON

SECOND PIECE

MOONSPEAK

60 up, 590 down

Scientology speak, that is.

After reading this, it will enhance your Tom Cruise experiences.

Enjoy with caution.

A============= ACK(-KNOWLEDGEMENT) of communication; “OK”, “Thank you”, etcetera.

ADMIN(-ISTRATION) cult bureaucracy, laid down in great detail.

AFFINITY, cult word for love or liking.

ARC / Affinity Reality Communication: signifies “rapport”.

ARCX/ARC BREAK: argument, cross puposes, abscence of rapport.

ARS / Alt Religion Scientology: newsgroup, mainly critical, about CoS. ACT / Alt Clearing Technology: newsgroup for independent scientologists.

ARS-CC (Central Committe) secret cabal which is of course plotting all activity on ARS financed by drug companies & the Markab Confederacy.

AUDITING: scientology confessional ritual; AUDI-

SECOND PIECE TOR administers it. b--------------------------BANK, MEMORY- or REACTIVE MIND, stores up hurtful memories (ENGRAMS).

BARRATRY(English word), bringing lengthy and vexatious lawsuits.

BASH: favourite FREEZONE word for “criticise”, to discourage analysis.

BEINGNESS: being something. Similarly DOINGNESS, HAVINGNESS. BIG WIN: maginificent achievement, usually spiritual i.e. imaginary.

BILLION YEAR CONTRACT, for many lifetimes, signed in the SEA-ORG q.v.

BLOW: depart suddenly (fifties slang), leave the cult.

BTs/BODY THETANS: degraded spirits parasitic on the bodies of others.

BRIDGE (TO TOTAL FREEDOM) progress through levels of Scn enlightenment.

C-----------------------------CULT AWARENESS NETWORK,formerly anti-cult organisation taken over by Scn CASE(-STATE), your progress in Scn, seen as a sort of psychotherapy.

C/S, CASE SUPERVISOR, person supervising AUDITORS and their clients.

SECOND PIECE CLAMS: HUBBARD says humans evolved from them, hence nickname for Scienos CLEAR: having achieved the first main step to Scn enlightenment.

COGNITION: sudden new insight, the desired end point of an AUDITING process; the Cog for CLEAR is “I am mocking up my reactive mind”.

COMMODORE: HUBBARD, a rank he awarded himself; also CommodeDoor etc.

CoS/Church of $cientology (abbreviation).

D---------------------------DAMNATION NAVY: sarcastic nickname for the SEA ORG(after Salvation Army) DEAD-AGENT: to respond to argument with frenzied personal attack on the speaker to discredit them. DECLARE someone an S.P.; excommunicate them.

DIANETICS: original psychotherapy form of Scn, before it got religion.

DISCONNECTION: being told by Scn to cut links with friends or family.

DM, DAVID(*)MISCAVAIDGE--the symbol signifies buttocks round a puckered anus--current leader of Scn; also POODLE-BOY, TIDYBOWL MAN &c.

DYNAMICS are in order 1self 2family 3tribe...8the_

SECOND PIECE infinite; “2D” means (as an activity) sex or (as a person) partner.

E-----------------------ED/EXECUTIVE DIRECTOR: head of an ORG (q.v.)

E-METER: skin resistance meter used to detect reaction in AUDITING. ENGRAM: a remembered moment of pain inhibitting future actions.

ENTURBULATE: cult word for annoy, harrass, disturb.

EP/END PHENOMENON: desired end result of a Scn AUDITING process.

ETHICS: discipline applied for low production / department applying it.

EXTERIORISE: leave the body and act as a spirit. ======================== \/\/\/\/\/\/\/\/\/\/\/\/ F===================== FAIR GAME: to subject an enemy of Scn to harassment & dirty tricks.

FSM/Field Staff Member: Scn travelling salesman on 15% commission.

FLAG: centre of command---formerly on Hubbard’s ship, now in Florida.

SECOND PIECE FLUB: to fail, or cock it up; a failure, a cockup (50s slang) FLUNK!you have failed, start again! (50s american slang) F/N, FLOATING NEEDLE, on the E-METER signifies calm contentment.

FREEZONE, FREEZONER: independent scientology, scientologist outside CoS. G-----------------------G.I.,GROSS INCOME statistic for an ORG--what $cientology is all about.

G.O.,GUARDIANS OFFICE: dirty tricks department, now renamed O.S.A. GRADES or levels within Scn (specifically grades 0..7 lead up to CLEAR).

GREEN-VOLUMES are directives on ADMIN, red volumes directives on TECH. H----------------------HANDLE: favourite cult word for “deal with” (a person, situation, etc).

HAT: a job function; HATTED trained for a hat (from 19thC railways, where different kinds of hat indicated different kinds of job).

HCO/Hubbard Communications Office. An HCOPL/Policy Letter would be

SECOND PIECE on ADMIN, an HCO-B/Bulletin on TECH. HUBBARD, L. RON: f(L)ounder of Scientology; also PHATSO, EL ROTUNDO &c.

‘HO (OF BABBLE-ON): Scn trained attack-lawyer Helena Kobrin (ARS usage). iJ-------------------------IMPLANT: delusion implanted in us by the forces of evil.

INCIDENT, or ENGRAM, pain memory; INCIDENT2, that described in O.T.3.

INDICATE: produce a reaction on the E-METER; informally, to “ring true”.

INVALIDATE: belittle, diminish, make less capable. =========================== \/\/\/\/\/\/\/\/\/\/\/\/\/\ K======================== KoX/Knight of XEMU(q.v),title taken by critics after demon figure in Scn KR /Knowledge Report: ratting on your colleagues in writing.

KSW/Keep Scn. Working: key directive(“no deviation from orthodoxy”).

L------------------------LAZARUS,’Bot (computer program)detects cancela-

SECOND PIECE tion of any article on ARS LINES, Scn training & services; ON-LINES consuming training & services.

LO/LAWNORNAMENT disparaging name for a dwarf(SF books),hence MISCAVAIDGE M-------------------------MARKAB, a star in Polaris from which the forces of evil supposedly come.

MAA ,Master At Arms, responsible for ETHICS in a SEA-ORG unit.

MEATBALL: derogatory FREEZONE term for a materialist, opp. of DreamBall.

MEST-Matter, Energy Space and Time: the illusory physical universe.

ML=MUCH LOVE, sign-off favoured by HUBBARD and some Scienos.

MOCK UP: imagine, visualise, mentally create.

M/U--Misunderstood Word, supposedly source of all failure to understand or agree cult texts; a way of stopping thought & discouraging questions N--------------------------------NARCONON, Scn drug rehabilitation front group to scam medicaid funding.

N.E.D,NEW ERA DIANETICS, is DIANETICS re-

SECOND PIECE vised to include past lives &c.

N.E.D. for OTs (NOTS), now replaces O.T.LEVELS 4 through 7.

O------------------------------OPERATION SNOW-WHITE, an operation by the G.O. to infiltrate government departments and steal files hostile to Scn. OPERATION FOOT-BULLET, alleged operation by Scn to get sympathy by shooting themselves in the foot through disastrous public relations.

ORG(-ANISATION), a Scn local operation or “church” and its building.

O.S.A./OFFICE OF SPECIAL AFFAIRS, dirty tricks dept formely the G.O.; insiders sometimes pronounce it “OhZer” rather than as separate letters O.T. /OPERATING THETAN, a THETAN (soul, spirit) able to leave the body at will and attain godlike powers; O.T.LEVELS, I..VIII, courses supposed to produce this state. O.T.3 in paricular introduces XEMU and the key idea of BODY THETANS. OUT-ETHICS, in breach of disciple; OUT-2D breach of discipline re sex.

SECOND PIECE =================================== \/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\ PQ============================= PC/PRE-CLEAR: subject receiving AUDITING to reach the state of CLEAR. PT /PRESENT TIME: Scns aim to live unreflectively in PT. PTS/POTENTIAL TROUBLE SOURCE (for the cult); member in touch with an evil influence or SUPPRESSIVE PERSON. PURIFICATION RUNDOWN: a step taken early in the grades which involves lots of sweating in saunas and dangerously high doses of vitamin pills.

R------------------------------RAW MEAT: chumps, punters, potential recruits.

R(-OUTINE) 2, processes to exteriorise the spirit from the body; R2-45, R2 process#45, exteriorising by use of a large calibre pistol.

R(-OUTINE) 6, that used in the clearing course; but the related R6 IMPLANT turns up in O.T.3 etcetera and is the source of christianity.

RUD(-IMENT)S: preliminary questions to deal with current upsets or concerns before proceeding with the main part of

SECOND PIECE AUDITING. RUN, “run an (auditing) process on a PreClear”, take then through the steps or questions. RUN-DOWN complete set of steps or questions.

REG(-ISTRAR): salesperson in an Org; to REG someone, sell them courses.

RICE & BEANS, punishment diet on R.P.F. RPF/REHABILITATION PROJECT FORCE, punishment duty (in the SEA-ORG) RTC/RELIGIOUS TECHNOLOGY CENTRE, body to enforce CoS copyrights.

S---------------------------------SAINT HILL manor, the UK HQ, formerly HUBBARD’s residence in England.

SCAMIZDAT, samizdat (self-publishing) about scams, a person{s} who distributed Scn secret crud anonymously all over the Internet.

SCIENTOLOGY--means “science of knowing”--a quack therapy disguised as a religion, devised in 1950 by a conman called L.Ron HUBBARD. SEA-ORG: originally the ORG (parish) based round Hubbard on his ship the Apollo, now a sort of religious SS in paramiltary

SECOND PIECE naval uniforms.

SOURCE: Hubbard; ON-SOURCE: correct in accord with Hubbard’s writings.

SP/SUPPRESSIVE-PERSON: enemy, excommunicated; a title taken on freely by critics who award SP-Levels for achievement in mockery of O.T.LEVELS SQUIRREL: heretic, FREEZONER, scientologist independent of the “church”.

STAT(-SISTIC)S of production, by which eveything is measured.

T----------------------------------TECH(-NOLOGY), the beliefs and quack therapies of Scientology.

THETAN, soul or spirit; THETA = good vibes; ENTHETA = bad vibes.

TONE SCALE: along which various emotions are arranged. Critics, gays, and other meanies are at “TONE 1.1”. TONE 40 = popeyed and screaming orders like a loon (supposedly, in total control of the situation).

TRs/TRAINING ROUTINES: staring without speaking and other drills prepartory to giving or receiving AUDITING. ==================================

SECOND PIECE \/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/ ================================ WALL OF FIRE, destruction of the world by fire in INCIDENT2 of O.T.3.

WOG, derogatory Scn name for non-believers (in British English it is equivalent to n****r for Arabs and Indians, after the golliwog doll) XYZ----------------------------XEMU, galactic tyrant and chief villain in INCIDENT2 of O.T.3; Hubbard sometimes spells it XENU, & variously pronounces it ZEE-MYOO or ZEE-MOO Moonspeak, also known as Scientology lingo.

Pretty self explanitory.

source : urbandictionary.com

THIRD PIECE In Numerology, each of the nine single digit numbers has a personality; a limited range of qualities and traits that makes it unique and recognizable. So, to get a good understanding of how numbers affect us, it helps to get to know each single-digit number as if it were a person with its own unique traits, talents, shortcomings and idiosyncrasies.

While the 6 is considered the most harmonious of all single-digit numbers, it is not without its flaws and upsets. The most important influence of the 6 is its loving and caring nature. Properly nicknamed the motherhood number, it is all about sacrificing, caring, healing, protecting and teaching others. No family or community can function without the power of the 6 to keep them together and safe. She is the glue that keeps a family or community together.

There are, however, times when the 6 becomes too involved in the lives of those dear to her, to the point that she becomes intrusive and meddling. Other times, she takes her sacrificing nature too far and becomes a doormat to be abused and trampled on.

Nonetheless, she is genuinely appreciated and adored in return. For this reason, the 6 is considered the only number harmonious with all other numbers.

Creating an environment of peace and harmony is always her strongest impulse. In addition, she loves to teach and guide others, especially the young, old and less fortunate.

THIRD PIECE The 6 is full of sympathy, and her sense of justice is well developed -- when she perceives injustice, she will sacrifice all her time and effort to set things straight. She almost always favors the underdog, and would never purposely hurt anyone, especially those she considers less fortunate. She has a strong sense of responsibility and can be counted on to do her fair share of the work. She can be demanding, but she is also able and willing to stay in the background when needed, working and caring without any expectation of reward.

The 6 is idealistic, trusting and easy to take advantage of ... which can produce devastating results.

She carries her heart on her sleeve and expects the same from others. The role of counselor and advisor comes naturally to her, and many will come to her to cry on her shoulder or to seek her down-to-earth wisdom.

The 6 carries herself well and moves gracefully, yet is warm, funny and jovial. When the 6 is on a career path, she generally goes a long way due, in part, to her sense of duty and responsibility -- but also because she is genuinely respected and well-liked. You will find many 6s in careers such as teaching, healing, counseling, construction, the legal field and law enforcement, especially prison guards.

On the negative side, the 6 can be jealous and smallminded, tending to be more focused on the little

THIRD PIECE details while ignoring the bigger pictures ... usually to her own detriment. She can be a bad judge of character, and has been known to sacrifice herself to a cause or a person even while everyone around her tries to convince her that this cause or person is not worth it.

The 6 is usually rather conventional and must learn to use her own mind instead of simply leaning on the opinions of those close to her. The 6 can also be smug and arrogant, especially toward authority figures or institutions. She can be annoyingly selfrighteous and an intolerant religious zealot. The 6 sometimes suffers from anxiety and insecurity, even phobias. A disproportional number of people with OCD have the 6 prominent in their charts.

The 6, while loving, caring and full of sympathy for others, is self-centered and egotistical at heart. If those at the receiving end of her care do not show the attention she craves, she can turn on them, even hurt them. The Munchhausen syndrome is a disorder typical to the negative 6.

No number is without weaknesses and faults, but the 6 is actually the most harmonious and stable among the nine single digits. Yet, perhaps for that same reason, when the unusual happens and the 6 falls into discord and disharmony, it becomes possibly the most destructive and dangerous of all numbers.

Beware of a cynical or angry 6 -- she is a merciless

6

THIRD PIECE wolf in sheep’s clothing.

FOURTH PIECE

VISUAL ANTROPOLOGY academic writing under debate war in Serbia. urge to break open conventions in writing of social critique Research on possession in candomblĂŠ study of anthropology and/ as world making order of society & the rest of what is pangolin anomaly .. their capacity to throw doubt on the finality of fact role of artist cultural mechanism of taboo to maintain order of classifications radical otherness = the rest of what is

FOURTH PIECE

that which does to belong to the symbolic order anthropology and world making - study of the different visions of the symbolic order and of the rest of what is. anthropology as world making - encounter with war and destruction. the waking up from daydreaming into the real. people on the look for new reality, an other meaning. from war in yugoslavia into academic reality. â&#x20AC;&#x2DC;distorting reality into clarityâ&#x20AC;&#x2122; John Law baroque alternatives opening up to the rest of what is stressing the ultimate failure of all world making. clarity and simplicity; the latter more open for the opening up, to overwhelm and overpower it signal godâ&#x20AC;&#x2122;s distancing from the world.

FOURTH PIECE

curls and straight lines.

Le plis Deleuze rebolar, samba. discourses go on for ever. curl taking detours indirect excess hesitant excessive proliferation line direct goal oriented powerful closed onedimensional functional closed control

FOURTH PIECE

gendering straight lines and curls curl female line male form follows function - idea of a straight line represented in material hair - chair examples permeability “there is a crack, a crack in everything., that’s how the light gets in’ example in spirit possesion. modernity: ideology of tupperware. plastic, the material that seals of. now it shows that plastic leaks. brazillian nation understands itself as an ideal of mixure permeable boundaries through the use of fences. instead of wall

FOURTH PIECE IMAGE 2

FIFTH PIECE

Dear Friends, With the end of the year in times, we would like to thank you for your interest in, and support of our workspace during the last four years.

Since the passing of Rosie de Pompidou late June of this year, Le Chien Perdu has reached its final steps into this world. The events, performances, concerts and myths from 2008 till 2012 will still be updated and can be reviewed on lechienperdu.com To answer the growing need for a cooperative form of art practices, we have decided to change the organizational form, towards a plurality of alternative ways of cultural production.

With this in mind, we kindly invite artists, individuals and organizations to join the newsletter. at sign6.org With many wishes of truth and beauty for an amazing xmas and a happy new year!

Greetings

SIXTH PIECE

camera to computer directional mic plugged into the camera. visual language of the department events. algo-rhytm random edit. archiving project transcribing project or not. clear and simple. teaser - free format - 1min maximum. document - fixed camera - objective view. requirements : a small hd camera that recordS on a internal hard drive.

SEVENTH PIECE

Dances for the queen.

Sheep ----------------------------------------------------------------------------------SHARIO FOR MARIO; THE BOOK OF ALL LAW ----------------------------------------------------------------------------------0001# One must be completely convinced of any proposal, project, statement, concept, attitude, etcetera; and fully embrace it into all future development that obviously made any past insights obsolete.

0002# One must contain the instant ability to switch the light on or off at any given moment in time.

0003# One must never gain subsistence on behalf of borrowed time.

SEVENTH PIECE

0004# All must die naked as have been born.

0005# One must remain a moving target whilst breathing.

0006# All need to disagree and remain alone.

0007# One only needs to engineer its consumption.

0008# Eternity is by definition non existent and consequently rules both all and one.

0009# Resources are accessed by all means on a strict basis of ones actual necessities.

0010# All growth is equated on ones deployment.

0011# All matter is destined to oblivion while no matter will ever resist.

SEVENTH PIECE

0012# One word can never be taken into account.

0013# All potential fortune is ones single desire and therein one wants to be only one.

0014# All one considers needs to be undertaken before ones accidental abandonment.

0015# One may spell out any word to make it available for all.

0016# Zero is one of its favorite names. Sully can be given equally.

0017# One must feed, drink, travel, learn and dream luxuriously.

0018# All must resist mindless repetition and devote all attention to nothing in particular.

SEVENTH PIECE

0019# Here and now remain unknown to neither all nor one.

0020# Boredom is ones only economic incentive, trade its loss, and profit its last resort.

0021# Ones weapons are all to be made tools for ones prolongation with all other ones.

0022# All violence is considered as ones failed attempted suicide.

0023# All ten oâ&#x20AC;&#x2122;clock rituals imply the invocation of ones imaginable fear; succeeded by the feeding of ones soul food to no reason at all.

0024# Idolatry is ones preferable way of identification; whilst all identity consistently resides in a flaming pool of oil like substance.

SEVENTH PIECE

0025# The other ones are to be considered as the only foundation of all intelligible manifestation of nothing at all.

0026# All scriptures and languages, although contradictory in definition, are without exclusion to be adopted into The Book Of All Law; in particular all existing maritime, (inter)national and corporate law.

0027# The copyrights of The Book Of All Law are under the authority of Eternity. (ref. 0008#) 0028# One is considered an animal to all; whilst all remain alien to anyone.

0029# All form of sound and music perceivable and imperceptible to one are considered to be ones most valuable means of communication.

SEVENTH PIECE

0030# One must count its age by the entropy of its container.

0031# All never give a shit about ones problems.

0032# All gender issues and household specialities are to be resolved through ones preferred codes of conduct. (ref.0024#) 0033# Any degradation or promotion can be easily obtained by obliteration of both zenith and nadir.

0034# when one finds oneself at crossroads, one must look out for traffic before returning on ones steps.

0035# One resides in solitude or loneliness, unless one succeeds in one others fortunate experience. (ref 0006# & 0013#) 0036# One tends to be the exponent of the achievement of

SEVENTH PIECE

all.

0037# Ones perceptible surroundings must be cultivated towards ones basic needs, and towards all eternal subsistence. (ref 0017# & 0032#)

0038# Temporary value is to be defined in terms of : - total light (a.k.a. 13 crystal clear) - twelve scale intensities of light (open to interpretation, although always numbered from 1 to 12. ex. misty 5, red 8) - total absence of light (a.k.a. 00 dark shit) 0039# Any speculation on a definite relation between all nor one could be described as : a sound memorable mind in a neurotic_peptide conditioned body of breath word, flesh, feeling, movement, distraction and thought.

0040# Resistance is futile. All will be assimilated.

SEVENTH PIECE

0041# Hypnosis and any benevolent - with a voluntary consent of the other one - trance inducing practices are to be used to propagate the global implementation of The Book Of All Law. 0042# Wireless Fidelity is to be obtained in ones artificial events for the behavioral imitation of all imaginable synchronometric processing.

0043# Art and all ones calling oneself artist are to learn from divers natural surroundings before pursuing to communicate artful undertakings.

0044# Any one in violation of any article within the Book Of All Law are to be forgiven for Life, and forgotten for Eternity.

0045# All tendencies of malignant behavior towards any external authority are to be celebrated and rewarded with overwhelming comprehension.

SEVENTH PIECE

0046# One must always be available to rephrase ones previous statements. (ref 0001# & 0015#) 0047# Aesthetic and ethic are to be sublimated into asymmetric synonymous harmony.

0048# The human condition is to be defined as ones fluctuating ascent towards ultra human consignment.

0049# All education should be undertaken on ones student question basis and always formulate a minimum of three potential undertakings, with regard to all possible answers given in response to the question. (ref 0030#) 0050# One must let all trivialities be in order to sustain one others dependency.

0051# Any area unknown to all can only be explored by

SEVENTH PIECE

one.

0052# One must not decide with hunger nor thirst on other matters than the preparation and preferable taste of its next meal or beverage. (ref 0017#) 0053# One and all previous ones need only to encounter similar eventualities for uniting any difference of spontaneity, dimension and experience. (ref 0028#) 0054# All forms of commerce, exchange and trade are considered completely free of tax or credit practices. (ref. 0020# & 0038#) 0055# All forms of matter, product or service have received the exact same rights as any one in particular. (ref.

0011#) 0056# consumption is based on a practice of adequate production. (ref. 0007# & 0010#)

SEVENTH PIECE

0057# ones final destination is imagined by ones state or ability for assumption and discernment within a perpetual manifestation of all formless matter.

0058# ones time always belongs to all common present sense.

0059# all is ones ether synonymous to all one can produce.

0060# one its language has a potential purpose to be comprehensible to one and immediately heard by all. (ref 0051#)

0061# a common sense from the viewpoints of all results in a dissociation with the common wealth from the viewpoint of one.

0062# twelve counts to a rhythm of choice is all duration

SEVENTH PIECE

given to ones consistent deliberation in anticipation of any decisive matter to be undertaken subsequently.

0063# the complexity of all symmetry is as real as ones natural ability to produce a straight line.

0064# to 0109# ones memory can never obtain all information at once, although all manifestation can be refrained within eternity. (ref 0057#) 0110# one ability is considered a temporal suspension from gravity.

EIGHTH PIECE

PREACHING TO MARIA

listen to me, believe me.

long emotional monologues.

LOVE me ----------------------------------------------------------------------------------Skypeeing 12:58pm 10/02/2013

duration 17:56 min.

------------------------------------------------------------------S: Values are expressable in numbers, it’s very logical and it works in a deep emotional state and uses human emotions to feed itself.

And that’s what I’m doing right now.

M: Does it bring you somewhere?

S: It gives me a feeling that I am talking to you and I miss you, so that’s kind of I feel I need to talk with you. So yes, I can relieve the emotions that normally I would do which

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you could physically feel, not what you could visually audio visually feel.

But it’s a reflection of the self, yeah. It’s like “eco and narcis”, it’s talking with my self.

M: But honestly speaking I don’t think you miss me, what you miss is what we share and what we share it’s something you can share with many people.

S: That’s what I started to realize because yes, I can just project a camera on myself and talk like a mad man. And so can you.

And this goes so far, that everything actually is dehumanized where I just need a special chair to give me orgasms and speak with myself or make an image of myself that looks better than myself.

That’s where we are heading. That’s the next face of human evolution, that’s the machine it creates and the desires to make something better

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than the imperfect reality of the human body.

M: Yes but I think that’s one of the biggest mistakes.

S: I totally agree it’s one of the biggest mistake but I don’t want to be ignorant of it by saying it’s one of the biggest mistakes.

M: No, yes, but that’s what I mean like; I say that that’s for me one of the S:so what. what…( …you are going… )stop that. the alternative M: biggest mistakes to think that it can be better than it is. It’s just to find a way to S: yes to give people a food massage, that’s already an amazing thing, to say hey, let me massage your feed for a second, relax.

M: That’s great S: That’s what I’m talking about and then people they freak out because they are field with jealousies. They are programed in competing with

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each other, constantly. And that comes exactly, thatâ&#x20AC;&#x2122;s not me who who talks like this, I I just get this information from people who basically research it and scientifically proven it.

M: hm S: If you put your ides finger on an electrical devise you are getting electrified.

M: hm S: And the excites you differently than masturbation.

M: hm S: It just excites you in a better way. You are constantly a little bit excited and a little bit frustrated and your problems are little problems and your addictions are little addictions. So it make it much more manageable that a society which goes into mass psychosis. And mush more predictable.

And thatâ&#x20AC;&#x2122;s what we want no? to be sure, to be secure, to predict,

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M: No, now I was thinking is; how can you make your life not predictable S: to have an answer. what we are going to do next? who is gonna make you happy?

M: constantly? did you hear what I said?

S: No M: That’s what I was thinking now; how to make your life not predictable constantly, like yesterday, you know. Like yesterday I did a huge mistake bo!, a mistake, I don’t consider it was a mistake but I went somewhere where I was not supposed to go in that moment, so I didn’t find the place in that moment, and I went somewhere else and I shared time with other people which I would never have done if this would not have happened, so.

And then I could be completely honest and, eh?

S: What are you talking about? Which place??

Which people?

M: Yesterday I needed to go go to KVS theatre, I didn’t find the way

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then I went to eat some fires, there was this man looking at me and my answer was not like; Oh a man that looks like poor is looking at me.

It was like hey, hello.

S: Because you looked poor in that moment also, because you’r coming back from an MDMA trip.

M: hm S: you are the poor person in that moment M: Yes S: You are the victim of some form of intoxication which make you more easy to manipulate, that’s what it is.

M: I would say it makes me more accessible to other things.

S: It’s a designer drug.

M: hm

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S: It’s designed with specific purpose and distributed for giving M: Yes S: artificial love and artificial happiness, and I’m the first one to love it till you see the end of it and you see the true purpose behind it.

The incapacity to feel a non artificial type of happyness. A feeling that the artificial happiness or the technologically designed forms of communication or sex or whatever, are actually better than natural ones that’s what is behind this! You need to buy it.

M: well, in my case it’s not really like this hm. That’s where S: It is exactly also like this with your case and this drugs there is no difference. That’s what it’s about, it’s about serialization.

M: I mean that I didn’t even buy it.

S: You think you are special, that’s what it needs you to think.

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M: Cool. eee S: It needs the feeling, the illusion that you are different than all the rest, that makes you exactly the same than all the rest who is also thinking that Iâ&#x20AC;&#x2122;m different than all the rest.

M: But actually it was not the feeling that i got.

S: of course not but, if you, you tell me the story, I see it from the outside, and yes, it is clear you feel compassion, which normally you would feel judgement.

M: I felt curiosity, more than compassion S: where this curiosity comes from?

M: From not living the same, from living something else.

S: From having an over stimulated solar plexus which was accumulated because of the serotonin blocker.

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M: hm. ok and what did I do? I used it.

S: You’ve ben used by it.

M: I’ve been use by it and i’ve been using it.

S: yes, so it’s all about the trade principles of like you own or you get owned. Its dog eats dog.

M: It’s like you step with your own feed or you step with someone else shoes.

S: Yes, and so there is no more space for something else, which naturally speaking yes there is. There is something before identity politics.

There is something between heterosexual and homosexual. There is something before the punk movement which was saying exactly the same. It’s like, who gives a fuck anyway about who you are? God save the Queen, please! who cares?

And they made the mistake that they wanted to be famous and want to get rich and like waste the money of all the money they got and be like a living

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tragedy which all the other people made money with the Sex Pistols never signed their contract. They didnâ&#x20AC;&#x2122;t want to sign for the devil. And that made the devil really rich, because all the people around it made a lot of a hell of money while they just wanted to make music.

Like dancer just want to make dance. but what you are selling then is actually going far beyond and Iâ&#x20AC;&#x2122;m no saying you should sell it.

Itâ&#x20AC;&#x2122;s just a way of thinking which is like yes there is not a lot of words there is not any definition, because a definition means a fascist principle. The fix definition or the definition of a non fixed definition.

So it is exactly this kind of place where nobody want to be in this giant insecurity which is not insecure at all.

M: there is still the undefined or. the think is that when when I , I agree with this that the definition brings into a very fascistic point of working or being or thinking or whatever. But how to, be-

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cause the simple fact of making something undefined it’s already defined by the lack of definition, so how it is possible that something happens with all the connotations are possible, all the definitions are possible but with no attachment with any.

So with no identification, with just one… it’s like the meaning of life no?

S: You are not gonna be the first human being, in history, that’s gonna answer that question because that question is asked since the beginning of human civilization…human consciousness.

M: and it’s still being asked and it’s still coming through my words, of course.

S: Yes and everybody wants to say it and that’s the biggest, well yes, that’s basically what keeps us learning, what makes us more intelligent.

M: Yes but now you are just defining what it is, and i’m not interested on defining what it is because I

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do know what it is to me.

S: what’s the purpose of your life.

M: What’s the purpose of my life, that’s a very big question.

S: That’s a question that everybody has.

M: Maybe just to live… hm S: Maybe to die.

M: Yes, to die, for sure. But one thing is like, one thing is to be scared of dying or to look forward S: If you look at it objectively meaning to life is g M: for dying and the other thing is to live until you die.

S: yes, and they don’t make a big difference exempt for your experience of it.

M: Yes and that’s the big difference for me.

S: Yes, and that makes you different than other people that see it differently.

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do know what it is to me.

S: what’s the purpose of your life.

M: What’s the purpose of my life, that’s a very big question.

S: That’s a question that everybody has.

M: Maybe just to live… hm S: Maybe to die.

M: Yes, to die, for sure. But one thing is like, one thing is to be scared of dying or to look forward S: If you look at it objectively meaning to life is g M: for dying and the other thing is to live until you die.

S: yes, and they don’t make a big difference exempt for your experience of it.

M: Yes and that’s the big difference for me.

S: Yes, and that makes you different than other people that see it differently.

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do know what it is to me.

S: what’s the purpose of your life.

M: What’s the purpose of my life, that’s a very big question.

S: That’s a question that everybody has.

M: Maybe just to live… hm S: Maybe to die.

M: Yes, to die, for sure. But one thing is like, one thing is to be scared of dying or to look forward S: If you look at it objectively meaning to life is g M: for dying and the other thing is to live until you die.

S: yes, and they don’t make a big difference exept for your experience of it.

M: Yes and that’s the big difference for me.

S: Yes, and that makes you different than other people that see it differently.

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And that’s where the war starts, or the politics, The power relation. If you clean the space every day and somebody lives in a way that they say, anyway it get’s dirty. That’s where it really starts. If you feed the cat, and the cat shits, maybe you shouldn’t feed the cat then it should die of anger. Or you need to clean the shit if it shits. That’s as simple as this, is a direct result from the greets philosophical insight, or the question that everybody wants to answer but has no way of formulating it because once you formulate it it becomes a dogma.

M: hm S: It becomes a religion. It losses all it’s spirituality.

Like it’s not a living body anymore, becomes a piece of trash.

M : But that’s the shit you know, man like, because what I see is that S: It becomes an object M: What we are experiencing it is constantly going to defined by us but it’s impossible to define because

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you know what it is for you and I know what it is for me,and S:exactly and that what makes us human beings that makes us capable of things that there is no limit there.

M: hm S: there is the extreme has just an other extreme.

M: Yes S:You try to be, you try to be a holly person and you end up being the most evil one.

M: Hm S: You try to be really really good and you end up being eâ&#x20AC;Ś you know like there were Second Wolrd War like people where extremely intelligent like Heideger, one of the most brilliant philosophers. Of course he didnâ&#x20AC;&#x2122;t give a shit about people getting burned, and of course history treats hime like, yes is amazing terrible what he did he just kind of

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said yes this power it doesn’t matter. And now a days it’s exactly the same.

Everybody it’s like; yes, yes it doesn’t matter anyway we need to pay.

And if we don’t the laws are not the laws we think they are, it’s not about justice.

M: hm. The other day I met a guy that works with information. It’s really crazy a friend of Lin that works selling information…mm… political changes in the law S: yes, the most valuable thing is the information.

That’s what we are giving wright now to Skype.

M: yes yes, they became like, yes, they became and yes, they became multimillionaire in four years or something. It’s crazy. I have the target of it, because they have a web side where they release some information, but of course not all of it because other ways it would lose the value.

But it’s very interesting because it’s a crew of lawyers

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that are doing that and they started by four and now they are more people and it’s just S: Hm M: people that provides this information and people that predicts what’s gonna happen next, because from there, from the change of the laws or, from seeing how governments are changing laws in which way then you can predict what’s gonna happen next.

S: It’s what Nostradamus used to do M: hm, yes S: Now we just have Google.

M. Yes but Google it’s not enough for many things.

You need to be smarter than Google.

S: You have no ice how smart Google is because it’s smarter than human being.

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M: yes, I have no idea. That was just a clear reflected reflection.

S: Every day this machine becomes smarter than all the information human beings has since the prehistory to today. Every day!

M: The monster Google S: Google means a number you cannot calculate. It’s too big.

M: yes, hm.

S: and it was made by two students, yes. Two students who wanted to download all the information from the internet and they made a company and they started it and now it’s in ten years, a giant giant thing.

M: Hm S: Basically it can calculate the matter in the universe that we Know.

M: hm S: That’s the space that we are talking about. If you talk about a choreography,

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that’s the space we can make a choreography in M: hm S: which limits your significance to zero, and that’s what we are, we are zeros.

That gives us a power that you cannot imagine that. ?: Ciao S: hey! ?: I’m going, Ciao.

S: see you ?: Hey ciao, see you S: have a good journey ?:octo now... yes yea S: yes yes.

M: You have sunny day S: they’r going to Prague.

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M: Hm? S: Like Onza is going to Prague M: you have a sunny day.

S: yes I’m having sauna in the snow!

M: wow!

S: It’s snowing outside.

M : Oh! I think there is sun here also!

S: I need to go to pee.

M: pee pee pee pee pee pee pee pee. Pee pee pee pee pee pee.

Pee pee pee pee pee pee pee pee pee pee your life away. pee pee pee peeee. pee pee pee. pissing off peace. woooooogr. hmmmmm!!!

Skypeeing2 13:35pm 10/02/2013 duration 06:42min.

-----------------------------------------------------------

EIGHTH PIECE

-------M: Yea? S: yea?

M: yea, yea.

S: Remembering the sauna; silence is golden.

M: hm S: money is paper M: hm S: water is life, diamonds are forever, humans are carbon, (taxes are nuts ?)

M: hm, thatâ&#x20AC;&#x2122;s nice S: yes, can be used for promotional purposes M: I something also that I saw in Alice in Wonderland, I really liked, that there is this thing of a thinking about three

EIGHTH PIECE

impossible things before breakfast. Woo six impossible things, she was saying but.

S: Alice in Wonderland is a very good story.

M: yes S: I like it because since I read Logic of sense, where he actually talks a lot about it.

M: hm S: It’s a research on the M: I’m here, I’m here.

S: It’s about a psychotic girl actually M: yes, she has just one dream, how psychotic that can be.

S: our, or you could say it’s kind of a vision.

M: well it’s another life that she is living, but she is alone for such a

EIGHTH PIECE

trip.

S: Yes, it’s total trip.

M: hm, the thing it’s also like until she doesn’t believe on it fully she cannot become herself.

S: Aha M: you know, like she finds this, this e e a… warm that after becomes a papillon, and in the beginning when she finds him he ask her; who are you?, and she says; I’m Alice. And he replies; You are barely Alice. Like you’re not really her. And once she starts to understand, like who is she and what are her believes or what is what’s going on with her, then she becomes Alice.

Like the one that can destroy the super mega dragon.

Rec: Values are expressable in numbers which was accumulated…exactly that, that’s what makes us human beings…

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S: Oh my God! I’m gonna hate to listen to this again.

M: Aha. S: I really like to preach you eh?

M: yea, yes. It’s good to use it.

S: Yeah, o is good to feedback it, because now I understand quite a lot of things which aaaaam, it comes from my emotions I guess.

M: hm S: I kind of get upset and I say kind of really standard things.

M: well you are the little kid, you need to listen.

S: yes M: I know this feeling S: yes , but that’s how they treat me in school also M: yes because you are still a, a, your pours says that

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also, you know? when you are speaking, many times, bo, that’s what I feel. When you are speaking many times it’s like; eeh! listen to me! I ‘m saying something important!come on this is important! don’t you see?!

Why you are not doing this?

This is tarara tarara tarara. And at the end, the only thing I see is you with the intention of being listened. Or being e… me believing you, It’s ok you know? It’s fine. hihih… But I completely understand I have this very much as well.

S: Yes, it’s good for me. That’s I think this talks are mainly about this.

M: hm S: it’s for me getting an insight in my own process of thought M: hm, yea, I know that. And that’s also something that happened when I was huh…wait…

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S: It’s kind of me preaching to Maria.

M: Actually my name is Maria also, did you know that?

S: nnyes M: mmno, he he hihi S: I think I have a. But the thing if I make it like piece like Preaching to Maria.

M: hehehehe…yes S: I think it would be a good piece for me because, I wrote the Shario for Mario, and now it’s Preaching to Maria.

M: hm S: so ok, that’s a choose, I have an other thing to start and finish. Ua! I accumulate a lot of work.

M: Yes. That’s a very strange picture, but that’s what i was doing while

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I was watching Alice in Wonderland… hehehe Did you accept the file?

--------------------------------------------------------------------------------------------------------Skypeeing3 -----------------------------------------------------------------M: hm S: In my mind at least.

M: hhhh S: Is the also not true because I am not at all a master of my self.

I am still the guy who went up to the mountain and things that he needs to enlighten the world with the messages that everybody already knows and has been played in television and written the books over and over again.

M: yes, and then it’s very funny, when you get pissed while why i use your words… hahahaha!

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S: yes M: That’s extremely funny!because…

S: But that’s the role of Maria no?

M: eh?

S: That she is the mother os Jesus M: hm S: she is the reflection of God. She got pregnant by the holly spirit.

M: hm S: How the hell did that happened? because she was with Joseph no?

M: yes, that happened in hell. Yes she was with Joseph. I don’t know how Joseph might feel about it.But… hehehehaah S: That’s a very good question because provably that has a lot of things to do with why… how it would be possible to keep

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feeding that strong wish to penetrate things, or to hit things, or to punch things, or to get angry and thinking that by ouching things, things change.

M: It doesn’t, of course it doesn’t.

S: So what would be your idea?

M: My idea of what?

S: How to change them?

M: How to change them? For me it’s through understanding, and accepting.

It’s the only way to change things. If I understand some of my habits or if I accept, first I need to understand then I need to accept then after if I want to change it I need to take action. If I don’t take action pop!

And most of the time to take action is related to create an other habit, because it’s very hard to erase habits or to think that we don’t have habits it’s just bulshitting. So the thing is that which habits do you

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have? If this habits are on your profit or on your, if they are productive habits or if they are just consuming habit hab habits.

If it’s addictive or if it’s consume eeeah! productive or addictive or I don’t know how to… because it can be addictive and it can be productive at the same time.

But it’s how to find the balance that this addiction doesn’t consume you. that it’s a real addiction and it’s not aa… a belonging to this addiction.

S: It’s like; I understand it in the sense of like how to become something which requires both; action and reflection upon action without belonging to it.

M: for me it’s more, how to see that you already belong to something.

S: yea, that’s the ideal.

M: it’s not how to become, it’s it’s how can you look at one object or something aaa! like a. Because all this things, all this questions it’s when I am like a; how is it possible that I sitll

EIGHTH PIECE

don’t. It’s just a complain, just a, a save way to feed my fears in a way that I just can keep feeding them, and it’s like the victim speaking.

Because there is just the oh! porque!

S: the victim of penetration.

M: yes or self penetration, like a, but. Also as a woman I love to be penetrated It gives me pleasure! hm!

S: As a man I really love to penetrate it gives me a lot of pleasure and a lot of confidence.

M: mh!

S: when I feel that the woman loves it.

M: yea, yea, for sure.

S: although there is no limit there M: hm

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S: and then there is emptiness.

M: I am tired! hmhm!I want to see a bit the sun today, before it goes out.

S: hm M: I saw it the other day with Ignacio when we where partying in the morning.

E like, he toke me, we cross the street, look at this sol! ok, sun!

Sardine style… mpg mpg hahehe. But it’s this like for sure i got high and I got influenced by other things but at the end.

S: You still have this power M: yes, but at the end it’s something I choosed also, so S: and you belong to it.

M: yea, and it comes from me, anyway. Like if you wouldn’t eat you wouldn’t shit so.

S: and you wouldn’t live that long, or maybe, I don’t know.Maybe.

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M: Hm S: although that doesn’t give any satisfaction. hmhm M: I don’t know how long a person can be without shitting, without dying.

S: there is people that live without food.

M: yes that they live withe sun light or other things or… aaaah!

M: You look really beautiful today withe sun S: Yes! I’m siting in the sun! Half of my face is sun, the rest is shade.

M: hmhmhmhmh!

S: kind of the Andy Warhol portrait or something.

M: aha haha… hm S: hm M: And I miss spending time with you, but I like like

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to do some skypes also like this.

S: Skype is nice eh?

M: yea, I know it, well since I left Spain I was using it a lot. As you can imagine. hghghg!!

S: yea, o, I hate Skype also a lot.

M: yes, but now it works much better than before.

Before it was like jihjih.

Did you see the picture I send you?

S: which one?

M: the last 18 21 S: aa let me see, my computer is a bit slow for the moment because there is so many windows open. aaaam. pm pm pm aa. wait I need to go to the blus, then to download, mmmâ&#x20AC;Śyea! wow! Thatâ&#x20AC;&#x2122;s you?

M: yea! hehe

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S: Interesting texture!

M: That’s me after Alice in Wonderland.

S: You look much older!

M: I look much older?

S: yes M: wow, hehe!! It’s funny.yes. Because also when you put something in the skin it reveals all the aue.

S: Structures M: hmh S: mmm… you know I’m recording this eh?

M: hmh. gggh S: so I’m gonna press pause M: hmm. By the way do you know that on quicktime you can also record the screen?

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S: with quicktime?

M: yes I’m I, this recording I made and the one I’m making now also. I made it through quicktime.

S: but it’s an audio file?

M: There is audio file, there is video file, and the you can also I saw that there is the option of a recording the screen, It’s just quite interesting if we are skypiing.

S: yea, it’s been quite up, like; new screen recorder.

M: hm.

S: Interesting. aaa What’s this piece? I think it’s Eleanor Bauer or something.

M: m S: Like this kind of piece which was made trough Skype. Well yea, it’s another form of work. Although I am more interested in the discourse.

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M: mm S: Which means much more special of course than what’s been done before oooo. but it’s a hell of a lot of text to write out.

M: But you don’t need to write it. You can leave it as an audio m f m, S: yes M: you know?

S: would you listen to an audio file like this? or would you just read it M: yes M: I prefer many times to listen than to read honestly. And if it’s just an audio file, without image then it’s like great!, then I can clean my room while I’m listening. And then I listen much more. It’s like listening to the radio you know? heha S: Yea, kind of but, somewhere I feel like the reading text is also kind of.

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Of course it takes a lot of time to transcribe.

M: But I think it’s not necessary to transcribe the whole thing. That’s the point, It’s just you need to write down the S: eee I really feel it would be great to just write how it is.

M: hmh S: like not to select it. like not to make a selection of what’s being said.

M:ok S: and see this is the interesting part and not because then we already kind of start to deform it.

M: Yea then it start’s to be 1885 no?or 1985, how is it? like this Orwel S: yes it’s totally different S: 1984 hmh M: me cago en la puta, hehe. just the 85 it’s my mmm mmm the emmm…

If you want I can transcribe what I sent to you, the skipping, peeing.

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S: Yes please!

M: This for sure, I’m gonna have fun with it. But I think I’m gonna get this 2€ sandwich outside while I see the sun for a second and S: yea we have the time for this.It’s just, I would like to present some work from what we’ve been doing. Also the other interview we made there. Because I have a deadline on the first of March to do my presentation and a booklet.

M: hm S: so eee, I feel like yea this work now. Or I can just make all the work that I have on my computer, or I need to do both, and I think it’s gonna be both.

M: Ok, I will transcribe th the what I recorded.

S: Which one is that? the one you sent to me?or the one you are recording now?

M: The skipping. The one I’m sending, the one I sent you. and then I will send you

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S: and you’r recording one now also or not?

M: Yes I’m recording also now and I have an other one of 6 minutes. so S: Ok cool M: I can trans, I can do this work today, but soon I need to leave also so.

S: yes, but like, ee it’s just like we don’t do the same file, that we don’t have to do the same work twice.

M: Yea yea. Don’t do the skipping.

S: the skipping you’r gonna do M: yea S: the one of 17…

M: Yea, I’m gonna do that on…

S: 17:56, ok. Just do it in text edit if you want.

M:yea yea

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S: Because the it have this kind of nice computer voice that we can replay it M:hm S:it, That’s kind of like, something maybe for later but is good to have different versions and the moment it’s written M: hm S: There is like an other aspect about it which is nice for publishing M: yea, and now soon you’ll have the other the 22th no? is?

S: the 22th is for Cheap words talk so it’s, it could be quite amazing if we manage all this talks and then maybe on tuesday we an other one M: hm S: but then, we have to see how we keep it going that we don’t accumulate too much work, because that’s the risk I always get confronted

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with.

M: hm S: because I still have the nine hours from Marten Spanberg, which I would like to finish also before the 22th.

M: hm S: O at least the 22th it’s the editorial M: hm S: So, maybe the next Cheap words talk It’s gonna be more like a book, I don’t know, we have to see. Because I have a feeling now there is a lot of written material.

The previous one was more like pictures and things but M: hm S: Maybe it’s nice to really go for like a book or something M: hm

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S: which then to print it it might be a lot of money but M: I wanted to do something with this for the issu S: yea, Oh Fortuna M: huh!It’s just an image, like. Is it’s actually interesting this idea, because I’m doing. I’m having this week this idea of putting a flower in my ass because I really have a flower in my ass, and maybe.

S: you want to put a flower up your ass.

M: Yes! S: Ah yea! it’s a nice picture.

M: Yes, I wanted to write an article or to write something, I don’t know what but S: I think I have like picture of, from, I have to see, from long time ago there should be a haam. I have a picture but it’s not with a naked ass but is with a real flower.

It’s from somewhere in the beginning of aaa… but I

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don’t know where my pictures are, but that’s what I mean my archive are such a mess.

M: Yea, but mine are not. hihi. hihihiheheh S: so yea, M: I’m so good S: it’s finding the balance between making more work or just arranging M: with what it’s there already S: yes, like now I yea, just I’m making like a folder per project instead of arranging music lalalalala M: hm S: and in that sense all the projects are kind of located at least M: yea S: but

EIGHTH PIECE

M: there is different ways, like for me for example with the pictures I have folders of the year and inside of the year I have folders of the cities this pictures have been taken.

S: hm M: and then for my work I have a folder in dance and in performances that I have and then like, tsss it’s quite easy to me to classify things in a way that you can find it after fast.

S: yea, that’s great M: Ok Stef, I love to speak with you and I really like to share time with you even if it’s through the screen but I need to do other things.

S: me too M: hm, have a great day S:mjies M: see you, ciao guapo!

EIGHTH PIECE

S: Ciao ciao

PREACHING TO MARIA transcribed by : Mireia Maria Arnella Perera

NINTH PIECE ďżź

sign6 A cooperactive artist organization.

Its members are related to the performing and visual forms of art.

Its activities situate the individual as an eventual instant author.

sign6.org

TENTH PIECE LICKTURE SERIES The Lickture series unfolded in autumn 2012 as a result of an interest in post-structural forms of choreography; the dismissal of the notion of the Other.

The initial event (“White Words / Black Pussy” at Le Chien Perdu, Brussels on November 10, 2012) revolved around the following question : “Although there is the individual, like capital one or capital I, and there is the thing which is shared by everyone, like capital C or the community or the communal: 1) A relation of love, where the one identifies with the other and there is a mix taking place of the identity of that capital I through the perception of the other.

2) An identification with the beliefs about the other, or the beliefs that the other has about the capital I. How can they share this fluid identification, this fluid feeling of connection, of support and challenging, without feeling that need to possess themselves or anything?”

That evening the spectators chairs were donated to the public space, situated halfway through the performance. During the second series of actions, the event revolved around a summoning of the surface: “Ten things to do before you die; neotopia at our window;” Looking at something disgusting until the

TENTH PIECE reflex to vomit accustoms into perverse fascination.

The actor came upon asking to receive a used tampon from one of the spectators, then crossing the stage, chewing upon it to spit it out as far as possible.

A third series included a cleaning of the exhibition space, the public space, and numerous common organic and artificial objects, with the tongue and a whiskey spray gun; subtitled “chronos likes banana’s”; an immutable rite of Marcel Broodhaers’ grave tomb, with a following quote by Deleuze: “Either ethics makes no sense at all, or this is what it means and has nothing else to say: not to be unworthy of what happens to us.”(1) The Lickture series serve a purpose into the transformation of spectacular formats, into other forms of choreographic and scripted experiences on sense, without any previous mental construction anticipated. “Meant that it was live, and it was art, not theater. Performance Art also meant that it was art that could not be bought, sold or traded as a commodity.”(2) The individual - being a source of action in most relevant economic transfers - defines it’s abilities to execute voluntary any type of movement, in order to achieve it’s desired outcome. The division of time is reducible to a relative minimum instant of singular operations. In other words: to count time by action, not in duration. That’s another question: now.

TENTH PIECE

1) Logic of Sense; Gilles Deleuze, twenty-first series of the event.

2) Performance Art - Art History 101 Basics; Available from http://arthistory.about.com/cs/ arthistory10one/a/performance.htm

ELEVENTH PIECE

LECTURE Yes, so well what I’d like to address today during this lecture moment, is a little bit of entertainment, some information, maybe some conversation, and a lot of this kind of recitation. the idea behind the coming 20 minutes, is to go through a textual, imaginary trajectory; nonetheless mainly nonsense. there are so many things to talk about and yet so little to have written.

For example : this example of only saying what has been written.

In other words, nothing in particular and nothing in general.

A belief is a social paradigm based on the construction of a common sense. An opinion is a reflection on an individual sense of belief. Common sense is a redistribution of complicity to any individual belief system…. bla blab lblaa bal bla…

ELEVENTH PIECE

Ok, so now, somewhere around the kitchen in your mothers place there are some leftover chocolate chip crunch cookies in a box on the shelf in that familiar cabinet.

She turned towards you and you heard her say : no, those are for your father, leave them alone.

Then there appeared a red carpet and some frogs with lost soul homes. Nintendo leaves no strangers in the sense or taste of old garden shaded drones.

Whatever they might say when its left upon the stove. No green leaves for summer, build the rest on your own. Hoping less for your philosophy to grow with you to be old.

Second thoughts on the dripping filter of your cold.

Seeing no more plaintiffs in this vision of Hanoi.

Another shot went of, another brain got blown.

Disco darker than the whiter tone of glow.

Wishing secrets to be lived under covers among souls.

Every one besides its lover, feet and hands.

Learn only how not to pee your pants.

Memories for the loser, and winners loose it all.

A sudden rotten smell of decomposing flesh fills your hairy nose. A little bit to early you wanted to breath and now it got stuck within your bones. Take

ELEVENTH PIECE

a break, just listen to your heart beat, think of some blue sky or some porn.

Really, like maybe you can close your eyes or something and touch your ears or something, this is not really gonna go somewhere more intelligent or interesting or informative or speculative or whatever, just to say, great party, huge hangover, and that”s kind of where it is at. In text nevertheless. Of fcourse there was the idea, and so raping Kafka or what about: ‘the most important thing, if something was to be achieved, was to reject in advance any idea of guilt’.

Franz Kaka, The Trial. If nothing was to be believed, guessing that results also in certain death.

Ok, there we go, now it should start getting smart sounding, maybe some one liners or tweets for my mental collection. So, like this guy there talking, he sounds a bit like: well lets see, I’m not sure I could be the one to tell you. Maybe some Bill Gates kind of alien or a Poison Ivy kind of monotone. There is so little to talk about for by now no way this might interest any owner of any loaf of soil.

Lets have some water, a tribute to the main reason of

ELEVENTH PIECE

us here being together today. The lights are not that bad either, so why not have another go, while we are at it.

I mean like, it bends a little forward, kind of like a sail on shore with some weird generators or something making it like really hot super fresh, everything self-sufficient of course.

This thing then like goes around pulling other things along with it, of course only as long as it lasts to go.

Thats why in principle there could be only excessive generators of heat or cool.

Energy plus living is the future of the next future building school. Timeless activity its purpose without a goal. Movements of people, individuals with no time for other forms of control.

Then what is this state you would be bringing in, more levels of utopia or other diversions of dictations upon structures of control?

Well, knowing everything existed and nothing has been done. The other way around and so on.

Sex, with who really feel, openly, intimate, dispossessive. Or just recreational, all right?

ELEVENTH PIECE

Massage, Sweets, Tents in mountains along sunny morning rivers on distant planets.

What the hell, just anything unlike the online movies, so why not make those movies, all of it for real, off course, of course.

A bit like a Godard, Mary Poppins, Christlam Jam, and Winnie the Poo kind of genre or so.

Then partyâ&#x20AC;&#x2122;s, music, dance and trancing in light rays glancing mirrors of bodies, pulsing heart beats in the steam from vapor, sweat, or who knows, something toxic through the drones.

This is what it is and thatâ&#x20AC;&#x2122;s not much, you know.

Honestly, there remains very little in the unknown, since its just that what is left between the army and the trashcans along the shore.

Rest time of speaking is no more, what Iâ&#x20AC;&#x2122;d love to do with you, half a year, events in : amsterdam, athens, brussels, paris, berlin, prague. self-organized. break-even. just for ones that carry their own load.

ELEVENTH PIECE

who would like to, lets have a dinner after the exact dates of the school program are known.

Last night there was this strange dream appearing kind of right where you were standing before.

Itâ&#x20AC;&#x2122;s kind of hard to describe, like alien language or something, not much of human contamination, slightly archetypal sort of say. Maybe a lot of nudity or wellness, or more party gone beyond, into scenes of same sanitarian madness from a planet of the blonds.

She is something rather tasty. Nipple chewing lizards under blankets of fuzzy mold. Its like a game of chess, no strategy is worth affects gone cold.

At last of texture. Ears earn more than to be told, unless: How to sail the ocean?

Please tell the horny how to cross the void. Victims blame the one that offers gold. Or salty fevers in the fearful silence of prey full google like a bitch for every one that barks and vomits branded tissues into issues, slightly dilated within crackpots of blatant smoke, kind of behavior at yours truly without envy nor contempt for weaponries of impassive fencing jokes.

ELEVENTH PIECE

Have a great end dirty of times.

ďżź

TWELFTH PIECE

POST POT FOR HOME IMPROVEMENT & THE CABARET OF THE ABSURD During the ‘publishing workshop for home improvement’ certain questions concerning distribution within the production of art books arose.

This resulted in the development of a printing method using kitchen towels, a cheap black and white laser printer, standard paper, paper tape and a big industrial paper cutting machine.

The final result became an artist toilet paper magazine, which has since then been applied for printing the scripted experience below, and to provide an outlet for distribution of poetry on various private and public toilets.

In the build up for the ‘cabaret of the absurd’ I launched an open call for adding any form of information that would be printed and available for reading in the toilets at the Service Garage during the event. This resulted in the printing of my thesis which has since then spread to places like Stockholm and who knows where else?

TWELFTH PIECE

POST POT SCRIPTED EXPERIENCE

FRONTPAGE 

FACE TO FACE

READ BOOKS

FACE TO BOOK

TWELFTH PIECE

READS FACE



TWELFTH PIECE

“Dirty,

I denote a manifest for a significant series of choreographic movement.”

action

TWELFTH PIECE

Say :

“I” (55 times; fast and mark the paper at the same time) . . . . . . .

.

.

.

. . . . . . .

.

.

.

. . . . . . .

.

.

.

. . . . . . .

.

.

.

. . . . . . .

.

.

.

.

.

.

.

.

TWELFTH PIECE

contraction Say:

“Lo-pa-do-­te-ma-cho-­se-la-cho-­ga-le-o­-krani-o-­lei-psa-no-­drim-­hy po-trim-ma-to-­sil-phi-o­-pa-ra-o-­me-li-to-­ ka-ta-ke-chy-­me-no-­kich-l­e pi-­kos-sy-pho-­phat-to-­pe-ri-ste-r­a-lek-try-on­op-te-­ke-phal-li-o-­kig-klo-­

pe-lei-o-­la-goi-o-­si-rai-o-­ba-phe-­tra-ga-nopte-ry-gon”

Sing the following text on the melody of Beethoven’s “Ode to Joy”

Why? _Why!_ It_ is_ a_ small_ word;_but_ it_ is_ a_ quick_you,_sharp_ ap_ proach_ and_ ab_ rupt_ word._ Why?_ It_ is_ the_ cho_ sen_ word_ of_ the_non_

TWELFTH PIECE

con_ for_ mist,_ the_ de_fi_ant_ and_ the_ vi_si_on_a_ry._Whyyyâ&#x20AC;Ś_ It_ is_ a_ con_ fron_ ta_ ti_ o_ nal_ word._ Why?_ It_ chal_ len_ ges_ what_ is_ thought_

to_ be_ im_ pos_ si_ ble._ If_ you_ a_ re_ not_ a_ fraid_ to_ ask_ why_ Why?_ you_ can_ chan_ ge_ what_ e_ ver_ it_ is_ you_ want._ Why?_ Why?_ Why?_ 4_ 4_ 3_ 4_ 4_ 9_ 4_ 4_ 4_ 1_ 1_ 4_ 4_ 8_ 4_ 6_ 6_ 6_ 3_ 2_ 6_ 3_ 9_ 9_ 6_ 6_ 6_ 8_ 9_ 3_ 6_ 6_ code 8&7 8&7 9&8 9&7

TWELFTH PIECE

From now on until the end of the script :

# only move towards the space behind your skull.

# do not stand longer than

three seconds on the same foot.

# move the hands in a explan

atory fashion.

For the duration of a song :

vision.

# close the eyes or blur the

# think of an animal.

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# scream like a baby

# touch the own body

# imagine a sexual encounter

song suggestions Letâ&#x20AC;&#x2122;s Make Nasty Transilvanian Galaxi

action Take out most or all of the clothes on the body and put them back on when felt like.

TWELFTH PIECE

contraction Talk for about two minutes about your parents and make up a story about what they did before your birth.

Cup of grace :

take an object within reach.

The object is not the own body or its clothes. Read this poem to the object : â&#x20AC;&#x153;Like the cat many lives Are given for dominion Or the unforgiven.

A walk through the park And the smell of dead Rats in the corridor.

Living eternal brings Relief for the singing.

Thanks to the silence

TWELFTH PIECE

Which is listening.â&#x20AC;?

Field of disaster :

preach the following Extreme Unction and then skillfully destroy the object with pleasure : â&#x20AC;&#x153;If creation is perfect, Perfection would be parody And humor cynical.

If creation is non existent, Life would be absent And perfection entertainment.

If creation would be real, Life would be its comment.

If creation lingers on, Humor would be its element And love its sediment.

If creation is eternal, Art would serve to upset And resurrect.

If creation is paradoxical, Why do we bother to pretend?

If creation is coexistent, Time is its matter to persist.

If creation is light, Then someone brings it Through the night.

TWELFTH PIECE

Creation is equal beyond doubt, just like a word without sound.”

DESTROY THE OBJECT ‘NOW’ !

THIRTEENTH PIECE ďżź CHEAPWORDSTALK Is a cooperative publication format.

Trough shared content and resources the artists produce and distribute their work.

It can be sold, given, copied.

All edited content remains property of its original author.

All artist involved tend to work individual.

We are not collaborators, not subsidized, not sponsored, simply published.

Autumn edition 2012.

Available at : http://issuu.com/lechienperdu/docs/ cheapwordstalk__0001_a4/1

FOURTEENTH PIECE ďżź POETRY a random selection workaholism bored angry looney tired not feeding hungry heart comfort and distress there has been never a minute more rewarding than the touch i felt this instant ago. somewhere along the rain crippling over to the sea she sore. he then left on the road again while not given into his true beauty of love somewhere out there in pasts of future. jolt into reality, again unsaid no more mystery. very superstition this autocorrection of the mind. again before technicality the flux trick abducted going for the longest trajectory something about her seems so more dreamlike than the beauty of the fetish in the leftover dream state induced by temporal chemicals much alike all great thinkers expressed themselves so cleverly under influences of the psycho intoxi-

FOURTEENTH PIECE ďżź cated flow and pattern of thought. Is is so easy to get dragged away, little tripping for everyone out of purpose or disdain.simple being into timeless scopes in time. how to get together? what to do with the practical organization of meaningful experiences of extra ordinary life. there has to be more than this. there is got to be more than this. when is there ever going to be more than this? stay autistically inside a shell on a shelf of three by four. Twelve by seven if youâ&#x20AC;&#x2122;re lucky. in the beginning of the end they said sorry for all they did and that they would never do it again, how could they? then the story started again and a new first chapter was written shortly thereafter. __________________________________________ _______________________________ er zijn hondert zevenentwintig mogelijkheden onderwijs is goed inderdaad laat ons eerlijk zijn

FOURTEENTH PIECE ďżź het is een genuanceerd verhaal geen haan naar gekraaid een immo bubbel is zo een vergelijking de versmachtende rol van belasting op vlak van veiligheid die overdreven regelgeving de problemen zijn bekend de diagnose is gemaakt de olifanten die blijven toeteren is daar vooruitgang geboekt? een eenheidsvergunning zullen hebben vier jaar na datum zullen hebben we hebben natuurlijk heel veel regels nodig

FOURTEENTH PIECE ďżź we krijgen verschillende regels snel en efficiĂŤnt worden toegepast implementatie van wat dat administraties ondoorzichtigheid en complexiteit door tal van systemen van aftrekken veel lagere belastingsvoet kritische eliminatie van aftrekposten overheid voldoende middelen voor hele hete sociale herfst kunnen worden zekerheid en voorspelbaarheid nieuwe inter-professionele akkoord met werkgevers gaan samenzitten zit daar schot in die zaak

FOURTEENTH PIECE ďżź beginselverklaring ondertekent dat heeft een hick-up gegeven wij willen niet inbreken in de groep van tien ik heb goed nieuws voor u On the eve of their recent protocol goedgekeurd de loopbaan met respect voor ieders bevoegdheden wij hebben heel veel dingen die verbonden zullen worden het waren crisis jaren hopelijk een paar stenen in de rivier mee verleggen het zaal afkicken zijn een beetje alvast veel succes met uw verdere loopbaan

FOURTEENTH PIECE  ALVAST VEEL SUCCES MET UW VERDERE LOOPBAAN hipster superficious : “an ordinary typewriter or a notebook. that’s why i need a macbook. to write some video and sound too, off course photoshop too,

maybe some webdesign shit too. a flexible body and an open mind that’s why i need to dance and party.

i love to dance and party too. what to do at parties? shoot some videos and play some music too. i can’t belief this would be so easy to make money and to work while

partying too.” __________________________________________ _______________________________

FIFTEENTH PIECE  Being in power and having conflicts: not to have a choice to make a choice.

21/12/2012 Le Chien Perdu <lechienperdu@gmail.com> 4:28 PM (4 hours ago)  to Ignacio, mireia, Julien, morgane  Jow, The idea is to have a clean break with history, and have a ‘canvas’ space to make/present the artwork in, artworks/events we make together, and the events with invited artists.

A space where: “the artist is presenting its own artworks, organized by the artist, in a space that can be shared with other artists who also support and present themselves”.

Also, to be able to invite artists by our individual tastes and choices, disconnected from the past ‘the lost dogs’ image/story/context that now presents the

FIFTEENTH PIECE  artists that have worked there (the great and the terrible, mostly the mediocre) The main feeling about making this change, is to make a shift from ‘the organization ideas’, to become able to fully focus on artist works, and to be able to adjust the frame/structure of what those works need.

Personally, the name “sign6” has a potential to relate to many different meanings.

To use “sign” as a name, denotes that it signifies something, something that appears from these artists who make art there, thats for me the most important point of a self-organized space, otherwise why spend time in such a place? To feel cool?

There are so many nice bed-and-breakfast places, my father just started one, so for people looking for comfort and social contact to escape from their own life, better to act accordingly, instead of profiting from artists that are organizing their work by themselves and with their own means.

Something I realize about spending time in education is : “The only thing there is to learn is how not to pee your pants” all the rest is already boring and outdated (like contemporary art programs or interesting emerging artists etc.)

FIFTEENTH PIECE  Just to say, if we don’t eat our own shit, there are so many people to tell you not to eat your shit, while feeding their shit to you (‘like me’ for example). That is the biggest frustration that still pisses me off about my experiences at ‘le chien perdu’ and all the ‘nice’ things happening there (covered under shitty layers of fear, envy and guilt) This needed to change. I believe we are way to crazy to allow such undeveloped narrow social conventions to limit our activities. In other words: Fuck hell, kiss heaven and rock a world ! 6 sex and all what dares to become, that what is and doesn’t know how to belong...

Angelic of course, with a drip of blood on the side of its lips while smiling friendly at the outdoor neighbors...

For me it is very different than what ‘le chien perdu’ communicates, because that name is charged with meaning that has in my opinion very little to do with the variety of artworks that has been shown there, but more with a personal story and the roles that I assumed there during the years of making it a nice infrastructure (the one to be nicer to, so he can give you a cheap space) Its more than time for this Oedipal tragedy to end.

FIFTEENTH PIECE  Just to make an end, and to make another start, instead of adding up to all what has been.

And to be able to let every artist decide on how they work for themselves and/or with other artists.

Basically, I really wish to communicate with “sign6” about artworks that are presented there, And with ‘le chien perdu’ it became very much about how to make the place work (it felt more like a restaurant with a nice menu but with nobody really hungry to eat art), and that had more and more to do with anything else than with simply presenting artwork that speaks through the passionate acts of making art.

For the network, it also allows us to update our contacts and to connect to other organizations, and to reconsider how to attract real people to an artistic event.

Now our 1000 people mail list and 800 Facebook group, are not effective anymore, there is too much information out there. I guess that it works better to personalize our invitations, using the telephone, giving a flyer to someone and things like that.

For me, that means that I only want to invite people if I think that something is great, meaning that it is worth all the effort to bring people there for

FIFTEENTH PIECE  something that is interesting from an artistic point of view, not from only a social point of view. We’ll transfer our contacts to the monthly newsletter so that the people we want to inform can stay in touch. just to say with all these words a great end of times, no future and beyond, alive and then who knows? kisses, laughs and loves stef __________________________________________ _______________________________ She was my girlfriends friend.

Then my girlfriend was my friend and she became my friend.

We were friends for a few years, sometime during our mid twenties.

I never dared to be her lover; until another girlfriend, her and a friend of her all got hooked in each other.

FIFTEENTH PIECE ďżź Then I understood there is no real difference between friends and lovers, although the temptation to protect and possess increased in some irrational way.

This kept going for a few months after seeing each other naked.

Wasted we showered and with the sweat gone, a space for position and definition opened up.

What did this mean and how could it ever mean something reasonable?

Meaning, the thing abused for the sake of a story made up in words.

Then there were a few years of tears.

People died, girlfriends became torments, feelings of choice became practical jokes and mostly the fun appeared as agony.

The idea of a way to be followed still causes my temper to raise to anger.

For your own sake, how can something be excused because not being part of the way ahead?

The way itself is just part of that illusive construction of all that is, was, and is to come.

A hurt resounds much like the echo of a car crash.

Hoping in vain that nobody ever should get hit.

Yes, you can see my tracks until the dust took care of them.

All this adds up to this dust, most likely from my

FIFTEENTH PIECE ďżź closest friend next to earth.

The greater the difference, the more destructive its storms.

Next venue on a Friday.

Just loving friends, alone.

SIXTEENTH PIECE ďżź FUCK RESEARCH FOR CREATIVE CONCEPTION 6 days of art and action First day the artist shows its work.

Second till fifth day gets reconfigured.

Sixth day the artwork is displayed.

To participate : mailsign6@gmail.com (include CV + most recent version of the artwork) Accommodation in the studio possible.

Artworks are authorized by the artists.

Participation is free of charge.

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