Signe - Edition 24 by Signé

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OCEAN DRIVE

FROM THE DESIGN DISTRICT TO THE BEACH, ENJOY OUR EXCLUSIVE SHOOT OF THE ALL-NEW MERCEDES-BENZ AMG GTC ON THE STREETS OF MIAMI.

WATCHMAKING AT ITS BEST

SOME OF THE BEST WATCHMAKERS GATHERED IN GENEVA TO SHOWCASE THEIR NOVELTIES. WE TAKE YOU THROUGH THE EXHIBITION’S MOST IMPRESSIVE TIMEPIECES.

THE ROYAL RETREAT

WE HEAD OUT TO PARIS TO EXPERIENCE STAYING AT THE LE ROYAL MONCEAU, A HISTORICAL HOTEL HAS EARNT THE TITLE OF ‘PALACE DISTINCTION’ A STEP HIGHER THAN FIVE STARS.

THE DESIGN CONVERGENCE

From mechanical timekeeping Spiders to urban space designs, the Dubai Design Days 2017 is the definitive gathering of design in the region.

LANVIN.COM

Pioneering since 1906. For the pioneer in you. Inspired by the beginning of modern sea travelling, the Montblanc 4810 Chronograph Automatic embodies the precision of ďŹ ne Swiss watchmaking and artisanal reďŹ nement with the iconic exploding star. Discover the full story at montblanc.com/pioneering. Crafted for New Heights.

CONTENTS

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ARRIVERDECI RICCARDO After more than a decade at the head of Givenchy’s creative division, Riccardo Tisci left the fashion label. On February 2, the LVMH group, to which Givenchy belongs, announced the departure of the Italian designer.

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SWISS EXCELLENCE Signé sits with François-Henry Bennahmias, Audemars Piguet’s CEO to learn more about his career, his management style and the brand’s involvement in sports. From reducing the number of team meetings to focusing on the Royal Oak line, the CEO tells us everything.

Savoir faire

A COLORFUL OVERINDULGENCE

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A BESPOKE LEGACY The legend of Mulliner is woven into the very fabric of Bentley. It’s a rich history of human endeavor, belief and bespoke craftsmanship that has been passed down from one generation to the next for over 500 years.

A MODERN REVIVAL Developing a contemporary timepiece inspired by the 18th century marine chronometers created by Ferdinand Berthoud is no easy task. Achieving this task almost 200 years after his demise is a truly ambitious accomplishment.

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The Ralph Lauren Purple Label Spring 2017 Collection embraces one of life’s greatest luxuries, perfect imperfection. Suiting takes on a more relaxed silhouette in rich and innovative garment-dyed and textured fabrics, styled in sophisticated tonal color combinations.

WATCHMAKING AT ITS BEST

THE KEY TO SUCCESS French Jeweller Dinh Van celebrates the first anniversary of its Dubai boutique. We caught up the brand’s Managing Director, Thierry Vasseur, to discuss expansion plans and timeless designs.

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REDEFINING EXCEPTIONAL

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TRAVEL WITH STYLE Take a look at TUMI’s Spring/Summer 17 collection and embark on a journey to the streets of Havana. Your travel essentials are getting more colorful, and you don’t know it yet.

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The Santoni Spring/Summer ‘17 collection draws the picture of a light-hearted gourmand who only enjoys the best, in every field, and likes to play and have fun with it.

Following the successful launch of the legendary Orpheus almost 25 years ago, Sennheiser has created another milestone in audio history by launching its successor - the ‘Sennheiser HE1’.

PERFECT IMPERFECTIONS

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Some of the best watchmakers gathered in Geneva to showcase their novelties. We take you through the exhibition’s most impressive timepieces.

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THE GENTLEMAN’S CHOICE Berluti has always been a pioneer; today the shoemaker takes it a step further with a new gifting collection. With custom-made speaker and iPhone docks, the line is tech oriented and is set to become a must for tech-lovers.

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SOHO, 8:22 PM. DANA HOURANI FEELING THE RUFFLE EFFECT.

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THE DEAL BREAKER

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Sprezzatura

DALIDA

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BOTTLED MASCULINITY Discover Bottega Veneta’s latest fragrance and first eau de parfum; an intense and longlasting scent made for the modern man.

Chopard reinforces its partnership with the seventh art by supporting the French movie Dalida with exclusive pieces from its Haute Joaillerie collection. From Cairo to Paris the film takes you on a musical journey with the icon.

THE CORSICAN ROUTINE Staying hydrated and fresh is a must in the region. L’Occitane En Provence took a trip to the French countryside to come up with a full range of products that will soon be part of your routine.

Boghossian unveils its latest collection ‘Les Merveilles’ and announces its second collaboration with supermodel Bella Hadid. With a focus on craftsmanship and innovation, the Swiss Jeweller offers a new interpretation of classic pieces.

Layering is becoming more and more popular amongst men. We look at two fragrances, from Davidoff and Chopard, to help you create your bespoke scent.

Returning for its sixth edition in a new location at Dubai Design District (d3) with the largest number of exhibitors to date, Design Days Dubai is the Middle East and South Asia’s only annual fair dedicated to collectible modern and contemporary design works.

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BRIDGE OF ARTS

LACE & RIBBON

BLENDING SCENTS

The Coco Avant Chanel is a new High Jewelry collection from Chanel illustrating the quest for freedom, the desire for sobriety, and the search for lightness: the fundamentals of Chanel’s style.

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THE DESIGN CONVERGENCE

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AN ODE TO LIGHT

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The Douglas DC-3, which made air travel popular and airline profits possible, is universally recognized as the greatest airplane of its time. Some would argue that it is the greatest of all time. Before the legendary aircraft took flight, it took 25 hours to fly from New York to Los Angeles.

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A royal initiative made to showcase art, support humanitarian causes and break stereotypes; Royal Bridges started its journey in Dubai and will not stop there. With almost half a million dirhams raised the project has bright days ahead.

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CONTENTS

La dolce vita 092 THE ROYAL RETREAT Located minutes away from the ChampsÉlysées and the Arc de Triomphe in the 8th arrondissement, Le Royal Monceau is a hotel with very few peers in Paris. It is no surprise that this historical hotel has earnt the title of ‘Palace Distinction’ by the French Ministry - a step higher than five stars.

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OCEAN DRIVE From the Design District to the beach, enjoy our exclusive shoot of the all-new Mercedes-Benz AMG GTC in the streets of Miami.

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SUMMER CROSSING The 2017 Brunello Cucinelli Men’s Collection narrates the clear and vital spirit of summer. The inspiration arises from an encounter between a delicate morning breeze and clear beach sand, increasing with the light of sun-kissed days, contemplating the red hint of long sunsets and the enchanting sparkle of cool starlit nights.

Heritage

FROM SOURCE TO TABLE

A BRAND APART In 1956 the first CORUM watches appeared on the market, and the brand launched a veritable cascade of new ideas with great success. We walk through their many successes over the years.

Il Borro, the Tuscan estate owned by the Ferragamo family, has opened doors to its first venture outside of Italy, the Il Borro Tuscan Bistro Dubai, within the prestigious Jumeirah Al Naseem, Madinat Jumeirah’s latest addition.

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ON TOP OF THE RACES Soak in the royal treatment at the new VIP room at 1847 Jumeirah Emirates Towers. Experience fine dining from Catalonia at DIFCs trending hotspot Laluz, and enjoy the remarkable experience at Rüya, a can’t miss highlight in Dubai Marina serving up Anatolian culinary traditions.

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NEW IN TOWN

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Haute Société

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The top hat also nicknamed the “Topper” is a tall, flat-crowned, broad-brimmed hat, commonly seen at the races. The exhilarating Dubai World Cup is coming back to Meydan on Saturday 25th of March. Grab your top hat ahead of the races this season from bespoke couturier Ascots and Chapels.

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FIRST MOVERS WILL ALWAYS CHANGE THE WORLD. BUT WHICH ONE? >> Discover our approach at juliusbaer.com/visionary-thinking

SIG NÉ ◊ ED I O N 2 50 3 locations worldwide. From Dubai, Frankfurt, Geneva, Julius Baer is the leading Swiss private banking group and present inI Tsome Guernsey, Hong Kong, London, Lugano, Monaco, Montevideo, Moscow, Nassau, Singapore to Zurich (head office).

SCHOLARS

ARRIVERDECI RICCARDO

After more than a decade at the head of Givenchy’s creative division, Riccardo Tisci left the fashion label. On February 2 the LVMH group, to which Givenchy belongs, announced the departure of the Italian designer.

Mehdi Mabrouk “The chapter Riccardo Tisci has written with the house of Givenchy over the last 12 years represents an incredible vision to sustain its continuous success, and I would like to warmly thank him for his core contribution to the house’s development,” said Bernard Arnault, chairman and chief executive officer of LVMH. After leaving Italy to study at the Central Saint Martins in London Tisci went back home, in 1999, to start his career and work for fashion brands like Antonio Berardi, Coccapani, Puma and Ruffo Research. Driven by his ambition and passion for fashion Tisci created his label in 2005 and presented it the same year during Milan’s fashion week. This ready-to-wear collection met a tremendous success and helped him become Givenchy’s Creative Director in February of the same year. Rapidly after his nomination, Riccardo Tisci made Givenchy one of the most popular brands in the luxury industry by developing not only women’s ready-to-wear, but also men’s collections and accessories. He was also one of the first creators to befriend the new icons of pop culture Kanye West and Kim Kardashian, a move that took the label to new heights. He created the artwork for Kanye’s 2011 Grammy-winning album “Watch The Throne” as well as well as Kim Kardashian’s wedding dress in 2014. By befriending and working with this power couple and extended family, Tisci proved that he was a designer but also a visionary. Tisci was able to define a signature look for Givenchy. Using animal prints, architectural and floral patterns, he gave the brand a dark romanticism vibe making it one of the most sought after labels in the industry. He changed the industry through his work at Givenchy but also with his collaborations. His work with Nike helped put the concept of Athleisure on the map. By revisiting Nike’s iconic models, such as the Air Force 1 or the Zoom Legend, Riccardo Tisci created a new movement; Workout wear that could be worn outside of the gym. The Italian designer has always

been inspired by the urban culture and brought elements of street wear to the runway. “When I came to Givenchy, I made my intentions clear straight away. Of course, we have to make haute-couture gowns for the wealthiest clients; you have to make people dream because this is a luxury house. But let’s also offer clothes for the young – jeans, T-shirts, sweatshirts, trainers, rucksacks. To spread love, you have to think beyond the richest fringe of the world’s population,” explained Tisci in an interview last year. Tapping into social media’s potential the designer brought, once again, Givenchy under the spotlight. With his provocative ready-towear collections inspired by street wear and his couture collections celebrating the Givenchy’s heritage, Tisci was able to captivate audiences around the world. LVMH presents Givenchy as one of its most profitable brands, and the label has boutiques in more than 25 countries. Tisci’s tenure at Givenchy was profitable for LVMH. From 2005 to 2016 the fashion house’s workforce increased from approximately 290 to 930 employees with revenue of more than USD $540 million. “I want to thank the LVMH group and Monsieur Bernard Arnault for giving me the platform to express my creativity over the years. I now wish to focus on my personal interests and passions,” said Tisci in his final statement. We do not know who’ll replace Riccardo Tisci, but a lot of designers are available on the market at the moment; Hedi Slimane left Saint Laurent last year, and Clare Weight Keller left Chloé. It should not be long before Givenchy announces Tisci successor. According to the latest rumors, Riccardo Tisci could soon join Versace, succeeding Donatella Versace, who took over the label after her brother Gianni’s assassination, in 1997. “Riccardo Tisci is incredibly talented and, above all, my dear friend. We are family. I want to get rid of the old system, work together, support each other and make fashion a truly global community,” said Versace in 2015.

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Riccardo Tisci

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François-Henry Bennahmias, CEO of Audemars Piguet

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SWISS EXCELLENCE

as/ldkfjhas;oidfha;slkdfha;slkjdhf Royal Oak Perpetual Calendar Ceramic a;soidhfa;sdhifa;osihdf

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had was to increase and improve brand awareness, brand equity, and its perceived value. I was not chasing volume and revenue. Regarding revenue, the brand is doing good, and the owners are not after money, they care about being there making watches in 2060. Since they were not after revenue, it was easier to focus on quality, and by improving quality you inevitably increase revenue. The brand’s revenue depends on one line; don’t you think the brand is putting all its eggs in one basket? I don’t want to sound arrogant but, right now, a lot of brands would love to have the Royal Oak line in their collection. I get that question a lot, and I answer the same thing every time, do you know a brand focusing on multiple products and are successful? So yes we concentrate on the Royal Oak line but have a new classical line and a women one coming up. The brand has been expanding its retail network, what is the agenda? We currently have 52 boutiques worldwide, and our goal is to get as close as we can to our customers. We feel that consumers appreciate it, they want to interact directly with the brand and a lot of times when there is an entity between the brand and its customers it can affect communication. By opening more boutiques, we are taking control of our destiny, and I think it makes complete sense. I am not saying that we will stop working with Authorised dealers, but we see more

and more people traveling, whether it is locally or internationally, to go to and Audemars Piguet boutique. We have to shorten the distance between the client and the brand. Audemars Piguet has 15 brand ambassadors and has been focusing on golf for a while now, can you tell us more about this? At some point, we had six ambassadors who were number one in their sporting disciplines. We had Djokovic, McIlroy, Lebron James, Michael Schumacher, Lionel Messi and Sachin Tendulkar. They were number one in their respective sports at the same time, and no brand ever achieved that. Golf is the only sport we can bring our clients to without bothering the athletes. It would be difficult to put our customers on a basketball court with Lebron James or in an F1 car with Schumacher. On the green it is a different story, they interact, talk, and some of them even become friends. Royal Oak Perpetual Calendar Ceramic Dubbed the “hottest” watch at this year’s SIHH, the Royal Oak Perpetual Calendar took the industry by surprise. The timepiece boasts a black matte brushed ceramic case, a first for Audemars Piguet. It required 600 hours of research and development. According to the brand it takes 6 hours to make a steel Royal Oak bracelet and 30 hours for a ceramic one. Housed in a 41 mm case, this ceramic timepiece is virtually unscratchable and should resist high temperatures and thermal shocks.

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Karl-Friedrich Scheufele, President of the Chronométrie FERDINAND BERTHOUD and Co-President of Chopard

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SCHOLARS

A M O D E R N R E V I VA L

L’Essai sur l’horlogerie ; dans lequel on traite de cet Art relativement à l’usage civil, à l’Astronomie et à la Navigation (An Essay on Horology; in which we deal with this Art in relation to its civil application, to Astronomy and to Navigation) written by Ferdinand Berthoud in 1763.

Origins Ferdinand Berthoud was born in 1727 in the Val-de-Travers, Canton of Neuchâtel, Switzerland. He settled in Paris in 1745, at the age of 18, a move that enabled him to perfect his knowledge of the watchmakingclockmaking profession. He started off work in the industry as a watchmaker’s companion for the masters of the Parisian guild. The young Berthoud managed to overcome this hurdle by drawing attention to his considerable application in perfecting the art of watchmaking. He seized the opportunity of publishing his research at the French Royal Academy of Science by submitting the description of a new construction in a sealed envelope. The academics’ approval on April 26th, 1752 of a longcase equation clock, considered highly ingenious, marked the beginning of his career as a researcher and at the same time, enabled him to stake his claim of official integration within the watchmaker community. On December 4th, 1753, the King ordered that he be named a maître, a reference to “Master Clockmaker,” a title that allowed him to open a workshop in the Rue de Harlay, near Place Dauphine. Even before being named a master, Ferdinand Berthoud indicated the direction he wanted his career to take – namely to devote himself to research and transmit his know-how through publications and teaching. This double vocation enabled him to rapidly make a name for himself in the scientific world of his time.

In 1754, the master once again submitted his inventions to the Academy. One was his first marine clock project, and the others were equation systems. 1763 marked a turning point in Berthoud’s career, which was now bound up with the development of maritime navigation. The Academy of Science once again both witnessed and supported the horologist’s request for the opening of two reports describing the N°1 maritime clock. Convinced by his skill, the academics obtained permission from the Minister of the Navy to send him to London to examine the Harrison marine clock. This opportunity demonstrated his worth and resulted in his nomination as a foreign member of the Royal Society on February 16th, 1764. From this time onwards, he abandoned the management of his workshop-boutique for his research. He confirmed in 1792 that: “It is mainly since 1770 that I have been completely focused on this, and I have in a way left the field of public work”. A tenacious investigator, a skilled and daring builder, and an inventor anxious to share his knowledge, Ferdinand Berthoud not only took part in improving horology; he also fostered the use of precision clocks in the sciences of his time, thus contributing to their progress.

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“His life and work are absolutely unique and his destiny truly remarkable. A shrewd diplomat, he made his way from the Age of Enlightenment to the French Empire period, while surviving the French Revolution. Acknowledged and respected for his creations, Ferdinand Berthoud was also an exceptional horological theoretician and the author of several reference works. But the most important aspect of all is undoubtedly his visionary spirit, since a large proportion of his works remain as timely and relevant as ever.” Karl-Friedrich Scheufele on Ferdinand Berthoud

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A M O D E R N R E V I VA L

Ferdinand Berthoud Chronometer FB1 18-carat rose gold and black ceramic version, limited to 50 pieces.

Authentic Construction Officially announced at the end of 2013, the development of Chronométrie FERDINAND BERTHOUD has taken root in Fleurier and has now materialized in an extremely sophisticated creation, the FB1. The development phase of the FB1 Chronometer stemmed from a lengthy research process involving cooperation with many specialists from various backgrounds. Grasping the work of the master-maker; discovering the scope of his creations and becoming familiar with the range of shapes and materials used; understanding the technical constraints of the era. All these stages were a necessary part of preparing for the actual construction work on calibre and the external elements of the future watch. Picking up the pillar-based architecture typical of 18th-century pocket watches, the only feasible means at the time of securing the bridges to the baseplate, the mechanism

incorporates six titanium pillars holding the bridges, as well as three additional bridges composing the tourbillon carriage. The FB1 mechanism also features the characteristic fusée-chain systems of 18thcentury timepieces served to compensate for the variations in torque of the mainspring according to its degree of winding. The original fusée-chain mechanism of the FB1 occupies an exceptionally small space at the heart of the movement thanks to its “suspended” construction by which it is secured exclusively to the mainplate. The barrel and the fusée are linked by a 28 cm-long chain composed of 474 steel links and more than 316 pins measuring barely 0.30 mm in diameter and all handassembled. In keeping with this spirit, the

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assembly of a FERDINAND BERTHOUD chronometer is entirely performed by a dedicated watchmaker, and this seasoned specialist devotes no less than 15 hours to assembling the 474 steel links composing the chain. The barrel-chain-fusée ensemble also endures the most stringent tests, as it is put through nearly 1,000 mainspring windingunwinding cycles equivalent to five years of continuous use. The bridges made of maillechort – a copper, nickel and zinc alloy developed by and named after the Frenchmen Maillot and Chorier circa 1820 – are satin-brushed and chamfered by hand, representing a particularly delicate task with this material. The traditional finishes such as “Côtes de Genève” were deliberately excluded from the movement decoration, which instead focuses on those more reminiscent of the kind used in the 18th century marine chronometers of Ferdinand Berthoud.

Marine Inspired The octagonal-shaped case of the Chronomètre FERDINAND BERTHOUD FB1 features a specific architecture inspired by the marine chronometers developed by the Swiss master watchmaker, and their gimbal suspension system typical of ship’s chronometers. The movement is housed in a water-resistant container, while the case middle takes on an octagonal shape due to the addition of screwed-on gold elements endowing it with a powerfully contemporary appearance. These octagonal add-on sides open onto four lateral sapphire portholes providing a chance to admire the subtle intricacies of the movement. The 44 mm-diameter case is waterresistant to 30 metres and fitted with a

glareproofed screw-down sapphire back. It provides a captivating view of the tourbillon and reveals the complex fusée - chain mechanism. This window onto the heart of the movement allows light to flood through the case, illuminating the mechanisms visible through the four water-resistant lateral portholes. The pleasingly round bezel is topped by a domed, arched and glareproofed sapphire crystal ensuring optimal legibility of the dial indications. Secured by bolts whose design is directly inspired by those used by Ferdinand Berthoud for its marine clocks, the inter-horn space is clothed with high-tech materials – grade 5 titanium for the white gold version and black ceramic for the rose gold version

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– accentuating the resolutely modern nature of this new watch. Production is limited to 50 pieces for the 18-carat white gold and titanium version, and 50 pieces for the 18-carat rose gold and black ceramic version. Developing a contemporary timepiece inspired by the 18th-century marine chronometers created by Ferdinand Berthoud is no easy task. Transposing the chronology of onboard chronometers to a wristwatch is a technological feat, but placing on the dial the name of one of the most illustrious master-watchmakers of the Age of Enlightenment – almost 200 years after his demise – is a genuinely ambitious challenge and one that has been truly achieved with the launch of the FB1.

SCHOLARS

THE KEY TO SUCCESS

Dinh Van is a contemporary jewelry brand created in 1965 by Jean Dinh Van a jeweler who grew tired of making panthers and flowers for crowned heads and aristocrats.

Mehdi Mabrouk On the sidelines of the first anniversary of its CITY WALK Boutique, the brand’s Managing Director, Thierry Vasseur, sits with Signé to talk design, jewelry, and expansion. The brand’s Dubai Boutique is celebrating its first anniversary, how does it feel? I am so proud of the accomplishments that have marked each step of this extraordinary journey. After this incredible year, our brand continues to be recognized as a go-to destination for all jewelry lovers, thanks to our outstanding team and intuitive service standards. We are grateful to our valued guests and loyal customers in the Middle East for their ongoing trust in us. Can you tell us more about the brand? Dinh Van was created in 1965, and it was originally a women’s brand. The founder, Jean Dinh Van, after working for Cartier decided to set up his jewelry line with a particular goal in mind, for women to buy jewelry by themselves and wear it every day. It was an avant-garde way of seeing things in the sixties. The Dinh Van pieces are comfortable to wear and are created to be the perfect pieces for a casual chic look.

How would you describe the brand’s designs and inspirations? We always go back to our Parisian roots; Jean Dinh Van always had a contemporary style. In the sixties, brands like Yves Saint Laurent or Pierre Cardin launched their first ready to wear collections, and the French design scene was booming. One of the brand’s main inspirations is the Bauhaus movement and the idea that simplicity is the real luxury. Our pieces look simple but making them requires a lot of expertise and patience. The brand was initially targeting women and later men; can you tell us more about this transition? There no logic or explanation behind this move, it is customer logic. The thing is that our jewelry is design oriented and our products are pure, simple and almost unisex. We don’t use little hearts or flowers in our designs, so it appeals to men and women alike. What are some of the Dinh Van’s iconic models? We have a wide array of products, but some of the iconic ones are the square wedding bands, the handcuff bracelet, and the keyhole bangle.

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How does the brand differentiate itself from its competitors? We don’t want to be a mainstream brand, we know that we don’t appeal to everybody and we are fine with it. We want to stay in our niche. I would say that we are primarily a design jewelry brand. Since our inception we created pieces in gold and silver, we started with these materials and today we are still using them. We recently introduced carbon fiber, and we are trying to add new material to drive innovation in the jewelry industry. What is brand’s strategy to gain market shares in the Middle East? We want to do it step by step. Regarding communication and marketing, we are investing in digital since the region is digital-oriented. We want to create monthly in-store experiences such as events to showcase the brand’s product and philosophy. The idea is to create traffic around the boutique and then expand our retail network in the region. At the moment we have a store in CITY WALK, a counter in Galeries Lafayette in Dubai Mall and we are also present in Bahrain while our Qatar boutique will open in April.

Thierry Vasseur, Dinh Van’s Managing Director

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A BESPOKE LEGACY

The legend of Mulliner is woven into the very fabric of Bentley. It’s a rich history of human endeavor, belief and bespoke craftsmanship that has been passed down from one generation to the next for over 500 years. The earliest roots of the Mulliner family traced back to carriers and saddlers in 1559, just one year after Elizabeth I came to the throne. But real prominence came to the family in 1760 when Francis Mulliner was commissioned to build and maintain carriages for the Royal Mail. In 1870 Francis’s son, Robert Bouverie Mulliner, started his own coachbuilding company called Mulliner London Limited – sharing his father’s restless pursuit for perfection. Crucially, in the later part of the 19th century, he decided to step away from horse drawn vehicles and focus his business on coachbuilding for mechanical propulsion – and the business flourished. Each motorcar arrived from the factory simply as an engine mounted on a chassis. Nothing more. From this foundation, they would exquisitely handcraft each coach around their client’s exacting requirements. At the turn of the 19th century, Henry Jervis Mulliner purchased the family business and moved it to London’s fashionable Mayfair under the name H.J. Mulliner & Co. With the arrival of the 1923 Olympia Show in London, H.J. Mulliner & Co. crafted a bespoke 3-litre, two-seater Bentley. It was a bond that would remain for decades, and during the 1920s H.J. Mulliner & Co. bodied over 240 chassis, each as original as the next. Thus, they quickly became regarded as the very best of the new coachbuilding firms. Through the succeeding years, the partnership grew closer and stronger and, in 1952, H.J. Mulliner’s most famous creation was born – the revolutionary R-Type Continental. The fastest four-seat sports car of its era, its iconic beauty still continues to influence design today through the Bentley Continental. Then in 1957, Mulliner created a four-seat coachwork on a Continental chassis. The result was the equally iconic Flying Spur, a masterpiece of its time. In 1959 Mulliner cemented their partnership with Bentley more emphatically by becoming a part of the business. They later moved into the old engineering experimental department in Crewe – and there they remain till the present day handling the bespoke creations of Bentley Motors. From requests as simple as monogrammed upholstery to the kind of elaborately tailored body modifications that can only be undertaken with the proven expertise of a truly established coachbuilder, the Mulliner team delivers luxury on a new level; rarity on a different scale.

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With a handcrafted solid wood frame, this exquisite Illuminated Drinks Cabinet is the ultimate option to enjoy refreshing beverages in the back of the Mulsanne. Discreetly hidden behind the armrest between the rear passenger seats, the cabinet holds two bespoke crystal decanters, exclusively designed for Mulliner by David Redman of London.

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A BESPOKE LEGACY

As its name suggests, the Mulsanne Speed is a phenomenally powerful car, reaching 60 mph in just 4.8 seconds and a top speed of 190 mph – and its craftsmanship is beyond compare. Nothing encapsulates Bentley’s blend of performance and luxury in such exquisite style. 32

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All aspects of a Bentley interior go through a rigorous selection process. Only the best make the cut.

Bamford X Bentley Mulliner Bentley and the George Bamford, the man behind Bamford Watch Department (BWD), the UK’s foremost bespoke timepiece personalization company, share a long history. The most recent development in this continuing relationship comes in the form of Bamford’s new Mulliner commission: a Bentley Mulsanne Speed styled according to his unique vision. Bamford Watch Department is renowned for its signature color scheme – a ‘black-on-black’ style, often complemented by a flash of aqua blue. The unique black finish is achieved on Bamford watches via processes known as Military Grade Titanium Coating (MGTC) and Graphite Particle Coating (GPC). In creating Bamford’s car, Mulliner’s challenge was to take this visual language and replicate it on his Mulsanne Speed. Beluga exterior paint was selected, for a rich, gloss black body. Exterior details such as the ‘Speed’ wing vents, the badges on the bonnet and the boot and the iconic matrix grille – normally known as ‘Brightware’ due to their polished stainless steel finish – were then darkened using a process known as Physical Vapour Deposition (PVD). The resulting ‘Darkware’ matches the finish of Bamford’s watches while meeting the standards of toughness and corrosion resistance required of all Bentley exteriors.

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A BESPOKE LEGACY

Fly fishing is a sport that requires a variety of equipment and clothing, so it is essential to package the rods, reels, waders, boots and fly-tying station into the car in a luxurious, accessible and elegant way – and the end result is truly extraordinary. 34

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The Mulliner workshop boasts an impressive capability with regards to wood working.

Bentayga Fly Fishing by Mulliner Hand-crafted by Bentley’s bespoke coachbuilding division, the Bentayga Fly Fishing by Mulliner is an exquisite installation which houses all the equipment required for a successful day on the river. Four rods are stored in special tubes trimmed in Saddle leather with Linen cross-stitching and located on the underside of the parcel shelf. A pair of landing nets in matching leather bags are stored in a bespoke, carpet-trimmed hard pocket built into the side of the boot. At the heart of the Bentayga Fly Fishing by Mulliner are three individual, Saddle-leather-trimmed units: a master tackle station; a refreshment case; and waterproof wader-stowage trunk. The master tackle station and refreshment case sit on a sliding tray that allows for easy access. Inside the master tackle unit is a special Burr Walnut veneered drawer containing a fly-tying vice and tools, as well as a selection of cotton, hooks, and feathers. Beneath this are four machined-from-solid aluminum reel cases trimmed in Saddle leather with a Linen cross-stitching. The interior of the refreshment case is trimmed in Linen leather and contains up to three metal flasks and a set of Mulliner fine-china tableware, as well as a separate food storage compartment.

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S AV O I R FA I R E

A BESPOKE LEGACY

The finest leathers are used and everything is meticulously hand stitched by master craftsmen.

Linley Hamper by Mulliner The Linley Hamper by Mulliner, designed in collaboration with renowned British designer Linley, has been created to take the luxury picnic to those same places. The set comprises three separate compartments, each hand-trimmed by Mulliner’s experienced craftspeople in a choice of Camel, Hotspur, Linen, Magnolia, Beluga or New Market Tan exterior leather. To add an additional personal touch, Mulliner can embroider a name, logo or family crest into the leather. This allows all three compartments to be pulled forward to the edge of the tailgate, for effortless access and removal from the vehicle to maximize luggage space. The team of craftspeople at Mulliner – Bentley’s personal commissioning division – created the hamper set to enhance the experience of Bentayga customers wishing to enjoy luxury dining in the great outdoors. Plates, cups, and saucers are sourced from the Sublime Collection of Haviland – the renowned French porcelain maker. Four sets of awardwinning Alta Robbe and Berking silver cutlery are joined by a beautifully crafted chrome-finished Bentley ‘Flying B’ bottle stopper. The hamper can be utilized with or without the Bentayga’s unique Event Seat option, providing a variety of ways to enjoy al fresco dining.

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The Linley Hamper by Mulliner, created together with renowned British designer David Linley, contains the finest examples of cutlery, crockery and glassware in the world. SIGNÉ ◊ EDITION 24

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PERFECT IMPERFECTIONS

PERFECT IMPERFECTIONS The Ralph Lauren Purple Label Spring 2017 Collection embraces one of life’s greatest luxuries, perfect imperfection. Suiting takes on a more relaxed silhouette in rich and innovative garment-dyed and textured fabrics, styled in sophisticated tonal color combinations. Modern fashion details include high-waist and wideleg trousers, deconstructed unlined jackets with patch pockets, and versatile knitwear layers. The clean geometric architecture of the Art Deco era forms the inspiration of the formalwear, illustrated by the graphic contrast of bold black and white.

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PERFECT IMPERFECTIONS

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W AT C H M A K I N G AT I T S B E S T

WATCHMAKING AT ITS BEST

The who’s who of the watchmaking industry, once again, gathered in Geneva to release their novelties. Here is a round-up of what you need to get your hands on in 2017.

IWC Da Vinci Perpetual Calendar Chronograph While the cylindrical lugs and round dial of this timepiece remind us of the 1985 model, once you look closer you can see a difference. The watch is fitted with IWC’s new in-house chronograph movement, and it gives it 68-hour power reserve as well as a flyback function. “With the new Da Vinci collection, IWC Schaffhausen has returned to the round case that was so successfully established by the Da Vinci Perpetual Calendar in 1985; reaffirming our commitment to the classic proportions the brand stands for” explains Georges Kern, CEO of IWC Schaffhausen.

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A.Lange & Söhne Lange 31 A part of the brand’s Saxonia line but a more masculine offering, this watchmaking wonder boasts a 31 days power reserve and 45.9mm case. Limited to 100 pieces and only available in white gold the Lange 31 is power by the manually wound L034.1 movement. This movement and its constant-force escapement allow the watch to run with continuously until the end of its power reserve.

Les Cabinotiers Celestia Astronomical Grand Complication 3600 Vacheron Constantin welcomes a unique piece to its roster, the twin-dial Les Cabinotiers Celestia Astronomical Grand Complication 3600. Combining astronomy and watchmaking this masterpiece is home to twenty-three complications that appear on the front and back dials. From tidal to solar readings, this watch has it all. With a power reserve of three weeks and an 8.7mm caliber, this unique piece deserves its title.

Excalibur Spider Pirelli Roger Dubuis surprised everyone by partnering with Pirelli, the official F1 tire sponsor, and the result is more than impressive. With straps made from actual number F1 tires, the brand took the concept of exclusivity to another level. The 45mm black DLC Titanium case is home to a skeleton dial and the RD820SQ in-house caliber. Limited to 8 pieces, each watch comes with a two-day VIP experience organized by Pirelli at motorsport events.

Jaeger-LeCoultre Duomètre Sphérotourbillon Boasting a multi-axis tourbillon the Duomètre Sphérotourbillon is the epitome of haute horlogerie. Housed in 42mm the hand decorated Jaeger-LeCoultre Calibre 382 gives this timepiece a 50hour power reserve. Available in 18-carat pink gold, the Jaeger-LeCoultre Duomètre Sphérotourbillon is a unique piece of watchmaking that takes watchmaking to new heights.

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HANDCRAFTED ELEGANCE

Montblanc TimeWalker Chronograph Rally Timer Counter

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Montblanc TimeWalker Chronograph Rally Timer Counter Boasting a grade-two titanium case with a DLC finished, this 50 mm chronograph can be turned into a pocket watch by folding the strap attachments under the case and setting the case from 0 to 180 degrees. Powered by the Monopusher chronograph Caliber MB M16.29, the TimeWalker Chronograph Rally Timer Counter has a 50 hours power reserve and one of the most legible dials in the industry. Limited to 100 pieces and blending vintage influences with the modernity of Montblanc’s Timewalker collection, this timepiece will surely be a sell-out in the blink of an eye.

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W AT C H M A K I N G AT I T S B E S T

Panerai LAB-ID Luminor 1950 Carbotech Limited to fifty pieces with a 50-year guarantee, the Luminor 1950 Carbotech LAB-ID features a black dial, with LAB-ID engraved on the watch sapphire crystal. The uniqueness of this watch resides in the fact that the movement does not carry rubies since Panerai came up with a revolutionary way to lubricate this movement. This hand-wound timepiece has a three days power reserve and 49mm case, definitely an eye-catcher.

Piaget Altiplano 60th Anniversary Collection The Altiplano 60th Anniversary Collection is a breath of fresh air for Piaget. It re- introduces the brand to a younger audience and proves that the brand is one of the best when it comes to minimalistic designs. With its 43mm case, blue dial and Sapphire case-back, the Altiplano 60th Anniversary is a classy watch. This automatic timepiece and its 44 hours of power reserve are proof that Piaget knows how to revisit its classics.

Drive De Cartier Launched in 2016 this collection has been updated in 2017 to add more character to the line. The moon phase version of the Drive De Cartier is the perfect watch for formal dinners and casual soirées alike. Displayed on a subdial at 6 o’clock, this complication tracks the moon’s cycle and is so accurate that it needs correction every 125 years.

Baume & Mercier Clifton Club Shelby Cobra Inspired by the Shelby Cobra Daytona Coupe the first American car to win in 1964 the 24 Hours of Le Mans, this 44mm chronograph pays to the iconic race car and its creator Carroll Shelby. The two-tone dial is equipped with a tachymeter, and the red central hand proudly boasts the Cobra logo. Delivered in a unique silver and black box this limited edition will please collectors and racing enthusiasts alike.

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Baume & Mercier Clifton Club Shelby Cobra

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A COLORFUL OVERINDULGENCE

The Santoni Spring/Summer ‘17 collection draws the picture of a light-hearted gourmand who only enjoys the best, in every field, and likes to play and have fun with it. Precious without a hint preciousness, the collection is a subtle fable of impalpable sophistication. Shapes are simple and elongated, colors are light. The iconic Santoni double buckle recurs as a sign: as a mask on boots, as a clip for fringes on slender shoes, embossed as a ghostly impression on slippers. Slippers morph into espadrilles, suggesting en plein air and leisure situations. From brown to blue and blacks, with touches of bright

green, bright blue and red, the chromatic notes are masculine as they are unexpected. Materials are precious: brushed calfskin, crocodile, kangaroo, patina calf with glossy finishes. The message is light but pointy: true beauty is useful, but without a delectable component of self-sufficient pleasure it becomes lackluster, because real beauty is a delight for the eye and the soul.

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REDEFINING EXCEPTIONAL Following the successful launch of the legendary Orpheus almost 25 years ago, Sennheiser has created another milestone in audio history by launching its successor - the ‘Sennheiser HE1’. The electrostatic headphone system combines to perfection the most innovative technology with carefully selected, luxurious materials and highest quality craftsmanship. The HE 1 surpasses every other headphone system in the world by offering the ultimate in reproduction precision, exceptional spatiality and a frequency response that extends far beyond the range of human hearing ability. To make this possible, a team of Sennheiser experts spent almost a decade continuously

working against the limits of what is technically possible – using an innovative amplifier concept that combines to perfection the advantages of a tube amplifier with those of a transistor amplifier. The headphones are priced at € 50,000 and are targeted towards the high-end audiophiles.

The Sennheiser HE1

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T R AV E L W I T H S T Y L E

TRAVEL WITH STYLE Whether it is a short business trip or your daily commute, traveling is becoming easier and faster, but we still need reliable and stylish travel pieces. TUMI is a brand that has been able to deliver such pieces, and they are doing it again with its Spring/Summer 17 collection. Inspired by the fluid lines and curve of modern architecture, the 19 Degree carry-on suitcase line boasts a contemporary design with a reinforced frame. This lightweight collection is wrapped in a polycarbonate film and comes in three colors, matte black, rose gold and silver. The entire Spring/Summer 17 range is inspired by the spirit and colors of Havana; pretty much like Cuba, the collection is a blend of past and present. It uses retro color palette as well as prints while using the latest technology available. Ensuring that travel items are light and secure are some of the key aspects travelers look at while looking for new pieces and is one of the brand’s primary goals while designing luggage. “TUMI remains the ultimate travel companion for mega-tasking Global Citizens whose ever-changing schedules demand the very best in quality, style, and functionality,” explained the brand while presenting the collection.

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THE GENTLEMAN’S CHOICE

THE GENTLEMAN’S CHOICE Accessories are becoming primordial items in discerning men’s wardrobe, and as technology evolves, luxury brands have to do the same. Berluti is one of the brands that is not afraid of change, and it proves it once again with a new range of custom made leather goods.

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Famous for its craftsmanship and extensive customization and gifting options, Berluti, a house founded in 1895, is now offering a complete line for the modern gentleman. Created in collaboration with Devialet the Berluti custom-made speaker is combines the savoir-faire of the shoemaker with the expertise of one of the best sound system makers in the world. The speaker, name Phantom I Berluti Cocoon, comes in Venezia leather with a tobacco shade. On top of the leather, the shoemaker adds nature pigment to create the patina it is famous for. Also available in Venezia leather is the iPhone charging dock is definitely as a style statement. To complete the range, the Berluti iPhone cover will protect your phone and turn it into a fashion piece of its own. From custom-made speakers to iPhone charging docks and covers the options are almost endless and will satisfy tech-lovers and leather aficionados alike.

Berluti custom-made Devialet speaker cover.

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BOTTLED MASCULINITY

Inspired by the Veneto region in Northern Italy and imagined by the house’s Creative Director, Tomas Maier, Pour Homme eau de parfum is the brand’s latest addition to its men’s fragrance portfolio. Pour Homme eau de parfum is the result of a collaboration between creative director Tomas Maier, master perfumer Daniela Andrier and perfumer Antoine Maisondieu. Initially introduced four years ago, the Bottega Veneta Pour Homme is the perfumer’s signature male line. The fragrance is a blend of some of the world’s finest ingredients. Boasting woody and spicy cedar notes along with cardamom, pimento, and fir balsam; the fragrance is a

concentration of masculine scents; balanced by Tonka bean and leather accords. With this perfume, Bottega Veneta is taking us on an olfactive journey. From the Dolomite Mountains to the leather cushions of an Italian cabin Pour Homme eau de parfum marks the evolution of the house’s signature scent into a richer and long-lasting fragrance. “The weaving of these sensual aromas creates a sophisticated intensity, marking the

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evolution of the signature scent into a richer rendition,” explains the brand. Always true to its roots the Bottega Veneta Pour Homme Parfum flacon and its box remain authentic to the house’s principles of outstanding craftsmanship, innovative design, contemporary functionality. Using the timeless intrecciato base and screw motif, the bottle is made of Murano glassware and evolved from the traditional silvery gray color to a robust opaque black and gold one.

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THE CORSICAN ROUTINE

THE CORSICAN ROUTINE In a region where heat and humidity are part of our daily lives, taking care of your skin and hair can be a struggle. With alcohol-free products and natural ingredients, L’Occitane En Provence Cedrat range is a gentlemen’s must. Here are five products you should include in your grooming regime. Soap: This is the perfect product to start you routine with. It cleanses the skin and opens the pores in order to prepare your skin for the rest of the products. Eau De Toilette: Boasting a fresh and citrusy scent, this fragrance is balanced by the bitterness of its woody note. Spray it in the morning and be assured you’ll feel fresh all day long.

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Face Gel and Face Cleanser: This daily skincare product is a product you should include in your daily routine. Easy-to-use, it will moisturize and reinforce your skin while neutralizing shine and excess sebum. Shower Gel: This gel is the perfect to use during your morning or evening shower. Loaded with Corsican cedrat, this energizing formula will cleanse your skin and leave your hair softer than silk. Deodorant: Engineered to dry quickly and perfume your skin with an energizing citrus scent, this long lasting deodorant will prevent body odor throughout the day. On top of that, it is made without alcohol or aluminum salts. Purifying Shampoo: Suitable for all hair types, this shampoo will bring back softness and shine to your hair. Using rosemary essential oil, it will protect your scalp and relieve any discomfort you might feel. Shaving Gel and After Shave: The perfect combination to ensure a clean shave and avoid any type of irritation. It protects your skin from the blade and decreases skin tightness. Enriched with organic Corsican cedrat extract, it leaves the skin clear, soft and energized.

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BLENDING SCENTS

BLENDING SCENTS Originally from the Middle East and now spreading around the globe, layering is slowly taking over the perfume world. Signé looks at two fragrances that will soon become a must if you’re a layering aficionado; Davidoff Amber Blend and Chopard Musk Malaki.

Author

Chopard Musk Malaki Originally, musk was used as a base note in oriental fragrances and was found in the musk deer in Nepal, India, Pakistan, Tibet, China, and Mongolia. Today Chopard is paying tribute to this timeless ingredient by adding it to its royal line of perfume, the Malaki line. A distillation of the finest ingredients from the near Orient, Musk Malaki is a fresh and balanced fragrance that will make layering easier than ever.

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Davidoff Amber Blend Created with Zino Davidoff’s vision of the world and passion for craftsmanship in mind this fragrance is the latest addition to the brand’s Blend Collection. Brought to life by master perfumer Olivier Pescheux Amber Blend is an oriental spicy fragrance boasting notes of amber, cinnamon, nutmeg, and sandalwood. This combination of scents makes Amber Blend a long lasting Eau De Parfum made for oriental fragrances aficionados and amateurs alike.

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FOR HER

DALIDA

DALIDA Reaffirming its commitment to support arts, Chopard partnered with French director Lisa Azuelos for her latest movie Dalida. In the film, Dalida, played by Italian actress Sveva Alviti, wears some of Chopard’s Haute Joaillerie creations.

Mehdi Mabrouk “The actress wears a stunning engagement ring from the High Jewelry Collection pairing it with an 18ct white gold wedding band set with diamonds (7.8cts) from the Ice Cube Collection. Also, during one of her musical performances, she sparkled with a breathtaking Chopard necklace from the High Jewelry Collection,” explains Chopard in a statement. Dalida’s songs are timeless and turned her into a legend and trans-generational icon. More than Twenty years after her death, the love of his audience has remained intact, and new generations are discovering the career of the Egyptian diva, through reissues of old albums, compilations, and other remix albums. Her brother Orlando, guardian of the temple of Dalida, helped preserve his sister’s memory and made her a timeless artist. Her Life Born of an Italian family of three children, Dalida, whose real name is Yolanda Gigliotti, was born on January 17, 1933, in Cairo, Egypt. She is the only daughter of the Gigliotti family. Dalida had a peaceful and happy childhood but suffered from an eye disease that required several operations. Once her condition was fixed, she became more confident and participated in several beauty pageants. In 1954, she reiterated the experience with a national competition and obtained the title of Miss Egypt. From then on, a new life started for the young Yolanda. Under the pseudonym of Dalila, she began a career in cinema and enjoyed some successes in Egyptian B-series.

But, she soon felt that it was not enough for her and aimed for stardom. The same year she moved to Paris to start her singing career. She took singing classes at La Villa D’Este, a famous Parisian cabaret, where Bruno Coquatrix, the owner of Paris’ most famous concert hall, L’Olympia, notices her. He invited her to a singing contest where music executives fell in love with her and offered her a contract. Dalida was born. Selling out stadiums and singing hits after hits, Dalida’s career never slowed, and she marked audiences in France and abroad. After some time she returned to Egypt where she got back into acting in Youssef Chahine’s The Sixth Day. Trouble by several losses and complicated love life, Dalida took her life in her apartment in 1987. The Movie Covering Dalida’s entire career, the film has been acclaimed by French critics. It depicts the singer’s life accurately and still manages to captivate the viewers. Without ever betraying the family and musical universe of the artist, Lisa Azuelos tells us the story of the Dalida’s songs through her love stories. The actress disappears, and the songs take over, illustrating some fascinating facts of singer’s life. The movie will take you down memory lane because no matter where you’re from, you know at least of one Dalida song.

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Sveva Alviti as Dalida

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AN ODE TO LIGHT

Sophistication and intricacy are two words one can use to describe Boghossian. With every collection, the Maison takes its craftsmanship to a new level. Les Merveilles, the brand’s latest collection, is an elegant and sober collection created with one idea in mind, the pursuit of the purest light reflection in diamonds. Boghossian’s new technique allows diamonds to be mounted on one of the thinnest metal frames in the industry, giving the rocks a continuous flow of light intensifying their brilliance. This technique requires an extreme level of precision, not only in the stone setting but also in the gem selection process. Boghossian’s artisans must go through thousands of diamonds to make sure they meet the shape, purity and clarity criteria. The jeweler was able to perfect this technique and present Les Merveilles collection after four years of thorough research and experimentation. “Designing jewelry is like painting with light. Since gold interferes with the light reflection, we worked hard to find new ways of weaving the stones together with minimal metal intervention,” said Albert Boghossian, the brand’s CEO. The collection is composed of necklaces; earrings and rings designed using curved lines and unusual color combinations. The

main materials are gold and diamonds, but certain models carry rubies and sapphires. Fronted by Bella Hadid, Les Merveilles’ campaign will see the Dutch-Palestinian supermodel donning the collection in a unique setting. Built around the concept of brilliance and transparency, the campaign’s images put Hadid in front of a monochromic backdrop holding pieces of the collection. Light is then projected on the diamonds, and their reflection forms a uniform and continuous line on different parts of Hadid’s body. Boghossian and Bella Hadid started their collaboration in 2016 and extended for 2017 specifically for Les Merveilles. “Drawing inspiration from cultures and civilizations including Armenian, Phoenician, Persian and Byzantine, Boghossian’s continued appointment of Bella Hadid, ensures together they break classical standards, to generate new ones,” explained the brand in a statement.

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Bella Hadid behind the scenes of the Les Merveilles collection campaign for Boghossian.

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LACE & RIBBON

The Coco Avant Chanel is a new High Jewelry collection from Chanel illustrating the quest for freedom, the desire for sobriety, and the search for lightness: the fundamentals of Chanel’s style. From childhood to adolescence to adult life, key moments and encounters in the life of Gabrielle Chanel helped shape her style and inspire her creations, which shook up the traditional codes of the womenswear wardrobe. This unique style, which soon became emblematic, is still reflected in the label’s collections today. The new Coco Avant Chanel collection features 11 jewelry sets bearing the names of elegant women who had accompanied, marked or influenced the life of Gabrielle Chanel before 1920. The collection is inspired by the two founding elements of her style: lace and ribbon, which decorated her boater hats at the racecourses. In gold and precious gemstones, lace and ribbon appear in subtle gradations of rose and grey. Morganite, pearls, spinels, moonstones and Padparadscha sapphires blend with diamonds. The jeweled ribbon undulates in complete freedom: loose, draped, wound or knotted in ethereal loops, its edges sometimes sharp and at other times frayed with diamonds. Redefined, simplified and stylized, lace appears as though it is printed with camellias, flowers, and birds. Recalling Gabrielle Chanel’s bold scissor cuts and the splendor of her creative stroke, lace is rendered in asymmetrical silhouettes, falling perfectly on the body.

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“Jeanne” bracelet in 18K white gold set with 7 fancy-cut pink sapphires for a total weight of 5,23 carats, 6 fancy-cut diamonds for a total weight of 1,13 carat, 80 round-cut pink sapphires for a total weight of 1,67 carat, 60 round-cut grey spinels for a total weight of 1,83 carat and 303 brilliant-cut diamonds for a total weight of 12,75 carats.

“Jeanne” necklace in 18K white gold set with 11 fancy-cut pink sapphires for a total weight of 10,32 carats, 11 fancy-cut diamonds for a total weight of 2,33 carats, 94 round- cut pink sapphires for a total weight of 1,72 carat, 82 round-cut grey spinels for a total weight of 3,01 carats and 633 brilliant-cut diamonds for a total weight of 33,77 carats.

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LACE & RIBBON

“Suzanne” necklace in 18K white gold set with 8 oval-cut pink sapphires for a total weight of 13,53 carats, 139 Tahitian cultured pearls, 11 cabochoncut moonstones and 274 brilliant-cut diamonds for a total weight of 6,90 carats.

"Suzanne" earrings in 18K white gold set with 4 oval-cut pink sapphires for a total weight of 5,44 carats, 8 Tahitian cultured pearls, 6 cabochon-cut moonstones and 144 brilliantcut diamonds for a total weight of 2,68 carats.

“Suzanne” ring in 18K white gold set with an oval-cut Padparadscha sapphire of 6.09 carats, 4 oval-cut Padparadscha sapphires for a total weight of 3.31 carats, 2 cabochoncut moonstones and 192 brilliant-cut diamonds for a total weight of 3,02 carats.

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“Suzanne” necklace in 18K white gold set with 10 oval-cut Padparadscha sapphires for a total weight of 28,02 carats, 17 cabochon-cut moonstones and 1054 brilliant-cut diamonds for a total weight of 25,45 carats.

“Suzanne” bracelet in 18K white gold set with 9 oval-cut Padparascha sapphires for a total weight of 17,62 carats, 10 cabochon-cut moonstones and 513 brilliant-cut diamonds for a total weight of 9,63 carats. “Suzanne” earrings in 18K white gold set with 10 oval-cut Padparadscha sapphires for a total weight of 18,02 carats, 10 cabochon-cut moonstones and 106 brilliant-cut diamonds for a total weight of 2,65 carats. SIGNÉ ◊ EDITION 24

OBSESSION

THE DEAL BREAKER

THE DEAL BREAKER The Douglas DC-3, which made air travel popular and airline profits possible, is universally recognized as the greatest airplane of its time. Some would argue that it is the greatest of all time. Before the legendary aircraft took flight, it took 25 hours to fly from New York to Los Angeles. In 1934, the year before the introduction of the DC-3, a flight from New York to Los Angeles was a grueling ordeal, typically requiring 25 hours, more than one airline, at least two changes of planes and as many as 15 stops or so. Now, a single plane could cross the country, stopping only three times to refuel. The DC-3 cut this journey time down to 18 hours and 40 minutes, including several ground stops. Built by Douglas Aircraft, founded in 1921, the DC-3 incorporated breakthroughs developed at Douglas and Boeing—super-charged 1,200-horsepower twin engines, cantilevered metal wings, retractable landing gear. Design work began in 1934 at the insistence of C.R. Smith, president of American Airlines. Smith wanted two new planes — one version would carry more day passengers and another with railroad-type sleeping berths, to carry overnight passengers. The DC-3 prototype first flew on December 17, 1935, and the design was soon being produced in two versions for American Airlines, the 14-passenger DST sleeper and a 21-seat ‘daytime’ airliner. The 14-passenger DST sleeper had fourteen plush seats in four main compartments which could be folded in pairs to form seven berths, while seven more folded down from the cabin ceiling. The plane could accommodate 14 overnight passengers or 28 for shorter daytime flights. The first was delivered to American Airlines in June 1936, followed two months later by the first standard 21-passenger DC-3. In November 1936, United Airlines, which had been a subsidiary of Boeing until 1934, became the second DC-3 customer. Initial orders from American and United were soon followed by orders from more than 30 other airlines in the next two years. Commercial Success Today, a legendary DC-3 hangs suspended in the Smithsonian National Air and Space Museum. The plane, says F. Robert van der Linden, the museum’s curator of aeronautics, “is widely considered to be the first airliner capable of making money just by carrying passengers.” It was technically the first airplane that could make money just by hauling passengers, without relying on government subsidies. Thus, by 1939, more than 90 percent of the nation’s airline passengers were flying on DC-3s. But the plane’s primary—and romantic—accomplishment, is that it captured America’s imagination. The journey became the destination. And with good reason: Passengers aboard the plane entered a cosseted world

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The Breitling DC-3 HB-IRJ

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OBSESSION

THE DEAL BREAKER

Breitling is introducing a 500-piece limited edition of its famous Navitimer aviation chronograph. This steel Navitimer 01 (46 mm), powered by Manufacture Breitling Caliber 01, will notably be distinguished by its caseback engraved with the Breitling DC-3 World Tour logo.

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inconceivable to today’s beleaguered air traveler. Once airborne, passengers were offered cocktails, followed by entrée choices such as sirloin steak or Long Island duckling, served on Syracuse China with Reed & Barton silverware. At cruising altitude, the captain on occasion would have strolled the aisle and chatted with passengers, who were called ‘visitors’ or ‘guests.’” The transcontinental sleeper flights featured curtained berths with goose-down comforters and feather mattresses. Breakfast choices might have been pancakes with blueberry syrup and julienne-of-ham omelets. Military Prowess In addition to the 455 DC-3 commercial transporters built for the airlines, another 10,174 units were produced as C-47 military transports during World War II. What was to become perhaps the most important airliner in history, quickly established its reputation with this and other operators, including the military. During World War II, the DC-3 (named Dakota by Britain) was mass produced as a utility transport in C-47, C-53, and other versions, also known as Skytrains and Skytroopers, and was license-built in large numbers in Russia as the Lisunou Li-2. Used in all imaginable roles, from freight and personnel transport to glider tug and ambulance, the type was active in all theaters of war, notably during the D-Day landings in Normandy, and subsequent assaults by Allied airborne forces. For both airline and military use, the DC-3 proved to be tough, flexible, and easy to operate and maintain. Its exploits during the war became the stuff of legend. After the war, military flying continued, and production of the civil version was restarted. DC-3s became the

mainstay of worldwide passenger and freight services for many years. As larger capacity piston and jet airliners became available, DC-3s were gradually turned over to smaller operators. Today, more than six decades after the last one was delivered, hundreds of DC-3s are still flying and still earning their keep by carrying passengers or cargo. The Breitling DC-3 From March to September 2017, a DC-3 acquired by Breitling will be doing a grand world tour in several stages. This DC-3 was delivered to American Airlines in 1940 and first used by the American military between 1942 and 1944, before resuming service on behalf of various commercial airlines. Restored by a group of dedicated enthusiasts, it now flies under Breitling colors and participates in a variety of airshows. This World Tour will begin and end in Switzerland, starting from Geneva in March and winding up in September at the Breitling Sion Airshow 2017 in several stages that will notably encompass the Middle East, India, South-East Asia, North America and Europe. It will be punctuated by numerous stopovers providing opportunities to organize events and take part in air shows. Breitling has also chosen to mark the event by introducing a 500-piece limited edition of its famous Navitimer aviation chronograph. This steel Navitimer 01 (46 mm), powered by Manufacture Breitling Caliber 01, will notably be distinguished by its case back engraved with the Breitling DC-3 World Tour logo. Enthusiasts will however have to wait until the fall of 2017 to get their hands on this model, since the brand has decided to have it travel aboard the Breitling DC-3 around the planet, thus ensuring it is truly part of the entire adventure.

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Aptly named Arachnophobia, this giant spider is not for the faint of heart. Designed by MB&F, Arachnophobia is as an impeccably finished table-clock-cum-wall-clock, engineered and manufactured by L’Epée 1839.

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ART & DESIGN

THE DESIGN CONVERGENCE

“Cherry Tree” by Cecelia Setterdahl, Canvas and Carpet displayed in room. Carpet size: 200cm x 270cm. Canvas Acrylic on Canvas 80cm x 120cm.

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Carpets by Hechizoo E Studio, available at Iwan Maktabi

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ART & DESIGN

THE DESIGN CONVERGENCE

“Nippon” bookcase by Alberto Nasson, Nakkash Gallery

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“Fractures” lighting by Tarek El Kassouf, Cities Boutique

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ART & DESIGN

THE DESIGN CONVERGENCE

Hi Lo Shade by Sarah Faruki

Urban Commissions Urban Commissions, a design competition set up by Dubai Design District (d3) and Dubai Culture & Arts Authority, announces its three shortlisted designs for a ‘communal table’ that will be placed within the urban landscape of d3 in 2017. Urban Commissions was launched in October 2014 to engage design students and professionals residing in the UAE and promote its diverse production industries. The brief for the competition’s third edition was to design a table with various seating combinations

that celebrates the Emirati tradition of gathering and creates a setting for conversation, collaboration and respite. The high calibre submissions for this year’s competition were studied by a judging panel of design-industry professionals and educators: Khalil Abdulwahid, Visual Arts Manager at Dubai Culture; Umran Shah, Business Development Manager at d3; Janet Belloto, Associate Dean College of Arts and Creative Enterprises at Zayed University; Joshua Cox of SoleDXB; Fadi Sarriedine of Fadi Sarriedine Studio; and, Rawan Kashkoush, Head of Programming at Design Days Dubai.

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Submissions demonstrated an increasing interest in introducing urban design into Dubai’s existing public spaces and proved, as in the two past competitions, as wide-ranging as Dubai’s citizens. The three selected finalists are Dhow by Alya AlEghfeli & Jawaher AlKhayyal, Mu.TABLE by Cecilia Morosi and Hi Lo Shade by Sarah Faruki. The winner will be announced early February, and the completed prototype will be unveiled at Design Days Dubai, 14 – 18 March, before moving to its new home in Dubai Design District.

“Reflecting Dubai’s unique position as a global meeting point, Design Days Dubai showcases design from around the world and we keep design diversity as one of our main features this year. There is exciting, and often experimental, work being produced by designers who aren’t necessarily represented by galleries and the fair offers an opportunity for solo designers and independent studios to exhibit at an international level. For design enthusiasts, Design Days Dubai is an annual fixture to meet designers from all over the world and acquire collectible design not seen anywhere else.” Rawan Kashkoush, Head of Programming for Design Days Dubai

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ART & DESIGN

T H E R O YA L B R I D G E S

BRIDGE OF ARTS

Royal Bridges is a unique art movement created by members of royal families from around the world. Hosting public exhibitions and auctioning their pieces, the members of this initiative aim to support humanitarian causes and the development of arts.

Mehdi Mabrouk Royal Bridges is an annual event co-founded by HE Shaikh Rashid bin Khalifa Al Khalifa in addition to Managing Director Baron Henri Estramant. It is a platform meant to trigger conversations across different cultures and artists. This artistic movement was also created to show a different side of Royals; not only as patrons of the art but also as artists “Royal Bridges is a new initiative that links the Middle East with the world, as well as global artists of various backgrounds with new audiences for their work. Forging new

bonds, encouraging emerging audiences and collectors, and building greater awareness and appreciation are all among the key aims of the Royal Bridges platform,” said HE Shaikh Rashid bin Khalifa Al Khalifa, Co-Founder of Royal Bridges. The first exhibition, Convergence, featured a selection of contemporary artworks such as painting and sculpture. It also introduced interpretive forms of expression and performances. The pieces presented at the exhibition were curated and created by internationally recognized

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artists that are also royals, pushing the viewers to see them as artists in their own right. The visual exhibition offers insight into the unique personalities and styles of artists hailing from royal houses worldwide, including HE Shaikh Dr Hassan bin Mohammed bin Ali Al Thani, HRH Princess Reem Al Faisal Al Saud, HH Prince Rotislav Rotislavovich Romanov of Russia, HRH The Princess Sophie of Romania, HRH Princess Lelli de Orleans e Bragança of Brazil and HRH The Duchess Diane of Württemberg.

H.E.Shaikh Rashid bin Khalifa Al Khalifa

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ART & DESIGN

T H E R O YA L B R I D G E S

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Organized over two days, the inaugural edition saw royals from the Middle East as well as from European houses converging to Dubai. The event was held in collaboration with Christie’s, the International Humanitarian City and the UN’s World Food Program and raised close to half a million dirhams. The top auction item, raising $25,000, “Pursuit of Happiness,” was an artwork by HRH Princess Sibylle of Prussia, it was followed by “Together,” a painting by Shaikh Rashid bin Khalifa Al Khalifa which fetched $20,000. “Souk ahrid,” a photograph by Princess Reem Al Faisal Al Saud went for $11,000. Ending hunger is one of the global humanitarian goals Royal Bridges aims to tackle through various exhibitions

and auctions. The proceeds of the first auction, held in Dubai in November 2016, were donated to the United Nations World Food Programme. The auction included 11 very pieces created by royal exhibitors, including works by co-founder HE Sheikh Rashid bin Khalifa al Khalifa, HE Sheikh Dr. Hassan bin Mohammed bin Ali Al Thani and HRH Princess Reem Al Faisal Al Saud. “We are privileged for the opportunity to support the World Food Programme at a time when hunger in the wider region is becoming a pressing issue,” said HE Shaikh Rashid bin Khalifa Al Khalifa, CoFounder of Royal Bridges. In our first year of presenting Royal Bridges, we have the opportunity to host artists participating from across the globe. It was extremely

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important for us to contribute and share a common vision and address a challenge we face regionally and across the globe today. We are united in our humanity and the need to provide creative solutions to longstanding social challenges.” The initiative is supported by prestigious brands such as Rolls Royce; international entities like the UN’s World Food Program but also by the auction house, Christie’s. “Christie’s is delighted to support Royal Bridges on its inaugural exhibition and auction, as we share their commitment to bringing new artists and their works to the region and increasing the understanding and appreciation of art in a diversity of forms,” said Michael Jeha, Vice Chairman, Christie’s Middle East.

THROUGH THE AGES

A BRAND APART

Born March 16, 1915, in Zurich, René Bannwart spent his childhood in Basel before going to Geneva to study at a business school. He began his professional adventure at Patek Philippe in 1933 before joining Omega in 1940. With his strong entrepreneurial spirit and watchmaking experience acquired from the most prestigious watch manufacturers, he founded his brand and created CORUM in 1955 with his uncle, Gaston Ries. Right from the time of its creation in 1955 in La Chaux-de-Fonds, CORUM displayed a determination to position itself at the forefront of the Swiss watch industry. In 1956 the first CORUM watches appeared on the market, and the brand launched a veritable cascade of new ideas with great success. In 2000, René Bannwart was honored with the GAÏA distinction of the International Museum of Horology in the category of Craftsmanship & Design. A symbolic recognition awarded to him for his contribution to watchmaking history and culture, which also echoes the spirit of CORUM.

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1957 GOLDEN TUBE A tube of gold in which the movement is inserted. The case of the watch could slide on the strap to better fit on the wrist, hence a more comfortable watch.

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THROUGH THE AGES

1958 CHINESE HAT The Chinese Hat watch sparked public curiosity with its bezel evoking the famous pyramid-shaped head covering worn by the people of China.

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ADMIRAL’S CUP In 1960, the first interpretation of the Admiral’s Cup model with a square case was developed. On the back of the case, a sailboat was engraved by hand with the name: Admiral’s Cup.

THE COIN WATCH The Coin Watch without a back cover was created with an ultra-thin movement that is set in an authentic gold coin, a $20 Double Eagle Coin. A model worn by numerous U.S. Presidents and prominent personalities including Nobel Prizes laureates.

1966 ROMVLVS In 1966, the Romvlvs watch was unveiled, featuring the hour numerals engraved not on the dial, but on the bezel.

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FEATHER CORUM introduced the Feather watch composed of genuine bird feathers. This artistic and technical feat called for great expertise.

ROLLS-ROYCE The Rolls-Royce watch once again underscored the 1976 avant-garde nature of the brand, since it represented the first ever partnership of this kind with a prestigious automobile manufacturer.

GOLDEN BRIDGE Launch of a world first: the introduction of the first Golden Bridge with its delicately hand- engraved baguette movement. A genius watchmaker, Mr Vincent Calabrese conceived the idea of creating a movement with linear gear trains, mounted within a transparent exterior and isolated in space without any visible connection. This prodigiously slender world- famous revolution was an immediate hit with connoisseurs and collectors of fine watches and earned Corum the title of an authentic watch manufacture. Thirty years later, this now legendary movement remains a concentrated blend of Fine Watchmaking and a unique expression of the art of horology.

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THROUGH THE AGES

ADMIRAL’S CUP DESIGN REINTERPRETED The famous Admiral’s Cup design was reinterpreted in a version with nautical pennants corresponding to the international maritime code and serving as hourmarkers on a twelve-sided bezel.

ADMIRAL’S CUP TIDES The Admiral’s Cup Tides watch was launched. Fitted with an exclusive CORUM movement CO277, it indicates vital information such as the lunar cycle and the time of the tides, as well as the strength of the tide, an estimation of water levels and the strength of the currents.

TABOGAN CORUM filed a patent for a new invention showcased in the Tabogan watch, equipped with an ingenious mechanism allowing the watch case to be positioned upright, and thus transforming the wristwatch into a table clock.

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TRAPÈZE With the Trapèze watch in 2001, Corum created a 2001 new style evoking subtle grace. Its name evocative of its shape and large size gave a truly timeless design.

CLASSICAL VANITAS The Classical Vanitas marked the world premiere of marquetry-work as applied to watch dials. The stone and marble parts were meticulously cut to fit together like a mosaic.

GOLDEN BRIDGE REINTERPRETED In celebration of Corum’s 50th Anniversary, the Golden Bridge was reinterpreted in a contemporary vein, imbuing the original 1980s model with the spirit of the 21st century.

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THROUGH THE AGES

RENEWAL OF THE ADMIRAL’S CUP MODEL

2006 While offering a more contemporary, boldly designed collection, CORUM nonetheless maintained its essential aesthetic characteristics: the famous twelve-sided case and the nautical pennants.

ROMVLVS REBORN In 2007, the legendary Romvlvs was reborn with an elegant and contemporary spirit, interpreting the classical codes of the brand. Its new design perpetuates the distinctive nature of its Roman numerals engraved on the bezel and is distinguished both by its double-curving case creating an elliptical effect on the bezel, and by its domed sapphire crystal.

THE TI-BRIDGE & THE NEW CO 007 CALBER 2009 once again revealed CORUM’s apparently inexhaustible creativity. CORUM wrote a major new chapter in its history by presenting its second in-house movement. Designed, developed and assembled within the brand’s workshops, the Ti-Bridge is the first model to house the new CO 007 caliber.

BAGUETTE MOVEMENT IN AUTOMATIC In 2011, CORUM launched its exceptional baguette movement in an automatic version – with linear winding. It heralded a new era in the legend of this unique movement.

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ADMIRAL’S CUP LEGEND 46 MINUTE REPEATER ACOUSTICA In 2012, CORUM presented the Admiral’s Cup Legend 46 Minute Repeater Acoustica, never before had a minute repeater marked off time by chords. Dressed in the timeless features of the Legend line, this timepiece is the perfect balance between elegance and technical expertise.

ADMIRAL’S CUP LEGEND 42 FLYING TOURBILLON In 2015, CORUM celebrates its 60th anniversary by creating the Admiral’s Cup Legend 42 Flying Tourbillon – a timepiece that reimagines the iconic haute horlogerie complication in a profound yet practical manner. Transparency plays a key role in this timepiece featuring a sapphire dial offering full view on the mechanism.

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Le Royal Monceau Presidential Suite

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L A D O L C E V I TA

T H E R O YA L R E T R E AT

The hotel was given a two-year makeover in 2008 by renown French designer Philippe Starck – transforming the hotel to a colorful translation of the ‘Les Années Folles’, or the Golden Twenties. His design focus was on infusing the hotel with an energy what would entice guests to return. The result is a hotel that is glamorous, vibrant and has an artistic sensibility. 94

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The rooms are an eclectic combination of furniture, lighting, carpets and fittings by different designers – rather than product placement of his own countless creations – including Murano glass lamps, classic 1970’s Milanese designs, and white stone-topped oval tables with polished metal pedestals. Attention to detail is evident throughout: rather than terry cloth slippers in guestrooms, Starck opted for traditional French canvas espadrilles, and oversized mirrors leaning against walls transform into televisions at the flip of a switch. The spirit of French ‘Art de Vivre’ can be felt through every facet of the 149-room hotel creating an emotional connect with its guest.

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L A D O L C E V I TA

T H E R O YA L R E T R E AT

‘Spa My Blend’ by Clarins A temple of wellbeing and contemporary beauty, Le Royal Monceau – Raffles Paris Spa, the first Spa My Blend by Clarins, offers a unique haven of peace and relaxation in the heart of Paris. A paradise of pure white, this 1,500 sqm space includes a 23-meter infinity pool, the largest ever built in a Paris luxury hotel. The exclusive treatments, relaxation rooms including a hammam, laconicum room, and sauna, and dedicated fitness coaches make this luxury hotel spa in Paris a temple of tailor-made luxury. The spa can be accessed directly from every floor. 96

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Matsuhisa Paris Further to the internationally celebrated Matsuhisa Beverly Hills and the celebration of six other exclusive destinations around the world, Matsuhisa Paris opened in March 2016 under the expertise of Executive Chef Hideki Endo and his team of sushi masters. Matsuhisa Paris brings a highly contemporary vision of Japanese cuisine; a gastronomic encounter between Asia and Latin America – two cultures dear to the heart of Nobu himself. Nobuyuki Matsuhisa, more commonly known as “Nobu,” is part of the very select circle of the most charismatic chefs on the international scene. He is known for his unique style, and original flair, combining Japanese gastronomic codes with exotic flavors and techniques gleaned from his time in Latin America.

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OCEAN DRIVE

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OCEAN DRIVE

To celebrate the launch of the new Mercedes AMG GTC Roadster, Signé takes the roadster for a spin and exclusive photoshoot on the streets of Miami. Mercedes-Benz is expanding its AMG GT line-up with the GTC Roadster a convertible blending power and comfort. With a 550 horsepower and a top speed of 316 km/h, the GTC is one of the most powerful cars in its category. Compared to the other GT models the GTC is heavier which gives it more stability, allowing the car to take turns in a smoother manner. The rear wheel drive convertible also boasts rear-wheel steering, a system that turns the rear wheels in the opposite direction of the front wheels at low speed and in the same direction at high speed, enhancing the roadster’s agility and stability. “Sport car enthusiasts experience emotions that are often lost in day-today life. The AMG GT C Roadster embodies the perfect symbiosis between the typical AMG Driving Performance and unlimited top-down driving,” explained the brand during its Miami launch event. To put this beast to the test, we visited some iconic locations of the Magic City. Our first stop was the Miami Design District; an art district created over 15 years to act as a bridge between artists and the public. We stopped at the massive “One Day At A Time” Canvas created by Miamibased artist, Abstrk, to support cancer. Our second stop was the 2x4 Vortex, a collaborative studio founded in 1994 with the one goal in mind creating bold graphic works that question the nature and conventions of design. Last but not least we decided to shoot on the iconic Ocean Drive with the Pacific Ocean as our backdrop. The AMG GTC Roadster is a smooth ride, and we enjoyed every minute of it, whether it was in the city or on open roads.

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OCEAN DRIVE

Ocean Drive

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Miami Design District

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SUMMER CROSSING

SUMMER CROSSING The new 2017 Brunello Cucinelli Men’s Collection narrates the clear and vital spirit of summer. The inspiration arises from an encounter between a delicate morning breeze and clear beach sand, increasing with the light of sun-kissed days, contemplating the red hint of long sunsets and the enchanting sparkle of cool starlit nights. Uncontaminated landscapes and natural colours intersect the white terraces in the shade of light linen cloth. Transported in the summer atmosphere, the man reveals a sophisticated Leisure soul, which interprets the season through the elegance of a tailored jacket in dialogue with exquisite more informal elements. A synthesis of a new dynamic style, the men’s collection merges seaside atmospheres and elegant dinner parties, relaxed moments and informal encounters.

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SUMMER CROSSING

Touches of colour complement the different shades with intense reds inspired by the natural nuances of the earth’s fruit, such as Cherry and Tomato, while Army green adds a harmonious modern note. Mixed with the more colourful blues and the range of denim, the hint of colours enriches the dynamic and balanced dialogue between the fundamental tones.

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SUMMER CROSSING

Technical outerwear garments are designed to be worn over jackets, polo style knitwear introduces refined craftsmanship and leather jackets with hoods are inspired by sportswear. The collection develops an elegance through movement, lending itself to any occasion that may arise during the course of the day.

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The Il Borro Tuscan Bistro Dubai is located within the prestigious Jumeirah Al Naseem

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F R O M S O U R C E T O TA B L E

eco-sustainable farming. Running an organic business implies a certain way of living, observing and respecting the land. The aim is to help the land regenerate itself, preserving its fertility and so keeping the quality of the product high. The first step was taken in 1995 when urged on by his son Salvatore, Ferruccio Ferragamo decided to embark on winemaking at Il Borro. The unique climate of mild winters and optimal exposure of the vineyards results in the creation of fine quality wines. It is no coincidence that this area has been famous for its wine and oil since ancient times. Conversion to a biodynamic cultivation of the vineyards got underway in 2012. The production of Extra Virgin Olive Oil at the estate, begun in 1996, also starts with hand harvesting. A biodynamic approach is also used for crushing and pressing to enhance the sensory qualities of the oil. In 2014 the vegetable garden ‘Orto del Borro’ was launched, dedicating an entire hectare to organically grown seasonal vegetables. The philosophy behind this being ‘Fro¬m Source to Table,’ a shortened

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supply chain that ensures customers taste products of excellence. With its constant focus on the ecosystem, in 2014 Il Borro also decided to welcome bees, man’s best friend in the insect kingdom. 30 hives were set up in the natural reserve for the entirely organic production of honey. The first to be produced was Millefiori (mixed flowers), the only one able to represent this land’s complexity of flavors with its aroma. The organic project is monitored by Vittoria Ferragamo, the youngest daughter of Ferruccio Ferragamo. From Tuscany to Dubai The Dubai concept builds upon the legacy of Il Borro in Tuscany, lovingly supplied by products from the land, including organic wines, olive oil, and honey. Located on the Turtle Lagoon within the Jumeirah Al Naseem property, Il Borro Tuscan Bistro Dubai translates the Il Borro pedigree for a Middle Eastern audience. The waterfront venue fuses a vibrant restaurant and bar area to explore the incredible quality, rich history and extensive diversity of Tuscan

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food, drawing inspiration from several intricately woven culinary traditions and showcasing the innate hospitality and passion of the Italian spirit. Central to the Il Borro story is the food offer, led by the brand’s Executive Chef Andrea Campani. His dishes are modern interpretations of Tuscan cuisine, where the use of locally-sourced raw ingredients and a skillful mix of textures reign supreme to offer unusual delights for the palate. Gourmands of all ages are treated to a culinary experience where innovation meets tradition, and will gently evolve with the seasons. Highlights from the exquisite menu include Pappa al Pomodoro, Bresaola di Chianina, Pici all’aglione and Bistecca alla fiorentina. The Ferragamo family and the Executive Chef Andrea Campani share an ethical vision of eating, the principle of honest food, simplicity, and respect for sustainability. The vision is perfectly recreated in the new spaces, designed with refined country taste, and the open kitchen which allows diners to see how their dishes are prepared.

The private dining area at Il Borro Tuscan Bistro Dubai

Diners entering the main restaurant area will be greeted with a fresh display counter to entice the senses, featuring an array of fresh fish, aged meat and a selection of fine cheeses. Guests are spoilt for choice with a variety of cold starters such as the popular Burrata to signature Tartares, freshly prepared to order at the counter. The eye is also drawn to the central bar area, where a selection of signature cocktails such as Tuscan Soul, Evobio, Bianco Di Carrara and bespoke barrel aged Negroni can be enjoyed while taking in the view of the Turtle Lagoon and the Arabian sea, creating an atmosphere that heightens towards the evening hours. Celebrations are perfectly accommodated in the Private Dining Room, which offers a dedicated cooking station for a bespoke menu, served directly to the table. Guests wishing to add their personal touch to the occasion can match the theme of the dinner with a personalized soundtrack of their choosing. The dining room opens out onto the picturesque waterfront setting, caressing guests with a gentle sea breeze as they enjoy a tailored culinary experience. The venue officially opened its doors on 12th January 2017 with a high-profile reception hosted by the Ferragamo family. Of the opening, Salvatore Ferragamo said: “The Ferragamo family and I are excited to bring a piece of the Il Borro Tuscan estate to a discerning Middle East audience. We look forward to treating the UAE to a taste of true Tuscan authenticity where organic, sustainable and ethically grown produce and a commitment to hand-craftsmanship is at the heart of everything we do, from our menu to warm Italian hospitality.”

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HAUTE SOCIÉTÉ

ON TOP OF THE RACES

According to fashion historians, the top hat supposedly first appeared in 1797 on the streets of London. A story goes that an English hatter, a Mr. Hetherington, literally caused a riot on the street and was fined a tidy sum of £500 for disturbing the peace for wearing a top hat. Regardless of its origins, the top hat had gained popularity, and by the Regency Period, it was de rigueur for everyday wear for the English gentleman. The only places where top hats are worn these days are few and far between, and without mention, equestrian events are reason enough to bring out the top hats. Well-dressed people are part of the charm of any given race, and for the gentlemen, a black or gray morning suit, which must include a waistcoat and tie, a black or gray top hat and black shoes are the order of the day. The Meydan Racecourse begins preparations to host the world’s most glamorous equestrian event, the $10 million Dubai World Cup on Saturday, March 25th this year. Ascots and Chapels, the British Luxury couturier with a 130-year heritage in creating top quality bespoke garments for discerning gentlemen, are currently stocking top hats in anticipation of the races. With multiple outlets located in all the major malls across the Emirate, you have no real excuse for showing up at the races this season without a top hat on!

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NEW IN TOWN

1847 VIP ROOM E M I R AT E S T O W E R S With the launch of an exclusive VIP Room in its Jumeirah Emirates Towers branch, 1847 looks to revolutionize the way men relax, refine and renew their appearance. A hideaway for the professional man, an escape from the city’s hustle and bustle, 1847’s VIP Room is designed for the discerning modern man. Equipped with a huge, deep leather armchair for use during manicures and pedicures in total relaxation; a luxe barber’s chair with settings to ensure maximum comfort during a wet shave; a comfortable massage table and a power shower within the room, ensuring that all guests’ needs are met. Primp, prep, and preen with 1847’s extensive treatment menu, from a cleansing tonic facial to a ‘Reviver’ vitamin oil treatment. Outfitted with a wide screen television as well as Apple TV access and a library for those who prefer to read; the new VIP lounge is a grooming oasis. Clients can choose from a wide range of grooming services with treatments being tailored to each guest’s personal needs and preferences. Each manicure, pedicure, massage, shave, haircut, facial or waxing service is designed to match individual preferences.

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A luxe barber’s chair with settings to ensure maximum comfort during a wet shave.

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LALUZ FOUR SEASONS HOTEL, DIFC LALUZ, the Catalonian dining, bar and lounge destination in the heart of the DIFC, lightens up the new season with a host of alluring and creative experiences to enjoy throughout the coming months. Located in the Four Seasons DIFC, LALUZ is the ultimate meeting place for the local business crowd. Whether it’s a quick business meeting or a leisurely afternoon catch up, lunch at LALUZ is the ideal destination in which to meet and eat quickly and healthily without compromising on quality. A choice of leaner and greener focused options are available on both the Express and Spanish lunch options, with appetizers and starters including Pickled Vegetables with Berries, Patatas Bravas, Aubergine Tartar with anchovy and yogurt and Tomato Salad with wasabi mascarpone and tomato foam. Entrees arrive speedily to the table; savour ‘A la plancha’ Salmon with parsley cream and sundried tomatoes or Charcoal grilled vegetables with Romesco sauce. Dessert lovers need not feel guilty with the Fruit textures and seasonal sorbet available offering a sweet finish to round off the afternoon.

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Rumba from Barcelona: Get lost in addictive Spanish beats every Wednesday with the new Rumba from Barcelona, an evening dedicated to the Rumba fiestas of Barcelona, transforming the LALUZ lounge with live music and dance. Take in the electric atmosphere with a set menu of generous pincho bites and traditional Arrós, distinctive black Catalan style paella, matched with two glasses of cava.

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RÜYA GROSVENOR HOUSE Named Rüya, meaning dream in Turkish; the enticing concept fuses a vibrant restaurant, lounge and bar experience together, exploring the extremely rich history and diversity of Anatolian food, a cuisine that draws inspiration from rich culinary traditions. An evening hot spot, the beverage menu is an unmissable experience for all guests, serving an extensive array of both classic oldtime favorite cocktails as well as a host of more creative cocktails, all carefully curated to mirror the food experience and bring guests a fresh perspective on traditional tastes. Culinary highlights include; Cağ kebabı (a horizontally stacked marinated rotating lamb kebab which enhances the caramelization of the meat and absorbs more of the charcoal flavors), a Pide area, traditional spit and delectable skewers. Turkish wines from different vineyards and regions will entice the palette, whilst a series of resident and guest DJ’s will lift the tempo, encouraging a seductive after-dark ambiance right into the witching hour.

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Big Bang Unico. UNICO column-wheel chronograph. In-house Hublot movement. 72-hour power reserve. King Gold case, an exclusive red gold alloy developed by Hublot. Ceramic bezel. Interchangeable strap by a unique attachment.