October 2019 — Silver Chips Print

Page 1

silverchips A public forum for student expression since 1937 Montgomery Blair High School

October 10, 2019

subscribe online tinyurl.com/subtochips

SILVER SPRING, MARYLAND

VOL. 82 NO. 1

For climate coverage Climate strike - A3 Climate & class - C2 Climate activist - E1

CHRISTINA CHEN

DHHS FACILITY IN TAKOMA

UN PERIODO DE ALMUERZO

FINANCIAL LITERACY

Local development enters an agreement to house over 200 unaccompained

Una mirada a las opiniones de los estudiantes sobre este cambio.

Strengthening the financial education curriculum will better equip students

See page A2

See page B2

See page C2

Queens of the capitol

F

By Abednego Togas Khushboo Rathore Staff Writer & Senior Writer

curves of her padded shorts. The music plays, and Citrine looks out over the crowded bar and begins to sing. She moves across the stage, not quite dancing, but finding her own movement in the music. Staring at the audience, she reaches out to them, her eyes finding each of their own, pulling

news A2

See page D5

By Adam Chazan Staff Writer

J

makeup to perform as a heightened version of one’s personality. The artform can transcend, or simply expand, beyond the artist’s gender identity. There are no true requirements to be a drag queen. Generally, men dress as women,

see DRAG page D3

see MS BACH page A4

La Esquina Latina B1

The Brady Bunch(es) of Blair

FAST FOOD, QUICK WIT How powerful a consumer incentive is breakfastthemed absurdism?

See page E2

SELF-TRAINED CHAMP Blair senior takes her talent to new global heights

See page F1

Blair Flooding teacher the passes Mainstream away in July ennifer Bach, Blair social studies teacher and Mock Trial sponsor, passed away this summer on July 12. She was 39. Principal Renay Johnson announced her death in an email sent to the Blair community on July 14. The school did not release any additional information regarding the cause of death. Last school year, Bach taught three law-oriented elective classes and AP Psychology. She worked as a paralegal before she began her 13 year career in MCPS. Kevin Moose, who worked alongside Bach in the International Studies and Law Academy at Blair, remembered Bach for her energy and dedication to teaching. “Ms. Bach was really comfortable teaching any kid, anytime, anywhere,” Moose said. “I also know she was very precise in the classroom and really brought her legal expertise in, so she was always high-energy [and] outspoken.” Bach’s family held a memorial over the summer. Moose recalled a large turnout. “I was really impressed how many students showed up, who got the word in the middle of summer, who changed their plans, came back from vacation, stopped what they were doing,” he said. “It was a great testament to Ms. Bach, how many students came back.” Bach also sponsored Blair Mock Trial. Senior captain Alex Greenleaf said that she was an essential part of the club. “She was so on top of everything,” Greenleaf said. “She was able to let us know all of our timelines, she was so good at keeping these things straight and ready, and keep-

COURTESY OF CITRINE

our pairs of tights later, Citrine is finally ready to go on stage. Her bright red wig is set perfectly on her head, matching the vivid red that lines her lips. Hearing the first few beats of her song, she struts out wearing a magnificent, sleek dress that is draped to follow the

them into her performance. She sweeps through the crowd, not a hair out of place, makeup perfectly blended, dress falling elegantly around her. When she gets back to the stage, Citrine is heating up from layers of tights, but she is in her fantasy. She embodies a runway model heading off stage, endorphins running through her veins as she heads off stage. Hours later, she returns home and wipes the makeup off of her face, pulling the wig off of her head and stripping off her dress and hip pads. Citrine, a drag queen, expresses herself through her crimson wig, sleek fashion, and performance in the same way someone else would through other branches of performing arts. Drag is a form of artistic expression that employs costuming and

THE MORE THE MERRIER

op/ed C1

A

By Anika Seth Staff Writer

sk a room full of teenagers for their favorite TV show, and at least one of them will say The Office. Since joining Netflix, the hit mockumentary comedy series—first aired by NBC in 2005—has become the platform’s most popular show of all time. NBC announced on June 26 that The Office will be leaving Netflix for NBCUniversal’s new streaming service, Peacock, by 2021. This is part of a larger trend as a number of cable networks buy back exclusive rights to their shows. Fans all over the world are disheartened not only that beloved shows will be leaving platforms like Netflix, but also that cable networks are creating their own services. One fan took to Twitter to note that “the real bad thing about The Office leaving Netflix is the idea of NBC creating their own separate streaming platform. What a dreadful, dreadful future.” In the streaming market’s early days, there were three clear frontrunners: Hulu, Netflix, and Amazon Prime. Gone was the era of flipping through channels, frustrated that a favorite show wasn’t on at that time. Users could instead stream any show at any time, completely changing how consumers interfaced with televised media. Now, networks are gaining appreciation for the power of convenience inherent in streaming services. Consider Breaking Bad, which aired on AMC for five seasons: Creator Vance Gilligan told Business Insider in 2013 that the Emmy-winning TV show wouldn’t have lasted beyond sea-

GABE WINSTON-BAILEY

son two if it hadn’t become available on Netflix. With this convenience, however, comes competition, especially as the line between streaming services and cable TV becomes increasingly blurred. As streaming platforms start creating renowned original shows and movies—Netflix matched HBO in Emmy Awards, with both at a whopping 23—cable networks are also creating their own streaming services. The Office is accompanied by other household names like Friends, set to join WarnerMedia’s new service (HBO Max), in a confirmed departure from Netflix. Other programs like Grey’s Anatomy, Jane the Virgin, Brooklyn 99, and Seinfeld may also leave the three main platforms (Hulu, Netflix, and Amazon Prime) in the next decade as the owners change hands. Conflicts around licensing rights are convoluted. Often, shows are produced by one studio, distributed by a different net-

work, and sold to an independent streaming service. Take Friends, which NBC created, Warner Bros. Media aired, and Netflix currently makes available. It’s worth noting that Netflix may not be viewing these new services as competition. Online media analyst Dan Rayburn, one of the foremost authorities on streaming technology, explained that “Netflix has always [seen] their biggest competitor… as HBO… because HBO is creating original content.” He furthered that new platforms have different audiences: “Disney is targeting families. Disney will never create Orange Is The New Black. It’s too controversial.” In what may be an effort to counter Netflix, Disney announced a joint bundle package which will include all three of its streaming services—Dinsey Plus, Hulu, and ESPN Plus—for $12.99 a month, right on par with Netflix’s standard service fee. While packages like these may sound like good deals, their

see STREAMING page E2 features D1

culture E1

sports F1


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.
October 2019 — Silver Chips Print by Silver Chips Print Online Edition - Issuu