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SKROW NAITSIRHC TIMIS
This is a brief collection of design work from 3 years worth of undergraduate Architecture studies. The projects are mainly from design studio, but there are also some from construction & visual art courses, competitions, & personal portfolio. The projects vary in their focus as listed below.
PROJECT TYPES Design Development Site Research & Analysis Diagramming & Analysis Case Studies Urban Planning Master Planning Construction Studies Object Design Competition Entries Spitzer School of Archictecture at City College of New York Undergraduate B.Arch Program Class of 2015 August 2010 - December 2013 Simit Christian
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WALK-THRU HARLEM SCHOOL OF ARTS| Proposal for Harlem School of Arts Rennovation & Extension
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DESIGN DEVELOPMENT
Spring 2013
WALK-THRU HARLEM SCHOOL OF ARTS| Proposal for Harlem School of Arts Rennovation & Extension
Spring 2013
DESIGN DEVELOPMENT
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WALK-THRU HARLEM SCHOOL OF ARTS| Proposal for Harlem School of Arts Rennovation & Extension
Since the sidewalk proved to be distancing and problematic in our research (previous project), we considered an alternative sidewalk. By shifting the edge between the public institutions and the adjacent street, we created an interactive sidewalk that allowed the public to meander in and out of their local institutions and have a dialogue with the activities within. So when the pedestrain walks from point A to B in New York City, he/she accidentally discovers the acitivty of the city, much like the cinematic journey that the ‘Situationists’ called a “derive”. We call this new path as the: SideWalkThru These ideas about the role of the street inspire our design for the extension and rennovation of the Harlem School of Arts project (page 8). In Collaboration With: Madelyn Pena & Melissa Santana
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DESIGN DEVELOPMENT
Spring 2013
WALK-THRU HARLEM SCHOOL OF ARTS| Proposal for Harlem School of Arts Rennovation & Extension
Since the sidewalk proved to be distancing and problematic in our research (previous project), we considered an alternative sidewalk. By shifting the edge between the public institutions and the adjacent street, we created an interactive sidewalk that allowed the public to meander in and out of their local institutions and have a dialogue with the activities within. So when the pedestrain walks from point A to B in New York City, he/she accidentally discovers the acitivty of the city, much like the cinematic journey that the ‘Situationists’ called a “derive”. We call this new path as the: SideWalkThru These ideas about the role of the street inspire our design for the extension and rennovation of the Harlem School of Arts project (page 8). In Collaboration With: Madelyn Pena & Melissa Santana
Spring 2013
DESIGN DEVELOPMENT
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WALK-THRU HARLEM SCHOOL OF ARTS| Proposal for Harlem School of Arts Rennovation & Extension Since the sidewalk proved to be distancing and problematic in our research (previous project), we considered an alternative sidewalk. By shifting the edge between the public institutions and the adjacent street, we created an interactive sidewalk that allowed the public to meander in and out of their local institutions and have a dialogue with the activities within. So when the pedestrain walks from point A to B in New York City, he/she accidentally discovers the acitivty of the city, much like the cinematic journey that the ‘Situationists’ called a “derive”. We call this new path as the: SideWalkThru These ideas about the role of the street inspire our design for the extension and rennovation of the Harlem School of Arts project (page 8). In Collaboration With: Madelyn Pena & Melissa Santana
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SIMIT CHRISTIAN | simit.christian@gmail.com
DESIGN DEVELOPMENT
Spring 2013
WALK-THRU HARLEM SCHOOL OF ARTS| Proposal for Harlem School of Arts Rennovation & Extension Since the sidewalk proved to be distancing and problematic in our research (previous project), we considered an alternative sidewalk. By shifting the edge between the public institutions and the adjacent street, we created an interactive sidewalk that allowed the public to meander in and out of their local institutions and have a dialogue with the activities within. So when the pedestrain walks from point A to B in New York City, he/she accidentally discovers the acitivty of the city, much like the cinematic journey that the ‘Situationists’ called a “derive”. We call this new path as the: SideWalkThru These ideas about the role of the street inspire our design for the extension and rennovation of the Harlem School of Arts project (page 8). In Collaboration With: Madelyn Pena & Melissa Santana
Spring 2013
DESIGN DEVELOPMENT
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REIMAGINING THE SIDEWALK | Urban Planning Statergies for Harlem School of Arts Rennovation & Extension Since the sidewalk proved to be distancing and problematic in our research (previous project), we considered an alternative sidewalk. By shifting the edge between the public institutions and the adjacent street, we created an interactive sidewalk that allowed the public to meander in and out of their local institutions and have a dialogue with the activities within. So when the pedestrain walks from point A to B in New York City, he/she accidentally discovers the acitivty of the city, much like the cinematic journey that the ‘Situationists’ called a “derive”. We call this new path as the: SideWalkThru These ideas about the role of the street inspire our design for the extension and rennovation of the Harlem School of Arts project (page 8). In Collaboration With: Madelyn Pena & Melissa Santana
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URBAN PLANNING
Spring 2013
REIMAGINING THE SIDEWALK | Urban Planning Statergies for Harlem School of Arts Rennovation & Extension
To engage the pedestrians in the Harlem Schoo of Arts and to allow the school to gain publicity with
4. The institution is encouraged to use the public sidewalk as a venue for exhbition, performance,
the public we created a set or rules and safety mesaures:
pop-up store front, and for community events.
1. !0 feet of the institutions property adjacent to the sidewalk is open for public access.
5. Pedestrians have the option of walking the conventional sidewalk or choosing to engage the
2. The sidewalk branches inside the building and then out to allow pedestrians to view the interior
“WalkThru”.
environment of the institution.
6. The institution is allowed to publicize/advertise on the “WalkThru.
3. The interior portion of the path can be openened and closed by the institution.
In Collaboration With: Madelyn Pena & Melissa Santana
Spring 2013
URBAN PLANNING
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SENSORY SITE MAPPING & SYNTHESIS | Research for Harlem School of Arts Rennovation & Extension
In Collaboration With: Madelyn Pena & Melissa Santana
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SITE RESEARCH & ANALYSIS
Spring 2013
SENSORY SITE MAPPING & SYNTHESIS | Research for Harlem School of Arts Rennovation & Extension We created this experiment to study how water travels through, marks, and exits soil. The expriment begins with a sliver of soil in a glass container. Water is poured continuously from above & an image is captured every 15 seconds. Immediately a crater forms at the source of the water flow, which slowly permeates through the rest of the soil downward, and exits the container. We created this experiment to study how water travels through, marks, and exits soil. The expriment begins with a sliver of soil in a glass container. Water is poured continuously from above & an image is captured every 15 seconds. Immediately a crater forms at the source of the water flow, which slowly permeates through the rest of the soil downward, and exits the container. We created this experiment to study how water travels through, marks, and exits soil. The expriment begins with a sliver of soil in a glass container. Water is poured continuously from above & an image is captured every 15 seconds. Immediately a crater forms at the source of the water flow, which slowly permeates through the rest of the soil downward, and exits the container. In Collaboration With: Madelyn Pena & Melissa Santana
Spring 2013
SITE RESEARCH & ANALYSIS
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SENSORY SITE MAPPING & SYNTHESIS | Research for Harlem School of Arts Rennovation & Extension Elevation from 141 - 145 Streets, with blue A & B train lines and orange C & D below.
Density of residents and students inside each building on an average day.
Density of pedestrians on the street & subway entrances.
Sound amplitude at night, which is more consistent. Mostly from the trains passing by regularly.
Sound amplitude during the day which is irregular due to people talking, animals, kids, and train. In Collaboration With: Madelyn Pena & Melissa Santana
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SITE RESEARCH & ANALYSIS
Spring 2013
SENSORY SITE MAPPING & SYNTHESIS | Research for Harlem School of Arts Rennovation & Extension Doors & Windows Along the Street: mostly from the apartment.
Bright Spots at Night: from apartments, street lights, and the commerical parking lot adjacent to the school.
Interruptions on the Sidewalk: these include parked cars, trash cans, trees, and subway grates.
Peoples Emotions During The Day: The emotions range from fear (black) to happiness (red).
Peoples Emotions During the Night: People generally tend to be afraid walking past the commercial parking lot.
In Collaboration With: Madelyn Pena & Melissa Santana
Spring 2013
SITE RESEARCH & ANALYSIS
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DOUBLE HOUSE| Design Proposal For a Two Family in Bushwick, Brooklyn
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SPRING 2011
DESIGN DEVELOPMENT
DOUBLE HOUSE| Design Proposal For a Two Family in Bushwick, Brooklyn
DESIGN DEVELOPMENT
SPRING 2011
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DOUBLE HOUSE| Design Proposal For a Two Family in Bushwick, Brooklyn We created this experiment to study how wa-
water flow, which slowly permeates through the rest of the soil downward, and exits the container. We created this experiment to study how water travels through, marks, and exits soil. The expriment begins with a sliver of soil in a glass container. Water is poured continuously from above & an image is captured every 15 seconds. Immediately a crater forms at the source of the water flow, which slowly permeates through the rest of the soil downward, and exits the container. We created this experiment to study how water travels through, marks, and exits soil. The expriment begins with a sliver of soil in a glass container. Water is poured continuously from above & an image is captured every 15 seconds. er.
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SPRING 2011
DESIGN DEVELOPMENT
FAMILY 2 PROGRAM
Immediately a crater forms at the source of the
FAMILY 1 PROGRAM
above & an image is captured every 15 seconds.
6” DRAINAGE
container. Water is poured continuously from
6” SOIL/GREEN ROOF
expriment begins with a sliver of soil in a glass
1ʼ CONCRETE STRUCTURE
ter travels through, marks, and exits soil. The
COLD FORM STEEL FLOOR STRUCTURE
We created this experiment to study how water travels through, marks, and exits soil. The VERTICAL STEEL STRUCTURE
CORRUGATED METAL SIDING
DOUBLE HOUSE| Design Proposal For a Two Family in Bushwick, Brooklyn expriment begins with a sliver of soil in a glass container. Water is poured continuously from above & an image is captured every 15 seconds. Immediately a crater forms at the source of the water flow, which slowly permeates through the rest of the soil downward, and exits the container. We created this experiment to study how water travels through, marks, and exits soil. The expriment begins with a sliver of soil in a glass container. Water is poured continuously from above & an image is captured every 15 seconds. Immediately a crater forms at the source of the water flow, which slowly permeates through the rest of the soil downward, and exits the container. We created this experiment to study how water travels through, marks, and exits soil. The expriment begins with a sliver of soil in a glass container. Water is poured continuously from above & an image is captured every 15 seconds. er.
DESIGN DEVELOPMENT
SPRING 2011
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INTERACTION BETWEEN FAMILIES | Diagramming Living Conditions & Circulation of a Double House
VATE
INTIMATE
We created this experiment to study how water trav-
Collision (Shared)
Intersection (Semi-Shared)
Divergence (Intimate)
els through, marks, and exits soil. The expriment begins with a sliver of soil in a glass container. Water is poured continuously from above & an image is captured every 15 seconds. Immediately a crater forms at the source of the water flow, which slowly permeates through the rest of the soil downward, and exits the container. We created this experiment to study how water travels through, marks, and exits soil. The expriment begins with a
Stairs Kitchen Corridors
Entrance Courtyard Roof Garden
sliver of soil in a glass container. Water is poured continuously from above & an image is captured every 15 seconds. Immediately a crater forms at the source of the water flow, which slowly permeates through the rest of the soil downward, and exits the container. We created this experiment to study how water travels through, marks, and exits soil. The expriment begins with a sliver of soil in a glass container. Water is poured continuously from above & an image is captured every 15 seconds. Immediately a crater forms at the source of the water flow, which slowly permeates through the rest of the soil downward, and exits the container.
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Fall 2013
DIAGRAMMING & ANALYSIS
Bedrooms Bathrooms Family Rooms
INTIMATE
Entrance Courtyard Roof Garden
INTERACTION BETWEEN FAMILIES | Diagramming Living Conditions & Circulation of a Double House SEMI-PRIVATE
SEMI-PRIVATE
INTIMATE
Stairs Kitchen Corridors
Bedrooms Bathrooms Family Rooms
Collision (Shared)
Intersection (Semi-Share
We created this experiment to study how water travels through, marks, and exits soil. The expriment begins with a sliver of soil in a glass container. Water is poured continuously from above & an image is captured every 15 seconds. Entrance
Stairs
Roof Garden
Corridors
Courtyarda crater forms at the sourceKitchen Immediately of the water
flow, which slowly permeates through the rest of the soil downward, and exits the container. We created this experiment to study how water travels through, marks, and exits soil. The expriment begins with a sliver of soil in a glass container. Water is poured continuously from above & an image is captured every 15 seconds. Immediately a crater forms at the source of the water flow, which slowly permeates through the rest of the soil downward, and exits the container. We created this experiment to study how water travels through, marks, and exits soil. The expriment begins with a sliver of soil in a glass container. Water is poured continuously from above & an image is captured every 15 seconds. Immediately a crater forms at the source of the water flow, which slowly permeates through the rest of the soil downward, and exits the container.
DIAGRAMMING & ANALYSIS
Fall 2013
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BUSHWICK HOUSING COMPLEX | Masterplanning For a New Market, Park, & Housing Complex
Masterplanning For a New Market, Park, & Housing Complex
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We created this experiment to study how water travCOMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCOMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMCOMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCOMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMCOMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMCOMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMCOMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCOMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMCOMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCOMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMCOMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMCOMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMCOMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMCOMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMCOMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COM-
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els through, marks, and exits soil. The expriment begins with a sliver of soil in a glass container. Water is poured continuously from above & an image is captured every 15 seconds. Immediately a crater forms at the source of the water flow, which slowly permeates through the rest of the soil downward, and exits the container. We created this experiment to study how water travels through, marks, and exits soil. The expriment begins with a
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MERCIAL COMMERCI COMMERCIAL COMM MERCIAL COMMERCI COMMERCIAL COMM MERCIAL COMMERCI COMMERCIAL COMM MERCIAL COMMERCI COMMERCIAL COMM MERCIAL COMMERCI COMMERCIAL COMM MERCIAL COMMERCI COMMERCIAL COMM
COMMERCIAL COMMERCIAL COMMERSIDENTIAL RESIDENTIALRESIDENTIAL RESICOMMERCIAL COMMERCIAL COMMERSIDENTIAL RESIDENTIALRESIDENTIAL RESICOMMERCIAL COMMERCIAL COMMERSIDENTIAL RESIDENTIALRESIDENTIAL RESICOMMERCIAL COMMERCIAL COMMERSIDENTIAL RESIDENTIALRESIDENTIAL RESICOMMERCIAL COMMERCIAL COMMERSIDENTIAL RESIDENTIALRESIDENTIAL RESICOMMERCIAL COMMERCIAL COMMER-
COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL COMMERCIAL
BUSHWICK HOUSING COMPLEX |
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RESIDENTIAL RESIRESIDENTIAL RESIRESIDENTIAL RESIRESIDENTIAL RESIDENINDUSTRIAL INDUSINDUSTRIAL INDUSINDUSTRIAL INDUSINDUSTRIAL INDUSINDUSTRIAL INDUSINDUSTRIAL INDUSTRIAL ININDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL ININDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL ININDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL ININDUSTRIAL INDUSTRIAL ININDUSTRIAL INDUSTRIAL INDUS-
sliver of soil in a glass container. Water is poured continuously from above & an image is captured every 15 seconds. Immediately a crater forms at the source of the water flow, which slowly permeates through the rest of the soil downward, and exits the container. We created this experiment to study how water trav-
PUBLIC PUBLIC PUBLIC PUBLIC PUBLIC PUBLIC PUBLIC PUBLIC PUBLIC PUBLIC PUBLIC PUBLIC PUBLIC PUBLIC PUBLIC PUBLIC PUBLIC PUBLIC PUBLIC PUBLIC PUBLIC PUBLIC PUBLIC PUBLIC PUBLIC PUBLIC PUBLIC
els through, marks, and exits soil. The expriment INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSINDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSINDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSINDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSINDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSINDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSINDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSINDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSINDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSINDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSINDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSINDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSINDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSINDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSINDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSINDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUSTRIAL INDUS-
Spring 2013
ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED ABANDONED
MASTER PLANNING
begins with a sliver of soil in a glass container. Water is poured continuously from above & an image is captured every 15 seconds. Immediately a crater forms at the source of the water flow, which slowly permeates through the rest of the soil downward, and exits the container.
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WORKS
WORKS
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12“ x 11.25”
HUMAN & OBJECT INTERPLAY | Diagramming the Movement of Reading the New York Times Newspaper On the crowded New York City subways, passengers regularly read the New York Times Newspaper. This study diagrams the techniques they use to fold the paper and read different sections in such a limited space. The reader/passenger is limited by his/her seat or standing space and thus has to use 1
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cleverly fold the newspaper to read articles and shift from one section of the paper to another. The quadrant technique (left), is one of the most common. Our team views this folding method as a dance, the reader as the main performer, the 12“ x 22.5”
newspaper as a prop, the train as a stage, and the whole process as unintentional choreography that many average New Yorks perform. 3
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We attempt to understand this choreography in an edited photo-sequence (next page). In Collaboration With: Michael Delgado
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12“ x 22.5”
48”
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Quadrant Reading Technique
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Unfolding Process
Fall 2013
DIAGRAMMING & ANALYSIS
HUMAN & OBJECT INTERPLAY | Diagramming the Movement of Reading the New York Times Newspaper
DIAGRAMMING & ANALYSIS
Fall 2013
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HUMAN & OBJECT INTERPLAY | Diagramming the Human Hand Turning the Door Knob
The above sequence of photos document a glow-in-the-dark painted doorknob as the user twists it down and pulls the door toward himself. Images of the entire motion are collapsed and overlapped together 4 times to record the curves and fluidity of this motion with the doorknob’s in focus and the user’s hand in the background. In Collaboration With: Michael Delgado
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Fall 2013
DIAGRAMMING & ANALYSIS
HUMAN & OBJECT INTERPLAY
| Diagramming the Human Hand Turning the Door Knob
In contrast, the sequence below documents the same motion in 12 incrementally separate stills. However, instead of the doorknob, the subject of the images is the user’s hand. The hand is also painted with glowin-the-dark paint with horizontal lines to help record the motion of turning the doorknob and pulling the door open. In Collaboration With: Michael Delgado
DIAGRAMMING & ANALYSIS
Fall 2013
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WORKS
WORKS
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WEST HARLEM NATATORIUM| Design Proposal For a Community Recreation Center
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SPRING 2011
DESIGN DEVELOPMENT
WEST HARLEM NATATORIUM| Design Proposal For a Community Recreation Center
DESIGN DEVELOPMENT
SPRING 2011
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WEST HARLEM NATATORIUM| Design Proposal For a Community Recreation Center
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SPRING 2011
DESIGN DEVELOPMENT
WEST HARLEM NATATORIUM| Design Proposal For a Community Recreation Center
DESIGN DEVELOPMENT
SPRING 2011
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WEST HARLEM NATATORIUM| Design Proposal For a Community Recreation Center
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SPRING 2011
DESIGN DEVELOPMENT
WEST HARLEM NATATORIUM| Design Proposal For a Community Recreation Center
DESIGN DEVELOPMENT
SPRING 2011
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WORKS
WORKS
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PERMEATION & ABSORPTION | Recording Water As an Active Phenomenon
We created this experiment to study how water travels through, marks, and exits soil. The expriment begins with a sliver of soil in a glass container. Water is poured continuously from above & an image is captured every 15 seconds. Immediately a crater forms at the source of the water flow, which slowly permeates through the rest of the soil downward, and exits the container. In Collaboration With: Karina Laferierre 44
SIMIT CHRISTIAN | simit.christian@gmail.com
Spring 2012
DIAGRAMMING & ANALYSIS
PERMEATION & ABSORPTION | Recording Water As an Active Phenomenon
During this 6-minute experiment, we observed that water first fills the pre-existing air-pockets in the soil, expands them, and leaves them. As a result the parts of the soil condense from observing water, while the air pockets expand from micro-erosion. The photo sequence isolates the soil that is most saturated with water, while the negative space shows air. In Collaboration With: Karina Laferierre DIAGRAMMING & ANALYSIS
Spring 2012
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PERMEATION & ABSORPTION | Recording Water As an Active Phenomenon
This sequence isolates only the soil that absrobs and holds the water. We observe that the water travels in vein-like fractal pattern and is filtered slowly by the soil. It transforms from a singular flow into multiple smaller sub-flows. In Collaboration With: Karina Laferierre 46
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Spring 2012
DIAGRAMMING & ANALYSIS
PERMEATION & ABSORPTION | Recording Water As an Active Phenomenon
We interpreted this permeation of water as a series of pencil, charcoal, & ink drawings. We highlight the path of the water to illustrate how it creates a hiearchy of veins in the soil that first expand and later disintegrate. In Collaboration With: Karina Laferierre DIAGRAMMING & ANALYSIS
Spring 2012
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WORKS
WORKS
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CRANBROOK NATATORIUM| Case Study by Tod Williams & Billlie Tsien
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Spring 2012
CASE STUDY
CRANBROOK NATATORIUM| Case Study by Tod Williams & Billlie Tsien On the crowded New York City subways, passengers regularly read the New York Times Newspaper. This study diagrams the techniques they use to fold the paper and read different sections in such a limited space. The reader/passenger is limited by his/her seat or standing space and thus has to use cleverly fold the newspaper to read articles and shift from one section of the paper to another. The quadrant technique (left), is one of the most common. Our team views this folding method as a dance, the reader as the main performer, the newspaper as a prop, the train as a stage, perform. The quadrant technique (left), is one of the most common.
CASE STUDY
Spring 2012
Regularly read the New York Times Newspaper. This study diagrams the techniques they use to fold the paper and read different sections in such a limited paper and read different sections in such a limited space.
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