SIMULﾃｦCRUM BE CREATIVE | EXPERIMENT | LEARN | COMMUNICATE | SHARE | COLLABORATE | INSPIRE
A VIEW FROM THE BEGINNING
A NEW GATEWAY FOR EMERGING PHOTOGRAPHERS
fASHION pHOTOGRAPHY
fUNSHOOT pHOTOGRAPHY
ARI SIMANGAN
JHE OLAﾃ前 iPHONOGRAPHY
pORTRAITS pHOTOGRAPHY
ROI FRANCISCO PAOLO NACPIL
ALLAN MENDOZA DON MICHAEL DE LEON
tOY pHOTOGRAPHY
PATRICK LIGOT
bLACK & wHITE pHOTOGRAPHY
JOHN VINCENT SANIDO ROI FRANCISCO
eVERYDAY qUOTES
QUOTES FROM THE WEB
SIESTA
SERIES A Masterpiece of FADE LONGBOY
VOLUME I | ISSUE NO. I
PORTRAITS
QUARTERLY | MMXIV
Contents
ISSUE
I
VOLUME
I DECEMBER MMXIV
6 Editor’s Note 10 Contributors COVER
MODEL : CLAUDINE JAY | FADE LONGBOY 2014
4
. Simulæcrum . DECEMBER 2014
STORY
Siesta Series : p 40 Let’s all learn the story behind this famous photography series from the man himself as he shares his ideas, fantasies, and drama. We asked FADE LONGBOY and gave us a few insights during the interview so better check it out.
SIMULÆCRUM A MAGAZINE DEDICATED FOR PHOTOGRAPHERS
Simulæcrum (plural: simulacra from Latin: simulacrum, which means "likeness, similarity"), is a representation or imitation of a person or thing. EDITOR IN CHIEF
Rogelio Mendoza Jr. CREATIVE/ART DIRECTOR
Allan Mendoza
CREATIVE HEAD PHOTOGRAPHER
ALLAN MENDOZA CONTRIBUTING PHOTOGRAPHERS
ALLAN MENDOZA DON MICHAEL DE LEON PATRICK LIGOT FEATURED PHOTOGRAPHERS
ARI SIMANGAN JHE OLAÑO JOHN VINCENT SANIDO PAOLO NACPIL ROI FRANCISCO
ON THE COVER
CAREY LIM PHOTOGRAPHY AND ART DIRECTION BY FADE LONGBOY
Simulæcrum Magazine is a local e-magazine with the mission to promote photography in the Philippine scene. It aims to be a gateway for photographers and photography lovers, from the professionals to the talented-but-yet-to-be-discovered amateurs, to promote their work and gain nationwide exposure. As a specialized digital magazine, Simulæcrum is solely devoted to photography and it’s artistic creations, meaning no ads, technical information, or photography equipment or gadget reviews. Our main goal is to award the artistic message of photography and keep that focus on every succeeding issue. Simulæcrum is all about the visual arts, dreams, ideas, and memories. It has been created out of love and passion for the art of photography, and with the hope that people will be able to use the publication as a platform to showcase their skills and gain recognition. DECEMBER 2014 . Simulæcrum
.5
Editor's Note So what’s the story behind this? Earlier this year, I told myself that I wanted to have a magazine that would not just showcase Filipino talent and skills in photography but also to promote it. Yes, it’s true that a lot of photography magazines are already out in the market. But these magazines mostly talk about the technicalities, review gadgets and functions, and endorse photography gear. This led me to look for a local magazine that really focuses on the art of photography and on photography itself, without the technical information, reviews and advertisements. To be honest, I’m not the type of person who cares about what camera model was used by a photographer, or how expensive the lenses and equipment they used are. I love looking at images that make an impact on how I view them. What really impresses me is how the images look like and how those photographs make me feel. To sum it up, I strongly believe in the adage, “a picture is worth a thousand words,” which simply tells us that any complex idea can be explained with just a single image - nothing more, nothing less. As an admittedly very emotional person, I feel that this trait reflects on how I photograph my subjects. I truly believe that what makes an image a great photograph is one’s passion and the want to create a striking visual impact. After all, isn’t this what photography is all about?
So, in a nut shell... Simulæcrum Magazine is an e-magazine with the mission to promote creative photography nationwide. It aims to be the gateway for photographers, professionals, amateurs, and hobbyists to share their passion and ideas. Hence our tag line: “Be creative. Experiment. Learn. Communicate. Share. Collaborate. Inspire.” This is a magazine dedicated to and for photographers.
Allan Mendoza allan.mendoza@simulaecrum.com http://500px.com/allanmendoza/ http://instagram.com/kopixlover/ https://twitter.com/a_CoffeeLover/ https://www.facebook.com/A.Mendoza.Photography/
6
. Simulæcrum . DECEMBER 2014
“You don’t make a photograph just with a camera. You bring to the act of photography all the pictures you have seen, the books you have read, the music you have heard, the people you have loved.” - Ansel Adams DECEMBER 2014 . Simulæcrum
.7
Contents FEATURED PHOTOGRAPHERS 12
sweet november | Ari Simangan Fashion photography
68
Black & white : John vincent sanido portraits photographer
76
Black & white : roi francisco portraits photographer
92
fun shoot : jhe olaĂąo portraits photographer
117
iPhonography : instagram roi francisco - portraits photographer
121
iPhonography : instagram paolo nacpil - landscapes, nature, & travel photographer
CONTRIBUTING PHOTOGRAPHERS
56
glam rock : Allan mendoza portraits of sofia sibug
26
coffee in the city : white rabbit portraits of jessica yang by happy fingers photography
104
fun shoot : patrick ligot portraits & toy photographer
8
. SimulĂŚcrum . DECEMBER 2014
DECEMBER 2014 . Simulﾃｦcrum
.9
MODEL : ROJEAN DELOS REYES | JHE OLAﾃ前 2014
SIMULæCRUM
Contributors Ari Simangan
Roi Francisco
Fashion Photographer. Glamour + Fashion + Rock & Roll = My Photography Style
A well-rounded freelance photographer
www.arisimanganphotography.com IG: arisimangan
www.roifrancisco.com www.facebook.com/roisterphoto www.roister.carbonmade.com/ www.twitter.com/roister
Allan Mendoza
Jhe Olaño
Freelance Photographer, Graphic Artist, and a 100% Coffee Lover.
A self-taught photo enthusiast
www.500px.com/AllanMendoza IG: kopixlover TWTR: a_coffeelover
www.facebook.com/s0ldierfirstclass www. kurorochan.deviantart.com/ www.flickr.com/photos/s0ldierfirstclass/
Don Michael De Leon
Patrick Ligot
Emerging Photographer from the City of Makati
Natural and Ambient light Photographer
www.happyfingersphotography.com Twitter: dmacelardeleon
flickrhivemind.net/User/pixelatedlifestyle pixelatedlifestyle.deviantart.com/
John Vincent Sanido
Paolo Nacpil
Featured Photographer
Featured Photographer
Emerging Photographer from the City of Valenzuela
Nature, Travel and Landscape Photographer. Also loves taking long exposures
www.facebook.com/jvincents
IG: capturedphotos http://capturedphotos.tumblr.com http://mudwrestler.deviantart.com http://www.flickr.com/photos/ mudwrestler/
Featured Photographer
Contributing Photographer
Featured Photographer
10
. Simulæcrum . DECEMBER 2014
Featured Photographer
Featured Photographer
Contributing Photographer
ARI SIMANGAN FASHION PHOTOGRAPHER
Sweet November HMUA: Ruel Papa Styled by: Edrick Paz Model: Ferina De Paz
12
. Simulæcrum . DECEMBER 2014
“Believe me when I was beginning it was hard for me to find a model I had been denied a couple of times (seen zoned LOL) or they would agree if you shoot them with a fee even though you know they ain’t worth it (all I wanted to do is to practice) - I know a lot of you can relate.” DECEMBER 2014 . Simulæcrum
. 13
FASHION PHOTOGRAPHY
SWEET NOVEMBER
Hair and Makeup : Ruel Papa Styled by: Edrick Paz Model: Ferina De Paz 14
. Simulæcrum . DECEMBER 2014
simulæcrum
Ari Simangan
Interview
with Fashion Photographer and Mega Fashion Crew Finalist
What Makes a Shoot Special to You? What makes it more than just a “job” or something that pays the rent? - I can say the shoot is special when I’m excited and looking forward to do it. (ex. a dream concept, a campaign, a magazine shoot or I know that I will be working with a fabulous team) - I don’t really think of it as a job because if you start thinking that it’s a job it will become boring. Photography for me is more than just a job. It’s my passion it’s something I can do even if my eyes are closed. “Photography is a lifestyle”.
How to become a Photographer? - Everyone can own a camera but not everyone can be a photographer. There are certain rules in photography but you must not be afraid to break the rules (as long as you know how to break it). - There are lot’s of workshops, classes being offered or just read your camera’s manual - practice whenever you have time but most importantly you have to “follow your heart” - Huwag sumunod sa uso.
What Inspires you to do what you do? What does photography mean to you? - I’ve finally found (discovered) something to do that I know I am good at. Using this God given talent and turn it into a career - that’s my inspiration because not everyone is given the privilege to do what they really love. You have to take care of it and use it in a proper way. - Photography is everything to me. Technically photography is all about light and shadows. Photography is a means of expression.
What is the influence of digital technology on your photography? - unlike film you don’t have to guess what will come out in print. Digital technology is something powerful... You can already alter the exposure (settings), mood (composition). It is something that saves a lot of my time and something that make me addicted to.
How important is it for a photographer to “connect” with his subjects to bring out their true self? - It’s very important. If your shooting portraits you have to make the subject comfortable... talk to them and explain what you expect from them. Give them an idea (the whole team) by creating a mood
board.. everything must be systematic in order to finish early and achieve what we want to achieve.
Colour vs. Black and White. Why one over the other, and is the photographic process different? - I prefer black and white. It’s something timeless and more dramatic. - Yes it’s different, b&w the process is more simple while in colour you have to consider some elements (ex. color blocking) balanced. 7. How does black and white vs color play into your work? Do you find them to be totally separate beasts—or complementary? - I’ve learned that it must compliment specially when your doing an editorial - shoot it in colour or b&w there must be a continuation or a relation in terms of achieving the mood. Personally B&W is a total beast once you understand it deeply.
Which photographers influenced you, and how did they influence your thinking, photographing, and career path? - I’ve got a lot of inspirations to name some of my faves - Helmut newton, Hedi Slimane, Peter Lindbergh, David Sims, Mario Testino, Terry Richardson, Patrick Demarchelier, Lope Navo (the only local that made me say WOAAAHH). - Everyone has a different style and approach and most specially a trademark. I don’t only check on their works but I also read about their biographies on how they started and what inspired them. This gives me a different perspective in such a way that I use it as an inspiration to just keep on shooting not only with my eyes but with my heart. I read about their success stories too and so I challenged myself to do well, keep on learning and improve each day and set a certain goal.
What was your career path? How did you get from being an aspiring photographer to actually doing it full time, for a living? - At first it was really hard... From investing completing your gears and equipment, contacts, learning about working in a studio, etc. - Believe me when I was beginning it was hard for me to find a model I had been denied a couple of times (seen zoned LOL) or they would agree if you shoot them with a fee even though you know they ain’t worth it (all I wanted to do is to practice) - I know a lot of you can relate. “Never give up” on your dreams. Practice!!! That’s why we have test shoots or what some call fun shoots. Use it as a means of learning and also to build up your confidence and
DECEMBER 2014 . Simulæcrum
. 15
FASHION PHOTOGRAPHY
simulæcrum be familiar with your gears, lighting and discovering your own photography style. - After being a finalist of MFC2 (Mega Fashion Crew) and after shooting my very first magazine editorial everything followed as long as you are determined to take the risks and follow your heart.
What motivates you to continue taking pictures economically, politically, intellectually or emotionally? Economically - It’s like I’m just playing (doing what I love) and I get paid for doing it. Politically - move forward. Totally not me. Intellectually and Emotionally - I believe this is the main reason because photography is an art. Be yourself and express yourself. Never shoot to impress but to express. I’m a thinker and I don’t usually talk much... I prefer to write or use photography as a medium.
“Photography is an extension of my love for music and poetry. Instead of writing or composing lyrics, I express my thoughts through my photos.”
SWEET NOVEMBER
Hair and Makeup : Ruel Papa Styled by: Edrick Paz Model: Ferina De Paz
DECEMBER 2014 . Simulæcrum
. 17
FASHION PHOTOGRAPHY
SWEET NOVEMBER
Hair and Makeup : Ruel Papa Styled by: Edrick Paz Model: Ferina De Paz
18
. Simulæcrum . DECEMBER 2014
DECEMBER 2014 . Simulæcrum
. 19
FASHION PHOTOGRAPHY
20
. Simulæcrum . DECEMBER 2014
SWEET NOVEMBER
Hair and Makeup : Ruel Papa Styled by: Edrick Paz Model: Ferina De Paz DECEMBER 2014 . SimulĂŚcrum
. 21
FASHION PHOTOGRAPHY
SWEET NOVEMBER
Hair and Makeup : Ruel Papa Styled by: Edrick Paz Model: Ferina De Paz 22
. Simulæcrum . DECEMBER 2014
DECEMBER 2014 . Simulæcrum
. 23
coffee in the city
white rabbit
26
. SimulĂŚcrum . DECEMBER 2014
simulæcrum
We love our Women. We love our Coffee. We love our City. And we most definite love our portraits.
Portraits of Jessica Yang By
Don Michael De Leon http://www.happyfingersphotography.com DECEMBER 2014 . Simulæcrum
. 27
PORTRAITS
I’ve
been a quiet fan of Jessica ever since she graced the cover of Rogue in ‘09. Back then, taking photos was not in my box of interests, but her striking almost-feline features (captured by no less than *the* Mark Nicdao) caught my untrained eye. She was nothing short of stellar. Fast forward five years, here I am, fueled by blind instincts, trying to figure out everyday what Happyfingers can achieve with my little camera. I had an idea of what I wanted for Happyfingers and the people I wanted to achieve that vision with. Jessica was definitely top of mind. But would *the Jessica Yang* even take an unknown with a point and shoot seriously? Still, a kid can dream. So I did. I dreamed, planned, sharpened, and in a rare fit of courage, asked. And this happened. I don’t know if taking portraits will take me anywhere, but if Jessica (and precious friends and muses) believed, then maybe I should continue believing. Jessica Yang for Coffee in the City, everybody. :)
simulæcrum “I’ve been a quiet fan of Jessica ever since she graced the cover of Rogue in ‘09. Back then, taking photos was not in my box of interests, but her striking almost-feline features (captured by no less than *the* Mark Nicdao) caught my untrained eye. She was nothing short of stellar.”
DECEMBER 2014 . Simulæcrum
. 29
PORTRAITS
30
. Simulæcrum . DECEMBER 2014
simulæcrum
DECEMBER 2014 . Simulæcrum
. 31
PORTRAITS
simulæcrum “Fast forward five years, here I am, fueled by blind instincts, trying to figure out everyday what Happyfingers can achieve with my little camera. I had an idea of what I wanted for Happyfingers and the people I wanted to achieve that vision with.”
DECEMBER 2014 . Simulæcrum
. 33
PORTRAITS
34
. Simulæcrum . DECEMBER 2014
simulæcrum
DECEMBER 2014 . Simulæcrum
. 35
PORTRAITS
36
. Simulæcrum . DECEMBER 2014
simulæcrum “I don’t know if taking portraits will take me anywhere, but if Jessica (and precious friends and muses) believed, then maybe I should continue believing.”
DECEMBER 2014 . Simulæcrum
. 37
FADE
LONGBOY Passion and Portraits Photographer
40
. SimulĂŚcrum . DECEMBER 2014
cover story
The Interview Who is Fade Longboy? Born and raise where? How old are you and what hobby do you have? Fade Longboy is a 26 year old filmmaker who was once a segment producer from Pinoy Big Brother and now a full-pledged passion photographer. I took up Mass Communication at Far Eastern University and a short course about film and directing at the University of Southern California, School of Cinematic Arts under the FAX program. I am introvert by nature and enjoy playing skill toys such as yoyo and kendama during my free time. I currently work as a freelancer for various video productions. I am born and raised at Quezon City, Philippines. Fairview, represent!
What inspires you? Mostly cinema, like Wong kar wai films that was shot by Christopher Doyle. I also got inspiration from the Japanese culture, be it films, music videos or photography, even if its random or I barely understand their language-- for some reason, I still understand it. I realized that there is no language barrier when it comes to influences in art. Their concepts might be weird but for me it’s an eye opener that tells me: “yes, you can push the limit of every boundaries or concepts”. Their concepts are refreshing for us even though they already outgrew those concepts during the 70’s and the 80’s. The list of my favorite photographers is also populated by the Japanese such as Daido Moriyama, Kishin Shinoyama, Noboyushi Araki, and Rinko Kawauchi.
How to become a Photographer? Tough question, because I think anyone can press a shutter button and be a photographer. I think what makes it different is how well do you know and treat your subjects. If you really know what you want and make time and effort on shooting it, then I guess that’s what matters. It doesn’t matter whatever you see in your viewfinder, be it landscape, portrait, or streets, what matters is the effort on shooting these subjects. Later on, you learn how to dance with the lights, the subject and your environment. Or let’s just say that as a photographer, you let everyone see what you see in this world; the perfections, imperfections, what you like and dislike, it will all come out in your photos. Or simply an instance where you shoot unconsciously and realize that you’ve been shooting for more than a year and has been pushing yourself and your cam to its limit. Maybe that’s what it takes.
What makes the good picture stand out from the average? To be honest, I am not a technical photographer; I barely have an idea about light meters, lenses and other settings. So whenever I see a beautiful photo, I always look after that unexplainable feeling, regardless of its technical-- subject, composition, or post processing. That unexplainable feeling that kicks. That same classic feeling when a kid is pulling up his photos from an envelope and sees it right after it was developed.
What does photography mean to you? When I was a kid, I remembered that I used to have a camera as a toy-- the Kodak 110, a rectangular shaped point and shoot camera. I used to play with it, even if it doesn’t have a film inside. I loved looking inside its viewfinder and clicking the shutter. I used to direct my family and friends to do a pose and it made me so happy.
Now I can say that I owe a lot to photography, it kept me sane after I lost my passion in filmmaking and after I quit my job in a TV network. I told myself that I will do photography. It didn’t cross my mind to make money out if it or turn it into a business. What I want is for me to have an outlet for my overflowing creative juices. I just want to be honest to myself and do the shoots that I want. The same thing I said to my previous supervisor before I resigned, he won’t allow me, but still I quit. My experience is incomparable to my 40k monthly salary before. Hard-headed as I can be, i chose it. I’ve got no money but I am happy. Photography led me to a lot of things. I met a lot of people, some are good and some are not. But I can say that I have learned lot things from them, be it life lessons or photography lessons. Learnings that guide me in my everyday life. One instance is about how I acquired this camera, which I currently use. It was lend to me by a good hearted man when he saw my post in Facebook, that I was selling my camera. He doesn’t want me to stop my photography so he gave me his camera, he doesn’t want to reveal his identity but I am really grateful for what he did. Thanks to photography because I was able to share how I see the beauty of this world. I also thank the other photographers for sharing never ending energy coming from their photographs. I am very thankful to photography because it saved me from depression.
One of today’s main discussion points amongst photographers is about the use of digital photography; do you use digital cameras? Yes, 99% of my work is digital and 1% analog. But if I have the luxury of both money and time, I’ll use film.
How important is it for a photographer to “connect” with his subjects to bring out their true self? To be honest, I am a natural introvert and a shy type when it comes to girls. They call me ‘torpe’ and I always get awkward when talking to girls. But because of photography and being honest, everything went too smoothly. If first time models, I try to invite them for a chat over coffee and eventually get to know them, their childhood or what they feel. But it doesn’t mean that I want to date them or what, I just want to get to know them so I can understand who they are. I don’t usually ask a model to pose for me, I just want them to be themselves and in return I share them my stories. Eventually, most of my models became my close friends and it really helps to spark new interests when doing a shoot with them. I always believe that when you become honest with what you do, the models will also become honest with what they feel and becomes a synergy. The collaboration becomes effective, when I give a positive energy the models will give me a positive energy and vice versa. I don’t ask them to smile for me, unless it’s natural. Why? Because we don’t usually smile when we’re alone, right? To connect with my models is one of the most important things in my process during photography. I have to be honest and let them feel that they are the most beautiful woman during our shoot, not through words but through an intangible connection. Same with how we court women, we make them feel beautiful, be careful with our words and more importantly, let them feel safe, because once
DECEMBER 2014 . Simulæcrum
. 41
cover story
they feel it; it will get back to you. The process becomes healthier as they will reciprocate what they feel by giving their best to equate the passion I show them. I have secret ways to make them feel comfortable and be in their natural state so we will have a smooth flow during shoot; maybe the way I do each shoot also helps to make them feel comfortable. I’m not the serious type when shooting, no pressure and I also let them feel that I’m in love with them, but that is only for shooting purposes. Of course, I know how to detach after, but sometimes, detaching is not that easy.
Can you walk us through the actual process that you use to set up a portrait? I follow my instincts, because sometimes it’s hard for me to catch my momentum. I usually drink coffee or energy drinks to make me feel hyper to follow the flow. It also depends on the energy of my models, because I avoid showing pegs for them, unless it’s necessary. I don’t follow pegs because it usually varies on the actual location, weather or mood of the model. I am talkative during a shoot, I used to chat with my models about their life, their second favorite color and then I used to do my classic green jokes and pickup lines. Instead of directing their pose, I usually give them scenarios, just like a film director does. My models know how long I shoot, some lasts for 6 hours, some even lasts for 12 hours. But those hours also include the chitchat sessions and hanging around with the models, I want them to feel unrestricted and to enjoy my company.
Locations and weather conditions seem to be a crucial aspect to a successful picture. How do you handle these unpredictable factors? And because I trust my instincts, I always expect the unexpected. I use my disadvantage to my advantage. In an instance, when it rains, I use the rain during shoot. When it’s dark, I use darkness in my photos. I try to adapt as much as possible unless it’s unadaptable and we really have to cancel the shoot. At times, I wait for the unpredictable factors to tone down or at least be okay. It matters because sometimes when you wait, you’ll be surprised with the outcome, it is much better to what you have expected or planned.
So saan nga ba galing at bakit nagkaroon ng
Siesta Series?
Let’s here the real story behind this famous Siesta Series that made it a BIG success on the photography scene and our favorite social media hangout facebook, the man himself FADE LONGBOY. 42
. Simulæcrum . DECEMBER 2014
MODEL : CLAUDINE JAY | FADE LONGBOY 2014
DECEMBER 2014 . Simulæcrum
. 43
SIESTA
SERIES Words and Photos by: Fade Longboy
O
kay, magke-kwento muna ako. Medyo magulo ako magkwento pero sana masundan mo. Pasensya na rin sa typos dahil sgrdong mdame (Kung magkaka-interes kang basahin ito.)
Noong bata ako, palagi akong pinapatulog ng magulang ko sa hapon, mag-siesta daw ako para tumangkad. Pero nagkukunwari
lang akong tulog at nag-iimagine lang. Di ko magets yung point nun dahil gusto ko lang maglaro ng video games o manood ng TV buong araw. Saka tuwing flag ceremony sa school, ako yung laging nasa dulo ng pila. So I assume, matangkad ako. (tapos Longboy pa) Anong konek? Wala, naalala ko lang. Okay, seryoso na. Noong kinder o prep pa ako, isa sa mga nakahiligan kong laruin
Dumating
ay ang instant camera ng pamilya namin, tinututok ko to kung
Rumaraket ako ng video shoots para sa film ng isang kaibigan.
kani-kanino at nagpo-pose naman sila sa akin. Pumuputok ang
Nakagamit ako ng Canon 60D at naka-set sa live view. Tuwing
flash noon at aliw na aliw ako sa tunog at liwanag nito. Wala
may extrang oras sa video shoot namin, tina-try kong pumitik ng
namang film yung pinapalaro sakin pero minsan na din akong
pictures. For some reason, nag enjoy naman ako. Visual pa rin
nagkamaling may film ito. Tuwang tuwa ako noon sa viewfinder
ang atake, pero hindi gumagalaw tulad ng nakasanayan ko. Isa sa
kasi lahat ng sinisilip ko doon ay nakangiti, nakapose at masaya.
mga una kong napitikan ay ng artista sa short film na si Monique
Hanggang sa lumaki na ako at naging high school, aliw na aliw ako
Baldon at isa sa staff noon at sikat na freelance model na ngayon
sa instant film cameras. Hanggang sa dumating ang video games
na si Geng Maderazo. Noong time na yun, tina-try kong magpa-
at PC, nawala na sa isip ko ang camera.
pose na parang director sa pelikula. Wala naman akong talagang
Dumating ang kolehiyo, gusto ko maging filmmaker noong pumasok ang 2006 sa Far Eastern Univeristy habang kumukuha ng Mass Communication na kurso. Nagkaroon kami ng chance noon na magkaroon ng subjects tulad ng Cinema at Photography. Noong time na yun, medyo excited at bibo ako sa photography class dahil alam kong magagawa ko na naman yung ginagawa ko noong bata pa ako. Pero analog at film SLR ang ginamit ko noon sa finals namin. Natuwa ako sa results sa pagpapa-pose ko sa mga classmates kong nagsilbing models na rin. Natuwa din naman ang professor ko sa results. Pero di ko talaga magets sa pagtuturo noon ang aperture, shutter at ASA. Wala akong interes noon, ang alam ko lang, gusto ko sumilip at i-click ang shutter. Since isa lang ang photography class namin sa apat na taon sa college, nawalan din ako ng interes. Hanggang sa nadiskubre ko ang filmmaking at nahilig sa pag-eedit ng videos at pag gamit ng maliliit at malalaking video cameras. 2009. Napasama sa mga video production ng mga indie films, bilang production assistant hanggang sa pagca-camera. Hanggang sa nakakuha ako ng film scholarship ko sa America at nagkapagaral ng Directing and Scriptwriting course sa University of Southern
ang
2010.
Nag-umpisa
ako
magphotography.
background noon sa photography to begin with. Sabay pitik. Ilan sa mga pinaka-una kong naging model noon ay yung mga “crush ng bayan” sa Mass Communication Department namin sa FEU na randomly hinahatak ko lang at makikita ko lang sa Freedom Park ng FEU. Isa sa kanila ay si Giane Sales. Noong time na yun, di ako nagka-interes gumamit ng Photoshop. Rewind ng konti, pumunta ako noon sa bahay ng matalik na kaibigan ko na si Jet Leyco (Award winning filmmaker na ngayon), nakita kong nag-eedit siya ng photos gamit ang Lightroom na nirecommend naman sa kanya ni Jun Sabayton (Artista, Director, Visual Artist at news reporter na sa TV5). Na-curious ako kasi madali lang at kulay lang ang ginagalaw. Para bang color grading sa pelikula. Hanggang sa nag install na ako sa laptop ko at ginamit sa pag-eedit ng photos. Going back. Lahat ng “shoot” ko nun, hatakan lang. Palakasan nalang ng loob na sana mapagbigyan. Wala pang proseso, chamba at napagbigyan lamang. Noong time na yun, di ko naman alam na may proseso ba, for fun lang, kaya for fun lang din yung pag invite.
California, School of Cinematic Arts. Pero pag uwi ko galing sa
Dumating sa point na nakatambay ako sa 2nd floor ng building
America, nawalan ako ng gana sa filmmaking. Medyo ironic, oo.
namin sa FEU, nakita ko ang isang babaeng napaka-cute, napansin
Na-depressed ako, hindi ko alam kung bakit. Pero sumasama pa
kong kilala siya ng ilang kaibigan ko at pinakausapan si Mark Villa
rin ako sa mga shoots na may kinalaman sa filmmaking.
kung pwede bang ma-photoshoot noon si Claudine Jay. Laking
44
. Simulæcrum . DECEMBER 2014
simulæcrum
MODEL : CAREY LIM | FADE LONGBOY 2014
DECEMBER 2014 . Simulæcrum
. 45
SIESTA SERIES
MODEL : CAREY LIM | FADE LONGBOY 2014
46
. Simulæcrum . DECEMBER 2014
simulæcrum tuwa ko na pumayag siya, nagplano talaga ako ng matindi. Wala
Habang ginagawa ang normal na routine sa TV Network, may
pa akong sariling DSLR nun at nanghiram lang ako sa kaibigan
nagmessage sakin sa Facebook, tiga-FEU. Si Miguel Alino Lopez.
ko na tiga-Laguna na si Anthony Maingat. Nagkikita kami noon
Nagsend siya sakin ng Facebook profiles na maaring gusto ko
sa Cubao at malugod niyang pinahiram sakin ang 550D, kitlens at
daw i-shoot. Naging mahaba ang listahan na yun. Lahat sila
50mm 1.8. Malaki ang utang na loob ko kundi dahil doon, maaring
magaganda. Pero sa isang profile lang ako natigilan. Yun ay ang
hindi natuloy tong photography ko.
profile ni Carey Lim.
Naalala ko noon, may dalang dalawang MALAKING bag si Claudine
Kinausap ko si Miguel kung maaring pakiusapan si Carey na
na puno ng damit, nagshoot kami noon sa Wildlife. Siya lang ang
makapagphotoshoot kami and eventually, nakapagset kami ni
nag-make up sa sarili niya at yun ang first photoshoot niya at para
Carey.
sakin, yun din ang legit FIRST shoot ko. Naglaro lang kami halos, tawanan, walang kapaguran kahit tirik ang araw. Hula-hula din sa settings, noong time na yun, nagdala pa ako ng props tulad ng violin at plastic balloon. Tapos nakarami din kami ng set ng damit noon hanggang sa may mga taong napapadaan at nagpapa-picture sa kanya dahil mukha siyang artista. Lalo akong nauhaw noon sa mga shoots. Para bang may superpowers ako to stop time at to control people within a frame at kulayan siya na naayon sa akin. Naging addicting siya para sakin. Nasundan pa ito ng panghihiram
Dahil nga nabanggit ko ang pinagdaanan kong trabaho sa TV. Nalate ako nagising sa araw ng shoot namin. Usapan namin ay 9am kami magkikita sa 7-11 sa Morayta pero nagising ako ng 11am. Nagpanic ako nun, nakita ko ang text ni Carey na nag-aantay siya ng text mula sakin at nagbabalak na siyang umuwi. Kumairipas ako ng ligo sa banyo ng network at dumerecho pa ng Sct. Triangle para hiramin ang camera noon kay Joel Ferrer (Director and Scriptwriter). Dumating ako noon sa Morayta ng halos ala una na.
ng camera kung kani-kanino.
Humingi ako ng matinding pasensya noon kay Carey na walang
Nasundan yun ng shoot kasama si Jerna Salmani sa bakod at
sa shoot na yun si Louie See.
makikitang inis mula sa kanya. Hiyang-hiya ako noon. Kasama ko
kalsada around UST. Hanggang sa nasundan ng shoot muli kay Giane Sales at Lhaika Ricardo sa Daylight Studio sa Cubao. Naging inspiration ko ang photos ni Brendan Goco na sa nasabing studio din nagshoot. Imbes na gamiting ang mga gamit sa studio, nagtake advantage ako sa pag gamit ng malaking bintana sa studio. Nagdala din ako ng props noon na air mattress. Na-weirduhan yata sakin noon yung caretaker sa studio dahil sa dala ko. Noong time na yun, ini-instruct ko sila na kunwari, “nagsi-siesta lang”. DI ako aware na yun na nag-uumpisa na pala ang Siesta Series. Noong time na yun, na-realize ko kung bakit gusto ko yung image na nagpapahinga sa kama o kaya ay nagsi-siesta. Nagkaroon akong ka-relationship noon na halos tumagal din ng almost 3 years (live in) at isa sa pinaka-magandang pagkakataon na makikita ko siya ay kapag bagong gising, natutulog o kaya magulo ang buhok. Tumatama ang init ng araw sa mukha at medyo may pawis pa. Simple, walang ayos. In your face, realidad. Fast forward ng kaunti. Nagkatrabaho ako sa isang malaking TV network para maging producer. Palaging stressed at araw-araw kong namimiss magshoot. Kahit arawaraw ay artista ang dini-direk ko,
na yata kami ng eternity noon sa biyahe naligaw-ligaw pa para makarating sa bahay ng kaibigan. Dumating din ang isang photographer na kaibigan na si Jamie Kate. Sumunod din na dumating na model si Claudine Jay. Halos 3 or 4pm na kami nakapagstart ng shoot ni Carey. Nang tinitingnan ko palang si Carey na walang make up, sa loob-loob ko. Wag na mag-make up, ang nakakatawa dun. Hindi pala talaga nagme-make up si Carey. Nakipaghabulan ako kay Haring Araw na sana, wag muna lumubog. Sinabihan ko si Carey na pumwesto sa kama na may katabing bintana. Binigyan ko siya ng scenario, “inaantok ka”. Pumitik ako na parang may gatling gun. Pinaglaruan ko ang espasyo at ilaw na meron ako. Habang nagshu-shoot, nakulitan sakin si Carey
“I don’t ask them to smile for me, unless it’s natural. Why? Because we don’t usually smile when we’re alone, right?”
balewala lahat ng yun. Kalokohan yung prestigious na pakiramdam na dinidirek sila. Noong time na yun, pakiramdam ko yata na ang photography lang sasagip sa kabaliwan na pinagdaanan ko. Kabaliwan dahil di ko magawa ang aking addiction. Yung feeling na parang pinapatay ako untiunti. Di ako nakakauwi, umiiyak ako mag-isa at di ko na alam ang gagawin. Tuwing magkakaroon ako ng vacant day, napupunta ito sa shoot.
At tinamaan ng magaling, sa Paranque pa ang location. Inabutan
dahil sa paulit-ulit na pag apologize at pagtatanong kung okay lang siya. Ilang beses ko din nabanggit ang salitang “siesta” sa shoot na yun. Sobrang mahiyain si Carey, napakapure din kapag nakausap mo. Yung tipong ayaw mo magmura sa harapan niya. Hanggang ngayon, hindi ako makapaniwalang first shoot niya
yun. Naging madali ang lahat. Swabe. Nag-experimento ako sa pop-up flash, sa ilaw mula sa lamp at kung anu-ano pa. Natapos ang shoot ng gabi kasama ang set kay Claud ng halos 8pm. Habang nasa biyahe pauwi. Naririnig ko pa rin ang “siesta” sa isip ko. Nag-isip ako ng title para sa set na yun buong biyahe. Hanggang sa nabuo ang “Siesta Series”. Napabalikwas yata ako
DECEMBER 2014 . Simulæcrum
. 47
cover story sa tuwa sa title ko at tinanong ko pa si Louie kung okay lang ba yung title ko. Dumerecho kami ni Louie noon sa Maginhawa para ibalik ang camera kay Joel Ferrer. Natuwa ako dahil nagustuhan ni Joel ang results gamit ang camera niya. Excited na akong umuwi noon para ma-edit sa Lightroom ang shots. Nagulat ako sa reception ng tao noon, ang mga hinahangaan kong photographer at cinematographers pa ang mga nagbigay ng magagandang comment. Dun ko na-feel na parang
“Yes, 99% of my work is digital and 1% analog. But if I have the luxury of both money and time, I’ll use film.”
photos, mga naging kaibigan, childhood memories, frustrations, fantasies and all equals Siesta Series. 6) Sa photography ko, gusto kong i-please ang sarili ko bago ang lahat. Kumbaga, kung mag-ooffer ako ng pagkain sa mga bisita ko, sisiguraduhin kong masarap ang timpla nito para sakin. Tama ang tamis, alat at anghang para sakin. Pag kuntento na ako, saka ko ito iooffer. Kung hindi mo ito gusto, okay lang. Di ko naman sinusubo ito ng sapilitan.
nainlove ako sa model for the first time. Nainlove sa existence niya, sa galaw, sa tingin at hawi ng buhok
Dumating sa point na pinagtawanan din ang shots ko, in terms of my
niya. Eventually, naging close kami ni Carey. Naging malapit at
shooting style, composition, kulay at PALAGING OVEREXPOSED.
nasundan pa ng maraming shoots at maco-consider ko ng Muse.
At wala akong pakialam. Di sa wala akong pakialam na, “Fuck you,
Eventually, nag resign ako sa work ko sa network. Tinanong ako kung bakit ng isa sa malapit sa aking superior, sinagot ko siya na, “Gusto ko lang magphotography”. Wala akong back up nun, wala din akong balak pagkakitaan ang photography. Ang alam ko lang, gusto ko magshoot. Nag-stick ako sa theme na ginawa ko. Lalo akong na-addict sa photography. Naisipan kong sundan ang Siesta Series dahil sa dahilang ito.
wala akong pakialam sayo” kundi, “ito ang photography ko, wala kang magagawa”. Oo, alam kong maaring mali ang shots ko para sa iba pero di ko ito sinasadya para maging “deviant”, ito ay dahil ang style ko. Identity siguro. Kung pare-pareho lang ang itsura ng photos ng lahat ng photographer, para saan pa at binigyan ka ng sariling utak o puso para magshoot. Sa tingin ko, walang tama o maling photos, mayroon lamang pangit o maganda sa paningin ng ibang tao. (Unless you’re working professionally, maaring ibang usapan ito.)
1) Naisip ko na nakatira ako sa Pilipinas. Bakit hindi ko gamitin
Naalala ko noon, may isang nag comment tungkol sa isang shot
ang realidad? Magshu-shoot ako ng realistic na kwarto na mukha
ko na overexposed, okay lang naman sakin. Nagpaka-critical siya
talagang Pilipinas. Kung may dumi, kalat o mga detalye man na
kesyo mali daw. Okay lang naman sakin. Pero ngayon, binenta
makikita, para sakin mas organic. Mas totoo. (Well, di ko rin
niya ang cameras niya at di na siya nagpo-photography.
naman kayang rumenta ng mga locations talaga kaya sa bahay ko nalang nagshu-shoot.)
Para sakin kasi, kung pare-pareho lahat. Boring. Siguro meron talagang palaging matigas ang ulo na kailangan ang mundo. Ewan.
2) Wala akong sariling camera noon, wala akong ilaw na pwedeng gamitin bukod sa araw at mga desk lamps sa bahay. Naisip kong imaximize kung anong meron ako. At kung may kailangan man ako na wala sa bahay namin, hihiram ako. Hindi ako naging galante o magarbo mag-isip. (Salamat sa indie, natutunan ko ang pag maximize ng resources, kung wala, matutong manghiram.)
Fast forward ulit. Hindi ko ineexpect na may mga models o kaibigan akong pumayag magpashoot sakin ng Siesta Series. Bakit? Kasi naisip ko, usually kaya nagpapa-photoshoot ang mga babae para maging elegante sa pictures. Makita ang strong personality nila. E halos kabaligtaran
3) Nasabi ko na na ang babae para sakin ay pinaka-maganda kapag
ito ng Siesta Series, nakapambahay sila, nag uunat at magugulo
nakita mo sila in natural state. Kaysa sa super ayos na ayos. (Pero
ang buhok. Kaya hanggang ngayon, abot langit ang pasasalamat
syempre, nagshu-shoot din naman ako ng ayos na ayos from time
ko sa mga naging models ko na pumayag at nagkaroon ng interes
to time, depende rin sa trip ng model.)
magpashoot sakin. Kahit na alam nilang sa sarili kong bahay/ kwarto, binigay niyo ang tiwala sakin. High five sainyo!
4) Malaking influence sakin ang mga Asian films at photography kaysa sa Western na naa-apply ko sa photography ko.
Maraming salamat din sa muse ko na si Carey. Hindi siya aware pero siya ang dahilan kung bakit nag umpisa ang Siesta Series.
5) Pakiramdam ko, naging totoo ako sa photos ko. Ito ang gusto
Dahil sakanya, gustong gusto kong makita ang pagiging fragile
ko makita sa works ko. Hindi ako “nagpumilit” na gumawa ng
ng isang babae sa photos ko. Yun tipong gusto mong alagaan at
kakaiba. Kumbaga, DNA ko ito. As is. Laman ito ng influence ko
protektahan kapag nakita mo sa litrato. Yun yung naging basehan
simula pagkabata hanggang sa tumanda. Mula sa music, films,
ko hanggang ngayon.
48
. Simulæcrum . DECEMBER 2014
SIESTA SERIES
MODEL : CAREY LIM | FADE LONGBOY 2014
DECEMBER 2014 . Simulæcrum
. 49
SIESTA SERIES Maiba ng konti, medyo nawawala na yung amats ng 3 kape sakin. Kung isa ka sa tiga-hanga ng Siesta Series, salamat. Salamat sa photography at pinatili akong sane. Salamat sa mga suporta ng mga kaibigan at pamilya. Para sa mga naghahanap ng style nila sa photography. Kung nabasa niyo ang buong article na ito, malalaman niyong naging proseso ang pagbuo ko dito. At maaring maiisip niyo ang pinaghuhugutan nito. Darating sa point na kayo naman ang bubuo ng proseso niyo. Maaring di niyo naiintindihan ngayon, someday, somehow maiintindihan niyo din. Oo, mahirap ng maging original sa panahon ngayon. Pero kung may gagawin kayong isang bagay, siguraduhin niyong matatawag niyo itong “sainyo”. Katas ng experience at infulence na naabsorb mo na nilagi mo sa mundo. Wag niyo din seryosohin ang photography masyado in terms of gusto niyo maging magaling. Be playful, don’t act as if you’re trying to be the best photographer around. Papatayin niyo yung joy niyo sa photography. Enjoyin niyo at i-cherish ang pagkakataon ngayon na nakakapagshoot kayo ng full creative control niyo. Marami pang time para maglaro at experiment. Wag niyo din i-expect ang pagbalik o reception ng tao sa works niyo dahil kapag naging ganon, nagshu-shoot na kayo para sa ibang tao. Para sa mga likes sa social networking sites. Mas importante ay yung pagkakaroon ng sariling proseso sa photography. Para sa akin kasi, ang shoot ko ngayon ay maaring maging ticket ko sa mga susunod na shoot, maaring hindi next week, maaring hindi sa model na gusto mo pero meron at merong magkaka-interes sa ginawa mo ngayon na makakapekto sa course ng photography mo. Wag din lokohin ang sarili na magshushoot ka lang dahil may model na available, make sure na gusto mo talaga yung model, in terms of character and appearance. I can testify na lahat ng models na nashoot ko, gusto ko talaga in terms of face value. Hindi dahil sexy lang o maputi. Minsan, lalo na sa returning models ko, mas gusto ko sila ma-shoot ulit dahil sa character nila. Get to know them well and discover something new to
“Sa photography ko, gusto kong i-please ang sarili ko bago ang lahat. Kumbaga, kung mag-ooffer ako ng pagkain sa mga bisita ko, sisiguraduhin kong masarap ang timpla nito para sakin. Tama ang tamis, alat at anghang para sakin. Pag kuntento na ako, saka ko ito iooffer. Kung hindi mo ito gusto, okay lang. Di ko naman sinusubo ito ng sapilitan.” - FADE LONGBOY
MODEL : CAREY LIM | FADE LONGBOY 2014
apply sa photography in terms of portraits.
simulæcrum
Work with minimal gears, wag bili ng bili ng mga gears na di naman nagagamit. Simula nung nag umpisa ako, 50mm 1.8 and Kit Lens lang ginagamit ko dahil yun yung available. Kung may mata ka, hindi gears ang maglilimit sayo. Use your feet to get the shot as well, gumalaw ka, find the shot at perspective na gusto mo. I don’t use Photoshop. Di dahil ayaw ko, kundi di ako marunong. At thankful ako sa models ko dahil wala naman akong kailangang i-retouch sa kanila and more on colors lang talaga ang ginagamit ko. Hindi ako technical na tao, meaning, I don’t dwell sa technicalities. I have more to discover. Hindi ako magaling. Pero alam ko sa sarili kong maganda ang mga photos ko. And I’m not claiming everything. Lahat yun, collaborative effort ko at ng mga naging models ko. Gusto kong matandaan ako sa mga magagandang photos ko at di dahil “magaling ako”. Natutunan ko lang na kung mahal mo ang isang bagay tulad ng photography, mamahalin ka rin niya back. Sa ngayon, gusto ko magexperimento ng bagong istilo. Maglaro pa ng maglaro, walang katapusan ang photography pagdating sa learning process, walang sawang adiksyon.
DECEMBER 2014 . Simulæcrum
. 51
SIESTA SERIES
P.S Kaya ko din to sinulat, kasi feeling ko di na ako aabot ng trenta. Kaya kung madeads ako soon, pakibasa sa eulogy ko. 52
. Simulæcrum . DECEMBER 2014
MODEL : CAREY LIM | FADE LONGBOY 2014
simulæcrum
DECEMBER 2014 . Simulæcrum
. 53
Glam rock Portraits of Sofia Sibug Photography
Allan Mendoza Hair and Make-up
Sofia Sibug
56
. SimulĂŚcrum . DECEMBER 2014
simulæcrum
MODEL : SOFIA SIBUG | STYLING : ALEX ABAD | ALLAN MENDOZA CIRCA 2013
. 57
DECEMBER 2014 . Simulæcrum
PORTRAITS
MODEL : SOFIA SIBUG | ALLAN MENDOZA CIRCA 2013
58
. Simulæcrum . DECEMBER 2014
simulæcrum
. 59
MODEL : SOFIA SIBUG | ALLAN MENDOZA CIRCA 2013
DECEMBER 2014 . Simulæcrum
PORTRAITS
MODEL : SOFIA SIBUG | ALLAN MENDOZA CIRCA 2013
60
. Simulæcrum . DECEMBER 2014
simulæcrum
MODEL : SOFIA SIBUG | ALLAN MENDOZA CIRCA 2013
. 61
DECEMBER 2014 . Simulæcrum
PORTRAITS
MODEL : SOFIA SIBUG | ALLAN MENDOZA CIRCA 2013
62
. Simulæcrum . DECEMBER 2014
simulæcrum
MODEL : SOFIA SIBUG | ALLAN MENDOZA CIRCA 2013
. 63
DECEMBER 2014 . Simulæcrum
simulæcrum
“I am a romantic who enjoys strolling through cobblestone streets and markets. I am inspired by art and architecture, and thrive being surrounded by other artists and intellectuals. I enjoy the bustle of a city, but also love spending time in the warm countryside, sitting at a cafe, and having coffee. My soul is nourished by being in nature, and by having deep meaningful conversation about love, art, and the meaning of life.” 64
. Simulæcrum . DECEMBER 2014
PORTRAITS
MODEL : SOFIA SIBUG | ALLAN MENDOZA CIRCA 2013
DECEMBER 2014 . Simulæcrum
. 65
“When you photograph people in color, you photograph their clothes. But when you photograph people in Black and white, you photograph their souls!” - Ted Grant
66
. Simulæcrum . DECEMBER 2014
simulæcrum
John Portraits Vincent Sanido in Black and White 68
. Simulæcrum . DECEMBER 2014
BLACK & WHITE PORTRAITS
MODEL : LESLIE SINCIOCO | TRANSPORT SHOW 2014
BLACK & WHITE PORTRAITS
MODEL : JOYCEE CASTRO | PIXELHAUSMANILA 2014
The Interview Who are you? And why get into Photography? What inspires you?
What is the influence of digital technology on your photography?
I’m John Vincent Sanido. I just like to take stolen snapshots of random friends around me, hindi pumasok sa isip ko na mag photography, kailangan ko lang talaga siya I take kasi may subject kaming photography sa course kong MMA, ayun, patuloy tuloy na, hanggang nakakita ako ng first inspiration ko.
Nag start na rin ako sa Digital era, pero nung nag try ako ng film masaya siya tho ang daming process bago mo makita ang mga photos mo.
What makes the good picture stand out from the average? Pagnakita mo pa lang yung picture at pumasok kaagad sayo yung message, ayun malakas yun.
What does photography mean to you? Photography is a major part of my life, one of my major passions. One of today’s main discussion points amongst photographers is about the use of digital photography; do you use digital cameras? Yes, nag simula ako sa digital.
70
. Simulæcrum . DECEMBER 2014
How important is it for a photographer to “connect” with his subjects to bring out their true self? Lagi mo lang kausapin, bago, habang at pagtapos ng shoot para mas lalong maging open sa isa’t isa
Locations and weather conditions seem to be a crucial aspect to a successful picture. How do you handle these unpredictable factors? Maganda ang planado, pero minsan hindi rin natutupad ang plano, minsan mas natutuloy pa ang biglaan at walang ka plano plano, so kung saan man kami ma punta, at anong panahon, ginagawan na lang ng paraan kung paano pa rin makaka kuha ng successful pictures.
simulæcrum
DECEMBER 2014 . Simulæcrum
. 71
BLACK & WHITE PORTRAITS
Which photographers influenced you, and how did they influence your thinking, photographing, and career path? Mostly from Hong Kong yung iba sa 500px din, grabe ang gagaling talaga nila, parang mga impossible na gagawa nila, so we challenge our self na maka gawa rin sana ng ganong mga pictures. 72
. SimulĂŚcrum . DECEMBER 2014
simulæcrum
MODEL : JC ANN SOTELO | 2014
DECEMBER 2014 . Simulæcrum
. 73
MODEL : ELLA SAN ANDRES | NINOY AQUINO PARKS AND WILDLIFE 2014
BLACK & WHITE PORTRAITS
74
. Simulæcrum . DECEMBER 2014
simulæcrum
MODEL : ELLA SAN ANDRES | NINOY AQUINO PARKS AND WILDLIFE 2014
DECEMBER 2014 . Simulæcrum
. 75
ROI FRANCISCO THE RIGHT FRAME STUDIOS
FEATURED PHOTOGRAPHER
76
. Simulæcrum . DECEMBER 2014
simulæcrum
“Modern black and white photography at it’s best is art, and many photographers regard it as the purest form of photography.” -Andrew Gibson
DECEMBER 2014 . Simulæcrum
. 77
BLACK & WHITE PORTRAITS
Beauty in
Beast the
Captured and documented by Roi Francisco. Featuring the talented pole dancers of BEAST HOUSE Pole and Aerial Dance Studio 78
. SimulĂŚcrum . DECEMBER 2014
simulæcrum
Interview
Roi
with Portrait and Events Photographer
Francisco Who is Roi Francisco before becoming a photographer?
How has social media played a role in your photography?
I was an Architecture student in UP Diliman before I started shooting professionally, though working with a camera has always been a part of my life since childhood. My grandmother had a humble photography studio complete with a darkroom, and her brother used to be a presidential photographer, so eventually venturing seriously into photography as well felt very natural to me.
It’s been really easy showcasing what I do thanks to social media platforms like Facebook and Instagram. It’s also allowed me to connect with some amazing people I look up to, and in turn see what they’re working on.
Exactly what it is you want to say with your photographs, and how do you actually get your photographs to do that? I started shooting professionally as a wedding photographer, so capturing emotion has always been a big deal to me. This photo set on the other hand showcases the subjects’ skill more than emotion.
What is the one thing you wish you knew when you started taking photos? I wish I had learned the basics early on, especially since there were a handful of people whom I could have learned from in the family. I used to play with an old Pocket Instamatic all day long, but never really asked anyone how to take a decent photo.
How important is it for a photographer to “connect” with his subjects to bring out their true self? Very -- and not at all. There are times where it is crucial that a photographer takes the lead, for the subject to follow every minute detail (like in portraiture). Other times, a photographer should step down and assume the role of follower as the subject takes the helm (like in performances). And there are times where in this ‘connection’ should be severed completely, for the subject to be able to be in her complete element (like in photojournalism). The subject brings out their true self when and where they see fit – in my opinion, a photographer is never really in control of that.
Why do you take photos? I take photos because I love capturing people, what they do, and what they want to achieve, because I feel there are so many talents, passions, and endeavors out there that are worth noticing, and I constantly hope that taking their photos give these things a second chance to be seen again.
What inspired you to take photography? I’ve always wanted to take up Fine Arts just like my father, however I did not make the cut when I applied for it back in college. Though it really stung a bit back then, I still went to the same direction and took Art Studies, before eventually switching to and finishing with Architecture. Freehand illustration has always been a frustration, so I thought maybe I could try a different medium of making images - and so here I am.
What makes a good picture stand out from the average?
The decisive moment, as Henri Cartier-Bresson calls it. A fleeting moment in time where everything – subject, background, foreground, elements, details, etc. -- falls right into place. A photographer friend and mentor once told me, “If you saw it (in the viewfinder), you didn’t capture it.”
What is one question nobody has ever asked you— that you wish they asked you? “Do I get paid enough? Moreover, do I get paid enough for every effort that goes into doing photography?” It starts off as a joke in my head, but come to think of it, it’s quite a valid question I want to be asked about. Lots of misconceptions go about how much a photographer actually earns, and only people in the industry and the related fields know the reality. Honestly, who gets paid enough in the scene these days? The effort we all put into any passion we undertake is rarely compensated properly in a cost-cutting, corrupt, selfentitled society. In my opinion, it can only get better if we start changing it ourselves. If we don’t know how to compensate the other guy properly, then how can we expect to get paid enough?
DECEMBER 2014 . Simulæcrum
. 79
BLACK & WHITE PORTRAITS
80
. Simulæcrum . DECEMBER 2014
simulæcrum How do you get paid to do what you want to do with your photography? I’ve been blessed and lucky to have very supportive friends, family, colleagues, and even clients who constantly keep encouraging me to appreciate the full value of the time, passion, and effort that I put into my work. Thanks to them, I’ve learned that there are very real and valid reasons why I shouldn’t do what I do for free. Now I am privileged to be venturing full-time as the lead photographer at The Right Frame Studios.
About this photos that you submitted what where you feeling or thinking when you captured it? And why this set? I chose to feature this set because I wanted to showcase this extremely talented group of people, and because their skills ceaselessly inspire me to shoot performance arts. They are literally beasts in their craft, and I am just lucky enough of a fan to be able to capture what they do.
DECEMBER 2014 . Simulæcrum
. 81
BLACK & WHITE PORTRAITS
82
. Simulæcrum . DECEMBER 2014
simulæcrum
DECEMBER 2014 . Simulæcrum
. 83
BLACK & WHITE PORTRAITS
84
. Simulæcrum . DECEMBER 2014
simulæcrum
DECEMBER 2014 . Simulæcrum
. 85
BLACK & WHITE PORTRAITS
86
. Simulæcrum . DECEMBER 2014
simulæcrum
DECEMBER 2014 . Simulæcrum
. 87
BLACK & WHITE PORTRAITS
88
. Simulæcrum . DECEMBER 2014
simulæcrum
“I chose to feature this set because I wanted to showcase this extremely talented group of people, and because their skills ceaselessly inspire me to shoot performance arts. They are literally beasts in their craft, and I am just lucky enough of a fan to be able to capture what they do.” - Roi Francisco
DECEMBER 2014 . Simulæcrum
. 89
o n
se ct i
fun shoot the
90
. Simulæcrum . DECEMBER 2014
simulæcrum
“The rarest thing in the world is a woman who is pleased with photograph of herself.” - Elizabeth Metcalf
FUN SHOOT PORTRAITS
Jhe Olaño 27 yrs old, from Quezon City
Let’s get to know him better as he answers some questions that we provided. He’s latest subject, commercial model and endorser Rojean Delos Reyes on the succeeding pages... Who is Jhe Olaño? Born and raise where? Age and occupation? Anime and Game enthusiast, born and raised in Quezon City, Age 27 working as a production and database analyst.
What type of photographer do you consider yourself? (Fashion, portraits, street, etc.) Fashion and Cosplay photographer.
What other (street) photographers (contemporary) and collectives you like to follow— and what about their work do you love? Zack Arias! I guess I need not to say more about this person because I think he is quite famous on this forte, I love how he uniquely produce every single work and his blog is really informative :)
Do you take photos more for yourself—or for others? I take more photos for others because it feels good whenever you see the subject/people smile and being happy towards your work.
92
. Simulæcrum . DECEMBER 2014
simulæcrum How do you educate yourself to take better pictures? I read articles and tutorial online. :)
Among your works, which one is your favorite? Why? My shoot with Ms. Dasuri Choi, because it’s the first time I work with a really great model, I didn’t have hard time to work with her because she is professional and she knows how to deal when it comes to posing and giving life and story to the picture.
What is the one thing you wish you knew when you started taking photos?
MODEL : JUDIELYN CHANG | JHE OLAÑO
Learn to follow rules and then disregard all the rules ha-ha. In the end, it is still how a photographer can produced a great output even after breaking the rules.
When you go in one of your travels, what all you take with you? Why? My handy dandy note 2, it’s all in one tiny gadget, GPS, maps and you can search for a near places/location for shoots, pegs, etc.
“Learn to follow rules and then disregard all the rules ha-ha. In the end, it is still how a photographer can produced a great output even after breaking the rules.” Which photographers influenced you, and how did they influence your thinking, photographing, and career path? Two of my greatest inspirations and influence me mostly were Hybridre (cosplay photographer) from China and Thomas Liu (fashion photographer) from Hong Kong, all of their works are carefully crafted, distinctive, have story and impact on the viewer’s perspective.
What Makes a Shoot Special to You?
MODEL : DASURI CHOI | JHE OLAÑO
Hmmm... tough question for me hahaha, because I consider majority of my work as special since the subject and me put lots of effort to create good output, I guess it makes even more special when your subject is your close friend since you are more comfortable working with each other. :)
DECEMBER 2014 . Simulæcrum
. 93
MODEL : ROJEAN DELOS REYES | JHE OLAﾃ前 2014
FUN SHOOT PORTRAITS
94
. Simulﾃｦcrum . DECEMBER 2014
simulﾃｦcrum
MODEL : ROJEAN DELOS REYES | JHE OLAﾃ前 2014
DECEMBER 2014 . Simulﾃｦcrum
. 95
FUN SHOOT PORTRAITS
96
. Simulæcrum . DECEMBER 2014
simulﾃｦcrum
MODEL : ROJEAN DELOS REYES | JHE OLAﾃ前 2014
DECEMBER 2014 . Simulﾃｦcrum
. 97
MODEL : ROJEAN DELOS REYES | JHE OLAﾃ前 2014
FUN SHOOT PORTRAITS
98
. Simulﾃｦcrum . DECEMBER 2014
simulﾃｦcrum
MODEL : ROJEAN DELOS REYES | JHE OLAﾃ前 2014
DECEMBER 2014 . Simulﾃｦcrum
. 99
MODEL : ROJEAN DELOS REYES | JHE OLAﾃ前 2014
FUN SHOOT PORTRAITS
100
. Simulﾃｦcrum . DECEMBER 2014
simulæcrum
DECEMBER 2014 . Simulæcrum
. 101
102
. Simulæcrum . DECEMBER 2014
FUN SHOOT PORTRAITS
104
. Simulæcrum . DECEMBER 2014
simulæcrum
Patrick Ligot Capturing Toys in Action
I
graduated with a degree of BS Nursing back in 2008 and earned my professional license of that very same year. My passion in photography started after our home was devastated by the dreadful monsoon storm Ondoy back in 2009. Nothing was left except our clothes we were wearing and my first DSLR Nikon D40. It was the only thing that I could use to cope up for the experience that I had during the storm. Safe to say that it serve as a therapy to recover myself emotionally. Therapy turned passion and hobby. My photography style would be more about realism and use of ambient lighting. I ‘am fond of cinematic way of approach in my photographs that would be both on layout and color treatment.
DECEMBER 2014 . Simulæcrum
. 105
FUN SHOOT / TOY PORTRAITS
106
. Simulæcrum . DECEMBER 2014
simulæcrum
DECEMBER 2014 . Simulæcrum
. 107
FUN SHOOT / TOY PORTRAITS
108
. Simulæcrum . DECEMBER 2014
simulæcrum
DECEMBER 2014 . Simulæcrum
. 109
FUN SHOOT / TOY PORTRAITS
110
. Simulæcrum . DECEMBER 2014
simulæcrum
DECEMBER 2014 . Simulæcrum
. 111
FUN SHOOT / TOY PORTRAITS
112
. Simulæcrum . DECEMBER 2014
simulæcrum
DECEMBER 2014 . Simulæcrum
. 113
Phonography
There are times that you won’t have your camera with you, whether it’s a point & shoot or a DSLR. Truth is, a smartphone, whatever brand you fancy, is the most convenient and handy camera that you can carry all the time. Simply, you’ll already have had it (as always) with you, which is timely, for example, when you know you’ll be dining out at a fancy restaurant. Let’s say you do own a nice camera, but let’s be honest, you’ll probably use your iPhone, Samsung or whatever brand of smartphone you carry to capture everything that catches your artistic eye, just because it’s the fastest to use and often the most readily available anytime. So here at Simulæcrum we saved a special place for you where you can showcase those wonderful and lovely images that you want to share with fellow smartphone photographers.
p.s if it’s in instagram we definitely would love to showcase it here. So start sharing it with us!
116
. Simulæcrum . DECEMBER 2014
simulæcrum
Roi francisco The Right Frame Studios
On the earlier pages of this magazine, he graced us with his images of young and amazingly talented pole dancers, and now he allowed us to showcase his other hobby. Whether he is out working in the field or having a romantic date with his girlfriend, Roi also takes a lot of selfies! Nope, not exactly taking photos of himself per se, but of anything that gets his attention - simply and primarily for his artistic selfindulgence. Here are some of the images he’s shared with us that would also inspire and make viewers think twice. One can never know what kind of art one can create by just simply using a handy smart phone! “People have often told me that I should have a hobby besides what I do for a living to avoid fallout, but I think getting burnt out with what you’re passionate about is normal, and one really does get it regularly. Posting on Instagram allows me to showcase a different side of my work, or at times just be a venue for creative exercise. Like crosswords for writers, I would like to think that it keeps me sharp, even when I’m not holding my camera.” - Roi Francisco
DECEMBER 2014 . Simulæcrum
. 117
PHONOGRAPHY
118
. Simulæcrum . DECEMBER 2014
simulæcrum
DECEMBER 2014 . Simulæcrum
. 119
PHONOGRAPHY
120
. Simulæcrum . DECEMBER 2014
simulæcrum
Paolo Nacpil Captured Photos
A good man from Marikina City, and now currently living in Granite Bay, California. With his approval, we personally handpicked photos from his Instagram account to showcase here at Simulæcrum. Looking at these images, we can surely say that he’s definitely got the eyes and the skills! What we loved the most about his photographs is the wonderful scenery of his surrounding areas. Being able to capture such breathtaking and surreal photos of nature and landscapes, and to share it with all of us, is really amazing. So in behalf of all the people who admire his work, we thank you Sir Paolo for allowing us to have another inspiration to work hard and continue loving photography.
DECEMBER 2014 . Simulæcrum
. 121
PHONOGRAPHY
122
. Simulæcrum . DECEMBER 2014
simulæcrum
DECEMBER 2014 . Simulæcrum
. 123
PHONOGRAPHY
124
. Simulæcrum . DECEMBER 2014
simulæcrum
“We love nature, landscapes, and travel a lot. More often than not, we find ourselves just staring and looking at the beautiful sceneries that nature has to offer. Sad thing is, there are times that those places that we’ve visited will change, and it won’t look the same way again. And those fun memories that we had will be gone forever.” - Simulæcrum Magazine
DECEMBER 2014 . Simulæcrum
. 125
Acknowledment Photography is my salvation from all the anxiety and everyday troubles that I meet. Without it, I don’t think I can survive this crazy world that we now live in. Therefore, I dedicate this endeavor to all my friends that kept on encouraging me to continue this project. It has been a very busy, hectic and stressful experience, that I almost gave up near the end. But true friends will always find a way to cheer you up and give you that positive vibe, and for this I am thankful.
Images presented on the magazine are a collaborative contribution of certain people who found photography as a therapy for boredom and anxiety. An online magazine that showcases unique individuals’ passion for photography all over the globe. This magazine aspires to promote camaraderie and goodwill. It doesn’t just highlight the skills of a particular photographer, it also provides in-depth information on who, how, and what inspired them to come to love their craft. On behalf of the Simulæcrum Team we would like to thank the following: CONTRIBUTING WRITER Fade Longboy COPY WRITER Dana Mauricio Special Thanks to the following and their respective muses: Ari Simangan Don Michael De Leon Fade Longboy John Vincent Sanido Jhe Olaño Patrick Ligot Paolo Nacpil Roi Francisco
126
. Simulæcrum . DECEMBER 2014
Fashion Photography Portraits Photography Cover Story / Portraits Photography Black and White Photography Funshoot Photography Toy Photography iPhonography B&W / iPhonography
SIMULÆCRUM A MAGAZINE DEDICATED FOR PHOTOGRAPHERS
Simulæcrum (plural: simulacra from Latin: simulacrum, which means "likeness, similarity"), is a representation or imitation of a person or thing.
Available for download at www.simulaecrum.com fb.com/simulaecrum contact@simulaecrum.com +63.947.193.1972 Simulæcrum Magazine by NOChoice Studios Copyright 2014. All rights reserved.
We need contributing photographers, that would want to showcase their work of art. We need contributors for the following sections: * Art & Passion (Photo Manipulation) * Fashion * Gig & Events * Travel / Landscape * Portraits (Cosplay, Funshoots, Concepts) * Product (Commercial, Food) * I-phonography ‘snaps uploaded in Instagram’ (Iphone/Smartphone) If you think your work deserves to be part of the magazine, then submit it to: submit@simulaecrum.com. Please do indicate the following information: Brief info about you, tell a little story of your submitted photo. What inspired you to capture such wonder. And the people who needs credit e.g Model, Hair stylist, Make-up Artist, Designer, Stylist, Set Location, etc. Note: All submitted images will be screened before we decide to include it. So send in your amazing masterpiece. Also, please be informed that if your image is selected we might contact you for additional information, so don’t forget to add your contact details on your email.
DECEMBER 2014 . Simulæcrum
. 127
SIMULæCRUM BE CREATIVE | EXPERIMENT | LEARN | COMMUNICATE | SHARE | COLLABORATE | INSPIRE
A VIEW FROM THE BEGINNING
A NEW GATEWAY FOR EMERGING PHOTOGRAPHERS
ON OUR NEXT ISSUE
WE WANT
YOU!
VOLUME II | ISSUE NO. II
LANDSCAPE
QUARTERLY | MMXV