新村 TRIBUTE TO JENJAROM
SI TOH CHOOI YUAN CHERAS . KL . MALAYSIA
1001541083
司徒 翠嫄
CONTENT
1
2 目 錄
3
LOCAL LOCAL MUSEUM URBAN PARK
M
PRECEDENT STUDIES DIAGRAMMATIC DRAWINGS ANALYTIC MODEL
先例。研究
SITE CONTEXT SITE MODEL AND SITE ANALYSIS ELEMENTS OF THE PLACE
了解。背景
MUSEUM 新村。 館
PRECEDENT STUDIES
先 例 。 研 究
SEARCH FOR A PRECEDNT STUDY OF A MUSEUM.
HUMAN BEHAVIORS AND LEARNING EXPERIENCE OF THE USER.
1
SUCCESSFULNESS OF THE DESIGN IN RESPONSE TO SITE. TECHNICAL DRAWINGS. IDENTIFY ALL THE BASIC ELEMENTS AND DESIGN PRINCIPLE. PRODUCE IN DIAGRAMMATIC DRAWINGS AND ANALYTIC MODEL.
1
GROUP MEMBERS
司 徒 翠 嫄
SITOH
薛 勇 勝
SHERN
杨 家 俊
KC
谢 宛 璇
SHA
JOHNSON
WONG
ERNEST
EDWARD
洪 智 圓
李 治 翰
组 员
黃 子 健
黄 建 峰
1
安騰。忠雄 LOCATION: FORT WORTH, TEXAS, US
T A D A O
AREA: 44354.4 SQM PROJECT YEAR: 2002 SITE ARCH: KENDALL-HEATON ASSOCIATES LANSCAPE ARCH: SWA GROUP
STRUCTURAL ENGINEER: THORNTON-TOMASE CONTRACTOR: LINBECK CONST. CROP.
A N D O
TADAO ANDO IS A JAPANESE SELF-TAUGHT ARCHITECT WHOSE APPROCH TO ARCHITECTURE AND LANDSCAPE WAS CATEGORIZED BY ARCHITECTURAL HISTORIAN FRANCESCO DAL CO AS ‘CRITICAL REGIONALISM’ HE WAS RAISED IN JAPAN WHERE THE RELIGION AND STYLE OF LIFE STRONGLY INFLUNCED HIS ARCHITECTURE AND DESIGN. HIS ARCHITECTURE STYLE IS SAID TO CREATE A ‘HAIKU’ EFFECT, EMPHASIZING NOTHINGNESS AND EMPTY SPACE TO REPRESRENT THE BEAUTY OF SIMPLICITY.
ETTI / ELLISOR-TANNER ENGINEERS
現 代 美 術 館
MODERN ART MUSEUM
MASSIVE PLANAR WALLS OF ARCHITECTURAL CONCRETE BOLDLY EXPRESS THE MODERN’S BASIC STRUCTURE WHILE PROTECTING WITHIN.
FORTY-FEET-HIGH TRANSPERENT WALLS OF GLASS FRAMED IN METAL SURROUND THE CONTRETE ENVELOPE, PROVIDING MAGNIFICENT PUBLIC CIRCULAR AREAS FROM WHOCH TO VIEW THE SURROUNDING BUILIDNG, THE LARGE REFLECTING POND, OUTDOOR SCULPTURE , AND THE LANDSCAPED GROUNDS.
現 代 美 術 館
1
PRESENTATI ON BOARD
版 面
MODERN ART MUSEUM
現 代 美 術 館
模
1
型 ANALYTIC MO DEL
MODERN ART MUSEUM
SITE CONTEXT
了 解 。 背 景
SITE ANALYSIS SITE MAP AND SITE MODEL
HISTORY AND BUILIDNG TYPOLOGY STUDY SITE ANALYSIS
2
ELEMENTS OF THE PLACE FIVE A3 KEY ELEMENTS OF SITE COMPLILE FIVE ELEMENTS IN ONE A1 ANALYTIC MODEL
2
GROUP MEMBERS
组
员
2 仁 嘉 隆 新 村
JEN JAROM
JENJAROM, A VILLAGE LOCATED IN SELANGOR, MALAYSIA ABOUT 55KM WEST FROM KUALA LUMPUR IN THE KUALA LANGA
JENJAROM HAS A SIGNIFICANT CHINESE (HOKKIEN) POPULATION, AND THE VILLAGE IS THE SITE OF THE DONG ZEN FO GUA TEMPLE AND INSTITUTE IN SUNGAI JAROM. THOUGH THIS IS PREDOMINANTLY FOR THE CHINESE BUDDIST POPULATION, COMMUNITY BENEFITS FROM THE TOURISM IT ATTRACTS: THERE WERE ABOUT A QUARTER OF A MILLION VISITORS IN 2004.
JENJAROM WAS ONE OF THE NEW VILLAGES, SET UP IN THE 1950’S DURING THE MALAYAN EMERGENCY TO SEGREGATE THE RURAL CHINESE VILLAGERS FROM THE COMMUNIST INSURGENTS WITHIN MALAYSIA UNDER THE BRIGGS PLAN. THIS AIMED TO CUT OFF THE SUPPLIES TO THE INSURGENTS.
AT DISTRICT.
ANG SHAN BUDDIST , THE NON-CHINESE
版面
2 PRESENTATON BOARD
仁 嘉 隆 PHASE 1
历 史 故 事
PHASE 2
JENJAROM NEW VILLAGE HAD GONE THROUGH 3 DIFICULTY TIME, WHICH IS 1. SEGREGAGTION PERIOD. 2. FLOOD. 3. ECOMOMY CRISIS PHASE 1 OF JENJAROM NEW VILLAGE WAS THE ORIGINAL PLACE WHERE BRIGGS ARRANGE CHINESE AROUND THE AREA TO MOVE TO. UNTIL THERE WERE A SRIOUS FLOOD, VILLAGERS STARTS MOVING TO THE NORTH WEST DIRECTION. AND THERE FOR THE PHASE 2 OF JENJAROM NEWVILLAGE WAS DEVELOPED. THIS ALSO CAUSE A GAP IN ECONOMY DIFFERENT OF THESE TWO PART OF JENJAROM NEW VILLAGE.
2 HISTORY OF JENJAROM
CLIMATE WIND
基 地
S W O T
SEC TION
2
2
VEGE TATION
SITE ANA LYSIS
分 析
SER VICES
ZON NING
TRA FFIC
CIRCU LA TION
VIEWS N SENSES
2
SITE MODEL
模 型
五 元素
FIVE
KEY
ELE MENTS
2
1
2
3
4
1. PUBLIC AREA FOR VILLAGERS, EG. RESTAURANTS, FOOTBALL FIELD. 2. HUMAN NODES. VIEW FROM PLAN, JALAN SEKOLAH IS ON THE LEFT HAND SIDE. 3. WIND DIRSCTIONS, AND VEGETATION AROUND THE SITE 4. SUN ORIENTATION, OLD AND NEW PART OF JENJAROM NEW VILLAGE.. 5. INSPIRATE BY THE TREASURE FURNACE THAT MUCH APPEAR IN JENJAROM. SPRED TOWARD THE NORTH EAST DIRECTION, WHICH REPRESENT THE PROSPERITY.
5
LOCAL MUSEUM
新 村 。 館
MUSEUM . TRIBUTE TO JENJAROM
DEVELOPING DESIGN STRATEGY AND MASTER PLANING SPACE PLANING (INDOOR AND OUTDOOR)
3
BUILDING FORM (SECTIONS, ELEVATIONS, ROOF FORM) DESIGN DEVELOPMENT (CONSTRUCTION METHOD, DETAILS) -TO CHANGE THE HUMAN BEHAVIORS, REINTERPRET THE EXPERIENCE OF LEARNING EXPERIENCE, IMPROVE THE EXISTING CONDITION, SOCIALLY, CULTUALLY, ECONOMICALLY, AND ENVIRONMENTALLY.
基 地 规 划
SITE PLANING
-
20 PARKINGS ARE REQUIRED MINIMIZE HARD SURFACE AREA PLAYGROUND ACTIVITIES RECRESTIONAL GREEN ECONOMICALLY ENVIROMENTAL FRIENDLY DURABILITY FUCNTIONALITY
FORM AND SHAPE OFF THE MUSEUM IS DESIGN BASE ON THE ARCHITECTURE VERNACULAR STUDY OF THE SITE. CONTINUEOUS WALL WITH LOTS OPENING WERE DESIGNED FACING THE SOUTH-WEST AND EAST-WEST DIRECTION, WHERE MOST OF THE WIND COME FROM.
FORM
ç‹€
外
SHAPE
FIRST FLOOR IS DESIGNED TO BE LIFTED UP WITH SOLID TIMBER WALL, TO REFLECT THE WINDS COME FROM EAST DIRECTION TO THE CAFE AREA， TO CREATE BETTER NATUIRAL VENTILATION. .
SPACE PLANING
G 空 间 规 划
-
EXHIBITION SPACE RESOURCES CORNER RESTROOM STORAGE UTILITIES ACTIVITIES
GROUND FLOOR PLAN
底 层 平 面 图
10 12
9
8
11
2 7
3 1
4
5
6
GALLERY 1 (HEIGHT :1900) EXHIBIT ITEMS: WEAPON USE DURING SEGREGATION PRIOD ITEMS ARE EXHIBITED UNDER THE GLASS FLOOR
1.DROP OFF 2.ENTRANCE 3.RECEPTION 4.MULTIMEDIA 5.GALLERY 1 6.PARKING
7.READING ZON 8.MULTIFUCNTION 9.RESTROOM 10.ANTIQUITIES ROOM 11.CAFE 12.CAFE
一 楼
16
17
19
14
平 面 图
18
13
15
20
FIRST FLOOR PLAN
13.GALLERY 2 14.GALLERY 3 15.RESOURSE CORNER 16.UTILITIES 17.GALLERY 4 18.GALLERY 5 19.SMOKING AREA 20.PLAYGROUND
GALLERY 2:
GALLERY 3:
VIEWING ZON FACADE OF HOUSES IN NEW VILLAGE JENJAROM IS DESIGNED AT THE DIRECTION WHERE GALLERY 2 CAN GET A BEST VIEW
PAINTING, MAPS, DOCUMENTS OF BRIGGS DURING THE SEGREAGTION PERIOD. INFORMATION OF HOW THE SEGREGATION IS BEING PLANED.
GALLERY 4:
GALLERY 5:
FASHION DURING 1940S’ TO 1960S’. BRIGGS, OFFICER, VILLAGERS ETC. VALUABLE FASHION HANGS ON WALL, AND OTHERS WILL BE OPEN FOR PUBLIC TO TRY.
OPEN AIR GALLERY. INSTALLATION ART WOULD BE RACOMENTED. HAS TO BE WATER PROOF AND HAVE SELF SUPPORT STRUCTURE.
21
DURING THE EMERGENCY PERIOD, CHINESE WERE FORCED TO MOVE TO THE NEW VILLAGE IMMEDIATELY AFTER THEY BEING TOLD. THEY WERE FORCED TO LEAVE THEIR HOME WHERE THERE CREATE AND ‘STORE’ THEIR MEMORIES, AND MOVE TO A PLAY WHERE IS TATALLY MEAN EMPTY FOR THEM. THEREFORE THE CENTER PART OF THE MUSUEM IS DESIGN TO BE EMPTY.
HOWEVER, AFTER THEY HAVE MOVE IN TO THE NEW VILLAGE, THEY BUILT THEIR OWN HOUSE BY THEIR HANDS, AND MEMORY CREATED SINCE THAT MOMENT. THEREFORE, A TREE IS PLANTED AT THE CENTER OF THE MESEUM ONCE THE CONSTRUCTION HAS DONE, WHEN TIME PASS, TREE GROW. THIS REPRESENTING THE ‘GROW’ OF THE NEW MEMORY ONCE VILLAGERS MOVED TO THE NEW VILLAGE.
ROOF PLAN
21
屋顶 平面图
THIS SECTION IS DESIGNED BASE ON THE HISTORY OF NEW VILLAGE JENJAROM. DIFFERENT CEILING HEIGHT FROM GALLERY 1 TO GELLERY 3 REPRESNTING EACH OF THE SUFFERING PERIOD OF THE VILLAGERS. VILLAGES GONE THROUGH DURING 1970’S.
SECTION
G
RECEPTION WALKWAY BUS PARKING
GALLERY 2 LOW TO HIGH
DROP OFF GALLERY 1 (1900MM)
GALLERY 1-1900MM WALL HEIGHT, EXHIBIT ITEMS (WEAPONS) AND LIGHTING UNDER GLASS FLOOR.
AA
GALLERY 2-WHILE MOVING TOWARDS TO THIS AREA, WALKING UP TO THE STAIRS RESULTING THE CEILING HEIGHT EVEN LOWER AT THE BEGINNING. BUT WHEN KEEPS MOVING TO THE FRONT THE CEILING HEIGHT BECOME HIGHER AND HIGHER. REPRESNTING AFTER THE SEGREGATION, VILLAGERS THOUGH THAT THEY ARE REALEAS FROM THE TORTURE, BUT FLOOD COME AND DESTROYE WHAT THEY HAVE. HOWEVER, DAYS GET BETTER AFTER THEY MOVE TO PHASE 2 OF THE NEW VILLAGE. GALLERY 3-CEILING HEIGHT WERE DESIGNED AS THE SAME REASON AS GALLERY 2, BUT JUST THE DIFFICULTY ERA HERE WAS THE ECONOMY CRISIS THE VILLAGES GONE THROUGH DURING 1970’S.
GALLERY 3 LOW TO HIGH
2
OUTDOOR ACTIVITIES AREA PLAYGROUND
剖面甲
SECTION BB
SECTION CC
乙
丙
FULL HEIGHT FIX GLASS ALLOW NATURAL SUNLIGHT PANETRATE INTO THE GALLERY.
SHADED AREA CREATED ACT AS A OPEN READING AREA WHICH NEAR TO PLAYGROUND.
DIFFERENT DIRECTION OF STAIRS WITH THE SAME LEVEL OD LANDING CREATE AN OPTICAL ILLUSION FOR VISITORS.
OPEN MULTIMEDIA AREA INSTEAD OF ROOM, PROVIDE A BETTER CIRCULATION.
SECTION DD
SECTION EE
丁
戊
剖 面 图
OPENINGS WERE DESIGNED COVERED BY IRON ORNAMENTALS. WHICH INSPIRATE BY THE HOUSES IN NEW VILLAGE.
‘BIG WOK MEAL’ 大锅 饭 EXHIBITS IN BETWEEN THE CAFE AREA.
INSTALLATION ART AT GALLERY 5 (OPEN AIR GALLERY) CAN BE SEEN FROM THE DIRECTION OF THIS PART OF THE CAFE.
WINDS COME FROM EAST DIRECTION WILL REFLECTED TO THE CAFE AREA TO PROVIDE A BETTER VENTILATION.
右 RIGHT ELE
BUTTERFLY ROOF IS USED FOR THE MUSEUM DUE TO THE CHINESE CULTURER, WATER REPRESENTING PROSPERITY, AND BUTTERFLY ROOF CAN GATHER THE WATER TO THE CENTER OF THE BUILIDING, WHICH MEAN GATHER THE MONEY.
左 LEFT ELE
立 面 前 FRONT ELE
后
图
REAR ELE
THE FORM AND SHAPE OF THE BUILDING IS DESIGNED TO BE MORE MODERN, IN ORDER TO MAKE IT LOOKS OUT OF THE ORDINARY THAN THE OTHER BUILDINGS IN NEW VILLAGE JENJAROM. THIS MAKE THE BUILDING TO BE MORE EYE CATCHING, BUT NOT OUT OF TUNE WITH THE SITE DUE TO THE MATERIAL USED ARE MOSTLY TIMBER.
FINAL PRESEN TATION
18102016
正 評 版 面 FINAL PRESENTATION BOARD
正 評 模 型 FINAL PRESENTATION MODEL
1:100 B
BUILDING MODEL
1:20 DETAIL MODEL 1:200 SITE MODEL
终
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1:20 DETAIL MODEL