Fashion Retail Campaign Briefs
OUGD301
2011 PAVE Student Design Competition VISUAL MERCHANDISING DESIGN CATEGORY Sponsored by
Sephora is the leading chain of perfume and cosmetic stores in France and the second in Europe. There are over 400 Sephora stores in nine different countries, and over 280 of those have opened in North America since the first US store opened in 1998 in New York. The core Sephora store program focuses on presenting the range of brands in a consistent and compelling way. In contrast to that more regimented presentation formula, an opportunity exists to distort seasonal trend stories, unique product launches, category promotions, and newly introduced brands. The challenge is to design a suite of fixturing and a cohesive visual merchandising approach that provides energy to the heart of the Sephora store and creates compelling client interest in the latest and most buzzworthy products. The collective square footage for the fixture grouping should be 500 – 600 sq. ft. and its footprint should be thought of as malleable so that these fixtures situate into a variety of spatial conditions. Sephora is the originator of the open sell prestige cosmetics model, where clients are afforded the ability to test and access any product in the assortment. Across the categories of Makeup, Fragrance and Skincare, brands are presented within a unified Sephora-driven presentation format so as to enable cross shopping, and clients are encouraged to touch and test all products. That point of differentiation is an essential part of our retail proposition and brand essence, and has proven effective in enabling clients to explore the complete range of brand offerings by category. By contrast to the more formatted library approach to the categories, Sephora is seeking to create a changeable experience at the heart of the store that is about newness and trend. This aspect of the store experience should create a dynamic in-store program of flexible fixtures that optimally enable the distortion of trend messaging, effectively integrating product presentations with marketing messages and encouraging clients to explore the range of stories and products. The fixturing suite should be unified in language, but may articulate through a range of elements and presentation methods. Modularity is essential, as is solving for the challenges of presenting small-scaled products in an organized and inviting way. The See-Try-Buy model at the heart of the Sephora store concept must be inherent in all presentation solutions. Sephora will supply the approved corporate logo, as well as its brand mark and red Pantone match, The Flame. The Sephora name is derived from the fusion of the Greek god Sappho with the biblical figure Zipporah, and the Flame is the representation of her enduring spirit. Along with the word mark and Flame, Sephora’s black and white stripes are a globally iconic branding element, used with purpose as part of the storefront architecture. Derivations and references to these brand codes may be considered in the design of the fixturing programs, but should be treated with a level of sophistication. Sephora stores are black and white, with judicial uses of red as an accent. Color may be introduced through graphics or visual merchandising, but all store fixture elements must adhere to this branded color palette. Complimentary metal finishes are permitted, as are variations in the materiality and proportional relationship of the brand colors.