SKINNER
Auctioneers and Appraisers of Antiques and Fine Art
Fine Musical Instruments October 10, 2010
Sale 2520B
Boston
SKINNER Auctioneers and Appraisers of Antiques and Fine Art
SKINNER Auctioneers and Appraisers of Antiques and Fine Art
SKINNER January/February 1995 Auction Schedule
SKINNER January/February 1995 Auction Schedule
Fine Musical Instruments specialist in charge
David Bonsey 508.970.3224 General Inquiries: musicalinstruments@skinnerinc.com
auction 2520B Sunday, October 10, 2010 at 12 noon 63 Park Plaza Boston, Massachusetts preview Friday, October 8, 2010
12 to 7 p.m.
Saturday, October 9, 2010
10:30 a.m. to 5 p.m.
Sunday, October 10, 2010
9 to 10:30 a.m.
absentee bidding Tel: 617.874.4318 Fax: 617.350.5429 Online: www.skinnerinc.com
general inquiries 617.350.5400 View all lots online at www.skinnerinc.com cover : 54
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table of contents 1
Auction & Specialist Information
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Web Site & Online Bidding
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Provenance
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Event Information
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Lots 1-653
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Glossary of Terms
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List of Makers
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Conditions of Sale
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Absentee Bid Form
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Company Directors & Specialty Departments
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Administrative Staff & Client Services
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Map & Driving Directions
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Catalogue Subscription Form
Please Note: All lots sold subject to our Conditions of Sale. Please refer to page 98 of this catalogue for the full terms and conditions governing your purchase.
Copyright Š Skinner, Inc. 2010 All rights reserved
Provenance
The workshop of William Lewis & Son, c. 1925. Anders Halvarson, second from left. Anders Halvarson, c. 1960
Anders Halvarson (1900-1972) emigrated to the United States from Malung, Sweden in 1923. He soon found a position with the Chicago firm of William Lewis & Son, where he elevated his violin and bow making and restoration skills, working with distinguished makers like Carl Becker Senior and Carl Becker Junior. In 1928 he left with Lewis sales associate William Myers to form Meyers-Halvarson Company in Nashville, Michigan, a rural community located between Grand Rapids and Lansing. Most of the high quality raw materials for bow and instrument making were acquired during this early period. The shop’s accessibility to other musical communities such as Kalamazoo, Detroit, and Ann Arbor supported a thriving business serving Michigan musicians for the next eighty years. The shop specialized in new instrument making, with a strong focus on fine reproductions of classical French bows. Mr. Halvarson’s work was recognized in many reference books, including Joseph Roda’s Bows for Musical Instruments.
P. Dameron Midgett is a violinmaker and historian, well known for his research, publications, and presentations on the subject of American Violinmakers, particularly those working in New England. As proprietor of Easthampton Violins for thirty years, he has catalogued and archived the country’s most extensive collection of instruments, tools, and artifacts relating to the history of violin making in the Northeast. He has chronicled the lives of the makers through research and personal relationships with families and descendants, and has presented his work in many venues, including The Smithsonian Institution.
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SKINNER invites you to a
Reception & Extended Auction Preview featuring live music from the J-Way Jazz String Quartet Friday, October 8th, 2010 5:30 Reception/Preview to 7:00 p.m.
SKINNER Boston 63 Park Plaza Boston, MA R.S.V.P. to 617.350.5400 Held in conjunction with a preview of Skinner’s October 10th Auction of Fine Musical Instruments
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1. American Guitar, C.F. Martin & Company, Nazareth, 1959, Style D-18, serial number 170425, branded internally, length of back 20 in., with case. $4,000-6,000 2. American Guitar, C.F. Martin & Company, Nazareth, 1979, Style D-28, serial number 399722, branded internally, length of back 20 in., with later case. $800-1,200
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additional information and photos at www.skinnerinc.com
3. American Guitar, C.F. Martin & Company, Nazareth, 1954, D-28, serial number 141203, length of back 20 in., with case. $7,000-8,000 4. American Mandolin, C.F. Martin & Company, Nazareth, 1921, Style AK, serial number 9332, branded internally, length of back 12 in. $100-200
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5. American Mandolin, Lyon and Healy, Chicago, c. 1925, Style A, serial number 1877, length of back 12 15/16 in., with original case. $1,400-1,800 6. American Mandolin, Gibson Mandolin-Guitar Company, Kalamazoo, c. 1918, Style A2, serial number 50705, length of back 13 3/4 in., with original case. $400-600
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7. American Mandolin, Gibson Mandolin-Guitar Company, Kalamazoo, c. 1916, Style A 3, serial number 21537, length of back 13 3/4 in., with original case. $1,000-1,400 8. American Mandolin, Gibson Mandolin-Guitar Company, Kalamazoo, c. 1915, Style A 1, serial number 22001, length of back 13 3/4 in., with original case. $300-500
online bidding at www.skinnerinc.com
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9. American Electric Guitar, Fender Electric Instruments, Fullerton, 1963, Model Stratocaster, serial number L18390, the neck stamped 2NOV63B, the Olympic White finish, length of back 15 3/4 in., with original case. Condition report by request or online at www.skinnerinc.com. $12,000-18,000
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additional information and photos at www.skinnerinc.com
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10. American Archtop Guitar, Bill Comins, Philadelphia, 1996, Model Chester Avenue, bearing the maker’s label, serial number 37, length of back 20 1/2 in., width of lower bout 16 in., with case. $4,500-6,000
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11. American Mandolin, Vega Company, Boston, c. 1925, “Cylinder Back” style, length of back 12 1/2 in., with original case. $400-600
online bidding at www.skinnerinc.com
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12. American Mandolin, C.F. Martin & Company, Nazareth, c. 1930, Style 20, serial number 14416, branded internally, length of back 13 1/16 in., with original case. $1,400-1,800 13. Spanish Flamenco Guitar, Jaime Ribot, Barcelona, c. 1910, bearing the maker’s label, length of back 18 7/8 in., with case. $600-800
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additional information and photos at www.skinnerinc.com
14. American Electric Guitar, Gibson Incorporated, Kalamazoo, c. 1974, Model SG, serial number 674552, with later case. $1,300-1,800 15. American Electric Guitar, Fender Musical Instruments, c. 1980, Model Strat, serial number E021408, length of body 15 3/4 in., with case. $400-600
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16. American Electric Guitar, Gibson Incorporated, Kalamazoo, 1957, Model Les Paul, serial number 7 3934, the maple top, length of back 17 3/8 in., with original case. Condition report by request or online at www.skinnerinc.com. $60,000-80,000
16A with details
16A. Engineering Collection, Gibson Incorporated, Kalamazoo, c. 1950-70, includes approximately 36 patterns, forms, molds, and dies (various metals), used in the making of headstocks, plates, pickguards, pickup routing, etc., for guitar models including the Hummingbird, Melody Maker, Flying V, SG Special, Firebird, Super 400, Les Paul (1959), and ES-335. Lot also includes over 100 patterns and samples relating to bridges for archtop guitars and mandolin models c. 1950-70, with instructions and specifications (electronic samples include P-90 pickup with attached change orders, floor samples with attached specifications), “Box 12� (a Kalamazoo plant workbench storage bin containing an assortment of samples for bracing and other acoustic guitar parts, many with extensive handwriting and production notes that instituted dimensions, changes, and instructions for the construction of Les Paul Signature, ES-175, ES-140), and many others. Full lot description and inventory available by request or online at www.skinnerinc.com.
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additional information and photos at www.skinnerinc.com
$4,000-6,000
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17. American Banjo, Gibson Incorporated, Kalamazoo, c. 1928, Style PT-6, serial number 9301-44, diameter of head 11 in., with later case. $8,000-12,000
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additional information and photos at www.skinnerinc.com
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18. American Archtop Guitar, Ted Beringer, Billings, 1994, signed on the inside back, and dated DEC 1994, length of back 20 3/8 in., with case. $1,800-2,400 19. American Electric Guitar, Fender Musical Instruments, c. 1993, Model Telecaster, serial number N581320, length of back 15 7/8 in., with case. $400-600 20. American Electric Guitar, Fender Musical Instruments, c. 1991, Model Stratocaster, serial number N1029338, length of back 15 3/4 in. $500-700 21. American Electric Guitar, Gretsch Company, c. 1972, Model Chet Atkins Nashville 7660, serial number 4-9268, length of back 19 1/4 in., with case. $600-800 22. American Electric Guitar, Rickenbacker Company, Santa Ana, 1996, Model 360, serial number G9 6126, length of back 14 in., with case. $500-700 23. American Electric Bass, Rickenbacker Company, Santa Ana, 1978, Model 4001, serial number RI 5544, with case. $800-1,200 24. American Steel Guitar, Gibson Incorporated, Kalamazoo, c. 1958, Model Console C-530, double neck, serial number 8-6825, with original case. $600-800
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additional information and photos at www.skinnerinc.com
25. American Five-string Banjo, S.S. Stewart, Philadelphia, c. 1898, Model Special Thoroughbred, serial number 50042, diameter of head 11 in., with later case. $1,800-2,400 26. American Ukulele, C.F. Martin & Company, Nazareth, c. 1935, Style 2, length of back 9 1/2 in., with case. $600-800 27. Brescian Mandolin, Giofreddo Rinaldi, Turin, c. 1890, bearing the label of Marengo Rinaldi, length of back 11 in. $1,200-1,600 28. American Mandolin, Smith Creek, 2003, Model F-5, bearing the maker’s label, serial number 083, length of back 12 7/8 in., with case. $4,000-6,000 29. American Mandolin, Vega Company, Boston, c. 1950, Model L-150, serial number 8647, length of back 12 3/8 in., with case. $200-300 30. Japanese Mandolin, Alvarez, Kani-Gifu, c. 1975, Model F-17, length of back 13 in., with case. $300-500 31. American Tenor Guitar, C.F. Martin & Company, Nazareth, 1952, Style O-18T, length of back 17 1/8 in. $1,000-1,200
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online bidding at www.skinnerinc.com
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32. American Electric Guitar, Fender Electric Instruments, Fullerton, 1958, Model Stratocaster, serial number 30257, neck date 10/57, the three-tone sunburst finish, length of back 15 5/8 in., with original case; sold with 1958 Fender Deluxe amplifier. Condition report by request or online at www.skinnerinc.com. $12,000-18,000
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additional information and photos at www.skinnerinc.com
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33. English Violin, Martin Fendt, London, 1820, signed internally by the maker, length of back 355 mm, with case. Certificate: William Moennig & Sons, Philadelphia, June 18, 1986. $10,000-14,000
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additional information and photos at www.skinnerinc.com
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34. Neapolitan Violin, c. 1900, Probably Vincenzo Sannino, labeled ...PASQUALE VENTAPANE..., length of back 355 mm, with case and bow. $10,000-14,000
online bidding at www.skinnerinc.com
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35. Modern Violin, Carl Becker & Son, Chicago, 1953, bearing the maker’s label, numbered 580, length of back 358 mm. $15,000-20,000
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36. Italian Violin, Antonio Gragnani Workshop, Livorno, c. 1780, unlabeled, branded to the upper button, length of back 349 mm, with case. $10,000-15,000
online bidding at www.skinnerinc.com
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37. Italian Violin, Giovanni Cavani, Spilamberto, 1922, bearing the maker’s label and exterior brand under the tailpiece and fingerboard, length of back 356 mm, with case. $4,000-6,000
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additional information and photos at www.skinnerinc.com
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38. Markneukirchen Violin, Paul Knorr, 1944, bearing the maker’s label, length of back 355 mm. $5,000-7,000
online bidding at www.skinnerinc.com
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39. Italian Violin, Enrico Marchetti, c. 1900, branded internally E MARCHETTI and labeled ...JOANNES BAPTISTA GUADAGNINI..., length of back 358 mm, with case. $16,000-20,000
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additional information and photos at www.skinnerinc.com
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40. Italian Violin, Gennaro Gagliano, Naples, c. 1760, bearing the maker’s original label JANUARIUS GAGLIANO FILIUS, ALEXANDRI FECIT NEAP 1760, the back of pronounced medium curl, the ribs of medium curl, the plain scroll, the top of fine to medium grain, the varnish of an amber color, length of one-piece back 354 mm. Certificate: J. Rummelhoff Hansen, Kristiania, April 23, 1924. $70,000-100,000
online bidding at www.skinnerinc.com
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41. Modern Violin, Hiroshi Izuka, Philadelphia, 2001, bearing the maker’s label, length of back 358 mm. $4,000-6,000
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additional information and photos at www.skinnerinc.com
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42. Neapolitan Violin, Ventapane Family, c. 1850, bearing the label of Lorenzo Ventapane, length of back 364 mm. Certificate: Rembert Wurlitzer, New York, January 15, 1946. $22,000-26,000
online bidding at www.skinnerinc.com
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43. Italian Violin, Attributed to Giuseppe Tarantino, unlabeled, length of back 356 mm. $4,000-6,000
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additional information and photos at www.skinnerinc.com
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44. Modern Violin, c. 1930, Probably Paulus Pilat, labeled ...LAURENTIUS STORIONI..., and bearing registration number 7999, length of back 358 mm, with case and two bows. $4,000-6,000
online bidding at www.skinnerinc.com
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45. Composite Violin, Possibly Italian, c. 1800, unlabeled, length of back 358 mm, with case. $8,000-12,000
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additional information and photos at www.skinnerinc.com
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46. Italian Violin, Jacobus Cordanus, Genoa, c. 1770, labeled ...CARLO ANTONIO TESTORE..., length of back 355 mm, (the scroll possibly later), with case. Certificate: W.E. Hill & Sons, London, August 28, 1942. $18,000-24,000
online bidding at www.skinnerinc.com
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47. Italian Violin, Giuseppe Pedrazzini, Cremona, 1945, bearing the maker’s signed label, length of back 360 mm. $10,000-14,000
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additional information and photos at www.skinnerinc.com
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48. Italian Violin, Mantua School, c. 1780, labeled ...THOMAS BALESTRIERI..., (the scroll possibly by another hand), length of back 347 mm. $35,000-50,000
online bidding at www.skinnerinc.com
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49. Italian Violin, Lorenzo & Tommaso Carcassi, Florence, c. 1753, labeled LORO E TOMO CARCASSI, IN FIRENZE NELL ANNO 1753, AL INSEGNA DEL GIGLIO, length of back 353 mm. Certificate: Hamma & Company, Stuttgart, May 15, 1972. $65,000-80,000
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additional information and photos at www.skinnerinc.com
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50. Italian Violin, Gaetano Pollastri, Bologna, 1945, bearing the maker’s original label and exterior brand to the lower rib, length of back 357 mm. $30,000-34,000
online bidding at www.skinnerinc.com
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51. American Violin, O.H. Bryant, Boston, 1915, bearing the maker’s label, number 87, length of back 354 mm, with case and bow. $4,000-6,000
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additional information and photos at www.skinnerinc.com
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52. Tyrolean Violin, c. 1780, labeled ...JACOBUS STAINER..., length of back 356 mm. $2,000-3,000
online bidding at www.skinnerinc.com
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53. American Viola, Anders Halvarson, 1939, bearing the maker’s label, length of back 15 1/2 in., 395 mm, with case and bow. $4,000-6,000
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additional information and photos at www.skinnerinc.com
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54. French Violoncello, c. 1840, Caussin School, labeled FAIT PAR F CAUSSIN, A NEUFCHATEL, 1830, length of back 76.5 cm, with case. $5,000-7,000
online bidding at www.skinnerinc.com
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55. English Silver-mounted Violin Bow, W.E. Hill & Sons, the octagonal stick stamped W.E. HILL & SONS, weight 60 grams, (with baleen wrap). $1,800-2,400 56. French Silver-mounted Violin Bow, Franรงois Nicolas Voirin, the octagonal stick stamped F.N. VOIRIN A PARIS, weight 53 grams, (without hair). $3,000-5,000 57. Silver-mounted Violin Bow, H.R. Pfretzschner, the round stick stamped H.R. PFRETZSCHNER, weight 54 grams, (without hair). $600-800 58. Silver-mounted Violin Bow, Karl Albert Nurnberger, the octagonal stick stamped *ALBERT NURNBERGER*, weight 62 grams. $600-800 59. Silver-mounted Violin Bow, the round stick unstamped, weight 59 grams. $400-600 60. Silver-mounted Viola Bow, Douglas Raguse, the round stick stamped D. RAGUSE A CHICAGO, weight 69 grams. $1,200-1,400 61. Silver-mounted Violin Bow, Alexander Hendruk, the octagonal stick stamped ALEXANDR HENDRUK, weight 62 grams. $1,200-1,400 62. French Silver-mounted Violoncello Bow, C.N. Bazin Workshop, the round stick stamped A LAMY A PARIS, weight 78 grams. $1,200-1,600
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additional information and photos at www.skinnerinc.com
63. French Silver-mounted Violin Bow, the octagonal stick stamped CHAROTTE-MILLOT, weight 59 grams. $800-1,200 64. Silver-mounted Violin Bow, the round stick stamped C LOZER, weight 60 grams. $300-500 65. French Nickel-mounted Viola Bow, Jerome Thibouville-Lamy, the round stick stamped SARASATE EL, weight 70 grams. $900-1,100 66. Silver-mounted Violin Bow, Finkel Workshop, the octagonal stick stamped REMBERT WURLITZER NY, weight 64 grams. $400-600 67. Silver-mounted Violin Bow, Emil Kuehnl, the octagonal stick stamped EMIL KUEHNL, weight 64 grams. $400-600 68. Silver-mounted Viola Bow, Albert Nurnberger, the octagonal stick stamped ALBERT NURNBERGER, weight 69 grams. $800-1,200 69. French Nickel-mounted Violin Bow, Victor Fetique Workshop, the round stick unstamped, weight 58 grams. Certificate: Jean-Franรงois Raffin, June 18, 2009.
$1,200-1,800
70. Silver-mounted Violin Bow, Otto Hoyer, the round stick stamped OTTO HOYER PARISER, weight 61 grams. $800-1,200
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online bidding at www.skinnerinc.com
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71. English Chased Gold-mounted Violin Bow, Samuel Allen for W.E. Hill & Sons, c. 1880, the octagonal stick stamped W.E. HILL & SONS, weight 58 grams, (with baleen grip). $6,000-8,000 72. French Silver-mounted Violin Bow, J.B. Vuillaume Workshop, the round stick stamped JB VUILLAUME, weight 53 grams, (without hair). $4,000-6,000 73. English Silver-mounted Violin Bow, James Tubbs, the round stick stamped JAS TUBBS, weight 59 grams. $4,000-6,000 74. Silver-mounted Violin Bow, Richard Grunke, the round stick stamped RICHARD GRUNKE, weight 62 grams. $800-1,200 75. Silver-mounted Violin Bow, the round stick stamped VUILLAUME, weight 62 grams, (with baleen wrap). $2,000-3,000 76. French Silver-mounted Violin Bow, Jean Joseph Martin, the round stick stamped A LECOMTE & CIE PARIS, weight 56 grams. Certificate: Paul Childs, Montrose, March 30, 2006.
$2,000-3,000
77. Silver-mounted Violoncello Bow, Albert Nurnberger, the octagonal stick stamped ALBERT NURNBERGER, weight 83 grams, (without hair). $800-1,200 78. Silver-mounted Violin Bow, F. Winkler, the octagonal stick stamped F WINKLER, weight 53 grams, (without hair). $200-300
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additional information and photos at www.skinnerinc.com
79. Gold-mounted Violin Bow, the octagonal stick stamped E SARTORY A PARIS, (the frog and adjuster later), weight 56 grams. $400-600 80. French Nickel-mounted Viola Bow, Jerome Thibouville-Lamy, the round stick stamped A DEBLAYE, weight 60 grams. Certificate: Jean-Franรงois Raffin, Paris, December 13, 2002. $1,000-1,400 81. Nickel-mounted Violin Bow, the round stick unstamped, weight 51 grams, (without hair or grip). $500-700 82. Silver-mounted Violin Bow, the round stick unstamped, weight 50 grams, (without hair or grip). $600-800 83. Silver-mounted Violin Bow, the round stick unstamped, weight 54 grams, (without hair). $300-500 84. Silver-mounted Violoncello Bow, Nurnberger Workshop, the octagonal stick stamped WEST GERMANY, weight 77 grams. $600-800 85. French Nickel-mounted Violin Bow, the round stick unstamped, weight 59 grams. $500-700 86. French Nickel-mounted Violin Bow, School of Martin, the round stick unstamped, weight 56 grams, (without hair). $500-700
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online bidding at www.skinnerinc.com
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87. French Silver-mounted Violin Bow, J.B. Vuillaume Workshop, the round stick stamped J.B. VUILLAUME A PARIS, weight 54 grams, (without hair). $4,000-6,000 88. Silver-mounted Violin Bow, the round stick unstamped, weight 57 grams, (without hair). $400-600 89. Silver-mounted Violin Bow, Otto Hoyer, the round stick stamped OTTO HOYER PARISER, (without hair). $800-1,200
94. Gold-mounted Violin Bow, the octagonal stick unstamped, weight 66 grams. $300-500 95. Silver-mounted Violin Bow, Finkel Workshop, the octagonal stick stamped SWISS MADE, weight 60 grams. $300-500 96. French Nickel-mounted Violin Bow, Louis Joseph Morizot (Père), the round stick stamped MORIZOT, weight 60 grams. Certificate: Jean-François Raffin, Paris, December 10, 2009. $1,400-1,800
90. English Silver-mounted Violin Bow, Sydney Yeoman for W.E. Hill & Sons, the round stick stamped WEH&S ENGLAND, weight 54 grams, (with baleen wrap, without hair). $2,000-3,000
97. Silver-mounted Violin Bow, the round stick stamped JB VUILLAUME, weight 59 grams. $600-800
91. French Nickel-mounted Violin Bow, School of Pierre Simon, the round stick stamped GAND, weight 60 grams. $2,400-2,600
98. Silver-mounted Violin Bow, Albert Nurnberger, the octagonal stick stamped *ALBERT NURNBERGER*, weight 62 grams. $800-1,200
92. Silver-mounted Violin Bow, Franz Albert Nurnberger, II, the octagonal stick stamped ALBERT NURNBERGER, weight 59 grams. $300-500
99. Silver-mounted Violin Bow, Pfretzschner Workshop, the round stick stamped HR PFRETZSCHNER, weight 56 grams, (without hair). $300-500
93. Silver-mounted Violin Bow, Richard Grunke, the octagonal stick stamped RICHARD GRUNKE***, weight 63 grams. $800-1,200
100. Silver-mounted Violin Bow, the round stick unstamped, weight 59 grams. $300-500
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additional information and photos at www.skinnerinc.com
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online bidding at www.skinnerinc.com
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101. Gabon Ebony Log, approximately 44 x 7 x 9 in.
$600-800
102. Gabon Ebony Log, approximately 48 x 4 x 7 in.
$400-600
103. Gabon Ebony Log, approximately 44 x 9 in.
$700-900
104. Gabon Ebony Log, approximately 44 x 7 1/2 x 6 in.
$500-700
105. Gabon Ebony Log, approximately 44 x 11 in.
$800-1,000
106. Gabon Ebony Log, approximately 44 x 8 in.
$600-800
107. Gabon Ebony Log, approximately 48 x 9 1/2 x 4 in.
$500-700
108. Gabon Ebony Log, approximately 48 x 7 3/4 in.
$600-800
109. Gabon Ebony Log, approximately 47 x 7 1/2 in.
$600-800
110. Gabon Ebony Log, approximately 37 x 9 in.
$600-800
111. Ten Rectangular Pernambuco Violin Bow Blanks, 31 and 40 in. lengths. $200-400 112. Ten Rectangular Pernambuco Violin Bow Blanks, 31 and 40 in. lengths. $200-400 113. Ten Rectangular Pernambuco Violin Bow Blanks, 31 and 40 in. lengths. $200-400 101
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additional information and photos at www.skinnerinc.com
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114. Ten Rectangular Pernambuco Violin Bow Blanks, 31 and 40 in. lengths. $200-400 115. Ten Rectangular Pernambuco Violin Bow Blanks, 31 and 40 in. lengths. $200-400 116. Ten Rectangular Pernambuco Violin Bow Blanks, 31 and 40 in. lengths. $200-400 117. Ten Rectangular Pernambuco Violin Bow Blanks, 32 and 39 in. lengths. $200-400 118. Ten Pernambuco Violin Bow Blanks, cut to planing dimensions. $200-400 119. Ten Pernambuco Violin Bow Blanks, cut to planing dimensions. $200-400
120. Ten Pernambuco Violin Bow Blanks, cut to planing dimensions. $200-400 121. Ten Pernambuco Violin Bow Blanks, cut to planing dimensions. $200-400 122. Ten Pernambuco Violin Bow Blanks, cut to planing dimensions. $200-400 123. Ten Pernambuco Violin Bow Blanks, cut to planing dimensions. $200-400 124. Ten Pernambuco Violin Bow Blanks, cut to planing dimensions. $200-400 125. Ten Pernambuco Violin Bow Blanks, cut to planing dimensions. $200-400 126. Ten Pernambuco Violin Bow Blanks, cut to planing dimensions. $200-400
online bidding at www.skinnerinc.com
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127. Ten Pernambuco Violoncello Bow Blanks, cut to planing dimensions. $200-400 128. Pernambuco Log, approximately 40 x 12 in.
$800-1,000
129. Pernambuco Log, approximately 40 x 12 in.
$800-1,000
130. Pernambuco Log, approximately 40 x 10 in.
$800-1,000
131. Pernambuco Log, approximately 40 x 11 in.
$800-1,000
132. Gabon Ebony, approximately 10 pieces, milled to frog dimensions. $100-200 133. Gabon Ebony, approximately 10 pieces, milled to frog dimensions. $100-200
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additional information and photos at www.skinnerinc.com
134. Five Gabon Ebony Boards, approximate dimensions 24 x 3 1/2 x 5/8 in. $100-200
135. Four Gabon Ebony Boards, approximate dimensions 24 x 3 1/2 x 5/8 in. $100-200
136. Two Small Boxes of Partially Milled Violin Bow Frogs, Ceylon ebony. $40-60
137. Abalone Shells, one large box.
$200-400
138. Quartet of Gold-mounted Bows, Albert Nurnberger, the octagonal sticks stamped *ALBERT NURNBERGER*, each with inlaid Stanhope image of Albert Nurnberger, with case. $3,200-4,800
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online bidding at www.skinnerinc.com
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139. French Silver-mounted Violin Bow, Probably Henry/Peccatte Workshop, the octagonal stick unstamped, weight 61 grams. $15,000-20,000
147. Gold-mounted Violoncello Bow, the round stick unstamped, weight 83 grams. $600-800
140. French Gold-mounted Viola Bow, Victor Fetique, the round stick stamped VTOR FETIQUE A PARIS, weight 75 grams. $5,000-7,000
148. Two Silver-mounted Violoncello Bows.
$200-400
149. Two Silver-mounted Violoncello Bows.
$200-400
141. French Silver-mounted Viola Bow, for Chanot & Chardin, the round stick stamped CHANOT & CHARDON PARIS, weight 69 grams. $2,000-3,000 142. Silver-mounted Violoncello Bow, Wilhelm Christian Knopf, c. 1830, the octagonal stick unstamped, weight 77 grams, (without hair). $3,000-5,000
150. Child’s French Nickel-mounted Violoncello Bow, C.N. Bazin Workshop, the round stick unstamped, weight 64 grams. Certificate: Jean-François Raffin, Paris, July 9, 2005. $1,000-1,400
143. Three Silver-mounted Bows, for violin, viola, and violoncello. $300-500
151. Silver-mounted Violoncello Bow, Gustave Wunderlich, the octagonal stick stamped GUSTAVE WUNDERLICH LEIPZIG, weight 76 grams, (without hair). $200-300
144. French Nickel-mounted Violin Bow, School of Jean Adam, the octagonal stick unstamped, weight 56 grams, (without hair). $2,400-2,600
152. Silver-mounted Violoncello Bow, Emil Kuehnl, the octagonal stick stamped EMIL KUEHNL***, weight 81 grams. $600-800
145. Nickel-mounted Violoncello Bow, the round stick stamped FN VOIRIN A PARIS, (the frog and adjuster later), weight 71 grams, (without hair). $400-600
153. Four Violin Bow Sticks.
146. Silver-mounted Viola Bow, Giuseppe Vitale, the octagonal stick stamped (GIUSEPPE VITALE), weight 70 grams. $800-1,000
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additional information and photos at www.skinnerinc.com
$400-600
154. Silver-mounted Violin Bow, the round stick unstamped, weight 62 grams. $300-500
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140
141
142
139
140
141
142
online bidding at www.skinnerinc.com
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155. Silver-mounted Violoncello Bow, Anders Halvarson, After F.X. Tourte, the octagonal stick unstamped, weight 78 grams, (without hair). Literature: Roda, Joseph, Bows for Musical Instruments, pp. 167168. $10,000-12,000 156. Gold-mounted Violoncello Bow, Richard Grunke, the octagonal stick stamped RICHARD GRUNKE ***, weight 84.5 grams. $400-600 157. Silver-mounted Violoncello Bow, Richard Grunke, the octagonal stick stamped RICHARD GRUNKE ***, weight 82 grams. $800-1,200 158. Nickel-mounted Violoncello Bow, Ludwig Bausch, the round stick unstamped, weight 79 grams. $1,200-1,400 159. Silver-mounted Violin Bow, the octagonal stick stamped E SARTORY A PARIS, weight 60 grams. $300-500 160. Silver-mounted Violin Bow the round stick unstamped, weight 60 grams. $300-500 161. Silver-mounted Violin Bow, the round stick unstamped, weight 53 grams, (without hair). $300-500
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additional information and photos at www.skinnerinc.com
162. Silver-mounted Violin Bow, the octagonal stick stamped *AL SANDNER*, weight 56 grams, (without hair). $300-500 163. Silver-mounted Violin Bow, Otto Hoyer Workshop, the round stick stamped OTTO A HOYER, weight 59 grams. $300-500 164. Silver-mounted Violin Bow, Milton Wickes, the round stick unstamped, weight 51 grams. $200-300 165. Silver-mounted Violin Bow, the round stick stamped MODEL TUBBS, weight 59 grams. $800-1,200 166. English Silver-mounted Violoncello Bow, John Reynolds, the octagonal stick stamped J REYNOLDS, weight 78 grams. $600-800 167. No lot. 168. Ten Bows and One Bow Stick, various makers and mounts. $200-300 169. Nine Violin Bows, various makers and mounts.
$200-300
170. Four Violin Bows, various makers and mounts.
$200-300
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156
157
158
155
156
157
158
online bidding at www.skinnerinc.com
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171. Markneukirchen Violin, Oskar Bernard Heinel, 1903, bearing the maker’s label, length of back 363 mm. $800-1,200
184. Markneukirchen Violin, Ernst Heinrich Roth, 1922, bearing the maker’s label, length of back 358 mm. $800-1,200
172. Modern Violin, labeled ...FORBERGER..., length of back 357 mm. $600-800
185. Markneukirchen Violin, Karl Herrmann, c. 1930, labeled ...ANDREAS MORELLI..., length of back 358 mm. $600-800
173. French Violin, Pierre Hel Workshop, Lille, 1919, bearing the maker’s label, 358 mm. $7,000-9,000
186. Markneukirchen Violin, Wilhelm Durrschmidt, 1960, bearing the maker’s label, length of back 358 mm. $800-1,200
174. French Violin, George Lotte, Paris, 1892, bearing the maker’s label, length of back 358 mm. $1,800-2,200
187. Tyrolean Violin, c. 1840, After Sebastian Kloz, labeled ...SEBASTIAN KLOZ..., length of back 357 mm. $1,800-2,400
175. English Violin, W.S. Day, Plymouth, 1936, bearing the maker’s label, length of back 355 mm. $800-1,200
188. French Violin, Laberte-Humbert Frères, Mirecourt, c. 1920, bearing the maker’s label, length of back 360 mm, with bow. $2,000-3,000
176. Modern Violin, c. 1910, labeled ...COLLIN-MEZIN..., length of back 357 mm. $3,000-5,000
189. Modern Violin, c. 1930, labeled ...JUZEK..., length of back 356 mm, with case. $800-1,200
177. Violin, c. 1860, labeled ...NICOLAUS DIEHL..., length of back 358 mm. $1,400-1,800
190. French Violin, c. 1880, Caussin Workshop, labeled illegibly, length of back 361 mm, with case. $2,500-4,000
178. Violin, Possibly Czech, c. 1860, After Gennaro Gagliano, labeled ...JOSEPH GAGLIANO..., length of back 358 mm. $800-1,200
191. German Violoncello, c. 1920, labeled ...STRADIVARIUS..., length of back 74.1 cm. $800-1,200
179. French Violin, c. 1900, labeled ...BARZONI..., length of back 360 mm, with case and two bows. $800-1,200
192. English Violoncello, c. 1780, Banks School, (restorable, in parts), length of back 73 cm. $3,000-5,000
180. Saxon Violin, c. 1860, labeled ...DECONET..., length of back 360 mm, with case. $1,000-1,200
193. Markneukirchen Violoncello, c. 1920, bearing a label and branded internally GA PFRETZSCHNER, length of back 75.2 cm. $800-1,000
181. Modern Viola, Wenzel Fuchs, Erlangen, 1971, bearing the maker’s label, length of back 16 in., 406 mm, with case. $600-800
194. Modern Violoncello, Wenzel Fuchs, Eltersdorf, 1967, bearing the maker’s label, length of back 75.2 cm. $600-800
182. Modern Viola, Ernst Heinrich Roth, Erlangen, 1959, bearing the maker’s label, length of back 16 in., 406 mm, with case and bow. $800-1,200
195. German Violoncello, Eduard Reichert, Dresden, c. 1900, bearing the maker’s label, length of back 75.7 cm. $400-600
183. French Violin, Charles J.B. Collin-Mezin, Paris, 1953, bearing the maker’s label, length of back 358 mm, with case. $800-1,200
196. Modern Violoncello, labeled ...MENEGOTTI..., length of back 75.7 cm. $1,400-1,800
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additional information and photos at www.skinnerinc.com
197. Modern Violoncello, Anton Schroetter, Mittenwald, c. 1970, bearing the maker’s label, length of back 75.8 cm. $300-500
210. German Violin, Ernst Heinrich Roth Workshop, c. 1960, branded internally, length of back 361 mm. $800-1,000
198. German Violoncello, c. 1900, labeled ...STRADIVARIUS..., MADE IN GERMANY, length of back 75.8 cm. $300-500
211. French Viola, c. 1920, Probably Jerome Thibouville-Lamy, Mirecourt, labeled ...R BERTHELEMY..., length of back 409 mm. $600-800
199. Modern Violoncello, labeled ...MINGHI..., length of back 75.6 cm. $1,200-1,600
212. Violin, c. 1900, labeled ...J. BETTS... and WURLITZER, and branded to the upper back, length of back 355 mm, with case and two bows. $600-800
200. German Violoncello, c. 1900, unlabeled, length of back 76 cm, with case and bow. $4,000-6,000 201. American Contrabass, Kay Company, Chicago, c. 1950, with internal Ampeg pickup. $900-1,200 202. Child’s American Violoncello, Myron Kidder, Northampton, 1897, bearing the maker’s label, number 89, length of back 69 cm. $400-600 203. Child’s American Violoncello, Myron Kidder, Northampton, 1899, bearing the maker’s label, number 96, length of back 52.3 cm. $400-600 204. Czech Violoncello, c. 1820, labeled ...TECCHLER..., length of back 71.8 cm, with case and bow. $2,500-4,000 205. German Violoncello, c. 1925, Ernst Heinrich Roth, Markneukirchen, bearing the maker’s label, length of back 76.2 cm, with case and two bows. $800-1,200
213. Modern Violin, labeled ...ENRICO ORSELLI..., length of back 360 mm. $600-800 214. Tyrolean Violin, c. 1800, labeled illegibly, length of back 356 mm, with case and bow. $1,600-2,000 215. French Violin, c. 1930, labeled ...JOSEPH GUARNERI..., length of back 359 mm. $400-600 216. Modern Violin, labeled ...VITTORIO BELLAROSA..., length of back 353 mm. $600-800 217. Modern Violin, labeled ...DIGIUNI..., length of back 358 mm. $400-600 218. Two English Violins, one by J.P. Fitzgerald, London, 1925, the other unlabeled. $600-800
206. French Violin, c. 1920, unlabeled, length of back 358 mm. $600-800
219. Modern Violin, labeled ...CAROLUS BADARELLO..., length of back 358 mm. $500-700
207. Saxon Violin, c. 1840, labeled ...JOHANN CASPAR REICHEL..., length of back 359 mm. $800-1,200
220. German Violin, Ernst Heinrich Roth Workshop, c. 1935, labeled ...EUGEN MEINEL..., length of back 358 mm. $400-600
208. Mittenwald Violin, c. 1880, labeled ...D’ESPINE..., length of back 359 mm, with case and two bows. $800-1,200
221. German Viola, c. 1960, Karl Herrmann Workshop, labeled GERMANY, length of back 15 5/8 in., 392 mm. $500-800
209. French Violin, Gustave Bazin, c. 1920, bearing the maker’s label, length of back 360 mm. $800-1,200
222. American Violin, J.C. Richards, Phoenix, RI, 1922, signed internally, length of back 364 mm, with case. $200-300
online bidding at www.skinnerinc.com
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223. German Viola, Bernard Wolz, 1984, bearing the maker’s label, length of back 402 mm. $200-300 224. French Violin, Jerome Thibouville-Lamy, c. 1900, labeled ...GERONIMO BARNABETTI..., length of back 357 mm. $400-600 225. French Violin, Nicolas Workshop, c. 1890, labeled ...GUARNERIUS..., length of back 360 mm, with case.
$400-600
226. Markneukirchen Violin, Wilhelm Durrschmidt, c. 1920, branded internally, length of back 358 mm, with case and two bows. $400-600 227. Ten Violins, various makers.
$100-200
228. Four Child’s German Violins, with cases.
$100-200
229. Four Child’s Violins.
$300-500
230. Saxon Violin, c. 1820, bearing a repair label ...JOSEPH URBAN, ...1860, length of back 357 mm, with case and two bows. $300-500 231. Modern Violin, Wenzel Fuchs, Erlangen, c. 1960, bearing the maker’s label, length of back 359 mm. $200-400 232. Saxon Violin, c. 1880, labeled ...MONTAGNANA..., length of back 358 mm, with bow and case. $300-500 233. American Violin, Kornil Terasuk, Detroit, 1948, bearing the maker’s label, length of back 356 mm, with case. $400-600 234. French Violin, Marc Laberte Workshop, Mirecourt, c. 1920, bearing the maker’s label, length of back 358 mm. $400-600 235. Miniature Violin, Mittenwald, c. 1890, Salesman’s Sample, labeled GERMANY, length of back 161 mm, with case and bow. $80-100
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additional information and photos at www.skinnerinc.com
236. Modern German Violin, c. 1920, unlabeled, length of back 357 mm. $200-400 237. Modern German Violin, c. 1930, labeled ...ANTONIO LOVERI..., length of back 359 mm. $200-400 238. Modern German Violin, Eduard Reichert, Dresden, 1912, bearing the maker’s label, length of back 357 mm. $200-400 239. Modern German Violin, Wenzel Fuchs, Erlangen, c. 1970, bearing the maker’s label, length of back 356 mm. $200-400 240. French Violin, Georges Apparut Workshop, Mirecourt, c. 1900, unlabeled, length of back 355 mm. $200-400 241. Modern Violin, Roman Teller, Erlangen, 1972, bearing the maker’s label, length of back 355 mm. $400-600 242. Modern Violin, Roman Teller, Erlangen, 1971, bearing the maker’s label, length of back 355 mm. $400-600 243. Modern Violin, Roman Teller, Erlangen, 1972, bearing the maker’s label, length of back 355 mm. $400-600 244. Modern Violin, Roman Teller, Erlangen, 1972, bearing the maker’s label, length of back 355 mm. $200-400 245. Saxon Violin, c. 1820, unlabeled, length of back 355 mm. $200-400 246. German Violin, c. 1880, unlabeled, length of back 359 mm. $200-400 247. French Violin, c. 1880, unlabeled, length of back 359 mm. $200-400 248. French Violin, Amedee Dieudonne Workshop, Mirecourt, 1938, bearing the maker’s label and interior brand, length of back 355 mm. $200-400
251. German Violin, c. 1925, labeled ...VOIGT..., length of back 359 mm. $200-400 252. German Violin, c. 1925, labeled ...MODEL OF JOSEPH GUARNERIUS..., length of back 354 mm.
$200-400
253. French Saxophone, Henri Selmer, Paris, c. 1964, Model Mark VI, serial number 115725, with case. $4,000-6,000 254. Barrels and Bell Set, for B Flat clarinet.
$100-200
255. English One-Keyed Boxwood Flute, James Power, London, c. 1830, stamped POWER, 34 STRAND, LONDON, the ivory trim, length 24 3/4 in. $200-300 256. American Six-Keyed Boxwood Flute, William Hall & Son, New York, c. 1860, stamped WILLIAM HALL & SON, 239 BROADWAY, N YORK, length 23 3/4 in. $300-500 257. American Six-Keyed Maple Clarinet, the horn rings, length 22 1/2 in. $200-300 258. Eight-Keyed Grenadilla Flute, unstamped, the ivory head joint, length 26 1/2 in. $200-300
253
249. German Violin, c. 1960, labeled ...GERMANY..., length of back 355 mm. $200-400 250. German Violin, c. 1925, labeled ...STRADIVARIUS..., length of back 356 mm. $200-400
259. American Four-Keyed Rosewood Flute, Ronnberg, New York, c. 1840, stamped RONNBERG, N YORK, the silver keys and rings, length 23 3/4 in. $300-400 260. Four-Keyed Grenadilla Flute, unstamped, the nickel keys and rings, length 23 1/2 in. $200-300 261. American Grenadilla Flute, George Cloos, New York, c. 1870, stamped GEO CLOOS, 5795, LP, the nickel keys, length 27 in. $300-500
online bidding at www.skinnerinc.com
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262. American Fife, George Cloos, New York, c. 1880, serial number 8261, stamped GEO CLOOS, C, LP, length 12 1/2 in. $100-200 263. American B Flat Soprano Saxophone, Buescher, Elkhart, c. 1920, Model Aristocrat, serial number 61050, length 17 in., with case. $300-500 264. American Alto Saxophone, Buescher, Elkhart, c. 1940, serial number 303149, with later case. $1,600-2,000 265. American Silver Flute, William S. Haynes Company, Boston, 1969, serial number 36793, with case. $2,200-2,800 266. One-Keyed Boxwood Flute, c. 1860, Possibly American, unstamped, length 61 cm. $100-150 267. Three Quartersawn Spruce Violin Tops, dated 1996.
$80-100
268. Eight Split Spruce Violin Tops.
$160-200
269. Four Split Spruce Violin Tops, c. 1950.
$100-120
270. Three Quartersawn Spruce Viola Tops, c. 1950, stamped MADE IN GERMANY, US ZONE, unjoined, length 18 in. $60-80 271. Eight Split Spruce Violin Tops.
$160-200
272. Eight Split Spruce Violin Tops.
$160-200
273. Eight Split Spruce Violin Tops.
$160-200
274. Four Split Spruce Violin Tops. 275. Four Split Spruce Violin Tops.
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276. Four Split Spruce Violin Tops.
$80-100
277. Four Split Spruce Violin Tops.
$80-100
278. Four Split Spruce Violin Tops.
$80-100
279. Four Split Spruce Violin Tops.
$80-100
280. Four Split Spruce Violin Tops.
$80-100
281. Four Split Spruce Violin Tops.
$80-100
282. Four Split Spruce Violin Tops.
$80-100
283. Four Quartersawn Spruce Violin Tops.
$100-120
284. Four Quartersawn Spruce Violin Tops, stamped BF and AS, dated 1943. $100-120 285. Four Quartersawn Spruce Violin Tops, c. 1950, stamped BF and AS. $80-100 286. Four Quartersawn Spruce Violin Tops, c. 1950, stamped BF. $80-100 287. Four Quartersawn Spruce Violin Tops, c. 1950, stamped BF and AS. $80-100 288. Two Split Spruce Viola Tops, length 17, 18 in.
$60-80
$80-100 289. Two Spruce Violin Tops, one split and the other quartersawn. $40-60 $80-100
additional information and photos at www.skinnerinc.com
Violin Wood, from a large selection on offer
290. Three Quartersawn Spruce Violin Tops, dated 1996.
$80-100
291. Three Quartersawn Spruce Violin Tops, dated 1996.
$80-100
292. Three Quartersawn Spruce Violin Tops, dated 1996.
$80-100
293. Three Quartersawn Spruce Violin Tops, dated 1996.
$80-100
294. Two-piece Maple Violin Back with Neck and Rib Stock.
$40-60
295. Two-piece Maple Violin Back with Neck and Rib Stock. $60-100 296. Two-piece Maple Violin Back with Neck and Rib Stock. $60-100 297. Four Two-piece Quartersawn Maple Violin Backs, c. 1950, stamped BF, MADE IN GERMANY, US ZONE. $120-160
298. Four Two-piece Quartersawn Maple Violin Backs, c. 1950, stamped BF. $120-160 299. Four Two-piece Quartersawn Maple Violin Backs, c. 1950, stamped AS and BF. $120-160 300. Three Two-piece Quartersawn Maple Viola Backs, c. 1950, length 18 in. $140-160 301. Four Two-piece Quartersawn Maple Viola Backs, c. 1950, stamped MADE IN GERMANY, US ZONE, length 17 3/4 to 18 1/2 in. $160-180 302. Four Two-piece Quartersawn Maple Violin Backs, c. 1950, stamped BF, MADE IN GERMANY US ZONE. $150-180 303. Four Two-piece Quartersawn Maple Violin Backs, c. 1950, three stamped AS, the fourth BF. $120-180 304. Four Two-piece Quartersawn Maple Violin Backs, c. 1950, stamped SA and BF. $120-180
online bidding at www.skinnerinc.com
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305. Four Two-piece Quartersawn Maple Violin Backs, c. 1950, stamped AS. $120-180
318. Four Two-piece Quartersawn Maple Violin Backs, c. 1950, stamped BF, MADE IN GERMANY, US ZONE. $120-160
306. Four Two-piece Quartersawn Maple Violin Backs, c. 1950, stamped BF and AS. $120-180
319. Three Two-piece Quartersawn Maple Violin Backs, c. 1950, stamped BF and AS, MADE IN GERMANY, US ZONE. $160-180
307. Four Two-piece Quartersawn Maple Violin Backs, c. 1950, three stamped AS. $100-160
320. Two Quartersawn One-piece Maple Violin Backs, stamped AS. $40-60
308. Four Two-piece Quartersawn Maple Violin Backs, c. 1950, three stamped AS. $100-160 309. Four Two-piece Quartersawn Maple Violin Backs, c. 1950, three stamped AS, one BF. $100-160 310. Four One-piece Quartersawn Maple Violin Backs, three stamped AS, c. 1950, one Czech, 1938. $140-180 311. Three One-piece Quartersawn Maple Violin Backs, c. 1950, stamped AS. $120-150
321. Quartersawn One-piece Maple Viola Back, 1921, stamped JOH LIEBENHUNER, length 16 1/4 in., 42.5 cm. $30-50 322. Four Two-piece Quartersawn Maple Violin Backs, Czechoslovakia. $160-180 323. Two Maple Violin Neck Blocks and Miscellaneous Pieces. $20-30 324. Two Maple Violin Neck Blocks and One Maple Neck Graft. $40-60 325. Five Quartersawn Maple Violin Neck Blocks.
$100-150
312. Three One-piece Quartersawn Maple Violin Backs, c. 1950, stamped AS. $120-150
326. Five Quartersawn Maple Violin Neck Blocks.
$100-150
313. Three Joined Maple Violin Backs.
$100-120
327. Five Quartersawn Maple Violin Neck Blocks.
$100-150
$100-120
328. Four Quartersawn Maple Viola Neck Blocks.
$120-160
$200-300
329. Three Quartersawn Maple Viola Neck Blocks.
$120-160
$200-300
330. Five Quartersawn Maple Violin Neck Blocks.
$100-150
314. Four Joined Maple Violin Backs. 315. Quartersawn Maple Violoncello Back. 316. Quartersawn Maple Violoncello Back.
317. Quartersawn Maple Violoncello Back, with matching ribs. $275-325
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additional information and photos at www.skinnerinc.com
331. Five Quartersawn Maple Violin Neck Blocks. 332. Five Quartersawn Maple Violin Neck Blocks. 333. Five Quartersawn Maple Violin Neck Blocks. 334. Five Quartersawn Maple Violin Neck Blocks. 335. Four Cello Neck Grafts, pre-cut. 336. Five Quartersawn Maple Violin Neck Blocks. 337. Five Quartersawn Maple Violin Neck Blocks. 338. Five Quartersawn Maple Violin Neck Blocks.
$100-150
345. Eight Maple Violin Neck Grafts.
$200-240
$100-150
346. Eight Maple Violin Neck Grafts.
$200-240
$100-150
347. Four Maple Violin Neck Grafts.
$60-80
348. Five Maple Violin Neck Blocks.
$100-150
349. Five Maple Violin Neck Blocks.
$100-150
350. Five Maple Violin Neck Blocks.
$100-150
351. Three Maple Viola Neck Blocks.
$80-100
$100-150
$120-160
$100-150
$100-150
$100-150
339. Five Quartersawn Maple Violin Neck Blocks.
$100-150
340. Five Quartersawn Maple Violin Neck Blocks.
$100-150
341. Four Maple Violoncello Neck Graft Blocks, two pre-cut. $120-160 342. Five Maple Violin Neck Blocks.
$100-150
343. Four Maple Violin Neck Blocks, with one block of violin rib stock. $50-70 344. Five Maple Violin Neck Blocks.
$80-100
352. Quartersawn Maple Rib Stock, Violin/Viola, approximately 60 pieces. $30-50 353. Quartersawn Maple Rib Stock, Violin/Viola, approximately 60 pieces. $30-50 354. Quartersawn Maple Rib Stock, Violin/Viola, approximately 60 pieces. $30-50 355. Quartersawn Maple Rib Stock, Violin/Viola, approximately 60 pieces. $30-50 356. Quartersawn Maple Rib Stock, Violin/Viola, approximately 60 pieces. $30-50 357. Quartersawn Maple Rib Stock, Violin/Viola, approximately 60 pieces. $30-50
online bidding at www.skinnerinc.com
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379
372
358. Quartersawn Maple Rib Stock, Violin/Viola, approximately 60 pieces. $30-50 359. Quartersawn Maple Rib Stock, Violin/Viola, 25 in. lengths. $30-50 360. Quartersawn Maple Rib Stock, Violin, approximately 60 pieces. $30-50 361. Quartersawn Maple Rib Stock, for violin and violoncello, 6 pieces. $10-20
366. Repair Wood: Various Spruce and Maple Pieces. 367. Four Joined Maple Violin Backs, ammoniated.
$30-40
$120-160
368. Eight Sawn Spruce Boards, for repair work.
$50-70
369. Approximately Twenty-four Spruce Sheets, for repair.
$50-70
$10-20
370. Four Joined Spruce Violin Tops, ammoniated, stamped AS, BF, and WV. $60-80
$50-70
371. Four Joined Spruce Violin Tops, ammoniated.
$60-80
364. Violin/Viola Sound Post Stock, cut square to 14 in. length. $50-100
372. Franz Kneisel, framed photograph, 4 x 5 1/2 in.
$40-60
365. Quartersawn Maple Wedges for Violoncello Bridges, approximately 21 pieces, 17 x 4 1/4 in.
373. Efrem Zimbalist, framed photograph with signed address card, 5 x 7 in. $30-50
362. Sawn Willow, some cut to lining dimensions. 363. Ten Spruce Wedges for Repair.
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$60-100
additional information and photos at www.skinnerinc.com
374. Ole Bull, two framed cabinet cards with autograph.
$30-50
375. Mischa Elman, framed photograph, 8 x 10 in.
$40-60
376. Yehudi Menuhin, framed photograph and framed reproduction print. $40-60 377. Yehudi Menuhin, framed photograph, 8 x 10 in.
$40-60
378. Sascha Jacobsen, framed photograph, signed on the reverse. $30-50 379. Albert Spaulding, framed photograph, inscribed “To Mrs. Wallace with the sincere regards of New York January 26th, 1909 Albert Spaulding,� 7 1/4 x 9 1/4 in. $80-100 380. Nathan Milstein, framed photograph, 7 x 9 in.
386
$30-50
381. Fritz Kreisler, Pablo Casals, with unidentified conductor, two framed photos, 3 x 4 in. $60-80 382. Joseph Joachim, two framed pictures.
$40-60
383. Eugene Ysaye, original poster, Columbia Gramophone Company, c. 1917, framed, 17 x 25 in. $300-500 384. Fritz Kreisler, framed large print photogravure, 20 x 26 in. $400-600 385. Jascha Heifetz, Albert Spaulding, framed photographs, 4 1/2 x 6 1/2 in. $60-80 386. Mischa Elman, framed photograph, signed, 5 x 7 in.
$30-50
393
387. Mischa Elman, framed photograph, 7 1/2 x 9 1/2 in.
$30-50
388. Jascha Heifetz, Abraham Koodlach, three framed photographs in the Koodlach workshop, with photo-reproduction of a signed note. $80-100
online bidding at www.skinnerinc.com
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408
400
389. Toscha Seidel, framed photograph, 5 3/4 x 7 3/4 in.
$30-50
390. Paul Kochanski, framed photograph, 7 x 9 in.
$30-50
391. Zino Francescatti, framed photograph, 7 1/2 x 9 1/2 in.
$30-50
392. Leonard Rose, framed photograph, inscribed “Best wishes to you nice folks, Leonard,” 8 x 10 in. $60-80 393. Eugene Ysaye, framed photograph, 11 x 14 in. 394. Franz Kneisel, photograph, matted and framed, 3 x 5 in.
$60-80
$40-60
395. Erica Morini, framed photograph, inscribed “To Bettie Smith, with best wishes, Erica Morini, 1954,” 8 x 10 in. $40-60 396. Erica Morini, framed and matted photograph, inscribed “To Mr. F.H. Martens, with best compliments, Erica Morini New York, Feb 7, 1922,” 7 1/2 x 9 1/2 in. $60-80
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additional information and photos at www.skinnerinc.com
397. Erica Morini, c. 1937, framed photograph, 6 x 8 1/2 in.
$40-60
398. Sylvan Noack, framed photograph, inscribed “To my dear friend Mr. A Koodlach, in sincere appreciation of his wonderful workmanship, Sylvan Noack, October, 1926,” 8 x 10 in. $40-60 399. Louis Kaufman, framed photograph, inscribed “To A. Koodlach, Prince of Luthiers in grateful appreciation, Louis Kauffman, 10/30/42,” 8 x 10 in. $40-60 400. Isaac Stern, framed photograph, inscribed “To James M. Harvey-with most cordial greetings, Isaac Stern, 1973,” 8 x 10 in. $80-100 401. Abraham Koodlach, five framed photographs from his workshop. $100-120 402. Kayla Mitzel, framed photograph, 6 1/2 x 8 1/2 in.
$30-50
403. Leonard Rose, framed photograph, inscribed “Hello again, remember me?, Leonard,” 8 x 10 in.
$40-60
404. Kayla Mitzel, framed photograph, inscribed “To my dear friend Mr. Koodlach in deepest appreciation, Kayla Mitzel, Los Angeles, 1936,” 8 x 10 in. $60-80 405. Kayla Mitzel, framed photograph, inscribed “To dear Mrs. Spencer in sincere gratitude of her kindness to Kayla Mitzel, 1931,” 7 1/2 x 9 1/2 in. $60-80 406. Leonard Rose, two framed photographs, one inscribed “To my sister-in-law, such a nice girl!, Leonard,” 8 x 10 in. $80-100 407. Two Framed Photographs, 1933-38, Bronislaw Gimpel and Naoum Blinder, inscribed with dedication to Abraham Koodlach. $30-50 416
408. Erica Morini, framed photograph, inscribed “To Major R. J. Spottswood with best wishes!, Erica Morini, 1943,” 8 x 10 in. $60-80 409. David Oistrakh, framed photo, 8 x 10 in.
$30-50
410. Gregor Piatigorsky, framed photograph with movie still.
$30-50
411. Music Caddy, decorated with photographs and newspaper articles of Erica Morini. Provenance: Erica Morini.
$30-50
412. Alexander Borisoff, framed photograph, inscribed “To my dear friend A. Koodlach, the excellent violin maker, Alexander Borisoff 1929,” 7 1/4 x 9 in. $30-50
424
413. Four Framed Tintype Images and One Daguerreotype, c. 1860, depicting violinists. $100-125
416. Yehudi Menuhin, framed photograph, inscribed “To Miss Virginia Fleming, Yehudi Menuhin, Jan. 17, 1958,” 7 x 9 in. $80-100
414. Joan Fielding, two framed photographs, 8 x 10 in.
417. Peter Chan, framed photograph, inscribed “To Peat’s Music House, Utica, NY,” 8 x 10 in. $30-50
$40-60
415. Seven Framed Pictures of 20th Century Musicians, photo reproductions including Sascha Jacobsen, Jascha Heifetz. $60-80
418. Eric Friedman, framed photograph, unsigned, 7 1/2 x 8 1/2 in. $20-30
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439
432
419. Pablo Casals, Johannes Wolff, two cabinet cards, one signed and inscribed. $30-50
427. Framed Print, c. 1900, unidentified musical group, probably New England, 10 1/2 x 13 1/2 in. $30-50
420. Framed Print, unknown female banjoist, 16 x 20 in.
428. Framed Photographs, including Erick Friedmen, Yung Uck Kim, Itzhak Perlman, in single frame, 8 x 10 in. $30-50
$30-50
421. The Williams College String Society, 1897, framed photograph, 9 x 13 in. $80-100 422. Framed Print of a Chamber Orchestra, c. 1890, Providence, Rhode Island. $40-60 423. Framed Print, orchestra members, Worcester, c. 1900, 10 x 15 in. $30-50 424. Vera Barstow, framed photograph, inscribed “To Mr. Koodlach, with all best wishes, Vera Barstow, 1925.” $30-50 425. Framed Print of a Hotel Violinist, Springfield, Massachusetts, c. 1920, possibly Morris Friedman, 20 x 16 in. $60-80 426. Framed Print, unidentified musicians, c. 1920, 10 x 12 in.
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$30-50
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429. Two Posters of American Folk Instruments, The Smithsonian Institution, (mounted) and America’s Instrument, The Banjo in the Nineteenth Century, The University of North Carolina, 1999, (framed). $30-50 430. Two Mounted Photographs of School Orchestras, Massachusetts, c. 1920, including Godard School, 1914.
$30-50
431. Ten Framed Photo Postcards of Virtuoso Violinists, including Efrem Zimbalist, Pablo de Sarasate, Eugene Ysaye, Jan Kubelik, Bronislav Huberman, and Walter Rilla. $80-100 432. Joseph Joachim, framed cabinet card, signed with musical quote, 1896, 4 x 6 in. $300-500 433. Joseph Silverstein, Charles Allen, a framed photo and a signed cabinet card. $30-50
446
434. Young Uck Kim, framed photograph and publicity, (2).
$20-30
435. Forty-four Collectible Vintage Music Postcards.
$30-50
436. Scrapbook Memorabilia, “The Three Dees,” Dimples, Dixie, and Daisy, with autographs of show business pals. $30-50 437. Tautenhayn Quartet, framed photograph, inscribed, 7 x 9 in. $30-50 438. Erna Rubinstein, Annette Schiller, framed photograph and framed photograph inscribed “To my sincere friend Mr. A Koodlach, sincerely, Annette Schiller,” 8 x 10 in. $40-60 439. Les Paul, Mary Ford, The Guitar Magic of Les Paul, Leeds Music, 1947, a large framed photograph, 15 1/2 x 19 1/2 in., and two LP records: The Hit Makers: Les Paul and Mary Ford, Hits of Les and Mary. $400-600 440. Gustave Tinlot, two framed photographs, 8 x 10 in.
$40-60
441. The Zoellner Quartet, New York, 1916, framed photograph, signed and inscribed, 8 x 10 in. $30-50 442. Pierre Henrotte, framed photograph, inscribed “Sincerely to Mr William Peate in appreciation for many years of excellent and faithful service, Pierre Henrotte, Aug 1937,” 8 x 10 in. $40-60 443. Samuel Leventhal, (Hartford violin professor, c. 1926), framed and matted photograph inscribed “To Miss Alice Mikes, with sincere regards from her teacher Samuel J. Leventhal,” 4 1/2 x 6 1/4 in. $30-50 444. Lenora Jackson, Terasina Tua, cabinet card inscribed “Very Sincerely, Leonora Jackson,” and a cabinet card, unsigned. $30-50 445. Teresina Tua, framed lithograph, Pluck magazine, with framed photograph. $40-60 446. Jascha Heifetz, Abraham Koodlach, two framed photographs, 8 x 10 in. $80-100 447. Arthur Fiedler, George Brown, Jesus Sanroma, concert poster and framed photo. $40-60
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451. Three Framed Photographs of Violinists, Thaddeus Rich, Carlos Der Mandel, Eddy Rogers, signed and inscribed. $40-60 452. Three Framed Pictures of Musical Comedians, c. 1930-40, including David Rubinoff with Clara Bow, Jimmy Durante with Ozzie and Harriet Nelson, Laurel and Hardy. $20-30 453. Maud Powell, framed photograph with card inscribed “With pleasure!, Maud Powell, April 22 / 01.” $80-100 454. Nine Framed Pictures, c. 1890-1905, cabinet cards and photos depicting American violinists. $30-50
453
455. Twelve Framed Pictures, c. 1860-1930, photos and cabinet cards depicting violinists and cellists. $40-60 456. Eight Framed Cabinet Cards of Young Female Violinists, c. 18601900. $40-60 457. Five Framed Pictures, c. 1900, cabinet cards and photos depicting New York area violinists. $30-50 458. Twelve Framed Pictures, c. 1890-60, photos and cabinet cards depicting violinists. $60-80 460
459. Two Framed Photographs, c. 1938, depicting American guitarists and mandolinists. $40-60
448. Eugene Ysaye, framed print.
$10-20
449. Eugene Ysaye, framed cabinet card, 4 x 6 in.
$30-50
450. Dave Apollon, framed photograph, inscribed “To Dimples, with all my best wishes and good luck, Sincerely, Dave Apollon, May 16-1947, Detroit, Mich,” 6 1/2 x 9 in. $30-50
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460. Maud Powell, framed and matted photograph, inscribed “To Mr. George Kimball Simon, with vast appreciation, Sincerely, Maud Powell, March 13, 1919.” $80-100 461. Four Framed Pictures, including three photos of female violinists and an autograph of Camilla Urso with photocopied image. $30-50 462. Nine Framed Decorative Pictures, including prints, photos, and reproductions of violin-related subjects. $20-30
463. Ten Framed Photographs of New England Musicians, c. 18991950, including historic groups and musicians from Springfield, Portland, Westfield, Holyoke, Derry, Newton, and Stamford. $40-60 464. Two Framed Cabinet Cards and Two Framed Photographs, including a signed photo of Efrem Zimbalist and Jan Tourabout. $30-50 465. Two Framed Cabinet Cards, c. 1890, depicting musical duos, violinist with singer. $20-30 466. Seven Framed Photographs, New England musical ensembles. $20-30 467. Four Framed Photographs, c. 1915, American orchestras. $20-30 468. Six Framed Photographs, c. 1890-1920, various American music ensembles. $20-30 469. John A. Gould, framed print, inscribed “To John Nichols, with best regards, John A. Gould, June 1, 1943,” 5 x 6 1/4 in. $20-30 470. Framed Photograph, possibly depicting representatives from W.E. Hill & Sons in Honolulu, c. 1920. $40-60 471. Myron Kidder, violinmaker, Northampton, c. 1897, framed photo reproduction, with framed Kidder family coat-of arms. $20-30 472. Three Scrapbooks, collectible original and copied images, vintage photographs, c. 1880-1980, publicity shots, etc. $40-60 473. Bill Tatro’s Orchestra, Chicopee, c. 1932, scrapbook and framed photos, (4). $40-60 474. Lowell Philharmonic Society, c. 1920-50, seven framed photos, scrapbook, (8). $40-60
475. Vintage Violinmaker’s Bridges, most stamped from shops in Europe and the U.S.A., c. 1840-1980. $100-140 476. Four Framed Pictures of American Gospel and Jazz Musicians, including The Two Gospel Keys, Charlie Parker, Max Roach, Charles Mingus, and Thelonius Monk. $30-50 477. The Strad, Vol. LXXXIV, no. 988, Aug. 1972.
$30-50
478. Nine Framed Photographs, New England Country & Western Performers, including Wyoming Buck, Billy Fields, Jack Dalton, and “Red River” Dave. $80-100 479. Four Framed Photographs of Southern Country Bands, with one framed print, includes “Speedy” West, Cousin Lee and His Boys, performers in the WPDQ American Studio, Jacksonville, Florida. $40-60 480. Square Dance, three single LPs, one boxed set, (4).
$30-50
481. Framed Poster: Old Time Fiddler’s Contest.
$20-30
482. Four Framed Original Prints, depicting violin-related themes. $40-60 483. Natalie McMaster, signed poster and signed photograph.
$40-60
484. Four Framed Photographs, depicting string instrument ensembles. $60-80 485. Six Framed Cabinet Cards, c. 1910, depicting Boston musicians. $40-60 486. Six Framed Cabinet Cards, c. 1890-1910, depicting Boston area string players. $60-80 487. Four Framed Photographs, c. 1910-20, depicting mixed ensembles.
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$40-60
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488. Three Framed Pictures, c. 1890-1915, two photos of New England musicians, one photo postcard of Arthur Nikisch, conductor of The Boston Symphony (1889-1893). $30-50 489. Four Framed Pictures of Boston Musicians, c. 1880-1920, three cabinet cards and one photo. $30-50 490. Azzolina, Umberto, Liuteria Italiana Inedita, 1991.
$100-160
491. Bein and Fushi Inc., The Miracle Makers, 1998, includes three compact discs. $40-60 492. Benedek, Peter, Violin Makers of Hungary, 1995.
$100-200
493. Childs, Paul, The Bowmakers of the Peccatte Family, 1996, Number 446. $300-400 494. Crehore, Charles L., The Benjamin Crehore Piano, 1926.
$30-50
495. Dipper, A., and Woodrow, D., Count Ignazio Alessandro Cozio de Salabue, Number 791, 1987. $50-70 496. Doring, Ernest N., How Many Strads?, 1999. 497. Ealing Strings, The Retford Centenary Exhibition, 1975. 498. Elgar, Raymond, three books on the double bass.
$50-100
$20-30
$60-80
499. Erhardt, Roy, Violin Identification and Price Guide, Vols. 1-3. $50-70 500. Goodkind, Herbert K., Violin Iconography of Antonio Stradivari, 1972. $250-300
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501. Greiner, S.P., and Thone, J., Jean Baptiste Vuillaume, 1998, number 658. $60-80 502. Hamma, Fridolin, German Violin Makers, 1961.
$60-80
503. Hamma, Walter, Violin Makers of the German School, 1992. $400-600 504. Hamma, Walter, Meister Italienischer Geigenbaukunst, 1993. $60-80 505. Harvey, Brian W., The Violin Family and its Makers in the British Isles, 1995. $40-60 506. Henderson, Frank V., How to Make a Violin Bow, 1977.
$20-30
507. Henley, William, and Woodcock, C., Universal Dictionary of Violin & Bow Makers, (4 volumes). $250-350 508. Hill, W.E., and Sons, Stradivari, His Life and Work, 1980. $100-150 509. Jalovec, Karl, The Violin Makers of Bohemia.
$50-70
510. Jalovec, Karl, German & Austrian Violin Makers.
$40-60
511. Jalovec, Karel, German & Austrian Violin Makers.
$40-60
512. Jalovec, Karel, Italian Violin Makers.
$40-60
513. Jalovec, Karel, Encyclopedia of Violin Makers, Vols. 1, 2, 1968. $100-150 514. Jalovec, Karel, Italian Violin Makers, 1964.
$60-80
515. Kun, Joseph, and Regh, Joseph, The Art of Bow Making, Deluxe Edition, Number 90. $100-150 516. Millant, B. and Raffin, J.F., L’Archet, 2000, four volumes. $1,200-1,500 517. Millant, R., Vuillaume, Sa Vie et Son Oeuvre, 1972.
$40-60
518. Moller, Max, Italiaansche Vioolbouw, (Dutch text), Number 280. $40-60 519. Orcutt, W.D., The Stradivari Memorial, 1938.
$60-80
520. Regazzi, Roberto, Il Manuscritto Liutario di G.A. Marchi, 1986. $20-30 521. Regazzi, Roberto, The Complete Luthier’s Library, 1990, Number 287. $80-120 522. Retford, William C., Bows and Bow Makers, Second Edition, 1977. $20-30 523. Sacconi, Simone F., I “Segretti” di Stradivari, (Italian text), 1972. $40-60 524. Sacconi, Simone F., The “Secrets” of Stradivari, 1979.
$100-120
525. Vannes, R., and Lebet, C., Dictionaire Universal des Luthiers. $100-200 526. Vettori, Carlo, The Classic Lines of Italian Violin Making, 1979. $30-50 527. Wake, H.S., three books on violin making.
$30-50
528. Four Violin-related Titles.
$20-30
529. Two Books on Violin Acoustics, (three volumes).
$40-60
530. Three Books on Violinmakers.
$20-30
531. Two Glass Violinmaker’s Signs, Massachusetts, c. 1880, handpainted with gold leaf; one reading VIOLINS and the other J.O. MCCAULEY, VIOLIN MAKER AND REPAIRER. $100-150 532. Violinmaker’s Shop Sign, Joseph Bohnak, Northampton, c. 1930, 20 x 28 in. $40-60 533. Wooden Cabinet, Six Drawers of Violin Fittings.
$100-200
534. Violinmaker’s Tool Cabinet, Zotique Bacon, Holyoke, c. 1918, paneled front door, with Rococo revival crest centering a carved shell, interior tool rests. $400-600 535. Violin Cabinet, with two glass shelves, glass doors, top molded cornice, size 1 x 3 x 4 ft., holds eight violins. $300-500 536. Violin Cabinet, with glass doors, applied gilded panels, size 14 x 46 x 31 in., holds ten violins. $300-500 537. Violin Cabinet, with glass paneled doors, molded cornice, size 42 x 64 x 10 in., holds eight violins. $400-600 538. Oak Bow Cabinet, with glass door, glass side and back windows, size 41 x 14 x 9 in. $50-100 539. Maple Four-drawer Dresser, containing repair materials, fittings, etc. $400-600 540. Violin Templates and Tools, Massachusetts Violinmakers, c. 1880-1950, includes Joseph Bellevue, Asa White, Raoul Rettberg, Lester Worthington. $200-400 541. Collection of Internal and External Forms, from New England violinmakers, c. 1880-1950. $100-200 542. Rosewood Box Containing Violin Wood and Templates, size 23 1/2 x 16 1/2 x 10 1/2 in. $80-120
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543
543
543. American Violin, Treffle Gervais, Boston, c. 1900, bearing the maker’s label, length of back 355 mm. $800-1,200
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544
544
544. American Violin, J.F. Burke, Brockton, 1907, bearing the maker’s label, length of back 355 mm. $2,500-3,000
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545
545
545. American Violin, Milton Wickes, Northampton, 1904, bearing the maker’s label, length of back 357 mm. $2,500-3,000
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546
546
546. American Violin, Andrew Hyde, Northampton, 1889, bearing the maker’s label, numbered 112, length of back 352 mm. $2,500-3,000
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547
547
547. American Violin, Alexander Ricard, Springfield, 1924, bearing the maker’s label, length of back 355 mm. $3,000-5,000
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548. American Violin, Rodney Miller, 2003, bearing the maker’s label, length of back 354 mm. $1,400-1,800
559. Modern Violin, Wenzel Fuchs, Erlangen, c. 1970, bearing the maker’s label, length of back 356 mm. $300-500
549. American Violin, Gustave Henning, Malden, 1914, bearing the maker’s label and branded to the upper back, length of back 358 mm. $1,200-1,600
560. German Violin, c. 1900, labeled ...GUARNERIUS..., length of back 359 mm, with case. $200-400
550. American Violin, Andre Hyde, Northampton, 1896, bearing the maker’s label, length of back 358 mm, with case and two bows.
561. Mittenwald Violin, c. 1920, labeled ...GEORGIUS EGITIUS..., with registration number 1617, length of back 360 mm. $200-400
Note: Sold with display items of the Hyde Workshop including reproductions of workshop photographs, patent drawings, etc. $1,200-1,400 551. American Violin, Albert Lind, Boston, 1924, bearing the maker’s label, numbered 46, length of back 358 mm. $800-1,200 552. American Violin, Freeman Adams Oliver, Boston, 1900, bearing the maker’s label, length of back 359 mm. $600-800 553. American Violin, George Luck, Cambridge, c. 1920, bearing the maker’s handwritten label, length of back 357 mm. $800-1,200 554. American Violin, John Addison Leland, Millers Falls, 1914, unlabeled, length of back 362 mm. $800-1,200 555. American Violin, John White, Barre, c. 1860, bearing the label of his son Asa, with handwritten annotations, length of back 357 mm. $600-800 556. American Violin, Charles P. Coolidge, Orange, c. 1900, unlabeled, length of back 360 mm. Note: Lot includes his Patent Model Water Turbine, c. 1910, (walnut, in wooden case), and a poster announcing an estate sale of his personal items. $400-600 557. American Violin, Charles D. Cartwright, Berlin, c. 1900, bearing the maker’s label, length of back 363 mm. $800-1,200 558. German Violin, c. 1925, labeled ...STADLMANN..., length of back 353 mm. $200-400
562. Mittenwald Violin, A. Schroetter, c. 1970, bearing the maker’s label, length of back 356 mm. $200-400 563. Mittenwald Violin, A. Schroetter, c. 1970, bearing the maker’s label, length of back 356 mm. $200-400 564. German Violin, c. 1900, the label illegible, length of back 356 mm, with case and bow. $200-400 565. French Violin, c. 1800, labeled ...GAVINIES..., length of back 355 mm, with case and two bows. $200-400 566. Markneukirchen Violin, c. 1930, Karl Herrmann, unlabeled, length of back 358 mm. $200-400 567. Tyrolean Violin, c. 1750, labeled ...FRANCESCO RUGER..., length of back 358 mm. $200-400 568. Mittenwald Violin, c. 1880, bearing a registration number 7563, length of back 358 mm. $200-400 569. German Violin, c. 1900, labeled ...DECONET..., length of back 360 mm. $200-400 570. Modern German Violin, branded internally GAF, length of back 356 mm. $200-300
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571. German Violin, c. 1900, labeled ...MAGGINI..., length of back 361 mm. $200-400
583. Modern Violin, Ernst Heinrich Roth, Erlangen, 1968, bearing the maker’s label, length of back 357 mm, with case. $400-600
572. Modern German Violin, c. 1950, for William Lewis & Son, length of back 359 mm. $200-300
584. Mittenwald Violin, c. 1880, labeled ...FRIEDRICH SOLMANN..., length of back 355 mm, with case. $300-500
573. Mittenwald Violin, Neuner & Hornsteiner, c. 1900, labeled ...MATTHIAS NEUNER..., length of back 360 mm, with case. $200-400
585. Markneukirchen Violin, c. 1900, Heinrich T. Heberlein, bearing the maker’s label, length of back 356 mm, with case. $100-200
574. Mittenwald Violin, Gustave Ficker, 1958, bearing the maker’s label, length of back 356 mm. $200-400
586. German Violin, c. 1920, labeled ...ANTON BACHMAN..., length of back 359 mm, with case. $200-400
575. Modern Violin, Wenzel Fuchs Workshop, Erlangen, c. 1970, bearing the maker’s label, length of back 356 mm. $300-500
587. Markneukirchen Violin, Lippold Hammig, c. 1950, bearing the maker’s label, length of back 359 mm, with case. $200-400
576. Klingenthal Violin, c. 1860, labeled ...JOHANN FRANZ PLACHR..., length of back 352 mm. $200-400
588. Modern Violin, Wenzel Fuchs, Erlangen, 1971, bearing the maker’s label, length of back 356 mm. $300-500
577. French Violin, c. 1920, Probably Jerome Thibouville-Lamy, labeled MADE IN FRANCE, length of back 358 mm. $300-500
589. Violin, c. 1900, labeled ...BALESTRIERI..., length of back 356 mm, with case and bow. $200-400
578. German Violin, c. 1880, labeled ...FRANCESCO TORTOBELLO..., length of back 358 mm. $200-400
590. Mittenwald Violin, c. 1920, unlabeled, length of back 358 mm. $200-400
579. Modern Violin, Probably Wenzel Fuchs Workshop, unlabeled, length of back 356 mm. $300-500 580. Modern Violin, Probably Wenzel Fuchs Workshop, c. 1970, unlabeled, length of back 355 mm. $300-500 581. French Violin, Jerome Thibouville-Lamy, c. 1900, unlabeled, length of back 359 mm. $200-300 582. Modern German Violin, Ernst Heinrich Roth Workshop, c. 1970, bearing the maker’s label, length of back 356 mm. $400-600
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591. Czech Violin, c. 1900, labeled ...STRADIVARIUS..., length of back 358 mm, with case and bow. $300-500 592. Tyrolean Violin, c. 1840, labeled ...DECHLER..., length of back 357 mm, with case. $300-500 593. Modern Violin, c. 1920, labeled ...JOHANN ULRICH FICHTL..., length of back 358 mm, with case and bow. $100-140 594. French Violin, c. 1900, Probably Jerome Thibouville-Lamy, branded internally MARCHAL A PARIS, length of back 360 mm. $100-140
595. German Violin, c. 1880, unlabeled, bearing registration number 5131, length of back 365 mm, with case. $200-400 596. Violin c. 1920, unlabeled, length of back 359 mm, with case. $200-300 597. Modern Violin, Hans Schirmer, c. 1930, branded internally, length of back 355 mm, with case. $200-400 598. Four Modern German Violins.
$300-500
599. Markneukirchen Violin, Walter Meinhold, 1967, bearing the maker’s label, length of back 353 mm. $300-500 600. Markneukirchen Violin, Wilhelm Durrschmidt, c. 1950, bearing the maker’s label, length of back 356 mm, with case. $800-1,200 601. Modern Violin, Wenzel Fuchs, Erlangen, c. 1970, bearing the maker’s label, length of back 356 mm, with case. $300-500 602. Modern Violin, Arthur Teller, Bubenreuth, c. 1970, bearing the maker’s label, length of back 357 mm. $200-300
607. German Violin, c. 1900, unlabeled, length of back 355 mm. $300-500 608. Modern Violin, Arthur Teller, Erlangen, 1978, bearing the maker’s label, length of back 357 mm, with case. $200-400 609. Modern Viola, Anton Schroetter, Mittenwald, c. 1970, bearing the maker’s label, length of back 15 11/16 in., 398 mm, with case and bow. $100-200 610. Modern Viola, Roman Teller, Erlangen, 1972, bearing the maker’s label, length of back 16 1/2 in., 420 mm, with case. $300-500 611. Modern Viola, Werner Voigt, Markneukirchen, 1969, bearing the maker’s label, length of back 15 13/16 in., 401 mm, with case. $400-600 612. Modern Violin, Fritz Monig, Markneukirchen, 1961, bearing the maker’s label, length of back 357 mm. $400-600 613. Modern Viola, Anton Schroetter, Mittenwald, c. 1970, bearing the maker’s label, length of back 16 1/16 in., 407 mm, with case. $100-200 614. Modern Viola, Anton Schroetter, Mittenwald, c. 1970, bearing the maker’s label, length of back 15 in., 380 mm, with case. $100-200
603. Klingenthal Violin, c. 1860, unlabeled, length of back 355 mm, with case and bow. $300-500
615. Saxon Violin, c. 1850, unlabeled, length of back 357 mm. $400-600
604. Modern Viola, Wenzel Fuchs, Erlangen, 1976, bearing the maker’s label, length of back 16 1/16 in., 407 mm, with case. $200-400
616. Modern Viola, Roman Teller, Erlangen, 1971, bearing the maker’s label, length of back 16 in., 406 mm, with case. $300-500
605. Modern Violin, Roman Teller, Erlangen, 1972, bearing the maker’s label, length of back 355 mm, with case. $400-600
617. Modern Viola, Roman Teller, Erlangen, 1972, bearing the maker’s label, length of back 16 in., 406 mm, with case. $300-500
606. Violin, c. 1920, labeled ...GAND..., length of back 360 mm. $300-500
618. Modern Viola, Roman Teller, Erlangen, 1971, bearing the maker’s label, length of back 16 1/2 in., 420 mm. $300-500
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619. Mittenwald Violin, c. 1850, unlabeled, length of back 361 mm. $100-200 620. Markneukirchen Violin, Ernst Heinrich Roth, 1928, bearing the maker’s label, length of back 357 mm. $800-1,200 621. Four Modern German Violins, including one child’s violin. $150-200 622. Modern Violin, c. 1960, labeled ...MYERS-HALVARSON..., length of back 358 mm. $400-600 623. Markneukirchen Violin, Karl Herrmann, c. 1930, labeled ...ANDREAS MORELLI..., length of back 355 mm. $200-400 624. Modern Violin, Probably E.H. Roth Workshop, c. 1950, length of back 357 mm. $150-200 625. Modern Violin, c. 1930, labeled ...STRADIVARIUS..., length of back 355 mm. $100-200 626. Modern Violin, c. 1930, labeled ...STRADIVARIUS..., length of back 355 mm. $100-200 627. Child’s German Violin, c. 1900, labeled ...STRADIVARIUS..., length of back 334 mm, with case and bow. $100-200 628. Modern Violin, labeled ...AUGUSTO LIORNI..., length of back 357 mm. $600-800 629. Modern Violin, labeled ...ROSSI GIUSEPPE..., length of back 356 mm. $600-800 630. Modern Viola, labeled ...HYACINTHUS BERTOLAZZI..., length of back 16 3/16 in., 410 mm. $800-1,000
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631. Violin, c. 1900, labeled ...SANNINO..., length of back 360 mm, with case. $600-800 632. Markneukirchen Violin, Herman Todt, 1924, bearing the maker’s label and interior brand, length of back 357 mm. $600-800 633. French Violin, Charles J.B. Collin-Mezin, Paris, 1953, bearing the maker’s label, length of back 360 mm, with case. $800-1,200 634. French Viola, c. 1880, labeled ...PAZZINI..., length of back 15 3/8 in., 391 mm, with case and bow. Insurance Appraisal: Jacques Français, New York, April 24, 1974. $2,000-3,000 635. Modern Viola, labeled ...CIOFFI..., length of back 393 mm. $4,000-5,000 636. Violin, c. 1860, labeled ...PASQUALE VENTAPANE..., length of back 359 mm, with case. $3,000-5,000 637. Modern Violin, labeled ...RAPHAEL VACCARI..., length of back 358 mm, with bow. $3,000-5,000 638. Markneukirchen Violin, c. 1930, unlabeled, length of back 356 mm. $800-1,200 639. French Violin, c. 1900, Jerome Thibouville-Lamy, labeled ...BOURGAN... and branded internally BRIOUDE, length of back 358 mm. $800-1,000 640. American Violin, Henry F. Schultz, Boston, 1916, bearing the maker’s label, length of back 356 mm, with case and bow. $800-1,200 641. Violin, c. 1800, labeled ...GABRIELY..., length of back 355 mm, with case. $4,000-6,000
642
642
642. Italian Violin, Orsolo Gotti, Pieve di Cento, 1922, bearing the maker’s label, length of back 355 mm. $6,000-8,000
additional information and photos at www.skinnerinc.com
83
643
643
643. Modern Italian Violin, Luigi Galimberti, Milan, 1947, bearing the maker’s signed label, length of back 355 mm. $8,000-12,000
84
online bidding at www.skinnerinc.com
644
644
644. Italian Viola, Giovanni Gaibisso, Alassio, 1940, bearing the maker’s label, length of back 415 mm. $8,000-10,000
additional information and photos at www.skinnerinc.com
85
645
645
645. Italian Violin, c. 1760, labeled ...PETRUS ANTONIUS CATI..., length of back 350 mm. $3,000-5,000
86
online bidding at www.skinnerinc.com
646
646
646. Italian Violin, Celestino Farotto, Milan, c. 1960, bearing the label of Carlo Oddone, length of back 355 mm. Certificate: Celestino Farotto, Milan, May, 1963.
$10,000-15,000
additional information and photos at www.skinnerinc.com
87
647
647
647. Italian Violin, Attributed to Ettore Soffritti, bearing the maker’s label dated 1924, length of back 356 mm. $12,000-16,000
88
online bidding at www.skinnerinc.com
648
648
648. Violin, c. 1860, Possibly Neapolitan, labeled ...GAGLIANO RAFFAELE..., length of back 360 mm, with case. $3,000-5,000
additional information and photos at www.skinnerinc.com
89
649
649
649. Modern Violin, c. 1920, labeled ...GIUSEPPE ORNATI..., length of back 358 mm, with case. $4,000-6,000
90
online bidding at www.skinnerinc.com
650
650
650. Modern Violin, labeled ...LUIGI SGARBI..., branded internally and at the lower rib, length of back 355 mm. $3,000-4,000
additional information and photos at www.skinnerinc.com
91
651
651
651. Modern Violin, labeled ...LEONE SANAVIA..., length of back 357 mm. $3,000-4,000
92
online bidding at www.skinnerinc.com
652
652
652. American Violin, John Friedrich, New York, 1886, bearing the maker’s label, length of back 355 mm. $4,000-6,000
additional information and photos at www.skinnerinc.com
93
653
653
653. Viennese Violin, c. 1800, After Franz Geissenhof, labeled ...HAVELKA..., and branded FG to the button, length of back 356 mm, with case. $400-600 END OF SALE
94
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Glossary of Terms
All items in the catalogue are described according to the following table of terminology. Please note that all statements in this catalogue as to Authorship, Period, Origin, are qualified statements subject to the Conditions of Sale. All weights and measurements are approximate.
Authorship will be described in the follow ways:
Joseph Guarneri: In our judgment the work is by the maker.
Ascribed to Joseph Guarneri: The work is believed to be by the named maker, in the opinion of the authors of the accompanying certificates or letters.
Attributed to Joseph Guarneri: A traditional attribution with which we may not agree.
Probably Joseph Guarneri (also possibly): A work which we have no definitive opinion on.
School of Joseph Guarneri: In our judgment the work of a follower executed in the style of the maker or area stated.
Workshop of Joseph Guarneri: In our judgment the work is executed in the style of the named maker and possibly under his supervision.
Labeled Joseph Guarneri (also stamped, branded, etc.): In our judgment the instrument is not necessarily the work of this maker, but bears the maker’s mark.
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95
List of Makers Fretted Instruments Alvarez.................................................................................. 30 Beringer, T. .......................................................................... 18 C.F. Martin & Company..................................... 1-4, 12, 26, 31 Cumins, B. ........................................................................... 10 Fender Electric Instruments....................... 9, 15-17, 19, 20, 32 Gibson Mandolin & Guitar Company and Incorporated......................................................6-8, 14, 24 Gretsch Company................................................................. 21 Lyon & Healy........................................................................... 5 Ribot, J. ............................................................................... 13 Rickenbacker Company.................................................. 22, 23 Rinaldi, G. ............................................................................ 27 Smith Creek.......................................................................... 28 Stuart, S.S. .......................................................................... 25 Vega Company............................................................... 11, 29
Violins, Violas, and Violoncelli Apparut, G. ........................................................................ 240 Becker, C. and Son .............................................................. 35 Bryant, O. H. ........................................................................ 51 Burke, J.F. ......................................................................... 544 Cavani, G. ............................................................................ 37 Carcassi, L. & T. ................................................................... 49 Cartwright........................................................................... 557 Caussin, School and workshop of ................................ 54, 190 Coolidge, C. ....................................................................... 556 Cordanus, J. ........................................................................ 46 Dieudonne, A. .................................................................... 248 Durrschmidt, W. .................................................186, 226, 600 Farotto, C. .......................................................................... 646 Fendt, M. ............................................................................. 33 Friedrich, J. ........................................................................ 652 Fuchs, W. ...................................................181, 194, 231, 239 .......................................... 559, 575, 579, 580, 588, 601, 604 Gaibisso, G. ....................................................................... 644 Gagliano, G. ......................................................................... 40 Galimberti, L. ...................................................................... 643 Gervais, T. .......................................................................... 543 Gotti, O. ............................................................................. 642 Gragnani, A. ......................................................................... 36 Hel, P. ................................................................................ 173 Halvarson, A. ........................................................................ 53 Henning, G. ....................................................................... 549 Herrman, K. ................................................185, 221, 566, 623 Hyde, A. ..................................................................... 546, 550 Iizuka, H. .............................................................................. 41 Kidder, M. .................................................................. 202, 203 Knorr, P. ............................................................................... 38 Leland................................................................................. 554 Lind, A. .............................................................................. 551 Lotte, G. ............................................................................. 174 Luck, G. ............................................................................. 553 Marchetti, E. ......................................................................... 39 Oliver, F. A. ........................................................................ 552 Pedrazzini, G. ....................................................................... 47 Pilat, P. ................................................................................. 44 Polastri, G. ........................................................................... 50 Ricard, A. ........................................................................... 547
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Roth, E.H. ..................................184, 210, 220, 582, 583, 620 Sannino, V. ........................................................................... 34 Tarantino, G. ........................................................................ 43 Teller, R. ............................. 241, 243, 244, 605, 610, 616-618 Ventapane Family ................................................................. 42 White, J. ............................................................................. 555 Wickes, M. ......................................................................... 545
Bows Bausch, L. .......................................................................... 158 Bazin C.N. .................................................................... 62, 150 Fetique, V., and workshop............................................ 69, 140 Finkel , S., workshop....................................................... 66, 95 Halvarson, A. ...................................................................... 155 Knopf, W.C. ....................................................................... 142 Kuehnl, E. ..................................................................... 67, 152 Hendruk, A. .......................................................................... 61 Grunke, R. ......................................................74, 93, 156, 157 W.E. Hill & Sons........................................................55, 71, 90 Hoyer, O. ...............................................................70, 89, 163 JTL.................................................................................. 65, 80 Martin, J.J. ........................................................................... 76 Nurnberger, A. .............................. 58, 68, 77, 84, 92, 98, 138 Pfretzschner, H.R. .......................................................... 57, 99 Raguse, D. ........................................................................... 60 Tubbs, J. .............................................................................. 73 Voirin, F.N. ........................................................................... 56 Vuillaume, J.B., workshop .............................................. 72, 87 Winkler, F. ............................................................................ 78
Winds Buescher..................................................................... 263, 264 Cloos, G. .................................................................... 261, 262 Hall, W. and Son................................................................. 256 Haynes, W.S. ..................................................................... 265
F ine W ines Tuesday, November 2, 2010
•
at auction
4 p.m.
•
63 Park Plaza, Boston, MA
Superlot First Growth Bordeaux 10 Year Vertical 50 Case
Marie Keep
•
508.970.3296
•
finewines@skinnerinc.com
SKINNER
www.skinnerinc.com
Skinner, Inc. - Conditions of Sale 1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot. 2. All property is sold “as is,� and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability. 3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot for sale. 4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of the date of sale. Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If any property has not been removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three days, and/or (b) Skinner Inc. may place the merchandise in a subsequent auction, without Reserve, to be sold to the highest bidder, and after deducting the standard commission and any additional charges that may apply, remit the proceeds to the purchaser. 5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases. 6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all items for which it was the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without limitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchaser’s breach, and/or (b) offering at public auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation to pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale. 7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such purchaser for such item. 8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within the United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute cancellation or delay in payment for the total purchase price of these lots. 9. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number. Exemption numbers from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and other qualifying parties can apply for a Massachusetts exemption number prior to the auction by contacting the Massachusetts Department of Corporations and Taxation at 100 Cambridge Street in Boston. 10. Except for property purchased via on-line Live Auctions, a premium equal to 18.5% of the final bid price up to and including $200,000, plus 10% of the final bid over $200,000, will be applied to each lot sold, to be paid by the Buyer as part of the purchase price. The buyers premium on property purchased via on-line Live Auctions will be in the amount equal to 22.5% of the final bid price up to and including $200,000, plus 15% of the final bid over $200,000. 11. Bidding on any item indicates your acceptance of these terms and all other terms announced at the time of sale whether bidding in person, through a representative, by phone, by Internet, or other absentee bid. 12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalogue. The copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our prior written consent. 13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or choice of law). The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any federal court sitting therein. The bidder/buyer consents to the nonexclusive jurisdiction of such courts and waives objections that it may now or hereafter have to the venue of any such suit. Revised September 29, 2009
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I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as a convenience, and will not be held responsible for any errors or failure to execute bids. I understand that my bids are executed and accepted as per Conditions of Sale as printed in the catalogue of this sale. Signature (Required)
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FOR OFFICE USE Marlborough
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SKINNER Auctioneers and Appraisers of Antiques and Fine Art
6 3 P a r k P l a z a , B o s t o n , M A 0 2 1 1 6 Te l : 6 1 7 . 3 5 0 . 5 4 0 0 F a x : 6 1 7 . 3 5 0 . 5 4 2 9 2 7 4 C e d a r H i l l S t r e e t , M a r l b o r o u g h , M A 0 1 7 5 2 Te l : 5 0 8 . 9 7 0 . 3 0 0 0 F a x : 5 0 8 . 9 7 0 . 3 1 0 0 w w w. s k i n n e r i n c . c o m
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SKINNER, INC. Auctioneers and Appraisers of Antiques and Fine Art 63 Park Plaza Boston, MA 02116 617.350.5400 Fax 617.350.5429 274 Cedar Hill Street Marlborough, MA 01752 508.970.3000 Fax 508.970.3100 www.skinnerinc.com
100
Chairman of the Board - Nancy R. Skinner Richard Albright Barnet Fain Stephen L. Fletcher Karen M. Keane
President/Chief Executive Officer - Karen M. Keane Chief Financial Officer - Don Kelly Executive Vice President - Stephen L. Fletcher Vice Presidents- Gloria Lieberman, Carol McCaffrey, Kerry Shrives, Stuart G. Slavid, Stuart P. Whitehurst
American & European Paintings & Prints - Robin S.R. Starr Assistants: Kathy Wong, Elizabeth C. Haff American Furniture & Decorative Arts - Stephen L. Fletcher, Martha Hamilton Assistants: LaGina Austin, Karen Langberg, Chris Barber American Indian & Ethnographic Art - Douglas Deihl Asian Works of Art - James F. Callahan Assistant: Tianyue Jiang Books & Manuscripts - Stuart P. Whitehurst Assistant: Sara C. Wishart Bottles, Flasks & Early Glass - Stephen L. Fletcher Ceramics - Stuart G. Slavid Classic Automobiles & Motorcycles - Jane D. Prentiss Couture - Kerry Shrives Discovery Sales - Kerry Shrives Assistants: Garrett J. Sheahan, Harry B. McNabb, Melissa Riebe European Furniture & Decorative Arts - Stuart G. Slavid Assistants: Stuart P. Whitehurst, Sara C. Wishart Fine Wines - Marie Keep Jewelry - Gloria Lieberman Assistants: John Colasacco, Julie Khouri Judaica - Kerry Shrives Modernism: 1896–Present: Art Glass, Pottery, Metalwork & Furniture Jane D. Prentiss Museum & Collections Services - Martha Hamilton Musical Instruments - David Bonsey Oriental Rugs & Carpets - Gary Richards Science, Technology & Clocks - Robert C. Cheney Assistant: Chris Barber Silver - Stuart G. Slavid Assistant: Sara C. Wishart Toys & Dolls - Kerry Shrives Auctioneers - LaGina Austin, David Bonsey, Robert C. Cheney, Stephen L. Fletcher, Karen M. Keane, Marie C. Keep, Gloria Lieberman, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr, Laura V. Sweeney, Stuart P. Whitehurst
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Marlborough: Warehouse Manager - Jonathan Dowling, 508.970.3280 Property Manager - Samuel Combs, 508.970.3262 Boston:
Elisabeth Benson-Allott, 617.874.4312; Kerryn Murphy, 617.874.4329 Property Distribution Manager - Jessica R. Lincoln, 617.874.4308
Marlborough: Accounts Receivable - Denise Johnson, 508.970.3269 Accounts Payable - Kathleen Hayes, 508.970.3268 Credit Supervisor - Joe Monteyro, 508.970.3266
Marlborough: Karen Skinner, 508.970.3240
Appraisal & Auction Services - Patricia Walker King, Beth Zwicker, Katharine Holtman, Leah Skowron Advertising Production - Pamela Van de Houten Boston Gallery Director - Laura V. Sweeney Assistant Gallery Director: Paige Lewellyn Gallery Assistant: Katharine E. Hampson Catalogue Production - Pamela Van de Houten, Kristina Harrison Consignment Services - Megan J. Blomgren, Carol Zeigler Customer Relations - Carol McCaffrey Institutional Relations - L. Emerson Tuttle Human Resources - Carol McCaffrey Information Technology & Internet Auctions - Kerry Shrives Assistants: Timothy Shaughnessey, Melissa Riebe Managing Director - Marie C. Keep Marketing & Public Relations - Catherine Riedel, Karen Skinner Photographers - Stanley P. Bystrowski, Jeffrey R. Antkowiak Receptionists - Marlborough: Carol Tran Boston: Hadley Dinardo Transportation - Eric Jones Assistants: Mark McCaffrey, John Williams
101
Directions to Skinner’s Boston Gallery/63 Park Plaza, Boston, MA Telephone: 617-350-5400 From the West:
Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel. Once on the exit ramp, stay in the right hand lane and follow the signs for Copley. The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto Charles Street South. Take your first left off of Charles St. South onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.
From the South:
Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station. Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.
From Logan Airport:
Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.
From the North:
Take I-93 South towards Boston. Take exit 26 towards Storrow Drive.  Merge onto MA-28 South via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza. 102
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