Fine Musical Instruments Sale 2767B
November 9, 2014
Boston
Fine Musical Instruments
Specialist
Jill Arbetter Director Pro-Tem 508.970.3216
Auction Information Auction 2767B
Preview
Absentee Bidding
Sunday, November 9 12PM
Friday, November 7 12 to 7PM
T: 617.874.4318 F: 617.350.5429
63 Park Plaza Boston, MA
Saturday, November 8 10:30AM to 5PM Sunday, November 9 9 to 10AM
General Inquiries: 617.350.5400
SkinnerLive!: skinnerinc.com
View all lots online at www.skinnerinc.com cover : 20 ; frontispiece : 15 ; inside back cover : 9 ; back cover : 120
American & European Works of Art Auction 2704B 02/07/2014 4:00 PM EST Lot 632 Of 689 - Alexander Calder (American, 1898-1976) Red Circus Horse
M Y AC T IVIT Y AU C T IO N LO G O U T
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$110,000 Floor Bidder $105,000 Floor Bidder $100,000 Floor Bidder $95,000 Floor Bidder $90,000 Internet Bidder SK2149 Online bidder SK2149 requests bid of $90,000 on lot 632 $85,000 Floor Bidder $80,000 Floor Bidder $75,000 Floor Bidder
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Table of Contents 1
Auction & Specialist Information
2
Web Site & Online Bidding
4-5 6
Provenance & Event Information Lots 1–302
73
Glossary of Terms
74
Conditions of Sale
75
Absentee Bid Form
76
Company Directors & Specialty Departments
77
Administrative Staff & Client Services
78
Map & Driving Directions
79
Subscription Form
Please Note: All lots sold subject to our Conditions of Sale. Please refer to page 74 of this catalog for the full terms and conditions governing your purchase.
Copyright Š Skinner, Inc. 2014 All rights reserved MA/Lic. #2304
Provenance
Edouard Kesner
Dr. Emerson Neil Milligram
Edouard Kesner (1920–2006) grew up in New York City. He made his debut at the age of seven, playing the Paganini Violin Concerto with the Stamford Symphony. He was a graduate of the Juilliard School of Music, and studied with Leopold Auer, among others. He played other instruments including the piano, trombone, and viola. He played with the St. Louis Symphony, Baltimore Symphony, Chautauqua Symphony, Les Brown, the Dorsey Brothers, and under such great conductors as Bruno Walter, Erich Leinsdorf, and Leopold Stokowski. In 1951 he was invited by Mischa Mischakoff to play principal second violin with the Detroit Symphony Orchestra. He was also Concertmaster of the Dearborn Orchestra for 30 years, and taught at Oakland University and Wayne State University. Kesner was on the staff of Motown Records and many of his recordings were used in films.
Dr. Milligram (1932–2012) was the past Concertmaster of the University of Pittsburgh Symphony Orchestra and received his Bachelor’s Degree at the University of Pittsburgh, his Master’s Degree at Loyola University in Baltimore, Maryland, and his Ph.D. at the University of Pittsburgh in 1972. He was the founder and Chairman of the Business Department at Carlow University; upon his retirement from Carlow University in 2002, the college established the Dr. Emerson Neil Milligram Exemplary Leadership Award, now given at commencement to a graduating senior.
Lot 19
He also played with the NBC Symphony under Arturo Toscanini.
Lots 33, 209, 210, 297
Mac Marlow Born in Brooklyn, New York, Mac Marlow’s (1915–2013) musical accomplishment started when he was awarded a scholarship from the New York Philharmonic Student Program while attending high school. Professionally he was well-known for expertise with the trombone, violin, and viola. He played with the most popular big bands in the country, including Les Brown, Harry James, Woody Herman, Duke Ellington, Morton Gould, Andre Kostelanetz, County Basie, Vincent Lopez, Ted Lewis, and Charlie Barnett, as well as many lesser-known bands of the big band era. Marlow’s list of performance venues read like a map of famous show business landmarks: Carnegie Hall, the Apollo Theatre, Hotel Taft, The Capitol Theater, and the Copacabana in New York. He also played with the CBS orchestra, and taught at the University of Wisconsin and the Goddard College School of Music in Vermont. Marlow’s friends included Betty Grable, Ella Fitzgerald, Lena Horne, Doc Severinson, and Doris Day, who called him “Marsh Marlow.” He moved to Fort Wayne Indiana in the 1960s, where he was lead violinist in addition to playing the viola for the Fort Wayne Philharmonic. He and his wife, Leonora, opened a music school in Fort Wayne and taught hundreds of students over 50+ years.
Lots 96, 208, 226, 227, 267, 293
Reception & Extended Auction Preview Saturday, November 8 Classical Salon 5:30-7PM Featuring the Arneis Quartet
emmanuel music
Praised for their “beautiful sound” (Beijing Global Times) the Arneis Quartet is proving to be one of the finest emerging ensembles of its generation. “As a relatively young quartet, they have already achieved something it often takes years to develop: a unique, collective sound which is as warm and full of sparkle as liquid gold.” (Boston Musical Intelligencer) Playfully named after the Arneis grape—a varietal that is difficult to grow, but which yields an exquisite white wine—the Boston-based quartet was hand-picked by the St. Lawrence String Quartet for its inaugural John Lad Prize, which included debuts on the Stanford University Lively Arts series and Music on Main in Vancouver. Arneis Quartet received a fellowship at the Aspen Center for Advanced String Quartet Studies for the summer of 2012, and acted as the 2011 Young Artist Fellows for the Apple Hill Center for Chamber Music. The Quartet has also attended Juilliard Quartet Seminar, the Deer Valley Emerging Quartets and Composers Program, and the Banff Centre Chamber Music Residency. In 2011 they received a grant from Meet the Composer for new works premiered during the 2010-2011 season, and brought music of Jonathan Berger and Brian Ferneyhough to the 2011 Beijing Modern Music Festival and the Shanghai Conservatory of Music. Recent performance venues include Swarthmore College, Hawthorne Barn in Provincetown, Massachusetts, and the Concord Free Public Library. Celebrating their fifth anniversary during the 2014-15 season, Arneis Quartet will perform on the Alcyon, Winsor Music, and Emmanuel Music chamber series. This season also brings interdisciplinary collaborations with Boston University Center for the Humanities. Four unique concerts and symposiums between December 2014 and April 2015 will explore the intersection of poetry and music in works of John Harbison, Lee Hyla, Sofia Gubaidulina, and Beethoven among others. Arneis Quartet currently collaborates with Emmanuel Music to present educational outreach programs throughout the city of Boston. Through Emmanuel Music‘s “Community Connections” program, the Quartet’s outreach includes performance, masterclasses and collaborations with students. They have worked with music students at the Boston Arts Academy, Perkins School for the Blind, and the Boston Public Schools. Outside of their Boston home, the Quartet has taught masterclasses at Swarthmore College and acted as guest faculty at the Lyceum Music Festival in Park City Utah, and have brought musical outreach to communities in California, Michigan, Ohio, and Reggio Emilia, Italy. Arneis Quartet is the faculty ensemble in residence at the Dana Hall School of Music. The Quartet members are on the faculties of Boston University, Brookline Public Schools, the Chestnut Hill School, and act as coaches for the Boston Youth Symphony Orchestras. All alumni of Boston University, the Arneis Quartet has coached with members of the Muir, St. Lawrence, Brentano, Emerson and Juilliard quartets as well as Bayla Keyes, Earl Carlyss, Mary Ruth (UV) Ray, James Dunham, Sylvia Rosenberg, Henk Guittart, Alasdair Tait, Roger Tapping, Leonard Matczynski, Joan Tower and Donald Weilerstein. Arneis has performed with guest artists including the Saint Lawrence String Quartet, Marc Johnson, Peter Zazofsky, Ursula Holliger, Jessica Zhou, Kevin Loucks, Michelle LaCourse, and Gabriel Kahane.
R.S.V.P. to 508.970.3240 Held in conjunction with a preview of Skinner’s November 9th Auction of Fine Musical Instruments
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1 American Mandolin, Gibson Mandolin Guitar Company, Kalamazoo, Style A, labeled GIBSON MANDOLIN STYLE A, NUMBER 13733 IS HEREBY GUARANTEED..., etc., length of body 13 3/4 in., with original case. $700-900
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2 American Mandola, Gibson Mandolin Guitar Company, Kalamazoo, 1912, Model H-1, labeled GIBSON MANDOLA STYLE H-1, number 74(?)250, length of body 15 in., with hard case. $600-800
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3 American Mandolin, Lyon & Healy, Chicago, Style C, c. 1920s, labeled MADE AND GUARANTEED BY LYON & HEALY, WORLD’S LARGEST MUSIC HOUSE, CHICAGO, U.S.A., NO. 1051, STYLE C, length of body 13 in., with original case. $700-900
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4 American Guitar, Gibson Incorporated, Kalamazoo, 1965, Style Melody Maker, stamped 310368 at the back of the peghead, length of the body 16 1/4 in., with original alligator case. $500-700 5 American Banjo, The Vega Company, Boston, Style Soloist, branded SOLOIST on the inside rim, and serial number 83305, diameter of head 11 in., with original case. $700-900
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6 American Tenor Banjo, The Bacon Banjo Company, Groton, Style C, c. 1920, stamped THE BACON BANJO CO. INC, GROTON, U.S.A., and serial number 19173, signed inside the banjo head Jos B. Rogers Jr., diameter of head 11 in., with original hardcover case. $200-400
7 American Tenor Banjo, Gibson Incorporated, Kalamazoo, 1935, Style TB11, diameter of head 11 in., with original case. $1,500-2,000
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8 Large American Tenor Banjo, Paramount, New York, New York, Style A, c. 192035, labeled inside the rim PARAMOUNT PATENTENTED PIANO-VOLUME-HARPQUALTY-TONE, MANUFACTURED BY W.M.L.LANGE, NEW YORK, N.Y., serial number 5233 engraved in the rim, diameter of head 11 in., with hard case. $500-700
9 American Archtop Guitar, James L. D’Aquisto, Huntington, New York, 1965, Style Excel, the headstock inlaid D’AQUISTO/ NEW YORK/EXCEL, signed internally JAMES L. D’AQUISTO, branded internally 1005, length of back 20 5/16 in. $15,000-25,000
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10 American Electric Guitar, Fender Electric Instruments, 1968-69, Model Coronado II, the neck plate stamped 202068, the body finished in the color cherry red, length of back 18 in., with case. $500-700
11 American Guitar, Gibson Incorporated, 1961-62, Style LG-O, stamped internally LGO, and the serial number 351548 on the back of the peghead, length of body 19 in., length of lower bout 14 in., with case. $300-500
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12 American Tiple, C.F. Martin & Company, Nazareth, Pennsylvania, 1954, Style T-15, stamped T-15, 141707 at the upper block, and internally C.F.MARTIN, NAZARETH, PA., width of lower bout 8 3/4 in., with later case. $300-500 13 American Guitar, C.F. Martin & Company, Nazareth, 1946, Style D-18, stamped D-18, 95711 at the upper block, width of lower bout 15 7/8 in., with later case. $800-1,200
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14 Modern Italian Violin, School of Leandro Bisiach, Milan, 1912, labeled ROMEO ANTONIAZZI FECE PRESSO LEANDRO BISIACH IN MILANO, 1912, also bearing importer label J.P. FRIER, ALBANY, NY, 1952, length of back 355 mm, with silver-mounted bow stamped ALBERT NURNBERGER, and case. Certificate: Giacomo and Leandro Bisiach, Milan, Italy, March 23, 1951. $10,000-15,000
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15 Modern Italian Violin, Carlo Badarello, Turin, 1923, bearing the maker’s label CAROLUS BADARELLO FECIT IN TAURINI ANNO DOMINI 1923, and internal stamp C.BADARELLO, length of two-piece back 356 mm. Certificate: Kenneth Warren and Sons, Ltd., Chicago, Illinois, October 22, 2013. $8,000-10,000
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16 Italian Violin, Probably Joannes Maria Valenzano, Rome, 1899, labeled JOANNES MARIA VALENZANO, length of two-piece back 358 mm, with case. $14,000-16,000
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17 Fine Neapolitan Violin, Attributed to the Gagliano Family, Mid-19th Century, labeled NICOLAUS GAGLIANO, NAPLES, 1712, length of two-piece back 355 mm, with Hill case. Certificates: Jacques Franรงais, New York, New York, October 22, 1964; A.E. Fischer, Bremen, Germany, January 15, 1923. $28,000-38,000
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18 Modern Italian Violin, For the Shop of Antonio Monzino, Milan, 1919, labeled CREMONESE SCHOOL OF RICCARDO ANTONIAZZI, COPY OF A STRADIVARIUS, and signed AZZO ROVESCALLI, length of back 357 mm, with case. $11,000-13,000
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19 Modern Italian Violin, Mario Bedocchi, Reggio, 1930, labeled MARIO BEDOCCHI FECE ANNO 1930 IN REGGIO-E, the inside top left upper bout branded BM, inside lower back bout MARIO BEDOCCHI FECE IN REGGIO... EMILIA ANNO 1930, also repeated on the top inside, illegible writing on both the left and right rib, length of two-piece back 358 mm, with silver-mounted bow stamped ALBERT SCHUSTER, and case. $10,000-14,000
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20 Fine Italian Violin, Joannes Franciscus Pressenda, Turin, c. 1835, bearing a partially legible label ...ES FRANCISCUS PRESSENDA Q RAPHEL TAURINI ANNO DOMINI 1835, length of back 357 mm, with case. Certificates: William Moennig & Son, Inc., Philadelphia, Pennsylvania, April 30, 1971; L.P. Balmforth & Son, Leeds, England, August 5, 1964. $180,000-220,000
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21 Fine French Violin, Probably Humbert, Paris, c. 1900-10, labeled H. DERAZEY A MIRACOURT, EXPOSITION UNIVERSELLE 1855, length of back 357 mm. Certificate: Serge Boyer, Paris, France, June 4, 2004. $8,000-12,000
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22 French Violin, Probably Jules Grandjon, c. 1860s, bearing a partially legible label, length of back 356 mm. $8,000-10,000
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23 Modern French Violin, Jean Mennesson, Reims, 1920, bearing the maker’s label, length of back 358 mm. $2,000-3,000
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24 French Violin, D. Nicolas, Mirecourt, bearing the maker’s internal brand and signature stamp, length of back 363 mm, with two bows and case. $2,200-2,800
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25 French Violin, Ch. J.B. Collin-Mezin, Paris, 1899, bearing the maker’s label and signature on the inside back and upper bout, length of two-piece back 358 mm, with case. $3,000-5,000
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26 Modern French Violin, Ch. J.B. CollinMezin, Paris, 1903, bearing the maker’s label, internal stamp MADE IN FRANCE, and maker’s signature, length of back 358 mm. $3,500-4,500
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27 Italian Violin, labeled ZOSIMO BERGONZI, CREMONA, 1775, length of two-piece back 356 mm. $3,000-5,000
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27A Modern Italian Viola, Workshop of Enrico Marchetti, Taurini, 1928, labeled ENRICO MARCHETTI, length of back 40.5 cm (16 in.), with case. $12,000-16,000
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28 Italian Violin, Dante Baldoni, Buenos Aires, c. 1948, bearing the maker’s label, with signature and label of dedication, length of back 359 mm. $4,000-6,000 29 French Violin, Audinot Workshop, Paris, 1893, labeled N. AUDINOT, LUTHIER, ELEVE DE VUILLUAME, PARIS, 1893, length of twopiece back 360 mm. $3,000-5,000 30 Modern German Violin, labeled J.B. VUILLAUME, NO. 170, PARIS, 1829, length of back 354 mm, with case. $3,000-5,000 31 Modern Violin, labeled JEAN BAPTISTE VUILLAUME A PARIS, with secondary maker/ repairman label inside the upper bout JOHN NOTE, PITTSBURGH, PENNSYLVANIA, length of back 362 mm, with case. $3,000-5,000
32 Modern Violin, Luigi Rovatti, Buenos Aires, 1923, bearing the maker’s label and handwritten inscription, length of back 360 mm, with wooden case. $12,000-15,000 33 Modern German Viola, Late 19th Century, labeled LAURENTIUS GUADAGNINI, with repair label GEORGE FERGUSON, 1949, length of back 39.1 cm (15 7/16 in.), with two nickel-mounted bows and case. $2,200-2,600 34 Modern American Viola, Ivo Pires, Boston, Massachusetts, 1979, bearing the maker’s label, length of back 41.7 cm (16 7/16 in.), with case. $1,800-2,200 35 Modern German Viola, Karl Bernard, 20th Century, bearing the maker’s label MADE IN WESTERN GERMANY, length of two-piece back 42 cm (16 1/2 in.), with nickel-mounted bow stamped SEIFERT, and case. $1,600-2,000 36 Modern Viola, labeled ANTONIUS STRADIVARIUS, length of two-piece back 40 cm (15 3/4 in.), with case. $1,800-2,800
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37 Modern German Viola, Ernst Heinrich Roth, Erlangen, 1959, bearing the maker’s label and brand, length of back 40.5 cm (15 15/16 in.), with case. Certificate: Roth Shop, Bubenreuth/Erlangen, Germany, January, 1959. $800-1,200 38 Modern German Viola, Frederick Geisler, Sachsen, 1927, bearing the maker’s label, length of back 39.3 cm (15 1/2 in.), with case. $1,200-1,600 39 Modern American Viola, Roelof Weertman, Cape Cod, 1975, bearing the maker’s label, length of back 39.3 cm (16 1/2 in.), with case. $2,500-3,500
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40 German Violoncello, Jos. Rudolf Lenhart, Leitmeritz, 1895, bearing the maker’s label, length of two-piece back 75.7 cm. $2,000-3,000
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41 Modern American Violoncello, Alan E. Willis, Middlebury, Connecticut, bearing the maker’s label, length of two-piece back 76 cm. $3,000-5,000 42 Modern American Violoncello, Alan E. Willis, Middlebury, Connecticut, bearing the maker’s label, branded below the back button and below the endpin, length of two-piece back 76 cm. $2,800-3,200
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43 Modern American Violoncello, Alan E. Willis, Middlebury/Stamford, Connecticut, bearing the maker’s label and stamp on the inside middle, below the upper block, and on the bass bar, maker’s stamp also below the endpin on the ribs at the lower bout, length of two-piece back 75.3 cm. $2,500-4,500
44 Fine Violoncello, 18th Century, labeled PAULO ANTONIO TESTORE, MILAN, 1751, length of two-piece back 73.9 cm, with hard case. Certificates: Mucio Toledo and Otto Backheuser, Sao Paulo, Brazil, June 20, 1938; Gustav Famgern, Curitiba, Brazil, March 4, 1966. $38,000-48,000
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45 Modern American Violoncello, H. Edler, Boston, Massachusetts, 1915, bearing the maker’s label, length of two-piece back 75 cm. $3,000-5,000
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46 English 7/8-size Violoncello, labeled EDWARD JANSON, MAKER, LEEDS, 1847, length of two-piece back 73 cm, with fiberglass bow and BAM fiberglass case. $3,000-5,000
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47 French Silver-mounted Cello Bow, the round stick with tortoiseshell frog stamped A. RICHAUME A PARIS, weight 82.2 grams. $5,000-7,000
48 Silver-mounted Violin Bow, the round stick stamped WILLIAM SALCHOW NEW YORK, weight 63.1 grams. $3,600-4,200
49 French Silver-mounted Violin Bow, the octagonal stick stamped LUPOT, weight 61 grams. Certificate: William Salchow, New York, New York, March 4, 1966. $4,000-6,000
50 French Silver-mounted Violin Bow, the round stick stamped ALBERT CARESSA PARIS, weight 60.9 grams. $2,500-3,500
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51 French Silver-mounted Violin Bow, Ascribed to Charles Peccatte, the round stick unstamped, weight 61.6 grams. Certificate: Rembert Wurlitzer, New York, New York, January 18, 1954. $6,000-8,000 52 French Silver-mounted Viola Bow, the round stick stamped G. CONE & FILS A LYON, weight 70.7 grams. $2,000-3,000 53 French Silver-mounted 7/8-size Cello Bow, Joseph Voirin, the round stick unstamped, weight 73.4 grams. Certificate: Jean-Franรงois Raffin, Paris, France, January 9, 2014. $2,000-3,000 54 French Silver-mounted Bass Bow, the round stick stamped A. RICHAUME A PARIS, weight 105.3 grams. $2,000-2,400
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55 English Silver-mounted Violin Bow, the round stick stamped W.E. HILL & SONS, ENGLAND, weight 61 grams. $1,200-1,600 56 French Silver-mounted Violin Bow, the round stick stamped LEON BERNARDEL, weight 64.3 grams. $1,400-1,800 57 French Silver-mounted Violin Bow, the round stick stamped VUILLAUME A PARIS on both sides, weight 56.7 grams. Certificate: Reuning & Son, Boston, Massachusetts, June 4, 2003. $800-1,200 58 German Silver-mounted Cello Bow, the round stick stamped ALBERT NURNBERGER, weight 84.1 grams. $900-1,100
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59 French Silver-mounted Violin Bow, the round stick stamped A VIGNERON A PARIS, weight 60.3 grams. $3,000-5,000
60 French Silver-mounted Violin Bow, the octagonal stick stamped A. LAMY A PARIS, weight 62 grams. Certificate: Jean-François Raffin, Paris, France, February 22, 2013. $3,000-5,000
61 French Silver-mounted Violin Bow, the octagonal stick double stamped E.A. OUCHARD A PARIS, weight 63.4 grams. $3,000-4,000
62 Silver-mounted Violin Bow, the octagonal stick with tortoiseshell frog stamped very faintly W.E.HILL, weight 62.4 grams. $2,000-3,000 62A French Silver-mounted Violin Bow, the round stick stamped faintly F.N. VOIRIN A PARIS, weight 57 grams. Certificate: Horst Kloss, Needham, Massachusetts, March 26, 1997. $4,000-6,000 63 French Silver-mounted Violin Bow, CuniotHury, the octagonal stick unstamped, weight 60.5 grams. Certificate: Jean-François Raffin, Paris, France, January 9, 2014. $2,500-3,500
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64 Gold-mounted Violin Bow, the unstamped round stick with Vuillaume-style tortoiseshell frog, weight 63 grams. $2,000-4,000 65 French Silver-mounted Violin Bow, the round stick stamped F.N. VOIRIN A PARIS, weight 58 grams. Certificate: Reuning & Son, Boston, Massachusetts, June 4, 2003. $1,200-1,400 66 Gold-mounted Violin Bow, Pfretzschner School, the round stick unstamped, weight 57.3 grams. $1,000-2,000
71 Modern Italian Violin, Plinio Michetti, Turin, 1934, bearing the maker’s signed label, internal brand and stamp below the button on the lower bout, and internal brand on the lower block, length of two-piece back 354 mm. $4,000-6,000 72 Modern German Violin, Ernst Heinrich Roth, Bubenreuth/Erlangen, 1961, bearing the maker’s label and interior brand ERNST HEINRICH ROTH, MODEL NO. A20435, length of two-piece back 360 mm, with case. $2,800-3,200 73 Modern French Violin, labeled N. AUDINOT, NO. 7714, ANNEE 1909, length of back 355 mm. $3,000-5,000
67 German Nickel-mounted Viola Bow, Attributed to Christian Wilhelm Knopf, c. 1840, the round stick unstamped, with inlay, weight 66 grams. $900-1,100
74 Modern French Violin, unlabeled, length of back 359 mm. $6,200-8,400
68 German Silver-mounted Viola Bow, the octagonal stick stamped R. DOTSCHKAIL***, weight 68.2 grams. $800-1,200
75 Modern French Violin, Marc Laberte Workshop, c. 1920s, labeled F. BARBE, length of two-piece back 359 mm. $2,400-2,800
69 German Nickel-mounted Violin Bow, the round stick stamped VUILLAUME A PARIS, weight 59 grams. $800-1,000
76 Modern American Violin, Berl Mendenhall, McConnelsville, Ohio, 2013, bearing the maker’s label, length of two-piece back 356 mm. $2,200-2,600
70 German Nickel Silver-mounted Violin Bow, the round stick stamped H.R. PFRETZSCHNER, weight 60.3 grams. $800-1,000
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77 Modern American Violin, Samuel Rosenthal, New York, c. 1960s, bearing the maker’s internal brand, maker’s brand below the button on the rib at the lower bout, length of back 355 mm. Certificate: Luthier Rosenthal, New York, New York, November 18, 1960. $3,000-5,000
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78 American Modern Violin, James Reynold Carlisle, Cincinnati, 1932, bearing the maker’s label with thumbprint, NO. 547, length of back 359 mm, with silver-mounted bow stamped ADOLF C. SCHUSTER, and case. $2,800-4,800 79 Modern Violin, Emilio Petraglia, Buenos Aires, 1919, bearing the maker’s label, length of back 354 mm. $2,000-4,000 80 Modern American Violin, Peter Baltzerson, Boston, Massachusetts, 1931, bearing the maker’s label, NO. 166, length of back 356 mm, with case. $2,000-4,000 81 Modern Italian Violin, Attributed to Constantino Celani, Ascoli Piceno, 1919, labeled CONSTANTINO CELANI ASCOLI PICENO, 1919, length of back 353 mm. $2,500-4,500 82 Modern Italian Violin, c. 1950s, labeled GIUSEPPE STEFANINI, LUGO, 1950, length of two-piece back 358 mm, with two bows and case. $2,000-4,000 83 Modern Italian Violin, labeled ANTONIUS SGARBI, ROME, 1904, length of two-piece back 354 mm. $2,000-4,000 84 Modern Italian Violin, labeled GAJETANUS SGARABOTTO, PARMA, 1935, length of back 357 mm, with case. $2,000-4,000
85 Modern Italian Violin, labeled ANSELMO CURLETTO, STUDENT OF ENRICO MARCHETTI, TORINO, 1920, length of back 357 mm. $2,000-4,000
92 Modern French Violin, Laberte-HumberteFreres, Mirecourt, 1934, labeled LABERTEHUMBERTE-FRERES, NO. 4221, length of two-piece back 355 mm. $2,000-3,000
86 Modern Italian Violin, Giovanni Rosadoni, Pavia, 1947, bearing the maker’s partially legible label, and internally stamped initials, the maker’s branded initials on the back button, and branded initials below the button on the ribs at the lower bout, with a handwritten message dated 1947 on the inside back on the upper bout, length of two-piece back 355 mm. $2,000-4,000
93 Modern French Violin, Saint-Sebastien, Lyon, 1920, bearing the maker’s internal stamp and brand below the back button, length of back 355 mm. $1,800-2,800
87 Modern Italian Violin, Probably Amedeo Simonazzi, Santa Vittoria, 1939, labeled AMEDEO SIMONAZZI, and signed on the label by the maker, a signed and dated message from Amedeo Simonazzi on the inside back at the right side of the bottom bout, length of two-piece back 356 mm. $1,800-2,800 88 Modern Italian Violin, labeled ROMANO CLEMENTE, COMO, 1936, length of back 354 mm, with case. $1,600-2,000 89 Czech Violin, A.J. Kreutzer, Brunesis, 1948, bearing the maker’s label, length of back 357 mm. $1,800-2,200 90 French Violin, Attributed to Nicolas Vuillaume, Mirecourt, c. 1820-30, labeled NICOLAS VUILLAUME, length of back 356 mm. $2,500-3,500
94 French Violin, labeled DERAZEY A MIRACOURT, length of back 357 mm, with case. $1,800-2,200 95 Modern German Violin, 20th Century, labeled OSWALD MOECKEL, BERLIN, A.D. 1910, length of two-piece back 356 mm. $1,500-2,500 96 Modern German Violin, Probably Markneukirchen, c. 1930s, labeled NICOLAUS AMATI, CREMONA, 1653, length of back 358 mm, with case. $1,500-2,500 97 Modern French Violin, J.T.L., Mirecourt, c. 1930s, labeled MANSUY A PARIS, length of two-piece back 355 mm. $1,500-2,500 98 Tyrolean Violin, with a handwritten label PETER GUNNO, KUPFSTEIN - TIROL, GEIGENBAUER- 1853, length of back 350 mm. $1,200-1,400
91 French Violin, labeled NICOLAS LUPOT, CRAMMONT A PARIS, length of back 359 mm. $2,400-2,800
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99 German Violin, labeled SIMON VOIGT VIOLIN MACHER IN NEUKIRCHEN, AO, 1793, length of back 354 mm, with nickel-mounted bow stamped KARL HERMANN, and case. $1,400-1,500
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100 German Violin, bearing repair label H.R. HANSEN, 1922, length of two-piece back 355 mm, with bow and case. $1,200-1,600
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101 Modern German Violin, Heinrich Th. Heberlein Jr., Markneukirchen, 1922, bearing the maker’s label and internal brand, length of two-piece back 354 mm, with case. $1,200-1,600
102 German Violin, Otto Viener, Mittenwald, 1934, labeled OTTO VIENER, IN MITTENWALD AN DER ISER, 1934, length of back 356 mm. $1,000-2,000
109 Modern Italian Violin, labeled GIOVANNI PISTUCCI, NAPOLI, 1892, length of back 356 mm. $1,000-1,400
116 19th Century Violin, with partially legible label ...DE LA MAISON...A LONDRE..., length of back 357 mm. $800-1,200
103 Modern German Violin, c. 1930s, labeled ...MAX MOEKEL, BERLIN, 1930..., length of back 357 mm. $1,000-2,000
110 French violin, School of Jules Grandjon, c. 1900, labeled ANTONIUS STRADIVARIUS, length of two-piece back 357 mm, with bow and case. $1,000-1,400
117 Modern German Violin, c. 1930s, labeled FRANZ STENGEL, ANNO 1934, length of back 359 mm. $800-1,200
104 Modern American Violin, Bernhard Poehland, Brooklyn, New York, 1914, bearing the maker’s label, NO. 17, length of back 362 mm. $1,100-1,400
111 Modern German Violin, Albert Goetz, 1914, bearing the maker’s label, length of two-piece back 360 mm, with nickel-mounted bow and case. $1,000-1,400
105 Modern American Violin, Frank C. Ball, Springfield, Massachusetts, 1938, bearing the maker’s label, NO. 110, length of back 355 mm, with case. $1,200-1,600
112 German Violin, Possibly Mathias Hornsteiner, Early 19th Century, labeled MATHIAS HORNSTEINER, 1802, bearing repair labels JOHN S. HULL, FEBRUARY 16, 1946, SCHENECTADY, NY, and W.C. EHRMANN, ALBANY, NY, 1916, length of two-piece back 358 mm, with nickel-mounted bow and case. $800-1,200
106 American Violin, Fred Herrmann Jr., New York, 1888, bearing the maker’s label, length of two-piece back 354 mm. $1,200-1,400 107 Modern Italian Violin, Milan, 1931, labeled GIUSEPPE ORNATI, and bearing an interior brand, length of back 353 mm. $1,200-1,800 108 Italian Violin, labeled GIOVANNI SCROSATI, MILANO, 1775, length of back 353 mm, with case. $1,000-2,000
113 German Violin, Saxony, 18th Century, labeled AEGIDIUS KLOZ, MITTENWALD AN DER ISER, 1735, length of two-piece back 357 mm, with silver-mounted bow and case. Certificate: The Rudolph Wurlitzer Co., New York, November 2, 1931. $800-1,200 114 Modern German Violin, Schuster and Co., Markneukirchen, c. 1914, bearing the maker’s label, length of back 355 mm. $800-1,200
118 Modern German Violin, School of Heberlein, Markneukirchen, 1923, labeled MADE IN THE ATELIER OF HEINRICH TH. HEBERLEIN JR., MARKNEUKIRCHEN, 1923, length of back 355 mm. $800-1,200 119 Modern Czech Viola, John Juzek, 20th Century, bearing the maker’s label, length of two-piece back 40.5 cm (15 15/16 in.), with case. $700-900
120 French Alto Saxophone, Henri Selmer, Paris, 1955, Model Mark VI, and a Selmer Bb Clarinet, the saxophone serial number 62503, the clarinet serial number P7428, the clarinet with an articulated g#, with a specialty case made exclusively for both instruments. $3,000-4,000 121 Three Saxophone Mouthpieces, a tenor saxophone mouthpiece, Bobby Dukoff Supersonic Zimberoff “HOUSE OF NOTE” 2 x Serial #T1179, an Original Selmer CX alto saxophone mouthpiece, good condition, and an alto saxophone Brillhartz mouthpiece Tonalin Serial #99429. $400-600
115 Modern Violin, labeled JEAN BAPTISTE VUILLAUME, length of back 355 mm. $800-1,200
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122 French Piccolo Trumpet, Henri Selmer, Paris, 4 Valve, serial number 77533, with original case. $100-200
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123 French Single-action Concert Harp, Erard Freres, Paris, 1803, the brass plate engraved ERARD FRERES PAR BREVET D’INV’ on A PARIS 1803 NO.108, forty-one strings, forchette mechanism with ratchet and pawl, seven pedals, height 67 in. $800-1,200
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124 Six Books on Violin Varnish, Violin Varnish, by Michelman, Italian Violin Varnishes, by George Fry, Turpentine Violin Varnish, by W. Fulton, Violin Varnish and Coloration, by Martins Roberts Zemitis among others. $100-120
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125 Vigdorchik, Isaak, The Acoustical Systems of Violins of Stradivarius and other Cremona Makers, 1982, signed by the author. $80-100
128 Childs, Paul, The Bowmakers of the Peccatte Family, No. 306 of a limited edition of 2,500, no jacket. $180-220
126 Baese, Geary L., Classic Italian Violin Varnish, book number 254, with jacket. $80-100
129 Campos, Remy, Editor, Violons, Vuillaume, Cite de la Musique, catalog from October 23, 1998 to January 31, 1999. $40-60
127 Carletti, Gabriele, Ansaldo Poggi, ViolinMaker, including diagrams of Poggi violins. $40-60
130 Goodkind, Herbert, Violin Iconography of Antonio Stradivari, 1972, in jacket. $80-100
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131 Spruce Wood for Cello Top, at least fifteen years old. $150-250
136 Modern Italian Violin, 20th Century, labeled DALL’OMBRA UMBERTO, FECE IN PADOVA, ANNO 1949, length of two-piece back 358 mm. $800-1,200
132 European School, 19th/20th Century Antonio Stradivari in His Workshop Unsigned. Oil on canvas, 35 x 50 3/8 in. (89.0 x 128.0 cm), framed. Condition: Punctures, abrasions, surface grime. N.B. This painting appears to be a copy after a popular engraving depicting Antonio Stradivari. Sources suggest that the print was based on an oil painting by Edouard-JeanConrad Hamman (Belgian, 1819–1888), but the original painting’s whereabouts are not known.1 1. http://www.humanitiesweb.org/spa/slc/ID/2232/o/blank, accessed 9/30/2014.
$200-400 133 European Dulcimer, Early 19th Century, outer case with painted decoration, on cabriole legs; trapezoidal psaltery of the Italian/Spanish type, resembling the Northern European hammered dulcimer but intended to be played by plucking with the fingers (sometimes with plectra attached by rings to the fingers), height 34 in. $1,000-2,000 134 Gabon Ebony Log, 12 x 44 in. $800-1,000 135 American Church Bass, Abraham Prescott, Deerfield, New Hampshire, c. Late 18th Century, bearing the maker’s label, length of back 77.8 cm. $400-600
137 Modern American Violin, J.W. Evans, Pecos, Texas, 1935, branded by the maker J.W. EVANS, additional writing on the back of the inside lower bout, length of back 358 mm. $800-1,200 138 Modern Hungarian Violin, Budapest, 1932, labeled JOHANNES SPIEGEL, BUDAPEST, OP. 83, 1932, length of back 358 mm. $700-900 139 Modern Scottish Violin, Alex Thomson, Edinburgh, 1926, labeled ALEX THOMSON, EDINBURGH, 1926, length of two-piece back 358 mm. $600-800 140 German Violin, Lowendall, c. 1900s, branded on the back of the scroll CONCERT VIOLIN, PAGANINI, length of back 358 mm. $600-800 141 Modern German Violin, unlabeled, length of back 359 mm. $700-900 142 Modern American Violin, E. Frank Chapman, Haverhill, Massachusetts, bearing the maker’s internal brand, length of back 360 mm. $300-500 143 German Violin, labeled JOSEPH HOLLMOYR, LAUTEN UND GEIGEN, ...AN DER DONAU, 177(?), length of back 352 mm, with nickelmounted bow and case. $700-900
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144 English Violin, c. 1820s, with handwriting on the top and inside in faint pencil, length of back 358 mm. $400-600 145 Modern American Violin, Filip Wolan, Salem, Massachusetts, 1920, bearing the maker’s label, NO. 188, length of two-piece back 351 mm. $800-1,200 146 Modern French Violin, D. Salzar, with double internal brand, D. SALZAR, and brand on back button, length of back 354 mm. $600-800 147 Austro-Hungarian Violin, 19th Century, with partially legible label and repair label CARL OHLSON, CHICAGO, ILLINOIS, 1934, length of back 354 mm. $700-900 148 Two Modern German Violins, one labeled ANTONIUS STRADIVARIUS, length of twopiece back 359 mm, with two bows and case; one labeled COPY OF STRADIVARIUS, E. REINHOLD SCHMIDT, SAXONY, length of two-piece back 355 mm, with two bows and case. $300-500 149 English Violin, Possibly Late 19th Century, labeled STRADIVARIUS, bearing repair label WILLIAM FENDT, JUNE, LONDON, 18(??), length of back 358 mm, with case. $600-800 150 Modern Violin, c. 1900s, length of back 357 mm, with silver-mounted bow and case. $400-600 151 Modern French Violin, 20th Century, unlabeled, length of two-piece back 360 mm. $600-800
152 Child’s Modern German 3/4-size Violin, labeled ANTONIUS STRADIVARIUS, stamped MADE IN GERMANY, length of back 312 mm. $200-400 153 Modern German Violin, c. 1900s, labeled COPY OF NICOLAUS AMATI, ALBAN O. SCHMIDT, MARKNEUKIRCHEN, SAXONY, with brand on back button of three dancing bears, length of back 357 mm. $800-1,200 154 Possibly Czech Violin, Late 18th/Early 19th Century, unlabeled, length of back 358 mm. $800-1,200 155 Saxon Violin, c. 1780, unlabeled, length of back 354 mm, with case and bow. $400-600 156 Modern German Violin, E. Reinhold Schmidt, Germany, labeled MADE ESPECIALLY FOR T.B. CO. CHICAGO, length of back 357 mm with nickel-mounted violin bow and case. $200-400 157 Violin Possibly French, Stentor, branded STENTOR internally and on the back of the scroll on a shield, length of back 359 mm, with case. $700-900 158 Modern American Violin, Mary Elizabeth Henning, 1994, bearing the maker’s label, NO. 21, length of two-piece back 356 mm, with case. $600-800
159 German Violin, labeled AUGUST NEUMARKER INSTRUMENT MACHER, length of two-piece back 358 mm, with bow and case. $800-1,200
166 Two Violins, one labeled MADE IN GERMANY, length of back 352 mm, with case, one with repair label JOEL SWETT, ROCHESTER, N.Y., 1912, length of back 363 mm, with case. $300-500
160 Two German Pfretzschner Shop Violins, Mittenwald, one labeled E.R. PFRETZSCHNER, one unlabeled, both length of back 357 mm, with double case. $300-500
167 French Violin, Late 19th Century, labeled GAILLARD BERNARDEL, length of back 359 mm, with two nickel-mounted bows and case. $800-1,200
161 Modern American Violin, G.W. Ericksen, Oakland, California, 1902, bearing the maker’s handwritten label directly on the inside of the back, NO. 219, length of back 356 mm, with silver-mounted bow and case. $500-700 162 Child’s 3/4-size German Violin, Markneukirchen, 1929, labeled MADE IN MARKNEUKIRCHEN, 1929, length of back 336 mm, with bow and case. $200-400 163 Modern Violin, labeled CARLO BRVNO, TORINO, 19(??), length of two-piece back 353 mm. $800-1,200 164 Modern German Violin, c. 1920s, unlabeled, bearing an internal stamp AO in a circle, length of two-piece back 356 mm. $600-800 165 Two Modern German Violins, both labeled ANTONIUS STRADIVARIUS, both length of back 357 mm. $600-800
168 Child’s 3/4-size German Violin, E.R. Pfretzschner, Mittenwald, Germany, 1956, bearing the maker’s label, length of back 311 mm, with bow and case. $300-500 169 Modern American Violin, John Friedrich & Bros., New York, c. 1919, No. 30 (3801), bearing the maker’s label, length of back 356 mm, with two bows and case. $700-900 170 Modern Violin, labeled FRANCISCUS BOVIS, NICAENSIS, 1897, length of two-piece back 348 mm. $700-900 171 American Violin, Gaylord Marsh, 1879, bearing a handwritten inner label that states “Made by and Presented to Prof. J. Jay Watson by Gaylord Marsh, 1879, It was played upon by Ole Bull in the same year,” length of two-piece back 356 mm. $300-500 172 Modern German Violin, Berlin, 1900, labeled MICHAEL STROBL, BERLIN, FECIT ANNO 1900, length of back 358 mm. $500-700
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173 Austrian Violin, Hermann Wagner, Tyrol, labeled HERMANN WAGNER, TYROL, FECIT 19(??), length of back 358 mm. $700-900 174 English Violin, Joseph Johnson, Newcastle, 1895, bearing the maker’s label, length of twopiece back 359 mm. $600-800 175 Modern American Violin, W. Wilkanowski, 1938, bearing the maker’s label, NO. 302, length of two-piece back 360 mm, with case. $800-1,200 176 German Violin, unlabeled, length of back 359 mm, with nickel-mounted bow stamped W. SEIFERT, and case. $400-600
180 Modern German Violin, G.A. Pfretzschner, Markneukirchen, 1920s, bearing the maker’s label and internal brand, length of back 362 mm, with a nickel-silver mounted bow and case. $600-800 181 Modern American Violin, Louis Ganara, Torrington, Connecticut, 1954, bearing the maker’s handwritten label, and interior brand at each block, length of two-piece back 348 mm, with case. $400-600 182 French Violin, c. Late 19th Century, unlabeled, with illegible stamp below back button, length of two-piece back 358 mm, with nickel-mounted bow stamped TOURTE and GSB wooden case. $300-500
177 American Violin, F.O. Stanley, Newton, Massachusetts, 1880, bearing the maker’s label, length of two-piece back 360 mm. $400-600
183 French Violin, Possibly Charotte-Millot, Mirecourt, labeled CHAROTTE-MILLOT, MIRECOURT, length of back 359 mm, with nickel-mounted bow and case. $800-1,200
178 French Violin, JTL, France, labeled MEDIO FINO, MADE IN FRANCE, length of two-piece back 358 mm, with bow stamped ARTIST, and case. $200-400
184 Modern Violin, labeled JOANNES FRANCISCUS PRESSENDA, TAURINI, 1849, length of two-piece back 353 mm, with bow and case. $800-1,200
179 Child’s 1/2-size German Violin, E.R. Pfretzschner, Mittenwald, 1979, bearing the maker’s label, length of back 316 mm, with bow and case. $150-250
185 Modern Italian Violin, labeled ETTOREMORETTI, with handwriting on the label GEIGENBAUER FISCHER IN BERLIN 1927, REPAIRED, length of two-piece back 355 mm, with case. $700-900
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186 German Violin, Probably Early 20th Century, labeled JANUARIUS GALLANUS, length of two-piece back 359 mm, with case. $400-600 187 Modern German Viola, Arthur Teller, 1976, bearing the maker’s label, Model 480-14 inch, length of back 35.5 cm (14 in.), with bow and case. $300-500 188 Child’s Modern German 3/4-size Violin, c. 1900s, labeled STRADIVARIUS, length of twopiece back 330 mm, with carbon fiber Coda bow and case. $200-400 189 Modern Violin, Andreas Eastman, Boston, 1998, bearing the maker’s label EXPRESSLY MADE FOR EASTMAN STRINGS, MODEL 905, length of two-piece back 351 mm, with case. $500-700 190 Two Modern Violins, one labeled ANDREAS EASTMAN, MODEL 800, ANNO 2000, length of two-piece back 355 mm, one labeled BENJAMIN YOUNG, MODEL AV08, ANNO 1998, length of two-piece back 352 mm, both with a double case. $500-700 191 Modern German Violin, Markneukirchen, c. 1930s, unlabeled, bearing handwritten repair label J.R. WEENE, 2003, length of back 359 mm, with case. $400-600
192 German Violin, labeled ANTONIUS STRADIVARIUS, length of two-piece back 357 mm, with nickel-mounted bow and case. $700-900 193 American Violin, 19th Century, bearing repair label GEO. W. PARKER BANGOR, MAINE, 1915, and stamp on inside of top, length of back 355 mm. $500-700 194 Child’s 3/4-size Violin, labeled ...CONCETTO PUGLISI..., length of back 338 mm. $300-500 195 European 3/4-size Child’s Violin, 19th Century, bearing a Boston repair label, length of back 331 mm, with two bows and case. $600-800 196 Modern American Violin, F. Bankowsky, New York, 1968, bearing the maker’s handwritten label, length of two-piece back 357 mm, with case. $400-600 197 Modern Violoncello, Anton Vladek, Boston, Massachusetts, 1995, bearing the maker’s label, length of two-piece back 75.4 cm, with case. $600-800 198 German Violoncello, labeled OSKAR ZIMMER, AUGSBERG, 1895, also bearing label REASSEMBLED IN BOSTON 1999, 2000, J.R.WEENE, VIOLINMAKER, length of two-piece back 76.4 cm, with soft case. $700-900
199 Modern German Violoncello, Louis Dolling, Wernitzgrun, 1949, bearing the maker’s label, length of the two-piece back 75.5 cm, with two bows and hard and soft cases. $700-900 200 German Violoncello, c. Late 19th/Early 20th Century, unlabeled, length of two-piece back 76 cm. $600-800 201 Modern American Violoncello, F.E. Stanley, Newton, Massachusetts, 1914, bearing the maker’s label, length of back 75.3 cm. $400-600 202 Full-size Violoncello, c. Early 20th Century, unlabeled, length of two-piece back 74.5 cm, with hard case, for restoration. $300-500 203 Modern Chinese Violoncello, Landi Sheng & Brother, 2000, bearing the maker’s label, length of two-piece back 75.8 cm, with hard case. $300-500 204 German Silver-mounted Violin Bow, the octagonal stick stamped HOYER PARISER ORGL, weight 57 grams. $700-900 205 Silver-mounted Cello Bow, the octagonal stick stamped G.A. PFRETZSCHNER **, with crest on frog, weight 85 grams. $500-700 206 German Silver-mounted Violin Bow, the round stick stamped very faintly J. FETIQUE, weight 58.4 grams. $700-900
207 American Nickel-mounted Violin Bow, the round stick stamped *LYON & HEALY CHICAGO *, weight 57 grams. $600-800 208 French Silver-mounted Viola Bow, the round stick stamped FRANCE at the bottom near the adjuster, weight 80 grams. $600-800 209 Silver-mounted Violin Bow, the round stick unstamped, weight 63.8 grams. $400-600 210 Nickel Silver-mounted Violin Bow, the octagonal stick stamped F.N. VOIRIN, and FRANCE at the heel of the frog, weight 62.1 grams. $300-500 211 French Nickel Silver-mounted Violin Bow, the round stick unstamped, possibly Prosper Colas, weight 62.7 grams. $600-800 212 French Nickel Silver-mounted Violin Bow, the round stick stamped TOURTE, possibly by Eugene Cuniot, weight 60.5 grams. $600-800 213 German Nickel-mounted Violin Bow, the round stick stamped L.BAUSCH, weight 55.5 grams. $300-500 214 Nickel Silver-mounted Violin Bow, the round stick stamped A. LAMY A PARIS, weight 65.5 grams. $400-600
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215 Two Bows, a silver-mounted violin bow, the octagonal stick unstamped, weight 59.3 grams; and a nickel silver-mounted viola bow, the round stick stamped J. PEREIRA, weight 71.5 grams. $200-400 216 Silver-mounted Violin Bow, the round stick stamped ERNST HEINRICH ROTH, weight 59.1 grams. $500-700 217 Silver-mounted Violin Bow, the round stick stamped GERMANY, weight 59.1 grams. $200-400 218 Three Violin Bows and a Viola Bow, Various Mounts, the round sticks all unstamped except one, stamped TOURTE. $800-1,200 219 Silver-mounted Violin Bow, the round stick stamped EMIL WERNER***, weight 58.4 grams. $300-500 220 Silver-mounted Violin Bow, the round stick stamped DODD, weight 52.1 grams. $400-600 221 Silver-mounted Violin Bow, the octagonal stick stamped A.E. PRAGER, weight 54.8 grams. $600-800
222 Silver-mounted Cello Bow, the octagonal stick stamped H.R. PFRETZSCHNER, with crest on frog dated 1835, weight 77.5 grams. $300-500
231 German Nickel Silver-mounted Viola Bow, the round stick stamped JOHS MONNIG, weight 69.8 grams. $500-700
223 Silver-mounted Violin Bow, the round stick stamped ALFONS REIDL, weight 61 grams. $200-400
232 German Nickel Silver-mounted Viola Bow, the round stick stamped JOHS MONNIG, GERMANY, weight 65.1 grams. $500-700
224 Silver-mounted Violin Bow, the round stick stamped M. RAPOSO, weight 58.8 grams. $200-400 225 Silver-mounted Violin Bow, the octagonal stick with barely legible stamp, weight 59 grams. $500-700 226 German Nickel Silver-mounted Violin Bow, the round stick unstamped, weight 57.5 grams. $200-400 227 Silver-mounted Violin Bow, the round stick bearing an illegible stamp, weight 61.5 grams. $300-500 228 German Nickel-mounted Cello Bow, the round stick stamped H.R. PFRETZSCHNER, with crest on the frog, weight 65.3 grams. $150-250 229 Nickel Silver-mounted Violin Bow, the round stick stamped VUILLAUME A PARIS, weight 55.1 grams. $300-500 230 French Nickel Silver-mounted Violin Bow, the round stick stamped A LAMY A PARIS, with an engraved ferrule, weight 58.4 grams. $300-500
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233 Silver-mounted Violin Bow, the round stick stamped NURNBERGER ARTIST, weight 57.5 grams. $600-800 234 Silver-mounted Cello Bow, the round stick stamped HILL, with aluminum screw and silver tip, weight 66.5 grams. $500-700 235 German Silver-mounted Violin Bow, the round stick stamped CORZ BAUSCH, with engraved adjuster, weight 57 grams. $300-500 236 German Nickel Silver-mounted Cello Bow, the round stick unstamped, weight 73.8 grams. $600-800 237 German Silver-mounted Violin Bow, the round stick stamped HERM W. PRELL, weight 55.8 grams. $300-500 238 Silver-mounted Violin Bow, the round stick with illegible stamp, weight 60 grams. $400-600
239 Silver-mounted Violin Bow, the round stick with barely legible stamp CARL SUSS, and engraved ferrule, weight 61.5 grams. $400-600
247 German Silver-mounted Violin Bow, the round stick stamped A. VIGNERON A PARIS, weight 55.5 grams. $300-500
240 German Silver-mounted Violin Bow, the octagonal stick stamped MAX WUNDERLICH and TOURTE, with engraved ferrule, adjuster, heel plate, and eyes, weight 59.7 grams. $600-800
248 French Silver-mounted Cello Bow, the octagonal stick P.R. LEBLANC, weight 80 grams. $400-600
241 German Silver-mounted Violin Bow, the octagonal stick stamped *EGIDIUS DORFLER***, weight 61.5 grams. $200-400 242 Silver-mounted Violin Bow, the round stick stamped TOURTE, weight 60.2 grams. $300-500 243 Nickel Silver-mounted Violin Bow, the round stick unstamped, weight 46.1 grams. $200-400 244 German Silver-mounted Violin Bow, the round stick stamped DODD, weight 58.8 grams. $400-600 245 German Nickel Silver-mounted Violin Bow, the octagonal stick stamped EDUARD REICHERT, DRESDEN, weight 48.5 grams. $200-400 246 Silver-mounted Violin Bow, the octagonal stick stamped P BLANCHARD LYON, weight 56.7 grams. $300-500
249 American Silver-mounted Viola Bow, the round stick stamped H.FLEISHER, N.Y., weight 70.3 grams. $300-500 250 Two Cello Bows, an octagonal stick, nickelmounted, unstamped, weight 71.6 grams, and a round stick, silver-mounted, stamped EMILE RICHAUD, weight 81.4 grams. $500-700 251 German Silver-mounted Violin Bow, the round stick unstamped, weight 65 grams. $600-800 252 German Nickel Silver-mounted Violin Bow, the round stick illegibly stamped EWOEL, weight 56.5 grams. $200-400 253 Two Violin Bows, a 3/4-size nickel-mounted bow, the round stick stamped ARY FRANCE, weight 59.5 grams, and a nickel silvermounted bow, the round stick stamped BAZIN on the frog, weight 50.2 grams. $400-600 254 German Silver-mounted Violin Bow, the octagonal stick stamped H.R. PFRETZSCHNER, weight 60.9 grams. $500-700
255 French Nickel-mounted Violin Bow, the round stick stamped GIRANDINI on one side and FRANCE on the other, also stamped MADE IN FRANCE at the end near the adjuster, weight 59.4 grams. $600-800 256 Silver-mounted Violin Bow, the octagonal stick unstamped, weight 60.7 grams. $500-700 257 German Nickel Silver-mounted Violin Bow, the round stick stamped CARLO MICELLI, weight 62.9 grams. $500-700 258 German Silver-mounted Violin Bow, the round stick stamped ALBERT KRAMLING, weight 58.5 grams. $400-600 259 German Silver-mounted Violin Bow, the octagonal stick stamped *ALBERT NURNBERGER*, weight 59.5 grams. $400-600 260 German Nickel Silver-mounted 3/4-size Violin Bow, the round stick stamped R. WEICHOLD A DRESDEN, weight 42.8 grams. $100-200 261 German Silver-mounted Violin Bow, the octagonal stick stamped MAX WUNDERLICH, weight 56.4 grams. $600-800 262 German Silver-mounted Violin Bow, the round stick stamped *ALBERT NURNBERGER*, weight 56 grams. $700-900
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263 English Gold-mounted Violin Bow, W.E. Hill, the octagonal stick with tortoiseshell frog barely legibly stamped W.E.HILL, possibly Samuel Allen, weight 58.5 grams, with baleen grip. $2,800-3,800 264 German Silver-mounted Violin Bow, the octagonal stick stamped R. WEICHOLD A. DRESDEN and IMITATION DE TOURTE, weight 58.4 grams. $1,200-1,600
265 French Silver-mounted Cello Bow, the round stick stamped H.C. SILVESTRE A PARIS, weight 80 grams. $1,200-1,600
266 English Silver-mounted Cello Bow, the octagonal stick stamped GARNER WILSON, weight 80.5 grams. $800-1,200
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267 French Silver-mounted Viola Bow, the octagonal stick with ivory frog stamped E. SARTORY A PARIS, weight 70.3 grams. $800-1,200
271 American Gold-mounted Violin Bow, Bolander, the round stick with mountain mahogany frog stamped by the maker BOLANDER, weight 64.5 grams. $800-1,200
268 German Silver-mounted Violin Bow, the octagonal stick stamped G.A. PFRETZSCHNER, with crest on frog, weight 60 grams. $800-1,200
272 German Silver-mounted Violin Bow, the octagonal stick stamped VTOR PETIQUE A PARIS, weight 66.8 grams. $700-900
269 German Silver-mounted Viola Bow, the octagonal stick stamped WILLIAM MOENNIG, GERMANY, weight 67.7 grams. $800-1,000
273 French Silver-mounted Viola Bow, the octagonal stick stamped F. N. VOIRIN A PARIS, weight 64.8 grams. $700-900
270 American Silver-mounted Violin Bow, the round stick stamped JAS. TUBBS and bearing maker’s stamp JCK224, weight 62.6 grams.
274 German Silver-mounted Viola Bow, the round stick unstamped, weight 68.1 grams. $600-800
Certificate: Joseph Krosnowski, Rye, New York, October 27, 1990. $800-1,200
Additional information and photos at www.skinnerinc.com
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264
265
Online bidding at www.skinnerinc.com
266
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275 Gold-mounted Violin Bow, the round stick with illegible stamp, weight 58.4 grams. $2,500-3,500
276 French Silver-mounted Cello Bow, the round stick stamped L.MORIZOT, weight 72.8 grams. Certificate: Jean-Franรงois Raffin, Paris, France, July 9, 2014. $2,000-4,000
277 French Nickel Silver-mounted Violin Bow, the round stick stamped J.POIRSON A PARIS, weight 59.1 grams. Certificate: Jean-Franรงois Raffin, Paris, France, January 3, 2013. $2,000-4,000
278 French Silver-mounted Viola Bow, Attributed to Guillaume Maline, the round stick stamped G.M., weight 72.6 grams. Certificate: William Salchow, New York, New York, January 29, 1966. $2,000-3,000
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279 French Silver-mounted Violin Bow, Pierre Cuniot, the round stick unstamped, weight 61.7 grams. Certificate: Jean-Franรงois Raffin, Paris, France, December 14, 2009. $2,500-3,500 280 German Silver-mounted Violin Bow, the round stick with barely legible stamp AUGUST NURNBERGER SUESS, weight 62.4 grams.
283 Silver-mounted Violin Bow, the octagonal stick stamped C. BAZIN, weight 57.5 grams. $1,200-1,400 284 German Nickel Silver-mounted Violin Bow, Possibly Bausch Shop, the octagonal stick unstamped, weight 59.8 grams. $1,000-1,400
Certificate: Horst Kloss, Needham, Massachusetts, August 16, 2007. $1,800-2,200
285 French Silver-mounted Viola Bow, the round stick stamped MARC LABERTE, FRANCE, weight 75.3 grams. $1,000-1,200
281 French Silver-mounted French Viola Bow, the round stick stamped L. MORIZOT, weight 68.2 grams. $1,600-2,000
286 German Silver-mounted Violin Bow, the round stick bearing almost illegibe stamp GEBRUDER SCHUSTER, weight 57.2 grams. $800-1,200
282 German Nickel Silver-mounted Violin Bow, the round stick stamped H.R. PFRETZSCHNER, with crest on frog, weight 53.4 grams. $1,400-1,600
Additional information and photos at www.skinnerinc.com
275
276
277
Online bidding at www.skinnerinc.com
278
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287
287 Modern Italian Violin, Otello Bignami, Bologna, 1972, bearing the maker’s signed label, length of two-piece back 355 mm. $20,000-28,000
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Additional information and photos at www.skinnerinc.com
288
288 Italian Violin, Attributed to the Gagliano Family, c. 1800, labeled ...JANUARIUS GAGLIANO FILIUS ALEXANDRI FECIT NEAP 1769..., length of back 355 mm. $20,000-30,000
Online bidding at www.skinnerinc.com
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289
289 Italian Violin, Attributed to Guiseppe Sgarbi, Modena, 1860, labeled GUISEPPE SGARBI, MODENA, 1860, length of two-piece back 360 mm, with bow and case. $10,000-14,000
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Additional information and photos at www.skinnerinc.com
290
290 Italian Violin, Joseph Gagliano, Naples, 1783, bearing the maker’s label, length of twopiece back 351 mm, with a nickel-mounted bow stamped G. BACHERT, a silver-mounted bow with nickel adjuster stamped BAUSCH, and case. $15,000-18,000
Online bidding at www.skinnerinc.com
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291
291 Modern Italian Viola, Attributed to Marinus Capicchioni, Rimini, c. 1930-50, labeled MARINUS CAPICCHIONI, FECIT ARIMINI A.D. 1937, length of two-piece back 40.7 cm (16 in.). $12,000-14,000
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Additional information and photos at www.skinnerinc.com
292
292 Modern American Viola, Frederick Haenel, Fiddle Mountain, Connecticut, 1940, bearing the signed maker’s label, length of back 41.6 cm (16 3/8 in.), with case. Certificate: Horst Kloss, Needham, Massachusetts, January 17, 2001. $12,000-15,000
Online bidding at www.skinnerinc.com
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293
293 German Viola with Lion’s Head Scroll, labeled AEGIDIUS KLOS, IN MITTENWALD AN DER ISER, length of two-piece back 42.8 cm (16 7/8 in.), with case. $3,000-5,000
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Additional information and photos at www.skinnerinc.com
294
294 Modern German Viola, Hans Trautner, Ansbach, 1906, bearing the maker’s label, maker’s inscription on the rib at the lower bout, length of two-piece back 39.4 cm (15 1/2 in.), with case. $3,000-5,000
Online bidding at www.skinnerinc.com
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295
295 Modern Italian Viola, Guido Maraviglia, 1970, bearing the maker’s label, length of two-piece back 41.8 cm (16 1/2 in.), with silver-mounted bow stamped GERMANY, and case. $3,000-5,000
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Additional information and photos at www.skinnerinc.com
296
296 Modern Italian Violin, Andrea Cortese, Genoa, 1923, bearing the maker’s stamp under the G peg and internally AC in a circle, length of two-piece back 355 mm. $4,000-6,000
Online bidding at www.skinnerinc.com
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297
297 Modern American Violin, C.F. Stanley, Newton, Massachusetts, 1930, bearing the maker’s label, NO. 265, length of back 359 mm, with two nickel-mounted bows and case. $1,800-2,200
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Additional information and photos at www.skinnerinc.com
298
298 Modern American Violin, Knute Reindahl, Chicago, 1906, bearing the maker’s label and internal brand NO. 2-22, length of two-piece back 356 mm, with bow and case. $2,200-2,600
Online bidding at www.skinnerinc.com
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299
299 Modern German Violin, Otto Seifert, 1920, bearing the maker’s label and internal brand, length of back 357 mm, with silver-mounted bow and case. $2,500-4,500
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Additional information and photos at www.skinnerinc.com
300
300 French Violin, Paul Blanchard, Lyon, 1898, labeled PAUL BLANCHARD, NO. 467, stamped at each inner block BLANCHARD LYON, as well as below the button on the rib on the lower bout, length of back 357 mm. $4,000-6,000
Online bidding at www.skinnerinc.com
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301
301 Modern American Violin, Karl Berger, New York, 1929, bearing the maker’s label, length of two-piece back 356 mm, with nickelmounted bow and case. Note: With original bill of sale from Karl Berger. $4,000-6,000
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Additional information and photos at www.skinnerinc.com
302
302 Dutch Violin, Cuypers Family, bearing a handwritten copied paper label ...JOHANNES CUYPERS..., with the maker’s signature, length of back 352 mm, with a silver-mounted bow, a nickel-mounted bow, and case. $5,000-7,000
End of Sale 2767B
Online bidding at www.skinnerinc.com
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Glossary of Terms All items in the catalog are described according to the following table of terminology. Please note that all statements in this catalog as to Authorship, Period, Origin, are qualified statements subject to the Conditions of Sale. All weights and measurements are approximate.
Authorship will be described in the following ways: Joseph Guarneri: In our judgment the work is by the maker. Ascribed to Joseph Guarneri: The work is believed to be by the named maker, in the opinion of the authors of the accompanying certificates or letters. Attributed to Joseph Guarneri: A traditional attribution with which we may not agree. Probably Joseph Guarneri (also possibly): A work which we have no definitive opinion on. School of Joseph Guarneri: In our judgment the work of a follower executed in the style of the maker or area stated. Workshop of Joseph Guarneri: In our judgment the work is executed in the style of the named maker and possibly under his supervision. Labeled Joseph Guarneri (also stamped, branded, etc.): In our judgment the instrument is not necessarily the work of this maker, but bears the maker’s mark.
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Conditions of Sale 1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot. 2. All property is sold “as is,� and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability. 3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot for sale. The auctioneer shall have sole discretion to refuse any bid, or refuse to acknowledge any bidder. Any bidder that plans on spending in excess of $100,000 should make arrangements with the accounting department at least five (5) days in advance of the sale, as a deposit may be required to participate. 4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of the date of sale. Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If any property has not been removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three days, and/or (b) Skinner Inc. may place the merchandise in a subsequent auction, without Reserve, to be sold to the highest bidder, and after deducting the standard commission and any additional charges that may apply, remit the proceeds to the purchaser. 5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases. 6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all items for which it was the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without limitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchaser’s breach, and/or (b) offering at public auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation to pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale. 7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such purchaser for such item. 8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within the United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute cancellation or delay in payment for the total purchase price of these lots. 9. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number. Exemption numbers from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and other qualifying parties can apply for a Massachusetts exemption number prior to the auction by contacting the Massachusetts Department of Corporations and Taxation at 100 Cambridge Street in Boston. 10. A premium equal to 23% of the final bid price up to and including $100,000, plus 20% of the final bid price from $100,001 up to and including $1,000,000, plus 12% of the final bid price from $1,000,001 and over will be applied to each lot sold, to be paid by the buyer as part of the purchase price. 11. Bidding on any item indicates your acceptance of these terms and all other terms printed within, posted, and announced at the time of sale whether bidding in person, through a representative, by phone, by Internet, or other absentee bid. 12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalog. The copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this catalog, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our prior written consent. 13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or choice of law). The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any federal court sitting therein. The bidder/buyer consents to the exclusive jurisdiction of such courts and waives objections that it may now or hereafter have to the venue of any such suit.
Revised January 8, 2014
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Absentee Bid Form Sale Title
Sale Date
First Time Bidder?
YES
NO
Customer #
Name (Please Print)
Business Name
Address City
Phone #
Alternate #
check if change in address
State
Zip Code email
I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as a convenience, and will not be held responsible for any errors or failure to execute bids. I understand that my bids are executed and accepted as per Conditions of Sale as printed in the catalog of this sale. Signature (Required)
Lot #
Date
Description
Bid confirmation via email?
YES
Bid Price
NO
FOR OFFICE USE Marlborough
Boston
Phone
63 Park Plaza Boston, MA 02116 617.350.5400 Fax 617.350.5429
Fax
Person
274 Cedar Hill Street Marlborough, MA 01752 508.970.3000 Fax 508.970.3100
Employee:
www.skinnerinc.com
Board of Directors
Chairman of the Board - Stephen L. Fletcher Richard Albright John Deighton Barnet Fain Karen M. Keane Andrew Payne Chairman Emerita - Nancy R. Skinner
Administration
President/Chief Executive Officer - Karen M. Keane Chief Financial Officer - Don Kelly Executive Vice President - Stephen L. Fletcher Vice Presidents - Eric Jones, Marie Keep, Gloria Lieberman, Carol McCaffrey, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr
Expert Departments
20th Century Design - Jane D. Prentiss American & European Paintings & Prints - Robin S.R. Starr Assistants: Elizabeth C. Haff, Michelle Lamunière American Furniture & Decorative Arts - Stephen L. Fletcher Deputy Director: Chris Barber American Indian & Ethnographic Art - Douglas Deihl Antique Motor Vehicles - Jane D. Prentiss Asian Works of Art - Judith Dowling Assistants: Helen Eagles, Suhyung Kim Books & Manuscripts - Devon Gray Bottles, Flasks & Early Glass - Stephen L. Fletcher Ceramics - Stuart G. Slavid Clocks, Watches & Scientific Instruments - Robert C. Cheney Assistant: Jonathan Dowling Couture - Melissa R. McCaffrey, Kyle Johnson Discovery Auctions - Melissa R. McCaffrey, Kyle Johnson European Furniture & Decorative Arts - Stuart G. Slavid Assistants: Leah Kingman, Stephanie Opolski Fine Wines - Marie Keep Assistant: Michael J. Moser Historic Arms & Militaria - Joel Bohy
63 Park Plaza Boston, MA 02116 617.350.5400 Fax 617.350.5429 274 Cedar Hill Street Marlborough, MA 01752 508.970.3000 Fax 508.970.3100 2332 Galiano Street Coral Gables, FL 33134 305.503.4423
www.skinnerinc.com
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Jewelry - Victoria Bratberg, G.G. Assistants: John Colasacco, G.G., Katie Simonetti Judaica - Kerry Shrives Musical Instruments - Director Pro Tem: Jill Arbetter Oriental Rugs & Carpets - Lawrence Kearney Assistant: Erika Jorjorian Silver - Stuart G. Slavid Toys & Dolls - Melissa R. McCaffrey, Kyle Johnson Auctioneers - LaGina Austin, Chris Barber, Robert C. Cheney, John Colasacco, Stephen L. Fletcher, Karen M. Keane, Marie C. Keep, Gloria Lieberman, Jessica R. Lincoln, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr, Laura V. Sweeney
Exhibitions & Property Distribution
Finance Department
Subscriptions
Service Departments
Marlborough:
Warehouse Manager - Fred Trottier, 508.970.3261
Auction Coordinator - Melanie Trottier-Mitcheson, 508.970.3103
Boston:
Auction Coordinators - Jessica R. Lincoln, 617.874.4308,
Benjamin Evans, 617.874.4329
Marlborough:
Accounts Receivable - Denise Johnson, 508.970.3269
Accounts Payable, Consignment - Kathleen Hayes, 508.970.3268
Accounts Payable, Trade - Kevin Rota, 508.970.3283
Credit Supervisor - William Madden, 508.970.3266
Marlborough:
508.970.3240
Advertising/Production Manager - Pamela Van de Houten Appraisal & Auction Services - LaGina Austin, Christine E. Finn, Rachel Kingsley, Ava Pandiani Boston Gallery Director - Laura V. Sweeney Assistant Gallery Director: Paige Lewellyn Consignment Services - Patricia Walker King, Carol Zeigler, Kealyn Garner Customer Relations - Carol McCaffrey Human Resources - Carol McCaffrey Image Editor - John Cornelius Information Technology & Internet Auctions - Kerry Shrives Assistant: Melissa R. McCaffrey Institutional Relations - L. Emerson Tuttle Lead Designer - Kristina Harrison Managing Director - Marie C. Keep Marketing & Public Relations - L. Emerson Tuttle, Kathryn Gargolinski, Jenna DeLuca Photographers - Stanley P. Bystrowski, Jeffrey R. Antkowiak Receptionists - Marlborough: Katie Fitzgerald Boston: Bridget Spears Regional Director窶認lorida - April L. Matteini, G.G. Staff Portraits - Cheryl Richards Photography Transportation - Eric Jones
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Directions to Skinner’s Boston Gallery/63 Park Plaza, Boston, MA 02116 617.350.5400 From the West: Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel. Once on the exit ramp, stay in the right hand lane and follow the signs for Copley. The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto Charles Street South. Take your first left off of Charles St. South onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.
From the South: Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station. Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.
From Logan Airport: Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.
From the North: Take I-93 South towards Boston. Take exit 26 towards Storrow Drive.  Merge onto MA-28 South via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza.
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Catalog Subscription Form Prices effective January 17, 2014. Catalog subscription price includes quarterly brochure. Subscription effective one year from date processed. No refunds for previous subscriptions. Renewal notice will be sent one month prior to expiration. Subscriptions do not include Discovery, Estates, and other special sales. Post-auction prices are available online at www.skinnerinc.com
Please check the appropriate boxes:
U.S./Canada
Quarterly Brochure (Included with catalog subscription)
No charge
Foreign (payable in U.S. dollars only)
No charge
American Furniture & Decorative Arts
$120
$143
European Furniture & Decorative Arts
$120
$143
American & European Paintings & Prints (two books)
$135
$158
American & European Fine Prints & Photogrpahy
$60
$73
American & European Fine Paintings & Sculpture
$110
$133
Fine Jewelry
$120
$143
20th Century Design
$60
$73
Asian Works of Art
$60
$73
Fine Oriental Rugs & Carpets
$18
$25
American Indian & Ethnographic Art
$60
$73
Fine Books & Manuscripts
$30
$36
Fine Ceramics
$60
Fine Musical Instruments
$60
$73
Science, Technology & Clocks
$60
$73
Fine Wines
$60
$73
All Above Departments
$750
$915
$73
Subtotal
MA residents 6.25% sales tax
Total
MasterCard/VISA #
Exp. Date
Signature
Check enclosed
Name
Business Name
Mailing Address City email address
State
Zip Tel: (
)
Please enclose payment with subscription form and mail or fax to: Skinner, Inc., Subscription Department, 274 Cedar Hill Street, Marlborough, MA 01752 508.970.3100