Fine Art online | Skinner Auction 2818T

Fine Art online Sale 2818T

May 26–June 1, 2015

www.skinnerinc.com

Fine Art online

Specialists

Robin S.R. Starr

Elizabeth C. Haff

Michelle Lamunière

Department Director 508.970.3259

508.970.3258

508.970.3264

Department Inquiries: 508.970.3206

Auction Information Auction 2818T Tuesday, May 26– Monday, June 1 www.skinnerinc.com

Boston Gallery Preview Wednesday, May 27 12 to 5PM Thursday, May 28 12 to 8PM

Bidding skinnerinc.com

General Inquiries 617.350.5400

Friday, May 29 9 to 10AM

View all lots online at www.skinnerinc.com cover : 1083 ; frontispiece : 1133; back cover : 1032

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Table of Contents 1

Auction & Specialist Information

2

Online Bidding

4

Glossary of Terms

5

Lots 1001–1240

27

Conditions of Sale

28

Company Directors & Specialty Departments

29

Administrative Staff & Client Services

30

Map & Driving Directions

31

Subscription Form

Please Note: All lots sold subject to our Conditions of Sale.

Please refer to page 27 of this catalog for the full terms and conditions governing your purchase.

Copyright Š Skinner, Inc. 2015 All rights reserved MA/Lic. #2304

Glossary of Terms All items in this catalog are described according to the following table of terminology.

Please note that all statements in this catalog as to Authorship, Period, and Origin, are qualified statements subject to the Conditions of Sale.

Authorship will be described in the following ways: John Joseph Enneking In our judgment, the work is by the artist.

Attributed to John Joseph Enneking In our judgment, the work may be ascribed to the artist on the basis of style, but leaves some question as to actual authorship.

School of John Joseph Enneking In our judgment, a work of an unknown follower executed in the style of the artist and contemporary in period.

Manner of John Joseph Enneking In our judgment, a work executed in the style of the artist by an unknown hand and probably from a later period.

After John Joseph Enneking In our judgment, an intended copy of the work of the artist.

American School, 19th Century In our judgment, the work of an unknown hand that can only be identified as to period and culture.

Other terms: Bears signature In our judgment, the signature not of the artist. This term is generally used separately, or together with a description of the work as “attributed to,” “school of,” “manner of,” or “after” the artist.

Measurements are given as height x width and refer to the size of the support unless otherwise indicated.

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1006 Will Barnet (American, 1911-2012)

Untitled, edition of 99. Signed “Agam” in teal ink l.c., numbered “40/99” in teal ink l.l. Agamograph, image diameter 14 in. (35.5 cm), framed.

Condition: Possible fading, not examined out of frame. $600-800

The Reader, 1979, published by Associated American Artists, 1980, edition of 250 (AAA/Czestochowski, 1980.002). Signed and dated “© Will Barnet 1979” in pencil l.r., titled in pencil l.l., numbered “105/250” in pencil l.c. Color lithograph on paper, image size 15 1/8 x 35 3/4 in. (38.3 x 90.3 cm), framed.

Condition: Unobtrusive toning, not examined out of frame. $700-900

1002 After Arman (French/American, 1928-2005) Filetto al Barolo - Barolo - New York, NY, 1998, published by Buon Ricordo America, Inc., edition of 30. Identified, dated, and numbered “...XVII/XXX” on the underside. Screenprint on porcelain, diameter 10 in. (25.4 cm).

Condition: Good. $700-900 1003 John Taylor Arms (American, 18871953) Bourges, alternatively titled The Cathedral of St. Étienne, 1925, first state, edition of 150 (Fletcher, 166).

Signed and dated “John Taylor Arms - 1925” in pencil l.r. Etching on paper, plate size 14 x 9 1/8 in. (35.5 x 23.2 cm), framed.

Condition: Pale fox marks to lower margin, soiling to margins, not examined out of frame. $300-350 1004 Balthus (French, 1908-2001) Jeune fille agenouillée. Signed “Balthus.” in pencil l.r., numbered “XII/XXV” in pencil l.l. Lithograph in black and tan on Arches paper with watermark, image size 17 3/8 x 25 1/2 in. (44.1 x 64.7 cm), unmatted, unframed.

Condition: Margins over 1 1/2 inches with deckled right and lower edges. $700-900 1005 Balthus (French, 1908-2001) Fillette endormie. Signed “Balthus.” in pencil l.r., numbered “XII/XXV” in pencil l.l. Lithograph in black and tan on Arches paper with watermark, image size 23 x 16 1/2 in. (58.4 x 41.8 cm), unmatted, unframed.

Condition: Margins over 2 1/2 inches with deckled right and lower edges. $400-600

1009 Frank Weston Benson (American, 1862-1951) Swinging In, 1927, trial proof B-6 (Paff, 272). Signed “FrankWBenson.” in pencil l.l. Etching on laid paper, plate size 7 7/8 x 11 7/8 in. (19.8 x 30.2 cm), unmatted, unframed.

Condition: Margins 1 1/4 inches or more, hinging tape to upper margin at edges, pencil annotations to lower margin, staining (visible primarily on verso).

Provenance: Descended within the family of the artist.

1007 Frank Weston Benson (American, 1862-1951) Snowy Herons, 1917, published state of 150 (Paff, 118). Signed “FrankWBenson.” in pencil l.l. Etching on Japan paper, plate size 5 x 4 in.

(12.5 x 10.1 cm), unmatted, unframed.

Condition: Margins 2 3/4 inches or more with deckled edges, pencil annotations to lower margin, loss to l.r. corner of margin, old hinges to upper corners on verso.

Provenance: Descended within the family of the artist. $500-700 1008 Frank Weston Benson (American, 1862-1951) Alert!, 1925, probably from the published state of 150 (Paff, 242).

Signed “FrankWBenson.” in pencil l.l.

Drypoint on laid J. Whatman paper with watermark, plate size 5 x 7 in., unmatted, unframed.

Condition: Margins over 1 1/4 inches, deckled edges, pencil annotations to lower margin, soiling and fingerprints to margins and verso.

Provenance: Descended within the family of the artist.

N.B. The lower margin is inscribed “Not final state.” It is possible that this is an undocumented trial D impression. $600-800

N.B. There were about five subsequent “C” trials made of this image prior to the published state. $800-1,200

Fine Art online

1001 Yaacov Agam (Israeli, b. 1928)

1010 Frank Weston Benson (American, 1862-1951) Here They Come!, 1928, trial proof G-6 (Paff, 278). Signed “FrankWBenson.” in pencil l.l. Drypoint on laid J. Whatman paper with watermark, plate size 13 7/8 x 11 3/4 in. (35.2 x 29.7 cm), unmatted, unframed.

Condition: Margins 1 inch or more with deckled edges, pencil and ink annotations to lower margin, ink soiling and unobtrusive creases to margins, tear to right margin.

Provenance: Descended within the family of the artist. $700-900 1011 Frank Weston Benson (American, 1862-1951) Yellowlegs at Dusk, 1928, published state of 150 (Paff, 279). Signed “FrankWBenson.” in pencil l.l. Etching on laid paper, plate size 7 7/8 x 11 3/4 in. (19.8 x 29.7 cm), unmatted, unframed.

Condition: Margins over 1 3/4 inches with deckled edges to two sides, pencil annotations to lower margin, pale staining, minor thinned spot to margins near l.l. and u.l. corners.

Provenance: Descended within the family of the artist. $700-900

Online bidding at www.skinnerinc.com/auctions/2818T

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1012 Elizabeth Violet Blackadder (Scottish, b. 1931)

1016 Félix Hilaire Buhot (French, 18471898)

1020 Marc Chagall (Russian/French, 1887-1985)

Japanese Fish, edition of 60. Signed “Elizabeth V. Blackadder” in pencil l.r., numbered “5/60” in pencil l.l. Color etching with aquatint on paper, plate size 6 x 8 1/2 in. (15.1 x 21.3 cm), framed.

Condition: Not examined out of frame. $300-350

L’Hiver à Paris, fourth state of eight (Bourcard & Goodfriend, 128). Signed and extensively identified within the plate. Etching with drypoint and aquatint on paper, plate size 9 3/8 x 13 3/4 in. (23.5 x 34.8 cm), framed.

Condition: Very gentle toning and rippling, not examined out of frame. $200-250

La Vieille et les deux servantes, plate 56 from LES FABLES DE LA FONTAINE, 1952, from the edition of 100, published by Tériade Editeur, Paris (Cramer, Books; 22). Signed in the plate. Etching on paper, plate size 11 5/8 x 9 1/2 in. (29.3 x 24.2 cm), framed.

Condition: Mat burn, rippling, not examined out of frame. $1,000-1,500

1013 After Pierre Bonnard (French, 18671947) Les Peintres Graveurs, 1895, printed

by A. Clot, Paris, 1896 (Bouvet, 38).

Signed and identified within the matrix.

Lithographic poster in charcoal, ochre, and teal on paper, image size 25 x 18 1/4 in. (63.4 x 46.3 cm), framed.

Condition: Toning, fading, staining, rippling, not examined out of frame. $400-600

1017 Byun Jong-ha (Korean, 1926-2000) Untitled, for the project MÉMOIRE DE LA LIBERTÉ, 1991, edition of 75.

Monogram signature in pencil within the image l.c., numbered “29/75” in pencil within the image l.l. Color lithograph on paper, image/sheet size 23 3/4 x 28 3/4 in. (60.2 x 72.8 cm), framed.

Condition: Floated within the frame, not examined out of frame. $250-300

1014 Georges Braque (French, 1882-1963) Untitled (Profile), page 37 from LE TIR À L’ARC, 1960, printed by Desjobert, Paris, published by Louis Broder, Paris (Vallier, 153). Signed “G Braque” in pencil l.r., inscribed “H.C.” in pencil l.l. Lithograph in brown/black on paper, image size 8 1/4 x 5 3/4 in.

(20.8 x 14.5 cm), framed.

Condition: Deckled edges, sheet with gentle rippling, floated within the frame, not examined out of frame.

Provenance: A Massachusetts estate. $700-900

Fine Art online

1015 After Bernard Buffet (French, 19281999)

6

La nuit du cinema, 1963. Signed and identified within the matrix. Color lithographic poster on paper, sheet size 62 1/2 x 47 1/2 in. (158.8 x 120.7 cm), unmatted, unframed.

Condition: Pressed folds, minor creasing to edges, minor rubs and handling creases (some gently affecting the inks), transfer staining. $500-700

1018 Luis Caballero (Colombian, 19431995) Untitled, 1990, for the project MÉMOIRE DE LA LIBERTÉ, 1991, edition of 100. Signed and dated “L. Caballero 90/” in pencil l.r., numbered “29/100” in pencil l.l. Color etching with aquatint on paper, plate size 38 5/8 x 29 1/4 in. (97.8 x 74.3 cm), framed.

Condition: Not examined out of frame. $250-300 1019 After Maurizio Cattelan (Italian, b.

1960) Brodetto di pesce - taverna del lupo - Dupont - PA, 1998, published

by Buon Ricordo America, Inc., edition of 30. Identified, dated, and numbered “...II/XXX” on the underside.

Screenprint on porcelain, diameter 10 in. (25.4 cm).

Condition: Good. $700-900

Online bidding at www.skinnerinc.com/auctions/2818T

1021 James Coignard (French, 1925-2008) Univers encastres, 1982, edition of 95 plus proofs (Bergstrom et al., 537). Numbered and signed “2/95 J. Coignard” in pencil within the image l.l. Color etching with carborundum and collage on paper, image/sheet size 22 1/2 x 29 3/4 in. (57.0 x 75.5 cm), unmatted, unframed.

Condition: Deckled edges. $300-500 1022 John Copley (British, 1875-1950) Walking Male Torso in Rocky Landscape. Signed “John Copley imp.” in pencil l.r. Lithograph on paper, image size 21 3/4 x 18 in. (55.3 x 45.7 cm), framed.

Condition: Unobtrusive toning, mat burn, pale fox marks, not examined out of frame. $300-500 1023 William Nelson Copley (American, 1919-1996) American Girl, 1973, edition of 300.

Signed and dated “CPLY 73” in pencil l.l., numbered “152/300” in pencil l.r., dry stamp l.l. Color screenprint on heavy wove paper, image size 21 7/8 x 17 1/8 in. (55.4 x 43.4 cm), unmatted, unframed.

Condition: Toning (and possible fading), scattered pale foxing. $500-700

1028 After Philip Campbell Curtis (American, b. 1907)

Two Landscapes: Les arbres dans la montagne, 1856 (Delteil, 60); and Landscape with Cattle. The former signed in the plate; both with collector’s stamp from E Sagot/M. Le Garrec (Lugt, 1766a) on the reverse.

Both cliché-verre on paper, image/ sheet sizes to 7 x 8 3/8 in. (17.6 x 21.2 cm), framed.

Condition: Gentle toning. $300-500

Duet, 1992, edition of 100 plus proofs, published by ArmstrongPrior, Inc., Phoenix. Signed “Philip Curtis” in pencil l.r., titled in pencil l.l., numbered “29/100” in pencil l.c. Color screenprint on paper, image size 7 1/4 x 6 1/4 in. (18.4 x 15.8 cm), framed.

Condition: Not examined out of frame.

1025 Ralston Crawford (American, 19061978) Third Avenue Elevated #1, 1951, edition of 50. Signed “Ralston Crawford” in pencil l.r., numbered “50/55” in pencil l.l. Lithograph in black and yellow on paper, image size 10 1/2 x 17 1/2 in. (26.5 x 44.4 cm), framed.

Condition: Mat burn, not examined out of frame. $300-500 1026 José Luis Cuevas (Mexican, b. 1933) The Magician’s Message, from CUEVAS’ COMEDIES, 1971, edition of 100. Signed and dated “Cuevas 71” in pencil within the image l.r., numbered “11/100” in pencil within the image l.l., dry stamp l.l. Color screenprint with collage on Arches paper with watermark plus five color lithographs, image size 29 3/8 x 21 3/4 in. (74.5 x 55.1 cm), unmatted, unframed.

Condition: Deckled edges, unobtrusive toning, thinned spots to upper corners on verso.

N.B. The sale of this lot will benefit the Worcester Art Museum, Worcester, Massachusetts. $400-600 1027 José Luis Cuevas (Mexican, b. 1933) Untitled, for the project MÉMOIRE DE LA LIBERTÉ, 1991, edition of 100. Signed “Cuevas” in pencil l.r., numbered “29/100” in pencil l.l. Color etching with aquatint on paper, plate size 23 3/4 x 18 1/2 in. (60.2 x 46.8 cm), framed.

Condition: Not examined out of frame. $300-500

Provenance: Ex collection of Charles Percy Parkhurst (1913-2008), Williamstown, Massachusetts.

Parkhurst was a part of the so-called Williams Art Mafia. He worked as a museum curator, professor, and was one of the “Monuments Men.” N.B. Original documentation accompanies the lot. $400-600 1029 Salvador Dalí (Spanish, 1904-1989) Virgo, from SIGNS OF THE ZODIAC, 1967, total edition of 315 (Michler & Löpsinger, 1191; Field 67-6F). Signed “Dali” in pencil l.r., numbered “XLV/L” in pencil l.l. Color lithograph on Japan paper, image size 25 1/4 x 18 3/4 in.

(64.0 x 47.6 cm), framed.

Condition: Margins over 1 inch with deckled right and lower edges, possible fading, floated within the frame, not examined out of frame. $500-700 1030 Morgan Dennis (American, 18921960) Three Scenes with Terriers: When a Black Man’s Blue, Pansy the Eye, and You Must Come Over. Each signed “MORGAN DENNIS” in pencil l.r. and in the plate, each titled in pencil l.l. Etchings on paper, plate sizes approximately 5 1/2 x 4 in. (13.9 x 10.1 cm), framed.

Condition: Toning, mat burn, not examined out of frames. $400-600 1031 Jim Dine (American, b. 1935) City Center - Gilbert and Sullivan, 1968, edition of 144. Signed, dated, and numbered “Jim Dine 1968 22/144” in pencil within the image l.l., titled within the matrix. Offset color lithographic poster on paper, image/ sheet size 34 3/4 x 24 3/4 in. (88.2 x 62.8 cm), unmatted, unframed.

Condition: Minor creases to edges. $300-350

1032 Jim Dine (American, b. 1935) Art, 1968, edition of 144. Signed, numbered, and dated “Jim Dine 130/144 1968” in pencil within the image u.r., titled within the matrix.

Offset color lithographic poster on paper, image/sheet size 35 x 24 3/4 in.

(88.7 x 62.8 cm), unmatted, unframed.

Condition: Minor handling creases. $300-350 1033 Piero Dorazio (Italian, 1927-2005) Wigwam, for the project MÉMOIRE DE LA LIBERTÉ, 1991, edition of 80.

Signed and dated “Piero Dorazio/1991” in pencil l.r., numbered “29/80” in pencil l.l., dry stamp l.r. Color aquatint on paper, plate/sheet size 31 1/4 x 47 1/4 in. (79.3 x 119.9 cm), framed.

Condition: Floated within the frame, deckled edges, not examined out of frame. $300-500

Fine Art online

1024 Jean-Baptiste-Camille Corot (French, 1796-1875)

1034 Jean Dufy (French, 1888-1964) Montmartre, c. 1950, edition of 250 plus proofs. Signed “Jean Dufy” in pencil l.r., numbered “137/250” in pencil l.l. Color lithograph on Arches paper with watermark, 18 3/4 x 24 3/4 in. (47.5 x 62.8 cm), framed.

Condition: Subtle mat burn, not examined out of frame. $250-300 1035 Raoul Dufy (French, 1877-1953) Henriette, 1927. Signed “Raoul Dufy” in pencil l.r. Etching on paper, plate size 15 1/2 x 11 in. (39.4 x 27.8 cm), framed.

Condition: Unobtrusive toning, mat burn, not examined out of frame. $400-600 1036 Albrecht Dürer (German, 1471-1528) The Lamentation, 1507, from THE ENGRAVED PASSION (Bartsch, 14; Meder, 14c/c; Hollstein, 14).

Monogrammed and dated within the plate. Engraving on fine laid paper, image/sheet size 4 9/16 x 2 13/16 in.

(11.4 x 7.1 cm), framed.

Condition: Trimmed to or just within the borderline, pale toning/staining, wear to edges. $800-1,200

Online bidding at www.skinnerinc.com/auctions/2818T

7

1037 Sergio Ferro (Brazilian, b. 1938)

1041 Patrick Hughes (British, b. 1939)

1045 Paul Jenkins (American, 1923-2012)

Le forgeron de la Liberté, for the project MÉMOIRE DE LA LIBERTÉ, 1991, edition of 75. Signed “Ferro” in pencil within the image l.l. numbered “29/75” in pencil within the image l.r.

Color lithograph with collage on paper, image/sheet size 39 x 27 1/2 in. (98.9 x 69.9 cm), framed.

Condition: Floated within the frame, gentle rippling, not examined out of frame. $500-700

Leaning on a Landscape, 1979, edition of 150, published by Christie’s Contemporary Art, London. Signed and dated “Patrick Hughes 79” in pencil l.r., titled in pencil l.c., numbered “50/150” in pencil l.l., publisher’s dry stamp l.r. Color screenprint on wove paper, image size 18 x 24 1/4 in. (45.7 x 61.5 cm), unmatted, unframed.

Condition: Minor handling creases to margins, old hinges and thinned spots to upper edge on verso.

Untitled, for the project MÉMOIRE DE LA LIBERTÉ, 1991, edition of 75. Signed “Paul Jenkins” in pencil within the image l.r., numbered “29/75” in pencil within the image l.l. Color lithograph on paper, image/sheet size 29 3/4 x 22 1/4 in. (75.4 x 56.4 cm), framed.

Condition: Floated within the frame, deckled edges, not examined out of frame. $400-600

1038 Sam Francis (American, 1923-1994)

N.B. The sale of this lot will benefit the Worcester Art Museum, Worcester, Massachusetts. $400-600

1046 Max Kahn (American, b. 1903)

Untitled, 1968, printed by Mourlot, Paris, published by HKL, Ltd., Boston, for the Smithsonian Institution, Washington, DC (Lembark, P 3).

Signed “Sam Francis” in pencil within the image l.r. Color offset lithograph on wove paper, image/sheet size 29 1/4 x 21 1/4 in. (74.2 x 53.9 cm), unmatted, unframed.

Condition: Toning, staining (primarily to verso). $400-600 1039 George Grosz (German, 1893-1959)

Fine Art online

The Hero, from THE AMERICAN SCENE NO 1, 1933, edition of 300 (Dückers, E 107). Signed “GROSZ” in pencil l.r., titled in pencil l.c., numbered and dated “38/50 1934” in pencil l.l.

Lithograph on wove paper, image size 12 3/4 x 8 7/8 in. (32.3 x 22.5 cm), matted, unframed.

Condition: Margins over 1 1/4 inches with deckled edges, unobtrusive toning, hinge/residue at corners on verso.

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Provenance: A Massachusetts estate. $300-500 1040 Philip Burnham Hicken (American, 1910-1985) Serena, edition of 45. Signed “hicken” in pencil l.r. and within the matrix, titled and numbered “...20/45” in pencil l.l.

Color screenprint on paper, image size 25 x 17 in. (63.3 x 43.2 cm), framed.

Condition: Gentle rippling and toning, not examined out of frame. $200-250

1042 Robert Indiana (American, b. 1928) 25 New York City Center Anniversary, 1968, edition of 144.

Signed and dated “R Indiana ‘68” in pencil within the image l.r., numbered “23/144” in pencil within the image l.l. Color screenprint on paper, image/ sheet size 35 1/8 x 25 1/4 in. (89.1 x 64.1 cm), unmatted, unframed.

Condition: Minor wear to edges, staining to verso. $200-250 1043 After Robert Indiana (American, b.

1928) Liebe Love, published by Galerie-F, Kranenburg, Germany, 2005, edition of 999. Identified and numbered “300/999” on a label affixed to the verso. Wool yarn hooked onto a cotton support, 24 1/2 x 24 1/2 in.

(62.2 x 62.2 cm), framed.

Condition: Minute spots of possible wear/loss near corners. $500-700 1044 Valerie Jaudon (American, b. 1945) Valerie Jaudon for Lincoln Center, 1986, edition of 72. Signed and dated “Valerie Jaudon 1986” in pencil l.r., numbered “44/72” in pencil l.l. Color screenprint on paper, image size 31 3/16 x 31 3/16 in. (79.0 x 79.0 cm), unmatted, unframed.

Condition: Minor handling creases. $300-500

Online bidding at www.skinnerinc.com/auctions/2818T

Sea Bird, 1959, edition of 131.

Signed and dated “Max Kahn 59” in pencil l.r., titled in pencil l.c., numbered “54/131” in pencil l.l. Color lithograph on paper, image size 16 x 22 1/4 in.

(40.5 x 56.4 cm), framed.

Condition: Not examined out of frame. $200-250 1047 Gustav Kluge (German, b. 1947) Der Junge mit der roten Plastikschüssel, 1985. Titled, signed, and dated “...Gust Kluge 1985” in pencil l.c. Woodcut in red and black on three pieced sheets of paper, image size 64 3/4 x 26 1/4 in. (164.5 x 66.7 cm), unmatted, unframed.

Condition: Handling and other creases (some with accompanying wear to ink), several other blocks have been printed on the reverse.

N.B. At least one of the images on the verso is from the Steht ein bucklicht Männlein da... portfolio, also of 1985. $800-1,200 1048 Olaf Helliesen Lange (Norwegian, 1875-1965) The Kingdom of Sleep, edition of 50. Signed “Olaf Lange” in pencil l.r., numbered “No 27/50” in pencil l.l.

Color etching and aquatint with stencil on paper, plate size 15 3/4 x 23 1/2 in.

(39.9 x 59.5 cm), framed.

Condition: Gentle toning (primarily to upper margin), not examined out of frame. $200-250

Bishops’ Move, edition of 100, published by Christie’s Contemporary Art, London. Signed “Ann-Marie Le Quesne” in pencil l.r., titled in pencil l.l., numbered “3/100” in pencil l.c., publisher’s dry stamp l.r. Color relief print on paper, image size 20 x 33 in.

(50.6 x 83.7 cm), framed.

Condition: Not examined out of frame.

N.B. The sale of this lot will benefit the Worcester Art Museum, Worcester, Massachusetts. Documentation from the publisher accompanies the lot. $150-200 1050 After Roy Lichtenstein (American, 1923-1997) As I Opened Fire.../A Triptych, 1966 (Corlett, app. 5). Unsigned, identified in the matrix, each sheet stamped in the lower corners on the reverse.

Offset color lithographs on paper, each sheet 25 1/8 x 20 7/8 in. (63.7 x 52.9 cm), unmatted, unframed.

Condition: Subtle toning, minor handling creases at edges. $400-600 1051 Bengt Lindström (Swedish, 19252008) Beintôt libre, for the project MÉMOIRE DE LA LIBERTÉ, 1991, edition of 75. Signed “Lindström” in pencil within the image l.r., numbered “29/75” in pencil within the image l.l.

Color aquatint with relief on paper, image/sheet size 47 1/2 x 33 1/4 in.

(119.3 x 84.4 cm), framed.

Condition: Floated within the frame, deckled edges, not examined out of frame. $600-800 1052 Huc-Mazelet Luquiens (American, 1881-1961) Sunset, Kualoa Point, 1923. Signed “H.M. Luquiens” in pencil l.c., monogrammed and dated within the plate. Etching with aquatint on paper, plate size 7 7/8 x 10 7/8 in. (19.8 x 27.5 cm), framed.

Condition: Unobtrusive toning, cockling, not examined out of frame. $250-300

1053 Henri Matisse (French, 1869-1954) La Cité - Notre-Dame, 1937, edition of 500 (Duthuit, 248). Signed within the plate. Etching on paper, plate size 13 3/8 x 10 3/16 in. (33.8 x 25.8 cm), framed.

Condition: Not examined out of frame. $300-500 1054 Charles Meryon (French, 1821-1868) Ministère de la marine, 1865, final state of six, published by Cadart & Luquet Editeurs, Paris (Delteil, 45).

Identified within the plate. Etching on paper, plate size 6 1/2 x 5 3/4 in. (16.4 x 14.4 cm), framed.

Condition: Not examined out of frame. $300-500 1055 Joan Miró (Spanish, 1893-1983) Affiche pour l’exposition “Miró” Galerie Maeght, Paris, 1961 (Mourlot, 227a). Signed “Miró” in pencil l.r., inscribed “e.a.” in pencil l.l., Maeght dry stamp l.l. Color lithograph on paper, image size 24 1/8 x 16 1/2 in. (61.2 x 41.8 cm), framed.

Condition: Subtle toning, not examined out of frame. $1,000-1,500 1056 Joan Miró (Spanish, 1893-1983) Poster for the Exhibition Miró, Sala Pelaires, Palma de Majorca, 1970, from the edition before letters of 75 (Mourlot, 684). Monogrammed “M.” and numbered “61/75” in pencil l.r. and l.l., respectively. Color lithograph on Guarro paper with Sala Gaspar watermark, sheet size 29 3/4 x 21 7/8 in. (75.6 x 55.6 cm), unmatted, unframed.

Condition: Possible toning with subtle discoloration or staining at edges, especially the left and right sides, scattered minor handling crimps. $500-700

1058 LeRoy Neiman (American, 19212012) Fencing at Munich Olympics, 1972.

Signed and inscribed “LeRoy Neiman Olympiad” in pencil within the image l.r., inscribed “A.P.” in pencil within the image l.l. Color screenprint on paper, sight size 23 1/4 x 38 in. (59.0 x 96.4 cm), framed.

Condition: Not examined out of frame. $400-600 1059 LeRoy Neiman (American, 19212012) Neiman’s Montreal 76, 1977, edition of 600, published by Styria Studios, Inc., New York. Signed and inscribed “LeRoy Neiman” in pencil l.r., numbered “205/600” in pencil l.l., publisher’s dry stamp l.l. Color screenprint on paper, image size 31 1/2 x 48 in. (80.0 x 121.9 cm), framed.

Condition: Toning, not examined out of frame. $400-600

Fine Art online

1049 Ann-Marie Le Quesne (American, b.

1946)

1060 Mimmo Paladino (Italian, b. 1948) Diamanti, for the project MÉMOIRE DE LA LIBERTÉ, 1991, edition of 75.

Signed “Mimmo Paladino” in pencil l.c., numbered “29/75” in pencil l.l., two dry stamps l.r. Color linocut on paper, image size 27 3/4 x 19 3/4 in. (70.4 x 50.0 cm), framed.

Condition: Not examined out of frame. $250-350 1061 Philip Pearlstein (American, b. 1924) Nude on Sofa. Signed and inscribed “Philip Pearlstein artists Proof” in pencil l.l., a second pencil signature erased above the first. Lithograph in brown on paper, sheet size 17 1/8 x 26 in. (43.4 x 66.0 cm), framed.

Condition: Floated within the frame, deckled edges, not examined out of frame. $300-350

1057 István Nádler (Hungarian, b. 1938) Untitled, for the project MÉMOIRE DE LA LIBERTÉ, 1991, edition of 100. Signed and dated “Nádler István 1991.” in pencil l.r., numbered “29/100” in pencil l.l. Color lithograph on paper, image size 37 x 25 in. (93.8 x 63.4 cm), framed.

Condition: Deckled right and lower edges, floated within the frame, not examined out of frame. $250-300

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1062 Giovanni Battista Piranesi (Italian, 1720-1778) Veduta del Mausoleo d’Elio Adraino (ora chiamato Castello S. Angelo), 1754 (Hind, I/IV). Identified within the plate. Engraving on paper, plate size 17 1/4 x 22 1/4 in. (43.7 x 56.3 cm), framed.

Condition: Unobtrusive mat burn, not examined out of frame. $400-600 1063 Robert Rauschenberg (American, 1925-2008) Winner Spinner, from the series MARRAKITCH, 2000, edition of 50, published by Gemini G.E.L., Los Angeles (NGA/Gemini, 41.245).

Signed, numbered, and dated “RAUSCHENBERG 26/50 2K” in pencil (within the image) l.l., publisher’s and copyright dry stamps l.r., identified on a label from the Meyerovich Gallery, San Francisco, affixed to the backing.

Color screenprint on Fabriano paper with watermark, image/sheet size 27 3/4 x 19 5/8 in. (70.3 x 49.7 cm), framed.

Condition: Deckled upper and lower edges, floated within the mat, not examined out of frame. $1,000-1,500

Fine Art online

1064 Robert Rauschenberg (American, 1925-2008)

10

Appointment, from the series MARRAKITCH, 2000, edition of 54 plus proofs, published by Gemini G.E.L., Los Angeles (NGA/Gemini, 41.247). Signed, numbered, and dated “RAUSCHENBERG 25/54 2K” in pencil (within the image) l.r., publisher’s and copyright dry stamps l.l., identified on a label from the Meyerovich Gallery, San Francisco, affixed to the backing.

Color screenprint on Fabriano paper with watermark, image/sheet size 30 x 22 1/8 in. (76.2 x 56.1 cm), framed.

Condition: Deckled edges, floated within the mat, not examined out of frame. $1,000-1,500

1065 Rhee Seund Ja (Korean, 1918-2009) Marques d’Espoir for the project MÉMOIRE DE LA LIBERTÉ, 1991, edition of 50. Signed and dated “Seund Ja Rhee 91” in pencil l.l., numbered “29/50” in pencil l.r. Color woodcut on paper, sheet size 42 x 29 5/8 in. (106.5 x 75.1 cm), framed.

Condition: Floated within the frame, deckled edges, not examined out of frame. $250-300 1066 Mimmo Rotella (Italian, 1918-2006) La main et la liberté, for the project MÉMOIRE DE LA LIBERTÉ, 1991, edition of 75. Signed “Rotella” in pencil l.r., numbered “29/75” in pencil l.l. Color offset lithograph and collage on paper, image size 44 5/8 x 30 in.

(113.3 x 76.2 cm), framed.

Condition: Cockling, minor handling creases, not examined out of frame. $700-900 1067 Ernest David Roth (American, 18791964) Two Italian Vistas: Venetian Doorway, 1913, published 1914, and Gubbio, 1931. Both signed “Ernest D. Roth...” in pencil l.r., the latter identified within the plate. Etchings on paper, plate sizes to 11 1/2 x 10 1/2 in. (29.2 x 26.5 cm), framed.

Condition: Not examined out of frames. $300-350 1068 Ernest David Roth (American, 18791964) Two Venice Views: An Old Palace, Venice and Stones of Venice, 1924, published 1925. Both signed “Ernest D. Roth...” in pencil l.r., the latter identified within the plate, both with fragmentary labels from Frederick Keppel & Co., Inc., New York, affixed to the backings. Etchings on paper, plate sizes to 11 3/8 x 13 3/8 in. (28.7 x 33.8 cm), framed.

Condition: Not examined out of frames. $350-550

1069 Karl Schmidt-Rottluff (German, 1884-1976) Frauenkopf, 1916, possibly a later impression (Schapire, H 189).

Unsigned. Woodcut on paper, image size 6 7/8 x 9 1/2 in. (17.4 x 24.1 cm), framed.

Condition: Toning, not examined out of frame. $800-1,200 1070 Georges Rouault (French, 18711958) La Parade, from CIRQUE, c. 1932, edition of 270 (Wofsy, 211). Unsigned.

Color etching with aquatint on paper, plate size 12 x 10 1/2 in. (30.4 x 26.5 cm), framed.

Condition: Pale mat burn, not examined out of frame.

Provenance: A Massachusetts estate. $800-1,200 1071 Georges Rouault (French, 18711958) Le jongleur, 1930, from CIRQUE, c. 1932, edition of 270 (Wofsy, 212).

Initialed and dated within the plate.

Color aquatint and etching on paper, plate size 12 5/16 x 8 1/2 in. (31.2 x 21.5 cm), framed.

Condition: Unobtrusive mat burn and toning, gentle rippling, not examined out of frame. $800-1,200 1072 Edik Schteinberg (Russian, b. 1937) Untitled, for the project MÉMOIRE DE LA LIBERTÉ, 1991, edition of 75.

Initialed (in Cyrillic) and dated “...91” in pencil within the image l.r., numbered “29/75” in pencil within the image l.l.

Color lithograph on paper, sight size 26 3/4 x 40 3/8 in. (67.8 x 102.4 cm), framed.

Condition: Not examined out of frame. $300-500 1073 Alfred Sisley (French, 1839-1899) Bords du Loing: la charrette, 1890, third state of four, published by the Gazette des Beaux-Arts, Paris (Delteil, 1). Identified within the plate. Etching on paper, image size 5 3/8 x 8 1/2 in.

(13.5 x 21.4 cm), framed.

Condition: Not examined out of frame. $200-250

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Tristan Bernard, 1898, printed in 1920, probably from the third edition of 200 (Adriani, 249). Monogrammed within the plate. Drypoint on laid paper, plate size 6 3/4 x 4 1/8 in. (17.1 x 10.3 cm), framed.

Condition: Margins over 2 1/2 inches with deckled lower edge, mat burn, staining. $400-600 1075 Julian Trevelyan (British, 1910-1988) Thames Ditton, 1969, edition of 75 plus proofs, published by London Graphics (Turner, 227). Signed “Julian Trevelyan” in pencil l.r., titled in pencil l.c., numbered “27/75” in pencil l.l.

Color etching and aquatint on paper, plate size 13 7/8 x 18 5/8 in. (35.3 x 47.4 cm), framed.

Condition: Margins 3 3/4 inches or more with deckled upper and lower edges, several fox marks to margins, gentle soiling (primarily to verso), minute nicks to sheet at upper edge, half inch indentation to sheet within image l.r. $700-900 1076 Edouard Vuillard (French, 1868-1940) Le Square Vintimille, 1937, third state of four, edition of 500 (Roger-Marx, 66). Signed within the plate. Drypoint on paper, plate size 13 3/8 x 10 1/8 in.

(33.8 x 25.6 cm), framed.

Condition: Not examined out of frame. $300-500 1077 After Andy Warhol (American, 19281987) Flowers (Invitation), 1970. Identified on verso. Color offset lithograph on card stock, image/sheet size 7 x 7 in.

(17.7 x 17.7 cm), unmatted, unframed.

Condition: Handling creases near lower edge.

N.B. The card was an announcement for an opening to Andy Warhol Serigraphies sur papier at Galerie Sonnabend in Paris, 1970. $500-700

1078 Thomas Robert Way (British, 18621913), After James Abbott McNeill Whistler (American, 1834-1903) Portrait of Maud Franklin, published by the Pastel Publishing Co., London.

Signed “T.R.Way” in pencil l.c., identified within the matrix and on a label from Kennedy & Co., New York, affixed to the backing. Color lithograph on paper, sheet size 12 1/2 x 8 1/2 in.

(31.5 x 21.5 cm), framed.

Condition: Toning, not examined out of frame.

N.B. The composition is based on Whistler’s oil portrait of Maud Franklin c. 1872-73 currently in the collection of the Harvard Art Museums, Cambridge, Massachusetts. $250-300 1079 Julian Alden Weir (American, 18521919) Boats at Peel - Isle of Man, 1889 (Zimmerman, 108; Geske, 113).

Signed “J. Alden Weir C.W.E. imp” in pencil l.r., numbered “Ed. 25” in pencil l.l., identified on a label from Frederick Keppel & Co., Inc., New York, affixed to the backing. Etching and aquatint on paper, plate size 12 x 8 7/8 in. (30.4 x 22.4 cm), framed.

Condition: Not examined out of frame.

N.B. The initials “C.W.E.” after the signature refer to Caroline Weir Ely, the artist’s daughter. $300-500 1080 Stow Wengenroth (American, 19061978) Monhegan, 1938, edition of 75 (Stuckey, 78). Signed “Stow Wengenroth” in pencil l.r., inscribed “Ed/75” in pencil l.l. Lithograph on paper, image size 11 7/16 x 15 in.

(28.9 x 38.1 cm), framed.

Condition: Subtle toning, pale foxing, not examined out of frame. $300-500

1081 Stow Wengenroth (American, 19061978) Two Works: Summer Shadows (Wiscasset, Maine), 1947, edition of 85 (Stuckey, 171) and Shoreline (Greenport, New York), 1970, edition of 60 (Stuckey, 328). Both signed “Stow Wengenroth” in pencil l.r., and inscribed “Ed/...” in pencil l.l.

Lithographs on paper, image sizes to 9 1/2 x 15 in. (24.1 x 38.1 cm), framed.

Condition: Gentle rippling, not examined out of frames. $600-800 1082 Berenice Abbott (American, 18981991)

Fine Art online

1074 Henri de Toulouse-Lautrec (French, 1864-1901)

Magnetic Field, 1958-61, printed 1982, from the portfolio THE SCIENCE PICTURES, published by Parasol Press, Ltd., edition of 60. Signed “BERENICE ABBOTT” in pencil on the mount l.r., numbered “45/60” in pencil on the mount l.l., portfolio information stamped in black ink on the reverse of the mount. Gelatin silver print, image/ sheet size 17 1/2 x 22 7/8 in. (44.5 x 58.0 cm), unmatted, unframed.

Condition: Mounted, good.

Provenance: The David C. and Sarajean Ruttenberg Collection (Chicago); Clars Auction Gallery, San Francisco, Fine Art & Antique Auction, Day 2, January 12, 2014, Lot 6163; to the current owner. $800-1,200 1083 Berenice Abbott (American, 18981991) Trinity Church, c. 1935-38, printed later. Signed “BERENICE ABBOTT” in pencil on the mount l.r., titled in pencil on the back of the mount l.l. Gelatin silver print, image/sheet size 10 3/8 x 7 3/4 in. (27.0 x 19.7 cm), unmatted, unframed.

Condition: Mounted, good.

N.B. For nearly a decade, the American-born photographer Berenice Abbott lived in Paris, working as an assistant to Man Ray in his portrait studio and eventually operating her own portrait business. Upon returning to New York City in 1929, Abbott continued to practice photography, producing a body of work that focused on New York’s changing buildings and neighborhoods. With funds from the Federal Art Project (FAP), Abbott produced hundreds of photographs of the city, including this view of Trinity Church. $800-1,200

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1084 David Armstrong (American, 19542014)

1087 Studio of Mathew Brady (active c.

1844-1860s)

1090 Attributed to Wynn Bullock (American, 1902-1975)

Geno, Bed Stuy, 1994. Titled, dated, numbered, and signed “...3/5 David Armstrong” in black ink on the verso l.r.

Chromogenic print, image size 22 1/2 x 17 7/8 in. (57.1 x 45.3 cm), unmatted, unframed.

Condition: Scattered handling crimps c.l. and c.r. $500-700

Hand-tinted Quarter-plate Daguerreotype of Mr. and Mrs. David Nichols, Jr., in an embossed leather case, c. 1852-53. Velvet pad reads “Brady’s Gallery/205-207/ Broadway. New York.” at center. Plate size 4 1/4 x 3 1/4 in. (10.8 x 8.3 cm).

Condition: Tarnish, accretions/ deterioration and dust (probably associated with the glass cover), split case, worn and abraded, several areas of corrosion on brass mat, velvet pad and liner faded, not examined out of case.

Woman on Rock, 1958, probably printed later. Unsigned, titled and dated in pencil on the verso l.c. Gelatin silver print, image size 7 5/8 x 9 5/8 in.

(19.4 x 24.5 cm), unmatted, unframed.

Condition: Good. $1,000-1,500

1085 Eugène Atget (French, 1857-1927) Two Photographs: Door of the Hôtel d’Epernon, 110 rue Vielle du Temple and Château d’Ecouen, c. 1900. Unsigned, inscribed with location and numbered “...4266” and “...6771,” respectively, in pencil on the verso. Albumen silver prints from glass plate negatives, image/sheet sizes to 8 11/16 x 6 7/8 in. (22.0 x 17.5 cm), unmatted, unframed.

Condition: Scattered minor handling crimps, fading and yellowing, Door with pinprick hole l.c. $1,000-1,500 1086 Margaret Bourke-White (American, 1904-1971)

Fine Art online

Two Photographs of Street Views, Prague, 1938-39. Both unsigned.

Gelatin silver prints, image sizes 2 7/8 x 3 15/16 in. (7.3 x 10.0 cm), matted, unframed.

Condition: Both with minor wear at edges of sheets, the vertical image with vertical creases at c.l. and u.c.

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N.B. In the spring of 1938, LIFE magazine sent Margaret Bourke-White, the first female photographer to work for the magazine, and fellow staffer John Phillips to Czechoslovakia to document the country, its people, and the events leading up to Germany’s annexation of Sudetenland, a region bordering the two countries inhabited primarily by Germans. Their pictorial survey was published in the May 30, 1938, issue of LIFE. $1,000-1,500

Provenance: Mr. and Mr. David Nichols Jr., to his sister Martha Nichols Daunis (1829-1865), wife of Sylvain Théogene Daunis (1826 -1890) of Belle Grove Plantation, Thibodaux, Louisiana; to their daughter Mattie Daunis Ten Broeke (1862-1944) of Middlebury, Vermont; descended through the Daunis Family, New Orleans, Louisiana.

N.B. David Nichols grew up in the Nichols house, 250 Weybridge St., Middlebury, Vermont, now Atwater Commons of Middlebury College. In 1841, aged 24, he left for New York.

An oil portrait of him hangs in the Henry Sheldon Museum of Vermont History, the gift of his nieces Effie Daunis and Mattie Daunis Ten Broeke. $300-500 1088 Manuel Álvarez Bravo (Mexican, 1902-2002) Sólo cuando tienen tunas (Only When They Have Tunas), n.d. Signed and titled “M. Alvarez Bravo...” in pencil on the verso l.r. Gelatin silver print, image size 7 3/8 x 9 3/8 in. (18.7 x 23.8 cm), matted, unframed.

Condition: Scattered minor handling crimps, pinholes in each corner of the sheet, slight breaks in emulsion u.r. of image and l.r. of sheet. $1,000-1,500 1089 Manuel Álvarez Bravo (Mexican, 1902-2002) La maría, n.d. Signed and titled “M. Alvarez Bravo...” in pencil on the verso l.r. Gelatin silver print, image size 7 1/4 x 9 5/8 in. (18.5 x 24.5 cm), matted, unframed.

Condition: Good. $1,000-1,500

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1091 William Claxton (American, 19272008) Roland Kirk, c. 1960, printed later.

Signed in pencil on the verso l.c. within photographer’s stamp. Gelatin silver print, image size 13 3/8 x 9 1/8 in.

(34.0 x 23.1 cm), unmatted, unframed.

Condition: Good. $600-800 1092 Jim Dow (American, b. 1942) Kitchen, Argentina, 1990. Titled, dated, and signed “Kitchen...

Argentina...Jim Dow” in black ink below the image l.c. Chromogenic print, image size 7 3/4 x 9 3/4 in. (19.6 x 24.7 cm), unmatted, unframed.

Condition: Slight wear at corners, minor handling crimps in sheet l.r. $700-900 1093 Harold E. “Doc” Edgerton (American, 1903-1990) Two Photographs: Fighting Finches and Water From a Faucet, 1936 and 1932, respectively, both printed later.

Both signed “HAROLD EDGERTON” in pencil on the verso l.r. Gelatin silver prints, image sizes to 18 x 14 3/8 in.

(45.7 x 36.5 cm), unmatted, unframed.

Condition: Good. $1,000-1,500 1094 Larry Fink (American, b. 1941) Studio 54, N.Y.C., 1977. Titled, dated, and signed in pencil on the verso l.l. Gelatin silver print, 9 3/4 x 9 7/8 in. (24.8 x 25.0 cm), unmatted, unframed.

Condition: Minor handling crimp u.l., linen tape remnants on the verso. $800-1,200

Beach, Italy, 1984. Signed “Leonard Freed” in black ink on the verso l.r., stamped “© Leonard Freed-Magnum” in black ink on the verso l.r. and in blue ink on the verso l.l., dated and titled in black ink on the verso center. Gelatin silver print on RC paper, image size 12 15/16 x 8 1/2 in. (32.8 x 21.5 cm), unmatted, unframed.

Condition: Slight bleed through of blue copyright stamp on verso visible on recto of sheet l.r.

Provenance: The estate of Leonard Freed.

N.B. Accompanied by a certificate of authenticity from the artist’s estate. $800-1,200 1096 David Hilliard (American, b. 1964) The Braves, from the series CATCH AND RELEASE, 2002, printed 2008, edition of 35 plus 21 artist proofs, from The PRC Portfolio published by the Photographic Resource Center at Boston University. Signed “David Hilliard” in pencil on the verso l.l. and numbered “AP 15” l.r. Pigmented inkjet print on Harman glossy paper, image size 8 7/8 x 21 7/8 in. (22.6 x 25.6 cm), unmatted, unframed.

Condition: Good. $800-1,200 1097 Henry Horenstein (American, b.

1947) Melody Sweets, New York, NY, 2008, edition of 35 plus 21 artist proofs, from The PRC Portfolio published by the Photographic Resource Center at Boston University. Signed “Henry Horenstein” and numbered “AP15” in pencil on the verso l.r. Pigmented inkjet print on Harman matte paper, image size 14 7/8 x 14 7/8 in. (37.8 x 37.8 cm), matted, unframed.

Condition: Good. $800-1,200

1098 Russell Lee (American, 1903-1986)

1101 Brian McKee (American, b. 1977)

Main Store, Tropic, Utah, November, 1940. Unsigned, with Farm Security Administration and “PHOTO BY: LEE” stamps in black ink on the verso u.l.

Glossy gelatin silver print on single weight paper, image size 7 x 9 9/16 in.

(17.8 x 24.2 cm), matted, unframed.

Condition: Scattered minor breaks in emulsion, slight wear at corners. $800-1,200

Uzbek #20, from the series REBUILD-INGS, 2003. Unsigned.

Chromogenic print mounted to aluminum, image/sheet size 49 1/2 x 63 1/2 in. (125.7 x 158.7 cm), unmatted, unframed.

Condition: Minor wear to surface and edges. $2,000-3,000

1099 Rebecca Lepkoff (American, 19162014) Bridge and Laundry, New York City, 1930s. Dated, inscribed, and signed “...NYC. Rebecca Lepkoff” in pencil on the verso l.l. and l.r., respectively.

Gelatin silver print on single weight paper, image size 9 1/2 x 7 1/4 in.

(24.1 x 18.4 cm), unmatted, unframed.

Condition: Light silvering, unobtrusive crease in u.l. corner of sheet, minor soiling on verso.

N.B. As a college student, Rebecca Lepkoff studied dance with Martha Graham and bought her first camera with money she earned as a dancer at the 1939 New York World’s Fair.

She participated in a photography program run by the National Youth Administration, a Depression-era government agency, from 1939 to 1941. In 1945 she joined the Photo League, whose members were committed to documentary photography as a vehicle for effecting social change. Lepkoff was particularly interested in the relationships she observed on the streets and in the tenements of New York City. Born and raised on the Lower East Side, her photographs present an intimate and personal record of this familiar neighborhood. $700-900

1102 Susan Meiselas (American, b. 1948) Before the Show, Tunbridge, Vermont, from the series CARNIVAL STRIPPERS, 1974, printed 2008, edition of 35 plus 21 artist proofs, from The PRC Portfolio published by the Photographic Resource Center at Boston University. Titled, dated, signed, and numbered “...S Meiselas “AP 15” in pencil on the verso along the bottom. Fiber-based gelatin silver print on Ilford glossy paper, image size 9 7/8 x 14 1/2 in. (25.1 x 36.8 cm), matted, unframed.

Condition: Good.

Fine Art online

1095 Leonard Freed (American, 19292006)

N.B. Carnival Strippers, Susan Meiselas’s first major photography project, documents the public and private lives of striptease performers at fairs and carnivals in New England from 1972 to 1975. $800-1,200 1103 Susan Meiselas (American, b. 1948) Liberty Plaza, New York, September 11, 2001, printed 2011. Titled, signed, and dated “...Susan Meiselas/2011” in black ink on the verso along the bottom. Inkjet print, image size 9 x 13 7/16 in. (22.8 x 18.8 cm), matted, unframed.

Condition: Scratch with small loss u.r. $700-900

1100 Rebecca Lepkoff (American, 19162014)

1104 Joel Meyerowitz (American, b. 1938)

Lower East Side, New York City, 1938. Signed, dated, and inscribed “Rebecca Lepkoff...Low. E. Side NYC” in pencil on the verso. Gelatin silver print, image size 9 3/8 x 7 7/16 in.

(23.8 x 18.8 cm), unmatted, unframed.

Condition: Scattered minor handling crimps. $800-1,200

Provincetown, Cape Cod, 1976.

Titled, dated, and signed “...Joel Meyerowitz” in ballpoint pen on the verso l.l. Chromogenic print, image size 9 5/8 x 7 1/2 in. (24.5 x 19.0 cm), unmatted, unframed.

Condition: Faded, minor handling crimps and rippling to sheet. $600-800

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1105 Arno Rafael Minkkinen (Finnish/ American, b. 1945)

1109 Albert Renger-Patzsch (German, 1897-1966)

See No Evil, Hear No Evil, Speak No Evil, Tuscany, 1998. Titled, dated, and signed “...Arno Minkkinen” in pencil on the verso along the bottom edge. Gelatin silver print, image size 2 1/2 x 8 1/2 in. (6.3 x 21.5 cm), matted, framed.

Condition: Good. $800-1,200

Abbruchviertel mit Jakobikirche, Hamburg (Demolished Quarter with St. James Church, Hamburg), 1929. Stamped “RENGER-PATZSCH/ WAMEL-DORF ÜBER SOEST I.W.” in blue ink on verso u.r., stamped “RENGER-FOTO D.W.B./ESSEN, GOETHESTR. 41” in blue ink on verso u.r., identified on an accompanying label. Gelatin silver print, image/sheet size 6 5/8 x 9 in. (16.8 x 22.8 cm), unmatted, unframed.

Condition: Good. $800-1,500

1106 Carolyn Monastra (American, 20th/21st Century) Eagle Lake, 2001. Signed “CA Monastra” in ink on the reverse l.r., numbered “1/3” in ink on the reverse l.c., titled and dated in ink on the reverse l.l., identified in a Ambrosino Gallery label affixed to the reverse.

Chromogenic print on paper facemounted to Plexiglas, image/sheet size 39 3/4 x 50 3/8 in. (100.9 x 127.9 cm), unframed.

Condition: Good. $1,500-2,500 1107 Robert and Shana ParkeHarrison (American, act. 1996-present)

Fine Art online

Dark Rain, 2008, edition of 35 plus 21 artist proofs, from The PRC Portfolio published by the Photographic Resource Center at Boston University.

Signed “Robert ParkeHarrison Shana ParkeHarrison” and titled in pencil below the image l.r. and l.l., respectively, numbered “AP15” in pencil l.r. corner. Pigmented inkjet print on Somerset Velvet paper, image size 11 1/8 x 11 1/16 in. (28.3 x 28.1 cm), matted, unframed.

Condition: Good. $800-1,200

14

1108 Eliot Porter (American, 1901-1990) Waterslide from Above, Long Canyon, September 21, 1965, printed in 1980 in an edition of 250 for the portfolio ELIOT PORTER: GLEN CANYON. Signed “Eliot Porter” in pencil on the mount l.r., stamped on the reverse of the mount. Dyetransfer print, image/sheet size 12 3/8 x 16 in. (31.0 x 40.6 cm), unframed, presented with the original folder from the portfolio.

Condition: Mounted, good.

1110 Arthur Rothstein (American, 19151985) The Bleached Skull of a Steer, South Dakota Badlands, 1936, printed later. Unsigned, stamped “ARTHUR ROTHSTEIN/PHOTOGRAPH/from the collection of GRACE ROTHSTEIN” in black ink on the verso l.l. Gelatin silver print, image size 9 x 8 7/8 in. (22.8 x 22.5 cm), matted, unframed.

Condition: Good, minor crease in u.l. corner of sheet.

N.B. In 1936, at the young age of 21, Arthur Rothstein became the first photographer hired by Roy Stryker of the federal government’s Resettlement Administration to document the effects of the Great Depression on struggling families, as well as that agency’s efforts to alleviate the economic problems facing the nation. At the time if its making, Rothstein’s image of a bleached steer skull was widely published in American newspapers and magazines as visual evidence of the extreme drought conditions plaguing the nation’s agricultural heartland. $1,000-1,500 1111 Arthur Rothstein (American, 19151985) John Marin in His Studio, Hoboken, New Jersey, 1949, printed later.

Unsigned, stamped “ARTHUR ROTHSTEIN/PHOTOGRAPH/from the collection of GRACE ROTHSTEIN” in black ink on the verso l.l. Gelatin silver print, image size 8 7/8 x 12 in. (22.5 x 30.5 cm), matted, unframed.

Condition: Minor crease in image u.r., handling crimp u.l. edge. $700-900

Provenance: Descended through the artist’s family. $1,000-1,500

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1112 Aaron Siskind (American, 1903-1991) Lima 89, 1975. Titled, dated, and signed “...Aaron Siskind” in pencil on the verso u.c. Gelatin silver print, image size 14 x 14 in. (35.5 x 35.5 cm), unmatted, unframed.

Condition: Good.

Provenance: From the artist to the current owner. $1,200-1,800 1113 Aaron Siskind (American, 1903-1991) Martha’s Vineyard, 1974. Signed “Aaron Siskind” in black ink below the image l.r., titled and dated “M.V. ...” in black ink below the image l.l. Gelatin silver print, image size 7 x 7 in. (17.7 x 17.7 cm), unmatted, unframed.

Condition: Good.

Provenance: From the artist to the current owner. $800-1,200 1114 Aaron Siskind (American, 1903-1991) Olmec, Villahermosa 20, 1973.

Signed “Aaron Siskind” in ink below the image l.r., titled and dated in ink below the image l.l., annotated on the reverse. Gelatin silver print, image size 9 5/8 x 9 1/2 in. (24.3 x 24.0 cm), unmatted, unframed.

Condition: Good. $800-1,200 1115 Aaron Siskind (American, 1903-1991) Peru 229, 1977. Titled, dated, and signed “...Aaron Siskind” in pencil on the verso u.c. Gelatin silver print, image size 9 3/4 x 9 in. (24.8 x 22.8 cm), matted, unframed.

Condition: Minor crease in u.r. corner of sheet.

Provenance: From the artist to the current owner. $1,200-1,800

Providence 89, 1986. Signed “Aaron Siskind” in pencil on the verso at center. Gelatin silver print, image size 14 x 14 in. (35.5 x 35.5 cm), matted, framed.

Condition: Good.

Provenance: From the artist to the current owner. $1,200-1,800 1117 George Tice (American, b. 1938) Sunset, Port Clyde, Maine, 1971.

Signed “GEO. A. TICE” in pencil below the image l.r., titled and dated in pencil on the back of mount u.l. Gelatin silver print, image size 6 1/4 x 9 7/16 in.

(15.8 x 24.0 cm), matted, unframed.

Condition: Mounted, good. $700-900 1118 Brett Weston (American, 1911-1993) Torn Poster, Holland, 1971, from the portfolio EUROPE (Carmel, California, 1973). Signed and dated “Brett Weston...” in pencil on the mount l.r.

Gelatin silver print, image/sheet size 12 1/2 x 10 1/2 in. (31.8 x 26.8 cm), matted, framed.

Condition: Mounted, good.

Provenance: A private New York collection.

N.B. A colophon from the Europe portfolio accompanies the lot. $1,000-1,500 1119 Clarence H. White (American, 18711925) Felix Homestead. Monogrammed “CHW” in red paint l.r. Gelatin silver print, image/sheet size 9 3/8 x 7 3/8 in.

(23.8 x 18.7 cm), matted, unframed.

Condition: Silvering and discoloration at edges below overmat, hinged at u.l. and l.l. corners. $500-700

1120 Garry Winogrand (American, 19281984) Untitled, from the portfolio WOMEN ARE BEAUTIFUL, 1970-71, printed 1981. Signed and numbered “Garry Winogrand 69/80” in pencil on the verso l.l. Gelatin silver print, 8 3/4 x 13 1/16 in. (22.3 x 33.2 cm), unmatted, unframed.

Condition: Unmounted, good.

1123 Flemish School, 17th Century Style Floral Still Life with a Foreground Bird Unsigned.

Oil on canvas, 24 1/2 x 16 5/8 in. (62.0 x 42.0 cm), framed.

Condition: Lined, skinning, retouch, craquelure, losses, surface grime. $1,200-1,800

N.B. A recent retrospective of Winogrand’s work was jointly organized by the San Francisco Museum of Modern Art and the National Gallery of Art, Washington, D.C., and traveled to the Metropolitan Museum of Art, New York, Jeu de Paume, Paris, and Fundación MAPFRE, Madrid. $1,200-1,800

1123A Millicent Jarvis (American, b. 1839)

1121 Edwin Wurm (Austrian, b. 1954)

Provenance: The estate of Wayne Beam Morrell (1923-2013), Rockport, Massachusetts.

Outdoor Sculpture, Taipei, 2000, printed 2003. Numbered, signed, and dated “26/100 EWurm...” in ballpoint pen on the verso l.r. Chromogenic print, image/sheet size 23 7/8 x 15 3/4 in. (60.5 x 40.0 cm), matted, framed.

Condition: Good, hinged to over mat at top corners. $700-900 1122 Manner of Gerbrand van den Eeckhout (Dutch, 1621-1674) Susanna and the Elders Unsigned, identified on handwritten labels affixed to the back of the frame.

Oil on panel, 19 5/8 x 33 7/8 in. (50.2 x 86.0 cm), unframed.

Condition: Panel with a horizontal break through the middle, old repairs to the reverse of the panel, losses to the panel front, skinning, abrasions.

Provenance: The estate of Wayne Beam Morrell (1923-2013), Rockport, Massachusetts.

N.B. Wayne Morrell was a landscape painter of the Cape Ann School. A frame accompanies the lot. $1,000-1,500

Jeannette in Studio Signed and inscribed “M. Jarvis Antwerp” l.c.

Oil on canvas, 30 x 26 in. (76.0 x 66.0 cm), framed.

Condition: Restoration throughout, craquelure, lined.

Fine Art online

1116 Aaron Siskind (American, 1903-1991)

Note: Millicent Jarvis was a Massachusetts painter and member of the Boston Art Club during the latter part of the 19th century. She opened a studio at 149A Tremont Street in 1876, but is not listed in the city directory from 1882–1892. In 1893, she is listed as maintaining a studio at 108 Mt. Vernon Street, Boston, until 1903. She exhibited two oils at the Boston Art Club in 1877 and a watercolor in 1881.

One of her most accomplished works, Woman with a Rose in her Hair, a 52 x 33 inch oil on canvas, was exhibited at the Fuller Art Museum. $800-1,200 1124 Manner of Sir Anthony van Dyck (Flemish, 1599-1641) Aluisius Campo at the age of Thirtytwo Unsigned.

Oil on canvas, 39 3/4 x 35 5/8 in.

(101.0 x 90.5 cm), in an elaborately carved wood frame.

Condition: Lined, paint losses, craquelure with areas of lifting, surface grime. $2,000-3,000

Online bidding at www.skinnerinc.com/auctions/2818T

15

1125 Dutch School, 17th Century Tavern Interior with Woman Smoking and a Cat Unsigned, dated “92” l.l. beneath the edge of the table.

Oil on oval panel, 5 1/2 x 4 1/2 in.

(14.0 x 11.5 cm), in an oval frame.

Condition: Surface losses along right side, scattered paint losses, retouch, craquelure, varnish discoloration, surface grime. $4,000-6,000 1126 Dutch School, 17th Century Style Interior with an Artist at His Easel Unsigned.

Oil on cradled panel, 13 1/4 x 16 1/4 in. (33.7 x 41.3 cm), framed.

Condition: Paint losses, skinning, craquelure, surface grime. $700-900 1127 French School, 18th Century Style Woman in Green Wearing a Red Cloak Unsigned.

Oil on canvas, 28 3/4 x 23 1/2 in. (73.0 x 60.0 cm), framed.

Condition: Lined, retouch, craquelure, surface grime. $1,500-2,000

Fine Art online

1128 Alberto Pasini (Italian, 1826-1899)

16

Le Soir sous la Tente [Evening Under the Tent] Signed and dated “A. Pasini 1857” l.l., identified on a label from EhrichNewhouse Inc., New York, affixed to the backing, with a collector’s label (see below) affixed to the stretcher.

Oil on canvas, 9 x 15 1/2 in. (22.9 x 39.4 cm), framed.

Condition: Craquelure, subtle varnish inconsistencies.

1129 Sophie Ernestine Henck (Danish, 1822-1893) Still Life with Grapes and a Silver Cup Signed faintly “Hen...” l.r.

Oil on canvas, 9 1/2 x 13 5/8 in. (24.2 x 34.5 cm), framed.

Condition: Patch reinforcements, retouch, fine craquelure. $700-900

Pont Royal, Paris Signed “Bacon” l.r., titled l.l., stamped “Huile MF Paris” on verso.

Oil on board, 5 x 8 1/2 in. (12.7 x 21.6 cm), unframed.

Condition: Minor surface grime. $300-500 1135 European School, 19th Century

1130 Attributed to Jacobus van der Stok (Dutch, 1794-1864) Winter Landscape with Thatched Cottages by a River Unsigned.

Oil on panel, 12 x 15 1/8 in. (30.5 x 38.5 cm), framed.

Condition: Scattered retouch, craquelure, surface grime. $700-900

Waiting/Lone Figure Seated on a Staircase Signed indistinctly l.r., Czechoslovakian export label and Anton Seidl, Graz, labels on the reverse.

Oil on board, 7 3/4 x 9 in. (19.7 x 22.9 cm), framed.

Condition: Varnish discoloration, surface grime, and remnant of red wax seal (melted) on verso. $800-1,200

1131 Attributed to Edward Matthew Hale (English, 1852-1924)

1136 Theodore Victor Carl Valenkamph (Swedish/American, 1868-1924)

The Conflagration Unsigned.

Oil on canvas, 12 x 20 in. (30.5 x 50.8 cm), framed.

Condition: Lined, scattered retouch, surface grime. $500-700

Two-masted Schooner in Full Sail Signed “TVC Valenkamph” l.r.

Oil on canvas, 36 x 32 in. (91.4 x 81.2 cm), framed.

Condition: Surface grime, small area of retouch in water. $2,000-2,500

1132 Edwin Lord Weeks (American, 18491903)

1137 Martin Francis-Glüsing (German, 1885-1956)

Orientalist Landscape with Figures Resting Under a Palm Tree Signed and dated “E.L. Weeks 1875” l.l., with “Vieille M. de Couleurs Paris” stencil on verso.

Oil on canvas, 32 x 26 in. (81.2 x 66.0 cm), unframed.

Condition: Surface grime, varnish discoloration, tears and separations from stretcher, several losses. $2,000-3,000

Ship Sailing at Sunset Signed “M. Fräncis Glüsing” l.r.

Oil on canvas, 19 5/8 x 27 3/4 in. (49.8 x 70.5 cm), framed.

Condition: Surface grime; frame losses. $700-900

1133 Giuseppe Laezza (Italian, 1835-1905)

The Beached Dory Signed “E. Percy Moran” l.r., with painting of lilacs on verso.

Oil on board, 14 x 9 1/2 in. (35.5 x 23.5 cm), framed.

Condition: Surface grime, varnish discoloration, board slightly warped. $400-600

Provenance: Collection of A. Donatis, c. 1897.

Literature: Donatis, A., Catalogue des tableaux, aquarelles, pastels et dessins modernes formant la collection de M. A. Donatis (Paris: Imprimerie de l’art, E. Moreau & Cie, 1897), no. 185, p. 100. $10,000-15,000

1134 Henry Bacon (American, 1839-1912)

Neapolitan Fishermen with Nets at the Shore Signed “G. Laezza” l.r.

Oil on canvas, 23 1/2 x 49 in. (59.7 x 124.5 cm), framed.

Condition: Minor retouch, craquelure, surface grime. $4,000-6,000

Online bidding at www.skinnerinc.com/auctions/2818T

1138 Edward Percy Moran (American, 1862-1935)

Three Unframed Watercolors: Granite Falls of Labrador, signed “H Fenn” l.r. and identified on a label: “May/92 View looking up the River above the Grand Falls, Harry Fenn/ from photo furnished by author” on verso, watercolor en grisaille, 10 1/4 x 12 1/5 in. (26.0 x 31.8 cm); A Welch Village, signed “H. Fenn” l.l., identified on label: “Aug 85 Gilert’s Beaulgelert/ Harry Fenn/Original drawing” on verso, 6 1/2 x 10 in. (16.5 x 25.4 cm); and Gardner, signed “H.Fenn” l.l., ink and wash, 7 1/2 x 6 1/2 in. (19.0 x 16.5 cm); all on paper or paperboard.

Condition: All with backing and tape residue on verso, Granite Falls with creases l.l. and u.l., chipped edges and water stain in center. $1,000-1,500 1139A American School, 19th Century Still Life with Grapes Unsigned.

Oil on canvas, 12 x 16 in. (31.0 x 41.0 cm), framed.

Condition: Minor surface grime, varnish discoloration. $400-600 1140 Fidelia Bridges (American, 18341924) Songbirds in Reeds at the Pond’s Edge Signed and dated “F. Bridges/1872” l.l.

Watercolor on paper, 7 5/8 x 6 in. (19.4 x 15.3 cm), framed.

Condition: Very minor rippling along left edge, unmounted. $800-1,200

1141 Fidelia Bridges (American, 18341923)

1143 George M. Haushalter (American, 1862-1943)

Violet Leaves Unsigned, exhibition label affixed to the reverse.

Watercolor and gouache on paper/ board, 9 x 11 1/2 in. (22.8 x 29.2 cm), framed.

Condition: Spotting at left edge, not examined out of frame.

Provenance: By descent to George C. Lay.

Back Water, New Hope, Pennsylvania Signed and inscribed “G. Haushalter/ New Hope, PA” and titled on American Watercolor Society label on the reverse.

Gouache on artist board, 23 3/4 x 18 in. (60.3 x 45.7 cm), framed.

Condition: Tack holes to edges, not examined out of frame. $800-1,200

Exhibitions: Fidelia Bridges Exhibition, October 19–December 6, 1986, The Connecticut Gallery, Marlborough, Connecticut, #27.

1144 Walter Shirlaw (American, 18381909)

N.B. Accompanied by a letter from George C. Lay regarding the provenance of this lot; as well as Fidelia Bridges, American Pre-Raphaelite, essay and catalog by May Brawley Hill, published in 1981 by Berry Hill Galleries; and Familiar Birds and what the Poets Sing of them, illustrated by Fidelia Bridges and edited by Susie Barstow Skelding, published in 1886

by White, Stokes, & Allen, New York. $800-1,200

Driving the Haywagon Signed “W. Shirlaw” l.r., label with provenance on verso.

Oil on canvas, 25 x 39 1/2 in. (63.5 x 100.3 cm), framed.

Condition: Several losses u.r., large shrinkage cracks, craquelure, and surface grime.

1142 Parker S. Perkins (American, 18621942)

1144A Attributed to Sarah Henrietta Purser (British, 1848-1943)

A View Near Rockport, Mass Signed “P.S. Perkins” l.r., titled on the reverse.

Oil on canvas, 12 x 16 in. (30.5 x 40.6 cm), framed.

Condition: Surface grime, varnish discoloration, several losses and small hole. $800-1,200

Portrait of a Man with His Dog Unsigned.

Oil on artist board, 14 x 10 3/16 in.

(35.5 x 25.8 cm), framed.

Condition: Mild bowing to the support, surface grime.

Fine Art online

1139 Harry Fenn (American, 1837-1911)

Provenance: Ms. Florence Heywood, New York. $800-1,200

Provenance: Purchased by the current owner in Cork, Ireland, in the 1970s. $2,500-3,000

1142A Thomas B. Griffin (American, 18581918) Landscape with River and Mountains Signed “T. B. Griffin” l.l.

Oil on canvas, 11 x 15 in. (27.9 x 38.1 cm), framed.

Condition: Lined, surface grime, paint loss right edge. $1,200-1,800

Online bidding at www.skinnerinc.com/auctions/2818T

17

1145 Hiram Dwight Torrey (American, 1820-1900)

1148 Leighton R. Cram (American, 18951981)

1153 Martin B. Leisser (American, 18461940)

Fishermen at Daybreak Signed and dated “H.D. Torrey 1856” l.l., label from McClees Gallery, Philadelphia, on verso.

Oil on canvas, 14 1/8 x 20 in. (36.0 x 51.0 cm), in a period giltwood frame.

Condition: Two small tears in center of canvas, yellowed varnish.

Two Works: Wooded Hillside and Mountain Road Both signed “L. Cram” with estate stamp on verso.

Oil on board, sizes to 10 x 14 in. (25.4 x 35.6 cm), framed.

Condition: Good. $800-1,200

Seashore View, La Jolla Signed and dated “M.B. Leisser 1918” l.r., inscribed “To Mrs. John S. Given, Aug. 1918 and M.B. Leisser La Jolla 210 4th Ave.” on the stretcher, label from Belnord Art Galleries, New York, on frame verso.

Oil on canvas, 18 x 31 in. (45.7 x 78.7 cm), framed.

Condition: Lined, craquelure, and scattered retouch. $600-800

N.B. Hiram Dwight Torrey was born in New Lebanon, New York, in 1820, but little is known about his career or education. He taught painting at the Washington Female Seminary, Pennsylvania, from 1847 to 1850. He and his wife relocated to Milwaukee where he taught and had a studio. In the July 3, 1851 edition of the Milwaukee Sentinel, the editor, after visiting Torrey’s studio, noted “landscapes, hunting pieces and other paintings,” among the artist´s works.

Torrey returned to Pennsylvania in 1853 and in 1856—the same year this work was painted—and exhibited at the Pennsylvania Academy of the Fine Arts. Torrey married for a second time in 1862, and had a son who was born in Glasgow, Scotland, in 1870.

The only painting to come to market is Indians in a Wooded Landscape, an oil on canvas that achieved $25,850 in 2003. $300-500 1146 Louis W. Hawkins (American, 18491910)

Fine Art online

Girl Reading in a Meadow Signed “L.W. Hawkins” l.l.

Watercolor on paper, sight size 12 1/2 x 10 in. (31.7 x 25.4 cm), framed.

Condition: Minor spotting u.r., not examined out of frame. $700-900

18

1147 Lilla Cabot Perry (American, 18481933) Portrait of a Young Woman Facing Left Signed “Lilla C. Perry” u.l., labels from Thomas Segal Gallery, Boston, and Robert Cheek Fine Arts, Inc., Charlotte, North Carolina, on the reverse.

Pastel on paper, 22 x 18 in. (55.9 x 45.7 cm), framed.

Condition: Not examined out of frame.

1149 Leighton R. Cram (American, 18951981) The Ravine Signed “L. Cram” l.r.

Oil on board, 14 x 20 in. (35.6 x 50.8 cm), framed.

Condition: Minor surface grime, paint surface stable. $1,200-1,800 1150 Leighton R. Cram (American, 18951981) Two Works: Distant Houses and Rocky Coast Signed “...Cram” l.l. and l.r., respectively, both with estate stamp on verso.

Oil on board, sizes to 12 x 16 in. (30.5 x 40.6 cm), framed.

Condition: Good. $1,000-1,500 1151 Charles Henry Hayden (American, 1856-1901) Spring Landscape with Farm Signed “C.H. Hayden” l.l.

Oil on canvas, 17 x 21 in. (43.1 x 53.3 cm), framed.

Condition: Minor surface grime with small flake losses along top. $800-1,200 1152 Ernest Harrison Barnes (American, 1873-1955) Moonlight Signed “E.H. Barnes” l.l.

Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed.

Condition: Surface grime. $800-1,200

Provenance: Acquired through the artist’s estate. $800-1,200

Online bidding at www.skinnerinc.com/auctions/2818T

1154 German/American School, 20th Century Church in Sunbathed Landscape Signed and dated “Fritz Muller 1942” l.r.

Oil on canvas, 36 x 30 in. (91.4 x 76.2 cm), unframed.

Condition: Minor surface dirt, lined, minor retouch in sky. $1,000-1,500 1155 Roy Henry Brown (American, 18791956) District No. 1 Signed “Roy Brown” l.r.

Oil on board, 12 x 16 in. (30.5 x 40.6 cm), framed (under glass).

Condition: Good.

Provenance: Descended within a family that summered in Wilton, New Hampshire, and knew the artist. $1,000-1,500 1156 Roy Henry Brown (American, 18791956) Wilton Center Signed “Roy Brown” l.r.

Oil on board, 15 x 11 1/2 in. (38.1 x 29.5 cm), framed.

Condition: Good.

Provenance: Descended within a family that summered in Wilton, New Hampshire, and knew the artist. $800-1,200

1162 Charles Gordon Harris (American, 1891-1963)

1165 Stephen Maxfield Parrish (American, 1846-1938)

Sailboat at Sunset Signed and dated “Bayard H. Tyler ‘98” l.r.

Oil on canvas, 10 x 12 in. (25.4 x 30.5 cm), framed.

Condition: Surface grime, pigment fluorescence to signature. $3,500-5,500

Brook in Winter Signed “C. Gordon Harris” l.r., with Providence Art Club label on the reverse.

Oil on board, 11 3/4 x 14 in. (29.8 x 35.5 cm), framed.

Condition: Minor surface grime. $700-900

Autumn Vista Signed “Stephen Parrish” l.r.

Oil on panel, 16 x 22 in. (40.6 x 55.8 cm), framed.

Condition: Surface grime.

1158 K. Douglas Wiggins (American, b.

1959)

1163 Frank J. Doelger (American, 20th Century)

Irrigation at Dusk Signed and dated “88 KD Wiggins SAI” l.l., titled on label from Clark Wiggins Ltd. Gallery affixed to backing board.

Oil on canvas, 16 x 20 in. (40.6 x 50.8 cm), framed.

Condition: Good. $800-1,500

Winter Landscape Signed and dated “F.J. Doelger 1923” l.r.

Oil on canvas, 24 x 30 in. (60.9 x 76.2 cm), framed.

Condition: Surface grime along edges, minor cracking to paint surface. $700-900

1159 Robert E. Wood (American, 19191980)

1163A Henry Martin Gasser (American, 1909-1981)

Autumn Splendor Signed “Robert Wood” l.r., titled, stamped, and inscribed “From the private collection of Caryl Wood 1964” on the reverse.

Oil on board, 14 x 18 in. (35.5 x 45.7 cm), framed.

Condition: Good. $2,500-5,500

Winter Bay Vista Signed “H. Gasser” l.r., titled on the reverse.

Casein or watercolor on paperboard, 22 1/4 x 29 5/8 in. (56.5 x 75.4 cm), framed.

Condition: Scattered losses and abrasions, surface grime, surface has been varnished. $3,000-4,000

1160 Marion Huse (American, 1896-1967) Vermont Farm Under a Stormy Sky Signed “Marion Huse” l.l.

Oil on canvas, 24 x 30 in. (61.0 x 76.1 cm), framed.

Condition: Areas of fine craquelure, minor surface grime. $500-700 1161 Roy Henry Brown (American, 18791956) Trepied Signed and inscribed “Roy H. Brown/ Trepied” l.l.

Oil on panel, 13 3/4 x 10 1/4 in. (34.9 x 26.0 cm), framed.

Condition: Good. $3,000-5,000

1164 Robert Emmett Owen (American, 1878-1957) Autumn Landscape Signed “R. Emmett Owen” l.r.

Oil on canvas, 14 x 16 in. (35.6 x 40.6 cm), framed.

Condition: Scattered very small dots of white pigment, very minor paint losses, fine stable craquelure. $1,000-1,500

Provenance: From “Northcote,” the home and studio of Stephen Parrish in Cornish, New Hampshire, acquired by the family of the current owner in the mid-1960s.

N.B. This lot came from Stephen Parrish’s Cornish, New Hampshire, home and studio “Northcote,” which was purchased and restored in the mid 1960s. The house was designed by Philadelphia architect Wilson Eyre and was built for Stephen Parrish as his summer home and studio in 1897. The house is located on a ridge overlooking the Connecticut River off Lang Road.

Stephen’s son Maxfield built his home, “The Oaks,” on an adjacent ridge in Plainfield, New Hampshire. Neighbors included Charles Platt and Augustus St. Gaudens, among others. Later residents included J.D. Salinger, also a resident of Lang Road. $1,200-1,800

Fine Art online

1157 Bayard Henry Tyler (American, 18551931)

1166 Paul Bernard King (American, 18671947) Gloucester Harbor Signed “Paul King” l.r.

Oil on Masonite, 25 x 30 in. (63.5 x 76.2 cm), framed.

Condition: Surface grime, frame abrasions. $2,500-3,500 1166A Thomas R. Curtin (American, 18991977) Country Lane in Autumn Signed “Thos. R. Curtin” on the reverse.

Oil on canvasboard, 16 x 20 in. (40.3 x 50.6 cm), framed.

Condition: Surface grime. $1,000-1,500

Online bidding at www.skinnerinc.com/auctions/2818T

19

1167 Harry Aiken Vincent (American, 1864-1931)

1171 Reynolds Beal (American, 18661951)

1175 Emile A. Gruppé (American, 18961978)

Twenty Sketchbooks and a Portfolio of Loose Drawings Several sketchbooks inscribed “H.A. Vincent” and two inscribed “P. Cornoyer.”

Pencil and charcoal sketches, various sizes, including three books once belonging to Vincent, The Whistler Book, Dante’s Inferno, Illustrated

by Gustave Dore, and A History of Architecture.

Condition: Several pages loose, agetypical wear. $2,000-3,000

Provincetown, September 18, 1916 Unsigned, dated and titled in pencil u.l.

Graphite and colored pencil on paper, 8 3/8 x 10 5/8 in. (21.2 x 27.0 cm), framed.

Condition: Mat burn, glue stain or similar c.r., mild toning, hinged to back mat in two places on the top edge of the reverse.

Dockside Gloucester Signed “Emile A. Gruppé” l.r.

Oil on canvas, 20 x 24 in. (50.8 x 60.9 cm), framed.

Condition: Good. $3,500-5,500

1168 Theodore Kautzky (Hungarian/ American, 1896-1953)

1172 Maurice L. Freedman (American, 1904-1985)

Two Coastal Scenes: Rocky Shore and White House Unsigned, one with label from Patricia Silleck on verso stating “purchased directly from his estate.”

Oil on board, both 16 x 20 in. (40.6 x 50.8 cm), in matching frames.

Condition: Good. $800-1,200

Flowers at the Cove Initialed and dated “MF55” l.l., titled on a label from J.K. Thannhauser, New York, affixed to the frame backing paper.

Oil on canvas, sight size 19 7/8 x 8 5/8 in. (49.8 x 22.0 cm), framed.

Condition: Scattered paint losses, fine craquelure, canvas rippling, surface grime. $1,000-1,500

1169 Raymond Hendry Williams (American, 1900-1977) The Fishing Wharf Signed “RAY. WILLIAMS” l.l., titled on the reverse.

Oil on canvasboard, 12 x 16 in. (30.5 x 40.6 cm), framed.

Condition: Minor surface grime. $700-900

Fine Art online

1170 William C. Ehrig (American, 18921973)

20

Crashing Waves Signed “Wm C. Ehrig” l.r.

Oil on canvas, 24 x 36 in. (60.9 x 91.4 cm), framed.

Condition: Good. $1,200-1,500 1170A Carl William Peters (American, 18971980)

Provenance: Estate of the artist, to Robert B. Campbell, through to the current owner. $1,000-1,500

1173 Donald Blagge Barton (American, 1903-1990) Cascading Stream Signed “Barton” l.l.

Oil on canvas, 20 x 24 in. (50.8 x 60.9 cm), framed.

Condition: Surface grime. $800-1,200 1174 Lester George Hornby (American, 1882-1956) The Rocky Neck Ferry Signed, titled, and inscribed “The Rocky Neck Ferry/L.G. Hornby/ East Gloucester” l.r., label from Vose Galleries, Boston, affixed to the backing paper.

Watercolor on paper, sight size 12 1/2 x 15 1/2 in. (31.7 x 39.3 cm), framed.

Condition: Slightly faded, not examined out of frame. $700-900

Farm in Autumn Signed “Carl W. Peters” l.r., numbered “108-A” on verso.

Oil on canvas, 20 x 24 in. (50.8 x 60.9 cm), unframed.

Condition: Minor surface grime. $1,200-1,800

Online bidding at www.skinnerinc.com/auctions/2818T

1175A Carl William Peters (American, 18971980) Sunday, Rockport Unsigned, estate stamp signed by “Elaine Peters Woodbury” on verso.

Oil on canvas, 20 x 24 in. (50.8 x 60.9 cm), unframed.

Condition: Good. $1,000-1,500 1176 Charles Laban Adams (American, 1857-1914) Noon at the Wharves Signed and dated “CL ADAMS/1900” in blue l.r., dated “1900” in red l.l.

Oil on canvas, 14 x 11 in. (35.5 x 30.5 cm), framed.

Condition: Tack holes to corners, minor paint losses, minor surface grime. $1,200-1,800 1177 Charles Henry Ebert (American, 1873-1959) Monhegan Coast Signed “Ebert” l.r.

Oil on canvasboard, 15 7/8 x 19 3/4 in.

(40.3 x 50.0 cm), framed.

Condition: Minor surface grime. $1,000-1,500 1178 No lot.

1179 Emile A. Gruppé (American, 18961978) Boats Docked in Gloucester Harbor Signed “Emile A. Gruppé” l.r.

Oil on canvas, 30 x 36 in. (76.2 x 91.4 cm), framed.

Condition: Surface grime. $4,000-6,000

Rock Bound Cove, Bar Harbor, Maine Signed “Steene” l.r., titled on a handwritten label on the reverse.

Oil on Masonite, 18 x 22 in. (45.7 x 55.8 cm), framed.

Condition: Minor surface grime. $700-900 1181 Robert Charles Gruppé (American, b. 1944) Rocky Shore with Distant Sailboats Signed “Robert C. Gruppé” l.l.

Oil on canvas, 24 x 36 in. (60.7 x 91.2 cm), framed.

Condition: Good. $500-700 1181A Horace Talmage Day (American, 1909-1984) Ware-Sibley-Clark House, Augusta, Georgia Signed and dated “Horace Day 37” l.r.

Oil on canvas, 20 x 24 in. (50.8 x 60.9 cm), framed.

Condition: Minor surface grime, canvas loose; frame losses.

N.B. Nicholas Ware, a prominent Georgia businessman and politician, built his mansion on the outskirts of Augusta in 1818. The cost of construction—over $40,000—was outrageous for the time period, leading to the saying “Ware’s Folly.” Today the home is occupied by the Gertrude Herbert Institute of Art. $600-800

1183 Henry Grenier (French, 1882-1940)

1187 Vincenzo Canino (Italian, 1892-1978)

Paris Street Scene Signed and inscribed “Henry Grenier/ Paris” l.c., inscribed “Yo Federico Schäfer/L.E. 376-742/certifico que este cuadro es original mio firmado con mi seudonimo artistica - Henry Grenier” on verso.

Watercolor and ink on paper, sight size 16 3/4 x 21 in. (42.5 x 53.3 cm), framed.

Condition: Minor fading and toning. $700-900

Castello dell’Ovo Signed “V. Canino” l.r., titled on verso, with exhibition label on verso.

Oil on panel, 11 5/8 x 17 5/8 in. (29.5 x 44.7 cm), framed.

Condition: Minor surface grime.

1184 Edward Matthew Hale (English, 1852-1924) The Pursuit Signed and dated “E. Matthew Hale 1905” l.r.

Oil on canvas, 20 1/4 x 26 1/4 in. (51.4 x 66.7 cm), framed.

Condition: Surface grime, losses along bottom and left edges, paint lifting from surface, lined and restretched. $700-900 1185 Henry Grenier (French, 1882-1940) Troika Maison Russe Unsigned, inscribed “Yo Federico Schäfer/L.E. 376-742, certifico que este quadro es original mia firmado con mi seudonimo artistica - Henry Grenier” on verso.

Watercolor and ink on paper, 18 1/2 x 22 1/2 in. (22.5 x 57.1 cm), framed.

Condition: Varnish discoloration and inconsistencies. $700-900 1186 Henry Grenier (French, 1882-1940)

1182 Henry Grenier (French, 1882-1940) Theatre Russe Bolsoi Signed and inscribed “Henry Grenier/ Theater Russe Bolsoi Paris” l.l.

Watercolor and ink on paper, sight size 18 1/2 x 23 in. (46.9 x 58.4 cm), framed.

Condition: Not examined out of frame. $700-900

Les Canotiers Signed “Henry Grenier” l.l., inscribed “Yo Federico Schäfer, L.E. 376-742, certifico que este cuadro es original mia firmado con mi seudonimo artistica - Henry Grenier” on verso.

Watercolor and gouache on paper, 11 1/2 x 17 1/2 in. (29.1 x 44.5 cm), framed.

Condition: Varnish discoloration. $400-800

Exhibitions: Piccirillo Raffaele Exhibitor, Napoli. $800-1,200 1188 Andre Beronneau (French, 18961973) Cote d’Azur, Carqueiranne Signed “Andre Beronneau” l.r., titled on verso.

Oil on panel, 12 3/4 x 16 in. (32.4 x 40.6 cm), framed.

Condition: Surface grime. $700-900

Fine Art online

1180 William Steene (American, 18881965)

1189 Hans Wagner (Swiss, 1885-1949) Netherlands Fishing Harbor View Signed “H. Wagner” l.r.

Oil on canvas, 26 x 40 in. (66.0 x 101.6 cm), framed.

Condition: Lined, scattered retouch. $1,000-1,500 1190 Paul Gagni (French, 1893-1962) Les Bouquinistes Signed “Gagni” l.r., titled on a plaque on the frame.

Oil on board, 9 x 12 in. (22.8 x 30.5 cm), framed.

Condition: Surface grime, small abrasion to sky. $800-1,200 1191 Paul Gagni (French, 1893-1962) La Madeleine Signed “Gagni” l.r., titled on a presentation plaque.

Oil on board, 9 x 12 in. (22.8 x 30.5 cm), framed.

Condition: Surface grime, minor scratch l.l. $800-1,200

Online bidding at www.skinnerinc.com/auctions/2818T

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1192 Marie Lucie Nessi-Valtat (French, 1910-1992) Rue Napoleon en Aix Signed “Nessi” l.r., titled on verso.

Oil on canvas, 15 x 18 in. (38.1 x 45.7 cm), framed.

Condition: Good. $800-1,200

1196A Foster Bros. (American, c. 1910-20) Arts & Crafts/Art Nouveau Frame Hand-carved giltwood, with Foster Bros., Boston, medallion on verso.

Overall 27 1/2 x 21 1/2 in. (69.8 x 54.6 cm), opening 20 x 14 in. (50.8 x 35.5 cm).

Condition: Gilt chipped in places, restorations. $800-1,200

1193 Pierre Boudet (French, 1925-2010)

Fine Art online

La Place de St. Paul de Vence Signed “P. Boudet” l.r., labels from Wally Findlay Galleries, New York, and Christie’s, New York, on verso.

Oil on board, 22 1/4 x 26 1/2 in. (56.5 x 67.3 cm), framed.

Condition: Good, minor frame abrasions.

22

1197 Lodewijk Karel Bruckman (Dutch/ American, 1913-1980)

Provenance: Wally Findlay Galleries, New York; Christie’s, New York, May 9, 1994, Lot 391. $1,000-1,500

Still Life with Fruit Signed and dated “Lodewijk Bruckman f56+” u.r., signed and inscribed “Lodewijk Bruckman/ PROVINCETOWN, CAPE COD/ MASS/1956” on the reverse.

Oil on canvas, 16 x 20 in. (40.6 x 50.8 cm), framed.

Condition: Good. $1,000-1,500

1194 Jean-Gabriel Domergue (French, 1889-1962)

1198 Gerrit Hondius (Dutch/American, 1891-1970)

Portät einer Jungen Frau Signed “Jean/Gabriel/Domergue” l.l., titled and inscribed on the reverse.

Oil on canvas, 25 1/2 x 21 3/4 in. (65.0 x 55.1 cm), framed.

Condition: Good. $1,500-2,000

Woman in Blue with Flowers Signed “Hondius” l.l.

Oil on Masonite, 30 x 24 in. (76.2 x 61.0 cm), framed.

Condition: Craquelure, scattered paint losses and lifting. $600-800

1195 Leopoldo Romañach (Cuban, 18621951)

1199 Henry Ernest Schnakenberg (American, 1892-1970)

Portrait of a Bearded Man Signed “L. Romañach” l.r.

Oil on canvas, 24 x 19 in. (61.0 x 48.3 cm), framed.

Condition: Lined, retouch. $2,000-2,500

Still Life, Calendula Signed “H.E. Schnakenberg” l.r., titled on exhibition and gallery labels, including two from Kraushaar Galleries, New York, on verso.

Oil on canvas, 16 x 20 in. (40.6 x 50.8 cm), framed.

Condition: Surface abrasion l.l. and small restoration l.c. $1,000-1,500

1196 Lodewijk Karel Bruckman (Dutch/ American, 1913-1980) Still Life with Plums Signed and dated “Lodewijk Bruckman f55+” l.l., signed and inscribed “Lodewijk Bruckman/ PROVINCETOWN, CAPE COD/ MASS/1955” on the reverse.

Oil on canvas, 15 x 20 in. (38.1 x 50.8 cm), framed.

Condition: Good. $1,000-1,500

1201 Raphael Soyer (American, 18991987) Portrait of a Man (David Soyer, Cellist) Signed “RAPHAEL/SOYER” l.r.

Oil on canvas, 32 x 26 in. (81.5 x 66.0 cm), unframed.

Condition: Patch reinforcement, retouch, stretcher bar marks, surface grime.

N.B. The sitter, David Soyer (19232010), was the founding cellist of the Guarneri String Quartet, formed at the Marlborough Music Festival in Vermont in 1964, and playing together for the following 37 years. Raphael Soyer was the sitter’s cousin. $1,500-2,000 1202 Raphael Soyer (American, 18991987) Elsa Signed “RAPHAEL SOYER” l.l., inscribed and titled “Raphael Soyer ‘Elsa’” on the stretcher.

Oil on canvas, 30 x 24 in. (76.2 x 61.0 cm), framed.

Condition: Water staining or similar to the lower quarter of the reverse. $2,000-3,000 1203 Lilla Cabot Perry (American, 18481933) Seated Woman in Black Wearing a Double Strand of Pearls Signed “Lilla Cabot Perry” u.l.

Oil on canvas, 31 7/8 x 25 7/8 in. (81.0 x 65.0 cm), unframed.

Condition: Gummed label inscribed “214” affixed at u.l. just to the left of the signature, varnish inconsistencies, minor paint losses along l.r. edge.

Provenance: Acquired through the artist’s estate. $1,000-1,500 1204 Arturo Avigdor (Italian, b. 1906)

1200 Sara Metzner Boal (American, 18961979) Still Life with Flowers Signed “S. Boal” l.l., with artist’s address label on the stretcher.

Oil on canvas, 30 x 24 in. (76.2 x 60.9 cm), framed.

Condition: Patch reinforcement, retouch, craquelure, surface grime. $800-1,200

Online bidding at www.skinnerinc.com/auctions/2818T

Still Life with Tomatoes Signed and dated “A.Avigdor/49” l.l.

Pastel on paper, 11 1/2 x 18 1/2 in.

(29.0 x 47.0 cm), framed.

Condition: Water staining near upper edge, not examined out of frame. $300-500

Still Life with Grapes Unsigned.

Oil on canvas, 10 1/4 x 8 1/4 in. (26.0 x 20.9 cm), framed.

Condition: Surface grime. $500-700 1206 Nan Faure Greacen (American, 1908-1999) The Porcelain Deer Signed “Nan Greacen N.A.” u.l., labels on the reverse.

Oil on canvas, 24 1/2 x 32 in. (62.2 x 81.2 cm), framed.

Condition: Good.

Exhibitions: 52nd Annual Exhibition, Allied Artists of America, National Academy Galleries, New York, 1965; Grand Central Galleries, New York. $1,500-2,500 1207 Stevan Dohanos (American, 19071995) Avocadoes Signed “Stevan Dohanos” l.r.

Tempera and gouache on Masonite, 25 1/8 x 23 7/8 in. (63.9 x 60.8 cm), framed (under glass).

Condition: Minor surface imperfections. $800-1,200 1208 Philip Campbell Curtis (American, 1907-2000) Two Women Signed and dated “PHILIP C CURTIS ‘72” across the top of the composition.

Oil on panel, sight size 3 3/8 x 2 7/16 in. (8.6 x 6.1 cm), housed in a daguerreotype case.

Condition: Good.

Provenance: Ex collection of Charles Percy Parkhurst (1913-2008), Williamstown, Massachusetts.

Parkhurst was a part of the so-called Williams Art Mafia. He worked as a museum curator, professor, and was one of the “Monuments Men.” $500-700

1209 Herbert Cyrus Farnum (American, 1866-1925) Mother and Child Picking Wildflowers Signed “H. Cyrus Farnum” l.l.

Oil on canvas, 30 x 48 in. (76.2 x 121.9 cm), framed.

Condition: Small patch on verso, areas of retouch to sky. $2,000-3,000 1210 Gouri Paul Ivanov-Rinov (Russian/ American, 1902-1966) Mongolian Horsemen Signed and dated “Gouri Ivanov-Rinov 1962” l.l., with Chinese inscription l.r.

Gouache on paper/board, sight size 14 x 38 1/2 in. (35.5 x 37.8 cm), framed.

Condition: Not examined out of frame.

Provenance: Acquired from the artist, who was a close family friend.

1214 Ellis Buckner (American, 1943-1991) Florida Landscape Signed “E. Buckner” l.r.

Oil on canvas, 24 x 18 in. (60.9 x 45.7 cm), framed.

Condition: Soiling on the reverse of the canvas.

N.B. Ellis Buckner, an amateur painter, was one of the Highwaymen, a group of Florida artists who sold work out of their cars during the 1960s and 1970s. $1,000-1,500 1215 Charles Levier (French, 1920-2003) La Nuit Signed “Levier” l.l., signed and titled “La Nuit/Ch. Levier” on verso.

Oil on canvas, 30 x 40 in. (76.2 x 101.6 cm), framed.

Condition: Good. $800-1,200

N.B. The Chinese inscription appears to be the name of an artist, phonetically transcribed as Li Zan Nian. $1,000-1,500

1216 Charles Levier (French, 1920-2003)

1211 Albert Mohr (American, b. 1918)

Flowers Along the French Coast Signed “Levier” l.l.

Oil on canvas, 30 x 40 in. (76.2 x 101.6 cm), framed.

Condition: Good. $1,000-1,500

Woman in a Garden Signed “Albert Mohr” l.l.

Oil on canvas, 19 3/4 x 24 in. (50.1 x 60.9 cm), framed.

Condition: Good. $1,000-1,500 1212 Gabriel Glikman (Russian, 19132003) Portraits of Mr. and Mrs. David and Klara (née Awinowick-Schpirt) Sklar of Nashua, New Hampshire Both initialed and dated “...81” l.r. and identified on the paper backing.

Oil and graphite on paper/board, 40 x 32 in. (101.6 x 81.3 cm), framed.

Condition: Surface grime, not examined out of frames. $2,000-2,500 1213 Tom Christopher (American, b. 1952)

Fine Art online

1205 American School, 19th Century

1217 Marcel Dyf (French, 1899-1985) Gypsy Girl Signed “Dyf” l.l.

Oil on canvas, 18 x 15 in. (45.7 x 38.1 cm), framed.

Condition: Surface grime, canvas buckle u.l., flake losses to edges. $1,500-2,000 1218 Jimmy Ernst (American, 1920-1984) Untitled Abstract Signed and dated “Jimmy Ernst 58” l.r.

Watercolor and gouache on paper, sight size 11 x 16 1/2 in. (27.9 x 41.9 cm), framed.

Condition: Not examined out of frame. $1,500-2,000

Crossing the Avenue Signed and dated “T Christopher ‘93” on the reverse.

Acrylic and graphite on canvas, 62 x 46 in. (157.5 x 116.8 cm), unframed.

Condition: Good. $2,500-3,500

Online bidding at www.skinnerinc.com/auctions/2818T

23

1219 Jimmy Ernst (American, 1920-1984)

1222 William Bailey (American, b. 1930)

Untitled Abstract Signed and dated “Jimmy Ernst 59” l.r.

Watercolor and ink on paper, 6 x 9 in.

(15.2 x 22.8 cm), framed.

Condition: Not examined out of frame. $800-1,200

In the Garden Signed and dated “Bailey 1955” l.r., label from Kanegis Gallery, Boston, on verso.

Ink on paper, sight size 10 3/4 x 16 1/2 in. (27.3 x 41.9 cm), framed.

Condition: Not examined out of frame. $500-700

1219A Priscilla Pattison (American, 19192013) Abstract Sculpture Signed “P. Pattison” near the base.

Bronze, height 8 3/8 in., diameter approximately 2 1/2 in. (20.9 x 6.3 cm), mounted to a wood plinth.

Condition: Dust and dirt to interstices.

N.B. Born in Chicago, Priscilla Pattison graduated from Wellesley College in the class of 1941 and then served in the US Army from 1942 to 1945, rising to the rank of Captain. After the war, under the GI Bill, Pattison studied at the Art Institute of Chicago and at the Arts Students League in New York with William Zorach, before spending a year in the Paris studio of sculptor, Osipp Zadkine. She went on to teach at Manhattanville College and showed in New York City, later moving to Martha’s Vineyard and eventually to Camden, Maine. Two of her sculptures were in the estate of Beverly Sills. $300-500 1220 Bruno Lucchesi (American, b. 1926)

Fine Art online

Undressing Signed “B. Lucchesi” in the bronze at the edge of the figure’s left foot.

Bronze with brown patina, 17 x 6 x 4 3/4 in. (43.2 x 15.2 x 12.1 cm), on black marble base.

Condition: Good.

24

N.B. The original receipt from Rauchback Galleries, Bay Harbor Islands, Florida, dated 1983, accompanies the lot. $1,000-1,500 1221 Leonard Baskin (American, 19222000) Portrait of a Man in Profile Signed and dated “Baskin 1965” l.r. and inscribed “L.B.AE.T. 42” u.r.

Ink on paper, 30 5/8 x 22 1/2 in. (77.7 x 57.2 cm), framed.

Condition: Sheet is affixed to backing at corners, spot along edge u.l. $500-700

1223 Harold Tovish (American, 1921-2008) The Victim, edition of three.

Signed and dated “H. Tovish 50.” in the bronze on the figure’s right thigh.

Bronze with brown patina, 5 1/2 x 11 x 6 1/2 in. (13.9 x 27.9 x 16.5 cm), on a marble plinth, 13 x 6 1/2 x 4 in. (33.0 x 16.5 x 10.1 cm).

Condition: Chips to base.

Literature: Harold Tovish: A Retrospective Exhibition, The Addison Gallery of American Art, Phillips Academy, Massachusetts, October 21, 1988-January 8, 1989, item #4, illustrated p. 22.

1225 Hyman Bloom (American, 19132009) Study for Painting Monogrammed, dated, and inscribed “HB (Study for ptg) ‘62” in pencil l.r.

Ink and gouache on paper, sight size 29 x 21 1/4 in. (73.6 x 53.9 cm), framed.

Condition: Rippling, not examined out of frame. $700-900 1226 Hyman Bloom (American, 19132009) Old Man Sleeping Artist name, title and dated “1956” on two exhibition labels on the reverse (see below).

Gouache on paper, 28 x 25 1/2 in.

(71.1 x 64.7 cm), framed.

Condition: Not examined out of frame.

Provenance: Mr. & Mrs. Samuel Glaser, Newton, Massachusetts; The Swetzoff Gallery, Boston.

Exhibitions: Harold Tovish, Terry Dintenfass Inc., New York, March 2–27, 1965, item II; Harold Tovish: Twenty Years of Sculpture, Watson Gallery, Wheaton College, Massachusetts, March 5–April 16, 1967.

Literature: Art News, Vol. 56, No. 9, January 1958, p. 28; The Drawings of Hyman Bloom, An Exhibition Organized by the University of Connecticut Museum of Art, 1963, illustrated, item #8.

N.B. In the introduction to the Wheaton College exhibition catalog (included with the lot), H. Harvard Arnason of the Solomon R. Guggenheim Foundation commented on The Victim: “Between 1949 and 1950 [Tovish’s] ideas became more explicit in a series of sculptures reflecting the emotions he had felt when, as an American soldier, he was exposed to the horrors of Nazi concentration camps at the end of the war...the concept of man tortured and suffering to the point where humanity ceases to exist.” $600-800

Exhibitions: Drawings by Hyman Bloom, the Currier Gallery of Art, Manchester, November 2–December 15, 1957; Museum of Art, Rhode Island School of Design, Providence, January 10–February 9, 1958; Wadsworth Atheneum, Hartford, February 25–March 30, 1958, no.

31, pl. III; The Drawings of Hyman Bloom, The University of Connecticut Museum of Art, April 19–May 19, 1968; San Francisco Museum of Art, June 27–August 4, 1968; Bloom, Whitney Museum of American Art, New York, September 18–October 20, 1968.

1224 Harold Tovish (American, 1921-2008) Hyman Bloom, edition of three.

Signed, dated, and numbered “H. Tovish ‘60. k” in the bronze l.r.

Bronze bas relief plaque, 9 x 9 in. (22.8 x 22.9 cm).

Condition: Good.

Literature: Harold Tovish: A Retrospective Exhibition, The Addison Gallery of American Art, Phillips Academy, Massachusetts, October 21, 1988–January 8, 1989, item #27, illustrated p. 33. $400-600

Online bidding at www.skinnerinc.com/auctions/2818T

N.B. This lot is accompanied by several exhibition catalogs and related materials. $800-1,200 1227 Leonard Baskin (American, 19222000) Profile of a Nude Man Signed and dated “Baskin 1964” l.r.

Ink on paper, 15 1/2 x 19 3/4 in. (39.3 x 50.2 cm), framed.

Condition: Sheet affixed to backing at four corners, crease u.r. $400-600

1234 Jeremy Gilbert-Rolfe (English, b.

1945)

1238 Charles Christopher Hill (American, b. 1948)

Untitled Cityscape Signed “Xavier Gonzales” l.r.

Mixed media on paper/board, sight size 21 1/2 x 29 3/4 in. (54.6 x 75.5 cm), framed.

Condition: Not examined out of frame. $800-1,200

Zero Artist, title, and date “1979” identified on gallery labels on verso.

Oil on canvas, 56 x 56 in. (142.2 x 142.2 cm), unframed.

Condition: Cracking to paint surface, chips along edges.

Red Spiral Signed and dated “Charles Christopher Hill/1995” and inscribed “Dr. Davis” on the reverse.

Encaustic on canvas, 15 x 12 in. (38.3 x 30.3 cm), unframed.

Condition: Good.

Exhibitions: Grace Borgenicht Gallery, New York; Texas Gallery, Houston. $4,000-6,000

Provenance: The estate of Terri Priest, Worcester, Massachusetts. $400-600

1235 José Guerrero (Spanish/American, 1914-1991)

1239 American School, 20th Century

1229 Gerrit Hondius (Dutch/American, 1891-1970) Two Figures Unsigned.

Oil on Masonite, 27 x 23 1/4 in. (68.5 x 59.5 cm), framed.

Condition: Good. $600-800 1230 American School, 20th Century Minstrel Band Signed or inscribed “B.M. Laughlin” on the stretcher.

Oil on canvas, 22 x 34 in. (55.8 x 86.3 cm), framed.

Condition: Surface grime and craquelure. $800-1,200 1231 Laurence Philip Sisson (American, b. 1928) Ebbing Tide Signed “L Sisson” l.l., titled on the back of the frame.

Oil on board, 16 x 24 in. (46.0 x 60.9 cm), framed.

Condition: Good. $800-1,200 1232 Dennis Akervik Coelho (American, b. 1968) Untitled Signed “Coelho” l.r., dated “1968” on a plaque affixed to the frame.

Watercolor on paper, sight size 29 3/8 x 20 1/2 in. (74.5 x 52.0 cm), framed.

Condition: Not examined out of frame. $300-500 1233 Xavier Gonzalez (American, 18981993) Boat Ashore in a Wintery Landscape Signed “Xavier Gonzalez” l.r.

Watercolor on paper, sight size 21 1/2 x 30 in. (54.6 x 76.2 cm), framed.

Condition: Minor surface abrasions and discoloration l.r. $1,000-1,500

Abstraction in Green and Orange/A Card Signed “José” l.c.

Watercolor on paper, folded size 8 7/8 x 6 3/8 in. (22.5 x 16.3 cm), matted, unframed.

Condition: Handling creases, creases with breaks to the paper fibers along right edge, mat burn.

N.B. The sheet is folded in half to make a card. On the inside is an undated letter from the artist and his wife to Francine and Cleve Gray. $1,000-1,500 1236 Lyman Kipp (American, b. 1929) Untitled Abstract Composition Signed and dated “Kipp/1970” l.r.

Oil on paper, 14 x 11 in. (35.5 x 28.0 cm), framed.

Condition: Not examined out of frame. $800-1,200

Fine Art online

1228 Xavier Gonzales (American, 18981993)

Two Carved Free-form Alabaster Sculptures Signed “Patmayrign.”

White alabaster, height 9 in. (22.8 cm), mounted onto a simple wood base, overall 11 x 12 x 7 in. (27.9 x 30.4 x 17.8 cm).

Condition: Good. $300-500 1240 Two Animation Cels from The Beatles’ Yellow Submarine: Blue Meanie and Ringo Unsigned, Ringo inscribed “S of M. SC.24.” and “J.11” u.l.

Gouache on celluloid, 12 1/2 x 16 3/8 in. (31.8 x 41.3 cm), matted, unframed.

Condition: Good. $1,000-1,500

End of Sale 2818T

1237 May Wilson (American, 1905-1986) Untitled Signed and dated “MAY WILSON/ SEPT 1962” on the reverse.

Mixed media including lace, fabric, and pigment on a plywood support, 26 1/4 x 7 1/2 in. (66.5 x 18.8 cm), framed.

Condition: Good.

Provenance: Ex collection of Charles Percy Parkhurst (1913-2008), Williamstown, Massachusetts.

Parkhurst was a part of the so-called Williams Art Mafia. He worked as a museum curator, professor, and was one of the “Monuments Men.” $600-800

Online bidding at www.skinnerinc.com/auctions/2818T

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The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases.

6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all items for which it was the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without limitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchaser’s breach, and/or (b) offering at public auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation to pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale.

7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such purchaser for such item.

8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within the United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute cancellation or delay in payment for the total purchase price of these lots.

9. Sales in Massachusetts, Florida, and New York are subject to the respective current sales taxes. Dealers, museums, and other qualifying parties may be exempt from sales tax upon submission of proper documentation.

10. A premium equal to 23% of the final bid price up to and including $100,000, plus 20% of the final bid price from $100,001 up to and including $1,000,000, plus 12% of the final bid price from $1,000,001 and over will be applied to each lot sold, to be paid by the buyer as part of the purchase price.

11. Bidding on any item indicates your acceptance of these terms and all other terms printed within, posted, and announced at the time of sale whether bidding in person, through a representative, by phone, by Internet, or other absentee bid.

12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalog. The copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this catalog, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our prior written consent.

13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or choice of law).

The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any federal court sitting therein. The bidder/buyer consents to the exclusive jurisdiction of such courts and waives objections that it may now or hereafter have to the venue of any such suit.

Revised January 21, 2015

27

Board of Directors

Departments

Chairman of the Board

20th Century Design

Discovery Auctions

Jane D. Prentiss

Carly Babione

20thcentury@skinnerinc.com

Kyle Johnson

508.970.3253

Melanie Trottier-Mitcheson

Stephen L. Fletcher Richard Albright

discovery@skinnerinc.com

John Deighton Karen M. Keane Andrew Payne

508.970.3202

American & European Paintings & Prints Robin S.R. Starr Elizabeth C. Haff Michelle Lamunière

Executive Management President/Chief Executive Officer Karen M. Keane

paintings@skinnerinc.com 508.970.3206

European Furniture & Decorative Arts Stuart G. Slavid Stephanie Opolski Gwendolyn L. Smith european@skinnerinc.com 508.970.3203

American Furniture & Decorative Arts Stephen L. Fletcher Chris Barber Christopher D. Fox americana@skinnerinc.com 508.970.3200

Historic Arms & Militaria Joel Bohy militaria@skinnerinc.com 508.970.3215

Chief Financial Officer Don Kelly

American Indian & Ethnographic Art Douglas Deihl

Executive Vice President Stephen L. Fletcher

Managing Director Marie Keep

John Colasacco

508.970.3254

jewelry@skinnerinc.com 617.874.4313

Antique Motor Vehicles Jane D. Prentiss antiquemotorvehicles@skinnerinc.com

Stuart G. Slavid

Asian Works of Art Judith Dowling Helen Eagles Suhyung Kim asian@skinnerinc.com

Vice Presidents Victoria Bratberg Eric Jones Gloria Lieberman Carol McCaffrey Robin S.R. Starr L. Emerson Tuttle

Regional Directors Western Massachusetts: George Thomas Lewis 413.727.2721 glewis@skinnerinc.com

Florida: April L. Matteini, G.G. 305.503.4423 florida@skinnerinc.com

Judaica Kerry Shrives judaica@skinnerinc.com 508.970.3256

Senior Vice Presidents Kerry Shrives

Victoria Bratberg

indian@skinnerinc.com

508.970.3253

Marie Keep

Jewelry

Musical Instruments Jill Arbetter music@skinnerinc.com 508.970.3216

508.970.3263

Oriental Rugs & Carpets Books & Manuscripts

Lawrence Kearney

Devon Eastland

Erika Jorjorian

books@skinnerinc.com

rugs@skinnerinc.com

508.970.3293

508.970.3247

Ceramics

Photographs

Stuart G. Slavid

Michelle Lamunière

ceramics@skinnerinc.com

photographs@skinnerinc.com

508.970.3203

508.970.3264

Clocks, Watches & Scientific Instruments Robert C. Cheney Jonathan Dowling Paul Dumanowski

Silver Stuart G. Slavid silver@skinnerinc.com 508.970.3203

clocks@skinnerinc.com 508.970.3201

Wine, Whisky & Ale Marie Keep Joseph Hyman

Maine: Bruce Buxton 207.772.6979 bbuxton@mainerr.com

28

Michael J. Moser finewines@skinnerinc.com 508.970.3296

Auction Services Consignments

Marketing, Media & Communications

Appraisal & Auction Services LaGina Austin Christine E. Finn Katie Fitzgerald Rachel Kingsley Elizabeth Zwicker

Exhibitions & Property Boston:

Marketing

Laura V. Sweeney

L. Emerson Tuttle

Benjamin Evans

Jenna DeLuca

Olga Gerasymiv

Linsey MacDougall

Paige Lewellyn Jessica R. Lincoln

508.970.3299

Subscriptions Institutional Relations L. Emerson Tuttle

Linsey MacDougall

Receptionist

508.970.3240

Jacqueline Gray 617.350.5400

508.970.3130

Advertising/Production Pamela Van de Houten

Consignment Services

Jeffrey R. Antkowiak

Patricia Walker King

Stanley P. Bystrowski

Rebecca Hamel

John Cornelius

Carol Zeigler

Kristina Harrison

508.970.3204

Kathleen Jones Cheryl Richards Photography

Marlborough: Warehouse Frederic Trottier 508.970.3209 Samatha Heighton

Customer Relations/Human Resources

Skinner Online

Carol McCaffrey

Receptionist

Kerry Shrives

Lindsay White

Daniel Bar

508.970.3000

508.970.3252

Judie Ochsner online@skinnerinc.com 508.970.3279

Transportation Eric Jones

Accounting Absentee & Telephone Bidding

Denise Johnson

508.970.3229

508.970.3269

Boston: 617.874.4318 William Madden

Marlborough: 508.970.3211

508.970.3266

Discovery: 508.970.3208

Auctioneers

Kevin Rota 508.970.3283

Chris Barber, John Colasacco, Stephen L. Fletcher, Karen M. Keane, Marie Keep, Jessica R. Lincoln, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr, Laura V. Sweeney

63 Park Plaza Boston, MA 02116 617.350.5400 Fax 617.350.5429

www.skinnerinc.com

274 Cedar Hill Street Marlborough, MA 01752 508.970.3000 Fax 508.970.3100

130 Miracle Mile, Suite 220 Coral Gables, FL 33134 305.503.4423 Fax 305.709.2143

415 Madison Avenue, #1418 New York, NY 10017 212.787.1113 Fax 646.893.0179

29

Directions to Skinner’s Boston Gallery/63 Park Plaza, Boston, MA 02116 617.350.5400 From the West: Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel. Once on the exit ramp, stay in the right hand lane and follow the signs for Copley. The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto Charles Street South. Take your first left off of Charles St. South onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From the South: Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station. Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza.

Skinner is at 63 Park Plaza, one block up on the right.

From Logan Airport: Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From the North: Take I-93 South towards Boston. Take exit 26 towards Storrow Drive.  Merge onto MA-28 South via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza.

30

Catalog Subscription Form Prices effective January 17, 2014. Catalog subscription price includes quarterly brochure.

Subscription effective one year from date processed. No refunds for previous subscriptions. Renewal notice will be sent one month prior to expiration.

Subscriptions do not include Discovery, Estates, and other special sales. Post-auction prices are available online at www.skinnerinc.com

Please check the appropriate boxes:

U.S./Canada

Quarterly Brochure (Included with catalog subscription)

No charge

Foreign (payable in U.S. dollars only)

No charge

American Furniture & Decorative Arts

$120

$143

European Furniture & Decorative Arts

$120

$143

American & European Paintings & Prints (two books)

$135

$158

American & European Fine Prints & Photographs

$60

$73

American & European Fine Paintings & Sculpture

$110

$133

Fine Jewelry

$120

$143

20th Century Design

$60

$73

Asian Works of Art

$60

$73

Fine Oriental Rugs & Carpets

$18

$25

American Indian & Ethnographic Art

$60

$73

Fine Books & Manuscripts

$30

$36

Historic Arms & Militaria

$60

Fine Musical Instruments

$60

$73

Clocks, Watches & Scientific Instruments

$60

$73

Fine Wines

$60

$73

All Above Departments

$750

$915

$73

Subtotal

MA residents 6.25% sales tax

Total

MasterCard/VISA #

Exp. Date

Signature

Check enclosed

Name

Business Name

Mailing Address City email address

State

Zip Tel: (

)

Please enclose payment with subscription form and mail or fax to: Skinner, Inc., Subscription Department, 274 Cedar Hill Street, Marlborough, MA 01752 508.970.3100

Upcoming Auctions American & European Works of Art September 11, 2015, Boston, MA world record prices

competitive rates

consignment deadline June 26

For more information, please call 508.970.3206, email prints@skinnerinc.com or paintings@skinnerinc.com