Fine Art Online | Skinner Auction 2839T by Bonhams Skinner

Fine Art online

Sale 2839T

September 2â&#x20AC;&#x201C;September 15, 2015

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Table of Contents 1

Auction & Specialist Information

Online Bidding

Glossary of Terms

Lots 1001â&#x20AC;&#x201C;1200

Artist Index

Conditions of Sale

Company Directors & Specialty Departments

Administrative Staff & Client Services

Map & Driving Directions

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Please Note: All lots sold subject to our Conditions of Sale. Please refer to page 27 of this catalog for the full terms and conditions governing your purchase.

Glossary of Terms All items in this catalog are described according to the following table of terminology. Please note that all statements in this catalog as to Authorship, Period, and Origin, are qualified statements subject to the Conditions of Sale.

Authorship will be described in the following ways: John Joseph Enneking In our judgment, the work is by the artist. Attributed to John Joseph Enneking In our judgment, the work may be ascribed to the artist on the basis of style, but leaves some question as to actual authorship. School of John Joseph Enneking In our judgment, a work of an unknown follower executed in the style of the artist and contemporary in period. Manner of John Joseph Enneking In our judgment, a work executed in the style of the artist by an unknown hand and probably from a later period. After John Joseph Enneking In our judgment, an intended copy of the work of the artist. American School, 19th Century In our judgment, the work of an unknown hand that can only be identified as to period and culture.

Other terms: Bears signature In our judgment, the signature not of the artist. This term is generally used separately, or together with a description of the work as “attributed to,” “school of,” “manner of,” or “after” the artist.

Measurements are given as height x width and refer to the size of the support unless otherwise indicated.

1005A Peggy Bacon (American, 1895-1987)

Untitled, edition of 90. Signed “Agam” in pencil l.r., numbered “VII/XC” in pencil l.l. Color screenprint on cream paper, image size 8 1/2 x 12 1/2 in. (21.5 x 31.7 cm), framed. Condition: Not examined out of frame. $400-600

Outing (Munich, 1931). Signed “Peggy Bacon” in pencil l.r., titled, inscribed, and dated l.l., with a stamp from The Downtown Gallery and two date stamps on the reverse. Lithograph on Rives wove paper, image size 9 1/4 x 8 in. (23.5 x 20.3 cm), matted, unframed. Condition: Small restored loss to sheet at u.l. corner, tape and glue residue to edges of sheet, hinged to back mat at two places on the reverse. $800-1,200

1002 Yaacov Agam (Israeli, b. 1928) Festival, proof edition of 25. Signed “Agam” in ink l.r., numbered “7/25 H.C.” in ink l.l. Lenticular print (Agamograph), 15 1/8 x 14 1/8 in. (38.4 x 35.8 cm), framed and mounted to a framed mirror. Condition: Minor scratches and subtle crackling to the plastic surface, minor surface grime, not examined out of frame. N.B. A certificate of authority is affixed to the backing. $600-800 1003 Yaacov Agam (Israeli, b. 1928) Untitled. Signed “Agam” in ink l.r., numbered “1/1” in ink l.l. Color screenprint on paper, image size 11 1/8 x 28 3/8 in. (28.2 x 72.0 cm), framed. Condition: Not examined out of frame. $800-1,200 1004 Pierre Alechinsky (Belgian, b. 1927) Passe-Muraille, 1990, for the project MÉMOIRE DE LA LIBERTÉ, 1991, edition of 99. Signed “Alechinsky” in pencil l.r., titled and dated within the matrix, numbered “29/99” in pencil l.l. Color lithograph on paper, image size 23 x 18 3/8 in. (58.3 x 46.5 cm), framed. Condition: Not examined out of frame. $200-300 1005 Gregory Amenoff (American, b. 1948) Veil, 1990/91, edition of 40, published by Tandem Press, Madison. Signed and dated “Amenoff 90” in pencil l.r., numbered “3/40” in pencil l.l. Color woodcut on Japan paper, image size 31 7/8 x 31 3/4 in. (80.8 x 80.5 cm), framed. Condition: Deckled edges, floated within the frame but with two hinges broken, minor creases and rippling, not examined out of frame. $400-600

1006 After Otto Baumberger (Swiss, 18891961) Baumann, 1952, published by Indicolordruck Bollman, Zürich. Identified within the matrix. Color lithographic poster, sight size 50 x 35 1/4 in. (126.8 x 89.4 cm), framed. Condition: Minor creases, toning, and rippling, not examined out of frame. $400-600 1007 Frank Weston Benson (American, 1862-1951) Canada Goose, 1917, published state of 150 (Paff, 115). Signed “FrankWBenson.” in pencil l.l. Etching on laid paper with partial “F.J. Head & Co.” watermark, plate size 4 x 5 in., unmatted, unframed. Condition: Full margins with deckled edges, pale fox marks, pencil annotations l.l., staining to verso. Provenance: Descended within the family of the artist. $300-500 1008 Frank Weston Benson (American, 1862-1951) Mallards No. 2, 1918, published state of 150 (Paff, 138). Signed “FrankWBenson.” in pencil l.l. Etching on laid Arches paper with partial watermark, plate size 8 7/8 x 11 in. (22.5 x 27.8 cm), unmatted, unframed. Condition: Full margins with deckled edges, pencil annotations l.r., minor unpressed crease to margins.

1009 Frank Weston Benson (American, 1862-1951) Old Squaws No. 2, 1918, published state of 136 (Paff, 144). Signed “FrankWBenson.” in pencil l.l. Drypoint on paper, plate size 5 x 10 in. (12.6 x 25.5 cm), unmatted, unframed. Condition: Margins over 1 1/4 inches with deckled lower edge, pencil annotations l.l. and verso, unobtrusive toning, minor soiling, ink/fingerprints to margins. Provenance: Descended within the family of the artist. $600-800

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1001 Yaacov Agam (Israeli, b. 1928)

1010 Frank Weston Benson (American, 1862-1951) Supper, 1920, published state of 150 (Paff, 182). Signed “FrankWBenson.” in pencil l.l. Etching on paper, plate size 6 13/16 x 4 7/8 in. (17.2 x 12.3 cm), unmatted, unframed. Condition: Margins over 2 1/4 inches with two deckled edges, pencil annotations l.r., minor creases to lower edge of sheet. Provenance: Descended within the family of the artist. $1,000-1,500 1011 Frank Weston Benson (American, 1862-1951) Yellowlegs No. 3, 1923, trial proof A-14 (Paff, 224). Signed “FrankWBenson.” in pencil l.l. Etching on paper, plate size 7 7/8 x 6 in. (20.1 x 15.2 cm), unmatted, unframed. Condition: Full margins with three deckled edges, pencil annotations to lower margin, soiling and ink to margins, tear to upper margin, crease (possibly from printing) to left margin, small red mark to shadow beside leftmost bird. Provenance: Descended within the family of the artist. $700-900

Provenance: Descended within the family of the artist. $600-800

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1012 Frank Weston Benson (American, 1862-1951)

1015 Frank Weston Benson (American, 1862-1951)

1018 Thomas Hart Benton (American, 1889-1975)

The Bridge, 1923, published state of 150 (Paff, 227). Signed “FrankWBenson.” in pencil l.l. Drypoint on laid paper with “JWHATMAN” watermark, plate size 13 5/8 x 10 3/4 in. (34.7 x 27.2 cm), unmatted, unframed. Condition: Full margins with deckled left and lower edges, pencil annotations l.r.

Turnstones, 1928, published state probably of 150 (Paff, 283). Signed “FrankWBenson.” in pencil l.l. Drypoint on laid paper with “JWHATMAN” watermark, plate size 7 7/8 x 11 3/4 in. (19.8 x 29.8 cm), unmatted, unframed. Condition: Full margins with deckled edges to two sides, pencil annotations to lower margin, several fox marks, hinging residue near upper corners verso.

The Music Lesson, 1943, published by Associated American Artists, New York, edition of 250 (Fath, 60). Signed “Benton” in pencil l.r. and within the matrix, identified on a label from AAA affixed to the mat. Lithograph on wove paper with “Alexandra Book” watermark, image size 10 1/8 x 12 3/4 in. (25.5 x 32.4 cm), matted, unframed. Condition: Margins 1 inch or more with deckled edges to all but the left side, subtle toning. $1,000-1,500

Provenance: Descended within the family of the artist. $1,000-1,500 1013 Frank Weston Benson (American, 1862-1951) Two Proof Impressions of Over Currituck Marshes, trial proofs A-1 and C-4 (Paff, 259). Both signed “FrankWBenson.” in pencil l.l. and with pencil annotations l.l. Drypoints on paper, plate sizes 7 x 11 7/8 in. (17.6 x 30.0 cm), unmatted, unframed. Condition: Full margins with most edges deckled, minor soiling, ink and fingerprints to margins. Provenance: Descended within the family of the artist. $1,500-2,000

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1014 Frank Weston Benson (American, 1862-1951)

Evening Flight, 1927, trial proof C-2 (Paff, 270). Signed “FrankWBenson.” in pencil l.l. Etching on laid paper, plate size 5 15/16 x 7 7/8 in. (15.0 x 19.8 cm), unmatted, unframed. Condition: Margins over 1 inch with deckled upper edge, pencil annotations to lower margin, minor ink/fingerprints to margins, old hinge/ residue to upper corners on verso. Provenance: Descended within the family of the artist. $800-1,200

Provenance: Descended within the family of the artist. $800-1,200 1016 Thomas Hart Benton (American, 1889-1975) Morning Train, alternatively titled Soldier’s Farewell, 1943, published by Associated American Artists, New York, edition of 250 (Fath, 58). Signed “Benton” in pencil l.r. and within the matrix, identified on a label from AAA affixed to the mat. Lithograph on wove paper with “Alexandra Book” watermark, image size 9 3/8 x 13 5/8 in. (23.7 x 34.5 cm), matted, unframed. Condition: Margins over 3/4 inches with deckled edges to all but the right side, gentle toning and light striking, hinges broken. $1,500-2,000 1017 Thomas Hart Benton (American, 1889-1975) Letter from Overseas, 1943, published by Associated American Artists, New York, edition of 250 (Fath, 59). Signed “Benton” in pencil l.r. and within the matrix, identified on a label from AAA affixed to the mat. Lithograph on wove paper with “Alexandra” watermark, image size 9 5/8 x 13 1/8 in. (24.3 x 33.3 cm), matted, unframed. Condition: Margins 1 inch or more with deckled edges to all but the left side, gentle toning. $1,000-1,500

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1019 Thomas Hart Benton (American, 1889-1975) The Farmer’s Daughter, 1944, published by Associated American Artists, New York, edition of 250 (Fath, 62). Signed “Benton” in pencil l.r., identified on a label from AAA affixed to the mat. Lithograph on wove paper with “Alexandra Book” watermark, image size 9 3/4 x 13 3/8 in. (24.8 x 33.5 cm), matted, unframed. Condition: Margins over 3/4 inches with deckled edges to all but the right side, gentle toning and light-striking. $1,000-1,500 1020 Ilya Bolotowsky (Russian/American, 1907-1981) Series 7, c. 1970, edition of 125. Signed “Ilya Bolotowsky” l.r., numbered “121/125” l.l. Silkscreen on paper, 40 x 30 in. (101.6 x 76.2 cm), framed, unglazed. Condition: Minor soiling, sheet laid down on paperboard. $500-700 1021 Yvonne Brudo (French, 19th/20th Century) Pneus Gallus. Signed and identified within the matrix. Color lithographic poster, sight size 30 3/4 x 22 in. (78.0 x 55.8 cm), framed. Condition: Unobtrusive toning, repairs to u.r. and l.r. corners, not examined out of frame. $800-1,200

1026 Louis Charbonnier (French, 18741935)

Untitled, from Calder, Magie Eolienne, a portfolio of eight works, 1972, published by Société Internationale d’Art XXe Siècle, Paris, printed by Arte Adrian Maeght, Paris, edition of 75 plus proofs. Signed “Calder” in pencil within the image l.r., inscribed “E.A.” in pencil within the image l.l. Color lithograph on paper, sight size 25 x 19 in. (63.4 x 48.2 cm), framed. Condition: Unobtrusive toning and mat burn, not examined out of frame. $700-900

La Muse de Montmartre, printed by Caby & Chardin, Paris. Signed and identified within the matrix. Color lithographic poster, sheet size 53 x 31 1/2 in. (134.5 x 80.0 cm), unmatted, unframed. Condition: Backed with linen, toning, unobtrusive creases. $500-700

1023 Leonetto Cappiello (French, 18751942) Mossant, 1938, published by Les Éditions Nouvelles Cappiello, Paris. Signed and identified within the matrix. Color lithographic poster, sight size 61 3/4 x 47 in. (156.8 x 119.4 cm), framed. Condition: Unobtrusive toning, not examined out of frame. $1,000-1,500 1024 Marc Chagall (Russian/French, 1887-1985) Three Plates from La Bible (Verve): David and Bethsabe, David and Absalon, and David with his Harp, published by Edition de la Verve, Paris, in Verve, 1956, Vol. VIII, nos. 33 and 34, printed by Mourlot Frères, Paris (Mourlot, 132-134). Unsigned. Color lithographs on paper, sight sizes 13 1/4 x 9 1/2 in. (33.5 x 24.0 cm), framed. Condition: Not examined out of frames. Provenance: Citizens Bank, Providence, Rhode Island. $800-1,200 1025 Marc Chagall (Russian/French, 1887-1985) Les sirenes, from L’Odyssee, 197475, from the edition of 250, published by Fernand Mourlot, Paris (Sorlier, 787; Cramer, 96). Unsigned. Color lithograph on paper, image size 16 x 24 3/4 in. (40.5 x 62.8 cm), framed. Condition: Vertical central crease, not examined out of frame. Provenance: Citizens Bank, Providence, Rhode Island. $800-1,200

1027 Christo (American, b. 1935) and Jeanne-Claude (American, 19352009)

1030 Edgar Degas (French, 1834-1917) Danseuses dans la coulisse, c. 1875, impression from the canceled plate, final state of nine (Delteil, 26). Unsigned. Etching and aquatint on paper, plate size 5 1/2 x 4 in. (14.0 x 10.0 cm), framed. Condition: Toning, gentle rippling, not examined out of frame. $500-700 1031 Henry-Julien Detouche (French, 1854-1913)

Christo: Surrounded Island (Project for Biscayne Bay, Greater Miami, Florida), 1983. Signed “Christo” in red crayon l.r. Color offset on paper, sight size 23 3/4 x 36 3/4 in. (60.2 x 93.3 cm), framed. Condition: Not examined out of frame. $800-1,200

Poster Proof for the 22nd Exhibition of the Salon des Cent, 1896. Inscribed “Henry Detouche” within the matrix l.r., inscribed “IMPRIMERIE CHAIX (Ateliers Chéret) 20, Rue Bergère, Paris...” l.r. Color lithograph on paper, 24 3/4 x 16 1/4 in. (61.7 x 41.3 cm), framed. Condition: Not examined out of frame. $500-700

1028 After Franz Cižek (Austrian, 18651946)

1032 Six Images from Banner Multiples Calendar for 1969:

Berta Zuckermann (Aged 14 Years). Unsigned, titled within the image l.c., stamped “S/.GKA/Secession./ Graphische/Kunstanstalt./GmbH/ Wien VIII.” within a triangle l.r. Color lithograph on paper, sight size 18 1/2 x 17 1/2 in. (47.0 x 44.4 cm), framed. Condition: Not examined out of frame. $400-600

After Various Artists: Jim Dine (American, b. 1935), Two Red Boots on a Black Ground; Robert Indiana (American, b. 1928), Flag; Nicholas Krushenick (American, 1929-1999), White Smoke Red Sky; Roy Lichtenstein (American, 1923-1997), Pistol; Andy Warhol (American, 1928-1987), Campbell’s Tomato Soup; and Tom Wesselmann (American, 1931-2004), The Great American Nude, 1968, published by Multiples, Inc., New York, printed by Domberger KG, Stuttgart. Color screenprints, sheet sizes 15 1/16 x 15 in. (38.2 x 38.0 cm), framed. Condition: Most with pinpoint foxing, not examined out of frames.

1029 Salvador Dalí (Spanish, 1904-1989) Three Plates from Hommage à Leonardo da Vinci: L’Aéroplane, Le Téléphone, and L’Ampoule à incandescence, 1975, total edition of 510 (Michler & Löpsinger, 810a, 813a, 814a; Field, 75-8 A, I, and K). Each signed “Dalí” in pencil l.r. and numbered “38/450” in pencil l.l. Drypoint with stencil on coloring paper, plate size 14 1/4 x 20 in. (36.2 x 50.8 cm), framed. Condition: Margins 1 inch or more, not examined out of frames. Provenance: Citizens Bank, Providence, Rhode Island. $1,200-1,800

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1022 Alexander Calder (American, 18981976)

Provenance: Estate of Calvin V. Giusti, Providence, Rhode Island. $1,000-1,500 1033 Robert Enos (American, 20th/21st Century) Night Nor Day, 1974. Titled, inscribed, signed, and dated “...ARTIST PROOF ENOS 1974” at center, identified on a label taped to the frame backing. Screenprint on paper, image size 26 x 20 in. (66.0 x 52.0 cm), framed. Condition: Not examined out of frame. $300-500

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1034 Erté (French, 1892-1990) The French Rooster, c. 1982, edition of 300. Signed “Erté” in pencil l.l., numbered “154/300” in pencil l.l. Color screenprint on paper, image size 27 x 19 1/8 in. (68.5 x 48.5 cm), framed. Condition: Not examined out of frame. $800-1,200 1035 Erté (French, 1892-1990) Pearls and Diamonds, 1986, edition of 300 plus proofs. Signed “Erté” in pencil l.r., numbered “176/300” in pencil l.l. Color screenprint with embossing and applied foils on black paper, image size 28 1/2 x 19 1/2 in. (72.2 x 49.4 cm), framed. Condition: Not examined out of frame. $600-800 1036 Lyonel Feininger (German/American, 1871-1956) Buttelstedt, 1920, from the trade edition in Jahrbuch der jungen Kunst (Prasse, W208). Unsigned, identified “LYONEL FEININGER: Buttelstedt. Holzschnitt” in text printed on the reverse. Woodcut on paper, image size 8 x 6 1/8 in. (20.3 x 15.3 cm), framed. Condition: Pale staining and several pale fox marks, pencil annotation to verso. $500-700

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1037 Louis Galice (French, 1864-1935)

Majesti. Signed and identified within the matrix. Color lithographic poster printed on two sheets, sight size 68 x 23 1/2 in. (172.7 x 59.5 cm), framed. Condition: Horizontal folds, toning, staining, rippling, not examined out of frame. $2,000-2,500 1037A Rupprecht Geiger (German, 19082009) Gelb vor moduliertem Rot Unsigned, artist identified on a typed label affixed to the frame backing. Color silkscreen on paper/board, image size 15 3/4 x 15 1/2 in. (40.0 x 39.5 cm), framed. Condition: Not examined out of frame. $1,000-1,500

1038 R.C. (Rudolph Carl) Gorman (American, 1932-2005)

1042 Rockwell Kent (American, 18821971)

Mother and Child, 1972, in an edition of 70. Signed and dated “R.C. Gorman...” in pencil l.l., numbered “63/70” in pencil l.r. Lithograph on paper, sheet size 32 x 22 3/8 in. (81.2 x 56.8 cm), framed. Condition: Deckled on three sides, floated in the frame, not examined out of frame. $400-600

Almost, 1929, edition of 100 (Jones, 32). Signed “Rockwell Kent” in pencil l.r. Wood engraving on paper, 5 1/2 x 3 3/8 in. (13.6 x 8.5 cm), framed. Condition: Mat burn, not examined out of frame. $700-900

1039 R.C. (Rudolph Carl) Gorman (American, 1932-2005) Masa, 1987, edition of 200 plus proofs. Signed and dated “R.C. Gorman 1987” in white pencil within the image l.l., numbered “91/200” in white pencil within the image l.r. Color lithograph on paper, image/sheet size 36 1/4 x 29 5/8 in. (92.0 x 75.2 cm), framed. Condition: Full sheet with deckled edges, floated within the frame, not examined out of frame. $1,000-1,500 1040 Joseph Hirsch (American, 19101981) Lunch Hour, 1942, published by Associated American Artists, New York, in 1944, edition of 250 (AAA/ Czestochowski, 1944.027). Signed “Joseph Hirsch” in pencil l.r., initialed within the matrix, identified on a label from AAA affixed to the mat. Lithograph on paper, image size 9 x 11 7/8 in. (22.8 x 30.0 cm), matted, unframed. Condition: Full margins with deckled edges, gently light-struck, toning to verso. $300-500 1041 Irwin D. Hoffman (American, 19011989) Cigarette Underground. Signed “Irwin D. Hoffman” in pencil l.r., inscribed “Artists Proof-” in pencil l.l. Etching on paper, plate size 10 7/8 x 7 7/8 in. (27.5 x 19.8 cm), framed. Condition: Not examined out of frame. $200-300

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1043 Gan Kolski (Polish/American, 18991932) Fishermen. Signed “Gan Kolski” in pencil l.r., titled in pencil l.l. Wood engraving on paper, image size 10 1/8 x 12 1/8 in. (25.5 x 30.5 cm), framed. Condition: Pale mat burn, gentle rippling, not examined out of frame. N.B. While Kolski is generally associated with New York City, he also spent time in Provincetown, Massachusetts. $300-500 1044 Edward August Landon (American, 1911-1984) Two Works: Dark Vessel, 1952, edition of 50 (Ryan, 51); and Exhortation (Priest), 1957, edition of 28 (Ryan, 72). Both signed “E. Landon...” in pencil l.r. and titled and numbered in pencil l.l. Color serigraphs on paper, image sizes to 17 3/4 x 9 1/8 in. (45.0 x 23.2 cm), one matted, both unframed. Condition: Margins over 1 1/4 inches, minor soiling to margins of latter. $300-500 1045 Edward August Landon (American, 1911-1984) Two Works: Encore, 1955, edition of 35 (Ryan, 66); and Winter II, 1975, edition of 25 (Ryan, 227). Both signed “E. Landon” in pencil l.r., titled and inscribed in pencil l.l. Color serigraphs on paper, image sizes to 13 1/8 x 16 3/4 in. (33.1 x 42.5 cm), unmatted, unframed. Condition: Good. $300-500

1050 Michael Mazur (American, 19352009)

La fille aux fleurs, edition of 120. Signed “lepho” in pencil l.r., numbered “52/120” in pencil l.l., label from the Findlay Galleries, New York, on the backing. Color lithograph on paper, image size 17 5/8 x 23 3/4 in. (44.7 x 60.3 cm), framed. Condition: Unobtrusive toning, gentle rippling, not examined out of frame. $300-500

Two Plates from L’Inferno di Dante, 1996-99, from the edition of 25: Canto IIIi and Canto XXXIII. Both signed “Mazur” in pencil l.r., titled in pencil l.l., and numbered “S.../25” in pencil l.c. Etchings with soft ground on paper, plate sizes to 18 7/8 x 15 1/8 in. (47.8 x 38.3 cm), framed. Condition: Full sheets with deckled edges, floated within the frames, not examined out of frames. $400-600

1047 Marino Marini (Italian, 1901-1980) Trois chevaux, bordure jaune, 1954, outside of the edition of 50, published by Mourlot (Guastalla & SchulzHoffman, L47). Signed “MARINO” in pencil l.r., identified in a letter from the Galerie Mourlot accompanying the lot. Color lithograph on paper, image size 23 x 17 in. (58.2 x 43.0 cm), matted, framed. Condition: Margins over 1/2 inch, not examined out of frame. $500-700 1048 Roberto Matta (Chilean, 1911-2002) Or dur or aison, 1971, edition of 175, published by Transworld Art, New York. Signed “Matta” in pencil l.r., numbered “20/175” in pencil l.l., publisher’s dry stamp l.l. Color lithograph on paper, image/sheet size 19 3/4 x 25 3/4 in. (50.0 x 65.3 cm), presented in its original folder. Condition: Deckled edges to two sides. $500-700 1049 Attributed to Ludwig (Ludek) Marold (Czech, 1865-1898) La Meuse, printed by LeMercier, Paris. Unsigned, titled within the matrix. Color lithographic poster, sheet size 58 x 42 3/4 in. (147.2 x 108.5 cm), unmatted, unframed. Condition: Laid down and backed with linen, crease with areas of minute scattered ink losses. $600-800

1051 Michael Mazur (American, 19352009) Two Plates from L’Inferno di Dante, 1996-99, from the edition of 25: Canto XXXIVii (frontispiece) and Canto XXI. Both signed “Mazur” in pencil l.r., titled in pencil l.l., and numbered “S 4/25” in pencil l.c. Etchings with soft ground (the former with color) on paper, plate sizes to 19 1/2 x 15 in. (49.4 x 38.1 cm), framed. Condition: Full sheets with deckled edges, floated within the frames, not examined out of frames. $400-600 1052 Georges Meunier (French, 18691942) Crème Éclair, 1895. Signed and identified within the matrix. Color lithographic poster, sight size 45 x 32 1/4 in. (114.3 x 81.8 cm), framed. Condition: Horizontal creases (with possible breaks to paper), shallow surface cuts, not examined out of frame. $1,200-1,800 1053 Kenneth Hayes Miller (American, 1876-1952) Three Shoppers. Signed “Hayes Miller” in pencil l.r. Etching on wove paper, plate size 5 1/4 x 6 5/8 in., unmatted, unframed. Condition: Margins 2 1/4 inches or more, 3/4 inch tear to right edge, water staining to lower margin, pencil annotations on the reverse. $300-500

1054 Joan Miró (Spanish, 1893-1983) Céramiques, 1974, edition size unknown, published by Maeght Éditeur, Paris (Mourlot, 928). Signed within the matrix. Color lithograph on Arches paper, image size 16 1/2 x 24 in. (41.8 x 60.8 cm), matted, unframed. Condition: Full sheet with deckled edges, mat burn, pale foxing. $500-700 1055 Joan Miró (Spanish, 1893-1983) Plate 10 from LITHOGRAPHS II, 1975, from the edition of 80, printed by Mourlot, Paris (Mourlot, 1045). Signed “Miró” in pencil l.r., numbered “LXIV/ LXXX” in pencil l.l. Color lithograph on paper, image size 12 3/8 x 18 1/4 in. (31.3 x 46.3 cm), framed. Condition: Unobtrusive fading, not examined out of frame. $800-1,200

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1046 Le Pho (Vietnamese/French, 19072001)

1056 Elie Nadelman (American, 18851946) Two Prints of Abstracted Heads. One signed “Elie Nadelman” in the plate c.l., the other unsigned. Drypoint on paper, plate sizes to 11 3/8 x 9 in. (28.8 x 22.8 cm), unmatted, unframed. Condition: Deckled edges, scattered minor pinpoint fox marks, minor handling wear. $500-700 1057 LeRoy Neiman (American, 19212012) Lions, from the SAFARI SUITE, 1997, edition of 385. Signed “LeRoy Neiman” in pencil l.r., numbered “161/385” in pencil l.l. Color screenprint on paper, image size 22 1/2 x 16 1/2 in. (57.0 x 41.8 cm), framed. Condition: Not examined out of frame. Provenance: Citizens Bank, Providence, Rhode Island. $700-900

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1058 LeRoy Neiman (American, 19212012)

1062 Max Pollak (Czech/Austrian, 18861970)

Bull Elephant, from the SAFARI SUITE, 1997, edition of 385. Signed “LeRoy Neiman” in pencil l.r., numbered “161/385” in pencil l.l. Color screenprint on paper, image size 17 1/2 x 23 in. (44.4 x 58.4 cm), framed. Condition: Not examined out of frame.

Portrait of Sigmund Freud, 1914. Signed “Max Pollak” in pencil below the image l.r., numbered “7/50” in pencil below the image l.l. Etching with drypoint on wove paper, image size 18 5/8 x 18 3/4 in. (47.3 x 47.6 cm), framed. Condition: Possibly toned, not examined out of frame. $300-500

Provenance: Citizens Bank, Providence, Rhode Island. $700-900 1059 LeRoy Neiman (American, 19212012) Cheetah, from the SAFARI SUITE, 1997, edition of 385. Signed “LeRoy Neiman” in pencil l.r., numbered “161/385” in pencil l.l. Color screenprint on paper, image size 19 5/8 x 24 5/8 in. (49.8 x 62.5 cm), framed. Condition: Not examined out of frame. Provenance: Citizens Bank, Providence, Rhode Island. $700-900 1060 Louise Nevelson (American, 18991988)

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Untitled, 1976, edition of 100. Signed and dated “nevelson -76” in pencil within the image l.r., numbered “84/100” in pencil within the image l.l. Offset with gold-colored foil on paper, image/sheet size 35 x 25 in. (88.8 x 63.4 cm), unmatted, unframed. Condition: Minor handling creases visible in foil. $300-500

1061 After Pablo Picasso (Spanish, 18811973) L’homme au mouton, 1943, edition of 500. Stenciled or stamped “Picasso” in green l.r., numbered “143/500” in pencil l.l., inscribed and dated within the image. Collotype on paper, sight size 37 x 15 3/4 in. (93.3 x 40.0 cm), framed. Condition: Not examined out of frame. Provenance: Citizens Bank, Providence, Rhode Island. $800-1,200

1063 Aiden Lassell Ripley (American, 1896-1969) Two Fowling Prints: Flight Woodcock and Snipe at Dawn. Both signed “A. Lassell Ripley” in pencil l.r. and titled in pencil l.l., with labels from The Guild of Boston Artists affixed to the backings. Etchings with aquatint on paper, plate sizes to 9 x 11 7/8 in. (22.8 x 30.1 cm), framed. Condition: Mat burn, lightly toned, several scattered pinpoint fox marks, not examined out of frames. $300-500 1064 Larry Rivers (American, 1923-2002) Larry Rivers Work from the Hirshhorn Museum Collection, 1981, edition of 400. Signed, dated, and numbered “Larry Rivers ‘81 112/400” in pencil within the image l.r., identified within the matrix. Color offset poster on paper, image/sheet size 35 x 24 3/4 in. (88.8 x 62.8 cm), unmatted, unframed. Condition: Minute bends to corners. $400-600 1065 Manuel Robbe (French, 1872-1936) Fleur d’Automne, 1903, published by Sagot, Paris (Merrill-Chase, 46). Signed “Manuel Robbe” in pencil l.r., signed within the plate, inscribed “No 96” in pencil l.l., publisher’s dry stamp l.r. Color etching and aquatint on paper, plate size 19 3/8 x 14 7/8 in. (49.1 x 37.6 cm), framed. Condition: Pale mat burn and toning, stray ink marks (or similar) to margins, not examined out of frame. $400-600

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1066 David Roberts (Scottish, 1796-1864), Louis Haghe, lithographer (British, 1806-1885) Two Egyptian Archeological Views: Entrance to The Great Temple of Aboo Simble, Nubia, title page to the Egypt & Nubia Portfolio, 1847; and View from under the Portico of the Temple of Dendera, 1848. Both published by F.G. Moon, London. Both identified within the matrix. Lithographs in black and tan with hand-coloring on paper, image size approximately 19 1/2 x 13 3/4 in. (49.5 x 34.5 cm), framed. Condition: Foxing (primarily to margins), not examined out of frames. $300-500 1067 James Rosenquist (American, b. 1933) A Pale Angel Halo, 1973, from a proof edition of 12 (Glenn, 67). Signed and dated “Rosenquist 1973” in pencil l.r., numbered, inscribed, and titled “12/12 progressive/proof...” in pencil l.l. Lithograph in ochre and gray on paper, image size 27 1/2 x 20 1/2 in. (69.7 x 52.0 cm), unmatted, unframed. Condition: Full sheet with deckled edges, subtle toning, discoloration to edges. $700-900 1068 Ernest David Roth (American, 18791964) Two Venice Views: The Gate, Venice, 1906, and Palaces of Venice, 1907. Both signed and dated “Ernest D. Roth...” in pencil l.r., the former identified on a label from James Papalia, New York, affixed to the backing. Etchings with drypoint on paper, plate sizes to 10 1/2 x 7 7/8 in. (26.5 x 20.0 cm), framed. Condition: Not examined out of frames. $300-500

1072 Fritz Scholder (Native American, 1937-2005)

Two Views of Florence: Ponte Vecchio - Florence, 1924-25, and Florence Palaces, 1927. Both signed and dated “Ernest D. Roth...” in pencil l.r., both signed, dated, and identified within the plate, the former dedicated “To Joseph Margulies...” in pencil l.l. Etchings with drypoint on paper, plate sizes to 10 7/8 x 12 7/8 in. (27.5 x 32.5 cm), framed. Condition: Toning and staining (almost exclusively to former), not examined out of frames. $300-500

Red Indian, c. 1972, edition of 100. Signed “Scholder” in pencil l.r., numbered “61.100” in pencil l.l. Color lithograph on paper, image/sheet size 34 x 22 1/4 in. (86.3 x 56.4 cm), shrink-wrapped. Condition: Not examined out of wrap. N.B. This work was probably executed while Scholder was a visiting artist at Dartmouth College. $250-300 1073 Nicola Simbari (Italian, 1927-2012)

1070 Niki de Saint Phalle (French, 19302002) L’arbre de vie, for the project MÉMOIRE DE LA LIBERTÉ, 1991, edition of 75. Stamped “29/75 NIKI DE S. PHALLE” on the side of the base. Mixed media with screenprinted metal and painted resin elements, height 26 3/4 in. (68.0 cm), presented on a black wooden plinth. Condition: Minute losses to paint on resin elements, minor soiling. N.B. The Mémoire de la Liberté project included 55 artists from North & South America, Europe, and Asia. Its goal was to educate the world’s populations of the existence of the Universal Declaration of Human Rights, which was adopted by the United Nations in 1948. The project created awareness on multiple fronts: by the republication of the Declaration on a grand scale so that copies could be distributed to school, colleges, and universities around the globe; through world-wide exhibitions of the works created by a group of artist who are respected on the international stage; and to inspire the artists themselves to dialogues—if not activism—on the subject of liberty. $4,000-6,000 1071 Masaaki Sato (Japanese/American, b. 1941) Subway No. 12, edition of 150. Signed “Masaaki Sato” in pencil l.r., numbered and titled “52/150...” in pencil l.l., artist’s address label affixed to the backing. Color screenprint on paper, image size 19 1/8 x 24 1/8 in. (48.5 x 61.2 cm), framed. Condition: Not examined out of frame. $300-350

CIRQUE/A Suite of Five Works, 1978, edition of 300, plus a proof edition of 50. Each signed “Simbari” in pencil l.r. and numbered “E.A. XIX/L” in pencil l.l. Color screenprints on paper, image sizes to approximately 29 x 31 in. (73.5 x 78.6 cm), framed. Condition: Not examined out of frames. $1,200-1,800 1074 David Alfano Siqueiros (Mexican, 1896-1974) La Penitenciaria, 1930, edition of 300, printed in 1959 or later. Numbered, titled, dated, and signed “264/300...1930 DASiqueiros” in pencil l.c. Woodcut on wove paper with “... IAN 1959 ENGLAND” watermark, image size 3 7/8 x 3 1/4 in. (9.8 x 8.1 cm), unmatted, unframed. Condition: Full margins with two deckled edges, minor soiling and staining, cockling to edges. $800-1,000 1075 Raphael Soyer (American, 18991987) The Model, 1944, published in 1946 by Associated American Artist, New York, printed George C. Miller New York (Czestochowski/AAA, 1946.096). Signed “Raphael; Soyer” in pencil l.r., titled in pencil l.l., label from AAA affixed to the backing mat. Lithograph on wove paper, image size 11 3/4 x 7 11/16 in. (29.8 x 19.5 cm), matted, unframed. Condition: Margins approximately 1 inch with very pale mat burn, triangularshaped tear to image l.r., pencil annotations on the reverse. $300-500

1076 David Sullivan (American, b. 1941) Asymmetry, edition of 100. Signed “David Sullivan” l.r., titled l.l., numbered 33/100” l.c. Screenprint on paper, image size 20 x 30 in. (51.0 x 76.3 cm), framed. Condition: Not examined out of frame. $600-800 1077 Henri de Toulouse-Lautrec (French, 1864-1901) Tristan Bernard, 1898, probably from the third edition of 1920, edition of 200 (Delteil 9; Adriani 249). Monogrammed within the plate. Drypoint on laid paper with partial watermark, plate size 6 5/8 x 4 in. (16.7 x 10.1 cm), framed. Condition: Mat burn, toning, pale fox marks, pencil annotations to lower margin, old hinges and residue from masking tape to all edges on the reverse. $200-250

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1069 Ernest David Roth (American, 18791964)

1078 Victor Vasarely (French, 1906-1997) Untitled, edition of 267. Signed “Vasarely” in pencil l.r., numbered “161/276” in pencil l.l. Color screenprint on paper, image size 22 7/8 x 22 7/8 in. (58.0 x 58.0 cm), framed. Condition: Unobtrusive tears in sheet u.l. and c.r., not examined out of frame. $700-900 1079 Elizabeth O’Neill Verner (American, 1883-1979) Legare Street, Charleston, edition of 100. Signed and numbered “Elizabeth O’Neill Verner 33/100” in pencil l.r., titled in pencil l.l. Drypoint on paper, plate size 6 7/8 x 4 15/16 in. (17.4 x 12.4 cm), framed. Condition: Not examined out of frame. $600-800 1080 Jacques Villon (French, 1875-1963) Le Pont de Beaugency, 1939, edition of 45 (Ginestet & Pouillon, E.447). Signed “Jacques Villon” in pencil below the plate l.r., numbered “35/45” in pencil below the plate l.l. Etching on paper, plate size 12 1/2 x 8 1/2 in. (31.8 x 21.5 cm), framed. Condition: Mat burn, gently toned, not examined out of frame. $300-350

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1081 Abraham Walkowitz (American, 1878-1965)

1084 James Abbott McNeill Whistler (American, 1834-1903)

1087 Berenice Abbott (American, 18981991)

Pensive Nude. Signed “A. Walkowitz” in pencil below image l.r. Monotype on paper, image size 12 1/8 x 9 in. (30.8 x 22.8 cm), matted, unframed. Condition: Repaired tears at l.r. edge, l.c., and l.l. corner.

Alderney Street, 1881, second state of two, published in the Gazette des Beaux-Arts, Paris (Kennedy, 238). Monogrammed and identified within the plate. Etching on paper, plate size 6 7/8 x 4 3/8 in. (17.5 x 11.0 cm), framed. Condition: Not examined out of frame. $500-700

St. Mark’s Church, East 10th Street and Second Avenue, Manhattan, 1937. With the photographer’s Federal Art Project “Changing New York” hand stamp and titled and dated with numeric notations in pencil on the reverse at center. Gelatin silver print, image/sheet size 9 1/2 x 7 1/2 in. (24.0 x 19.0 cm), matted, unframed. Condition: Sheet of dry mounting tissue and paper residue affixed to the verso of the print indicating that it has been removed from its mount, print is attached to an overmat with linen tape hinges affixed to the verso, chemical inconsistencies, especially in the area of the sky. $1,000-2,000

N.B. This print was reproduced in Abraham Walkowitz, A Demonstration of Objective, Abstract, and NonObjective Art (Haldeman-Julius, 1945) with introductions by Oscar Bluemner, Jerome Mellquist, Charles Caffin, Sidney Janis, James Johnson Sweeney, and Henry McBride. $300-500 1082 Stow Wengenroth (American, 19061978) My House, 1977, edition of 75 (Stuckey, 369). Signed “Stow Wengenroth” in pencil l.r., numbered “Ed/75” in pencil l.l., dedicated within the matrix. Lithograph on wove paper, image size 9 1/4 x 14 7/8 in. (23.3 x 37.7 cm), matted, unframed. Condition: Full margins with deckled edges. N.B. The “HW” of the dedication is the artist’s wife Harriet, and the view depicts their home in Rockport, Massachusetts. Stuckey lists the edition size as 50 rather than as 75 as numbered on the print. Given that this was Wengenroth’s last print, one can conjecture that the edition wasn’t completed. $300-500

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1083 James Abbott McNeill Whistler (American, 1834-1903)

La Mère Gérard, 1858, final state of four (Kennedy, 11). Signed and identified within the plate. Etching on laid paper with “...1802” watermark, plate size 5 1/16 x 3 1/2 in. (12.8 x 8.8 cm), matted, unframed. Condition: Full margins with deckled edges, gently light-struck, pencil annotations to lower margin and verso, minor loss to edge near u.r. corner. $500-700

1085 James Abbott McNeill Whistler (American, 1834-1903) Savoy Pigeons, 1896, published by The Studio, London, edition of about 3,000 (Chicago, 154). Monogrammed within the matrix, publisher’s dry stamp l.l. Transfer lithograph on laid paper, image size 8 x 5 1/2 in. (20.3 x 13.8 cm), framed. Condition: Full sheet with deckled right edge, subtle toning, pencil annotations l.r., minor soiling to margins, not examined out of frame. $400-600 1086 Berenice Abbott (American, 18981991) Battery, Foot of West Street, Manhattan, 1936. With the photographer’s Federal Art Project “Changing New York” hand stamp and titled and dated with numeric notations in pencil on the reverse at center. Gelatin silver print, image/sheet size 9 1/2 x 7 1/2 in. (24.0 x 19.0 cm), matted, unframed. Condition: Sheet of dry mounting tissue and paper residue affixed to the verso of the print indicating that it has been removed from its mount, print is attached to an overmat with linen tape hinges affixed to the verso, diagonal crease with minor breaks in the emulsion l.l. to c.r. $800-1,200

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1088 Berenice Abbott (American, 18981991) “Theoline,” Pier # 11 or 12, East River, c. 1936. With the photographer’s Federal Art Project “Changing New York” hand stamp on the reverse u.c., titled and dated with numeric notations in pencil and with the photographer’s “50 commerce st.” studio address stamp on the reverse at center. Gelatin silver print, image/sheet size 9 5/8 x 7 1/2 in. (24.4 x 19.0 cm), matted, unframed. Condition: Sheet of dry mounting tissue and paper residue affixed to the verso of the print indicating that it has been removed from its mount, print is attached to an overmat with linen tape hinges affixed to the verso, fading. $1,000-2,000 1089 Deborah Bright (American, b. 1950) Muff Teaser, from the series BEING AND RIDING, 1997. Unsigned on the recto, titled on a brass plaque affixed to the frame l.c., titled, dated, and numbered “5/10” on a label from Bernard Toale Gallery, Boston, affixed to the backing. Ilfochrome print, image size 41 1/2 x 29 1/2 in. (105.3 x 74.8 cm), framed. Condition: Not examined out of frame. Provenance: Collection of Bernard Toale and Joseph Zina, Boston, Massachusetts. $800-1,200

Edward Weston at Point Lobos, 1945, printed later by the photographer’s estate. Blindstamped with the artist’s signature and chop mark on the mount l.r., identified on an Imogen Cunningham Trust label on the reverse of the mount l.c. Gelatin silver print, image/sheet size 10 5/8 x 10 3/8 in. (27.0 x 26.3 cm), unmatted, unframed. Condition: Mounted. Provenance: Estate of Calvin V. Giusti, Providence, Rhode Island. $800-1,200 1091 Imogen Cunningham (American, 1883-1976) Self-Portrait, 1974, printed later by the photographer’s estate. Blindstamped with the artist’s signature and chop mark on the mount l.r., identified on an Imogen Cunningham Trust label on the reverse of the mount l.c. Gelatin silver print, image/sheet size 8 1/2 x 7 1/2 in. (21.5 x 19.0 cm), unmatted, unframed. Condition: Mounted. Provenance: Estate of Calvin V. Giusti, Providence, Rhode Island. $800-1,200 1092 Imogen Cunningham (American, 1883-1976) Triangles Plus One, 1928, printed later by the photographer’s estate. Blindstamped with the artist’s signature and chop mark on the mount l.r., identified on an Imogen Cunningham Trust label on the reverse of the mount l.c. Gelatin silver print, image/sheet size 5 3/4 x 7 1/2 in. (14.7 x 19.0 cm), unmatted, unframed. Condition: Mounted. Provenance: Estate of Calvin V. Giusti, Providence, Rhode Island. $1,000-2,000

1093 Judy Dater (American, b. 1941) Twinka, 1970. Signed “Judy Dater” in pencil below the image l.r., titled and dated in pencil on the reverse of the mount l.r., with artist’s copyright stamp in black ink at the center. Gelatin silver print, image/sheet size 11 7/8 x 9 1/4 in. (30.0 x 23.5 cm), framed. Condition: Mounted. N.B. Model and writer Twinka is the daughter of the American painter Wayne Thiebaud and his wife Patricia. $1,000-1,500 1094 Carlos Domenech (Cuban, b. 1954) St. Francisco I, Santiago, Cuba, 2013. Signed and dated “Domenech...” in pencil below the image l.r., numbered “1/75” in pencil below the image l.l. Color pigment print, image size 13 3/8 x 10 in. (34.0 x 25.3 cm), matted, unframed. Condition: Good. $1,200-1,500 1095 Harold E. “Doc” Edgerton (American, 1903-1990) Two Photographs: Hammer Breaks Glass Plate and Dancing Ballerina, Nancy Crompton, 1933 and 1952, respectively, both printed c. 1980. Both signed “HAROLD EDGERTON” in pencil on the reverse l.c. Gelatin silver prints, image sizes to 14 1/8 x 17 3/8 in. (35.8 x 44.0 cm), unmatted, unframed. Condition: Minor wear at corners. $1,000-1,500

1096 Selected Farm Security Administration Photographers (American, 20th Century) Portfolio of Ten Photographs: Including Dorothea Lange (American, 1895-1965), Migrant Mother and Hoe Culture; Walker Evans (American, 1903-1975), Bethlehem, PA, and Bud Field’s Family; Ben Shahn (American, 18981969), Sheriff’s Deputy and Linworth; and Arthur Rothstein (American, 1915-1985), Sharecropper’s Wife and Child, Arkansas, Mr. and Mrs. Andy Bahain, Dust Storm, Cimarron County, Oklahoma, and The Bleached Skull of a Steer, 1935-36, printed c. 1976 by Berkey K&L, New York, under the supervision of Arthur Rothstein, published by the Photographic Historical Society of New York, Inc. Three stamped with photographer, title, date, and Rothstein and Berkey lab credits on the reverse l.c. Gelatin silver prints, image sizes to 11 7/8 x 8 1/4 in. (30.0 x 21.0 cm), unmatted, unframed, housed in K&L box with printed folding cover sheet. Condition: Good.

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1090 Imogen Cunningham (American, 1883-1976)

Provenance: Estate of Calvin V. Giusti, Providence, Rhode Island. $1,500-2,500 1097 Frank Gohlke (American, b. 1942) Grain Elevators, 1973. Signed and dated “Frank W. Gohlke...” in pencil on the reverse l.r. Gelatin silver print, image size 7 1/2 x 7 3/8 in. (19.0 x 18.7 cm), unmatted, unframed. Condition: Minor rippling to sheet, brown chemical stain or similar c.l. edge of the sheet. $1,000-1,500 1098 Jim Goldberg (American, b. 1953) Untitled, from the series Rich and Poor, 1983/84. Signed and dated “Jim Goldberg...” in pencil on the reverse l.r. Gelatin silver print, sheet size 14 x 11 in. (35.6 x 28.0 cm), framed. Condition: Minor handling crimp in image l.r., hinged with linen tape on the verso u.l and u.r. $800-1,200

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1099 Milton Greene (American, 19221985)

1102 Carl Van Vechten (American, 18801964)

1105 Edward Weston (American, 18861958)

Marilyn Monroe, from the Black Sitting, 1956, printed 1978. Signed, dated, and numbered “Milton H. Green/4-20-78/A/P” in ink within the artist’s hand stamp along with copyright permission stamp on the reverse at center. Gelatin silver print, image/sheet size 19 3/4 x 15 7/8 in. (50.0 x 40.3 cm), matted, unframed. Condition: Minor emulsion losses at very edges of the sheet, scattered unobtrusive spots of mold or similar on the surface recto, hinged with linen tape on the verso u.l., u.c., and u.r.

Three Portraits from the Portfolio O, Write My Name: Paul Robeson, Marian Anderson, and Mahalia Jackson, 1933, 1947, and 1962, respectively, printed 1983, in an edition of 100, published by Eakins Press Foundation, New York. Unsigned. Photogravures on paper, plate sizes to 9 1/2 x 6 5/8 in. (24.2 x 16.8 cm), unmatted, unframed. Condition: Minor rippling to sheets, several with a deckled edge.

Sandstone Erosion, Point Lobos, 1945, printed later. “Edward Weston” signature stamp on the reverse of the mount at center, titled and dated in pencil on the reverse of the mount u.r., inscribed “PL 45-R-3” in pencil on the reverse of the mount u.l. Gelatin silver print, image/sheet size 7 9/16 x 9 1/2 in. (19.2 x 24.0 cm), matted, unframed. Condition: Mounted.

Provenance: Estate of Calvin V. Giusti, Providence, Rhode Island. $800-1,200 1100 Danny Lyon (American, b. 1942) Ellis Unit, 1968, printed later, in an edition of 200, from the collector’s edition of PICTURES OF THE NEW WORLD, published by Aperture, New York. Signed “Danny Lyon” in pencil on the mount l.r. Gelatin silver print, image/sheet size 7 1/2 x 11 in. (19.0 x 28.0 cm), housed in original presentation portfolio. Condition: Mounted, minor lifting and emulsion losses along left edge. Provenance: Estate of Calvin V. Giusti, Providence, Rhode Island. $800-1,200

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1101 Arthur Rothstein (American, 19151985)

Land Acquisition Program of the Resettlement Administration, Yachats, Oregon, 1936. Signed “Arthur Rothstein” in pencil on the reverse l.r., with Farm Security Administration stamps on the reverse. Glossy gelatin silver print, 7 3/8 x 9 1/2 in. (18.7 x 24.1 cm), matted, unframed. Condition: Creases in u.l. corner, hinge remnants on the verso at upper corners. $700-900

N.B. The gravures were hand-pulled by Richard Benson and Thomas Palmer and include letterpress captions providing biographical information, dates, and an excerpt from a related work by the subject. ‘O, Write My Name’: American Portraits, Harlem Heroes, which is based on the 1983 limited edition portfolio, was recently published by Eakins Press. $500-700 1103 Todd Webb (American, 1905-2000) Studio Stove, Paris, 1950. Signed and dated “Todd Webb...” in blue ballpoint pen on the mount l.r., titled and dated in ink on the reverse of the mount u.c. Gelatin silver print, image/ sheet size 9 1/2 x 7 1/2 in. (24.0 x 19.0 cm), unmatted, unframed. Condition: Mounted, scattered minor surface scratches, possible chemical inconsistencies u.r. Provenance: Estate of Calvin V. Giusti, Providence, Rhode Island. $500-700 1104 Brett Weston (American, 1911-1993) Abstraction (Car Reflections), probably 1930s, printed later. Signed “Brett Weston” in pencil on the mount l.r., numbered “14/50” in pencil on the mount l.l. Gelatin silver print, image/ sheet size 12 1/2 x 10 5/8 in. (31.8 x 27.0 cm), unmatted, unframed. Condition: Mounted. Provenance: Estate of Calvin V. Giusti, Providence, Rhode Island. $800-1,200

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Provenance: Estate of Calvin V. Giusti, Providence, Rhode Island. $1,000-1,500 1106 Edward Weston (American, 18861958) Santa Fe 4-8-4, 1941, printed later. “Edward Weston” signature stamp on the reverse of the mount u.l., titled, dated, and inscribed “...LA 41-SF-2” and “TW1064” in pencil on the reverse of the mount u.r. Gelatin silver print, image/sheet size 7 9/16 x 9 1/2 in. (19.2 x 24.0 cm), matted, unframed. Condition: Mounted. Provenance: Estate of Calvin V. Giusti, Providence, Rhode Island. $1,000-2,000 1107 Marion Post Wolcott (American, 1910-1990) Highway Showing Grain Elevators and Part of Town of Froid, Montana, 1941. With Farm Security Administration stamps on the reverse. Glossy gelatin silver print, image size 7 1/4 x 9 1/2 in. (18.4 x 24.0 cm), matted, unframed. Condition: Minor creases with cracks in the emulsion at corners. $700-900

1112 Francis Nicholson (British, 17531844)

1116 After Henry Perlee Parker (British, 1795-1873)

The Prophetess Hannah (Anna) Unsigned. Oil on panel, 11 3/4 x 9 3/4 in. (30.0 x 24.5 cm), framed. Condition: Retouch, surface losses, small area of lifting, fine craquelure, varnish inconsistencies and discoloration, surface grime.

Maes Mynary, near Denbigh Signed, titled, and dated “F Nicholson...1809” on the reverse, identified on a label from Daris Galleries, New York, affixed to the backing. Watercolor on paper, sight size 8 3/4 x 12 in. (22.2 x 30.5 cm), framed. Condition: Subtle mat burn, not examined out of frame. $800-1,200

Looking Out Unsigned. Oil on canvas, 30 x 25 in. (76.2 x 63.5 cm), framed. Condition: Restored, lined, retouch.

N.B. The original painting by Rembrandt, signed and dated 1639, is in the collection of the Kunsthistorisches Museum in Vienna, size 31 x 24 in. (oval format). $1,000-1,500 1109 Percy Belgrave (English, 19th Century) Figure in a Pastoral Landscape Signed “Percy Belgrave” l.r. Oil on canvas, 24 x 36 in. (60.9 x 91.4 cm), framed. Condition: Craquelure, small loss, retouch. $700-900

1113 Ferdinando Andreini (Italian, 18431922) Margherita Signed and inscribed “F.O.Andreini Firenze.” on the reverse of the base, titled on the front of the base. White marble, height 38 1/2 in. (97.7 cm). Condition: Repairs to her right hand and wrist (pinkie detached), small chip to her right sleeve, abrasions to base, surface grime. Provenance: A private Illinois collection.

1110 Attributed to James Edwin Meadows (British, 1828-1888) Two Landscapes: Shepherd with Cows at a Stream and Figures Conversing on a Country Path Signed or inscribed “J.E. MEADOWS” l.l. Both oil on canvas, sizes to 18 x 14 in. (45.7 x 35.5 cm), framed. Condition: Lined, craquelure. $1,500-3,000 1111 William James Müller (British, 18121845) Mountain Scene with Figures Unsigned, identified on a label from Shepherd Gallery, New York, affixed to the backing. Watercolor on paper, sight size 8 x 10 1/4 in. (20.2 x 26.0 cm), framed. Condition: Light-struck, not examined out of frame. $400-600

N.B. The subject refers to the heroine Margherita from Goethe’s Faust. Here she contemplates a box of jewels, just before her seduction by the title character. Another version of this work by Andreini and dated 1880 is in the collection of the Museo de Bellas Artes de Valencia in Spain. $7,000-9,000 1114 Boston School, 19th/20th Century Woman in Turban and Robes Unsigned, with labels from Bigelow & Jordan and Chas. J. Edmands affixed to the stretcher. Oil on canvas, 9 1/2 x 7 1/4 in. (24.1 x 18.4 cm), framed. Condition: Surface grime, possible scattered retouch, pigment fluorescence. $800-1,200

N.B. This painting is closely related to a known engraving created in 1836 by William O. Geller of the same title. It is possible that this work is the original painting created by Henry Perlee Parker, from which William O. Geller created Looking Out.1 Based on a stencil that was once visible on the verso canvas “JAs Spore 101 Fourth Street St. Louis, Mo,” it is also possible that the painting is a copy after the engraving by an American painter from the St. Louis area. Geller also created another engraving after a Parker painting titled The Covenanter, which sold at auction in 2004.

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1108 After Rembrandt Harmensz van Rijn (Dutch, 1606-1669)

Photographs of the back of the original canvas, and research notes accompany this lot. 1. http://www.britishmuseum.org (registration number 1941,1011.55).

$3,000-5,000 1117 Giuseppe Carosi (Italian, 1883-1965) On the Fence Signed “G. Carosi” l.r. Watercolor on paper, sight size 20 3/4 x 14 1/8 in. (52.8 x 35.9 cm), framed. Condition: Subtle toning, not examined out of frame. $800-1,200 1118 Robert Harrington (British, 18001882) Paleface Signed and dated “R. Harrington 1879” l.r., inscribed with information about the subject on a piece of paper affixed to the stretcher. Oil on canvas, 22 x 28 in. (56.0 x 71.2 cm), framed. Condition: Lined, craquelure, retouch. $800-1,200

1115 French School, 19th Century Self Portrait of an Artist in His Studio Unsigned. Oil on canvas, 30 1/2 x 24 3/4 in. (77.4 x 62.8 cm), unframed. Condition: Lined, surface grime, abrasions and minor losses. $1,000-1,500

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1119 James Tibbits (British, 19th Century) Still Life with Fruit in a Landscape Signed and dated indistinctly “J. Tibbits 18...” l.r., identified on a label from Clarke Galleries, Stowe, Vermont, affixed to the frame backing. Oil on artist board, 7 x 9 7/8 in. (17.8 x 25.1 cm), framed. Condition: Wear to l.l. and u.l. corners of board. $200-400 1120 American School, 19th Century

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1128 John Clinton Spencer (American, 1861-1919)

Ploughing Signed “G.A. Hays” l.l., inscribed “Ploughing/GA Hays 21/1” on the reverse. Oil on canvas, 22 x 36 (55.8 x 91.4 cm), framed. Condition: Craquelure, minor varnish discoloration, retouch. $700-900

Still Life with Fruit and Blue Earthenware Jug Signed “JC Spencer” l.l. Oil on canvas, 14 1/4 x 24 in. (36.0 x 61.0 cm), framed. Condition: Lined, scattered retouch, signature overcleaned, surface grime. $1,500-2,000

1124 Paul R. Koehler (American, 18661909)

Hudson River View with Figures Fishing Unsigned, illegible inscription on the reverse. Oil on panel, 16 3/4 x 23 in. (42.5 x 58.4 cm), framed. Condition: Minor retouch to sky. $700-900

Herding the Flock at Sunset Signed and inscribed “P.R. Koehler NY” l.r. Pastel on paper, 8 3/4 x 11 1/2 in. (22.2 x 29.2 cm), framed. Condition: Not examined out of frame. $700-1,500

1121 John Appleton Brown (American, 1844-1902)

1125 Frank Henry Shapleigh (American, 1842-1906)

Water Meadow in Autumn Signed “J. Appleton Brown.” l.r. Oil on canvas, 31 x 42 in. (78.7 x 106.7 cm), framed. Condition: Retouch, subtle surface grime, craquelure. $1,800-2,200

Old Barn, Duxbury Signed and dated “F.H. Shapleigh 1890” l.r., inscribed “Old Barn in Duxbury, Mass. by F.H. Shapleigh.” on the reverse, with a label from Frost & Adams affixed to the stretcher. Oil on canvas, 10 x 16 in. (25.4 x 40.6 cm), framed. Condition: Craquelure, tiny pinholes, varnish inconsistencies, retouch. $1,000-1,500

1122 Benjamin Champney (American, 1817-1907)

1123 George A. Hays (American, 18541945)

In the Meadows Signed and dated “B Champney/91” l.l., identified on an exhibition label from the Boston Art Club and on letterhead from Denenberg Fine Arts (no location given), both affixed to the frame backing paper. Charcoal with whiting on paper, 21 5/8 x 17 1/87 in. (55.0 x 43.5 cm), framed. Condition: Acid burn, toning, sheet laid down on paperboard support. N.B. The typed information on Denenberg Fine Arts letterhead provides the following provenance: Mrs. Albert Champney Wendling, Mrs. Carl Peterson, Mr. Robert Cleaves. $800-1,200

1126 Attributed to Joseph Morviller (American, 1800-1870) Skaters at Sunset, Medfield Unsigned, identified on a label from Adelson Galleries, Inc., Boston, affixed to the stretcher. Oil on canvas, 9 x 13 in. (22.8 x 33.0 cm), framed. Condition: Lined. $1,200-1,800 1127 Herman Hartwich (American, 18531926) Stream in Winter Signed “H.Hartwich” l.l., stenciled “JA127” on the reverse. Oil on canvas, 16 x 22 in. (40.6 x 55.8 cm), framed. Condition: Minor retouch. $1,500-2,500

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1129 Levi Wells Prentice (American, 18511935) Still Life with Peaches in a Silver Bowl Signed “L.W. Prentice” l.r., also originally signed “L.W. Prentice” on the reverse. Oil on canvas, 12 x 18 in. (30.6 x 40.8 cm), framed. Condition: Lined, minor retouch, possible small abrasion to l.c. Provenance: Christie’s New York, Important American Paintings, Drawings, and Sculpture of the 19th and 20th Centuries, June 1, 1984, Sale No. HELEN-5580, Lot 61. $7,000-9,000

Pink Rose Signed and dated “MJ Heade/1878.” l.l. Oil on canvas, 15 1/4 x 10 1/4 in. (38.8 x 26.0 cm), framed. Condition: Lined, minor retouch, areas of possible skinning. Provenance: Sir Morton Peto, Estate of Charlotte M. Ober, to a Private Collection, to Christie’s New York, December 6, 1991, Lot 63, through to the current owner by family descent. Literature: Stebbins, Theodore E., Martin Johnson Heade, Janet L. Comey, and Karen E. Quinn, The Life and Work of Martin Johnson Heade: A Critical Analysis and Catalogue Raisonné (New Haven: Yale University Press, 2000), no. 460. N.B. Martin Johnson Heade was born in 1819 in rural Pennsylvania, and began painting at the age of eighteen. He spent the next forty years traveling around the United States as well as going abroad to Europe to paint. In 1858, he moved to New York City and settled into the Tenth Street Studio Building, where he painted alongside many of the leading painters of the Hudson River School. His landscapes from this period clearly show this influence, although he was less interested in conventional scenes of natural beauty and often chose to paint eastern salt marshes instead. He also began painting still lifes when he moved to New York; these mainly consisted of arrangements of flowers in vases. In his later years, he began to paint magnolias and roses in a different manner, reclining on a table instead of in a vase and by themselves instead of amongst other types of flowers. These later still lifes also reflect a great attention to detail, surprising for an artist near the last years of his life.1 1. Stebbins, Theodore E. Jr., Martin Johnson Heade (Boston: Museum of Fine Arts, 1999).

$20,000-30,000 1131 American School, 19th/20th Century Abbot Hill, from Abbot Farm Bears stamped signature “Chauncey F. Ryder” l.r., inscribed “Chauncey F. Ryder/Wilton NH/From Abbot Farm/ Abbot Hill 9/3/55” on the reverse. Oil on panel, 14 3/4 x 18 in. (37.4 x 45.7 cm), framed. Condition: Scattered retouch, surface grime. $800-1,200

1131A American School, 19th/20th Century Abbot Hill, Wilton, New Hampshire Unsigned, inscribed “C.F. Ryder/Abbot Hill/Wilton NH/” on the reverse. Oil on panel, 14 3/4 x 18 in. (37.5 x 45.7 cm), framed. Condition: Good. $600-800 1131B American School, 19th/20th Century From Abbot Homestead Bears signature “C.F. Ryder” l.l., inscribed “From Abbot Homestead/ Abbot Hill/Wilton NH/Chauncey F. Ryder was a neighbor and related to the Abbot family/painted in 1880” on the reverse. Oil on panel, 13 3/4 x 10 1/2 in. (34.9 x 26.7 cm), framed. Condition: Minor surface grime. $500-700 1132 Studio of Louis Comfort Tiffany (American, 1848-1933) Three Stained Glass Window Studies for the Plymouth Congregational Church, Milwaukee, Wisconsin, c. 1913 Identified on the mat l.r. and signed or inscribed “Louis C. Tiffany” beneath the inscription. Gouache, halftone screen collage, and graphite on illustration board, sight size 5 1/2 x 8 3/4 in. (14.0 x 22.2 cm), within a single frame. Condition: Watercolors enclosed within the mat, not opened during cataloging; half-tone screen collage located in the figure group of mothers and children in left panel; surface crease and craquelure to the left panel; small surface loss to trees in central panel. N.B. The Plymouth Congregational Church is now known as the Plymouth United Church of Christ. $3,000-5,000

1134 Frederick Ballard Williams (American, 1871-1956) Figure in a Forest Clearing Signed “F. Ballard Williams” l.r. Oil on Masonite, 8 x 10 in. (20.3 x 25.4 cm), framed. Condition: Good. $500-700 1135 Susan Hayward Schneider (American, b. 1876) Autumn Landscape, Pennsylvania Signed and dated “Susan Hayward Schneider 1923” l.l. Oil on canvas, 9 x 12 in. (22.8 x 30.4 cm), framed. Condition: Canvas buckle. $1,000-1,500

Fine Art online

1130 Martin Johnson Heade (American, 1819-1904)

1136 Attributed to Rebecca Christina Harrington (Canadian, 1911-2005) Spanish Mission Church Signed “R.C. Harrington” l.r. Oil on canvas, 18 x 22 in. (45.7 x 55.8 cm), framed. Condition: Patch repair on the reverse u.c., minor surface grime. $600-800 1137 Alexander A. Dzigurski (American, 1911-1995) Mountain Landscape Signed “A. Dzigurski” l.r., a label from Wally Findlay Galleries Inc. affixed to the backing. Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm), framed. Condition: Minor surface grime, minor craquelure. Provenance: Citizens Bank, Providence, Rhode Island. $800-1,200

1133 Eugene Higgins (American, 18741958) Through Journey of Life Together Unsigned on the recto, identified on a label from Clayton-Liberatore Art Gallery on the backing. Watercolor on paper, sight size 6 x 8 in. (15.2 x 20.2 cm), framed. Condition: Not examined out of frame. $600-1,000

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1138 E.E. Cummings (American, 18941962)

1143 G.L. Selwin (Anglo/American, 19th Century)

Coastal View with Cliffs and Sailboat Unsigned, numbered “LPC/110” on a label affixed to the reverse. Oil on cardboard, 7 3/4 x 8 7/16 in. (19.8 x 21.3 cm), unmatted, unframed. Condition: Sketch of a woman’s face on the reverse, toning, minor surface grime.

Coastal Landscape Signed and dated “G.L. Selwin ‘75” l.r. Oil on canvas, 15 1/4 x 25 in. (38.7 x 63.5 cm), framed. Condition: Lined, fine, stable craquelure. $2,000-2,500

Provenance: From the artist to LuethiPeterson Camps/Board of Directors, through to the current owner. $800-1,200

1144 William Walcot (English, 1874-1943)

1139 Wally Ames (American, b. 1942) Pond’s Edge Monogrammed “WA” u.l., signed “Wally Ames” on the reverse. Oil on board, 11 3/4 x 17 in. (29.8 x 43.1 cm), framed. Condition: Minor retouch. $700-900 1140 Dennis Sheehan (American, b. 1950) Summer Gold Signed “Sheehan” l.r. Oil on canvas, 30 x 45 in. (76.2 x 114.3 cm), framed. Condition: Good. $2,000-2,500

Fine Art online

1141 Continental School, 19th Century

Strada di Napoli Signed indistinctly l.l., titled and numbered “39” on the reverse. Oil on panel, 7 1/4 x 5 in. (18.4 x 12.7 cm), framed. Condition: Vertical craquelure. $700-1,500 1142 Johann Scherrewitz (Dutch, 18681951) Barnyard with Milkmaid and Cows Signed “JScherrewitz” l.r. Oil on canvas, 16 x 20 in. (40.7 x 50.8 cm), framed. Condition: Minor buckling to canvas, craquelure, scattered retouch. $1,000-1,500

Queens College, Oxford Signed “W.Walcot” l.r., titled on a label from Sevilla Art Studio, Ltd., New York, affixed to the reverse. Oil on paper mounted on canvas, 11 1/4 x 15 1/4 in. (28.5 x 38.7 cm), framed. Condition: Minor surface abrasions. $1,000-2,000 1145 Walter Travis (British, 19th/20th Century) Le Quai Vert, Bruges Signed “Travis” l.r., identified on a plaque affixed to the frame, titled on a label affixed to the reverse. Oil on canvasboard, 11 5/8 x 15 5/8 in. (29.5 x 39.6 cm), framed. Condition: Abrasions with losses along top edge, minor surface grime. $700-1,200 1146 American School, Late 19th/Early 20th Century Winter Landscape, New England Unsigned. Oil on board, 9 1/2 x 11 1/2 in. (24.1 x 29.2 cm), framed. N.B. Possibly the work of Edward Herbert Barnard, an American impressionist painter from Belmont, Massachusetts (1855-1909). According to the family, the work is titled “Belmont Cedars.” $500-700 1147 James King Bonnar (American, 1883-1961) Stream in Winter Landscape Signed “Jas K. Bonnar” l.r. Oil on canvas, 22 x 28 in. (55.8 x 71.1 cm), framed. Condition: Surface grime, minor varnish discoloration. $1,000-1,500

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1148 Alfred Fuller (American, 1899-1980) February Snow Signed “Alfred Fuller” l.r. and inscribed “February Snow/Alfred Fuller/ Bridgewater CT/and Monhegan Island ME” on the stretcher. Oil on canvas, 16 x 24 in. (40.6 x 60.9 cm), framed. Condition: Minor varnish discoloration. $800-1,200 1149 Cameron Burnside (American, 18871952) Boston Public Library Entrance Signed “Cameron Burnside” l.c. Watercolor and gouache on paper, sight size 17 1/4 x 16 1/4 in. (43.8 x 41.2 cm), framed. Condition: Not examined out of frame. $1,000-1,500 1150 Dennis Sheehan (American, b. 1950) Winter Stream at Sunset Signed “Sheehan” l.r. Oil on canvas, 10 x 20 in. (25.4 x 50.8 cm), framed. Condition: Good. $700-800 1151 Charles Herbert Woodbury (American, 1864-1940) Docks-Grey Day Unsigned, identified on a label from Vose Galleries of Boston, Inc., affixed to the back of the frame. Oil on canvas, 5 1/4 x 8 1/8 in. (13.3 x 20.5 cm), framed. Condition: Lined, scattered minor retouch, fine craquelure, surface grime. $2,500-3,500 1152 Xanthus Russell Smith (American, 1839-1929) East Side Ragged Island Titled, initialed, and dated “...X.S. July 19th 1906” l.l. Watercolor on paper, sight size 7 1/8 x 9 3/8 in. (18.0 x 23.8 cm), framed. Condition: Not examined out of frame. $250-350

1158 Elmer J. Porter (American, 18071996)

1163 Gustav Muss-Arnolt (German/ American, 1858-1927)

Fishing Boats Off Beachy Head Signed “G.S. Peters” l.l. Watercolor on paper, sight size 9 3/8 x 13 1/4 in. (23.8 x 33.6 cm), framed. Condition: Toning, possible water damage along bottom edge, not examined out of frame. $400-600

Seguin Island from Popham Unsigned, artist and title identified on a label affixed to the reverse. Watercolor on paper, sight size 13 3/4 x 16 1/4 in. (34.9 x 41.2 cm), framed. Condition: Not examined out of frame. $500-700

Portrait of “Real English” Signed “G Muss-Arnolt” l.r. Oil on canvas, 6 x 9 in. (15.2 x 22.8 cm), framed. Condition: Surface grime, craquelure, scattered retouch. $800-1,200

1159 William P. Duffy (American, b. 1948)

1164 Willard Bond (American, 1926-2012)

Paines Creek, Midsummer Signed “WILLIAM P DUFFY” l.r., identified on a label on the reverse. Oil on board, 15 x 20 in. (38.0 x 50.8 cm), framed. Condition: Good. $800-1,200

Yellow Spinnaker Signed “WGBond F/ASMA” l.r., with a label from Annapolis Marine Art Gallery on the reverse. Watercolor on paper, 19 x 14 in. (48.2 x 35.5 cm), framed. Condition: Slightly faded, not examined out of frame. $1,200-1,800

1154 Theodore Victor Carl Valenkamph (American, 1868-1924) Waves on a Rocky Coast Signed “T.V.C.VALENKAMPF.” l.r. Oil on canvas, 16 3/16 x 20 1/8 in. (41.0 x 51.0 cm), framed. Condition: Minor loss to u.l. quadrant, minor craquelure, surface grime. $700-900 1155 Alexander A. Dzigurski (American, 1911-1995) Ocean Vista Signed and dated “A. Dzigurski 1952” l.r., a label from Findlay Galleries Inc., Chicago, affixed to the backing. Oil on canvas, 28 x 36 in. (71.0 x 91.4 cm), framed. Condition: Craquelure, minor surface grime. Provenance: Citizens Bank, Providence, Rhode Island. $800-1,200 1156 John M. Buckley (American, 18911958) Cape Ann Landscape Signed “J. Buckley” l.r. Oil on canvas, 27 x 23 in. (68.5 x 58.4 cm), framed. Condition: Craquelure. $800-1,200 1157 Charles Henry Ebert (American, 1873-1959) Three Pines on the Maine Coast Signed “Ebert” l.r. Oil on board, 12 x 16 in. (30.4 x 40.6 cm), framed. Condition: Board slightly warped. Provenance: The Cooley Gallery, Old Lyme, Connecticut. $1,200-1,800

1160 J. Thurston Marshall (American, 1908-1982) Twilight Signed “J. Thurston Marshall’ l.l., titled on the reverse. Oil on panel, 12 x 19 in. (30.4 x 48.2 cm), framed. Condition: Good. $700-900 1161 Earl Lincoln Poole (American, 18911972) Doves Signed “E.L. Poole.” l.r. Watercolor on illustration board, sight size 20 3/4 x 13 3/4 in. (52.7 x 34.9 cm), framed. Condition: Minor toning, not examined out of frame. Provenance: Acquired by current owner directly from artist in the late 1960s/early 1970s. $2,500-5,500 1162 Earl Lincoln Poole (American, 18911972) Birds of Prey Signed “E.L. Poole.” l.r. Watercolor on illustration board, sight size 13 1/4 x 9 1/2 in. (33.6 x 24.1 cm), framed. Condition: Minor toning. Provenance: Acquired by current owner directly from artist in the late 1960s/early 1970s. $2,500-5,500

Fine Art online

1153 George Stanfield Walters (British, 1838-1924)

1165 Willard Bond (American, 1926-2012) Bow Work Signed “WGBond F/ASMA” l.l., with a label from Annapolis Marine Art Gallery on the reverse. Watercolor on paper, 19 x 14 in. (48.2 x 35.5 cm), framed. Condition: Not examined out of frame. $1,200-1,800 1166 Maximilian Pirner (Czech, 18541929) Allegorical Scene Signed and dated “M: PIRNER.911.” l.r. Oil on canvas, 28 x 40 in. (71.1 x 101.6 cm), framed. Condition: Patch reinforcement, retouch, craquelure, varnish inconsistencies. $5,000-7,000 1167 Peter Vilhelm Ilsted (Danish, 18611933) Bedroom of Elisabeth de Calmette, Liselund Manor House Unsigned, inscribed “Liselund” on the back of the frame. Oil on canvas, 23 x 18 1/2 in. (58.4 x 46.9 cm), framed. Condition: Surface grime, patch on verso, minor retouch. Provenance: Descent through the artist’s family. $3,000-5,000

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1168 Julius Adam (German, 1852-1913)

1173 Continental School, 20th Century

1178 Louis Betts (American, 1873-1961)

Who’s the Boss Signed and dated “Jul Adam 188...” u.l. Oil on board, 6 3/8 x 8 1/4 in. (16.2 x 20.9 cm), framed. Condition: Surface grime, craquelure, accretion l.r. $800-1,200

Children at the Beach Bears signature “B. Beek” l.r., inscribed indistinctly l.l. Oil on canvas, 9 x 15 in. (22.8 x 38.0 cm), framed. Condition: Good. $2,000-2,500

On the Windowsill Signed “Louis Betts” l.l., Clarke Galleries, Stowe, Vermont, label on the reverse. Oil on board, 14 x 12 in. (35.5 x 30.4 cm), framed. Condition: Good.

1174 American School, 20th Century

Provenance: Baridoff Galleries, August 6, 1997, Lot 58. $1,500-2,500

1169 Lilla Cabot Perry (American, 18481933) Portrait of Mrs. Andrew Wheelwright Signed and dated “L.C. Perry-1913-” u.l., inscribed “Mrs. Andrew Wheelwright/Aunt Sadie” on the reverse. Oil on canvas, 32 1/4 x 25 1/4 in. (81.9 x 64.1 cm), unframed. Condition: Minor craquelure, retouch. Provenance: Acquired through the artist’s estate. $1,200-1,800

Fine Art online

1170 Jane Peterson (American, 18761965)

Floral Still Life with Fruit Unsigned. Oil on canvas, 20 x 24 in. (50.8 x 60.9 cm), framed. Condition: Good. $1,000-1,500 1175 Bela Kontuly (Hungarian, 1904-1983) Still Life with Fruit and Flowers Signed “Kontuly Bela” l.r. Oil on canvas, 24 x 36 in. (60.9 x 91.4 cm), framed. Condition: Surface grime, minor retouch. $800-1,200

Portrait of a Gentleman, Possibly a Banker Signed “JANE PETERSON” u.l. Oil on canvas, 30 x 24 in. (76.4 x 61.0 cm), framed. Condition: Paint loss to l.l. corner, multiple minute paint losses, areas of exposed canvas, craquelure, surface grime. $1,500-3,000

1176 Giuseppe Cocco (Italian, 1879-1963)

1171 Alexis Paul Arapoff (Russian/ American, 1904-1948)

1177 Christopher Murphy (American, 1902-1973)

Woman in a Green Dress Signed “ARAPOFF” l.r. Watercolor, pastel, and ink on paper, sight size 27 3/4 x 13 1/4 in. (71.0 x 33.8 cm), framed. Condition: Small tear to u.l. edge, not examined out of frame. $800-1,200

Floral Still Life Signed “CHRISTOPHER MURPHY” l.r. Oil on linen stretched over artist board, 14 x 11 in. (35.5 x 28.0 cm), in a period-style frame. Condition: Good. $700-900

Still Life with Fruit Signed “GA Cocco” l.r. Oil on canvas, 22 x 31 in. (55.8 x 78.7 cm), framed. Condition: Canvas indented in center, minor craquelure. $1,000-1,500

1172 David Levine (American, 1926-2009) Isadora Duncan Signed and dated “D. Levine 64” l.r., titled l.c. Pen and ink on paper, sight size 7 x 7 in. (17.7 x 17.7 cm), framed. Condition: Not examined out of frame. $700-900

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1179 David Aronson (American, 19232015) The Hermit Signed “Aronson” in the bronze at l.r. edge. Bronze with brown patina, 10 1/2 x 10 x 6 1/2 in. (26.7 x 25.4 x 16.5 cm), on a marble plinth. Condition: Dust to interstices. Literature: Aronson, David, and Joseph Ablow, David Aronson: Sculpture [Place of publication not identified]: [publisher not identified], 1969, illustrated p. 12. N.B. David Aronson passed away on July 2, 2015. $800-1,200 1180 Carl G. Nelson (American, 18981988) Poet Signed and dated “C.G. Nelson 71” l.l. Oil on canvas, 25 x 20 in. (63.5 x 50.8 cm), framed. Condition: Retouch. $1,200-1,800 1181 William Meyerowitz (American, 1887-1981) At Work Signed “Meyerowitz” l.r. Mixed media with oil on board, 28 x 19 1/2 in. (71.0 x 50.0 cm), framed. Condition: Good. $1,000-1,500

1187 Continental School, 20th Century

Choosing Up Sides Signed “Max Ginsburg” l.l., titled on a label from Harbor Gallery, Long Island, on the frame. Oil on canvas, 16 x 20 in. (40.6 x 50.8 cm), framed. Condition: Good. $1,000-2,000

Cubist Portrait of a Woman Monogrammed “EG” c.l. Oil on board, 16 x 12 in. (40.1 x 30.5 cm), framed. Condition: Surface grime, scattered losses, pigment fluorescence. $800-1,200

1183 Alexis Miguel Pantoja Perez (Cuban, b. 1969) La Partida Asistida Signed and dated “Pantoja 2013” l.l., titled and dated on the reverse. Oil on canvas, 36 1/2 x 27 1/2 in. (92.7 x 69.8 cm), unframed. Condition: Good. N.B. Accompanied by a certificate of authenticity signed by the artist and dated 2013. $4,000-6,000 1184 Nicholai Gloutchenko (Russian, 1902-1977) Nude Figure with Lace Signed in Cyrillic l.r. Watercolor on paper, sight size 19 1/2 x 12 in. (49.5 x 30.4 cm), framed. Condition: Not examined out of frame. $700-1,200

1188 Terri Priest (American, 1928-2014)

Portrait of a Boy in Yellow Signed “Juan De’Prey” l.r., inscribed “De Prey Work Shop” on the back of the frame. Ink and pastel on illustration board, 20 x 16 in. (50.8 x 40.8 cm), framed. Condition: Good. $1,000-1,500 1186 Antonio Rodriguez Luna (Mexican, b. 1910) Figures Signed “Luna” l.r. Mixed media on paper, sight size 20 1/2 x 14 1/2 in. (52.0 x 37.4 cm), framed. Condition: Not examined out of frame. $1,200-1,800

Untitled Signed “M. Janco” l.r. Oil on canvas, 15 3/4 x 23 in. (40.0 x 58.4 cm), unframed. Condition: Minor surface abrasions, chipped u.l. corner. $2,000-4,000 1193 Tom Seghi (American, b. 1942)

After the Storm Signed and dated “T. Priest 1997-98” l.r., signed, titled, dated, and inscribed with artist’s notes on the reverse. Oil and collage on canvas, 41 x 41 in. (104.1 x 104.1 cm), framed. Condition: Good.

Red Pear Signed and dated “T. Seghi ‘96” on the reverse at center. Oil on canvas, 40 x 30 in. (101.5 x 76.2 cm), framed. Condition: Minor surface grime.

Provenance: Estate of artist Terri Priest, Worcester, Massachusetts. $2,000-3,000

Provenance: Citizens Bank, Providence, Rhode Island. $1,000-2,000

1189 J. Thurston Marshall (American, 1908-1982)

1194 Tom Seghi (American, b. 1942)

Skyline Signed “J. Thurston Marshall” l.r. Oil on board, 16 x 20 in. (40.6 x 50.8 cm), framed. Condition: Good. $800-1,200 1190 American School, 20th Century

1185 Juan De’Prey (Puerto Rican, 19041962)

1192 Marcel Janco (Romanian, 18951984)

Modernist Landscape with Moon Unsigned, with inscriptions, most illegible, including “Hellman” and “N. Redding, Conn” on the reverse. Oil on canvas, 17 x 26 in. (43.2 x 66.0 cm), framed. Condition: Lined, surface grime with scattered accretions. $800-1,200 1191 Zdzislaw Ruszkowski (Polish, 19071990) The Red House Signed “Ruszkowski” l.l. Oil on canvas, 20 x 24 in. (50.8 x 60.9 cm), unframed. Condition: Surface grime, discolored varnish. $1,000-1,500

Fine Art online

1182 Max Ginsburg (American, b. 1931)

Green Pear Signed and dated “T. Seghi ‘97” on the reverse at center. Oil on canvas, 40 x 30 in. (101.5 x 76.2 cm), framed. Condition: Minor surface grime. Provenance: Citizens Bank, Providence, Rhode Island. $1,000-2,000 1195 Auguste Herbin (French, 1882-1960) Untitled, 1947 Signed “herbin” l.r., dated on a label affixed to the reverse. Gouache on thin paperboard, 5 3/4 x 9 3/4 in. (14.6 x 24.7 cm), framed. Condition: Horizontal scratch l.r. $3,000-5,000 1196 Taro Yamamoto (Japanese/ American, 1919-1994) Two Abstract Compositions, c. 1950 Both signed “T. Yamamoto” l.r. Oil and sand on paperboard, 10 7/8 x 9 in. (25.3 x 22.8 cm), framed. Condition: Not examined out of frames. $500-700

Online bidding at www.skinnerinc.com/auctions/2839T

1197 Katherine Porter (American, b. 1941) Untitled (Blue Geometric) Signed and dated “Katherine Porter 1971” in pencil l.l. Watercolor and graphite on graph paper, image size 8 1/2 x 9 in. (21.6 x 22.8 cm), framed. Condition: Rippling, not examined out of frame. Provenance: The estate of artist Terri Priest, Worcester, Massachusetts. $300-500 1198 American School, Late 20th Century Abstract Op-Art Unsigned, inscribed “XXKH86” on the reverse. Oil on canvas stretched over wood panel, 17 x 27 in. (43.1 x 68.5 cm), unframed. Condition: Minor surface grime. N.B. The current owner reports that he acquired this work on the street from an acquaintance of Keith Haring’s. The private-sale transaction took place at 6th Avenue and 25th Street, New York. $700-900 1199 Copley Gallery Carved Giltwood Frame, signed “Made by Copley Gallery Boston” on reverse, outer dimensions 24 1/2 x 30 1/2, opening 18 x 24 in. $400-600

Fine Art online

1200 Newcomb Macklin Co. Carved Giltwood Frame, outer dimensions 34 1/2 x 40 1/2, opening 30 x 36 in., (abrasions and gilt loss). $700-900

End of Sale 2839T

Online bidding at www.skinnerinc.com/auctions/2839T

Artist Index Abbott, Berenice..................................1086–1088 Adam, Julius..................................................1168 Agam, Yaacov......................................1001–1003 Alechinsky, Pierre...........................................1004 Amenoff, Gregory...........................................1005 American School, 19th Century ........................ 1120 American School, 19th/20th Century.....1131–1131B American School, 20th Century ..............1174, 1190 American School, Late 19th/Early 20th Century....1146 American School, Late 20th Century..............1198 Ames, Wally ..................................................1139 Andreini, Ferdinando......................................1113 Arapoff, Alexis Paul........................................1171 Aronson, David...............................................1179 Bacon, Peggy.............................................. 1005A Baumberger, Otto (After)................................1006 Belgrave, Percy .............................................1109 Benson, Frank Weston.........................1007–1015 Benton, Thomas Hart ..........................1016–1019 Betts, Louis....................................................1178 Bolotowsky, Ilya.............................................1020 Bond, Willard .......................................1164, 1165 Bonnar, James King.......................................1147 Boston School, 19th/20th Century.................1114 Bright, Deborah .............................................1089 Brown, John Appleton....................................1121 Brudo, Yvonne ..............................................1021 Buckley, John M............................................1156 Burnside, Cameron .......................................1149 Calder, Alexander ..........................................1022 Cappiello, Leonetto .......................................1023 Carosi, Giuseppe............................................1117 Chagall, Marc ......................................1024, 1025 Champney, Benjamin.....................................1122 Charbonnier, Louis.........................................1026 Christo and Jeanne-Claude ...........................1027 Cižek, Franz (After).........................................1028 Cocco, Giuseppe ..........................................1176 Continental School, 19th Century...................1141 Continental School, 20th Century.........1173, 1187 Copley Gallery................................................1199 Cummings, E.E..............................................1138 Cunningham, Imogen...........................1090–1092 Dalí, Salvador.................................................1029 Dater, Judy ...................................................1093 De’Prey, Juan ................................................1185 Degas, Edgar.................................................1030 Detouche, Henry-Julien..................................1031 Dine, Jim (After) .............................................1032 Domenech, Carlos..........................................1094 Duffy, William P. ............................................1159 Dzigurski, Alexander A. .......................1137, 1155

Galice, Louis .................................................1037 Geiger, Rupprecht ...................................... 1037A Ginsburg, Max ...............................................1182 Gloutchenko, Nicholai ...................................1184 Gohlke, Frank ................................................1097 Goldberg, Jim ...............................................1098 Gorman, R.C. (Rudolph Carl) ...............1038, 1039 Greene, Milton................................................1099 Haghe, Louis..................................................1066 Harrington, Rebecca Christina (Attributed to)..1136 Harrington, Robert..........................................1118 Hartwich, Herman..........................................1127 Hays, George A. ............................................1123 Heade, Martin Johnson .................................1130 Herbin, Auguste ............................................1195 Higgins, Eugene ............................................1133 Hirsch, Joseph...............................................1040 Hoffman, Irwin D. ..........................................1041 Ilsted, Peter Vilhelm .......................................1167 Indiana, Robert (After) ....................................1032 Janco, Marcel ...............................................1192 Kent, Rockwell...............................................1042 Koehler, Paul R. ............................................1124 Kolski, Gan ....................................................1043 Kontuly, Bela .................................................1175 Krushenick, Nicholas (After)............................1032 Landon, Edward August ......................1044, 1045 Lange, Dorothea ...........................................1096 Le Pho...........................................................1046 Levine, David .................................................1172 Lichtenstein, Roy (After) .................................1032 Luna, Antonio Rodriguez ...............................1186 Lyon, Danny ..................................................1100 Marini, Marino.................................................1047 Marold, Ludwig (Ludek) (Attributed to)............1049 Marshall, J. Thurston ...........................1160, 1189 Masaaki, Sato ...............................................1071 Matta, Roberto...............................................1048 Mazur, Michael.....................................1050, 1051 Meadows, James Edwin (Attributed to)..........1110 Meunier, Georges...........................................1052 Meyerowitz, William .......................................1181 Miller, Kenneth Hayes ....................................1053 Miró, Joan............................................1054, 1055 Morviller, Joseph (Attributed to)......................1126 Murphy, Christopher ......................................1177 Muss-Arnolt, Gustav ......................................1163 Müller, William James ....................................1111

Ebert, Charles Henry......................................1157 Edgerton, Harold E. “Doc” .............................1095 Enos, Robert..................................................1033 Erté......................................................1034, 1035 Evans, Walker ...............................................1096

Nadelman, Elie...............................................1056 Neiman, LeRoy ....................................1057–1059 Nelson, Carl G. ..............................................1180 Nevelson, Louise............................................1060 Newcomb Macklin Co. ..................................1200 Nicholson, Francis..........................................1112

Feininger, Lyonel ...........................................1036 French School, 19th Century .........................1115 Fuller, Alfred...................................................1148

Pantoja Perez, Alexis Miguel...........................1183 Parker, Henry Perlee (After)............................1116 Perry, Lilla Cabot............................................1169

Peterson, Jane...............................................1170 Picasso, Pablo (After).....................................1061 Pirner, Maximilian...........................................1166 Pollak, Max ...................................................1062 Poole, Earl Lincoln ...............................1161, 1162 Porter, Elmer J. .............................................1158 Porter, Katherine ...........................................1197 Prentice, Levi Wells........................................1129 Priest, Terri ....................................................1188 Rembrandt Harmensz van Rijn (After).............1108 Ripley, Aiden Lassell ......................................1063 Rivers, Larry ..................................................1064 Robbe, Manuel ..............................................1065 Roberts, David...............................................1066 Rosenquist, James ........................................1067 Roth, Ernest David...............................1068, 1069 Rothstein, Arthur .................................1096, 1101 Ruszkowski, Zdzislaw.....................................1191 de Saint Phalle, Niki ......................................1070 Scherrewitz, Johann ......................................1142 Schneider, Susan Hayward............................1135 Scholder, Fritz ...............................................1072 Seghi,Tom ...........................................1193, 1194 Selwin, G.L. ...................................................1143 Shahn, Ben....................................................1096 Shapleigh, Frank Henry..................................1125 Sheehan, Dennis .................................1140, 1150 Simbari, Nicola ..............................................1073 Siqueiros, David Alfano .................................1074 Smith, Xanthus Russell...................................1152 Soyer, Raphael...............................................1075 Spencer, John Clinton ...................................1128 Sullivan, David ...............................................1076 Tibbits, James................................................1119 Tiffany, Louis Comfort (Studio of)....................1132 Toulouse-Lautrec, Henri de ...........................1077 Travis, Walter.................................................1145 Valenkamph, Theodore Victor Carl.................1154 Van Vechten, Carl .........................................1102 Vasarely, Victor...............................................1078 Verner, Elizabeth O’Neill ................................1079 Villon, Jacques ..............................................1080 Walcot, William ..............................................1144 Walkowitz, Abraham.......................................1081 Walters, George Stanfield ..............................1153 Warhol, Andy (After)........................................1032 Webb, Todd...................................................1103 Wengenroth, Stow.........................................1082 Wesselman, Tom (After).................................1032 Weston, Brett ................................................1104 Weston, Edward...................................1105, 1106 Whistler, James Abbott McNeill............1083–1085 Williams, Frederick Ballard .............................1134 Wolcott, Marion Post......................................1107 Woodbury, Charles Herbert ...........................1151 Yamamoto, Taro............................................1196

Conditions of Sale 1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot. 2. All property is sold â&#x20AC;&#x153;as is,â&#x20AC;? and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability. 3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot for sale. The auctioneer shall have sole discretion to refuse any bid, or refuse to acknowledge any bidder. Any bidder that plans on spending in excess of $100,000 should make arrangements with the accounting department at least five (5) days in advance of the sale, as a deposit may be required to participate. 4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of the date of sale. Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If any property has not been removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three days, and/or (b) Skinner Inc. may place the merchandise in a subsequent auction, without Reserve, to be sold to the highest bidder, and after deducting the standard commission and any additional charges that may apply, remit the proceeds to the purchaser. 5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases. 6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all items for which it was the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without limitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchaserâ&#x20AC;&#x2122;s breach, and/or (b) offering at public auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation to pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale. 7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such purchaser for such item. 8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within the United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute cancellation or delay in payment for the total purchase price of these lots. 9. Sales in Massachusetts, Florida, and New York are subject to the respective current sales taxes. Dealers, museums, and other qualifying parties may be exempt from sales tax upon submission of proper documentation. 10. A premium equal to 23% of the final bid price up to and including $100,000, plus 20% of the final bid price from $100,001 up to and including $1,000,000, plus 12% of the final bid price from $1,000,001 and over will be applied to each lot sold, to be paid by the buyer as part of the purchase price. 11. Bidding on any item indicates your acceptance of these terms and all other terms printed within, posted, and announced at the time of sale whether bidding in person, through a representative, by phone, by Internet, or other absentee bid. 12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalog. The copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this catalog, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our prior written consent. 13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or choice of law). The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any federal court sitting therein. The bidder/buyer consents to the exclusive jurisdiction of such courts and waives objections that it may now or hereafter have to the venue of any such suit. Revised January 21, 2015

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From the South: Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station. Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From Logan Airport: Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From the North: Take I-93 South towards Boston. Take exit 26 towards Storrow Drive.â&#x20AC;&#x201A; Merge onto MA-28 South via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza.

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