Fine Prints & Photographs | Skinner Auction 2877B

Fine Prints & Photographs and Fine Art online Sale 2877B

January 22, 2016

Sale 2876T

January 19–25, 2016

Boston www.skinnerinc.com

Fine Prints & Photographs and Fine Art online

Specialists

Robin S.R. Starr

Elizabeth C. Haff

Michelle Lamunière

Department Director 508.970.3259

508.970.3258

508.970.3264

Department Inquiries: 508.970.3206

Auction Information Auction 2877B

Preview

Absentee Bidding

Friday, January 22 12PM

Wednesday, January 20 12 to 5PM

T: 617.874.4318 F: 617.350.5429

followed by 2878B Fine Paintings & Sculpture at 4PM

Thursday, January 21 12 to 8PM

63 Park Plaza Boston, MA

Friday, January 22 9 to 10AM

Auction 2876T

includes lots offered in Fine Art online

General Inquiries 617.350.5400

SKINNERLIVE! skinnerinc.com

Tuesday, January 19, 12PM to Monday, January 25, 3PM www.skinnerinc.com

View all lots online at www.skinnerinc.com cover : 70 ; frontispiece : 18; back cover : 86

American & European Works of Art Auction 2704B 02/07/2014 4:00 PM EST Lot 632 Of 689 - Alexander Calder (American, 1898-1976) Red Circus Horse

M Y AC T IVIT Y AU C T IO N LO G O U T

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SK2148

$40,000 - $60,000 $110,000

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$110,000 Floor Bidder $105,000 Floor Bidder $100,000 Floor Bidder $95,000 Floor Bidder $90,000 Internet Bidder SK2149 Online bidder SK2149 requests bid of $90,000 on lot 632 $85,000 Floor Bidder $80,000 Floor Bidder $75,000 Floor Bidder

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Table of Contents 1

Auction & Specialist Information

2

Web Site & Online Bidding

4

Event Announcement

5

Provenance

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Glossary of Terms

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Fine Prints & Photographs: Lots 1–109

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Fine Art online: Lots 1000–1156

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Artist Index: Sales 2877B, 2878B, 2876T

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Conditions of Sale

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Company Directors & Specialty Departments

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Administrative Staff & Client Services

102

Map & Driving Directions

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Absentee Bid Form

Please Note: All lots sold subject to our Conditions of Sale.

Please refer to page 99 of this catalog for the full terms and conditions governing your purchase.

Copyright © Skinner, Inc. 2016

Proudly printed by

All rights reserved MA/Lic. #2304 5 Almeida Avenue, East Providence, R.I., USA 401- 438 -1200 info@signatureprinters.com

Andy Warhol = Nobody’s Fool A Lecture by Trevor Fairbrother Thursday, January 21st, 6PM

Fairbrother at the Hood Museum of Art during the Collecting and Sharing exhibition, photo by Alison Palizzolo

Fairbrother, an independent art historian and curator, formerly with the Museum of Fine Arts, Boston, and Seattle Art Museum, has organized multiple exhibitions of Warhol’s art. In this lecture, he considers the weird fascination and bewildering legacy of this great pop artist nearly thirty years after Warhol’s death.

This event is free and open to the public, RSVP to events@skinnerinc.com or 508.970.3240

4 Andy Warhol (American, 1864-1949), Flowers/Suite of Ten Prints (detail), to be auctioned Friday, January 22, in Fine Prints & Photographs, 12PM, followed by Fine Paintings & Sculpture, 4PM.

Selected Provenance Private collections in Massachusetts, New York City, New York State, Florida, Rhode Island, and Vermont Estates in Massachusetts, Maine, and Rhode Island Ex-collection Edward and Mary Brandegee Collection of George Jones Dyer Corporate collection of Dunkin’ Brands, Inc., Canton, Massachusetts The estate of Matthew Wysocki Collection of artist/designer Leander Poisson, New Hampshire Collection of Clary Healy, Rhode Island The estate of photographer Leonard Freed, New York

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Glossary of Terms All items in this catalog are described according to the following table of terminology.

Please note that all statements in this catalog as to Authorship, Period, and Origin, are qualified statements subject to the Conditions of Sale.

Authorship will be described in the following ways: John Joseph Enneking In our judgment, the work is by the artist.

Attributed to John Joseph Enneking In our judgment, the work may be ascribed to the artist on the basis of style, but leaves some question as to actual authorship.

School of John Joseph Enneking In our judgment, a work of an unknown follower executed in the style of the artist and contemporary in period.

Manner of John Joseph Enneking In our judgment, a work executed in the style of the artist by an unknown hand and probably from a later period.

After John Joseph Enneking In our judgment, an intended copy of the work of the artist.

American School, 19th Century In our judgment, the work of an unknown hand that can only be identified as to period and culture.

Other terms: Bears signature In our judgment, the signature not of the artist. This term is generally used separately, or together with a description of the work as “attributed to,” “school of,” “manner of,” or “after” the artist.

Measurements are given as height x width and refer to the size of the support unless otherwise indicated.

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Fine Prints & Multiples Lots 1–75

1 Francisco de Goya (Spanish, 1746-1828) Estan Calientes, plate 13 from Los Caprichos, 1799, impression from the first edition (Harris, 48). Identified within the plate.

Etching and aquatint on laid paper, plate size 8 1/2 x 5 15/16 in. (21.5 x 15.0 cm), unmatted, unframed.

Condition: Margins over 3/4 inches with deckled edges to two sides, left edge reinforced on verso, minor glue residue to upper edge on verso. $300-500 2 Louis Icart (French, 1888-1950) Two Boudoir Scenes: Awakening (Le Réveil) and Retiring (Le Coucher), 1925 (Holland et al., 228 and 229). Both signed “Louis Icart” in pencil l.r., numbered in pencil l.l., and dated and identified within the plates.

Etchings with coloring on paper, circular formats, plate diameters 15 1/2 in. (39.3 cm), framed.

Condition: Subtle toning, not examined out of frames. $800-1,200

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3 Käthe Kollwitz (German, 1867-1945) Städtisches Obdach, 1926 (Klipstein, 219bB; Knesebeck, 226c). Unsigned, identified on a label from the Nielsen Gallery, Boston, affixed to the backing. Lithograph on paper, image size 16 7/8 x 22 1/8 in. (42.8 x 56.1 cm), framed.

Condition: Subtle toning, rippling, handling creases, several pale fox marks (some gently pressed), not examined out of frame. $400-600 4 Käthe Kollwitz (German, 1867-1945) Two Plates from Ein Weberaufstand, 189397: Sturm, printed 1963-72 (Knesebeck, 37Vd); and Ende, printed 1931 (Knesebeck, 38IV). The former with a “VON DER BECKES MÜNCHNER” dry stamp, the latter signed “Kollwitz” in pencil l.r., and with publication text within the plate, both identified on a label from the Nielsen Gallery, Boston, affixed to the backing. Etchings with aquatint on paper, plate sizes approximately 9 5/8 x 12 in. (24.4 x 30.3 cm), framed.

Condition: Gentle rippling, not examined out of frames. $700-900

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5 Michele Marieschi (Italian, 1696-1743) Two Venetian Views: Canale magnum usque ad Palatium Familice Michaelice... and Magni Armamentary Veneziarum portoe duce... Identified within the plates.

Etchings on paper, plate sizes 12 3/8 x 18 7/8 in. (31.3 x 47.8 cm), framed.

Condition: Pale foxing, vertical central crease to both, pencil annotations (translation of title to English) to lower margins, creases to corner of Canale l.l., not examined out of frames. $700-900 6 Johann Gottlieb Theophilus Amadeus Prestel (German, 1739-1808), After Parmagianino (Italian, 1503-1540) The Adoration of the Shepherds, 1784.

Signed and identified “.J.Prestel sc. ffort. am Main 1784” in the plate l.r. Etching with aquatint in two colors on green paper, sheet size 12 5/8 x 18 3/8 in. (32.0 x 46.5 cm), framed.

Condition: Trimmed just to the borderline, pale stains at upper corners, not examined out of frame.

Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor, and chairman of Dartmouth College’s visual studies department (19661989), to the present owner by family descent, Connecticut. $200-300 5

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7 Odilon Redon (French, 1840-1916) Cellule auriculaire, 1894, published by André Marty, Paris, in L’Estampe originale, Album II (Mellerio, 126). Initialed “OR” in pencil l.r., L’Estampe originale dry stamp (Lugt, 819) to corner l.r. Lithograph on chine appliqué mounted on wove paper, image size 10 9/16 x 9 7/8 in. (26.7 x 25.0 cm), framed.

Condition: Margins over 3 inches, scattered foxing (primarily to right margin), subtly lightstruck and stained from a previous matting, hinged with a long strip of white cloth tape along upper edge on verso, staining to verso. $2,500-3,500

Online bidding at www.skinnerinc.com

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8 Rembrandt van Rijn (Dutch, 1606-1669) Jan Lutma Goldsmith, 1656, an 18th century impression (Bartsch/Hollstein, 276iii/ iii). Identified within the plate. Etching on laid paper, plate size 7 7/8 x 5 7/8 in. (19.8 x 14.8 cm), unmatted, unframed.

Condition: Thread margins, even toning, old hinges and annotations to verso. $2,000-2,500

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9 Frank Weston Benson (American, 18621951) A Cup of Water, 1920, published state, edition of 150 (Paff, 196). Signed “FrankWBenson.” in pencil l.l. Etching on laid paper with partial watermark, plate size 6 7/8 x 4 15/16 in. (17.4 x 12.5 cm), unmatted, unframed.

Condition: Full margins with deckled edges, pencil annotations l.r.

Provenance: Descended within the family of the artist. $1,200-1,800 10 Frank Weston Benson (American, 18621951) Two Canoes, 1927, published state, edition of 150 (Paff, 266). Signed “FrankWBenson.” in pencil l.l. Etching on laid paper, plate size 5 15/16 x 7 7/8 in. (15.0 x 19.8 cm), unmatted, unframed.

Condition: Deckled edges to two sides, pencil annotations to lower margin, fine unpressed crease parallel to lower edge about 1/4 inch from the edge of the sheet, old hinges/residue at upper corners recto.

Provenance: Descended within the family of the artist. $800-1,200 9

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11 Frank Weston Benson (American, 18621951) Yellowlegs No. 4, 1928, published state, probably an edition of 150 (Paff, 284). Signed “FrankWBenson.” in pencil l.l. Drypoint on laid paper with “ENGLAND” watermark, plate size 7 7/8 x 9 7/8 in. (19.9 x 25.0 cm), unmatted, unframed.

Condition: Full margins with deckled edges to two sides, pencil annotations to lower margin, old hinges to upper corners on verso.

Provenance: Descended within the family of the artist. $800-1,200 12 Frank Weston Benson (American, 18621951) The Procession, 1929, trial proof D-2 (Paff, 286). Signed and dedicated “FrankWBenson.

To Corina.T.T. 1938” in pencil l.l., annotated “D-2” in pencil in the lower margin. Etching on laid paper with “ENGLAND” watermark, plate size 5 7/8 x 11 7/8 in. (14.8 x 30.0 cm), unmatted, unframed.

Condition: Full margins with deckled edges to two sides, fine creases to lower margin and just into image (probably from printing), fingerprints and ink marks to margins (recto and verso), glue residue to upper corners recto.

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Provenance: Descended within the family of the artist.

N.B. This print was never published. Paff lists only one impression of trial proof D, although this one is annotated D-2. $1,000-1,500

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13 Frank Weston Benson (American, 18621951) Casting for Salmon, 1929, published state, edition of 150 (Paff, 288). Signed “FrankWBenson.” in pencil l.l. Etching on laid paper, plate size 7 3/4 x 9 7/8 in. (19.5 x 25.1 cm), unmatted, unframed.

Condition: Full margins with deckled left and lower edges, pencil annotations l.l.

Provenance: Descended within the family of the artist. $800-1,200 14 Frank Weston Benson (American, 18621951) Pintails Passing, 1930, published state, edition of 150 (Paff, 300). Signed “FrankWBenson.” in pencil l.l. Drypoint on laid paper with “ENGLAND” watermark, plate size 15 x 9 7/8 in. (38.1 x 24.9 cm), unmatted, unframed.

Condition: Full margins with deckled edges to three sides, pencil annotations l.r.

Provenance: Descended within the family of the artist. $1,000-1,500

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15 Thomas Hart Benton (American, 18891975) Country Politics, 1973, edition of 250, published by Associated American Artists, New York (Fath, 89). Signed “Benton� in pencil l.r. Lithograph on paper, image size 14 x 17 in. (35.5 x 43.2 cm), framed.

Condition: Not examined out of frame. $1,800-2,200

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16 Edward Borein (American, 1872-1945)

17 Norma Bassett Hall (American, 1890-1957)

Navajos (Galvin, 183). Signed “Edward Borein” in pencil l.r. Etching on cream wove paper with Navarre and 1547 watermarks, plate size 9 1/8 x 12 1/8 in. (23.0 x 30.7 cm), unmatted, unframed.

Condition: Full sheet with deckled edges, image gently light-struck, several fox marks, 1 inch tear to left edge, tape residue along upper edge verso.

Laguna Pueblo, edition of 75. Signed “Norma Bassett Hall” in pencil l.r., numbered and titled “38/75...” in pencil l.l., titled on the artist’s label affixed to the backing. Color woodcut on paper, image size 8 1/4 x 12 5/8 in. (20.9 x 32.0 cm), framed.

Condition: Subtle toning, not examined out of frame.

Provenance: A private Florida collection. $1,000-1,500

Provenance: Paul Schuster Art Gallery, Cambridge, Massachusetts, to a Massachusetts estate. $800-1,200

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18 Edward Hopper (American, 1882-1967) Night Shadow, 1921, from Six American Etchings: The New Republic Portfolio published in 1924, edition of approximately 500 (Worcester, 22). Signed “Edward Hopper” in pencil l.r. Etching on paper, plate size 6 15/16 x 8 1/4 in. (17.5 x 20.9 cm), framed.

Condition: Prevalent toning and mat burn, margins over 1 inch, pale stain to image c.l., margins trimmed at all four corners, masking tape to verso along upper edge, brown paper tape at lower “corners” on verso. $12,000-18,000

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19 John Marin (American, 1870-1953) Downtown, the El, 1921, from Six American Etchings: The New Republic Portfolio published in 1924, edition of approximately 275 (Zigrosser, 134). Signed “John Marin” in pencil l.l., signed and dated within the plate.

Etching on paper, plate size 7 x 9 in. (17.7 x 22.8 cm), framed.

Condition: Prevalent toning and mat burn, not examined out of frame.

N.B. The exact edition size for the Six American Etchings Portfolio is unknown, but was probably of just over 500. Marin contributed about 275 impressions of this work and nearly the same number of his Brooklyn Bridge and Lower New York, of 1913, to complete his portion of the edition. $800-1,200 20 John Marin (American, 1870-1953)

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Sailboat, 1932, probably from the edition of 30, published by Alfred Stieglitz (Zigrosser, 155). Signed and dated “John Marin 32” in pencil l.r., signed and dated within the plate, identified in an inscription from an old backing affixed to the new backing. Etching on laid paper with partial watermark, plate size 6 7/8 x 9 1/4 in. (17.4 x 23.4 cm), framed.

Condition: Margins about 1 inch, several pale fox marks, subtle toning or soiling, glue along upper edge on the verso. $500-700

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21 James Abbott McNeill Whistler (American, 1834-1903) Thames Warehouses, 1859, final state (MacDonald, 46v/v; Kennedy, 38ii/ii). Signed and dated within the plate, identified on a label from Frederick Keppel & Co., New York, affixed to the backing. Etching on paper, plate size 3 x 8 in. (7.5 x 20.3 cm), framed.

Condition: Very pale foxing, not examined out of frame. $400-600 22 James Abbott McNeill Whistler (American, 1834-1903) Rotherhithe, 1860, final state (MacDonald, 70vi/vi; Kennedy, 66iii/iii). Signed and dated within the plate, identified on a label from C.W. Kraushaar Art Galleries, New York, affixed to the backing. Etching on Japan paper, plate size 10 7/8 x 7 7/8 in. (27.5 x 20.0 cm), framed.

Condition: Margins 3/4 inches or more with deckled right edge, soiling and toning to margins, pencil annotations to lower margin and verso, pinholes to corner u.l.

Provenance: From the collection of George Jones Dyer, Norfolk, Connecticut, by descent to the current owners. $2,000-3,000

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23 James Abbott McNeill Whistler (American, 1834-1903)

24 James Abbott McNeill Whistler (American, 1834-1903)

The Little Lagoon, final state (MacDonald, 216iv/iv; Kennedy, 186ii/ii). Butterfly monogram within the plate. Etching on paper, plate size 8 7/8 x 5 7/8 in. (22.4 x 14.8 cm), framed.

Condition: Trimmed to plate mark, stained (probably from an adhesive on verso) at corner u.l., several small fox marks, floated within the mat, not examined out of frame.

Turkeys, 1880, final state of two (MacDonald, 236ii/ii; Kennedy, 199ii/ii). Butterfly monogram in pencil l.l. and within the plate. Etching on paper, plate size 8 1/8 x 5 in. (20.4 x 12.5 cm), framed.

Condition: Trimmed to plate mark except for signature tab, toning, staining (probably from an adhesive on verso) l.c., several small fox marks, floated within the mat, not examined out of frame.

Provenance: From the collection of George Jones Dyer, Norfolk, Connecticut, by descent to the current owners. $3,000-5,000

Provenance: From the collection of George Jones Dyer, Norfolk, Connecticut, by descent to the current owners. $3,000-5,000

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25 Milton Avery (American, 1885-1965) Window by the Sea, 1941, edition of 60 (Lunn, 24). Signed and dated “Milton Avery 1941” in pencil l.r., signed within the plate, numbered “19/60” in pencil l.l. Drypoint with plate tone on paper, plate size 7 3/8 x 4 11/16 in. (18.5 x 11.8 cm), framed.

Condition: Not examined out of frame.

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Provenance: Harry Lunn Gallery, Washington D.C., to a New York collector, through to a private Massachusetts collection. $1,200-1,800 26 No lot.

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27 Marc Chagall (Russian/French, 1887-1985) Le Cog Rouge, 1957, edition of 90 (Mourlot, 203). Signed “Marc Chagall” in pencil l.r., numbered “80/90” in pencil l.l. Color lithograph on paper, image size 9 7/8 x 14 3/4 in. (24.8 x 37.4 cm), framed.

Condition: Subtle toning, not examined out of frame.

N.B. Accompanied by documentation from Marlin Art, Inc., Deer Park, New York, dated June 1, 1988. $1,200-1,800 28 Marc Chagall (Russian/French, 1887-1985) Moses and the Table of the Law, 1963, edition of 40 plus 10 proofs (Mourlot, 381).

Signed “Marc Chagall” in pencil l.r., numbered “épreuve d’artiste VII/X” in pencil l.l. Color lithograph on paper, image size 30 3/4 x 22 1/4 in. (77.9 x 56.4 cm), framed.

Condition: Subtle toning, not examined out of frame. $5,000-7,000

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29 Marc Chagall (Russian/French, 1887-1985) Le cirque au clown jaune, 1967, edition of 150 (Mourlot, 443). Signed “Marc Chagall” in pencil l.r., numbered “9/150” in pencil l.l.

Color lithograph on paper, image size 26 1/2 x 19 5/8 in. (67.2 x 49.7 cm), framed.

Condition: Toning, mat burn, gentle rippling, not examined out of frame.

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Provenance: Purchased in 1969 from an unidentified Michigan gallery by the current owner. $3,500-5,500 30 Marc Chagall (Russian/French, 1887-1985) Le square de Paris, 1969, edition of 75, published by Maeght Éditeur, Paris (Mourlot, 573). Signed “Marc Chagall” in pencil l.r., numbered “35/75” in pencil l.l. Color lithograph on paper, image size 20 3/4 x 15 1/2 in. (52.5 x 39.3 cm), framed.

Condition: Subtle toning, not examined out of frame.

Provenance: A Massachusetts estate. $7,000-9,000 31 Marc Chagall (Russian/French, 1887-1985) Le magicien de Paris I, 1969, edition of 50, published by Maeght Éditeur, Paris (Mourlot, 597). Signed “Marc Chagall” in pencil l.r., numbered “45/50” in pencil l.l., identified on a label from Pucker/Safrai Gallery, Boston, affixed to the backing. Color lithograph on paper, image size 35 3/4 x 25 in. (90.7 x 63.4 cm), framed.

Condition: Subtle toning, fading, not examined out of frame.

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Provenance: A Massachusetts estate. $10,000-15,000

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32 Marc Chagall (Russian/French, 1887-1985) Le rêve de Paris, 1969-70, edition of 75, published by Maeght Éditeur, Paris (Mourlot, 600). Signed “Marc Chagall” in pencil l.r., numbered “16/75” in pencil l.l. Color lithograph on paper, image size 35 1/8 x 25 1/4 in. (89.0 x 64.0 cm), framed.

Condition: Unobtrusive toning, not examined out of frame.

Provenance: A Massachusetts estate. $8,000-12,000

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33 Marc Chagall (Russian/French, 1887-1985) Nuit d’été, 1973, edition of 50 (Mourlot, 696).

Signed “Marc Chagall” in pencil l.r., numbered “30/50” in pencil l.l. Color lithograph on paper, image size 22 x 15 in. (55.8 x 38.1 cm), framed.

Condition: Not examined out of frame.

N.B. Accompanied by documentation from Marlin Art, Inc., Deer Park, New York, dated June 1, 1988. $3,000-5,000

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34 Richard Diebenkorn (American, 1922-1993) Untitled (Ocean Park), 1969, edition of 90, published by Collector’s Press, San Francisco.

Numbered, initialed, and dated “72/90 RD 69” in pencil within the image l.l., publisher’s dry stamp l.l. Color lithograph on paper, image/ sheet size 24 x 18 5/8 in. (60.8 x 47.2 cm), framed.

Condition: Deckled edges, floated within the mat, not examined out of frame.

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Provenance: From an unidentified New York estate to the Brewster Gallery, New York, to the current private Massachusetts collection. $5,000-7,000

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35 Kees van Dongen (Dutch, 1877-1968) Cavalier Arabe, c. 1930, total numbered edition of 130 (Juffermans, JL 17). Signed “Van Dongen” in pencil l.c., numbered “46/95” in pencil l.l. Color lithograph on paper, image size 14 5/8 x 11 5/8 in. (37.0 x 29.5 cm), framed.

Condition: Minor soiling or staining to lower margin, not examined out of frame. $700-900 36 Jean Dubuffet (French, 1901-1985) Fougère au chapeau, 1953, edition of 60 (Webel, 377). Signed “J. Dubuffet” in pencil l.r., numbered “35/60” in pencil l.l., titled in pencil l.c. Color lithograph on paper, image size 20 3/4 x 16 in. (52.5 x 40.5 cm), framed.

Condition: Subtle toning, not examined out of frame. $4,000-6,000

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37 Friedel Dzubas (German/American, 19151994) Untitled (Exp FD-5-2), 1981, unique work, published by Experimental Printmaking, San Francisco.

Signed and dated “Friedel Dzubas/81” in pencil l.r., identified on a label from Thomas Segal Gallery, Boston, affixed to the backing.

Hand-cast paper, sheet size 34 x 34 in. (86.2 x 86.2 cm), framed.

Condition: Deckled edges, floated within the mat, not examined out of frame.

Provenance: Purchased from the Thomas Segal Gallery, Boston, in 1981; to the corporate collection of Dunkin’ Brands, Inc., Canton, Massachusetts. $1,500-2,000 38 Adolph Gottlieb (American, 1903-1974) Blues on Green, 1971, outside the edition of 150, published by Marlborough Graphics, Inc., New York (Associated American Artists, 71).

Signed and dated “Adolph Gottlieb 1971” in pencil l.l., inscribed “Artist Proof” in pencil l.r.

Color screenprint on paper, image size 24 x 18 in. (60.8 x 45.6 cm), framed.

Condition: Not examined out of frame.

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Provenance: From the corporate collection of Dunkin’ Brands, Inc., Canton, Massachusetts (probably acquired October 1980). $800-1,200

39 Adolph Gottlieb (American, 1903-1974)

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Green Foreground, 1972, edition of 150, published by Marlborough Graphics, Inc., New York (Associated American Artists, 76).

Signed and dated “Adolph Gottlieb 1972” in pencil l.l., numbered “75/150” in pencil l.r.

Color screenprint on paper, image size 22 x 24 1/8 in. (56.0 x 61.0 cm), framed.

Condition: Not examined out of frame.

Provenance: From the corporate collection of Dunkin’ Brands, Inc., Canton, Massachusetts. $800-1,200 40 Michael Heizer (American, b. 1944) 45 o, 90 o, 180 o (Monotype VII-2), 1983, published by Tyler Graphics, Bedford Village, New York (see Tyler Graphics, MH:50-MH:82).

Signed and dated “Heizer ‘83” in pencil l.l., publisher’s dry stamp l.l., identified on labels from Barbara Krakow Gallery, Boston, and Tyler Graphics, affixed to the backing. Color monotype on heavy paper, image/sheet size 29 x 37 1/4 in. (73.5 x 94.5 cm), framed.

Condition: Deckled edges, floated within the frame, not examined out of frame.

Provenance: Purchased from the Barbara Krakow Gallery, Boston, 1983; to the corporate collection of Dunkin’ Brands, Inc., Canton, Massachusetts.

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N.B. Heizer completed fifty-three monoprints under this title, as well as an editioned print.

The edition used sixteen various plates and screens. The monotypes used four of these plus other elements. The title refers to a site in Montana. $800-1,200

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41 Robert Indiana (American, b. 1928) Hope, 2008, from the proof edition of 25.

Numbered, dedicated, signed, and dated “AP 25/25...R Indiana ‘08” in pencil along the lower margin. Color screenprint on paper, image size 17 x 17 in. (43.2 x 43.2 cm), framed.

Condition: Several pale fox marks to margins, not examined out of frame.

Provenance: A private Maine collection. $2,000-3,000 42 Richard Jacobs (American, 20th/21st Century) Intruder, 1991. Signed and dated “JACOBS 91” in pencil l.r., titled in pencil l.l., identified on a label from Artcetera, Boston, affixed to the backing. Color monotype on paper, image size 43 5/8 x 29 1/2 in. (110.6 x 74.8 cm), framed.

Condition: Not examined out of frame. $800-1,200 42

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43 Alex Katz (American, b. 1927) Boy with Branch I, 1975, edition of 90, published by Bo Alveryd, Kavlinge, Sweden, and Marlborough Graphics, Inc., New York (Maravell, 77). Signed and numbered “Alex Katz 67/90” in pencil within the image l.l., identified on a label from Sunne Savage Gallery, Boston, affixed to the backing. Color aquatint on paper, image/sheet size 24 1/8 x 40 3/8 in. (61.2 x 102.5 cm), framed.

Condition: Deckled edges, ghost image of print to verso from inks, spot glued to facing mat at very edges.

Provenance: Purchased from the Sunne Savage Gallery, Boston, in 1978; to the corporate collection of Dunkin’ Brands, Inc., Canton, Massachusetts. $800-1,200

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44 Michael Mazur (American, 1935-2009) Small Wakeby Night IV, 1982. Unsigned on recto, identified on a label from Barbara Krakow, Boston, affixed to the backing. Color monotype on three sheets pieced together, total image/sheets size 47 3/4 x 94 1/2 in.

(121.2 x 240.0 cm), framed.

Condition: Floated within the frame, not examined out of frame.

Provenance: Purchased from the Barbara Krakow Gallery, Boston, in 1983; to the corporate collection of Dunkin’ Brands, Inc., Canton, Massachusetts. $1,500-2,500

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45 Joan Miró (Spanish, 1893-1983) Les oiseaux, 1956, outside of the edition of 75, printed by Mourlot, Paris, published by Pierre Matisse, Paris (Mourlot, 173). Signed “Miró.” in pencil l.r., inscribed “H.C.” in pencil l.l. Color lithograph on paper, 20 1/2 x 28 1/2 in. (52.0 x 72.2 cm), framed.

Condition: Deckled edges, unpressed creases to corner l.r., subtle toning, floated within the mat, not examined out of frame. $2,500-3,000

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45A

46

45A Joan Miró (Spanish, 1893-1983)

46 Joan Miró (Spanish, 1893-1983)

Plate from Fusées, 1959, total edition of 100, published by Louis Broder Éditeur, Paris (Dupin, 253; Cramer Books, 54). Signed “Miró.” in pencil l.r., numbered “II/V” in pencil l.l., identified on labels from Ferdinand Roten Gallery, Baltimore, Maryland, affixed to the backing. Color aquatint on Japan paper, plate size 5 5/8 x 16 1/4 in. (14.3 x 41.2 cm), framed.

Condition: Subtle toning, not examined out of frame. $2,500-3,500

Rouge et Vert, from Serie II, 1961, edition of 30, printed and published by Maeght Éditeur, Paris (Mourlot, 220). Signed “Miró” in pencil l.r., numbered “11/30” in pencil l.l. Color lithograph on paper, image/sheet size 17 3/8 x 23 7/8 in. (44.0 x 60.5 cm), framed.

Condition: Very subtle toning, not examined out of frame. $1,500-2,000

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47

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48A

48

47 Henry Moore (British, 1898-1986)

48 Robert Motherwell (American, 1915-1991)

48A Max Pechstein (German, 1881-1955)

Figures in Settings, 1949, published by Ganymed Original Editions Ltd., London, in 1951, edition of 75 (Cramer et al., 5). Signed and dated “Moore 49” in pencil within the image l.l., numbered “70/75” in pencil within the image l.c., signed within the matrix. Color collotype on paper, image size 22 5/8 x 15 3/4 in. (57.4 x 39.9 cm), framed.

Condition: Mat burn to edges of image, masking tape residue to corners recto and to upper edge verso, pencil annotations to lower margin, staple holes to lower edge at center. $6,000-8,000

Harvest, with Two White Stripes, from the Summer Light Series, 1973, edition of 55, published by Gemini G.E.L., Los Angeles (Gemini G.E.L., 34.3; Engberg/Banach, 143).

Signed and numbered “Motherwell 31/55” in pencil l.r., publisher’s and artist’s dry stamps l.r., identified on a label from M. Knoedler & Co., Inc., New York, and in information from the publisher, affixed to the backing. Color lithograph with collage and pochoir on paper, image size 30 x 12 in. (76.2 x 30.4 cm), framed.

Condition: Deckled edges, floated within the frame, not examined out of frame.

Und führe uns nicht in Versuchung, plate VIII from Das Vater Unser, 1921, edition of 50, printed by F. Voigt (Krüger, H 264). Signed “MPechstein” in pencil l.r., signed by the printer in pencil l.l., identified on labels affixed to the backing. Woodcut with hand-coloring on paper, image size 16 3/8 x 12 5/8 in. (41.5 x 32.0 cm), framed.

Condition: Not examined out of frame.

Provenance: From the corporate collection of Dunkin’ Brands, Inc., Canton, Massachusetts. $1,500-2,000

Provenance: A private Massachusetts collection.

Exhibitions: Busch-Reisinger Museum, Harvard University, Cambridge, Massachusetts, March 12-May 12, 1979. $2,000-3,000

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49 Pablo Picasso (Spanish, 1881-1973) Le repos du sculpteur devant un centaure et une femme, 1933, from La Suite Vollard, published 1939 (Bloch 167; Geiser/Baer 320IIc). Signed “Picasso” in pencil l.r., dated “Paris 31 Mars XXXIII” within the plate.

Etching on laid paper with Vollard watermark, plate size 7 5/8 x 10 5/8 in. (19.3 x 27.0 cm), framed.

Condition: Full margins with deckled edges, gentle toning, pale mat burn, pencil annotations to lower margin, three hinges to upper edge on verso.

Provenance: A Massachusetts estate. $5,000-7,000

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50 Pablo Picasso (Spanish, 1881-1973) Modèle contemplant un groupe sculpté, 1933, from La Suite Vollard, published 1939 (Bloch, 175; Geiser/Baer, 328IIc). Signed “Picasso” in pencil l.r., dated “Paris 5 Avril XXXIII” within the plate. Etching on laid paper with Vollard watermark, plate size 11 3/4 x 14 1/2 in. (29.8 x 36.8 cm), framed.

Condition: Full margins with deckled edges to three sides, gentle toning, pale mat burn, several pale pinpoint fox marks, pencil annotations to lower margin, hinges near upper corners on verso.

Provenance: A Massachusetts estate. $7,000-9,000

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51 Pablo Picasso (Spanish, 1881-1973) Plate I, from Sueño y Mentira de Franco, 1937, edition of 850, printed by Roger Lacourière, Paris, published by the artist, Paris (Bloch, 297; Cramer, 28). Stamped signature l.r., numbered “462/850” in pencil l.l., dated “8 Janvier 1937” within the plate. Etching and aquatint on laid paper, plate size 12 1/2 x 16 9/16 in. (31.7 x 42.0 cm), framed.

Condition: Prevalent toning, mat burn, corrugation staining to verso, masking tape and pieces of brown paper tape along all edges on verso.

N.B. According to Patrick Cramer, Picasso created the Sueño y Mentira de Franco suite to protest Francisco Franco’s coup d’état. The proceeds from the sale of the prints were used to aid the Spanish Republicans. $1,200-1,800 52 Pablo Picasso (Spanish, 1881-1973) Exposition Vallauris, 1961, 1961, edition of 175 plus proofs (Bloch, 1295; Czwiklitzer, 42).

Signed “Picasso” in pencil l.r., signed and dated within the matrix, numbered “56/175” in pencil l.l., identified on a label from Martin Lawrence Limited Editions on the backing.

Color linocut on paper, image size 25 1/8 x 20 7/8 in. (63.6 x 53.0 cm), framed.

Condition: Several pale fox marks, not examined out of frame. $3,000-5,000

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53 Pablo Picasso (Spanish, 1881-1973) Homme allongé, avec deux femmes, évoquant les rapports d’un vieux clown et d’une jeune fille, 1968, plate 18 from La Série 347, edition of 50, published by Galerie Louise Leiris, Paris (Bloch, 1498). Signed “Picasso” in pencil l.r., numbered “32/50” in pencil l.l., dated “6.4.68.II” within the plate.

Etching and aquatint on wove paper, plate size 14 7/8 x 10 7/8 in. (37.7 x 27.5 cm), framed.

Condition: Full margins with deckled edges, gently light-struck, pencil annotations to lower margin and verso, hinged with glassine tape along upper edge on verso, minor soiling to verso.

Provenance: A Massachusetts estate. $7,000-9,000 54 After Pablo Picasso (Spanish, 1881-1973)

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Papiers Collés: 1910-1914/A Portfolio of Ten Plates, 1966, edition of 300, published

by Au Pont des Arts, Paris. Identified and numbered “212” on the colophon page, each image signed within the matrix. Color offset lithographs on Rives or Arches paper with watermarks, sheet sizes 25 1/4 x 19 1/8 in.

(64.0 x 48.3 cm), presented in the original portfolio (worn).

Condition: Unobtrusive toning (mostly to edges), several with glue residue to verso. $2,000-2,500

54 partial

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55 Robert Rauschenberg (American, 19252008) From the Seat of Authority, from The Suite of Nine Prints, 1979, from a proof edition of 10, published by Styria Studio, New York. Signed, numbered, and dated “RAUSCHENBERG HC 2/10 79” in pencil l.r., publisher’s dry stamp l.c. Color screenprint with offset lithography and collage on paper, image/sheet size 30 1/2 x 23 1/8 in. (77.4 x 58.6 cm), framed.

Condition: Deckled edges, staining to edges, floated within the mat, not examined out of frame.

Provenance: A private Massachusetts collection. $2,000-3,000 56 Robert Rauschenberg (American, 19252008)

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Why You Can’t Tell #I, from The Suite of Nine Prints, 1979, from a proof edition of 10, published by Styria Studio, New York. Signed, numbered, and dated “RAUSCHENBERG HC 3/10 79” in pencil l.l., publisher’s dry stamp l.r. Color screenprint and offset lithography on paper, image/sheet size 30 1/2 x 23 1/8 in.

(77.4 x 58.6 cm), framed.

Condition: Deckled edges, floated within the mat, not examined out of frame.

Provenance: From the corporate collection of Dunkin’ Brands, Inc., Canton, Massachusetts. $1,000-1,500

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57 George Segal (American, 1924-2000) Gazing Woman, from American Portrait, 1776-1976, published by Transworld Art Corporation, New York, edition of 175.

Signed, dated, and numbered “g. segal 75 133/175” in pen on the left side. Whitepainted cast resin, 26 x 19 x 3 1/2 in. (66.1 x 48.3 x 8.9 cm), unframed.

Condition: Minute crack/loss to corner l.r. $1,000-1,500 58 David Alfaro Siqueiros (Mexican, 18961974) El canto general II, 1968, edition of 200, published by Mourlot, Paris. Signed “DASiqueiros” in pencil l.r., numbered “29/200” in pencil l.l. Lithograph on paper, image size 22 3/4 x 41 in. (57.7 x 104.0 cm), framed.

Condition: Deckled edges to two sides, floated within the frame, subtle toning, not examined out of frame. $500-700

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58

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59

59 Jesús Rafael Soto (Venezuelan, 1923-2005) Piège de Lumière (Light Trap), 1965, edition of 100. Signed “Soto” and numbered “17/100” on édition Mat/collection 65 label affixed to the reverse. Color silkscreen and wire on wood, 18 1/2 x 11 3/8 x 5 1/4 in.

(47.0 x 29.0 x 13.5 cm), with a hanging mechanism on the reverse.

Condition: Good. $4,000-6,000

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60

60 Ettore Sottsass (Italian, 1917-2007) Two Works: Il Futuro and La Torre di Babele, 2001, both editions of 100. Both numbered and signed “.../100 Sottsass” in pencil l.r. Color lithographs on wove paper, sheet sizes 27 7/8 x 19 3/4 in. (70.7 x 50.0 cm), unmatted, unframed.

Condition: Deckled edges. $700-900 61 Frank Stella (American, b. 1936) The Whale Watch Shawl, 1994, edition of 650, published by Tyler Graphics Ltd., Mount Kisco, New York. Signed and dated “F.Stella ‘94” in marker l.c., numbered “129” on tag.

Color screenprint on silk, 55 x 55 in. (139.6 x 139.6 cm), framed.

Condition: Sewn at edges to silk or similar support, tags removed from shawl and preserved on backing, not examined out of frame.

Provenance: Purchased from the publisher on May 25, 1995, then by decent to the current owner.

N.B. A photocopy of the original receipt accompanies the lot. $2,500-3,000 61

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62 Bert Stern (American, 1929-2013) The Marilyn Monroe Trip, published in Avant Garde magazine, number 2, March 1968, including twelve images (double-sided).

Identified on the colophon page. Color screenprints on paper, page/image sizes 11 1/4 x 10 3/4 in. (28.4 x 27.3 cm), bound.

Condition: Very minor wear, edges toned, cover with creasing and wear. $1,200-1,800 63 Rufino Tamayo (Mexican, 1899-1991) Mujer con mallas rosas, from the suite Mujeres, 1969, edition of 150, published by Touchstone Publishers, New York (Pereda, 116). Signed “R. Tamayo” in pencil l.r., numbered “108/150” in pencil l.l. Color lithograph on paper, image size 27 1/2 x 21 in.

(69.7 x 53.2 cm), framed.

Condition: Deckled edges to two sides, surface rub to image l.l., not examined out of frame. $1,000-1,500

63

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64

64 After Henri de Toulouse-Lautrec (French, 1864-1901) Au Bal des Étudiants, c. 1901 Monogrammed and titled within the matrix.

Color lithograph on paper, image size 20 1/8 x 13 3/4 in. (50.9 x 34.8 cm), framed.

Condition: Not examined out of frame. $1,200-1,800

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65

65 Victor Vasarely (Hungarian/French, 19061997) Untitled (Hexagons), from a proof edition of 30. Numbered and signed “E.A. I/XXX Vasarely-” in pencil l.c. Color screenprint on paper, image size 29 x 24 7/8 in. (73.5 x 63.0 cm), framed.

Condition: Not examined out of frame.

Provenance: A private California collection. $600-800 66 Victor Vasarely (Hungarian/French, 19061997) Hommage à l’Hexagone, edition of 200.

Signed “Vasarely-” in pencil l.r., numbered “57/200” in pencil l.l., identified on a label from the Galleries Maurice Sternberg, Chicago, affixed to the backing. Color screenprint on paper, image size 23 3/4 x 24 in. (60.2 x 60.8 cm), framed.

Condition: Not examined out of frame.

Provenance: A private California collection. $600-800 66

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67 Victor Vasarely (Hungarian/French, 19061997) Untitled (Sphere), edition of 267. Signed “Vasarely-” in pencil l.r., numbered “141/267” in pencil l.l. Color screenprint on paper, image size 23 1/2 x 23 1/2 in. (59.5 x 59.5 cm), framed.

Condition: Not examined out of frame.

Provenance: A private California collection. $700-900 68 Victor Vasarely (French/Hungarian, 19061997) TER-A II, c. 1970, edition of 145 plus proofs.

Signed “Vasarely-” l.r. Acrylic on wood, 17 3/4 x 9 3/4 x 1 7/8 in. (45.0 x 24.7 x 4.6 cm).

Condition: Minor surface rubs and soiling.

Provenance: A private California collection. $5,000-7,000

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68

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68A Andy Warhol (American, 1928-1987) 25 Cats Name[d] Sam and One Blue Pussy/A Bound Book, containing eighteen lithographs (including the cover), c. 1954 (Feldman & Schellmann, IV52A-68A). Identified on the cover, numbered and signed “65 Andy Warhol” in blue ballpoint on colophon page, stamped “serendipity 3...” on the inside back cover.

Lithographs with hand-coloring on paper, sheet sizes 8 7/8 x 5 7/8 in. (22.4 x 14.7 cm), board bound.

Condition: Subtle toning to edges of some sheets, minute breaks/losses to edges of colophon page, cover with gentle staining and with minor soiling, print on cover with gentle fading and some staining.

Provenance: Acquired in late 1950 or early 1960s, possibly from Serendipity 3, New York, then by descent to the current owner.

N.B. Early in his career Warhol supported himself as a commercial illustrator, primarily creating fashion and shoe advertisements. In these ads he utilized a blotted line technique that he had invented as a student at the Carnegie Institute of Technology. He also used blotted lines in his fine art, as seen here and in the next lot. The art scene of 1950s New York centered on Abstract Expressionism, so Warhol’s whimsical, though distinctive, work was a hard sell as “art.” Nonetheless, Warhol created a number of prints and books which he used as gifts and promotional materials that he could send to art directors and the like to develop business for both aspects of his work.1 The blotted lines of these prints read almost like a poorly printed book. The sporadic fine breaks in the lines only heighten this sense. In contrast, the images are illuminated by hand. The contrast in techniques raises questions about the nature of originals and reproductions. We are forced to think of commercialism and massproduction in conjunction with fine art. Even the cats themselves raise these questions. Are we seeing eighteen (not twenty-five as the title promises) different cats named Sam, or is this the same Sam in eighteen different positions?

These questions raise precisely the same issues that Warhol’s Pop subjects play with in the 1960s.

Warhol loved cats—to say nothing of their saucy synonym, “pussy.” Although he hardly seems to be the crazy cat lady type, there were stories that he and his mother had as many as twentyfive cats in their Lexington Avenue apartment.

The current owner of the book recalls looking at it as a girl around 1960. She also used to frequent Serendipity 3 with her mother, often sharing their frozen hot chocolate. According to the shop’s website: “Before he was anyone, Andy Warhol declared it his favorite sweet shop, and paid his chits in drawings.”2 1. Donna de Salvo, “The Genesis of Andy Warhol’ Printmaking,” in Andy Warhol Prints: A Catalogue Raisonné 1962-1987 (Distributed Art Publishers, Inc.: New York, et al.), fourth edition, 2003, p. 316.

2. http://www.serendipity3.com/history.htm

68A, also details at right

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$60,000-80,000

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69

69 Andy Warhol (American, 1928-1987) In the Bottom of My Garden/A Bound Book, containing twenty-one lithographs (including the cover), c. 1956 (Feldman & Schellmann, IV86A-105A). Identified on the cover. Lithographs, three with hand-coloring, on paper, sheet sizes 8 9/16 x 11 in. (21.5 x 27.7 cm), board bound.

Condition: Subtle toning to edges of some sheets, cover with gentle staining and with minor soiling.

Provenance: From the artist to his friend and Factory associate Vincent Fremont in the late 1970s; to Todd Alden Projects, New York; purchased by the current owner in 1984.

N.B. The drawings borrow—as Warhol often did—from several sources, including illustrator J.J. Granville’s Les Fleurs Animées of 1884.

Even the title derives from another source: the Fyleman and Lehmann song “There are Fairies in the Bottom of my Garden,” made popular by singer/actress Beatrice Lillie.1 Warhol’s figures are fanciful, bawdy, and campy, depicting putti frolicking and fornicating in a landscape of giant flowers. There are references to homosexuality beyond Lillie’s popularity with gay audiences.

Warhol’s mother, Julia, scribed the text. As her command of the English language was weak, it is unlikely that she understood the double entendre of “Do you see my little pussy” placed beneath a drawing of a girl cherub with a tiny cat folded into her skirt or “the end” written on the hind cheeks of a putto.

This book also uses Warhol’s blotted line technique (see Lot 68A). The coloring for this volume was inconsistent both in the way the pages were painted and the colors used. Todd Alden likens it to an old unfinished coloring book.2 This book was also created as a promotional piece like the previous lot, so it is not surprising that Warhol would give a copy to his long-time friend Vincent Fremont.

Director and producer Vincent Fremont began working for Warhol in 1969, and continued to do so until the artist’s death. He was especially influential in Warhol’s films, and became the executive manager and vice-president of Andy Warhol Enterprises. A copy of a letter from Fremont accompanies the lot.

1. Donna de Salvo, “The Genesis of Andy Warhol’ Printmaking,” in Andy Warhol Prints: A Catalogue Raisonné 1962-1987 (Distributed Art Publishers, Inc.: New York, et al.), fourth edition, 2003, p. 318.

2. http://www.aldenprojects.com/2013/12/acts-of-omission-in-andywarhols-in.html

$12,000-18,000

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69A Andy Warhol (American, 1928-1987) Chicken ‘n Dumplings, from Campbell’s Soup II, 1969, edition of 250, printed by Salvatore Silkscreen Co, Inc., New York, published by Factory Additions, New York (Feldman & Schellmann, II.58). Signed “Andy Warhol” in ink on the reverse, stamped “135/250” on the reverse. Color screenprint on paper, image size 31 15/16 x 18 7/8 in.

(81.0 x 47.8 cm), framed.

Condition: Unobtrusive fading, gentle cockling (primarily to lower edge), gently pressed crease to corner l.r.

Provenance: From the collection of artist/ designer Leander Poisson, New Hampshire.

69A

N.B. If the previous two lots typify Warhol’s early work, the Campbell’s Soup series demonstrates Warhol’s fully realized style, portraying instantly recognizable subjects from the current culture. The subject is not from the cult of celebrity in the way Marilyn Monroe, Jackie Kennedy, or Mick Jagger (see Lot 71) are. Instead a mundane but ubiquitous product—who doesn’t currently have a can of tomato or cream of mushroom Campbell’s tucked away in a kitchen cabinet?—is made colossal and iconic. The line between advertising and art is purposefully blurred in this ultimate homage to the consumer culture of post-World War II America. The commercialism of the day is made to seem crass, and is presented with the same cheekiness of the “ready-mades” of Marcel Duchamp and his followers. $10,000-15,000

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70, and right

70 Andy Warhol (American, 1928-1987) Flowers/A Portfolio of Ten Works, 1970, edition of 250 plus proofs, printed by Aetna Silkscreen Productions, Inc., New York, published by Factory Additions, New York (Feldman & Schellmann, II.64-73). Each signed “Andy Warhol” on the reverse and numbered with stamp “.../250” on the reverse.

Color screenprints on paper, sheet size 36 x 36 in. (91.4 x 91.4 cm), framed.

Condition: A married suite, some with minor wear at corners and/or edges, most with soiling to verso, many with very subtle handling creases.

Provenance: A private Massachusetts collection.

N.B. Warhol creatively acquired the image for his Flowers paintings and prints from the magazine Modern Photography. It had been shot by Patricia Caulfield, the magazine’s executive editor, and published in the June 1964 issue. Caulfield had used the image in a fold-out spread, where multiple versions of the image demonstrated how a new Kodak home color processing system could be used to manipulate color photographs.1

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This presentation would have instantly appealed to Warhol who ultimately reused the image with countless color configurations, just as Caulfield had done in the magazine. The original image was rectangular and depicted seven hibiscus blossoms. Warhol cropped and manipulated it into a square composition of four blooms, even cutting, pasting, and rotating one of the blooms to a new position closer to three of its companions.

The shift to a square composition allowed him to play with the composition’s orientation.

Warhol also varied the sizes and media of the composition, but always incorporated his screenprinting technique.

An important aspect of Warhol’s manipulation of Caulfield’s image was to dramatically increase the contrast of the image. The result removed all shadows and highlights from the blossoms and turned the leaves and grasses beneath them into a flat pattern. Warhol’s first show at the prestigious Leo Castelli Gallery opened in late November of 1964, and focused on the first Flowers paintings.

David Bourdon, an art critic for the The Village Voice, described Warhol’s Flowers saying, “The flowers appear to float against a murky background of waving green grass.

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They are like cut-out gouaches by Matisse set adrift on Monet’s lily pond.”2 We cannot help but tie the Flowers to the long history of floral still lifes as Bourdon did.

At the same time, Warhol’s perspective is utterly new. While the subject matter came from nature, the colors did not. They are Day-Glo, fluorescent, and neon. They are manufactured. The flattened, unmodelled blossoms only heighten the sense of their fabrication. The juxtaposition of manufactured nature is conspicuously ironic. Warhol is “… showing us mechanical ways of seeing and feeling… [but this is] concealed in blandness.

These glossy, floral-patterned paintings look like printed oilcloth, plastic tablecloths, or… wallpaper.” 3 Even the “original” paintings employ screenprinting, heightening the sense of mechanization and mass-production. The publication of the Flowers portfolio in 1970 only strengthened the aspect of fabrication, especially when all ten are hung together.

Read more online at www.skinnerinc.com 1. http://www.interviewmagazine.com/art/andy-warhols-flower-power/ 2. David Bourdon, “Art: Andy Warhol,” The Village Voice, December 3, 1964, p. 11.

3. Ibid.

$400,000-600,000

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71 Andy Warhol (American, 1928-1987) Mick Jagger, from the portfolio Mick Jagger, 1975, edition of 250 plus proofs, printed

by Alexander Heinrici, New York, published

by Seabird Editions, London (Feldman & Schellmann, II.145). Signed “/Andy Warhol” in felt-tip pen l.r., signed “Mick Jagger” in thick felt-tip pen l.l., numbered “87/250” in pencil l.l. Color screenprint on heavy watercolor-style paper, sheet size 43 1/2 x 29 in. (110.5 x 73.6 cm), framed.

Condition: Deckled upper and lower edges, minute nick to right edge, floated within the mat, not examined out of frame.

Provenance: A private Massachusetts collection.

N.B. Celebrity is the human equivalent of commercial consumerism, as we are reminded by The National Inquirer and People magazine. Warhol’s visual commentaries on popular culture in the late 1950s and early 1960s made the artist himself into a pop icon.

His name has become a household word—a commodity—not unlike Campbell’s Soup (see Lot 69A). The choice of The Rolling Stones’ lead singer Mick Jagger as a subject continued the trend that Warhol began with personalities like Marilyn Monroe and Elvis Presley.

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Warhol created the concept for The Stones’ Sticky Fingers album cover of 1971. In the 1960s and 1970s, album covers were as much art as they were marketing, so it is not surprising that Warhol would be interested in such a task. Instantly recognizable as the strutting bad boy of rock in this 1975 print, Jagger’s image is given the now-classic Warhol treatment of screenprinting and color blocking. The print is signed not only by the artist, but by the rock star as well. The inclusion of Jagger’s signature hints at the collectability of rock-and-roll memorabilia. $40,000-60,000

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72 William Thomas Williams (American, b. 1942) HKL Portfolio/A Suite of Four Works, 1970, edition of 144. Each signed and numbered “...99/144” in pencil l.r. Color screenprints on heavy wove paper, image sizes 16 1/8 x 11 5/8 in. (40.8 x 29.4 cm), framed.

Condition: Not examined out of frames. $2,500-3,500 73 Francisco Zúñiga (Mexican, 1912-1998) Mujeres de México, 1973, total edition of 187, printed and published by Editions Press, San Francisco (Brewster, 5). Numbered, signed, and dated “56/100 Zúñiga 1973” in pencil within the image l.l., printer’s/publisher’s dry stamp l.l.

Color lithograph on paper, image/sheet size 22 1/2 x 32 1/4 in. (57.0 x 81.8 cm), framed.

Condition: Deckled edges, floated within the mat, not examined out of frame. $1,000-1,500

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73

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74 Francisco Zúñiga (Mexican, 1912-1998) Mujeres con Niño en la Puerta, 1977, edition of 100 plus proofs, printed by Kyron, Mexico City, published by Brewster Editions, New York (Brewster, 37). Numbered, signed, and dated “XXX/XXX Zúñiga 1977” in pencil within the image l.l., dry stamp l.r. Color lithograph on paper, image/sheet size 31 3/4 x 23 1/2 in. (80.5 x 59.5 cm), framed.

Condition: Deckled edges, floated within the mat, not examined out of frame. $1,000-1,500 75 Francisco Zúñiga (Mexican, 1912-1998) Muchacha con limones, 1982, edition of 135 plus proofs, printed by Kyron, Mexico City, published by Brewster Editions, New York (Brewster, 87). Numbered, signed, and dated “49/135 Zúñiga 1982” in pencil within the image l.r., printer’s dry stamp l.r. Color lithograph on paper, image/sheet size 34 x 23 1/8 in. (86.3 x 58.5 cm), framed.

Condition: Deckled edges, floated within the mat (one hinge broken), not examined out of frame. $1,000-1,500 75

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Fine Photographs Lots 76–109

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76 John Beasley Greene (American, 18321856) River Bank, Algeria, 1855-56. Albumenized salt print from a waxed paper negative, image/ sheet size 9 1/2 x 11 3/4 in. (24.6 x 29.9 cm), matted, unframed.

Condition: Minor discoloration of sheet on the verso.

N.B. John Beasley Greene was a French-born American archaeologist who studied with the photographer Gustave Le Gray, creating views of Paris, still lifes, and landscapes using the waxed paper negative process. In 1853, at the age of 21, he embarked on an expedition to Egypt and Nubia to photograph the land and document monuments and their inscriptions.

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In 1855, Greene, who suffered from poor health, visited Algeria with its favorable climate at the recommendation of his doctors.

There he pursued his interest in landscape photography, exploiting light to accentuate the surfaces and textures of the rocks and foliage, to create subtle gradations of tone, and to soften lines and contours. Greene died in Egypt, reportedly in Cairo, in November of 1856, most likely of tuberculosis. $3,000-5,000

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77 Alfred Stieglitz (American, 1864-1946) A Winter Sky, Central Park, 1897, from Picturesque Bits of New York and Other Studies, 1897. Identified within the matrix u.l.

Photogravure on paper, image size 8 5/8 x 6 5/8 in. (21.8 x 16.8 cm), unmatted, unframed.

Condition: Minor discoloration at edges. $400-600 78 Alfred Stieglitz (American, 1864-1946) The Ferry Boat, from Camera Work, no. 36, 1910, printed 1911. Photogravure on tissue, image size 8 1/4 x 6 3/8 in. (21.0 x 16.2 cm), matted, framed.

Condition: The sheet is hinged at the top edge to a paper mount, subtle toning. $500-700

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79 Edward Sheriff Curtis (American, 18681952) Canyon de Chelly, 1904. Signed “Curtis LA ©” in black ink in the image l.r., copyright credit in the negative l.l. Toned double border gelatin silver print, image size 5 1/2 x 7 5/8 in.

(14.0 x 19.4 cm), unmatted, framed.

Condition: Small brown spot in the margin l.r., hinged to backing along top edge of sheet.

Located in Northeastern Arizona, Canyon de Chelly was, and remains, one of the most sacred places for the Navajo. In one of Curtis’s most iconic images, riders on horseback cross the desert against the dramatic backdrop of the canyon walls. This work is of particular interest because of its double border gelatin silver print format. $3,000-5,000

N.B. Edward Sheriff Curtis is best known for his Herculean effort to document the North American Indian through photographs and recordings of song and speech. As the western United States was developed, he endeavored to record the vanishing cultures of the land’s original inhabitants, creating a body of work that at the time defined the country’s popular vision of Native American culture.

Curtis began his fieldwork in 1906 with the support of financier J. Pierpont Morgan, and by 1930 he had documented more than eighty tribes and made over 40,000 photographs.

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80 Edward Weston (American, 1886-1958) Boats, San Francisco, 1925, printed later.

Initialed and dated “EW...” in pencil below the image l.r., inscribed, signed, and dated “Original on Palladiotype/Reprint/Edward Weston/1925” in pencil on the reverse of mount u.c., identified on a gallery label from Amy Wolf Fine Art, New York, on the reverse of the frame. Gelatin silver print, 7 1/2 x 9 3/8 in. (19.0 x 23.8 cm), matted, framed.

Condition: Mounted, scattered pinpoint fox marks on mount recto and verso. $800-1,200 81 Imogen Cunningham (American, 18831976)

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Magnolia Blossom, 1925, printed later by the photographer’s estate. Blindstamped with the artist’s signature and chop mark on the mount l.r., identified on a label from the Imogen Cunningham Trust on the back of the frame.

Gelatin silver print, image/sheet size 10 5/8 x 13 5/8 in. (27.0 x 34.5 cm), matted, framed.

Condition: Mounted, not examined out of frame. $1,500-2,500

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82 Ansel Adams (American, 1902-1984) North House, Taos Mountain, c. 1929-30, printed 1977. Signed “Ansel Adams� in pencil on the mount l.r., titled and dated within an Ansel Adams, Carmel, California, stamp on the reverse of the mount. Gelatin silver print, image/sheet size 8 1/4 x 11 1/2 in. (21.0 x 29.2 cm), unmatted, unframed.

Condition: Mounted, minor ding in mount c.l. $1,500-2,500

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83 Harold E. “Doc” Edgerton (American, 19031990) A Place Kick by Wesley Fesler, 1934, printed later. Titled and signed “HAROLD EDGERTON” in pencil on the verso l.r. Gelatin silver print, image size 18 1/8 x 15 in. (46.0 x 38.0 cm), matted, framed.

Condition: Good. $1,000-1,500 84 Arthur Rothstein (American, 1915-1985) Sharecropper’s Wife and Child, Arkansas, 1935, printed later. Stamped “ARTHUR ROTHSTEIN/PHOTOGRAPH/from the collection of GRACE ROTHSTEIN” in black ink on the verso l.l. with additional pencil annotations. Gelatin silver print, image size 12 3/4 x 8 1/2 in. (32.4 x 21.5 cm), matted, unframed.

Condition: Subtle crimps at u.c. and l.c.

N.B. In 1936, at the young age of 21, Arthur Rothstein was the first photographer hired

by Roy Stryker of the federal government’s Resettlement Administration. The agency’s goal was to document efforts to alleviate the economic problems facing the nation, as well as the effects of the Great Depression on struggling families, as demonstrated in this portrait of a poor mother and child in Arkansas. $1,200-1,800

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85 Arthur Rothstein (American, 1915-1985) Highway 80, Fort Worth, Texas, 1938, printed later. Stamped “ARTHUR ROTHSTEIN/PHOTOGRAPH/from the collection of GRACE ROTHSTEIN” in black ink on the verso l.l. Gelatin silver print, image size 14 x 18 in. (35.5 x 45.7 cm), matted, unframed.

Condition: Good. $1,000-1,500 86 Bill Brandt (British, 1904-1983) Maid at Window, Mayfair, 1936, printed c. 1950s. Inscribed “Bill Brandt/signed via agency” in blue ink on the verso of the mount. Gelatin silver print with pigment embellishments for reproductive purposes, image/sheet size 9 x 7 3/4 in. (22.8 x 19.7 cm), matted, unframed.

Condition: Mounted, partially detached from mount at l.r., scattered surface crimps and cracks, especially at bottom corners, spot toning.

N.B. German-born photographer Bill Brandt adopted Great Britain as his home in 1934.

He used his family connections to gain access to a variety of subjects, creating a portrait of London life that revealed incisive social contrasts. The resulting book, The English at Home, was published in 1936. A variant of this image was reproduced in “The Perfect Parlourmaid,” Picture Post, vol. 4, no.

4 (July 29, 1939), pp. 43–7. The subject was employed by Brandt’s uncle. $4,000-6,000

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87 Helen Levitt (American, 1913-2009) Untitled (Chalk Drawing of Two Figures), c.

1939. Signed or inscribed and dated “Helen Levitt...” in pencil on the verso. Gelatin silver print, image/sheet size 9 5/8 x 7 in. (24.5 x 17.8 cm), matted, unframed.

Condition: Slight rippling to sheet, unobtrusive crease at u.c., minor wear at corners. $2,500-3,500 88 Dorothea Lange (American, 1895-1965) Thirteen Year Old Daughter of Negro Sharecropper Planting Sweet Potatoes, Olive Hill, North Carolina, 1939, printed later.

Identified on a label affixed to the back of the mount inscribed “Negative in file of D.L.” in black ink and typed with Lange’s Berkeley, California, address. Gelatin silver print, 8 5/8 x 8 5/8 in. (22.0 x 22.0 cm), unmatted, unframed.

Condition: Mounted, vertical crease l.l. corner, cluster of unobtrusive pinpoint indentations in u.l. quadrant, minor losses at corners.

Provenance: Descended within the family of the artist.

N.B. Dorothea Lange made this photograph while working for the Farm Security Administration, a federal agency established to document the effects of the Depression on the rural poor, as well as the government programs established to assist them. In the image, Lange crafts a portrait out of the arm, legs, and dusty feet of a sharecropper’s daughter who plants sweet potatoes in holes dug by her father. $2,000-3,000

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89 Man Ray (American, 1890-1976) Le Mirage, 1944. Stamped “MAN RAY PARIS� in black ink on the reverse of the mount u.c. Gelatin silver print, image/sheet size 7 7/8 x 4 7/8 in. (20.0 x 12.3 cm), matted, framed.

Condition: Mounted, slight rippling at right edge.

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N.B. In 1944, Man Ray assembled photographs of a group of three-dimensional sculptures he made from found objects and prepared accompanying texts for a publication he called Objects of My Affection.

He produced several maquettes for the book, including this one, although it was never published. The lot is accompanied by a 1987 certificate of authenticity signed by Lucien Treillard. $1,000-1,500

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90 W. Eugene Smith (American, 1918-1978) Tossing a “Strike� for Jap Pillbox, Tarawa, 1943. Acme Newspictures, Inc., credit stamp in red ink on the verso. Glossy gelatin silver print, 6 5/8 x 8 1/4 in. (16.8 x 21.0 cm), matted, unframed.

Condition: Scattered minor vertical cracks in the emulsion, crimps/creases c.l. and u.c.

N.B. The original press caption is affixed to the verso of the sheet. $500-700 91 Robert Capa (Hungarian/American, 19131954) Nazis Show Their Colors, France, c. 1944.

Acme Newspictures, Inc., credit stamp in red ink on the verso. Glossy gelatin silver print, 8 1/4 x 6 5/8 in. (21.0 x 16.8 cm), matted, unframed.

Condition: Crease in u.l. corner, unobtrusive crescent-shaped dings or similar along right edge, paper remnant on the verso l.c. where the press caption detached.

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N.B. The press caption that was originally affixed to the back of the print accompanies the lot. $800-1,200

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92 Three World War II Photographs: Obie Newcomb (American, 20th Century), The Marines Go In, Tarawa, Gilbert Islands, November 1943, original caption affixed to the back of the print, “ACME Newspictures” stamped in red ink on the verso; American School, 20th Century, USS Arizona, Pearl Harbor, December 7, 1941; American School, 20th Century, Old Glory on Mt. Suribachi, Iwo Jima, 1945, original caption separated from the back of the print, “ACME Telephoto New York Bureau” stamped in red ink on the verso. Gelatin silver prints, image sizes to 8 3/8 x 5 3/4 in. (21.3 x 14.5 cm), matted, unframed.

Condition: Marines with scattered handling crimps and areas of discoloration, Arizona with scattered handling crimps, minor surface grime u.l., Iwo Jima with scattered breaks in emulsion especially at l.l., subtle discoloration at left edge of sheet. $1,000-1,500 93 Robert Frank (Swiss, b. 1924)

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Peru, 1947, printed 1970s. Signed and dated “Robert Frank 74” in black ink below the image l.r., titled and dated “Peru 1947” in black ink below the image l.l., “COPYRIGHT © Robert Frank” stamp inscribed “Robert Frank 1979” in ink on the verso l.l., “ROBERT FRANK ARCHIVE” stamp inscribed “Peru 1947” and “553” in pencil on the verso l.r. Gelatin silver print, image size 9 1/4 x 13 3/8 in. (23.5 x 34.0 cm), matted, unframed.

Condition: Minor handling crimps l.c., 1/4 inch tear in margin of sheet u.c. $3,500-5,500

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94 Manuel Álvarez Bravo (Mexican, 19022002) Espejo Negro (Black Mirror), 1947, printed later. Signed “M Alvarez Bravo” in pencil on the verso l.r., additional pencil annotations on the verso on the lower half of the sheet.

Gelatin silver print on single weight paper, image/sheet size 14 5/8 x 11 in. (37.0 x 28.0 cm), matted, framed.

Condition: Scattered minor surface crimps and ripples.

N.B. The subject of Álvarez Bravo’s photograph is the American model and dancer Maudelle Bass. During the 1930s and 1940s Bass modeled for several American and Mexican artists, including Edward Weston and Diego Rivera. $1,500-2,500

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95 Gordon Parks (American, 1912-2006) Harlem Rooftops, 1948, printed later.

Inscribed and dated “Harlem...” in blue ink and with pencil annotations on the verso. Gelatin silver print, image size 7 x 12 in. (17.8 x 30.5 cm), matted, unframed.

Condition: Subtle handling crimp in image l.l., creases in margins u.l., hinge remnants on verso along upper edge. $1,200-1,800 96 Harry Callahan (American, 1912-1999) Eleanor, Chicago, 1949, printed 1980.

Signed “Harry Callahan” in pencil below the image l.r., numbered “II/27” in pencil below the image l.l. Gelatin silver print, image size 5 x 4 1/2 in. (12.7 x 11.5 cm), unmatted, unframed.

Condition: Mounted.

N.B. The photograph was issued with the publication Water’s Edge (Lyme, CT: Calloway Editions, 1980). The book, which accompanies the lot, is signed “Harry Callahan” in black ink and numbered “II/27” in pencil on the last page. $2,000-4,000 96

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97 Ansel Adams (American, 1902-1984) St. Francis Church, Ranchos de Taos, New Mexico, c. 1950, printed c. 1974. Signed “Ansel Adams� in pencil on the mount l.r., titled and dated within an Ansel Adams, Carmel, California, stamp on the reverse of the mount. Gelatin silver print, image/sheet size 10 1/2 x 13 1/8 in. (26.7 x 33.5 cm), unmatted, unframed.

Condition: Mounted. $2,000-3,000

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98 Dorothea Lange (American, 1895-1965) Oakland, California, 1952, printed c. 1965.

Gelatin silver print, image/sheet size 7 3/8 x 9 3/8 in. (18.7 x 23.8 cm), unmatted, unframed.

Condition: Mounted to a thin board that is hinged to a support at the corners, scattered minor losses at edges.

N.B. This print was made for Lange’s 1966 retrospective at the Museum of Modern Art in New York. $1,500-2,500 99 Dorothea Lange (American, 1895-1965) Spring in New York City, 1953, probably printed later. Titled and dated in black ink on the verso u.c., inscribed “City Life and Relationships” in red pencil on the verso u.c., artist’s Euclid Avenue, Berkeley, studio stamp in black ink on the verso at the center. Gelatin silver print, image/sheet size 7 1/4 x 7 1/4 in.

(18.5 x 18.5 cm), unmatted, unframed.

Condition: Mounted, mount with pinholes and wear at corners.

Provenance: Descended within the family of the artist. $1,500-2,500 99

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100 Harold E. “Doc” Edgerton (American, 19031990) Bullet Passing Through Three Balloons, 1959, printed later. Signed “HAROLD EDGERTON” in pencil on the verso l.c., inscribed “82.0442” in pencil on the verso l.r.

Gelatin silver print, image size 11 1/2 x 19 in.

(29.2 x 48.2 cm), unmatted, unframed.

Condition: Good. $1,000-1,500 101 Aaron Siskind (American, 1903-1991) Chicago Facade 7, from the portfolio Chicago Facades 1952-1960, 1960, edition of 19, printed in 1985 by Palm Press, Inc., Littleton, Massachusetts. Signed “Aaron Siskind” in black ink below the image l.r., inscribed, dated, and numbered “Chicago...9/15” in black ink below the image l.l. Gelatin silver print, image size 17 3/8 x 21 7/8 in. (44.0 x 55.5 cm), unmatted, unframed.

Condition: Good. $1,000-1,500 101

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102 Leonard Freed (American, 1929-2006)

103 Leonard Freed (American, 1929-2006)

Muscle Boy, Harlem, 1963, printed later.

Signed “Leonard Freed” in pencil on verso l.r., titled, dated, and inscribed “...USA 63-3-1-32” in pencil on verso l.l., stamped “LATER PRINT” and “© Leonard Freed-Magnum” in black ink on verso. Gelatin silver print, image size 11 3/4 x 7 7/8 in. (29.9 x 20.0 cm), unmatted, unframed.

Condition: Three unobtrusive creases in u.r. corner.

Hydrant, Harlem, 1963, printed later. Signed “Leonard Freed” in pencil on verso l.r., titled, dated, and inscribed “...USA 63-3-11-27” in pencil on verso l.l., stamped “LATER PRINT” and “© Leonard Freed-Magnum” in black ink on verso. Gelatin silver print, image size 11 5/8 x 7 3/4 in. (29.5 x 19.8 cm), unmatted, unframed.

Condition: Scattered minor handling crimps.

Provenance: The estate of the artist. $1,200-1,800

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Provenance: The estate of the artist. $1,200-1,800

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104 Jim Marshall (American, 1936-2010) San Francisco, 1968, printed c. 1979.

Signed and dated “Jim Marshall -79-” in black ink below the image l.r., dated “1968” in red wax pencil on the verso along with Marshall’s Union Street, San Francisco, studio stamp.

Gelatin silver print, image size 8 7/8 x 13 1/2 in. (22.5 x 34.3 cm), matted, unframed.

Condition: Gently worn at corners, crease in very corner of image l.l. $800-1,200 105 Jim Marshall (American, 1936-2010) Mick Jagger on Tour Plane, 1972. Titled and dated in black ink and with Marshall’s San Francisco studio stamp on the verso. Glossy gelatin silver print, image size 9 1/2 x 6 1/4 in.

(24.2 x 16.0 cm), matted, unframed.

Condition: Unobtrusive handling crimps at u.l. and l.r. $1,800-2,200

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106 Art Sinsabaugh (American, 1924-1983) New England Landscape in the Snow, c. 1970s, printed c. 1979. Signed “Art Sinsabaugh� in pencil on the verso as part of a dedication. Gelatin silver print, image size 11 3/4 x 19 5/8 in. (29.8 x 49.8 cm), matted, unframed.

Condition: Upper right corner of sheet missing. $1,000-1,500

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108 partial

107 John Pfahl (American, b. 1939)

108 Aaron Siskind (American, 1903-1991)

Great Salt Lake Angles, Great Salt Lake, Utah, 1977. Titled, numbered, signed, and dated “...4/25 Pfahl...” in black ink on the verso along the bottom edge, with pencil annotations. Dye transfer print, image size 7 1/2 x 10 in. (19.0 x 25.5 cm), matted, unframed.

Condition: Good.

Six Photogravures: Mexico 32, 1982; New York 24, 1988; Morocco 328, 1982; Morocco 93, 1982; Italy 71, 1985; and Bahia 170, 1984. Each titled, dated, and numbered “9/50” in pencil and with the Aaron Siskind Estate stamp in black ink on the verso l.r. Photogravures on paper, image sizes 15 1/2 x 15 1/2 in. (39.5 x 39.5 cm), unmatted, unframed.

Condition: Sheets with deckled edges.

Provenance: From the collection of Austin Lamont, by family descent; Skinner, Inc., September 24, 2010, Lot 272; to the current owner. $500-700

Provenance: Collection of Clary Healy, Providence, Rhode Island. $2,000-3,000

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109 Sheila Metzner (American, b. 1939) Bega in Still Life with Peppers, 1984.

Blindstamped “Sheila Metzner/Photograph/ Michel-Fresson print” l.c., signed, numbered, and dated “Sheila Metzner Two of Two...” in pencil on the verso along the bottom edge, titled in pencil on the verso u.r. Fresson (pigment) print, image size 10 3/4 x 15 7/8 in.

(27.3 x 40.3 cm), matted, framed.

Condition: Good.

N.B. The Atelier Fresson, located outside of Paris, specializes in a labor-intensive four-color “process de charbon” (charcoal process), which they pioneered in the 1890s. $1,000-1,500

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A buyer’s premium of 23% applies to timed online auction purchases. Please read the Conditions of Sale for more information. To bid on the lots presented in a timed online auction, you will need to take the following steps:

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1003 Frank Weston Benson (American, 1862-1951)

1006 Frank Weston Benson (American, 1862-1951)

Little Old Squaw, 1912, edition of 25 (Paff, 6). Signed “FrankWBenson.” in pencil l.l., initialed within the plate, pencil sketches on the verso. Etching with drypoint on laid paper, plate size 2 7/16 x 3 7/16 in. (6.2 x 8.5 cm), matted, unframed.

Condition: Subtle toning, pinhole to edge of upper margin, pencil annotations to lower margin.

Two Impressions of Waders, 1930, trial proof B-1 and a published state from the edition of 150 (Paff, 298).

Both signed “FrankWBenson.” in pencil l.l. Drypoints, the former on J. Whatman laid paper, the latter on wove paper, plate size 7 x 12 in. (17.6 x 30.4 cm), unmatted, unframed.

Condition: Both with at least two deckled edges, pencil annotations to lower margins, ink and soiling to margins (more so to the proof).

November Moon, 1931, published state, edition of 150 (Paff, 316).

Signed “FrankWBenson.” in pencil l.l.

Etching and aquatint on wove paper, plate size 9 7/8 x 8 in. (25.0 x 20.3 cm), unmatted, unframed.

Condition: Full margins with deckled left and lower edges, pencil annotations to lower margin.

N.B. According to Paff this same bird was used in the 1915 etching Old Squaws. While twenty-five impressions of Little Old Squaw were pulled, they were never offered for sale.

This is certainly born out by the two drawings on the reverse. Both are complete compositions of a sailboat; one drawn within the plate mark, the other in the substantial lower margin. $400-600 1001 Frank Weston Benson (American, 1862-1951) Wild Geese Resting, 1915, published state, edition of 35 (Paff, 56). Signed “FrankWBenson.” in pencil l.l., numbered “20/35” in pencil l.r., initialed within the plate. Drypoint on laid paper with partial watermark, plate size 5 15/16 x 7 7/8 in. (14.9 x 19.8 cm), matted, unframed.

Condition: Full margins of 1 1/2 inches or more with deckled edges, pencil annotations and fingerprints to lower margin, brown paper tape hinges to upper corners on recto. $400-600 1002 Frank Weston Benson (American, 1862-1951) Flying Ducks, 1919, published state, edition of 235 (Paff, 160). Signed “FrankWBenson.” in pencil l.l., initialed and dated within the plate, identified on a label from Schwartz Galleries, New York, affixed to the backing. Etching on paper, plate size 8 7/8 x 6 7/8 in.

(22.3 x 17.3 cm), framed.

Condition: Unobtrusive toning, not examined out of frame.

Provenance: A Maine estate. $400-600

Provenance: Descended within the family of the artist. $800-1,200

Provenance: Descended within the family of the artist.

N.B. Comparison of the trial and finished impressions shows the artist in the process of finalizing the composition. The trial proof shows the birds in the distance, with the horizon line and the sky merely sketched in.

Most of the birds also lack reflections in the proof. $1,000-1,500 1004 Frank Weston Benson (American, 1862-1951) Springing Teal, 1930, published state, edition of 150 (Paff, 306). Signed “FrankWBenson.” in pencil l.l. Etching on laid paper with “ENGLAND” watermark, plate size 13 7/8 x 9 3/4 in.

(35.2 x 24.7 cm), unmatted, unframed.

Condition: Full margins with deckled edges to three sides, pencil annotations l.l., creases to upper and lower margins near the edges of the sheet.

Provenance: Descended within the family of the artist. $700-900 1005 Frank Weston Benson (American, 1862-1951) Flying Buffleheads, 1930, published state, edition of 150 (Paff, 308).

Signed “FrankWBenson.” in pencil l.l.

Etching and drypoint on wove paper, plate size 3 x 4 in. (7.5 x 10.1 cm), unmatted, unframed.

Condition: Full margins with deckled left edge, pencil annotations l.l., erased annotations to verso.

Provenance: Descended within the family of the artist. $300-500

1007 Frank Weston Benson (American, 1862-1951)

Fine Art online

1000 Frank Weston Benson (American, 1862-1951)

Sanctuary, 1932, published state, edition of 150 (Paff, 327). Signed “FrankWBenson.” in pencil l.l. Etching on laid paper, plate size 6 15/16 x 8 7/8 in. (17.5 x 22.4 cm), unmatted, unframed.

Condition: Full margins with deckled edges to three sides, pencil annotations to the lower margin.

Provenance: Descended within the family of the artist. $500-700 1007A Kenneth Hayes Miller (American, 1876-1952) Play, 1919, from Six American Etchings: The New Republic Portfolio, published in 1924, edition of approximately 500. Signed “Hayes Miller” in pencil l.r., signed and dated within the plate. Drypoint on paper, plate size 4 5/8 x 6 in. (11.5 x 15.2 cm), framed.

Condition: Prevalent toning and mat burn, not examined out of frame. $250-300 1008 James Abbott McNeill Whistler (American, 1834-1903) Fumette, 1858, final state (MacDonald, 12v/v; Kennedy, 13iv/iv). Signed and identified within the plate, identified on a label from Arthur H. Hahlo & Co., New York, affixed to the backing.

Etching on paper, plate size 6 3/8 x 4 3/8 in. (16.2 x 10.9 cm), framed.

Condition: Margins 1/2 inch or more, not examined out of frame. $700-900

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1009 James Abbott McNeill Whistler (American, 1834-1903)

1013 Richard Anuszkiewicz (American, b. 1930)

La marchande de moutarde, 1858, final state (MacDonald, 20v/v; Kennedy, 22v/v). Signed within the plate, identified on a label from T. & R. Annan & Sons, Glasgow, affixed to the backing. Etching on paper, plate size 6 1/4 x 3 1/2 in. (15.5 x 8.8 cm), matted, unframed.

Condition: Full margins with deckled edges, gently light-struck.

E, from the portfolio Spectral 9, 1969, edition of 125. Signed, identified, numbered, and dated “ANUSZKIEWICZ 53/125 E 1969” on a label from Contemporary Collections Inc., New York, on the reverse. Color screenprint on plaster box, 19 3/4 x 19 3/4 in. (50.0 x 50.0 cm), unframed.

Condition: Minor soiling. $400-600

N.B. Sold with the former backing board. $700-900

1014 Will Barnet (American, 1911-2012)

1010 Gerald L. Brockhurst (British, 18901978) Two Works: Study for Decoration, 1923, edition of 76, etching (Fletcher, 46); and Head of a Girl (Anaïs, Melisande), also called Head of a Basque or Siena, 1944, lithograph (Fletcher, L2). The latter signed and dated “G.L. Brockhurst 1944” in pencil l.r., initialed within the matrix l.l. Sight sizes to 11 1/2 x 8 1/2 in. (29.1 x 21.5 cm), framed.

Condition: Not examined out of frames. $500-700

Fine Art online

1011 Gerald L. Brockhurst (British, 18901978)

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The Black Silk Dress, 1927, edition probably of 111 (Wright, 58). Signed “G.L. Brockhurst” in pencil l.r., signed and dated “1927” in the matrix u.r.

Etching on cream wove paper, plate size 8 3/4 x 6 1/4 in. (22.2 x 15.8 cm), framed.

Condition: Not examined out of frame. $500-700 1012 Gerald L. Brockhurst (British, 18901978) West of Ireland, 1928 (Fletcher, 58).

Signed “G.L. Brockhurst” in pencil l.r., signed within the plate. Etching on paper, plate size 4 7/8 x 5 3/4 in. (12.3 x 14.4 cm), framed.

Condition: Not examined out of frame. $300-500

Woman and Cats, 1969, edition of 100. Signed “Will Barnet” in pencil l.r., titled in pencil l.l., numbered “75/100” in pencil l.c. Color lithograph on paper, image size 21 x 22 5/8 in. (53.2 x 57.3 cm), framed.

Condition: Mat burn, toning, not examined out of frame. $500-700 1015 After Marc Chagall (Russian/French, 1887-1985) Le message biblique de Marc Chagall, 1967, published by Mourlot, Paris. Stamped signature l.c., identified within the matrix and on a label from Graphics 1 and Graphics 2, Boston, affixed to the backing.

Lithographic poster, sight size 27 5/8 x 17 3/4 in. (70.2 x 45.0 cm), framed.

Condition: Gentle rippling, not examined out of frame. $600-800 1016 Salvador Dalí (Spanish, 1904-1989) The Judgment of Paris, 1979, total edition of 745 (Michler & Löpsinger, 1562; Field, 79-3). Signed “Dalí” in pencil l.r., numbered “LXVI/C” in pencil l.l. Color lithograph on Japan paper, image size 23 x 16 1/4 in. (58.4 x 41.2 cm), framed.

Condition: Not examined out of frame. $300-500

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1017 Salvador Dalí (Spanish, 1904-1989) L’Aventure médicale/A Suite of Two Works, 1979-80, total edition of approximately 1,200 (Michler & Löpsinger, 1575 & 1576; Field, 804A&B). Both signed “Dalí” in pencil l.r. and numbered “A.P. 5/75” in pencil l.l.

Colored lithographs on Japan paper, image sizes 23 x 18 in. (58.2 x 45.7 cm), framed.

Condition: Gentle rippling, not examined out of frames. $1,000-1,500 1018 Raoul Dufy (French, 1877-1953) L’Amour, c. 1910, from the proof edition of 30. Stamped by the artist’s atelier, numbered “Epreuve d’Artiste XV/XXX” in pencil l.r. Woodcut on paper, image size 12 x 12 1/4 in. (30.4 x 31.0 cm), framed.

Condition: Mat burn, toning, not examined out of frame. $400-600 1019 Romain de Tirtoff, called Erté (Russian/French, 1892-1990) Love and Passion Suite/A Suite of Two Works, 1983-85, edition of 300.

Both signed “Erté” in pencil l.r. and numbered “208/300” in pencil l.l. Color screenprints with metallic foils and embossing on black paper, image sizes 19 1/2 x 27 3/4 in. (49.4 x 70.3 cm), framed.

Condition: Not examined out of frames. $800-1,200 1020 Romain de Tirtoff, called Erté (Russian/French, 1892-1990) Statue of Liberty Suite/A Suite of Two Works, 1986, edition of 300.

Both signed “Erté” in pencil l.r. and numbered “.../300” in pencil l.l. Color screenprints with metallic foils and embossing on paper, image sizes 28 x 20 in. (71.2 x 50.7 cm), framed.

Condition: A married set, gentle rippling, not examined out of frames. $800-1,200

1025 After Fernand Léger (French, 18811955)

Place de l’Opéra, 1987, from the suite Paris Days and Nights, from the edition of 250. Signed “Erté” in pencil l.r., numbered “XI/CCL” in pencil l.l.

Color screenprint with metallic foils and embossing on black paper, image size 31 3/4 x 19 3/4 in. (80.5 x 50.0 cm), framed.

Condition: Not examined out of frame. $400-600

Portrait de femme, 1952, edition of 1,000, printed by Jean Bruller, Paris, published by La Guilde Internationale de la Gravure, Paris, 1954-55 (Saphire, E5). Initialed and dated within the matrix, numbered “591/1000” in pencil l.r., dry stamp “SERIGRAPHIE *F. LEGER*” l.r., publisher’s dry stamp (Lugt, 4670) l.l. Color screenprint on Arches paper with watermark, image size 13 1/8 x 10 1/8 in. (33.2 x 25.5 cm), framed.

Condition: Light-struck, subtle rubs to image in blue and red areas, lower margin and upper margins folded under 2 3/4 inches above or below the image. $500-700

1022 Öyvind Fahlström (Swedish, 19281976) Column no. 4 (IB-Affair), 1974, edition of 300, printed by Domberger, Stuttgart, published by Die Zeit, Berlin.

Signed, numbered, and dated “Öyvind Fahlström 239/300 ‘74” in pencil l.r., dedicated in pencil l.l., titled within the matrix, identified on a label from Arnold Herstand & Company, New York, affixed to the backing. Color screenprint on paper, image size 23 1/8 x 19 in. (58.5 x 48.3 cm), framed.

Condition: Gentle rippling, not examined out of frame. $800-1,200 1023 Jane Hammond (American, b. 1950) Tabula Rosa, 2001, edition of 43, published by Universal Limited Art Editions, Bay Shore, New York. Signed and dated “Jane Hammond...” in pencil below the image l.r., numbered “29/43” in pencil below the image l.l. Digital pigmented inkjet print on Japan paper, image size 23 7/8 x 69 in. (60.5 x 175.2 cm), unmatted, framed.

Condition: Floated in frame, not examined out of frame. $400-600 1024 Käthe Kollwitz (German, 1867-1945) Selbstbildnis im Profil nach rechts, 1938 (Klipstein, 265IIIb; Knesebeck, 273IIIb or c). Unsigned, identified on a label from the Nielsen Gallery, Boston, affixed to the backing. Lithograph on paper, image size 18 1/2 x 11 1/2 in.

(46.8 x 29.2 cm), framed.

Condition: Subtle toning/light staining, very pale mat burn, gentle rippling, several pale fox marks, not examined out of frame. $400-600

1026 Joan Miró (Spanish, 1893-1983) Peintures Murales, 1961, from the edition of 90 (before letters), published

by Maeght Éditeur, Paris (Mourlot, 229). Signed “Miró” in pencil within the image l.r., numbered “88/90” in pencil within the image l.l. Color lithograph on paper, sight size 16 3/4 x 22 1/4 in.

(42.4 x 56.4 cm), framed.

Condition: Unobtrusive toning, not examined out of frame. $700-900 1027 Joan Miró (Spanish, 1893-1983) Untitled, from Graphikmappe Hochschule St. Gallen, 1964, edition of 150, printed by Arte Adrien Maeght, Paris (Mourlot, 357a; Cramer, 111).

Signed “Miró” in pencil l.r., numbered “109/150” in pencil l.l. Color lithograph on paper, sight size 25 x 19 in. (63.4 x 48.2 cm), framed.

Condition: Unobtrusive toning and mat burn, not examined out of frame. $400-600 1028 Joan Miró (Spanish, 1893-1983) Plate from Miró Lithographs I, 1972 (Mourlot, 867; Cramer, 160). Signed “Miró” in pencil l.r., inscribed “H.C.” in pencil l.l. Color lithograph on paper, image size 12 5/8 x 10 1/4 in. (32.0 x 25.8 cm), framed.

Condition: Subtle toning, mat burn, and rippling, faint stain l.l., not examined out of frame. $800-1,200

1029 Joan Miró (Spanish, 1893-1983) Joan Miró. Fotoscop, 1974, from the edition of 1,500 (Mourlot, 938). Signed within the matrix, information from Park West Galleries, Southfield, Michigan, affixed to the backing. Color lithograph on paper, image size 7 5/8 x 15 1/8 in.

(19.3 x 38.2 cm), framed.

Condition: Subtle toning, floated within the mat, not examined out of frame. $600-800 1030 Joan Miró (Spanish, 1893-1983) Sculptures, 1974, published by Maeght Éditeur, Paris, printed by Arte Adrien Maeght, Paris (Mourlot, 950). Signed within the matrix. Color lithograph on paper, image size 16 x 24 in. (40.5 x 60.8 cm), framed.

Condition: Gentle rippling, possible faint mat burn, not examined out of frame.

Fine Art online

1021 Romain de Tirtoff, called Erté (Russian/French, 1892-1990)

N.B. Accompanied by a label from the Collector›s Guild, Ltd., New York. $400-600 1031 LeRoy Neiman (American, 19212012) Polar Bears, 1979, edition of 300, printed by Styria Studio, New York.

Signed “LeRoy Neiman” in pencil l.r., numbered “8/300” in pencil l.l., printer’s dry stamp l.c. Color screenprint on paper, image size 38 1/4 x 28 1/4 in.

(97.0 x 71.5 cm), framed.

Condition: Subtle toning, not examined out of frame. $800-1,200 1032 Mimmo Paladino (Italian, b. 1948) Sguardo a destra, 2000, edition of 100. Signed and dated “M. Paladino 2000” in pencil l.r., numbered “71/100” in pencil l.l. Color etching and aquatint on wove paper, plate size 15 7/16 x 23 1/4 in. (39.0 x 59.0 cm), unmatted, unframed.

Condition: Full margins with deckled edges. $400-600

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1033 Pablo Picasso (Spanish, 1881-1973) Têtes, front cover for Picasso Lithographe I, 1949, edition of 2,500 (see Bloch, 591). Unsigned.

Lithograph on wove paper with “RENAGE” watermark, image size 12 5/8 x 9 1/2 in. (32.0 x 24.0 cm), framed.

Condition: Trimmed from full cover, light-struck, pale mat burn, masking tape and/or residue to entire edge verso, pencil annotations, image bleedthrough, and corrugation staining all to verso. $500-700 1034 After Pablo Picasso (Spanish, 18811973) Peace (Le bouquet), 1958, edition of 200 (see Czwiklitzer, 179). Signed “Picasso” in pencil l.r., signed and dated within the matrix, numbered “108/200” in pencil l.l. Color lithograph on paper, image size 22 1/4 x 15 3/4 in. (56.4 x 39.8 cm), framed.

Condition: Not examined out of frame.

N.B. Accompanied by documentation from Marlin Art, Inc., Deer Park, New York, dated June 1, 1988. $1,200-1,800

Fine Art online

1040 Victor Vasarely (Hungarian/French, 1906-1997)

Dove of Peace, 1961, from the edition of 200 (see Czwiklitzer, 179). Signed “Picasso” in pencil l.r., signed and dated within the matrix, numbered “129/200” in pencil l.l. Color lithograph on paper, image size 18 1/4 x 21 3/4 in. (46.2 x 55.1 cm), framed.

Condition: Not examined out of frame.

Untitled, edition of 150. Signed “Vasarely-” in pencil l.r., numbered “131/150” in pencil l.l. Color screenprint on paper, image size 21 7/8 x 14 5/8 in. (55.5 x 37.0 cm), framed.

Condition: Pinpoint foxing and subtle toning to margins, not examined out of frame. $300-500

N.B. Accompanied by documentation from Marlin Art, Inc., Deer Park, New York, dated January 30, 1986. $1,200-1,800 1037 Ceri Richards (British, 1903-1971) Peu à peu sortant de la brume, 1969, edition of 100. Signed and dated “Ceri Richards 69” in pencil l.r., numbered “26/100” in pencil l.l. Color lithograph on paper, image size 19 7/8 x 19 7/8 in. (50.4 x 50.4 cm), framed.

Condition: Several pale fox marks to lower margin, not examined out of frame. $300-500 1038 Tamami Shima (Japanese, b. 1937)

La Ronde de la Jeunesse, 1961, edition of 200. Signed “Picasso” in pencil l.r., signed and dated within the matrix, numbered “89/200” in pencil l.l.

Color lithograph on paper, image size 19 3/4 x 17 7/8 in. (50.0 x 45.4 cm), framed.

Condition: Not examined out of frame.

Hayashi No Oka (Hilly Forest), 1961, edition of 50. Signed “Tamami Shima” in pencil l.r., chop within the image l.r., numbered, inscribed, and dated “46/50...1961” in pencil l.l., identified in an inscription on the interior of the mat.

Color woodcut on wove paper, image size 14 5/8 x 21 1/4 in. (37.0 x 53.8 cm), framed.

Condition: Margins over 1 inch, subtly light-struck, minor soiling and fox marks to margins. $300-350

N.B. Accompanied by documentation from Marlin Art, Inc., Deer Park, New York, dated November 5, 1985. $1,200-1,800

1039 Victor Vasarely (Hungarian/French, 1906-1997)

1035 After Pablo Picasso (Spanish, 18811973)

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1036 After Pablo Picasso (Spanish, 18811973)

Homage to the Hexagon, 1969, edition of 200. Signed “Vasarely-” in pencil l.r., numbered “111/200” in pencil l.l., identified on a label from Graphics 1 and Graphics 2, Boston, affixed to the backing. Color screenprint on paper, image size 23 3/4 x 23 3/4 in. (60.2 x 60.2 cm), framed.

Condition: Pinpoint foxing and subtle toning to margins, not examined out of frame. $500-700

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1041 Victor Vasarely (Hungarian/French, 1906-1997) VI VA, 1979, total edition of 353.

Signed “Vasarely-” in pencil l.r., numbered “165/275” in pencil l.l. Color screenprint on paper, image size 24 x 24 in. (60.8 x 60.8 cm), framed.

Condition: Gentle rippling, not examined out of frame. $300-500 1042 Marcel Vertès (French, 1895-1961) Simone Frevalles dans La Malibran, 1923, printed by L’Affiche d’Art, Paris.

Signed, dated, and identified within the matrix. Color lithographic poster, image size 47 1/2 x 32 1/8 in. (120.6 x 81.5 cm), framed.

Condition: Minor handling marks, not examined out of frame. $600-800 1043 Attributed to Mathew B. Brady (American, 1822-1896) Soldiers in a Civil War Encampment, early 1860s. “Brady, Washington” preprinted on mount. Albumen silver print, image size 3 7/16 x 2 3/4 in. (8.8 x 7.0 cm), unmatted, unframed.

Condition: Mounted, faded, subtle discoloration and several spots of residue on verso of mount. $400-600 1044 Alfred Stieglitz (American, 18641946) The Old Mill, 1894, from Picturesque Bits of New York and Other Studies, 1897. Identified within the matrix u.l.

Photogravure on paper, image size 11 x 8 in. (27.9 x 20.2 cm), unmatted, unframed.

Condition: Scattered subtle foxing, bend in l.l. corner of sheet. $300-500

1049 Harold E. “Doc” Edgerton (American, 1903-1990)

1053 W. Eugene Smith (American, 19181978)

The Letter Box, 1894, from Picturesque Bits of New York and Other Studies, 1897. Identified within the matrix u.l. Photogravure on paper, image size 7 3/4 x 5 3/4 in.

(19.7 x 14.5 cm), unmatted, unframed.

Condition: Minor soiling on sheet, 1 inch horizontal tear in margin c.l., minor wear at corners, discoloration on verso at right edge. $300-500

Fighting Finches, 1936, printed later.

Signed “Harold Edgerton” in pencil on the verso l.c., inscribed “81.0086” in pencil on the verso l.r. Gelatin silver print, image size 18 x 14 in. (48.8 x 35.5 cm), unmatted, unframed.

Condition: Slightly indented line in l.r. corner, minor crimps in l.l. corner. $700-900

Juanita on Jungle Gym, 1944, printed c. 1950s. “Photograph by W. Eugene Smith” stamped on the verso. Gelatin silver print, image size 8 1/2 x 13 1/2 in. (21.2 x 34.4 cm), matted, unframed.

Condition: Crimp at u.c. of image, crease in l.l. corner of sheet, minor wear at corners and soiling on the verso. $800-1,200

1046 Alfred Stieglitz (American, 18641946) Reflections, Venice, 1897, from Picturesque Bits of New York and Other Studies, 1897. Identified within the matrix u.l. Photogravure on paper, image size 8 3/8 x 11 1/2 in. (21.3 x 29.2 cm), unmatted, unframed.

Condition: Minor discoloration at right edge, sheet trimmed and mounted to foam core support. $500-700 1047 Alfred Stieglitz (American, 18641946) On the Seine, Near Paris, 1897, from Picturesque Bits of New York and Other Studies, 1897. Identified within the matrix u.l. Photogravure on paper, image size 6 5/8 x 10 3/4 in.

(16.8 x 27.3 cm), unmatted, unframed.

Condition: Scattered minor foxing. $300-500 1048 Alphonse Mucha (Czech, 1860-1939) Settings and Models: A Suite of Ten Photographs, c. 1895-1919, printed 1975, edition of 75, published

by Academy Editions and Graphics International, London and Washington, D.C. Each stamped “Mucha” in black ink on the mount l.r., each numbered “64/75” in pencil on the mount l.l.

Gelatin silver prints in a green clamshell box, image sizes to 5 x 6 3/4 in. (12.7 x 17.1 cm), unmatted, unframed.

Condition: Each print is mounted. $800-1,200

1050 Harold E. “Doc” Edgerton (American, 1903-1990) Two Photographs: Fanning the Cards and Cracking the Whip, 1940 and 1972, respectively, both printed later. Both signed “Harold Edgerton” in pencil on the verso l.c. with additional pencil annotations l.r. Gelatin silver prints, image sizes to 9 7/8 x 13 in.

(25.0 x 33.0 cm), unmatted, unframed.

Condition: Good. $1,000-1,500 1051 Arthur Rothstein (American, 19151985) Fairfield, Montana, 1939, printed later.

Stamped “ARTHUR ROTHSTEIN/ PHOTOGRAPH/from the collection of GRACE ROTHSTEIN” in black ink on the verso l.l. with additional pencil annotations. Gelatin silver print, image size 13 5/8 x 9 in. (34.5 x 22.8 cm), matted, unframed.

Condition: Good.

N.B. In 1936, at the young age of 21, Arthur Rothstein became the first photographer hired by Roy Stryker of the federal government’s Resettlement Administration to document the effects of the Great Depression on struggling families, as well as that agency’s efforts to alleviate the economic problems facing the nation. $1,000-1,500

1054 Aaron Siskind (American, 1903-1991) Maine, 1949, printed later. Titled and dated l.l., numbered “ap” l.c., and signed “Aaron Siskind” l.r., each in pencil below the image. Platinum print, image size 4 5/8 x 6 5/8 in. (11.8 x 16.8 cm), unmatted, unframed.

Condition: Sheet with deckled edges.

Fine Art online

1045 Alfred Stieglitz (American, 18641946)

Provenance: Collection of Clary Healy, Providence, Rhode Island. $500-700 1055 Aaron Siskind (American, 1903-1991) Chicago 10, from the portfolio Chicago Facades 1952-1960, 1957, edition of 19, printed in 1985 by Palm Press, Inc., Littleton, Massachusetts.

Signed “Aaron Siskind” in black ink below the image l.r., titled, dated, and numbered “...9/15” in black ink below the image l.l. Gelatin silver print, image size 15 3/8 x 21 1/2 in. (39.0 x 52.0 cm), unmatted, unframed.

Condition: Good. $1,000-1,500

1052 Hyman Hirsch (American, 19111961) On the Swings at the Amusement Park, c. 1940. Stamped “Photography

by Hy Hirsch” in blue ink on the verso l.r. Gelatin silver print, image size 7 3/8 x 9 3/8 in. (18.7 x 21.2 cm), matted, unframed.

Condition: Minor crease in u.l. corner. $700-900

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1056 W. Eugene Smith (American, 19181978)

1058 Dorothea Lange (American, 18951965)

Pittsburgh, 1955-56, printed c.

1950s. W. Eugene Smith credit and copyright stamps and additional pencil annotations on the back of the mount.

Gelatin silver print, image/sheet size 13 5/8 x 8 3/4 in. (34.6 x 22.3 cm), matted, unframed.

Condition: Mounted, unobtrusive crease l.l., scattered minor losses at edges.

Two Photographs of the Royal Tombs of the Joseon Dynasty, Korea, 1958-59. Identified in ink on the verso u.l. and l.l. of one of the prints. Gelatin silver prints, image sizes to 13 1/8 x 10 1/2 in. (33.4 x 26.6 cm), unmatted, unframed.

Condition: Crimps and creases at corners of sheets.

N.B. The noted American photographer W. Eugene Smith worked on and off for Life magazine from the late 1930s until 1955 when he resigned over editorial differences.

That same year he began a threeweek commission to produce 100 photographs commemorating Pittsburgh’s bicentennial. Inspired by the city as a window into the complexities of 1950s America, Smith ultimately spent a year there during which time he made over 17,000 photographs. $800-1,200 1057 Dorothea Lange (American, 18951965) Ireland, 1954, printed later. Gelatin silver print, image/sheet size 10 1/2 x 13 1/2 in. (26.8 x 34.3 cm), unmatted, unframed.

Condition: Mounted, unobtrusive brownish discoloration at left and right edges, creases at u.r. and minor wear at corners.

Fine Art online

Provenance: Descended within the family of the artist. $800-1,200

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Provenance: Descended within the family of the artist.

N.B. In 1958 and 1959 Lange accompanied her husband Paul S. Taylor, who was working as a government economics consultant, throughout Europe and Asia, including Korea, where she photographed the Royal Tombs of the Joseon Dynasty.

The inscriptions on the verso are in Taylor’s hand. $1,000-1,500 1059 Jim Marshall (American, 1936-2010) Jimi Hendrix, c. 1967. Gelatin silver print, image size 8 1/2 x 12 in. (21.6 x 30.5 cm), matted, unframed.

Condition: Crease in the u.r. corner of the image. $800-1,200 1060 Linda McCartney (American, 19441998) Five Photographs of the Grateful Dead, including two portraits taken in Haight Ashbury, San Francisco, and three concert scenes in Central Park, New York, 1968, printed later.

All with MPL Communications Linda McCartney stamp with number annotations in ink on the versos l.c.

Gelatin silver prints, image sizes to 6 x 8 3/4 in. (15.2 x 22.2 cm), matted, unframed.

Condition: Slight rippling to sheets, scattered minor handling crimps.

N.B. The Grateful Dead band members depicted include Jerry Garcia, Bob Weir, Ron “Pigpen” McKernan, Bill Kreutzmann, Phil Lesh, and Mickey Hart. $1,500-2,500

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1061 John Pfahl (American, b. 1939) Two Photographs: Moonrise over Pie Pan, Capitol Reef National Park, Utah and Monument Valley with Red String, Utah, from the series Altered Landscapes, both 1977. Moonrise signed and dated “John Pfahl...” in black ink with pencil annotations on the verso l.c., Monument signed and dated “Pfahl...” in black ink with pencil annotations on the verso l.c. Dye transfer print and chromogenic print, respectively, images sizes to 7 7/8 x 10 in. (20.0 x 25.5 cm), matted, unframed.

Condition: Good. $500-700 1062 Sheila Metzner (American, b. 1939) Michal, Breast, 1984. Blindstamped “Sheila Metzner/Photograph/MichelFresson print” l.c., signed, numbered, and dated “Sheila Metzner Two of Two...” in pencil on the verso along the bottom edge, titled in pencil on the verso u.r. Fresson (pigment) print, image size 15 7/8 x 10 3/4 in. (40.3 x 27.3 cm), matted, framed.

Condition: Good. $1,000-1,500 1063 Edward Batcheller (American, 20th/21st Century) Geese, 1998. Photo emulsion, glass, and steel, sight size 18 1/2 x 24 in.

(47.0 x 61.0 cm), unframed.

Condition: Dust to the interstices, scattered area of rust, one nut missing from bottom of one of the panels. $800-1,200 1064 Meg Governo (American, 20th/21st Century) Two Works: Eyes Open; Eyes Shut.

Unsigned. Offset on acetate (or similar) mounted to canvas, image sizes 18 5/8 x 28 in. (47.2 x 71.0 cm), framed.

Condition: Tears to supporting canvas along upper edges of acetate on both, not examined out of frames. $600-800

Portrait of a Gentleman with Embroidered Waistcoat Initialed “cH” u.l.

Oil on canvas, 30 x 25 in. (76.2 x 63.5 cm), framed.

Condition: Lined, minor retouch, small abrasion l.l., craquelure, surface grime. $1,200-1,800 1066 School of John Hoppner (British, 1758-1810) Portrait of a Young Lady Unsigned, titled on a presentation plaque.

Oil on canvas, 32 3/4 x 27 1/2 in. (83.0 x 69.8 cm), framed.

Condition: Lined, skinning with probable retouch, prevalent craquelure, and surface grime. $2,000-3,000 1066A Italian School, 18th Century Tobias and the Angel at the River Tigris Unsigned.

Oil on canvas, 43 3/4 x 58 1/8 in. (88.0 x 147.5 cm), unframed.

Condition: Lined, retouch, restored tears, areas of thin pigment, fine, stable craquelure. $1,200-2,200 1067 After Thomas Lawrence (British, 1769-1830) Head and Shoulders Portrait of Sir Thomas Lawrence Unsigned, inscribed “Sir-Thomas Lawrence/an English-court Artist.../ Feb. 12-89” on the reverse.

Oil on canvas, 24 x 20 in. (61.0 x 51.0 cm), framed.

Condition: Minor retouch, small tear l.r. corner, fine, stable craquelure.

N.B. The original Lawrence oil selfportrait of this period is an unfinished canvas c. 1825, now in the collection of the Royal Academy in London; it was frequently copied by Lawrence’s students.

We would like to thank the National Portrait Gallery, London, for their assistance with the research for this lot. $800-1,200

1068 Mariano Fortuny (Spanish, 18381874) Woodsman with a Hatchet Signed “Fortuny” l.c., with a red wax collector’s seal on the frame backing.

Watercolor on paper, 11 3/8 x 8 1/2 in. (29.0 x 21.7 cm), in a shadow box frame.

Condition: Toning, acid burn, rippling, nicks and losses to the edges of the sheet, affixed at two corners to paperboard backing. $1,500-2,000 1069 Continental School, 19th Century Woman with Parasol Unsigned Oil on canvas, 24 1/2 x 20 in. (62.2 x 50.8 cm), framed.

Condition: Patch reinforcements, retouch, and surface craquelure. $1,000-1,500 1070 William Edward Norton (American, 1843-1916) Normandy Signed and dated “W.E. Norton 81” l.r., with labels from J. Eastman Chase, Boston, and Chapellier Galleries, Inc., New York, affixed to the back of the frame.

Oil on paper mounted to panel, 7 x 9 3/4 in. (17.7 x 24.7 cm), framed.

Condition: Warping to support, minor surface grime. $800-1,200 1071 Joseph Foxcroft Cole (American, 1837-1892) Cathedral at Moret, France, 1872 Signed “J. Foxcroft Cole” l.r., identified on a label from Adelson Galleries, Inc., Boston, affixed to the stretcher.

Oil on canvas, 15 x 18 3/4 in. (38.0 x 47.5 cm), framed.

Condition: Lined, scattered retouch, areas of fine, stable craquelure. $800-1,200

1072 Giovanni Filosa (Italian, 1850-1935) Gallery Views of Pitti Palace Signed “Giov Filosa” l.r., label from Didier Aaron, New York, affixed to the reverse.

Watercolor on paper mounted on canvas, 35 1/2 x 49 1/4 in. (90.0 x 125.0 cm), framed.

Condition: Water stains l.c., not examined out of frame.

N.B. Accompanied by an invoice from Didier Aaron Inc. dated June 4, 1982. $4,000-6,000 1073 Constantin Meunier (Belgian, 18311905)

Fine Art online

1065 British School, 18th/19th Century

Allegorie du Feu (ou “Forge” Projet) Unsigned, identified on a label affixed to the reverse.

Oil on canvasboard, 9 1/2 x 12 1/2 in.

(24.2 x 31.8 cm), framed.

Condition: Minor surface grime. $700-900 1074 Continental School, 18th/19th Century Young Woman with Flowers in Her Hair Unsigned.

Pastel on paper/board, 22 1/4 x 18 1/2 in. (56.0 x 46.5 cm), framed.

Condition: Bowing to the support, not examined out of frame. $800-1,200 1075 Sir Frank Brangwyn (British, 18671956) A Monk Unsigned, identified on a Fine Art Gallery, Ltd., London, label on the backing.

Ink, charcoal, and gouache on paper, image size 14 1/2 x 7 1/2 in. (36.8 x 19.0 cm), matted, framed.

Condition: Sheet taped to overmat on the verso. $300-500 1076 Louis Charles Verboeckhoven (Belgian, 1802-1889) Two Ships at Sea Signed “Louis Verboeckhoven” l.r.

Oil on panel, 4 3/4 x 6 3/4 in. (12.0 x 17.0 cm), framed.

Condition: Surface grime. $1,000-1,500

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89

1077 Wesley Elbridge Webber (American, 1841-1914)

1082 John Williamson (American, 18261885)

1087 Ross Sterling Turner (American, 1847-1915)

Moonlit Sailing Signed “WESLEY WE...” l.l.

Oil on canvas, 24 x 20 1/4 in. (61.0 x 55.5 cm), framed.

Condition: Patch reinforcements, retouch, craquelure, surface grime. $1,000-1,500

Crawford Landing, New York, 1852 Initialed and dated “JW 52” l.l., titled on the reverse of the frame.

Oil on panel, 10 x 14 in. (25.4 x 35.5 cm), framed.

Condition: Good. $1,000-1,500

Mexico Street Scene Signed, dated, and inscribed “ROSS TURNER 93 Mexico” l.l.

Watercolor on paper, sight size 12 1/4 x 18 in. (31.0 x 45.7 cm), framed.

Condition: Not examined out of frame. $800-1,200

1078 Elizabeth Hunt Barrett (American, 1863-1955)

1083 Charles Warren Eaton (American, 1857-1937)

1088 Howard Russell Butler (American, 1856-1934)

Sunset Landscape with Barn and Cows Signed “E. Hunt Barrett” l.l.

Oil on canvas, 17 x 27 in. (43.2 x 68.5 cm), framed.

Condition: Minor surface grime, craquelure. $1,000-1,500

Snowy Landscape at Dusk Signed and dated “CHAS. WARREN EATON/1890” l.l.

Watercolor on paper, sight size 11 1/2 x 8 in. (29.3 x 20.4 cm), framed.

Condition: Not examined out of frame. $800-1,200

American West Landscape with Tree Signed “R.H. Butler” l.r.

Oil on canvasboard, 10 1/4 x 14 1/4 in.

(26.0 x 36.3 cm), framed.

Condition: Surface grime.

1079 Wesley Elbridge Webber (American, 1841-1914) Loading Hay Signed “Wesley Webber” l.l.

Oil on canvas, 18 x 27 in. (45.7 x 68.5 cm), framed.

Condition: Possible varnish discoloration, minor surface grime, subtle stretcher bar marks. $1,800-2,200

Fine Art online

1080 Attributed to Gustave Wiegand (German/American, 1870-1957)

90

Evening/Shepherd and Flock on a Path at Dusk Signed faintly and perhaps dated “G. Wiegand/...” l.r., identified as “58.

Evening, Wiegand, Paris.../pupil of C. Daubigny” on a printed paper fragment affixed to the stretcher.

Oil on canvas, 12 5/8 x 17 in. (32.0 x 43.0 cm), in a period frame.

Condition: Scattered paint losses, craquelure, canvas deformation, discolored varnish, surface grime. $800-1,200

1084 Attributed to George Lambdin (American, 1830-1896) Informal Floral Bouquet Unsigned, with a label suggesting the history of the panel affixed to the reverse.

Oil on panel, 14 x 6 3/8 in. (35.5 x 16.0 cm), framed.

Condition: Good.

N.B. The label on the reverse indicates that the wood panel is from the organ for “the church in Brattle Square” which was commissioned in 1794 and disassembled in 1872 when the old edifice was taken down. $800-1,200 1085 George Henry Boughton (American, 1833-1905) Young Peasant Girl Signed “G.H. Boughton” c.l.

Pastel on gray paper, 17 3/8 x 12 3/8 in. (44.0 x 31.5 cm), framed.

Condition: Sheet laid down on paperboard support, toning. $500-700

1081 George Herbert McCord (American, 1848-1909)

1086 John Clinton Spencer (American, 1861-1919)

Sunrise Over the Bay Signed “G.H. McCord” l.r.

Pastel on paper, 13 1/2 x 19 in. (34.2 x 48.2 cm), framed.

Condition: Not examined out of frame. $700-900

Raspberries in a Basket Signed and dated “J.C. Spencer/914” l.l.

Oil on canvas, 9 x 12 in. (22.9 x 30.8 cm), framed.

Condition: Lined, retouch. $800-1,200

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Provenance: By descent within the family of the artist. $800-1,200 1089 Charles Damrow (American, 19161989) Landscape with Teepee and Native American Indians Signed “CHARLES DAMROW” l.r.

Oil on canvas, 24 x 36 in. (61.0 x 91.5 cm), framed.

Condition: Minor puncture c.r., slight retouch, surface grime. $1,000-1,500 1090 Julian Robles (American, b. 1933) Harvest Prayer Dance, Santa Clara Signed “Julian Robles © TAOS” l.l., with a printed label “JULIAN ROBLES, Harvest Prayer, Santa Clara, ‘77” on the reverse.

Oil on canvas, 24 x 36 in. (61.0 x 91.5 cm), framed.

Condition: Minor canvas warping and craquelure. $1,500-2,500 1091 Leonard Howard Reedy (American, 1899-1956) Two Works: Attack on a Wagon and Circling the Wagons Both signed “LEONARD H. REEDY” l.l.

Watercolors on paper, sight sizes to 7 1/2 x 10 3/4 in. (19.0 x 27.3 cm), framed.

Condition: Not examined out of frames. $800-1,200

1097 Attributed to Julius Curter (Austrian, 1886-1963)

1102 Joseph H. Greenwood (American, 1857-1927)

The Brave Signed “Gordon Coutts” l.r.

Oil on canvas, 30 x 23 in. (76.2 x 58.4 cm), framed.

Condition: Surface grime.

Canal in Venice Signed “JCurter” l.r.

Oil on canvas, 27 1/8 x 22 in. (69.0 x 56.0 cm), framed.

Condition: Surface grime. $700-900

Sun Setting on an Autumn Landscape Signed and dated “JHGreenwood 05” l.l., a label from the Worcester Art Museum affixed to the reverse.

Oil on canvas, 30 x 37 1/2 in. (76.2 x 95.2 cm), framed.

Condition: Puncture l.r., surface grime, canvas deformation l.l., scattered craquelure. $1,000-1,500

N.B. The sitter is probably Elk Foot of the Taos tribe. He also modeled for Irving Couse. $1,500-2,500 1093 Harold Harrington Betts (American, 1881-1951) Portrait of a Navajo Drummer Signed “H H Betts” l.l.

Oil on canvas, 39 5/8 x 31 1/4 in. (99.5 x 79.3 cm), framed.

Condition: Lined onto Masonite, retouch, surface abrasions u.l., small punctures u.l. and u.r., craquelure. $2,000-3,000 1094 Shirley Thomson Smith (American, b. 1929) Seated Native American Woman Dated, signed, and numbered “© 88 S.T. SMITH 3/15” on lower edge of figure.

Bronze with varied patination, 12 x 23 x 10 in. (30.4 x 58.4 x 25.4 cm), mounted on a wood plinth.

Condition: Minor dust and dirt to interstices. $1,000-1,500 1095 Joe Beeler (American, 1931-2006) American Indian Portrait Signed “JOE BEELER” l.l.

Watercolor and ink on paper, 16 3/4 x 13 in. (42.5 x 33.0 cm), unframed.

Condition: Toning, slight staining. $600-800 1096 George Loftus Noyes (American, 1864-1954) Canal and Harbor, Venice Signed “G.L. Noyes” l.l.

Watercolor on paper, sight size 10 x 14 1/2 in. (25.4 x 36.8 cm), framed.

Condition: Possible toning, not examined out of frame. $800-1,200

1098 Colin Campbell Cooper (American, 1856-1937) European Hill Town Signed “C.C. Cooper” l.l.

Oil on canvas, 11 x 14 in. (28.0 x 35.5 cm), framed.

Condition: Retouch to sky, craquelure, surface grime. $1,000-1,500 1099 Elizabeth Rupp Withington (American, 1880-1962) On the Village Steps Signed “Elizabeth R. Withington” l.l.

Oil on canvas, 30 x 24 in. (76.0 x 61.0 cm), framed.

Condition: Canvas deformation at corners, minor surface grime. $800-1,200 1100 Henry Harmony (American, 20th Century) When Nobility Meets Dedicated and signed “To my friend Ed. Groh/Marquis de Fougeron/H. Harmony” l.r., titled l.c.

Ink and watercolor on illustration board, 19 7/8 x 29 1/2 in. (50.5 x 75.0 cm), framed.

Condition: Toning, staining, not examined out of frame. $3,000-5,000 1101 Marian Parkhurst Sloane (American, 1876-1954) From a Hilltop Signed “Marian P. Sloane” l.r., titled on a label from the Guild of Boston Artists attached to the backing.

Oil on canvas, 20 x 25 in. (50.8 x 63.5 cm), framed.

Condition: Good. $700-900

1103 Henry Orne Rider (American, 18601943)

Fine Art online

1092 Gordon Harrower Coutts (American, 1868-1937)

The Passing Shower Early Autumn/ An Early Auburndale Scene Signed and dated “HENRY ORNE RIDER/-1937-” l.r., titled and signed “.../Painted by HENRY ORNE RIDER” on the reverse.

Oil on canvas, 25 x 30 3/16 in. (63.5 x 76.8 cm), framed.

Condition: Scattered paint losses, craquelure with areas of flaking, primarily to the sky. $800-1,200 1104 Attributed to William Lester Stevens (American, 1888-1969) Chapel Falls, Conway, Mass Signed or inscribed “W. LESTER STEVENS” l.r. and identified in inscriptions on the reverse.

Oil on board, 17 x 19 in. (43.2 x 48.2 cm), framed.

Condition: Good. $800-1,200 1105 Leighton Cram (American, 18951981) The Red House Signed “L.R. Cram” l.l.

Oil on board, 15 1/2 x 20 in. (39.3 x 50.8 cm), framed.

Condition: Good. $800-1,200

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91

1106 Walter Koeniger (American, 18811943) Summer Landscape with River and Bridge Signed “W. Koeniger” l.r.

Oil on canvas, 31 7/8 x 31 7/8 in. (81.0 x 81.0 cm), framed.

Condition: Retouch, craquelure, surface grime. $2,000-3,000 1107 Antal Neogrady (Hungarian, 18611942) Hunter and Dog in a Snowy Wood Signed “Neogrady A” l.r.

Oil on canvas, 23 5/8 x 31 1/2 in. (60.0 x 80.0 cm), framed.

Condition: Puncture, patch reinforcements, probably old retouch, canvas deformation, surface grime. $800-1,200 1108 Peter Poskas (American, b. 1939) Winter Landscape with Farm Signed “Poskas” l.l.

Oil on canvasboard, sight size 5 1/8 x 6 3/8 in. (13.0 x 16.2 cm), framed.

Condition: Good. $800-1,200 1109 Laszlo Neogrady (Hungarian, 18961962)

Fine Art online

Wintery Forest Signed “Neogrady Laszlo” l.r.

Oil on canvas, 24 x 36 in. (61.0 x 91.5 cm), framed.

Condition: Good.

92

Provenance: Purchased from the J.J. Gillespie Company Fine Art Galleries, Pittsburgh, by descent to the current owner. $1,200-1,800

1110 Adam Cvijanovic (American, b. 1960) Three Harvest Landscapes: Pyramid of Apples Before an Orchard, Hay Bales, and Pyramid of Pumpkins Apples and Pumpkins signed and dated “Adam/Cvijanovic/98” on the reverse, Hay Bales unsigned.

Each oil on canvas, 40 x 30 in. (101.5 x 76.0 cm), unframed.

Condition: All with paint losses, craquelure with areas of flaking, surface abrasions and grime; Apples with puncture and dents.

Provenance: Harvest Restaurant, Harvard Square, Cambridge, Massachusetts. $2,500-3,500 1111 Marion P. Howard (American, 18831953) Landscape with Brook Signed “Marion Howard” l.r.

Oil on canvas, 17 x 21 in. (43.2 x 53.3 cm), in a hand-embellished frame.

Condition: Minor surface grime, small area of lifting paint and loss l.c. $400-600 1112 Elizabeth B. Robb (American, 18641939) Cliffside Boathouse Monogrammed at center, identified on a label affixed to the stretcher.

Oil on canvas, 25 x 30 in. (63.4 x 76.0 cm), framed.

Condition: Surface grime, small puncture and subtle canvas deformation at center, water damage visible on the reverse. $800-1,200 1113 Morris Hall Pancoast (American, 1877-1963) Gloucester Harbor Signed “Morris Hall Pancoast” l.l., titled and signed on the reverse.

Oil on board, 8 x 10 in. (20.3 x 25.4 cm), framed.

Condition: Minor surface grime, small paint loss in green boat l.r. $400-600

1114 C. Hjalmar “Cappy” Amundsen (American, 1911-2001) Boats and Boathouse Signed “H. Amundsen” l.r., dated and signed “9/28/74 S.H. Amundsen” on the reverse.

Oil on canvas, 24 x 36 in. (60.9 x 91.4 cm), framed.

Condition: Minor craquelure. $1,500-2,500 1115 C. Hjalmar “Cappy” Amundsen (American, 1911-2001) Harbor with Boats and Houses Signed “H. Amundsen” l.l.

Oil on canvas, 24 x 36 in. (60.9 x 91.4 cm), framed.

Condition: Minor craquelure. $1,500-2,500 1116 Anthony Thieme (American, 18881954) Doorway in Dappled Summer Sunlight Signed “AThieme” l.r.

Oil on canvas mounted to paperboard, 15 3/4 x 12 in. (40.0 x 30.4 cm), framed.

Condition: Minor separation of canvas layer from support at u.r. corner, minor paint losses. $1,000-1,500 1117 Continental School, 20th Century Village Scene with Cows and Farmer Signed indistinctly l.r.

Watercolor on paper, image/sheet size 14 3/8 x 21 1/2 in. (36.5 x 54.6 cm), framed.

Condition: Mounted on paperboard. $300-500 1118 Walter Griffin (American, 1861-1935) Landscape, Longpré, France Signed “Griffin” l.r., identified, titled, and with a label from the Lyman Allyn Museum on the backing.

Pastel on paper, sight size 12 x 15 1/8 in. (30.5 x 38.4 cm), framed.

Condition: Not examined out of frame.

N.B. Accompanied by a copy of the Vose Galleries catalog Walter Griffin, American Impressionist (1861-1935). $400-600

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1123 Nikol Schattenstein (Russian/ American, 1877-1954)

1127 Pal Fried (Hungarian/American, 1893-1976)

Tower at Rouen Signed “Pierre Dumont” l.l.

Oil on canvas, 28 1/2 x 19 1/2 in. (72.3 x 49.5 cm), framed.

Condition: Craquelure, subtle canvas deformation u.l. and l.r., paint loss u.r., minor surface grime. $1,000-1,500

Portrait of a Brother and Sister Signed “Nikol Schattenstein N.Y.” l.r.

Oil on canvas, 40 x 30 in. (101.5 x 76.2 cm), framed.

Condition: Minor surface grime, lined.

Suzanne Signed “FRIED PAL” l.l., titled on the reverse.

Oil on canvas, 30 x 24 in. (76.2 x 59.9 cm), framed.

Condition: Minor surface grime. $1,500-2,000

1120 Arthur Clifton Goodwin (American, 1863-1929) Double-sided Work: Night Street Scene/Harbor Wharf Signed “A C Goodwin” l.l. of Harbor.

Pastel on paper, 22 5/8 x 17 1/2 in.

(57.5 x 44.5 cm), framed.

Condition: Subtle toning, not examined out of frame. $700-900 1120A Sol Wilson (American, 1896-1974) Workers at a Wharf, Provincetown Signed “Sol Wilson” l.l.

Gouache on paper/board, sight size 21 1/8 x 25 7/8 in. (53.8 x 65.7 cm), framed.

Condition: Not examined out of frame. $800-1,200 1121 Carl Johan Nordell (American, 18851957) The Artist’s Wife Signed “Carl J. Nordell” l.l.

Oil on canvas, 40 x 32 in. (101.6 x 81.5 cm), framed.

Condition: Lined, scattered minor retouch, stable craquelure. $1,000-1,500 1122 Philip Alexius de László (Hungarian, 1869-1937) Portrait of an Elegant Woman, Possibly Mme. H.S. Lehr Signed, dated, and inscribed “de Laszlo/1934.vi.P...” l.l., numbered and inscribed “...Mme. H.S. Lehr” on a gummed label affixed to the stretcher.

Oil on canvas, 54 1/2 x 37 1/2 in.

(138.0 x 95.5 cm), framed.

Condition: Surface grime. $4,000-6,000

N.B. The portrait depicts the painting’s owner as a little girl. $1,200-1,800 1124 George Lance (British, 1802-1864) Still Life with an 18th Century English Stoneware Hunt Jug and Braided Onions on a Stone Table Unsigned, inscribed “LANCE/GIVEN

BY LANCE TO W.A. NESFIELD/...” on the reverse.

Oil on canvas, 15 1/2 x 12 1/4 in. (39.5 x 31.0 cm), framed.

Condition: Lined, retouch, fine, stable craquelure. $1,000-1,500 1125 Robert Douglas Hunter (American, 1928-2014) Black, Tan, and Gray Signed and dated “ROBERT DOUGLAS HUNTER ‘78” l.r., identified on a label from the Guild of Boston Artists affixed to the back of the frame.

Oil on canvas, 15 x 25 in. (38.2 x 63.5 cm), framed.

Condition: Good. $1,200-1,800 1125A Robert Douglas Hunter (American, 1928-2014) Still Life with Flowers in a Cobalt Blue Vase Signed and dated “ROBERT DOUGLAS HUNTER ‘99” l.r.

Oil on canvas, 20 x 16 in. (51.0 x 40.5 cm), framed.

Condition: Good. $1,000-1,500

1128 Itzchak (Isaac) Tarkay (Israeli, 19352012) Untitled (Waiting) Signed “Tarkay” l.l., titled on a certificate affixed to the reverse.

Watercolor and ink on paper, 11 x 14 in. (28.0 x 35.6 cm), framed.

Condition: Not examined out of frame.

Fine Art online

1119 Pierre Jean Baptiste Louis Dumont (French, 1884-1936)

N.B. Accompanied by a certificate of authentication from Nathan Daniel Isen, Purveyors of Fine Art, Philadelphia. $1,200-1,800 1129 Gregorio Prestopino (American, 1907-1984) Jewish Man and Tenement Buildings Signed “Prestopino” l.r.

Ink on paper, sheet size 26 x 19 1/2 in.

(66.0 x 49.5 cm), matted, unframed.

Condition: Deckled edges to two sides, subtle toning. $300-500 1130 Continental School, 20th Century Half-length Nude Signed “Domán Y” u.r.

Oil on canvas, 24 x 20 in. (60.8 x 50.8 cm), framed.

Condition: Minor retouch, craquelure, surface grime. $800-1,200

1126 Robert Douglas Hunter (American, 1928-2014) Still Life with Ceramic and Brass Vessels, Fruit, and Flowers Signed and dated “ROBERT DOUGLAS HUNTER ‘03” l.l.

Oil on canvas, 28 x 48 in. (71.0 x 122.0 cm), framed.

Condition: Good. $2,000-3,000

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1131 Gladys Rockmore Davis (American, 1901-1967) Torso Initialed “G.R.D.” l.l.

Pastel on gray paper, sight size 25 x 18 3/4 in. (63.5 x 47.5 cm), framed.

Condition: Not examined out of frame.

Provenance: From the collection of Ruth Creighton, gift to the parents of the consignor c. 1958-60, to the current owner by family descent.

Literature: Gladys Rockmore Davis, Pastel Painting (New York: Plantin Press, 1943), ill. p. 36.

N.B. A photocopy of the illustration in Pastel Painting accompanies the lot. $800-1,200 1132 Max Weber (American, 1881-1961) Still Life: Fruit and Bowl Signed and dated “MAX WEBER 1910” l.r., titled on an accompanying bill of sale.

Watercolor on paperboard, 5 7/8 x 6 7/8 in. (14.8 x 17.5 cm), framed.

Condition: Minor toning and soiling, affixed to paperboard support along top edge of the reverse.

Provenance: Private collection, to Steven Thomas, Inc., Woodstock, Vermont, through to the current owner. $1,200-1,800

Fine Art online

1133 Arthur J. Lyons (English, fl. 19111921)

94

Pierrette Signed and dated “Arthur J. Lyons 15” l.l., label from Redfern Gallery, London, on the reverse.

Oil on canvas, 35 x 28 in. (88.9 x 71.1 cm), framed.

Condition: Scattered retouch in bouquet, small area l.l., signature enhanced. $800-1,200 1134 Alice Mongeau (American, 20th/21st Century) Gramp’s Garden Signed “Mongeau” l.r., signed “Alice Mongeau” on the reverse, identified on a label affixed to the frame.

Oil on Masonite, 15 7/8 x 20 in. (40.3 x 51.0 cm), framed.

Condition: Good. $800-1,200

1135 Terri Priest (American, 1928-2014)

1140 Judy Rifka (American, b. 1945)

Vermeer Fragment: Shadow (Woman with a Water Pitcher) Signed, titled, and inscribed “T. Priest/...” on the reverse.

Oil on panel, 24 x 24 in. (60.7 x 60.7 cm), unframed.

Condition: Minor wear to corners.

Aphrodisian Fragments II Signed and dated “Rifka ‘89” in pencil l.r., identified on a label from Brooke Alexander Gallery, New York, affixed to the backing.

Acrylic, ink, and collage on painted and lithographed paper, sheet size 30 x 22 5/8 in. (76.2 x 57.4 cm), framed.

Condition: Deckled at bottom edge, floated in frame, not examined out of frame. $500-700

Provenance: Estate of the artist, Worcester, Massachusetts. $800-1,200 1136 Petr Vassilievitch Pavlov (Russian, b. 1937) Portrait of Military Figure in Red Shirt and Hat with Red Star Signed indistinctly l.r., dated “1965” and inscribed in Russian on the reverse.

Oil on canvas, 35 1/2 x 27 in. (90.0 x 68.5 cm), framed.

Condition: Good. $1,000-1,500 1137 Charles Henry Turner (American, 1848-1908) Portrait of a Girl with a Red Head Covering Signed and dated “C.H. Turner/Feb 06” l.r.

Pastel on paper, sight size 16 3/8 x 11 5/8 in. (41.5 x 29.5 cm), framed.

Condition: Not examined out of frame. $300-500 1138 Nikol Schattenstein (Russian/ American, 1877-1954) The Grandparents Signed “Nikol. Schattenstein NY. AP.M.” u.r.

Oil on canvas, 30 x 38 in. (76.0 x 96.5 cm), framed.

Condition: Scattered minor losses/ accretions u.c., small dimple/ depression c.l., minor surface grime.

N.B. The sitters are the grandparents of the painting’s owner. $800-1,200 1139 Giancarlo Isola (Italian, b. 1927) Il Drappo Bianco Signed “G. Isola” l.r., with a label from Findlay Galleries, Chicago, on the reverse.

Oil on canvas, 27 3/4 x 36 in. (70.5 x 91.5 cm), framed.

Condition: Craquelure. $800-1,200

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1141 No lot.

1142 Masami Teraoka (Japanese/ American, b. 1936) Erotic Ménage à Trois Signed “Masami Teraoka” in ink on the reverse.

Ink and gouache on paper, 9 x 12 in.

(22.8 x 30.4 cm), matted, unframed.

Condition: Good. $2,000-3,000 1143 Zoran Mušic (Slovene, 1909-2005) Hilly Landscape Signed “MUSIC” in pencil l.c.

Ink wash and gouache en grisaille on paper, 5 1/4 x 7 1/4 in. (13.0 x 18.5 cm), framed.

Condition: Toning, tear/cut to u.r. edge, tape and glue stains, creasing, not examined out of frame. $700-900 1144 Joseph Norman (American, b. 1957) Urban Garden I Signed and dated “Norman Aug 89” l.l., titled on an unattributed label affixed to the frame backing.

Oil on paper, 50 x 40 in. (127.0 x 101.3 cm), framed.

Condition: Not examined out of frame.

Provenance: Acquired from the artist. $500-700

1151 Ger Lataster (Dutch, 1920-2012)

1154 Red Grooms (American, b. 1937)

Static Variations: Green Square in Five Panels Signed and dated “T. Priest 72.” on each stretcher.

Acrylic on canvas, sizes to 24 x 48 in.

(60.9 x 121.9 cm), unframed.

Condition: Good.

Bouquet d’Air Signed and dated “Glataster ‘61” l.r., identified on a label from Galerie Paul Facchetti, Paris, affixed to the stretcher.

Oil on canvas, 16 x 19 1/2 in. (40.6 x 49.5 cm), framed.

Condition: Surface grime, craquelure, scattered losses. $800-1,200

The Great Transaction (In Two Parts) Signed and dated “Red Grooms/75-81” on the base of the figure on the far right, titled, dated, and inscribed “The Great Transition/1981/ Red Grooms/...” on a plywood plaque.

Mixed media sculpture, height to 78 in.

(198 cm), base 138 x 33 1/2 in. (350.5 x 85.1 cm).

Condition: Part of the platform on the right side has been replaced.

Provenance: Estate of the artist, Worcester, Massachusetts. $1,000-1,500

1151A Maurice Day (American, 1892-1983) 1146 Terri Priest (American, 1928-2014) Aurora Series IX Signed, titled, and dated “Aurora Series IX/T. Priest 1974” on the reverse.

Acrylic on canvas, 60 x 42 in. (152.4 x 106.6 cm), unframed.

Condition: Abrasion in one corner.

Provenance: Estate of the artist, Worcester, Massachusetts. $800-1,200 1147-1148 No lots.

1149 William Horace Littlefield (American, 1902-1969) Abstract Composition Signed and dated “Wm. H. Littlefield/ March 7, 1955.” u.r.

Watercolor and gouache on paper/ board, sight size 21 1/2 x 15 1/2 in.

(54.8 x 39.5 cm), framed.

Condition: Not examined out of frame. $200-400 1150 Yutaka Ohashi (Japanese/American, 1923-1989)

Turtle Caravan with Woodland Creatures Signed “MAURICE/DAY” l.l.

Watercolor on paper/board, sight size 13 3/4 x 18 5/8 in. (35.0 x 47.2 cm), framed.

Condition: Pale toning, not examined out of frame. $800-1,200 1152 American School, 20th Century Abstract Expressionist Composition Unsigned.

Acrylic on paper, 30 x 22 1/4 in. (76.2 x 56.5 cm), framed.

Condition: Tack holes in three corners, attached at intervals to backing mat, not examined on the reverse. $300-500 1153 American School, 20th Century Untitled Abstraction Unsigned.

Oil on canvas, 18 x 24 in. (45.7 x 61.0 cm), framed.

Condition: Surface grime, minor craquelure, small abrasion/loss at center and u.r. $800-1,200

N.B. This work depicts the historic sale of the island of Manhattan, probably by the Lenape people, to Peter Minuit and a group of Dutch colonials on May 24, 1626. $10,000-15,000

Fine Art online

1145 Terri Priest (American, 1928-2014)

1155 Jean Calogero (Italian/American, 1922-2001) Surrealist Circus Signed “Jean Calogero” l.r.

Oil on canvas, 18 x 22 in. (45.7 x 55.8 cm), framed.

Condition: Minor surface grime. $800-1,200 1156 Murray Hantman (American, 19041999) Monhegan Signed “HANTMAN” l.l.

Gouache on paper, 12 x 17 1/2 in.

(30.5 x 44.4 cm), framed.

Condition: Minor toning to the reverse, masking taped to the window mat. $400-600

End of Sale 2876T

Crucifixion Signed “OHASHI” l.l., identified and dated “‘53” on a label from the School of the Museum of Fine Arts, Boston, affixed to the reverse.

Oil on Masonite, 16 1/2 x 23 1/2 in.

(41.8 x 59.8 cm), framed.

Condition: Minor surface grime. $700-900

Online bidding at www.skinnerinc.com/auctions/2876T

95

Artist Index Please note: Lots 1-109 are in the Prints & Photographs auction; Lots 200-424 in the Fine Paintings & Sculpture auction, and Lots 1000-1156 in the Fine Art online auction.

Actypi, Zoe (Suzi)....................................................368

Cavallon, Giorgio ....................................................404

Fahlström, Öyvind ................................................1022

Adams, Ansel......................................................82, 97

Celesti, Andrea (Manner of)....................................207

Fattori, Giovanni .....................................................222

American School, 19th Century ........... 246, 249, 352

Chadwick, Lynn..............................................371, 372

Filosa, Giovanni.....................................................1072

American School, 20th Century...92, 340, 1152, 1153

Chagall, Marc ......................................................27-33

Fink, Aaron .............................................................416

Amundsen, C. Hjalmar “Cappy”................ 1114, 1115

Chagall, Marc (After) .............................................1015

Fischinger, Oskar W................................................403

Anuszkiewicz, Richard .........................................1013

Chapin, Francis ..............................................364, 365

Fisher, Alvin (Attributed to)......................................248

Avery, Milton ............................................................. 25

Cole, Joseph Foxcroft .........................................1071

Folinsbee, John Fulton............................................302

Continental School, 18th/19th Century................1074

Fortuny, Mariano...................................................1068

Baes, Firmin............................................................228

Continental School, 19th Century............... 237, 1069

Frank, Robert ........................................................... 93

Barbizon School, 19th Century .............................219

Continental School, 20th Century.....314, 1117, 1130

Freed, Leonard................................................102, 103

Bareford, David ......................................................328

Cook, Otis Pierce ...................................................306

Freeman, Ben.........................................................419

Barnet, Will............................................................1014

Cooper, Colin Campbell.......................................1098

French School, 18th/19th Century.........................213

Barrett, Elizabeth Hunt .........................................1078

Corita.......................................................................401

French School, 19th Century ................................217

Batcheller, Edward................................................1063

Corson, Katherine Langdon ..................................253

Fried, Pal...............................................................1127

Beauchamp, Robert ..............................................359

Coutts, Gordon Harrower ....................................1092

Friml, Géza Fónyi ...................................................356

Beck, Walter Otto ..................................................388

Cram, Leighton.....................................................1105

Beeler, Joe ...........................................................1095

Cunningham, Imogen............................................... 81

Gallagher, Sears......................................................318

von Bemmel, Peter (Attributed to)..........................210

Curter, Julius (Attributed to)..................................1097

Gay, Winckworth Allan ...........................................234

Benson, Frank Weston.............9-14, 304, 1000-1007

Curtis, Edward Sheriff............................................... 79

Gibran, Kahlil...........................................................374

Benton, Thomas Hart ......................................15, 288

Cvijanovic, Adam......................................... 420, 1110

Goncharova, Natalia Sergeevna ............................345 Goodnough, Robert .......................................389, 391

Betts, Harold Harrington.......................................1093 Bierstadt, Albert .....................................................251

Dalí, Salvador............................................. 1016, 1017

Goodwin, Arthur Clifton .............................. 331, 1120

Bilton, Maurice F.....................................................367

Damrow, Charles .................................................1089

Gottlieb, Adolph..................................................38, 39

Black, Olive Parker .................................................252

Dana, Charles Edmund..........................................255

Governo, Meg.......................................................1064

Bloom, Hyman........................................................373

Daugherty, James...................................................379

de Goya, Francisco..................................................... 1

Bonheur, Rosa ...............................................218, 220

Davis, Gladys Rockmore......................................1131

Le Grand, Michael .................................................392

Borein, Edward......................................................... 16

Day, Maurice.......................................................1151A

Greene, John Beasley............................................... 76

Boston School, 19th/20th Century........................335

Demont, Adrien Louis.............................................224

Greenwood, Joseph H.........................................1102

Boughton, George Henry............................ 261, 1085

Di Cesare, Alfred ....................................................353

Griffin, Walter ........................................................1118

Brady, Mathew B. (Attributed to)..........................1043

Diebenkorn, Richard ................................................ 34

Grooms, Red .......................................................1154

Brandt, Bill................................................................. 86

Dietrich, Christian (Attributed to).............................201

Gruppé, Emile A..............................................292, 303

Brangwyn, Sir Frank ............................................1075

van Dongen, Kees.................................................... 35

Guercino, Giovanni (Manner of) .............................204

Bravo, Manuel Álvarez ............................................. 94

Douaihy, Saliba ......................................................402

Guiragossian, Paul..................................................375

Bricher, Alfred Thompson...................... 244, 245, 250

Dubois, Eduard (Attributed to) ...............................209

British School, 18th/19th Century........................1065

Dubuffet, Jean........................................................... 36

de Haas, Mauritz.....................................................240

Brockhurst, Gerald L. .................................1010-1012

Dufy, Raoul ...........................................................1018

Hadzi, Dimitri...................................................390, 395

Brooks, Maria .........................................................264

Dull, Christian Lawton.............................................290

Hall, Norma Bassett ................................................. 17

Buchterkirch, Armin ...............................................256

Dumont, Pierre Jean Baptiste Louis.....................1119

Hammond, Jane ..................................................1023

Bunner, Andrew Fisher ..........................................284

Dürer, Albrecht (After)..............................................208

Hantman, Murray .................................................1156

Burlingame, Will.......................................................269

Dutch School, 18th/19th Century .........................227

Harmony, Henry....................................................1100

Butler, Howard Russell.........................................1088

Dzubas, Friedel ........................................................ 37

Hartwig, Heine.........................................................277

Calder, Alexander ..................................350, 383-385

Eaton, Charles Warren .........................................1083

Henderson, William Penhallow...............................311

Callahan, Harry ......................................................... 96

Edgerton, Harold E. “Doc” ..........83, 100, 1049, 1050

Henry, George .......................................................262

Calogero, Jean......................................................1155

Enneking, John Joseph .................................258, 260

Hervé, Jules René ..................................................326

Candid, Peter (School of)........................................202

Erlebacher, Martha Mayer......................................336

Hibbard, Aldro Thompson .............................291, 295

Capa, Robert............................................................ 91

Erté..............................................................1019-1021

Hirsch, Hyman .....................................................1052

Carelli, Giuseppe ....................................................230

Evergood, Philip......................................................358

Hopper, Edward....................................................... 18

Heizer, Michael ......................................................... 40

96

Hoppner, John (School of) ...................................1066

Magnasco, Alessandro (School of) ........................200

Pearce, Charles Sprague .......................................354

Houser, Allan .................................................. 274-276

Maillol, Aristide ........................................................344

Pechstein, Max.......................................................48A

Howard, Marion P. ..............................297, 300, 1111

Man Ray ................................................................... 89

Pfahl, John .................................................. 107, 1061

Hunter, Clementine.................................................360

Marieschi, Michele....................................................... 5

Picasso, Pablo..........................................49-53, 1033

Hunter, Robert Douglas..............................1125-1126

Marin, John ............................................... 19, 20, 363

Picasso, Pablo (After)............................54, 1034-1036

Huntington, Anna Vaughn Hyatt ............................267

Marsh, Reginald .............................................346, 347

Poncelet, Thierry ....................................................422

Marshall, Jim .......................................104, 105, 1059

Poskas, Peter .......................................................1108

Icart, Louis................................................................... 2

Mazur, Michael..................................................44, 423

Prestel, Johann Gottlieb Theophi............................... 6

Imhof, Joseph A......................................................268

McCartney, Linda..................................................1060

Prestini, James Libero.............................................407

Indiana, Robert ......................................................... 41

McCord, George Herbert............................ 235, 1081

Prestopino, Gregorio.............................................1129

Isola, Giancarlo......................................................1139

McGurl, Joseph......................................................421

Priest, Terri ......................................1135, 1145, 1146

Italian School, 16 Century Style..............................203

McNamara, Alfred...................................................370

Italian School, 18th Century................................1066A

Mêne, Pierre Jules..................................................265

Rauschenberg, Robert.......................................55, 56

Menkes, Sigmund Joseph......................................349

Redon, Odilon ............................................................ 7

Jacobs, Laura Ann .........................................415, 417

Menzler, Wilhelm.....................................................215

Reedy, Leonard Howard .....................................1091

Jacobs, Richard ....................................................... 42

Metzner, Sheila ........................................... 109, 1062

Reichel, Hans .................................................380, 381

Jacomin, Alfred Louis Vigny ..................................214

Meunier, Constantin .............................................1073

Rembrandt van Rijn.................................................... 8

Jacque, Charles Émile ...........................................225

Miller, Kenneth Hayes ........................................1007A

Remington, Frederic ..............................................270

Janssens, Abraham (Attributed to).........................205

Millet, Jean François (Attributed to).........................221

Resnick, Milton .......................................................378

Jessup, Robert........................................................412

Miró, Joan....................................... 45-46, 1026-1030

da Ricci, Colombo .................................................212

Johnson, Ben..........................................................361

Mongeau, Alice.....................................................1134

Ricciardi, Cesare ....................................................305

Johnson, Lester .....................................................377

Moore, Henry............................................................ 47

Richards, Ceri........................................................1037

Jones, Hugh Bolton................................................254

Morrell, Wayne Beam ............................................317

Richards, William Trost................................... 241-243

Motherwell, Robert.................................................... 48

Rider, Henry Orne ................................................1103

Katz, Alex.................................................................. 43

Mucha, Alphonse .................................................1048

Rifka, Judy ...........................................................1140

Kelly, Robert ...........................................................400

Murillo, Bartolomé (Manner of) ...............................206

Robb, Elizabeth B.................................................1112

Kent, Sister Mary Corita..........................................401

Murray, Martin Joseph ...........................................329

Robles, Julian........................................................1090

King, William Dickey................................................410

Mušic, Zoran.........................................................1143

Rollins, Warren E.....................................................272 Rothstein, Arthur ..................................... 84, 85, 1051

Kluge, Constantine..................................................327 Koeniger, Walter....................................................1106

Nadelman, Elie........................................................348

Kollwitz, Käthe ............................................. 3, 4, 1024

Nagy, Peter ............................................................394

Salinas, Porfirio ............................................... 282-283

Krauskopf, Bruno....................................................357

Neiman, LeRoy ....................................................1031

Salmon, Robert ......................................................236

Kroupa, Vaclav........................................................223

Neogrady, Antal ...................................................1107

Schattenstein, Nikol...........................351, 1123, 1138

Kuwasseg, Charles Euphrasie ...............................226

Neogrady, Laszlo..................................................1109

Schoonover, Frank Earle .......................................296

Newcomb, Obie ....................................................... 92

Sebire, Gaston........................................................319

Lambdin, George (Attributed to) ..........................1084

Nichols, Henry Hobart ...........................................294

Segal, George .......................................................... 57

Lambinet, Emile Charles ......................................225A

Nicholson, George Washington..............................231

Seltzer, Olaf Carl.....................................................273

Lance, George .....................................................1124

Nordell, Carl Johan ..............................................1121

Shapleigh, Frank.....................................................257

Lane, Harry .....................................................315, 330

Norman, Joseph...................................................1144

Shemesh, Lorraine .................................................424

Lange, Dorothea .................... 88, 98, 99, 1057, 1058

Norton, William Edward............................... 239, 1070

Shifrin, Roy......................................................376, 387

Lassonde, Omer Thomas ......................................369

Noyes, George Loftus...........................................1096

Shima, Tamami ....................................................1038

Lataster, Ger ........................................................1151 Laure de Chatillon, Zoé ..........................................216

Sinsabaugh, Art .....................................................106 Ohashi, Yutaka......................................................1150

Lawrence, Thomas (After).....................................1067

Siqueiros, David Alfaro ............................................. 58 Siskind, Aaron........................... 101, 108, 1054, 1055

Lawson, Ernest...............................................313, 324

Paladino, Mimmo .................................................1032

Sloane, Eric....................................280, 281, 289, 316

de László, Philip Alexius .......................................1122

Pancoast, Morris Hall ...........................................1113

Sloane, Marian Parkhurst......................................1101

Léger, Fernand (After)...........................................1025

Pantoja Pérez, Alexis Miguel...................................414

Smith, Cary ............................................................409

Lehnert, Thompson .......................................396, 397

Parks, Gordon .......................................................... 95

Smith, Shirley Thomson........................................1094

Levitt, Helen ............................................................. 87

Parshall, DeWitt.......................................................309

Smith, W. Eugene................................90, 1053, 1056

Lewis, John Frederick ............................................211

Parsons, Edith Barretto Stevens ...........................339

Solomon, Syd.........................................................398

Littlefield, William Horace .....................................1149

Passuntino, Peter ...................................................413

Soto, Jesús Rafael.................................................... 59

Loiseau, Gustave....................................................321

Pattison, Abbott Lawrence ....................................393

Sottsass, Ettore......................................................... 60

Luce, Molly .............................................................287

Pavlosky, Vladimir...................................................343

Spencer, John Clinton .........................................1086

Lyons, Arthur J......................................................1133

Pavlov, Petr Vassilievitch.......................................1136

Staehle, Wolfgang ..................................................418

97

Stefan, Ross............................................................271

Willis, Edmund Aylburton........................................247

Steinberg, Saul .......................................................411

Wilson, Sol .........................................................1120A

Stella, Frank ............................................................. 61

Withington, Elizabeth Rupp..................................1099

Stepanova, Varvara Fedorovna..............................405

de Witte, Peter (School of)......................................202

Stern, Bert ................................................................ 62

Wood, Robert William.....................................279, 320

Stettheimer, Florine.................................................355

Wood, Thomas Waterman (School of)...................263

Stevens, William Lester ..................................293, 307

Woodward, Stanley Wingate .................................310

Stevens, William Lester (Attributed to)..................1104 Stieglitz, Alfred ............................... 77, 78, 1044-1047

Yamamoto, Taro.....................................................399

Stone, Don..............................................................301

Yoshida, Hiroshi......................................................298

Symons, George Gardner......................................286 Ziem, Félix ..............................................................232 Tait, Arthur Fitzwilliam..............................................266 Talcott, Dudley Vaill ................................................341 Tamayo, Rufino......................................................... 63 Tarkay, Itzchak (Isaac) ..........................................1128 Teraoka, Masami .................................................1142 Terelak, John Charles ....................................312, 325 Thayer, Abbott Handerson.....................................332 Thieme, Anthony ..................................................1116 Tiffany, Louis Comfort.............................................229 de Tirtoff, Romain........................................1019-1021 Tobey, Mark ...........................................................382 de Toulouse-Lautrec, Henri...................................... 64 von Town, Karl O’Lynch.........................................278 Turner, Charles Henry ..........................................1137 Turner, Ross Sterling ...........................................1087 Tworkov, Jack ........................................................406 Tyler, James Gale ..........................................233, 238 Le Va, Barry............................................................408 Vasarely, Victor................................ 65-68, 1039-1041 Vedder, Elihu ..........................................................337 Verboeckhoven, Louis Charles.............................1076 Vertès, Marcel.......................................................1042 Villallonga, Jesus.....................................................366 Villegas y Cordero, José.........................................323 Vinton, Frederic Porter ...........................................259 Volk, Douglas .................................................285, 334 Vorauer, Anton........................................................322 Warhol, Andy..................................................... 68A-71 Way, John ..............................................................386 Webber, Wesley Elbridge ......................... 1077, 1079 Weber, Max...........................................................1132 Weems, Katharine Ward Lane...............................338 Wei Letang..............................................................386 Weir, J. Alden..........................................................299 Westchiloff, Constantin Aleksand...........................308 Weston, Edward....................................................... 80 Whistler, James Abbott McNeill..... 21-24, 1008, 1009 Whitman, Sarah Wyman (Attributed to)..................333 Wiegand, Gustave (Attributed to).........................1080 Williams, Frederick Ballard .....................................342 Williams, William Thomas.......................................... 72 Williamson, John...................................................1082

98

Zúñiga, Francisco ................................................73-75

Conditions of Sale 1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot.

2. All property is sold “as is,� and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability.

3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot for sale. The auctioneer shall have sole discretion to refuse any bid, or refuse to acknowledge any bidder. Any bidder that plans on spending in excess of $100,000 should make arrangements with the accounting department at least five (5) days in advance of the sale, as a deposit may be required to participate.

4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of the date of sale.

Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If any property has not been removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three days, and/or (b) Skinner Inc. may place the merchandise in a subsequent auction, without Reserve, to be sold to the highest bidder, and after deducting the standard commission and any additional charges that may apply, remit the proceeds to the purchaser.

5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank.

The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases.

6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all items for which it was the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without limitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchaser’s breach, and/or (b) offering at public auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation to pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale.

7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such purchaser for such item.

8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within the United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute cancellation or delay in payment for the total purchase price of these lots.

9. Sales in Massachusetts, Florida, and New York are subject to the respective current sales taxes. Dealers, museums, and other qualifying parties may be exempt from sales tax upon submission of proper documentation.

10. A premium equal to 23% of the final bid price up to and including $100,000, plus 20% of the final bid price from $100,001 up to and including $1,000,000, plus 12% of the final bid price from $1,000,001 and over will be applied to each lot sold, to be paid by the buyer as part of the purchase price.

11. Bidding on any item indicates your acceptance of these terms and all other terms printed within, posted, and announced at the time of sale whether bidding in person, through a representative, by phone, by Internet, or other absentee bid.

12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalog. The copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this catalog, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our prior written consent.

13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or choice of law).

The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any federal court sitting therein. The bidder/buyer consents to the exclusive jurisdiction of such courts and waives objections that it may now or hereafter have to the venue of any such suit.

Revised January 21, 2015

99

Board of Directors

Departments

Chairman of the Board

20th Century Design

Discovery Auctions

Jane D. Prentiss

Carly Babione

20thcentury@skinnerinc.com

Kyle Johnson

508.970.3253

Melanie Trottier-Mitcheson

Stephen L. Fletcher Richard Albright

discovery@skinnerinc.com

John Deighton Karen M. Keane Andrew Payne

508.970.3202

American & European Paintings & Prints Robin S.R. Starr Elizabeth C. Haff Michelle Lamunière

Executive Management President/Chief Executive Officer Karen M. Keane

paintings@skinnerinc.com 508.970.3206

European Furniture & Decorative Arts Stuart G. Slavid Stephanie Opolski Gwendolyn L. Smith european@skinnerinc.com 508.970.3203

American Furniture & Decorative Arts Stephen L. Fletcher Chris Barber Christopher D. Fox americana@skinnerinc.com 508.970.3200

Historic Arms & Militaria Joel Bohy militaria@skinnerinc.com 508.970.3215

Chief Financial Officer Don Kelly

American Indian & Ethnographic Art Douglas Deihl

Executive Vice President Stephen L. Fletcher

Jewelry Victoria Bratberg

indian@skinnerinc.com

John Colasacco

508.970.3254

Kaitlin Shinnick jewelry@skinnerinc.com 617.874.4313

Managing Director Marie Keep

Antique Motor Vehicles Jane D. Prentiss antiquemotorvehicles@skinnerinc.com 508.970.3253

Kerry Shrives Stuart G. Slavid

508.970.3256

Asian Works of Art Judith Dowling Helen Eagles Suhyung Kim asian@skinnerinc.com

Vice Presidents Victoria Bratberg Eric Jones Gloria Lieberman Carol McCaffrey Robin S.R. Starr L. Emerson Tuttle

508.970.3263

Books & Manuscripts Devon Eastland books@skinnerinc.com 508.970.3293

Ceramics Stuart G. Slavid ceramics@skinnerinc.com

Regional Directors Western Massachusetts: George Thomas Lewis 413.727.2721 glewis@skinnerinc.com

Florida: April L. Matteini, G.G. 305.503.4423 florida@skinnerinc.com

Maine: Bruce Buxton 207.772.6979 bbuxton@mainerr.com

100

Kerry Shrives judaica@skinnerinc.com

Senior Vice Presidents Marie Keep

Judaica

508.970.3203

Clocks, Watches & Scientific Instruments Robert C. Cheney Jonathan Dowling Paul Dumanowski

Musical Instruments Carly Babione music@skinnerinc.com 508.970.3216

Oriental Rugs & Carpets Lawrence Kearney rugs@skinnerinc.com 508.970.3247

Photographs Michelle Lamunière photographs@skinnerinc.com 508.970.3264

Silver Stuart G. Slavid silver@skinnerinc.com 508.970.3203

clocks@skinnerinc.com 508.970.3201

Wine, Whisky & Ale Marie Keep Joseph Hyman Michael J. Moser finewines@skinnerinc.com 508.970.3296

Auction Services Consignments

Marketing, Media & Communications

Appraisal & Auction Services LaGina Austin Christine E. Finn Katie Fitzgerald Rachel Kingsley Elizabeth Zwicker

Exhibitions & Property Boston:

Marketing

Laura V. Sweeney

L. Emerson Tuttle

Benjamin Evans

Linsey MacDougall

Paige Lewellyn

Jenna Nastri

Jessica R. Lincoln

Subscriptions

Receptionist

Linsey MacDougall

Jacqueline Gray

508.970.3240

617.350.5400

508.970.3299

Institutional Relations L. Emerson Tuttle 508.970.3130

Advertising/Production Pamela Van de Houten

Consignment Services

Jeffrey R. Antkowiak

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Stanley P. Bystrowski

Rebecca Hamel

John Cornelius

Carol Zeigler

Kristina M. Harrison

508.970.3204

Kathleen Jones

Marlborough: Warehouse Frederic Trottier 508.970.3209 Samatha Heighton

Cheryl Richards Photography

Customer Relations/Human Resources

Skinner Online

Carol McCaffrey

Kerry Shrives

508.970.3252

Receptionist Lindsay White 508.970.3000

Daniel Bar Judie Ochsner online@skinnerinc.com

Transportation

508.970.3279

Eric Jones

Accounting

508.970.3229

Absentee & Telephone Bidding

Denise Johnson 508.970.3269

Boston: 617.874.4318 William Madden

Marlborough: 508.970.3211

508.970.3266

Discovery: 508.970.3208

Kevin Rota

Auctioneers Chris Barber, John Colasacco,

508.970.3283

Stephen L. Fletcher, Karen M. Keane, Marie Keep, Jessica R. Lincoln, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr, Laura V. Sweeney

63 Park Plaza Boston, MA 02116 617.350.5400 Fax 617.350.5429

www.skinnerinc.com

274 Cedar Hill Street Marlborough, MA 01752 508.970.3000 Fax 508.970.3100

130 Miracle Mile, Suite 220 Coral Gables, FL 33134 305.503.4423 Fax 305.709.2143

415 Madison Avenue, #1418 New York, NY 10017 212.787.1113 Fax 646.893.0179

101

Directions to Skinner’s Boston Gallery/63 Park Plaza, Boston, MA 02116 617.350.5400 From the West: Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel. Once on the exit ramp, stay in the right hand lane and follow the signs for Copley. The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto Charles Street South. Take your first left off of Charles St. South onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From the South: Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station. Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza.

Skinner is at 63 Park Plaza, one block up on the right.

From Logan Airport: Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From the North: Take I-93 South towards Boston. Take exit 26 towards Storrow Drive.  Merge onto MA-28 South via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza.

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Absentee Bid Form Sale Title

Sale Date

First Time Bidder?

YES

NO

Customer #

Name (Please Print)

Business Name

Address City

Phone #

Alternate #

check if change in address

State

Zip Code email

I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as a convenience, and will not be held responsible for any errors or failure to execute bids. I understand that my bids are executed and accepted as per Conditions of Sale as printed in the catalog of this sale.

Signature (Required)

Lot #

Date

Description

Bid confirmation via email?

YES

NO

Bid Price

Phone bid?

YES

Mail

Person

NO

FOR OFFICE USE Marlborough

Boston

Phone

63 Park Plaza Boston, MA 02116 617.350.5400 Fax 617.350.5429

Fax

274 Cedar Hill Street Marlborough, MA 01752 508.970.3000 Fax 508.970.3100

Employee:

www.skinnerinc.com

Catalog Subscription Form Prices effective October 1, 2015. Catalog subscription price includes quarterly brochure.

Subscription effective one year from date processed. No refunds for previous subscriptions. Renewal notice will be sent one month prior to expiration.

Subscriptions do not include Discovery, Estates, and other special sales. Post-auction prices are available online at www.skinnerinc.com

Please check the appropriate boxes:

U.S.

Quarterly Brochure (Included with catalog subscription)

Canada

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Foreign (USD only)

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No charge

American Furniture & Decorative Arts

$105

$150

$200

European Furniture & Decorative Arts

$140

$200

$270

American & European Paintings & Prints (two books)

$105

$150

$200

Fine Jewelry

$140

$200

$270

20th Century Design

$70

$150

$135

Asian Works of Art

$105

$150

$200

Fine Oriental Rugs & Carpets

$70

$100

$135

American Indian & Ethnographic Art

$70

$100

$135

Fine Books & Manuscripts

$70

$100

$135

Historic Arms & Militaria

$70

$100

$135

Fine Musical Instruments

$70

$100

$135

Clocks, Watches & Scientific Instruments

$70

$100

$135

Fine Wines, Ales & Spirits

$70

$100

$135

All Above Departments

$900

$1300

$1725

Subtotal

MA residents 6.25% sales tax

Total

MasterCard/VISA #

Exp. Date

Signature

Check enclosed

Name

Business Name

Mailing Address City email address

State

Zip Tel: (

)

Please enclose payment with subscription form and mail or fax to: Skinner, Inc., Subscription Department, 274 Cedar Hill Street, Marlborough, MA 01752 508.970.3100 For questions or single catalog purchase information please contact subscriptions@skinnerinc.com

Cyanotypes Photography’s Blue Period The History of the Cyanotype from Anna Atkins to Annie Lopez

January 16 - April 19, 2016

WORCESTER ART MUSEUM / 55 Salisbury Street, Worcester, MA / worcesterart.org Annie Lopez, Medical Conditions, 2013, cyanotype printed on tamale wrapping paper, Courtesy of the Artist, ©Annie Lopez