Fine Paintings & Sculpture | Skinner Auction 2878B

Fine Paintings & Sculpture and Fine Art online Sale 2878B

January 22, 2016

Sale 2876T

January 19–25, 2016

Boston www.skinnerinc.com

Fine Paintings & Sculpture and Fine Art online

Specialists

Robin S.R. Starr

Elizabeth C. Haff

Michelle Lamunière

Department Director 508.970.3259

508.970.3258

508.970.3297

Department Inquiries: 508.970.3206

Auction Information Auction 2878B

Preview

Absentee Bidding

Friday, January 22 4PM

Wednesday, January 20 12 to 5PM

T: 617.874.4318 F: 617.350.5429

preceeded by 2877B Fine Prints & Photographs at 12PM

Thursday, January 21 12 to 8PM

63 Park Plaza Boston, MA

Friday, January 22 9 to 10AM

Auction 2876T

includes lots offered in Fine Art online

General Inquiries 617.350.5400

SKINNERLIVE! skinnerinc.com

Tuesday, January 19, 12PM to Monday, January 25, 3PM www.skinnerinc.com

View all lots online at www.skinnerinc.com cover : 355 ; frontispiece : 288 ; back cover : 372

American & European Works of Art Auction 2704B 02/07/2014 4:00 PM EST Lot 632 Of 689 - Alexander Calder (American, 1898-1976) Red Circus Horse

M Y AC T IVIT Y AU C T IO N LO G O U T

Audio may be subject to delay!

Follow the bid button and message center.

Estimate: Current bid:

Report Problems LIVE NOW!!

SK2148

$40,000 - $60,000 $110,000



Message Center

Click on left/ right side of image to see previous/ next image

Play sounds

$110,000 Floor Bidder $105,000 Floor Bidder $100,000 Floor Bidder $95,000 Floor Bidder $90,000 Internet Bidder SK2149 Online bidder SK2149 requests bid of $90,000 on lot 632 $85,000 Floor Bidder $80,000 Floor Bidder $75,000 Floor Bidder

Bid online with SkinnerLive! www.skinnerinc.com

• online@skinnerinc.com 2

+1 508.970.3279

Table of Contents 1

Auction & Specialist Information

2

Web Site & Online Bidding

4

Event Announcement

5

Provenance

6

Glossary of Terms

7

Fine Paintings & Sculpture: Lots 200–424

171

Fine Art online: Lots 1000–1156

187

Artist Index: Sales 2877B, 2878B, 2876T

191

Conditions of Sale

193

Map & Driving Directions

195

Absentee Bid Form

196

Company Directors & Specialty Departments

197

Administrative Staff & Client Services

199

Subscription Form

Please Note: All lots sold subject to our Conditions of Sale.

Please refer to page 191 of this catalog for the full terms and conditions governing your purchase.

Copyright © Skinner, Inc. 2016

Proudly printed by

All rights reserved MA/Lic. #2304 5 Almeida Avenue, East Providence, R.I., USA 401- 438 -1200 info@signatureprinters.com

Andy Warhol = Nobody’s Fool A Lecture by Trevor Fairbrother Thursday, January 21st, 6PM

Fairbrother at the Hood Museum of Art during the Collecting and Sharing exhibition, photo by Alison Palizzolo

Fairbrother, an independent art historian and curator, formerly with the Museum of Fine Arts, Boston, and Seattle Art Museum, has organized multiple exhibitions of Warhol’s art. In this lecture, he considers the weird fascination and bewildering legacy of this great pop artist nearly thirty years after Warhol’s death.

This event is free and open to the public, RSVP to events@skinnerinc.com or 508.970.3240

4 Andy Warhol (American, 1864-1949), Flowers/Suite of Ten Prints (detail), to be auctioned Friday, January 22, in Fine Prints & Photographs, 12PM, followed by Fine Paintings & Sculpture, 4PM.

Provenance Private collections in Massachusetts, New York, Florida, Rhode Island, Vermont, Texas, Arizona, and London Estates in Massachusetts, Maine, and Rhode Island Estate of Terri Priest, Worcester, Massachusetts Ex-collection Edward and Mary Brandegee, Boston Ex-collection Lincoln Kirstein, New York Sale of the Rosa Bonheur estate, 1900 Collection of George Jones Dyer Collection of Morris and Victoria Zeitlin Collection of Herbert Wilson Collection of Edgar Sergeant The family of Herman Dudley Murphy Collection of Jon P. Dorsey Corporate collection of Dunkin’ Brands, Inc., Canton, Massachusetts Corporate collection of Harvest Restaurant, Harvard Square, Cambridge, Massachusetts

Glossary of Terms All items in this catalog are described according to the following table of terminology.

Please note that all statements in this catalog as to Authorship, Period, and Origin, are qualified statements subject to the Conditions of Sale.

Authorship will be described in the following ways: John Joseph Enneking In our judgment, the work is by the artist.

Attributed to John Joseph Enneking In our judgment, the work may be ascribed to the artist on the basis of style, but leaves some question as to actual authorship.

School of John Joseph Enneking In our judgment, a work of an unknown follower executed in the style of the artist and contemporary in period.

Manner of John Joseph Enneking In our judgment, a work executed in the style of the artist by an unknown hand and probably from a later period.

After John Joseph Enneking In our judgment, an intended copy of the work of the artist.

American School, 19th Century In our judgment, the work of an unknown hand that can only be identified as to period and culture.

Other terms: Bears signature In our judgment, the signature not of the artist. This term is generally used separately, or together with a description of the work as “attributed to,” “school of,” “manner of,” or “after” the artist.

Measurements are given as height x width and refer to the size of the support unless otherwise indicated.

200

200 School of Alessandro Magnasco (Italian, 1667-1749) The Artist’s Studio Unsigned.

Oil on canvas, 18 x 14 in. (46.0 x 35.5 cm), framed.

Condition: Lined, retouch, areas of skinning, craquelure, surface grime. $3,000-5,000

Online bidding at www.skinnerinc.com

7

201

201 Attributed to Christian Wilhelm Ernst Dietrich (German, 1712-1774) Christ Blessing Little Children Unsigned, attributed on a label affixed to the reverse.

Oil on canvas, 12 3/4 x 16 in. (32.5 x 41.0 cm), framed in a shadow box (under glass).

Condition: Small partial tear (1/2 in.) to l.r. quadrant, scattered minor paint losses, prevalent fine craquelure, probable old retouch, high gloss varnish.

Provenance: A private Massachusetts collection. $2,000-3,000

8

Additional information and photos at www.skinnerinc.com

202

202 School of Pieter de Witte, the Elder, also known as Peter Candid (Dutch, 1548-1628) Christ Receiving the Children Unsigned, identified on a label from the Museum of Fine Arts, Boston, affixed to the reverse, and with a label from Doll & Richards, Boston, affixed to the frame.

Oil on panel, 21 1/4 x 16 3/4 in. (54.0 x 42.5 cm), framed.

Condition: Retouch, possible skinning, fine stable craquelure, high gloss varnish, surface grime.

Provenance: A Massachusetts estate.

N.B. Museum of Fine Arts records show that Maxim Karolik lent this painting to the museum on October 2, 1945. It was returned to his estate on March 24, 1964. $4,000-6,000

Online bidding at www.skinnerinc.com

9

203

204

203 Italian School, 16th Century Style Two Bust-length Portraits of Women: Lady in Red Holding a Sheet of Music and Lady with a Skull Unsigned.

Oil on canvas, 15 1/2 x 11 3/8 in. (39.5 x 29.0 cm), in carved frames.

Condition: Lined, retouch, scattered abrasions, craquelure, Skull with restored tear, surface rubs, and varnish inconsistencies to l.l. quadrant. $1,200-1,800

204 Manner of Giovanni Francesco Barbieri Guercino, called il Guercino (Italian, 15911666) Sketch of an Astronomer Inscribed “Guercino” in ink l.c. on the support sheet, with a collector’s stamp (see below) on the reverse.

Ink on laid paper, 6 1/2 x 10 5/8 in. (16.3 x 26.9 cm), framed.

Condition: Sheet mounted to a secondary support sheet of laid paper, original sheet with small losses, creases, surface grime.

Provenance: Ex-collection Edward and Mary Brandegee, Boston, c. 1904 (Lugt, 1860c), probably from the collection of Giovanni Piancastelli, Rome. $400-600

10

Additional information and photos at www.skinnerinc.com

205

205 Attributed to Abraham Janssens (Flemish, 1575-1632) Flora Unsigned, titled on a handwritten label affixed to the back of the frame.

Oil on canvas, 37 x 32 1/2 in. (94.0 x 82.5 cm), framed.

Condition: Lined, patch reinforcement, repaired tear l.l., retouch, paint loss, craquelure, surface grime.

Provenance: Purchased by the current owner from Maitland Art Gallery in Liverpool in the 1960s, reported to be from the estate of the Greek ambassador to England. $1,000-1,500

Online bidding at www.skinnerinc.com

11

206 Manner of Bartolomé Esteban Murillo (Spanish, 1618-1682) Salvator Mundi Unsigned.

Ink and wash on laid paper, 3 3/16 x 1 15/16 in. (8.1 x 4.9 cm), framed.

Condition: Sheet trimmed and laid down on secondary paper support, loosened from support at l.r. corner, tack hole to l.c. $300-500 207 Manner of Andrea Celesti (Italian, 16371706) Christ Being Nailed to the Cross Unsigned, inscribed “A. Celesti 16371706/...1666-1740” on the reverse.

Charcoal and ink wash on laid paper, 11 x 20 3/8 in. (28.0 x 51.7 cm), unmatted, unframed.

Condition: Multiple small tears to edges of sheet, many stabilized with brown paper tape on the reverse, multiple vertical creases, tack holes to three corners, staining, toning, foxing, soiling. $400-600

206

207

12

Additional information and photos at www.skinnerinc.com

208

208 After Albrecht Dürer (German, 1471-1528) Betrothal of the Virgin Monogrammed and dated “...AD 1740” l.c.

Gouache, watercolor, and graphite with gilding on vellum or similar, sight size 12 1/4 x 9 in.

(31.2 x 23.0 cm), framed.

Condition: Toning, staining losses to gilded areas, minor pigment displacements, not examined out of frame.

Provenance: Skinner, Inc., American & European Paintings & Prints, March 9, 2001, Lot 205.

N.B. This drawing is a reversed version of Betrothal of the Virgin from Dürer’s Life of the Virgin published in 1511. $1,200-1,800

Online bidding at www.skinnerinc.com

13

209

209 Attributed to Eduard Dubois (Flemish, 1619-1697) Coastal View with Windmills and Vessels Inscribed “By Edw du Bois� in a later hand on the reverse.

Oil on panel, 9 1/4 x 11 5/8 in. (23.5 x 29.5 cm), framed.

Condition: Canvas patches to reverse of panel, retouch including areas of stabilizing horizontal cracks to panel surface, discolored varnish, surface grime. $2,500-3,500

14

Additional information and photos at www.skinnerinc.com

210

210 Attributed to Peter von Bemmel (German, 1685-1754) Pair of Landscapes: Summer View with Garden and Lake and Winter View with Skaters Signed or inscribed “P.v.Bemel f.� on the reverse.

Oil on paperboard, 5 1/2 x 7 5/8 in. (14.0 x 19.3 cm), framed.

Condition: Craquelure, frame abrasions, significant surface grime. $1,500-2,000

Online bidding at www.skinnerinc.com

15

211

212

211 John Frederick Lewis (British, 1805-1876)

212 Colombo da Ricci (Italian, 19th Century)

Old Farmer or The Cottage Door Signed indistinctly l.l., artist and title identified on a presentation plaque and on a label from The Fine Art Society, Ltd., London, affixed to verso, old label with ink inscription reads, “an etching of this picture ‘The Cottage Door’ was made inscribed J.F. Lewis fecit 1835.”

Oil on paper laid on panel, 11 1/2 x 7 1/2 in.

(29.2 x 19.0 cm), framed (under glass).

Condition: Craquelure, varnish discoloration.

The Proposal Signed “Colombo/da Ricci” l.l.

Watercolor on paper, 10 x 6 7/8 in. (25.3 x 17.6 cm), framed.

Condition: Not examined out of frame.

Provenance: A Massachusetts estate. $800-1,200

Provenance: By descent from current owner’s grandmother. $10,000-15,000

16

Additional information and photos at www.skinnerinc.com

213

213 French School, 18th/19th Century Cupid’s Secret/Courting Couple in a Garden Unsigned.

Oil on canvas, 28 1/2 x 23 in. (72.5 x 59.0 cm), framed.

Condition: Lined, probable old retouch, craquelure, surface grime. $3,000-5,000 214 Alfred Louis Vigny Jacomin (French, 18421913)

214

In the Armorer’s Shop Signed “A Jacomin” l.r.

Oil on panel, 18 1/2 x 15 in. (47.0 x 38.0 cm), framed (in a liner).

Condition: Retouch, craquelure, surface grime. $1,000-1,500

Online bidding at www.skinnerinc.com

17

317

215

215 Wilhelm Menzler (German, 1846-1926) A Pause from Reading Signed and dated “W. Menzler/1889.� l.r.

Oil on canvas, 33 3/8 x 23 in. (84.5 x 58.0 cm), framed.

Condition: Lined, retouch, fine craquelure. $5,000-7,000

18

Additional information and photos at www.skinnerinc.com

216

216 Zoé Laure de Chatillon (French, 1826-1908) Woman with a Peacock Feather Signed “Laure de Chatillon” l.l.

Oil on canvas, 38 3/4 x 28 3/8 in. (98.2 x 72.0 cm), framed.

Condition: Lined, retouch, craquelure, surface grime. $2,500-3,500 217 French School, 19th Century Head of a Woman in a Red Cap Unsigned, with an illegible red wax seal on the reverse.

Oil on panel, 9 9/16 x 6 15/16 in. (24.4 x 17.6 cm), framed.

Condition: Minor retouch, unobtrusive surface accretions, possible mold, fine craquelure. $600-800

217

Online bidding at www.skinnerinc.com

19

218

218 Rosa Bonheur (French, 1822-1899) Study of a Standing Horse Signed “Rosa Bonheur” l.r., with red wax seal “Vente Rosa Bonheur 1900” on the stretcher.

Oil on canvas, 12 9/16 x 10 3/16 in. (32.0 x 25.8 cm), framed.

Condition: Lined, scattered minor paint losses, surface grime.

20

N.B. This work bears the red wax seal from the sale of the Rosa Bonheur estate held by Galerie Georges Petit in 1900. The painting likely corresponds to No. 139, Etude de cheval bai cerise listed in the catalog for that sale.

(Atelier Rosa Bonheur, Tome 1er, Tableaux [Paris: Imprimerie Georges Petit, 1900], p. 35.) $1,500-2,000

Additional information and photos at www.skinnerinc.com

219

219 Barbizon School, 19th Century The Spring Lamb Signed and dated “H.d. 1 Mai 1873” l.l.

Oil on canvas, 13 x 16 3/4 in. (33.0 x 42.5 cm), framed.

Condition: Canvas affixed to Masonite. $800-1,200 220 Rosa Bonheur (French, 1822-1899)

220

A Grazing Sheep Initialed and dated “RB 91” l.l.

Oil on canvas, 8 3/8 x 11 1/2 in. (21.2 x 29.0 cm), framed.

Condition: Canvas trimmed and laid on paperboard support, surface creases, craquelure, surface grime.

N.B. Two labels, apparently clipped from a publication, are affixed to the reverse of the paperboard support, one reading “ROSA BONHEUR” and the other “Vente Rosa Bonheur 1900.” This work may correspond to No. 490 in the catalog for the sale of the Rosa Bonheur estate, “Mouton à tête noire de profil à droit,” a work on canvas, for which the dimensions correspond to within a centimeter. However the entry does not mention any initials or date on the work, and the description itself is not sufficiently specific to be certain. $1,000-1,500

Online bidding at www.skinnerinc.com

21

221

221 Attributed to Jean François Millet (French, 1814-1875) Le Travail aux champs Unsigned, inscribed along the top edge, attributed and titled on a label on a detached frame backing.

Pencil on paper, 9 7/16 x 7 in. (23.9 x 17.3 cm), unmatted, unframed.

Condition: Loss to l.r. corner, sheet mounted to cardboard support.

22

N.B. Accompanied by the old backing from a frame with a label from G. Morssen, Autographes, Paris, and with a handwritten label attributing the sketch to Millet and noting the seven handwritten lines ascribed to the artist along the top of the drawing.

The lot is also accompanied by a printed sheet bearing the date “28 avril 1864� which reproduces a note written by Millet on the charms of nature and several of his sketches including peasants at work. $2,500-3,000

Additional information and photos at www.skinnerinc.com

222

222 Giovanni Fattori (Italian, 1825-1908) Plain at Tombolo, Livorno Unsigned, titled in an inscription on the reverse.

Oil on panel, 6 7/16 x 13 in. (16.3 x 33.0 cm), framed (under glass).

Condition: Minor retouch.

Provenance: Dr. Michael Ripinsky, Los Angeles, California, then by descent to the current owner.

N.B. Accompanied by a 1975 certificate of opinion signed by Milan art expert Molteni Antonio. $15,000-25,000

Online bidding at www.skinnerinc.com

23

223 Vaclav Kroupa (Czech, 1825-1895) Landscape with Cattle Watering Signed and dated “V. Kroupa 1881” l.c.

Oil on board, 19 1/2 x 17 1/4 in. (49.2 x 43.7 cm), framed.

Condition: Craquelure, surface grime. $2,000-2,500 224 Adrien Louis Demont (French, 1851-1928) A Country Mile Signed “Demont” l.l.

Oil on canvas, 34 1/4 x 44 1/4 in. (87.0 x 112.3 cm), framed.

Condition: Patch reinforcements, retouch, minor craquelure. $4,000-6,000

223

224

24

Additional information and photos at www.skinnerinc.com

225 Charles Émile Jacque (French, 1813-1894) Shepherd and Flock in a Forest Glade Signed “ch. Jacque” l.r., with a partial label from Thomas McLean, London, on the stretcher.

Oil on canvas, 32 x 25 1/2 in. (81.5 x 65.0 cm), framed (in a liner).

Condition: Lined, scattered retouch, minor abrasion with paint loss to l.r. corner, fine craquelure. $3,000-4,000 225A Emile Charles Lambinet (French, 18151877) Site de Bougival (Mai et ses fleurs) Signed and dated “Emile Lambinet 1860” l.l., titled, signed, and dated on the reverse, inscribed indistinctly in ink on a partial paper label affixed to the reverse.

Oil on panel, 11 1/4 x 16 1/8 in. (28.5 x 41.0 cm), framed.

Condition: Hairline surface crack to panel c.r., craquelure, surface imperfections and grime. $600-800 225

225A

Online bidding at www.skinnerinc.com

25

226 Charles Euphrasie Kuwasseg (French, 1838-1904) Town View Beside a Brook Signed and dated “C. Kuwa...eg 188...� l.r., inscribed indistinctly on the reverse.

Oil on panel, 8 5/8 x 6 3/16 in. (21.8 x 15.7 cm), framed.

Condition: Scattered minor abrasions including one obscuring the end of the signature, surface grime. $800-1,200 227 Dutch School, 18th/19th Century Flight by Night Unsigned.

Oil on paperboard, 7 5/8 x 10 3/4 in. (19.4 x 27.3 cm), framed.

Condition: Craquelure, paperboard glued to stretcher. $1,500-2,000

226

227

26

Additional information and photos at www.skinnerinc.com

228

228 Firmin Baes (Belgian, 1874-1943) The Widower’s Daughters Signed and dated “Firmin Baes./1897” l.r.

Oil on canvas, 70 3/4 x 118 in. (180.0 x 300.0 cm), unframed.

Condition: Patch reinforcements, strip lined, areas of lifting and paint losses, retouch, skinning to far right side, craquelure, surface grime.

N.B. The painting is accompanied by a disassembled oak frame. $3,000-5,000

Online bidding at www.skinnerinc.com

27

229 Louis Comfort Tiffany (American, 18481933) Canal View Signed “Louis C. Tiffany” l.l.

Oil on canvas, 8 3/16 x 6 1/2 in. (20.7 x 16.5 cm), framed (under glass).

Condition: Rippling, not examined out of frame.

Provenance: From the collection of George Jones Dyer, Norfolk, Connecticut, then by descent to the current owner.

N.B. Dyer’s paternal grandmother was purportedly related to Tiffany. $2,500-3,500 230 Giuseppe Carelli (Italian, 1858-1921) On the Italian Coast Signed “G. Carelli” l.r., with a stamp and a label from Antonio Laezza, Naples, on the reverse.

Oil on panel, 10 1/8 x 16 in. (25.5 x 40.8 cm), framed.

Condition: Surface accretions and grime. $800-1,200

229

230

28

Additional information and photos at www.skinnerinc.com

231

231 George Washington Nicholson (American, 1832-1912) Resting by the River Signed “GWNicholson� l.l.

Oil on canvas, 24 x 42 in. (61.0 x 106.7 cm), framed.

Condition: Lined, retouch, craquelure. $3,000-5,000

Online bidding at www.skinnerinc.com

29

232

232 Félix Ziem (French, 1821-1911) Hauling a Fishing Boat onto the Beach Signed “Ziem.” l.r., stamped “Schweitzer Gallery Art/Reference Library” and numbered “#554” in two places on the reverse.

Oil on panel, 10 3/4 x 15 1/2 in. (27.3 x 39.2 cm), framed.

Condition: Minor retouch, minor abrasions, fine craquelure, surface grime.

N.B. The Association Félix Ziem, represented

by Mathias Ary Jan, David Pluskwa, and Gérard Fabre, has confirmed the authenticity of this work. $2,000-3,000

30

Additional information and photos at www.skinnerinc.com

233

233 James Gale Tyler (American, 1855-1931) The Steamer Arrives at Port Signed “James G. Tyler� l.r.

Oil on canvas, 18 x 30 in. (45.6 x 76.3 cm), framed.

Condition: Craquelure, varnish discoloration, surface grime. $3,000-5,000

Online bidding at www.skinnerinc.com

31

234

235

234 Winckworth Allan Gay (American, 18211910)

235 George Herbert McCord (American, 18481909)

Rocky Point with Distant Schooner Signed and dated “WA Gay/186...” l.l., signed or inscribed “W.A. Gay” on the reverse.

Oil on academy board, 8 x 12 in. (20.4 x 30.5 cm), framed.

Condition: Minor surface losses to lower corners, surface grime.

Fishing Boats at Night Signed “G.H. McCord” l.r., identified on a paper label affixed to the stretcher.

Oil on canvas, 12 x 20 in. (30.5 x 50.7 cm), framed.

Condition: Unobtrusive skinning, retouch, craquelure. $1,000-1,500

N.B. The artist had a home in West Hingham, Massachusetts, and it is likely that this view is located along the Hingham or Cohasset shoreline. $800-1,200

32

Additional information and photos at www.skinnerinc.com

236

236 Robert Salmon (Anglo/American, 17751858) Harbor View with British Vessels Unsigned.

Oil on canvas, 15 x 25 in. (38.1 x 63.5 cm), framed.

Condition: Small puncture c.l., patch reinforcement, retouch, varnish inconsistencies, minor scattered losses, stretcher marks, surface grime.

Provenance: Through a private collection, Ireland; Skinner, American & European Paintings, November 17, 2006, Sale 2340, Lot 139, to the current owner.

N.B. Salmon was born in Whitehaven, but little is known about him before his move to Liverpool in 1806. It has been surmised that given his knowledge of sailing and rigging, Salmon may have spent some of his early years at sea. Although a number of paintings, all showing Salmon’s mature style, predate the 1806 move, it was at this time that the artist began the formal inventory of his paintings.

Most of the English harbor views were completed before Salmon moved to America in 1828—Salmon was driven to painting truthfully and without embellishment from life—although there are several English views from the 1840s. $4,000-6,000

Online bidding at www.skinnerinc.com

33

237

237 Continental School, 19th Century In the Harbor Signed “G. Bulteau” l.l., titled on the reverse.

Oil on panel, 11 3/8 x 15 5/8 in. (28.8 x 39.7 cm), framed.

Condition: Retouch, craquelure, surface grime. $800-1,200 238 James Gale Tyler (American, 1855-1931) Full-rigged Ship Under Sail in Open Seas Signed “JAMES G. TYLER” l.r.

Oil on canvas, 20 x 16 in. (50.5 x 40.5 cm), framed (under glass).

Condition: Fine craquelure, not examined out of frame. $1,500-2,000

238

34

Additional information and photos at www.skinnerinc.com

239

240

239 William Edward Norton (American, 18431916)

240 Mauritz Frederick Hendrick de Haas (Dutch/American, 1832-1895)

Sailing Vessel in Storm-tossed Seas Signed and dated “WE. Norton./74.” l.l.

Oil on canvas (stretched with Boston tabs), 26 x 42 in. (66.0 x 106.5 cm), in a period frame.

Condition: Craquelure, surface grime. $2,500-3,500

Roaring Surf on the Coast Signed “MFH de Haas. NA” l.l.

Oil on canvas, 24 1/4 x 40 in. (61.3 x 101.6 cm), framed.

Condition: Discolored varnish, surface grime. $1,500-2,000

Online bidding at www.skinnerinc.com

35

241

241 William Trost Richards (American, 18331905) Coastal Cliffs Signed “Wm. T. Richards.” l.l., identified on a label from Frank S. Schwarz & Son, Philadelphia, on the frame backing.

Oil on canvas mounted to board, 9 x 15 1/2 in. (22.9 x 39.3 cm), framed.

Condition: Scattered retouch, crease to u.l. corner.

N.B. The jagged rock formations and composition are similar to Richards’s known views of Icart Point on the island of Guernsey. $6,000-8,000

36

Additional information and photos at www.skinnerinc.com

242

242 William Trost Richards (American, 18331905) Beach and Cliffs Signed and dated “Wm T. Richards. 96� l.l., identified on a label from Frank S. Schwarz & Son, Philadelphia, affixed to the frame backing.

Oil on canvas mounted to board, 8 x 15 in.

(20.3 x 38.0 cm), framed.

Condition: Good. $6,000-8,000

Online bidding at www.skinnerinc.com

37

243

244

243 William Trost Richards (American, 18331905)

244 Alfred Thompson Bricher (American, 18371908)

Seascape Signed “Wm.T.Richards” l.l.

Watercolor and gouache on paper, sight size 8 1/8 x 13 1/8 in. (20.5 x 33.3 cm), framed.

Condition: Possible toning and mat burn, not examined out of frame. $1,500-2,500

Coastal Scene Signed “ATBricher” l.l.

Oil on canvas, 11 1/2 x 18 3/4 in. (29.2 x 47.5 cm), framed.

Condition: Lined, craquelure, surface grime. $4,000-6,000

38

Additional information and photos at www.skinnerinc.com

245

245 Alfred Thompson Bricher (American, 18371908) Ocean Cliffs, Sunlight Monogram signed “ATBRICHER� l.r., with an F.W. Devoe & Co., New York, canvas stencil on the reverse.

Oil on canvas, 24 x 20 in. (61.0 x 51.0 cm), framed.

Condition: Craquelure, possible old retouch to sky, very minor varnish inconsistencies.

Provenance: Purchased in 1953 from Princess Cecilie of the House of Hohenzollern, Amarillo Texas, through to the current owner by family descent. $22,000-28,000

Online bidding at www.skinnerinc.com

39

246

246 American School, 19th Century Landscape with Cows and Two Figures Unsigned.

Oil on canvas, 10 x 14 in. (25.4 x 35.5 cm), framed.

Condition: Lined, minor retouch, craquelure, surface grime. $1,000-1,500 247 Edmund Aylburton Willis (American, 18081899) Landscape with Grazing Cattle Under a Tree Signed and dated “A V Willis/1879� l.r.

Oil on board, 12 3/4 x 10 3/4 in. (32.4 x 27.4 cm), framed (in a liner).

Condition: Slight retouch u.l., surface grime. $1,000-1,500

247

40

Additional information and photos at www.skinnerinc.com

248

248 Attributed to Alvin Fisher (American, 17921863) Travelers in a Pastoral Landscape Unsigned, identified and dated “Painted by Fisher 1815...� on a partial label affixed to the reverse.

Oil on board, 20 5/8 x 27 in. (52.3 x 68.7 cm), framed.

Condition: Minor retouch, fine craquelure, surface grime.

Provenance: A Massachusetts estate. $1,000-1,500

249

249 American School, 19th Century Driving the Herd Unsigned.

Oil on canvas, 18 x 24 in. (46.0 x 61.0 cm), framed.

Condition: Patch reinforcements, scattered retouch, discolored varnish, surface grime. $600-800

Online bidding at www.skinnerinc.com

41

250

250 Alfred Thompson Bricher (American, 18371908) Hudson River at West Point Signed and dated “A.T. Bricher. 1867� l.l., titled in pencil on the reverse.

Oil on board, 11 x 18 in. (27.8 x 45.2 cm), framed.

Condition: Remnants of old varnish to the edges of the board, minor varnish inconsistencies.

Provenance: Acquired by Josephine Lawrence of Boston prior to 1908, through to the current owner by family descent. $15,000-25,000

42

Additional information and photos at www.skinnerinc.com

251

251 Albert Bierstadt (American, 1830-1902) Lighthouse, Newport, Rhode Island Signed and dated “ABierstadt 1878� l.r., identified on a label from Chapellier Galleries, New York, on the back of the frame.

Oil on Winsor & Newton board, 12 1/4 x 18 3/8 in. (31.3 x 46.5 cm), framed.

Condition: Retouch primarily to address minor frame abrasion, small paint losses along upper edge, fine stable craquelure, minor surface grime.

Provenance: Terry de Lapp Gallery, Los Angeles, 1966; Chapellier Galleries, 1969; Gustave J.S. White Estate Auctioneers, Newport, Rhode Island, August 11, 1993, Lot 101; to the current owner by family descent.

Exhibitions: Chapellier Galleries, 1969, as catalog number 74.

N.B. Beavertail Light on Conanicut Island is suggested as a possible location on an unattributed handwritten label affixed to the back of the frame. The painting is listed in the Albert Bierstadt Catalogue Project as record number 1244. $40,000-60,000

Online bidding at www.skinnerinc.com

43

252

253

252 Olive Parker Black (American, 1868-1948) Spring Orchard Signed “Olive P. Black.” l.r.

Oil on canvas, 14 x 20 1/4 in. (35.7 x 51.5 cm), framed.

Condition: Canvas trimmed and mounted to Masonite, minor retouch, fine stable craquelure. $2,000-2,500

44

253 Katherine Langdon Corson (American, 1869-1925) Quiet River in Summer Signed “K.I. LANGDON” l.l.

Oil on canvas, 22 1/8 x 35 1/8 in. (56.4 x 89.3 cm), in a period frame.

Condition: Lined, scattered retouch, stable craquelure. $2,000-3,000

Additional information and photos at www.skinnerinc.com

254

254 Hugh Bolton Jones (American, 1848-1927) Summer’s Blaze Signed “H. BOLTON JONES” l.r., identified on a label from the Society of American Artists, New York, affixed to the reverse.

Oil on canvas, 16 x 24 in. (40.5 x 61.0 cm), framed.

Condition: Lined, craquelure. $5,000-7,000

Online bidding at www.skinnerinc.com

45

255

256

255 Charles Edmund Dana (American, 18431914) Street Scene, St. Augustine, Florida Signed and dated “C.E. Dana/1884” l.r.

Oil on canvas, 15 x 11 in. (38.0 x 28.0 cm), framed.

Condition: Discolored varnish, surface grime.

256 Armin Buchterkirch (American, 1859-1915) Tropical Landscape with Figures on a Path Signed “A. Buchterkirch.” l.r.

Watercolor on paper, 14 3/8 x 10 1/4 in. (36.5 x 26.0 cm), framed.

Condition: Minor toning to sky, sheet laid down on paperboard support. $800-1,200

Provenance: By descent in the family of the artist.

N.B. Accompanied by a note from the artist’s granddaughter. $600-800

46

Additional information and photos at www.skinnerinc.com

257

257 Frank Shapleigh (American, 1842-1906) The City Gate, St. Augustine Signed “F.H.Shapleigh” l.r., titled and inscribed “The City Gate. St Augustine/by/F.H. Shapleigh” on the reverse.

Oil on canvas (with Boston tabs), 14 x 20 in.

(35.5 x 50.8 cm), framed.

Condition: Restored tears, retouch, minimal strip lining along right tacking edge of verso.

N.B. The lot is accompanied by a detailed treatment report prepared by the Winterthur/ University of Delaware Program in Art Conservation, which conserved both the painting and the period frame. $4,000-6,000

Provenance: By descent in a Boston, Massachusetts, family.

Online bidding at www.skinnerinc.com

47

258

259

258 John Joseph Enneking (American, 18411916)

259 Frederic Porter Vinton (American, 18461911)

Pond in Spring, Possibly Hyde Park Signed and dated indistinctly “Enneking...” l.r.

Oil on canvas, 18 1/8 x 24 in. (46.0 x 61.5 cm), unframed.

Condition: Lined, retouch. $4,000-6,000

Spot Pond Signed “F.P. Vinton” l.r., titled and signed on the reverse.

Oil on canvas, 12 x 20 in. (30.5 x 50.8 cm), framed.

Condition: Craquelure, paint losses l.c., retouch. $1,000-1,500

48

Additional information and photos at www.skinnerinc.com

260

260 John Joseph Enneking (American, 18411916) Across the Valley Signed and dated “Enneking/71” l.r., identified on a label from the John J. Enneking Pierce Catalogue Raisonné on the reverse.

Oil on canvas, 24 x 39 1/4 in. (61.0 x 100.0 cm), framed.

Condition: Lined onto aluminum panel, retouch, fine craquelure, surface grime.

N.B. The painting is registered as number I-D-200 in the John J. Enneking Pierce Catalogue Raisonné. The lot is accompanied by a treatment report from Oliver Brothers, Inc., Boston. $6,000-8,000

Online bidding at www.skinnerinc.com

49

262

261

261 George Henry Boughton (American, 18331905) Young Woman in White Beneath Flowering Branches Initialed “G.H.B.” l.r., inscribed “G.H. Boughton” on one of two labels from T. Richardson & Co., London, on the reverse.

Oil on panel, 13 5/8 x 10 5/16 in. (34.8 x 26.3 cm), framed.

Condition: Minor surface grime. $1,500-2,000

50

262 August Laux (American, 1847-1921) Woman Reading on a Woodland Path Signed “A. Laux.” l.l.

Oil on canvas, 29 7/8 x 20 in. (76.0 x 50.7 cm), unframed.

Condition: Patch reinforcements, old retouch and restoration, small tear and puncture to upper edge, abrasion l.c. edge, weakened or missing tacking edges, craquelure. $1,200-1,800

Additional information and photos at www.skinnerinc.com

263

263 School of Thomas Waterman Wood (American, 1823-1903) Outside the General Store Unsigned.

Oil on canvas, 26 x 38 in. (66.0 x 96.5 cm), framed.

Condition: Craquelure, tack hole to l.r. corner. $4,000-6,000 264 Maria Brooks (American, 1837-1913) The Favorite Doll Signed “Maria Brooks� l.l.

Oil on canvas, 12 1/2 x 7 3/4 in. (31.6 x 19.5 cm), framed.

Condition: Lined, craquelure, surface grime. $2,000-2,500

264

Online bidding at www.skinnerinc.com

51

265 Pierre-Jules Mêne (French, 1810-1879) Greyhound, with Left Front Leg Raised Stamped “P.J. MENE” in base by the dog’s left rear paw, inscribed “Susse Frères...” to the left of the signature, Susse Frères foundry mark at front of base.

Bronze with brown patina, height 8 in. (20.2 cm), with an oval bronze base.

Condition: Minor corrosion, minor dust and dirt to interstices, probably a posthumous cast.

N.B. The Susse Frères firm owned a large foundry in Paris. The company was well known for their fine bronze castings with superbly applied patinas. After the death of Pierre-Jules Mène in 1879, the Susse Frères foundry acquired the rights to reproduce his models and produced posthumous proofs marked “Susse foundeur éditeur, Paris.” $800-1,200 266 Arthur Fitzwilliam Tait (American, 1819-1905) Heron Among Eight Ducks at the Edge of a Pond Signed and dated “A.F. Tait, N.Y. ‘67” l.r.

Oil on canvas, 17 x 26 1/2 in. (43.2 x 67.3 cm), framed.

Condition: Lined, slight abrasions, retouch, minor craquelure.

265

Literature: Warder H. Cadbury, Arthur Fitzwilliam Tait: Artist of the Adirondacks (Newark: University of Delaware Press, 1986), p. 204, number 67.83. $4,000-6,000

266

52

Additional information and photos at www.skinnerinc.com

267

267 Anna Vaughn Hyatt Huntington (American, 1876-1973) Reaching Jaguar Signed “Anna V. Hyatt” on the back of the tree trunk, numbered “#14” at the edge of the base, stamped “GORHAM CO FOUNDERS Q477” on the base.

Bronze with brown patina, height 9 in. (22.9 cm).

Condition: Oxidation or similar to some of the interstices, minor dust to the interstices.

N.B. A premier animal sculptor, Anna Hyatt Huntington had the opportunity to study Señor Lopez, a jaguar from Paraguay who was the first feline occupant of the Lion House at the Bronx Zoo. The artist created two sculptures based on that jaguar, and one version of the pair are installed as gateposts at the zoo.

This bronze is a small version of the Reaching Jaguar. $4,000-6,000

Online bidding at www.skinnerinc.com

53

268 Joseph A. Imhof (American, 1871-1955) Taos Indian Signed “Joseph A. Imhof/TAOS N.M.” l.r.

Watercolor and pastel on paper, sight size 20 1/2 x 17 in. (52.0 x 43.2 cm), framed.

Condition: Not examined out of frame.

Provenance: A private Florida collection. $600-800 269 Will Burlingame (American, b. 1942) The Scout Signed and dated “WILL BURLINGAME ‘77” l.r., identified on one of two labels from Miner’s Gallery Americana, Inc., Carmel, California, affixed to the frame backing.

Oil on board, 19 3/4 x 19 3/4 in. (50.0 x 50.0 cm), framed.

Condition: Minor surface grime.

Provenance: A private Florida collection. $700-900 268

269

54

Additional information and photos at www.skinnerinc.com

270 Frederic Remington (American, 1861-1909) The Bursting of the Chrysalis, 1891 Signed “Frederic Remington.” in ink l.l., titled l.c., inscribed “West Point” in pencil u.l.

Ink and whiting on paperboard, 11 5/8 x 7 1/2 in. (29.5 x 19.0 cm), framed.

Condition: Toning, not examined out of frame.

Literature: Peter H. Hassrick and Melissa J. Webster, Frederic Remington: A Catalogue Raisonné of Paintings, Watercolors, and Drawings (Cody, Wyoming: Buffalo Bill Historical Center, 1996), cat. no. 1331, p. 400.

270

N.B. This work is one of ten illustrations made

by Remington to accompany “The American Cavalry School” by Lieutenant George I. Putman, published in Harper’s Weekly, June 4, 1892; this image was reproduced as a halftone on p. 541. The Remington catalogue raisonné entry states that Remington sent the set of drawings to Harper’s editor, Fred B. Schell, with a cover letter dated November 14, 1891, although the drawings were published the following year. The title on the drawing refers to the young cavalry officer emerging from his training, as the butterfly emerges from the chrysalis. In his cover letter, Remington referred to Putman’s article as “A Cavalry Colonel in the Chrysalis.” $7,000-9,000

Online bidding at www.skinnerinc.com

55

271

272

271 Ross Stefan (American, 1934-1999)

272 Warren E. Rollins (American, 1861-1962)

Taos Riders Signed “Ross Stefan” l.l., titled on a tag on the frame.

Oil on canvas, 28 1/4 x 40 1/4 in. (71.0 x 102.0 cm), framed.

Condition: Good.

American Southwest Landscape with Buttes Signed “W. E. Rollins” l.l.

Oil on paper, sight size 10 x 15 1/4 in. (25.5 x 39.0 cm), framed (under glass).

Condition: Not examined out of frame.

Provenance: A private Florida collection. $4,000-6,000

Provenance: A private Florida collection. $500-700

56

Additional information and photos at www.skinnerinc.com

273

273 Olaf Carl Seltzer (American, 1877-1957) The Guide Signed “O.C. SELTZER� l.r., identified on a presentation plaque.

Oil on heavy paperboard, 13 x 9 in. (33.0 x 22.7 cm), framed.

Condition: Mounted to a secondary heavy paperboard support, surface grime.

Provenance: A private upstate New York collection. $15,000-20,000

Online bidding at www.skinnerinc.com

57

274 Allan Houser (American, 1914-1994) Two Works: Apache Gaan Dancer Facing Right and Apache Gaan Dancer Facing Left The first signed “© ALLAN HOUSER” l.l.; the latter signed and dated “© ALLAN HOUSER/~~~ 52 ~~~” l.l.

Gouaches on gray paper, sight sizes 11 3/4 x 9 3/4 in. (29.8 x 23.8 cm), framed.

Condition: Not examined out of frames.

Provenance: A private Florida collection.

N.B. The Gaan dancers are meant to be physical manifestations of the mountain spirits. Though generally benevolent, helping to prevent disease and in healing, these spirits can become vengeful if they are not shown proper respect. They can control weather and offer protection from enemies. The dancers perform in various rituals to bring the blessings of the mountain spirits to their people. $2,000-2,500

274

58

Additional information and photos at www.skinnerinc.com

275

276

275 Allan Houser (American, 1914-1994)

276 Allan Houser (American, 1914-1994)

Apache Gaan Dancing Figures Around a Fire Signed and dated “© ALLAN HOUSER/~~~ 52 ~~~” l.r.

Gouache on paper, sight size 13 1/2 x 18 1/2 in. (34.3 x 47.0 cm), framed.

Condition: Not examined out of frame.

Apache Gaan Dancing Figures Around a Fire Signed and dated “© ALLAN HOUSER/~~~ 52 ~~~” l.r.

Gouache on paper, sheet size 17 1/2 x 21 in.

(44.5 x 53.3 cm), unframed.

Condition: Light-struck, brown tape remnant l.r.

Provenance: A private Florida collection. $2,000-2,500

Provenance: A private Florida collection. $2,000-2,500

Online bidding at www.skinnerinc.com

59

277 Heine Hartwig (American, b. 1937) The Way It Was Signed “HEINE HARTWIG ©” l.r., titled on a presentation plaque.

Oil on Masonite, 22 x 28 in. (56.0 x 71.0 cm), framed.

Condition: Good.

Provenance: A private Florida collection. $700-900 278 Karl O’Lynch von Town (Austrian, 18691942) Snowy Peak in Sunlight Signed “O’LYNCH” l.l., identified as “Painting of a Mountain” on a typed collector’s label affixed to the stretcher.

Oil on canvas, 32 1/2 x 41 1/2 in. (82.5 x 105.0 cm), framed.

Condition: Craquelure, varnish discoloration, surface grime. $2,500-3,500 277

278

60

Additional information and photos at www.skinnerinc.com

279

279 Robert William Wood (American, 18891979) Mount Rainier, Washington Signed “Robert Wood� l.l., titled on the reverse.

Oil on canvas, 23 3/4 x 36 in. (60.5 x 91.5 cm), framed.

Condition: Scattered minor retouch, craquelure. $3,000-5,000

Online bidding at www.skinnerinc.com

61

280

280 Eric Sloane (American, 1905-1985) Over the Top Signed “ERIC SLOANE N.A� l.l., titled in an inscription on the reverse.

Oil on Masonite, 23 x 46 in. (58.5 x 116.0 cm), framed.

Condition: Unobtrusive surface grime, minor surface abrasions. $8,000-10,000

62

Additional information and photos at www.skinnerinc.com

281

281 Eric Sloane (American, 1905-1985) The Long Shadow Signed “ERIC SLOANE” l.l., titled in an inscription on the reverse.

Oil on Masonite, 18 x 39 in. (46.0 x 99.0 cm), framed.

Condition: Subtle surface grime. $8,000-12,000

Online bidding at www.skinnerinc.com

63

282

282 Porfirio Salinas (American, 1910-1972) Autumn in Texas Signed “P.Salinas� l.l.

Oil on canvasboard, 12 x 16 in. (30.5 x 40.5 cm), framed.

Condition: Minor, fine craquelure, warping to support. $7,000-9,000

64

Additional information and photos at www.skinnerinc.com

283

283 Porfirio Salinas (American, 1910-1972) Bluebonnets Signed “P. Salinas� l.r.

Oil on canvas, 16 x 21 in. (40.5 x 53.3 cm), framed.

Condition: Surface grime. $10,000-15,000

Online bidding at www.skinnerinc.com

65

285

284

284 Andrew Fisher Bunner (American, 18411897) Landscape with a Stand of Trees and Distant Mountain Signed “A.F. BUNNER” l.l.

Oil on canvas, 30 x 18 in. (76.0 x 46.0 cm), framed.

Condition: Lined, minor retouch, small paint losses at l.l. corner, fine craquelure, minor rippling to u.r. corner. $1,800-2,200

66

285 Douglas Volk (American, 1856-1935) Hillside Pine Signed “Douglas Volk” l.l., inscribed “Douglas Volk for Worcester” on the stretcher.

Oil on canvas, 35 x 28 in. (89.0 x 71.0 cm), in a period style frame.

Condition: Fine, stable craquelure, strip lined. $4,000-6,000

Additional information and photos at www.skinnerinc.com

286

286 George Gardner Symons (American, 18631930) Winter Vista Signed “Gardner Symons” l.r., signed or inscribed “Gardner Symons” on the stretcher, identified on a label from William Karges Fine Art, Carmel, California, on the frame backing.

Oil on canvas, 20 x 25 in. (51.0 x 63.5 cm), framed.

Condition: Scattered retouch, scattered small losses to the edges of the composition, craquelure. $7,000-9,000

Online bidding at www.skinnerinc.com

67

287

287 Molly Luce (American, 1896-1986) June Landscape Signed and dated “Molly Luce ‘31” l.r., titled and inscribed “by Molly Luce/.../Belmont, Mass.” on the stretcher.

Oil on canvas, 24 x 30 in. (61.0 x 76.5 cm), framed.

Condition: Pentimento including a seated figure on the grass l.r., retouch. $4,000-6,000

68

Additional information and photos at www.skinnerinc.com

288

288 Thomas Hart Benton (American, 18891975) Hudson River View, c. 1912 Signed “Benton� l.r.

Oil on canvas, 10 3/4 x 10 3/4 in. (27.2 x 27.2 cm), framed.

Condition: Subtle surface grime.

Provenance: From the artist to his near neighbors, Morris and Victoria Zeitlin, Massachusetts, then by descent to the current owner.

N.B. Benton painted this oil on canvas in the summer of 1912 during his first year in New York City, when he was twenty-three years old. At this time, Benton had just returned from a trip to Paris, and the painting shows the influence of Paul CĂŠzanne and the Fauves.

However, this view of the Hudson River is tempered by a flattening of form, indicative of the fact that Benton was becoming more interested in decorative patterns. This is an early work for Benton, who would emerge during the late 1920s as a leading figure of the Regionalist art movement. $30,000-50,000

Online bidding at www.skinnerinc.com

69

289

289 Eric Sloane (American, 1905-1985) Covered Bridge in Snow Signed “-SLOANE” l.r., signed “Eric SLOANE” on the reverse.

Oil on canvasboard, 15 7/8 x 20 in. (40.2 x 50.8 cm), framed.

Condition: Tack holes at the edges of the support, minor frame abrasion, minor surface grime. $1,200-1,800 290 Christian Lawton Dull (American, 19021982) Desolate Signed “CHRISTIAN L DULL” l.r., titled and signed “...Christian Dull” in crayon on the stretcher, stamped “EX.P.A.F.A.” on the stretcher.

Oil on canvas, 30 x 36 in. (76.0 x 91.5 cm), framed.

Condition: Retouch, natural pigment fluorescence, craquelure, rippling to corners, stretcher bar marks, discolored varnish, surface grime.

290

Exhibitions: Pennsylvania Academy of the Fine Arts, Annual Exhibition, 1928, as catalog number 177. $1,200-1,800

70

Additional information and photos at www.skinnerinc.com

291

291 Aldro Thompson Hibbard (American, 18861972) Sugaring Off Signed “A.T. Hibbard” l.r., inscribed “5X-39” and stamped “Reproduction Rights Reserved” on the reverse.

Oil on canvas, 28 x 36 in. (71.1 x 91.4 cm), framed.

Condition: Good.

Provenance: Gift to the current owner from her father. $6,000-8,000

Online bidding at www.skinnerinc.com

71

292 Emile A. Gruppé (American, 1896-1978) Birch Trees in Autumn Signed “Emile A. Gruppé” l.r.

Oil on canvas, 24 x 20 in. (61.0 x 50.9 cm), framed.

Condition: Abrasion at u.l. edge. $1,500-2,500 293 William Lester Stevens (American, 18881969) Autumn Glory Signed “W. LESTER STEVENS N.A.” l.l.

Oil on Masonite, 30 x 36 in. (76.4 x 91.5 cm), framed.

Condition: Minor surface grime.

N.B. Accompanied by a letter from Augie Stevens, wife of the artist, dated November 2, 1967, to Miss Mary Pilkington of Belmont, Massachusetts, thanking the addressee for her check but without specifically referencing which painting was being paid for. $2,000-3,000

292

293

72

Additional information and photos at www.skinnerinc.com

294

294 Henry Hobart Nichols (American, 18691962) Autumn Gold Signed “Hobart Nichols� l.l., identified on a label from Grand Central Art Galleries, New York, affixed to the stretcher.

Oil on canvas, 36 x 36 in. (91.5 x 91.5 cm), framed.

Condition: Craquelure, surface grime. $3,000-5,000

Online bidding at www.skinnerinc.com

73

295

295 Aldro Thompson Hibbard (American, 18861972) Vermont Landscape, Autumn Signed “A.T. Hibbard” l.l., numbered “6X-65” on the reverse.

Oil on canvas, 30 x 40 in. (76.5 x 101.5 cm), framed.

Condition: Craquelure, minor surface grime. $5,000-7,000

74

Additional information and photos at www.skinnerinc.com

296

296 Frank Earle Schoonover (American, 18771972) Below Franconia Notch, New Hampshire Signed and dated “Frank E. Schoonover/1942” l.r., titled on a gummed label affixed to the back of the frame.

Oil on Masonite, 24 x 30 in. (61.0 x 76.0 cm), framed.

Condition: Retouch, craquelure, minor frame abrasion.

N.B. The catalogue raisonné states that Schoonover traveled to New Hampshire in September 1942 and rendered two landscapes of Franconia Notch. The lot is accompanied by the two volume catalogue raisonné. $10,000-15,000

Literature: John R. Schoonover, Louise Schoonover Smith, and LeeAnn Dean, Frank E. Schoonover catalogue raisonné (New Castle, Delaware: Oak Knoll Press, 2009), p.

666, catalog number 2300.

Online bidding at www.skinnerinc.com

75

297

298

297 Marion P. Howard (American, 1883-1953) Clouds Breaking Over Kearsarge Signed “Marion Howard” l.r., identified on a label from Jordan Marsh Company, Twentieth Annual Exhibition of Paintings (see below), Boston, affixed to the frame.

Oil on canvas, 26 x 34 in. (66.0 x 86.5 cm), framed.

Condition: Craquelure, surface grime.

298 Hiroshi Yoshida (Japanese/American, 1876-1950) Misty Morning, Japanese Shoreline Signed “H.YOSHIDA.” l.l.

Watercolor on paper, sight size 12 3/8 x 19 1/8 in. (31.5 x 48.5 cm), framed.

Condition: Not examined out of frame. $1,800-2,200

Exhibitions: Twentieth Annual Exhibition of Paintings, Jordan Marsh Company, May 23– June 11, 1949. $1,000-1,500

76

Additional information and photos at www.skinnerinc.com

299

299 J. Alden Weir (American, 1852-1919) Cabbage Patch Signed “J Alden Weir” l.r., titled on a presentation plaque.

Pastel on paper/board, sight size 11 1/2 x 17 in. (29.0 x 43.0 cm), framed.

Condition: Not examined out of frame. $3,000-5,000 300 Marion P. Howard (American, 1883-1953) Verdant Summer Landscape Signed “Marion Howard” l.r., initialed “M.P.H.” in pencil on the stretcher.

Oil on canvas, 24 x 30 in. (61.0 x 76.0 cm), framed.

Condition: Craquelure, surface grime. $800-1,200

300

Online bidding at www.skinnerinc.com

77

301

301 Don Stone (American, 1929-2015) Figure at the Water’s Edge, Winter Signed “Don Stone” l.r.

Watercolor on paper, sight size 18 3/8 x 29 5/8 in. (46.7 x 75.3 cm), framed.

Condition: Not examined out of frame. $1,200-1,800

78

Additional information and photos at www.skinnerinc.com

302

302 John Fulton Folinsbee (American, 18921972) Fort Edgecomb Signed “John Folinsbee” l.r., signed or inscribed “John F. Folinsbee” on the back of the frame.

Oil on canvas, 32 x 40 1/8 in. (81.0 x 102.0 cm), framed.

Condition: Minor craquelure, minor surface grime.

N.B. Fort Edgecomb, built in 1808-09, is a two-story octagonal wooden blockhouse and restored fortifications located on Davis Island in the town of Edgecomb, Lincoln County, Maine. The work is included in the John F. Folinsbee Catalogue Raisonné as number 1621 (johnfolinsbee.org/catalogue/entry. php?catNo=1621). $6,000-8,000

Provenance: A Maine estate.

Online bidding at www.skinnerinc.com

79

303

303 Emile A. Gruppé (American, 1896-1978) Motif #1 Signed “Emile A. Gruppé” l.r., numbered “C209” on the stretcher.

Oil on canvas, 30 x 36 in. (76.1 x 91.5 cm), framed.

Condition: Good.

Provenance: A Massachusetts estate. $3,000-5,000

80

Additional information and photos at www.skinnerinc.com

304

304 Frank Weston Benson (American, 18621951) The Sarah Douglass Signed and dated “F.W. Benson/’22” l.l., identified on a label from Vose Galleries of Boston affixed to the frame backing paper.

Watercolor on paper, 20 x 16 in. (50.8 x 40.7 cm), framed.

Condition: Minor acid burn to edges of the sheet, hinged to back mat in two places at the top of the reverse.

Provenance: A private Florida collection. $18,000-22,000

Online bidding at www.skinnerinc.com

81

305 Cesare Ricciardi (American, 1892-1973) Boats Docked in the Harbor Signed and dated “C.A. Ricciardi/31” l.r.

Oil on Masonite, 24 x 20 in. (61.0 x 50.7 cm), framed.

Condition: Surface abrasions, retouch, craquelure, surface grime. $1,000-1,500 306 Otis Pierce Cook (American, 1900-1980) Italian Fishing Boat, Gloucester Signed “Otis Cook” l.l., titled on the reverse.

Oil on canvasboard, 16 x 20 in. (40.4 x 50.4 cm), in a period frame.

Condition: Bowing to the support, surface grime. $800-1,200

305

306

82

Additional information and photos at www.skinnerinc.com

307

307 William Lester Stevens (American, 18881969) Fisherman’s Shack Signed “W. LESTER STEVENS NA A.W.S.” l.r., titled on the reverse.

Watercolor on paper, sheet size approximately 22 x 29 1/2 in. (56.0 x 75.0 cm), framed.

Condition: Scattered foxing, rippling, sheet affixed to window mat with brown paper tape around the perimeter of the reverse. $1,500-2,000

Online bidding at www.skinnerinc.com

83

308

308 Constantin Aleksandrovich Westchiloff (Russian, 1877-1945) 309

Maine Signed “C. Westchiloff” l.l., titled l.r.

Oil on canvas, 22 x 28 in. (56.0 x 71.2 cm), framed.

Condition: Craquelure, small paint loss l.r., subtle stretcher bar marks. $1,500-2,500 309 DeWitt Parshall (American, 1864-1956) Two California Coastal Views: Cliffs and Ocean with Foreground Trees and View Across to Distant Hills Cliffs signed “D.W. Parshall” l.l., dated “1922” on the reverse; Distant Hills signed “DeWitt Parshall” l.r.; both with color notations on the reverse.

Oil on panel or paperboard, respectively, 7 7/8 x 10 in. (20.0 x 25.4 cm), framed (under glass).

Condition: Minor surface grime, Distant Hills not examined out of frame. $800-1,200

84

Additional information and photos at www.skinnerinc.com

310

310 Stanley Wingate Woodward (American, 1890-1970) High Seas, Maine Coast Signed and dated “Stanley W Woodward 26” l.r., identified on a fragmentary label affixed to the stretcher.

Oil on canvas, 28 1/8 x 36 1/4 in. (71.5 x 92.0 cm), in a period frame.

Condition: Tear to l.l. quadrant, craquelure, minor surface grime.

Provenance: Purchased from the artist by Herbert Wilson, Melrose, Massachusetts, by 1937, then by descent to the current owner.

N.B. A letter from the artist to Mr. Herbert Wilson, accompanies the lot, as well as a number of clippings about the artist’s work. $2,000-3,000

Online bidding at www.skinnerinc.com

85

311

312

311 William Penhallow Henderson (American, 1877-1943) Springtime Monogrammed “WPH” l.l., signed or inscribed and titled “William Penhallow Henderson...” in pencil on the stretcher, identified on an unattributed modern label affixed to the stretcher.

Oil on canvas, 14 x 22 in. (35.6 x 56.0 cm), unframed.

Condition: Good.

86

Provenance: A private Florida collection.

N.B. Accompanied by a catalog, An American Journey: The Art of William P. Henderson, published by The Owings Gallery, Santa Fe, with a handwritten card inserted, signed by John Fillmore and dated August 16, 2007, stating that Henderson’s Springtime painting had been seen in Alice Rossin’s house in Tesuque in the 1970s. $3,000-5,000

Additional information and photos at www.skinnerinc.com

313

312 John Charles Terelak (American, b. 1942)

313 Ernest Lawson (American, 1873-1939)

Spring Ablaze Signed and dated “JCTERELAK © 94” l.r., titled on the reverse.

Oil on board, 12 x 16 in. (30.3 x 40.5 cm), framed.

Condition: Good. $800-1,200

Gardener’s Cottage, George Jones Dyer Estate, Norfolk, Connecticut Signed “E LAWSON” l.r., inscribed indistinctly on the stretcher.

Oil on canvas, 20 x 24 in. (51.0 x 61.0 cm), framed.

Condition: Very minor paint loss to center.

N.B. George Jones Dyer of Norfolk, Connecticut, was a patron of Ernest Lawson, and it is believed that he commissioned Lawson to paint this scene.

Interestingly, the subject depicted is not the main house on Dyer’s property, but the gardener’s cottage. $25,000-35,000

Provenance: From the collection of George Jones Dyer, Norfolk, Connecticut, then by descent to the current owner.

Online bidding at www.skinnerinc.com

87

314

315

314 Continental School, 20th Century

315 Harry Lane (American, 1891-1973)

Ploughman and Team of Horses at Work Signed and dated “Rudolf Rech/36” l.r.

Oil on canvas, 26 1/4 x 45 1/2 in. (66.5 x 115.5 cm), framed.

Condition: Minor canvas deformation to corners, varnish inconsistencies, minor surface grime. $800-1,200

Bessie Hallock’s House Signed “Harry Lane” l.r., identified and titled on a label affixed to the reverse of the frame.

Oil on panel, 24 x 30 in. (60.9 x 76.1 cm), framed.

Condition: Minor surface grime. $1,500-2,500

88

Additional information and photos at www.skinnerinc.com

316

316 Eric Sloane (American, 1905-1985) The Red Barn/Last Light of Day Signed “Eric Sloane� l.l.

Oil on Masonite, 24 x 36 in. (61.0 x 92.0 cm), framed.

Condition: Surface grime, minor paint loss l.r. $7,000-9,000

Online bidding at www.skinnerinc.com

89

317

318

317 Wayne Beam Morrell (American, 19232013) La Jolla - Cove, Spring, 1983 Signed “WAYNE MORRELL” l.r., titled, dated, inscribed, and signed on the reverse.

Oil on canvas, 9 x 14 in. (22.5 x 36.0 cm), framed.

Condition: Paint losses, flaking. $600-800

90

318 Sears Gallagher (American, 1869-1955) The Little Trio/A Beach Scene Signed “Sears Gallagher” l.r.

Watercolor on paper, 14 x 20 in. (35.4 x 50.7 cm), framed.

Condition: Minor accretion to sky. $800-1,200

Additional information and photos at www.skinnerinc.com

319

319 Gaston Sebire (French, 1920-2001) Dunes and Shore Signed “G Sebire� l.r., with a label from Wally Findlay Galleries, New York, on the reverse.

Oil on canvas, 21 1/2 x 26 in. (54.5 x 66.0 cm), framed.

Condition: Surface grime. $1,800-2,200

Online bidding at www.skinnerinc.com

91

320

320 Robert William Wood (American, 18891979) Autumn Vista Signed and dated “Robert Wood 56� l.l.

Oil on canvas, 24 x 36 in. (61.0 x 91.3 cm), framed.

Condition: Surface grime and subtle bloom.

Provenance: Purchased from the J.J. Gillespie Company Fine Art Galleries, Pittsburgh, in 1956; by descent to the current owner.

N.B. A photocopy of the sales receipt and additional information about the painting accompanies the lot. $1,000-1,500

92

Additional information and photos at www.skinnerinc.com

321

321 Gustave Loiseau (French, 1865-1935) Rivière sous Bois Signed “G. Loiseau” l.l., titled on a presentation plaque.

Oil on canvas, 23 5/8 x 29 in. (60.3 x 73.5 cm), framed.

Condition: Lined, fine craquelure, minor surface grime.

Provenance: Octave Linet, Paris; ParkeBernet Galleries, Inc., New York, Modern Paintings, Drawings, and Sculpture, February 15, 1968, Lot 68 (as Rivière sous Bois); Sotheby Parke-Bernet, Inc., New York, Impressionist & Modern Paintings and Sculpture, February 26, 1981, Lot 7 (as La Rivière de Mortain); a Maine estate.

N.B. The 1968 auction catalog from ParkeBernet mentions a certificate from Bernard Lorenceau, dated Paris, June 12, 1963, but this certificate does not accompany the lot and its current whereabouts are unknown. $50,000-70,000

Online bidding at www.skinnerinc.com

93

322 Anton Vorauer (Austrian/American, 19051985) On the Terrace Signed and dated “Vorauer 49” u.r.

Oil on board, 21 3/8 x 26 in. (54.3 x 66.0 cm), framed.

Condition: Surface grime and scattered accretions. $1,000-1,500 323 José Villegas y Cordero (Spanish, 18441921) Biarritz Signed “Villegas” l.l., titled on the reverse.

Oil on panel, 6 1/2 x 9 3/4 in. (16.5 x 24.7 cm), framed.

Condition: Minor surface grime. $1,200-1,800

322

323

94

Additional information and photos at www.skinnerinc.com

324

324 Ernest Lawson (American, 1873-1939) Harvest, Segovia, Spain, c. 1916 Signed “E. Lawson” l.l.

Oil on canvas, 20 1/4 x 24 3/8 in. (51.3 x 62.0 cm), framed.

Condition: Minor retouch to u.r. corner, craquelure, surface grime.

Provenance: From the artist to his colleague Edgar Sergeant, by family descent to the current owner.

N.B. Ernest Lawson and Edgar Sergeant became friends as young painters studying at the Art Students League. This painting was done as Lawson’s career was showing great promise. In 1916, Lawson won a prize from the Corcoran Gallery that allowed him to take his family abroad. He painted in Segovia and Toledo, where the bright light of the Spanish landscape inspired the artist to lighten his palette. When he returned to the United States in 1917, he was elected to full membership in the National Academy. $12,000-18,000

Online bidding at www.skinnerinc.com

95

325

326

325 John Charles Terelak (American, b. 1942)

326 Jules René Hervé (French, 1887-1981)

Swan Boats Signed and dated “JCTERELAK © 94” l.l., titled and dated on the reverse.

Oil on board, 12 x 16 in. (30.3 x 40.5 cm), framed.

Condition: Good. $800-1,200

Pont Alexandre, Paris Signed “Jules R. Hervé” l.l. and on the reverse, identified on a fragmentary label affixed to the frame.

Oil on canvas, 18 x 22 in. (45.8 x 55.9 cm), framed.

Condition: Minor surface grime.

96

Additional information and photos at www.skinnerinc.com

N.B. The Hôtel des Invalides is visible past the far end of the bridge. $400-600

327

327 Constantine Kluge (French, 1912-2003) Jardin du Luxembourg Signed “C. Kluge” l.r.

Oil on canvas, 29 x 28 3/4 in. (73.5 x 72.7 cm), framed.

Condition: Craquelure, minor abrasions. $3,000-5,000 328 David Bareford (American, b. 1947) Between Races, Henley Signed “David Bareford ©” l.r., identified on a presentation plaque and on a label from Quester Gallery, Stonington, Connecticut, affixed to the frame backing.

Oil on canvas, 22 x 26 in. (56.0 x 66.0 cm), framed.

Condition: Good. $1,800-2,200

328

Online bidding at www.skinnerinc.com

97

329

329 Martin Joseph Murray (American, 19081997) Railroad Yard Signed and dated “Martin Murray ‘52” l.r.

Watercolor on paper, sight size 21 1/2 x 29 1/2 in. (54.5 x 74.9 cm), framed.

Condition: Possible toning, not examined out of frame. $500-700 330 Harry Lane (American, 1891-1973) Along the FDR, East River, New York Signed “Harry Lane” l.l.

Oil on canvas, 31 1/4 x 24 1/4 in. (79.3 x 61.5 cm), unframed.

Condition: Craquelure, surface grime, abrasions. $2,500-3,000

330

98

Additional information and photos at www.skinnerinc.com

331

331 Arthur Clifton Goodwin (American, 18661929) Park Street Church Signed “AC Goodwin” l.r., identified on a label from the Museum of Fine Arts, Boston, affixed to the stretcher.

Oil on canvas, 34 x 40 in. (86.5 x 101.6 cm), framed.

Condition: Good.

Provenance: A private Rhode Island collection.

Literature: Sandra Emerson, Lucretia H. Giese [and] Laura C. Luckey, A.C. Goodwin, 18641929 (Boston: Museum of Fine Arts, 1974), unpaginated exhibition catalog, cat. no. 29.

Exhibitions: A.C. Goodwin, 1864–1929, Museum of Fine Arts, Boston, July 15–August 25, 1974, cat. no. 29. $5,000-7,000

Online bidding at www.skinnerinc.com

99

332 Abbott Handerson Thayer (American, 18491921) A Classic Profile Signed and dated “Abbot H. Thayer/1879” l.r.

Oil on canvas, 26 3/4 x 21 3/4 in. (68.0 x 55.3 cm), framed.

Condition: Retouch, craquelure, surface grime. $3,000-5,000 333 Attributed to Sarah Wyman Whitman (American, 1842-1904) White Peonies Unsigned, dated “1902” l.r.

Oil on canvas, 14 x 15 7/8 in. (35.8 x 40.2 cm), unframed.

Condition: Lined, retouch. $500-700

332

333

100

Additional information and photos at www.skinnerinc.com

334 Douglas Volk (American, 1856-1935) Portrait of Nelly Littlehale Murphy Signed and dated “Douglas Volk, N.A./1905� l.r.

Oil on canvas, 30 x 25 in. (76.2 x 64.0 cm), in a signed and dated Carrig-Rohane frame.

Condition: Good.

Provenance: Descended within the family of Herman Dudley Murphy.

N.B. Nelly Littlehale Murphy (1867-1941) was a painter, illustrator, and etcher, noted for her watercolors. She lived and exhibited in the Massachusetts area. In 1916 she married fellow painter Hermann Dudley Murphy (American, 1867-1945), who also was a noted frame maker who established the CarrigRohane frame shop. $3,000-5,000 335 Boston School, 19th/20th Century Two Plein-air Portrait Studies: Gentleman Reading and Lady Sewing Unsigned.

Pastel on paperboard, 11 x 9 in. (27.7 x 22.8 cm), framed (under glass).

Condition: Minor abrasions from window mats, minor toning, some transfer of pigment to the glass, sheets hinged to back mats in two places on the reverse. $500-700 334

335

Online bidding at www.skinnerinc.com

101

336

336 Martha Mayer Erlebacher (American, b.

1937) Touch Upon a Body Signed and dated “m/00-02” l.r., titled on the artist’s label affixed to the frame backing.

Oil on canvas, 20 x 30 in. (50.8 x 76.2 cm), framed.

Condition: Varnish inconsistencies which appear to be the intent of the artist. $1,000-1,500

102

Additional information and photos at www.skinnerinc.com

337

337 Elihu Vedder (American, 1836-1923) Cumaean Sibyl in the Wilderness Signed, inscribed, and dated “ELIHU VEDDER/Rome 1876” l.r.

Oil on canvas, 37 3/4 x 58 3/4 in. (95.9 x 149.2 cm), framed.

Condition: Lined, retouch, craquelure, very minor paint losses, undergrid visible beneath the paint layer in thinly painted areas.

N.B. This is a monochromatic version of The Sibyl Returning to Tarquin that is now in the collection of the Detroit Institute of Arts. The two paintings are approximately the same size.

Detroit’s painting was originally purchased for Wellesley College in 1880 and has been widely published, but the version at hand is relatively unknown. In The Digressions of V. (Houghton Mifflin Company, 1910), among his entries for 1876, Vedder mentions another “Drawing of the Cumaean Sibyl” which he describes as “a monochrome in brown -oil-colour. I wish it had been better, but she wanted it. Of course I greatly improved things in the picture I painted afterwards.” Although Vedder often listed the buyer of the paintings, in this case, unfortunately, he left that line blank. The consignor reports that the painting was acquired by her family at least 50 years ago from the collection of the Gillette family of Connecticut. $30,000-50,000

Online bidding at www.skinnerinc.com

103

338 Katharine Ward Lane Weems (American, 1899-1989) Colt Standing Signed “KATHARINE W. LANE” within the cast on base, marked “KUNST-FOUNDRY NY” within the cast on base.

Bronze with black patina, 10 1/2 x 8 1/4 x 2 5/8 in. (26.6 x 20.9 x 6.7 cm).

Condition: Minor wear to patina, dust to interstices.

N.B. The plaster for this work is in the collection of the Museum of Fine Arts, Boston. $4,000-6,000 339 Edith Barretto Stevens Parsons (American, 1878-1956) Puppies/A Pair of Bookends (Seated and Eating) Each signed “E·B· PARSONS ©” and stamped “GORHAM CO. FOUNDERS,” numbered “QFGA” and “QFGB,” respectively, in the bases.

Bronze with gray/green patina, height to 6 1/8 in. (15.5 cm).

Condition: Wear and minor losses to the patina, areas of corrosion or similar, accretions, dust and dirt to interstices. $800-1,200 338

339

104

Additional information and photos at www.skinnerinc.com

340

340 American School, 20th Century Study of Lambs in a Meadow Unsigned.

Oil on canvas, 10 1/8 x 12 1/8 in. (25.5 x 30.8 cm), framed.

Condition: Retouch, areas of craquelure, minor canvas deformation. $500-700 341 Dudley Vaill Talcott (American, 1899-1986) Reclining Feline Stamped “DVT� on the underside of the base.

Bronze with a soft gold patina, height 3 3/4 in.

(9.4 cm).

Condition: Minor dust and dirt to interstices. $800-1,200

341

Online bidding at www.skinnerinc.com

105

342

342 Frederick Ballard Williams (American, 1871-1956) The Fete Signed “F. Ballard Williams� l.r., titled on a label from The Gage Gallery, Cleveland, Ohio, affixed to the frame, and with a partial label from the Summer Exhibition, Mystic Art Association, affixed to the reverse.

Oil on panel, 15 x 11 3/4 in. (38.0 x 30.0 cm), framed.

Condition: Scattered minor retouch, fine craquelure.

106

Exhibitions: Mystic Art Association, Mystic, Connecticut, Summer Exhibition (no year given). $700-900

Additional information and photos at www.skinnerinc.com

343

343 Vladimir Pavlosky (American, 1884-1944) The Green Fountain Signed “Vladimir Pavlosky� l.l., identified on an undated exhibition label from the Copley Society of Boston affixed to the stretcher.

Oil on canvas, 49 1/2 x 56 1/8 in. (125.3 x 142.6 cm), framed.

Condition: Paint losses, craquelure with areas of flaking, mild canvas deformation, discolored varnish, surface grime. $800-1,200

Online bidding at www.skinnerinc.com

107

344 Aristide Maillol (French, 1861-1944) Petite Flore drapée Signed “Aristide Maillol” in the bronze on the left side of the base.

Bronze with dark brown patina, height 26 3/8 in. (67.0 cm), on a wood plinth.

Condition: Small surface loss between the feet, areas of minor wear to the patina, dust and dirt to the interstices.

Provenance: Purchased from Charles E. Slatkin Galleries, New York, in 1959, by the family of the current owner.

N.B. The sculpture at hand is a bronze published by Ambroise Vollard during Maillol’s lifetime. Vollard created two different editions of Petite Flore Drapée. One was a numbered edition of six. These casts included foundry marks from Alexis Rudier, Florentin Godard, or Valsuani. The other edition, to which this sculpture belongs, did not include foundry marks, and the identity of the foundry or foundries is not known. Ambroise Vollard did not number the casts, and the edition size remains unknown. It is interesting to note that an early version of Petite Flore Drapée was carved c. 1901 in wood and is reproduced in John Rewald’s book, Maillol (London: The Hyperion Press, 1939), p. 126.

344

We would like to thank Olivier Lorquin for his kind assistance cataloging this lot. $40,000-60,000

108

Additional information and photos at www.skinnerinc.com

345

345 Natalia Sergeevna Goncharova (Russian, 1881-1962) Two Russian Maidens Reading/A Preparatory Drawing for a Poster Design for J. Povolozky & Cie., Paris, c. early 1920s Unsigned.

Pencil on Arches MBM watermarked paper, 22 1/8 x 17 7/8 in. (56.1 x 45.4 cm), unmatted, unframed.

Condition: Toning, soiling particularly to the edges of the sheet, remnants of old hinges on the reverse.

Provenance: Collection of Jon P. Dorsey.

Literature: Anthony Parton, Goncharova: The Art and Design of Natalia Goncharova (Woodbridge: Antique Collectors’ Club, 2010), p. 296, plate 365.

Exhibitions: Newcastle, Hatton Gallery, University of Newcastle upon Tyne, Natalia Goncharova and the Russian Folk Art Tradition, 1996.

N.B. In 1919 Natalia Goncharova was living in Paris, entering what would be a rich period in her career. She worked successfully across many different media, designing for the stage as well as easel painting, and moved fluidly between abstract and figurative styles, often blending traditional Russian imagery and contemporary avant-garde styles. She continued to create stage and costume

designs for Diaghilev and was hailed for her modern yet personal interpretation of eastern and Byzantine art. During this period Goncharova became more deeply involved with graphic design, illustrating musical scores, books, posters, and magazines.

Her illustrations for Pushkin’s The Tale of Tsar Saltan were particularly noted for their fusion of contemporary styles with nostalgic imagery. In the early 1920s Goncharova was commissioned by Jacques Povolozky to design a poster to promote his FrancoRussian publishing house and bookshop in Paris. In her preparatory drawings, Goncharova represented two traditionally garbed Russian maidens reading Povolozky books beneath an arch of foliage. The drawing at hand is a preparatory study for that poster. $15,000-20,000

Online bidding at www.skinnerinc.com

109

346

346 Reginald Marsh (American, 1898-1954) Majorette Signed and dated “Marsh 52” l.r.

Oil on panel, 5 x 3 in. (12.6 x 10.0 cm), in a hand-decorated frame.

Condition: Craquelure, minor surface grime. $3,000-5,000 347 Reginald Marsh (American, 1898-1954) Figure Studies: Three Women Unsigned, inscribed or dated “53” in pencil u.r.

Ink and wash on graph paper mounted as an album page, 10 3/8 x 8 1/2 in. (26.2 x 21.6 cm), framed.

Condition: Toning, crease to l.l. corner, sheet backed with thin paper, right edge of the reverse affixed to a fabric strip attached to a two-hole paper border, hinged to window mat in two places on the reverse. $800-1,200

347

110

Additional information and photos at www.skinnerinc.com

348

348 Elie Nadelman (American, 1885-1946) Standing Female Figure Unsigned.

Papier-mâchÊ with silver leaf patina, height 11 1/4 in. (28.6 cm).

Condition: Minor wear to the patina.

Provenance: Private collection, New York, acquired from Lincoln Kirstein, New York. $3,000-5,000

Online bidding at www.skinnerinc.com

111

349

349 Sigmund Joseph Menkes (American, 18961986) Self-Portrait Signed “Menkes” l.r., signed, dated, and dedicated “To Tirca/Menkes/May 1957” on the reverse.

Oil on canvas, sight size 16 x 12 1/4 in. (40.5 x 31.3 cm), framed.

Condition: Minor surface grime.

Provenance: A private Massachusetts collection. $1,000-1,500

112

Additional information and photos at www.skinnerinc.com

350

350 Alexander Calder (American, 1898-1976) Self Portrait, c. 1924 Unsigned, inscribed “Sandy Calder, age 22, self portrait” in an unknown hand on the top stretcher bar.

Oil on canvas, 20 x 16 in. (50.8 x 40.5 cm), framed.

Condition: Scattered minor paint losses, craquelure, surface grime.

Provenance: From the artist to Jane Davenport Harris di Tomassi, through to the estate of the current owner.

N.B. Calder Foundation application number A27674.

The inscription on the stretcher is not in Calder’s hand, and it is believed that the artist was about 26 years old at the time of this self-portrait. $60,000-80,000

Online bidding at www.skinnerinc.com

113

351

352

351 Nikol Schattenstein (Russian/American, 1877-1954) The Sleeping Model Signed “Nikol Schattenstein N.Y.� l.r.

Oil on board, 28 x 20 3/4 in. (71.0 x 52.7 cm), framed.

Condition: Minor surface grime. $1,000-1,500

114

352 American School, 19th Century Still Life, Christmas Cactus Unsigned, identified on a label from Brown Corbin Gallery, Lincoln, Massachusetts, affixed to the backing.

Oil on artist board, 18 1/2 x 12 in. (47.7 x 30.5 cm), framed.

Condition: Surface grime. $1,000-1,500

Additional information and photos at www.skinnerinc.com

353

353 Alfred Di Cesare (American, 1910-1993) White Peonies and Little Buddha Signed and dated “DiCesare 61� u.r., identified on a label from Vose Galleries of Boston affixed to the reverse.

Oil on Masonite, 30 x 23 3/4 in. (76.0 x 60.5 cm), framed.

Condition: Good. $1,000-1,500 354 Charles Sprague Pearce (American, 18511914) La Petite Rieuse Monogrammed l.r., identified and titled on a label from the Carnegie Institute, Pittsburgh, affixed to the stretcher.

Oil on canvas, 18 1/2 x 22 in. (47.0 x 55.8 cm), framed.

Condition: Minor craquelure.

354

Exhibitions: Carnegie Institute International Exhibition, 1910, Pittsburgh, Pennsylvania, as The Laughing Girl. $1,000-1,500

Online bidding at www.skinnerinc.com

115

355

116

Additional information and photos at www.skinnerinc.com

355 Florine Stettheimer (American, 1871-1944) Floral Still Life Monogrammed “FS” l.r., identified on labels from Richard L. Feigen & Co., New York, and the Museum of Art, Rhode Island School of Design, Providence, affixed to the frame backing.

Oil on canvas, 25 3/8 x 25 3/8 in. (64.5 x 64.5 cm), framed.

Condition: Lined, new stretcher, retouch, scattered areas of craquelure.

Provenance: A Rhode Island estate.

Exhibitions: 1900 to Now, Modern Art from Rhode Island Collections, Museum of Art, Rhode Island School of Design, Providence, Rhode Island, January 22–May 1, 1988, illustrated p. 63 of exhibition catalog.

N.B. Florine Stettheimer is an artist’s artist, a painter, designer, and poet. Born in Rochester, New York, into a wealthy, intellectual German banking family, Florine spent her childhood in Europe. She studied at the Art Students League of New York from 1892 to 1895, then returned to Europe where she lived with her mother, Rosetta, and two sisters (Caroline and Henrietta) until the outbreak of World War I in 1914.

Financially independent, Florine Stettheimer did not need to sell her works. While she exhibited periodically at the Society of Independent Artists and the Whitney, she had only one one-woman show during her lifetime. This was held in 1916 at Knoedler & Co., and featured high-keyed works inspired

by Matisse. None of the twelve works in the show sold, and she chose not to go this route again. She had no taste for publicity, and did not relish participating in exhibitions. Instead, she showed her paintings primarily through the salons that she and her sisters, known as “The Stetties,” held in their apartment on West 58th Street in New York. Their lifestyle became legendary, with Florine painting, Carrie decorating an enormous dollhouse (now in the Museum of the City of New York), and Ettie writing fiction. Their salons brought together an elite intellectual circle of artists, poets, and actors of the day, including Marcel Duchamp (of whom Florine painted several portraits), Zorach, Archipenko, Picabia, Lachaise, O’Keeffe, and art critic Henry McBride.

Florine Stettheimer had wide ranging interest in art from many periods including Japanese prints, Persian miniatures, and early Renaissance paintings, which share an emphasis on decorative schemes of color, pattern, and rhythm. She used bold color, faux-naïve style, and inventive compositions as she developed her highly personalized, mature style. In 1917 she painted Sunday Afternoon in the Country, a pivotal work now in the collection of The Cleveland Museum of Art.

The scene depicts a weekend picnic at the family’s country home on the Hudson River and is typical of the narrative aspects of her work. The artist shows herself in the upper right, working at her easel, while in the foreground at lower left photographer Edward Steichen is photographing Marcel Duchamp, with Florine’s sister Ettie standing behind him with her arms outstretched.

Florine Stettheimer did not feel restricted by the boundaries of two-dimensional art. In 1934 she designed avant-garde costumes and sets for the opera Four Saints in Three Acts, with a libretto by Gertrude Stein and music by Virgil Thomson, perhaps finding inspiration from time spent in Paris (1912) where she experienced the excitement of Diaghilev’s Ballets Russes. She also wrote poetry that some have compared to Emily Dickinson, with their richly imaged inner solitude.

After her mother died in 1935, the Stettheimer household broke up. Florine lived alone at her studio and home at 8 West 40th Street and devoted herself to her art. Among other important work, she completed the series of four paintings known as the Cathedrals series, now at the Metropolitan Museum of Art: Cathedrals of Broadway (1929), Cathedrals of Fifth Avenue (1931), Cathedrals of Wall Street (1939), and Cathedrals of Art (1942-44).

At the time of her death in 1944, most of Florine Stettheimer’s paintings were still in the possession of her family. Ettie Stettheimer donated works to many museums, and two years after her death, a large retrospective was held at the Museum of Modern Art. $75,000-100,000

Online bidding at www.skinnerinc.com

117

356

356 Géza Fónyi Friml (Hungarian, 1899-1971) Nude with a Fan Signed “Friml Géza” u.r., identified on labels from Esposizione d’Arte Ungherese in Genova, Italy, and A. “Munkácsy-Céh” Kiallitasa, Hungary, both affixed to the reverse.

Oil on canvas, 27 3/4 x 23 5/8 in. (70.0 x 60.0 cm), framed.

Condition: Minor surface grime. $1,000-1,500 357 Bruno Krauskopf (German, 1892-1960) Half-length Nude with Crossed Arms Signed “B. Krauskopf” l.l.

Oil on plywood, 39 3/4 x 27 7/8 in. (101.0 x 71.0 cm), unframed.

Condition: Craquelure, scattered abrasions, surface grime. $4,000-6,000

357

118

Additional information and photos at www.skinnerinc.com

32

358

358 Philip Evergood (American, 1901-1973) Bride and Groom Signed “Philip Evergood” l.c., titled and signed “.../EVERGOOD” on the reverse.

Oil on canvas mounted to plywood panel, 25 1/2 x 21 3/8 in. (64.5 x 54.3 cm), framed.

Condition: Varnish inconsistencies, surface grime.

Provenance: A private Massachusetts collection. $5,000-7,000

Online bidding at www.skinnerinc.com

119

359 Robert Beauchamp (American, 1923-1995) Figure with Blonde Curls Signed and dated “R. Beauchamp/1/1991” on the reverse.

Oil on canvas, 40 x 30 in. (101.5 x 76.2 cm), framed.

Condition: Good.

Provenance: Acquired from the estate of the artist; to a private Massachusetts collection. $1,200-1,800 360 Clementine Hunter (American, 1886-1988) Blue Vase of Flowers Monogrammed “CH” l.r., identified on the frame backing.

Oil on canvasboard, 20 x 16 in. (50.8 x 40.6 cm), framed.

Condition: Discolored varnish, surface grime.

N.B. Accompanied by an unattributed sales receipt dated 1969. $1,000-1,500

359

360

120

Additional information and photos at www.skinnerinc.com

361

361 Ben Johnson (American, 1902-1967) The Artist’s Wife Signed and dated “Ben Johnson 62” l.r.

Oil on canvas, 41 x 32 in. (104.0 x 81.2 cm), framed.

Condition: Lined, broadly brushed retouch to the background, minor paint loss u.l.

Provenance: Purchased from the artist, to a private Vermont collection. $2,500-3,500

Online bidding at www.skinnerinc.com

121

362

362 John Marin (American, 1870-1953) Sunset Off Cape Split, Maine, No. 2 Signed and dated “Marin ‘49” in pencil l.r., titled, signed, inscribed, and dated on the reverse of the mount, identified on labels from The Downtown Gallery and Amy Wolf Fine Art, both of New York, on the reverse.

Watercolor on paper, 9 7/8 x 14 in. (25.1 x 35.6 cm), framed.

Condition: Minor acid burn to edges of the sheet, laid down on mat board support.

122

Provenance: Ex-collection Dorothy Norman, New York.

Literature: Sheldon Reich, John Marin: a Stylistic Analysis and Catalogue Raisonné (Tucson: University of Arizona Press, 1970), cat. 49.56, p. 777. $10,000-15,000

Additional information and photos at www.skinnerinc.com

363

363 John Marin (American, 1870-1953) Sunset Near Stonington Signed and dated “Marin 45” in pencil l.r., identified on a label from Eaton Fine Art, West Palm Beach, Florida, affixed to the frame backing.

Watercolor on paper, 11 x 14 in. (27.8 x 35.4 cm), framed.

Condition: Minor soiling to edges of sheet, laid down on mat board support.

Provenance: Ex-collection Dorothy Norman, New York.

Exhibitions: Expression and Meaning: The Marine Paintings of John Marin, Eaton Fine Art, Inc., January 8–March 6, 1999. $10,000-15,000

Literature: Sheldon Reich, John Marin: a Stylistic Analysis and Catalogue Raisonné (Tucson: University of Arizona Press, 1970), cat. 45.26 (as Setting Sun), p. 740.

Online bidding at www.skinnerinc.com

123

364

364 Francis Chapin (American, 1899-1965) Summer Village, Main Street Signed “Francis Chapin” l.r., identified on a label from Fairweather Hardin Gallery, Chicago, affixed to the stretcher.

Oil on canvas, 26 1/2 x 38 1/2 in. (67.3 x 97.7 cm), framed.

Condition: Surface abrasions, particularly on the signature, craquelure, retouch. $1,000-1,500 365 Francis Chapin (American, 1899-1965) Under Sail Signed “Francis Chapin” l.r.

Oil on canvas, 44 x 36 in. (111.8 x 91.4 cm), framed.

Condition: Craquelure, surface grime including mold on front and reverse. $1,500-2,000

365

124

Additional information and photos at www.skinnerinc.com

366

367

366 Jesus Villallonga (Canadian, b. 1927) Countryside of Today Signed and dated “Villallonga 66” l.r., identified on a label from Distelheim Galleries, Chicago, on the reverse.

Oil on panel, 20 x 24 in. (50.8 x 61.0 cm), framed.

Condition: Surface grime. $1,500-2,000

367 Maurice F. Bilton (American, fl. c. 1930-c.

1955) Provincetown Wharf Signed “M. BILTON” l.r.

Oil on canvasboard, 18 x 23 3/4 in. (45.5 x 60.7 cm), framed.

Condition: Slight bowing to canvasboard, minor surface grime. $800-1,200

Online bidding at www.skinnerinc.com

125

368

368 Zoe (Suzi) Actypi (Greek, 1927-1996) Architectural Abstraction Signed and dated “S. ACTYPI/67” l.r.

Oil on canvas, 23 1/2 x 28 3/4 in. (59.7 x 73.0 cm), unframed.

Condition: Craquelure, minor paint losses to edges of canvas. $1,500-2,000 369 Omer Thomas Lassonde (American, 19031980) Figural Abstraction Signed “LASSONDE” l.r., dated “1961” on a partial label from Ruthermore Galleries, San Francisco, affixed to the reverse.

Oil on Masonite, 26 1/8 x 20 in. (66.4 x 50.9 cm), framed.

Condition: Minor surface grime. $700-900 369

126

Additional information and photos at www.skinnerinc.com

370

370 Alfred McNamara (American, 1911-1994) Interior 7-79 Signed “A McNAMARA” l.r., signed, titled, and dated “#7-2/79...” on the reverse.

Oil on Masonite, 22 x 18 in. (56.0 x 45.5 cm), framed.

Condition: Minor surface grime. $1,000-1,500

Online bidding at www.skinnerinc.com

127

371

371 Lynn Chadwick (British, 1914-2003) Pair of Cloaked Figures III, 1977 Signed and numbered “C [within a triangle] 765S” and numbered “7/8” (male) or “6/8” (female) beneath the capes.

Bronze with dark brown patina, male 6 5/8 x 7 3/8 x 4 1/2 in. (16.8 x 18.7 x 11.4 cm), female 6 3/4 x 6 x 3 1/4 in. (17.1 x 15.2 x 8.3 cm).

Condition: Very subtle wear to edges, minor dust/grime to interstices.

Literature: Farr, Dennis, Eva Chadwick, and Lynn Chadwick, Lynn Chadwick, Sculptor: With a Complete Illustrated Catalogue, 19472005 (Aldershot, Hampshire: Lund Humphries, 2006), cat. no. 765S, p. 324. $18,000-22,000

Provenance: Purchased from Alwin Gallery, London, 1988, to a private Michigan collection.

128

Additional information and photos at www.skinnerinc.com

372

372 Lynn Chadwick (British, 1914-2003) One Two Signed, dated, and numbered “CHADWICK 70 607 1/6� and with a foundry stamp from Morris Singer, London, in the bronze on the back leg.

Bronze with gray/green patina, height 30 in.

(78.7 cm).

Condition: Minor wear to patina.

Literature: Farr, Dennis, Eva Chadwick, and Lynn Chadwick, Lynn Chadwick, Sculptor: With a Complete Illustrated Catalogue, 19472005 (Aldershot, Hampshire: Lund Humphries, 2006), catalog number 607, p. 270. $30,000-50,000

Provenance: A Massachusetts estate.

Online bidding at www.skinnerinc.com

129

374

373

373 Hyman Bloom (American, 1913-2009)

374 Kahlil Gibran (American, 1922-2008)

Marsyas Flayed Signed “HBloom” u.r., inscribed “Marsyas” on the stretcher.

Conté crayon on paper likely mounted to canvas, 59 3/4 x 38 7/8 in. (151.5 x 98.5 cm), framed.

Condition: Minor rippling to corners, not examined out of frame. $5,000-7,000

Head of a Man Stamped “K.GIBRAN” in the bronze on the back l.r.

Bronze with a gold/brown patina, height 9 1/4 in. (23.4 cm), on a painted Plexiglas box plinth.

Condition: Dust and dirt to interstices. $1,500-2,000

130

Additional information and photos at www.skinnerinc.com

375

375 Paul Guiragossian (Lebanese, 1926-1993) Nativité Signed “Paul G” l.r.

Marker on paper mounted to paperboard, 5 1/8 x 8 1/2 in. (12.7 x 22.0 cm), framed.

Condition: Subtle rippling and creasing, gently light-struck, minor accretions, not examined out of frame.

N.B. Accompanied by a certificate of authenticity issued by the Paul Guiragossian Foundation, Beirut, dated July 24, 2015. $7,000-9,000 376 Roy Shifrin (American, b. 1937) The Leaper Signed and numbered “Shifrin 5/6” at the top rear edge of the base.

Bronze with gold/bronze patina, partially polished, height 20 3/4 in. (52.7 cm), on a marble plinth.

Condition: Minor corrosion, dust and dirt to interstices.

N.B. This is a smaller version of Shifrin’s The Leaper, a monumental outdoor sculpture installed outside the Orange County Administration Center in Orlando, Florida. $2,500-3,500 376

Online bidding at www.skinnerinc.com

131

377 Lester Johnson (American, 1919-2010)

377

Profile Signed and dated “Lester Johnson/59� in pencil l.c.

Ink and wash on paper, sight size 39 1/8 x 23 in. (99.5 x 59.0 cm), framed.

Condition: Not examined out of frame.

Provenance: A private Massachusetts collection. $1,000-1,500

132

Additional information and photos at www.skinnerinc.com

378

378 Milton Resnick (American, 1917-2004) Standing Figure Unsigned.

Watercolor and gouache on paper, 24 1/2 x 18 1/8 in. (62.0 x 46.0 cm), framed.

Condition: Not examined out of frame.

Provenance: Gift of the artist to the current owner, who was a colleague at the Skowhegan School of Painting & Sculpture c.

1981, and became a lifelong friend. $3,500-5,500

Online bidding at www.skinnerinc.com

133

379

379 James Daugherty (American, 1889-1974) Abstraction, c. 1930 Signed “Daugherty� l.r., identified on an unattributed label affixed to the frame backing.

Pastel on paper/board, sight size 17 3/4 x 23 5/8 in. (44.8 x 60.4 cm), framed.

Condition: Subtle rippling, handling creases c.l., not examined out of frame. $1,500-2,000

134

Additional information and photos at www.skinnerinc.com

380 Hans Reichel (German, 1892-1958)

380

Abstract Composition Initialed and dated “R 1955” l.r., numbered “No. 24” in ink below the sheet l.r.

Watercolor and ink on paper, image/sheet size 12 1/2 x 9 3/8 in. (31.7 x 23.8 cm), framed.

Condition: Not examined out of frame.

Provenance: Gift from the artist to Heka Regula Frankl Meeske Davis, to the current owner by family descent.

N.B. “Heka” was the nickname of Regula Frankl, and she used that name in her work as a photographer. During and after World War II, from her home in New York, Heka sent care packages of food and supplies to artists in Europe, and among them was Hans Reichel.

Sometimes the artists were able to send back artworks to express their thanks for her generosity and assistance. Lots 380 and 381 were such gifts, sent by Hans Reichel to Heka in the mid 1950s. $1,500-2,500 381 Hans Reichel (German, 1892-1958) Alterndes Auge [Aging Eye] Signed, dated, and titled “R/1954 No. 35/ alterndes auge” l.l.

Watercolor and ink on paper, 11 x 8 1/8 in.

(28.0 x 20.9 cm), framed.

Condition: Paper mounted on board, minor toning.

381

Provenance: Gift from the artist to Heka Regula Frankl Meeske Davis, to the current owner by family descent (see note for Lot 380). $1,000-1,500

Online bidding at www.skinnerinc.com

135

382

382 Mark Tobey (American, 1890-1976) Calligraphy Signed and dated “M. Tobey ‘56” in ink l.r., identified on labels from the Willard Gallery, New York, and Moeller Gallery, New York, affixed to the reverse.

Ink on paperboard, 18 x 12 in. (46.0 x 30.0 cm), framed.

Condition: Small loss to u.l. corner, unobtrusive toning, not examined out of frame. $2,000-3,000

136

Additional information and photos at www.skinnerinc.com

383

383 Alexander Calder (American, 1898-1976) Untitled Inscribed, initialed, and dated “to Jane di Tomasi w.love A.C. ‘46” l.r.

Ink on paper, sheet size 10 1/4 x 13 in. (26.0 x 33.0 cm), framed.

Condition: Foxing, staining, toning, nick to c.l. edge, subtle rippling, affixed to back mat at u.r. and l.l. corners.

Provenance: From the artist to Jane Davenport Harris di Tomassi in 1946, through to the estate of the current owner.

N.B. Calder Foundation application number A27671. $25,000-35,000

Online bidding at www.skinnerinc.com

137

384

384 Alexander Calder (American, 1898-1976) Abstract Composition, c. 1942 Unsigned.

Gouache, ink, and pencil on paper, 22 1/16 x 30 3/16 in. (56.0 x 76.6 cm), unmatted, framed.

Condition: Toning, rippling, acid burn to edges of sheet.

Provenance: From the artist to Jane Davenport Harris di Tomassi, through to the estate of the current owner.

N.B. Calder Foundation application number A27673. $35,000-55,000

138

Additional information and photos at www.skinnerinc.com

385

385 Alexander Calder (American, 1898-1976) Untitled Abstract Composition, c. 1942 Unsigned.

Gouache, ink, and pencil on paper, 22 x 30 1/2 in. (55.8 x 77.5 cm), unmatted, framed.

Condition: Toning, minor rippling, minor handling crease to the reverse.

Provenance: From the artist to Jane Davenport Harris di Tomassi, through to the estate of the current owner.

N.B. Calder Foundation application number A27672. $35,000-55,000

Online bidding at www.skinnerinc.com

139

386

386 John Way [Wei Letang] (Chinese/American, 1921-2012) Untitled Signed and dated “John Way ‘74” l.l., inscribed “70/1950” on an unattributed label on the reverse.

Oil on paper, 19 1/8 x 24 1/8 in. (48.7 x 61.3 cm), unmatted, unframed.

Condition: Good. $2,000-3,000

140

Additional information and photos at www.skinnerinc.com

387 Roy Shifrin (American, b. 1937) Narcissus Signed and numbered “Shifrin 2/6” on the reverse.

Polished bronze, height 7 1/2 in. (19.0 cm), on a marble plinth.

Condition: Minor areas of corrosion, surface dust and dirt. $800-1,200 388 Walter Otto Beck (American, 1864-1954) Chinese Dragon Initialed and dated “WB ‘23” l.l.

Gouache on paper, sight size 9 1/4 x 18 1/2 in. (23.5 x 46.9 cm), framed.

Condition: Not examined out of frame. $1,000-1,500

387

388

Online bidding at www.skinnerinc.com

141

389

389 Robert Goodnough (American, 1917-2010) JCM Signed, inscribed, titled, and dated “...1983” on the reverse, identified on labels from ACA Galleries, New York, and R.H. Love Galleries, Inc., Chicago, affixed to the reverse.

Painted (acrylic) canvas collage/montage on board, 17 3/4 x 46 1/4 in. (45.0 x 117.5 cm), framed.

Condition: Good.

Provenance: Acquired from the artist; to a private Massachusetts collection.

N.B. A photocopy of the bill of sale from the artist, dated October 21, 2000, accompanies the lot. $2,000-3,000 390 Dimitri Hadzi (American, 1921-2006) Centaur with Shields Signed and numbered “D.HADZI/V/VI” at the base.

Bronze with polished gold patina, height 20 in.

(50.8 cm), on a stone plinth.

Condition: Areas of corrosion, dust and dirt to interstices.

N.B. Centaur with Shields dates from the 1950s. We would like to thank Danese/Corey Gallery, New York, which represents the Estate of Dimitri Hadzi, for their assistance cataloging this lot. $1,200-1,800

390

142

Additional information and photos at www.skinnerinc.com

391

391 Robert Goodnough (American, 1917-2010) Movement J Boat Signed and dated “goodnough ‘86” l.r., titled, signed, and dated on the reverse, with a partial label from ACA Galleries, New York, affixed to the stretcher.

Acrylic on canvas, 22 x 58 in. (56.0 x 147.5 cm), framed.

Condition: Good.

Provenance: Acquired from the artist; to a private Massachusetts collection.

N.B. A photocopy of the bill of sale from the artist, dated October 21, 2000, accompanies the lot. $3,000-5,000

Online bidding at www.skinnerinc.com

143

392 Michael Le Grand (Australian, b. 1951) WARP, 2002 Unsigned.

Painted steel, 31 1/2 x 41 3/8 x 23 1/4 in.

(80.0 x 105.0 x 59.0 cm).

Condition: Good.

Provenance: Purchased from the Defiance Gallery, Sydney, Australia, in 2002, to a private Boston and London collection.

N.B. Michael Le Grand is a sculptor and Emeritus Fellow at the Australian National University in Canberra. The artist writes that Warp was part of a series utilizing flat steel bars, rolled, heated, and folded and then utilized in combination with LPG pressure cylinder tank ends. The sculptures were painted with automotive paints. The designs were intended to be light and airy, with the emphasis on drawing in space, along with the active relationship of the various elements. $800-1,200 392

393 Abbott Lawrence Pattison (American, 1916-1999) Man in the Piazza, 1985 Signed “A. Pattison� on the base.

Bronze with brown patina, height 24 1/2 in.

(62.2 cm), with an integral bronze base.

Condition: Dust and dirt to surfaces.

Provenance: Purchased from Frederick Baker, Inc., Chicago, July 23, 1998, to a private Massachusetts collection. $2,000-3,000

393

144

Additional information and photos at www.skinnerinc.com

394

394 Peter Nagy (American, b. 1959) Static Fades Signed, dated, and titled “P.G. Nagy/1986...” on the reverse.

Oil and acrylic on canvas, 36 x 36 in. (91.5 x 91.5 cm), unframed.

Condition: Minor retouch to background. $1,000-1,500 395 Dimitri Hadzi (American, 1921-2006) Demeter’s Sphere, 1971 Signed and numbered “HADZI/II/VII” on the back.

Bronze with dark brown patina, height 11 1/2 in. (29.3 cm), on a white marble plinth.

Condition: Dust and dirt to interstices.

N.B. We would like to thank Danese/Corey Gallery, New York, which represents the Estate of Dimitri Hadzi, for their assistance cataloging this lot. $500-700

395

Online bidding at www.skinnerinc.com

145

396

396 Thompson Lehnert (American, b. 1931) Untitled Signed “Lehnert� l.r.

Acrylic on canvas, 40 x 52 in. (101.5 x 132.0 cm), framed.

Condition: Good. $2,000-3,000

146

Additional information and photos at www.skinnerinc.com

397

397 Thompson Lehnert (American, b. 1931) Freedom Signed “Lehnert� l.r., titled on a typed label affixed to the stretcher.

Oil on canvas, 52 1/4 x 45 in. (132.5 x 114.0 cm), framed.

Condition: Minor surface grime. $2,000-3,000

Online bidding at www.skinnerinc.com

147

398 Syd Solomon (American, 1917-2004) Baycut Signed “Syd Solomon” l.l., titled, signed, and dated “...1965” on the reverse, identified on a label from the James David Gallery, Coral Gables, Florida, affixed to the backing.

Oil on paper, sight size 13 1/2 x 11 1/2 in.

(34.3 x 29.2 cm), framed.

Condition: Not examined out of frame. $1,500-2,500 399 Taro Yamamoto (American, 1919-1994) Three Untitled Abstract Paintings: Blue, Red, and White, c. 1950 Signed “T. Yamamoto” l.r.

Oil on sanded paperboard, 9 x 11 in. (22.8 x 27.9 cm), framed.

Condition: Red with very minor loss to u.l. corner, not examined out of frames. $1,200-1,800

398

399

148

Additional information and photos at www.skinnerinc.com

400

400 Robert Kelly (American, b. 1956) In Accordance IV, 1993 Titled, dated, signed, and inscribed “...1993.../© Robert Kelly/...” on the reverse, identified on a label from Clark Gallery, Lincoln, Massachusetts, affixed to the stretcher.

Oil on canvas, 80 x 60 in. (203.2 x 152.4 cm), unframed.

Condition: Good.

Provenance: Clark Gallery, Lincoln, Massachusetts, purchased by the current owner in 1993. $7,000-9,000

Online bidding at www.skinnerinc.com

149

401

401 Sister Mary Corita Kent (American, 19181986) Rainbow Splash, Maquette for the Boston Gas Tank, 1971 Signed “Corita” in red beneath the yellow stripe.

Acrylic with paper “Boston Gas” logo label on wood, height 3 1/4 in. (8.3 cm), mounted on a wooden plinth.

Condition: Loss to part of the paper label, minor abrasions and surface grime.

150

Provenance: Collection of the artist until September/October 1986, by inheritance to Mickey Myers and Deac Rossell, to the current owner in 1992.

N.B. In Jeffrey Hayden’s film Primary Colors, and in other photographic records of the period, this maquette may be seen on Corita’s desk in her Marlborough Street (Boston) apartment.

This work was commissioned by Boston Gas (now National Grid) in 1971. The final work is slightly larger: about 140 feet tall in fact.

It is a painted LNG gas tank in Dorchester, Massachusetts, and is clearly visible from Boston’s Southeast Expressway. The one enjoyed by commuters today is actually a second version of the work, after the original tank was torn down in 1992. $1,800-2,200

Additional information and photos at www.skinnerinc.com

402

402 Saliba Douaihy (Lebanese, 1915-1994) Untitled Signed “Y Douaihy� l.r.

Oil on canvas, 32 x 26 in. (81.5 x 66.3 cm), framed.

Condition: Minor canvas rippling to lower corners.

Provenance: Acquired from the artist by the original owner, by descent to the current owner.

N.B. The father of the current owner was friends with the artist and grew up in the same village. $40,000-60,000

Online bidding at www.skinnerinc.com

151

403

403 Oskar W. Fischinger (German/American, 1900-1967) #310 Signed “O.W. Fischinger” l.r., monogrammed and dated “...60” l.l.

Oil on canvas stretched over board, 11 1/2 x 6 3/4 in. (29.2 x 17.0 cm), framed.

Condition: Good. $5,000-7,000

152

Additional information and photos at www.skinnerinc.com

404

404 Giorgio Cavallon (American, 1904-1989) Untitled Signed and dated “G. CAVALLON 46� l.r.

Oil on board, 20 x 16 in. (51.0 x 40.5 cm), framed.

Condition: Fine, stable craquelure.

Provenance: A private New York collection, to the current owner by family descent. $8,000-12,000

Online bidding at www.skinnerinc.com

153

405 Varvara Fedorovna Stepanova (Russian, 1894-1958) Three Geometric Fabric Designs: Red/Blue, Green/Fuchsia, and Red/Black Signed or inscribed with the artist’s name in Russian and numbered “17,” stamped “GIULIANA ANTONIOZZI LOMBI/...

MILANO/...” on the reverse.

Gouache on paper, sizes to 3 1/2 x 5 in. (8.8 x 12.5 cm), matted, unframed.

Condition: Hinged to back mats, Green/ Fuchsia and Red/Black presented together in a single mat.

405 partial

N.B. Textile and clothing designs by Constructivist artist Varvara Fedorovna Stepanova are documented starting from the early 1920s. At the First State Textile Printing Factory, she designed more than 150 different fabrics, with about two dozen being put into factory production. She sought a new philosophy of fabric design, in which the artist was not simply a decorator of the fabric, but was involved in developing new dyeing processes, new fabric structures, and new materials for fabrics, to put into practice the slogan “art into production.”

In her textile designs, Stepanova selected only one or two colors and used geometric forms of the circle, triangle, and rectangle, often combined in layers, as building blocks of the complex-looking designs. The points of intersection of the geometric forms were left as either white or the color of the paper or ground.

The fabric designs at hand, if dated 1917, would be very early examples of Stepanova’s work. The stamp on the reverse of the works appears to be from a fashion design atelier in Milan, Antoniozzi Lombi Giuliana.

For a full discussion of the artist’s work and life, please consult Alexander Lavrentiev, Varvara Stepanova, The Complete Work (Cambridge, Massachusetts: The MIT Press, 1988). $2,000-3,000

406

154

Additional information and photos at www.skinnerinc.com

407

406 Jack Tworkov (American, 1900-1982) 34 Moves by the Knight Titled l.l., inscribed and dated “L. 5-21-74. #2” l.r., identified on labels from Marissa del Re Gallery, Inc., Graham Modern, Mitchell-Innes & Nash, and Nancy Hoffman Gallery, all of New York, affixed to the frame backing.

Colored pencils on Schoeller’s Parole paper, 28 3/4 x 20 1/8 in. (73.0 x 51.0 cm), framed.

Condition: Tack holes to upper corners, minor crease to l.l. corner, not examined out of frame.

Provenance: A private Massachusetts collection.

Exhibitions: Selected Works on Paper, March 2–April 3, 1982, Marissa del Re Gallery, Inc., New York. $1,000-1,500

407 James Libero Prestini (American, 19081993) Construction No. 232 N, c. 1970 Stamped and numbered “PRESTINI” and “232” beneath the base element, titled in a letter from Triangle Gallery, San Francisco (see below).

Nickel-plated solid aluminum or steel, 18 x 18 x 18 in. (45.7 x 45.7 x 45.7 cm).

Condition: Dust, finger marks, and dirt to surfaces.

Provenance: From Triangle Gallery, San Francisco, May of 1972, to a private Massachusetts collection.

Exhibitions: Triangle Gallery, San Francisco, December 14, 1970–January 23, 1971.

N.B. James Prestini was a master craftsman, sculptor, and teacher. His early works in the 1930s and 1940s focused on turned wooden bowls. He studied sculpture in Italy from 1953 to 1956 and subsequently worked in California creating sculpture in steel, aluminum, and bronze. He also taught design at the Illinois Institute of Technology and U.C. Berkeley School of Architecture.

The lot includes a photocopy of a letter from Jack Van Hiele, director of the Triangle Gallery, that provided the title of the piece and recommended cleaning the sculpture with Tarnishield and a cotton cloth. There is also a photocopy of the front page of a publication or announcement from Triangle Gallery, illustrating this piece. $5,000-8,000

Online bidding at www.skinnerinc.com

155

408

408 Barry Le Va (American, b. 1941) Sculptured Activity: Standard Dilemma Unsigned, identified on a photocopied label from Sonnabend Gallery, New York, on the frame backing.

Mixed media including silkscreen, ink, and collage on paper mounted to canvas, 58 x 101 in. (147.3 x 256.5 cm), framed.

Condition: Numerous small tack or staple holes and minor creasing overall, slight lifting along edges of collaged elements, glue residue, minor scattered losses to the edges of some of the collage elements, all in keeping with the aesthetic of the work. $5,000-7,000

156

Additional information and photos at www.skinnerinc.com

538

409 Cary Smith (American, b. 1955) “What Was That?”

Inscribed, dated, and titled “...1990...” on the stretcher, identified on a label from Koury Wingate Gallery, New York, affixed to the frame backing.

Oil and wax on canvas, 35 x 105 in. (88.9 x 267.7 cm), unframed.

Condition: Minor craquelure u.c., stray pencil mark u.l. $1,500-2,500

Online bidding at www.skinnerinc.com

157

410

410 William Dickey King (American, 1925-2015) Debut Monogrammed and dated “19 [WDK within a circle] 80� incised on the reverse l.c., identified on a label from Terry Dintenfass Gallery, New York, affixed to the bottom of the base.

Polychrome painted wood, height 63 in.

(160.0 cm) including the base.

Condition: Good.

158

Provenance: A private Massachusetts collection.

N.B. A note that accompanies the sculpture indicates that it came from the collection of actor Tony Randall. $1,200-1,800

Additional information and photos at www.skinnerinc.com

411

411 Saul Steinberg (American, 1914-1999) Kampala Signed and dated “STEINBERG/71� l.r., identified on a partial label from Sidney Janis Gallery, New York, affixed to the back of the frame.

Oil and mixed media on paper, 23 x 29 1/8 in.

(58.7 x 73.9 cm), framed.

Condition: Tack holes in the corners, minor toning to edges of sheet, subtle rippling. $20,000-30,000

Online bidding at www.skinnerinc.com

159

412

412 Robert Jessup (American, b. 1952) Birds in a Pie Signed “JSSP” l.l., signed, titled, and dated “...1998” on the reverse.

Oil on canvas, 38 x 38 in. (96.5 x 96.5 cm), unframed.

Condition: Scattered minute paint losses overall, abraded areas running horizontally along upper half of canvas. $1,800-2,200

160

Additional information and photos at www.skinnerinc.com

413

413 Peter Passuntino (American, b. 1936) Champs Elysées Stroll Signed “PASSUNTINO” l.l., signed, dated, and titled “PETER PASSUNTINO/1972-3/...” on the reverse.

Oil on canvas, 35 x 46 in. (88.9 x 116.7 cm), framed.

Condition: Minor surface grime.

Provenance: A private Massachusetts collection. $800-1,200 414 Alexis Miguel Pantoja Pérez (Cuban, b.

1969) Descanso Signed and dated “APantoja/2013” l.r., titled, dated, and inscribed on the reverse.

Oil on canvas, 28 5/8 x 20 1/2 in. (72.5 x 52.0 cm), unframed.

Condition: Good.

N.B. Accompanied by a certificate of authenticity signed by the artist. $3,000-5,000

414

Online bidding at www.skinnerinc.com

161

415 Laura Ann Jacobs (American, b. 1960) Pick Me Signed and dated “Laura Jacobs 2005” on the reverse.

Murano glass, tile mosaic, found objects, shoe, and resin, 6 1/2 x 4 1/2 x 10 in. (16.5 x 11.5 x 25.4 cm).

Condition: Minor chip on base, surface dust.

Provenance: From the artist to the current owner. $700-900 416 Aaron Fink (American, b. 1955)

415

Coffee Cup Signed and dated “Aaron Fink 84” l.r.

Mixed media on paper, 79 x 66 in. (200.7 x 167.6 cm), framed.

Condition: Tack holes along edges of the sheet, two small tears (each about 1/4 in.) to u.c. edge, subtle rippling, not examined out of frame.

Provenance: From the corporate collection of Dunkin’ Brands, Inc., Canton, Massachusetts. $700-900

416

162

Additional information and photos at www.skinnerinc.com

417

417 Laura Ann Jacobs (American, b. 1960) The Breast of Both Whorls Signed, titled, and dated “Laura Ann Jacobs...2007� on the reverse.

Glass inlay, painted resin, and shells, 22 x 14 x 8 in. (56.0 x 35.6 x 20.3 cm).

Condition: Surface dust.

Provenance: From the artist to the current owner. $2,500-3,500

Online bidding at www.skinnerinc.com

163

418

418 Wolfgang Staehle (German, b. 1950) Two Light Box Wall Constructions: Do Something! and Do What?

Unsigned.

Mixed media with electric light box, aluminum, and Plexiglas, 12 1/2 x 18 1/2 x 3 in. (31.5 x 47.0 x 7.5 cm), wired with plugs.

Condition: Some of the bulbs within the light boxes are not working.

N.B. The brand of the light boxes is Luminarie Ultra by Clearr Corp., Display Division. $1,500-2,000

164

Additional information and photos at www.skinnerinc.com

419

419 Ben Freeman (American, b. 1946) Formation: Benchmark Titled, dated, inscribed, and signed “...1999...

BFreeman” on the reverse and on the edge bar, and with the artist’s label on the reverse.

Mixed media with layered photo-collage on canvas mounted to plywood, 66 1/2 x 54 1/4 in. (168.9 x 137.7 cm), unframed, with painted sides.

Condition: Good. $3,000-5,000

Online bidding at www.skinnerinc.com

165

420

420 Adam Cvijanovic (American, b. 1960) Draped Object in an Autumn Landscape Signed and dated “Adam/Cvijanovic/98� on the reverse.

Oil on canvas, 40 x 30 in. (101.5 x 76.0 cm), unframed.

Condition: Paint losses, craquelure with areas of flaking, surface grime.

Provenance: Harvest Restaurant, Harvard Square, Cambridge, Massachusetts. $1,000-1,500

166

Additional information and photos at www.skinnerinc.com

421

421 Joseph McGurl (American, b. 1958) Boston Harbor from Hull Signed and dated “Joseph McGurl/1988” l.r., signed and dated “Joseph McGurl/1988” on the reverse.

Oil on linen, 30 x 40 in. (76.2 x 101.6 cm), framed.

Condition: Craquelure, minor surface grime. $3,000-5,000

Online bidding at www.skinnerinc.com

167

422

422 Thierry Poncelet (Belgian, b. 1946) The Honorable Rottweiler, Magistrate Signed “Th. Poncelet� l.l.

Oil on canvas, 46 x 35 1/2 in. (116.8 x 89.0 cm), framed.

Condition: Lined, retouch, paint loss to l.r. corner, craquelure, surface grime. $2,000-3,000

168

Additional information and photos at www.skinnerinc.com

423

423 Michael Mazur (American, 1935-2009) Cage at Stoneham, #15 Signed “Mazur” l.l., titled, dated, and inscribed “.../© 1977 (oil)/...” on the reverse, identified on labels from Robert Miller Gallery, Inc., New York, and Harcus Krakow Gallery, Boston, affixed to the stretcher.

Oil on canvas, 70 x 80 in. (177.8 x 203.2 cm), framed.

Condition: Good.

N.B. Michael Mazur’s career was filled with critical acclaim and admiration for his paintings, pastels, monotypes, and prints. In his Stoneham Zoo series, Mazur revisited the themes of confinement and captivity, difficult content which he had expressed so powerfully in the Closed Ward series (1962-62). In a 1993 interview with the Archives of American Art, Mazur said, “I decided to do some work on the monkey cages at Stoneham Zoo, which were very depressed and reminded me of the mental hospital. It was a strange return to the hospital work via the world of animals.

Telling the story of captured animals became important.” Through this series the artist continued to present the effects of society on the individual, communicated in stark beauty in the expressive brushwork and subdued palette that were his hallmarks. $4,000-6,000

Online bidding at www.skinnerinc.com

169

424

424 Lorraine Shemesh (American, b. 1949) Shower Signed “Lorraine Shemesh” l.r., signed, inscribed, and dated “SHEMESH/ PROVIDENCE R.I./1/30/74” on the reverse.

Oil on canvas, 72 1/2 x 54 1/4 in. (184.2 x 137.8 cm), framed.

Condition: Very minor canvas ripple at u.l. corner.

Provenance: Purchased from Alpha Gallery in 1974; collection of Dennis Sullivan, through to the current owner.

N.B. This work was created when the artist was teaching at the Rhode Island School of Design. The model is purported to be Dana Buchman, a fashion designer who was a student at Brown University at the time. $8,000-12,000

End of Sale 2878B

170

Additional information and photos at www.skinnerinc.com

Fine Art online January 19-January 25, 2016 bid online at www.skinnerinc.com

Timed Online Auctions: How to Bid

Skinner timed online auctions are available only through our website, look for the red stopwatch symbol.

A buyer’s premium of 23% applies to timed online auction purchases. Please read the Conditions of Sale for more information. To bid on the lots presented in a timed online auction, you will need to take the following steps:

Step 1: Register on the Skinner Website Registration is free, and once completed will enable access to bidding and watching lots.

Step 2: Login Use the “Login Reminder” link to retrieve a forgotten password.

Step 3: Browse or Search the Online Catalog View lot listings, bid on and watch lots, or send an inquiry to the department. Use the search box to search by keyword or “GO” to a specific lot number.

Step 4: Bid Bids are accepted online through the ending date and time displayed on each lot. View the “My Activity” tabs to view your watched lots, bids, and more.

Step 5: Sold!

The winning bidder is the current high bidder when bidding closes, and will be notified at the conclusion of the auction by email. All lots are subject to the Skinner Conditions of Sale. For post auction services visit http://www.skinnerinc.com/services/payment-and-shipping/

For Customer Service, Please Contact: •

online@skinnerinc.com

•

+1 508.970.3279

You may also access the catalog by scanning this QR code with your mobile device:

1003 Frank Weston Benson (American, 1862-1951)

1006 Frank Weston Benson (American, 1862-1951)

Little Old Squaw, 1912, edition of 25 (Paff, 6). Signed “FrankWBenson.” in pencil l.l., initialed within the plate, pencil sketches on the verso. Etching with drypoint on laid paper, plate size 2 7/16 x 3 7/16 in. (6.2 x 8.5 cm), matted, unframed.

Condition: Subtle toning, pinhole to edge of upper margin, pencil annotations to lower margin.

Two Impressions of Waders, 1930, trial proof B-1 and a published state from the edition of 150 (Paff, 298).

Both signed “FrankWBenson.” in pencil l.l. Drypoints, the former on J. Whatman laid paper, the latter on wove paper, plate size 7 x 12 in. (17.6 x 30.4 cm), unmatted, unframed.

Condition: Both with at least two deckled edges, pencil annotations to lower margins, ink and soiling to margins (more so to the proof).

November Moon, 1931, published state, edition of 150 (Paff, 316).

Signed “FrankWBenson.” in pencil l.l.

Etching and aquatint on wove paper, plate size 9 7/8 x 8 in. (25.0 x 20.3 cm), unmatted, unframed.

Condition: Full margins with deckled left and lower edges, pencil annotations to lower margin.

N.B. According to Paff this same bird was used in the 1915 etching Old Squaws. While twenty-five impressions of Little Old Squaw were pulled, they were never offered for sale.

This is certainly born out by the two drawings on the reverse. Both are complete compositions of a sailboat; one drawn within the plate mark, the other in the substantial lower margin. $400-600 1001 Frank Weston Benson (American, 1862-1951) Wild Geese Resting, 1915, published state, edition of 35 (Paff, 56). Signed “FrankWBenson.” in pencil l.l., numbered “20/35” in pencil l.r., initialed within the plate. Drypoint on laid paper with partial watermark, plate size 5 15/16 x 7 7/8 in. (14.9 x 19.8 cm), matted, unframed.

Condition: Full margins of 1 1/2 inches or more with deckled edges, pencil annotations and fingerprints to lower margin, brown paper tape hinges to upper corners on recto. $400-600 1002 Frank Weston Benson (American, 1862-1951) Flying Ducks, 1919, published state, edition of 235 (Paff, 160). Signed “FrankWBenson.” in pencil l.l., initialed and dated within the plate, identified on a label from Schwartz Galleries, New York, affixed to the backing. Etching on paper, plate size 8 7/8 x 6 7/8 in.

(22.3 x 17.3 cm), framed.

Condition: Unobtrusive toning, not examined out of frame.

Provenance: A Maine estate. $400-600

Provenance: Descended within the family of the artist. $800-1,200

Provenance: Descended within the family of the artist.

N.B. Comparison of the trial and finished impressions shows the artist in the process of finalizing the composition. The trial proof shows the birds in the distance, with the horizon line and the sky merely sketched in.

Most of the birds also lack reflections in the proof. $1,000-1,500 1004 Frank Weston Benson (American, 1862-1951) Springing Teal, 1930, published state, edition of 150 (Paff, 306). Signed “FrankWBenson.” in pencil l.l. Etching on laid paper with “ENGLAND” watermark, plate size 13 7/8 x 9 3/4 in.

(35.2 x 24.7 cm), unmatted, unframed.

Condition: Full margins with deckled edges to three sides, pencil annotations l.l., creases to upper and lower margins near the edges of the sheet.

Provenance: Descended within the family of the artist. $700-900 1005 Frank Weston Benson (American, 1862-1951) Flying Buffleheads, 1930, published state, edition of 150 (Paff, 308).

Signed “FrankWBenson.” in pencil l.l.

Etching and drypoint on wove paper, plate size 3 x 4 in. (7.5 x 10.1 cm), unmatted, unframed.

Condition: Full margins with deckled left edge, pencil annotations l.l., erased annotations to verso.

Provenance: Descended within the family of the artist. $300-500

1007 Frank Weston Benson (American, 1862-1951)

Fine Art online

1000 Frank Weston Benson (American, 1862-1951)

Sanctuary, 1932, published state, edition of 150 (Paff, 327). Signed “FrankWBenson.” in pencil l.l. Etching on laid paper, plate size 6 15/16 x 8 7/8 in. (17.5 x 22.4 cm), unmatted, unframed.

Condition: Full margins with deckled edges to three sides, pencil annotations to the lower margin.

Provenance: Descended within the family of the artist. $500-700 1007A Kenneth Hayes Miller (American, 1876-1952) Play, 1919, from Six American Etchings: The New Republic Portfolio, published in 1924, edition of approximately 500. Signed “Hayes Miller” in pencil l.r., signed and dated within the plate. Drypoint on paper, plate size 4 5/8 x 6 in. (11.5 x 15.2 cm), framed.

Condition: Prevalent toning and mat burn, not examined out of frame. $250-300 1008 James Abbott McNeill Whistler (American, 1834-1903) Fumette, 1858, final state (MacDonald, 12v/v; Kennedy, 13iv/iv). Signed and identified within the plate, identified on a label from Arthur H. Hahlo & Co., New York, affixed to the backing.

Etching on paper, plate size 6 3/8 x 4 3/8 in. (16.2 x 10.9 cm), framed.

Condition: Margins 1/2 inch or more, not examined out of frame. $700-900

Online bidding at www.skinnerinc.com/auctions/2876T

173

1009 James Abbott McNeill Whistler (American, 1834-1903)

1013 Richard Anuszkiewicz (American, b. 1930)

La marchande de moutarde, 1858, final state (MacDonald, 20v/v; Kennedy, 22v/v). Signed within the plate, identified on a label from T. & R. Annan & Sons, Glasgow, affixed to the backing. Etching on paper, plate size 6 1/4 x 3 1/2 in. (15.5 x 8.8 cm), matted, unframed.

Condition: Full margins with deckled edges, gently light-struck.

E, from the portfolio Spectral 9, 1969, edition of 125. Signed, identified, numbered, and dated “ANUSZKIEWICZ 53/125 E 1969” on a label from Contemporary Collections Inc., New York, on the reverse. Color screenprint on plaster box, 19 3/4 x 19 3/4 in. (50.0 x 50.0 cm), unframed.

Condition: Minor soiling. $400-600

N.B. Sold with the former backing board. $700-900

1014 Will Barnet (American, 1911-2012)

1010 Gerald L. Brockhurst (British, 18901978) Two Works: Study for Decoration, 1923, edition of 76, etching (Fletcher, 46); and Head of a Girl (Anaïs, Melisande), also called Head of a Basque or Siena, 1944, lithograph (Fletcher, L2). The latter signed and dated “G.L. Brockhurst 1944” in pencil l.r., initialed within the matrix l.l. Sight sizes to 11 1/2 x 8 1/2 in. (29.1 x 21.5 cm), framed.

Condition: Not examined out of frames. $500-700

Fine Art online

1011 Gerald L. Brockhurst (British, 18901978)

174

The Black Silk Dress, 1927, edition probably of 111 (Wright, 58). Signed “G.L. Brockhurst” in pencil l.r., signed and dated “1927” in the matrix u.r.

Etching on cream wove paper, plate size 8 3/4 x 6 1/4 in. (22.2 x 15.8 cm), framed.

Condition: Not examined out of frame. $500-700 1012 Gerald L. Brockhurst (British, 18901978) West of Ireland, 1928 (Fletcher, 58).

Signed “G.L. Brockhurst” in pencil l.r., signed within the plate. Etching on paper, plate size 4 7/8 x 5 3/4 in. (12.3 x 14.4 cm), framed.

Condition: Not examined out of frame. $300-500

Woman and Cats, 1969, edition of 100. Signed “Will Barnet” in pencil l.r., titled in pencil l.l., numbered “75/100” in pencil l.c. Color lithograph on paper, image size 21 x 22 5/8 in. (53.2 x 57.3 cm), framed.

Condition: Mat burn, toning, not examined out of frame. $500-700 1015 After Marc Chagall (Russian/French, 1887-1985) Le message biblique de Marc Chagall, 1967, published by Mourlot, Paris. Stamped signature l.c., identified within the matrix and on a label from Graphics 1 and Graphics 2, Boston, affixed to the backing.

Lithographic poster, sight size 27 5/8 x 17 3/4 in. (70.2 x 45.0 cm), framed.

Condition: Gentle rippling, not examined out of frame. $600-800 1016 Salvador Dalí (Spanish, 1904-1989) The Judgment of Paris, 1979, total edition of 745 (Michler & Löpsinger, 1562; Field, 79-3). Signed “Dalí” in pencil l.r., numbered “LXVI/C” in pencil l.l. Color lithograph on Japan paper, image size 23 x 16 1/4 in. (58.4 x 41.2 cm), framed.

Condition: Not examined out of frame. $300-500

Online bidding at www.skinnerinc.com/auctions/2876T

1017 Salvador Dalí (Spanish, 1904-1989) L’Aventure médicale/A Suite of Two Works, 1979-80, total edition of approximately 1,200 (Michler & Löpsinger, 1575 & 1576; Field, 804A&B). Both signed “Dalí” in pencil l.r. and numbered “A.P. 5/75” in pencil l.l.

Colored lithographs on Japan paper, image sizes 23 x 18 in. (58.2 x 45.7 cm), framed.

Condition: Gentle rippling, not examined out of frames. $1,000-1,500 1018 Raoul Dufy (French, 1877-1953) L’Amour, c. 1910, from the proof edition of 30. Stamped by the artist’s atelier, numbered “Epreuve d’Artiste XV/XXX” in pencil l.r. Woodcut on paper, image size 12 x 12 1/4 in. (30.4 x 31.0 cm), framed.

Condition: Mat burn, toning, not examined out of frame. $400-600 1019 Romain de Tirtoff, called Erté (Russian/French, 1892-1990) Love and Passion Suite/A Suite of Two Works, 1983-85, edition of 300.

Both signed “Erté” in pencil l.r. and numbered “208/300” in pencil l.l. Color screenprints with metallic foils and embossing on black paper, image sizes 19 1/2 x 27 3/4 in. (49.4 x 70.3 cm), framed.

Condition: Not examined out of frames. $800-1,200 1020 Romain de Tirtoff, called Erté (Russian/French, 1892-1990) Statue of Liberty Suite/A Suite of Two Works, 1986, edition of 300.

Both signed “Erté” in pencil l.r. and numbered “.../300” in pencil l.l. Color screenprints with metallic foils and embossing on paper, image sizes 28 x 20 in. (71.2 x 50.7 cm), framed.

Condition: A married set, gentle rippling, not examined out of frames. $800-1,200

1025 After Fernand Léger (French, 18811955)

Place de l’Opéra, 1987, from the suite Paris Days and Nights, from the edition of 250. Signed “Erté” in pencil l.r., numbered “XI/CCL” in pencil l.l.

Color screenprint with metallic foils and embossing on black paper, image size 31 3/4 x 19 3/4 in. (80.5 x 50.0 cm), framed.

Condition: Not examined out of frame. $400-600

Portrait de femme, 1952, edition of 1,000, printed by Jean Bruller, Paris, published by La Guilde Internationale de la Gravure, Paris, 1954-55 (Saphire, E5). Initialed and dated within the matrix, numbered “591/1000” in pencil l.r., dry stamp “SERIGRAPHIE *F. LEGER*” l.r., publisher’s dry stamp (Lugt, 4670) l.l. Color screenprint on Arches paper with watermark, image size 13 1/8 x 10 1/8 in. (33.2 x 25.5 cm), framed.

Condition: Light-struck, subtle rubs to image in blue and red areas, lower margin and upper margins folded under 2 3/4 inches above or below the image. $500-700

1022 Öyvind Fahlström (Swedish, 19281976) Column no. 4 (IB-Affair), 1974, edition of 300, printed by Domberger, Stuttgart, published by Die Zeit, Berlin.

Signed, numbered, and dated “Öyvind Fahlström 239/300 ‘74” in pencil l.r., dedicated in pencil l.l., titled within the matrix, identified on a label from Arnold Herstand & Company, New York, affixed to the backing. Color screenprint on paper, image size 23 1/8 x 19 in. (58.5 x 48.3 cm), framed.

Condition: Gentle rippling, not examined out of frame. $800-1,200 1023 Jane Hammond (American, b. 1950) Tabula Rosa, 2001, edition of 43, published by Universal Limited Art Editions, Bay Shore, New York. Signed and dated “Jane Hammond...” in pencil below the image l.r., numbered “29/43” in pencil below the image l.l. Digital pigmented inkjet print on Japan paper, image size 23 7/8 x 69 in. (60.5 x 175.2 cm), unmatted, framed.

Condition: Floated in frame, not examined out of frame. $400-600 1024 Käthe Kollwitz (German, 1867-1945) Selbstbildnis im Profil nach rechts, 1938 (Klipstein, 265IIIb; Knesebeck, 273IIIb or c). Unsigned, identified on a label from the Nielsen Gallery, Boston, affixed to the backing. Lithograph on paper, image size 18 1/2 x 11 1/2 in.

(46.8 x 29.2 cm), framed.

Condition: Subtle toning/light staining, very pale mat burn, gentle rippling, several pale fox marks, not examined out of frame. $400-600

1026 Joan Miró (Spanish, 1893-1983) Peintures Murales, 1961, from the edition of 90 (before letters), published

by Maeght Éditeur, Paris (Mourlot, 229). Signed “Miró” in pencil within the image l.r., numbered “88/90” in pencil within the image l.l. Color lithograph on paper, sight size 16 3/4 x 22 1/4 in.

(42.4 x 56.4 cm), framed.

Condition: Unobtrusive toning, not examined out of frame. $700-900 1027 Joan Miró (Spanish, 1893-1983) Untitled, from Graphikmappe Hochschule St. Gallen, 1964, edition of 150, printed by Arte Adrien Maeght, Paris (Mourlot, 357a; Cramer, 111).

Signed “Miró” in pencil l.r., numbered “109/150” in pencil l.l. Color lithograph on paper, sight size 25 x 19 in. (63.4 x 48.2 cm), framed.

Condition: Unobtrusive toning and mat burn, not examined out of frame. $400-600 1028 Joan Miró (Spanish, 1893-1983) Plate from Miró Lithographs I, 1972 (Mourlot, 867; Cramer, 160). Signed “Miró” in pencil l.r., inscribed “H.C.” in pencil l.l. Color lithograph on paper, image size 12 5/8 x 10 1/4 in. (32.0 x 25.8 cm), framed.

Condition: Subtle toning, mat burn, and rippling, faint stain l.l., not examined out of frame. $800-1,200

1029 Joan Miró (Spanish, 1893-1983) Joan Miró. Fotoscop, 1974, from the edition of 1,500 (Mourlot, 938). Signed within the matrix, information from Park West Galleries, Southfield, Michigan, affixed to the backing. Color lithograph on paper, image size 7 5/8 x 15 1/8 in.

(19.3 x 38.2 cm), framed.

Condition: Subtle toning, floated within the mat, not examined out of frame. $600-800 1030 Joan Miró (Spanish, 1893-1983) Sculptures, 1974, published by Maeght Éditeur, Paris, printed by Arte Adrien Maeght, Paris (Mourlot, 950). Signed within the matrix. Color lithograph on paper, image size 16 x 24 in. (40.5 x 60.8 cm), framed.

Condition: Gentle rippling, possible faint mat burn, not examined out of frame.

Fine Art online

1021 Romain de Tirtoff, called Erté (Russian/French, 1892-1990)

N.B. Accompanied by a label from the Collector›s Guild, Ltd., New York. $400-600 1031 LeRoy Neiman (American, 19212012) Polar Bears, 1979, edition of 300, printed by Styria Studio, New York.

Signed “LeRoy Neiman” in pencil l.r., numbered “8/300” in pencil l.l., printer’s dry stamp l.c. Color screenprint on paper, image size 38 1/4 x 28 1/4 in.

(97.0 x 71.5 cm), framed.

Condition: Subtle toning, not examined out of frame. $800-1,200 1032 Mimmo Paladino (Italian, b. 1948) Sguardo a destra, 2000, edition of 100. Signed and dated “M. Paladino 2000” in pencil l.r., numbered “71/100” in pencil l.l. Color etching and aquatint on wove paper, plate size 15 7/16 x 23 1/4 in. (39.0 x 59.0 cm), unmatted, unframed.

Condition: Full margins with deckled edges. $400-600

Online bidding at www.skinnerinc.com/auctions/2876T

175

1033 Pablo Picasso (Spanish, 1881-1973) Têtes, front cover for Picasso Lithographe I, 1949, edition of 2,500 (see Bloch, 591). Unsigned.

Lithograph on wove paper with “RENAGE” watermark, image size 12 5/8 x 9 1/2 in. (32.0 x 24.0 cm), framed.

Condition: Trimmed from full cover, light-struck, pale mat burn, masking tape and/or residue to entire edge verso, pencil annotations, image bleedthrough, and corrugation staining all to verso. $500-700 1034 After Pablo Picasso (Spanish, 18811973) Peace (Le bouquet), 1958, edition of 200 (see Czwiklitzer, 179). Signed “Picasso” in pencil l.r., signed and dated within the matrix, numbered “108/200” in pencil l.l. Color lithograph on paper, image size 22 1/4 x 15 3/4 in. (56.4 x 39.8 cm), framed.

Condition: Not examined out of frame.

N.B. Accompanied by documentation from Marlin Art, Inc., Deer Park, New York, dated June 1, 1988. $1,200-1,800

Fine Art online

1040 Victor Vasarely (Hungarian/French, 1906-1997)

Dove of Peace, 1961, from the edition of 200 (see Czwiklitzer, 179). Signed “Picasso” in pencil l.r., signed and dated within the matrix, numbered “129/200” in pencil l.l. Color lithograph on paper, image size 18 1/4 x 21 3/4 in. (46.2 x 55.1 cm), framed.

Condition: Not examined out of frame.

Untitled, edition of 150. Signed “Vasarely-” in pencil l.r., numbered “131/150” in pencil l.l. Color screenprint on paper, image size 21 7/8 x 14 5/8 in. (55.5 x 37.0 cm), framed.

Condition: Pinpoint foxing and subtle toning to margins, not examined out of frame. $300-500

N.B. Accompanied by documentation from Marlin Art, Inc., Deer Park, New York, dated January 30, 1986. $1,200-1,800 1037 Ceri Richards (British, 1903-1971) Peu à peu sortant de la brume, 1969, edition of 100. Signed and dated “Ceri Richards 69” in pencil l.r., numbered “26/100” in pencil l.l. Color lithograph on paper, image size 19 7/8 x 19 7/8 in. (50.4 x 50.4 cm), framed.

Condition: Several pale fox marks to lower margin, not examined out of frame. $300-500 1038 Tamami Shima (Japanese, b. 1937)

La Ronde de la Jeunesse, 1961, edition of 200. Signed “Picasso” in pencil l.r., signed and dated within the matrix, numbered “89/200” in pencil l.l.

Color lithograph on paper, image size 19 3/4 x 17 7/8 in. (50.0 x 45.4 cm), framed.

Condition: Not examined out of frame.

Hayashi No Oka (Hilly Forest), 1961, edition of 50. Signed “Tamami Shima” in pencil l.r., chop within the image l.r., numbered, inscribed, and dated “46/50...1961” in pencil l.l., identified in an inscription on the interior of the mat.

Color woodcut on wove paper, image size 14 5/8 x 21 1/4 in. (37.0 x 53.8 cm), framed.

Condition: Margins over 1 inch, subtly light-struck, minor soiling and fox marks to margins. $300-350

N.B. Accompanied by documentation from Marlin Art, Inc., Deer Park, New York, dated November 5, 1985. $1,200-1,800

1039 Victor Vasarely (Hungarian/French, 1906-1997)

1035 After Pablo Picasso (Spanish, 18811973)

176

1036 After Pablo Picasso (Spanish, 18811973)

Homage to the Hexagon, 1969, edition of 200. Signed “Vasarely-” in pencil l.r., numbered “111/200” in pencil l.l., identified on a label from Graphics 1 and Graphics 2, Boston, affixed to the backing. Color screenprint on paper, image size 23 3/4 x 23 3/4 in. (60.2 x 60.2 cm), framed.

Condition: Pinpoint foxing and subtle toning to margins, not examined out of frame. $500-700

Online bidding at www.skinnerinc.com/auctions/2876T

1041 Victor Vasarely (Hungarian/French, 1906-1997) VI VA, 1979, total edition of 353.

Signed “Vasarely-” in pencil l.r., numbered “165/275” in pencil l.l. Color screenprint on paper, image size 24 x 24 in. (60.8 x 60.8 cm), framed.

Condition: Gentle rippling, not examined out of frame. $300-500 1042 Marcel Vertès (French, 1895-1961) Simone Frevalles dans La Malibran, 1923, printed by L’Affiche d’Art, Paris.

Signed, dated, and identified within the matrix. Color lithographic poster, image size 47 1/2 x 32 1/8 in. (120.6 x 81.5 cm), framed.

Condition: Minor handling marks, not examined out of frame. $600-800 1043 Attributed to Mathew B. Brady (American, 1822-1896) Soldiers in a Civil War Encampment, early 1860s. “Brady, Washington” preprinted on mount. Albumen silver print, image size 3 7/16 x 2 3/4 in. (8.8 x 7.0 cm), unmatted, unframed.

Condition: Mounted, faded, subtle discoloration and several spots of residue on verso of mount. $400-600 1044 Alfred Stieglitz (American, 18641946) The Old Mill, 1894, from Picturesque Bits of New York and Other Studies, 1897. Identified within the matrix u.l.

Photogravure on paper, image size 11 x 8 in. (27.9 x 20.2 cm), unmatted, unframed.

Condition: Scattered subtle foxing, bend in l.l. corner of sheet. $300-500

1049 Harold E. “Doc” Edgerton (American, 1903-1990)

1053 W. Eugene Smith (American, 19181978)

The Letter Box, 1894, from Picturesque Bits of New York and Other Studies, 1897. Identified within the matrix u.l. Photogravure on paper, image size 7 3/4 x 5 3/4 in.

(19.7 x 14.5 cm), unmatted, unframed.

Condition: Minor soiling on sheet, 1 inch horizontal tear in margin c.l., minor wear at corners, discoloration on verso at right edge. $300-500

Fighting Finches, 1936, printed later.

Signed “Harold Edgerton” in pencil on the verso l.c., inscribed “81.0086” in pencil on the verso l.r. Gelatin silver print, image size 18 x 14 in. (48.8 x 35.5 cm), unmatted, unframed.

Condition: Slightly indented line in l.r. corner, minor crimps in l.l. corner. $700-900

Juanita on Jungle Gym, 1944, printed c. 1950s. “Photograph by W. Eugene Smith” stamped on the verso. Gelatin silver print, image size 8 1/2 x 13 1/2 in. (21.2 x 34.4 cm), matted, unframed.

Condition: Crimp at u.c. of image, crease in l.l. corner of sheet, minor wear at corners and soiling on the verso. $800-1,200

1046 Alfred Stieglitz (American, 18641946) Reflections, Venice, 1897, from Picturesque Bits of New York and Other Studies, 1897. Identified within the matrix u.l. Photogravure on paper, image size 8 3/8 x 11 1/2 in. (21.3 x 29.2 cm), unmatted, unframed.

Condition: Minor discoloration at right edge, sheet trimmed and mounted to foam core support. $500-700 1047 Alfred Stieglitz (American, 18641946) On the Seine, Near Paris, 1897, from Picturesque Bits of New York and Other Studies, 1897. Identified within the matrix u.l. Photogravure on paper, image size 6 5/8 x 10 3/4 in.

(16.8 x 27.3 cm), unmatted, unframed.

Condition: Scattered minor foxing. $300-500 1048 Alphonse Mucha (Czech, 1860-1939) Settings and Models: A Suite of Ten Photographs, c. 1895-1919, printed 1975, edition of 75, published

by Academy Editions and Graphics International, London and Washington, D.C. Each stamped “Mucha” in black ink on the mount l.r., each numbered “64/75” in pencil on the mount l.l.

Gelatin silver prints in a green clamshell box, image sizes to 5 x 6 3/4 in. (12.7 x 17.1 cm), unmatted, unframed.

Condition: Each print is mounted. $800-1,200

1050 Harold E. “Doc” Edgerton (American, 1903-1990) Two Photographs: Fanning the Cards and Cracking the Whip, 1940 and 1972, respectively, both printed later. Both signed “Harold Edgerton” in pencil on the verso l.c. with additional pencil annotations l.r. Gelatin silver prints, image sizes to 9 7/8 x 13 in.

(25.0 x 33.0 cm), unmatted, unframed.

Condition: Good. $1,000-1,500 1051 Arthur Rothstein (American, 19151985) Fairfield, Montana, 1939, printed later.

Stamped “ARTHUR ROTHSTEIN/ PHOTOGRAPH/from the collection of GRACE ROTHSTEIN” in black ink on the verso l.l. with additional pencil annotations. Gelatin silver print, image size 13 5/8 x 9 in. (34.5 x 22.8 cm), matted, unframed.

Condition: Good.

N.B. In 1936, at the young age of 21, Arthur Rothstein became the first photographer hired by Roy Stryker of the federal government’s Resettlement Administration to document the effects of the Great Depression on struggling families, as well as that agency’s efforts to alleviate the economic problems facing the nation. $1,000-1,500

1054 Aaron Siskind (American, 1903-1991) Maine, 1949, printed later. Titled and dated l.l., numbered “ap” l.c., and signed “Aaron Siskind” l.r., each in pencil below the image. Platinum print, image size 4 5/8 x 6 5/8 in. (11.8 x 16.8 cm), unmatted, unframed.

Condition: Sheet with deckled edges.

Fine Art online

1045 Alfred Stieglitz (American, 18641946)

Provenance: Collection of Clary Healy, Providence, Rhode Island. $500-700 1055 Aaron Siskind (American, 1903-1991) Chicago 10, from the portfolio Chicago Facades 1952-1960, 1957, edition of 19, printed in 1985 by Palm Press, Inc., Littleton, Massachusetts.

Signed “Aaron Siskind” in black ink below the image l.r., titled, dated, and numbered “...9/15” in black ink below the image l.l. Gelatin silver print, image size 15 3/8 x 21 1/2 in. (39.0 x 52.0 cm), unmatted, unframed.

Condition: Good. $1,000-1,500

1052 Hyman Hirsch (American, 19111961) On the Swings at the Amusement Park, c. 1940. Stamped “Photography

by Hy Hirsch” in blue ink on the verso l.r. Gelatin silver print, image size 7 3/8 x 9 3/8 in. (18.7 x 21.2 cm), matted, unframed.

Condition: Minor crease in u.l. corner. $700-900

Online bidding at www.skinnerinc.com/auctions/2876T

177

1056 W. Eugene Smith (American, 19181978)

1058 Dorothea Lange (American, 18951965)

Pittsburgh, 1955-56, printed c.

1950s. W. Eugene Smith credit and copyright stamps and additional pencil annotations on the back of the mount.

Gelatin silver print, image/sheet size 13 5/8 x 8 3/4 in. (34.6 x 22.3 cm), matted, unframed.

Condition: Mounted, unobtrusive crease l.l., scattered minor losses at edges.

Two Photographs of the Royal Tombs of the Joseon Dynasty, Korea, 1958-59. Identified in ink on the verso u.l. and l.l. of one of the prints. Gelatin silver prints, image sizes to 13 1/8 x 10 1/2 in. (33.4 x 26.6 cm), unmatted, unframed.

Condition: Crimps and creases at corners of sheets.

N.B. The noted American photographer W. Eugene Smith worked on and off for Life magazine from the late 1930s until 1955 when he resigned over editorial differences.

That same year he began a threeweek commission to produce 100 photographs commemorating Pittsburgh’s bicentennial. Inspired by the city as a window into the complexities of 1950s America, Smith ultimately spent a year there during which time he made over 17,000 photographs. $800-1,200 1057 Dorothea Lange (American, 18951965) Ireland, 1954, printed later. Gelatin silver print, image/sheet size 10 1/2 x 13 1/2 in. (26.8 x 34.3 cm), unmatted, unframed.

Condition: Mounted, unobtrusive brownish discoloration at left and right edges, creases at u.r. and minor wear at corners.

Fine Art online

Provenance: Descended within the family of the artist. $800-1,200

178

Provenance: Descended within the family of the artist.

N.B. In 1958 and 1959 Lange accompanied her husband Paul S. Taylor, who was working as a government economics consultant, throughout Europe and Asia, including Korea, where she photographed the Royal Tombs of the Joseon Dynasty.

The inscriptions on the verso are in Taylor’s hand. $1,000-1,500 1059 Jim Marshall (American, 1936-2010) Jimi Hendrix, c. 1967. Gelatin silver print, image size 8 1/2 x 12 in. (21.6 x 30.5 cm), matted, unframed.

Condition: Crease in the u.r. corner of the image. $800-1,200 1060 Linda McCartney (American, 19441998) Five Photographs of the Grateful Dead, including two portraits taken in Haight Ashbury, San Francisco, and three concert scenes in Central Park, New York, 1968, printed later.

All with MPL Communications Linda McCartney stamp with number annotations in ink on the versos l.c.

Gelatin silver prints, image sizes to 6 x 8 3/4 in. (15.2 x 22.2 cm), matted, unframed.

Condition: Slight rippling to sheets, scattered minor handling crimps.

N.B. The Grateful Dead band members depicted include Jerry Garcia, Bob Weir, Ron “Pigpen” McKernan, Bill Kreutzmann, Phil Lesh, and Mickey Hart. $1,500-2,500

Online bidding at www.skinnerinc.com/auctions/2876T

1061 John Pfahl (American, b. 1939) Two Photographs: Moonrise over Pie Pan, Capitol Reef National Park, Utah and Monument Valley with Red String, Utah, from the series Altered Landscapes, both 1977. Moonrise signed and dated “John Pfahl...” in black ink with pencil annotations on the verso l.c., Monument signed and dated “Pfahl...” in black ink with pencil annotations on the verso l.c. Dye transfer print and chromogenic print, respectively, images sizes to 7 7/8 x 10 in. (20.0 x 25.5 cm), matted, unframed.

Condition: Good. $500-700 1062 Sheila Metzner (American, b. 1939) Michal, Breast, 1984. Blindstamped “Sheila Metzner/Photograph/MichelFresson print” l.c., signed, numbered, and dated “Sheila Metzner Two of Two...” in pencil on the verso along the bottom edge, titled in pencil on the verso u.r. Fresson (pigment) print, image size 15 7/8 x 10 3/4 in. (40.3 x 27.3 cm), matted, framed.

Condition: Good. $1,000-1,500 1063 Edward Batcheller (American, 20th/21st Century) Geese, 1998. Photo emulsion, glass, and steel, sight size 18 1/2 x 24 in.

(47.0 x 61.0 cm), unframed.

Condition: Dust to the interstices, scattered area of rust, one nut missing from bottom of one of the panels. $800-1,200 1064 Meg Governo (American, 20th/21st Century) Two Works: Eyes Open; Eyes Shut.

Unsigned. Offset on acetate (or similar) mounted to canvas, image sizes 18 5/8 x 28 in. (47.2 x 71.0 cm), framed.

Condition: Tears to supporting canvas along upper edges of acetate on both, not examined out of frames. $600-800

Portrait of a Gentleman with Embroidered Waistcoat Initialed “cH” u.l.

Oil on canvas, 30 x 25 in. (76.2 x 63.5 cm), framed.

Condition: Lined, minor retouch, small abrasion l.l., craquelure, surface grime. $1,200-1,800 1066 School of John Hoppner (British, 1758-1810) Portrait of a Young Lady Unsigned, titled on a presentation plaque.

Oil on canvas, 32 3/4 x 27 1/2 in. (83.0 x 69.8 cm), framed.

Condition: Lined, skinning with probable retouch, prevalent craquelure, and surface grime. $2,000-3,000 1066A Italian School, 18th Century Tobias and the Angel at the River Tigris Unsigned.

Oil on canvas, 43 3/4 x 58 1/8 in. (88.0 x 147.5 cm), unframed.

Condition: Lined, retouch, restored tears, areas of thin pigment, fine, stable craquelure. $1,200-2,200 1067 After Thomas Lawrence (British, 1769-1830) Head and Shoulders Portrait of Sir Thomas Lawrence Unsigned, inscribed “Sir-Thomas Lawrence/an English-court Artist.../ Feb. 12-89” on the reverse.

Oil on canvas, 24 x 20 in. (61.0 x 51.0 cm), framed.

Condition: Minor retouch, small tear l.r. corner, fine, stable craquelure.

N.B. The original Lawrence oil selfportrait of this period is an unfinished canvas c. 1825, now in the collection of the Royal Academy in London; it was frequently copied by Lawrence’s students.

We would like to thank the National Portrait Gallery, London, for their assistance with the research for this lot. $800-1,200

1068 Mariano Fortuny (Spanish, 18381874) Woodsman with a Hatchet Signed “Fortuny” l.c., with a red wax collector’s seal on the frame backing.

Watercolor on paper, 11 3/8 x 8 1/2 in. (29.0 x 21.7 cm), in a shadow box frame.

Condition: Toning, acid burn, rippling, nicks and losses to the edges of the sheet, affixed at two corners to paperboard backing. $1,500-2,000 1069 Continental School, 19th Century Woman with Parasol Unsigned Oil on canvas, 24 1/2 x 20 in. (62.2 x 50.8 cm), framed.

Condition: Patch reinforcements, retouch, and surface craquelure. $1,000-1,500 1070 William Edward Norton (American, 1843-1916) Normandy Signed and dated “W.E. Norton 81” l.r., with labels from J. Eastman Chase, Boston, and Chapellier Galleries, Inc., New York, affixed to the back of the frame.

Oil on paper mounted to panel, 7 x 9 3/4 in. (17.7 x 24.7 cm), framed.

Condition: Warping to support, minor surface grime. $800-1,200 1071 Joseph Foxcroft Cole (American, 1837-1892) Cathedral at Moret, France, 1872 Signed “J. Foxcroft Cole” l.r., identified on a label from Adelson Galleries, Inc., Boston, affixed to the stretcher.

Oil on canvas, 15 x 18 3/4 in. (38.0 x 47.5 cm), framed.

Condition: Lined, scattered retouch, areas of fine, stable craquelure. $800-1,200

1072 Giovanni Filosa (Italian, 1850-1935) Gallery Views of Pitti Palace Signed “Giov Filosa” l.r., label from Didier Aaron, New York, affixed to the reverse.

Watercolor on paper mounted on canvas, 35 1/2 x 49 1/4 in. (90.0 x 125.0 cm), framed.

Condition: Water stains l.c., not examined out of frame.

N.B. Accompanied by an invoice from Didier Aaron Inc. dated June 4, 1982. $4,000-6,000 1073 Constantin Meunier (Belgian, 18311905)

Fine Art online

1065 British School, 18th/19th Century

Allegorie du Feu (ou “Forge” Projet) Unsigned, identified on a label affixed to the reverse.

Oil on canvasboard, 9 1/2 x 12 1/2 in.

(24.2 x 31.8 cm), framed.

Condition: Minor surface grime. $700-900 1074 Continental School, 18th/19th Century Young Woman with Flowers in Her Hair Unsigned.

Pastel on paper/board, 22 1/4 x 18 1/2 in. (56.0 x 46.5 cm), framed.

Condition: Bowing to the support, not examined out of frame. $800-1,200 1075 Sir Frank Brangwyn (British, 18671956) A Monk Unsigned, identified on a Fine Art Gallery, Ltd., London, label on the backing.

Ink, charcoal, and gouache on paper, image size 14 1/2 x 7 1/2 in. (36.8 x 19.0 cm), matted, framed.

Condition: Sheet taped to overmat on the verso. $300-500 1076 Louis Charles Verboeckhoven (Belgian, 1802-1889) Two Ships at Sea Signed “Louis Verboeckhoven” l.r.

Oil on panel, 4 3/4 x 6 3/4 in. (12.0 x 17.0 cm), framed.

Condition: Surface grime. $1,000-1,500

Online bidding at www.skinnerinc.com/auctions/2876T

179

1077 Wesley Elbridge Webber (American, 1841-1914)

1082 John Williamson (American, 18261885)

1087 Ross Sterling Turner (American, 1847-1915)

Moonlit Sailing Signed “WESLEY WE...” l.l.

Oil on canvas, 24 x 20 1/4 in. (61.0 x 55.5 cm), framed.

Condition: Patch reinforcements, retouch, craquelure, surface grime. $1,000-1,500

Crawford Landing, New York, 1852 Initialed and dated “JW 52” l.l., titled on the reverse of the frame.

Oil on panel, 10 x 14 in. (25.4 x 35.5 cm), framed.

Condition: Good. $1,000-1,500

Mexico Street Scene Signed, dated, and inscribed “ROSS TURNER 93 Mexico” l.l.

Watercolor on paper, sight size 12 1/4 x 18 in. (31.0 x 45.7 cm), framed.

Condition: Not examined out of frame. $800-1,200

1078 Elizabeth Hunt Barrett (American, 1863-1955)

1083 Charles Warren Eaton (American, 1857-1937)

1088 Howard Russell Butler (American, 1856-1934)

Sunset Landscape with Barn and Cows Signed “E. Hunt Barrett” l.l.

Oil on canvas, 17 x 27 in. (43.2 x 68.5 cm), framed.

Condition: Minor surface grime, craquelure. $1,000-1,500

Snowy Landscape at Dusk Signed and dated “CHAS. WARREN EATON/1890” l.l.

Watercolor on paper, sight size 11 1/2 x 8 in. (29.3 x 20.4 cm), framed.

Condition: Not examined out of frame. $800-1,200

American West Landscape with Tree Signed “R.H. Butler” l.r.

Oil on canvasboard, 10 1/4 x 14 1/4 in.

(26.0 x 36.3 cm), framed.

Condition: Surface grime.

1079 Wesley Elbridge Webber (American, 1841-1914) Loading Hay Signed “Wesley Webber” l.l.

Oil on canvas, 18 x 27 in. (45.7 x 68.5 cm), framed.

Condition: Possible varnish discoloration, minor surface grime, subtle stretcher bar marks. $1,800-2,200

Fine Art online

1080 Attributed to Gustave Wiegand (German/American, 1870-1957)

180

Evening/Shepherd and Flock on a Path at Dusk Signed faintly and perhaps dated “G. Wiegand/...” l.r., identified as “58.

Evening, Wiegand, Paris.../pupil of C. Daubigny” on a printed paper fragment affixed to the stretcher.

Oil on canvas, 12 5/8 x 17 in. (32.0 x 43.0 cm), in a period frame.

Condition: Scattered paint losses, craquelure, canvas deformation, discolored varnish, surface grime. $800-1,200

1084 Attributed to George Lambdin (American, 1830-1896) Informal Floral Bouquet Unsigned, with a label suggesting the history of the panel affixed to the reverse.

Oil on panel, 14 x 6 3/8 in. (35.5 x 16.0 cm), framed.

Condition: Good.

N.B. The label on the reverse indicates that the wood panel is from the organ for “the church in Brattle Square” which was commissioned in 1794 and disassembled in 1872 when the old edifice was taken down. $800-1,200 1085 George Henry Boughton (American, 1833-1905) Young Peasant Girl Signed “G.H. Boughton” c.l.

Pastel on gray paper, 17 3/8 x 12 3/8 in. (44.0 x 31.5 cm), framed.

Condition: Sheet laid down on paperboard support, toning. $500-700

1081 George Herbert McCord (American, 1848-1909)

1086 John Clinton Spencer (American, 1861-1919)

Sunrise Over the Bay Signed “G.H. McCord” l.r.

Pastel on paper, 13 1/2 x 19 in. (34.2 x 48.2 cm), framed.

Condition: Not examined out of frame. $700-900

Raspberries in a Basket Signed and dated “J.C. Spencer/914” l.l.

Oil on canvas, 9 x 12 in. (22.9 x 30.8 cm), framed.

Condition: Lined, retouch. $800-1,200

Online bidding at www.skinnerinc.com/auctions/2876T

Provenance: By descent within the family of the artist. $800-1,200 1089 Charles Damrow (American, 19161989) Landscape with Teepee and Native American Indians Signed “CHARLES DAMROW” l.r.

Oil on canvas, 24 x 36 in. (61.0 x 91.5 cm), framed.

Condition: Minor puncture c.r., slight retouch, surface grime. $1,000-1,500 1090 Julian Robles (American, b. 1933) Harvest Prayer Dance, Santa Clara Signed “Julian Robles © TAOS” l.l., with a printed label “JULIAN ROBLES, Harvest Prayer, Santa Clara, ‘77” on the reverse.

Oil on canvas, 24 x 36 in. (61.0 x 91.5 cm), framed.

Condition: Minor canvas warping and craquelure. $1,500-2,500 1091 Leonard Howard Reedy (American, 1899-1956) Two Works: Attack on a Wagon and Circling the Wagons Both signed “LEONARD H. REEDY” l.l.

Watercolors on paper, sight sizes to 7 1/2 x 10 3/4 in. (19.0 x 27.3 cm), framed.

Condition: Not examined out of frames. $800-1,200

1097 Attributed to Julius Curter (Austrian, 1886-1963)

1102 Joseph H. Greenwood (American, 1857-1927)

The Brave Signed “Gordon Coutts” l.r.

Oil on canvas, 30 x 23 in. (76.2 x 58.4 cm), framed.

Condition: Surface grime.

Canal in Venice Signed “JCurter” l.r.

Oil on canvas, 27 1/8 x 22 in. (69.0 x 56.0 cm), framed.

Condition: Surface grime. $700-900

Sun Setting on an Autumn Landscape Signed and dated “JHGreenwood 05” l.l., a label from the Worcester Art Museum affixed to the reverse.

Oil on canvas, 30 x 37 1/2 in. (76.2 x 95.2 cm), framed.

Condition: Puncture l.r., surface grime, canvas deformation l.l., scattered craquelure. $1,000-1,500

N.B. The sitter is probably Elk Foot of the Taos tribe. He also modeled for Irving Couse. $1,500-2,500 1093 Harold Harrington Betts (American, 1881-1951) Portrait of a Navajo Drummer Signed “H H Betts” l.l.

Oil on canvas, 39 5/8 x 31 1/4 in. (99.5 x 79.3 cm), framed.

Condition: Lined onto Masonite, retouch, surface abrasions u.l., small punctures u.l. and u.r., craquelure. $2,000-3,000 1094 Shirley Thomson Smith (American, b. 1929) Seated Native American Woman Dated, signed, and numbered “© 88 S.T. SMITH 3/15” on lower edge of figure.

Bronze with varied patination, 12 x 23 x 10 in. (30.4 x 58.4 x 25.4 cm), mounted on a wood plinth.

Condition: Minor dust and dirt to interstices. $1,000-1,500 1095 Joe Beeler (American, 1931-2006) American Indian Portrait Signed “JOE BEELER” l.l.

Watercolor and ink on paper, 16 3/4 x 13 in. (42.5 x 33.0 cm), unframed.

Condition: Toning, slight staining. $600-800 1096 George Loftus Noyes (American, 1864-1954) Canal and Harbor, Venice Signed “G.L. Noyes” l.l.

Watercolor on paper, sight size 10 x 14 1/2 in. (25.4 x 36.8 cm), framed.

Condition: Possible toning, not examined out of frame. $800-1,200

1098 Colin Campbell Cooper (American, 1856-1937) European Hill Town Signed “C.C. Cooper” l.l.

Oil on canvas, 11 x 14 in. (28.0 x 35.5 cm), framed.

Condition: Retouch to sky, craquelure, surface grime. $1,000-1,500 1099 Elizabeth Rupp Withington (American, 1880-1962) On the Village Steps Signed “Elizabeth R. Withington” l.l.

Oil on canvas, 30 x 24 in. (76.0 x 61.0 cm), framed.

Condition: Canvas deformation at corners, minor surface grime. $800-1,200 1100 Henry Harmony (American, 20th Century) When Nobility Meets Dedicated and signed “To my friend Ed. Groh/Marquis de Fougeron/H. Harmony” l.r., titled l.c.

Ink and watercolor on illustration board, 19 7/8 x 29 1/2 in. (50.5 x 75.0 cm), framed.

Condition: Toning, staining, not examined out of frame. $3,000-5,000 1101 Marian Parkhurst Sloane (American, 1876-1954) From a Hilltop Signed “Marian P. Sloane” l.r., titled on a label from the Guild of Boston Artists attached to the backing.

Oil on canvas, 20 x 25 in. (50.8 x 63.5 cm), framed.

Condition: Good. $700-900

1103 Henry Orne Rider (American, 18601943)

Fine Art online

1092 Gordon Harrower Coutts (American, 1868-1937)

The Passing Shower Early Autumn/ An Early Auburndale Scene Signed and dated “HENRY ORNE RIDER/-1937-” l.r., titled and signed “.../Painted by HENRY ORNE RIDER” on the reverse.

Oil on canvas, 25 x 30 3/16 in. (63.5 x 76.8 cm), framed.

Condition: Scattered paint losses, craquelure with areas of flaking, primarily to the sky. $800-1,200 1104 Attributed to William Lester Stevens (American, 1888-1969) Chapel Falls, Conway, Mass Signed or inscribed “W. LESTER STEVENS” l.r. and identified in inscriptions on the reverse.

Oil on board, 17 x 19 in. (43.2 x 48.2 cm), framed.

Condition: Good. $800-1,200 1105 Leighton Cram (American, 18951981) The Red House Signed “L.R. Cram” l.l.

Oil on board, 15 1/2 x 20 in. (39.3 x 50.8 cm), framed.

Condition: Good. $800-1,200

Online bidding at www.skinnerinc.com/auctions/2876T

181

1106 Walter Koeniger (American, 18811943) Summer Landscape with River and Bridge Signed “W. Koeniger” l.r.

Oil on canvas, 31 7/8 x 31 7/8 in. (81.0 x 81.0 cm), framed.

Condition: Retouch, craquelure, surface grime. $2,000-3,000 1107 Antal Neogrady (Hungarian, 18611942) Hunter and Dog in a Snowy Wood Signed “Neogrady A” l.r.

Oil on canvas, 23 5/8 x 31 1/2 in. (60.0 x 80.0 cm), framed.

Condition: Puncture, patch reinforcements, probably old retouch, canvas deformation, surface grime. $800-1,200 1108 Peter Poskas (American, b. 1939) Winter Landscape with Farm Signed “Poskas” l.l.

Oil on canvasboard, sight size 5 1/8 x 6 3/8 in. (13.0 x 16.2 cm), framed.

Condition: Good. $800-1,200 1109 Laszlo Neogrady (Hungarian, 18961962)

Fine Art online

Wintery Forest Signed “Neogrady Laszlo” l.r.

Oil on canvas, 24 x 36 in. (61.0 x 91.5 cm), framed.

Condition: Good.

182

Provenance: Purchased from the J.J. Gillespie Company Fine Art Galleries, Pittsburgh, by descent to the current owner. $1,200-1,800

1110 Adam Cvijanovic (American, b. 1960) Three Harvest Landscapes: Pyramid of Apples Before an Orchard, Hay Bales, and Pyramid of Pumpkins Apples and Pumpkins signed and dated “Adam/Cvijanovic/98” on the reverse, Hay Bales unsigned.

Each oil on canvas, 40 x 30 in. (101.5 x 76.0 cm), unframed.

Condition: All with paint losses, craquelure with areas of flaking, surface abrasions and grime; Apples with puncture and dents.

Provenance: Harvest Restaurant, Harvard Square, Cambridge, Massachusetts. $2,500-3,500 1111 Marion P. Howard (American, 18831953) Landscape with Brook Signed “Marion Howard” l.r.

Oil on canvas, 17 x 21 in. (43.2 x 53.3 cm), in a hand-embellished frame.

Condition: Minor surface grime, small area of lifting paint and loss l.c. $400-600 1112 Elizabeth B. Robb (American, 18641939) Cliffside Boathouse Monogrammed at center, identified on a label affixed to the stretcher.

Oil on canvas, 25 x 30 in. (63.4 x 76.0 cm), framed.

Condition: Surface grime, small puncture and subtle canvas deformation at center, water damage visible on the reverse. $800-1,200 1113 Morris Hall Pancoast (American, 1877-1963) Gloucester Harbor Signed “Morris Hall Pancoast” l.l., titled and signed on the reverse.

Oil on board, 8 x 10 in. (20.3 x 25.4 cm), framed.

Condition: Minor surface grime, small paint loss in green boat l.r. $400-600

1114 C. Hjalmar “Cappy” Amundsen (American, 1911-2001) Boats and Boathouse Signed “H. Amundsen” l.r., dated and signed “9/28/74 S.H. Amundsen” on the reverse.

Oil on canvas, 24 x 36 in. (60.9 x 91.4 cm), framed.

Condition: Minor craquelure. $1,500-2,500 1115 C. Hjalmar “Cappy” Amundsen (American, 1911-2001) Harbor with Boats and Houses Signed “H. Amundsen” l.l.

Oil on canvas, 24 x 36 in. (60.9 x 91.4 cm), framed.

Condition: Minor craquelure. $1,500-2,500 1116 Anthony Thieme (American, 18881954) Doorway in Dappled Summer Sunlight Signed “AThieme” l.r.

Oil on canvas mounted to paperboard, 15 3/4 x 12 in. (40.0 x 30.4 cm), framed.

Condition: Minor separation of canvas layer from support at u.r. corner, minor paint losses. $1,000-1,500 1117 Continental School, 20th Century Village Scene with Cows and Farmer Signed indistinctly l.r.

Watercolor on paper, image/sheet size 14 3/8 x 21 1/2 in. (36.5 x 54.6 cm), framed.

Condition: Mounted on paperboard. $300-500 1118 Walter Griffin (American, 1861-1935) Landscape, Longpré, France Signed “Griffin” l.r., identified, titled, and with a label from the Lyman Allyn Museum on the backing.

Pastel on paper, sight size 12 x 15 1/8 in. (30.5 x 38.4 cm), framed.

Condition: Not examined out of frame.

N.B. Accompanied by a copy of the Vose Galleries catalog Walter Griffin, American Impressionist (1861-1935). $400-600

Online bidding at www.skinnerinc.com/auctions/2876T

1123 Nikol Schattenstein (Russian/ American, 1877-1954)

1127 Pal Fried (Hungarian/American, 1893-1976)

Tower at Rouen Signed “Pierre Dumont” l.l.

Oil on canvas, 28 1/2 x 19 1/2 in. (72.3 x 49.5 cm), framed.

Condition: Craquelure, subtle canvas deformation u.l. and l.r., paint loss u.r., minor surface grime. $1,000-1,500

Portrait of a Brother and Sister Signed “Nikol Schattenstein N.Y.” l.r.

Oil on canvas, 40 x 30 in. (101.5 x 76.2 cm), framed.

Condition: Minor surface grime, lined.

Suzanne Signed “FRIED PAL” l.l., titled on the reverse.

Oil on canvas, 30 x 24 in. (76.2 x 59.9 cm), framed.

Condition: Minor surface grime. $1,500-2,000

1120 Arthur Clifton Goodwin (American, 1863-1929) Double-sided Work: Night Street Scene/Harbor Wharf Signed “A C Goodwin” l.l. of Harbor.

Pastel on paper, 22 5/8 x 17 1/2 in.

(57.5 x 44.5 cm), framed.

Condition: Subtle toning, not examined out of frame. $700-900 1120A Sol Wilson (American, 1896-1974) Workers at a Wharf, Provincetown Signed “Sol Wilson” l.l.

Gouache on paper/board, sight size 21 1/8 x 25 7/8 in. (53.8 x 65.7 cm), framed.

Condition: Not examined out of frame. $800-1,200 1121 Carl Johan Nordell (American, 18851957) The Artist’s Wife Signed “Carl J. Nordell” l.l.

Oil on canvas, 40 x 32 in. (101.6 x 81.5 cm), framed.

Condition: Lined, scattered minor retouch, stable craquelure. $1,000-1,500 1122 Philip Alexius de László (Hungarian, 1869-1937) Portrait of an Elegant Woman, Possibly Mme. H.S. Lehr Signed, dated, and inscribed “de Laszlo/1934.vi.P...” l.l., numbered and inscribed “...Mme. H.S. Lehr” on a gummed label affixed to the stretcher.

Oil on canvas, 54 1/2 x 37 1/2 in.

(138.0 x 95.5 cm), framed.

Condition: Surface grime. $4,000-6,000

N.B. The portrait depicts the painting’s owner as a little girl. $1,200-1,800 1124 George Lance (British, 1802-1864) Still Life with an 18th Century English Stoneware Hunt Jug and Braided Onions on a Stone Table Unsigned, inscribed “LANCE/GIVEN

BY LANCE TO W.A. NESFIELD/...” on the reverse.

Oil on canvas, 15 1/2 x 12 1/4 in. (39.5 x 31.0 cm), framed.

Condition: Lined, retouch, fine, stable craquelure. $1,000-1,500 1125 Robert Douglas Hunter (American, 1928-2014) Black, Tan, and Gray Signed and dated “ROBERT DOUGLAS HUNTER ‘78” l.r., identified on a label from the Guild of Boston Artists affixed to the back of the frame.

Oil on canvas, 15 x 25 in. (38.2 x 63.5 cm), framed.

Condition: Good. $1,200-1,800 1125A Robert Douglas Hunter (American, 1928-2014) Still Life with Flowers in a Cobalt Blue Vase Signed and dated “ROBERT DOUGLAS HUNTER ‘99” l.r.

Oil on canvas, 20 x 16 in. (51.0 x 40.5 cm), framed.

Condition: Good. $1,000-1,500

1128 Itzchak (Isaac) Tarkay (Israeli, 19352012) Untitled (Waiting) Signed “Tarkay” l.l., titled on a certificate affixed to the reverse.

Watercolor and ink on paper, 11 x 14 in. (28.0 x 35.6 cm), framed.

Condition: Not examined out of frame.

Fine Art online

1119 Pierre Jean Baptiste Louis Dumont (French, 1884-1936)

N.B. Accompanied by a certificate of authentication from Nathan Daniel Isen, Purveyors of Fine Art, Philadelphia. $1,200-1,800 1129 Gregorio Prestopino (American, 1907-1984) Jewish Man and Tenement Buildings Signed “Prestopino” l.r.

Ink on paper, sheet size 26 x 19 1/2 in.

(66.0 x 49.5 cm), matted, unframed.

Condition: Deckled edges to two sides, subtle toning. $300-500 1130 Continental School, 20th Century Half-length Nude Signed “Domán Y” u.r.

Oil on canvas, 24 x 20 in. (60.8 x 50.8 cm), framed.

Condition: Minor retouch, craquelure, surface grime. $800-1,200

1126 Robert Douglas Hunter (American, 1928-2014) Still Life with Ceramic and Brass Vessels, Fruit, and Flowers Signed and dated “ROBERT DOUGLAS HUNTER ‘03” l.l.

Oil on canvas, 28 x 48 in. (71.0 x 122.0 cm), framed.

Condition: Good. $2,000-3,000

Online bidding at www.skinnerinc.com/auctions/2876T

183

1131 Gladys Rockmore Davis (American, 1901-1967) Torso Initialed “G.R.D.” l.l.

Pastel on gray paper, sight size 25 x 18 3/4 in. (63.5 x 47.5 cm), framed.

Condition: Not examined out of frame.

Provenance: From the collection of Ruth Creighton, gift to the parents of the consignor c. 1958-60, to the current owner by family descent.

Literature: Gladys Rockmore Davis, Pastel Painting (New York: Plantin Press, 1943), ill. p. 36.

N.B. A photocopy of the illustration in Pastel Painting accompanies the lot. $800-1,200 1132 Max Weber (American, 1881-1961) Still Life: Fruit and Bowl Signed and dated “MAX WEBER 1910” l.r., titled on an accompanying bill of sale.

Watercolor on paperboard, 5 7/8 x 6 7/8 in. (14.8 x 17.5 cm), framed.

Condition: Minor toning and soiling, affixed to paperboard support along top edge of the reverse.

Provenance: Private collection, to Steven Thomas, Inc., Woodstock, Vermont, through to the current owner. $1,200-1,800

Fine Art online

1133 Arthur J. Lyons (English, fl. 19111921)

184

Pierrette Signed and dated “Arthur J. Lyons 15” l.l., label from Redfern Gallery, London, on the reverse.

Oil on canvas, 35 x 28 in. (88.9 x 71.1 cm), framed.

Condition: Scattered retouch in bouquet, small area l.l., signature enhanced. $800-1,200 1134 Alice Mongeau (American, 20th/21st Century) Gramp’s Garden Signed “Mongeau” l.r., signed “Alice Mongeau” on the reverse, identified on a label affixed to the frame.

Oil on Masonite, 15 7/8 x 20 in. (40.3 x 51.0 cm), framed.

Condition: Good. $800-1,200

1135 Terri Priest (American, 1928-2014)

1140 Judy Rifka (American, b. 1945)

Vermeer Fragment: Shadow (Woman with a Water Pitcher) Signed, titled, and inscribed “T. Priest/...” on the reverse.

Oil on panel, 24 x 24 in. (60.7 x 60.7 cm), unframed.

Condition: Minor wear to corners.

Aphrodisian Fragments II Signed and dated “Rifka ‘89” in pencil l.r., identified on a label from Brooke Alexander Gallery, New York, affixed to the backing.

Acrylic, ink, and collage on painted and lithographed paper, sheet size 30 x 22 5/8 in. (76.2 x 57.4 cm), framed.

Condition: Deckled at bottom edge, floated in frame, not examined out of frame. $500-700

Provenance: Estate of the artist, Worcester, Massachusetts. $800-1,200 1136 Petr Vassilievitch Pavlov (Russian, b. 1937) Portrait of Military Figure in Red Shirt and Hat with Red Star Signed indistinctly l.r., dated “1965” and inscribed in Russian on the reverse.

Oil on canvas, 35 1/2 x 27 in. (90.0 x 68.5 cm), framed.

Condition: Good. $1,000-1,500 1137 Charles Henry Turner (American, 1848-1908) Portrait of a Girl with a Red Head Covering Signed and dated “C.H. Turner/Feb 06” l.r.

Pastel on paper, sight size 16 3/8 x 11 5/8 in. (41.5 x 29.5 cm), framed.

Condition: Not examined out of frame. $300-500 1138 Nikol Schattenstein (Russian/ American, 1877-1954) The Grandparents Signed “Nikol. Schattenstein NY. AP.M.” u.r.

Oil on canvas, 30 x 38 in. (76.0 x 96.5 cm), framed.

Condition: Scattered minor losses/ accretions u.c., small dimple/ depression c.l., minor surface grime.

N.B. The sitters are the grandparents of the painting’s owner. $800-1,200 1139 Giancarlo Isola (Italian, b. 1927) Il Drappo Bianco Signed “G. Isola” l.r., with a label from Findlay Galleries, Chicago, on the reverse.

Oil on canvas, 27 3/4 x 36 in. (70.5 x 91.5 cm), framed.

Condition: Craquelure. $800-1,200

Online bidding at www.skinnerinc.com/auctions/2876T

1141 No lot.

1142 Masami Teraoka (Japanese/ American, b. 1936) Erotic Ménage à Trois Signed “Masami Teraoka” in ink on the reverse.

Ink and gouache on paper, 9 x 12 in.

(22.8 x 30.4 cm), matted, unframed.

Condition: Good. $2,000-3,000 1143 Zoran Mušic (Slovene, 1909-2005) Hilly Landscape Signed “MUSIC” in pencil l.c.

Ink wash and gouache en grisaille on paper, 5 1/4 x 7 1/4 in. (13.0 x 18.5 cm), framed.

Condition: Toning, tear/cut to u.r. edge, tape and glue stains, creasing, not examined out of frame. $700-900 1144 Joseph Norman (American, b. 1957) Urban Garden I Signed and dated “Norman Aug 89” l.l., titled on an unattributed label affixed to the frame backing.

Oil on paper, 50 x 40 in. (127.0 x 101.3 cm), framed.

Condition: Not examined out of frame.

Provenance: Acquired from the artist. $500-700

1151 Ger Lataster (Dutch, 1920-2012)

1154 Red Grooms (American, b. 1937)

Static Variations: Green Square in Five Panels Signed and dated “T. Priest 72.” on each stretcher.

Acrylic on canvas, sizes to 24 x 48 in.

(60.9 x 121.9 cm), unframed.

Condition: Good.

Bouquet d’Air Signed and dated “Glataster ‘61” l.r., identified on a label from Galerie Paul Facchetti, Paris, affixed to the stretcher.

Oil on canvas, 16 x 19 1/2 in. (40.6 x 49.5 cm), framed.

Condition: Surface grime, craquelure, scattered losses. $800-1,200

The Great Transaction (In Two Parts) Signed and dated “Red Grooms/75-81” on the base of the figure on the far right, titled, dated, and inscribed “The Great Transition/1981/ Red Grooms/...” on a plywood plaque.

Mixed media sculpture, height to 78 in.

(198 cm), base 138 x 33 1/2 in. (350.5 x 85.1 cm).

Condition: Part of the platform on the right side has been replaced.

Provenance: Estate of the artist, Worcester, Massachusetts. $1,000-1,500

1151A Maurice Day (American, 1892-1983) 1146 Terri Priest (American, 1928-2014) Aurora Series IX Signed, titled, and dated “Aurora Series IX/T. Priest 1974” on the reverse.

Acrylic on canvas, 60 x 42 in. (152.4 x 106.6 cm), unframed.

Condition: Abrasion in one corner.

Provenance: Estate of the artist, Worcester, Massachusetts. $800-1,200 1147-1148 No lots.

1149 William Horace Littlefield (American, 1902-1969) Abstract Composition Signed and dated “Wm. H. Littlefield/ March 7, 1955.” u.r.

Watercolor and gouache on paper/ board, sight size 21 1/2 x 15 1/2 in.

(54.8 x 39.5 cm), framed.

Condition: Not examined out of frame. $200-400 1150 Yutaka Ohashi (Japanese/American, 1923-1989)

Turtle Caravan with Woodland Creatures Signed “MAURICE/DAY” l.l.

Watercolor on paper/board, sight size 13 3/4 x 18 5/8 in. (35.0 x 47.2 cm), framed.

Condition: Pale toning, not examined out of frame. $800-1,200 1152 American School, 20th Century Abstract Expressionist Composition Unsigned.

Acrylic on paper, 30 x 22 1/4 in. (76.2 x 56.5 cm), framed.

Condition: Tack holes in three corners, attached at intervals to backing mat, not examined on the reverse. $300-500 1153 American School, 20th Century Untitled Abstraction Unsigned.

Oil on canvas, 18 x 24 in. (45.7 x 61.0 cm), framed.

Condition: Surface grime, minor craquelure, small abrasion/loss at center and u.r. $800-1,200

N.B. This work depicts the historic sale of the island of Manhattan, probably by the Lenape people, to Peter Minuit and a group of Dutch colonials on May 24, 1626. $10,000-15,000

Fine Art online

1145 Terri Priest (American, 1928-2014)

1155 Jean Calogero (Italian/American, 1922-2001) Surrealist Circus Signed “Jean Calogero” l.r.

Oil on canvas, 18 x 22 in. (45.7 x 55.8 cm), framed.

Condition: Minor surface grime. $800-1,200 1156 Murray Hantman (American, 19041999) Monhegan Signed “HANTMAN” l.l.

Gouache on paper, 12 x 17 1/2 in.

(30.5 x 44.4 cm), framed.

Condition: Minor toning to the reverse, masking taped to the window mat. $400-600

End of Sale 2876T

Crucifixion Signed “OHASHI” l.l., identified and dated “‘53” on a label from the School of the Museum of Fine Arts, Boston, affixed to the reverse.

Oil on Masonite, 16 1/2 x 23 1/2 in.

(41.8 x 59.8 cm), framed.

Condition: Minor surface grime. $700-900

Online bidding at www.skinnerinc.com/auctions/2876T

185

186

Artist Index Please note: Lots 1-109 are in the Prints & Photographs auction; Lots 200-424 in the Fine Paintings & Sculpture auction, and Lots 1000-1156 in the Fine Art online auction.

Actypi, Zoe (Suzi)....................................................368

Cavallon, Giorgio ....................................................404

Fahlström, Öyvind ................................................1022

Adams, Ansel......................................................82, 97

Celesti, Andrea (Manner of)....................................207

Fattori, Giovanni .....................................................222

American School, 19th Century ........... 246, 249, 352

Chadwick, Lynn..............................................371, 372

Filosa, Giovanni.....................................................1072

American School, 20th Century...92, 340, 1152, 1153

Chagall, Marc ......................................................27-33

Fink, Aaron .............................................................416

Amundsen, C. Hjalmar “Cappy”................ 1114, 1115

Chagall, Marc (After) .............................................1015

Fischinger, Oskar W................................................403

Anuszkiewicz, Richard .........................................1013

Chapin, Francis ..............................................364, 365

Fisher, Alvin (Attributed to)......................................248

Avery, Milton ............................................................. 25

Cole, Joseph Foxcroft .........................................1071

Folinsbee, John Fulton............................................302

Continental School, 18th/19th Century................1074

Fortuny, Mariano...................................................1068

Baes, Firmin............................................................228

Continental School, 19th Century............... 237, 1069

Frank, Robert ........................................................... 93

Barbizon School, 19th Century .............................219

Continental School, 20th Century.....314, 1117, 1130

Freed, Leonard................................................102, 103

Bareford, David ......................................................328

Cook, Otis Pierce ...................................................306

Freeman, Ben.........................................................419

Barnet, Will............................................................1014

Cooper, Colin Campbell.......................................1098

French School, 18th/19th Century.........................213

Barrett, Elizabeth Hunt .........................................1078

Corita.......................................................................401

French School, 19th Century ................................217

Batcheller, Edward................................................1063

Corson, Katherine Langdon ..................................253

Fried, Pal...............................................................1127

Beauchamp, Robert ..............................................359

Coutts, Gordon Harrower ....................................1092

Friml, Géza Fónyi ...................................................356

Beck, Walter Otto ..................................................388

Cram, Leighton.....................................................1105

Beeler, Joe ...........................................................1095

Cunningham, Imogen............................................... 81

Gallagher, Sears......................................................318

von Bemmel, Peter (Attributed to)..........................210

Curter, Julius (Attributed to)..................................1097

Gay, Winckworth Allan ...........................................234

Benson, Frank Weston.............9-14, 304, 1000-1007

Curtis, Edward Sheriff............................................... 79

Gibran, Kahlil...........................................................374

Benton, Thomas Hart ......................................15, 288

Cvijanovic, Adam......................................... 420, 1110

Goncharova, Natalia Sergeevna ............................345 Goodnough, Robert .......................................389, 391

Betts, Harold Harrington.......................................1093 Bierstadt, Albert .....................................................251

Dalí, Salvador............................................. 1016, 1017

Goodwin, Arthur Clifton .............................. 331, 1120

Bilton, Maurice F.....................................................367

Damrow, Charles .................................................1089

Gottlieb, Adolph..................................................38, 39

Black, Olive Parker .................................................252

Dana, Charles Edmund..........................................255

Governo, Meg.......................................................1064

Bloom, Hyman........................................................373

Daugherty, James...................................................379

de Goya, Francisco..................................................... 1

Bonheur, Rosa ...............................................218, 220

Davis, Gladys Rockmore......................................1131

Le Grand, Michael .................................................392

Borein, Edward......................................................... 16

Day, Maurice.......................................................1151A

Greene, John Beasley............................................... 76

Boston School, 19th/20th Century........................335

Demont, Adrien Louis.............................................224

Greenwood, Joseph H.........................................1102

Boughton, George Henry............................ 261, 1085

Di Cesare, Alfred ....................................................353

Griffin, Walter ........................................................1118

Brady, Mathew B. (Attributed to)..........................1043

Diebenkorn, Richard ................................................ 34

Grooms, Red .......................................................1154

Brandt, Bill................................................................. 86

Dietrich, Christian (Attributed to).............................201

Gruppé, Emile A..............................................292, 303

Brangwyn, Sir Frank ............................................1075

van Dongen, Kees.................................................... 35

Guercino, Giovanni (Manner of) .............................204

Bravo, Manuel Álvarez ............................................. 94

Douaihy, Saliba ......................................................402

Guiragossian, Paul..................................................375

Bricher, Alfred Thompson...................... 244, 245, 250

Dubois, Eduard (Attributed to) ...............................209

British School, 18th/19th Century........................1065

Dubuffet, Jean........................................................... 36

de Haas, Mauritz.....................................................240

Brockhurst, Gerald L. .................................1010-1012

Dufy, Raoul ...........................................................1018

Hadzi, Dimitri...................................................390, 395

Brooks, Maria .........................................................264

Dull, Christian Lawton.............................................290

Hall, Norma Bassett ................................................. 17

Buchterkirch, Armin ...............................................256

Dumont, Pierre Jean Baptiste Louis.....................1119

Hammond, Jane ..................................................1023

Bunner, Andrew Fisher ..........................................284

Dürer, Albrecht (After)..............................................208

Hantman, Murray .................................................1156

Burlingame, Will.......................................................269

Dutch School, 18th/19th Century .........................227

Harmony, Henry....................................................1100

Butler, Howard Russell.........................................1088

Dzubas, Friedel ........................................................ 37

Hartwig, Heine.........................................................277

Calder, Alexander ..................................350, 383-385

Eaton, Charles Warren .........................................1083

Henderson, William Penhallow...............................311

Callahan, Harry ......................................................... 96

Edgerton, Harold E. “Doc” ..........83, 100, 1049, 1050

Henry, George .......................................................262

Calogero, Jean......................................................1155

Enneking, John Joseph .................................258, 260

Hervé, Jules René ..................................................326

Candid, Peter (School of)........................................202

Erlebacher, Martha Mayer......................................336

Hibbard, Aldro Thompson .............................291, 295

Capa, Robert............................................................ 91

Erté..............................................................1019-1021

Hirsch, Hyman .....................................................1052

Carelli, Giuseppe ....................................................230

Evergood, Philip......................................................358

Hopper, Edward....................................................... 18

Heizer, Michael ......................................................... 40

187

Hoppner, John (School of) ...................................1066

Magnasco, Alessandro (School of) ........................200

Pearce, Charles Sprague .......................................354

Houser, Allan .................................................. 274-276

Maillol, Aristide ........................................................344

Pechstein, Max.......................................................48A

Howard, Marion P. ..............................297, 300, 1111

Man Ray ................................................................... 89

Pfahl, John .................................................. 107, 1061

Hunter, Clementine.................................................360

Marieschi, Michele....................................................... 5

Picasso, Pablo..........................................49-53, 1033

Hunter, Robert Douglas..............................1125-1126

Marin, John ............................................... 19, 20, 363

Picasso, Pablo (After)............................54, 1034-1036

Huntington, Anna Vaughn Hyatt ............................267

Marsh, Reginald .............................................346, 347

Poncelet, Thierry ....................................................422

Marshall, Jim .......................................104, 105, 1059

Poskas, Peter .......................................................1108

Icart, Louis................................................................... 2

Mazur, Michael..................................................44, 423

Prestel, Johann Gottlieb Theophi............................... 6

Imhof, Joseph A......................................................268

McCartney, Linda..................................................1060

Prestini, James Libero.............................................407

Indiana, Robert ......................................................... 41

McCord, George Herbert............................ 235, 1081

Prestopino, Gregorio.............................................1129

Isola, Giancarlo......................................................1139

McGurl, Joseph......................................................421

Priest, Terri ......................................1135, 1145, 1146

Italian School, 16 Century Style..............................203

McNamara, Alfred...................................................370

Italian School, 18th Century................................1066A

Mêne, Pierre Jules..................................................265

Rauschenberg, Robert.......................................55, 56

Menkes, Sigmund Joseph......................................349

Redon, Odilon ............................................................ 7

Jacobs, Laura Ann .........................................415, 417

Menzler, Wilhelm.....................................................215

Reedy, Leonard Howard .....................................1091

Jacobs, Richard ....................................................... 42

Metzner, Sheila ........................................... 109, 1062

Reichel, Hans .................................................380, 381

Jacomin, Alfred Louis Vigny ..................................214

Meunier, Constantin .............................................1073

Rembrandt van Rijn.................................................... 8

Jacque, Charles Émile ...........................................225

Miller, Kenneth Hayes ........................................1007A

Remington, Frederic ..............................................270

Janssens, Abraham (Attributed to).........................205

Millet, Jean François (Attributed to).........................221

Resnick, Milton .......................................................378

Jessup, Robert........................................................412

Miró, Joan....................................... 45-46, 1026-1030

da Ricci, Colombo .................................................212

Johnson, Ben..........................................................361

Mongeau, Alice.....................................................1134

Ricciardi, Cesare ....................................................305

Johnson, Lester .....................................................377

Moore, Henry............................................................ 47

Richards, Ceri........................................................1037

Jones, Hugh Bolton................................................254

Morrell, Wayne Beam ............................................317

Richards, William Trost................................... 241-243

Motherwell, Robert.................................................... 48

Rider, Henry Orne ................................................1103

Katz, Alex.................................................................. 43

Mucha, Alphonse .................................................1048

Rifka, Judy ...........................................................1140

Kelly, Robert ...........................................................400

Murillo, Bartolomé (Manner of) ...............................206

Robb, Elizabeth B.................................................1112

Kent, Sister Mary Corita..........................................401

Murray, Martin Joseph ...........................................329

Robles, Julian........................................................1090

King, William Dickey................................................410

Mušic, Zoran.........................................................1143

Rollins, Warren E.....................................................272 Rothstein, Arthur ..................................... 84, 85, 1051

Kluge, Constantine..................................................327 Koeniger, Walter....................................................1106

Nadelman, Elie........................................................348

Kollwitz, Käthe ............................................. 3, 4, 1024

Nagy, Peter ............................................................394

Salinas, Porfirio ............................................... 282-283

Krauskopf, Bruno....................................................357

Neiman, LeRoy ....................................................1031

Salmon, Robert ......................................................236

Kroupa, Vaclav........................................................223

Neogrady, Antal ...................................................1107

Schattenstein, Nikol...........................351, 1123, 1138

Kuwasseg, Charles Euphrasie ...............................226

Neogrady, Laszlo..................................................1109

Schoonover, Frank Earle .......................................296

Newcomb, Obie ....................................................... 92

Sebire, Gaston........................................................319

Lambdin, George (Attributed to) ..........................1084

Nichols, Henry Hobart ...........................................294

Segal, George .......................................................... 57

Lambinet, Emile Charles ......................................225A

Nicholson, George Washington..............................231

Seltzer, Olaf Carl.....................................................273

Lance, George .....................................................1124

Nordell, Carl Johan ..............................................1121

Shapleigh, Frank.....................................................257

Lane, Harry .....................................................315, 330

Norman, Joseph...................................................1144

Shemesh, Lorraine .................................................424

Lange, Dorothea .................... 88, 98, 99, 1057, 1058

Norton, William Edward............................... 239, 1070

Shifrin, Roy......................................................376, 387

Lassonde, Omer Thomas ......................................369

Noyes, George Loftus...........................................1096

Lataster, Ger ........................................................1151 Laure de Chatillon, Zoé ..........................................216

Shima, Tamami ....................................................1038 Sinsabaugh, Art .....................................................106

Ohashi, Yutaka......................................................1150

Lawrence, Thomas (After).....................................1067

Siqueiros, David Alfaro ............................................. 58 Siskind, Aaron........................... 101, 108, 1054, 1055

Lawson, Ernest...............................................313, 324

Paladino, Mimmo .................................................1032

Sloane, Eric....................................280, 281, 289, 316

de László, Philip Alexius .......................................1122

Pancoast, Morris Hall ...........................................1113

Sloane, Marian Parkhurst......................................1101

Léger, Fernand (After)...........................................1025

Pantoja Pérez, Alexis Miguel...................................414

Smith, Cary ............................................................409

Lehnert, Thompson .......................................396, 397

Parks, Gordon .......................................................... 95

Smith, Shirley Thomson........................................1094

Levitt, Helen ............................................................. 87

Parshall, DeWitt.......................................................309

Smith, W. Eugene................................90, 1053, 1056

Lewis, John Frederick ............................................211

Parsons, Edith Barretto Stevens ...........................339

Solomon, Syd.........................................................398

Littlefield, William Horace .....................................1149

Passuntino, Peter ...................................................413

Soto, Jesús Rafael.................................................... 59

Loiseau, Gustave....................................................321

Pattison, Abbott Lawrence ....................................393

Sottsass, Ettore......................................................... 60

Luce, Molly .............................................................287

Pavlosky, Vladimir...................................................343

Spencer, John Clinton .........................................1086

Lyons, Arthur J......................................................1133

Pavlov, Petr Vassilievitch.......................................1136

Staehle, Wolfgang ..................................................418

188

Stefan, Ross............................................................271

Williams, Frederick Ballard .....................................342

Steinberg, Saul .......................................................411

Williams, William Thomas.......................................... 72

Stella, Frank ............................................................. 61

Williamson, John...................................................1082

Stepanova, Varvara Fedorovna..............................405

Willis, Edmund Aylburton........................................247

Stern, Bert ................................................................ 62

Wilson, Sol .........................................................1120A

Stettheimer, Florine.................................................355

Withington, Elizabeth Rupp..................................1099

Stevens, William Lester ..................................293, 307

de Witte, Peter (School of)......................................202

Stevens, William Lester (Attributed to)..................1104

Wood, Robert William.....................................279, 320

Stieglitz, Alfred ............................... 77, 78, 1044-1047

Wood, Thomas Waterman (School of)...................263

Stone, Don..............................................................301

Woodward, Stanley Wingate .................................310

Symons, George Gardner......................................286 Yamamoto, Taro.....................................................399 Tait, Arthur Fitzwilliam..............................................266

Yoshida, Hiroshi......................................................298

Talcott, Dudley Vaill ................................................341 Tamayo, Rufino......................................................... 63

Ziem, Félix ..............................................................232

Tarkay, Itzchak (Isaac) ..........................................1128

Zúñiga, Francisco ................................................73-75

Teraoka, Masami .................................................1142 Terelak, John Charles ....................................312, 325 Thayer, Abbott Handerson.....................................332 Thieme, Anthony ..................................................1116 Tiffany, Louis Comfort.............................................229 de Tirtoff, Romain........................................1019-1021 Tobey, Mark ...........................................................382 de Toulouse-Lautrec, Henri...................................... 64 von Town, Karl O’Lynch.........................................278 Turner, Charles Henry ..........................................1137 Turner, Ross Sterling ...........................................1087 Tworkov, Jack ........................................................406 Tyler, James Gale ..........................................233, 238 Le Va, Barry............................................................408 Vasarely, Victor................................ 65-68, 1039-1041 Vedder, Elihu ..........................................................337 Verboeckhoven, Louis Charles.............................1076 Vertès, Marcel.......................................................1042 Villallonga, Jesus.....................................................366 Villegas y Cordero, José.........................................323 Vinton, Frederic Porter ...........................................259 Volk, Douglas .................................................285, 334 Vorauer, Anton........................................................322 Warhol, Andy..................................................... 68A-71 Way, John ..............................................................386 Webber, Wesley Elbridge ......................... 1077, 1079 Weber, Max...........................................................1132 Weems, Katharine Ward Lane...............................338 Wei Letang..............................................................386 Weir, J. Alden..........................................................299 Westchiloff, Constantin Aleksand...........................308 Weston, Edward....................................................... 80 Whistler, James Abbott McNeill..... 21-24, 1008, 1009 Whitman, Sarah Wyman (Attributed to)..................333 Wiegand, Gustave (Attributed to).........................1080

189

190

Conditions of Sale 1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot.

2. All property is sold “as is,� and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability.

3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot for sale. The auctioneer shall have sole discretion to refuse any bid, or refuse to acknowledge any bidder. Any bidder that plans on spending in excess of $100,000 should make arrangements with the accounting department at least five (5) days in advance of the sale, as a deposit may be required to participate.

4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of the date of sale.

Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If any property has not been removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three days, and/or (b) Skinner Inc. may place the merchandise in a subsequent auction, without Reserve, to be sold to the highest bidder, and after deducting the standard commission and any additional charges that may apply, remit the proceeds to the purchaser.

5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank.

The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases.

6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all items for which it was the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without limitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchaser’s breach, and/or (b) offering at public auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation to pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale.

7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such purchaser for such item.

8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within the United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute cancellation or delay in payment for the total purchase price of these lots.

9. Sales in Massachusetts, Florida, and New York are subject to the respective current sales taxes. Dealers, museums, and other qualifying parties may be exempt from sales tax upon submission of proper documentation.

10. A premium equal to 23% of the final bid price up to and including $100,000, plus 20% of the final bid price from $100,001 up to and including $1,000,000, plus 12% of the final bid price from $1,000,001 and over will be applied to each lot sold, to be paid by the buyer as part of the purchase price.

11. Bidding on any item indicates your acceptance of these terms and all other terms printed within, posted, and announced at the time of sale whether bidding in person, through a representative, by phone, by Internet, or other absentee bid.

12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalog. The copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this catalog, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our prior written consent.

13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or choice of law).

The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any federal court sitting therein. The bidder/buyer consents to the exclusive jurisdiction of such courts and waives objections that it may now or hereafter have to the venue of any such suit.

Revised January 21, 2015

192

Directions to Skinner’s Boston Gallery/63 Park Plaza, Boston, MA 02116 617.350.5400 From the West: Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel. Once on the exit ramp, stay in the right hand lane and follow the signs for Copley. The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto Charles Street South. Take your first left off of Charles St. South onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From the South: Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station. Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza.

Skinner is at 63 Park Plaza, one block up on the right.

From Logan Airport: Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From the North: Take I-93 South towards Boston. Take exit 26 towards Storrow Drive.  Merge onto MA-28 South via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza.

193

194

Absentee Bid Form Sale Title

Sale Date

First Time Bidder?

YES

NO

Customer #

Name (Please Print)

Business Name

Address City

Phone #

Alternate #

check if change in address

State

Zip Code email

I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as a convenience, and will not be held responsible for any errors or failure to execute bids. I understand that my bids are executed and accepted as per Conditions of Sale as printed in the catalog of this sale.

Signature (Required)

Lot #

Date

Description

Bid confirmation via email?

YES

NO

Bid Price

Phone bid?

YES

Mail

Person

NO

FOR OFFICE USE Marlborough

Boston

Phone

63 Park Plaza Boston, MA 02116 617.350.5400 Fax 617.350.5429

Fax

274 Cedar Hill Street Marlborough, MA 01752 508.970.3000 Fax 508.970.3100

Employee:

www.skinnerinc.com

Board of Directors

Departments

Chairman of the Board

20th Century Design

Discovery Auctions

Jane D. Prentiss

Carly Babione

20thcentury@skinnerinc.com

Kyle Johnson

508.970.3253

Melanie Trottier-Mitcheson

Stephen L. Fletcher Richard Albright

discovery@skinnerinc.com

John Deighton Karen M. Keane Andrew Payne

508.970.3202

American & European Paintings & Prints Robin S.R. Starr Elizabeth C. Haff Michelle Lamunière

Executive Management President/Chief Executive Officer Karen M. Keane

paintings@skinnerinc.com 508.970.3206

European Furniture & Decorative Arts Stuart G. Slavid Stephanie Opolski Gwendolyn L. Smith european@skinnerinc.com 508.970.3203

American Furniture & Decorative Arts Stephen L. Fletcher Chris Barber Christopher D. Fox americana@skinnerinc.com 508.970.3200

Historic Arms & Militaria Joel Bohy militaria@skinnerinc.com 508.970.3215

Chief Financial Officer Don Kelly

American Indian & Ethnographic Art Douglas Deihl

Executive Vice President Stephen L. Fletcher

Jewelry Victoria Bratberg

indian@skinnerinc.com

John Colasacco

508.970.3254

Kaitlin Shinnick jewelry@skinnerinc.com 617.874.4313

Managing Director Marie Keep

Antique Motor Vehicles Jane D. Prentiss antiquemotorvehicles@skinnerinc.com 508.970.3253

Kerry Shrives Stuart G. Slavid

508.970.3256

Asian Works of Art Judith Dowling Helen Eagles Suhyung Kim asian@skinnerinc.com

Vice Presidents Victoria Bratberg Eric Jones Gloria Lieberman Carol McCaffrey Robin S.R. Starr L. Emerson Tuttle

508.970.3263

Books & Manuscripts Devon Eastland books@skinnerinc.com 508.970.3293

Ceramics Stuart G. Slavid ceramics@skinnerinc.com

Regional Directors Western Massachusetts: George Thomas Lewis 413.727.2721 glewis@skinnerinc.com

Florida: April L. Matteini, G.G. 305.503.4423 florida@skinnerinc.com

Maine: Bruce Buxton 207.772.6979 bbuxton@mainerr.com

196

Kerry Shrives judaica@skinnerinc.com

Senior Vice Presidents Marie Keep

Judaica

508.970.3203

Clocks, Watches & Scientific Instruments Robert C. Cheney Jonathan Dowling Paul Dumanowski

Musical Instruments Carly Babione music@skinnerinc.com 508.970.3216

Oriental Rugs & Carpets Lawrence Kearney rugs@skinnerinc.com 508.970.3247

Photographs Michelle Lamunière photographs@skinnerinc.com 508.970.3264

Silver Stuart G. Slavid silver@skinnerinc.com 508.970.3203

clocks@skinnerinc.com 508.970.3201

Wine, Whisky & Ale Marie Keep Joseph Hyman Michael J. Moser finewines@skinnerinc.com 508.970.3296

Auction Services Consignments

Marketing, Media & Communications

Appraisal & Auction Services LaGina Austin Christine E. Finn Katie Fitzgerald Rachel Kingsley Elizabeth Zwicker

Exhibitions & Property Boston:

Marketing

Laura V. Sweeney

L. Emerson Tuttle

Benjamin Evans

Linsey MacDougall

Paige Lewellyn

Jenna Nastri

Jessica R. Lincoln

Subscriptions

Receptionist

Linsey MacDougall

Jacqueline Gray

508.970.3240

617.350.5400

508.970.3299

Institutional Relations L. Emerson Tuttle 508.970.3130

Advertising/Production Pamela Van de Houten

Consignment Services

Jeffrey R. Antkowiak

Patricia Walker King

Stanley P. Bystrowski

Rebecca Hamel

John Cornelius

Carol Zeigler

Kristina M. Harrison

508.970.3204

Kathleen Jones

Marlborough: Warehouse Frederic Trottier 508.970.3209 Samatha Heighton

Cheryl Richards Photography

Customer Relations/Human Resources

Skinner Online

Carol McCaffrey

Kerry Shrives

508.970.3252

Receptionist Lindsay White 508.970.3000

Daniel Bar Judie Ochsner online@skinnerinc.com

Transportation

508.970.3279

Eric Jones

Accounting

508.970.3229

Absentee & Telephone Bidding

Denise Johnson 508.970.3269

Boston: 617.874.4318 William Madden

Marlborough: 508.970.3211

508.970.3266

Discovery: 508.970.3208

Kevin Rota

Auctioneers Chris Barber, John Colasacco,

508.970.3283

Stephen L. Fletcher, Karen M. Keane, Marie Keep, Jessica R. Lincoln, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr, Laura V. Sweeney

63 Park Plaza Boston, MA 02116 617.350.5400 Fax 617.350.5429

www.skinnerinc.com

274 Cedar Hill Street Marlborough, MA 01752 508.970.3000 Fax 508.970.3100

130 Miracle Mile, Suite 220 Coral Gables, FL 33134 305.503.4423 Fax 305.709.2143

415 Madison Avenue, #1418 New York, NY 10017 212.787.1113 Fax 646.893.0179

197

Catalog Subscription Form Prices effective October 1, 2015. Catalog subscription price includes quarterly brochure.

Subscription effective one year from date processed. No refunds for previous subscriptions. Renewal notice will be sent one month prior to expiration.

Subscriptions do not include Discovery, Estates, and other special sales. Post-auction prices are available online at www.skinnerinc.com

Please check the appropriate boxes:

U.S.

Quarterly Brochure (Included with catalog subscription)

Canada

No charge

Foreign (USD only)

No charge

No charge

American Furniture & Decorative Arts

$105

$150

$200

European Furniture & Decorative Arts

$140

$200

$270

American & European Paintings & Prints (two books)

$105

$150

$200

Fine Jewelry

$140

$200

$270

20th Century Design

$70

$150

$135

Asian Works of Art

$105

$150

$200

Fine Oriental Rugs & Carpets

$70

$100

$135

American Indian & Ethnographic Art

$70

$100

$135

Fine Books & Manuscripts

$70

$100

$135

Historic Arms & Militaria

$70

$100

$135

Fine Musical Instruments

$70

$100

$135

Clocks, Watches & Scientific Instruments

$70

$100

$135

Fine Wines, Ales & Spirits

$70

$100

$135

All Above Departments

$900

$1300

$1725

Subtotal

MA residents 6.25% sales tax

Total

MasterCard/VISA #

Exp. Date

Signature

Check enclosed

Name

Business Name

Mailing Address City email address

State

Zip Tel: (

)

Please enclose payment with subscription form and mail or fax to: Skinner, Inc., Subscription Department, 274 Cedar Hill Street, Marlborough, MA 01752 508.970.3100 For questions or single catalog purchase information please contact subscriptions@skinnerinc.com

Cyanotypes Photography’s Blue Period The History of the Cyanotype from Anna Atkins to Annie Lopez

January 16 - April 19, 2016

WORCESTER ART MUSEUM / 55 Salisbury Street, Worcester, MA / worcesterart.org Annie Lopez, Medical Conditions, 2013, cyanotype printed on tamale wrapping paper, Courtesy of the Artist, ©Annie Lopez