Fine Prints & Photographs | Skinner Auction 2895B

Fine Prints & Photographs and Fine Art online Sale 2895B

May 13, 2016

Sale 2907T

May 9–16, 2016

Boston www.skinnerinc.com

Fine Prints & Photographs and Fine Art online

Specialists

Robin S.R. Starr

Elizabeth C. Haff

Department Director 508.970.3259

508.970.3258

Michelle Lamunière

Martina Tanga 508.970.3297

508.970.3264

Department Inquiries: 508.970.3206

Auction Information Auction 2895B

Preview

Absentee Bidding

Friday, May 13 12PM followed by Fine Paintings & Sculpture at 4PM

Wednesday, May 11 12 to 5PM

T: 617.874.4318 F: 617.350.5429

63 Park Plaza Boston, MA

Online Auction 2907T

Thursday, May 12 12 to 8PM Friday, May 13 9 to 10AM includes lots sold in Fine Art online

General Inquiries 617.350.5400

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Monday, May 9, 12PM– Monday May 16, 3PM www.skinnerinc.com

View all lots online at www.skinnerinc.com cover : 79 ; frontispiece : 86 ; interior back cover : 28; back cover : 96

American & European Works of Art Auction 2704B 02/07/2014 4:00 PM EST Lot 632 Of 689 - Alexander Calder (American, 1898-1976) Red Circus Horse

M Y AC T IVIT Y AU C T IO N LO G O U T

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$40,000 - $60,000 $110,000

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$110,000 Floor Bidder $105,000 Floor Bidder $100,000 Floor Bidder $95,000 Floor Bidder $90,000 Internet Bidder SK2149 Online bidder SK2149 requests bid of $90,000 on lot 632 $85,000 Floor Bidder $80,000 Floor Bidder $75,000 Floor Bidder

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Table of Contents 1

Auction & Specialist Information

2

Web Site & Online Bidding

4

Glossary of Terms

5

Provenance

6

2895B: Lots 1–121

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Timed Auctions: How to Bid

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2907T: Fine Art online, Lots 1000–1103

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Artist Index

95

Conditions of Sale

98

Company Directors & Specialty Departments

99

Administrative Staff & Client Services

100

Map & Driving Directions

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Absentee Bid Form

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Catalog Subscription Form

Please Note: All lots sold subject to our Conditions of Sale.

Please refer to page 95 of this catalog for the full terms and conditions governing your purchase.

Copyright © Skinner, Inc. 2016

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All rights reserved MA/Lic. #2304 5 Almeida Avenue, East Providence, R.I., USA 401- 438 -1200 info@signatureprinters.com

Glossary of Terms All items in this catalog are described according to the following table of terminology.

Please note that all statements in this catalog as to Authorship, Period, and Origin, are qualified statements subject to the Conditions of Sale.

Authorship will be described in the following ways: John Joseph Enneking In our judgment, the work is by the artist.

Attributed to John Joseph Enneking In our judgment, the work may be ascribed to the artist on the basis of style, but leaves some question as to actual authorship.

School of John Joseph Enneking In our judgment, a work of an unknown follower executed in the style of the artist and contemporary in period.

Manner of John Joseph Enneking In our judgment, a work executed in the style of the artist by an unknown hand and probably from a later period.

After John Joseph Enneking In our judgment, an intended copy of the work of the artist.

American School, 19th Century In our judgment, the work of an unknown hand that can only be identified as to period and culture.

Other terms: Bears signature In our judgment, the signature not of the artist. This term is generally used separately, or together with a description of the work as “attributed to,” “school of,” “manner of,” or “after” the artist.

Measurements are given as height x width and refer to the size of the support unless otherwise indicated.

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Provenance Private Collections in Massachusetts, Florida, Missouri, and Illinois Estates in Massachusetts The Estate of Photography Historian Estelle Jussim Descendants of Frank Weston Benson The Estate of Gunther Schuller, Boston Gunther Schuller (1925-2015), esteemed composer, musician, conductor, author, and teacher, who coined the term “Third Stream” to describe a new genre of music “located about halfway between jazz and classical music,” and proponent of the twelve tone system of musical composition; renowned educator on the faculties of the Manhattan School of Music and Yale University, head of contemporary music activities as well as a director of the Tanglewood Music Center, and President of the New England Conservatory of Music; awarded multiple prizes over his career, including a Pulitzer Prize, MacArthur Foundation grant, and awards from the MacDowell Colony, Columbia University, and the National Endowment for the Arts.

1 Giovanni Benedetto Castiglione (Italian, 1609-1664) Bacchanale Before a Statue of the God Termine, c. 1648, published by Giovanni Giacomo Rossi, Rome (Bellini, 10 III/III).

Signed, dated, and identified within the plate.

Etching on paper, plate size 9 x 7 1/4 in. (22.8 x 18.3 cm), framed.

Condition: Not examined out of frame.

Provenance: A Massachusetts estate. $400-600 2 Edgar Chahine (French, 1874-1947) Ada, 1901, second state of two, edition of 50 (Tabanelli, 65). Signed “Edgar Chahine� in pencil l.l., initialed, dated, and titled within the plate. Drypoint in brown/black on paper, plate size 7 1/4 x 13 3/8 in. (18.3 x 33.8 cm), framed.

Condition: Unobtrusive mat burn, not examined out of frame. $250-350

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3 Albrecht Dürer (German, 1471-1528) The Virgin and Child with Monkey, c. 1498, late impression (Bartsch, 42; Hollstein, 30; Meder, 30L/L). Monogrammed within the plate, stamped “SEINE COLPORTAGE” on verso. Engraving on wove paper, plate size 7 1/2 x 4 7/8 in. (19.0 x 12.3 cm), framed.

Condition: Margins approximately 1/16 inch, toning (visible primarily on verso), hinge/glue residue to verso at corners and near center of each edge. $800-1,200 4 Albrecht Dürer (German, 1471-1528) The Virgin Surrounded by Many Angels, 1518, printed c. 1590 (Bartsch, 101; Hollstein, 211 B/B; Meder, 211 A or B/G).

Monogrammed and dated within the block.

Woodcut on laid paper with two-headed eagle watermark, image size 11 3/4 x 8 3/8 in. (29.6 x 21.2 cm), framed.

Condition: Trimmed to borderline, vertical breaks to block visible in impression, repairs to lower corners of image, horizontal crease. $1,800-2,200 3

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5 Léonard Tsuguhara Foujita (Japanese/ French, 1886-1968) Les deux amies, 1927 (Buisson, 27.26).

Signed “Foujita” and with characters in pencil l.r., numbered “19/100” in pencil l.l. Etching with aquatint and hand-coloring on chine collé, plate size 16 1/4 x 22 1/2 in. (41.1 x 57.0 cm), framed.

Condition: Toning, unobtrusive staining and/ or fox marks, coloring possibly faded, rippling, not examined out of frame. $700-900 6 Francisco José de Goya y Lucientes (Spanish, 1746-1828) Se Repulen (They Spruce Themselves Up), plate 51 from Los Caprichos, 1799, seventh edition, published in 1903-05 (Harris, 86.III).

Unsigned, plate number within the plate.

Etching and aquatint on paper, plate size 8 3/8 x 5 5/8 in. (21.2 x 14.2 cm), framed.

Condition: Not examined out of frame. $300-500

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7 Francisco José de Goya y Lucientes (Spanish, 1746-1828) The Moors Use Donkeys as a Barrier Against the Bull, plate 17 from La Tauromaquia, 1816, fifth edition, published in 1921 (Harris, 220.III). Unsigned, plate number within the plate. Etching and aquatint on paper, plate size 9 3/4 x 13 3/4 in. (24.5 x 34.8 cm), framed.

Condition: Not examined out of frame. $300-500

8 Louis Icart (French, 1888-1950) Paresse (Laziness), 1925, published by Gravures Modernes, Paris (Holland et al., 246).

Signed “Louis Icart” in pencil l.r, dated and identified within the plate, inscribed “A/159.” in pencil l.l., artist’s dry stamp l.l. Etching with aquatint and stencil coloring on paper, plate size 15 3/4 x 19 3/8 in. (39.9 x 49.2 cm), framed.

Condition: Light-struck, foxing, not examined out of frame. $500-700

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9 Svend Koppel (Danish, 1904-1978) Josephine Baker - Prinsesse Tam-Tam, 1935. Identified within the matrix. Color lithographic poster, image size 32 1/4 x 23 in.

(81.8 x 58.3 cm), framed.

Condition: Old folds with small tears along some, several minute abrasions and/or holes, unobtrusive toning, not examined out of frame. $4,000-6,000

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10 Jules Pascin (French, 1885-1930) Seeing New York. Stamped signature l.r., inscribed “epreuve d’artiste” in pencil l.l., titled within the plate. Etching with roulette and plate tone on paper, plate size 4 3/4 x 5 7/8 in. (12.0 x 14.8 cm), framed.

Condition: Unobtrusive toning, not examined out of frame. $700-900 11 Odilon Redon (French, 1840-1916) Cain et Abel, 1886, probably the final state of three, printed in 1914 (Mellerio, 18). Signed within the plate. Etching and drypoint on paper, plate size 7 1/4 x 4 3/4 in. (18.4 x 12.0 cm), framed.

Condition: Horizontal crease to image, not examined out of frame. $400-600

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12 Georges Rouault (French, 1871-1958) Two Works from Réincarnations du Père Ubu: Cristal de roche and Nu assis, both published in 1932 (Wofsy, 302 & 309; Chapon, 21 & 28). Both signed “Georges Rouault” in brown ink l.r., both initialed and dated within the plates. Etchings with engraving, aquatint, and roulette on Japan paper, plate sizes to 12 3/8 x 8 in. (31.3 x 20.3 cm), framed.

Condition: Very subtle toning, not examined out of frames. $800-1,200 13 Suzanne Valadon (French, 1865-1938)

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Marie au tub s’épongeant, 1908, edition of 75 (Petrides, 13). Signed “suzanne Valadon” in pencil l.r., signed and dated within the plate.

Etching on paper, plate size 6 1/2 x 8 5/8 in.

(16.4 x 21.8 cm), framed.

Condition: Mat burn, toning, gentle rippling, not examined out of frame. $200-300

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14 Suzanne Valadon (French, 1865-1938) Catherine et jeune garçon nu, 1910 (Petrides, E 15). Signed “suzanne Valadon” in pencil l.r., signed and dated within the plate.

Etching on paper, plate size 12 1/8 x 8 3/4 in.

(30.6 x 22.2 cm), framed.

Condition: Mat burn, toning, gentle rippling, not examined out of frame. $200-300 15 Anders Zorn (Swedish, 1860-1920) Self Portrait with Model II, 1899, probably the fifth state of six (Asplund, 149). Signed “Zorn” in pencil l.r., signed and dated within the plate. Etching on paper, plate size 9 3/4 x 7 in. (24.6 x 17.6 cm), framed.

Condition: Subtle toning and mat burn, not examined out of frame. $600-800

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16 Frank Weston Benson (American, 18621951)

17 Frank Weston Benson (American, 18621951)

Supper, 1920, published state of 150 (Paff, 182). Signed “FrankWBenson.” in pencil l.l.

Etching on paper, plate size 6 13/16 x 4 7/8 in. (17.2 x 12.3 cm), unmatted, unframed.

Condition: Margins over 2 1/4 inches with two deckled edges, pencil annotations l.l., soft creases to margin near corner u.l.

Two Impressions of Cloudy Dawn, 1922, trial proof A-6 and an impression of the published state of 150 (Paff, 215). Signed “FrankWBenson.” in pencil l.l. Etchings (the proof with pencil) on laid paper, plate size 9 3/4 x 11 7/8 in. (24.6 x 30.0 cm), unmatted, unframed.

Condition: Deckled edges, pencil annotations to lower margins, proof with soiling/fingerprints and soft creases to margins and with hinging tape to upper corners.

Provenance: Descended within the family of the artist. $1,000-1,500

Provenance: Descended within the family of the artist.

N.B. The proof impression has extensive drawing in pencil, delineating the clouds, horizon, and water, as referenced in Paff. $1,500-2,000

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18 Frank Weston Benson (American, 18621951) Soaring Fish Hawk, 1923, published state of 150 (Paff, 225). Signed “FrankWBenson.” in pencil l.l. Drypoint on paper, plate size 5 7/8 x 7 7/8 in. (14.8 x 20.0 cm), unmatted, unframed.

Condition: Margins over 1 1/2 inches with two deckled edges, pencil annotations l.l., thinned spot to upper edge on verso.

Provenance: Descended within the family of the artist. $700-900 19 Frank Weston Benson (American, 18621951)

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Teal, 1925, probably a proof of the final plate before the published edition of 150 (Paff, 243).

Signed and dedicated “FrankWBenson. To Tiny - 1948 -” in pencil l.l. Drypoint on laid paper with “ENGLAND” watermark, plate size 7 13/16 x 10 3/4 in. (19.6 x 27.2 cm), unmatted, unframed.

Condition: Full margins with deckled edges, pencil annotations to lower margin, minor soiling and fingerprints to margins and verso.

Provenance: Descended within the family of the artist.

N.B. The lower margin is inscribed with a D overwritten with an E, implying that this is a late proof impression. Some of the annotations in the lower margins have been erased but read in part, “...proof of finished plate...” $600-800

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20 Frank Weston Benson (American, 18621951) Dory Fisherman, 1927, trial proof A-5 (Paff, 267). Signed “FrankWBenson.” in pencil l.l. Etching on laid paper with a partial “ENGLAND” watermark, plate size 7 7/8 x 9 7/8 in. (19.8 x 25.0 cm), unmatted, unframed.

Condition: Margins over 1 1/4 inches with deckled lower edge, pencil annotations to lower margin, ink and fingerprints to margins and verso.

Provenance: Descended within the family of the artist. $1,500-2,000 21 Frank Weston Benson (American, 18621951) Running the Rapids, 1927, proof impression (Paff, 269). Numbered and signed “B-1 FrankWBenson.” in pencil within the image l.l., pencil annotations to verso. Etching on laid paper, plate size 5 15/16 x 7 7/8 in. (15.0 x 19.8 cm), unmatted, unframed.

Condition: Thread margins.

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Provenance: Descended within the family of the artist.

N.B. Paff makes no mention of a second or B group of proofs, so this may well be a proof of the finalized plate outside of the published edition. $800-1,200

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22 Frank Weston Benson (American, 18621951) Casting for Salmon, 1929, published state of 150 (Paff, 288). Signed “FrankWBenson.” in pencil l.l. Etching on laid paper, plate size 7 3/4 x 9 7/8 in. (19.5 x 25.1 cm), unmatted, unframed.

Condition: Margins over 1 1/4 inches with deckled left and lower edges, pencil annotations l.l.

Provenance: Descended within the family of the artist. $800-1,200 23 Frank Weston Benson (American, 18621951) Heron Roost, 1937, impression of proof D (Paff, 339). Signed “FrankWBenson.” in pencil l.l. Etching on wove paper, plate size 11 13/16 x 9 7/8 in. (29.9 x 25.0 cm), unmatted, unframed.

Condition: Deckled edges, pencil annotations to lower margin, minor soiling, staining and fingerprints to margins, thinned areas to upper margin.

Provenance: Descended within the family of the artist.

N.B. This print was never published in an edition. Proof D is the most complete, and approximately fifteen impressions of it were made before the plate was destroyed. $800-1,200 23

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24 Thomas Hart Benton (American, 18891975) I Got a Girl on Sourwood Mountain, 1938, edition of 250, published by Associated American Artists, New York (Fath, 19).

Signed “Benton� in pencil l.r. and within the matrix, identified on a label from AAA that accompanies the lot. Lithograph on Rives paper with watermark, image size 12 1/2 x 9 1/4 in. (31.6 x 23.3 cm), unmatted, unframed.

Condition: Full sheet with deckled edges.

Provenance: Descended within the family to the current Massachusetts estate. $1,200-1,800

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25 Mary Cassatt (American, 1844-1926) The Mandoline Player (Joueuse de mandoline), c. 1889, final state of seven (Breeskin, 130). Unsigned, artist’s collector’s stamp (Lugt, 604) l.r. Drypoint on laid paper with star watermark, plate size 9 3/8 x 6 1/4 in. (23.8 x 15.8 cm), framed.

Condition: Margins 1 1/4 inches or more with deckled right edge, ink annotation “38c” (upside-down) l.l., soiling to margins, subtly light-struck, pale fox marks, red pigment along lower and left edges. $3,000-5,000

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26 Mary Cassatt (American, 1844-1926) Looking into the Hand Mirror No. 3, c. 1905 (Breeskin, 202+). Unsigned. Drypoint on blue tinted laid paper with “BGB” and fleur-de-lis watermarks, plate size 8 1/4 x 5 7/8 in. (20.9 x 14.8 cm), matted, unframed.

Condition: Margin 1 1/2 inches or more, very subtle toning.

Provenance: Descended within the family to the current Massachusetts estate. $600-800 27 Minna Wright Citron (American, 1896-1991) Eight Prints 1934-1945/A Portfolio of Eight Prints, edition of 100, published by June 1 Gallery, 1981. Each signed and dated “Citron...” in pencil with their original date of publication l.r., numbered “44/100” in pencil l.l., and with printer’s dry stamp. Etchings, many with aquatint, on Rives paper with watermarks, sheet sizes 14 x 11 in. (35.5 x 27.8 cm), presented in the original clamshell box.

Condition: Good. $800-1,200

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28 Howard Norton Cook (American, 19011980) Chrysler Building, 1930, edition of 50 (Duffy, 122). Signed and dated “Howard Cook imp 1930” in pencil l.r., titled in pencil l.l. Wood engraving on tissue paper, image size 10 x 6 5/8 in. (25.5 x 17.0 cm), unmatted, unframed.

Condition: Unpressed creases near corner l.l. (just affecting the image), plus minor additional handling creases, subtle staining to left edge, glue residue (possibly from binding) to left edge on verso.

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N.B. Considered one of America’s strongest printmakers, Howard Cook was also a painter, muralist, illustrator, and teacher. He was born and raised in Springfield, Massachusetts, and trained at the Art Students League in New York beginning in 1919. It was during this time that he became interested in printmaking and worked with Joseph Pennell, among others, to explore etching and wood-cutting techniques. Cook and his wife, artist Barbara Latham, travelled to Paris in 1929 in part so Cook could learn lithography. When they returned to New York, Cook turned to the many construction projects in the city as subjects for his work. The subject of this work is the Chrysler Building. This iconic Art Deco structure opened in May of 1930, was the world’s tallest building for 11 months before it was surpassed by the Empire State Building in 1931. The edition was intended to be 75, but only 50 were printed. $2,000-2,500

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29 Joseph Webster Golinkin (American, 18961977) Two Boxing Scenes: The Man-Killer (Dempsey vs. Tunney), c. 1927, and Louis & Baer at Yankee Stadium, 1935, edition of 50. Both signed “J.W.Golinkin” in pencil l.r., the latter numbered l.l. Lithographs on paper, image sizes to 15 7/8 x 19 7/8 in. (40.3 x 50.4 cm), framed (the former unglazed).

Condition: Not examined out of frames. $500-700 30 Childe Hassam (American, 1859-1935) Cos Cob, 1915 (Cortissoz & Clayton, 32).

Monogrammed and inscribed “...imp-” in pencil l.r., titled, monogrammed, and dated within the plate, label from Frederick Keppel & Co., Inc., New York, affixed to the backing.

Etching and drypoint on paper, plate size 6 7/8 x 5 in. (17.5 x 12.5 cm), framed.

Condition: Subtle staining l.l. (just barely into image), not examined out of frame. $1,500-2,000

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31 Rockwell Kent (American, 1882-1971) Europe, 1946, edition of 150 (Jones, 138).

Signed “Rockwell Kent” in pencil l.r., titled and dated “Europe - 1946” in pencil l.l. Lithograph on paper, image size 13 5/8 x 9 5/8 in. (34.5 x 24.3 cm), framed.

Condition: Gentle rippling, not examined out of frame. $500-700 32 Tod Lindenmuth (American, 1885-1976) Along Side, c. 1940. Signed “Tod Lindenmuth” in pencil l.r., titled in pencil l.l. Color linocut on paper, image size 9 1/8 x 7 1/8 in. (23.1 x 18.0 cm), framed.

Condition: Not examined out of frame. $300-500

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33 John Marin (American, 1870-1953) Vieille Maison Rue des Arpents Rouen, 1909, final state of two, edition of about 25 (Zigrosser, 90). Signed “John Marin” in pencil l.r., signed, dated, and titled within the plate.

Etching on paper, plate size 6 7/8 x 8 3/8 in.

(17.3 x 21.2 cm), framed.

Condition: Gentle rippling, not examined out of frame. $400-600 34 Reginald Marsh (American, 1898-1954) Girl with Umbrella, 1938, from the posthumous 1956 edition of 100 (Sasowsky, 175). Inscribed “Reginald Marsh (F.M.)” in pencil l.r., initialed and dated within the plate, numbered “56/100” in pencil l.l. Etching on paper, plate size 5 7/8 x 3 7/8 in. (14.8 x 9.8 cm), framed.

Condition: Not examined out of frame.

Provenance: A private Massachusetts collection. $400-600

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35 John McCrady (American, 1911-1968) Steamboat ‘Round the Bend, 1944, edition of 250, published by Associated American Artists, New York (AAA/Czestochowski, 1944.051). Signed “John McCrady” in pencil l.r., monogrammed within the matrix, titled in pencil l.l., identified on a label from AAA accompanying the lot. Lithograph on paper, image size 10 x 14 3/4 in. (25.4 x 37.4 cm), unmatted, unframed.

Condition: Very pale mat burn to margins, minor nicks and creases to corners of margins at u.r. and l.r., thinned areas along all edges on verso.

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Provenance: Descended within the family to the current Massachusetts estate. $800-1,200 36 Robert Riggs (American, 1896-1970) Corner No. 1, c. 1932-33, edition of between 15 and 50 (Bassham, 23). Signed “Robert Riggs-” in pencil l.r., signed within the matrix, titled in pencil l.l. Lithograph on paper, image size 13 1/8 x 17 3/8 in. (33.2 x 44.0 cm), framed.

Condition: Minor soiling to lower margin, not examined out of frame. $800-1,200

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37 James Abbott McNeill Whistler (American, 1834-1903) Reading by Lamplight, 1858-59 (Kennedy, 32ii/ii; MacDonald, 37iii/iii). Signed within the plate. Etching on paper, plate size 6 1/4 x 4 11/16 in. (15.8 x 11.8 cm), framed.

Condition: Gentle rippling, not examined out of frame. $1,000-1,500 38 James Abbott McNeill Whistler (American, 1834-1903) Billingsgate, 1859, final state (Kennedy, 47viii/ viii; MacDonald, 51ix/ix). Signed and dated within the plate, label from Frederick Keppel & Co., Inc., New York, affixed to the backing.

Etching on paper, plate size 6 x 8 7/8 in. (15.1 x 22.6 cm), framed.

Condition: Not examined out of frame. $1,200-1,800

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39 James Abbott McNeill Whistler (American, 1834-1903) Becquet, 1859 (Kennedy, 52iii/iv; MacDonald, 62v/vi). Signed with butterfly monogram in pencil l.r. Etching and drypoint on paper, plate size 10 1/8 x 7 1/2 in. (25.5 x 19.0 cm), framed.

Condition: Not examined out of frame.

Provenance: Harlow, Keppel & Co., Inc., New York, through to Christopher-Clark Fine Art, San Francisco, to the current Massachusetts collector.

N.B. Paperwork from Christopher-Clark accompanies the lot. $5,000-7,000 40 James Abbott McNeill Whistler (American, 1834-1903) The Little Putney No. 1, alternatively titled Little Putney Bridge, 1879 (Kennedy, 179ii/ ii; MacDonald, 186iv or v/v). Monogrammed within the plate, identified on a label from Frederick Keppel & Co., Inc., New York, affixed to the backing. Etching on paper, plate size 5 1/4 x 8 1/8 in. (13.3 x 20.5 cm), framed.

Condition: Several pinpoint fox marks, not examined out of frame. $600-800

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41 Grant Wood (American, 1891-1942) Sultry Night, 1937-38, edition of about 100, published by Associated American Artists, New York, in 1939 (Czestochowski, 4).

Signed “Grant Wood� in pencil l.r., identified on a label from AAA that accompanies the lot.

Lithograph on Rives paper with watermark, image size 9 x 11 3/4 in. (22.7 x 29.7 cm), unmatted, unframed.

Condition: Full margins with deckled edges, subtle indentations into paper on verso.

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Provenance: Descended within the family to the current Massachusetts estate.

N.B. The edition was planned to be 260, but the United States Post Office objected to the potentially lascivious nature of the image, and banned shipping of the prints, thus the curtailed edition. $7,000-9,000

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42 Grant Wood (American, 1891-1942) December Afternoon, 1941, edition of 260 or more, published by Associated American Artists, New York (Czestochowski, 19).

Signed “Grant Wood” in pencil l.r., identified on a label from AAA that accompanies the lot.

Lithograph on wove paper, image size 9 x 11 7/8 in. (22.7 x 30.0 cm), unmatted, unframed.

Condition: Full margins with deckled edges, subtle indentations into paper on verso.

Provenance: Descended within the family to the current Massachusetts estate. $1,800-2,200 43 Grant Wood (American, 1891-1942) Family Doctor, 1941, edition of 300 (Czestochowski, 20). Signed “Grant Wood” in pencil l.r., titled in pencil l.l. Lithograph on wove paper, image size 10 x 12 in. (25.4 x 30.4 cm), unmatted, unframed.

Condition: Full margins with deckled upper and lower edges, subtle thinning to margin near u.r. corner on verso.

Provenance: Descended within the family to the current Massachusetts estate.

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N.B. This work is based on Wood’s drawing of the hands of Dr. Andrew William Bennett of Iowa City. Ironically this print was completed just before Wood was admitted to the hospital on November 24th, 1941. $1,500-2,000

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44 Richard Anuszkiewicz (American, b. 1930) Sequential VII, from the Sequential Portfolio, 1972, edition of 200. Signed, numbered, and dated “ANUSZKIEWICZ 136/200 1972” in pencil l.r., inscribed and dedicated “VII TO AMY + ANDY 10/5/75 R.A.” in pencil l.l. Color screenprint on paper, image size 25 1/4 x 19 1/8 in. (64.0 x 48.4 cm), framed.

Condition: Not examined out of frame.

Provenance: A private Massachusetts collection. $400-600 45 Richard Anuszkiewicz (American, b. 1930) Untitled, edition of 144. Signed “ANUSZKIEWICZ” in pencil within the image l.r., numbered “9/144” within the image l.l.

Color screenprint on paper, image/sheet size 39 1/4 x 30 1/8 in. (99.5 x 76.4 cm), unmatted, unframed.

Condition: Very subtle surface rubs. $300-350

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46 Karel Appel (Dutch, 1921-2006) Untitled (Face), 1970, edition of 100.

Signed and dated “appel 1970” in pencil l.r., numbered “24/100” in pencil l.l. Color lithograph on cream wove paper, image size 26 1/4 x 20 1/4 in. (66.5 x 51.4 cm), framed.

Condition: Full margins with deckled edges to two sides, floated within the frame, not examined out of frame. $300-500 47 Ernst Barlach (German, 1870-1938) Totentanz II, plate 4 from Die Wandlungen Gottes, 1922, edition of 110 (Schult, 168).

Signed “E. Barlach” l.r. Woodcut on paper, image size 9 3/4 x 14 1/4 in. (24.5 x 36.0 cm), framed.

Condition: Toning, not examined out of frame.

Provenance: A Massachusetts estate. $800-1,000

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48 Will Barnet (American, 1911-2012) Peter on Chair, alternatively titled Peter and Toy Bird, 1940. Signed “Will Barnet” in pencil l.r., titled in pencil l.l., inscribed “Artist’s proof” in pencil l.c. Color woodcut on paper, image size 11 1/4 x 9 in. (28.5 x 22.8 cm), framed.

Condition: Unobtrusive toning, cockling to margins, not examined out of frame. $700-900 49 Georges Braque (French, 1882-1963) Les citrons, 1954, edition of 100, printed by Mourlot, Paris (Vallier, 88). Signed “GBraque” in pencil l.r., numbered “25/100” in pencil l.l.

Color lithograph on paper, image size 5 3/8 x 11 in. (13.5 x 27.7 cm), framed.

Condition: Toning, not examined out of frame. $1,000-1,500

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50 Georges Braque (French, 1882-1963) Oiseau de passage, 1961, edition of 75, published by Maeght, Paris (Vallier, 166).

Signed “G Braque” in pencil l.r., numbered “25/75” in pencil l.l. Color aquatint on paper, plate size 23 1/4 x 16 1/4 in. (59.0 x 41.2 cm), framed.

Condition: Gentle rippling, not examined out of frame. $3,000-5,000

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51 After Georges Braque (French, 1882-1963) Pichet et oiseau, c. 1955, edition of 200, published by Maeght, Paris (Maeght, 1005).

Signed “GBraque” in pencil l.r., numbered “15/200” in pencil l.l. Color etching and aquatint on paper, plate size 16 5/8 x 20 3/8 in. (42.2 x 51.7 cm), framed.

Condition: Breaks to paper fibers along upper plate mark, not examined out of frame. $1,000-1,500 52 After Georges Braque (French, 1882-1963) Le lierre sur fond bleu, edition of 75. Signed “GBraque” in pencil l.r., numbered “35/75” in pencil l.l. Color lithograph on paper, image size 7 7/8 x 13 in. (19.9 x 33.0 cm), framed.

Condition: Toning, pale foxing, not examined out of frame. $1,000-1,500

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53 After Georges Braque (French, 1882-1963) Torero, c. 1955, edition of 75. Signed “GBraque” in pencil l.r., numbered “6/75” in pencil l.l. Color collotype or similar on paper, image size 13 3/8 x 9 1/4 in. (33.8 x 23.4 cm), framed.

Condition: Toning, not examined out of frame. $1,500-2,000 54 After Alexander Calder (American, 18981976) A Piece of my Workshop, 1948, from Mural Scrolls: Calder, Matisse, Matta, Miró, published by Katzenbach and Warren, Inc., New York, 1949. Signed, titled, and dated within the matrix. Color screenprint on fabric, image/support size 10 x 15 1/4 in. (25.4 x 38.5 cm), framed.

Condition: Creases to corner u.l. with corresponding breaks to ink, subtle soiling, not examined out of frame. $800-1,200

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55 Marc Chagall (Russian/French, 1887-1985) Der Esel über dem Dorf, 1951-52, edition of about 35 (Kornfeld, 100IVBa2). Signed “Marc Chagall” in pencil l.r. Etching with aquatint on paper, plate size 10 7/8 x 7 5/8 in. (27.5 x 19.2 cm), framed.

Condition: Mat burn, fox mark or similar to center of composition, not examined out of frame.

Provenance: The estate of composer Gunther Schuller, Boston. $1,000-1,500

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56 Salvador Dalí (Spanish, 1904-1989) Narcissus, from The Mythology, 196064, total edition of 270, published by Pierre Argillet, Paris (Field, 63-3H; Michler & Löpsinger, 124). Signed “Dalí” in pencil l.r., numbered “XLIII/C” in pencil l.l. Etching in brown and black on Japan paper, plate size 19 3/4 x 15 3/4 in. (50.0 x 40.0 cm), framed.

Condition: Deckled edges with minor creasing to deckles, especially on upper edge, floated within the mat, not examined out of frame.

Provenance: A private Masachusetts collection. $1,200-1,800 57 Salvador Dalí (Spanish, 1904-1989) Drawers of Memory, 1965, edition of 150, plus 10 proofs, published by Sidney Z. Lucas, New York (Field, 65-2; Michler & Löpsinger, 1145). Signed “Dalí” in pencil l.r., numbered “EA I” in pencil l.l., publisher’s stamp “© sidney.z.lucas” l.l. Lithograph on paper, image size 18 3/4 x 31 in. (47.5 x 78.6 cm), framed.

Condition: Not examined out of frame.

Provenance: A private Masachusetts collection. $4,000-6,000 56

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58

58 Jim Dine (American, b. 1935)

59 Richard Estes (American, b. 1932)

60 Richard Estes (American, b. 1932)

Hand Colored Flowers, 1977, edition of 50 plus proofs (D’Oench & Feinberg, 1). Signed, numbered, and dated “Jim Dine 25/50 1977” in pencil l.r. Etching with soft ground, tooling, aquatint, drypoint, and engraving with handcoloring on paper, plate size 35 3/4 x 23 5/8 in. (90.7 x 65.0 cm), framed.

Condition: Deckled edges, floated within the frame, not examined out of frame. $1,000-1,500

Eiffel Tower Restaurant from Urban Landscapes No. 3, 1981, edition of 250 plus proofs, published by Parasol Press, Ltd., New York (Arthur, p. 123). Signed “Richard Estes” in pencil l.r., numbered “250/250” in pencil l.l.

Color screenprint on paper, image size 14 x 20 in. (35.5 x 50.8 cm), framed.

Condition: Not examined out of frame. $1,000-1,500

Movies, from Urban Landscapes No. 3, 1981, edition of 250 plus proofs, published by Parasol Press, Ltd., New York (Arthur, p. 123).

Signed “Richard Estes” in pencil l.r., numbered “250/250” in pencil l.l. Color screenprint on paper, image size 14 x 20 in. (35.5 x 50.8 cm), framed.

Condition: Not examined out of frame. $1,000-1,500

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61 Lyonel Feininger (German/American, 18711956)

62 Lyonel Feininger (German/American, 18711956)

Barke und Brigg auf See, from the published edition, titled Segler in the portfolio Die Febel, Erste Mappe, 1919, published by Karl Lang Verlag, Munich (Prasse, W99ii). Signed “Lyonel Feininger” in pencil l.l. Woodcut on laid paper with “JWZANDERS” watermark, image size 7 x 7 1/8 in. (17.8 x 18.0 cm), framed.

Condition: Margins over 2 1/2 inches with deckled right edge, mat burn, subtle toning, soiling and pencil annotations to verso, glue/ residue to margins, 1/4-inch tear to right edge, glue to facing mat in upper margin.

Das Schiff (mit Sonne), plate six from 10 Holzschnitte von Lyonel Feininger, 1926, edition of 50 plus proofs (Prasse, W198).

Signed “Lyonel Feininger” in pencil l.l., titled in pencil l.r. Woodcut on tissue paper or similar, image size 6 3/8 x 6 3/4 in. (16.1 x 17.1 cm), framed.

Condition: Gentle rippling, not examined out of frame. $1,000-1,500

Provenance: A private Missouri collection. $2,500-3,000

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63 Eric Fischl (American, b. 1948) Tube, from the series Four Aquatints, 1989, edition of 100 plus proofs, published by Parasol Press Ltd., New York. Signed and dated “Eric Fischl ‘89” in pencil l.l., numbered “87/100” in pencil l.c. Color aquatint with two plates on paper, total image size 33 x 41 in.

(83.7 x 104.0 cm), framed.

Condition: Deckled edges, floated within the frame, not examined out of frame. $800-1,200

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64 Stanley William Hayter (British, 1901-1988) Viol de Lucrèce, 1934, edition of 30 (Black & Moorhead, 86). Signed and dated “SWHayter 1934” in pencil l.r., titled in pencil l.c., numbered “29/30” in pencil l.l. Engraving and soft ground on paper, plate size 11 1/2 x 14 1/4 in. (29.0 x 36.0 cm), framed.

Condition: Toning, rippling, mat burn, several fox marks, not examined out of frame. $300-500

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65 Damien Hirst (British, b. 1965) The Souls II, 2010, edition of 15 plus proofs, published by Other Criteria, London, and Paul Stolper, London. Signed “Damien Hirst” in pencil l.r., numbered “6/15” in pencil l.l. Foil block print in Turquoise, Raven Black, and Cool Gold on paper, image size 12 x 16 7/8 in.

(30.4 x 42.8 cm), framed.

Condition: Floated within the frame, not examined out of frame.

Provenance: A private Massachusetts collection. $3,000-5,000 66 Lester F. Johnson (American, 1919-2010) Untitled, 1983, edition of 60, published by Cone Editions, East Topsham, Vermont.

Numbered, signed, and dated “45/60 Lester Johnson 83” in pencil within the image l.l., publisher’s dry stamp l.l. Color screenprint on paper, image/sheet size 30 1/2 x 42 3/8 in.

(77.4 x 107.7 cm), unmatted, unframed.

Condition: Deckled edges. $300-500

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67

67 Ellsworth Kelly (American, 1923-2015) Dark Gray and White, 1977-79, edition of 41 plus proofs, published by Tyler Graphics Ltd., Mount Kisco, New York (Axsom, 180).

Numbered and signed “19/41 Kelly” in pencil l.r., publisher’s dry stamp l.r. Screenprint and collage on paper, image/sheet size 29 3/4 x 41 3/4 in. (75.4 x 105.9 cm), framed.

Condition: Deckled edges, floated within the frame, not examined out of frame. $1,000-1,500

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68 Wifredo Lam (Cuban, 1902-1982) Soeur de la Gazelle, from the album Pleni Luna, 1974, edition of 262 (Tonneau & Ryckelynck, 7416). Signed “Wif...” in pencil within the image l.l., numbered “214/262” in pencil within the image l.r. Color lithograph on paper, image/sheet 25 5/8 x 19 3/4 in. (65.0 x 50.0 cm), framed.

Condition: Deckled right and lower edges, not examined out of frame. $300-500 69 Louis Le Brocquy (Irish, 1916-2012) Towards an Image of James Joyce, 1982. Signed, dated, and numbered “Lo______Brocquy 1982 HC 9/10” in pencil l.r.

Lithograph in terra-cotta on paper, image size 9 1/2 x 14 3/4 in. (24.0 x 37.4 cm), framed.

Condition: Not examined out of frame.

Provenance: A Massachusetts estate. $500-700

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70

70 Roy Lichtenstein (American, 1923-1997) Reflections on Brushstrokes, from the series Reflections, 1990, edition of 68 plus proofs, published by Tyler Graphics Ltd., Mount Kisco, New York (Corlett, 242). Numbered, signed, and dated “12/68 Rf Lichtenstein 90” in pencil l.r., publisher’s dry stamp l.r. Color lithograph with screenprint, woodcut, embossing and collage on paper, image size 50 3/4 x 65 in.

(128.8 x 165.5 cm), framed.

Condition: Full margins with deckled edges, floated within the frame, not examined out of frame.

Provenance: A private Florida and Illinois collection. $20,000-40,000

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71 Marino Marini (Italian, 1901-1980) Plate Three, from Chevaux et Cavaliers, 1972, outside of the edition of 80, published by the Societé International d’Art XXe Siécle, Paris, and by Léon Amiel, New York (Guastalla, L106). Signed “MARINO” in pencil l.r., inscribed “E.A.” in pencil l.l. Color lithograph on paper, image size 15 1/4 x 19 1/2 in. (38.5 x 49.4 cm), framed.

Condition: Unobtrusive toning, not examined out of frame. $400-600 72 After Henri Matisse (French, 1869-1954) La silence habité des maisons, c. 1947, edition of 200, published by Atelier Lacourière, Paris. Signed within the plate, numbered “19/200” in pencil l.l., identified on a label from Galerie Moderne at Brentano’s, New York, affixed to the backing. Color aquatint on paper, plate size 21 x 17 1/4 in. (53.3 x 43.8 cm), framed.

Condition: Not examined out of frame. $2,000-3,000

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73 Roberto Matta (Chilean, 1911-2002) Untitled, 1959, from Comicstrip, edition of 50 plus proofs, published by Editions Allan Frumpkin Gallery, Chicago, 1960 (Sabatier, 44). Signed “Matta” in pencil l.r., numbered “6/50” in pencil l.l. Color aquatint with etching on paper, plate size 14 7/8 x 19 1/2 in. (37.6 x 49.5 cm), framed.

Condition: Minor breaks to paper fibers along plate mark, pale mat burn and fox marks, not examined out of frame. $400-600 74 After Roberto Matta (Chilean, 1911-2002) Sun Dice, from Mural Scrolls: Calder, Matisse, Matta, Miró, published by Katzenbach And Warren, Inc., New York, 1949. Signed, titled, and dated within the matrix. Color screenprint on fabric, image/ support size 10 x 15 1/4 in. (25.4 x 38.5 cm), framed.

Condition: Subtle soiling, not examined out of frame. $800-1,200

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75 Joan Miró (Spanish, 1893-1983) Plate from Nous avons, 1959, total edition of 170, published by Louis Broder Éditeur, Paris (Dupin, 247; Cramer Books, 53). Signed “Miró.” in pencil l.r., numbered “VII/X” in pencil l.l. Color aquatint on wove paper, sheet size 5 1/2 x 16 1/4 in. (13.9 x 41.1 cm), framed.

Condition: Deckled left edge, subtle toning to edges, thinned spots and old hinges to upper edge on verso. $1,500-2,000 76 Joan Miró (Spanish, 1893-1983) Poster for UNESCO, Human Rights, 1974, from the edition of 75 before lettering, published by Arte Adrien Maeght, Paris (Mourlot, 930). Signed “Miró.” in pencil l.r., numbered “29/75” in pencil l.l. Color lithograph on paper, image size 30 x 22 in.

(76.2 x 55.8 cm), framed.

Condition: Even toning, not examined out of frame.

Provenance: A private Florida and Illinois collection. $2,000-3,000

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77 Henry Moore (British, 1898-1986) Sculptural Objects, 1949, edition of 3,000 plus proofs, published by School Prints, Ltd., London (Cramer et al., 7). Signed, dated, and identified within the matrix. Color lithograph on paper, sight size 19 1/8 x 29 3/4 in. (48.5 x 75.5 cm), framed.

Condition: Subtle toning, not examined out of frame. $300-500 78 Robert Motherwell (American, 1915-1991) Untitled, from the Peace Portfolio I, 1970, edition of 175 plus proofs, published by The Academic and Professional Action Committee for a Responsible Congress, New York (Engberg & Banach, 68). Signed and numbered “Motherwell 4/175� in pencil l.r.

Lithograph on paper, image size 3 1/2 x 8 1/4 in. (8.8 x 20.8 cm), framed.

Condition: Minor rippling, not examined out of frame.

Provenance: A private Massachusetts collection. $1,000-1,500 78

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79 Robert Motherwell (American, 1915-1991) Lament for Lorca, 1982, edition of 52 plus proofs, published by Tyler Graphics Ltd., Bedford, New York (Engberg & Banach, 289). Initialed and numbered “RM/12/52” in pencil l.r., publisher’s dry stamp l.l., identified on a label from Galerie Maurice, Chestnut Hill, Massachusetts, affixed to the backing.

Lithograph in black and brick on paper, image size 40 3/8 x 56 1/4 in. (102.4 x 142.7 cm), framed.

Condition: Deckled edges, floated within the frame, not examined out of frame.

N.B. The title—a subject Motherwell returned to several times—refers to the fall of the Spanish Republic and the beginning of the Spanish Civil War. In 1936, at the outbreak of the war, poet and playwright Federico García Lorca was assassinated by a group of fascists. $8,000-12,000

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80 Paul Nash (British, 1889-1946) Horse and Rider, edition of 200. Signed “Paul Nash” in pencil l.r., numbered “165/200” in pencil l.l. Color screenprint on paper, image size 9 1/2 x 7 3/8 in. (24.0 x 18.5 cm), framed.

Condition: Not examined out of frame. $400-600 81 Pablo Picasso (Spanish, 1881-1973) Peintre devant sa toile, avec un modèle, from Series 347, 1968, edition of 50 plus proofs, published by Galerie Louise Leiris, Paris (Bloch, 1725). Signed “Picasso” in pencil l.r., dated “4.5.8.68.VI” (reversed) within the plate, numbered “48/50” in pencil l.l., identified in information from Martin Lawrence Galleries, New York, affixed to the backing.

Etching with subtle plate tone on paper, plate size 10 1/4 x 6 7/8 in. (25.9 x 17.3 cm), framed.

Condition: Not examined out of frame. $4,000-6,000

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82 Pablo Picasso (Spanish, 1881-1973) Figures No. 28, 1963, edition of 150 (Ramie, 463). Inscribed “N.28 EDITION PICASSO 74/150 MADOURA� on the underside. Round white earthenware clay plate with engobes and enamel glazes, diameter 10 in. (25.4 cm).

Condition: Minute unglazed areas to rim at underside (possibly from positioning in kiln), very subtle soiling. $1,500-2,000

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83 Robert Rauschenberg (American, 19252008) Trunk, from the series Seven Characters, 1982, an edition of 70 unique collage pieces (Gemini, 41.144). Signed and dated “RAUSCHENBERG 82” in pencil l.r., stamped with Chinese character and “TRUNK” on the reverse, stamped “© Gemini G.E.L.” and inscribed “#56” and “RR82-12” in pencil on the reverse. Mixed media with cast paper, fabric collage, mirror, and embroidered hanging medallion, 42 1/2 x 30 1/2 in. (107.8 x 77.4 cm), presented in a Plexiglas box.

Condition: Not examined out of frame.

N.B. Rauschenberg conceived of this series as a collaborative project with China and its artists, using the working title of “China Collage” series, at a time when China was far from open to Westerners. Rauschenberg’s work is highly self-contextualized. While he came to China with a plethora of materials to employ in the project, he found inspiration in the elements he discovered around him.

Rauschenberg chose to visit the Anhui province where the famous “1,000 year paper” or Xuan paper is produced. Here he also found the calligraphic symbols—chosen for both their forms and meanings—that would be the basis for the series. He was drawn to the silk wedding bedclothes that would evolve into the hanging medallions, and the Chinese propaganda posters that contained the paper collage elements he would ultimately employ.

Even the seals he applied upon completion of the collages—those of the paper mill, the artist, and the publisher—came from Chinese antecedents.

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The result was a group of seventy unique compositions, each with variations in the poster elements, the silk medallions, and the ribbons. By removing these elements from their original contexts through cutting and reassembly, Rauschenberg created new relationships and contexts. $5,000-7,000

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84 Nicola Simbari (Italian, 1927-2012) Panarea, 1980, edition of 300. Signed “n.

Simbari” in pencil and with artist’s dry stamp l.r., numbered “191/300” in pencil l.l. Color screenprint on paper, image size 35 1/2 x 39 3/4 in. (90.0 x 100.8 cm), framed.

Condition: One hinge loose or broken, not examined out of frame.

Provenance: A private Florida and Illinois collection. $1,000-1,500 85 Nicola Simbari (Italian, 1927-2012) Mimosa, 1986, edition of 160. Signed “n.

Simbari” in pencil and with artist’s dry stamp l.r., numbered “117/160” in pencil l.l. Color screenprint on paper, image size 39 7/8 x 31 3/4 in. (102.2 x 80.5 cm), framed.

Condition: Not examined out of frame.

Provenance: A private Florida and Illinois collection. $1,000-1,500

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86

86 Frank Stella (American, b. 1936) River of Ponds, IV, from the series Newfoundland, 1971, proof outside of the edition of 70, published by Gemini, G.E.L., Los Angeles (Axsom, 53). Numbered, signed, and dated “A.P. II F. Stella ‘71” in pencil l.r., publisher’s and copyright dry stamps l.r., identified on a label from Irving Galleries, Palm Beach, affixed to the backing. Color lithograph on paper, image size 32 x 32 in.

(81.2 x 81.2 cm), framed.

Condition: Subtle toning to margins, not examined out of frame. $3,000-5,000

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87 Donald Sultan (American, b. 1951) Pears, 1989, from Fruit, Flowers and a Fish, 1989-91, published by Parasol Press, Ltd., New York. Titled, dated, and initialed “Pears...Nov 1989 D S” in pencil in the left margin, numbered “68/125” in pencil l.r. Color screenprint on paper, image size 12 x 12 in.

(30.4 x 30.4 cm), framed.

Condition: Wide margins, floated within the frame, not examined out of frame. $1,000-1,500

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88 William Thomas Williams (American, b.

1942) HKL Portfolio/A Suite of Four Works, 1970, edition of 144. Each signed and numbered “...24/144” in pencil l.r. Color screenprints on heavy wove paper, image sizes 16 1/8 x 11 5/8 in. (40.8 x 29.4 cm), unmatted, unframed.

Condition: Good. $2,000-3,000 89 Zao Wou-Ki (Chinese/French, 1921-2013) Untitled, 1968, published by Al Lublin, New York (Ågerup, 197). Signed (in characters) and dated “...68” in pencil l.r., numbered “49/95” in pencil l.l. Color aquatint with etchings on Arches paper with watermark, plate size 21 1/4 x 27 in. (53.9 x 68.5 cm), unmatted, unframed.

Condition: Full margins with deckled right edge, nicks and unpressed creases to/near edges, pale foxing, handling creases.

N.B. Ågerup lists this work as an edition of 99. $2,000-3,000

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Fine Photographs

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90 William Henry Jackson (American, 18431942) Old Faithful in Eruption, c. 1872. Numbered and titled “203...” in the image l.l., inscribed “W.H. JACKSON & Co. PHOT. DENVER. COL.” in the image l.r. Albumen print mounted to paperboard, image size 13 x 9 5/8 in. (33.0 x 24.4 cm), matted, framed.

Condition: Minor surface scuffs. $500-700

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91 Alfred Stieglitz (American, 1864-1946) The “Flat-iron,” from Camera Work, no. 4, 1903. Photogravure on paper, 6 3/8 x 3 1/4 in. (17.0 x 8.3 cm), matted, framed.

Condition: Affixed to brown paper support at bottom corners (top hinges broken), minor fox mark or similar in u.r. quadrant.

N.B. As a founding member of the PhotoSecession and publisher of Camera Work, Alfred Stieglitz was a major force in the promotion and elevation of photography as a fine art in America at the turn of the 20th century. This view of the Fuller Building, better known as the Flat-iron because of its shape, demonstrates the Pictorialist aesthetic— painterly, soft focus images with subtle tonal variation and unusual compositions— Stieglitz first championed. The composition of overlapping forms and flattened space also shows the influence of 19th century Japanese woodblock prints. At the same time, Stieglitz’s embrace of a more modernist depiction of contemporary life is reflected by the architectural form of the building, which he described as appearing to move toward him “like the bow of a monster ocean steamer—a picture of a new America that was still in the making.”1 1. Alfred Stieglitz, “Six Happening I: Photographing the FlatIron Building, 1902-3,” Twice a Year 14-15 (1946-47), 188.

$2,000-3,000

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92 Rosalind Maingot (Australian/British, 18941947) 92

Chrysalis, c. 1935. Signed “Rosalind Maingot” in red pencil on the mount l.r. Toned gelatin silver print mounted to silver foil and then to a paper support, image/sheet size 19 3/16 x 15 3/8 in. (48.7 x 39.0 cm), matted, framed.

Condition: Scattered minor scuffs and areas of light discoloration, creases to corners, tears to bottom edge of mount.

N.B. After working as an actress, the Australian-born Maingot studied at the London School of Photography. In addition to still lifes and flowers, she is known for her figure studies of women which were influenced by her previous acting career in terms of pose and expressiveness. She later became a successful medical photographer, working alongside her surgeon husband, and was instrumental in setting up the Royal Photographic Society’s Medical Group. $800-1,200 93 Alfred Eisenstaedt (American, 1898-1995) Midshipmen at U.S. Naval Academy, Annapolis, 1936, printed 1989. Signed “Eisenstaedt” in ink l.r., numbered “9/250” in ink l.l., identified in a Time, Inc. inscription in pencil on the verso, including reproduction and copyright restrictions. Gelatin silver print, image size 12 x 9 1/2 in. (30.5 x 24.1 cm), matted, framed.

Condition: Not examined out of frame. $800-1,200

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94 Berenice Abbott (American, 1898-1991) Manhattan Bridge, 1936, printed later.

Signed “BERENICE ABBOTT” in pencil on the mount l.r., numbered “41/60” in pencil on the mount l.l. Gelatin silver print mounted to board, image/sheet size 19 3/8 x 15 3/8 in.

(49.2 x 39.0 cm), matted, framed.

Condition: Not examined out of frame. $1,500-2,500 95 Berenice Abbott (American, 1898-1991) Herald Square, Manhattan, 1936, printed later. Signed “BERENICE ABBOTT” in pencil on the mount l.r., numbered “41/60” in pencil on the mount l.l. Gelatin silver print mounted to board, image/sheet size 15 3/8 x 19 3/8 in.

(39.0 x 49.2 cm), matted, framed.

Condition: Not examined out of frame. $1,500-2,500

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96 Louis Faurer (American, 1916-2001) Silent Salesman, Philadelphia, Pennsylvania, c. 1937, printed 1980. Signed, titled, and dated “Louis Faurer...” in pencil on the verso l.r. Gelatin silver print, image size 9 1/2 x 9 1/2 in. (24.2 x 24.2 cm), matted, framed.

Condition: Hinged with linen tape at upper corners. $800-1,200 97 Arthur Rothstein (American, 1915-1985) Pool Hall, Culp, Illinois, 1940, printed later. Stamped “ARTHUR ROTHSTEIN/ PHOTOGRAPH/from the collection of GRACE ROTHSTEIN” in black ink, and with additional pencil annotations, on the verso l.l. Gelatin silver print, image size 9 x 12 in. (22.8 x 30.5 cm), matted, unframed.

Condition: Good.

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N.B. In 1936 at the young age of 21, Arthur Rothstein was the first photographer hired

by Roy Stryker of the federal government’s Resettlement Administration. The agency’s goal was to document efforts to alleviate the economic problems facing the nation. While many of Rothstein’s photographs capture the effects of the Great Depression on struggling families, this image of boys playing pool captures a moment of respite from everyday hardships. $1,000-1,500

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98 Arthur Rothstein (American, 1915-1985) Hotel de Paris, Georgetown, Colorado, 1939, printed later. Stamped “ARTHUR ROTHSTEIN/PHOTOGRAPH/from the collection of GRACE ROTHSTEIN” in black ink, and with additional pencil annotations, on the verso l.l. Gelatin silver print, image size 12 x 8 7/8 in. (30.5 x 22.5 cm), matted, unframed.

Condition: Good. $1,000-1,500

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99 Wright Morris (American, 1910-1998) Farmhouse in Winter, near Lincoln, Nebraska, 1940, printed later. Signed “Wright Morris” in pencil on the verso l.r. Gelatin silver print, 10 1/2 x 13 1/2 in. (26.7 x 34.3 cm), framed.

Condition: Scattered spot toning.

N.B. In the late 1930s and 1940s the novelist Wright Morris made beautiful and poignant photographs exploring the rural culture of the American countryside. Morris’s emphasis was on architecture and still life, but unlike the work of Walker Evans, which provides a formal description of American vernacular structures, Morris photographed farms and homesteads that were fading into the past. Although they are mostly without human subjects, his images offer evidence of bad luck, failure, misplaced faith, tenacity, and human fallibility.

As he wrote after a cross-country journey in 1938, “I saw the American landscape crowded with ruins I wanted to salvage.”1 1. Quoted in Sandra S. Phillips and John Szarkowski, Wright Morris: Origin of a Species (San Francisco: San Francisco Museum of Art, 1992), p. 27.

$1,200-1,800

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100 Attributed to Aaron Siskind (American, 1903-1991)

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Chicago 30, 1949, printed before the mid1970s. Unsigned. Gelatin silver print, image/ sheet size 13 x 18 7/8 in. (33.0 x 48.0 cm), unmatted, unframed, housed in a simple cardboard folder.

Condition: Scattered minor handling crimps, two small bulges in u.r. corner. $300-500 101 Arnold Newman (American, 1918-2006) Andrew Wyeth, Chadds Ford, Pennsylvania, 1948, printed 1970s, an Abrams Original Edition print. Signed and numbered “© Arnold Newman 4/99” in black ink in the image l.r. Gelatin silver print mounted to board, image/sheet size 19 7/8 x 15 7/8 in. (50.5 x 40.3 cm), unmatted, framed.

Condition: Not examined out of frame.

N.B. In 1972 the publisher Harry N. Abrams announced a program offering limited edition black-and-white prints by ten eminent photographers. Each photograph (in editions of 99) was made from the original negative by the artist, assisted by a master printer from a custom lab. The photographers, representing a range of practices from photojournalism to creative photography, included Arnold Newman and Gordon Parks (see Lot 102), as well as Wynn Bullock, Eliot Elisofon, Ernst Haas, Philippe Halsman, Ken Heyman, Marc Riboud, Aaron Siskind, and Howard Sochurek.

With Abrams Original Editions, noted the project’s founder and director Peter Pollack, “limited signed editions of the best work by these photo craftsmen can be as successful as limited signed editions of fine etchings and lithographs have been in the art world.”

Pollack added, “It is another source of income for photographers and it puts a good value on photographic prints which have been made with painstaking care. It may also prove to be an investment for knowledgeable collectors.”1 1. Quoted in a feature by Irving Desfor, The Kokomo Tribune, Kokomo, Indiana, September 27, 1972, p. 35.

$1,000-1,500 101

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102 Gordon Parks (American, 1912-2006) Mademoiselle Victoire Desno, Unemployed Old French Domestic, Paris, 1950, printed 1970s, an Abrams Original Edition print.

Signed and numbered “Gordon Parks 4/99� in white ink in the image l.l. Gelatin silver print, image/sheet size 20 x 16 in. (50.8 x 40.7 cm), unmatted, unframed.

Condition: Crease in l.l. corner, subtle accretion in l.l. quadrant, adhesive residue on verso in corners. $1,000-1,500

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103 Manuel Álvarez Bravo (Mexican, 19022002) La Mama del Bolero y el Bolero (The Mother of the Shoeshine Boy and the Shoeshine Boy), 1950s, printed later. Signed “M Alvarez Bravo” in pencil on the verso l.r., titled in pencil on the verso at the bottom.

Gelatin silver print, image size 6 3/4 x 9 5/8 in.

(17.0 x 24.3 cm), matted, framed.

Condition: Minor surface crimps in u.r. and l.r. corners, not examined out of frame. $1,200-1,800

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104 Peter Fink (American, 1907-1984) Refractions, Hartford, Connecticut, 1960s.

Unsigned, titled in ink on the verso along bottom edge. Gelatin silver print, image size 13 3/4 x 8 1/4 in. (34.8 x 21.0 cm), unmatted, unframed.

Condition: Slight rippling to sheet at right edge. $800-1,200

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105 Eliot Porter (American, 1901-1990) Dungeon Canyon, Glen Canyon, August 29, 1961, printed in 1980 in an edition of 250 for the portfolio Eliot Porter: Glen Canyon.

Signed “Eliot Porter” in pencil on the mount l.r., stamped on the reverse of the mount l.l.

Dye-transfer print mounted to board, image/ sheet size 16 x 12 3/8 in. (40.6 x 31.0 cm), unmatted, unframed.

Condition: Scattered subtle fox marks on the mount recto, fox marks on the mount verso.

N.B. At twelve years old, Eliot Porter’s father gave him his first camera, a Kodak Brownie.

As a young man, he studied medicine and eventually became a research biologist and professor, but photography and nature remained a constant in his life. Ansel Adams encouraged Porter to work with a large-format camera, and when his brother, painter Fairfield Porter, introduced him to Alfred Stieglitz, he shifted careers. While he was successful with his black-and-white work in the 1930s, it was the dye transfer work he began in the 1940s that was pioneering. In 1979, Intimate Landscapes, an exhibition of fifty-five works

by Porter, was the first one-man showing of color photographs ever presented at The Metropolitan Museum of Art. $700-900 105

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106 Eliot Porter (American, 1901-1990) Green Reflections in Stream, Moqui Creek, Glen Canyon, Utah, September 2, 1962, printed in 1980 in an edition of 250 for the portfolio Eliot Porter: Glen Canyon. Signed “Eliot Porter” in pencil on the mount l.r., stamped on the reverse of the mount l.l. Dye-transfer print mounted to board, image/sheet size 16 x 12 1/2 in. (40.6 x 31.7 cm), unmatted, unframed.

Condition: Scattered subtle accretions or similar on the print surface, lightly foxed on the mount recto, fox marks on the mount verso. $700-900 107 Ansel Adams (American, 1902-1984) Pioneer Mill, Cimarron, New Mexico, c. 1961.

Signed “Ansel Adams” in ballpoint pen on the mount l.r. Gelatin silver print mounted on Crescent illustration board, image/sheet size 14 5/8 x 18 1/2 in. (37.2 x 47.0 cm), unmatted, unframed.

Condition: Minor crease l.l., minor wear to mount corners, mount lightly foxed at right edge, scattered fingerprints on mount verso.

Provenance: From the collection of a former Polaroid Corporation employee (1966-1989).

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N.B. Ansel Adams was an American photographer best known for his iconic images of the American West. Built in 1864, the purpose of the Pioneer Mill, also known as the Aztec Mill, was to provide wheat and corn flour for local residents, soldiers at Fort Union, and to the Indian Agency in Cimarron, New Mexico. By depicting the building from the side, Adams incorporates the wooden archway as a framing device that echoes the edges of the photographic sheet. $2,000-3,000 108 Ansel Adams (American, 1902-1984) Seaweed and Pebbles, 1960s. Signed “Ansel Adams” in ballpoint pen on the mount l.r. Gelatin silver print mounted on Crescent illustration board, image/sheet size 15 x 19 1/8 in. (38.2 x 48.5 cm), unmatted, unframed.

Condition: Pinpoint emulsion loss l.r., minor wear to mount corners, mount recto lightly soiled and discolored.

Provenance: From the collection of a former Polaroid Corporation employee (1966-1989). $1,500-2,500

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109 Larry Fink (American, b. 1941) First Communion, Bronx, New York, 1962.

Signed and dated “Larry Fink 1962” in pencil on the verso l.l. Gelatin silver print, image size 15 1/16 x 19 1/4 in. (38.5 x 49.0 cm), matted, framed.

Condition: Small crimp u.r. corner, hinged at top with linen tape. $800-1,200 110 Jim Marshall (American, 1936-2010)

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Bob Dylan Kicking Tire, Seventh Avenue, New York City, 1963, printed 1970s.

Unsigned, with Marshall’s Union Street, San Francisco, studio stamp on the reverse of the mount. Gelatin silver print mounted to board, image/sheet size 8 1/4 x 12 1/4 in. (21.0 x 31.0 cm), unmatted, unframed.

Condition: Good. $1,200-1,800

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111 Walker Evans (American, 1903-1975) Lower Manhattan, Painted Sign. Signed and dated “Walker Evans 1963” in pencil l.r., titled and dated in pencil on mount reverse l.l., Lunn Gallery stamp inscribed “XXI 10” in pencil on mount verso at center. Gelatin silver print mounted to board, image/sheet size 8 x 11 3/4 in. (20.3 x 29.9 cm), matted, framed.

Condition: Minor crease l.c., mount discoloration, brown tape hinge remnant along top of mount. $1,500-2,500 112 Walker Evans (American, 1903-1975) Emma, Colorado. Signed and dated “Walker Evans 1967” in pencil l.r., titled and dated in pencil and stamped “WALKER EVANS/BOX 310 RTE. 3/OLD LYME. CONN. 06371...” in ink on mount verso center, Lunn Gallery stamp inscribed “XXIII 102” in pencil on mount verso l.l. Gelatin silver print mounted to board, image/sheet size 9 1/4 x 9 1/2 in. (23.5 x 24.2 cm), matted, framed.

Condition: Good. $1,000-1,500 112

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113 Paul Caponigro (American, b. 1932) Standing White Deer, Ireland. Signed “Paul Caponigro” in pencil on the verso l.r., titled and dated “...1967” in pencil on the verso l.l.

Gelatin silver print, image/sheet size 19 3/4 x 23 3/4 in. (50.2 x 60.4 cm), matted, framed.

Condition: Slight rippling to edges of sheet, minor handling crimp u.r. corner.

N.B. Boston native and Minor White protégé Paul Caponigro is noted for his pure, formalist approach to landscape photography. He first traveled to Ireland and Britain in 1966 on a Guggenheim Fellowship. While he focused on ancient stone circles and early churches, his images of white deer in County Wicklow have become equally iconic. $2,000-3,000 114 Josef Sudek (Czech, 1896-1976) Trees with Snow. Signed “Sudek” in pencil and stamped “Photo Sudek Praha III. Ujezd 28” in ink on the verso. Gelatin silver print, image/sheet size 7 x 6 5/8 in. (17.8 x 16.8 cm), matted, unframed.

Condition: Minor adhesive residue u.c. $1,000-2,000 114

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115 Ansel Adams (American, 1902-1984) Boat Hull, Gloucester, 1968. Signed “Ansel Adams� in ballpoint pen on the mount l.r.

Gelatin silver print mounted on Crescent illustration board, image/sheet size 14 3/4 x 18 5/8 in. (37.5 x 47.4 cm), unmatted, unframed.

Condition: Subtle surface scratches c.l., minor wear to mount corners, mount recto is lightly soiled and discolored, scattered fingerprints on mount verso.

Provenance: From the collection of a former Polaroid Corporation employee (1966-1989). $1,500-2,500 116 No lot.

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117 Gus Kayafas (American, b. 1947) Miami: Photographs by Gus Kayafas, a portfolio of eighteen untitled photographs from an edition of 25 copies plus 8 artist’s proofs, published by Palm Press, Littleton, Massachusetts, in 1984. Each print signed “Gus Kayafas” in pencil below the image l.r., numbered “AP 7/8” in pencil on the copyright page at back. Gelatin silver prints mounted on Rives BFK paper, image/sheet sizes to 6 3/4 x 10 in. (17.2 x 25.5 cm), housed in a linen-covered, boxed, bound portfolio.

Condition: Photographs good; portfolio box with minor wear. $500-700 117 partial

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118 Linda Connor (American, b. 1944) Religious Effigies, Benares, India. Signed “Linda S. Connor” in pencil on the verso l.r., titled and dated “...1979” in pencil on the verso l.c. Gelatin silver print, image/sheet size 8 x 9 7/8 in. (20.2 x 25.0 cm), unmatted, unframed.

Condition: Minor handling crimp c.l.

Provenance: Estate of photography historian Estelle Jussim, through Sena’s Auction Service, Worthington, Massachusetts, 2015, to the current owner.

N.B. The lot is accompanied by a signed catalogue of the photographer’s work from a 1983 exhibition at the Corcoran Gallery of Art, Washington, DC, and a letter from Linda Connor to Estelle Jussim that accompanied the gift of this photograph. $400-600

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119 Tom Baril (American, b. 1952) Sunflowers with Buds, 2001. Signed and dated in pencil on the recto, signed, titled, dated, and numbered 4 out of 25 in ink on the verso, per a label from Robert Klein Gallery, Boston, affixed to the backing. Toned gelatin silver print, sight size 23 x 18 1/8 in. (58.4 x 46.0 cm), matted, framed.

Condition: Not examined out of frame. $800-1,200 120 Tom Baril (American, b. 1952) Eagle Cliff Falls #2, 2001. Signed and dated in pencil on the recto, signed, titled, dated, and numbered 4 out of 25 in ink on the verso, per a label from Robert Klein Gallery, Boston, affixed to the backing. Toned gelatin silver print, sight size 23 x 18 1/8 in. (58.4 x 46.0 cm), matted, framed.

Condition: Not examined out of frame. $800-1,200

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121 Frank Gohlke (American, b. 1942) Queens, New York, from the series Landscapes of Longing. Signed and dated “Frank Gohlke 2003” in pencil on the verso l.r., numbered and titled “A/P...” in pencil on the verso l.l. Gelatin silver print, image size 8 7/8 x 12 1/2 in. (22.5 x 31.8 cm), matted, unframed.

Condition: Good. $800-1,200

End of Sale 2895B Bidding continues at 4PM with Fine Paintings & Sculpture, and Fine Art online at www. skinnerinc.com

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Timed Online Auctions: How to Bid

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Fine Art online Lots 1000–1103 May 9, 12PM–May 16, 3PM www.skinnerinc.com

1000 Ivan Le Lorraine Albright (American, 1897-1983)

1003 Frank Weston Benson (American, 1862-1951)

1007 Raphael Soyer (American, 18991987)

Fleeting Time, Thou Hast Left Me Old, 1945, edition of 250 published

by Associated American Artists, New York, 1946 (AAA/Czestochowski, 1946.001). Signed “Ivan Le Lorraine Albright” in pencil l.r., titled in pencil l.l. Lithograph on paper, image size 13 11/16 x 9 5/8 in. (34.5 x 24.3 cm), unmatted, unframed.

Condition: Deckled edges to three sides, possible water damage to edge of right margin.

Waders, 1930, published state of 150 (Paff, 298). Signed “FrankWBenson.” in pencil l.l. Drypoint on paper, plate size 7 x 12 in. (17.6 x 30.4 cm), unmatted, unframed.

Condition: Margins over 1 3/4 inches with deckled left and lower edges, pencil annotations l.l., very subtle toning.

Casting Office, 1945, edition of 250, published by Associated American Artists, New York (AAA/Czestochowski, 1945.078). Signed “Raphael Soyer” in pencil l.r. and within the matrix, titled in pencil l.l., identified on a label from AAA that accompanies the lot. Lithograph on wove paper, image size 9 3/4 x 12 7/8 in. (24.6 x 32.5 cm), unmatted, unframed.

Condition: Margins over 1 inch, tiny thinned spot to corner of margin u.l. on verso.

Provenance: Descended within the family to the current Massachusetts estate. $300-500 1001 Frank Weston Benson (American, 1862-1951) Canada River, 1920, trial proof A-1 (Paff, 179). Signed “FrankWBenson.” in pencil l.l. Drypoint on laid Japan paper, plate size 5 7/8 x 7 7/8 in. (14.8 x 19.8 cm), unmatted, unframed.

Condition: Rich, heavy burr, margins over 1 1/2 inches with deckled edges, pencil annotations to lower margin, subtle soiling and fingerprints to margins, creases to deckles and near edges, old hinges to upper corners on verso.

Provenance: Descended within the family of the artist. $500-700

Fine Art online

1002 Frank Weston Benson (American, 1862-1951)

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Geese Drifting Down, 1929, published state of 150 (Paff, 287).

Signed “FrankWBenson.” in pencil l.l.

Etching on laid paper with “ENGLAND” watermark, plate size 8 7/8 x 13 7/8 in.

(22.5 x 35.2 cm), unmatted, unframed.

Condition: Full margins with three deckled edges, pencil annotations l.r.

Provenance: Descended within the family of the artist. $400-600 1004 No lot.

1005 Dale Nichols (American, 1904-1995) Midwest Morning, 1945, edition of 250, published by Associated American Artists, New York (AAA/ Czestochowski, 1945.067). Signed “Dale Nichols” in pencil l.r., identified in a label from AAA affixed to the backing.

Lithograph on paper, image size 9 1/2 x 12 3/8 in. (24.1 x 31.3 cm), framed.

Condition: Mat burn, toning, rippling, not examined out of frame. $400-600 1006 Salvatore Pinto (Italian/American, 1905-1966) Factory View. Inscribed “From the Estate of Salvatore Pinto - D.P.” in pencil l.l. Wood engraving on paper, image size 7 x 9 7/8 in. (17.7 x 25.0 cm), framed.

Condition: Several tiny fox marks, not examined out of frame. $200-250

Provenance: Descended within the family of the artist. $700-900

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Provenance: Descended within the family to the current Massachusetts estate. $200-300 1008 James Abbott McNeill Whistler (American, 1834-1903) Billingsgate, 1859, final state (Kennedy, 47viii; MacDonald, 51ix).

Signed and dated within the plate, label from Frederick Keppel & Co., Inc., New York, affixed to the backing. Etching on paper, plate size 6 x 8 7/8 in. (15.1 x 22.6 cm), framed.

Condition: Gentle rippling, subtle staining to image, not examined out of frame. $800-1,200 1009 Marie Laurencin (French, 1885-1956) La dame jaune, plate 4 from La Vie de Chateau, 1926, edition of 110 (Marchesseau, 103). Signed “Marie Laurencin” in pencil l.r., numbered “6/110” in pencil l.l. Lithograph in black and gold on paper, image size 8 3/4 x 7 1/8 in. (22.0 x 18.0 cm), framed.

Condition: Gentle rippling, not examined out of frame. $300-500 1010 Marie Laurencin (French, 1885-1956) Jeune fille à la guitare, 1946 (Marchesseau, 238). Signed within the plate. Etching with coloring, plate size 7 3/4 x 6 7/8 in. (19.5 x 17.3 cm), framed.

Condition: Floated within the mat, not examined out of frame. $300-500

Le jardin de la vielle fille, 1894, proof outside of the edition of 100. Signed and inscribed “J.F. Raffaëlli Ep. no 11” in pencil l.r. Color etching on paper, plate size 12 1/2 x 9 1/8 in. (31.6 x 23.2 cm), framed.

Condition: Toning, cockling, not examined out of frame. $500-700 1012 Frederic Amat (Spanish, b. 1952) COS, 1983, proof impression, published by Edicions Polígrafa, S.A., Barcelona. Signed “AMAT” in pencil l.r., numbered “P.A. IX/X” in pencil l.l. Etching with aquatint and carborundum on four sheets of cream wove paper, total image size 14 3/4 x 84 in. (37.3 x 213.4 cm), unmatted, presented in the original folder.

Condition: Deckled edges, unobtrusive toning, folder with tears, annotated “TO ARNOLD and NANCY HERSTAND...N.Y. 3.IV.84 Amat” in ink. $1,500-2,000 1013 Richard Anuszkiewicz (American, b. 1930) New York City Opera 1968, edition of 144. Signed, numbered, and dated “ANUSZKIEWICZ 76/144 1968” l.r.

Color screenprint on paper, image size 33 x 23 1/4 in. 83.8 x 59.0, unmatted, unframed.

Condition: Mild soiling/toning. $300-350 1014 Bernard Cathelin (French, 19192004) Cheval au cap toï, 1983, edition of 150. Signed and dated “Cathelin New York 5 Decembre 1983” in pencil l.r., numbered “4/150” in pencil l.l., dedicated “A Jacques et Blanche Teze...” in pencil l.c. Color lithograph on paper, image 36 x 23 3/4 in. (91.4 x 60.2 cm), unmatted, unframed.

Condition: Nicks and creases to edges. $400-600

1015 Jim Dine (American, b. 1935)

1020 Félix Labisse (French, 1905-1982)

Art, 1968, edition of 144. Signed, numbered, and dated “Jim Dine 10/144 1968” in pencil within the image u.r., titled within the matrix.

Offset color lithograph on paper, image/sheet size 35 x 24 3/4 in. (88.7 x 62.8 cm), unmatted, unframed.

Condition: Good. $200-300

Untitled (Three Faces). Signed “LABISSE” in pencil l.r., numbered “EA XVI/XX” in pencil l.l. Color lithograph on paper, image size 18 3/4 x 23 5/8 in. (47.5 x 60.0 cm), framed.

Condition: Not examined out of frame. $400-600

1016 Hans Erni (Swiss, 1909-2015) Mother and Child, edition of 95.

Signed “Erni” in pencil l.r., numbered “19/95” in pencil l.l. Lithograph on paper, image size 23 x 16 in. (58.3 x 40.5 cm), framed.

Condition: Unobtrusive toning, not examined out of frame. $250-300 1017 Edward Hagedorn (American, 19021982) Jacob Wrestling with the Angel.

Signed “EHagedorn” in pencil l.r., titled in pencil l.l. Etching on paper, plate size 17 x 13 1/4 in. (43.1 x 33.5 cm), framed.

Condition: Not examined out of frame. $700-900 1018 Two Works from the Portfolio X + X (Ten Works by Ten Painters): Robert Indiana (American, b. 1928), Eternal Hexagon; and Ad Reinhardt (American, 1913-1967), Untitled, both from 1964, published by the Wadsworth Atheneum, Hartford. Both unsigned and with printer’s dry stamp l.r. Color screenprints on paper, sheet sizes 24 x 20 in. (60.9 x 50.8 cm), unmatted, unframed, presented in their original paper folders.

Condition: Very subtle surface rubs. $600-800 1019 Wolf Kahn (German/American, b.

1927) Sonesta, 1992, edition of 500. Signed and dated “W Kahn ‘92” in pencil l.r., numbered “442/500” in pencil l.l. Color screenprint on cream Arches paper with watermark, image size 12 x 15 3/4 in. (30.4 x 40.0 cm), unmatted, unframed.

Condition: Full margins with deckled edges to three sides, pale fox marks. $300-500

1021 Michael Mazur (American, 19352009) Images from a Locked War/A Portfolio of Fourteen Works, 1965, edition of 75, published by Impressions Graphics Workshop, Boston. Each signed “...Mazur” in pencil l.r., colophon signed and numbered “Copy # 68...” in pencil. Lithographs on cream Arches paper, sheet sizes 26 1/4 x 20 1/4 in. (66.5 x 51.1 cm), presented in the original portfolio and slipcase.

Condition: Very subtle handling creases to some sheets. $600-800

Fine Art online

1011 Jean François Raffaëlli (French, 1850-1924)

1022 LeRoy Neiman (American, 19212012) Al Capone (The Mob), 1972, edition of 250. Signed “leRoy Neiman” l.r., numbered “265/300” l.l., titled within the composition l.c. Color screenprint on paper, sight size 39 1/4 x 29 1/4 in.

(99.7 x 74.3 cm), framed.

Condition: Not examined out of frame. $600-800 1023 LeRoy Neiman (American, 19212012) Baccarat, 1994, edition of 250.

Signed “LeRoy Neiman” in pencil beneath the image l.r., numbered “215/250” l.l. Color screenprint on paper, image size 37 7/8 x 25 1/2 in.

(96.3 x 64.7 cm), framed.

Condition: Not examined out of frame. $600-800 1024 Lucas Samaras (Greek/American, b. 1936) Ribbon, 1972, edition of 150. Signed and dated “Samaras 72” in pencil l.r., numbered “59/150” in pencil l.l. Color lithograph on paper, image size 32 1/4 x 21 3/4 in. (81.8 x 55.2 cm), framed.

Condition: Unobtrusive toning, not examined out of frame. $500-700

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1025 Frank Stella (American, b. 1936) The Whale Watch Shawl, 1994, edition of 650, published by Tyler Graphics Ltd., Mount Kisco, New York. Signed and dated “F.Stella ‘94” in marker l.c., numbered “129” on tag.

Color screenprint on silk, 55 x 55 in.

(139.6 x 139.6 cm), framed.

Condition: Sewn at edges to silk or similar support, tags removed from shawl and preserved on backing, not examined out of frame.

Provenance: Purchased from the publisher on May 25, 1995, then by descent to the current owner.

N.B. A photocopy of the original receipt accompanies the lot. $1,800-2,500 1026 Mark Tobey (American, 1890-1976) (Homage to Tobey, portfolio) The Grand Parade, 1974, edition of 150, published by Transworld Art Corporation, New York. Signed “Tobey” in pencil l.r., numbered “57/150” in pencil l.l. Color lithograph on cream paper, image size 9 3/8 x 10 3/4 in. (23.7 x 27.0 cm), framed.

Condition: Deckled edges to two sides, subtle toning to edges, floated within the frame, not examined out of frame. $300-500

Fine Art online

1027 Fernando Zóbel (Filipino/Spanish, 1924-1987)

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Two Works: Untitled (Landscape), numbered, signed, and inscribed “254/400/Zóbel/para los Sanchez. un espera de nuestra próxima visita a Cuenca” in pencil l.r., screenprint on gray laid paper; and Untitled (Abstraction), signed “Zobel” in pencil l.r., numbered “6/30” l.l., etching on paper. Sheet sizes to 9 3/4 x 12 5/8 in. (24.5 x 32.0 cm), unmatted, unframed.

Condition: Landscape with minor grease or similar spots at u.r. and l.r. corners; Abstraction with deckled edges and margins 1 5/8 inch or more. $400-600

1028 Joel Emmons Whitney (American, 1822-1886) Ma-za-oo-nie (The Little Bird Hunter), c. 1862. Unsigned, identified on the mount verso. Albumen print mounted to board, 7 7/8 x 5 7/8 in.

(20.0 x 14.9 cm), matted, framed.

Condition: Foxing on print and recto and verso of mount. $300-500 1029 Japanese School, 19th Century Three Photographs of Japanese Subjects, Including a Semi-nude Geisha, 1880s-90s. Unsigned. Handpainted albumen prints mounted to boards, image sizes to 9 5/8 x 7 3/4 in.

(24.5 x 19.7 cm), unmatted, unframed.

Condition: Minor surface abrasions, fading. $400-600 1030 David Octavius Hill (Scottish, 1802-1870) and Robert Adamson (Scottish, 1821-1848) Principal Haldane, from Camera Work, no. 37, 1912. Unsigned.

Photogravure on paper, sight size 8 1/4 x 6 in. (20.9 x 15.2 cm), framed.

Condition: Not examined out of frame. $200-300 1031 James Van Der Zee (American, 1886-1983) Portrait of a Mother and Two Children, 1930s, printed later.

Unsigned, embossed estate stamp l.r.

Gelatin silver print, image size 7 x 9 7/8 in. (17.8 x 25.0 cm), matted, framed.

Condition: Minor crease u.r. corner of sheet in margin, two pin point pricks l.l. $500-700 1032 American School, 20th Century Portrait of Harold “Doc” Edgerton with Strobe Lights. Unsigned on recto. Polaroid print, sight size 28 x 21 in. (71.0 x 53.4 cm), matted, framed.

Condition: Not examined out of frame. $400-600

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1033 Eliot Porter (American, 1901-1990) Reflections in Pool, Indian Creek, Escalante River, September 22, 1965, printed in 1980 in an edition of 250 for the portfolio Eliot Porter: Glen Canyon. Signed “Eliot Porter” in pencil on the mount l.r., stamped on the reverse of the mount l.l. Dye-transfer print mounted to board, image/sheet size 16 x 11 3/8 in. (40.6 x 28.9 cm), unmatted, unframed.

Condition: Mounted, scattered subtle fox marks on the mount recto, fox marks on the mount verso. $700-900 1034 Brett Weston (American, 1911-1993) Bamboo Forest, Japan. Inscribed and dated “Brett Weston 1970” in pencil l.r.

Gelatin silver print on paper mounted to board, image/sheet size 8 7/8 x 7 5/8 in. (22.5 x 19.4 cm), unmatted, framed.

Condition: Toned mount. $800-1,200 1035 Dan Graham (American, b. 1942) Two Prints from Homes for America, 1974. One signed “Dan Graham” and numbered “42/50” in ink l.r.

Chromogenic prints, image sizes 10 1/2 x 13 1/2 in. (26.7 x 34.3 cm), unmatted, unframed.

Condition: Faded, sheets curling slightly, hinge remnants at corners on versos. $3,000-5,000 1036 Anne Noggle (American, 1922-2005) Two Photographs: Agnes and Vertical Stance, 1976 and 1979, respectively. Both signed “Anne Noggle” on verso l.r. and titled and dated on verso l.l. Gelatin silver prints, image sizes to 16 1/4 x 11 1/4 in. (41.2 x 28.5 cm), unmatted, unframed.

Condition: Minor handling creases and slight rippling to sheets. $300-500

1041 French School, 19th Century

A Rake’s Revisionist Regress; Nancy N. Memorial Sticks Scattered; an Assortment of Effective Remedies; Buffalo Fashion: Christmas Presents for Nuns; She Had Any Number of Lines; and a Colored Picture, Buffalo, New York, 1980, printed 1982, from an edition of 500. Signed “Les Krims” and numbered “57/500” in pencil l.r. Color offset print, image size 11 x 16 1/4 in. (18.9 x 41.3 cm), matted, unframed.

Condition: Vertical crease l.l., minor handling creases in image and margins. $200-300

Nocturnal Shore View of Fishing Boats by a Coast with Cliffs Unsigned.

Oil on canvas, 13 x 11 1/2 in. (33.0 x 29.0 cm), framed.

Condition: Lined, scattered retouch, possible skinning, craquelure, surface grime. $500-700

1038 Arthur Mones (American, 1919-1998) Portrait of Isamu Noguchi with Sculpture. Signed and dated “Arthur Mones ©’81” in pencil l.r., inscribed “Isamu Noguchi” in pencil l.l. Gelatin silver print mounted to board, image/ sheet size 13 1/4 x 10 3/8 in. (33.7 x 26.4 cm), matted, framed.

Condition: Not examined out of frame. $300-500 1039 American School, 20th Century Alabama Hills. Titled, signed, and dated “...R Johnson...Negative September 2001...” in pencil on the verso, l.c. Gelatin silver print, image size 10 x 12 3/4 in. (25.4 x 32.4 cm), matted, unframed.

Condition: Minor scratches l.l. $200-300 1040 Tom Baril (American, b. 1952) Red Apple, 2001. Signed and dated in pencil on the recto, signed, titled, dated, and numbered 5 out of 25 in ink on the verso, per a Robert Klein Gallery, Boston, label affixed to the backing. Toned gelatin silver print, sight size 23 x 18 1/8 in. (58.4 x 46.0 cm), matted, framed.

Condition: Not examined out of frame. $800-1,200

1042 British School, 18th Century Style Portrait of Henry VIII Unsigned.

Oil on panel, 14 x 10 7/8 in. (35.5 x 27.5 cm), framed.

Condition: Vertical crack to panel with minor paint loss to l.l., minor retouch, craquelure, minor surface grime. $600-800 1043 British School, 18th Century Style Queen Elizabeth I Unsigned.

Oil on cradled panel, 13 3/4 x 11 in.

(35.0 x 28.0 cm), framed.

Condition: Horizontal cracks to the panel with areas of paint loss, fine craquelure, surface grime. $600-800 1044 Spanish School, 16th Century Style Portrait Head of Cardinal Carolo Borromeo (1538-1584) Unsigned.

Oil on panel, 7 7/8 x 5 5/8 in. (19.5 x 14.3 cm), framed.

Condition: Vertical cracks to panel, loss l.c., surface accretions and grime. $800-1,200 1045 French School, 19th Century Portrait of a Sibyl Signed indistinctly on the reverse.

Oil on canvas, 18 1/8 x 14 1/4 in. (46.0 x 36.0 cm), framed.

Condition: Scattered small punctures, old retouch, surface accretions and grime. $400-600

1046 Attributed to Balthasar Paul Ommeganck (Flemish, 1755-1826) Sheep in a Landscape No visible signature, inscribed “Ommeganck” twice on the frame.

Oil on canvas, 15 x 19 1/2 in. (38.5 x 49.5 cm), framed.

Condition: Tears, craquelure with lifting, surface deterioration/alligatoring, discolored varnish, surface grime. $1,000-2,000 1047 William C. Van Zandt (American, fl.

1844-after 1860) Horse Portrait Signed and dated “Wm Van Zandt 1864” on a label affixed to the reverse of the frame.

Oil on canvas, 18 x 25 in. (45.7 x 63.5 cm), framed.

Condition: Lined, patch reinforcements, retouch, extensive craquelure. $1,200-1,800

Fine Art online

1037 Les Krims (American, b. 1942)

1048 Continental School, 19th Century Moll Saint with a Demon Figure Grasping His Crozier Unsigned.

Oil on panel, 20 1/4 x 16 5/8 in. (51.5 x 42.3 cm), framed.

Condition: Splits to panel, paint and surface losses, active lifting and tenting, craquelure, skinning, retouch, surface grime. $800-1,200 1049 Dutch School, 19th Century Pastoral Landscape Unsigned.

Oil on panel, 19 1/4 x 24 1/8 in. (49.0 x 61.3 cm), framed.

Condition: Minor paint losses, scattered retouch, craquelure, varnish discoloration, minor surface grime. $800-1,200

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85

1050 Georg Fischhof (Austrian, 18591914)

1055 Lilla Cabot Perry (American, 18481933)

1058 Mabel May Woodward (American, 1877-1945)

Shore with Fishermen Signed “J. Claiton” l.l.

Oil on canvas, 27 x 42 in. (68.5 x 106.6 cm), framed.

Condition: Canvas lined with wax, retouch, craquelure, surface grime.

Gentleman at a Piano Signed “Lilla Cabot Perry” l.l.

Oil on canvas, 45 1/2 x 54 in. (115.5 x 137.1 cm), in a signed and dated “1933” Thulin frame.

Condition: Multiple tears to canvas, surface grime.

Lakeside Orchard Signed “M. Woodward” l.l.

Oil on canvas, 16 x 20 in. (40.6 x 50.8 cm), unframed.

Condition: Canvas not attached to stretcher; retouch, craquelure, surface grime. $1,500-2,000

N.B. Fischhof painted under a variety of pseudonyms, including J. Claiton, A.L. Terni, and the surname of Wagner with several different first names. $1,200-1,800 1051 Josef Chelmonski (Polish, 18501914) The Sleighing Accident Signed indistinctly l.r.

Oil on canvas, 52 x 74 in. (132.0 x 187.9 cm), unframed.

Condition: Original canvas mounted to another canvas support, major areas of loss of paint, flaking, varnish discoloration, surface grime.

Provenance: A Massachusetts educational institution. $4,000-6,000 1052 Frans de Buel (Belgian, 1849-1919) Haggling the Price Signed “Frans de Buel” l.l.

Watercolor and gouache on paper, sight size 19 1/2 x 17 3/4 in. (49.5 x 45.1 cm), framed.

Condition: Not examined out of frame. $600-800

Fine Art online

1053 Anglo/American School, 19th Century

86

Child Resting Her Head on Her Arms Unsigned.

Oil on canvas, 21 x 17 in. (53.0 x 43.0 cm), framed.

Condition: Patch reinforcement, retouch, craquelure, surface grime. $800-1,200

Provenance: A Massachusetts educational institution. $1,200-1,800 1056 Louis Aston Knight (American, 18731948) Margaree Valley Signed and inscribed “Aston Knight Margaree” l.r., titled, inscribed, and signed “.../Cape Breton (N.S.)/Aston Knight” on the reverse.

Oil on academy board, 18 x 22 in.

(45.7 x 55.8 cm), framed.

Condition: Retouch, varnish discoloration, surface grime. $2,000-3,000 1056A School of Jean-Baptiste-Camille Corot (French, 1796-1875) Landscape with Pond Unsigned.

Oil on panel, 5 1/2 x 8 in. (14.0 x 20.0 cm), framed (under glass).

Condition: Bowing to the panel. $700-900 1057 George Hirst Bogart (American, 1864-1923) Two Venice Views: Night View of San Marco and Sunset View of the Doges Palace Signed “G.H. Bogart” l.l. and l.r., respectively.

Oil on Masonite, 14 x 20 in. (35.5 x 50.8 cm), presented in period frames.

Condition: Night with flaking, abrasion, and surface grime; Sunset with varnish discoloration. $1,800-2,200

1054 Jennie Augusta Brownscombe (American, 1850-1936) Woman with a Pink Bonnet Signed “Jennie Brownscombe” l.l.

Watercolor on paper, 17 x 14 in. (43.1 x 35.5 cm), framed.

Condition: Minor foxing, toning. $400-600

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1059 American School, 19th/20th Century Arched Stone Bridge with Distant View to Mill Town Unsigned.

Oil on canvas, 12 x 24 in. (30.5 x 61.0 cm), framed.

Condition: Lined, small paint loss to c.r. edge, possible skinning. $500-700 1060 William Bartlett (American, b. 1960) Pair of Garden Views Signed and dated “W. Bartlett ‘93” l.r.

Oil on canvas, 12 x 16 in. (30.4 x 40.6 cm), framed.

Condition: Good. $500-700 1061 American School, 20th Century Neighborhood Signed “S. Roth” u.l.

Oil on Masonite, 17 1/2 x 22 in. (43.1 x 55.8 cm), framed.

Condition: Surface grime. $800-1,200 1062 Bertram George Bruestle (American, 1906-1968) Three Summer Landscapes: Red Barn, Field with Boulders, and Hilltop Trees All monogram signed “BGBruestle” l.l. or l.r.

All oil on canvas mounted to board, 8 x 10 in. (20.0 x 25.0 cm), in matching frames.

Condition: Field with scattered abrasions, others good. $1,800-2,200

1068 William Starbuck Macy (American, 1853-1945)

1073 Dong Moy Chu Kingman (American, 1911-2000)

1064 Eugene Edward Speicher (American, 1883-1962)

Nantucket Landscape Signed “W.S. Macy” l.l.

Oil on canvas, 19 x 15 in. (48.3 x 38.1 cm), framed.

Condition: Minor retouch, surface grime. $800-1,200

Sketch of Brooklyn Bridge Signed “Kingman” l.r., signed, dated “1952,” and dedicated from the artist to the Allen family along the right edge.

Watercolor on paper, sight size 14 1/2 x 21 1/2 in. (36.5 x 54.5 cm), framed.

Condition: Very small stain or similar to l.r. edge, not examined out of frame.

1069 Maurice de Vlaminck (French, 18761958)

N.B. The watercolor is double sided, with the reverse depicting an unsigned study of trees, oriented vertically. $800-1,200

The Farm, Autumn Unsigned.

Oil on canvas, 11 1/2 x 18 in. (29.2 x 45.6 cm), unframed.

Condition: Surface grime.

Provenance: Skinner, Inc., Sale 2115, Lot 233, November 17, 2001. $1,000-1,500 1065 Hillary Osborn (American, b. 1965) Beach Path (West Falmouth) Signed “osborn” l.r., dated “2008” on a label that accompanies the lot.

Oil on canvas, 30 x 42 in. (76.4 x 106.8 cm), unframed.

Condition: Good. $800-1,200 1066 Hillary Osborn (American, b. 1965) Monument Beach Signed “osborn” l.r., titled on a label that accompanies the lot.

Oil on canvas, 15 x 30 in. (38.2 x 76.2 cm), framed.

Condition: Good. $700-900 1067 Hillary Osborn (American, b. 1965) The End of Old Silver Beach Signed “osborn” l.r., signed, dated, titled, and inscribed “osborn 2001/.../ North Falmouth, Mass.” on the stretcher.

Oil on canvas, 18 x 24 in. (45.8 x 61.0 cm), framed.

Condition: Good. $500-700

Sketch of a Village Street Inscribed and signed “Hommage amicale/Vlaminck” l.c.

Ink in paper, sheet size 7 x 4 5/8 in.

(17.8 x 11.8 cm), framed.

Condition: Toning, rippling, handling creases, hinged to window mat along top edge of the recto, remnant of old mounting along bottom edge of the reverse. $800-1,200 1070 Milton Burns (American, 1853-1933) Woho, Steady Signed and dated “Burns 81” l.l., titled on the mat.

Ink and graphite on paper, sight size 10 1/2/ x 8 in. (26.6 x 20.3 cm), framed.

Condition: Not examined out of frame. $500-700 1071 Harrison Cady (American, 18771970) On the Beach, Pelican Bay Signed, dated, and titled “Harrison Cady 1939” l.r.

Watercolor on gray paper, 22 x 19 in.

(55.8 x 48.2 cm), framed.

Condition: Paper laid down on to mat, foxing, toning, mat burn to edges. $600-800 1072 Peter Helck (American, 1893-1988)

1074 Donald H. Stoltenberg (American, 1927-2016)

Fine Art online

1063 No lot.

Mauretania Signed and dated “© STOLTENBERG ’07” l.r., titled, signed, and dated on the tacking edge.

Oil on canvas, 24 x 20 in. (60.9 x 50.8 cm), framed.

Condition: Good. $700-900 1075 George Loftus Noyes (American, 1864-1954) Muddy River Olmstead Park Signed “G.L. Noyes” l.l., titled on the back of the frame.

Oil on canvas, 18 x 23 in. (45.7 x 58.4 cm), framed.

Condition: Restretched, lined, retouch, surface grime. $1,200-1,800 1076 George W. Waters (American, 18321912) View Near Oberhafen Signed and dated “G.W. Waters 1907” l.l., titled on a label affixed to the stretcher.

Oil on canvas, 17 x 28 in. (43.1 x 71.1 cm), framed.

Condition: Lined, varnish discoloration. $1,500-2,000

In-coming!

Signed “HELCK” l.r.

Mixed media on paper, sight size 19 1/4 x 31 1/2 in. (48.9 x 80.0 cm), matted, framed.

Condition: Not examined out of frame. $1,000-1,500

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87

1077 Joachim Weingart (Polish, 18951942)

1080 Ruth Payne Burgess (American, 1865-1934)

Landscape Town View Signed “Weingart” l.r.

Gouache on paper, sight size 10 x 13 in. (25.4 x 33.0 cm), framed.

Condition: Not examined out of frame. $500-700

Pinks Signed and dated “1925/Ruth Payne Burgess” u.r.

Oil on canvas, 12 x 9 in. (30.5 x 22.9 cm), framed.

Condition: Minor surface grime and craquelure. $700-900

1078 Alexandre Sacha Garbell (Latvian, 1903-1970) Déroulement X Signed “Garbell” l.r., titled on an accompanying receipt.

Oil on paper, 8 1/2 x 13 in. (21.5 x 33.0 cm), framed.

Condition: Toning.

N.B. Purchased from Galerie Farmond, Paris, in 1970. A facsimile of the sales receipt accompanies the lot and is intended to serve as a certificate of authenticity. The original will be provided to the buyer. $800-1,200 1078A Béla Kontuly (Hungarian, 1904-1983) Young Woman with a Water Jug Signed “KONTULY-” l.r.

Oil on canvas, 31 5/8 x 23 7/8 in., framed.

Condition: Subtle canvas rippling. $800-1,200

Fine Art online

1079 Peter Rolfe (American, b. 1942)

88

Poppies Signed “Rolfe” l.r.

Oil on Masonite, 12 x 16 in. (30.4 x 40.6 cm), framed.

Condition: Good. $300-500

1081 Karl André Jean (Baron) Reille (French, 1886-1974) Horses and Jockeys Heading to the Gate Signed “B.K.Reille” l.r., dedicated “A Miss Adrian...” and inscribed with the artist’s name and Paris address on the frame backing.

Watercolor on paper, sight size 12 x 18 1/4 in. (30.5 x 47.0 cm), framed.

Condition: Foxing, not examined out of frame. $1,500-2,500 1082 Michael Bergt (American, b. 1956) Family Man Signed and numbered “M.Bergt/1/15” l.r., beneath the figure’s left knee.

Bronze low relief wall sculpture with faux stone patina, 17 x 7 1/2 x 3 1/4 in.

Condition: Areas of wear to patina.

N.B. The bronze at hand was created in 1991, cast by the artist from a mold made from a polychrome decorated basswood piece titled Against the Wall. Five examples were cast, out of the edition of 15. We would like to thank Michael Bergt for his assistance identifying this piece. $700-900 1083 Jean-Louis Toutain (French, 19482008) Party Night Signed “Toutain” l.r., stamped with the artist’s signature four times on the reverse, identified on labels from Wentworth Gallery, Ltd., Miami, Florida, on the frame backing paper.

Oil on canvas, 28 1/2 x 23 1/2 in. (72.3 x 59.7 cm), framed.

Condition: Good. $1,000-1,500

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1084 Sam Barber (American, b. 1943) Through the Kitchen Window Signed “Barber” l.l.

Oil on Masonite, 48 x 36 in. (121.9 x 91.4 cm), framed.

Condition: Surface grime.

Provenance: Gift from the artist, to the current owner by family descent.

N.B. This painting depicts the kitchen window in Sam Barber’s former home on Route 6A in Cummaquid on Cape Cod. The painting was given by the artist to the family who purchased the house from him in 1982. $2,000-3,000 1085 Jean Pierre Serrier (French, 19341989) Woman in Purple Signed and dated “J.P. Serrier a Paris ‘61” Oil on canvas, 22 x 18 in. (55.8 x 45.7 cm), framed.

Condition: Small puncture at u.l. edge, surface grime. $700-900 1086 Leighton Cram (American, 18951981) Landscape with Blue Barn Signed “L.R. Cram” l.r.

Oil on Masonite, 16 x 20 in. (40.6 x 50.8 cm), framed.

Condition: Good.

Provenance: A Massachusetts estate. $800-1,200 1087 Leighton Cram (American, 18951981) Landscape with Church Steeple Signed “L.R. Cram” l.r.

Oil on Masonite, 16 x 20 in. (40.6 x 50.8 cm), framed.

Condition: Good.

Provenance: A Massachusetts estate. $800-1,200

Landscape with Purple and Green Meadows Signed “L.R. Cram” l.r.

Oil on canvas, 16 x 20 in. (40.6 x 50.8 cm), framed.

Condition: Puncture, surface grime.

Provenance: A Massachusetts estate. $800-1,200

1092 American School, 20th Century Large Abstract Composition Monogrammed “SNA” l.r. and “MHB” l.l.

Oil on canvas, unstretched, 173 x 53 in., (439.4 x 134.6 cm), unframed.

Condition: Minor craquelure, surface grime.

N.B. The work is accompanied by a stretcher and an unassembled wood frame. $800-1,200

1097 Zbiegniew Kupczynski (Polish/ Canadian, b. 1928) Abstract Composition Signed and dated “Kupczynski 1963” l.r.

Oil on canvas, 36 x 25 in. (91.4 x 63.5 cm), framed.

Condition: Three small punctures, craquelure, surface grime.

Provenance: The estate of composer Gunther Schuller, Boston. $300-500

1089 Molly Luce (American, 1896-1986) Thunder Heads Signed “Molly Luce” l.l., titled and signed or inscribed “.../Molly Luce” on the stretcher.

Oil on canvas, 12 x 9 in., (30.5 x 22.8 cm), framed.

Condition: Surface grime.

Provenance: By descent within the family of the current owner. $300-500 1090 Philippe Starck (French, b. 1949) and Cildo Meireles (Brazilian, b. 1948) Lord Yo Armchair with Decorated Slipcover Signed and dated “To ICA Boston/ Cildo Meireles/April 97” inside right edge of the slipcover.

Polypropylene, fabric, aluminum, and charcoal, 35 x 24 x 24 in. (89.0 x 61.0 x 61.0 cm).

Condition: Discoloration to fabric slipcover.

N.B. Purchased at a benefit for the Institute of Contemporary Art, Boston. $1,000-1,500 1091 After Keith Haring (American, 19581990) Eighty-two Sesame St. Animation Cels Unsigned.

Gouache on celluloid, 10 1/2 x 12 1/2 in. (26.6 x 31.7 cm), matted, unframed.

Condition: Good. $4,000-6,000

1093 Kristian Davidsson (Danish, b. 1917) Abstract Composition Signed and dated “Kristian Davidsson ‘62” l.l.

Mixed media on handmade paper, sight size 23 x 17 1/2 in. (58.4 x 44.5 cm), framed.

Condition: Not examined out of frame.

Provenance: The estate of composer Gunther Schuller, Boston. $800-1,200 1094 John Masteller (American, b. 1913) Man on Beach Signed and dated “Masteller 48” l.r., inscribed “Exhibited - “Surrealist Works” at Perls Gallery, 1948” on the reverse.

Oil on Masonite, 16 x 20 in. (40.6 x 50.8 cm), framed.

Condition: Surface grime. $600-800 1095 Tawee Nangdakwang (Thai, 19251991) Market with Boats Signed and dated “Tawee 1971” l.r.

Oil on canvas, 11 x 14 in. (27.9 x 35.5 cm), framed.

Condition: Minor canvas rippling, surface grime. $1,000-1,500 1096 John Knox Martin (American, b.

1923)

1098 John Weir Jägel (American, 19292006)

Fine Art online

1088 Leighton Cram (American, 18951981)

Remembrance of a Summer Signed “Jagel” l.l., titled, signed, and dated “...Jagel 5/60” on the stretcher.

Oil on canvas, 48 x 53 in. (121.9 x 134.6 cm), framed.

Condition: Craquelure, surface grime.

Provenance: The estate of composer Gunther Schuller, Boston.

N.B. Jägel studied with Josef Albers at Yale and was a Boston-based artist. $600-800 1099 Susana Gordon Attias (American, b. 1954) Angel Signed “ATTIAS” u.r., signed, dated, titled, and inscribed “Susana Gordon Attias/NYC 2012/Title ANGEL/...” on the reverse.

Acrylic on canvas, 47 x 75 1/2 in.

(119.4 x 191.8 cm), unstretched, unframed.

Condition: Good. $400-600 1100 Ibarra Dela Rosa (Filipino, 19431998) Abstract Trees and Hills Signed and dated “IBARRA/1985” l.r.

Gouache on paper, 11 x 19 3/4 in.

(28.0 x 50.2 cm), unframed.

Condition: Good. $700-900

Study in Color Signed and dated “KNOX MARTIN 1970” l.l.

Acrylic on paper, 41 1/2 x 18 1/2 in.

(105.4 x 46.9 cm), unframed.

Condition: Minor wear to the edges of sheet. $600-800

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89

1101 David Stern (American, b. 1956) Self Portrait Unsigned on the recto, identified and dated “2/19/97” on a label from Rosenberg & Kaufman Fine Art, New York, affixed to the frame backing Mixed media on paper, 29 3/4 x 22 in.

(75.5 x 56.0 cm), framed.

Condition: Rippling, not examined out of frame. $700-900 1102 Taro Yamamoto (Japanese/ American, 1919-1994) Two Abstract Compositions: Black on Red Background and Black on White Background Red dated “Jan 59” l.r., White signed “T. Yamamoto” l.r.

Oil and sand on paperboard, 10 7/8 x 9 in. (25.3 x 22.8 cm), framed.

Condition: Very minor losses to some corners, White with possible stain to u.r. corner, not examined out of frames. $1,000-1,500 1103 Garabed Der Hohannesian (American, 1908-1992)

Fine Art online

Crystal Forms Signed and dated “GARABED DER HOHANNESIAN ‘55” l.r., titled, numbered “#269” and dated “1955” in an inscription and on a label, respectively, both on the frame backing paper.

Ink and gouache on paper, sight size 15 3/4 x 11 3/4 in. (40.0 x 29.8 cm), framed.

Condition: Crease or similar to u.l. quadrant, subtle rippling, not examined out of frame.

90

N.B. The Museum of Fine Arts, Boston, currently has eleven paintings

by Der Hohannesian in its collection, and the Addison Gallery of American Art, Andover, Massachusetts, holds six. $800-1,200

End of Sale 2907T

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Artist Index Lots 1-121: 2895B; Lots 200-410: 2896B; Lots 1000-1103: 2907T

Abbott, Berenice ...................................94, 95

Braque, Georges ...................................49, 50

Dine, Jim ...........................................58, 1015

Abright, Ivan Le Lorraine ......................... 1000

Bravo, Manuel Álvarez ............................... 103

Dolph, John Henry .................................... 267

Adams, Ansel ............................107, 108, 115

British or French School, 18th Century ........ 231

van Dongen, Kees ..................................... 324

Adamson, Robert .................................... 1030

British School, 18th Century ..........1042, 1043

Dufy, Raoul ............................................... 379

Adriaenssen, Alexander ............................. 201

British School, 19th/20th Century ............. 233

Dürer, Albrecht ..........................................3, 4

Alexander, Clifford Grear ........................... 251

Brown, George Loring ............................... 214

Dutch School, 17th Century ...................... 203

Altamura, Alessandro (Attributed to) .......... 234

Brown, John Appleton ..............240, 260, 263

Dutch School, 19th Century .................... 1049

Amat, Frederic ......................................... 1012

Browne, George Elmer .............................. 314

Duveneck, Frank (Attributed to) ................. 331

American School, 19th/20th Century..... 329, 1059

Brownscombe, Jennie Augusta ............... 1054

American School, 20th Century .........252, 376

Bruestle, Bertram George ........................ 1062

..................................1032, 1039, 1061, 1092

de Buel, Frans ......................................... 1052

Enneking, John Joseph ............................. 283

Anglo/American School, 19th Century ...235, 1053

Burgess, Ruth Payne .............................. 1080

Ericson, Johan .......................................... 302

Anglo/American School, 19th/20th Century .... 241

Burns, Milton ........................................... 1070

Erni, Hans ............................................... 1016

Anisfeld, Boris ...................................372, 393

Eisenstaedt, Alfred ...................................... 93

Estes, Richard .......................................59, 60

Anuszkiewicz, Richard .................44, 45, 1013

Cadmus, Paul ........................................... 325

Appel, Karel ................................................. 46

Cady, Harrison ........................................ 1071

Evans, Walker ...................................111, 112

Ardon, Mordecai ....................................... 371

Caffè, Nico ................................................ 388

Faurer, Louis ............................................... 96

Attias, Susana Gordon ............................ 1099

Calder, After Alexander ............................... 54

Feininger, Lyonel ...................61, 62, 380, 381

Camus, Blanche Augustine ....................... 310

Fink, Aaron ........................109, 406, 407, 409

Bakst, Léon ............................................... 319

Caponigro, Paul ........................................ 113

Fischhof, George ..................................... 1050

van Balen the Elder, Hendrik ..................... 207

Casciaro, Giuseppe ................................... 303

Fischl, Eric ................................................... 63

Bali, Hans Snel .......................................... 395

Cassatt, Mary ........................................25, 26

Fitzgerald, James .............................. 365–367

Banks, Allan .............................................. 273

Castiglione, Giovanni Benedetto .................... 1

Foujita, Léonard Tsuguhara ........................... 5

Barber, Sam ............................................ 1084

Cathelin, Bernard .................................... 1014

Frangiamore, Salvatore .............................. 224

Baril, Tom ................................119, 120, 1040

Chagall, Marc ......................................55, 320

French School, 18th Century .............204, 208

Barlach, Ernst .............................................. 47

Chahine, Edgar ............................................. 2

French School, 19th Century .........1041, 1045

Barnet, Will .................................................. 48

Chelmonski, Josef ................................... 1051

French School, Early 19th Century ............ 229

Bartlett, William ....................................... 1060

Citron, Minna Wright ................................... 27

Frère, Pierre Édouard ................................ 225

Baskin, Leonard ........................................ 347

Connor, Linda ........................................... 118

Fukushima, Tikashi ............................401, 403

Bedia, José .............................................375A

Constant, George Zachary ........................ 391

Beetholme, George Law ............................ 218

Continental School, 18th/19th Century ...... 220

Gag, Wanda .............................................. 342

Bendre, Narayan Shridhar .................307, 308

Continental School, 19th Century ............ 1048

Garbell, Alexandre Sacha ................364, 1078

Beneker, Gerrit Albertus ............................ 334

Continental School, 19th/20th Century ...... 311

Gardner, Derek George Montague .... 358–360

Benson, Frank Weston ...... 16–23, 1001–1003

Cook, Howard Norton ................................. 28

Gohlke, Frank ............................................ 121

Benton, Thomas Hart .................................. 24

Corot, Jean-Baptiste-Camille (School of).....1056A

Golinkin, Joseph Webster ........................... 29

Bergt, Michael ......................................... 1082

Cram, Leighton ............................. 1086–1088

Berman, Eugene ....................................... 315

Goncharova, Natalia Sergeevna ................ 317 Goodwin, Arthur Clifton .....................290, 292

Berrocal, Miguel Ortiz ................................ 390

Dalí, Salvador ........................................56, 57

..................................................296, 338, 339

Bertoia, Harry ............................................ 398

Dallin, Cyrus Edwin ................................... 261

Goya y Lucientes, Francisco José .............6, 7

Binet, George Jules Ernest ........................ 344

Daudin, Henri Charles ............................... 328

Graham, Dan ........................................... 1035

Birney, William Verplanck .......................... 230

Davidsson, Kristian .................................. 1093

Grant, Gordon ........................................... 243

Black, Olive Parker .................................... 262

Davis, Charles Harold ................................ 265

Griffin, Walter ............................................. 300

Bloemaert, Abraham (School of) ................ 209

Dela Rosa, Ibarra .................................... 1100

Gruppé, Emile A. ............... 278, 280–282, 285

Bogart, George Hirst ............................... 1057

Delacroix, Michel ....................................... 295

Bonnard, Pierre ......................................... 382

Delance, Paul ............................................ 309

Hagedorn, Edward .................................. 1017

Boudin, Eugène ......................................... 304

Der Hohannesian, Garabed .............377, 1103

Hale, Lilian Coleman Westcott ................... 333

Braque, Georges (After) ..........................51-53

Derain, André .................................... 321–322

Haring, Keith (After) ................................. 1091

9191

Noyes, George Loftus ............................. 1075

Hart, Frederick .......................................... 355

Lawson, Ernest ......................................... 286

Hassam, Childe ........................................... 30

Le Brocquy, Louis ....................................... 69

Hayter, Stanley William ................................ 64

Leisser, Martin B. ...................................... 258

Ommeganck, Balthasar Paul (Attributed to)... 1046

Heade, Martin Johnson ............................. 269

Lely, Peter (School of) ............................... 211

Osborn, Hillary ............................... 1065–1067

van Heemskerck, Maarte (School of) ......... 213

Lewis, Edmund Darch ............................... 255

Helck, Peter ............................................ 1072

Lichtenstein, Roy ......................................... 70

Pappe, Carl Lewis ..................................... 374

Helsby, Alfredo .......................................... 312

Lie, Jonas .................................................. 288

Parker, Catherine Esther Burchfield ........... 369

Henri Matisse (After)..................................... 72

Ligtelijn, Evert Jan ..................................... 226

Parker, John Adams .................................. 249

Herbel, Charles (Attributed to) ................... 212

Lindenmuth, Tod ......................................... 32

Parks, Gordon ........................................... 102

Hibbard, Aldro Thompson ......................... 279

Longo, Robert ........................................... 405

Pascin, Jules ............................................... 10

Higgins, George Frank .............................. 250

Luce, Molly .............................................. 1089

Perez, Bartolomeo (Attributed to) .............. 202 Perry, Lilla Cabot ..................................... 1055

Hill, David Octavius ................................. 1030

Peterson, Jane ..................................313, 346

Hills, Laura Coombs ..........................336, 337

Maccari, Mino ........................................... 354

Hirst, Damien .............................................. 65

Maclet, Élisée ..................................381A, 383

Phelps, William Preston ............................. 253

Holy, Adrien ............................................... 351

Macy, William Starbuck ........................... 1068

Picasso, Pablo ......................................81, 82

Horemans, Peter Jacob ............................ 206

Maingot, Rosalind ....................................... 92

Pillement, Jean-Baptiste (Attributed to) ...... 217

Howard, Marion P. ............................274, 275

Malicoat, Philip Cecil ................................. 368

Pinto, Salvatore ....................................... 1006

Hunt, Peter ................................................ 392

Marin, John ................................................. 33

Pissarro, Camille ........................................ 323

Marini, Marino ............................................. 71

Porter, Eliot .............................105, 106, 1033

Icart, Louis .................................................... 8

Marsh, Reginald .......................................... 34

Prentice, Levi Wells ................................... 270

Indiana, Robert ........................................ 1018

Marshall, Jim ............................................. 110

Priest, Terri ........................................408, 410

Italian School, 18th Century ...................... 210

Martin, John Knox ................................... 1096

Italian School, 19th Century ...................... 205

Masteller, John ........................................ 1094

Jackson, William Henry ............................... 90

Raffaëlli, Jean François ............................ 1011

Matta, Roberto (After) .................................. 74

Rauschenberg, Robert ................................ 83

Matta, Roberto ............................................ 73

Redon, Odilon ............................................. 11

Jägel, John Weir ..................................... 1098

Maurer, Alfred ...................................384, 385

Reid, Robert .............................................. 298

Japanese School, 19th Century .............. 1029

Mazur, Michael ........................................ 1021

Reille, Karl André Jean (Baron) ................ 1081

Johnson, Lester F. ...................................... 66

McCrady, John ............................................ 35

Reinhardt, Ad .......................................... 1018

Jones, Francis Coates (Attributed to) ......... 216

McGary, Dave ...................................361, 363

Resnick, Milton .......................................... 399

Meireles, Cildo ......................................... 1090

Riggs, Robert .............................................. 36

Kádár, Béla (Attributed to) ......................... 373

Meucci, Michelangelo ................................ 222

Rolfe, Peter ............................................. 1079

Kahn, Wolf .............................................. 1019

Miche, Georges ......................................... 219

Rothstein, Arthur ...................................97, 98

Kaula, William Jurian ................................. 271

Miller, Charles Henry ................................. 256

Rouault, Georges ........................................ 12

Kayafas, Gus ............................................. 117

Millett, William ............................................ 294

Roy, Jamini ............................................... 394

Keith, William ............................................. 259

Miró, Joan .............................................75, 76

Rubin, Reuven ........................................... 370

Kelly, Ellsworth ............................................ 67

Mones, Arthur ......................................... 1038

Kent, Rockwell ............................................ 31

Monet, Claude ........................................... 326

Samaras, Lucas ...................................... 1024

Kever, Jacob Simon Hendrik ..................... 228

Moore, Henry .............................................. 77

Sarkisian, Paul ........................................... 404

Kingman, Dong Moy Chu ........................ 1073

Morland, George ....................................... 215

Schelfhout, Andreas .................................. 221

Knight, Daniel Ridgway ............................. 236

Morris, Wright .............................................. 99

Schmid, Erich ............................................ 350

Knight, Louis Aston ................................. 1056

Motherwell, Robert ................................78, 79

Schrimpf, Georg ........................................ 341

Kobzdej, Aleksander ................................. 397

Mundaray, Ismael ....................................391A

Searle, Ronald ...................................386, 387

Kontuly, Béla .........................................1078A

Musin, Auguste Henri ................................ 246

Seifert, Alfred ............................................. 232 Senanyake, Senaka ................................... 396

Koppel, Svend ............................................... 9 Krims, Les ............................................... 1037

Nangdakwan, Tawee ............................... 1095

Serrier, Jean Pierre .................................. 1085

Kronberg, Louis ......................................... 340

Nash, Paul ................................................... 80

Shapleigh, Frank Henry ............................. 254

Kuniyoshi, Yasuo ....................................... 378

Neiman, LeRoy ..............................1022, 1023

Shearer, Christopher High ......................... 248

Kupczynski, Zbiegniew ............................ 1097

Nevelson, Louise Berlianwsky ................... 389

Sheppard, Warren W. ............................... 237

Newman, Arnold ....................................... 101

Sherrod, Philip ........................................... 353

Labisse, Félix ........................................... 1020

Nichols, Dale ........................................... 1005

Sherwood, Rosina Emmet ......................... 266

Lam, Wifredo ............................................... 68

Noggle, Anne .......................................... 1036

Signorini, Giuseppe ................................... 223

Laurencin, Marie ............................1009, 1010

Norton, William Edward ............................. 289

Silva, Francis Augustus ............................. 242

92

Simbari, Nicola ......................................84, 85

Whistler, James Abbott McNeill ..... 37–40, 1008

Siskind, Aaron (Attributed to) ..................... 100

Whitney, Joel Emmons ............................ 1028

Sloan, John ............................................... 276

Whorf, John ......................291, 299, 305, 306

Smythe, Lionel Percy ................................. 297

Wiggins, Guy Carleton ............................... 293

Snowden, Mary Louise (M.L.) ............356, 357

Williams, William Thomas ............................ 88

Sonntag, William Louis .............................. 257

Wolton, Alan .............................................. 277

Soyer, Raphael ........................................ 1007

Wood, Grant ..........................................41-43

Spada, Costantino ............................349, 375

Woodward, Mabel May ........................... 1058

Spader, William Edgar ............................... 332

Wou-Ki, Zao ................................................ 89

Spanish School, 16th Century ................. 1044 Speicher, Eugene Edward ....................... 1064

Yamamoto, Taro ..................................... 1102

Starck, Philippe ....................................... 1090 Steele, Zulma ............................................ 264

Van Zandt, William C. .............................. 1047

Stella, Frank ......................................86, 1025

Ziem, Félix ................................................. 239

Stern, David ............................................ 1101

Zóbel, Fernando ...................................... 1027

Stevens, William Lester ............................. 272

Zorach, William .......................................... 348

Stewart, Julius LeBlanc ............................. 345

Zorn, Anders ............................................... 15

Stidham, Mike ........................................... 362 Stieglitz, Alfred ............................................ 91 Stoltenberg, Donald H. ............................ 1074 Stozharov, Vladimir Fedorovich ................. 301 Strautmanis, Edvins ................................... 400 Sudek, Josef ............................................. 114 Sully, Thomas (Attributed to) ..................... 268 Sultan, Donald ............................................. 87 Tarbell, Edmund Charles ........................... 330 Tchelitchew, Pavel .............................316, 318 Teniers II, David (School of) ....................... 200 Thieme, Anthony ....................................... 284 Tobey, Mark ............................................ 1026 Toutain, Jean-Louis ................................. 1083 Troyon, Constant ...................................... 227 Tyler, James Gale ...................................... 244 Valadon, Suzanne .................................13, 14 Valenkamph, Theodore Victor Carl ............ 245 Valtat, Louis .............................................. 327 Van Der Zee, James ................................ 1031 Vedova, Emilio .............................. 366A, 369A Vlaminck, Maurice de ....................310A, 1069 Vytlacil, Vaclav ........................................... 352 Walker, Horatio ......................................... 335 Walters, Josephine (Attributed to) .............. 247 Waters, George W. ................................. 1076 Way, John ................................................. 402 Weeks, Edwin Lord ................................... 238 Wei Letang ................................................ 402 Weill, Edmond ........................................... 287 Weingart, Joachim .................................. 1077 Weston, Brett .......................................... 1034

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Conditions of Sale 1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot.

2. All property is sold “as is,� and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability.

3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot for sale. The auctioneer shall have sole discretion to refuse any bid, or refuse to acknowledge any bidder. Any bidder that plans on spending in excess of $100,000 should make arrangements with the accounting department at least five (5) days in advance of the sale, as a deposit may be required to participate.

4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of the date of sale.

Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If any property has not been removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three days, and/or (b) Skinner Inc. may place the merchandise in a subsequent auction, without Reserve, to be sold to the highest bidder, and after deducting the standard commission and any additional charges that may apply, remit the proceeds to the purchaser.

5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank.

The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases.

6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all items for which it was the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without limitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchaser’s breach, and/or (b) offering at public auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation to pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale.

7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such purchaser for such item.

8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within the United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute cancellation or delay in payment for the total purchase price of these lots.

9. Sales in Massachusetts, Florida, and New York are subject to the respective current sales taxes. Dealers, museums, and other qualifying parties may be exempt from sales tax upon submission of proper documentation.

10. A premium equal to 23% of the final bid price up to and including $100,000, plus 20% of the final bid price from $100,001 up to and including $1,000,000, plus 12% of the final bid price from $1,000,001 and over will be applied to each lot sold, to be paid by the buyer as part of the purchase price.

11. Bidding on any item indicates your acceptance of these terms and all other terms printed within, posted, and announced at the time of sale whether bidding in person, through a representative, by phone, by Internet, or other absentee bid.

12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalog. The copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this catalog, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our prior written consent.

13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or choice of law).

The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any federal court sitting therein. The bidder/buyer consents to the exclusive jurisdiction of such courts and waives objections that it may now or hereafter have to the venue of any such suit.

Revised January 21, 2015

95

96

Wyeth and Thoreau

Private Collection; Used by permission of Houghton Mifflin Harcourt Publishing Company

Inspired Art from Inspired Thought

Twelve paintings created to illustrate Thoreau’s Men of Concord reunited for the first time in nearly 80 years on exhibit through September 18

Thoreau Fishing, by N. C. Wyeth

Keynote Lecture • Tuesday, May 10 “Revisiting N. C. Wyeth’s Revisiting Walden Pond ” Christine Podmaniczky, Curator of N. C. Wyeth Collections at the Brandywine River Museum of Art Lecture sponsored by Skinner, Inc.

www.concordmuseum.org

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20th Century Design

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Jane D. Prentiss

Carly Babione

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Kyle Johnson

508.970.3253

Melanie Trottier-Mitcheson

Stephen L. Fletcher Richard Albright

discovery@skinnerinc.com

John Deighton

508.970.3202

Karen M. Keane

American & European Paintings & Prints

Andrew Payne

Robin S.R. Starr Elizabeth C. Haff Michelle Lamunière

Executive Management

Martina Tanga paintings@skinnerinc.com 508.970.3206

Karen M. Keane

Stephen L. Fletcher Chris Barber Christopher D. Fox americana@skinnerinc.com

Chief Financial Officer Don Kelly

Executive Vice President

Stuart G. Slavid Stephanie Opolski Gwendolyn L. Smith european@skinnerinc.com 508.970.3203

American Furniture & Decorative Arts President/Chief Executive Officer

European Furniture & Decorative Arts

Historic Arms & Militaria Joel Bohy militaria@skinnerinc.com 508.970.3215

508.970.3200

Jewelry American Indian & Ethnographic Art

Victoria Bratberg

Douglas Deihl

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indian@skinnerinc.com

Kaitlin Shinnick

Stephen L. Fletcher

508.970.3254

jewelry@skinnerinc.com

Managing Director

Antique Motor Vehicles

Marie Keep

617.874.4313

Jane D. Prentiss antiquemotorvehicles@skinnerinc.com 508.970.3253

Kerry Shrives Stuart G. Slavid

Asian Works of Art Judith Dowling Helen Eagles Suhyung Kim

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Gloria Lieberman

508.970.3216

Devon Eastland

rugs@skinnerinc.com

508.970.3293

508.970.3247

Photographs

Robin S.R. Starr

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Michelle Lamunière

Stuart G. Slavid

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ceramics@skinnerinc.com

508.970.3264

508.970.3203

Western Massachusetts:

Silver

George Thomas Lewis

Clocks, Watches & Scientific Instruments

413.727.2721 glewis@skinnerinc.com

Robert C. Cheney Jonathan Dowling

New York: Katie Banser-Whittle

Paul Dumanowski

212.787.1114 kbanser-whittle@skinnerinc.com

clocks@skinnerinc.com 508.970.3201

305.503.4423 florida@skinnerinc.com

music@skinnerinc.com

Lawrence Kearney

Jane D. Prentiss

Florida: April L. Matteini, G.G.

Adam Tober

Oriental Rugs & Carpets

books@skinnerinc.com

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Carol McCaffrey

L. Emerson Tuttle

judaica@skinnerinc.com

508.970.3263

Victoria Bratberg Eric Jones

Kerry Shrives 508.970.3256

Senior Vice Presidents Marie Keep

Judaica

Stuart G. Slavid silver@skinnerinc.com 508.970.3203

Wine, Whisky & Ale Marie Keep Joseph Hyman Anna Ward finewines@skinnerinc.com

Maine: Bruce Buxton 207.772.6979 bbuxton@mainerr.com

98

508.970.3296

Auction Services Consignments

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Appraisal & Auction Services LaGina Austin Christine E. Finn Katie Fitzgerald Rachel Kingsley Elizabeth Zwicker

Exhibitions & Property Boston:

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Laura V. Sweeney

L. Emerson Tuttle

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508.970.3204

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Marlborough: Warehouse Frederic Trottier 508.970.3209 Samatha Heighton

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Skinner Online

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508.970.3252

Receptionist Lindsay White 508.970.3000

Daniel Bar Judie Ochsner Lizz Webber

Transportation

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Eric Jones

Accounting

508.970.3279

508.970.3229

Denise Johnson 508.970.3269

Absentee & Telephone Bidding

William Madden

Boston: 617.874.4318

508.970.3266

Marlborough: 508.970.3211

Auctioneers

Discovery: 508.970.3208 Kevin Rota

Chris Barber, John Colasacco,

508.970.3283

Stephen L. Fletcher, Karen M. Keane, Marie Keep, Jessica R. Lincoln, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr, Laura V. Sweeney

63 Park Plaza Boston, MA 02116 617.350.5400 Fax 617.350.5429

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99

Directions to Skinner’s Boston Gallery/63 Park Plaza, Boston, MA 02116 617.350.5400 From the West: Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel. Once on the exit ramp, stay in the right hand lane and follow the signs for Copley. The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto Charles Street South. Take your first left off of Charles St. South onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From the South: Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station. Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza.

Skinner is at 63 Park Plaza, one block up on the right.

From Logan Airport: Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From the North: Take I-93 South towards Boston. Take exit 26 towards Storrow Drive.  Merge onto MA-28 South via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza.

100

Absentee Bid Form Sale Title

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check if change in address

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I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as a convenience, and will not be held responsible for any errors or failure to execute bids. I understand that my bids are executed and accepted as per Conditions of Sale as printed in the catalog of this sale.

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FOR OFFICE USE Marlborough

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Fax

274 Cedar Hill Street Marlborough, MA 01752 508.970.3000 Fax 508.970.3100

Employee:

www.skinnerinc.com

Catalog Subscription Form Prices effective January 28, 2016. Catalog subscription price includes quarterly brochure.

Subscription effective one year from date processed. No refunds for previous subscriptions. Renewal notice will be sent one month prior to expiration.

Subscriptions do not include Discovery, Estates, and other special sales. Post-auction prices are available online at www.skinnerinc.com

Please check the appropriate boxes:

U.S. and Canada

Quarterly Brochure (Included with catalog subscription)

No charge

Foreign (USD only)

No charge

American Furniture & Decorative Arts

$105

$200

European Furniture & Decorative Arts

$140

$270

American & European Paintings & Prints (two books)

$105

$200

Fine Jewelry

$140

$270

20th Century Design

$70

$135

Asian Works of Art

$105

$200

Fine Oriental Rugs & Carpets

$70

$135

American Indian & Ethnographic Art

$70

$135

Fine Books & Manuscripts

$70

$135

Historic Arms & Militaria

$70

$135

Fine Musical Instruments

$70

$135

Clocks, Watches & Scientific Instruments

$70

$135

Fine Wines, Ales & Spirits

$70

$135

All Above Departments

$900

$1725

Subtotal

MA residents 6.25% sales tax

Total

MasterCard/VISA #

Exp. Date

Signature

Check enclosed

Name

Business Name

Mailing Address City email address

State

Zip Tel: (

)

Please enclose payment with subscription form and mail or fax to: Skinner, Inc., Subscription Department, 274 Cedar Hill Street, Marlborough, MA 01752 508.970.3100 For questions or single catalog purchase information please contact subscriptions@skinnerinc.com

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