American & European Works of Art | Skinner Auction 3100B by Bonhams Skinner

American & European Works of Art Sale 3100B | May 11, 2018 | Boston

American & European Works of Art

Specialists

Robin S.R. Starr

Elizabeth C. Haff

Department Director 508.970.3259

508.970.3258

Michelle LamuniĂ¨re

Kathleen M. Leland 508.970.3297

508.970.3264

Department Inquiries: 508.970.3206

Auction Information Auction 3100B

Preview

Absentee Bidding

Friday, May 11

Wednesday, May 9 12 to 5PM

T: 617.874.4318 F: 617.350.5429

Fine Prints, Multiples & Photographs, 10AM Fine Paintings & Sculpture, 2PM 63 Park Plaza Boston, MA

Thursday, May 10 12 to 8PM

General Inquiries 617.350.5400

Also on preview are lots from sale 3108T, Walker Evans Photographs from the Harry Lunn Gallery online

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View all lots online at www.skinnerinc.com cover : 387 ; interior front cover : 18 interior back cover : 418 ; back cover : 129

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Lot 399: Mario Dal Fabbro (Italian, 1913-1990), The Flame, ebonized wood, height 18 3/4 in.

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Table of Contents 1

Auction & Specialist Information

Online Bidding

Walker Evans Photographs online Event Announcement

Provenance

Glossary of Terms

Prints, Multiples & Photographs: Lots 1–139

Paintings & Sculpture: Lots 200–423

170

Artist Index

172

Conditions of Sale

173

Absentee Bid Form

174

Company Directors & Specialty Departments

175

Administrative Staff & Client Services

Please Note: All lots sold subject to our Conditions of Sale. Please refer to page 172 of this catalog for the full terms and conditions governing your purchase.

â&#x20AC;&#x153;Walker Evans Photographs from the Harry Lunn Galleryâ&#x20AC;? A Lecture by Belinda Rathbone May 9, 2018 | 63 Park Plaza, Boston, MA | held in conjunction with sale 3108T Reception 5PM | Lecture 6PM

reservations are requested: events@skinnerinc.com

Belinda Rathbone is a biographer and photography historian. She is the author of the first and only complete biography of Walker Evans, published by Houghton Mifflin in 1995. She is also co-author, with Clark Worswick, of Walker Evans: The Lost Work. Her other publications include American Dreams: A Survey of American Photography, for the Spanish Ministry of Culture, The Guynd: A Scottish Journal, and The Boston Raphael. She is currently working on a biography of the American sculptor George Rickey. Photo credit: S.A. Chrobak

Provenance Collection of Judge Jon Tom Staton, Edmond, Oklahoma Collection of Roland E. Hill, by family descent Collection of Nelson C. White, Waterford, Connecticut Collection of Dr. Richard Newman By descent within the family of Frank Weston Benton By descent within the family of Paul A. Putzki, Washington, DC By descent within the family of John Charles Harris, St. Louis A Maine Estate Estate of Richard E. Anderson, New York, New York/Redding, Connecticut Estate of Carol J. Ferranti, New York Estate of George Wachsteter, Maine Estate of Wayne Morrell, Massachusetts Estate of Frimi Sagan, Massachusetts Private Collections in California and Massachusetts A Massachusetts Educational Institution

Glossary of Terms All items in this catalog are described according to the following table of terminology. Please note that all statements in this catalog as to authorship, period, and origin are qualified statements subject to the Conditions of Sale.

Authorship will be described in the following ways: John Joseph Enneking In our judgment, the work is by the artist. Attributed to John Joseph Enneking In our judgment, the work may be ascribed to the artist on the basis of style, but leaves some question as to actual authorship. School of John Joseph Enneking In our judgment, a work of an unknown follower executed in the style of the artist and contemporary in period. Manner of John Joseph Enneking In our judgment, a work executed in the style of the artist by an unknown hand and probably from a later period. After John Joseph Enneking In our judgment, an intended copy of the work of the artist. American School, 19th Century In our judgment, the work of an unknown hand that can only be identified as to period and culture.

Other terms: Bears signature In our judgment, the signature not of the artist. This term is generally used separately, or together with a description of the work as “attributed to,” “school of,” “manner of,” or “after” the artist.

Measurements are given as height x width and refer to the size of the support unless otherwise indicated.

Fine Prints, Multiples & Photographs Lots 1-139 to be sold Friday, May 11, 10AM

1 Ernst Barlach (German, 1870-1938) Three Lithographs from Der Arme Vetter: Ungleiches Paar I, Ungleiches Paar II, and Schlechtes Gewissen III, 1919, edition of 300, published by Paul Cassirer, Berlin (Schult, 119, 120, and 143). Each signed “EBarlach” in pencil l.r. Lithographs with hand-coloring on paper, image sizes approximately 10 1/2 x 13 1/2 in. (26.5 x 34.2 cm), framed. Condition: Toning, unobtrusive mat burn, not examined out of frames. $400-600

2 Max Beckmann (German, 1884-1950) Der Neger, plate 6 from the portfolio Der Jahrmarkt, 1921, edition of 75, published by Marées Gesellschaft, R. Piper & Co, München (Hofmaier, 196Bb). Signed “Beckmann” in pencil l.r., publisher’s dry stamp l.r. Drypoint on cream laid Japan paper, plate size 11 1/2 x 10 1/8 in. (29.2 x 25.5 cm), framed. Condition: Gentle rippling, sheet toning within margins, handling marks and creases to corner of margin l.l., pencil annotations to verso. $3,000-5,000

3 Conrad Felixmüller (German, 1897-1977) Arbeiterpaar (Ehepaar Schnabel), 1920, edition of 125, published in Die Schaffenden (Söhn, 220b). Signed “Felixmüller” in pencil l.r., monogrammed within the plate, publisher’s dry stamp l.l. Etching in sienna ink on paper, plate size 11 3/8 x 10 3/4 in. (28.8 x 27.3 cm), framed. Condition: Deckled edges to two sides, minor handling creases, floated within the frame, not examined out of frame. $1,500-2,000 4 Léonard Tsuguharu Foujita (French/ Japanese, 1886-1968) Two Plates from A Book of Cats: Chat endormie allongé (Aholiba) and Untitled, 1929, edition of 500, published in 1930 by Covici-Friede, New York (Buisson, II.30.127). Signed and dated within the matrix. Collotypes on paper, image sizes approximately 7 3/4 x 10 1/4 in. (19.5 x 26.0 cm), framed. Condition: Toning, not examined out of frames. $700-900 3

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5 George Grosz (German/American, 1893-1959)

Früh um 5 Uhr!, from Im Schatten, 1920-21, edition of 100, published by Malik-Verlag, Berlin (Dückers, MIV7). Signed “GROSZ” in pencil l.r. Photolithograph on cream paper, image size 14 3/4 x 10 7/8 in. (37.5 x 27.4 cm), framed. Condition: Several fox marks, not examined out of frame. N.B. Typical of his biting commentary on society in Weimer Germany, Grosz contrasts a line of poor factoryworkers shuffling to work at 5:00 am along the top of his composition, while below, wealthy businessmen are still reveling with prostitutes and alcohol. $800-1,200

6 Erich Heckel (German, 1883-1970) Geschwister, 1913, from the portfolio Elf Holzschnitte, edition of 40, published in 1921 by J.B. Neumann, Berlin (Dube, H260IIB). Signed and dated “ErichHeckel 13” in pencil l.r. Woodcut on paper, image size 16 1/2 x 12 1/4 in. (41.8 x 31.0 cm), framed. Condition: Margins over 1 inch, not examined out of frame. $3,000-5,000

7 Erich Heckel (German, 1883-1970)

Die Tote, 1912, published in 1919-20, total edition of 125 (Dube, H247IIB). Signed and dated “ErichHeckel 19” in pencil l.r., dry stamp “DIE SCHAFFENDEN” l.l. Woodcut on paper, image size 9 7/8 x 11 11/16 in. (25.0 x 29.5 cm), framed. Condition: Deckled edges, minor crimp to lower edge, pencil annotations l.l., minor soiling to corners of margins, floated within the mat, not examined out of frame. $1,500-2,500

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8 Augustus Edwin John (British, 1878-1961) A Man Seated by a Camp Fire, 1910, edition probably of 50 (Dodgson, 132). Signed “Augustus E John” in pencil l.r. Etching on laid paper, plate size 4 1/16 x 6 in. (10.3 x 15.2 cm), matted, unframed. Condition: Deckled lower edge, light staining, pale toning and foxing, more prevalent toning to verso, pencil annotations to lower margin, breaks to paper fibers along plate mark. $300-500

9 Oskar Kokoschka (Austrian, 1886-1980) Die Griechin, 1921, edition of 100 (Wingler/ Welz, 146). Signed “OKokoschka” in pencil l.r., numbered “32/100” in pencil l.l. Lithograph on paper, image size 27 x 19 1/2 in. (68.5 x 49.5 cm), framed. Condition: Several pale stains or fox marks, not examined out of frame. $250-350

10 Max Liebermann (German, 1847-1935) Simson und Delila, 1906, published by Bruno Cassirer, Berlin, 1909 (Schiefler, 55b). Signed “MLiebermann” in pencil l.r. Etching and drypoint on paper, plate size 8 1/2 x 11 1/4 in. (21.4 x 28.4 cm), framed. Condition: Gentle rippling, not examined out of frame. $300-500

11 Jean-François Millet (French, 1814-1875) Les bêcheurs, 1855-56, final state of four (Delteil, 13; Melot, 13). Unsigned, printer identified within the matrix, identified on a label from Arthur H. Hahlo & Co., New York, affixed to the backing. Etching printed in brown/ black on paper, plate size 9 1/2 x 13 3/8 in. (24.0 x 33.8 cm), framed. Condition: Toning, pale foxing and/or staining, not examined out of frame. $500-700

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12 Edvard Munch (Norwegian, 1863-1944) Den tykke horen (The Fat Whore), 1899 (Schiefler, 131; Woll, 154III). Signed â&#x20AC;&#x153;E Munchâ&#x20AC;? in pencil l.r., identified on a label from Peter H. Deitsch, New York, affixed to the backing. Color woodcut on buff paper, image size 9 15/16 x 7 3/4 in. (25.1 x 19.4 cm), framed. Condition: Margins 3 1/2 inches or more, toned, light and water staining (visible almost exclusively in margins), Japan hinges to upper corners on verso plus old hinges to right edge on verso. $20,000-30,000

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13 Odilon Redon (French, 1840-1916)

Il y eut peut-être une vision première essayée dans la fleur, plate 2 from Les origines, 1883, outside of the edition of 25, printed by Lemercier & Cie., Paris (Mellerio, 46). Signed within the matrix, inscribed “unique épreuve sur blanc - 2eme planche” in pencil and with unidentified collector’s mark l.l. Lithograph on paper, image size 8 7/8 x 7 1/8 in. (22.4 x 17.9 cm), framed. Condition: Foxing, pinhole to margins at each corner of the image, glue/residue to verso, handling and other subtle creases. N.B. Mellerio states “l’oeil fleur a été tiré en outre à un exemplaire unique sur papier blanc” which seems to describe this impression. $5,000-7,000

14 Karl Schmidt-Rottluff (German, 1884-1976) Die heiligen drei Könige, 1917, edition of 75 (Schapire, H196). Signed “S.Rottluff” in pencil l.r., inscribed “172” in pencil l.l., dated within the block. Woodcut on paper, image size 19 11/16 x 15 1/4 in. (50.0 x 38.6 cm), framed. Condition: Not examined out of frame. $5,000-7,000 15 Karl Schmidt-Rottluff (German, 1884-1976) Kleine Prophetin, 1919, from Das Graphische Jahrbuch (Schapire, H253). Unsigned. Woodcut on paper, image size 7 1/8 x 4 5/8 in. (18.0 x 11.6 cm), framed. Condition: Not examined out of frame. $400-600

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16 Henri de Toulouse-Lautrec (French, 18641901) Le Photographe Sescau, 1894 (Wittrock, P22B; Adriani, 60ii/iii). Monogrammed and identified within the matrix, inscribed â&#x20AC;&#x153;Lautrecâ&#x20AC;? in pencil within the image l.l. Color lithographic poster, image size 24 1/8 x 31 1/4 in. (61.3 x 79.3 cm), framed. Condition: One horizontal and one vertical crease (each with stabilized tears), pin/tack holes along edges (some with minute rust stains or similar from the tack heads), minor nicks and tears at edges, floated within the frame, not examined out of frame. $20,000-30,000

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17 Félix Vallotton (Swiss, 1865-1925) L’Assassinat, 1893, edition of 75 (Vallotton/ Goerg, 113). Signed and numbered “FVallotton 72” in blue pencil l.r., initialed and titled within the plate, identified on a label from Peter H. Deitsch, New York, affixed to the backing. Woodcut on paper, image size 5 7/8 x 9 3/4 in. (14.8 x 24.6 cm), framed. Condition: Gentle toning, several pale fox marks, not examined out of frame. $2,500-3,500

18 Gustave Baumann (German/American, 1881-1971) Spring Blossoms, 1950, edition of 130. Signed “Gustave Baumann” in pencil and with hand-in-heart chop l.r., titled in pencil l.l., numbered and dated “II 120 130 50” in pencil l.r., artist’s label affixed to the backing paper. Color woodcut with metal leaf on oatmeal laid paper with hand-in-heart watermark, image size 12 3/8 x 13 1/4 in. (31.3 x 33.5 cm), framed. Condition: Pale toning and mat burn to sheet, brown paper tape to left edge (recto), brown paper tape and masking tape to edges on verso.

19 George Bellows (American, 1882-1925) In the Park, Light, 1916, edition of 59 (Mason, 31). Signed “Geo Bellows” in pencil l.r. and within the matrix, titled in pencil l.c., inscribed “No 29” in pencil l.l. Lithograph on paper, image size 16 1/8 x 21 1/4 in. (40.8 x 53.8 cm), framed. Condition: Cockling near edges, subtle toning, not examined out of frame. $1,500-2,500

N.B. The work depicts a hillside in Wyoming, New York. Baumann created a smaller version of this composition in 1919. This later version is larger and reversed, and has a bolder palette. $5,000-7,000

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21 Frank Weston Benson (American, 1862-1951) Dark Pool, 1920, trial proof D (Paff, 189). Signed “FrankWBenson.” in pencil l.l., initialed and dated within the plate. Drypoint on paper, plate size 8 x 11 7/8 in., unmatted, unframed. Condition: Margins 1 inch or more with deckled edges, pencil annotations to lower margin, minor creases/losses to corners of margins, soiling to margins typical of a working proof, old hinges to verso. Provenance: Descended within the family of the artist. N.B. Benson created an E state of this composition, darkening the background further still, before creating the final published state. $800-1,200 21

22 Frank Weston Benson (American, 1862-1951) Yellowlegs No. 4, 1928, published state, edition probably of 150 (Paff, 284). Signed “FrankWBenson.” in pencil l.l. Drypoint on laid paper, plate size 7 7/8 x 9 7/8 in. (19.9 x 25.0 cm), unmatted, unframed. Condition: Full margins with deckled right and lower edges, pencil annotations to lower margin, old brown paper tape hinges to upper corners of recto. Provenance: Descended within the family of the artist. $600-800

23 Frank Weston Benson (American, 1862-1951) Casting for Salmon, 1929, published state, edition of 150 (Paff, 288). Signed “FrankWBenson.” in pencil l.l. Etching on laid paper, plate size 7 3/4 x 9 7/8 in. (19.5 x 25.1 cm), unmatted, unframed. Condition: Full margins with deckled right and lower edges, pencil annotations to lower margin. Provenance: Descended within the family of the artist. $800-1,200

20 Frank Weston Benson (American, 1862-1951)

24 Frank Weston Benson (American, 1862-1951)

Bookplate of Charles Martin Loeffler, 1918, published state, edition of 20 (Paff, 143). Signed “FrankWBenson.” in pencil l.l. Etching on Shogun paper, plate size 8 1/2 x 5 in. (21.3 x 12.5 cm), unmatted, unframed. Condition: Full sheet with deckled lower and left edges, pencil annotations l.l., minor soiling, ink/ fingerprints to margins.

Pintails Passing, 1930, published state, edition of 150 (Paff, 300). Signed “FrankWBenson.” in pencil l.l. Drypoint on laid paper, plate size 15 x 9 7/8 in. (38.1 x 24.9 cm), unmatted, unframed. Condition: Full margins with deckled edges to three sides (minor nicks/tears in deckles of upper edge), pencil annotations to lower margin.

Provenance: Descended within the family of the artist. $400-600

Provenance: Descended within the family of the artist. $700-900

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25 Thomas Hart Benton (American, 1889-1975) The Hymn Singer, alternatively titled The Minstrel, 1950, edition of 500, published by Twayne, New York (Fath, 74). Signed “Thomas H. Benton” in pencil l.r., signed within the matrix. Lithograph on paper, image size 16 x 12 1/4 in. (40.5 x 31.0 cm), framed. Condition: Gentle rippling, not examined out of frame. N.B. The sitter is singer, songwriter, and actor Burl Ives. He was a prolific actor on stage and screen, but is best remembered as the narrator Sam the Snowman in the 1964 television classic Rudolph the Red-nosed Reindeer. $800-1,200

26 Thomas Hart Benton (American, 1889-1975)

Country Politics, 1973, edition of 250, published by Associated American Artists, New York (Fath, 89). Signed “Benton” in pencil l.r., inscribed “ED/250” in pencil l.l., identified on a label from AAA affixed to the mat. Lithograph on cream wove paper, image size 14 x 17 in. (35.5 x 43.2 cm), matted, unframed. Condition: Full sheet with deckled edges, subtle light staining, one hinge broken, pale staining and fox marks to lower margin. $1,000-1,500

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27 Marsden Hartley (American, 1877-1943) Kopelberg-Oberammergau, 1934 (University of Kansas, 17). Signed “Marsden Hartley” in pencil l.r., titled in pencil l.l. Lithograph on Rives paper with watermark, image size 16 x 13 in. (40.5 x 33.0 cm), unmatted, unframed. Condition: Deckled edges to all but the lower edge, mat burn, old hinges/residue with minute tears/losses to upper edge on verso, pencil annotations to verso. $1,200-1,800 28 Martin Lewis (American, 1881-1962) Boss of the Block, c. 1939, edition of about 212 (McCarron, 128). Signed “Martin Lewis-” in pencil l.r., initialed within the plate. Etching and aquatint on wove paper, plate size 11 1/4 x 7 1/2 in. (28.4 x 18.9 cm), matted, unframed. Condition: Deckled right edge, gentle toning especially within mat opening (more prevalent to verso), several pinpoint fox marks (primarily to margins). $600-800

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29 Reginald Marsh (American, 1898-1954)

31 William C. McNulty (American, 1889-1963)

33 Raphael Soyer (American, 1899-1987)

Star Burlesque, 1933, from the Whitney Museum edition of 100, printed in 1969 (Sasowsky, 142). Unsigned, numbered “41/100” in pencil l.l., Whitney dry stamp l.r. Etching on paper, plate size 11 7/8 x 8 3/4 in. (30.0 x 22.0 cm), framed. Condition: Subtle toning to sheet just visible within the margins, not examined out of frame. $500-700

The Whirlpool, alternatively titled In the Fifties. Signed “Wm C McNulty” in pencil l.r., titled in pencil l.l. Drypoint on paper, plate size 13 5/8 x 7 1/4 in. (34.5 x 18.3 cm), matted, unframed. Condition: Gentle toning (more prevalent to verso), pale stain to margin at corner l.r. $400-600

Springtime, c. 1970. Signed “Raphael Soyer” in pencil l.r., inscribed “AP” in pencil l.l. Color lithograph on paper, image size 14 1/4 x 18 1/8 in. (36.1 x 46.0 cm), framed. Condition: Pale mat burn, gentle rippling, not examined out of frame.

30 Reginald Marsh (American, 1898-1954) Striptease in New Jersey, 1951, edition of 250, published by Associated American Artists, New York (Sasowsky, 236). Signed “Reginald Marsh” in pencil l.r. Etching and engraving on paper, plate size 7 7/8 x 10 in. (19.9 x 25.4 cm), framed. Condition: Not examined out of frame. $800-1,200

32 Ben Shahn (American, 1898-1969) Baseball, 1968, edition of 350, published by the International Graphics Arts Society, Inc., New York (Prescott, 77). Signed “Ben Shahn, del.” in pencil l.r., artist’s chop u.r., inscribed “Stefan Martin Inc. Imp.” in pencil l.c., numbered “296/350” in pencil l.l. Wood engraving on laid Japan paper, image size 12 1/2 x 19 3/4 in. (31.5 x 50.0 cm), unmatted, unframed. Condition: Full sheet with deckled edges, minor folds at corners, handling creases. $400-600

N.B. In 1938 Soyer created a black and white lithograph of these same three men seated on a park bench (see Cole, 56), but in that composition he included other figures behind them together with the foliage and a statue from Washington Square, New York. Here the setting is ambiguous, but he has added color. $500-700

34 James Abbott McNeill Whistler (American, 1834-1903) Thames Warehouses, 1859, final state of five (Glasgow, 46v/v; Kennedy, 38). Signed and dated within the plate, loan label from the Lyman Allyn Museum, New London, Connecticut, affixed to the backing. Etching on tissue or similar, plate size 3 x 8 in. (7.5 x 20.3 cm), framed. Condition: Cockling, gentle toning, not examined out of frame. $600-800

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35 James Abbott McNeill Whistler (American, 1834-1903)

Soupe à trois sous, 1859, only state (Glasgow, 64; Kennedy, 49). Signed within the plate, identified on a label from Arthur H. Hahlo & Co., New York, affixed to the backing. Etching on paper, plate size 6 x 9 in. (15.2 x 22.7 cm), framed. Condition: Pale foxing, gentle cockling, not examined out of frame. $500-700 36 Carla Accardi (Italian, 1924-2014) Two Works: Blu and Rosso, c. 2000. Both signed “Accardi” in pencil within the image l.r., numbered “XVIII/L” and “52/60,” respectively, in pencil within the image l.l., and with dry stamp l.l. Color lithographs on paper, image/ sheet sizes 27 1/2 x 19 3/4 in. (69.8 x 50.0 cm), unmatted, unframed, presented in the original folders (wear). Condition: The former with deckled edges. $600-800

37 Josef Albers (German/American, 18881976)

I-Sd, 1969, edition of 125, published by Ives-Sillman, New Haven, printed by Sirocco Screenprints, New Haven (Danilowitz, 190). Monogrammed and dated “JA ‘69” in pencil l.r., titled and numbered “...82/125” in pencil l.l. Color screenprint on paper, image size 13 3/4 x 13 3/4 in. (34.8 x 34.8 cm), framed. Condition: Not examined out of frame. $1,000-1,500

38 Munira Al-Kazi (Saudi/Kuwaiti, b. 1939) Night’s Child, 1964. Signed “...Al-Kazi...” and inscribed in Arabic in pencil l.r., titled and dated “...’64” in pencil l.l. Etching and aquatint with coloring on paper, plate size 5 x 7 in. (12.5 x 17.5 cm), framed. Condition: Breaks to paper fibers along parts of the plate mark, not examined out of frame. $700-900 38

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38A

38A Sybil Andrews (Canadian/British, 18981992) Haulers, 1929, edition of 50 (White, 4; Coppel, SA4). Signed and numbered “Sybil Andrews/16/50.” in pencil l.l. Color linocut on laid Japan paper, image size 7 1/2 x 12 7/8 in. (18.9 x 32.6 cm), unmatted, unframed. Condition: Deckled edges, creases to image, pinholes to very edges, pinpoint foxing near upper edge, pencil annotations to corner l.l. $3,000-5,000 39 Karel Appel (Dutch, 1921-2006)

40 Jean (Hans) Arp (French, 1886-1966)

41 Willi Baumeister (German, 1889-1955)

De la famille des étoiles, 1965, edition of 100, published by L’Oeuvre Gravée, Paris & Zurich (Arntz, 359). Signed “Arp” in pencil within the image l.l., numbered “16/100” in pencil within the image l.r., dry stamped “L’OEUVRE GRAVÉ” l.r. Color lithograph on paper, image size 28 3/4 x 20 1/2 in. (72.9 x 51.9 cm), framed. Condition: Gentle rippling, not examined out of frame.

Mo I, 1955, edition of 100 (Spielmann/ Baumeister, 213). Signed “Baumeister” in pencil within the image l.r., numbered “94/100” in pencil l.l. Color screenprint on heavy wove paper, image size 9 x 18 3/8 in. (22.5 x 46.5 cm), unmatted, unframed. Condition: Toning to sheet (visible only in margins), pencil annotations to lower margin, thinned spots to verso near edges from removal of old hinges. $700-900

Provenance: A Maine estate. $400-600

Deux têtes, 1969, edition of 75. Signed and dated “Appel 69” in pencil l.r., numbered “5/75” in pencil l.l. Color lithograph on paper, image size 19 7/8 x 23 5/8 in. (50.4 x 59.8 cm), framed. Condition: Not examined out of frame. $300-500

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42 Hans Bellmer (German, 1902-1975)

43 After Georges Braque (French, 1882-1963)

44 Victor Brauner (Romanian, 1903-1966)

La demande en mariage, 1972, outside of the edition of 100. Signed “Bellmer” in pencil l.r., numbered “H.C. V/X” in pencil l.l. Etching in white and gray/blue on gray paper, plate size 14 3/8 x 11 1/16 in. (36.4 x 28.0 cm), framed. Condition: Not examined out of frame. $300-500

Quatre oiseaux, c. 1950, edition of 275, published by Maeght Éditeur, Paris (Maeght, 1030). Signed “G Braque” in pencil l.r., numbered “85/275” in pencil l.l. Color lithograph on paper, image size 3 3/4 x 8 7/8 in. (9.4 x 22.3 cm), framed. Condition: Unobtrusive toning, not examined out of frame. $1,000-1,500

Plate II, from the portfolio Codex d’un Visage, 1962, edition of 60. Signed and dated “VICTOR BRAUNER 1962” in pencil l.r., numbered “21/60” in pencil l.l. Etching on Arches paper with watermark, plate size 18 7/8 x 14 1/2 in. (47.8 x 36.8 cm), unmatted, unframed. Condition: Full sheet with deckled edges, mat burn, horizontal crease to lower margin, pale scattered foxing. $300-500

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45 Alexander Calder (American, 1898-1976) Untitled (Sun and Moon), edition of 100. Signed “Calder” in pencil l.r., numbered “47/100” in pencil l.c. Color lithograph on paper, sheet size 20 1/2 x 28 1/2 in. (52.0 x 72.4 cm), unmatted, unframed. Condition: Full sheet with deckled edges, pale bleed-through staining to verso, old hinges/ residue and thinned spots to verso near upper edge. $600-800

46 Antoni Clavé (Spanish, 1913-2005)

46 partial

Hommage à Domenikos Theotokopoulos/A Portfolio of Thirteen Works, 1964-65, edition of 30, published by Sala Gaspar, Barcelona. Each print signed “Clavé” in pencil and numbered “3/30” in pencil along the lower edge, identified on the colophon page. Color lithographs on Rives paper, sheet sizes 25 3/4 x 20 in. (65.3 x 50.7 cm), presented in the original clamshell portfolio case (damage), plate I and VI framed. Condition: The two not examined out of frames. $1,000-1,500 47 Ralston Crawford (Canadian/American, 1906-1978) L’Étoile de L’Occident (Western Star), 1955, edition of 30. Signed “Ralston Crawford” in pencil l.r., numbered “10/30” in pencil l.l. Color lithograph on paper, image size 10 5/8 x 16 3/4 in. (26.9 x 42.4 cm), framed. Condition: Gentle toning/fading, not examined out of frame. $800-1,200

48 Salvador Dalí (Spanish, 1904-1989) La petite chouette (Hibou), 1968, edition of 200 (Field, 68-9-2; Michler & Löpsinger, 246e). Signed “Dalí” in pencil l.r., numbered “73/200” in pencil l.l. Color etching on paper, plate size 6 7/8 x 4 7/8 in. (17.4 x 12.3 cm), framed. Condition: Full sheet with deckled edges, two small pale stains or fox marks to margin u.r., floated within the frame, not examined out of frame. $2,000-2,500

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49 Salvador Dalí (Spanish, 1904-1989) Les aigrettes, from the suite La Venus aux Fourrures, 1968-69, from the edition of 145 (Field, 68-6N; Michler & Löpsinger, 366). Signed “Dalí” in pencil l.r., numbered “43/145” in pencil l.l., dry stamp of the artist’s signature (twice) l.r. Drypoint and engraving with handcoloring on Japan paper, plate size 12 5/8 x 9 1/2 in. (32.0 x 24.0 cm), framed. Condition: Full sheet with deckled edges, floated within the mat, not examined out of frame. N.B. Accompanied by documentation from Christine Argillet at the Musée du Surréalisme, Melun, France, dated January 7, 2006, for the print La femme au fouet, from the same suite as presented here. $600-800

50 Salvador Dalí (Spanish, 1904-1989) Alice’s Adventures in Wonderland/A Portfolio, 1969, from the edition of 2,500 (there were several smaller editions as well as some proofs), published by Maecenas Press, Random House, New York (Field, 69-5; Michler & Löpsinger, 321-333). Signed “Dalí” in pencil on the frontispiece, stamped “1879” on the colophon. One color etching and twelve reproductions of gouaches, on Mandeure paper, sheet sizes folded to 17 x 11 1/4 in. (43.1 x 28.4 cm), presented in the original clamshell box encased in a decorative wooden standing slipcase. Condition: Very minor wear to edges (primarily in first few sections), minor deformations to several sheets including the sheet on which the etching is printed; one of the two closures on the box is detached but included. 50 partial

Provenance: Purchased in 1973 by the current owner from a private collector. $4,000-6,000 51 Salvador Dalí (Spanish, 1904-1989) Diane de Poitiers, 1971-3, from the edition of 100 (Field, 73-13; Michler & Löpsinger, 462). Signed “Dalí” in pencil l.r., numbered “LXX/C” in pencil l.l., dry stamp of the artist’s signature (twice) l.r. Drypoint with hand-coloring on Japan paper, plate size 12 1/2 x 9 1/2 in. (31.5 x 24.0 cm), framed. Condition: Margins over 3 inches, not examined out of frame. N.B. Accompanied by documentation from Christine Argillet at the Musée du Surréalisme, Melun, France, dated November 9, 2005. $600-800

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52 Allan D’Arcangelo (American, 1930-1998) Constellation IV, 1971, edition of 90. Signed and dated “A. D’Arcangelo 1971” in pencil l.r., numbered “63/90” in pencil l.l. Color screenprint on paper, image size 24 x 24 in. (60.9 x 60.9 cm), framed. Condition: Gentle rippling, not examined out of frame. $300-500 53 Alberto Giacometti (Swiss, 1901-1966)

Rue D’Alesia, 1954, from the edition of 200 before letters, published by Maeght Éditeur, Paris (Lust, 201). Signed and numbered “Alberto Giacometti 23/200” in ink l.r., signed within the matrix. Color lithograph on gray paper, image size 25 1/2 x 19 1/8 in. (64.5 x 48.5 cm), framed. Condition: Gentle rippling, not examined out of frame. $500-700

54 Nancy Graves (American, 1939-1995) Toch, 1977, edition of 28, published by Tyler Graphics, Ltd., Bedford Village, New York (Tyler Graphics, 204:NG3). Signed and dated “N.S. GRAVES ‘77” in pencil l.r., numbered “11/27” in pencil l.l., publisher’s dry stamp l.r. Color etching with aquatint, engraving, drypoint, and hand-coloring on cream wove paper, plate size 19 7/8 x 23 3/4 in. (50.4 x 60.3 cm), framed. Condition: Full sheet with deckled edges, pale fox marks, gentle rippling, floated within the frame, not examined out of frame. N.B. The catalogue raisonné lists the edition at 28, although the work is clearly numbered as an edition of 27. $400-600

55 Nancy Graves (American, 1939-1995) 55

Muin, 1977, edition of 32, published by Tyler Graphics, Ltd., Bedford Village, New York (Tyler Graphics, 205:NG4). Signed and dated “N.S. GRAVES ‘77” in pencil l.r., numbered “24/32” in pencil l.l., publisher’s dry stamp l.r. Color etching with aquatint, engraving, drypoint, and hand-coloring on cream wove paper, plate size 19 7/8 x 23 3/4 in. (50.4 x 60.3 cm), framed. Condition: Full sheet with deckled edges, pale foxing (primarily to lower margin), floated within the frame, not examined out of frame. $400-600

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56 Red Grooms (American, b. 1937)

57 Philip Guston (American, 1913-1980)

58 Philip Guston (American, 1913-1980)

Mango Mango, 1973, published by Kitty Meyers, New York, edition of 250 (Knestrick, 40). Signed and dated “Red Grooms 73” in pencil within the image l.r., numbered “132/250” in pencil within the image l.l. Color screenprint on paper, image/sheet size 40 1/4 x 29 in. (102.0 x 73.5 cm), framed. Condition: Minute wear at corners, floated within the frame, not examined out of frame.

The Street, 1970, from the portfolio Ten Lithographs by Ten Artists, edition of 120, published in 1971 by Shorewood-Bank Street Atelier, New York, for the Skowhegan School, Skowhegan, Maine, printed by Bank Street Atelier, New York. Signed and dated “Philip Guston ‘70” in pencil l.r., numbered “90/120” in pencil l.l. Lithograph on cream paper, image size 20 x 26 1/4 in. (50.6 x 66.5 cm), framed. Condition: Full sheet with deckled edges, minor wear/crimping within some deckles, floated within the frame, soft (unpressed) creases to upper margin, pencil annotation to verso, thin spot to verso near edge. $3,000-5,000

Studio Corner, 1979-80, edition of 50, published in 1981 by Gemini G.E.L., Los Angeles (NGA/Gemini, 21.8). Signed and dated “Philip Guston ‘80” in pencil l.r., titled and numbered “...48/50” in pencil l.l., publisher’s and copyright dry stamps l.r. Lithograph on Arches paper, image size 29 x 39 1/4 in. (73.5 x 99.5 cm), framed. Condition: Full sheet with deckled edges, gentle rippling, floated within the frame, not examined out of frame. $3,000-5,000

N.B. This work was published to benefit victims of the Nicaraguan earthquake which occurred December 23, 1972. $300-500

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59 Hans Hartung (French/German, 19041989) G 1973-2, 1973, edition of 100 (Mason, 362). Signed “Hartung” in pencil l.r., numbered “30/100” in pencil l.l., identified in information affixed to the backing. Etching on paper, plate size 16 1/2 x 13 1/4 in. (41.8 x 33.5 cm), framed. Condition: Subtle toning, gentle rippling, not examined out of frame. $300-500

60 David Hockney (British, b. 1937) Caribbean Tea Time, from the series Moving Focus, 1985-87, edition of 36 plus proofs, published by Tyler Graphics, Ltd., Mount Kisco, New York (MCA Tokyo, 288). Numbered and signed “AP VII/X David Hockney” in pencil on right-most panel l.c. Color lithograph with hand-coloring and collage on eight sheets of TGL handmade paper, assembled together in a fourpanel, folding, contoured, lacquered, and hand-painted wood floor screen, with four screenprinted plastic panels on the reverse, all designed by the artist, full size 86 x 136 in. (218.4 x 345.5 cm). Condition: Deckled edges and floated as originally presented by the artist, areas of cracking/loss to frame, several rubs to Plexiglas, screenprinted panels somewhat yellowed. Provenance: A private Massachusetts collection.

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N.B. Hockney is a virtual jack-of-all-trades, embracing both traditional and newer media—from acrylic paint to PhotoShop— and working as a painter, print-maker, photographer, and even a set designer. He is considered one of Britain’s most dominant Pop artists, although it is a categorization that he dislikes. From 1984 through 1987 Hockney created the series Moving Focus. What makes this series of twenty-nine prints unusual is the seeming disconnect of the subjects of the works. They include interior views, portraits, and still lifes, and vary wildly in size. The title of the series discloses the unifying principal: each plays with the depiction of space and the potential for multiple points of view. The series has been described as “Hockney’s dialogue with Picasso.” Caribbean Tea Time employs simple lines and blocks of bright, saturated color to depict an interior with a shifting, Cubist space that is both highly descriptive and playfully vertiginous. The sense is heightened by the scale of the work, and the fact that as a floor screen, it is generally viewed accordioned rather than flat so that our space and the screen’s interpenetrate. $40,000-60,000

61 After Howard Hodgkin (British, 1932-2017) Gossip, 1995, proof edition of 10 outside of the edition of 108, published by Lincoln Center/List Poster and Print Program, New York, printed by Brand X Editions, New York (Heenk, 224). Initialed and dated “HH 95” in pencil l.c., numbered “1/10” in pencil l.l., printer’s dry stamp l.r. Color screenprint on paper, image size 29 1/8 x 41 in. (74.0 x 104.0 cm), framed. Condition: Full sheet with deckled edges, floated within the frame, not examined out of frame. $1,500-2,500 62 Valentine Hugo (French, 1890-1968) Europa, 1946. Inscribed, signed, and dated “3eme état Valentine Hugo 1946” in pencil l.r., signed within the plate, dedicated “Pour Laurice que j’aime et que j’admire...” in pencil traced over with green ink in lower margin. Etching on Arches paper with partial watermark, plate size 9 1/2 x 7 in. (24.0 x 17.5 cm), unmatted, unframed. Condition: Nicks, minute tears, and toning to edges, stain to left margin, toning to verso, thinned spots to upper corners on the reverse. $300-500

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63 Robert Indiana (American, b. 1928) Purim: The Four Facets of Esther (II), 1967, proof outside of the edition of 60, published by The Jewish Museum, New York (Sheehan, 36). Signed and dated “R Indiana 1967” in pencil l.r., titled in pencil l.l., inscribed “(ARTIST’S PROOF)” in pencil l.c. Color screenprint on paper, image size 26 1/2 x 21 1/2 in. (67.2 x 54.5 cm), framed. Condition: Gentle rippling, not examined out of frame. $1,500-2,000

64 Robert Indiana (American, b. 1928) Picasso, 1974, edition of 90, published by Propyläen-Verlag, Berlin, and by Pantheon Press, Rome, printed by Styria Studio, New York (Sheehan, 82). Signed and dated “R. Indiana © 1974” in pencil l.r., numbered “38/90” in pencil l.l. Color screenprint on paper, image size 24 x 20 in. (60.9 x 50.6 cm), framed. Condition: Pinpoint foxing to margins, not examined out of frame. $400-600 65 Jasper Johns (American, b. 1930) 63

Two Flags (Whitney Anniversary), 1979, from the edition of 5,000, published by the artist and Gemini G.E.L., Los Angeles (see ULAE/ Field, 207). Identified within the matrix. Color lithographic poster, sheet size 46 x 30 in. (116.7 x 76.2 cm), unmatted, unframed. Condition: Tack hole at each corner, minor handling marks and creases. $300-500 66 Jacob Lawrence (American, 1917-2000) Olympische Spiele München (The Runners), 1972. Signed and identified within the matrix. Color lithographic poster, sight size 39 x 24 1/2 in. (99.0 x 62.2 cm), framed. Condition: Not examined out of frame. $250-350

67 Roy Lichtenstein (American, 1923-1997) Shipboard Girl, 1965, edition size unknown, published by Leo Castelli Gallery, New York (Corlett, II.6). Signed “rf Lichtenstein” in pencil l.r. Color offset lithograph on paper, image size 26 1/8 x 19 1/4 in. (66.2 x 48.8 cm), framed. Condition: Unobtrusive toning and mat burn, fading, not examined out of frame. $7,000-9,000 64

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68 After Roy Lichtenstein (American, 19231997) Set of Six Plates, c. 1990, edition of 3,000, published by Rosenthal, Germany. Each marked with artist’s signature and “Rosenthal GERMANY Künstlerplatzteller...ROY LICHTENSTEIN Limitierte Auflage 3000/...” on the underside. Serigraph in colors on glazed porcelain, diameter 12 1/4 in. (31.0 cm), each wired for hanging. Condition: Good. Provenance: A Massachusetts estate. $1,000-1,500

69 After Roy Lichtenstein (American, 19231997) WHAAM!/A Diptych Poster, 1967, from the edition of 2,000 printed in 1968, published by The Tate Gallery, London (Corlett, App. 7). Right panel signed “rf Lichtenstein” in pencil within the image l.r., identified within the matrix. Color offset lithograph on paper, sheet sizes 25 x 29 1/2 in. (63.4 x 74.8 cm), unmatted, unframed. Condition: Very minor handling creases. N.B. This poster has been printed in multiple runs by the Tate and is a large, open-edition poster after the 1963 painting of the same name in their collection. $2,000-3,000 67

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70 Roberto Matta (Chilean, 1911-2002) D’Yeux, 1979, outside of the edition of 100, published by Polígrafa, Barcelona. Signed “Matta” in pencil l.r., inscribed and dedicated “e.a. Pour Patrick” in pencil l.l. Color lithograph on Arches paper with watermark, image size 23 1/2 x 18 1/8 in. (59.5 x 46.0 cm), unmatted, unframed. Condition: Full sheet with deckled right and lower edges, subtle toning to edges. $400-600

71 Henry Moore (British, 1898-1986) Seated Figures, 1957, edition of 200, published by Berggruen & Cie, Paris, printed by Mourlot Frères, Paris (Cramer, 37). Signed “Moore” in pencil l.r., numbered “162/200” in pencil l.l. Color lithograph on paper, image size 21 1/8 x 14 1/4 in. (53.5 x 36.2 cm), framed. Condition: Mat burn, unobtrusive toning, not examined out of frame. $1,000-1,500 71

72 Robert Morris (American, b. 1931) Model, 1966-67, from Ten from Leo Castelli, 1967, probably from outside of the edition of 200, published by Tanglewood Press, New York. Signed and dated “...R. Morris ‘67” (incised) to lower edge on inside lip. Green plastic multiple, 23 1/4 x 19 3/8 in. (58.9 x 49.1 cm). Condition: Subtle rubs/abrasions to surface, small cracks/loss to lower corners along the side. N.B. According to the consignor, this work was purchased from Frank Stella in 1967, and was from that artist’s proof edition. $400-600

73 Alice Neel (American, 1900-1984) Man in Harness, 1980, edition of 100, published by Eleanor Ettinger, Inc., New York. Signed, dated, and numbered “Neel ‘80 3/100” in pencil l.r., publisher’s dry stamp l.l. Color lithograph on paper, sheet size 36 1/4 x 27 5/8 in. (92.0 x 70.0 cm), framed. Condition: Full sheet with deckled edges, several pale fox marks, floated within the frame, not examined out of frame. $250-350

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74 Claes Oldenburg (American, b. 1929) Colossal Screw in Landscape-Type I, from the series Screw, 1975-76, edition of 35 plus proofs, published and printed by Gemini G.E.L., Los Angeles (Axsom & Platzker, 142; Gemini, 38.38). Signed “Oldenburg” in pencil l.r., numbered “26/35” in pencil l.l., artist’s and publisher’s dry stamps l.r., identified on a label from the Obelisk Gallery, Boston, affixed to the backing. Lithograph on paper, image size 50 1/8 x 25 in. (127.3 x 63.4 cm), framed. Condition: Deckled edges, unobtrusive toning, floated within the frame, not examined out of frame.

Provenance: A Massachusetts estate. $1,200-1,800

75 Pablo Picasso (Spanish, 1881-1973) Portrait de Jacqueline, 1956, edition of 100, published by H. Matarasso, Nice (Bloch, 827). Signed “Picasso” in pencil l.r., numbered “68/100” in pencil l.l., dated “4.12.56” within the matrix. Color offset lithograph on paper, image size 20 1/4 x 15 1/4 in. (51.3 x 38.5 cm), framed. Condition: Full sheet with deckled edges, wear and creases to deckles, gentle toning (more prevalent to edges), minor handling creases, floated within the mat, not examined out of frame. $7,000-9,000

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76 Pablo Picasso (Spanish, 1881-1973) Jeune courtisane avec un gentilhomme, un sculpteur et un vieillard alléché, plate 185 from 347 Gravures, 1968, edition of 50, published by Galerie Louise Leiris, Paris (Bloch, 1665; Baer et al., 1681Bb1). Signed “Picasso” in pencil l.r., numbered “22/50” in pencil l.l., dated “25.6.68 III” (in reverse) within the plate, identified on a fragmentary label from Pucker/Safrai Gallery, Boston, affixed to the backing. Etching on Rives paper with watermark, plate size 4 7/8 x 3 1/2 in. (12.4 x 8.8 cm), framed. Condition: Deckled edges, gentle light-toning, pencil annotations to verso. $3,000-5,000

77 Pablo Picasso (Spanish, 1881-1973)

Pourvu qu’on ait l’ivresse..., plate 282 from 347 Gravures, 1968, edition of 50, published by Galerie Louise Leiris, Paris (Bloch, 1762; Baer et al., 1779Bb1). Signed “Picasso” in pencil l.r., numbered “22/50” in pencil l.l., dated “18.8.68 I” (in reverse) within the plate, identified on a fragmentary label from Pucker/ Safrai Gallery, Boston, affixed to the backing. Etching on wove paper, plate size 4 5/8 x 3 3/8 in. (11.7 x 8.5 cm), framed. Condition: Deckled edges, image gently lighttoned, pencil annotations to verso. $3,000-5,000 78 Fairfield Porter (American, 1907-1975) The Table, 1971, edition of 90 plus proofs, published by Brooke Alexander, Inc., New York (Ludman, 20). Signed “Fairfield Porter” in pencil l.r., numbered “12/90” in pencil l.l., BSA dry stamp l.r. Color lithograph on cream paper, image size 28 x 21 1/8 in. (71.0 x 53.5 cm), framed. Condition: Full sheet with deckled edges, several pale fox marks, floated within the frame, not examined out of frame. $700-900 79 Robert Rauschenberg (American, 19252008)

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New York Philharmonic 150th Anniversary, Dec. 7 1992, 1991, edition of 102. Signed “RAUSCHENBERG” in pencil l.l., numbered and dated “49/102 91” in pencil l.r. Color lithograph on paper, sheet size 44 3/4 x 35 in. (113.5 x 88.8 cm), framed. Condition: Full sheet with deckled edges, crease near corner l.r., subtle bends to some deckles, floated within the frame, not examined out of frame. $600-800

80 Pat Steir (American, b. 1940)

Red and Blue Berlin Waterfall, 1993, edition of 108, published by Lincoln Center/List Poster and Print Program, New York. Signed “Pat Steir” in pencil l.r., numbered “23/108” in pencil l.l. Color screenprint on paper, image/ sheet size 38 1/2 x 37 in. (97.7 x 93.9 cm), framed. Condition: Full sheet, minor rubs near edges, floated within the frame, not examined out of frame. $1,500-2,500 81 Victor Vasarely (Hungarian/French, 19061997) Tau-Ceti, 1967, edition of 205. Signed “Vasarely-” in pencil l.r., numbered, titled, and dated “81/205...67” in pencil l.l. Color screenprint on cardstock, image size 16 7/8 x 16 3/4 in. (42.5 x 42.3 cm), unmatted, unframed. Condition: Handling creases to margins. $300-500

82 Victor Vasarely (Hungarian/French, 19061997) Rhythm, c. 1970, edition of 250 plus proofs. Signed “Vasarely-” in ink l.r., inscribed “E.A” in pencil l.l. Color screenprint on paper, image size 24 1/2 x 24 1/2 in. (62.2 x 62.2 cm), framed. Condition: Not examined out of frame. $300-500 82

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83 Victor Vasarely (Hungarian/French, 19061997) Vega Kocka, 1987, edition of 150. Signed “Vasarely-” in ink l.r., and numbered “104/150” in felt-tip pen l.c. Color screenprint on Mylar or similar adhered to glass, sight size 37 x 23 1/2 in. (93.8 x 59.5 cm), framed. Condition: Not examined out of frame. $250-350

84 Victor Vasarely (Hungarian/French, 19061997) Ionau, 1987, edition of 300. Signed and numbered “Vasarely- 136/300” in pencil l.l., identified on a label from Circle Fine Art Corporation, Chicago, affixed to the backing. Color screenprint on paper, image size 67 3/4 x 36 in. (172.1 x 91.4 cm), framed. Condition: Pale mat burn, not examined out of frame. $1,000-1,500 85 Victor Vasarely (Hungarian/French, 19061997)

Three Compositions, editions of 250. Each signed “Vasarely-” in pencil l.r. and numbered “73/250” in pencil l.l. Color screenprints on paper, image sizes 12 1/2 x 12 1/4 in. (31.5 x 31.0 cm), framed. Condition: Not examined out of frames. $600-800

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86 Victor Vasarely (Hungarian/French, 19061997) Three Compositions, editions of 250. Each signed “Vasarely-” in pencil l.r. and numbered “230/250” in pencil l.l. Color screenprints on paper, image sizes 12 x 12 in. (30.4 x 30.4 cm), framed. Condition: Not examined out of frames. $600-800

87 Andy Warhol (American, 1928-1987)

S & H Green Stamps, 1965, from the edition of 6,000 issued as an invitation, printed by Eugene Feldman, Philadelphia, published by the Institute of Contemporary Art, Philadelphia (Feldman & Schellmann, II.9). Unsigned, identified in text printed on the verso. Color offset on folded paper, sheet size 23 x 22 3/4 in. (58.4 x 57.6 cm), unmatted, unframed. Condition: Folded (as issued). $1,200-1,800

88 After Andy Warhol (American, 1928-1987) Flowers/A Mailer for Andy Warhol, 1964, published by Leo Castelli Gallery, New York (see Feldman & Schellmann, II.6). Unsigned, identified in text printed on the verso. Color offset on folded paper, image/sheet size 21 7/8 x 21 7/8 in. (55.5 x 55.5 cm), unmatted, unframed. Condition: Folded (as issued), toning to sheet (visible on verso). $1,200-1,800 89 After Andy Warhol (American, 1928-1987) Mao/A Mailer Announcing the Publication of the Suite, 1972. Signed “Andy” in marker on the face. Color offset on cardstock, folded to 6 7/8 x 6 7/8 in. (17.4 x 17.4 cm), unmatted, unframed. Condition: Wear to edges and corners. $600-800 88

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90 After Andy Warhol (American, 1928-1987)

91 Max Weber (Russian/American, 1881-1961)

93 Zao Wou-Ki (Chinese/French, 1920-2013)

Marilyn/A Mailer for Andy Warhol: A Print Retrospective, 1981, printed by Colour Editions Inc., New York, published by Castelli Graphics, New York. Signed “Andy” in marker along the left edge. Color offset on folded cardstock, image size 7 x 7 in. (17.5 x 17.5 cm), unmatted, unframed. Condition: Minute surface rubs with ink loss near lower edge. $1,500-2,000

Reclining Woman, 1956, published by Universal Limited Art Editions, Bay Shore, New York. Signed and dated within the matrix, numbered “42/96” in pencil within the image l.l., publisher’s dry stamp l.l. Color screenprint on paper, sight size 17 1/4 x 23 3/4 in. (43.7 x 60.2 cm), framed. Condition: Not examined out of frame. $300-500

Bord de Mer, 1951, edition of 50 (Ågerup, 63). Signed in Chinese characters in pencil l.r., numbered “38/50” in pencil l.l. Color etching on wove paper, plate size 7 7/8 x 7 3/4 in. (20.0 x 19.6 cm), matted, unframed. Condition: Gentle toning and mat burn, pinholes (presumably for registration) to image, hinges broken, pencil annotations to verso. $2,000-3,000

92 Ossip Zadkine (Russian/French, 18901967) The Lovers, 1964, edition of 210. Signed and dated “O.Zadkine 1964” in pencil l.r., numbered “115/210” in pencil l.l. Color lithograph on Arches cream paper with watermark, image size 22 3/4 x 17 in. (57.7 x 43.2 cm), unmatted, unframed. Condition: Full sheet with deckled edges, minor nicks to several deckles, gentle handling creases and marks. $500-700

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94 Francisco Zúñiga (Mexican, 1912-1998) Mujeres de México, 1973, total edition of 187, printed and published by Editions Press, San Francisco (Brewster, 5). Numbered, signed, and dated “56/100 Zúñiga 1973” in pencil within the image l.l., printer’s/publisher’s dry stamp l.l. Color lithograph on paper, image/sheet size 22 1/2 x 32 1/4 in. (57.0 x 81.8 cm), framed. Condition: Deckled edges, floated within the mat, not examined out of frame. $1,000-1,500

95 Francisco Zúñiga (Mexican, 1912-1998)

Mujeres con Niño en la Puerta, 1977, edition of 100 plus proofs, printed by Kyron, Mexico City, published by Brewster Editions, New York (Brewster, 37). Numbered, signed, and dated “XXX/XXX Zúñiga 1977” in pencil within the image l.l., dry stamp l.r. Color lithograph on paper, image/sheet size 31 3/4 x 23 1/2 in. (80.5 x 59.5 cm), framed. Condition: Deckled edges, floated within the mat, not examined out of frame. $1,000-1,500

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Fine Photographs 96 Wilhelm von Gloeden (German/Italian, 1856-1931) Two Works: Two Nude Male Youths with Amphora and Girl from Taormina, c. 1900. Youths stamped “W. von Gloeden/TAORMINA (Sicilia)” and numbered “247” in pencil on the verso l.r., Girl numbered “18” in pencil on the verso l.c. Albumen silver prints, image/sheet sizes to 6 3/4 x 4 5/8 in. (17.0 x 11.5 cm), unmatted, unframed. Condition: Scattered handling crimps and creases, lightly faded, subtle scattered fox marks on the versos, Youths with adhesive residue and remnants of album page on the verso. $400-600 97 Paul L. Anderson (American, 1880-1956) Priscilla (Pinkie) Anderson, c. 1915. Inscribed and initialed “Pinkie P.L.A.” on the backing. Platinum print, sight size 9 3/8 x 7 3/8 in. (23.7 x 18.5 cm), framed. Condition: Not examined out of frame. 96

Provenance: Estate of Richard E. Anderson, New York, New York/Redding, Connecticut. $400-600

98 Attributed to Julian Mandel (French, 1872-1935) Three Photographs of Alice Prin, Known as Kiki de Montparnasse, early 1920s. One of the nudes inscribed “The painting is better than the photograph. Thank you Roland” and the other “My Girl - Kiki” on the verso, the sitter is identified on the verso of the third. Gelatin silver prints, image sizes to 5 1/4 x 3 3/8 in. (13.0 x 8.5 cm), unmatted, unframed. Condition: Scattered handling crimps and creases primarily on the third work. Provenance: The collection of Roland E. Hill, by family descent. N.B. Julian Mandel was one of the best-known commercial photographers of female nudes in the early 20th century. Kiki de Montparnasse was a French model, actress, and muse to artists and writers including Man Ray, Amedeo Modigliani, and Ernest Hemingway. Roland E. Hill, an American art director and set designer, was involved with Kiki de Montparnasse in the 1920s. $800-1,200

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99 Paul Strand (American, 1890-1976) The Mexican Portfolio, 1932-33, printed later, published by Da Capo Press, New York, 1967, edition of 1,000. Numbered “930” and signed “Paul Strand” in ink on the colophon page. Twenty photogravures on paper, image sizes to 10 1/4 x 8 in. (25.9 x 20.2 cm), unmatted, housed in a clothbound portfolio box with a brown slipcase. Condition: Slight rippling to sheets. $1,000-1,500

99 partial

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100

100 Henri Cartier-Bresson (French, 1908-2004)

101 Berenice Abbott (American, 1898-1991)

102 Berenice Abbott (American, 1898-1991)

Seville, 1933, printed later. Signed “Henri Cartier-Bresson” in ink l.r. Gelatin silver print mounted to board, image size 9 5/8 x 14 1/8 in. (24.3 x 35.7 cm), framed. Condition: Minor wear and creasing at upper corners of sheet, sheet lifting from mount at u.l. corner.

Waterfront, South Street, 1935, printed later. Signed “BERENICE ABBOTT” in pencil l.r., stamped “PHOTOGRAPH/BERENICE ABBOTT/ABBOTT, MAINE 04406” on the mount verso at center. Gelatin silver print mounted to board, image/sheet size 10 1/2 x 13 3/8 in. (26.5 x 33.8 cm), unmatted, unframed. Condition: Good.

Billboards and Signs, Fulton Street between State Street and Ashland Place, Brooklyn, 1936, printed later. Signed “BERENICE ABBOTT” in pencil l.r., stamped “PHOTOGRAPH/BERENICE ABBOTT/ ABBOTT, MAINE 04406” on the mount verso at center. Gelatin silver print mounted to board, image/sheet size 13 3/8 x 10 3/8 in. (33.8 x 26.2 cm), unmatted, unframed. Condition: Water damage or similar to mount at lower corners, wear and soiling at u.r. corner of mount.

Provenance: Estate of Richard E. Anderson, New York, New York/Redding, Connecticut. $6,000-8,000

Provenance: A private Massachusetts collection. $1,000-1,500

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Provenance: A private Massachusetts collection. $1,000-1,500

103 Berenice Abbott (American, 1898-1991) Wall Street, Broadway to Battery, New York, 1938, printed later. Signed “BERENICE ABBOTT” in pencil l.r., stamped “PHOTOGRAPH/BERENICE ABBOTT/ ABBOTT, MAINE 04406” on the mount verso at center. Gelatin silver print mounted to board, image/sheet size 13 1/2 x 10 1/8 in. (34.0 x 25.5 cm), unmatted, unframed. Condition: Good. Provenance: A private Massachusetts collection. $1,000-1,500 104 Walter Rosenblum (American, 1919-2006) Chick’s Candy Store, Pitt Street, New York, 1938, printed later. Titled, dated, and signed “...Walter Rosenblum” on the mount verso. Gelatin silver print mounted to card, image size 7 x 8 1/2 in. (17.6 x 21.4 cm), framed. Condition: Minor soiling on the mount verso. Provenance: Estate of Richard E. Anderson, New York, New York/Redding, Connecticut. $1,000-1,500

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105 Marion Post Wolcott (American, 1910-1990) Winter Visitors Picnicking on Running Board of Car on Beach, Sarasota, Florida, 1941, printed later. Signed â&#x20AC;&#x153;Marion Post Wolcottâ&#x20AC;? in pencil on the verso l.r. Gelatin silver print, image size 9 x 12 in. (22.8 x 30.4 cm), framed. Condition: Paper curling slightly. Provenance: Estate of Richard E. Anderson, New York, New York/Redding, Connecticut. $2,000-3,000

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106 Ansel Adams (American, 1902-1984) Mount Williamson, Sierra Nevada from Manzanar, California, 1944, printed 1970s. Signed â&#x20AC;&#x153;Ansel Adamsâ&#x20AC;? in pencil l.r., titled and dated in pencil with Carmel credit stamp on the mount verso, identified on a label from the Robert Klein Gallery, Boston, affixed to the backing. Gelatin silver print mounted to board, image/sheet size 15 1/4 x 18 1/8 in. (38.6 x 45.8 cm), framed. Condition: Good.

N.B. Ansel Adams was affiliated with f/64, an informal group of photographers dedicated to the belief that photography should emphasize its unique capabilities rather than emulating other artistic mediums. Taking the natural environment as their primary subject, the members used large-format view cameras to produce sharply detailed, high contrast photographs that celebrate both form and personal expression.

In 1943 and 1944, Adams made several trips to the Manzanar Relocation Center, located at the foot of Mount Williamson, where Japanese and Japanese-American citizens were interned after the attack on Pearl Harbor. In what he considered to be one of his best images, Adams captured a view of Mount Williamson highlighted by clouds and beams of sunlight and foregrounded by a dramatic field of boulders. While Adams truly believed that the majestic mountain range provided the internees a reprieve from their situation, the impassable rocks might also be interpreted as a metaphor for their imprisonment. $15,000-25,000

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107 Brett Weston (American, 1911-1993) Dunes, White Sands, 1946, printed 1989. Signed “Brett Weston” in pencil on the mount l.r., numbered “20/25” in pencil on the mount l.l. Gelatin silver print mounted to board, image/sheet size 18 7/8 x 23 1/2 in. (47.8 x 59.5 cm), unmatted, unframed. Condition: Good.

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Provenance: A private Massachusetts collection. N.B. For his final portfolio, printed in 1989 in an edition of 25, Brett Weston made largescale prints from what he selected as his best negatives. Each negative was retired upon the completion of the project and eventually destroyed. $1,000-1,500

108 Raoul Ubac (Belgian, 1910-1985) Les Objets Fossiles, 1939-40. Initialed “U” in pencil on the verso. Gelatin silver print on Agfa Brovira paper, image/sheet size 3 1/16 x 4 11/16 in. (7.5 x 11.8 cm), matted, framed. Condition: Minor wear at edges. N.B. Raoul Ubac was a French painter, sculptor, photographer, and engraver. In the late 1930s he was active in the Surrealist movement, and his photographs appeared frequently in the Surrealist publication Minotaure, alongside work by Brassaï, Jacques-André Boiffard, and Eugène Atget. Ubac experimented with multiple processes, including the combination of negatives, double exposures, and solarization before giving up photography in 1945. $800-1,200

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109 Albert Renger-Patzsch (German, 1897-1966) Machine, Schubert & Salzer, Ingolstadt, Germany, 1950s. Stamped “RENGER-PATZSCH WAMEL-DORF ÜBER SOEST I.W.” in blue ink on the verso u.r., inscribed “14.859” in pencil and in black ink on verso u.l. and center, respectively, inscribed “ARP16306-Z” in pencil on the verso l.l., stamped “Ingolstadt” in green on the verso l.c. Gelatin silver print on Agfa Brovira paper, image/ sheet size 8 7/8 x 6 1/2 in. (22.4 x 16.3 cm), framed. Condition: Minor wear at corners. Provenance: Estate of Richard E. Anderson, New York, New York/Redding, Connecticut. $2,000-3,000

110 Alfred Eisenstaedt (American, 1898-1995)

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Winston Churchill, Liverpool, 1951, printed 1979. Signed “Eisenstaedt” in ink below the image l.r., numbered “31/50” in ink below the image l.l., identified and titled in a Time, Inc. stamp indicating reproduction and copyright restrictions on the verso l.r. Gelatin silver print, image size 12 3/8 x 9 1/2 in. (31.3 x 34.9 cm), unmatted, unframed. Condition: Minor soiling on the verso. $2,000-3,000 111 Robert Frank (Swiss, b. 1924) Contact Sheet, Switzerland, 1945-1946, printed later. Signed “Frank” in ink on the verso l.r., “COPYRIGHT © Robert Frank” stamp inscribed “Robert Frank 1980” in ink on the verso l.l., “ROBERT FRANK ARCHIVE” stamp inscribed “Lines of My Hand 7” and “2711” in pencil on the verso l.r. Gelatin silver print on Kodak paper, image size 9 7/8 x 7 1/4 in. (25.0 x 18.4 cm), matted, unframed. Condition: Slight rippling along the top edge, scattered handling crimps, especially along the left side, bend in l.l. corner. Provenance: A private Massachusetts collection. $2,000-3,000

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112 Robert Frank (Swiss, b. 1924)

114 Jacques Lowe (German/American, 19302001)

Andrea, Southampton, 1954-55, probably printed later. Signed “Robert Frank” in ink l.r., titled and dated “...1955” in ink l.l., “COPYRIGHT © Robert Frank” stamp inscribed “Robert Frank 1979” in ink on the verso l.l., “ROBERT FRANK ARCHIVE” stamp inscribed “Andrea 1954/Lines 55.2” in pencil on the verso l.r. Gelatin silver print, image size 8 3/4 x 13 1/2 in. (22.0 x 34.0 cm), matted, unframed. Condition: Minor handling crimps in upper and lower margins, crease at u.l. corner of sheet, emulsion loss to u.r. corner of sheet.

John F. Kennedy and Robert F. Kennedy, Biltmore Hotel, Los Angeles, 1960. Stamped “STUDIO ONE/#345/Photographer/ JACQUES LOWE” on the mount verso. Gelatin silver print mounted to board, image/ sheet size 18 x 12 in. (45.5 x 30.3 cm), unmatted, unframed. Condition: Surface grime, subtle scratches, pinprick holes in head of figure at right, wear to corners and edges. $800-1,200

Provenance: A private Massachusetts collection. $2,000-3,000

115 Henry G. (Hank) Walker (American, 19211996)

113 Minor White (American, 1908-1976) Rock and Water Abstraction, c. 1950s-60s. Unsigned. Gelatin silver print on Agfa paper, image size 7 x 9 3/4 in. (17.6 x 24.8 cm), framed. Condition: Good. Provenance: A private Massachusetts collection. $1,000-1,500

John F. Kennedy and Robert F. Kennedy at Democratic Convention, Biltmore Hotel, Los Angeles, 1960, printed 1988. Signed “Hank Walker” in ink l.r., signed, titled, and dated “Henry G. Walker...” in pencil on the verso, inscription with Time, Inc. reproduction and copyright restrictions in pencil on the verso u.r. Gelatin silver print, image size 12 3/8 x 9 1/2 in. (31.3 x 24.9 cm), unmatted, unframed. Condition: Good. N.B. Walker was a staff photographer for LIFE magazine when he made this photograph. $800-1,200

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116 Ernst Haas (Austrian/American, 1921-1986) The Creation/A Portfolio of Ten Photographs, 1962-81, printed in 1982, published by Daniel Wolf Press, New York, in an edition of 300. Signed “Ernst Haas” and numbered “193” on the colophon page, each print signed “Ernst Haas” in pencil l.r. Dyetransfer prints mounted to board, image/sheet sizes to 12 3/4 x 19 1/2 in. (32.2 x 49.4 cm), unmatted, each work housed in a folder inside an oblong maroon linen clamshell box with gilt-lettered leather label. Condition: Good. N.B. Accompanied by a photocopy of a letter from David H. Lyman, Director of the Maine Photographic Workshops, regarding the passing of Ernst Haas in September 1986 and including a picture of the students he taught the week before his death, as well as a portrait of the photographer. $4,000-6,000

117 Ernst Haas (Austrian/American, 1921-1986) Route 66, Albuquerque, New Mexico, 1969, printed 2017. Titled, dated, numbered “16/100,” and signed by Alexander Haas in ink on a Haas Studio label. Chromogenic print, image size 12 x 18 in. (30.3 x 45.5 cm), unmatted, unframed. Condition: Good. N.B. A passionate photojournalist and one-time member of the photography collective Magnum, Haas is perhaps best known as one of the pioneers of color photography. His 1962 retrospective at New York’s Museum of Modern Art was that institution’s first color photography exhibition. The Haas Studio label accompanies the lot. $3,000-5,000 118 Brett Weston (American, 1911-1993) Reeds and Black Water, 1972, probably printed 1975. Signed and dated “Brett Weston 1975” in pencil l.r., stamped “COPYRIGHT 1980/BRETT WESTON” on the mount reverse l.l. Gelatin silver print mounted to board, image/sheet size 10 3/4 x 13 3/4 in. (27.0 x 34.5 cm), unmatted, unframed. Condition: Small loss u.c., minor silvering at very edges, subtle scattered fox marks on mount. $1,000-1,500 114

116 partial

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119 Judy Dater (American, b. 1941) Lucia, 1972. Signed “Judy Dater” in pencil on the mount l.r., titled and dated in pencil on the mount verso l.r. Gelatin silver print mounted to board, image/sheet size 9 1/2 x 7 5/8 in. (24.0 x 19.2 cm), framed. Condition: Good. Provenance: A private Massachusetts collection. $600-800

120 Dan Graham (American, b. 1942) Side of Building in New Housing Project, Staten Island, New York City, 1978. Signed and dated “Dan Graham 1979” in pencil l.r., titled in pencil l.l., identified on a label from Marian Goodman Gallery, New York, affixed to the backing. Chromogenic print mounted to board, image/sheet size 9 3/8 x 14 in. (23.8 x 35.4 cm), framed. Condition: Scattered subtle fox marks on the mount.

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Provenance: Estate of Richard E. Anderson, New York, New York/Redding, Connecticut. N.B. Dan Graham explores the relationship between architectural environments and their inhabitants through practices that include curating, writing, performance, installation, video, and photography. Rooted in his landmark series Homes for America, a key aspect of his photographs of architecture is an investigation of the similarities between the repetitive forms of post-war housing developments and the seriality of Minimalism. $3,000-5,000

121 Lee Friedlander (American, b. 1934) 121

Pittsburgh, 1979. Signed “Lee Friedlander” in pencil with artist’s copyright stamp on the verso u.c., titled and dated with additional annotations in pencil on the verso l.c. Gelatin silver print, image size 8 x 12 in. (20.1 x 30.3 cm), framed. Condition: Good. Provenance: Estate of Richard E. Anderson, New York, New York/Redding, Connecticut. $2,000-3,000

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122 Nan Goldin (American, b. 1953) Greer and Robert on the Bed, New York, 1982. Signed, dated, and numbered “Nan Goldin 5-82 3/15” in black ink l.r., identified on a label from the “C. Engelhard Collection” affixed to the backing. Chromogenic print, image size 14 1/8 x 19 1/2 in. (35.8 x 49.4 cm), matted, framed. Condition: Good. N.B. Nan Goldin creates intensely personal, spontaneous, sexual, and transgressive photographs of her friends, lovers, and family. After graduating from the School of the Museum of Fine Arts/Tufts University in 1977/1978, she moved to New York where she captured the city’s vibrant post-Stonewall gay subculture, as well as the subculture of heavy drug use associated with the Bowery neighborhood. This body of work, including Greer and Robert on the Bed, resulted in her provocative and influential project, The Ballad of Sexual Dependency. $6,000-8,000

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123 Nan Goldin (American, b. 1953) Cookie and Vittorio’s Wedding: The Ring, New York City, 1986. Titled, dated, signed, and numbered “...Nan Goldin #3/25” in black ink on the verso l.c. and l.r. Cibachrome print, sheet size 19 1/2 x 24 in. (49.3 x 60.8 cm), matted, framed. Condition: Subtle handling crimps c.l. and c.r. $2,500-3,500

124 Mark Morrisroe (American, 1959-1989)

124 partial

Three Photographs: Mike Walsh at Home in the Kitchen, titled, dated, and numbered “...1987 2/5” in ballpoint pen on the verso l.r., Blow Both of Us, Gail Thacker and Me, Summer 1978, printed 1985, dated and numbered “#6/7” in ballpoint pen within estate stamp copyrighted 1996 and signed by Pat Hearn, Executrix, on the verso l.c., and Dismal Boston Skyline, 1986. Chromogenic prints, image sizes to 13 3/4 x 17 1/2 in. (34.8 x 44.3 cm), framed. Condition: Each hinged to board at upper corners and in several places along center, floated in frames, Skyline with slight wear at u.r. corner. $3,000-5,000

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125 Michael Kenna (British, b. 1953) Gondolas I, Venice, 1980, printed 1981. Signed “Michael Kenna...” in pencil l.r., dated in pencil l.l., titled and dated on the mount verso l.c. Gelatin silver print mounted to board, image/sheet size 6 5/8 x 9 in. (16.7 x 22.7 cm), framed. Condition: Good. Provenance: Estate of Richard E. Anderson, New York, New York/Redding, Connecticut. $600-800

126 Michael Kenna (British, b. 1953)

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Cherubs, Vaux-le-Vicomte, France, 1988, printed 1990. Signed and dated “Michael Kenna...” in pencil l.r., numbered “34/45” in pencil l.l., titled, dated, signed, and numbered within the artist’s copyright stamp on the mount verso l.c., identified on a label from Germans Van Eck Gallery, New York, affixed to the mount verso. Sepia- and selenium-toned gelatin silver print mounted to board, image/ sheet size 6 3/8 x 8 1/2 in. (16.0 x 21.5 cm), framed. Condition: Good. Provenance: Estate of Richard E. Anderson, New York, New York/Redding, Connecticut. $600-800

127 Andreas Gursky (German, b. 1955) Zurich, 1985. Titled, dated, numbered, and signed “...Andreas Gursky” in ballpoint pen on a typed label affixed to the backing, identified and numbered “5/12” on a label from 303 Gallery, New York, affixed to the backing. Ektacolor print on paper, image size 14 1/2 x 17 3/4 in. (36.7 x 45.0 cm), framed. Condition: Slight rippling to sheet, possible color shifting. Provenance: Estate of Richard E. Anderson, New York, New York/Redding, Connecticut. $8,000-12,000 128 Sandy Skoglund (American, b. 1946) A Breeze at Work, 1987. Signed, titled, dated, and numbered “Sandy Skoglund...5/30” in black ink l.r., identified on a label from the Sharpe Gallery, New York, affixed to the backing. Cibachrome print, image size 38 x 54 in. (96.4 x 137.0 cm), framed. Condition: Not examined out of frame. $3,000-5,000

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129 Christopher Williams (American, b. 1956) Togo (Blauschka Model 439, 1894. Genus no. 5081. Family, Sterculiaceae. Colla acuminata [Beauv.] Schott and Endl. Cola Nut, Goora Nut, 1989, from the series Angola to Vietnam*, in an edition of 5. Titled, dated, numbered, and signed “...5/5 Williams” in pencil on the verso along bottom edge, identified on a label from Luhring Augustine, New York, affixed to the backing. Gelatin silver print on Agfa paper, image size 13 1/4 x 10 in. (33.5 x 25.2 cm), framed. Condition: Good. Provenance: Estate of Richard E. Anderson, New York, New York/Redding, Connecticut. N.B. Christopher Williams is a conceptual artist and fine art photographer whose work investigates the medium of photography, as well as the institutional world of archives and museums as demonstrated by his portfolio Angola to Vietnam*. The photographs in the series capture flower replicas from the Harvard Botanical Museum’s Ware Collection of Blaschka Glass Models, made between 1887 and 1936. As stated by the Museum of Modern Art, New York, where Williams’s work was the subject of a major retrospective in 2014, “by choosing to photograph glass flower models from countries where political disappearances were recorded in 1985, Williams reclassifies them by country of origin rather than by the museum’s system. Over the institution’s botanical classification, based on science, the artist proposes another, based on politics, underlining the biased nature of any classification system.1 1. www. moma.org/interactives/exhibitions/1999/muse/ artist_pages/williams_vietnam.html

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$6,000-8,000

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130 Nan Goldin (American, b. 1953) Siobhan Nude at the A-House #2, Provincetown, 1990. Titled, dated, signed, and numbered “...Nan Goldin 7/25” in ink on the verso l.c. and l.r., identified on labels from Matthew Marks Gallery, New York, and the San Francisco Museum of Modern Art affixed to the backing. Cibachrome print mounted to board, image/sheet size 40 x 30 in. (101.5 x 76.0 cm), framed. Condition: Good. Exhibitions: Public Information: Desire, Disaster, Document, San Francisco Museum of Modern Art, January 18–April 30, 1995. $6,000-8,000 131 Tomio Seike (Japanese, b. 1943) Quai Montebello, Paris, 1991, from an edition of 30. Titled, numbered, dated, and signed “...7...T. Seike” in pencil within the artist’s copyright stamp on the verso l.c. Toned gelatin silver print, image size 7 5/8 x 5 1/8 in. (19.4 x 13.0 cm), framed. Condition: Good. Provenance: Estate of Richard E. Anderson, New York, New York/Redding, Connecticut. $700-900

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132 Michal Rovner (Israeli, b. 1957) Outside #3, 1991. Titled, dated, numbered, and signed “...11/15 Michal” in ink on a label affixed to the backing. Chromogenic print mounted to board, sight size 18 1/2 x 18 in. (46.8 x 45.5 cm), framed (without glass). Condition: Minor frame abrasions. Provenance: Estate of Richard E. Anderson, New York, New York/Redding, Connecticut. $3,000-5,000

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133 Annette Lemieux (American, b. 1957) Wunderkind, 1993-94. Identified and numbered “2/3” on a label from the C. Engelhard Collection affixed to the backing. Gelatin silver print, sight size 48 3/4 x 33 1/2 in. (123.6 x 85.0 cm), framed. Condition: Not examined out of frame. $800-1,200 134 Annelies Štrba (Swiss, b. 1947) Sonja mit Samuel-Maria, 1994, from the series Shades of Time. Identified on a label from Bill Maynes Gallery, New York, affixed to the mount. Chromogenic print mounted to aluminum, image/sheet size 29 1/2 x 19 1/2 in. (74.8 x 49.4 cm), unframed. Condition: Small areas of surface dirt c.l. Provenance: Estate of Richard E. Anderson, New York, New York/Redding, Connecticut. $700-900

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135 Samuel Fosso (Cameroonian/Nigerian, b. 1963) Liberated American Woman/A Self-portrait, 1998. Signed, titled, and dated “Samuel Fosso...” on a label affixed to the verso, numbered “23/200” in silver ink on the verso l.l. Chromogenic print, image size 11 x 11 in. (27.8 x 27.8 cm), unmatted, unframed. Condition: Subtle handling crimps. N.B. Fosso was recently awarded a 2018 Infinity Award for Art by the International Center of Photography, New York. $800-1,200 136 Joel-Peter Witkin (American, b. 1939) La Serpentine, Marseilles, 1992, from an edition of 6. Identified and dated on a label from the Museum of New Mexico, Museum of Fine Arts, Santa Fe, affixed to the backing. Toned gelatin silver print, sight size 31 1/2 x 27 1/4 in. (79.8 x 69.0 cm), framed. Condition: Slipped hinge u.r., not examined out of frame. Provenance: Purchased from the artist, 2002. Exhibitions: Museum of New Mexico, Museum of Fine Arts, Santa Fe, January 1999. N.B. The lot is accompanied by a copy of Germano Celant’s book Joel-Peter Witkin (Zurich, Berlin, and New York: Scalo, 1995) in which La Serpentine is reproduced as plate 101. $2,000-3,000

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137 Joel-Peter Witkin (American, b. 1939) Beauty Has Three Nipples, Berlin, 1998. Numbered “7/12” on an artist’s receipt. Toned gelatin silver print, 33 1/2 x 26 1/8 in. (85.0 x 66.2 cm), in a Spanish-style frame designed by Tres Mowka, Santa Fe. Condition: Not examined out of frame. Provenance: Acquired from the artist, 2002. N.B. Copies of an invoice for the frame and a receipt signed by Joel-Peter Witkin dated June 11, 2002, accompany the lot. $1,500-2,500

138 Joel-Peter Witkin (American, b. 1939) 138

Humor and Fear, New Mexico, 1999. Identified and numbered “4/10” on a label from Catherine Edelman Gallery affixed to the backing. Toned gelatin silver print, sight size 16 1/4 x 15 in. (41.0 x 38.0 cm), in a Valdes, Santa Fe, custom-designed frame. Condition: Not examined out of frame. Provenance: Purchased from the Catherine Edelman Gallery, Chicago, 2001. N.B. A copy of the 2001 invoice indicating that the work is signed, titled, dated, and editioned on the verso accompanies the lot. $1,500-2,500

139 Joel-Peter Witkin (American, b. 1939) Study for “Thoraxic Park,” 2002. Signed and dated “Witkin...” in pencil l.r., titled in pencil l.l. Diptych of gelatin silver prints, collaged elements, paint, and marker mounted to panel, 25 1/2 x 33 3/8 in. (64.7 x 84.6 cm), framed. Condition: Not examined out of frame. $3,000-5,000

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Fine Paintings & Sculpture Lots 201-423 to be sold Friday, May 11, 2PM

201 After Joachim Antonisz Wtewael (c. 1566-c. 1638) The Judgment of Solomon Unsigned, attributed to “Van Uytewael” on a typed label affixed to the reverse. Oil on partially cradled panel, 10 1/2 x 15 3/4 in. (27.0 x 40.0 cm), framed. Condition: Abrasions with paint losses, fine craquelure, bowing to the panel. N.B. The painting at hand was likely based on an engraving by Willem Isaacsz. van Swanenburg after an original painting by Joachim Wtewael. $2,000-3,000

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202 Guercino (Italian, 1591-1666) Study for St. John the Baptist Unsigned. Brown ink and wash on paper, 10 1/2 x 7 5/8 in. (26.5 x 19.2 cm), framed. Condition: Sheet lined with laid paper backing, tears and losses to the l.r. quadrant, toning, staining. N.B. This study for St. John the Baptist has been reviewed by Dr. Nicholas Turner from high resolution photographs. Dr. Turner believes the work to be a newly rediscovered, authentic drawing by Guercino, made in preparation for his oil painting, St. John the Baptist, now on permanent display in the Kunsthistorisches Museum, Vienna. Guercino’s Vienna picture, created for the Holy Roman Emperor Ferdinando III in 1641, was the most prestigious commission of the artist’s career. Dr. Turner writes, “Guercino’s pen-and-ink drawings from the early 1640s, like this example, are powerful and fast-paced in execution and have long been admired for their energy.” Dr. Turner continues that the single largest group of Guercino’s drawings to have remained together are now in the Royal Library of Windsor Castle, purchased from Guercino’s heirs in the late 1750s. The Windsor collection includes a copy of the study at hand, which Dr. Turner now believes to be a facsimile copy made by Francesco Bartolozzi (Italian, 1727-1815). 202

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A letter from Nicholas Turner with a more complete analysis of the drawing accompanies the lot. $800-1,200

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203 Spanish School–Aragonese, 15th Century Mary Magdalene Enthroned, Holding an Unguent Jar and Rosary Unsigned. Egg tempera and gilt on panel, 19 1/8 x 15 7/8 in. (48.8 x 40.3 cm), framed. Condition: Undulating warping to the panel, panel backed with a wax lining and fabric reinforcement running horizontally across the middle of the reverse with a corresponding line of craquelure on the recto; horizontal crack 4 1/2 to 5 inches down from the top edge of the panel running about half way across the panel, presenting as a jagged tear to the u.l. on the recto; the painted surface is irregular, with three round raised spots occurring on a vertical axis along the left side; retouch which does not fluoresce.

Provenance: Purchased in Madrid before 1977, by descent within the family of the current owner. N.B. During the first decades of the fifteenth century, coinciding with the early Italian Renaissance but unrelated to that movement, Flanders became an influential force in European painting. The spread of Flemish artistic models affected an important stylistic change in European Gothic art, particularly among the artists active in the Hispanic kingdoms, as displayed in the painting at hand from Aragon in northeastern Spain. The phrase “Hispano-Flemish” is used to describe the hybridized visual tradition that combined Flemish artistic innovation with the localized traditions of the various Iberian kingdoms, resulting in artworks that are neither quintessentially Netherlandish nor Spanish.

A synthesis of International Gothic, in its Spanish form, and the influence of the great Flemish masters of the fifteenth century, the Hispano-Flemish style was prevalent throughout the latter half of the fifteenth century, rising and falling in popularity and influence in different geographical areas. The Hispano-Flemish style was developed by both Netherlandish immigrant artists and by Spanish artists incorporating Northern European aesthetics into their practice, reflecting the socio-political and economic networks between Spain and the Low Countries. In the east, under Alphonso V of Aragon and his successors, Italian and Flemish influences were blended. The combination of Northern and Spanish influences in this work include the crisp lines of drapery and the interior setting more typical of the north, with the southern influence of the reverence of Mary Magdalene, here shown enthroned in a way more typical of a Madonna and Child. $30,000-50,000

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204 French School, 18th Century Knight of the Order of Malta in Armor Unsigned, identified on an unattributed label affixed to the frame. Oil on canvas, 24 3/8 x 20 1/4 in. (62.0 x 51.5 cm), framed. Condition: Lined, retouch, craquelure, surface grime. $2,500-3,500 205 Johannes (Jan) Tielius (French, 1653-1719) Seated Woman with a Bouquet of Roses, A Figure of Cupid Behind Her Signed â&#x20AC;&#x153;I. Tieliusâ&#x20AC;? c.r. Oil on cradled panel, 15 3/4 x 12 1/8 in. (40.0 x 31.5 cm), framed. Condition: Two vertical cracks to panel, retouch, scattered abrasions, fine craquelure, surface grime. $2,000-3,000

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206 School of Thomas Wijck (Dutch, 16161677) Young Woman in an Interior Unsigned. Oil on canvas trimmed and mounted to panel, 11 1/8 x 10 3/8 in. (28.2 x 26.4 cm), framed. Condition: Paint losses, flaking, craquelure, varnish discoloration, surface grime. N.B. The attribution to the circle of Thomas Wijck was suggested by staff from the RKDâ&#x20AC;&#x201D; Netherlands Institute for Art History, The Hague. $1,000-1,500 207 Attributed to Sir William Beechey (British, 1753-1839) H.R.H. The Duke of Gloucester Unsigned, identified on a presentation plaque. Oil on canvas, 29 3/4 x 24 3/4 in. (75.7 x 63.0 cm), framed. Condition: Lined, scattered abrasions, craquelure, varnish discoloration. N.B. The work at hand is closely related to Sir William Beechyâ&#x20AC;&#x2122;s 1804 portrait of William Henry (Hanover), First Duke of Gloucester, grandson of King George II and younger brother of King George III. $2,000-3,000

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208 Italian School, 18th Century Apollo and Daphne Unsigned. Oil on copper, 6 1/4 x 8 3/4 in. (15.7 x 22.1 cm), framed. Condition: Retouch, fine craquelure, surface imperfections and grime. $600-800 209

209 Continental School, 17th/18th Century Battle Scene Signed indistinctly l.l. Oil on canvas, 8 1/4 x 14 3/4 in. (21.0 x 37.5 cm), framed. Condition: Lined, tear to l.l. quadrant that does not break the lining on the reverse, craquelure. $800-1,200 210 Attributed to Jasper van der Laanen (Dutch, c. 1575/95-1624/44) Wooded Landscape with Figures on a Path Unsigned, attributed in an inscription on the back of the frame. Oil on copper, 5 1/8 x 6 3/8 in. (13.0 x 16.3 cm), framed. Condition: Crack to support at l.l. corner, retouch, paint loss, craquelure, surface grime. $600-800

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211 Attributed to Johannes van der Bent (Dutch, 1650-1690) Military Encampment with Foreground Figures at Rest Monogrammed “JB” l.r., attributed on a presentation plaque. Oil on canvas, 11 x 13 1/2 in. (28.0 x 34.5 cm), framed. Condition: Lined, retouch, craquelure, scattered abrasions, surface grime. $700-900 212 Dutch School, 18th Century 212

Winter Scene with Foreground Hunters and Figures Playing on the Ice Unsigned, inscribed “Gennt Bahem” on the reverse. Oil on partially cradled panel, 6 3/4 x 9 3/4 in. (17.5 x 24.5 cm), unframed. Condition: Fine craquelure, surface grime, varnish inconsistencies. $700-900

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213 British School, 18th Century Ready for the Hunt Unsigned, dated “1768.” l.r. Oil on canvas, 25 x 30 in. (64.0 x 76.0 cm), framed. Condition: Lined, retouch, craquelure. $1,500-2,000 214 Continental School, 18th Century Still Life with Game and Horn in a Landscape Unsigned, inscribed “Weenix” in pencil on the stretcher. Oil on canvas, 14 1/2 x 12 1/2 in. (36.5 x 32.0 cm), framed. Condition: Lined, fine craquelure, surface grime. $1,500-2,000

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215

215 Lucas Victor Schaefels (Belgian, 18241885) Still Life with Fruit, Goldfish, and Hare Signed and dated “Luz. Schaefels/1871” l.r., with a label from Haynes Fine Art of Broadway, The Bindery Galleries, Worcestershire, England, affixed to the frame. Oil on canvas, 33 1/2 x 48 1/2 in. (85.1 x 123.2 cm), framed. Condition: Lined, craquelure, minor surface grime. $3,500-5,500 216 Gustav Muss-Arnolt (American, 1858-1927)

216

Portrait of a Thoroughbred Signed and dated “G. Muss-Arnolt/87” l.l. Oil on canvas, 22 x 27 in. (56.0 x 68.5 cm), framed. Condition: Lined, retouch, fine craquelure. $1,500-2,500

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217 Ludwig Guttenbrunn (German, 1755-after 1813) Cupid and Psyche Signed and dated “Guttenbrunn fecit 1789” l.l. Oil on panel, 20 1/2 x 14 in. (52.1 x 35.6 cm), framed. Condition: Retouch, old abrasion c.l. edge, craquelure, high gloss varnish. $3,500-5,500 218 Alfred Eduard Agenor de Bylandt (Belgian, 1829-1890) Sheep in a Summer Landscape Signed and dated “A. de Byland.../1863” l.r., identified on a presentation plaque. Oil on canvas, 23 1/2 x 35 1/2 in. (60.0 x 90.0 cm), framed. Condition: Lined, retouch, craquelure, original canvas with separation at u.l. and l.r. corners due to uneven trimming before lining, surface grime. $800-1,200

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219 Sebastian Lucius (Italian, before 1881-after 1920) Arcadian Landscape Signed and dated “S. LVCIVS XV” l.r. Oil on canvas, 29 3/8 x 19 3/4 in. (75.0 x 50.0 cm), in a period frame. Condition: Small abrasion to l.c., subtle canvas rippling, minor craquelure. $1,200-1,800 220 Pál (Paul) Böhm (Hungarian, 1839-1905) A Pinch of Trouble Signed “P. Böh...” l.l. Oil on canvas, 15 3/4 x 12 1/2 in. (40.5 x 32.0 cm), framed. Condition: Patch reinforcement, scattered retouch, craquelure. $1,000-1,500

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221 Flemish School, 17th Century A Caller at the Door Unsigned. Oil on panel, 16 1/2 x 13 1/4 in. (42.0 x 34.0 cm), framed. Condition: Retouch, fine craquelure, possible skinning. Provenance: A Massachusetts estate. N.B. A review by the RKDâ&#x20AC;&#x201D;Netherlands Institute for Art History, revealed that the painting at hand is in the style of the Flemish artist David Ryckaert III (1612-1661) but could not be firmly attributed. $1,000-1,500 222 Spanish School, 18th Century Style Piper and Dog Unsigned. Oil on canvas, 12 1/2 x 9 3/4 in. (32.0 x 25.0 cm), framed. Condition: Lined, retouch, areas of possible skinning to the background, faint stretcher bar marks. $1,000-1,500

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223 Francesco Hayez (Italian, 1791-1881) Portraits (Three Heads) Unsigned, titled on the reverse in a later hand, identified on an exhibition label from the Wadsworth Athenaeum (see below) affixed to the reverse. Oil on panel, 16 x 20 1/4 in. (40.5 x 51.5 cm), framed. Condition: Retouch, small paint losses, surface imperfections, area of craquelure with lifting to l.r. quadrant, slight bowing to the panel.

Provenance: The collection of Nelson C. White, Waterford, Connecticut. Exhibitions: Salute to Italy, 100 Years of Italian Art, 1861-1961: a special loan exhibition co-sponsored by the Barbieri Center of Italian Studies, Trinity College, in celebration of the unification of the Italian nation in 1861, April 21â&#x20AC;&#x201C;May 28, 1961, Wadsworth Athenaeum, Hartford, Connecticut. $6,000-8,000

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224 Edward Antoon Portielje (Belgian, 18611949) A Pause in the Afternoon’s Sewing Signed “Edward Portielje.” l.l., impressed “PORTIELJE” on a red wax stamp on the reverse. Oil on panel, 18 x 14 5/8 in. (45.7 x 37.2 cm), framed. Condition: Minor paint loss, fine craquelure. $4,000-6,000 225 Fritz Zuber-Bühler (Swiss, 1822-1896) Mother’s Darling Signed “Zuber Buhler” l.l. Oil on canvas, 18 x 14 3/8 in. (45.5 x 36.4 cm), framed. Condition: Lined, scattered retouch, fine craquelure. $3,000-5,000

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227

226 Alessandro Sani (Italian, 1856-1927)

227 Ettore Simonetti (Italian, 1857-1909)

A Spirited Duet Signed “A. Sani” u.r., with labels from Galleria Masini, Florence, on the stretcher and frame. Oil on canvas, 19 1/4 x 27 in. (49.0 x 69.0 cm), in a carved and gilded frame. Condition: Scattered retouch, abrasion to l.r. corner, minor stretcher bar mark with paint loss to l.r. $1,200-1,800

The Return of the Soldier Signed and inscribed “Ettore Simonetti/Roma” l.l., titled on a presentation plaque. Watercolor on paper/board, sight size 20 1/2 x 28 5/8 in. (52.0 x 72.7 cm), framed. Condition: Not examined out of frame. $1,500-2,500

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228 George Henry Clements (American, 18541935)

229 James Henry Crossland (British, 18521939)

230 Mikhail Konstantinovich Klodt von Jurgensburg (Russian, 1832/33-1902)

Lane at Aber, N. Wales Signed “G. H. Clements” l.r., titled on the reverse. Oil on canvas, 20 x 16 in. (50.8 x 40.6 cm), framed (under glass). Condition: Craquelure.

Valley Landscape with Sheep at Pasture Signed “J.H. Crossland.” l.l. Oil on canvas, 24 x 36 in. (59.5 x 91.0 cm), in a period frame. Condition: Retouch, craquelure with small area of lifting to u.c., minor canvas deformation, varnish discoloration, minor surface grime. $800-1,200

Zirknitzer See, Kärnthen Signed in Russian and dated “... 1872” l.r., identified on a handwritten label affixed to the stretcher. Oil on canvas, 16 5/8 x 20 5/8 in. (42.0 x 52.5 cm), framed. Condition: Minor retouch, craquelure, minor surface grime. $3,500-5,500

Provenance: Skinner Inc., American & European Paintings, May 8, 1998, Sale 1843, Lot 52. $800-1,200

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231 John Fery (American, 1859-1934) Mountain Pass Signed “J. Fery” l.r. Oil on canvas, 31 1/2 x 27 1/2 in. (80.0 x 69.9 cm), framed. Condition: Surface grime. $3,000-5,000 232 Edmund Henry Osthaus (American, 18581928) Alpine Vista Signed and inscribed indistinctly “Edm Osthaus/...” l.l. Oil on canvas, 35 x 46 1/2 in. (89.0 x 118.0 cm), framed. Condition: Patch reinforcements, minor retouch, craquelure, surface grime. $5,000-7,000

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233 John Rathbone (British, 1750-1807) Cottage at the Forest’s Edge with Distant Windmill Unsigned, inscribed “By Rathbone” on a gummed label affixed to the reverse. Oil on panel, 8 1/8 x 10 1/8 in. (20.2 x 26.2 cm), framed. Condition: Craquelure, surface grime. $1,000-1,500 234

234 Francis Hopkinson Smith (American, 18381915) Cottages and Sun-dappled Path Signed “F. Hopkinson Smith” l.l. Gouache, watercolor, and charcoal on paper/ board, sight size 21 1/4 x 29 1/4 in. (54.0 x 74.3 cm), framed. Condition: Not examined out of frame. $800-1,200 235 John Rathbone (British, 1750-1807)

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Misty Landscape with Cottage and Distant Mountain Unsigned, inscribed “By Rathbone” on a gummed label affixed to the reverse. Oil on panel, 8 1/8 x 10 1/8 in. (20.2 x 26.2 cm), framed. Condition: Minor retouch, craquelure, surface grime. $1,000-1,500

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236 César De Cock (Flemish, 1823-1904) Paysage de Campagne Signed “Cesar De Cock” l.l., identified on a hanging label Certificate of Authenticity from Galerie Michael, Beverly Hills, California, affixed to the picture wire. Oil on canvas, 17 x 24 in. (43.0 x 61.0 cm), framed. Condition: Lined, retouch, fine craquelure. $3,000-5,000

237 Wladyslaw Karol Szerner Jr. (Polish, 18701936) Gathering Intelligence Signed “Wladyslaw Szerner” l.r. Oil on panel, 15 1/2 x 24 in. (39.4 x 61.0 cm), framed. Condition: Retouch, frame abrasions, paint losses to edges, pinholes to lower edge and center, crack to c.r. Provenance: A private Montana collection. $3,000-5,000

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238 John Herbert Caddy (Canadian, 1801-1887) 238 partial

Three Topographical Views of the West Indies: Two Depicting Brimstone Hill, St. Kitts, One Depicting The Pitons or Sugar Loaves, St. Lucia Unsigned, attributed in pencil inscriptions on the back of the frames. Watercolor on paper, sight sizes to 11 1/4 x 16 7/8 in. (28.4 x 43.1 cm), framed. Condition: Toning, staining, not examined out of frames. N.B. Lieutenant John Herbert Caddy of the British Royal Artillery was one of many amateur artists who depicted the landscape of the West Indies in the 19th century. Caddy did two tours of duty in the British West Indies between 1828 and 1838. A series of his watercolors was reproduced as colored aquatints by Ackermann in London in 1838. The aquatints and Caddy’s career were the subject of an article in The Magazine Antiques by Neville Connell, March, 1972. $1,000-1,500 239 American School, 19th/20th Century

239

Sailing Yachts with a Steam Tugboat Unsigned. Oil on canvas, 11 3/4 x 18 in. (30.0 x 46.0 cm), framed. Condition: Retouch, subtle canvas rippling, fine craquelure, minor surface grime. $1,000-1,500 240 (Robert) William Wilson Cowell (American, 1819-1898) Shipping in a Storm off the Coast Signed, inscribed, and dated “Robt. W W Cowell/Phila. 1871” l.l. Oil on canvas, 38 1/2 x 70 1/2 in. (97.8 x 179.1 cm), in a period frame. Condition: Craquelure, surface grime. $3,000-5,000 240

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241

242

241 Alfred Thompson Bricher (American, 18371908)

242 William Preston Phelps (American, 18481923)

Rocky Shore with Distant Sailboats Monogrammed “ATB” l.r., inscribed “Geo. E. Seely” in pencil on the reverse. Oil on academy board, 5 1/4 x 10 7/8 in. (13.3 x 27.6 cm), framed. Condition: Minor scattered dots of retouch to sky in u.r. quadrant.

York Harbor, Maine Signed “WP Phelps” l.r., titled on an unattributed label affixed to the reverse. Oil on canvas, 9 x 18 in. (22.8 x 45.7 cm), framed. Condition: Lined, craquelure, retouch, scattered minor abrasions with small paint losses. $1,000-1,500

Provenance: Collection of Judge Jon Tom Staton, Edmond, Oklahoma. $1,500-2,500

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243 Attributed to Charles Henry Gifford (American, 1839-1904) Niagara Falls Unsigned, with a label from A.B. Crowell, New Bedford, Massachusetts, affixed to the back of the frame. Oil on canvas, 9 x 14 in. (23.0 x 35.5 cm), framed. Condition: Lined, minor dots of retouch to sky, fine craquelure. $3,000-5,000

244 Hudson River School, 19th Century Niagara Titled and with two monograms “...G.M.W.” and indistinctly, perhaps “...HB” on the reverse. Watercolor on paper, 10 x 14 in. (25.3 x 36.0 cm), framed. Condition: Toning, mat burn, surface accretions and possible losses to the perimeter of the sheet, hinged to window mat with brown paper tape around the edges of the reverse. $800-1,200

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245

245 David Johnson (American, 1827-1908) Figures by Trenton Falls Monogrammed and dated â&#x20AC;&#x153;DJ. 74.â&#x20AC;? l.l., identified in an inscription on the frame backing board. Oil on canvas, 18 1/4 x 29 3/4 in. (46.5 x 76.0 cm), framed. Condition: Lined onto a rigid support, scattered retouch, fine craquelure, possible skinning. Provenance: Onondaga Historical Association, Syracuse, New York, the Artwork Collection; Skinner, Inc., American & European Paintings & Prints, September 25, 1998, Sale 1862, Lot 282; to the current private collection.

Literature: Gwendolyn Owens, Nature Transcribed: The Landscapes and Still Lifes of David Johnson (1827-1908) (Hanover & London: University Press of New England, 1988), p. 82. N.B. David Johnson made Trenton Falls the subject of his painting during much of his career. The Falls, northeast of Utica, New York, on the West Canada Creek, was a popular mid-19th century tourist attraction. In the example presented here, the artist displayed his detailed and controlled brush stroke, coupled with the inclusion of figures, both hallmarks of his 1870s style. $20,000-40,000

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246 John Joseph Enneking (American, 18411916) Duck Pond in Early Autumn Signed and dated “Enneking 90” l.r. Oil on canvas, 18 x 24 in. (45.7 x 61.0 cm), in a period frame, possibly Carrig-Rohane. Condition: Craquelure, retouch. $2,500-3,500 247 William Preston Phelps (American, 18481923) Sod-roofed Cottage Signed “WP Phelps” l.l., inscribed “Highland...” and “Beaton” in crayon and “C.R. Grant” in ink on the reverse. Oil on canvasboard, 7 7/8 x 13 1/4 in. (20.0 x 33.5 cm), framed. Condition: Scattered retouch, surface grime. $1,000-1,500

246

248 Walter Mason Oddie (American, 1808-1865) Fishermen by a Mountain Stream Signed and dated “Walter M. Oddie 1851” l.r., identified on a gummed label affixed to the stretcher, with a Williams & Stevens Co., New York, canvas stencil on the reverse. Oil on canvas, 9 3/4 x 14 in. (25.0 x 35.5 cm), framed. Condition: Retouch primarily to the sky, craquelure. $1,000-1,500 .

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250

249 William Louis Sonntag (American, 18221900)

250 George Herbert McCord (American, 18481909)

Landscape with Lake, Canoe, and Cottage Signed “W.L. Sonntag NA” l.r. Oil on canvas, 12 x 20 in. (30.5 x 50.5 cm), framed. Condition: Small patch reinforcement, retouch, craquelure. $2,000-3,000

Lake George, Paradise Bay Signed “G.H. McCord” l.l., with a partial label from the American Art Association, New York, affixed to the stretcher, a partial label from Sherk Bros. Fine Arts, Brooklyn, affixed to the back of the frame and the stretcher, and a stamp from F.W. Devoe & Co. Artist’s Materials applied to the reverse, title provided by the consignor. Oil on canvas, 10 x 16 in. (25.4 x 40.6 cm), framed (in a liner). Condition: Craquelure, frame abrasions with small paint losses, retouch. Provenance: Collection of Judge Jon Tom Staton, Edmond, Oklahoma. $1,000-1,500

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251

252

251 George Herbert McCord (American, 18481909)

252 Alexander Theobald Van Laer (American, 1857-1920)

Crescent Moon over Lake Placid Signed and dated “G.H. McCord 1875” l.l. Oil on canvas, 20 x 36 in. (50.8 x 91.5 cm), framed (in a liner). Condition: Wax lined, retouch, fine craquelure.

October Hills Signed “A.T. vanLaer” l.l. Oil on canvas, 35 x 42 in. (88.9 x 106.7 cm), framed. Condition: Wax lined, craquelure, small paint loss u.l., retouch. $1,000-1,500

Provenance: Collection of Judge Jon Tom Staton, Edmond, Oklahoma. $3,000-5,000

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253

253 William S. Robinson (American, 1861-1945) Sunset Unsigned, identified and titled on a label from the Salamagundi Club Auction Sale affixed to the stretcher, with a label from Philip Suval Picture Frames, New York, affixed to the back of the frame. Oil on canvas, 12 x 16 in. (30.5 x 40.6 cm), in a period frame. Condition: Craquelure, retouch, varnish inconsistencies. $1,000-1,500 254 George Inness (American, 1825-1894)

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Sunset Signed “G. Inness” l.r., attributed on a presentation plaque, identified “.../ALL NATIONAL MUSEUMS/PHB 11/12/45” in an inscription on the reverse. Oil on canvas laid down on paperboard, 5 1/2 x 6 3/4 in. (13.9 x 17.1 cm), framed. Condition: Canvas trimmed and laid down on paperboard, frame abrasions, scattered retouch, minor craquelure and lifting l.c., varnish inconsistencies. Provenance: The estate of Carol J. Ferranti. N.B. A letter from Michael Quick confirming the painting’s authenticity and providing its title accompanies the lot. Mr. Quick believes that Inness painted the work c. 1854-55, and he will include it in the forthcoming supplement to his catalogue raisonné. $3,000-5,000

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255 Thomas Hewes Hinckley (American, 18131896) Homestead with Cattle and Sheep Signed and dated “T.H. Hinckley/1884” l.l., inscribed “Allerton/...” on a gummed label affixed to the stretcher. Oil on canvas, 26 x 35 7/8 in. (66.0 x 91.0 cm), in a period frame. Condition: Lined, retouch, craquelure, frame abrasions along lower edge. Provenance: Collection of Judge Jon Tom Staton, Edmond, Oklahoma. $2,500-3,500 256

256 Samuel Lancaster Gerry (American, 18131891) Cows and Sheep in a Rocky Pasture Initialed “SLG” l.l. Oil on academy board, 7 7/8 x 12 in. (20.3 x 30.3 cm), framed. Condition: Surface imperfections along c.l. edge, craquelure. $1,000-1,500

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257

257 William Preston Phelps (American, 18481923)

258

Upland Pasture Signed “W Phelps” l.l., identified on a label from the Godwin Gallery, Pepperell, Massachusetts, affixed to the frame backing. Oil on canvas, 12 x 18 in. (30.0 x 45.5 cm), framed. Condition: Retouch primarily to sky, surface grime. $1,500-2,000 258 Alexander Theobald Van Laer (American, 1857-1920) Sheep Pasture Signed “AT VANLAER” l.r. Pastel on paper, sight size 9 3/4 x 15 7/8 in. (24.8 x 40.4 cm), framed. Condition: Not examined out of frame. $600-800 259 Charles Franklin Pierce (American, 18441920) Cows at Pasture Signed “C F PIERCE” l.l. Oil on canvas, 18 x 24 in. (45.7 x 61.0 cm), framed. Condition: Patch reinforcement on the reverse l.l., retouch, craquelure. $1,000-1,500

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260 Samuel W. Griggs (American, 1827-1898) Grapes and Corn Husks Hanging Against a Wooden Wall Signed “S.W. Griggs” l.l. Oil on canvas, 30 x 18 in. (76.8 x 45.7 cm), framed. Condition: Lined, minor retouch, fine craquelure. Provenance: Christie’s New York, Rockefeller Center, Christie’s Interiors, April 5, 2011, Lot 187; through to the collection of Judge Jon Tom Staton, Edmond, Oklahoma. $800-1,200

261 William Preston Phelps (American, 18481923)

262 Edward Chalmers Leavitt (American, 18421904)

Interior of the Barn at Chesham Signed “WP Phelps” l.l., identified on a label from The Godwin Gallery, Pepperell, Massachusetts, affixed to the frame backing. Oil on canvas, 23 3/4 x 35 3/4 in. (60.5 x 91.0 cm), framed. Condition: Craquelure with lifting along the bottom edge, retouch, subtle rippling. $2,000-3,000

Still Life with Red Gooseberries Signed “E.C. Leavitt 1879” l.r. Oil on canvas (stretched with Boston tabs), 6 x 8 in. (15.0 x 20.0 cm), framed. Condition: Varnish inconsistencies, minor craquelure and surface grime. $800-1,200

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263

263 Albert Bierstadt (American, 1830-1902) Butterfly Signed and dated “Albert Bierstadt/May 29/90” l.r. Oil and pencil on paper, sight size 6 1/4 x 7 3/4 in. (15.8 x 19.7 cm), matted, framed. Condition: Sheet laid down on mat, deckled upper edge, vertical crease to center (as part of the artist’s process), discoloration to center possibly due to oils in paint soaking into paper, rippling to right edge, small dog-ear fold to u.r. corner, toning, foxing, scattered stains, scattered minor handling creases.

Provenance: Gift from the artist to Paul A. Putzki; by descent to Dr. Paul S. Putzki, Washington, DC, circa 1936; by descent to Pauletta Putzki Evans, circa 1970; by descent to Susan Evans Middleton and Eleanor Evans, 2015.

A pencil touch added the antennae, that artist’s autograph was added to the corner, and now we each of us own a painting by Bierstadt.” (Gordon Hendricks, Albert Bierstadt: Painter of the American West [New York: Abrams, 1974], pp. 302-3).

N.B. Bierstadt often gifted friends and acquaintances with small artworks made on the spot, like this butterfly. In 1892, a journalist from the Detroit Free Press was invited to the artist’s studio with a select group. She reported: “We women were so glad we were women that afternoon, for Mr. Bierstadt presented each lady with a souvenir. This is how he made them. We all clustered about the table and he took out a palette, a knife and some large slips of cartridge paper. Two or three daubs of pigment on the paper, a quick fold, and holding it still folded against a pane of glass, he made two or three strokes of that wizard-like palette knife on the outside, and hey, presto! a wonderful Brazilian butterfly or moth, even the veining on the wings complete!

Bierstadt painted this butterfly in the Washington, DC, studio of fellow GermanAmerican artist Paul A. Putzki (1859-1936) on May 29, 1890. Putzki had come to Washington at the request of First Lady Caroline Harrison, who had studied watercolor and china painting with Putzki in Indianapolis and wished Putzki to teach classes at the White House. Putzki’s floral studies, many of which were painted in the White House conservatories while the orchids were in bloom, met with particular success in Washington. $12,000-18,000

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264 Attributed to Thomas Eakins (American, 1844-1916) Portrait of a Woman Signed “EAKINS” l.r. Oil on canvas, 36 x 23 3/4 in. (91.0 x 60.3 cm), framed. Condition: Varnish discoloration, fine craquelure, surface grime.

265 Richard Creifelds (American, 1853-1939) The Song of the Oriole Signed “R. Creifelds” l.l. Oil on canvas, 40 x 28 in. (101.6 x 71.2 cm), framed. Condition: Minor retouch to background. $1,500-2,000

Provenance: Estate of George Wachsteter, Maine. N.B. The work is accompanied by a color photocopy of the purchase receipt from Coleman Auction Galleries, Inc., New York, from 1962. $7,000-9,000

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266 Harry Herman Roseland (American, 18661950) The Magic Water Signed “Harry.Roseland” l.l., titled on an unattributed label affixed to the frame backing. Oil on canvas, 20 x 30 in. (50.5 x 76.0 cm), framed. Condition: Lined, retouch, craquelure. Provenance: Collection of Judge Jon Tom Staton, Edmond, Oklahoma. $1,000-1,500 267 Attributed to David Gilmour Blythe (American, 1815-1865) Southern Household Slave Signed “Blythe” u.r., titled in an inscription on the reverse and on a label from Harry Eichleay Art Co., Pittsburgh, Pennsylvania, affixed to the reverse. Oil on canvasboard, 16 x 13 1/2 in. (40.6 x 34.3 cm), framed. Condition: Retouch, craquelure with tenting, varnish inconsistencies. $1,000-1,500 267

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268 Edwin Willard Deming (American, 18601942) Elk in Grassy Highlands, Autumn Signed with the artist’s cipher followed by “E.W. DEMING” l.l., with a partial gallery label affixed to the stretcher. Oil on canvas, 12 x 18 in. (30.5 x 45.7 cm), framed (in a liner). Condition: Wax lined, retouch, minor surface grime. Provenance: Collection of Judge Jon Tom Staton, Edmond, Oklahoma. $1,500-2,500 269 Harry Jackson (American, 1924-2011) 268

Pony Express III Inscribed “© Harry Jackson 1978” in ink on the base; signed and dated in the bronze “© Harry Jackson 1977,” incised with cast number “PEIII 43P,” with a foundry stamp “WFS/ITALIA” and the artist’s thumbprint, all on the bronze base. Cold patinated bronze, height 8 1/4 in. (20.9 cm), on a black marble plinth. Condition: Minor chips to the patina at the brim of the hat, dust and dirt to the interstices. N.B. The lot is accompanied by a color copy of the Certificate of Origin for the sculpture, signed by Harry Jackson and dated October 25, 1982, presented in a folder from Wyoming Foundry Studios Incorporated. The certificate states that the edition is limited to 350 dated, numbered, and foundry marked painted bronze castings, made using the lost wax method in the artist’s private studio-foundry, the Wyoming Foundry Studios, in Camaiore, Italy. $4,000-6,000 270 James McDonnough (American, 18201903) 269

A Fierce Horseback Competition Signed and dated “J. Mcdonnough [sic]/1883” l.l. Oil on canvas, 22 x 40 in. (56.0 x 101.5 cm), framed. Condition: Patch reinforcement, retouch, craquelure, surface grime. N.B. Although not as widely recognized today, James McDonnough was a prominent bank note engraver in the 19th century, serving as president of the American Bank Note Company from 1887 to 1896. McDonnough was also a landscape painter who exhibited at the National Academy of Design from 1849 to 1888. He drew inspiration for his more exotic scenes from his travels to Central and South America, including Nicaragua and Peru. $1,500-2,500

270

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272

271 Robert William Wood (American, 18891979) Rocky Mountain Vista Signed “Robt. Wood” l.r., identified on a presentation plaque. Oil on canvas, 30 x 36 in. (76.3 x 91.0 cm), framed. Condition: Lined, minor retouch, faint stretcher bar marks, fine craquelure.

272 Thomas Hill (American, 1829-1908) Mount Hood from the Junction of the Columbia and Willamette Rivers Signed “T. Hill.” l.r., titled in an inscription on the reverse. Oil on board, 5 x 8 in. (12.7 x 20.3 cm), framed (under glass). Condition: Varnish discoloration, minor surface grime. $2,000-3,000

Provenance: Collection of Judge Jon Tom Staton, Edmond, Oklahoma. $3,000-5,000

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273 Henri Van Wyk (Dutch, 1833-c. 1899) Mediterranean Harbor View Signed “Van Wyk” l.r. Oil on canvas, 13 3/4 x 25 1/2 in. (35.0 x 65.0 cm), framed. Condition: Minor canvas rippling, subtle varnish discoloration, fine craquelure. $1,000-1,500

274 Alexis Auguste Delahogue (French, 18671953) Orientalist Landscape with Man and Laden Camels Signed and dated “A. Delahogue/1907” l.r. Oil on canvas, 36 1/4 x 28 3/4 in. (92.0 x 73.0 cm), framed (in a liner). Condition: Patch reinforcement, scattered retouch, pinhole puncture to l.c. edge, surface grime. $2,000-3,000

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275 Albert C. Hubert (Austrian, 1878-c. 1935) Venice View Signed “Albert.Hubert.” l.r. Oil on canvas, 12 7/8 x 21 5/8 in. (32.5 x 55.0 cm), framed. Condition: Retouch, craquelure, surface grime. $1,500-2,500

276

277

276 Sergei Mikhailovich Kolesnikoff (Russian, 1889-1952)

277 Antonio Maria De Reyna Manescau (Spanish, 1859-1937)

Figures Outside a Church Signed “S. Kolesnikoff.” l.r. Oil on canvasboard, 14 1/2 x 18 5/8 in. (37.0 x 47.5 cm), framed. Condition: Minor surface grime. $8,000-12,000

Venetian Palazzo Signed and inscribed “A Reyna/Venezia” l.r. Oil on canvas, 13 3/4 x 29 1/2 in. (35.0 x 75.0 cm), framed. Condition: Good. $4,000-6,000

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278 Mario Capuzzo (Italian, 1902-1973) Pair of Venetian Views Signed or inscribed “Capuzzo” and with handwritten provenance, both on the reverse. Oil on panel, each 27 1/2 x 19 1/2 in. (70.0 x 49.5 cm), framed (under glass). Condition: Bowing to the supports, not examined out of frames. $800-1,200 279 John Miller (British, 1931-2002) Venice, Misty Evening Light Signed “John Miller” l.r., titled and inscribed “...707 HC” on the reverse. Oil on canvas, 22 x 30 in. (55.9 x 76.2 cm), framed. Condition: Minor surface grime. N.B. The lot is accompanied by an exhibition booklet, John Miller, Reflections, Summer 1988, published by David Messum, London. $800-1,200

278 partial

279

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280

280 Max Arthur Stremel (German, 1859-1928) Venedig - Dampfer (Venice - Steamer) Inscribed “St” l.r., inscribed and titled “Prof Max Stremel/.../” on the reverse. Oil on canvas mounted to paperboard, 6 x 7 7/8 in. (15.2 x 20.0 cm), framed. Condition: Tack holes to corners, surface grime. $800-1,200 281 American School, 19th/20th Century

281

Sailing Vessels in a Sun-filled Port Unsigned. Tempera on pressed paperboard, 21 1/2 x 23 3/4 in. (55.0 x 60.4 cm), framed. Condition: Craquelure with areas of flaking and small paint losses. $800-1,200

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282 Robert William Wood (American, 18891979) Sunset Signed “Robt. Wood” l.l., titled in an inscription on the stretcher. Oil on canvas, 28 x 36 in. (71.1 x 91.5 cm), framed (in a liner). Condition: Craquelure, varnish inconsistencies. Provenance: Collection of Judge Jon Tom Staton, Edmond, Oklahoma. $1,500-2,500 283 Robert William Wood (American, 18891979) 283

Autumn Pond Signed “Robt. Wood” l.r. Oil on canvas, 25 1/8 x 30 in. (64.0 x 76.0 cm), framed. Condition: Lined, retouch, craquelure. Provenance: Collection of Judge Jon Tom Staton, Edmond, Oklahoma. $1,000-1,500

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284

284 Robert William Wood (American, 18891979) Mountains in Early Autumn Signed “Robert Wood” l.r. Oil on canvas, 25 x 30 in. (63.5 x 76.3 cm), framed. Condition: Craquelure. Provenance: Collection of Judge Jon Tom Staton, Edmond, Oklahoma. $1,500-2,500

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285

285 Walter Launt Palmer (American, 1854-1932) Winter Woodlands Signed “-W·L·PALMER-” l.r. Watercolor and gouache on paper/board, sight size approximately 16 5/8 x 25 7/8 in. (42.0 x 66.0 cm), framed. Condition: Craquelure in the areas of heaviest gouache, not examined out of frame. $7,000-9,000 285A Churchill Ettinger (American, 1903-1984) Two Stratton Mountain Views: Try the Rimeline and On Spruce Both signed “Churchill Ettinger” l.l., titled in pencil on the frame backing papers, with labels from Dibble Gallery, Shoreham, Vermont, stamped “JUL 28 1966”on the frame backing paper. Watercolor on paper/board, sight sizes approximately 14 x 20 in. (35.6 x 50.8 cm), framed. Condition: Foxing, not examined out of frames. $1,200-1,800

285A

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286

286 Aldro Thompson Hibbard (American, 18861972) Jamaica, Vermont, Nestled Among the Mountains Signed “A.T. Hibbard” l.r., identified and dated “.../Circa 1920” on a label from Vose Galleries, Boston, affixed to the frame backing. Oil on canvas, 36 x 36 in. (91.4 x 91.4 cm), framed. Condition: Lined, fine craquelure, minor paint losses, natural pigment fluorescence. $12,000-18,000

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288

289

287 Stepan Fedorovic Kolesnikoff (Russian/ Ukrainian, 1879-1955)

288 Svend Svendson (Norwegian/American, 1864-1934)

289 Alexander Theobald Van Laer (American, 1857-1920)

Pond in Winter Signed “S. Kolesnikoff” l.r. Oil on canvas, 19 x 25 5/8 in. (48.5 x 65.0 cm), framed. Condition: Small area of paint loss to corner l.l., faint diagonal crease to l.r. corner, surface grime. $2,000-3,000

Birches and Snow Signed “Svend Svendson” l.r. Oil on canvas, 18 x 12 in. (45.7 x 30.5 cm), framed (in a liner). Condition: Abrasion u.c., faint stretcher mark along right side, small area of flaking l.r., varnish discoloration.

Cold and Frosty Signed “AT van LAER” l.r., titled on the tacking edge, signed similarly on the stretcher. Oil on canvas, 18 x 24 in. (45.7 x 61.0 cm), framed. Condition: Craquelure, surface grime. $1,000-1,500

Provenance: Collection of Judge Jon Tom Staton, Edmond, Oklahoma. $600-800

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290 William Lester Stevens (American, 18881969) House in Snow Signed “W. LESTER STEVENS. N.A.” l.r., with a stamp from The Little Gallery, Springfield, Massachusetts, applied to the frame backing. Oil on canvasboard, 23 1/2 x 29 3/4 in. (59.7 x 75.6 cm), framed (in a liner). Condition: Possible water damage to lower edge, scattered craquelure, flaking, and small paint losses, bulges at upper corners. $2,500-3,500

291

291 John Whorf (American, 1903-1959) Valley Village in Snow Signed “John Whorf” l.r. Watercolor on paper/board, sight size 20 3/8 x 26 3/4 in. (52.0 x 68.0 cm), framed. Condition: Not examined out of frame. Provenance: Purchased directly from the artist in the early 1950s, by family descent to the current owner. $1,500-2,000

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292 William Jurian Kaula (American, 1871-1953) 292

Autumn in Wilton Unsigned, identified on an unattributed label, likely in the artist’s hand, affixed to the stretcher. Oil on canvas, 24 x 29 in. (61.0 x 73.5 cm), framed. Condition: Craquelure, surface grime. $1,200-1,800 293 William Lester Stevens (American, 18881969)

293

Waiting for Breakfast/The Boston Rocker Signed “W. LESTER STEVENS. N.A./A.W.S.” l.r., titled on two unattributed labels affixed to the frame backing paper and in an inscription on the backing board. Watercolor, gouache, and pencil on paper, sight size 27 x 37 in. (68.6 x 94.0 cm), framed (in a liner). Condition: Not examined out of frame. $1,200-1,800 294 Guy Carleton Wiggins (American, 18831962) Brook in Spring Signed “Guy Wiggins NA” l.l., titled and signed “.../Guy Wiggins NA” on the reverse. Oil on canvas, 25 x 30 in. (63.2 x 76.0 cm), framed. Condition: Good. N.B. The landscape has been examined in person by Guy A. Wiggins, who issued a handwritten letter of authentication that accompanies the lot. Mr. Wiggins believes that the landscape was painted after World War II when Guy Wiggins was living part of each year in Connecticut. $3,000-5,000

294

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295

295 John Joseph Enneking (American, 18411916) Autumn Landscape Signed and dated “Enneking 1905” l.r. Oil on canvas, 22 x 30 in. (55.9 x 76.2 cm), framed. Condition: Wax lined, stretcher replaced, retouch, craquelure, lifting, frame abrasions, scattered small paint losses. $2,500-3,500 296 Robert Strong Woodward (American, 18851957) Spring Landscape Along the Conecticut River Signed “Robert Strong Woodward” l.l., with a charcoal and pastel sketch on the reverse, and with a label from W.J. Gardner Company Picture Frames, Boston, affixed to the back of the frame. Oil on canvas, 23 x 23 in. (58.4 x 58.4 cm), in a period frame. Condition: Craquelure.

296

Provenance: A Massachusetts estate; Peter Marciniak/Ars Longa Fine and Decorative Art, Hillsboro, New Hampshire; private collection, Massachusetts. $1,500-2,500

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298

297 Jason Berger (American, 1924-2010) The Canal - Xochimilco Signed “BERGER” l.r., titled and dated “...’67” on the stretcher. Oil on canvas, 28 x 36 in. (71.1 x 91.4 cm), framed. Condition: Small puncture and dent l.l., faint stretcher marks. $1,000-1,500

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298 Dong Moy Chu Kingman (American, 19112000) Summer Landscape Signed “KINGMAN...” l.l. Watercolor on paper, sight size 11 1/2 x 15 1/2 in. (29.2 x 39.0 cm), framed. Condition: Not examined out of frame. $500-700

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299

299 George Grosz (German/American, 18931959) Evening Signed “GROSZ” l.l., identified on a detached label from Associated American Artists, New York, now re-affixed to the frame backing paper. Watercolor on paper, 18 7/8 x 14 3/4 in. (48.0 x 37.5 cm), framed. Condition: Mat burn, minor toning, subtle rippling, tack holes to the edges of the sheet, brown paper tape hinge remnants to the top edge of the reverse and to the upper corners of the recto.

Provenance: Studio of the artist, Douglaston, Long Island, New York, 1943; to Associated American Artists Gallery, New York; purchased by John Charles Harris of St. Louis in 1947; by family descent to the current owners. N.B. The watercolor has been reviewed by Ralph Jentsch, who confirmed that the work is an original by George Grosz and that it will be included in the forthcoming catalogue raisonné of works on paper by George Grosz. A photo certificate from Dr. Jentsch accompanies the lot. $4,000-6,000

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300

300 Dennis Sheehan (American, b. 1950) Stream at Dusk Signed and dated “Sheehan 91” l.l., with a second landscape composition on the reverse. Oil on panel, 11 x 14 in. (28.0 x 35.5 cm), framed. Condition: Frame abrasions, surface grime, abrasions to the reverse. $500-700 301

301 Marcus Waterman (American, 1834-1914) Mountains and Clouds, Vermont Unsigned, identified in inscriptions on the stretcher, identified, titled, and dated “...ca. 1880s” on a label affixed to the backing. Oil on canvas, 20 x 30 in. (50.8 x 76.2 cm), framed. Condition: Craquelure, tear c.r. repaired with a patch on the reverse, paint losses to edges, scattered areas of flaking with small paint losses, retouch. $1,200-1,800 302 Frank Charles Peyraud (American, 18581948) Last Rays Signed “F.C. Peyraud” l.r. Oil on canvas, 26 x 30 in. (66.0 x 76.2 cm), in a Newcomb-Macklin-style frame. Condition: Lined, scattered retouch, craquelure. $600-800

302

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304

303 Frederick Judd Waugh (American, 18611940)

304 Charles Herbert Woodbury (American, 1864-1940)

View from Desolation Sound, British Columbia Signed “Waugh” l.r. Oil on white metal panel, 18 x 23 3/4 in. (45.7 x 60.3 cm), framed. Condition: Scattered abrasions, craquelure, drying cracks, surface grime, $1,200-1,800

Twilight Signed “Charles H Woodbury” l.r., titled on the reverse. Oil on canvasboard, 10 x 13 7/8 in. (25.3 x 35.0 cm), framed. Condition: Possible paint losses (primarily near edges), varnish discoloration, surface grime. $1,500-2,500

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305

305 Emile Albert Gruppé (American, 1896-1978) Rocky Neck, East Gloucester Signed “Emile A. Gruppe” l.l., titled and signed or inscribed “...by/Emile A. Gruppé” in ink on the reverse, identified on a joint exhibition label from Fine Arts Associates of Cheshire, Connecticut, and the Rockport Art Association, Rockport, Massachusetts (see below). Oil on canvasboard, 12 x 16 in. (30.5 x 40.5 cm), framed. Condition: Minor retouch along the horizon and at the upper edge of the canvasboard

108

Exhibitions: Cheshire Art Associates and the Rockport Art Association, Reminiscences of Emile A. Gruppé: the artist and the man: a retrospective, July 1–31, 1992, Rockport, Massachusetts. N.B. An invoice from Stephen Score, Inc., Boston, Massachusetts, accompanies the lot. $8,000-12,000

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307

306 Mary DeNeale Morgan (American, 18681948)

307 James March Phillips (American, 19131981)

Monterey Coast Signed “M. DeNeale Morgan” l.l. Oil on canvas, 25 x 30 in. (63.5 x 75.8 cm), framed. Condition: Craquelure. $4,000-6,000

Cypress Tree, California Coast Signed “JAMES/MARCH/PHILLIPS” l.l. Watercolor on paper, sight size 17 1/4 x 23 1/4 in. (43.8 x 59.0 cm), framed. Condition: Toning, not examined out of frame. $500-700

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308 Jane Peterson (American, 1876-1965) Low Tide Signed “JANE PETERSON” l.l., titled and signed on the reverse, and inscribed “Exhibited March 7, 1922” on a gummed label from the Art Club of St. Petersburg, Florida, affixed to the reverse. Oil on canvasboard, 11 x 13 3/4 in. (27.5 x 35.0 cm), framed. Condition: Possible fading, surface grime. Provenance: Estate of Wayne Morrell. $4,000-6,000 309 Anthony Thieme (American, 1888-1954) After the Storm Signed “AThieme” l.r., titled in an inscription on the reverse, with a faint inscription on the reverse and a printed biography of the artist affixed to the reverse. Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed. Condition: Craquelure, canvas bulge c.r., varnish inconsistencies, surface grime. 309

110

Provenance: Purchased in 1932 at the Thieme Gallery, Rockport, Massachusertts, through to the currect private collection. $4,000-6,000

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310 Emile Albert Gruppé (American, 1896-1978) Gloucester Afternoon Signed “Emile A. Gruppé” l.r., titled, signed, and inscribed “...by Emile A. Gruppé 73-20” on the stretcher. Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed. Condition: Craquelure, surface grime. $4,000-6,000 311 Paul Strisik (American, 1918-1998) Motif #1 Signed “Paul Strisik” l.r., stamped “PAUL STRISIK/8 REMSEN STREET/BROOKLYN N.Y.” and inscribed”5/53” on the reverse. Oil on canvasboard, 15 3/4 x 20 in. (40.2 x 50.7 cm), framed. Condition: Subtle varnish discoloration. $600-800

311

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312 William Samuel Horton (American, 18651936) Departing the Ferry, New York Signed “William S. Horton” l.r., Winsor & Newton, Ltd., canvas stencil on the reverse. Oil on canvas, 15 3/4 x 18 in. (40.0 x 44.5 cm), framed. Condition: Retouch to sky. Provenance: Collection of Judge Jon Tom Staton, Edmond, Oklahoma. $3,000-5,000 313 Reginald Marsh (American, 1898-1954) New York Harbor Signed and dated “Reginald Marsh ‘31” l.l., titled in an inscription on the window mat. Watercolor on paper, sight size 10 1/2 x 17 in. (26.7 x 43.1 cm), framed. Condition: Rippling, tear l.l., nick to u.l. edge.

312

N.B. Reginald Marsh did many en plein air watercolors such as this one in the 1920s and 1930s. We would like to thank Dr. Norman Sasowsky for his kind assistance with cataloging this work. $1,000-1,500

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314 Carroll Thayer Berry (American, 1886-1978)

314

Bath Iron Works Signed “Carroll Thayer Berry” l.l., inscribed “BIW, BATH, ME.” on the stretcher. Oil on canvas, 32 x 32 in. (81.3 x 81.3 cm), framed. Condition: Retouch, craquelure, drying cracks, surface grime. $1,200-1,800 315 Frank Duveneck (American, 1848-1919) The Wharf at Gloucester Harbor Monogrammed and dated “FD 1917” l.r., titled on a detached label from Wunderlich & Co., New York, that accompanies the lot. Oil on canvas, 28 x 36 in. (71.0 x 91.5 cm), framed. Condition: Craquelure, flaking, surface grime. Provenance: By family descent from the artist to Liz Duveneck Dana; sale to Drs. Ben and A. Jess Shenson, 1985; gift to the Triton Museum of Art, Santa Clara, 1985 (deaccessioned February 13, 2017). Exhibitions: Duveneck: Lost Paintings Found, Triton Museum of Art, Santa Clara, October 8– November 22, 1987. N.B. A dossier of information on the artist and the painting, including a declaration of provenance signed by Preston Metcalf, Chief Curator, Triton Museum of Art, and the exhibition catalog Duveneck: Lost Paintings Found, accompanies the lot. $7,000-9,000

315

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316

318

317

316 Frederick Usher DeVoll (American, 18731941)

317 Arthur Clifton Goodwin (American, 18661929)

Trinity Church and Wall Street Signed “F. Usher DeVoll” l.r., titled and signed “.../F. Usher DeVoll” on the reverse. Oil on panel, 20 x 13 1/8 in. (50.8 x 33.3 cm), framed. Condition: Minor surface grime.

Park Street Church Signed “A.C. Goodwin” l.r., signed and titled “A.C. Goodwin/Pk St Church” on the reverse, dated “2/18/26” in pencil on the stretcher, identified on a tag from Paine Furniture affixed to the hanging wire. Oil on canvas, 16 1/4 x 18 in. (41.2 x 45.7 cm), framed. Condition: Minor retouch, faint stretcher bar mark along top edge. $3,000-5,000

Provenance: Collection of Judge Jon Tom Staton, Edmond, Oklahoma. $3,000-5,000

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318 Birge Harrison (American, 1854-1929) Flatiron Building in Winter Signed “Birge Harrison” l.l. Oil on panel, 19 x 10 5/8 in. (48.2 x 27.0 cm), framed. Condition: Retouch, minor surface grime. Provenance: Collection of Judge Jon Tom Staton, Edmond, Oklahoma. $3,000-5,000

319 partial

319 Herbert William Meyer (American, 18821960) Three Paris Views: Le Pont Neuf, Le Pont Royal, and La Cathédrale de Notre Dame Notre Dame signed “Herbert Meyer” l.r., Pont Royal signed and titled “Herbert Meyer/Pont Royal” l.l., Pont Neuf unsigned, all identified on printed labels affixed to the frame backing papers. Watercolor on paper/board, sight sizes to 13 3/8 x 19 1/4 in. (34.0 x 49.0 cm), framed. Condition: Toning, not examined out of frames. $1,000-1,500 320 Charles Vignon (French, 20th Century)

320

Young Beauty in a Carriage Signed “CH. VIGNON.” l.r. Oil on canvas, 25 x 30 in. (63.5 x 76.0 cm), framed. Condition: Lined, craquelure. $800-1,200 321 Antoine Blanchard (French, 1910-1988) Place de l’Opéra, Café de la Paix Signed “Antoine. Blanchard.” l.r., titled in the letter of authenticity (see below). Oil on canvas, 14 x 19 in. (35.5 x 48.2 cm), framed. Condition: Minor surface grime. N.B. This work is currently listed on the Antoine Blanchard Virtual Checklist (www. antoineblanchard.org) with the catalogue number CPPO1318.0022. A letter of authenticity from Rehs Galleries, Inc., New York, signed by Amy S. Rehs and dated March 26, 2018, accompanies the lot. $2,000-3,000

321

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322 Yolande Ardissone (French, b. 1927) Fleurs Signed “ARDISSONE” l.l., titled on the stretcher. Oil on canvas, 9 1/2 x 13 in. (24.0 x 33.0 cm), framed. Condition: Good. N.B. Accompanied by the original invoice from Wally Findlay Gallery, New York, dated December 21, 1993. $800-1,200 323 Sidonie Caron (American, b. 1932) A Family Affair Signed “Caron” l.r., titled in an inscription on the reverse, with a label from the Portland Art Museum Rental Sales Gallery, Portland, Oregon, affixed to the stretcher. Acrylic on canvas, 56 x 50 in. (142.2 x 127.0 cm), framed. Condition: Minor surface grime. Provenance: A Massachusetts educational institution. $1,000-1,500

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324 Abel George Warshawsky (American, 18831962) View of Carcassonne Signed “A.G. Warshawsky-” l.r. Oil on canvas, 21 5/8 x 18 in. (55.0 x 45.7 cm), framed. Condition: Tack holes to corners and u.c. edge, minor canvas rippling and craquelure, surface grime. $2,000-3,000 325 Stojan Aralica (Yugoslavian, 1883-1980) Summer Landscape with House and Garden Signed “Aralica” l.r., inscribed indistinctly on the reverse. Oil on canvas, 17 3/4 x 25 3/4 in. (45.0 x 65.6 cm), framed. Condition: Rippling, craquelure. $600-800

324

325

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326 Camille Pissarro (French, 1830-1903) Paysage Initialed “C.P” l.r., identified on an unattributed label and on a label from Collectors Gallery Inc., dated to c. 1865 in a letter from Dr. Joachim Pissarro (see below). Charcoal on gray laid paper, sheet size 12 3/8 x 18 7/8 in. (31.5 x 48.0 cm), framed. Condition: Small tear to c.l. edge stabilized with rice paper or similar on the reverse, mat burn, scattered foxing, toning, rippling, 1/4 inch tab of irregularly trimmed paper at l.l. corner, glue residue around the edges of the perimeter of the reverse, sheet hinged to window mat with linen tape or similar at two places on the top edge of the reverse.

326

Provenance: The estate of Frimi Sagan, Dedham, Massachusetts. N.B. The drawing was reviewed by Dr. Joachim Pissarro, and it will be included in the forthcoming Catalogue Raisonné of Drawings by Camille Pissarro. In a letter that accompanies the lot, Dr. Pissarro suggests that Camille Pissarro executed this drawing in the surroundings of Chennevières, on the banks of the river Marne. The work is closely related to another study of a river landscape with boats in the collection of the Ashmolean Museum, Oxford. The two drawings, which are on gray paper of identical size, might have been from the same sketching tablet. Dr. Pissarro suggests a date of c. 1865 for the drawing, corresponding to Pissarro’s second stay in the town of Varenne-Saint-Hilaire near Chennevières. At that time, the artist executed a related oil painting, Banks of the Marne at Chennevières, which is cataloged as no. 103 in the Pissarro & Durand Ruel Catalogue Raisonné and which was exhibited at the Paris Salon of 1865. $10,000-15,000 327 Henri Dreyfus-Lemaitre (French, 18591946)

327

Summer Meadow Initialed “H.D.L.” l.l., stamped “Atelier/H.D. LEMAITRE” on the reverse. Oil on panel, 8 3/8 x 12 3/8 in. (21.5 x 31.0 cm), framed. Condition: Scattered retouch, bowing to panel. $600-800

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328

328 Maximilien Luce (French, 1858-1941) La Roulotte, Auvers sur Oise Signed “Luce” l.l., titled on the reverse, with a Parisian customs stamp on the reverse. Oil on board, 22 x 29 3/4 in. (55.8 x 75.3 cm), framed. Condition: Possible retouch.

Literature: Denise Bazetoux, Maximilien Luce: catalogue raisonné de l’oeuvre peint Tome III (Paris: Avril graphique éd., 2005), cat. no. 1503, with the title Rolleboise, le repos des faneurs. N.B. The catalogue raisonné entry dates the painting to 1920-25, and provides provenance from the atelier of the artist to the “Ancienne Collection Frédéric Luce.” $10,000-15,000

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329

329 Camille Pissarro (French, 1830-1903) Deux Femmes Stamped “C.P.” l.r., identified on a label from Herman C. Goldsmith, New York, affixed to the frame backing. Pastel on tan laid paper, 5 3/16 x 10 3/8 in. (13.2 x 26.4 cm), framed. Condition: Pale stain to center, tack hole to u.l. corner, minor rippling, subtle toning, unpressed crease and faint inscription to l.l. corner, soiling to right edge, small loss to edge of paper at u.c. edge, affixed to a cardstock backing along top edge of the reverse. Provenance: Mme. Rodo Pissarro; to Jacob Goldschmidt, Paris, 1962; to a private collection; Christie’s New York, The Collector: English and European Furniture, Works of Art & Ceramics & Silver, October 18, 2017, Lot 534; to the current private collection. N.B. The drawing was reviewed by Dr. Joachim Pissarro and it will be included in the forthcoming Catalogue Raisonné of Drawings by Camille Pissarro. A letter from Dr. Pissarro accompanies the lot. $3,000-5,000 330 Antun Augustincic (Croatian, 1900-1979) Standing Nude Boy Signed “AUGUSTINCIC” in the bronze on the front of the base, stamped indistinctly “R...S” on the side of the base. Bronze with gold patina, height 37 1/8 in. (94.3 cm). Condition: Dust and dirt to interstices.

330

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N.B. The sculpture is not currently plumbed as a fountain, although there is an example as a fountain installed on King Petar Svacic Square in Zagreb. Photographs may be viewed at http://www.zagrebacki. info/2012/04/djecak.html. $4,000-6,000

331

331 Pierre-Auguste Renoir (French, 1841-1919) and Richard Guino (Spanish, 1890-1973) Tête de Vénus (Variante de la petite Vénus) Signed “Renoir” on the back of the base. Terra-cotta, height 5 7/8 in. (15.0 cm), on a black stone plinth. Condition: Surface grime, pinhole to back of the head, just above the bun. N.B. The work is accompanied by a Certificat d’Authenticité prepared and signed by Corinne Guino, wife of Michel Guino, son of the artist Richard Guino. Mme. Guino reports that this collaborative work Renoir-Guino was executed in 1913. A cast was included in the exhibition of sculpture by Renoir and Guino, organized by descendants of both artists, held in Paris at Hôtel Le Bristol in November 1974 on the occasion of the centenary of Impressionism, and it is illustrated in the catalog for the exhibition.

In his later years, with some nudging from the dealer Ambroise Vollard, Renoir began to create sculptures, but the severe crippling of his hands with arthritis made it impossible. Seeking to support the artist in this new and likely lucrative endeavor, Vollard sought a sculptor who might serve as Renoir’s assistant. He found a young Catalan artist, Richard Guino, who, since 1910, had been working for Aristide Maillol, a sculptor whom Renoir admired and whom Vollard also represented. Orchestrating this new collaboration with Renoir, Vollard introduced Renoir to Guino at Maillol’s studio, announcing, “I have found your hands.”1 Guino was much more than an assistant to Renoir; it is suggested that he was the primary creator of the sculptures. The two artists became close associates, and it was Guino’s particular genius to be able to express in clay the essence of Renoir’s paintings. Between 1913 and 1918, Guino worked under Renoir’s direction on sculptures with the same themes as his paintings, often portraits of Renoir’s friends and family or nudes.

Renoir made drawings and sometimes sketches to be reproduced in three dimensions by Guino. The two artists worked in close proximity at Les Collettes, the estate at Cagnes-sur-Mer near Nice that Renoir had purchased in 1907, the painter at his easel on the first floor of the villa and the sculptor in his studio in the garden. Anticipating the success of these sculptures, Vollard did everything he could to ensure he had exclusivity for their production and distribution in bronze, going as far as to minimize Guino’s role. It took a lengthy lawsuit before Guino’s contribution as joint artist was fully recognized in 1973.2 1. Alix Kirsta, The Renoir Wars, The Telegraph, May 5, 2007. https://www.telegraph.co.uk/culture/3664946/The-Renoirwars.html (accessed 3/8/2018) 2. Vivien Raynor, Art: Bronze Sculptures of Renoir and Guino, The New York Times, November 2, 1984. https:// www.nytimes.com/1984/11/02/arts/art-bronze-sculpturesof-renoir-and-guino.html (accessed 3/8/2018)

$5,000-7,000

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332 Charles Yardley Turner (American, 18501919) Woman in Pink Signed and dated “C-Y-TURNER 1889” l.l. Oil on canvas, 30 x 24 3/4 in. (76.0 x 63.0 cm), framed. Condition: Minor surface grime. $2,000-3,000 333 Arthur Franklyn Musgrave (American, 18781969) Cottage Garden Signed faintly “Arthur F. Musgrave” l.l. Gouache on pressed paperboard, 16 1/4 x 21 in. (42.3 x 53.4 cm), framed. Condition: Areas of craquelure with flaking. $800-1,200

332

333

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335

334 Stepan Fedorovic Kolesnikoff (Russian, 1879-1955)

334

Chrysanthemums Signed “S. Kolesnikoff” l.r. Oil on canvas, 21 x 13 7/8 in. (53.3 x 35.3 cm), framed. Condition: Craquelure, varnish inconsistencies. $2,000-3,000 335 Abbott Fuller Graves (American, 1859-1936) Arranging the Flowers Signed “Abbott Graves” l.r. Oil on canvas, 30 x 42 in. (76.3 x 106.7 cm), framed. Condition: Lined, scattered retouch, fine craquelure. Provenance: Collection of Judge Jon Tom Staton, Edmond, Oklahoma. $4,000-6,000 336 Alice Brown Chittenden (American, 18591944)

336

Floral Still Life with Asian Figurine Signed and dated “Alice B. Chittenden/1897” l.l. Oil on canvas, 26 x 30 in. (66.0 x 76.2 cm), framed. Condition: Craquelure, flaking with small paint losses, retouch, patch reinforcements to u.c. and l.c. on the reverse. $2,500-3,500

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337 Edward Hopper (American, 1882-1967) A Double-sided Study Unsigned. Graphite on paper, 18 1/2 x 11 9/16 in. (47.1 x 29.2 cm), in a double-sided frame. Condition: Toning, paper folded to create sixteen rectangles, most containing multiple sketches, wear and staining along the creases, glass broken on the back of the frame. Provenance: Christie’s New York, Sale 5472, Lot 275A, December 9, 1983. $3,500-5,500 338 Paul Moreau-Vauthier (French, 1871-1936) Pair of Boxing Figures Signed “P. Moreau Vauthier.” or “P. Morau [sic] Vauthier” in the bronze bases. Bronze with brown patina, heights to 7 in. (17.8 cm), on integral bases. Condition: Minor dust and dirt to interstices. N.B. The pair of sculptures is thought to date from c. 1920. $1,200-1,800

337

338

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339

339 Cecilia Beaux (American, 1855-1942) Portrait of a Young Woman Unsigned, titled and identified on a presentation plaque. Oil on canvas, 36 x 29 in. (91.4 x 73.7 cm), framed. Condition: Lined, stretcher replaced, craquelure with lifting, scattered small paint losses, scattered retouch, varnish inconsistencies.

Provenance: J. Jonathan Joseph, Boston, Massachusetts, to Mr. and Mrs. Michael Cyker, Chestnut Hill, Massachusetts, June 15, 1993; by family descent to the current private collection. $15,000-25,000

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340 Harriet Whitney Frishmuth (American, 1880-1980) The Vine Dated and signed “© 1921/HARRIET W. FRISHMUTH” on the edge of the base, stamped “GORHAM CO. FOUNDERS/QBWS” on the base to the left of the signature. Bronze with brown patina, height 11 3/4 in. (29.8 cm), on a black metal plinth. Condition: Uneven coloration to patina, wear to patina on the figure’s abdomen, dust and dirt to interstices. 340

Literature: Janis Conner, Leah Rosenblatt Lehmbeck, and Thayer Tolles, Captured Motion, The Sculpture of Harriet Whitney Frishmuth, A Catalogue of Works (New York: Hohmann Holdings LLC, 2006), cat. no. 1921:2. N.B. The Vine was modeled in 1921, and cast between 1921 and 1966. The Frishmuth Catalogue of Works (see above) lists 317 casts bearing the Gorham QBWS marking out of a total edition of 396 castings. $4,000-6,000 341 Jean-Louis-Ernest Meissonier (French, 1815-1891) Dancing Muse Signed with an embedded copper medallion with the artist’s profile inscribed “...ST MEISSONIER” around the perimeter. Bronze with gold patina, height 8 3/4 in. (22.2 cm). Condition: Scattered oxidation to the patina, dust and dirt to interstices. N.B. Dancing Muse is illustrated in Art Bronzes by Michael Forrest (West Chester, Pennsylvania: Schiffer Publishing Ltd., 1988), with a suggested date of circa 1893. Described as a “drastic departure” from the artist’s military subjects, the mythological figure of Dancing Muse is noted for its freeform modeling. $700-900

341

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342 Robert Cutler Hinckley (American, 18531941) Pygmalion and Galatea Signed “Robert Hinckley.” l.l. Oil on canvas, 102 x 52 1/2 in. (259.0 x 133.0 cm), framed. Condition: Craquelure, drying cracks. $10,000-15,000

342

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343 Abastenia St. Leger Eberle (American, 1878-1942) Little Mother Signed and dated “A St. L Eberle 1911” on the right side of the base, stamped “S. KLABER & CO. /FOUNDERS, N.Y.” on the left side of base. Bronze with brown patina, height 13 in. (33.0 cm), on an integral base. Condition: Minor dust and dirt to interstices. $4,000-6,000 344 Howard Chandler Christy (American, 18721952) Sunday American Titled and signed “...Howard Chandler Christy” in an inscription on the reverse. Watercolor, gouache, and charcoal on illustration board, sight size 20 1/2 x 27 3/4 in. (52.1 x 70.5 cm), framed. Condition: Puncture with tear l.r., tears u.l. and l.l., scattered abrasions, toning, not examined out of frame. $400-600

343

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345

345 Fernand Le Quesne (French, 1856-1918) Lady Liberty Leading the Way: An Allegory, France and the United States Signed “F. Le Quesne” l.r., identified on an auction label and on an exhibition label from The Museum of the Borough of Brooklyn (see below), both affixed to the stretcher, impressed with stamp “SCHWEITZER GALLERIES” in two places on the stretcher. Oil on canvas, 39 1/4 x 25 3/8 in. (99.5 x 64.5 cm), framed. Condition: Small tear to l.r. quadrant, craquelure, minor abrasions, minor surface grime.

346

Provenance: Skinner, Inc., American & European Paintings & Prints, May 15, 2009, Sale 2459, Lot 300. Exhibitions: The Museum of the Borough of Brooklyn, at Brooklyn College, Tides of Immigration: Romantic Visions and Urban Realities, October 7–December 2, 1986, cat. no. 1 (illus.), lent by the Schweitzer Gallery. N.B. The lot is accompanied by a photocopy of the pamphlet from the Brooklyn exhibition. $1,500-2,000

346 John Quincy Adams Ward (American, 1830-1910) Henry Baldwin Hyde Signed “J.Q.A WARD” on the left side of the base, subject identified on the front of the base. Bronze with dark brown patina, height 20 in. (50.8 cm). Condition: Dust and dirt to interstices. N.B. Henry Baldwin Hyde (1834-1899) was an American businessman and founder of The Equitable Life Assurance Society of the United States in 1859. By the time of Hyde’s death, The Equitable was the largest life insurance company in the world. $1,500-2,500

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348

347

347 Phoebe (Phebe) Jenks (American, 18471907)

348 Louis Henri Deschamps (French, 18461902)

The First Catch Signed and dated “Phebe Jenks ‘78” l.r., titled in an inscription on the reverse. Oil on canvas, 30 x 18 in. (76.2 x 45.7 cm), framed (in a liner). Condition: Wax lined, craquelure, flaking with small paint loss to center, retouch.

Portrait of a Child Signed “Louis Deschamps” l.r., with stamps from Félix Gérard Fils, Paris, and CalteauxBargue, Paris, applied to the reverse. Oil on panel, 10 5/8 x 8 1/2 in. (27.0 x 21.5 cm), framed. Condition: Craquelure, retouch, frame abrasions. $800-1,200

Provenance: Collection of Judge Jon Tom Staton, Edmond, Oklahoma. $1,000-1,500

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349

349 Anglo/American School, 19th/20th Century Girl in a Pink Bonnet Unsigned, inscribed “Schillay Biddle... Pair” in chalk on the reverse and on the stretcher. Oil on canvas, 21 x 17 in. (53.0 x 43.0 cm), framed. Condition: Retouch, craquelure, surface grime. $500-700 350 Georg Wilhelm Richard Hering (Dutch, 1884-1936) Readying for Story Time Signed and dated “G. HERING./1922.” u.r. Oil on canvas, 31 1/4 x 27 3/8 in. (79.5 x 69.5 cm), framed. Condition: Lined, retouch, craquelure. $800-1,200

350

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351

351 Francisco Zúñiga (Mexican, 1912-1998) Seated Women Signed and dated “Zgá/1976” l.r. Charcoal and conté crayon on laid paper with Ingres Canson watermark, 19 11/16 x 25 1/2 in. (50.0 x 65.0 cm), framed (in a liner). Condition: Hinged to backing with tape to u.l. corner on the verso, hinge remnants to u.c. and u.r. on the verso, mat burn, rippling, pinholes to corners, creases l.r., scattered minor handling creases. N.B. We wish to thank Ariel Zúñiga of the Fundación Zúñiga Laborde A.C. for his kind assistance with cataloging the lot. The work will be included in the forthcoming Francisco Zúñiga: Catálogo Razonado, Volume V. $1,500-2,000 352 Louis François Biloul (French, 1874-1947) . 352

Reclining Nude with Book Signed “Biloul” l.r. Oil on canvas, 23 3/4 x 31 3/4 in. (60.0 x 81.0 cm), framed (under glass). Condition: Craquelure, paint loss to c.l. near edge. N.B. A fragment of a newspaper review of an exhibition at the Musée Galliéra, Paris, mentioning a work by Biloul, Nu à la draperie bleue, is affixed to the reverse. $800-1,200

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353

353 Edward Cucuel (American, 1875-1954) Draped Model Signed â&#x20AC;&#x153;Cucuelâ&#x20AC;? l.r. Oil on canvas, 25 3/4 x 18 1/2 in. (65.5 x 47.0 cm), framed. Condition: Retouch, craquelure, scattered abrasions with small paint losses, canvas rippling, tacking edges reinforced. $15,000-25,000

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354

355

354 Moses Soyer (American, 1899-1974) Mother and Child Signed “M. SOYER” c.l., titled on a label from Contemporary Paintings, Hotel Traymore, Atlantic City, New Jersey, affixed to the frame backing. Oil on canvasboard, 16 x 11 3/4 in. (40.5 x 30.0 cm), framed (in a liner). Condition: Drying cracks, retouch, surface grime. $500-700 355 Jean-Pierre Dantan (French, 1800-1869) Paganini Signed and dated “Dantan 1832” on the back of the base, titled on the front of the base, foundry stamped “Pellas.Firenze” on right side of base. Bronze with brown patina, height 12 in. (30.5 cm), on an integral bronze base. Condition: Minor dust and dirt to interstices. $600-800

356

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357

356 Fausto de Lima (Spanish, 1923-1994) By the Fire Signed “fdlima” l.r. Oil on canvas, 51 x 38 in. (129.5 x 96.5 cm), framed. Condition: Craquelure, with areas of flaking and losses, surface grime. $500-700

358

357 Leonidas Gambartes (Argentinian, 19091963)

358 William Auerbach-Levy (Russian/American, 1889-1964)

Man with Guitar Signed “gambartes” l.r. Oil on Masonite, 27 3/4 x 19 1/2 in. (70.5 x 49.5 cm), framed. Condition: Loss to l.l. corner, scattered abrasions with small paint losses (many of these may be intentional as part of the artist’s process), surface grime. $1,800-2,200

Portrait of a Rabbi Inscribed indistinctly and signed “.../William A. LEVY” l.l. Oil on panel, 11 1/2 x 7 1/2 in. (29.0 x 19.0 cm), framed (in a liner). Condition: Frame abrasions, varnish inconsistencies. $500-700

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359 Albert Roanoke Tilburne (American, 18871965) In the Ballroom Monogram signature “ARTilburne” l.l., with the artist’s typed address label affixed to the stretcher. Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed. Condition: Scattered craquelure. Provenance: Skinner Inc., American & European Paintings, November 21, 1997, Sale 1812, Lot 216.

359

N.B. Tilburne spent much of his childhood traveling with his father, who ran a Wild West show. He trained in Paris, primarily at the Académie Julian, and he is known as a painter and illustrator. $600-800 360 Katharine Ward Lane Weems (American, 1899-1989) Whippet Playing with a Blanket Signed “KATHARINE W. LANE” on the base. Bronze with dark brown patina, height 7 3/4 in. (19.7 cm), on a green marble plinth. Condition: Minor areas of wear to the patina, dust and dirt to interstices. $1,500-2,000 361 Claude Émile Schuffenecker (French, 18511934)

360

361

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Le gosse étendu Signed with the artist’s tulip stamp l.r., titled on a gummed label affixed to the frame backing. Pastel on paper/board, sight size 6 x 9 in. (15.2 x 23.0 cm), framed. Condition: Not examined out of frame. $800-1,200

362

362 Eli Harvey (American, 1860-1957) Maternal Caress Signed “Eli Harvey. Sc.” in the bronze base, stamped “B. ZOPPO/FOUNDRY.N.Y.” on the edge of the base. Bronze with greenish brown patina, height 7 in. (17.8 cm), on an integral base. Condition: Wear to the patina more visible on the base, dust and dirt to interstices. $1,200-1,800 363 John R. Grabach (American, 1886-1981) The Steeplechase Signed “John R. Grabach” l.r. Watercolor on paper, sight size 17 3/4 x 22 3/4 in. (45.0 x 57.8 cm), framed. Condition: Not examined out of frame. $800-1,200

363

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364 Kees van Dongen (Dutch, 1877-1968) Study for Le Carrousel et le fiacre Signed and inscribed “van Dongen-/a Madame Céline Chalem/Cordialement/van Dongen” l.c. Charcoal on paper, 21 7/8 x 15 1/8 in. (55.7 x 38.5 cm), framed. Condition: Deckled edges, pinholes u.l., l.l., and u.r., toning, foxing, stains to lower quadrant, tear l.c. above inscription, small tear l.r. (at lower edge), adhesive residue and abrasion l.c. below signature, floated in frame, not examined out of frame. $2,500-3,500 365 Jean Jones Jackson (American, 1907-1984) Three Girls on a Railroad Track Signed with the artist’s initials “JJ” l.r. Oil on Masonite, 5 x 7 in. (12.7 x 17.8 cm), framed. Condition: Minor abrasions to edges, surface grime. $2,000-3,000

364

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366 Ralph Eugene Cahoon Jr. (American, 19101982) Sailor and Mermaids on Stilts Signed â&#x20AC;&#x153;R. CAHOONâ&#x20AC;? l.r. Oil on Masonite, 16 x 20 in. (40.6 x 50.8 cm), framed. Condition: Frame abrasions, abrasions to right side of board, surface grime. $10,000-15,000

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367

368

367 George Manuel Aarons (American, 18961980) Rebound Signed and dated â&#x20AC;&#x153;George Aarons 1946â&#x20AC;? in the cast on the base, title provided by the consignor. Bronze with red-brown patina, 18 x 17 1/4 x 9 1/4 in. (45.7 x 43.8 x 23.5 cm). Condition: Scattered small spots of oxidation, small crack to edge of base, dust and dirt to the interstices. $2,000-3,000 368 Doris Porter Caesar (American, 1892-1971) Vision Unsigned. Bronze with dark brown patina, height 25 in. (63.5 cm), on an integral base. Condition: Dust and dirt to interstices. N.B. The sculpture is thought to date from 1957. $1,200-1,800

369 Joachim Berthold (German, 1917-1990)

369

Reclining Woman Incised signature and numbered “J. BERTHOLD 8/9” at bottom edge on the back, titled and dated “...1966” on a receipt from Findlay Galleries, New York. Bronze with a yellow-brown patina, length 9 in. (22.8 cm). Condition: Accretions to u.c., brown tape remnant to interior. Provenance: Findlay Galleries, New York, to Dr. Richard Newman, 1968 (a copy of the receipt accompanies the lot). $500-700 370 Joachim Berthold (German, 1917-1990) Standing Couple Incised signature and numbered “J. BERTHOLD 2/9” on the back of the base. Bronze with brown patina, height 8 3/4 in. (22.2 cm), on a black metal plinth. Condition: Dust and dirt to interstices.

370

N.B. The lot is accompanied by a Berthold exhibition catalog from Findlay Galleries, New York, in which this sculpture is listed as cat. no. 30. $700-900 371 Joachim Berthold (German, 1917-1990) Reclining Woman Incised signature “J. BERTHOLD” at bottom edge on the back, numbered “1/9” on the underside, titled and dated “...1969” on a receipt from Findlay Galleries, New York. Bronze with a green-brown patina, length 6 1/4 in. (15.8 cm). Condition: Scattered small spots of oxidation, small nicks to the top of figure’s head and to the left edge. Provenance: Findlay Galleries, New York, to Dr. Richard Newman, 1971 (a copy of the receipt accompanies the lot). $500-700

371

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372

372 Balthus (French, 1908-2001) Study for La Leçon de guitare Unsigned, attributed, titled, and dated “...1934” in the catalogue raisonné (see below), with labels from B.C. Holland Gallery, Chicago, Museum of Contemporary Art, Chicago, and Museum Ludwig, Köln, affixed to the frame backing. Pencil on paper, sight size 8 1/2 x 11 3/4 in. (21.5 x 29.8 cm), framed. Condition: Crease u.l., scattered handling creases, rippling, foxing, not examined out of frame. Literature: Virginie Monnier and Jean Clair, Balthus: Catalogue Raisonné of the Complete Works (Paris: Éditions Gallimard, 1999), catalog number D 449, illustrated p. 220; Sabine Rewald, Balthus, Time Suspended: Paintings and Drawings 1932-1960 (Munich: Schirmer/Mosel, 2007), catalog number 30, illustrated p. 107; Sabine Rewald, Balthus (New York: Metropolitan Museum of Art, 1984), p. 31, fig. 42. Exhibitions: Balthus in Chicago, Museum of Contemporary Art, Chicago, August 2–November 9, 1980, checklist number 16 (as “Study for The Harp”); Balthus: Time Suspended: Paintings and Drawings 1932-1960, Museum Ludwig, Köln, August 18–November 4, 2007. N.B. This drawing is one of many that Balthus made in preparation for the painting La Leçon de guitare, 1934 (currently in a private collection). $8,000-12,000

373 partial

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374

373 Hyman Bloom (American, 1913-2009) Two Drawings: Winged Creature with Child and Boxing Match Both signed with initials “HB” l.l. Pencil on paper, sizes to 15 x 15 1/4 in. (38.1 x 38.7 cm), matted, framed. Condition: Sheets taped to window mats at upper edges on the verso, toning, pinholes, creases, and small tears to edges, scattered stains and fox marks, pencil annotations and drawings to the verso, Winged Creature with scattered small punctures and small loss to u.l. corner, Boxing with tape remnants to lower edge on the verso.

N.B. Bloom made these drawings in the late 1920s or early 1930s when he was a student in Boston. We would like to thank Bob Alimi of the Hyman Bloom Catalogue Raisonné Project for his kind assistance with cataloging these works. $1,000-1,500

374 Guillermo Muñoz Vera (Chilean, b. 1956) EZLN Signed with the artist’s monogram and dated “...04” l.l., titled on an unattributed label affixed to the reverse and on a label from Gary Nader Fine Art affixed to the back of the frame. Oil and white alkyd on canvas mounted to board, 33 x 48 in. (83.8 x 121.9 cm), framed. Condition: Small abrasion to u.r. edge. $20,000-30,000

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375 Agnes Weinrich (American, 1873-1946) Philodendron Signed “A. WEINRICH” l.l. and l.r. Pastel on paper, sight size 11 1/4 x 8 1/2 in. (28.5 x 21.5 cm), framed. Condition: Rippling, tear u.c., not examined out of frame. $800-1,200 376 William Zorach (American, 1887-1966) Kneeling Girl with Two Cats Incised signature “Zorach” along the base, signed faintly “William Zorach” on the underside of the base, numbered “5093/ X333” on an unattributed label affixed to the underside of the base. Terra-cotta, height 13 1/4 in. (33.7 cm). Condition: Minor dust and dirt. $800-1,200

376

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377

378

379

377 Max Weber (American, 1881-1961)

378 Chaim Gross (American, 1904-1991)

379 Agnes Weinrich (American, 1873-1946)

Still Life with Apple, Jug, and Cup Signed “MAX WEBER” l.r., with a label from M. Knoedler & Co., New York, affixed to the frame backing. Watercolor and gouache on paper/board, 10 x 14 in. (25.4 x 35.5 cm), framed (without glass). Condition: Surface imperfections, bowing to support, surface grime. $2,000-3,000

Acrobats Carved signature and date “CHAIM/ GROSS/.../1951” on the back of the plinth. Wood, height 19 1/2 in. (49.5 cm), on a wood plinth. Condition: Scattered cracks, dust and dirt to interstices. $800-1,200

Geranium Signed “A. Weinrich” l.r. Pencil on paper, 11 x 8 1/2 in. (28.0 x 21.5 cm), matted, framed. Condition: Creases to corners, gentle rippling, scattered minor handling creases, floated in mat, not examined out of frame. $800-1,200

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380

380 Wolf Kahn (German/American, b. 1927) Brisk Day in May Signed “W Kahn” l.r., dated and signed “#30-1984/W Kahn” on the reverse, titled and dated on the stretcher, with a label from Grace Borgenicht Gallery, New York, affixed to the stretcher. Oil on canvas, 16 x 28 in. (40.6 x 71.1 cm), framed. Condition: Unobtrusive canvas bulges u.l. and l.l., minor surface grime. $7,000-9,000 381 Arthur Garfield Dove (American, 1880-1946) Cows and Stumps Signed “Dove” l.c., titled and dated “.../1938” on labels from Alfred Stieglitz, The Downtown Gallery, New York, and Terry Dintenfass, Inc., New York, affixed to the backing. Watercolor on paper, 3 1/2 x 5 1/2 in. (8.9 x 14.0 cm), framed. Condition: Affixed to mat at upper corners on the verso, adhesive residue to the verso, pale toning or adhesive residue to upper edge.

381

Provenance: Alfred Stieglitz; The Downtown Gallery, New York; Terry Dintenfass, Inc., New York. $5,000-7,000

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382

382 Arthur Garfield Dove (American, 1880-1946) Red Barge II Signed “Dove” l.c., titled and dated “.../1932” on a label from Alfred Stieglitz affixed to the backing. Watercolor on paper, 5 x 7 in. (12.7 x 17.8 cm), framed. Condition: Laid down on mat, pale toning to edges, stain u.r., small crease u.r. Provenance: Alfred Stieglitz; The Downtown Gallery, New York; Terry Dintenfass, Inc., New York. $8,000-12,000 383 József Egry (Hungarian, 1883-1951) Keszthely Signed “Egry József” l.r. and on the reverse, titled in an inscription on the reverse. Oil on pressed paperboard, 14 x 16 1/4 in. (35.5 x 41.2 cm), framed. Condition: Bowing to board, abrasions to edges, craquelure u.r., surface grime. $7,000-9,000

383

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384 Dong Moy Chu Kingman (American, 19112000) Cove, La Jolla Signed and dated “KINGMAN.../49” l.r., titled on a label from Maison Auction Company, Wallingford, Connecticut, affixed to the frame backing, with several brochures relating to the artist affixed to the frame backing. Watercolor on paper, sight size 14 1/2 x 21 in. (36.8 x 53.3 cm), framed. Condition: Rippling, staining l.l., not examined out of frame. $800-1,200 385 Joseph Floch (American/Austrian, 18941977)

385

Masts and Gulls Signed “Floch” l.r. Oil on canvas, 11 x 15 in. (28.0 x 38.0 cm), framed (in a liner). Condition: Craquelure, gentle canvas rippling. $3,000-5,000

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386

386 Milton Avery (American, 1885-1965) Moored Boat Signed and dated “Milton Avery 1948” l.l., identified and described as “Signed, dated, and titled on the reverse” on an encapsulated label affixed to the frame backing. Watercolor and charcoal on paper, 22 1/2 x 30 1/2 in. (57.2 x 77.5 cm), framed. Condition: Tack holes to corners, subtle rippling, not examined out of frame.

Provenance: Mark Borghi Fine Art, New York; Christie’s New York, Rockefeller Center, Important American Paintings, Drawings and Sculpture, December 1, 2005, Lot 129; Private Collection; Sotheby’s, New York, American Paintings, Drawings and Sculpture, September 24, 2008, Lot 18; acquired by the present owners from the above. $15,000-25,000

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387

387 John Marin (American, 1870-1953) Small Point, Maine Signed and dated “Marin 22” l.r., identified on labels from Marlborough-Gerson Gallery, Kennedy Galleries, Inc., and Sid Deutsch Gallery, all New York, and Owings-Dewey Fine Art, Sante Fe, all affixed to an encapsulated mat board on the frame backing paper. Watercolor on paper, 26 3/4 x 21 3/4 in. (67.9 x 55.2 cm), framed. Condition: Minor toning, tack holes to corners, subtle rippling, not examined out of frame.

150

Provenance: Lisa Marie Marin, granddaughter of the artist, New York; Marlborough-Gerson Gallery, Inc., New York; Kennedy Galleries, Inc., New York; Owings-Dewey Gallery, Santa Fe, New Mexico; Sid Deutsch Gallery, New York; Private collection; Sotheby’s, New York, November 28, 2007, Lot 68; Private Collection; Christie’s New York, Important American Paintings, Drawings and Sculpture, May 18, 2011, Lot 132; acquired by the present owners from the above.

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Literature: Sheldon Reich, John Marin: a Stylistic Analysis and Catalogue Raisonné (Tucson: University of Arizona Press, 1970), Vol. II, cat. 22.95, p. 512. N.B. An earlier auction catalog listing states that this watercolor is titled on the reverse. Because of the current framing, this information was not confirmed. $30,000-50,000

388 Stuart Davis (American, 1892-1964) Marine Scene/Docks, Gloucester, Massachusetts, alternately titled Gloucester Docks Motif #1 Signed “STUART DAVIS” within the composition l.l. and “Stuart Davis” in script l.r., dated c. 1933 in the Stuart Davis catalogue raisonné (see below). Gouache and ink on paper mounted to paperboard, 8 7/8 x 7 in. (22.2 x 17.8 cm), framed. Condition: Stains to l.r. corner and c.r. edge, pale stains/fox marks to l.c., subtle rippling more prominent at c.l. edge, soiling to the margins, pinholes to corners, gently lightstruck, margins defined with pencil grid lines at edges of the sheet. Provenance: The artist; probably to Elliot and Flora Paul, New Milford, Connecticut, 1938 (?); Dr. Weiss, Riverdale, New York; estate of Dr. Weiss; Martin Dolin, New City, New York, by 1991; Skinner, Inc., American & European Paintings, November 22, 1996, Sale 1746, Lot 271; to the current private collection.

388

Literature: Ani Boyajian, Mark Rutkoski, William C. Agee, and Karen Wilkin, Stuart Davis: A Catalogue Raisonné, Volume Two (New Haven: Yale University Art Gallery, 2007), as No. 1179, pp. 601-2 (ill.). N.B. This work is assumed to be one noted by Davis in his record of works sold between 1936 and 1940 as Gloucester Docks Motif #1, sold to Flora and Elliot Paul in 1938. The catalogue raisonné entry notes two related works also from 1933: a sketchbook drawing Study for “Waterfront” and an oil Waterfront. A photocopy of a letter from Earl Davis, the artist’s son, dated June 7, 1996, accompanies the lot. In the letter, Mr. Davis confirms the authenticity of the work and states that both signatures are original. The letter pre-dates the publication of the catalogue raisonné. $40,000-60,000

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389

389 Charles Green Shaw (American, 1892-1974) Untitled Signed “Shaw” l.r. Oil on canvas laid down on board, 17 3/4 x 20 in. (45.0 x 50.7 cm), framed (in a liner). Condition: Varnish discoloration and inconsistencies, minor frame abrasions. $4,000-6,000 390 John Way [Wei Letang] (Chinese/American, 1921-2012) Untitled Signed and dated “John Way ‘66” l.l. Oil on paper, 18 x 23 1/2 in. (45.7 x 59.7 cm), unframed. Condition: Toning/staining to the reverse, small creases to lower corners. $1,500-2,500

390

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391

391 John Way [Wei Letang] (Chinese/American, 1921-2012) Untitled Signed and dated “John Way ‘74” u.l., inscribed “74 20 20” on the reverse, and inscribed “70/1886” on an unattributed label affixed to the reverse. Oil on paper, 19 x 24 in. (48.2 x 61.0 cm), unframed. Condition: Clear tape remnants to corners on the reverse, toning/staining to the reverse, small crease to l.l. corner. $1,500-2,500 392 Maud Morgan (American, 1903-1999) Above Time Signed “Maud Morgan” l.r., titled on a label from the Cambridge Art Association affixed to the stretcher. Oil on canvas, 42 x 28 in. (106.7 x 71.1 cm), framed. Condition: Small abrasions l.l., varnish inconsistencies, scattered accretions. Provenance: Purchased by the current owner in the late 1960s. $600-800

392

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393 Ernesto Michahelles, called Thayaht (Italian, 1893-1959) Untitled Abstraction Artist’s stamp in blue u.l. Ink wash and pencil on onionskin paper, 10 1/2 x 8 1/2 in. (26.5 x 21.5 cm), matted, unframed. Condition: Scattered crimps and creases, subtle rippling to paper, hinged at upper corners. N.B. Thayaht was an artist associated with the Italian Futurist movement and a designer who in 1919 came up with the idea for the jumpsuit or work overall, called TuTa in Italian because of its “T” shape. $300-500 394 Leonardo Nierman (Mexican, b. 1932) Bird in Flight Signed and dated “nierman 60” l.r., inscribed and signed “To Dr. & Mrs. Richard Newman/ with my very best wishes/and affection/ Leonardo Nierman/1976” on the reverse. Oil on Masonite, 16 3/4 x 48 in. (42.8 x 122.0 cm), framed. Condition: Small losses to edges and corners. $700-900 393

394

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395

395 Robert Natkin (American, 1930-2010) Apollo, May Signed “Natkin” l.l. and on the reverse, titled on a label from the Cincinnati Art Museum affixed to the stretcher, inscribed “POINDEXTER/...” on the stretcher, with several unattributed inventory labels affixed to the stretcher. Acrylic on canvas, round stretcher, diameter 72 in. (183.9 cm), framed. Condition: Small area of fine craquelure u.l. Provenance: Poindexter Gallery, New York; through to the current private Massachusetts collection. $3,500-5,500 396 Henry Albert Botkin (American, 1896-1983) Cycle Signed “Botkin” within the composition, titled, dated, and signed “...1964/Botkin” on a fragment of a previous backing affixed to the backing in a clear envelope. Mixed media including fabric and paper on board, 20 x 16 in. (50.7 x 40.6 cm), framed (under glass). Condition: Rippling and creasing (both appear to be inherent to the artist’s process), floated in frame, not examined out of frame. $700-900 396

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397 György Kepes (Hungarian/American, 19062001) In+Out Signed, titled, and dated “G. Kepes/.../1982” on the reverse. Oil and sand on canvas, 20 1/8 x 20 1/8 in. (51.5 x 51.5 cm), framed. Condition: Scattered minor abrasions. $2,000-3,000 398 György Kepes (Hungarian/American, 19062001) Untitled Signed and dated “G. Kepes/19...1” on the reverse. Oil on canvas, 28 x 24 in. (71.0 x 61.0 cm), framed. Condition: Craquelure to areas of impasto, minor surface grime. $2,000-3,000

398

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399 Mario Dal Fabbro (Italian, 1913-1990) The Flame Signed and inscribed “Mario Dal Fabbro/ Fairfield Co/A78.1” on the underside of the plinth, titled and identified on an unattributed label affixed to the side of the plinth. Ebonized wood, height 18 3/4 in. (47.6 cm), on a wood plinth. Condition: Scattered cracks, abrasions or wear to edges, separation at center. $800-1,200 400 György Kepes (Hungarian/American, 19062001) Chess Field Signed (in two places), dated, and titled “G. Kepes 1982/...” on the reverse. Oil and sand on canvas, 30 x 24 1/4 in. (76.2 x 61.5 cm), framed. Condition: Scattered minor abrasions and losses, surface grime. $2,000-3,000

399

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402

401 Al (Alfred Gerald Caplin) Capp (American, 1909-1979) It Were All A Dream Signed and dated “© Alfred G Capp 75” on the reverse, titled within the composition, with a label from the Art Gallery of Hamilton affixed to the reverse. Acrylic on canvas, 66 x 66 in. (167.6 x 167.6 cm), unframed. Condition: Canvas stretched over board, tears to turning corners, scattered abrasions, surface grime. $600-800

403

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404

402 Keith Haring (American, 1958-1990) Merry Christmas/Envelope Inscribed and signed “FOR BRIGID-/MERRY CHRISTMAS!!/HO-HO-HO-Keith” within the composition. Ink and stickers on manila envelope, 15 1/2 x 11 3/4 in. (39.3 x 29.8 cm), framed. Condition: Scattered creases and staining, tears to edges, the stickers on the verso have come unglued in places. Provenance: Gift of the artist to Brigid Berlin; Private Collection, New York; Sotheby’s, New York, Contemporary Art, June 8, 2012, Sale N09970, Lot 34; private collection.

403 Al (Alfred Gerald Caplin) Capp (American, 1909-1979) Our Honeymoon Night Signed and dated “© Alfred G Capp 75” on the reverse, titled within the composition, with a label from the Art Gallery of Hamilton affixed to the reverse. Acrylic on canvas, 66 x 66 in. (167.6 x 167.6 cm), unframed. Condition: Canvas stretched over board, craquelure, surface irregularities, tears to turning corners, scattered abrasions, surface grime. $600-800

404 Andy Warhol (American, 1928-1987) Still Life Unsigned, titled and dated “...1975” on a label from Paul Kasmin Gallery, New York, stamped with the marks of the artist’s estate and of the Andy Warhol Foundation for the Visual Arts on the reverse l.r., inscribed “VF/61.010” on the reverse l.r. Pencil on ivory wove paper, 28 x 40 1/2 in. (71.1 x 102.9 cm), framed. Condition: Deckled edges, sheet affixed to mat at upper and side edges, subtle toning and staining, pale fox marks to l.l., c.l., c.r., and l.r., very subtle handling creases to corners. $20,000-30,000

N.B. Keith Haring addressed this work to Brigid Berlin, an artist, socialite, and close friend of Andy Warhol, at the address of Warhol’s New York City studio, known as the Factory. Warhol moved his Factory to 22 East 33rd Street in 1984. $4,000-6,000

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407

406

405 Anglo/American School, 20th Century Labor Day, Main Street, Buffalo, New York Signed and dated “Reed/5/70” l.l., titled in an inscription on the frame backing, and on an unattributed label affixed to the frame backing. Oil on panel, 5 1/4 x 7 15/16 in. (13.0 x 20.0 cm), framed (in a liner). Condition: Panel mounted to liner, abrasions c.l. and to corners, surface grime. $400-600

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406 Paul Raphael Meltsner (American, 19051966) Monster Rally (Meeting of Nasser & Kin Saud) Signed “©/PAUL MELTSNER” l.r., titled and signed in pencil on the stretcher. Oil on canvas, 24 x 20 in. (60.7 x 51.0 cm), framed. Condition: Small accretion or spot of discolored varnish at u.c. edge, fine craquelure. $1,200-1,800

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407 Scott Prior (American, b. 1949) High School Unsigned, titled and inscribed “...Z500” on the back of the frame, identified, titled, and dated “...1980” on a label from Alpha Gallery, Boston, affixed to the back of the frame. Oil on panel, 42 x 30 in. (106.7 x 76.2 cm), framed. Condition: Abrasions with small paint losses to corners. $3,000-5,000

408 William Nelson Copley (American, 19191996)

408

Untitled Signed and dated “CPLY/1991” on the reverse, identified on a label from Nolan/ Eckman Gallery, New York, affixed to the reverse. Mixed media including cardboard, paint, lace, and Styrofoam, 17 1/2 x 17 1/2 x 2 1/4 in. (44.4 x 44.4 x 5.7 cm). Condition: Cracks and losses to Styrofoam, pinholes u.c., tear u.c., creases u.c. Provenance: Estate of Richard E. Anderson, New York, New York/Redding, Connecticut. Literature: CPLY: William N. Copley, exhibition catalog, New York: David Nolan Gallery, 1991, illustrated p. 13. N.B. Though there is no checklist for the exhibition CPLY: William N. Copley, at David Nolan Gallery, New York, November 16– December 14, 1991, this work was likely included in that show. We would like to thank Anthony Atlas of the William N. Copley Estate for his kind assistance with cataloging this work. $6,000-8,000 409 Rafal Olbinski (Polish/American, b. 1943) So Long Monsieur Rousseau Signed “Olbinski” l.l., titled on the reverse, with a label from Nahan Galleries, New Orleans and New York, affixed to the back of the frame. Acrylic on paper/board, 18 x 13 5/8 in. (46.0 x 34.5 cm), framed. Condition: Small creases to corners, small paint losses to left edge. N.B. Copies of a certificate of authenticity and a bill of sale dated May 14, 1994, both from Nahan Galleries, accompany the lot. $3,000-5,000

409

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410 Robert Beauchamp (American, 1923-1995) Untitled Signature and date incised “Beauchamp/64” l.r., with an exhibition label from The Washington Gallery of Modern Art, Washington, DC, affixed to the back of the frame. Oil on Masonite, 22 x 30 in. (55.9 x 76.2 cm), framed. Condition: Surface grime, possible small paint loss u.l. Provenance: Given as a gift to the current owners in 1968. Exhibitions: Twentieth Century Painting from the Collections in the State of Washington, September 18–October 30, 1966, The Washington Gallery of Modern Art, Washington, DC. $800-1,200

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411 Kalpathi Ganpathi “K.G.” Subramanyan (Indian, 1924-2016) Portraits No. 3 Signature incised in Malayalam l.l. on each relief, titled and dated “...1978” on the back of the frame, with an exhibition label from the Lalit Kala Akademi, New Delhi, affixed to the back of the frame. Four terra-cotta reliefs, 11 × 11 in. (28.0 x 28.0 cm) each, mounted together in a single frame. Condition: Abrasions and small losses to edges, cracks to l.l. and l.r. reliefs. Exhibitions: National Exhibition of Art, Lalit Kala Akademi, National Academy of Art, New Delhi, 1980. $4,000-6,000

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412 Howard Finster (American, 1916-2001) Coca-Cola Signed, inscribed, and dated “BY-HOWARD/ FINSTER/FROM-GOD/MAN OF VISIONS./.../ NOV-1-1989/10:24:PM...” within the composition, titled within the composition. Oil and marker on board, 33 3/4 x 10 1/4 in. (85.7 x 26.0 cm), unframed. Condition: Scattered minor abrasions, surface grime. $600-800

413 Purvis Young (American, 1943-2010) Angels Signed “Young” u.l. Mixed media including acrylic and duct tape on particle board, 36 x 47 3/4 in. (91.4 x 121.3 cm), framed. Condition: Holes to corners and c.r., loss to l.l. corner, flaking, scattered paint losses with larger paint losses to edges, scattered abrasions, surface grime. $2,000-2,500 414 Romare Bearden (American, 1911-1988) 413

On Such a Night as This Signed “Romare/Bearden” l.r., titled u.c., with a label from Seventeen Wendell Street Gallery, Cambridge, affixed to the frame backing. Marker on graph paper, sight size 16 1/2 x 21 1/2 in. (41.9 x 54.6 cm), framed. Condition: Gentle rippling, not examined out of frame. $2,000-3,000 415 Purvis Young (American, 1943-2010) Procession Signed “Young” u.r. Acrylic on fabric, 20 x 43 in. (50.7 x 109.2 cm), framed. Condition: Minor surface grime. $1,000-2,000

414

415

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416

416 William Baziotes (American, 1912-1963) Figures at Curtain Signed “Baziotes” l.r., titled, signed, and dated “.../WBaziotes 1947” on the reverse, inscribed “92” within a circle on the reverse, with a label from the Seattle Art Museum affixed to the frame backing. Watercolor, ink, and pencil on paper, 12 x 18 in. (30.5 x 45.7 cm), framed. Condition: Deckled right edge, sheet hinged to mat with brown tape to upper corners on the reverse, tape remnants to upper edge on the reverse, pinholes to corners and edges, small losses near pinholes at corners, small tear u.l., small creases near upper edge at left, crease u.r., gentle rippling, toning. Provenance: Given as a gift to the current owners in 1960. $7,000-9,000

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417

417 Gabriel Orozco (Mexican, b. 1962) Made in Belgium Unsigned, stamped “POTTELBERG/MADE IN BELGIUM” on the underside. Terra-cotta, 7 1/4 x 14 1/2 x 6 in. (18.4 x 38.8 x 15.2 cm). Condition: Dust and dirt to the interstices, possible scattered minor chips (though these may be inherent to the artist’s process). Provenance: Marian Goodman Gallery, New York; Estate of Richard E. Anderson, New York, New York/Redding, Connecticut. Exhibitions: Gabriel Orozco, Galerie CrouselRobelin/Bama, Paris, December 4, 1993– January 29, 1994. $3,000-5,000

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418 Georg Baselitz (German, b. 1938) Gebückter & Tulpen Unsigned, dated “17.IV 83” l.l., identified and titled on a label from Nolan/Eckman Gallery, New York, affixed to the frame backing, with a label from Erich Jeuthner Bild und Rahmen, Munich, affixed to the frame backing. Graphite and watercolor on paper, 24 x 17 in. (61.0 x 43.2 cm), framed. Condition: Gentle rippling, creases to l.l. and l.r., floated in frame, not examined out of frame.

166

Provenance: Nolan/Eckman Gallery, New York; Estate of Richard E. Anderson, New York, New York/Redding, Connecticut. $20,000-30,000

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419 Georg Baselitz (German, b. 1938) Untitled Signed and dated “G Baselitz 1977” l.r. Ink on paper, 82 x 45 1/4 in. (208.3 x 115.0 cm), framed. Condition: Pinholes to corners and edges, rippling, scattered small nicks and tears to edges, tear u.c., floated in frame, not examined out of frame. Provenance: Sonnabend Gallery, New York; Estate of Richard E. Anderson, New York, New York/Redding, Connecticut. N.B. Baselitz began painting and drawing subjects upside down in the late 1960s in an effort to focus attention on the formal aspects of his work rather than the figurative or narrative. While other artists who shared Baselitz’s interest in emphasizing the formal over the representational might dispense altogether with recognizable objects and scenes, turning to abstraction, Baselitz maintained the figural subject but made it difficult, and even uncomfortable, to read.

419

To mark his 80th birthday, Baselitz’s work was the focus of a recent retrospective at the Fondation Beyeler in Basel, Switzerland, on view from January 21 to April 29, 2018. $60,000-80,000 420 No lot.

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421 Jim Shaw (American, b. 1952) Narcissus from the series My Mirage Unsigned. Plastic on mirror, 17 x 14 in. (43.2 x 35.5 cm), framed. Condition: Surface grime. Provenance: Acquired directly from the artist by the current owner in 1988. Exhibitions: LA Hot and Cool: Pioneers, Bank of Boston Art Gallery/MIT List Visual Art Center, Cambridge, November 23, 1987–January 15, 1988.

421

N.B. Jim Shaw worked on the series My Mirage from 1986 through 1991, creating a group of 170 interconnected works of art in a variety of media, each of which tells part of the story of a character named Billy. My Mirage follows Billy, a white, middle-class male, from childhood onward as he navigates the 1960s and 1970s American counterculture. Shaw organized the works into chapters and unified the project by maintaining a standard size of 17 x 14 inches for each work. The result is a visual narrative, structured in the form of a coming-of-age novel; however, the pieces were exhibited about thirty at a time, before being sold individually. Though attempts have been made to reunite the series, all 170 works have never been included together in the same exhibition. $12,000-18,000 422 Norman Bluhm (American, 1921-1999) Untitled Signed and dated “bluhm/58” l.l. Ink and watercolor on paper laid down on pressed paperboard, 11 3/4 x 16 in. (29.9 x 40.6 cm), framed. Condition: Gentle rippling. $1,200-2,200

422

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423

423 Jim Shaw (American, b. 1952) Echo from the series My Mirage Unsigned. Asphalt on acoustical tile, 17 x 14 in. (43.2 x 35.5 cm), framed. Condition: Surface grime. Provenance: Acquired directly from the artist by the current owner in 1988.

Exhibitions: LA Hot and Cool: Pioneers, Bank of Boston Art Gallery/MIT List Visual Art Center, Cambridge, November 23, 1987â&#x20AC;&#x201C; January 15, 1988. $12,000-18,000

End of Sale 3100B

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Artist Index Aarons, George Manuel..................................... 367 Abbott, Berenice....................................... 101–103 Accardi, Carla...................................................... 36 Adams, Ansel.................................................... 106 Al-Kazi, Munira.................................................... 38 Albers, Josef....................................................... 37 American School, 19th/20th Century......... 239, 281 Anderson, Paul L................................................. 97 Andrews, Sybil.................................................. 38A Anglo/American School, 19th/20th Century...... 349 Anglo/American School, 20th Century............... 405 Appel, Karel......................................................... 39 Aralica, Stojan................................................... 325 Ardissone, Yolande........................................... 322 Arp, Jean (Hans).................................................. 40 Auerbach-Levy, William..................................... 358 Augustincic, Antun............................................ 330 Avery, Milton..................................................... 386 Balthus.............................................................. 372 Barlach, Ernst........................................................ 1 Guercino........................................................... 202 Baselitz, Georg.......................................... 418, 419 Baumann, Gustave.............................................. 18 Baumeister, Willi.................................................. 41 Baziotes, William............................................... 416 Bearden, Romare.............................................. 414 Beauchamp, Robert.......................................... 410 Beaux, Cecilia................................................... 339 Beckmann, Max.................................................... 2 Beechey, Sir William (Attributed to).................... 207 Bellmer, Hans...................................................... 42 Bellows, George.................................................. 19 Benson, Frank Weston.................................. 20–24 van der Bent, Johannes (Attributed to).............. 211 Benton, Thomas Hart.................................... 25, 26 Berger, Jason.................................................... 297 Berry, Carroll Thayer.......................................... 314 Berthold, Joachim..................................... 369–371 Bierstadt, Albert................................................ 263 Biloul, Louis François......................................... 352 Blanchard, Antoine............................................ 321 Bloom, Hyman.................................................. 373 Bluhm, Norman................................................. 422 Blythe, David Gilmour (Attributed to).................. 267 Botkin, Henry Albert.......................................... 396 Braque, Georges (After)....................................... 43 Brauner, Victor.................................................... 44 Bricher, Alfred Thompson.................................. 241 British School, 18th Century.............................. 213 Böhm, Pál (Paul)................................................ 220 de Bylandt, Alfred Eduard Agenor..................... 218 Caddy, John Herbert......................................... 238 Caesar, Doris Porter.......................................... 368 Cahoon, Ralph Eugene, Jr................................ 366 Calder, Alexander................................................ 45 Caplin, Alfred Gerald................................. 401, 403 Capp, Al.................................................... 401, 403 Capuzzo, Mario................................................. 278 Caron, Sidonie.................................................. 323 Cartier-Bresson, Henri....................................... 100 Chittenden, Alice Brown.................................... 336 Christy, Howard Chandler................................. 344 Clavé, Antoni....................................................... 46 Clements, George Henry................................... 228 De Cock, César................................................. 236

170

Continental School, 17th/18th Century.............. 209 Continental School, 18th Century...................... 214 Copley, William Nelson...................................... 408 Cowell, (Robert) William Wilson......................... 240 Crawford, Ralston............................................... 47 Creifelds, Richard.............................................. 265 Crossland, James Henry................................... 229 Cucuel, Edward................................................. 353 D’Arcangelo, Allan............................................... 52 Dal Fabbro, Mario.............................................. 399 Dalí, Salvador................................................ 48–51 Dantan, Jean-Pierre........................................... 355 Dater, Judy........................................................ 119 Davis, Stuart...................................................... 388 De Voll, Frederick Usher.................................... 316 Delahogue, Alexis Auguste................................ 274 Deming, Edwin Willard....................................... 268 Deschamps, Louis Henri................................... 348 van Dongen, Kees............................................. 364 Dove, Arthur Garfield................................. 381, 382 Dreyfus-Lemaitre, Henri..................................... 327 Dutch School, 18th Century.............................. 212 Duveneck, Frank............................................... 315 Eakins, Thomas (Attributed to)........................... 264 Eberle, Abastenia St. Leger............................... 343 Egry, József...................................................... 383 Eisenstaedt, Alfred............................................ 110 Enneking, John Joseph............................. 246, 295 Ettinger, Churchill............................................ 285A Felixmüller, Conrad................................................ 3 Fery, John......................................................... 231 Finster, Howard................................................. 412 Flemish School, 17th Century............................ 221 Floch, Joseph.................................................... 385 Fosso, Samuel.................................................. 135 Foujita, Léonard Tsuguharu................................... 4 Frank, Robert............................................ 111, 112 French School, 18th Century............................. 204 Friedlander, Lee................................................. 121 Frishmuth, Harriet Whitney................................ 340 Gambartes, Leonidas........................................ 357 Gerry, Samuel Lancaster................................... 256 Giacometti, Alberto.............................................. 53 Gifford, Charles Henry (Attributed to)................. 243 von Gloeden, Wilhelm.......................................... 96 Goldin, Nan....................................... 122, 123, 130 Goodwin, Arthur Clifton..................................... 317 Grabach, John R............................................... 363 Graham, Dan..................................................... 120 Graves, Abbott Fuller......................................... 335 Graves, Nancy............................................... 54, 55 Griggs, Samuel W............................................. 260 Grooms, Red....................................................... 56 Gross, Chaim.................................................... 378 Grosz, George............................................... 5, 299 Gruppé, Emile Albert................................. 305, 310 Guercino........................................................... 202 Guino, Richard.................................................. 331 Gursky, Andreas................................................ 127 Guston, Philip................................................ 57, 58 Guttenbrunn, Ludwig......................................... 217 Haas, Ernst............................................... 116, 117

Haring, Keith..................................................... 402 Harrison, Birge.................................................. 318 Hartley, Marsden................................................. 27 Hartung, Hans..................................................... 59 Harvey, Eli......................................................... 362 Hayez, Francesco.............................................. 223 Heckel, Erich..................................................... 6, 7 Hering, Georg Wilhelm Richard......................... 350 Hibbard, Aldro Thompson................................. 286 Hill, Thomas...................................................... 272 Hinckley, Robert Cutler...................................... 342 Hinckley, Thomas Hewes.................................. 255 Hockney, David................................................... 60 Hodgkin, Howard (After)...................................... 61 Hopper, Edward................................................ 337 Horton, William Samuel..................................... 312 Hubert, Albert C................................................ 275 Hudson River School, 19th Century.................. 244 Hugo, Valentine................................................... 62 Indiana, Robert.............................................. 63, 64 Inness, George.................................................. 254 Italian School, 18th Century.............................. 208 Jackson, Harry.................................................. 269 Jackson, Jean Jones......................................... 365 Jenks, Phoebe (Phebe)..................................... 347 John, Augustus Edwin........................................... 8 Johns, Jasper...................................................... 65 Johnson, David................................................. 245 Kahn, Wolf........................................................ 380 Kaula, William Jurian.......................................... 292 Kenna, Michael.......................................... 125, 126 Kepes, György.................................. 397, 398, 400 Kingman, Dong Moy Chu.......................... 298, 384 Klodt von Jurgensburg, Mikhail Konstantinovich... 230 Kokoschka, Oskar................................................. 9 Kolesnikoff, Sergei Mikhailovich......................... 276 Kolesnikoff, Stepan Fedorovic................... 287, 334 van der Laanen, Jasper (Attributed to)............... 210 Van Laer, Alexander Theobald........... 252, 258, 289 Lawrence, Jacob................................................. 66 Le Quesne, Fernand.......................................... 345 Leavitt, Edward Chalmers.................................. 262 Lemaitre, Henri Dreyfus..................................... 327 Lemieux, Annette.............................................. 133 Lewis, Martin....................................................... 28 Lichtenstein, Roy................................................. 67 Lichtenstein, Roy (After)................................. 68, 69 Liebermann, Max................................................. 10 de Lima, Fausto................................................ 356 Lowe, Jacques.................................................. 114 Luce, Maximilien................................................ 328 Lucius, Sebastian.............................................. 219 Mandel, Julian (Attributed to)............................... 98 Marin, John....................................................... 387 Marsh, Reginald.................................... 29, 30, 313 Matta, Roberto.................................................... 70 McCord, George Herbert........................... 250, 251 McDonnough, James........................................ 270 McNulty, William C.............................................. 31 Meissonier, Jean-Louis-Ernest........................... 341 Meltsner, Paul Raphael...................................... 406 Meyer, Herbert William...................................... 319

Michahelles, Ernesto......................................... 393 Miller, John........................................................ 279 Millet, Jean-François............................................ 11 Moore, Henry...................................................... 71 Moreau-Vauthier, Paul....................................... 338 Morgan, Mary DeNeale...................................... 306 Morgan, Maud................................................... 392 Morris, Robert..................................................... 72 Morrisroe, Mark................................................. 124 Munch, Edvard.................................................... 12 Musgrave, Arthur Franklyn................................. 333 Muss-Arnolt, Gustav.......................................... 216 Muñoz Vera, Guillermo...................................... 374 Natkin, Robert................................................... 395 Neel, Alice........................................................... 73 Nierman, Leonardo............................................ 394 Oddie, Walter Mason......................................... 248 Olbinski, Rafal................................................... 409 Oldenburg, Claes................................................ 74 Orozco, Gabriel................................................. 417 Osthaus, Edmund Henry................................... 232 Palmer, Walter Launt......................................... 285 Peterson, Jane.................................................. 308 Peyraud, Frank Charles..................................... 302 Phelps, William Preston.............242, 247, 257, 261 Phillips, James March........................................ 307 Picasso, Pablo.............................................. 75–77 Pierce, Charles Franklin..................................... 259 Pissarro, Camille........................................ 326, 329 Porter, Fairfield.................................................... 78 Portielje, Edward Antoon................................... 224 Prior, Scott........................................................ 407 Rathbone, John......................................... 233, 235 Rauschenberg, Robert........................................ 79 Redon, Odilon..................................................... 13 Renger-Patzsch, Albert..................................... 109 Renoir, Pierre-Auguste...................................... 331 De Reyna Manescau, Antonio Maria.................. 277 Robinson, William S........................................... 253 Roseland, Harry Herman................................... 266 Rosenblum, Walter............................................ 104 Rovner, Michal.................................................. 132 Sani, Alessandro............................................... 226 Schaefels, Lucas Victor..................................... 215 Schmidt-Rottluff, Karl.................................... 14, 15 Schuffenecker, Claude Émile............................. 361 Seike, Tomio..................................................... 131 Shahn, Ben......................................................... 32 Shaw, Charles Green........................................ 389 Shaw, Jim................................................. 421, 423 Sheehan, Dennis............................................... 300 Simonetti, Ettore................................................ 227 Skoglund, Sandy............................................... 128 Smith, Francis Hopkinson.................................. 234 Sonntag, William Louis...................................... 249 Soyer, Moses.................................................... 354 Soyer, Raphael.................................................... 33 Spanish School, 15th Century........................... 203 Spanish School, 18th Century Style.................. 222 Spanish School–Aragonese, 15th Century........ 203 Steir, Pat............................................................. 80 Stevens, William Lester.............................. 290, 293

Strand, Paul........................................................ 99 Štrba, Annelies.................................................. 134 Stremel, Max Arthur.......................................... 280 Strisik, Paul....................................................... 311 Subramanyan, Kalpathi Ganpathi “K.G.”............ 411 Svendson, Svend.............................................. 288 Szerner, Wladyslaw Karol, Jr............................. 237 Thayaht............................................................. 393 Thieme, Anthony............................................... 309 Tielius, Johannes (Jan)...................................... 205 Tilburne, Albert Roanoke................................... 359 Toulouse-Lautrec, Henri de................................. 16 Turner, Charles Yardley..................................... 332 Ubac, Raoul...................................................... 108 Vallotton, Félix..................................................... 17 Vasarely, Victor.............................................. 81–86 Vignon, Charles................................................. 320 Walker, Henry G. (Hank).................................... 115 Ward, John Quincy Adams................................ 346 Warhol, Andy............................................... 87, 404 Warhol, Andy (After)........................................88-90 Warshawsky, Abel George................................ 324 Waterman, Marcus............................................ 301 Waugh, Frederick Judd..................................... 303 Way, John................................................. 390, 391 Weber, Max................................................. 91, 377 Weems, Katharine Ward Lane........................... 360 Wei Letang................................................ 390, 391 Weinrich, Agnes........................................ 375, 379 Weston, Brett............................................ 107, 118 Whistler, James Abbott McNeill..................... 34, 35 White, Minor...................................................... 113 Whorf, John...................................................... 291 Wiggins, Guy Carleton....................................... 294 Wijck, Thomas (School of)................................. 206 Williams, Christopher......................................... 129 Witkin, Joel-Peter.......................................136-139 Wolcott, Marion Post......................................... 105 Wood, Robert William........................ 271, 282–284 Woodbury, Charles Herbert............................... 304 Woodward, Robert Strong................................ 296 Wtewael, Joachim Antonisz (After)..................... 201 Van Wyk, Henri.................................................. 273 Young, Purvis............................................ 413, 415 Zadkine, Ossip.................................................... 92 Zao Wou-Ki......................................................... 93 Zorach, William.................................................. 376 Zuber-Bühler, Fritz............................................. 225 Zúñiga, Francisco.................................. 94, 95, 351

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Conditions of Sale 1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot. 2. All property is sold â&#x20AC;&#x153;as is,â&#x20AC;? and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability. 3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot for sale. The auctioneer shall have sole discretion to refuse any bid, or refuse to acknowledge any bidder. Any bidder that plans on spending in excess of $100,000 should make arrangements with the accounting department at least five (5) days in advance of the sale, as a deposit may be required to participate. 4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of the date of sale. Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If any property has not been removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three days, and/or (b) Skinner Inc. may place the merchandise in a subsequent auction, without Reserve, to be sold to the highest bidder, and after deducting the standard commission and any additional charges that may apply, remit the proceeds to the purchaser. 5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases. 6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all items for which it was the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without limitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchaserâ&#x20AC;&#x2122;s breach, and/or (b) offering at public auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation to pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale. 7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such purchaser for such item. 8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within the United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute cancellation or delay in payment for the total purchase price of these lots. 9. Sales in Massachusetts, Florida, and New York are subject to the respective current sales taxes. Dealers, museums, and other qualifying parties may be exempt from sales tax upon submission of proper documentation. 10. A premium equal to 23% of the final bid price up to and including $100,000, plus 20% of the final bid price from $100,001 up to and including $1,000,000, plus 12% of the final bid price from $1,000,001 and over will be applied to each lot sold, to be paid by the buyer as part of the purchase price. 11. Bidding on any item indicates your acceptance of these terms and all other terms printed within, posted, and announced at the time of sale whether bidding in person, through a representative, by phone, by Internet, or other absentee bid. 12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalog. The copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this catalog, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our prior written consent. 13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or choice of law). The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any federal court sitting therein. The bidder/buyer consents to the exclusive jurisdiction of such courts and waives objections that it may now or hereafter have to the venue of any such suit. Revised January 21, 2015

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Absentee Bid Form Sale Title

Absentee Bid

Sale Date

Phone Bid

Customer #

Name (Please Print)

Business Name

Address City

Phone #

Alternate #

check if change in address

State

Zip Code email

I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as a convenience, and will not be held responsible for any errors or failure to execute bids. I understand that my bids are executed and accepted as per Conditions of Sale as printed in the catalog of this sale. Signature (Required)

Lot #

Date

Description

Bid confirmation via email?

YES

Bid Price

FOR OFFICE USE Marlborough

Boston

Phone

63 Park Plaza Boston, MA 02116 617.350.5400 Fax 617.350.5429

Fax

Mail

Person

274 Cedar Hill Street Marlborough, MA 01752 508.970.3000 Fax 508.970.3100

Employee:

www.skinnerinc.com

Board of Directors

Departments

Chairman of the Board

20th Century Design

Discovery Auctions

Jane D. Prentiss

Carly Babione

20thcentury@skinnerinc.com

Kyle Johnson

508.970.3253

discovery@skinnerinc.com

Stephen L. Fletcher Bear Albright

508.970.3202

John Deighton Karen M. Keane

American & European Paintings & Prints

Andrew Payne

Robin S.R. Starr Elizabeth C. Haff Michelle LamuniĂ¨re

Executive Management President/Chief Executive Officer Karen M. Keane

Kathleen M. Leland paintings@skinnerinc.com

Don Kelly

Executive Vice President

Stuart G. Slavid Stephanie Opolski european@skinnerinc.com 508.970.3203

508.970.3206

Historic Arms & Militaria American Furniture & Decorative Arts

Joel Bohy

Stephen L. Fletcher

militaria@skinnerinc.com

Chris Barber

508.970.3125

Christopher D. Fox americana@skinnerinc.com

Chief Financial Officer

European Furniture & Decorative Arts

508.970.3200

Jewelry Victoria Bratberg John Colasacco

American Indian & Ethnographic Art

Rebecca Ponder

Michael Evans

Kaitlin Shinnick

americanindian@skinnerinc.com

jewelry@skinnerinc.com

Stephen L. Fletcher

508.970.3254

617.874.4313

Managing Director

Antique Motor Vehicles

Judaica

Marie Keep

Jane D. Prentiss

Kerry Shrives

antiquemotorvehicles@skinnerinc.com

judaica@skinnerinc.com

508.970.3253

508.970.3256

Asian Works of Art

Musical Instruments

Senior Vice Presidents Marie Keep Kerry Shrives Stuart G. Slavid

Vice Presidents

Judith Dowling

music@skinnerinc.com

Suhyung Kim

508.970.3216

asian@skinnerinc.com 508.970.3263

Victoria Bratberg Eric Jones Gloria Lieberman

Lawrence Kearney rugs@skinnerinc.com

Devon Eastland

508.970.3247

books@skinnerinc.com

Jane D. Prentiss

508.970.3293

Robin S.R. Starr

Florida 305.503.4423 florida@skinnerinc.com

Photographs Michelle LamuniĂ¨re

Ceramics

photographs@skinnerinc.com

Stuart G. Slavid

508.970.3264

ceramics@skinnerinc.com 508.970.3203

New York: Katie Banser-Whittle 212.787.1114 kbanser-whittle@skinnerinc.com

Oriental Rugs & Carpets

Books & Manuscripts

Carol McCaffrey

Regional Offices

Adam Tober

Helen Eagles

Silver Stuart G. Slavid

Clocks, Watches & Scientific Instruments Jonathan Dowling

silver@skinnerinc.com 508.970.3203

clocks@skinnerinc.com 508.970.3201

Wine, Whisky & Ale Marie Keep

Coins & Currency Kyle Johnson coins@skinnerinc.com 508.970.3191

174

Joseph Hyman Anna Ward finewines@skinnerinc.com 508.970.3296

Auction Services Consignments

Marketing, Media & Communications

Appraisal & Auction Services

Boston:

LaGina Austin

Pamela Van de Houten

Christine E. Finn

Jeffrey R. Antkowiak

Rachel Kingsley

Stanley P. Bystrowski

Samantha Minshull

Kristina M. Harrison

508.970.3299

Kathleen Jones

Consignment Services

Exhibitions & Property

Laura V. Sweeney Julia M. Dry Katrina Wilson

Cheryl Richards Photography

Receptionist

Valerie Santos

Florentina Gutierrez

Penina Seigel

Patricia Walker King

617.350.5400

Tara Lima Carol Zeigler

Skinner Online

508.970.3204

Customer Relations/Human Resources

Kerry Shrives Daniel Bar Judie Ochsner

Carol McCaffrey

Nicole Nicas Rovner

508.970.3252

Valerie Santos online@skinnerinc.com 508.970.3279

Accounting Denise Cheney

Catalog Sales

508.970.3269

508.970.3000

Marlborough: Warehouse Frederic Trottier 508.970.3209 Samantha Heighton

Receptionist Lindsay White 508.970.3000

Transportation Eric Jones 508.970.3229

William Madden 508.970.3266

Kevin Rota 508.970.3283

Auctioneers Chris Barber, John Colasacco,

Absentee & Telephone Bidding

Stephen L. Fletcher, Karen M. Keane, Marie Keep, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr, Laura V. Sweeney

Boston: 617.874.4318 Marlborough: 508.970.3211 Discovery: 508.970.3208

63 Park Plaza Boston, MA 02116 617.350.5400 Fax 617.350.5429

www.skinnerinc.com

274 Cedar Hill Street Marlborough, MA 01752 508.970.3000 Fax 508.970.3100

130 Miracle Mile, Suite 220 Coral Gables, FL 33134 305.503.4423 Fax 305.709.2143

415 Madison Avenue, #1418 New York, NY 10017 212.787.1113 Fax 646.893.0179

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