Studio Art online | Skinner Auction 3114T by Bonhams Skinner

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Lot Listing Sale 3114T | July 17â&#x20AC;&#x201C;24, 2018 | www.skinnerinc.com 508.970.3202 | discovery@skinnerinc.com |

MA LIC. 2304

1000 Clara D. Davidson (American, 18741962) The Pink Camellias. Signed “Clara D. Davidson” l.r., identified on a presentation plaque and on a label from Roger King Gallery of Fine Art, Newport, Rhode Island, affixed to the frame backing. Oil on canvas, 22 x 15 in., framed. Condition: Lined, scattered retouch, minor surface grime.

1006 Mabel May Woodward (American, 1877-1945)

1001 Modern Landscape, America, with semi-abstract trees and lake in impasto against a geometric colorfield background, signed “Kenzo Okada” near left bottom, oil on Masonite, framed, sight size 20 3/4 x 20 7/8 in. $1,000-1,500

Rocky Cove. Unsigned, with indistinct pencil inscriptions to the verso. Watercolor and gouache on paper, 8 1/2 x 10 1/2 in., unframed. Condition: Creases, small tears, and nicks to edges and corners, pinholes to corners, rippling, possible toning, adhesive residue to edges on the verso.

1002 Ernest Fredericks (American, 18771959)

Provenance: Ann Stevens, close friend of the artist and executor of the artist’s estate; Robert G. Withers, Providence, Rhode Island; to the current private collection, Georgia. $700-900

1003 American School, 20th Century Leapfrog. Inscribed “Moreau” in the bronze base. Bronze with brown patina, height 22 in., on a marble plinth. Condition: Surface dust and grime.

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Boys Being Nice to Each Other, Frankfurt am Main, mid-1980s, printed mid-1990s. Titled, dated, and signed “...W McBride” in pencil on the verso l.c. Gelatin silver print, image size 17 1/4 x 12 in., unmatted, unframed. Condition: Good. $800-1,200

Provenance: A Massachusetts estate. $1,500-2,500

Early Autumn Landscape. Signed “ERNEST FREDERICKS” l.l. Oil on canvas, 24 x 36 in., framed. Condition: Retouch to sky primarily at c.l. edge, varnish discoloration, fine craquelure, minor surface grime. $800-1,200

1005 Will McBride (American, 1931-2015)

Provenance: Collection of Judge Jon Tom Staton, Edmond, Oklahoma. $800-1,200 1004 Branko Becic (Croatian, 1923-2000) Two Harbor Views. Both signed “Br. Becic” l.r. Oil on canvas, 23 1/2 x 28 5/8 in., framed. Condition: Minor surface grime. $800-1,200

1007 Norman Henry Yeckley (American, 1914-1994) Desert Landscape. Signed “NORMAN YECKLEY” l.r. Oil on canvas, 24 x 36 in., framed. Condition: Small abrasion with minor paint loss l.c., scattered dots of retouch, canvas rippling, varnish inconsistencies, surface grime. $600-800 1008 A. Marrani (Italian, 19th/20th Century) Bargello Courtyard. Signed “A.Marrani” l.l. Watercolor on paper/ board, sight size 11 x 7 3/4 in., framed. Condition: Fox mark l.r., not examined out of frame. $400-800

1009 Charles Hovey Pepper (American, 1864-1950) Study in Gray/A Young Woman. Signed “Charles Hovey Pepper” l.l. Oil on canvasboard, 12 x 9 in., framed. Condition: Retouch, fine craquelure, surface grime. Provenance: A Massachusetts estate. $600-800 1010 White Mountain School, 19th Century Mountain in Early Autumn, Possibly Mount Chocorua. Signed faintly “W.../Morr...” l.r. Oil on canvas, 13 1/2 x 22 1/2 in., framed. Condition: Lined, retouch to the sky. N.B. Although the signature is very indistinct, it may read William Morrison, possibly signifying Wellman (William) Morrison (American, 1815-1857), but there is not enough evidence to make a firm attribution. $500-700 1011 Sidney Redfield (American, 19011985) Home at Arabella. Signed and dated “Sidney Redfield 58” l.r., titled in an inscription on the frame backing. Egg tempera on board, 23 x 33 1/4 in., framed. Condition: Scattered small abrasions and paint losses, surface grime. $500-700 1012 American School, 20th Century Ice Cream Couture. Unsigned. Mixed media collage on paper, sight size 30 1/2 x 38 1/2 in., framed. Condition: One figure with a loss to her right leg, scattered glue stains, not examined out of frame. $400-600 1013 Continental School, 19th/20th Century Belgian Harbor Scene. Signed indistinctly l.l. Charcoal and crayon on paper, sight size 35 1/4 x 27 1/2 in., framed. Condition: Subtle rippling, not examined out of frame. $400-600

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1018 Arthur Sarnoff (American, 19122000)

1023 Marcus Waterman (American, 18341914)

Beach with Dunes. Signed “Charles W Radclyffe” l.r., with a stamp from Winsor & Newton, London, applied to the reverse, and a label from E. Norton’s Artists’ Repository, Birmingham, affixed to the stretcher. Oil on canvas, 14 x 20 in., framed. Condition: Craquelure, faint stretcher marks.

Unexpected News. Signed “Arthur Sarnoff” l.r. Gouache on paper/board, sight size 13 3/4 x 13 3/4 in., framed. Condition: Scattered foxing, not examined out of frame. $300-500

Mountains and Clouds, Vermont. Unsigned, identified in inscriptions on the stretcher, identified, titled, and dated “...ca. 1880s” on a label affixed to the backing. Oil on canvas, 20 x 30 in., framed. Condition: Craquelure, tear c.r. repaired with a patch on the reverse, paint losses to edges, scattered areas of flaking with small paint losses, retouch. $800-1,200

Provenance: Collection of Judge Jon Tom Staton, Edmond, Oklahoma. $400-600 1015 American School, 19th/20th Century Rocky Point with Sailboats. Unsigned, with a label from Frost & Adams, Boston, affixed to the stretcher. Oil on canvas, 10 x 14 in., framed (in a liner). Condition: Wax lined, craquelure, retouch. Provenance: Collection of Judge Jon Tom Staton, Edmond, Oklahoma. $400-600 1016 Phillip Brown Parsons (American, 1895-1977) From East Street, Lexington, Massachusetts. Signed “P.B. PARSONS” l.l., titled in an inscription on the reverse. Oil on artist board, 6 x 9 1/4 in., framed. Condition: Minor frame abrasions. $400-600 1017 Boston School, 19th/20th Century Portrait of Dora Dall Breding. Unsigned. Oil on canvas, 18 x 15 in., in a Carig-Rohane-style frame. Condition: Lined, retouch, craquelure. Provenance: By descent within the family of the sitter. Cook for Arthur Foote, a noted composer in Boston (See Notes) $300-500

1019 Jeanne Maestranzi (American, 20th/21st Century) Beach House. Signed “J. Maestranzi” l.r., identified on an unattributed typed label affixed to the stretcher. Oil on canvas, 28 x 32 in., framed. Condition: Areas of craquelure, subtle varnish discoloration. $300-500 1020 American School, 19th Century Yosemite View. Unsigned. Oil on canvas, 23 x 17 in., framed. Condition: Small puncture to u.c., paint losses, varnish discoloration, surface grime. $300-500 1021 William H. Bartlett (American, 18091854) Village of Sing Sing, Hudson River. Signed and dated “W.H. Bartlett/1845” l.l., titled on a presentation plaque affixed to the frame, titled and signed on a label affixed to the reverse. Oil on cradled panel, 11 x 14 in., framed. Condition: Repaired horizontal crack through center of panel, surface grime. $2,000-3,000

1024 American School, 20th Century River Through a Canyon. Signed “Jane Sutherland” l.r. Pastel on paper/ board, sight size 9 1/4 x 13 3/8 in., framed. Condition: Not examined out of frame. $800-1,200

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1014 Charles Walter Radclyffe (British, 1817-1903)

1025 A.D. Greer (American, 1904-1998) Still Life with Pink and Purple Flowers. Signed “A.D. Greer-” l.r. Oil on canvas, 24 x 30 in., framed. Condition: Good. Provenance: Collection of Judge Jon Tom Staton, Edmond, Oklahoma. $800-1,200 1026 American School, 20th Century Autumn Landscape with a Woman Seated Under an Oak. Unsigned. Oil on heavy pressed paperboard, 20 x 16 in., framed. Condition: Scattered paint losses, fine craquelure, surface grime. $800-1,200

1022 Lillian Genth (American, 1876-1953) Blue Water. Signed “L Genth” l.l., titled on a presentation plaque. Oil on canvas, 15 x 12 in., framed. Condition: Good. Provenance: A Massachusetts estate. $1,800-2,200

1027 Yaacov Agam (Israeli, b. 1928) Sea Light, edition of 99. Signed “Agam” in red/pink felt-tip l.r., numbered “7/99” in red/pink felt-tip l.l., identified in information affixed to the backing. Agamograph with reticulated surface, image size 10 3/8 x 15 in., framed. Condition: Fine rubs and cracks to surface. $600-800

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1028 Alvin Langdon Coburn (American, 1882-1966) Photographs/A Portfolio of Ten Works, 1908-17, printed in 1977 by Michaela Allan Murphy, published by the International Museum of Photography at George Eastman House, Rochester, New York, 1977, in an edition of 200. Numbered “3/200” in pencil on the colophon. Gelatin silver prints, image sizes to 11 3/4 x 9 in., matted, housed in a red clothbound portfolio box. Condition: Good. N.B. The works are printed from Coburn’s original negatives. Titles include: The Copper Plate Press (Self-Portrait), 1908; Toodles (Elsie Thomas), c. 1910; George Meredith & His Daughters, 1904; George Moore, Dublin, 1908; W.B. Yeats, Dublin, 1908; The Temple, London, 1908; The Great Temple, Grand Canyon, 1911; The Door in the Wall, c. 1911; The House of a Thousand Windows, New York, 1912; and “The Eagle” (Vortograph), 1917. $600-800 1029 Bernard Corey (American, 19142000) Landscape with Lily Pond. Signed “Bernard Corey” l.r. and on the reverse, inscribed “PFA #1018” on the reverse. Oil on board, 10 x 13 3/4 in., framed. Condition: Good. $600-800

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1030 Ivan Gregorewitch Olinsky (Russian/ American, 1878-1962)

Boy in Sailor Suit. Signed “Ivan G. Olinsky.” l.l., identified on a presentation plaque. Oil on canvas, 24 x 18 in., framed. Condition: Lined, minor retouch.

1032 A.D. Greer (American, 1904-1998)

1037 European School, 19th Century

Landscape with Texas Bluebonnets. Signed “-A.D. Greer-” l.r. Oil on canvas, 22 1/4 x 30 in., framed. Condition: Good.

Harbor Scene. Signed “J. Herford” l.r. Oil on canvas, 22 3/4 x 14 1/2 in., framed. Condition: Lined, scattered retouch, craquelure, surface grime. $300-500

Provenance: Skinner, Sale 2609B, Lot 502; to the Collection of Judge Jon Tom Staton, Edmond, Oklahoma. $400-600 1033 Phillip Brown Parsons (American, 1895-1977)

Cows Grazing by a Marshy Stream. Signed “Florence Haley” l.l. Oil on Masonite, 14 x 17 7/8 in., framed. Condition: Good. $200-400

Red Hill, Moultonborough, New Hampshire. Signed “P.B. PARSONS” l.r., titled in an inscription on the frame backing. Oil on artist board, 6 x 9 1/4 in., framed. Condition: Pinhole to u.c., minor frame abrasions. $400-600

1039 Art Sinsabaugh (American, 19241983)

1034 European School, 20th Century Gascogne. Signed indistinctly, titled, and dated “.../Gascogne II” l.r. Oil on canvas, 22 x 29 3/4 in., framed. Condition: Craquelure, puncture u.c., scattered minor paint losses, canvas rippling, surface grime. $300-500 1035 Kay Bell Reynal (American, 19051977) Two Portraits: Carl Sandburg and Unidentified Man. The latter signed “Kay Bell” in pencil l.r. Gelatin silver prints, image sizes to 13 1/8 x 10 1/4 in., framed. Condition: Sandburg with minor silvering, Man with chemical discoloration or similar l.l., not examined out of frames. $300-500

Provenance: A Massachusetts estate. $500-700

1036 Kees van Dongen (Dutch/French, 1877-1968)

1031 Hendrik-Dirk Kruseman Van Elten (American, 1829-1904)

Deauville La Plage. Inscribed “V.D/ Deauville/1920-” within the matrix l.r. Pochoir in colors, image size 10 1/4 x 13 1/8 in., matted, unframed. Condition: Window mat affixed to the front so that the margins are not visible.

The Approaching Storm, Holland. Signed “Kruseman van Elten” l.r., titled on presentation plaque affixed to the frame. Oil on canvas, 14 1/4 x 23 in., framed. Condition: Surface grime, tear c.l., craquelure, scattered white paint flecks or similar across surface. $400-600

1038 American School, 20th Century

N.B. This pochoir is one example from a series of five works forming a portfolio of scenes of Deauville. $300-500

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Funeral Monuments and Cemetery. Artist stamp on the verso, negative number inscribed “239” in pencil on the verso. Gelatin silver print on Agfa paper, image size 11 5/8 x 19 1/2 in., unmatted, unframed. Condition: Scattered handling creases and minor wear at edges. $250-350 1040 Attributed to Boris Chezar (American, b. 1920) Mobile II, 1978, edition of 100 plus proofs. Signed “Chezar” in pencil l.r., numbered and titled “52/100...” in pencil l.l. Color intaglio with embossing on paper, plate size 29 3/4 x 22 1/8 in., framed. Condition: Full sheet with deckled edges, not examined out of frame. $200-300 1041 Continental School, 19th/20th Century Two Girls with a Toy Boat. Signed “E.L. Bayard” l.l. Oil on canvas, 8 x 12 in., framed. Condition: Stable craquelure, retouch, minor surface grime. $200-300

1046 Richard Tucker (American, 19031979)

1049 Mabel May Woodward (American, 1877-1945)

Two Watercolors: The Spanish Steps, Rome and The Vegetable Market. Unsigned. Watercolor, gouache, and pencil on paper, sizes to 8 1/4 x 10 1/4 in., unframed. Condition: Edges trimmed unevenly, toning, rippling, Steps with pinholes to corners and small tear and loss u.c.

Ladies of the Night. Signed and dated “Tucker ‘76” l.l., titled on a loan label from the University of Maine Art Collection, Orono, Maine. Acrylic on linen, 36 1/4 x 49 1/2 in., framed. Condition: Surface grime. $600-900

Rocca Maggiore, Assisi, Italy. Unsigned. Watercolor, gouache, and pencil on paper, 8 1/2 x 10 3/8 in., unframed. Condition: Pinholes and small tears to edges, minor soiling, toning to edges on the verso.

Provenance: Ann Stevens, close friend of the artist and executor of the artist’s estate; Robert G. Withers, Providence, Rhode Island; to the current private collection, Georgia. $1,000-2,000

1047 Minor White (American, 1908-1976)

1043 Arthur Burdett Frost (American, 1851-1928) Two Illustrations: Waiting by the Hearth and Flash. Waiting initialed “A.B.F.” l.l., inscribed “Squirrel Inn/ Frank R. Stockton” on the frame backing board, titled and described on an unattributed card affixed to the frame backing paper, ink wash on paper/board; Flash initialed “F.” l.r., titled in pencil l.l., pen and ink on paper/board. Sight sizes to 12 1/4 x 8 5/8 in., both framed. Condition: Toning, not examined out of frames. $800-1,200 1044 Alice Brown Chittenden (American, 1859-1944) Floral Still Life with Asian Figurine. Signed and dated “Alice B. Chittenden/1897” l.l. Oil on canvas, 26 x 30 in., framed. Condition: Craquelure, flaking with small paint losses, retouch, patch reinforcements to u.c. and l.c. on the reverse. $800-1,200 1045 Richard Sumner Meryman (American, 1882-1963) House in Hancock, New Hampshire. Signed “R.S. MERYMAN” u.l., identified in a handwritten note affixed to the reverse. Oil on board, 21 1/2 x 25 1/4 in., framed. Condition: Surface grime, slight bowing to the support. $800-1,200

Three Photographs of Artwork on Display in the Home of James Sibley Watson, Rochester, New York, mid-1950s to mid-1960s. Unsigned, stamped “MINOR WHITE/72 NORTH UNION ST./ROCHESTER 7, N.Y.” in blue ink on the verso at center. Gelatin silver print, image size 8 3/16 x 6 3/16 in., unmatted, unframed. Condition: Good. N.B. A medical doctor by training, James Sibley Watson was also a filmmaker and co-owner and editor of the modernist literary magazine The Dial. His mother founded the Memorial Art Gallery of the University of Rochester and the Hochstein School of Music and Dance. Active supporters of the arts, Watson and his wife Hildegarde held an exhibition of paintings and sculpture in their Rochester home. Minor White, who lived in the city from 1953 to 1965, photographed the installation, including an Elie Nadelman sculpture, and additional interior views. $700-900 1048 European School, 19th Century River View with Figures and Houses on the Bank. Signed indistinctly “... mont” l.c. Oil on panel, 13 3/4 x 12 5/8 in., framed. Condition: Horizontal split to panel with separation of the section on left side, retouch, craquelure, surface grime. $400-800

Provenance: Ann Stevens, close friend of the artist and executor of the artist’s estate; Robert G. Withers, Providence, Rhode Island; to the current private collection, Georgia. $600-800 1050 Mabel May Woodward (American, 1877-1945)

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1042 Mabel May Woodward (American, 1877-1945)

Castello sul Mare, Rapallo, Italy. Unsigned. Watercolor and gouache on laid paper, 10 1/2 x 8 1/2 in., unframed. Condition: Creasing, small tears, and toning to edges, adhesive residue to edges on the verso. Provenance: Ann Stevens, close friend of the artist and executor of the artist’s estate; Robert G. Withers, Providence, Rhode Island; to the current private collection, Georgia. $600-800 1051 Tony Chimento (American, b. 1951) Draped Chair. Signed “CHIMENTO” l.r. Oil on canvas, 48 x 36 in., framed. Condition: Scattered minor accretions. $400-600 1052 Mabel May Woodward (American, 1877-1945) The Tower of Pisa. Unsigned. Watercolor, gouache, and pencil on paper, 10 3/8 x 8 1/4 in., unframed. Condition: Nicks, tears, and losses to edges, toning, adhesive residue to the verso. Provenance: Ann Stevens, close friend of the artist and executor of the artist’s estate; Robert G. Withers, Providence, Rhode Island; to the current private collection, Georgia. $700-900

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1053 Mabel May Woodward (American, 1877-1945)

1057 White Studios (American, fl. 19031939)

Boats on the Beach, Italy. Unsigned. Watercolor, gouache, and pencil on paper, 8 3/4 x 10 5/8 in., unframed. Condition: Tear u.c., small nicks and tears to edges, toning and creasing to edges, adhesive residue to edges on the verso.

Boy with Clown, c. 1912. Inscribed “White N.Y.” in white l.l., identified on a label from Robert Tat Gallery, San Francisco, affixed to the backing. Gelatin silver print, sight size 6 3/8 x 4 3/8 in., framed. Condition: Not examined out of frame.

Provenance: Ann Stevens, close friend of the artist and executor of the artist’s estate; Robert G. Withers, Providence, Rhode Island; to the current private collection, Georgia. $700-900

N.B. According to the gallery label, the sitters are identified as James A. Rice and Howard Prevost, who performed together as Rice and Prevost around 1912. $200-250

1054 Lorena Phemister (American, 19202005)

1058 José Alemany (Spanish, 1895-1951)

State Fair. Signed “LORENA/ PHEMISTER” l.r., signed or inscribed “LORI PHEMISTER” on the reverse. Oil on Masonite, 23 1/2 x 24 in., framed. Condition: Scattered minor abrasions, accretions to edges (possibly from frame). $200-400 1055 Ushio Shinohara (Japanese, b. 1932)

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Tiger Girl. Signed “Ushio Shinohara” in pencil l.r., numbered “66/75” in pencil l.l. Color screenprint on paper, image size 24 x 20 in., unmatted, unframed. Condition: Minor soiling to margin u.c., tape remnants near corners on the verso. $200-300

1056 Roy Lichtenstein (American, 19231997) Brushstroke, 1965, printed by Chiron Press, New York, published by Poster Originals, Ltd., New York. Unsigned, with a label from Poster Originals, Ltd., New York, affixed to the frame backing. Offset color lithograph, sight size 24 3/4 x 29 1/4 in., framed. Condition: Fading, not examined out of frame. $200-250

Frightened Horse, 1938. A label from Robert Tat Gallery, San Francisco, affixed to the backing indicates that the work is signed and dated on the original overmat and with the artist’s Pittsburgh studio stamp on the verso. Gelatin silver print, sight size 11 3/8 x 7 1/4 in., framed. Condition: Not examined out of frame. Exhibitions: This print was exhibited in the José Alemany retrospective at the Fundación la Caixa, Madrid, in 2004. $200-250 1059 J.L. Findlay (American, 1860-1947) Crashing Waves. Signed “JL Findlay” l.r. Oil on canvas, 16 x 24 in., framed. Condition: Craquelure, varnish inconsistencies and discoloration, tear l.c. repaired with patch reinforcement to the reverse, punctures u.c., abrasions u.l., accretions to edges (possibly gilt from frame retouch), surface grime. $200-250 1060 American School, 20th Century Still Life with Grapes. Signed indistinctly and dated “C P M.../1904” l.r., with a label from artists’ suppler White & Westall, Lewiston, Maine, affixed to the back of the frame. Oil on canvas, 12 1/4 x 15 1/8 in., framed. Condition: Craquelure, possible retouch or varnish inconsistencies, surface grime. $300-500

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1061 American School, 19th/20th Century Crashing Waves. Signed indistinctly “A.W. MA...” l.l. Oil on canvas, 18 x 40 in., framed. Condition: Craquelure, flaking with small losses u.l., varnish inconsistencies and discoloration, retouch, surface grime. $200-300 1062 KC Joyce (American, b. 1947) Geometric Abstract. Signed and dated “KC Joyce 1984” l.c., with a label from Augen Gallery, Portland, Oregon, affixed to the frame backing. Pastel on paper, sight size 26 x 39 1/2 in., framed. Condition: Not examined out of frame. $150-250 1063 Anglo-American School, 19th Century Winter Scene with Figures and Cottage by a River. Inscribed “P... nted me by my valued/friend David D Brodhead/Dec. 14 - 1819” on the reverse. Oil on panel, 8 x 10 7/8 in., in a period frame. Condition: Scattered old retouch in sky, varnish discoloration, surface grime. N.B. There is an online genealogy listing for David Hardenberd Broadhead from Ulster County, New York, whose dates are given as 1777-1838. The alternate spelling of Brodhead is used in the listing for his parents. (https://www.geni.com/people/DavidBroadhead/6000000015314876985) $400-600 1064 Francesco Casorati (Italian, 19342013) Figure nel Paesaggio. Dated and signed “1952 Francesco Casorati” l.r., titled in an inscription on the stretcher, stamped “FRANCESCO CASORATI” on the stretcher, two exhibition stamps from the Galleria d’Arte Verrocchio applied to the reverse. Oil on canvas, 24 x 47 1/4 in., framed. Condition: Craquelure, pinholes to edges, scattered small paint losses. $600-800

1070 Nellie (Eliza) Foster Nagel (American, 1873-1955)

1075 Frederick William Hutchinson (Canadian/American, 1871-1953)

Brideshead Revisited. Signed “HIRSCHFELD” in pencil l.r., numbered “41/100” in pencil l.l. Color lithograph on paper, image size 22 7/8 x 17 in., matted, framed. Condition: Not examined out of frame. $300-500

East Haven Oyster Boat. Incised “N. Foster Nagel” l.c., dated, signed, and inscribed “April 21-34/Nellie Foster Nagel/Emily Mansfield/E. Haven oyster boat” on the reverse. Oil on board, 15 7/8 x 19 3/4 in., framed. Condition: Small paint losses to l.c. edge, surface grime. $200-400

Early Winter. Signed “FW Hutchinson” l.r., titled on a presentation plaque and in an inscription on the reverse. Oil on canvasboard, 8 x 10 in., framed. Condition: Craquelure, drying cracks, varnish discoloration, minor surface grime. $200-250

1066 Stefaan Tessely (Belgian, b. 1933) Winter Sunset. Signed “Tessely” l.r. Oil on canvas, 12 x 15 5/8 in., framed. Condition: Subtle rippling, surface grime, scattered small dots of gold paint from frame restoration. $200-250 1067 Charles Heil (American, 1870-1950) Ruby-throated Hummingbird (Male). Signed “Charles E HEIL” u.r., identified on a handwritten label previously affixed to the backing. Gouache on paper, sight size 5 7/8 x 4 3/4 in., framed. Condition: Not examined out of frame. $300-500 1068 Lon Hanagan (American, 1911-1999) Bodybuilders Sig Klein, Frank Leight, and Santo Leone, 1941. Doan Collection stamp in purple on the mat l.l. Gelatin silver print, image size 10 x 13 3/4 in., matted, unframed. Condition: Minor handling crimps, 1/2 inch vertical tear u.c. N.B. William Doan is the author of Photoflexion: A History of Bodybuilding Photography (1984). $200-250 1069 Various Artists (American, 20th Century) Fourteen Photographs, including works by Alice Andreus, Richard Faller, John Leuders Booth, Paul Petricone, and others. Gelatin silver and chromogenic prints, image sizes to 15 5/8 x 10 5/8 in., several mounted, all unframed. Condition: Probable color shifting on the chromogenic prints. $200-300

1071 Joel-Peter Witkin (American, b. 1939) The Bone House, Twin Palms Publishers, 1998, numbered “152/250” and signed by the artist on facing pages at the end of the book, and with the accompanying etching presented in a separate frame. Print signed “Witkin” l.c., numbered “152/250” l.l., plate size 7 3/4 x 5 3/4 in.; book presented in a clamshell case 11 3/8 x 11 1/8 x 1 5/8 in. Condition: Slight fading to the spine of the clamshell case, print not examined out of frame. $200-250 1072 American School, 20th Century Hunter at Rest. Unsigned, inscribed “KNOTT” on the frame. Oil on canvas, 40 x 29 in., framed. Condition: Lined, craquelure, varnish inconsistencies, surface grime. $300-500 1073 American School, 19th Century Hudson Valley. Initialed “J.D.B.” l.r., identified and dated “...1830” on a presentation plaque. Oil on canvas, 22 x 34 3/4 in., framed. Condition: Small tear to u.l. quadrant, strip lined, patch reinforcements, scattered retouch, craquelure, surface grime. $200-250 1074 American School, 19th Century

1076 Continental School, 19th Century Profile Portrait of a Young Woman. Signed “L. Deli...” l.l. Oil on canvas, 16 x 12 in., framed. Condition: Craquelure, surface grime. $200-250

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1065 Al (Albert) Hirschfeld (American, 1903-2003)

1077 Anglo/American School, 19th Century Figures in a Park. Signed “Adams” l.r., inscribed indistinctly l.l., inscribed “ADAMS JOHN OTTIS” on the reverse. Oil on panel, 10 x 8 in., framed. Condition: Craquelure, small paint losses to edges, retouch predominantly to edges, surface grime. $300-500 1078 American School, 19th/20th Century Lake in Autumn. Unsigned, inscribed “Granville” in two places on the back of the frame and “Miss Minnie Wilber” on the back of the frame. Oil on canvas, 20 x 30 in., in a period frame. Condition: Scattered minor abrasions, scattered small paint losses, surface grime. $300-500 1079 Robert Kipniss (American, b. 1931) Three Framed Landscape Lithographs. Each signed “Kipniss” l.r., numbered l.l. Image sizes 3 7/8 x 2 7/8 in. Condition: Not examined out of frames. $800-1,200

Deer by the Shore. Unsigned. Oil on canvas, 20 1/4 x 28 1/4 in., framed. Condition: Craquelure, canvas rippling, small paint loss u.r., surface grime. $200-250

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1080 Sidney J. Hurwitz (American, b. 1932) Cornice. Signed “S. Hurwitz” in pencil l.r., titled in pencil l.l., numbered “2/20” in pencil l.c. Aquatint on paper, plate size 17 1/2 x 23 1/2 in., framed. Condition: Not examined out of frame. $150-250 1081 Juanillo González (Uruguayan, b. 1942) Día de Otoño. Signed “González” l.l., titled and dated “1985” on a presentation plaque and on a label from Zubaran, El Arte de los Argentinos, Buenos Aires. Oil on canvas, 19 3/4 x 23 1/2 in., framed (in a liner). Condition: Minor abrasions to left edge, surface grime. $250-350 1082 Aimee Lamb (American, 1893-1989) Filene’s Basement. Unsigned, identified and titled on a label from Alfred J. Walker Fine Art, Boston, affixed to the frame backing. Oil on canvas, 15 x 24 in., framed. Condition: Canvas rippling, scattered minor abrasions, surface grime. Provenance: Estate of the artist to Alfred J. Walker; through to the current Massachusetts private collection. $300-500

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1083 British School, 19th Century

Stone Mill and Cottages by a Stream. Unsigned. Oil on canvas, 15 7/8 x 21 1/4 in., framed. Condition: Lined, retouch, craquelure, varnish inconsistencies, surface grime. $100-150 1084 Joseph D. Sorver (American, 19th Century) Chickens Nesting in a Barn. Signed “Jos. D. Sorver” in pencil on the reverse. Oil on canvasboard, 10 x 14 in., framed. Condition: Scattered minor losses and surface grime. $400-600

1085 American School, 20th Century Portrait of a Jewish Elder. Signed “Lehman” l.l., signed and dated “LEHMAN I 12/12/91...” on the reverse. Oil on canvas, 12 x 9 in., framed. Condition: Surface grime, signature partially hidden under the lip of the frame. $600-800 1086 Irving B. Haynes (American, 19272005) Two Abstract Still Life Paintings: Flowers: Orange, Yellow, and Pink, monogrammed and dated “ih [in a circle]/’87” l.r., signed and dated “HAYNES/AUG. 1987” in blue on the reverse l.r., numbered “1-2274” in pencil on the reverse u.r.; and Bouquet in a Blue and White Pitcher, monogrammed and dated “ih [in a circle]/’83” l.r., signed and dated “I. HAYNES/AUG. 17-18 ‘1983” in blue on the reverse l.r., numbered “1-2352” in pencil on the reverse u.r. Acrylic on paper, sheet sizes 28 7/8 x 22 1/2 in., unmatted, unframed. Condition: Tack holes to corners. N.B. A copy of a retrospective exhibition catalog, Irving B. Haynes: Abstractions, 1960-2005, Newport Art Museum, Newport, Rhode Island, 2009, with an essay by Judith Tolmick Champa, accompanies the lot. $200-400 1087 Mabel May Woodward (American, 1877-1945) Bell Tower and Roof. Signed “M.M. Woodward” l.l., titled in an unattributed inscription affixed to the storage sleeve. Watercolor, gouache, and pencil on paper, 10 1/4 x 8 1/2 in., unframed. Condition: Edges trimmed unevenly, pinholes to edges, small creases to corners. Provenance: Ann Stevens, close friend of the artist and executor of the artist’s estate; Robert G. Withers, Providence, Rhode Island; to the current private collection, Georgia. $800-1,200

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1088 Mabel May Woodward (American, 1877-1945) Two Watercolors: Gothic Ruins and Roman Ruins. Gothic signed “M. Woodward” l.r. and with pencil sketches on the reverse, Roman unsigned. Watercolor, gouache, and pencil on paper, sizes to 9 7/8 x 8 in., unframed. Condition: Nicks and losses to edges, possible toning. Provenance: Ann Stevens, close friend of the artist and executor of the artist’s estate; Robert G. Withers, Providence, Rhode Island; to the current private collection, Georgia. $400-600 1089 Mabel May Woodward (American, 1877-1945) Shrine, Sicily. Unsigned, titled on the reverse. Oil on canvas, 8 3/4 x 10 1/2 in., unstretched, unframed. Condition: Pinholes to corners. Provenance: Ann Stevens, close friend of the artist and executor of the artist’s estate; Robert G. Withers, Providence, Rhode Island; to the current private collection, Georgia. $1,000-1,500 1090 Edward W. Quigley (American, 18981977) Three Photographs of Circus Subjects: Clown, Performing Horses, and Acrobats, 1930s. Each stamped “PHOTOGRAPH BY/EDWARD QUIGLEY/4231 WALNUT STREET/ PHILADELPHIA 4” in black ink on the verso. Gelatin silver prints, image sizes to 9 1/2 x 7 1/2 in., unmatted, unframed. Condition: Minor wear at the corners. $300-500

Beauty is Where You Find It. Signed and dated “Adolf/Dehn ‘40” l.r., titled on the reverse, identified on a detached descriptive label on the frame backing board. Watercolor and graphite on paper, 18 x 24 in., framed. Condition: Paper tape border (1/8 inch wide) around the perimeter of the recto which appears to be original to the sheet. N.B. The label on the frame backing reads: “This work ‘depigts’ the regionalist painter Bruce Mitchell (Adolf Dehn’s brother-in-law) at work.” $800-1,200 1092 Georges Dayez (French, 1907-1991) Les Oliviers de Tourettes. Signed “DAYEZ” l.l., signed, dated, titled, and inscribed “DAYEZ 61/.../8F 38x46” on the reverse. Oil on canvas, 18 x 15 in., framed. Condition: Flaking with small paint losses to edges, surface grime. $400-800 1093 Abbott Handerson Thayer (American, 1849-1921) Portrait of Henry Phipps Jr. Unsigned, inscribed “A.H. THAYER” on the canvas tacking edge and “H. PHIPPS” on the stretcher. Oil on canvas, 30 x 25 in., in a labeled Newcomb-Macklin Company frame. Condition: Scattered retouch, craquelure, varnish discoloration, surface grime. $2,000-3,000 1094 Anglo-American School, 20th Century Bird Hunting with English Setters. Unsigned. Oil on canvas, 10 x 15 in., framed. Condition: Wax lined, craquelure, retouch, frame abrasions. Provenance: Collection of Judge Jon Tom Staton, Edmond, Oklahoma. $400-600

1095 American School, 20th Century Hunting Dogs. Signed and dated “R. Bortner/1901” l.l., with a label from F. Weber & Co. Artists’ Materials, Philadelphia, affixed to the reverse. Oil on academy board, 12 x 18 1/2 in., framed. Condition: Craquelure, frame abrasions. Provenance: Collection of Judge Jon Tom Staton, Edmond, Oklahoma. $400-600 1096 Mabel Dwight (American, 1876-1955) Farmyard, 1947, edition of 250. Signed in pencil. Lithograph, image size 9 7/8 x 10 3/4 in., framed. $200-300 1097 James Allen St. John (American, 1872-1957) Portrait of a Lady in a Lace-lined Black Dress. Signed and dated “J·ALLEN·ST·JOHN·1898·” u.r. Oil on canvas, 30 1/2 x 24 1/2 in., framed. Condition: Patch reinforcement, scattered retouch, craquelure, minor surface grime. $200-400 1098 American School, 20th Century Autumn Landscape. Signed indistinctly, perhaps “Sawyer,” l.l. Oil on canvas, 25 x 30 in., in a NewcombMacklin frame. Condition: Surface abrasion and pinhole puncture to u.c. edge, minor surface grime. $400-600 1099 Victor Vasarely (Hungarian/French, 1906-1997) Untitled, edition of 150. Signed “Vasarely-” in ink l.r., numbered “20/150” in pencil l.l. Embossing and screenprint on paper, image size 18 3/4 x 18 3/4 in., framed. Condition: Gentle rippling, not examined out of frame. $400-600

1100 Rudolph Weisenborn (American, 1881-1974) Abstraction. Signed and dated “Weisenborn/1935” l.c., with a label from Atelier Doré, San Francisco, affixed to the frame backing. Oil on Masonite, 25 x 17 in., framed. Condition: Paint loss measuring 1 x 2 in. to l.l. quadrant, with extended area of lifting to l.r. corner of the loss, scattered other small paint losses, craquelure, flaking, minor surface grime. Provenance: Doyle New York, Doyle+Design, October 10, 2007, Lot 4021. $500-700 1101 Agnes Weinrich (American, 18731946)

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1091 Adolf Arthur Dehn (American, 18951968)

Philodendron. Signed “A. WEINRICH” l.l. and l.r. Pastel on paper, sight size 11 1/4 x 8 1/2 in., framed. Condition: Rippling, tear u.c., not examined out of frame. $250-350 1102 Jason Berger (American, 1924-2010) Mexico, 1965. Signed “jason berger” l.r., titled on a label from Joan Peterson Gallery, Boston, affixed to the stretcher. Oil on canvas, 38 x 43 in., framed. Condition: Abrasion at l.c. edge, minor surface grime. $600-800 1103 Annette Lemieux (American, b. 1957) Helping Out, 1995, edition of 100. Identified and numbered “23/100” on a label from Daniel Elias Editions, Lincoln, Massachusetts, affixed to the backing. Archivally processed gelatin silver print, sight size 10 x 8 in., framed. Condition: Not examined out of frame. $400-600

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1104 Norman Rockwell (American, 18941978)

1113 Francis Hopkinson Smith (American, 1838-1915)

April Fool (Girl with Shopkeeper). Signed “Norman Rockwell” l.r., numbered “A.P. XXI/XXXV” l.l. Color collotype on paper, image size 20 3/4 X 19 7/8 in., framed. Condition: Possible fading, not examined out of frame.

In the Chapel. Signed “F Hopkinson Smith” l.r. Crayon on illustration board, sheet size 34 3/4 x 25 1/4 in., framed. Condition: Toning, a band of glue residue 2 to 3 inches wide around the perimeter of the recto with remnants where the work was previously affixed to the window mat. $400-600

N.B. This composition was the third of three April Fool’s Day-themed works, and illustrated the cover of the Saturday Evening Post, April 3, 1948. $200-300 1105-1110 No lots. 1111 Norman Rockwell (American, 18941978) On Top of the World. Signed “Norman Rockwell” l.r., numbered “A.P. III/XXXV” l.l. Color collotype on paper, image size 27 x 22 in., framed. Condition: Not examined out of frame. N.B. This print reproduces an original illustration for the April 1928 edition of Ladies’ Home Journal. $200-300

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1112 Ossip Zadkine (Russian/French, 1890-1967)

The Guitarist, edition of 150. Signed “O.Zadkine” in pencil l.r., numbered “115/150” in pencil l.l. Lithograph on wove paper, image size 21 1/2 x 13 1/2 in., unmatted, unframed. Condition: Full sheet with deckled edges, pale scattered soiling/foxing, minor nicks and staining to edges, gentle handling creases (perhaps from being rolled then pressed). $250-350

1114 Wilhelm Lehmbruck (German, 18811919) Kniende, groß (Kneeling One), 1911 (Petermann, 13). Signed “W. Lehmbruck” in pencil l.r., titled in pencil l.l. Drypoint on paper, plate size 13 3/4 x 9 3/4 in., framed. Condition: Not examined out of frame. $200-250 1115 Victor Vasarely (Hungarian/French, 1908-1997) Two Screenprints: VY-29-F and VY-29-A, and a Poster for the 1972 Munich Olympics, from the XICO portfolio, 1973, edition of 250, published by Editions Denise René, Paris, printed by Atelier Arcay, Paris. Each signed “Vasarely” l.r., VY-29-F numbered “38/250” in pencil l.l., VY-29-A numbered “74/250” in pencil l.l., each with publisher’s dry stamp l.r., poster signed “Vasarely-” in the plate l.r. Screenprints on heavy paper, sheet size 35 1/2 x 28 1/4, lithographic poster on paper, sheet size 34 x 25 3/16 in., all unmatted, unframed. Condition: Screenprints with scattered handling creases, wear to edges, adhesive residue to the reverse, VY-29-F with water damage or other stain l.r., the poster cut down from the original. $300-400 1116 Otto Meyer (German, 1839-1929) The Little Goatherd. Signed “Otto Meyer.” l.r. Oil on canvas, 24 1/4 x 18 in., framed. Condition: Scattered retouch, craquelure. $250-350

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1117 Frederic Whiting (British, 1874-1962) Muriel Compton Hall and Her Brother. Signed “FREDERIC WHITING” l.r., with labels from Christie’s and various unattributed labels affixed to the back of the frame and the stretcher. Oil on canvas, 14 x 16 in., framed (in a liner). Condition: Retouch, minor surface grime. Provenance: The collection of Lord and Lady White of Hull; Christie’s New York, Property from the Collection of Lord and Lady White of Hull, April 30, 1997, Lot 148. $800-1,200 1118 Abbott Fuller Graves (American, 1859-1936) Still Life with Roses. Signed “Graves” l.r., inscribed “THIS FLOWER PIECE WAS PRESENTED BY THE ARTIST ABBOTT GRAVES TO MR AND MRS EDWARD J. EGAN ABOUT 1891” on the stretcher. Oil on canvas, 18 x 30 in., framed. Condition: Craquelure, patch reinforcement, retouch, varnish inconsistencies. Provenance: A Massachusetts estate. $400-600 1119 Attributed to Konstantin Alexseyevitch Korovin (Russian, 1861-1939) Festive Village Scene in Snow. Signed in Cyrillic l.r. Oil on canvas, 14 1/2 x 17 3/4 in., framed. Condition: Good. $600-800 1120 Walter Francis Brown (American/ Italian, 1853-1929) Middle Eastern Market Scene. Signed “WALTER FR. BROWN” l.r. Watercolor, gouache, and pencil on paper/board, sight size 13 1/2 x 19 1/2 in., framed. Condition: Not examined out of frame. $400-600

1127 Sidney Redfield (American, 19011985)

1132 Linda Butler (American, 20th/21st Century)

Two Landscapes: Sailboats and Figures and Spring Landscape with Figures. Sailboats signed “Grigar” l.r., Landscape signed “Grigar” l.l. Oil on canvas, each 12 x 16 in., framed. Condition: Minor surface grime. $300-500

Fall at Picacho. Signed and dated “Redfield 56” l.r., titled in an inscription on the frame backing. Egg tempera on board, 20 x 29 1/2 in., framed. Condition: Scattered abrasions, surface grime. $400-600

Shaker Brooms. Signed and numbered “Linda Butler 15/45” in pencil on the mat l.r. Gelatin silver print, sight size 14 3/8 x 18 1/4 in., matted, framed. Condition: Not examined out of frame. $200-300

1122 European School, 19th Century

1128 Robert Pengilley (Australian, b. 1944)

1133 American School, 19th Century

Portrait of a Fashionable Lady. Unsigned. Oil on canvas, 22 3/8 x 18 in., framed. Condition: Craquelure, skinning, surface grime. $300-500 1123 Attributed to James Poole (British, 1804-1886)

Afternoon, The River at Bredbo. Signed and titled “Robert Pengilley/...” l.r. Watercolor and gouache on paper, sight size 17 1/8 x 23 3/16 in., matted, unframed. Condition: Good. $200-300 1129 Belgian School, 20th/21st Century

Cows Watering. Signed indistinctly l.r. Oil on canvas, 11 1/2 x 16 in., framed. Condition: Craquelure, scattered small paint losses, varnish discoloration, surface grime. $150-250

Frog. Signed “T. Biebuyck” l.r. Acrylic on paper/board, sight size 11 1/2 x 11 1/2 in. Condition: Pinholes to corners, not examined out of frame. $100-150

1124 American School, 20th Century

1130 After Leonard Baskin (American, 1922-2000)

Wooded Landscape with Birds. Unsigned. Oil on canvas, 28 x 14 in., framed. Condition: Craquelure, surface grime. $300-500 1125 Rodolfo Agresti (Italian, 19th Century) Monk Sipping Espresso. Signed “Agresti” u.r. Oil on canvas, 16 x 12 in., framed. Condition: Retouch, scattered paint losses, canvas rippling, surface grime. $300-500 1126 Richard A. Holberg (American, 18891942) Farmstead with Apple Trees. Signed “RICHARD A/HOLBERG” l.l. Watercolor on paper, sight size 14 3/8 x 17 7/8 in., framed. Condition: Scattered pale foxing, not examined out of frame. $300-500

Fifteen Woodcuts Portfolio, 1962, edition of 500, published by The Friends of Art, Boston University, printed by The Gehenna Press and The Meriden Gravure Company. Signed “Leonard Baskin” and numbered “13” in pencil on the colophon page. One woodcut from the original block plus fifteen facsimiles, sheet sizes 22 x 16 in., presented in the original portfolio. Condition: Foxing, toning, small creases to corners of some sheets, rippling to some sheets, minor handling creases to some sheets. $200-250 1131 Marie Cosindas (American, 19231917) John Wilson in His Studio. Dated and signed “1988/Marie Cosindas ©” in black ink l.r. Chromogenic print enlarged from 4 x 5 Polacolor original, sight size 7 3/4 x 9 7/8 in., framed. Condition: Not examined out of frame.

Yosemite Falls. Unsigned. Oil on canvas, 13 x 16 in., framed. Condition: Abrasion to c.l. edge, surface grime. $200-400 1134 Attributed to Fred William Becker (American, 1888-1974)

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1121 Attributed to Ota Grigar (Czech, 1910-1968)

Mountains in Snow. Signed and faintly dated “...Becker/19...” l.l., attributed on a hanging tag affixed to the frame. Oil on canvas, 25 x 34 1/2 in., framed. Condition: Signature possibly reinforced or added later, surface grime. $1,000-1,500 1135 After Peter Paul Rubens (Flemish, 1577-1640) Copy After Ruben’s Self Portrait of 1623. Unsigned. Oil on canvas, 14 x 11 in., framed. Condition: Patch reinforcements, retouch, paint losses, fine craquelure, rippling, surface grime. $300-500 1136 Howard Bond (American, b. 1931) Two Photographs: Buttresses, Taos, New Mexico and Twilight, Jackson Lake, Wyoming, 1991 and 1968, respectively. Each signed “Howard Bond” in pencil l.r., and titled, dated, and identified on the mount verso. Gelatin silver prints mounted to board, image sizes to 13 x 10 in., unmatted, unframed. Condition: Not examined out of shrink-wrap. $600-800

N.B. The photograph was included in the Boston Athenaeum exhibition Black Bostonians: Two Hundred Years of Community and Culture, in 1988. The lot is accompanied by a signed reproduction of one of Cosindas’s photographic still lifes. $200-250

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1137 Robert Street (American, 1796-1865)

1142 French School, Early 18th Century

Portrait of a Woman with a Pink Bow and Lace Sleeves. Signed and dated “R. STREET 1862” c.r. Oil on canvas, 30 1/4 x 25 in., framed. Condition: Patch repairs on the reverse, scattered retouch, craquelure. $400-600

Portrait of a Man in a Dark Jacket with White Ruffles. Unsigned. Oil on canvas, 32 x 25 1/2 in., in a gilt-gesso frame. Condition: Lined, scattered retouch. $600-800

1138 Nobuo Hayashi (Japanese, b. 1925) Street Scene with Vegetable Vendors and Figures. Signed “Nobuo” l.l. Oil on canvas, 12 5/8 x 16 1/4 in., framed. Condition: Minor surface grime. $300-500 1139 Grover Goff Strother (American, 1888-c. 1925) Forty-two Illustrations. Many signed “Grover Strother” in ink. Pen and ink and graphite on paper, image sizes to 12 x 12 in., unmatted, unframed. Condition: Minor wear, discoloration and soiling to several sheets. $800-1,200

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1140 Two Photographs:

Gordon Parks (American, 19122006), Forging Crew at the Fafnir Bearing Company, New Britain, Connecticut and Edwin Locke (American, 20th Century), Street Corner, Manchester, New Hampshire, 1940s, printed from negatives in the Library of Congress. Gelatin silver prints, 16 1/2 x 23 in., framed (without glass). Condition: Minor surface grime, Forging Crew with small emulsion losses c.l. and subtle scratches. $200-300 1141 Richard Creifelds (American, 18531939) The Song of the Oriole. Signed “R. Creifelds” l.l. Oil on canvas, 40 x 28 in., framed. Condition: Minor retouch to background. $800-1,200

1143 János Viski (Hungarian, 1891-1987) Herding Horses. Signed “Viski J.” l.l. Oil on canvas, 23 x 31 in., framed. Condition: Surface grime. $200-300 1144 Käthe Kollwitz (German, 1867-1945) The Young Couple (Junges Paar), 1904, published by A. von der Becke, Munich, between 1963/65 and 197273. Publisher’s dry stamp l.r. Etching on paper, plate size 11 3/4 x 12 3/8 in., framed. Condition: Not examined out of frame. $200-400

1148 Bernard Chaet (American, 19242012) View of Venice. Dated and signed “OCT. 14 94 CHAET” in pencil l.r. Watercolor on paper, image/sheet size 10 1/4 x 14 1/8 in., framed. Condition: Not examined out of frame. $200-225 1149 William Kent (American, 1919-2012) Take It Easy But Take It! Signed and dated “William Kent, 1964” in pencil l.r., inscribed “Artist’s Proof” in pencil l.l. Relief print on paper, image size 11 x 11 in., framed. Condition: Possible toning, not examined out of frame. $200-225 1150 Andrea Robbins (American, b. 1963) and Max Becher (German, b. 1964) Doctor’s Office, from the series Old Tucson, c. 1993. Chromogenic print, sight size 18 1/4 x 22 7/8 in., framed. Condition: Not examined out of frame. $300-500

1145 Käthe Kollwitz (German, 1867-1945) Seated Male Nude (Sitzender männlicher Akt), 1891, published by A. von der Becke, Munich, between 1963 and 1972. Publisher’s dry stamp l.r. Etching on paper, plate size 6 1/4 x 5 in., framed. Condition: Not examined out of frame. $200-400 1146 Jules Pascin (French, 1885-1930) Encore Clara et Genevieve. Signed “pascin” l.r., titled in pencil l.r., “Atelier Pascin” stamp l.r., identified on labels from A.M. Adler Fine Arts, New York, and James Goodwin Gallery, New York, affixed to the backing. Pencil on paper, sheet size 19 11/16 x 22 1/16 in., framed (without glass). Condition: Subtle toning and soiling to paper. $400-600 1147 George Albert Frost (American, 1843-1907) Gossips. Signed and dated “G.A. Frost/1892” l.l. Oil on canvas, 14 x 12 in., framed. Condition: Surface grime. $500-700

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1151 James Sessions (American, 18821962) Boatbuilders. Signed “SESSIONS” l.r. Watercolor on paper, sight size 13 1/2 x 19 in., framed. Condition: Gentle rippling, not examined out of frame. $500-700 1152 Attributed to Moses Soyer (American, 1899-1974) Awtrey. Unsigned, attributed on a hanging tag affixed to the frame, inscribed “AWTREY/38’ 41” on the reverse. Oil on canvas, 30 x 23 1/2 in., framed. Condition: Surface grime. N.B. The work is inscribed indistinctly with a name and address on the envelope in the lower right foreground. $800-1,200

Orientalist Street Scene. Signed “Hortense Ferne” l.r. Oil on canvas, 21 1/2 x 18 in., framed. Condition: Canvas rippling, surface grime. $200-400

1158 Continental School, 20th Century Docked Boats. Signed indistinctly u.r. Oil on canvas, 21 x 28 in., framed. Condition: Minor surface grime. $300-500 1159 Emily Mason (American, b. 1932)

1154 Bernard Corey (American, 19142000) View of the Mountains. Stamped “Bernard Corey” l.r., with a Bernard Corey Estate label and stamp, both numbered “BC357” and signed by Carolynne J. Grimley, on the reverse, and with a label and stamp from Royka’s Fine Art, both numbered “R204” and the former signed by Paul A. Royka, also affixed to the reverse. Oil on panel, 10 x 16 in., framed. Condition: Good. $600-800

Abstraction in Pink and Yellow. Signed and dated “Emily Mason ‘80/ nyc” in pencil l.c. Mixed media on paper, sheet size 14 3/8 x 14 1/2 in., framed. Condition: Sheet floated in frame, not examined out of frame. $400-600 1160 American School, 20th Century Sailboats. Signed “F MORSE” l.r. Oil on canvas, 14 x 18 in., framed. Condition: Craquelure, varnish discoloration, surface grime. $150-250

1155 Moses Soyer (American, 1899-1974) Reclining Female Nude Figures. Signed “M Soyer” l.r. Charcoal on paper, sight size 17 1/8 x 22 3/4 in., framed. Condition: Brown stain or similar l.l., not examined out of frame. $300-500 1156 Robert Kipniss (American, b. 1931) Window with Yellow Tree. Signed “Kipniss” in pencil l.r., numbered “107/120” l.l., titled l.c. Color lithograph on paper, image size 13 x 10 in., framed. Condition: Not examined out of frame. $200-300 1157 Otto Eglau (German, 1917-1988) Four Prints: Marine Landscape, Torii, Kyoto, Im Hafen Sylt, and Formen im Hafen, 1960, 1963, 1966, and 1966, respectively. Each signed and dated “Eglau...” in pencil l.r., numbered and titled in pencil l.l. Color lithographs on paper, image sizes to 16 x 19 1/2 in., three unmatted, unframed, one framed. Condition: Deckled edges, the framed print with scattered fox marks, not examined out of frame. $300-500

1161 European School, 19th Century Twilight Farmstead with Geese Near a Stream. Signed “C. Lins” l.l. Oil on canvas, 17 3/4 x 30 in., in a period frame. Condition: Lined, retouch, surface accretions and grime.

1164 Fritz Scholder (Native American, 1937-2005) Red Indian, c. 1972, edition of 100. Signed “Scholder” in pencil l.r., numbered “54.100” in pencil l.l. Color lithograph on paper, image/sheet size 34 x 22 1/4 in., matted, framed. Condition: Not examined out of frame. N.B. This work was probably executed while Scholder was a visiting artist at Dartmouth College. $200-300 1165 Oscar Ricciardi (Italian, 1864-1935) Market Scene, Naples. Signed “Ricciardi” l.l. Oil on canvas, 21 1/2 x 13 in., framed. Condition: Lined, craquelure, retouch, surface grime. $500-700 1166 Ida Marie Perrault (American, 18721929) Mother and Child by a Hearth. Signed “Marie Perrault” l.l., inscribed indistinctly on the reverse. Oil on panel, 10 1/2 x 8 1/4 in., framed (under glass). Condition: Minor paint loss to c.r. edge, minor frame abrasion, not examined out of frame.

N.B. The subject matter is similar to works by Adolf Lins (German, 18561927). $1,000-1,500

N.B. Although the artist was born and had a studio in Detroit, she spent the years 1905 to 1911 in Holland, where she often painted Dutch children. $200-300

1162 Marija Pecaric Jug (Croatian, b. 1937)

1167 Russian or Eastern European School, 20th Century

Mother and Daughter at the Beach. Signed and dated “75/MP JUG” l.l. Watercolor and ink on paper, sight size 19 x 28 5/8 in., framed. Condition: Not examined out of frame. $200-300

Half-length Nude. Signed or inscribed in Cyrillic on the reverse. Oil on canvas mounted to Masonite, 21 3/4 x 19 7/8 in., framed. Condition: Lined, retouch, old restoration of surface losses, minor surface grime. $200-300

1163 György Kepes (Hungarian/American, 1906-2001) Abstraction. Signed and dated “G. Kepes 1990.” l.r. Silkscreen on silver paper, image size 9 7/8 x 8 1/4 in., framed. Condition: Not examined out of frame. $300-500

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1153 Hortense Ferne (American, 18851976)

1168 J.J. Enwright (American, 1911-2001) Harbor Scene. Signed “J.J. ENWRIGHT” l.r. Oil on canvas, 24 x 30 in., framed. Condition: Craquelure, faint stretcher marks, surface grime. $400-600

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1169 European School, 19th/20th Century Abbey Courtyard. Unsigned. Oil on panel, 6 1/4 x 8 1/2 in., framed (in a liner). Condition: Vertical craquelure, paint losses to corners, surface grime. $200-250 1170 Joseph Day Knap (American, 18751962) Two Watercolors of Ducks in Flight over a Marsh. Signed “JD KNAP” l.l. or l.r., with labels from Arthur Ackermann & Sons, Inc., New York, affixed to the back of the frames. Watercolor and charcoal with whiting on paper, sight sizes 9 1/4 x 14 1/2 in., framed. Condition: One with minor foxing, mat burn, not examined out of frames. $300-500

1174 August Wilhelm Dressler (German, 1886-1970)

1179 Howard Finster (American, 19162001)

Four Prints of Women and Dancers, from editions of 60. Each signed “ADressler” in pencil l.r., numbered in pencil l.l., three of four initialed within the image. Lithographs on Japan paper, sizes to 7 1/2 x 5 3/4 in., unframed. Condition: Deckled edges. $250-350

Elvis at 3 Is a Angel to Me. Titled, signed, and inscribed “...BY/Howard/ Finster/FROM GOD. A/WITNESS/OF JESUS” l.c., inscribed, signed, and dated “20.000.912 - WORKS SINCE 1976/BY Howard Finster/AUG.30.1991 God Bless/JESUS SAVES” and with a drawing of a bird on the reverse, with a label from the artist’s son, Roy E. Finster, affixed to the reverse. Oil and marker on board, height 24 1/2 in., unframed. Condition: Scattered minor abrasions, surface grime. $200-300

1175 Andrew Michael Dasburg (American, 1887-1979) Still Life with Fruit and Pitcher. Signed “Dasburg” l.r. Pencil on paper, 14 1/4 x 12 1/2 in., matted, unframed. Condition: Toning, staining, foxing, scattered creases and tears (with some pigment loss), hinged to mat with brown tape near corners on the verso (l.r. hinge loose). $700-900

1171 American School, 20th Century Two Views of New England Houses. Both unsigned. Watercolor on paper, sight sizes to 13 x 14 in., framed. Condition: Not examined out of frames. $400-600

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1172 Ruth Nettleton (American, 19011973)

My Toolhouse Window Box. Signed “NETTLETON” l.r., titled on a label from the Rockport Art Association, with artist’s label affixed to the back of the frame and artist’s stamp applied to two places on the stretcher. Oil on canvas, 14 x 18 in., framed (in a liner). Condition: Scattered minor abrasions, minor surface grime. Exhibitions: 1st Winter Show, Rockport Art Association, September 1972. $200-400

1180 American School, 19th/20th Century Sunset Landscape. Signed indistinctly l.l. Oil on panel, 5 3/8 x 9 3/8 in., framed (under glass). Condition: Paint loss, varnish discoloration, surface grime. $200-400

1176 American School, 19th Century Mountain Landscape with Riverboat. Unsigned. Oil on canvas, 15 x 18 in., framed. Condition: Craquelure, scattered small paint losses, surface grime. $300-500 1177 Charles Edwin Lewis Green (American, 1844-1915) Rocky Cliff. Partial signature “C.E.L...” l.r., identified on an unattributed tag affixed to the hanging wire. Oil on pressed paperboard, 10 x 14 in., framed. Condition: Fine craquelure, bowing to support, surface grime. $300-500 1178 No lot.

1173 European School, 20th Century Stone House. Signed “MÜCKE” l.r. Watercolor on paper/board with Schoellershammer blindstamp, 20 x 28 3/4 in., framed. Condition: Toning, staining, creases to edges, small losses to corners. $150-250

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1181 Alfred Russel Fuller (American, 1899-1980) Vacation Sea. Signed “Alfred Fuller ©” l.r., titled, signed, and inscribed “.../$75/Alfred Fuller/Monhegan Island/ Maine” in pencil on the stretcher, identified on a label from Grand Central Art Galleries. Inc., New York, affixed to the stretcher. Oil on canvas, 12 x 16 in., framed. Condition: Minor surface grime. $300-400 1182 Attributed to George Henry Boughton (American, 1833-1905) Two Still Lifes with Roses: Pink and Yellow. Both initialed “G.H.B” l.r. Pastel on paper, sight sizes to 12 3/4 x 9 1/2 in., framed. Condition: Not examined out of frames. $300-500

Two Framed Drawings: Greek Orthodox Cathedral, Huntington Avenue, Boston and Trinity Church, Copley Square, Boston. Unsigned, Trinity dated “Christmas/1968” l.l., both titled on the frame backings. Ink, graphite, and colored pencil on paper, sizes to 9 x 11 3/4 in. Condition: Toning, not examined out of frames. $200-400 1184 William Wolfson (American, 18941966) Little Companion. Signed “Wm Wolfson” in pencil l.r., numbered and titled “10/15...” l.l., signed “Wm Wolfson” in the plate l.l. Etching on paper, plate size 5 1/2 x 4 3/4 in., framed. Condition: Creasing, subtle rippling, not examined out of frame. $150-250 1185 Jack Levine (American, 1915-2010) Two Prints: Unidentified Work and Marianne and the Goddess of Liberty, the latter dated 1967. Each signed “JLevine” in pencil l.r., the first numbered “74/100” in pencil l.l., Marianne inscribed “Artists Proof” in pencil l.l. Etching on paper, and lithograph on paper, sheet sizes to 27 7/8 x 22 7/8 in., framed. Condition: Not examined out of frame. $100-150 1186 Samuel Newton (American, b. 1948) Florida Landscape. Signed and dated “S. NEWTON/1994” l.l. Oil on board, 13 1/2 x 11 in., framed. Condition: Surface grime. $400-600 1187 Harry Lane (American, 1891-1973) Resting Roadside. Signed “Harry Lane” l.r. Oil on canvasboard, 16 x 19 3/4 in., framed. Condition: Minor surface grime. $700-900

1188 Harry Lane (American, 1891-1973)

1192 Guido Casciaro (Italian, 1900-1963)

Houses and Railroad Tracks. Signed “Harry Lane” l.r. Oil on canvasboard, 16 x 20 in., framed. Condition: Minor surface grime. $700-900

A Day at the Beach. Signed “Guido Casciaro” l.r. Oil on canvasboard, 11 5/8 x 15 3/4 in., framed. Condition: Minor surface grime. $300-500

1189 Attributed to Martin Frost (German, 1875-1923)

1193 James Francis Day (American, 18631942)

October/Canal Barge at a Wharf. Signed “FROST” l.l., titled on a handwritten label affixed to the stretcher. Oil on canvas, 19 x 23 1/2 in., framed. Condition: Minor craquelure, minor surface grime. $500-700

Portrait of a Girl with a Blue Bow. Signed “FRANCIS DAY” l.l. Watercolor and pastel on paper, sight size 17 1/2 x 12 1/2 in., framed. Condition: Scattered subtle foxing u.r., not examined out of frame. $200-400

1190 Maurice G. Debonnet (American, 1871-1946) Dockside Vessels. Signed “MG DEBONNET” l.l., signed and inscribed “M.G. DEBONNET/BAYSIDE N.Y.” and “36” in pencil on the reverse, with a label from the Salmagundi Club, New York (see below), affixed to the back of the frame. Oil on panel, 12 x 16 in., framed. Condition: Surface grime. N.B. The title of the painting listed on the Salmagundi Club label is Morning Glories. Since it does not seem to correspond to the painting at hand, it would appear that the artist repurposed the frame. Although Debonnet was an active exhibitor at the Salmagundi Club between 1928 and 1946, no painting with the title Morning Glories was listed among his works in the Salmagundi Club’s published exhibition records. $400-600 1191 Walt Disney Studios, 20th Century Two Animation Cels: Winnie-thePooh and Piglet and Owl. Handpainted celluloid over offset lithograph on paper, sight sizes to 7 1/2 x 9 1/2 in., framed. Condition: Not examined out of frames. $700-900

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1183 Charles Demetropoulos (American, 1912-1976)

1194 Valentin Marie Alexandre Sellier (French, 19th/20th Century) Barbizon-style Woman with a Hay Rake. Signed, inscribed, and dated “...Amicale/...Sellier/1905” l.r., inscribed “d’après L.E.A.” l.l. (see below). Watercolor and gouache on paper, image size 17 x 11 3/8 in., framed. Condition: Toning to paper, not examined out of frame. N.B. The artist referenced by the initials on the lower left may be LouisEmile Adan (French, 1839-1937). $300-500 1195 Philip Koch (American, b. 1948) Lake Lemon, Indiana. Dated and signed “’75 PHIL KOCH” l.l., titled, dated, and signed on the reverse. Oil on canvas, 18 x 22 in., framed. Condition: Subtle minor craquelure, scratch l.c. $300-500 1196 American School, 20th Century Two Paintings: Sailing on Rough Seas and Countryside Landscape. Unsigned. Oil on paper/board, sizes to 5 x 7 in., Sailing framed, Landscape unframed. Condition: Possible toning, Sailing with tear to center, Landscape with small paint losses to edges. $200-400

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1197 Continental School, 19th Century Floral Still Life in a Classical Urn. Unsigned. Oil on canvas, 19 x 15 in., framed. Condition: Patch reinforcement, retouch, fine craquelure. $500-700 1198 Henry Williams (British, 1807-1886) Welsh Coast. Signed and dated “Henry Williams 1867” l.l., titled on a presentation plaque, signed and with additional illegible inscription on the reverse. Oil on canvas, 12 x 20 in., framed. Condition: Craquelure, possible varnish discoloration. $200-300 1199 Rudolph Carl Gorman (American, 1932-2005)

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Earth Mother. Signed and dated “RC Gorman 1991” in pencil l.l., numbered “193/224” in pencil l.r. Color lithograph on paper, image/sheet size 29 1/2 x 37 1/2 in., unmatted, unframed. Condition: Rippling, small nicks and tears to edges, stain u.l., creases u.l., scattered handling creases, toning and staining to the verso, tape remnants near upper edge on the verso. $300-500

1200 Augustus Vincent Tack (American, 1870-1949) The Deposition from the Cross. Inscribed, signed, and dated “IN MEMORIAM FAMILIAE SUA/ AVGVSTVS VINCENT TACK PINXIT 1925” l.r. of center image, inscribed “POPULE MEUS QUID FECI TIBI AUT IN QUO CONTRISTAVI TE RESPONDE MIHI” along the bottom edge of the composition. Oil on canvas, 98 1/2 x 197 1/2 in., framed. Condition: Canvas seamed in several places, surface grime. Provenance: St. James Church in South Deerfield, Massachusetts; Douglas Auctioneers LLC, South Deerfield, Massachusetts, February 2018; purchased by the current owner from Douglas Auctioneers. N.B. This work was Augustus Vincent Tack’s first religious mural-sized painting. In the 1920s,Tack began his mural work for various government buildings and Catholic churches, including the New Parliament Building, Winnipeg, Canada (1920), and later the Nebraska State Capitol at Lincoln, Nebraska (1928). The work at hand was created for the artist’s own church, St. James, in South Deerfield, Massachusetts, where Tack was a summer resident. The painting was completed in early 1925, and was subsequently pictured in Scribner’s Magazine, April 1925, accompanied by a poem by Dr. John Huston Finley. The St. James church building was sold in 2018, after the St. James parish was merged with St. Stanislaus parish, also in South Deerfield, forming the Holy Family parish. Tack’s family was Roman Catholic, and Tack attended the Jesuit School St. Francis Xavier in New York City, graduating with an A.B. degree in 1890. He studied art in New York under H. Siddons Mowbray, John Twachtman, and John La Farge, and later in France at the École des Beaux Arts. Tack was also a noted portraitist, but he is probably best known for his mystical landscapes and abstract works on the themes of religion and creation. Duncan Phillips was a major patron, and at the time of Tack’s death in 1949, the Phillips Memorial Gallery owned thirty-five paintings by the artist.1 1. The information in this N.B. is based upon material about St. James Parish and upon the Tack biography in AskArt as submitted by Lonnie Pierson Dunbier. (http://www.askart. com/artist_bio/Augustus_Vincent_Tack/87051/ Augustus_Vincent_Tack.aspx)

$3,500-5,500

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1201 Ben Somoroff (American, 1916-1984) Military Helmet with Eggs in a Nest. Signed and dated “Somoroff 66” l.r. Gelatin silver print mounted to illustration board, image/sheet size 13 1/4 x 10 3/8 in., unframed. Condition: Subtle emulsion losses at edges, slight bend in u.r. corner. $250-350 1202 Anita Romero Jones (American, 1930-2013) Santo Niño de Atocha Retablo. Signed “Anita Romero Jones” l.r. Oil on board, sight size 13 3/4 x 11 5/8 in., in a pressed tin frame. Condition: Minor surface grime. $150-250 1203 Kahlil Gibran (American, 1922-2008) The Prophet, Memorial Plaque for Kahlil Gibran (1883-1931). Stamped “K GIBRAN SC. BRONZE 656” on the lower edge, “THE METAL ARTS CO. ROCH. N.Y.” on the upper edge, and “©1977 CONCORDE ASSOCIATES” on the backside. Bronze with a golden patina, 1 1/4 x 2 3/8 x 1/8 in., in the original presentation case. Condition: Inconsistencies to the patina on the back. N.B. This small plaque is modeled after the memorial plaque to the Lebanese-born poet, philosopher, and painter that is installed in Copley Square, Boston. The artist was Gibran’s godson and namesake. $200-250

Four Unframed Engravings: The Five Orders of Perriwigs..., 1761, The Analysis of Beauty, Plate 1, 1753, Characters and Caricaturas, 1743, from Marriage-a-la-Mode, and The Chorus, 1732. Three of the four signed and titled in the plates, all stamped “Duplicate Sold by the Museum of Fine Arts, Boston,” and bearing the collector’s stamp “H.F.S.” in red (see below), identified in pencil on the reverse. Sheet sizes to 15 x 19 1/2 in. Condition: Beauty with folding creases, all with pale foxing and mounting residue to the reverse. Provenance: The estate of Marie Cosindas, pioneer photographer, Boston. N.B. The collector’s stamp belongs to Henry Foster Sewall (New York 1816-1896). After Sewall’s death, his collection was offered for sale, and in 1897 the Museum of Fine Arts in Boston bought the collection in its entirety. $100-150 1205 Group of Unframed 18th and 19th Century Engravings: Approximately Thirty-five Works, Primarily After Portraits of Aristocrats and Clerics, including Feliks Stanislaw Jasinski, after Jules Lefebvre (French, 1834-1912) Diva Vittoria Colonna; Pierre Drevet (French, 1663-1738), after Hyacinthe Rigaud (French, 1659-1743), Henry Oswald, Cardinal d’Auvergne, Léopold Flameng, after Raimundo de Madrazo y Garreta (Spanish, 1841-1920) Portrait of Samuel Avery, and Christian Wilhelm Ernst Dietrich (German, 1712-1774), Der verlorene Sohn bei dem Pächter. Some signed in pencil, most signed and titled in the plates. Plate sizes to 19 1/2 x 14 in. Condition: Varying degrees of toning, staining, and foxing, two with tears to the margins. $150-200

1206 Two Prints of Boston Area Landmarks by Massachusetts Artists: G.E. Johnson (American, 19th/20th Century), Trinity Church, signed “GE Johnson” in pencil beneath the image l.r. and “Johnson” in the plate l.r., engraving on tissue, plate size 13 1/8 x 19 5/8 in., matted, unframed; and William Goodrich Beal (American, active 1880-1892), Ye Wayside Inn, signed and dated “Wm Goodrich Beal 87” in the plate l.r., titled and inscribed in the plate l.c., printed “COPYRIGHT G.E. JOHNSON 1887.” in the plate l.l., inscribed “With regards of/G.E. Johnson” in pencil on the supporting sheet, plate size 6 1/8 x 7 5/8 in., hinged to a presentation sheet, unframed. Condition: Trinity with creasing and rippling, Wayside gently light-struck, rippling l.r. $75-125 1207 Edward Sheriff Curtis (American, 1868-1952) Wisham Handicraft, from The North American Indian, Volume 8, published 1909. Photogravure on tissue paper, image size 5 3/8 x 7 1/4 in., unmatted, unframed. Condition: Mount deckled at top and right edge, with minor breaks in the paper where it was bound. $75-125 1208 Ada Belle Champlin (American, 1875-1950) Carmel, California. Signed “ADA BELLE CHAMPLIN” l.l., titled on the frame backing paper. Oil on canvas, 24 x 30 in., framed. Condition: Subtle rippling, minor craquelure.

1210 Léontine Camprubi (American, 19161994) Woman Writing or Drawing in an Interior. Unsigned on recto, estate stamped “Léontine Camprubi/ Provenance-Estate of Inez Camprubi” twice on the reverse. Oil on canvas, 12 x 9 in., framed. Condition: Subtle rippling, natural pigment fluorescence. $200-300 1211 José Luis Cuevas (Mexican, 19342017) Rimbaud, en Torno al Perfil. Signed “Cuevas” in pencil l.r. and within the image, numbered “76/100” in pencil l.l. Color lithograph on paper, image size 11 x 16 in., matted, unframed. Condition: Hinged to window mat with white tape near upper corners on the verso, creases and small tears to corners, soiling. $200-300

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1204 William Hogarth (British, 1697-1764)

1212 Marija Pecaric Jug (Croatian, b. 1937) Woman in a Striped Bathing Costume with a Cat. Signed and dated “77/MP JUG” l.l. Watercolor and ink on paper, sight size 27 5/8 x 19 1/8 in., framed. Condition: Not examined out of frame. $200-300 1213 Attributed to Paul Huet (French, 1803-1869)

Provenance: By descent within the family of the artist. $500-700

Solitude. Signed “P. Huet.” l.l., titled in ink on the reverse. Oil on cardboard, 7 1/2 x 5 3/8 in., framed. Condition: Toning, affixed to window mat with masking tape hinges over old paper tape along the top edges of the reverse. $500-700

1209 Attributed to Marcus Waterman (American, 1834-1914)

1214 Leonardo Nierman (Mexican, b. 1932)

Night Scene with a Costumed Man Seated in a Forest. Monogrammed “M/W” above an inscription “Providence...,” both l.r., attributed on a modern label affixed to the frame backing paper. Watercolor and gouache on paper/board, sight size 15 3/4 x 10 3/4 in., framed. Condition: Scattered surface damage, not examined out of frame. $300-500

Abstract Composition in Orange and Yellow. Signed “nierman” l.l. Acrylic on paper, sheet size 14 3/4 x 10 1/2 in., unmatted, unframed. Condition: Good. $400-600

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1215 Jack Levine (American, 1915-2010) Tiger Brown on Coronation Day. Signed “JLevine” in pencil l.r., inscribed “Artist’s Proof” in pencil l.l., titled within the matrix. Etching on paper, plate size 11 5/8 x 8 7/8 in., unmatted, unframed. Condition: Sheet with deckled edges. $500-1,000 1216 Robert W. Daley (American, b. 1922)

1221 William Frederick Paskell (American, 1866-1951) Three Framed Harbor Scenes. All signed “Wm Paskell” l.l. Oil on canvas, sizes to 20 x 25 in. Condition: Surface grime, one with small paint loss to u.l. edge, one with craquelure. $200-300

1217 Philip Koch (American, b. 1948)

Harbor View with Boatyards and Docked Schooners. Signed and dated “Chas H. Osborne.1924” l.r. Oil on canvas, 18 x 25 in., framed. Condition: Minor surface grime. $200-225

1218 Ella Delyanis (American, 20th/21st Century)

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Three Sporting Drawings. Each with estate stamps l.r. or l.l. Charcoal on paper, sight sizes to 8 3/4 x 13 3/4 in., matted, framed. Condition: Not examined out of frames. $1,000-1,500

Peonies. Signed and dated “Robert W. Daley AWS/84 [within a circle]” l.r., identified and dated “.../May 21, 1984” on a typed label affixed to the frame backing. Watercolor on paper, sight size 24 x 36 in., framed. Condition: Small stain or watercolor spot to background u.r., rippling, not examined out of frame. $200-300

Winter Woods. Signed and dated “PHIL KOCH ‘81” l.r. Oil on board, sight size 11 3/4 x 16 1/4 in., framed (under glass). Condition: Not examined out of frame. $300-500

1220 Aiden Lassell Ripley (American, 1896-1969)

Grafton Marsh. Dated and signed “© 1981 E. Delyanis” l.r., identified on a label from Victoria Munroe Gallery, New York, affixed to the backing. Pastel on paper, sheet size 16 5/8 x 30 in., framed. Condition: Floated in the frame, top edge of sheet deckled, not examined out of frame. $250-350 1219 Laurent Casimir (Haitian, 20th Century) Dancers/A Study in Blue. Signed “Casimir” l.c. Oil on canvas mounted to board, 29 1/2 x 40 in., framed. Condition: Slight canvas rippling at left, minor scrape at center. $300-500

1222 Charles H. Osborne (American, b. 1875)

1223 Robert Douglas Hunter (American, 1928-2014) Meadow—Late Spring. Signed and dated “ROBERT DOUGLAS HUNTER ‘03” l.l., titled and dated on a label affixed to the stretcher, dedication from the artist on a label affixed to the stretcher. Oil on canvas, 12 x 20 in., framed. Condition: Good. $600-800

1226 Pablo Picasso (Spanish, 1881-1973) The King, printed by l’Imprimerie de la Victoire, Nice. Signed “Picasso” in wax pencil or similar l.r., signed and dated “Picasso/12.1.51” in the stone l.l. Color lithograph on paper, sight size 20 3/4 x 17 in., matted, framed. Condition: Subtle toning and mat burn, not examined out of frame. $400-600 1227 Three Prints: Georges Rouault (French, 18711958) and Gabriel Dauchot (French, 1927-2005). Two Rouault prints signed or initialed in the matrix, wood engravings on paper, and one Dauchot print of a Paris street scene signed “Dauchot” in pencil l.r. and inscribed “E.A.” in pencil l.l., identified on a label from Tyringham Galleries, Framingham, Massachusetts, affixed to the backing, lithograph on paper, sight sizes to 12 7/8 x 9 7/8 in., framed. Condition: Dauchot with deckled edges and floated in frame, not examined out of frames. $250-350 1228 Andrew George Winter (American, 1893-1958) Coastal View. Signed “AWINTER” l.r., signed “Andrew Winter” on the backing. Oil on canvasboard, 6 x 15 in., framed. Condition: The canvas appears to be attached to board at the edges only, minor surface grime. $700-900 1229 Lee Cable (American, b. 1943)

1224 American School, 19th Century Landscape with Cattle Watering. Unsigned. Oil on canvas, 18 1/8 x 28 in., framed. Condition: Craquelure, surface grime. $200-300 1225 Frank Chester Perry (American, 1859-1943) Winter Sunset. Signed “F.C. Perry” l.l. Oil on canvas, 18 1/8 x 24 1/8 in., framed. Condition: Lined, retouch, craquelure. $200-300

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Snowy Egret, Keewaydin Island. Signed and dated “LCABLE 3/80” l.l., titled on a presentation plaque, and with the artist’s business card and brief biography affixed to the frame backing. Watercolor and gouache on paper, sight size 16 1/2 x 22 1/2 in., framed. Condition: Not examined out of frame. $1,000-1,500

Lake Country, published by Associated American Artists, edition of 250. Signed “Adolf Dehn” in pencil l.r., identified on an AAA label affixed to the backing. Lithograph on paper, image size 8 3/4 x 13 1/8 in., framed. Condition: Toning, mat burn, not examined out of frame. $50-100 1231 Al (Albert) Hirschfeld (American, 1903-2003) Democratic Candidates 1988. Signed “HIRSCHFELD” in pencil l.r., numbered “57/150” in pencil l.l., printer’s blindstamp l.r. Color lithograph on paper, sight size 25 1/8 x 21 1/8 in., framed. Condition: Not examined out of frame. $200-400 1232 Seventeen Etchings and Engravings of European and American Views: Including Francesco Paolo Michetti (Italian, 1851-1929), Gardeuse de dindons, 1876; two works by Carel Nicolaas Storm van’s-Gravensande (Dutch, 1841-1924); two works by Adolphe Appian (French, 18181898). Some signed in pencil, most signed in the plates. Plate sizes to 16 1/2 x 11 1/2 in., unmatted, unframed. Condition: Varying degrees of toning, rippling, soiling, some with remnants of former mountings. Provenance: The estate of Marie Cosindas, pioneer photographer, Boston. $150-200 1233 Continental School, 19th/20th Century Winter Landscape with Hunter. Signed “C. Kulver” l.r. Oil on canvas, 18 x 12 in., framed (in a liner). Condition: Craquelure with lifting at center, minor surface grime. $300-500

1234 Italian School, 20th Century View of a Venetian Canal. Signed “R. Cavalli” l.l. Oil on canvas, 18 x 12 in., in an antique frame (under glass). Condition: Not examined out of frame. $300-500 1235 Attributed to Thomas Ball (American, 1819-1911) Standing Figure, Thought to be Young Abraham Lincoln. Unmarked, attributed on a typed label and on a modern presentation plaque, both affixed to the base, and on a handwritten label on the underside. Bronze with brown patina, height 16 in. Condition: Minor wear to the patina, oxidation or similar along the inside edge of the lower right coat sleeve, small depression in the forehead of the figure which may be original, adhesive residue and cellophane tape on the base, dust and dirt to the interstices. N.B. The notes on the base and underside state that this work was done by Thomas Ball in Florence in 1863. The typed label on the base duplicates the information on the handwritten label on the underside. $700-900 1236 Charles Rosner (American, 18941975) Three-masted Sailing Ship. Signed “CHARLES ROSNER” l.r. Watercolor on paper, sight size 10 1/2 x 14 1/2 in., framed. Condition: Subtle toning, water stain or similar around edge of mat, not examined out of frame. $200-250 1237 Sigmund Joseph Menkes (American, 1896-1986) Figure at a Window. Signed “Menkes” l.r. Oil on canvas, 20 x 15 in., unframed. Condition: Lined, retouch.

1238 Joseph H. Greenwood (American, 1857-1927) Autumn Marsh with Distant Mountains. Signed and dated “J.H. Greenwood ‘13” l.r. Oil on canvas, 20 1/2 x 28 1/2 in., framed. Condition: Lined, minor retouch mainly to corners l.l., u.l., and u.r. $600-800 1239 Nathaniel Leander Berry (American, 1859-1929) Mount Ossipee from Melvin River. Signed “N.L. Berry” l.l., titled on an unattributed label affixed to the stretcher. Oil on canvas, 20 x 30 in., framed. Condition: Subtle canvas rippling, fine craquelure. $300-500

Studio Art online

1230 Adolf Arthur Dehn (American, 18951968)

1240 Peter Paul Müller (German, 18531930) Landscape with Domed Buildings. Signed “Peter Paul Müller” l.l. Oil on canvasboard, 10 x 13 in., framed. Condition: Varnish discoloration. $300-500 1241 Paul Ernest Goodridge (American, 1912-1991) Four Views of Boats in a Harbor. Two signed “Paul Goodridge” l.r. or l.l. Oil on canvas, sizes to 20 x 24 in., unframed. Condition: Surface grime, edges fraying slightly, several with scattered minor losses. $1,200-1,800 1242 Alphonse Fritzner (Haitian, 19382006) Girl with a Bird. Signed “Fritzner Alphonse” l.l. Oil on canvas, 23 1/2 x 19 1/2 in., framed. Condition: Craquelure l.l., scattered minor abrasions. $500-700

N.B. A 2006 treatment report from Wimsatt & Associates Art Conservation Studio, Inc., Kensington, Maryland, accompanies the lot. $600-800

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1243 Howard Finster (American, 19162001) Mona Lisa. Titled and signed “...BY-HOWARD FINSTER” l.c., inscribed, signed, and dated “11.000.340 - WORKS./SINCE 1976BY/Howard Finster/3:22:PM:AUG-23 1989/God Bless you all” and with a drawing of a bird on the reverse. Oil and marker on board, height 12 1/4 in., unframed. Condition: Small losses near lower edge, scattered abrasions, surface grime. $300-500 1244 Anne Rector (American, 1899-1970) Fruit and Flower Still Life. Signed “Anne Rector” l.r. Pastel on paper, sight size 28 1/4 x 24 5/8 in., framed (under glass). Condition: Not examined out of frame. $200-250 1245 Roy Lichtenstein (American, 19231997) Poster for Festival d’Automne à Paris, 1982, printed by Ets St. Martin, Asnières (Corlett, III.30). Signed in the matrix. Offset lithograph in four colors, 30 1/4 x 40 in., framed. Condition: Not examined out of frame. $200-300

Studio Art online

1246 René Demeurisse (French, 18951961)

Notre Dame Cathedral, Paris. Signed and dated “Demeurisse/1957” l.r. Ink on paper, sight size 27 1/4 x 25 1/4 in., framed. Condition: Not examined out of frame. $200-400 1247 René Demeurisse (French, 18951961) Harbor at La Rochelle. Signed, inscribed, and dated “Demeurisse/ La Rochelle 1957” l.r. Ink on paper, sight size 21 1/2 x 29 1/2 in., framed. Condition: Not examined out of frame. $200-400

1248 Charles Michel (Belgian, 1874-1967)

1253 John Rettig (American, 1855-1932)

Horses on the Hill Path. Signed “Charles-Michel” l.l., titled on a partial label affixed to the back of the frame. Oil on canvas, 17 3/4 x 21 3/4 in., framed. Condition: Possible retouch, craquelure. $600-800

Bathers at the Ohio River. Signed “John Rettig” l.l. Oil on canvas, 20 x 30 1/2 in., framed. Condition: Area of retouch c.r. (with associated patch repair on the reverse), minor surface grime. $400-600

1249 Tito Cittadini Podesta (Argentine, 1886-1960)

1254 Robert Indiana (American, 19282018)

Mountainous Coastal Scene with Sailboats. Signed “Tito Cittadini” l.l., a fragmentary Parisian label affixed to the reverse. Oil on Masonite, 13 x 16 in., framed. Condition: Significant retouch to sky c.l. and c.r. and to l.r. corner. $700-900

Poster for The Mother of Us All/An American Pop Opera, 1967, printed by Johnson Printing Co., Minneapolis, published by Tyrone Guthrie Theatre, Walker Arts Center, Minneapolis. Color silkscreen on paper, image size 36 x 23 in., framed. Condition: Not examined out of frame. $400-600

1250 Taro Yamamoto (American, 19191994) Divine Tapestry. Signed “Taro Yamamoto” l.r., titled on the stretcher. Mixed media including oil and sand on canvas, 18 x 24 in., unframed. Condition: Scattered minor losses, surface grime. $300-500 1251 Taro Yamamoto (American, 19191994) Cathy-E. Signed and dated “Taro 86” l.r., titled within the composition. Oil on canvas, 18 x 24 in., unframed. Condition: Abrasion u.c., surface grime. $300-500 1252 John Joseph Enneking (American, 1841-1916) Milton Lower Mills. Unsigned, attributed and titled in a pencil inscription by a former owner on the frame backing paper. Oil on unstretched canvas, sight size 5 1/2 x 5 3/4 in., framed. Condition: Scattered paint losses, surface grime. $400-600

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1255 Arthur Fuller Davis (American, 18631953) Autumn Landscape with Pond. Signed “A.F. DAVIS” l.r. Watercolor on paper/board, sight size 7 x 10 1/2 in., framed. Condition: Not examined out of frame. $200-400 1256 Attributed to Leonard Baskin (American, 1922-2000) Two Prints Related to William Blake: Four Male Heads in Profile (George Richmond Engraving the Shepherd, George Richmond in his Engraving Costume, Blake After his Visionary Self Portrait and Blake After a Drawing by John Linnell); and Four Face or Figure Images (An Adamite Vision of Blake, Blake: A Fragment, Blake: An Imagined Death Mask, and Samuel Palmer). Both signed “Baskin” in pencil l.r., numbered “19/90” and “53/90,” respectively, l.l. Sheet sizes 13 1/2 x 10 7/8 in., unmatted, unframed. Condition: Minor toning. N.B. These portrait heads are related in that, if not Baskin’s vision of William Blake himself, the artists depicted were followers of Blake known as “The Ancients.” $300-600

Still Life with Apple, Pears, and Red Mug. Signed “VOKEY” l.l. Oil on canvas, 10 x 20 in., unframed. Condition: Good. $400-800 1258 Burton Morris (American, b. 1964) Martini. Initialed “BCM” within the composition l.l., signed and dated “Burton Morris 00” on the reverse l.r., numbered “19 of 42” on the reverse l.l., also stamped “SCREENED IMAGES” and numbered “116” on the reverse l.l. Silkscreen in colors on wooden construction, 34 x 23 3/4 x 3 5/8 in. Condition: Minor paint losses at edges. N.B. Accompanied by an invoice from John Szoke Editions, New York, dated May 30, 2000. $800-1,800 1259 Burton Morris (American, b. 1964) Juke Box. Initialed “BCM” within the composition l.r., signed and dated “BurtonMorris 00” on the reverse l.r., titled on the reverse u.l., numbered “J-314/2-00” on the reverse u.r. Silkscreen in colors on wooden construction, 27 1/2 x 23 3/4 x 4 in. Condition: Minor surface rubs, minor paint losses at edges. N.B. Accompanied by a letter of appraisal from Newbury Fine Arts, dated November 18, 2003, signed by Elizabeth Alch Novick, Director. $800-1,800 1260 Gustave Adolph Wiegand (German/ American, 1870-1957) Summer Landscape with Pond. Signed “G. WIEGAND” l.r. Oil on canvas, 16 x 24 in., framed. Condition: Patch reinforcement, scattered retouch. $600-800

1261 Manner of Narcisse Virgile Diaz de la Peña (French, 1808-1876)

1265 Howard Finster (American, 19162001)

Judith of Israel. Unsigned, identified and attributed on a presentation plaque. Oil on canvas, 40 x 29 in., framed. Condition: Lined onto a rigid support, abrasions, craquelure, drying cracks, probable old retouch, surface grime. $500-700

Uncle Sam. Signed “BY. HOWARD FINSTER” l.c., titled u.c., inscribed, signed, and dated “18.000.226 WORKS SINCE 1976/BY Howard Finster/MAR.2.1991 God Bless/ DESERT STORM WAR/IN FINAL SETTLEMENTS/OF PEACE.” and with a drawing of a bird on the reverse. Oil and marker on board, height 21 3/4 in., unframed. Condition: Scattered minor abrasions, surface grime. $300-500

1262 Attributed to Paul Léon Félix Schmitt (French, 1856-1902) Pastoral Landscape. Signed and dated “P. Schmidt./1890” l.r., with a transportation label from Den Haag affixed to the reverse. Oil on panel, 15 3/4 x 20 5/8 in., framed. Condition: Minor retouch and small paint loss to the edges of the composition, craquelure, minor surface grime. $400-600 1263 Alexander Kaminsky (American, 20th/21st Century) To Be Mentally Ill. Signed, titled, and dated “KAMINSKY/.../2011” on the reverse. Plastic, red marker, and pharmacy label, height 28 in. Condition: Dust and dirt to the interstices, tape remnants to u.c. $400-600 1264 American School, 19th/20th Century

1266 After José de Creeft (American, 1884-1982) The Cloud. Inscribed “©MPI” near base. Composite with applied patina, height 14 in. on a composite base painted black. Condition: Scratches on the front showing through to the composite, scattered scuffs and rubs, minor dirt and dust to the interstices. $200-300

Studio Art online

1257 Sam Vokey (American, b. 1963)

1267 James Abbott McNeill Whistler (American, 1834-1903) Black Lion Wharf, 1859, final state of four (Glasgow, 54; Kennedy, 42). Signed and dated within the plate. Etching on paper, plate size 6 1/8 x 8 7/8 in., framed. Condition: Toning, several small surface abrasions (with losses to ink), not examined out of frame. $500-700

Two Still Life Paintings: Basket of Peaches and Basket of Strawberries. Peaches signed and dated “L.G. Moyer/1916,” Strawberries unsigned. Peaches oil on artist board, Strawberries oil on canvas (stretched with Boston tabs), sizes to 12 x 15 1/4 in., framed. Condition: Retouch, craquelure, varnish inconsistencies, scattered abrasions with paint loss, surface grime. $300-500

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1268 Louis Icart (French, 1888-1950) Three Framed Etchings: Fleurs de Paris (1930), Marchande de Marrons (1928), and La Confidance (1926). Etchings signed “Louis Icart” in pencil l.r., printed copyright information u.l., artist’s embossed stamp l.l.; Fleurs de Paris marked “Epreuve de presentation” l.l.; Marchande de Marrons marked “A-1” in pencil l.l., inscribed “Edité par Les Graveurs Modernes 194 Rue de Rivoli Paris” in the plate u.r. Etchings and aquatints with hand coloring, plate sizes to 16 x 20 1/2 in. Condition: Toning, Marrons with surface accretions, Confidances with soiling or similar, not examined out of frames. Literature: William R. Hollard et al., Louis Icart, The Complete Etchings (West Chester, Pennsylvania: Schiffer Publishing, Ltd., 1990), La Confidance (Fig. 292), Marchande de Marrons (Fig. 335), Fleurs de Paris (Fig. 400). N.B. The lot is accompanied by a fourth item, a framed lithographic reproduction of Icart’s etching Le Bonnet Bleu, published by Morris & Bendien Inc., New York. $1,000-1,500 1269 Attributed to George Henry Andrews (British, 1816-1898)

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Hudson River Style Landscape. Signed “...Andrews” l.l. Oil on panel, 14 x 20 in., in a period frame. Condition: Paint losses l.c., craquelure with areas of flaking, varnish discoloration, surface grime. $800-1,200

1270 Ivonne Torres (Mexican, b. 1970) Besukona. Signed “Ivonne T.” on the left turning edge. Mixed media on canvas, 72 x 24 in., unframed. Condition: Scattered minor abrasions, minor surface grime. Provenance: A Massachusetts educational institution. $400-600

1271 Dick (Richard L.) Brooks (American, b. 1917)

1276 André Hambourg (French, 1909-1999)

N.B. This painting depicts the historic Deep River National Bank. $250-350

Two Drawings: Les régates and La jetée. Signed “a. hambourg” l.r. and l.l., respectively, titled on labels from Galerie La Boutique d’Art, Nice, France, affixed to the frame backings. Ink and wash on paper, sight sizes 8 x 5 1/2 in., framed. Condition: Possible pale toning, not examined out of frames. $400-600

1272 David Kenneth Merrill (American, b. 1935)

1277 Leonard Baskin (American, 19222000)

Brick House with American Flag in Snow. Signed “David Merrill” l.r. Oil on board, 36 x 48 in., framed. Condition: Vertical pencil lines or similar to roof and sky in u.l. quadrant, minor paint losses, minor surface grime. $150-250

Rachel, 1976, edition of 100 (Fern & O’Sullivan, 666). Signed “Baskin” in pencil l.r., signed and dated within the matrix. Color lithograph on paper, image size 38 x 26 3/8 in., framed. Condition: Toning, not examined out of frame. $250-350

Summer View: Deep River, Connecticut. Signed “Richard L. Brooks” l.r. Oil on canvas, 28 1/4 x 52 in., framed. Condition: Good.

1273 American School, 20th Century Red Flowers. Signed indistinctly, perhaps “J. Pollard,” and dated “86’” l.r., titled l.l., with a label from Shortell Framing and Art Supply, Hartford, Connecticut, affixed to the back of the frame. Oil on canvas, 48 x 36 in., framed. Condition: Surface accretions and grime. $200-250

1278 Alan MacDonald (Scottish, b. 1962) Dare-Devil. Titled, signed, and dated “...Alan MacDonald 4/96” on the reverse, identified on a label from The Bruton Street Gallery, London, affixed to the stretcher. Oil on linen, 30 x 40 in., framed. Condition: Minor surface grime. $600-800

1274 American/European School, 20th Century

1279-1280 No lots.

Still Life with Flowers. Signed “A. RINDA” l.r. Oil on canvas, 36 x 24 in., framed. Condition: Craquelure, scattered abrasions, surface grime. $200-300

1281 Norman Rockwell (American, 18941978)

1275 René Demeurisse (French, 18951961) Port de la Rochelle et Halle aux Poissons (Port of La Rochelle and Fish Hall). Signed and titled “Demeurisse...” in ink l.r. Watercolor on paper, sight size 25 x 37 in., framed. Condition: Tear across u.r. corner, not examined out of frame. $300-500

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The Connoisseur. Signed “Norman Rockwell” l.r., numbered “A.P. I/XV” l.l. Collotype on paper, image size 24 1/4 x 28 in., framed. Condition: Possible fading, not examined out of frame. N.B. The original oil painting image appeared as a Saturday Evening Post cover on January 13, 1962. $200-300

1288 Varujan Boghosian (American, b. 1926)

1292 William Georgenes (American, 19292017)

Three Artist-proof Color Lithographs: Dreamboats, Star Struck, and Playbill. Each signed “Norman Rockwell” l.r., Dreamboats and Star Struck numbered “A.P. I/XXXV” l.l., Playbill numbered “XXII/ XXXV” l.l. Image sizes to approximately 25 1/2 x 20 in., framed. Condition: Star Struck and Dreamboats with toning, Dreamboats with broken glass, not examined out of frames. $300-500

Abstract Landscape with Houses. Signed “Varujan Boghosian” l.r., signed and inscribed “Varujan Boghosian FOR MARIE/a very rare picture” on the reverse. Gouache on paper/board, 8 1/2 x 9 7/8 in., unframed. Condition: Wear to edges, possible toning, staining to edges, scattered abrasions/losses to pigment.

Equator 1. Signed “Georgenes” l.l., signed and titled “W. Georgenes...” on the stretcher bar. Oil on canvas, 40 x 60 in., unframed. Condition: Minor surface grime. $500-700

1283 Norman Rockwell (American, 18941978) Four Artist-proof Prints on Boyhood Themes: Secrets (Sister’s Diary), High Dive, The Boy Who Put the World On Wheels (The Inventor), and Tom Sawyer Sneaking Out the Window. Each signed “Norman Rockwell” l.r., each numbered as an artist’s proof from an edition of 35. Lithographs in color, sepia, and black and white on paper, image sizes to 23 x 17 1/2 in., framed. Condition: Not examined out of frames. N.B. Secrets was originally created as the cover illustration of the Saturday Evening Post on March 21, 1942. High Dive was featured as the Saturday Evening Post cover on August 16, 1947. The model was Rockwell’s youngest son, Peter. The Inventor was originally commissioned as an advertisement illustration for the Ford Motor Company in 1952. Sneaking out the Window was part of a folio of works created for Mark Twain’s 1936 edition of Tom Sawyer. $600-800 1284 John Maziarz (American, 1934-2008) Winter-Spring Transition, alternately titled Berkshire Winter. Signed and dated “John Maziarz ‘67” l.l., titled on a handwritten label affixed to the reverse and on a label from the Massachusetts Council on the Arts and Humanities affixed to the stretcher, alternative title presented on a label on the top of the frame. Acrylic on canvas, 48 x 36 in., framed. Condition: Minor scuffing and surface grime. $400-600 1285-1287 No lots.

N.B. The exhibition catalog Varujan Boghosian, Cordier & Ekstrom, New York, November 7–December 8, 1873, accompanies the lot. $200-250 1289 Salvador Dalí (Spanish, 1904-1989) Le tonneau, from the portfolio Le Decameron, 1972, published by Jean Schneider, Basel, printed by Pamela Verlag (Field, 72-8G). Signed “Dalí” in pencil l.r., inscribed “E.A.” in pencil l.l. Color engraving on paper with Chiffon de la Dore watermark, plate size 7 x 5 in., matted, framed. Condition: Sheet with full margins and deckled lower edge, affixed to window mat with tape to edges on the verso, scattered creases and abrasions, punctures c.l., fox mark to margin c.r., staining to the verso. $200-400 1290 Petion Savain (Haitian, 1906-1975) Olympia. Signed and inscribed “Savain/Haïti” l.l. Oil on Masonite, 24 x 48 in., framed (in a liner). Condition: Scattered abrasions, surface grime. $500-700 1291 Norman Rockwell (American, 18941978) The Problem We All Live With. Signed “Norman Rockwell” in pencil l.r., numbered “A.P. IX/XXXV” in pencil l.l. Color collotype on paper, image size 23 1/2 x 38 1/2 in., matted, framed. Condition: Not examined out of frame.

1293 Movie Poster: M·G·M presents Shadow on the Wall. Copyright 1949 for Lowe’s Incorporated, numbered “Y49-672” top and bottom within the matrix. Color lithograph, 60 x 40 in., framed. Condition: Rippling, creasing, toning, general wear, possible small (2 3/4 in.) tear to center, not examined out of frame. $50-75

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1282 Norman Rockwell (American, 18941978)

1294 Various Artists (American, 20th Century) New Works by 10 Massachusetts Photographers/A Portfolio, published 1982. Numbered “#6/50” in black ink on the colophon. Nine gelatin silver prints and one chromogenic print in a gray clothbound portfolio case, image sizes to 18 x 13 7/8 in., all but one matted, unframed. Condition: Good. N.B. Represented photographers include Roswell Angier, Karl Baden, William Burke, Steven Halpern, Olivia Parker, Daniel Ranalli, Eugene Richards, Sage Sohier, and Jane Tuckerman. $250-350 1295 George P. Hall & Son (American, fl. 1880s-1910s) The National Park Bank. Inscribed in the negative “Geo. P. Hall & Son, Photographers, New York” l.r. Albumen print on paper, sight size 37 1/2 x 21 1/2 in., framed. Condition: Not examined out of frame. $200-400

N.B. Norman Rockwell’s first assignment for Look magazine was an illustration of six-year-old African American schoolgirl Ruby Bridges escorted by four U.S. marshals to her first day at an all-white school in New Orleans. Published January 14, 1964, the painting remains a poignant image of American culture. $200-300

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1296 Attributed to Frederick Lester Sexton (American, 1889-1925)

1300 Norman Rockwell (American, 18941978)

1307 James S. Farlinger (American, 18811934)

Italian Scene of Figures and Boats by the Water. Signed “F SEXTON” l.r. Oil on canvas, 24 x 36 in., framed. Condition: Minor surface grime. $600-800

Christmas Homecoming. Signed “Norman Rockwell” l.r., numbered “A.P. XXX/XXXV” l.l. Lithograph in black and white on paper, image size 23 3/4 x 22 in., framed. Condition: Toning, not examined out of frame.

1297 Howard Finster (American, 19162001)

N.B. The original oil on canvas painting of this subject appeared as the cover illustration for The Saturday Evening Post, December 25, 1948. $200-300

Autumn View of Bearfort Ridge and Pond, New Jersey. Signed “James S. Farlinger” l.r., identified on a presentation plaque, location identified in an inscription on the reverse. Oil on board, 12 x 16 in., framed. Condition: Minor surface grime. $300-500

Anitopolio. Signed and inscribed “BY. HOWARD/FINSTER FROM/GOD. MAN OF/VISIONS” l.r., titled and inscribed “.../BORN.1453/THE ANGEL OF HER DAYS” l.l., inscribed, signed, and dated “14.000.868 WORKS SINCE 1976/ BY Howard Finster/JUNE-4-1990 God Bless/5:23:PAST MIDNIGHT” and with a drawing of a bird on the reverse. Oil and marker on board, height 19 3/4 in., unframed. Condition: Loss u.l., scattered minor abrasions, surface grime. $400-600 1298 Rudolph Carl Gorman (American, 1932-2005) Woman and Green Chilis, 1985. Signed and numbered “R.C. Gorman 22/150” at lower edge, incised title and date on the bottom. Glazed ceramic vase, height 17 3/4 in. Condition: Scratches and scuffs, surface grime. $300-400

Studio Art online

1299 Norman Rockwell (American, 18941978)

Two Artist-proof Color Prints: Letter Sweater and Gaiety Dance Team. Both signed “Norman Rockwell” l.r., numbered “A.P. XI/XXXV” and “A.P. XVII/ XXXV,” respectively, l.r. Lithograph or collotype on paper, images sizes to 23 x 17 7/8 in., framed. Condition: Not examined out of frames. N.B. The originals upon which these prints are based appeared as covers of the Saturday Evening Post in the 1930s. Letter Sweater was featured on November 19, 1938, and Gaiety Dance Team was the cover for June 12, 1937. $300-500

1301-1302 No lots. 1303 Norman Rockwell (American, 18941978) The Gift (Puppy in a Pocket). Signed “Norman Rockwell” in pencil l.r., numbered “a/p” in pencil l.l. Color lithograph on paper, image size 23 1/2 x 17 in., matted, framed. Condition: Not examined out of frame. $200-300 1304 Continental School, 20th Century Harbor View Along the Quai. Monogrammed l.l. Watercolor and gouache on paper, sight size 5 1/8 x 6 1/2 in., framed. Condition: Not examined out of frame. $300-500 1305 Friedrich (Fritz) Wahle (German, 18631927) Welcome Break in the Clouds/A Landscape Scene. Signed “Wahle” l.r. Oil on canvas, 8 1/8 x 10 in., in a period frame. Condition: Repaired puncture u.c., patch on the reverse. $300-500 1306 No lot.

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1308 Harry E. Buckley (American, 19302010) Conversation Across a Stone Wall. Signed and dated “HE BUCKLEY 1970” l.r. Pen and ink on paper, sight size 8 7/8 x 11 7/8 in., framed. Condition: Not examined out of frame. $200-300 1309 Luigi Kasimir (American/Austrian, 1881-1962) with Tanna KasimirHoernes (Austrian, 1887-1972) Krakau/A Portfolio of Color Etchings, 1944. Signed “Luigi Kasimir” in pencil l.l., titled in pencil l.c., several dated within the plate. Color etchings on paper, plates sizes to 18 x 13 5/8 in., matted, housed in a board portfolio case. Condition: Sheets with subtle toning, hinged at corners. $400-600 1310 John Douglas Lawley (Canadian, 1906-1971) Two Street Views with Horses and Carriages. Each signed “LAWLEY” l.r. Oil on board, sizes to 8 x 10 in., framed. Condition: Minor surface grime, one with losses to horse’s head. $700-900

1316 Norman Rockwell (American, 18941978)

1320 Charles C. Gruppe (American, b. 1928)

Ballerina. Signed “A. Walkowitz” l.r., dedicated l.l. Watercolor and pencil on paper, image/sheet size 10 x 7 in., framed. Condition: Sheet floated in the frame, not examined out of frame.

Six Prints from Tom Sawyer Portfolio, The Color Edition, lithograph printed at Mourlot, Paris, collotypes printed by Arthur Jaffe Heliochrome Co., Vienna, Austria, printed 1973, released 1977. Each signed “Norman Rockwell” in pencil l.r., numbered “67/200” in pencil l.l. One lithograph and five collotypes on paper, image sizes to 21 x 16 in., framed. Condition: Not examined out of frames.

Snow on Birches. Signed “C. Gruppe” l.r., inscribed “Charles C. Gruppe” on the stretcher. Oil on canvas, 20 x 24 in., framed (in a liner). Condition: Craquelure to some areas of impasto, minor surface grime. $300-500

Provenance: Phillips, Sale 171, Lot 429, January 30, 1979. Exhibitions: A Tribute to Dance, Squibb, March 30-April 29, 1979; Dance—Art Objects from Area Collections, New Jersey State Museum, October 6-28, 1984; Damsels to Divas, Key West Museum of Art and History, 2002. $600-800 1312 Charles B. Russ (American, 18251920) Lake Champlain, Summer. Signed and dated “C.B. Russ. 1871.” l.l., titled on a printed label affixed to the stretcher. Oil on canvas (stretched with Boston tabs), 18 x 30 in., framed. Condition: Craquelure, surface grime. $500-700 1313 After Prince Paolo (Paul) Troubetzkoy (Russian, 1866-1938) Sleeping Dog. Signed and dated “©/ Paul Troubetzkoy/1915” in the bronze base l.r. Bronze with brown patina, posthumous cast, height 2 5/8 in. Condition: Patina possibly restored, dust and dirt to interstices. $400-600 1314 Taro Yamamoto (American, 19191994) Beach View with Palms. Signed and dated “Taro 84” l.r. Oil on canvas, 40 1/4 x 32 1/4 in., unframed. Condition: Craquelure, surface grime. $300-500

N.B. Titles include Medicine (lithograph), Dead Cat, Out of the Window, Church, Spanking, and Smoke. Includes the cloth-bound portfolio case. $600-800 1317 French School, 18th Century Style Portrait of Bernard Fontenelle (French, 1657-1757). Unsigned, sitter identified in u.r. corner. Oil on canvas, 30 x 24 3/4 in., framed. Condition: Lined, craquelure, retouch. Provenance: Acquired by the consignor’s grandmother in Europe. $800-1,200

1321 Sir Frank Brangwyn (British, 18671956) Canal Scene. Signed and dated “F. Brangwyn 49” l.l. Watercolor on paper, sight size 13 x 17 in., framed. Condition: Not examined out of frame. $300-500

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1311 Abraham Walkowitz (American, 18781965)

1322 Attributed to Malcolm McLachlan Harper (Scottish, 1839-1917) Cows and Wooded Stream. Signed “MM HARPER” l.l. Oil on canvas, 14 x 24 in., framed. Condition: Stable craquelure, scattered subtle losses, minor surface grime. $500-700 1323 Alex Brickman (American, 1900-1954)

1318 Francis E. Getty (American, 18611945) River Landscape with Covered Bridge. Signed “Francis E. Getty.” l.r. Gouache on paper, sight size 28 x 22 1/2 in., framed. Condition: Small loss u.r., not examined out of frame. $500-700 1319 Earle Mitchell (American, 20th Century) Stone Barn Ruins. Signed “EARLE MITCHELL” l.l. Watercolor on paper, sight size 9 1/2 x 13 1/2 in., framed. Condition: Not examined out of frame. $200-400

Waves on a Rocky Coast. Signed “ABrickman” l.r. Oil on canvas, 23 x 39 1/4 in., framed. Condition: Minor surface grime. $400-600 1324 Peter Max (American, b. 1937) The Better World Series/2000 Poster. Dedicated “To Wendy Wood 1999 love Max 99” in ink along the bottom, original drawing in ink l.r. Color offset poster, image/sheet size 36 x 24 in., unframed. Condition: Subtle tear and creasing l.l. and u.l., not examined out of shrinkwrap. $400-600

1315 Attributed to Henry Faulkner (American, 1924-1981) Lemon. Signed “Faulkner” u.l. Oil on Masonite, 4 1/2 x 6 5/8 in., framed. Condition: Minor surface grime. $250-350

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1325 Jack Coughlin (American, b. 1932) Two Etchings: Maria’s Bouquet and Fall Bouquet. Each signed “Jack Coughlin” in pencil l.r., titled and dedicated in pencil l.c., and numbered “Artist’s Proof” and “24/5,” respectively, in pencil l.l. Color etchings on paper, plate sizes to 15 x 15 in., unmatted, unframed. Condition: Sheets with deckled edges. $200-400 1326 No lot. 1327 Continental School, 20th Century Sketch of a Hay Cart and Field Workers. Signed indistinctly and dated “...de...’48” l.r. Pastel and charcoal on brown paper, sight size 9 1/2 x 13 1/4 in., framed. Condition: Not examined out of frame. $400-600 1328 Attributed to Gabriel Thompson (British, 1861-1935) Rowboat and Ships in a Harbor. Signed “G. Thompson” l.l. Watercolor on paper, sight size 21 5/8 x 29 5/8 in., framed. Condition: Not examined out of frame. $400-600

Studio Art online

1329 Robert Verity Clem (American, 19332010)

Chickadee and Winter Berry. Signed and dated “Robert Verity Clem/1959” l.l. Watercolor and gouache on paper, sight size 15 3/4 x 11 1/4 in., framed. Condition: Possible toning, not examined out of frame. Provenance: Purchased from the artist, who was a family friend. $700-900 1330 Nathalie Johnson Nordstrand (American, b. 1932) From Loblolly to Land’s End, Rockport. Signed “Nathalie Nordstrand AWS” l.r., titled on a presentation plaque, and identified on a label from the Rockport Art Association affixed to the backing. Watercolor on paper, sight size 15 x 21 7/8 in., framed. Condition: Not examined out of frame. $800-1,200

1331 Norman Rockwell (American, 18941978)

1335 Charles Sydney Hopkinson (American, 1869-1962)

Two Artist-proof Color Lithographs Featuring Fishing: Grandpa and Me: Fishing and Three Boys Fishing. Both signed “Norman Rockwell” l.r., numbered “A.P. I/XXXV” and “A.P. IX/ XXXV,” respectively, l.l. Image sizes to 26 x 16 1/4 in., Grandpa framed, Three Boys unframed. Condition: Both loose in their mats, Grandpa with toning, not examined out of frame. $300-500

Seascape with Sailboats. Initialed “CH” l.r. Oil on canvas, 19 1/2 x 23 3/4 in., unframed. Condition: Surface grime, scattered minor losses, a few small areas of retouch covering frame abrasions. $600-800

1332 Albert Alcalay (American, 1917-2008)

Romantic Coastal Landscape with Soldiers and Travelers. Unsigned, inscribed “Salvator Rosa by ...arc...” on the stretcher. Oil on canvas, 19 1/2 x 36 1/4 in., framed. Condition: Lined, retouch, craquelure, surface grime. $1,000-1,500

Broken Haert [sic]. Signed and dated “ALCALAY 1977” l.r., titled l.c., identified on a “C. Engelhard Collection” label affixed to the backing. Ink on paper, sheet size 23 7/8 x 36 1/2 in., framed. Condition: Floated in frame, not examined out of frame. $300-500 1333 Anton Heyboer (Dutch, 1924-2005) Real Wisdom Is Intuition. Signed and dated “antonheyboer 1983” l.c., titled u.c., identified on a “C. Engelhard Collection” label affixed to the backing. Mixed media collage with photographs, sheet size 27 3/4 x 39 3/8 in., framed. Condition: Sheet floated in frame, not examined out of frame. $500-700 1334 Norman Rockwell (American, 18941978) Two Artist-proof Prints Featuring Doctors: Expect the Unexpected and Pharmacist. Both signed “Norman Rockwell” in pencil l.r., numbered “AP XXIII/XXXV” and “AP XXXII/ XXXV,” respectively. Pharmacist color lithograph, Expect black and white lithograph, image sizes to 20 1/2 x 17 1/2 in., framed. Condition: Not examined out of frames. N.B. Pharmacist was a Saturday Evening Post cover March 18, 1939. Expect the Unexpected was originally used as a Fidelity Bank Advertisement in 1958. $200-300

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1336 After Salvator Rosa (Italian, 16151673)

1337 Adriaen Jansz van Ostade (Dutch, 1610-1685) The Pater Familias. Signed and dated “A ostade 1648” in the plate l.r. Etching on laid paper with partial watermark, an 18th-century printing, plate size 4 15/16 x 3 5/8 in., unmatted, unframed. Condition: Trimmed outside the plate mark, accretion to l.r. corner, toning, tack holes to corners, glue spots to corners of the reverse. $250-350 1338 Francisco de Goya (Spanish, 17461828) Duendectios, Plate No. 49 from Los Caprichos. Posthumous printing of the fourth edition or later (1878 or later) (Harris 84, III/III). Etching on paper, plate size approximately 8 1/4 x 5 3/4 in., framed. Condition: Subtle rippling, not examined out of frame. $300-600 1339 American School, 19th/20th Century Pigeon Hunting. Unsigned, inscribed “GEORGE INNESS/3/135/22” and “C430/22/2938” on the reverse, titled and identified on several unattributed labels affixed to the back of the frame. Oil on wood panel, 14 x 22 in., framed. Condition: Craquelure, scattered minor retouch. $800-1,200

1344 Norman Rockwell (American, 18941978)

The Gossips. Signed “Norman Rockwell” l.r., numbered “A.P. XXX/ XXXV” l.l. Lithograph in black and white on paper, image size 19 1/4 x 18 in., framed. Condition: Toning, not examined out of frame.

Four Artist-proof Prints: The Saturday People, Willie Takes a Step, View of Rome from my Hotel Window, and The Tutor. Each signed “Norman Rockwell” l.r., numbered artist’s proofs, editions of 35. Image sizes to 15 x 22 in., framed. Condition: Not examined out of frame.

N.B. This lithograph references one of Rockwell’s most successful covers for the Saturday Evening Post, March 6, 1948. $200-300 1341 Norman Rockwell (American, 18941978) Two Artist-proof Color Lithographs: Wet Paint and Pipe and Bowl. Both signed “Norman Rockwell” l.r., numbered “A.P. I/XXXV” l.l. Lithographs on paper, images sizes to 23 x 18 in., framed. Condition: Not examined out of frames. N.B. The originals of these two prints both appeared as cover illustrations for the Saturday Evening Post: Pipe and Bowl appeared on February 6, 1926, and Wet Paint/Girl Running with Wet Canvas appeared on April 12, 1930. $200-400 1342 Hector Leonardi (American, b. 1930) Geometric Abstraction. Signed “Hector Leonardi” on the stretcher, with a partial label from The Fenway Art Gallery, Boston, affixed to the stretcher. Oil on canvas, 48 x 48 in., unframed. Condition: Craquelure l.r., scattered abrasions, surface grime, slight warping to stretcher. $700-1,500

1349 American School, 19th/20th Century Spray of Roses. Unsigned. Oil on canvas, 7 x 10 in., framed. Condition: Surface grime. $200-300

End of Sale 3114T

N.B. The Saturday People was an illustration for “Saturday’s People” a story by Rita Madocs, published in McCall’s, October 1966. $400-600 1345 John Clinton Spencer (American, 1861-1919)

Studio Art online

1340 Norman Rockwell (American, 18941978)

Floral Sprigs. Signed and dated “J.C. Spencer/1913” l.l. Oil on canvas, 6 x 10 in., framed. Condition: Scattered minor paint losses, surface grime. $500-700 1346 John Clinton Spencer (American, 1861-1919) Geranium and Carnations. Signed and dated “J.C. Spencer/1913” l.l. Oil on canvas, 20 x 16 in., framed. Condition: Fine craquelure, scattered minor paint losses, surface grime. $700-900 1347 American School, 19th Century Two Pears. Initialed and dated “CJM 1884” l.r., signed and dated “C.J. Metca.../1884” on the reverse. Oil on canvas, 8 x 10 in., framed. Condition: Craquelure, scattered minor paint losses, surface grime. $200-400

1343 No lot. 1348 American School, 19th/20th Century Still Life with Hanging Grapes. Unsigned. Oil on canvas, 18 x 12 in., framed. Condition: Puncture with paint loss u.c., paint losses c.l., surface grime. $300-500

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