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Salt Lake Community College
South City Campus
Multipurpose Room SCM 1-030/1-032
1575 South State Street
Salt Lake City, UT
slcc.edu/artshow
OPENING RECEPTION
Tuesday, October 29, 2024
6 – 8 p.m.
Awards announced at 7 p.m.
EXHIBITION DATES
October 29 – November 13, 2024
Monday – Thursday, 10 a.m. – 7 p.m.
Friday 10 a.m. – 3 p.m.
Closed Saturday and Sunday
Welcome to the Salt Lake Community College President’s Art Show, an annual juried exhibition sponsored by the College’s Art Committee. The President’s Art Show celebrates Utah artists and the powerful ways in which art brings people together. Selected from 516 submissions, this year’s exhibition features a wide range of talented professional and amateur artists showcasing their unique skills in a variety of media.
Thank you to this year’s judges: Salt Lake City-based glass artist Inez Garcia; Salt Lake City-based artist and arts educator Bea Hurd; Utah-based artist, curator, writer and educator Christopher Lynn; founder and director of the non-profit arts oragnization Brolly Arts Amy MacDonald, and last but not least, a big welcome to our new president Dr. Greg Peterson!
Margaret Abramshe
Dreamer, 2023
Fabric, paint, batting, thread
39 x 24 inches / 99.1 x 61 cm
$800
“The original photograph is of my father in front of the family home in West Hollywood, California. Taking cues from pop art, surrealism, and contemporary portraiture, I use traditional painting techniques, digital tools [and] a variety of surface design processes … the entire surface is enhanced with contour stitching.”
Luke Anderson
Nineteen Horses, 2024
Acrylic on canvas
25 1/2 x 17 1/2 inches / 64.8 x 44.5 cm
$1,300
“[C]onstructed of many strips of raw canvas … the negative space around the horse shapes is filled in with salvaged peeled chunks of dried acrylic paint that I collected over several years … removed from my plastic palette, saved, and glued onto this canvas to create the backdrop.”
EMPLOYEE
Robert Adamson
On Point, 2023
Oil on canvas
14 x 11 inches / 35.6 x 28 cm
$3,000
Pamela Beach
What God Put In Me, 2024
Oil on panel
36 x 24 inches / 91.5 x 61 cm
$2,000
Kirsten Beitler
A Beehive State Of Mind or The Artist As An Allegory For What
It’s Like To Be A Woman In Utah
2020
Oil on panel
20 x 20 inches / 50.8 x 50.8 cm
$600
Erin W. Berrett
Clementine Mandarins, 2024
Oil on cradled panel
6 x 6 inches / 15.3 x 15.3 cm
$600
Laurie Bray
Ship of Glass, 2024
Archival pigment print
24 x 16 inches / 61 x 40.7 cm
$275
Ashley Bevan
Mother’s Favorite, 2024
Acryla Gouache on mosaic tiles
8 x 8 inches / 20.4 x 20.4 cm
$200
“My mother was my first art teacher. She is a quilter and growing up we would often work on quilts together. This star quilt (her favorite quilt pattern) is in honor of her and is a blend of our two creative loves: painting and quilting.”
Julie Berry
I Have an Idea, 2024
Mixed media, acrylic with mono printed papers
24 x 24 inches / 61 x 61 cm
$2,000
Nathan Brimhall
Presence, 2023
Mild steel, patina, clear powder coat
84 x 48 x 36 inches /
213.4 x 122 x 91.5 cm
$18,000
Linnie Brown
Out There, 2023
Acrylic and spray paint on panel
30 x 24 inches / 76.2 x 61 cm
$1,200
“Memories do not exist solely on their own; they are persistently entwined with the physical places where they occurred. In my paintings, fragments of landscape and abstracted architecture stand in for everything I have lived through in those places. My art depicts multiple locations simultaneously to convey the impact and accumulation of identity-shaping experiences.”
ALUMNI
Jean Canestrini
Watcher, 2024
Scratchboard with colored inks
8 x 8 inches / 20.4 x 20.4 cm
$300
Bailey Charlesworth
Mutiny, 2024
Acrylic
36 x 36 inches / 91.5 x 91.5 cm
$5,000
“I painted this to release my anxiety and self-doubt ... I like that you can’t tell if he is good or bad … all the emotions we feel aren’t good or bad. It all depends on what we do with the emotions we are experiencing and how to act on them.”
Ron Christensen
Vintage Speed, 2023
Iron, aluminum, wood, plastic, rubber
12 x 17 x 40 inches / 30.5 x 43.2 x 101.6 cm
$5,000
Charlie Clark I DONT WANNA EAT NO MO
2024
Digital print
11 x 14 inches / 28 x 35.6 cm
$130
“This digital painting explores the theme of depression being hidden from those around you, represented by desserts melting and being crushed into the ground, looking still appealing and sweet on the outside but slowly melting to the point of no return … Depression is not always made obvious and does not always look the same.”
Cynthia L. Clark Women are Able and Capable 2024
Encaustic, collage, drawing, shellac, oil pastel, chalk paint, oil sticks
26 x 26 inches / 66.1 x 66.1 cm
$1,250 Caroline Cook Father, 2024
Acrylic on Panel 14 x 11 inches / 35.6 x 28 cm
$500
ALUMNI / STUDENT
Pablo Cruz-Ayala
Migration Without Integration, 2023
Oil, acrylic, embroidery thread, and twine
48 x 45 inches / 122 x 114.3 cm
$2,000
“My father left Mexico five years before the rest of my family emigrated, sacrificing seeing his mother pass away and my birth so that our family would have the money to safely cross the border ... A parent’s love for their child is represented through the careful act of embroidery suspended and surrounded by a frantic need to hold the world together … This painting is tied to a wooden backing through sewn slipknots, it is not perfect, but it holds this world together.”
Carlie De Jesus Karetela, 2024
Oil on Canvas
40 x 30 inches / 101.6 x 76.2 cm
$8,750
At the heart of this nostalgic scene is the carabao (water buffalo), a stalwart symbol of Filipino agriculture and rural livelihoods … Through its role as the driving force behind the carriage, the carabao becomes … a metaphor for the resilience and endurance of Filipino culture. Together, the karetela and the carabao represent not only a mode of transportation but also a way of life deeply rooted in the Filipino experience, the rich tapestry of Filipino heritage, and the timeless beauty of cultural continuity.
Jose Cuevas La Hidrocálida, 2024
Willow tree wood
12 x 9 x 6 inches /
30.5 x 22.9 x 15.3 cm
$600
“The Calavera for the Celebration of the Day of the Dead in Mexico.”
Rachel Courville
Unearthed, 2024
Alcohol inks, glass, and epoxy resin on cradled wooden board
19 x 50 inches / 48.3 x 127 cm
$1,299
Olivia Dawson
other saints to pray to, 2024
Glaze on stoneware, acrylic ink on watercolor panel, string
9 x 12 x 4 inches /
22.9 x 30.5 x 10.2 cm
$570
Collin Delgado
The Final Storm, 2023
Ink on canvas
12 x 16 inches / 30.5 x 40.7 cm
$4,000
“This piece is hand drawn with ink pen, using pointillism. It took 6 months to complete.”
Krysta Dimick
The Mother, 2024
Acrylic on walnut and oak
12 x 13 1/2 inches / 30.5 x 34.3 cm
NFS
“Exploring ideas of a mother: the nature of who we come from, who we are, and who we are meant to be. Divine or mortal, we are all connected through a lineage of mothers … we are put together in an order, sharing identities but also born to the possibility of being completely different than the flesh in which we came from.”
Kessley Durrant
Nuestra Virgen Tonantzin, 2023
Gold leaf, acrylic and Bible pages on canvas
48 x 36 inches / 122 x 91.5 cm
NFS
I have a special adoration for our Virgin Guadalupe … I am even named after her because she is such an important Goddess to (my Mexican / Catholic) culture … before she became Guadalupe, she was the Aztec Goddess Tonantzin. She changed so she could save her people, so I wanted to paint her remembering her true self and her sacrifices. There were … cultures in Mexico where the priestesses walked around topless, and it was seen as a sign of authority, power, and respect … She is crying gold because the Aztecs believed that the Gods were not able to bleed but were instead made of gold, which is why blood is so important to Aztec culture … I covered my canvas in pages of a Catholic Bible to help expound on the theme of the forced Christianization of the Indigenous.
STUDENT
Thomas Embley
Japanese Whisky Quartet, 2024
Oil on panel
30 x 36 inches / 76.2 x 91.5 cm
$3,600
Noah Eikens
Out Of Order, 2024
Earthenware, underglaze, glaze,
PVC pipe, paint
16 x 16 x 16 inches /
40.7 x 40.7 x 40.7 cm
$500
A defunct fountain, Out Of Order is composed primarily of wheel-thrown forms with a convoluted network of tubing … symbolizing the parasitic diversion of water resources from the Great Salt Lake … The lower bowl contains a hand-built American White Pelican facing the realities of his drought-ridden environment. Textures produced using the natural properties of expanding dried clay … evoke the wonderful and varying geological features of Utah … While this ecosystem intrinsically merits protection, its loss will also subject residents of the Wasatch Front to the adverse health effects of toxic dust blown from the dried lakebed.
Jennifer Farley
Come Sit with Me Beneath the Willow Tree, 2024
Linocut relief
17 x 12 inches / 43.2 x 30.5 cm
$400
I find inspiration in the intricate dance between science and nature. My prints are a visual exploration of the unseen forces and patterns that govern our universe.
ALUMNI
Eric Fairclough
Chase Your Inner Thrill, 2024
Acrylic, latex, spray paint, and wood stain on wood
48 x 48 inches / 122 x 122 cm
$2,500
Brent Flory
The Boys are Back in Town, 2023
Oil on board
48 x 24 inches / 122 x 61 cm
$9,800
Black cowboy with his horse depicting that the majority of cowboys were black or Hispanic, at some point as many as 3 out of 5.
ALUMNI
Grant Fuhst
Starwatcher, 2023
Hand-painted elements digitally composited and printed on canvas
20 x 16 inches / 50.8 x 40.7 cm
$600
ALUMNI
Robert Fuerer
Bound by
Screens: A Self-Portrait
2024
Oil on panel
41 x 40 x 4 inches / 104.2 x 101.6 x 7.7 cm
$3,000
Through the lens of a self-portrait, I express the ache of separation from my daughter, separated by an ocean but tethered by technology, a poor conduit, and bound still by its limitations for authentic human interactions. As we try to define technology’s role in our lives, we experience the joy of seeing and hearing familiar voices that are far away and find simplicity and peace in unplugged moments.
Jennifer Galvez
Brighter Days, 2024
Extra fine point oil-based paint markers on canvas
16 x 20 inches / 40.7 x 50.8 cm
$288 ALUMNI
Madeline Gibson
Trio in Motion, 2024
Lino print on cotton paper
12 1/2 x 19 1/2 inches / 31.8 x 49.6 cm
$200
Sheryl Gillilan
Facing Myself, 2024
Commercial fabrics, hand applique, machine piecing and quilting
51 x 45 inches / 129.6 x 114.3 cm
$1,900
Rick Graham
A Walk in the Woods, 2023
Oil on panel
12 x 16 inches / 30.5 x 40.7 cm
$800
Michael Greene
Landscapes of the Wasatch Front 2023
Archival pigment print
16 x 20 inches / 40.7 x 50.8 cm
$125
Erin Grimshaw
Young Siren, 2024
Prismacolor pencils
11 x 14 inches / 28 x 35.6 cm
$1,000
Dave Hanson
Transfiguration, 2024
Digital Photography
14 x 18 inches / 35.6 x 45.8 cm
$400
ALUMNI
Bailey Hatcher
Snowy Egret, 2024
Holbein gouache on 300 lb. Arches
cotton rag watercolor paper
12 x 15 inches / 30.5 x 38.1 cm
$940
EMPLOYEE
Jack Hattaway
Don’t Go Chasing Waterfalls
2024
Hand woven vector
30 x 23 inches / 76.2 x 58.5 cm
$2,350
I draw/paint a series of independent image elements in Adobe Illustrator … once printed, the warp and weft images are sliced into 1/4” strips. I select a traditional hand-weaving pattern, then dress a self-modified loom. I hand weave the image, which yields a variety of distortion, pixelation, and jitter to the final composition.
ALUMNI
Lisa Hildebrand
Saltair Fallout, 2023
Collage and acrylic on panel
12 x 12 inches / 30.5 x 30.5 cm
$500
These images were scrambled in my head to communicate how nuclear testing spread to the civilian population [of the] Wasatch Front where I grew up. We played at Saltair not knowing that radiation was everywhere.
Andre Hoggan
Not Me Looking Back, 2024
Flax, milkweed, sisal, jute, polyester, and steel
52 x 24 x 7 inches / 132.1 x 61 x 17.8 cm
$3,000
Holly Hooper
Chasing the Horizon, 2024
Reduction cut
20 x 11 inches / 50.8 x 28 cm
$500
Erik Jensen
Starry New York, 2023
Upcycled and dyed computer keys
43 1/2 x 54 1/4 inches / 110.5 x 137.8 cm
$10,000
EMPLOYEE / STUDENT
Scott Jones
25,000 Folds, 2024
Origami
1 x 1 x 1 inch / 2.6 x 2.6 x 2.6 cm
$2,500
This piece took 81 1/2 hours, 2,192 sheets, 25,112 folds, and no cutting. All handmade Mulberry paper.
Christopher Johnson
Clouds over Bryce Canyon, 2024
Acrylic on plywood
36 x 24 inches / 91.5 x 61 cm
$1,300
Beatriz Killpack
Serenity’s Embrace, 2024
Oil
14 x 11 inches / 35.6 x 28 cm
$350
David LeCheminant
Byzantium, 2024
Wood assemblage bas relief
45 x 40 x 2 inches / 114.3 x 101.6 x 5.1 cm
$6,500
Desarae Lee
Magpie, 2024
Pen and ink with watercolor on paper
35 x 22 inches / 88.9 x 55.9 cm
$5,300
STUDENT
Ro Lian
Hans Manase, 2024
Digital photography, inkjet print
20 x 16 inches / 50.8 x 40.7 cm
ALUMNI
Amber Lilly
The Old Woman, 2023
Pencil on paper
18 x 12 inches / 45.8 x 30.5 cm
$3,745
EMPLOYEE
Jeanette Lukens
Poplar, 2024
Woodcut reduction print
30 x 10 inches / 76.2 x 25.4 cm
$300
Vincent Mattina
Lament, 2022
Archival print on paper with antique frame
20 x 26 inches / 50.8 x 66.1 cm
$650
2020 was a tough year, I lost several family and friends that year. This is the result, reflecting that loss.
ALUMNI
Steven May
The Fire Dragon, 2023
Anodized aluminum
26 x 21 x 15 inches / 66 x 53.3 x 38.1 cm
$900
Ryan Mayfield
Existential Dread, 2024
Infrared photography
16 x 20 inches / 40.7 x 50.8 cm
$200
With a passion for experimental formats, I revel in capturing moments that offer a slightly exaggerated take on reality, challenging viewers to reimagine the world around them. The image presented is an infrared photograph taken in the Avenues neighborhood of Salt Lake City, Utah.
Kylie Millward
Right to Refuse Consent, 2024
Screenprint on BFK Rives
7 x 5 inches / 17.8 x 12.7 cm
$60
Madhu Mishra
Blue Colorful Mandala Dot Art with Mirrors, 2023
Wooden board, acrylic paint and mirrors
25 x 25 inches / 63.5 x 63.5 cm
$250 Ryan Moffett
I Wish I Was a Sweater, 2024
Ceramic
46 x 14 x 12 inches /
116.9 x 35.6 x 30.5 cm
$4,850
Sophie Nebeker
Tessellate, 2022
Pine wood
12 x 16 inches / 30.5 x 40.7 cm
$275
Created as an artist in residence in Portugal, this tiled piece depicts multiple forms intertwining together to create a decorative graphic reminiscent of building facades in Lisbon.
Steve Newman
In its branches they will sing 2024
Oil on canvas
24 x 36 inches / 61 x 91.5 cm
$3,400
Many dream of doing something that makes the world a better place. Often this begins with a large and nearly impossible mission of global scale. This work speaks to those who do small things to make life better, even if it’s just so the birds have a place to sing and the next generation has a shady place to rest.
EMPLOYEE
Mercedes Ng
Choi Hung is Their World, 2024
Oil on canvas
20 x 16 inches / 50.8 x 40.7 cm
$500
The Choi Hung Estate in Hong Kong is public housing, well known for its gorgeous rainbow facade. When I got there, the colorful basketball courts were filled with tourists … there were local kids waiting to play basketball … Despite the tourists’ lack of respect for the locals ... these two older ladies … didn’t seem to be bothered by the commotion … They looked so content to have each other’s company … this estate will be redeveloped … residents will be relocated, and the famous rainbow facade will be replaced. I wonder where these two ladies will be in 15 years.
Michael Haswood
Winter Moon, 2023
Ink and colored pencil
29 x 23 inches / 73.7 x 58.5 cm
$1,500
Original pencil and ink drawing of traditional Diné (Navajo) woman wearing a blue bird mask and purple blanket shawl with a full moon in background.
EMPLOYEE
Miranda Obić
Blood is Thicker Than Water
2024
Digital
24 x 36 inches / 61 x 91.5 cm
NFS
My parents fled their countries (El Salvador and Bosnia and Herzegovina) in order to escape violence and war. It’s the legacy of the Salvadoran civil war and the Bosnian genocide that I have inherited from my family, and it sticks to us like blood that can’t be washed out.
Charlee Ollis
Silence of Sorrow, 2024
Acrylic on canvas
20 x 16 inches / 50.8 x 40.7 cm
$600
Garrett Olsen
Neither here nor there, 2024
Oil on aluminum composite panel
24 x 18 inches / 61 x 45.8 cm
$1,350
In 2024, we see artificial intelligence being shoved into a number of places where it really has no business being. This piece is part of an ongoing series highlighting this idea … Since I was a child, I’ve loved drawing robots, so … this series gives me an opportunity to connect to that child who created for the pure joy of it.
STUDENT
Brooklyn Ottens
Prismatic View, 2023
Acrylic and Oil on wood panel
24 x 24 inches / 61 x 61 cm
$750
STUDENT
Meraki Padgen
Omen Vs Anthem, 2024
Acrylic on canvas
40 x 16 inches / 101.6 x 40.7 cm
$600
ALUMNI
Lance Partridge
Rocky Mountain Waterfall, 2023
Watercolor on140 lb. hot press
watercolor paper
24 x 20 inches / 61 x 50.8 cm
$400
STUDENT
Daniel Perez
Flower Butterfly, 2024
Silver gelatin print on glass
8 x 10 inches / 20.4 x 25.4 cm
$1,000
EMPLOYEE
Richard Prazen
Deep Water Angler Fish, 2023
Welded steel with powder coat
38 x 22 x 32 inches /
96.6 x 55.9 x 81.3 cm
$8,000
Adam Rees
Stealth, 2024
Metal, polymer clay
13 x 32 x 6 inches /
33.1 x 81.3 x 15.3 cm
$12,500
Davis Rice
Is she following me?, 2024
Digital painting, printed on canvas
11 1/4 x 15 inches / 28.6 x 38.1 cm
$150
Kayla Rich
Enshrouded in Stone, 2023
Ceramic, linocut on paper, leather, mica, thread, fibers
4 x 3 x 4 inches / 10.2 x 7.7 x 10.2 cm
$1,200
Emmaline Russell
Light Moves Towards, 2023
Fineliner on paper
29 x 22 inches / 73.7 x 55.9 cm
$1,375
Halee Roth
Forced to Feel, 2024
Oil on panel
48 x 32 inches / 122 x 81.3 cm
$6,200
I am drawn to certain … color combinations created using thin transparent layers of color opposites which, when blended optically, create a third glowing color that cannot be achieved through mixing opaque colors. The colors, poses, and compositional elements I choose are my pursuit of beauty and balance. There must always be an element of decay or imperfection. The figure cannot only be beautiful, just as nature is not always beautiful.
Michelle Sharer
Noise, 2024
LEDs, code, steel, walnut
30 x 31 1/2 inches / 76.2 x 80.1 cm
$8,900
The undulating, shapeless blobs of light evolve naturally and organically, yet they originate from an erratic mess of random numbers. The code uses a Simplex noise algorithm, which transforms random values into smoothly fluctuating gradients of color and brightness. The LED code is custom-written and running on an ESP32 microcontroller.
Paulette Schermerhorn
The Dance, 2024
Fabric, batting and thread
26 x 33 inches / 66.1 x 83.9 cm
$1,040
Gilmore Scott
Our Matriarch, Weaver of the Chiefs, 2024
Acrylic on canvas
14 x 62 inches / 35.6 x 157.5 cm
$6,500
Contemporary Southwestern art depicting the earliest rug designs of the Diné (Navajo) people, now famously known as the Chiefs Blankets. The sheep are the designs. The Diné are a matriarchal people. The monarch skirt is a symbol of that. She is walking in traditional moccasins.
Patrice Showers Corneli
Receding Great Salt Lake, 2024
Arches watercolor paper, Daniel Smith watercolors
6 x 36 inches / 15.3 x 91.5 cm
$300
Andrea Simonsen Growth, 2024
Oil on panel
24 x 24 inches / 61 x 61 cm
$4,800
Kandace Steadman
I’ll Be Watching You, 2024
Screen print, paint, collage and drawn elements on paper
6 x 59 inches / 15.3 x 149.9 cm
$500
Jodi Steen
Snow Canyon, 2023
Acrylic on canvas
48 x 48 inches / 122 x 122 cm
$2,200
ALUMNI, STUDENT
Kathleen Stone
They could not contain her creativity
2023
Oil on linen panel
24 x 12 inches / 61 x 30.5 cm
$1,200
ALUMNI
Gordon Storrs
Touch, 2024
Walnut
72 x 7 x 5 inches /
182.9 x 17.8 x 12.7 cm
$5,000
Alison Stosich
Eye Opener, 2024
Bronze
10 1/2 x 11 inches / 26.7 x 28 cm
$1,100
Julie Strong
Gift of the Dove, 2023
Linen canvas, sari silk applique, seeds, wooden and glass beads, thread
46 x 20 inches / 116.9 x 50.8 cm
$975
Xochitl Sustaita
Soldadera, 2023
Watercolor on canvas
20 x 16 inches / 50.8 x 40.7 cm
$500
This piece is a tribute to the fierce women, also known as Adelitas, who shaped the history of the Mexican revolution. Her determined gaze and attire capture the strength, resilience, and spirit of the soldaderas, whose courage often went unrecognized. This piece not only honors their sacrifices but also seeks to elevate their legacy, ensuring their stories continue to inspire future generations.
Eric Sustaita
Duality of the Blade: Samurai and Oni, 2024
Charcoal pencils on canvas panel
20 x 16 inches / 50.8 x 40.7 cm
$300
This charcoal drawing depicts the duality of a Samurai and an Oni, split by a sword. Inspired by the rich cultural narratives of Japan, it symbolizes the balance between honor and chaos. I explore the interplay of cultural identity and the universal themes of duality and inner conflict.
Juan Vargas Rojas
St. Christopher, 2023
Oil on wood panel
41 x 32 1/2 inches / 104.2 x 82.6 cm
$6,000
The schism between Eastern Orthodoxy and Western Catholicism has spawned distinct artistic traditions, with the East emphasizing iconography and the West realism. Before iconoclasm, St. Christopher was depicted as a dog-headed warrior in the East. This artwork seeks to harmonize these traditions, bridging my inner (religious) conflicts and showcasing the enduring quest for the divine, blending the mysticism of the East with the realism of the West.
EMPLOYEE
Peter Wiarda
Urban Calm, 2024
Photo book
11 1/4 x 8 3/4 inches / 28.6 x 22.3 cm
$75
While initially a personal project used to manage my anxiety … I took to the emptied streets (of Salt Lake City in March 2020) in search of photographs that produced feelings of peace and order amid the turmoil and chaos of the pandemic. I brought this source of creative, meditative relaxation to a wider audience … as both a therapeutic exercise and an artistic venture, I not only make this work for myself, but for others whose lives are affected by anxiety or related mental health conditions.
Van Williamson
Fearful Buzzing, 2024
Watercolor, gouache, acrylic
gouache, ink, watercolor paper, foam board, thrift store frame
26 1/2 x 38 1/2 inches / 67.4 x 97.8 cm
$1,000
Inspired by Canyonlands National Park, the aesthetic and grime of the “Wild West,” and the terrifying presence and lifecycle of the Tarantula Wasp, this painting [depicts] a world with giant insects, prehistoric fauna, and a bloody food chain with humanity near the bottom.
Tamia Wardle
Stone Creek, 2024
Collaged linocut prints on paper, attached to cradled board, sealed with cold wax
12 x 12 inches / 30.5 x 30.5 cm
$500 Betsey Welland
The New American West, 2024
Magazine and watercolor paper
18 x 24 inches / 45.8 x 61 cm
$200
Justin Wheatley
Paper House, 2023
Acrylic and collage on panel
36 x 36 inches / 91.5 x 91.5 cm
$3,900
ALUMNI
Megan Wilson Rubus, 2024
Collage, acrylic, markers, ink, colored pencils, and bird seed on paper
16 x 12 inches / 40.7 x 30.5 cm
$250
As I watched my grandmother’s health and life deteriorate, I reflected on her influence in my life (and) the interests and values I possess because of her: gardening, a love of birds, a desire to help things grow … my desires for progress and growth must also be balanced with a respect for the process of death and decay … in the cycle of life. As old things pass away, energy and space become available for new growth.
Gerald Wood
“Mask” Hidden in the Crowd, 2024
Oil, charcoal on canvas
36 x 48 inches / 91.5 x 122 cm
$1,800
Hraefn Wulfson
High Spirits, 2024
Acrylic on canvas board
24 x 48 x 4 inches /
61 x 122 x 10.2 cm
$5,660
Heather Joy Zelch
Horse Play, 2024
Acrylics with light flexible modeling
texture paste on canvas
40 x 30 inches / 101.6 x 76.2 cm
$1,600
