Slight Motif Issue VI

Issue No.6

Hendrick Lane TebiRex

Jyellowl

Chris Kabs

Kenny Ogunneye

DJ Geo

それは軽い

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Photography: Tobi Irein

Durag Kings :@DuragKings : DuragKings.com

Slight Motif

Advertise Here slightmotif@gmail.com

Photography: Pollie Dupont

それは軽い

Editor's Corner Slight Motif is back with Issue 6 and this time it didn’t take us 4 months! We have been busy trying to stay consistent while delivering high quality content. Without a doubt we believe we’ve achieved that again.

In this issue we maintain our focus on all things community and all things creative. We explore the relationship between creative individuals and in an attempt to discover what can be achieved through bringing creative minds together. “Dynamic Duo”, you’ll find is a theme maintained throughout this issue. We had the pleasure of working with the boys of Hendrick Lane, Sevn and Hovay, who thought us the importance of balance in any relationship and just how much it can contribute to any creative endeavour. Chris Kabs and JYellowL describe the unique elements which shared ambition brings to their affiliation. Max and Matt of TebiRex demonstrated synchronisation in the way they think and interact with one another. These attributes mentioned were not unique to any one partnership, they all manifested in different yet similar way through their art forms.

On a final note; here at Slight Motif, we cherish every opportunity to interact with our readers and followers. We strongly believe in community. Just as creativity can be explored personally, it can also arise from the culmination of different minds, different experiences and different perspectives all coming together to achieve a shared goal. The promotional build-up to Issue 6 gave you, the reader, the opportunity to share your personal experiences, your “Dynamic Duo” moments, with the #issue6 challenge. To show our appreciation of the massive support you have all shown, we’ve included a small surprise in this read.

We hope you enjoy reading this issue as much as we enjoyed creating it.

Tobi Irein Head of Photography and Media Production

#Iss

sue6

contents

PHOTO BY TOBI IREIN

Cover Act Hendrick Lane p17

Features Kenny Ogunneye p31

Tebi Rex p39

Playlist of the Month p49

Chris Kabs and Jyellowl p55

Collaborators OJ ONOLEMEMEN (Oneplusoneclothing) Pelumi Daramola LIza Alonge Veronica V Pollie Dupont Eoin Kirwan Ayo Esther James Steve O'Donnell Email: slightmotif@gmail.com Contact: 0864048650/0899556704

HE

B

Hendrick L bring flare beach. The stopping th

ENDRICK LANE

BALANCE

Lane, the wavy Irish duo consisting of Hovay and Sevn and good vibes to the Slight Motif set-up at Howth e rainy weather on the Dublin shore line wasn’t he guys having a fun, stylish shoot.

Words: Joseph Adegbemi Photography: Tobi Irein

“We won’t always humans aren’t one th but one thing we

The phrase “Opp familiar and can situations in eve is important to f to work with or contrasting cha for growth and c each others stre in every sense o unit. Shola Ahov Adekunle, or Se the Slight Motif them roll as the

“I had a little bu dropping songs moist!” Sevn had what pushed him back to what he reading. This wa hinted towards moist. The seco eagerness to spe into any topic. “ night knowing g next monday at heard the song y day, it’s really ni mean?”” He cont North Dublin ac females in his sc

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Moist(noun), as d Dictionary, is use cheesy person o other hand, exp too that his style Sevn. In simpler He says this rela Trinity College A Sevn. Hovay, unl and only spoke w contrasting char two artists broug for this interview or as said earlier

keep this said persona because hing, this is going to sound corny e always will be is authentic."

posites attract” is very n be used in many cases or eryday living. As much as it find like minded people keep around us, racters are also essential creativity. Combining engths can enable artists, of the word, to roll as a ve, A.K.A Hovay and Greg vn discuss balance with crew and how it helps e unit; HENDRICK LANE.

uzz back in school, I was on girls and shit. I’m d this to say when asked m to create. Relax! I’ll get e meant by moist, just keep as the first thing that Sevn’s character; being ond thing would be his eak and also dive deep “I’d drop a song Sunday girls would come to me the school talking about “I you dropped the other ce like you know what I tinued while imitating a ccent to impersonate these chool.

described in the Urban ed to describe a soft, or situation. Hovay, on the plains in a joking manner e wouldn’t be the same as terms, no, he isn’t “moist”. xed on a couch in the Arts Block right beside like Sevn, well, isn’t moist when he needed to. This racteristic between the ght about a good theme w: the Ying-Yang concept r, balance.

-Sevn The shoot was done a week later in Howth beach with the excited lads, their PR personnel, Denice Kariuki and their manager, Joey Kinvi, bringing three bags of clothing. The boys also made it clear to us that they are coming for a cover feature. This was admirable as they really didn’t come to play. I had told the boys and Denice the week before about the idea for the shoot and we stayed in touch leading up to the day with clothing, colours and location. The idea was styling the boys in complementary clothing on a sunny day by the beach but we forgot we live in Ireland. The best was made out of a horrible weather which still somewhat ended up working in our favour.

First time I had encountered Hendrick Lane, would be about two years ago, performing at Secure Studios Launch Party. Going way back to the start, they had been making music even before they knew each other. Hovay, or let’s say just Shola at the time, used to work with upcoming Afrobeats and RnB artist, Danny Bones, formerly known as Romeo, who now resides in England. Shola and Greg had both been making music individually since they were 12 and once they moved to the same school, they began working together from the age of 16. From meeting in their mid-teens to now, the group have grown from friends to brothers.

It would make sense that the difference in character would be the main reason for them becoming a duo. “When we were younger we used to do everything together, we’d go to all the concerts together, we were like this!” Sevn says, while crossing his middle and index fingers. “But now, it’s like ‘Oh Drakes coming? you going? Nah? Yeah me neither.’” In terms of creating music, he explains that they’d both have different tastes but make the best of what they like or don’t like. They’re keen to express their individual interests that fuel their different tones, gluing their sound together harmoniously

それは軽い

“Two people cooking the same meal, you can bring to the table, I’m going It’s not going to be the same thing, if -Hovay From most of the music they have released, Hovay did the rapping and Sevn did the singing. This ties in well with what has been said about their character but the duo confirm that this isn’t the case; Hovay wouldn’t always just rap and Sevn wouldn’t always just sing. “We just free flow with the music” Hovay explains, “We have a song, I’d sing on the hook, it might not be singing, but it would still be melodic. It’s not a case when one raps and one sings, we make music together.”. They also admit that they are human and the persona they both seem to give off wouldn't always be the same. Sevn explains “We won’t always keep this said persona because humans aren’t one thing, this is going to sound corny but one thing we always will be is authentic. That’s what we are always going to keep constant in our music”.

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What they both bring to the table may change but it will always differ and complement each other. “We can come up with an idea for a song and we would both talk about it from our point of view and personality.” Sevn says “Even with the difference in taste, we’d come together and ask ourselves what we do or do not like about a certain song or style, how can we incorporate it with our music and that is where the link comes in” once Sevn finishes up, Hovay adds “Two people cooking the same meal, you’re going to bring what you can bring to the table, I’m going to bring what I can bring. It’s not going to be the same thing, if it was, what’s the point? Outkast for example, Andre 3000 is weird as fuck and Big Boi is completely different to him”

Sevn speaks about his personal tastes in music that feed his lyrical visions and describes them being derived a lot from Frank Ocean and being “more emotional and slow” to his bandmate. “I cry a lot and then he [Hovay] will come in and bring the opposite side to it and be the hard man you know so it balances out basically”. Hovay then adds; “ Yeah and it’s also two different perspectives and eyes like for stories you get me? So I can make up a song and he [Sevn] could relate to the song but not in the way I relate to it which is important to have in a group.”

When asked about their future together and any upcoming plans, they answered giving us an insight into the rising urban culture in Dublin with the groups music landing on the radar .

Both excited for the growth of their music, this year is described as huge for them.

More and more people are following their fresh alternative take on a mix of Pop, R&B and Rap. Hovay gives his take on the duo’s journey, agreeing to being different from a lot of the Irish artists around and finding followers eager to hear more; “ Yeah 100% even as we become more consistent with music and stuff we plan on new releases towards the end of this year. We’ll see it grow in front of our eyes so yeah it’s all just time.” The lads favourite parts of their job was quickly answered saying all the female attention as being the highlight.

Both artists give us a g makes them work. Th through their music a simple interactions w myself. This will defini for other projects or re For now, Hendrick Lan resulted in a hot new out last month. The st music was truly not ex two RnB/Hip-Hop infl constitutes of a beaut instrumental and very verses. Available in all

, you’re going to bring what to bring what I can bring. f it was, what’s the point?”

good insight on what eir character seeps in and also in their ith people like itely be the formula eleases coming up. nes’s work mode has single ‘Rollerblade’ tyle adopted in the xpected from the uenced artists as it tiful pop y catchy hooks and l streaming sites. ”

@duragkings

@oneplusoneclothing

Motifs

Make sure you don't miss out on some of Octobers's best Motives.

YBN Crew 10 October The Academy Dublin

Why_Axis (Headline Show) 12 October The Sound House Dublin

Alt-J 15 October The Olympia Dublin

Kyle Minogue 7 October 3 Arena Dublin

Andrea Bocelli 30 October 3 Arena Dublin

Stud 3 Oc Jerv Dub

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Enrique Iglesias 21 October 3 Arena Dublin

Coolio 12 October The Bowery Dublin

The Magic of Motown 27Â October Olympia Theatre Dublin

Dave Chappelle 17 October 3 Arena Dublin

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Camelphat 19 October District 8 Dublin

Kenny Ogunneye

Photography

INSTAGARMÂ @KENNYO_E

LOCATION: MANCHESTER

@KENNYO_E

With the ou my work an idea was in

utpost series, I wanted to just create something that could show nd creativity. Something to make me stand out. With every good nspiration, mine was the images with the couple holding hands and the last lead the way.

These were for images and I w

@KENNYO_E

a brand (@rtrlabel), I was asked to create a good marketing wanted to create something that would catch the attention of their audience.

XERIBET Words by:Â Joseph Adegbemi and Eva Salerno

Photography by: Tobi Irein and Pollie DuPont

Recognition Improv Jams

XERIBET

The fun, energetic and witty hip-hop duo, Tebi Rex joined us today at Slight Motif for a shoot.

Feeling at home on set at All Out Design studios, the lads, dressed extremely homely, talk about themselves and the idea of them living together.

“I am never ever living with this n*gga!”

-Max Zanga

Ever see that one Adam Sandler movie where he had to live with his friend Kevin James and act like they were married? Well that’s more or less what this meet up with Matthew O’Boyle, or Matt and Dafe Oruambo or Max Zanga was based on. We set up an edgy but homely theme at All Out Design studios, dressed the boys up real homely too and asked them questions based on them living together. We also got a video-shoot with them talking about Dublin buses, but you’ll see that later.

“I am never ever living with this n*gga!” Max shouts everytime we brought up anything related to him staying in the same room as Matt. So I guess that brings an end to this write up ----okay no, they did say a lot more. Let's talk a bit about the duo first; Matt and Max Zanga, which make up Tebi Rex. So, its Matt and Max but where does the name Tebi Rex come from then?

The guys don’t give much away, they actually never plan to tell. Although they mention that there are some clues left in their music and interviews/podcasts. Max explains “Yeah it’s weird, we haven’t given away what the name is yet.

It’s one of those for you to figure out.

We say ‘stuff’ but we don’t just come out and say it.”

“Though if you solve it, I’ll get you a Nandos”, Matt adds.

The guys formed the group after finding shared musical interests and plans, to create their own new and fresh noise. This would be what attracted the Slight Motif team to the boys. The first time I encountered the duo was at a cleavage club party earlier this summer. Peggy’s Bus is a radio single also released recently by the lads, produced by Chris Kabs, who we also feature in this issue.

Adding ‘inflection’ with heavy inspirations from albums like ‘Acid Rap’ by Chance the Rapper and telling “funky stories” with their lyrics are just some of the goals the guys set to achieve.

Photography by: Tobi Irein

“if you’re not putting in the wo no problem, taking your spot. W a lot of hard work and loving it doing it to get up there, no oth And as nice as you are, if you’re in the work, fuck off."

-Matt

Speaking of inspirations, Max is first to answer saying; “For me, I think probably Kate Nash. We saw her recently at a festival, it was fucking crazy”.

Matt also shares; “ I have a lot of different inspirations but how I shape my music and the music I make now, Chance would be my number one.”

The band drift and also talk about being influential on social media, which in fact they very much are. From my knowledge, Matt runs their official Instagram page, since he was the one I was mostly in touch with, and Max is extremely opinionated and witty on his personal page on twitter. In 2018, social apps like Instagram/Snapchat are great ways of gaining promotion for artists and influencers, the duo strongly agreeing, finding social media really helpful and it being a great way to engage with followers. They add; “We think that it’s super important as well, to stay connected with our followers when we’re not making music, reassuring people that we’re still alive!”.

As we spoke earlier about the lads not feeling very optimistic about the question of future living arrangements together, they give a few more humorous responses. Matt shares; “I tend to be around people a lot so I think if we lived together when we started making music, it would have been awful. I know the way Max likes to live now so I think I’d adhere to that just to keep the peace!.” With Max joining in; “Yeah, like the thing is, I really like being alone and I feel like Matt doesn’t as much. I think especially because he lives with our friend now, Icarus.

They’d hang out a lot, and do a lot of stuff together but like, I’ll have whole days where I won’t talk to nobody. My roommates are used to me just nodding curtly past them but I think Matt would be like “Yo, is there something wrong” or whatever.”

It’s clear that the lads’ brotherly dynamic breaks the two apart sometimes which is great to see because it shows how real they’re friendship is.

Matt continues to express how they always look out for each other until Max jumps in to end it on a high; “Still, I ain’t ever living with this guy, what you talking about! He does [ it ] EVERY morning, you know..” .

So living together is out of the question entirely for these two artists even though they both think in unison and answered most questions with similar responses. They both agreed saying getting the“free stuff” and “not having to pay 300 odd quid for festivals” were their highlights of the year for example. The duo were recently at Electric Picnic where they performed their hottest tracks, including “Peggy’s Bus” and also joined The Blizzards and Eve Bell on stage across the weekend, to co-perform their hits.

When we asked the guys for their favourite songs from their own released music, interestingly they gave different picks. Max, skating up and down the set with his penneyboard, chooses ‘Ducks All The Way Down’ from their EP: ‘Welcome to the Darkest Year of Our Adventures’. Matt casually adds to it being, their newest single ‘Peggy’s Bus’;

The songs need to good ideas, whethe the piss out of love really sweet, melod add a hard chorus t all, or by actually cr like ‘Blue’ (another They finish answeri to stress it, it is wha and what doesn’t w

Speaking about the together the hip-hop the great support re releasing their EP, Darkest Year of Ou how they’re moving Season’. Matt elabo put it politely, "if you the work, we have n your spot. We are d work and loving it b get up there, no oth nice as you are, if y the work, fuck off.”

Every festival, ever near you Tebi Rex updated. .

ork, we have We are doing t but we’re her reason. not putting "

be derived from er that be taking songs to create dic verses and to that rails against it reating love songs, hit of theirs). ing by adding “not at works that works work doesn’t".

eir past year p duo talk about eceived after ‘Welcome to the ur Adventures’ and g into ‘Robbing orated saying; “To u’re not putting in no problem, taking doing a lot of hard but we’re doing it to her reason. And as you’re not putting in

ry radio station is coming, stay

Photography: Pollie Dupont

Peggy's Bus by TebiRex out now in all streams

Photography:Â Tobi Irein

#Iss

Huge thanks to e Stay

sue6

every single one of you. y connected: SlightMotif

PlaylistOfTheMonth

Dj Geo #1 “Watss the crak lads! Here’s my Irish Artists only playlist.

Its in no particular order other than ascending in energy

and speed. I’ve had the pleasure of working with almost all

of these artists. Those I have not shared a stage with, I

have seen perform live and I can honestly say Ireland has a

bright future musically, one that will turn heads globally, if

not this generation, then the next.

#2 “Yo big man ting! You done know I come from a likle

Caribbean country called Jamaica, ya zimme! obviously I

have to represent. But I cyaant forgot my deep African

roots. So hear dis, the next playlist is called AfroBashment

and is a mixture of my favourite current afrobeat and

Bashment/Dancehall/Reggae chunz right now, SHABA!t.

#3 Aight ma n*gga, you already know what it is. We finna end

this dope as playlist with some HipHop both from the

United States, ya dig, and from the UK, ya get me bruv!

Playlist # 1 ARTIST

SONG

T.E.D.

Shawty

Sean X

Amsterdam

Jafaris

If You Love Me

Soulé

What Do You Know

Jay Ronic

Leg Over (Remix)

Super Silly

Mile High Club

Tebi-Rex

She Hated Love Song II

Chasing Abbey

That Good Thing

RobbieG

On Bended Knee (Remix)

Playlist #2 ARTIST

SONG

Skepta ft Wizkid

Energy (Far Away)

Popcaan

1 Guh

Burna Boy

Ye

Chronixx

Likes

Afro B Aidonia Freezy

Drogba (Joanna) Yeah Yeah Split In Di Middle

Damibliz ft CDQ Mystro

Jowabayi

Ding Dong

Fling (Yuh Choulda)

Mr Eazi

Akwaaba

Playlist #3 ARTIST

SONG

Ella Mai

Boo'd Up

Fredo X Young T & Bugsey

Ay Caramba

Nicki Minaj

Chun Li

Hardy Caprio

Best Life

Kanye West

I Love It

Travis Scott

Sicko Mode

A$AP Rocky

Praise The Lord

Cardi B, Bad Bunny & J.Balvin

I like it

Migos

Narcos

Jay Ronic

Ring Ring

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NOITIBMA

Chris Kabs

23

Jyellowl

. “Me, at the age of 3, and my bro 5 would make music together a them infront of our grandparent we’d be so chuffe Words by: Joseph Adegbemi

Creativity and like-mindedness is one thing, but ambition is a huge attribute that brings people together. When an idea, or project is put forward, the passion and ambition of each individual will be the driving force and will judge how successful said project is. This would be the obvious case for renowned music producer/recording artist, Christian Kabasele, A.K.A Chris Kabs and Dublin based rapper/rhythmic poet/Vocalist, Jeanluc Uddoh, better known as, Jyellowl. Ambition is definitely what made these two creatives meet and decide to continue working together.

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This would be the first time the Slight Motif team would arrive at the artists home and place of work to carry out an interview and photoshoot on the same day. It was truly exciting. But why not try to capture everything in their comfort zone. Jyellowl and Chris Kabs had scheduled to work on a song that day so we were lucky to get them at work mode. All production is done at Chris’ humble abode which has an amazing set up -- an efficiently cramped up room dedicated to producing music. The first thing noticeable was blue tint as the main source of lighting in the room. To the left was his equipment with two keys, speakers and of course a huge mac computer.

To the right was the very essential microphone. Straight on was a three seater couch and behind the couch, were 3-5 guitars hanging down which made me worried about sitting on the couch for fear of even one guitar dropping. The interview was taken in the dining room and parlour which was more spacious and had a lot of natural light. The first set of questions ideally would be the obvious, how the artist started, why they started, how its been and for this case, when they both started making music together.

“You take the floor” Jyellowl says, nodding at Chris to go first.

Chris Kabs and Jyellowl both started making music from a very young age and were both raised in a very musical environment.

“My parents are both musical people should I say. They both met at church choir and the rest is history, my father invested in music as well as promoted music. He had a lot of instruments in our house growing up and I would sneak in and play all of them from young” Chris Kabs explained. Jyellowl also grew up with his parents and even brothers making music. “Me, at the age of 3, and my brother at the age of 5 would make music together and we’d perform them infront of our grandparents. If they clapped we’d be so chuffed” Jyellowl talks more on the influential aspects and how the Fuji sound inspired his family, especially Fela Anikulapo Kuti “What was really entrailing about that music, was the audacity in the lyrics.I was young, I didn’t know anything but I knew ‘hmm this guy really shouldn’t be coming at Buhari the way he’s coming’”. The rebellious aspect in music seems to draw Jyellowl as a listener as his first Reggae album was “Welcome to Jamrock” by Damian Marley and first rap album was “The Eminem Show” by Eminem.

Chris Kabbs moved to Ireland from Sweden in 2004 for college with a set goal to pursue his dream, at the time it was unclear what this dream was but he went for it. “I knew all I wanted was to be free mentally, I didn’t know what it was but it felt like I was stuck somewhere, I felt like something was missing, I felt like I wasn’t doing what I really wanted”.

The older he got, the more he realised i music he wanted. His name went round Ireland easily that year due to the fact t he’d produce beats from scratch on his This was a huge confusion for Chris as h outspoken on Twitter and Instagram ab the following comment; “There were producers at the time, but they weren’t creating” he continues with Jyellowl no his head in agreement. “They’d go on yo download beats and then lie to clients they made this beat.” This still goes on obviously for him to address it not more a week prior to this interview. Chris goe talk about how at the age of 17, a rappe Los Angeles, known at the time as Davi Costello, found his work online and flew to meet with him. “I was 17 living in Mul West Meath at the time. He called me, touched down come pick me up’ I told mum she drove down and helped pick up. The man was expecting a huge ma universal studio you should’ve seen his when he saw it was my room”. Chris he him produce his whole album during h and before he left, David told him, “for m leave my whole city and fly to this villag shows how great you are!” Chris got a c of €2000 from that client; “I was 17 mak two grand from my bedroom”

other at the age of and we’d perform ts. If they clapped ed”

it was d in that s own. he was bout

t really odding outube, that

e than es on to er from id w down llingar, ‘I’ve d my k him assive face elped his stay me to ge, it cheque king

“I pressed pause, took off my headphones and asked ‘how old are you?’ he said ‘16’ I said ‘stop lying’” Fast forward 2015. “Who’s this?” A younger Chris Kabs on his phone and in his bedroom studio asks and the voice responds ‘JeanLuc Uddoh’. “Man gave me his full name, what kinda name is Uddoh?” Chris jests “I ask him are you French?, he says ‘no I’m not French, anyway…’ he was kinda cocky shy, you know them ones?”

He asked if Chris made beats and that’s where it all started.. Jyellowl was scheduled to work after Chris, was done working on his single “when a man loves a woman”. “I’ve got this beat I want you to record me” an up and coming Jyellowl asks. Chris got it set and “just like that, man starts spitting bars”. Chris admits to being in shock and impressed. “I pressed pause, took off my headphones and asked ‘how old are you?’ he said ‘16’ I said ‘stop lying’” Chris pretty much jests with Jyellowl sitting right beside him during this part of the interview. “ I said ‘yo you talented man’ he said ‘thanks, anyway lets keep going’”. After this session, Chris with determination after witnessing another growing passionate creative right in front of him then asks; “Do you have a manager?” to which Jyellowl replies “no, I’m just out here making my music” present day Jyellowl laughs out loud as Chris reminds him through this interview about their younger selves

“I don’t know how we are going to do it, but I think I can work with you” 2015 Chris says with no guidance in himself yet or connections but rather growing talent and skill, which he felt he could help young Jyellowl brush on and at the same time, help himself. “I like your vibe, you have talent in you, all you need is great production, all these youtube beats are holding you back. So what kind of sound do you like?”.The first encounter ended up with them spending more than the scheduled 2 hours in the studio and the rest is history.

“You don’t really think about ho a passion for something... Me a we have so much in common. W goal."

Tobi of Slight Motif at this stage looks around the house for good lighting for the shoot and Chris serves us all bottled water while adding “You don’t really think about hours when you have a passion for something. I can be in that room for days and sleep in a couch instead of my comfortable bed in the next room. I’d feel like If I’d stay in the zone, I’ll get inspired. Me and him, that’s why we have so much in common. We have the same goal. In terms of success and getting things done” Aside from the obvious ambition, both artists are all about the nitty gritty or the “literature” of music. Jyellowl has always been vocal about content and the craft in music from the first time I ever encountered him and is still is. “If you have an ear for composition, you have an ear for it, not everyone is that blessed to be able to do all of that. When you can write, like literate, like literally just literate, you can write essays, letters, songs, compositions, anything, any sort of communication.

That’s what he has.” Jyellowl says talking about Chris. The future is bright for these artists and they will continue to build with each other. Chris Kabs released a new single “Work It Out” with production and vocals done by himself and about to days before this issue drops, Jyellowl releases the visuals for his single “Oh Lawd” with Aaron Unknown, also produced by Chris Kabs.

“Me and this guy talk alot, if we aren’t working and when it’s all done we play video games” Chris wraps it up “well most of the..” and Jyellowl cuts it “No, all the time!”

ours when you have and him, that’s why We have the same

Photography: Tobi Irein

www.slightmotif.com/merch

CREDITS Photography and Production: Tobi Irein, Pollie Dupont and Owen Kirwan Interviewers: Joseph Adegbemi and Eva Salerno Writers: Joseph Adegbemi, Eva Salerno and Ayo Esther James Models: Pelumi Daramola and Veronika.

Editor-In-Chief - Femi Falana Editor - Charles Adebayo