7 tcs 2014 week6 300dpi by Santa Monica Daily Press

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30TH ANNUAL TWILIGHT CONCERTS

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30TH ANNUAL TWILIGHT CONCERTS

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LA SANTA CECILIA

Saints Alive! LOS ANGELES GROUP BRINGS A LATIN INFUSION TO TCS

L 2014 TWILIGHT CONCERT SERIES SCHEDULE AUG 14 - LATIN WAVES: LA SANTA CECILIA W/ SERGIO MENDOZA, HOSTED BY RAUL CAMPOS AUG 21 - THE ZOMBIES W/ MYSTIC BRAVES, HOSTED BY DAN WILCOX AUG 28 - DEEP REGGAE: LEE “SCRATCH” PERRY W/ MEXICO 68, HOSTED BY JEREMY SOLE SEPT 4 – OK GO & ALLAH-LAS SEP 11 - 100% SOUL: CHARLES BRADLEY W/ KING JAMES & THE SPECIAL MEN

a Santa Cecilia is a fourpiece band of Angelinos who merge diverse music influences into a unique style that is worthy of their namesake, the patron saint of music. The members all grew up with traditional forms of Latin music in their homes but were exposed to a plethora of popular music styles in and around Los Angeles. The group originally earned a reputation playing small shows anywhere they could and eventually recorded their debut EP in 2009. They kept to their local roots inviting fans to help create custom covers for their CD. La Santa Cecilia's self-titled EP was recorded at Lo-Fi Studios in San Bernardino and the legendary Westlake Recording Studios in Hollywood. Their song “Chicle” was featured on the Emmy award-winning series Weeds, the independent feature Dish, and the documentary Re-Encounters about Oaxacan artist Alejandro Santiago. The band has toured all over the United States and Mexico. They garnered the attention of Universal Music Latino in 2012 and subsequently signed with the label. In 2013 the band released their major label debut Trenta Dias (30 Days), which features the dance floor shaking “Monedita”, the humanistic approach to immigration track “El Hielo (ICE)”, and a captivating collaboration with fan Elvis Costello on “Losing Game”. The band has already hit

the road to promote the new collection. The band was tapped by multiple Latin GRAMMY award winning duo Jesse & Joy to open for them on their North American Tour. The band made an on-camera appearance on HBO's Emmy award-winning hit show Entourage; They have also appeared on the critically acclaimed FX series “The Bridge”. The band has enjoyed great critical acclaim in the Wall Street Journal, NPR (Named to numerous Best of 2013 lists), and Ad Age Magazine naming the band a must for any Ad Agencies looking to launch a Hispanic Campaign. The band also celebrate 2014 with a GRAMMY nomination (Best Latin Rock, Urban, or Alternative Album) for Treinta Dias. The band won in this category and can now call themselves GRAMMY winners.

SERGIO MENDOZA Most likely most of us haven't heard the term "Indie Mambo" to describe music before now, because such a style simply did not exist until. Sergio Mendoza not only invented it but coined the phrase in late 2009, in Tucson, Arizona. Mendoza was participating in an annual benefit event held at the world famous Club Congress, called 'The Great Cover-Up,'

and had chosen the legendary Cuban bandleader Perez Prado as his coveree, as rules of the event dictated. But combining that influence, as well as Cumbia and other Latin styles, with psychedelia-tinged rock music proved to be a formula that was a winner from the outset. Their debut studio album Mambo Mexicano is OUT NOW (Cosmica Records) and is the endresult of what has been a wild ride and musically a lot of fun. Mendoza and the band have logged in a lot of frequent flier miles recently. Whether it has been criss crossing the globe with Calexico or going down to Mexico City to back up Camilo Lara and his Mexican Institute of Sound (in a head turning performance at Vive Latino), or doing a month long tour in Europe- the band has never sounded better on the road or on record. Sergio can be seen and heard on the road the rest of 2014 performing with Calexico interspersed with SM Y La Orkesta shows with 2014 as the focal point for the Orkesta hitting the road on their own. Critics have said La Orkesta builds on the spirit and tradition of mambo music while while bringing a modern style to the music that also brings in a new audience. Their debut album Mambo Mexicano! has been met with critical acclaim and praised for its cinematic sounds.

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Twilight Concerts insider’s guide TICKETS

BIKE & SKATEBOARD VALET PETS

No tickets necessary, this is pure free summer fun (remember that?) all thanks to our partners and sponsors who have brought us another season of awesome free concerts at the beach. Make sure to show them some love.

Park your wheels at the free bike and skateboard valet located next to the beach bike path just south of the Pier.

TIME 7 p.m. — 10 p.m., but those in the know stake out a good spot early.

PARKING Parking is available in the 1550 Pacific Coast Highway Lot next to the Santa Monica Pier on a first-come, first-served basis. Those wanting to avoid long waits should try one of the municipal lots around Second Street and Colorado Avenue or grab the ParkMe app for live data of parking availability and prices. Go technology!

FRIENDS & FAMILY Bring them, the more the merrier. You will not regret it. This is one epic summer tradition.

FIRST AID/LOST & FOUND If you need first aid or assistance, please visit the Pier Tent or flag down a security officer. If it is an emergency, please call 911.

SMOKING Don’t even think about it, it’s a 100year-old wooden Pier, and we really like it.

Friendly dogs are welcome on the Pier only and must be on a leash.

during the show. As a reminder, alcohol consumption is not permitted in public spaces, but there are several full-service bars in the area.

WEATHER & ATTIRE

THE CONCERT GARDEN

It never gets too cold, but sometimes it gets a little chilly once the sun goes down. So bring something or head up to the Pier Tent on the deck to grab this year’s limited-edition sweatshirt or T-shirt!

There is a 21-and-over Concert Garden featuring Michelob Ultra, Barefoot Wines, an assortment of cocktails and non-alcoholic beverages. Do not miss this view.

SEATING

E-MAIL LIST & SPECIAL OFFERS

Seating is not provided, so feel free to bring your own chairs, blankets, etc ...

FOOD & DRINKS

TAXIS

There are plenty of great food and beverage options on the deck and at the various restaurants on the Pier. Most even have to-go options perfect for munching

Let someone else do the driving. Download the Curb app and use promo code TCS2014 for $10 off your first ride.

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Pier to Pier to Peer F

or thousands of people, their one and only goal on a Thursday is to arrive at the Twilight Concert Series but for the guys at Loaded Boards, getting there really is half the fun. Loaded Boards and The Gel Lab host a Pier to Pier skateboard ride every Thursday starting in Venice and ending at the Twilight Concert Series. The event is a grass roots gathering of skaters who want to enjoy a mellow ride along one of the world's most prominent skateboard venues. “The Pier to Pier skate could easily be called the Pier to Pier to Peer Skate,” said Director of Marketing Brian Dolen. It's all about community building. We wanted to create a very accessible event that anyone from novice to expert could come out, meet people from all walks of life and potentially learn a few things along the way. There is nothing formal about it. Show up, put a helmet on and push to a free concert! What could be better on a Thursday night?” Loaded began in 2000 but it took two years for the company to launch it's first board. The early years were tough but as the fledgling longboard industry began to grow in about 2009, Loaded was able to make a name for itself thanks to a focus on design. In addition to a commitment to sim-

plicity and elegance, their approach utilizes a team effort to crate products that values community as much as it does commerce. “We believe that business is an opportunity for developing an ethical system of responsible practices and we're blessed to have Loaded as a vehicle to continue exploring and engaging our evolving passions,” the company says in its biography. Loaded also has a commitment to building community, both in the business world and in their hometown. Dolen said the rides are part of that ethos. “If you peel everything back from our company you get a group of people that have fun together and love to skate. Extending this to a greater audience has always been our number one goal,” he said. “We also see an opportunity in the LA Basin to encourage human powered transportation. Ciclavia and Critical Mass have achieved amazing heights in their efforts. We think the skateboard should be included in this larger conversation.” Loaded has a board band-aid exhibit on the Pier during TCS and Dolen said it's a natural fit to have a skate company at a music venue. He said the music and skate worlds often overlap to the point of merging and that there's a lot of similarities between personal expression of skating and music. He said the company has been

proud to be a partner in TCS this year. “Sponsoring the Twilight Concert Series was an easy decision. Free public events are dwindling and we wanted to make sure that this one stays around for another 30 years,” he said. “We also saw this as an opportunity to connect with new people and party with old friends. As a team that works together all week long, it's also a great way to remember to have fun together outside the office. From a marketing perspective we gain a great deal of impressions and are able to let people know that we are a local company and we support local events. From a historic perspective it was an opportunity to be a part of the long skateboard history around the Santa Monica Pier. Every week we meet a legend Skateboarder who shares the most amazing stories and gets super stoked on our boards and what we are doing.” Dolen said the business participates in community events because as part of the community, they want to help organize events that they would want to be a part of. “We created the skate event because it is fun and it's rewarding to see 50 or so people all skating together with huge smiles on their faces,” he said. “It's even more fun to see look of surprise on the many unsuspecting tourists!”

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2014 Twilight Concert Series bios WEEK 7

AUGUST 21

The Zombies WITH MYSTIC

BRAVES

The second UK group following the Beatles to score a #1 hit in America, The Zombies infiltrated the airwaves with the sophisticated melodies, breathy vocals, choral back-up harmonies and jazzy keyboard riffs of their 1960’s hit singles like “She’s Not There” and “Tell Her No”. Ironically, the group broke-up in 1968 just prior to achieving their greatest success the chart-topping single “Time of the Season”, from their swan-song album “Odessey & Oracle” (recently ranked #100 in Rolling Stone’s “500 Greatest Albums of All Time”). In the intervening years, while lead singer Colin Blunstone went on to develop an acclaimed solo career, and keyboardist/songwriter Rod Argent rocked ‘70’s arenas with his eponymous band ARGENT, the legend of The Zombies took on a life of its own. Generations of new bands have cited The Zombies’ work as pop touchstones, including such artists as Neko Case and Nick Cave (who have recorded “She’s Not There” for the popular HBO series True Blood), She & Him, Beck, Belle and Sebastian, The Black Angels, The Fleet Foxes, Beach House and The Beautiful South. Decades later, Blunstone and Argent have resurrected The Zombies, recruiting bassist Jim Rodford (formerly of ARGENT and The Kinks), Rodford’s son Steve on drums, and renowned session guitarist Tom Toomey. 2013 marked a major year for the band, with three U.S. tours (which included six SRO performances during the SXSW Music Conference in Austin, plus stops at NYC’s Central Park SummerStage, Seattle’s Bumbershoot Festival and Milwaukee SummerFest) … the American release of their new album, “Breathe Out, Breathe In” the debut on RollingStone.com & VEVO of their first-ever music video for “Any Other Way"… and the announcement of their nomination to the 2014 Rock ‘n’ Roll Hall of Fame. The ten songs that make up their new album, “Breathe Out, Breathe In”, are impeccably crafted; the harmonies are rich, the melodies full, the arrangements exquisite, the organ and piano fresh and the production intuitive. The Huffington Post’s David Wild called the album “inspired” and said “some songs recall the haunting melodic heights of the group’s 1968 masterpiece Odessey and Oracle.”

THE ZOMBIES

reggae became a major player in Jamaican music and international pop. Born in Jamaica in 1936, Perry began in the music business in the late 1950s, working with the island’s mobile sound systems and such artists as Prince Buster, best known for the ska hit Ten Commandments. Subsequent work assisting famed producers Coxsone Dodd and Joe Gibbs prepped him for his professional coming-out. In 1968, he formed Upsetter Records and, throughout the early ‘70s, issued a profusion of recordings (under his own name and various pseudonyms), pioneering a radical form that utilized reggae rhythms and the loping instrumental “spaghetti Western” style of music featured in Sergio Leone’s neo-cowboy movies, on cuts like Clint Eastwood and The Return of Django. Concurrent with his own releases, Perry produced numerous reggae artists, including, early on, Bob Marley and the Wailers (Duppy Conqueror, Small Axe). By the mid-’70s, the myth of Lee “Scratch” Perry was commanding as much attention as his innovative productions, as spats with artists, lost tapes and a mysterious

fire that burned down his Black Ark studio occupied ardent scene-watchers. Still, Perry continued his onslaught of atmospheric dub releases, next capturing the attention of Britain’s punk movement; Perry even produced tracks for The Clash, who’d covered his production of Junior Murvin’s Police and Thieves on their 1977 debut album. Numerous post-punk bands, most notably John Lydon’s Public Image, created music based on a template first fashioned by Perry. By the mid’90s, his legacy had spread into rap and hip-hop; the Beastie Boys gave Perry a shout-out on their Ill Communication album and sparked yet another revival of interest in his work. Not slowing down after the turn of the century, Perry won a Grammy for Best Reggae Album in 2003 with the album Jamaican E.T.. In 2004, Rolling Stone ranked Perry #100 on their list of the 100 Greatest Artists of All Time. He teamed up with a group of Swiss musicians and performed under the name Lee Perry and the White Belly Rats, and toured the United States in 2006 and 2007 using the New York City-based group Dub Is A

WEEK 8

AUGUST 28

Lee “Scratch” Perry WITH

MEXICO 68

The man who long ago named himself (and his record label and his band) The Upsetter knows whereof he speaks. As a producer, mixer and artist, Lee “Scratch” Perry has been overturning tradition and confounding conventional wisdom for more than five decades. In the process, the widely acknowledged father of dub

LEE “SCRATCH” PERRY

Weapon as his backing band. After meeting Andrew W.K. at SXSW in 2006, Perry invited him to co-produce his album Repentance. The 2008 album featured guest artists including Moby, Ari Up, producer Don Fleming, drummer Brian Chippendale, and bassist Josh Werner, and received a Grammy nomination for Best Reggae Album on the Narnack Records label. In 2008, Perry reunited with Adrian Sherwood on The Mighty Upsetter. Between 2007 and 2010, Perry recorded three albums with British producer, Steve Marshall, at State of Emergency Limited in England. The albums featured performances by Keith Richards and George Clinton. Two of these albums, End Of An American Dream (2007) and Revelation (2010), received Grammy nominations for Best Reggae Album on the MEGAWAVE Records label. In 2009, Perry collaborated with Dubblestandart, on their Return from Planet Dub double album, revisiting some of his material from the 1970s and 1980s, as well as collaborating on new material, some of which also included Ari Up of the Slits. Dubstep collaborations with New York City’s Subatomic Sound System included Iron Devil, Blackboard Jungle Vols. 1 & 2 featuring dancehall vocalist Jahdan Blakkamoore, and Chrome Optimism featuring American filmmaker David Lynch. In 2011, Perry recorded Rise Again with bassist and producer Bill Laswell, with the album featuring contributions from Tunde Adebimpe, Sly Dunbar and Bernie Worrell, and released on Laswell’s M.O.D. Technologies label. In 2012, Perry teamed with The Orb to produce The Orbserver in the Star House. Perry remixed the Thor’s Stone single by UK producer Forest Swords in November 2013. Perry recorded an album with Daniel Boyle in London, due to be released in April 2014 as Lee “Scratch” Perry – Back on the Controls. Currently, there are two films made about his life and work: Volker Schaner’s Vision Of Paradise and The Upsetter by American film-makers Ethan Higbee and Adam Bhala Lough and narrated by Benicio Del Toro. In 2010, Perry had his first ever solo art exhibition at Dem Passwords art gallery in Los Angeles, California. The show entitled Secret Education featured works on canvas, paper, and a video installation. Perry is featured as the DJ on the Dub and Reggae radio station Blue Ark in video game Grand Theft Auto V. The station includes a number of dubs by Perry and the Upsetters including Disco Devil and Grumblin’ Dub. In August 2012, it was announced that Perry would receive Jamaica’s sixth highest honour, the Order of Distinction, Commander class, and in October 2013, it was announced that he was to be awarded a Gold Musgrave Medal later that month by the Institute of Jamaica. Perry now lives in Switzerland, where he continues to create unique, categorydefying music. He remains one of the world’s most imaginative sonic architects.

SEE BIOS PAGE 13

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FROM PAGE 12

WEEK 9

SEPTEMBER 4

OK Go WITH

ALLAH-LAS

Formed as a quartet in Chicago in 1998 and relocated to Los Angeles three years later, OK Go (Damian Kulash, Tim Nordwind, Dan Konopka, Andy Ross) have spent their career in a steady state of transformation. The four songs of the all-new Upside Out EP represent the first preview of Hungry Ghosts, due out in the fall on the band’s own Paracadute. This is the band’s fourth full-length and the newest addition to a curriculum vitae filled with experimentation in a variety of mediums. The band worked with longtime producer and friend Dave Fridmann (Flaming Lips, Weezer, MGMT), while also enlisting a new collaborator in Los Angeles, veteran Tony Hoffer, (Beck, Phoenix, Foster the People) to create their most comfortable and far-reaching songs yet. Building on (and deconstructing) 15 years of pop-rock smarts, musical friendship, and band-ofthe-future innovations the EP, Upside Out, offers a concise overview of forthcoming Hungry Ghosts’ melancholic fireworks (“The Writing’s on the Wall”), basement funk parties (“Turn Up The Radio”), IMAXsized choruses (“The One Moment”), and space-age dance floor bangers (“I Won’t Let You Down”). Drawn from the same marching orders issued to big-hearted happiness creators as Queen, T. Rex, The Cars or Cheap Trick, and a lifetime of mixed tapes exchanged by lifelong music fans, Upside Out is a reaffirmation of the sounds and ideas that brought the band together in the first place. The four songs provide an assured kick-off to a new sequence of interconnected performances, videos, dances, and wild, undreamt fun. “As the band has evolved over the last 15 years, the creative palette we work with has expanded in so many unexpected and gratifying directions,” says frontman Damian Kulash. “This record feels like it’s the musical manifestation of that — like we can speak in a clearer voice when we are playing in a

bigger sandbox. Just as the band’s whole project became clearer to us as we learned to find more homes for our creativity — we triangulated it from more directions. And, I think the music itself has gotten more focused for similar reasons. We went in with fewer preconceptions of who we are or what our sound is, and came out with a record that sounds much more uniquely our own because of it.” Continuing a career that includes viral videos, New York Times op-eds, a major label split and the establishment of a DIY trans-media mini-empire, collaborations with pioneering dance companies and tech giants, animators and Muppets, OK Go continue to fearlessly dream and build new worlds in a time when creative boundaries have all but dissolved.

WEEK 10

SEPTEMBER 11

Charles Bradley WITH

KING JAMES & THE SPECIAL MEN

If you’re looking for a story that best summarizes the last year in the life of Charles Bradley, you’d be hard pressed to find a better one than the night he and his band showed up in Utopia, Texas to play an outdoor show in the middle of a thunderstorm. “It was just raining, raining, raining,” Bradley recalls. “I walked out onstage, and there were about 800 people there - maybe more - all of them just standing out there in the rain and the mud.” The band settled in and fought their hardest against the elements, but - for a moment, anyway - it seemed that nature was too much for even the mighty Charles Bradley. About halfway through the show, the power went out, leaving both the band and the drenched fans in total darkness. At any other show, that would be understood as the meteorological signal for “Quittin’ Time,” but if there’s one thing the last year of tireless touring before enrapt audiences has proven, it’s that Charles Bradley does not put on typical shows. “I could hear them screaming, ‘Charles Bradley! Charles Bradley we love you,’” Bradley smiles. “And so when the lights came back on, I said, ‘If all of you can stand out there in the rain and get soaking wet because you want to see me perform - to see me do something that I love to do - then you SEE BIOS PAGE 14

from the beach tonight? Don't forget to recycle your glass bottles and aluminum cans.

Aluminum Plastic Glass Bi-Metal Newspaper CardboardWhite/Color/Computer Paper Copper & Brass

Santa Monica Recycling Center 2411 Delaware Avenue in Santa Monica

(310) 453-9677

MICHIGAN 24TH

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WATCHING THE SHOW

CLOVERFIELD

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BIOS FROM PAGE 13 know what? I’m gonna get wet, too.’” And with that, Bradley jumped off the stage and into the crowd. “They went completely crazy!” he laughs. “We were laughing. We were hugging. We were getting muddy. It was just love.” That’s his whole persona in a single tiny scene: Charles Bradley, victim of love. Other artists appreciate their audiences, just as many are grateful for them, but few artists love their fans as much and as sincerely as Charles Bradley. By now, his remarkable, against-all-odds rise has been well-documented - how he transcended a bleak life on the streets and struggled through a series of ill-fitting jobs - most famously as a James Brown impersonator at Brooklyn clubs before finally being discovered by Daptone’s Gabriel Roth. The year following the release of his debut, No Time For Dreaming, was one triumph after another: a stunning performance at South By Southwest that earned unanimous raves; similarly-gripping appearances at Bonnaroo, Austin City Limits, Newport Folk Festival and Outside Lands (to name just a few); and spots on Year-End Best Lists from Rolling Stone, MOJO, GQ, Pasteand more. Victim of Love, Bradley’s second record, is a continuation of that story, moving past the ‘heartache and pain’ and closer to the promise of hope. “The first record taps into maybe two or three feelings,” explains Thomas Brenneck of Menahan Street Band, Bradley’s producer, bandleader and co-writer. “But the range of emotion on this record is huge. The last record was written by a man living in the Brooklyn projects for 20 years. This record is more than

just a poor man’s cry from the ghetto. This time, he’s grateful.” Bradley agrees. “I was singing about all these hardships that I’ve been through. I wanted people to know my struggles first, but now I want them to know how much they have helped me grow.” Drop into any moment of Victim of Love at random and that message is immediately apparent. Where the last record opened with the apocalyptic “The World (is Going Up in Flames), Victim begins “Strictly Reserved For You,” a track that sees Bradley grabbing his girl, jumping in a car and hitting the highway for a romantic getaway. In “You Put The Flame on It,” Bradley sings “My life is gold - you put the flame on it,” backed by a horn chart that sounds like it was lifted from a lost Four Tops single. And on “Victim of Love,” the song that gives the album its name, Bradley sings, “I woke up this morning, I felt your love beside me,” over the kind of gentle acoustic guitar that wouldn’t sound out of place on a classic Neil Young album. Which brings up another point: with the new subject matter comes a broader musical scope. Where Dreaming hewed close to the rough-and-ready R&B sound Daptone has become known for, Victim is stylistically more restless, edging closer into the kind of psychedelic soul The Temptations explored in the early ‘70s. “I’ve been calling it ‘New Direction Daptone,’” enthuses Brenneck. “People are not going to expect this. There’s a lot of psych influences on this record, a lot of fuzz guitar. I’m pushing the band & the arrangements further out, which in turns has to make Charles go further out.” That new direction is most apparent in

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“Confusion.” Opening with the kind of echo-drenched vocal and charging rhythmic cadence that characterized Curtis Mayfield’s “(Don’t Worry) If There’s a Hell Below, We’re All Going to Go,” Bradley calls down fire on crooked businessmen and duplicitous leaders. “That song is about a lot of those big politicians who think they can make everybody’s decisions for them,” says Bradley. “The higher class think they can make up the rules for us. But a lot of those big wigs have never really been down to the harsh life. They don’t know how it feels. So I’m trying to talk to people who are going through those hardships.” As is typical of Bradley, the song comes off not as a roaring jeremiad, but as a deeply-felt note of sympathy for the oppressed and beaten-down. But if the album has a summary statement, it’s “Through the Storm.” Over a deep gospel groove, Bradley expresses his gratitude - to his fans, his friends and to God - for their support, their dedication and their devotion. “When the world gives you love,” he sings, “It frees your soul.” This is the new message of Charles Bradley, the Bradley who has emerged from the heartache stronger and more confident, overflowing with love to share. This is Charles Bradley, victim of love — gratefully returning the joy that has been given to him.

CHARLES BRADLEY

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Awesome Aussies T

he annual celebration of Australian culture and music returned to the the Pier last week with thousands jamming to the beats from down under. PHOTO CREDIT ERIC LIEB - JAGWAR MA

PHOTO CREDIT ERIC LIEB - JAGWAR MA

PHOTO CREDIT ERIC LIEB - FASCINATOR

JASON BENTLEY

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