Film Director, Tony Scott CLICK HERE for recent video interview Anthony David "Tony" Scott (21 June 1944 – 19 August 2012) was an English film director. His films include The Hunger, Top Gun, Beverly Hills Cop II, Days of Thunder, The Last Boy Scout, True Romance, Crimson Tide, Enemy of the State, Spy Game, Man on Fire, Déjà Vu, The Taking of Pelham 123 and Unstoppable. He was the younger brother of fellow film director Ridley Scott. Scott's films were generally box office successes, though he was never nominated for an Academy Award and received little critical praise.
EARLY LIFE Scott was born in North Shields, the youngest of three sons born to Elizabeth and Colonel Francis Percy Scott. At the age of 16, Tony appeared in Boy and Bicycle, a short film marking the directorial debut of his then 23 year-old brother Ridley. He followed in his elder brother's footsteps, studying at Grangefield School, West Hartlepool College of Art and Sunderland Art School, the last for a fine arts degree. He subsequently graduated from the Royal College of Art, fully intending to become a painter. It was only the success of his elder brother's fledging television commercial production outfit, Ridley Scott Associates (RSA), that turned his attentions towards film. Tony had wanted to do documentaries at first. I told him, "Don't go to the BBC, come to me first." I knew that he had a fondness for cars, so I told him, "Come work with me and within a year you'll have a Ferrari." And he did. In the course of the next two decades, Scott directed thousands of television commercials for RSA, while also overseeing the company's operation during periods in which his brother was developing his feature film career. Tony also took time out in 1975 to direct an adaptation of the Henry James story The Author of Beltraffio for French television, a project he landed by virtue of winning a coin-flip against his brother. After the considerable feature film successes of fellow British commercial directors Hugh Hudson, Alan Parker, Adrian Lyne and his elder brother in the late 1970s and early 1980s, Scott was beginning to receive overtures from Hollywood himself in 1980, but in the same year his elder brother Frank died of cancer.
FILM CAREER
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competition Scott persisted in trying to embark on a feature film career. Among the projects interesting to him was an adaptation of the Anne Rice novel Interview with the Vampire then in development. MGM was already developing the vampire film The Hunger, for which they brought Scott on in 1982. The Hunger starred David Bowie and Catherine Deneuve and introduced Willem Dafoe in a small role. The Hunger had elaborate photography and sumptuous production design, but it failed to find an audience, received harsh reviews by critics, and had disappointing box office sales, though it later became a cult favorite. Finding himself largely unemployable in Hollywood for the next two and a half years, Scott returned to commercials and music videos. In 1985, producers Don Simpson and Jerry Bruckheimer approached Scott to direct Top Gun on the strength of The Hunger, as well as a commercial he had done for Swedish automaker Saab in the early 1980s: in the spot, a Saab 900 turbo is shown racing a Saab 37 Viggen fighter jet. Scott, though reluctant at first, agreed to direct Top Gun. Though the film received mixed critical review, it became one of the highest-grossing films of 1986, taking in more than US$176 million, and making a star of its young lead, Tom Cruise. Following Top Gun's success, Scott found himself on Hollywood's A list of action directors. He reteamed with Simpson and Bruckheimer in 1987 to direct Eddie Murphy and Brigitte Nielsen in the highly anticipated sequel Beverly Hills Cop II. While not being critically embraced, the picture nevertheless became one of the year's highest grossers. His next film, Revenge (1990), a thriller of adultery and revenge set in Mexico, starred Kevin Costner, Madeleine Stowe and Anthony Quinn. Once again directing Tom Cruise, Scott returned to the Simpson-Bruckheimer fold to helm the big-budget racing film Days of Thunder (1990). Scott later stated that it was difficult find the drama in racing cars in circles, so he "stole from all race movies to date ... then tried to build on them." Scott's next film was the action thriller The Last Boy Scout (1991).