Smithsonian Associates March 2018 program guide by Smithsonian Associates

SMITHSONIAN ASSOCIATES Dear Fellow Members, March is Women’s History Month, particularly appropriate timing for the Smithsonian to embark on a multi-year initiative to explore and interpret all facets of American women’s history. Planning for exhibitions, programs, courses, and conversations focusing on women’s contributions to society and public life in the humanities, the sciences, and the arts is well underway all around the Mall. Here at Associates, we’d like to invite you to consider the impact that women have had on creating—and changing—the world through the centuries. A fascinating series of talks traces the complicated advances, setbacks, and accomplishments of our nation’s diverse women from the colonial era to the 1970s (p. 41). Trace the steps of the first civil rights march on Washington–the Woman Suffrage Procession– which took place more than a century ago, as part of the long struggle to pass the 19th Amendment (p. 38). For another global perspective, take the opportunity to meet a Muslim scholar who reveals the history, Islamic traditions, and contemporary realities that shape the lives of Muslim women (p. 8). In a studio arts class, learn the techniques behind the signature painting styles of Berthe Morisot and Mary Cassatt, influential artists of the impressionist movement (p. 52). Women’s achievments can’t be confined to a single month, so look for programs all year long. In April, beloved cookbook author, television personality, and restaurateur Lidia Bastianich talks about her childhood cut short by political upheaval, and what it took to make her own American dream come true (p. 9 ). Join us in saluting women who defied the odds and changed our world!

March 2018

Culture + Ideas

Art + Design

Science + Nature 28

Overnight Tours

Past + Present

Studio Arts

Frederica R. Adelman, Director adelmanf@si.edu

Smithsonian Spotlight Programs with this icon highlight a Smithsonian collection, exhibition, research, or are presented by a Smithsonian expert.

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Helpful Information Smithsonian Associates Membership Benefits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Locations, Metro, and Parking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .62 Programs listed by format; date . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .63 Refunds/Policies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Inside back cover

Smithsonian Associates (USPS 043-210) Vol. 46, No. 7, March 2018. Published monthly by Smithsonian Associates, Smithsonian Institution, 1100 Jefferson Drive, S.W., Washington, D.C. 20560. Periodicals postage paid at Washington, DC. and at additional mailing offices. Vesna Gjaja, Director of Marketing and Membership; Cecelia Reed, Editor; Robert A. Sacheli, Copywriter; Ric Garcia, Visual Specialist; Copyright 2018 by the Smithsonian Associates. POSTMASTER: Send address changes to the Smithsonian Associates, P.O. Box 23293, Washington, D.C. 20026-3293. Printed in the U.S.A. on recyclable paper.

Smithsonian Associates Membership Benefits The Smithsonian Associates opens the Smithsonian’s rich and varied resources to our members. When you join the Smithsonian Associates you become a part of the largest museum-based cultural and educational program in the world. As an insider, you have unparalleled access to the Smithsonian's world of knowledge—and enjoy a full array of exclusive benefits. The Smithsonian Associates, unlike the museums, is not federally funded and relies instead on individual contributions to help bridge the gap between program expenses and ticket revenues. There are many membership options across the Smithsonian Institution, but Smithsonian Associates membership is the ONLY program that directly supports Associates’ programming and outreach efforts, and the only way to access ticket discounts and exclusive benefits at our programs. Effective January 2018

INTRODUCTORY Memberships

Promoter –$100

Champion – $80

Associate –$50

When you become a member you’ll be among the first to know about the outstanding programs we bring you every month—which add up to more than 750 opportunities for discovery, enrichment, and learning you’ll find nowhere else. Membership has its benefits: Members receive a range of valuable discounts, including savings up to 35% off Smithsonian Associates program tickets, and access to tickets before they go on sale to the general public.

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Members-only ticket priority—get your tickets before they go on sale to the general public (some exclusions may apply)

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Access to members-only programs, including the popular annual Breakfast at the Zoo

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Eligibility to purchase one ticket per program at the discounted member price (savings up to 35%)

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Subscription to the monthly Smithsonian Associates program guide

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10% discount at Smithsonian museum shops, SmithsonianStore.com, and select Smithsonian restaurants

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Eligibility to purchase up to four tickets per program at the discounted member price (savings up to 35%)

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Priority consideration for waitlisted programs, including study tours (some exclusions may apply)

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Recognition on the Smithsonian Associates website

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Smithsonian magazine delivered to your home

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Eligibility to purchase up to six tickets per program at the discounted member price (savings up to 35%)

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Invitation for two to exclusive complimentary tours of exhibitions throughout the year

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Discounts on Art Collectors Program fine-art prints

SMITHSONIAN ASSOCIATES MARCH 2018

Benefactor–$5,000 and up

Partner –$2,500

Sponsor – $1,000

Patron – $600

Contributor– $300

Advocate –$175

CIRCLE of SUPPORT

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ALL OF THE BENEFITS of the Introductory Membership Levels, plus:

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Advance digital copy of the monthly Smithsonian Associates program guide

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20% discount at SmithsonianStore.com during special Member Days sales

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Two complimentary tickets to one exclusive after-hours Mingle at the Museum event

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VIP access, activities, and seating at the popular annual members-only Breakfast at the Zoo

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Advance ticket purchasing by phone for high-demand programs, including Smithsonian Summer Camp

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Invitation for two to a Smithsonian Insider event during the year

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No handling fees on phone purchases

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Recognition on the annual donor list in the Smithsonian Associates program guide and the annual donor plaque at our headquarters on the National Mall

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Advance ticket purchasing to select premier headliner events

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Complimentary invitation for two to an exclusive Meeting the Masters reception

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Eligibility to participate in special travel programs sponsored by Smithsonian Journeys

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Complimentary tickets for two to a lecture or performance (value equal to $30 per ticket or less)

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Copy of the Smithsonian’s annual report

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Complimentary VIP tickets for two and a parking pass for Breakfast at the Zoo

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Reserved seating at most Smithsonian Associates programs

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Invitations to backstage meet-and-greets at select Smithsonian Associates programs

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Advance ticket purchasing for embassy programs and receptions

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Dedicated concierge phone line for inquiries and tickets

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An exclusive behind-the-scenes tour with a docent

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Invitation for two to the popular Annual Smithsonian Weekend

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Recognition in the Smithsonian’s annual report

As a member of the Smithsonian Associates Circle of Support, you’ll play a vital and valued role in our work. Your contributions to the Smithsonian Associates provide the support that enables all of our programs to continue and grow. There’s no better time to consider enhancing the level of your support. Depending on the level you choose, you’ll enjoy enhanced benefits such as early registration for Smithsonian Summer Camp and special programs, reserved seating at sold-out events, and invitations to exclusive receptions with speakers.

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Recognition as a sponsor of a selected Smithsonian Associates program

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Complimentary VIP tickets for six and two parking passes for Breakfast at the Zoo

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Priority seating at all Smithsonian Associates programs

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Additional 20% discount on member prices for Art Collectors Program fine-arts prints

Visit SmithsonianAssociates.org/levels or call 202-633-3030

SMITHSONIANASSOCIATES.ORG and 202-633-3030

Culture + Ideas Enchanting Ireland A Visual Journey From the vibrant capital of Dublin to the rugged beauty of the Cliffs of Moher to timeless castles and abbeys, this visual journey through the Emerald Isle offers an intimate portrait of a wondrous land. Christopher Griffin, a Smithsonian Journeys expert, highlights the culture and beauty of Ireland. Learn about the country’s turbulent history up to the 20th century, explore its beautiful geography, including the poetic landscapes of western and Northern Ireland, from Connemara, and County Sligo to the Dingle Peninsula and the Giant’s Causeway; discover Ireland’s cities, including Dublin, the home of Trinity College and the Book of Kells and James Joyce’s muse; and Belfast, the capital of Northern Ireland, with its history of Troubles; hear about the drama produced on and off stage at legendary Abbey Theatre, whose founders W.B. Yeats and Lady Gregory, produced plays that caused riots, such as the dramas of Synge and O’Casey. As part of the program, enjoy a drop of uisce beatha, “the water of life”—authentic Irish whiskey. Smithsonian Spotlight

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9:30 a.m. Castles and Abbeys 10:45 a.m. The Poetry of Place

With Whiskey Tasting

12 noon Lunch (Irish-themed box lunch is provided) 1 p.m. Cities and Towns 2:15 p.m. Bring on the Drama: Ireland in Theatre and Film 3:15 p.m. Dubliner Irish Whiskey Tasting

What Makes It Great? With Rob Kapilow

Dinner at Supra

Co-presented with Washington Performing Arts

Supra has three meanings: a traditional tablecloth characteristic of the Republic of Georgia; a Georgian feast featuring an abundance of food, wine, and toasts (sometimes poetic, often lengthy, occasionally punctuated by song); and Washington’s first restaurant featuring all of the above. Since it opened in November, Supra has been garnering incredible buzz and praise from the district’s culinary scene. Come to the restaurant, open exclusively to Smithsonian guests for an evening of family style dining, and be treated to traditional Georgian dishes like kabab, ajaruli (boat-shaped cheese bread with organic egg yolk), and lobio kotanshi (red beans stewed with traditional spices, pickled red cabbage, and cornbread “Mchadi”), and more. Georgian wine—first produced, it is said, 8,000 years ago—accompanies the meal. Mamuka Tsereteli, senior fellow, Central-Asia Caucasus Institute, places the region’s cuisine in cultural and historical context, and Supra head chef Malkhaz Maisashvili, a former chef at the Embassy of Georgia, is also on hand to welcome guests. Arrive early and enjoy a drink at the bar.

In his acclaimed What Makes It Great? series, beloved educator and former NPR music commentator Rob Kapilow “gets audiences in tune with classical music at a deeper level than they ever thought possible” (Los Angeles Times). In a three-part format, Kapilow explores a great musical masterpiece with the audience. Next, the piece is performed in its entirety, followed by a Q&A with the audience and performers. Kapilow closes the season on a rousing note, interpreting music from the great Leonard Bernstein Songbook. The evening features the singing of Sally Wilfert Rob Kapilow and Michael Winther. Sun., April 22, 6 p.m.; McEvoy Auditorium, National Portrait Gallery; CODE 1P0-585; all tickets $25

Welcome to DC’s First Georgian Restaurant

ANDREW PROPP

PETER SCHAAF

Cobh catherdral and houses in County Cork

Sat., March 3, 9:30 a.m.–4 p.m.; Ripley Center; whiskey provided by the Dubliner, a Capitol Hill pub; CODE 1H0-314; Members $110; Nonmembers $160

Mon., March 5, 6:30 p.m.; Supra restaurant, 1205 11th St., NW (Shaw-Howard University Metro, Green/Yellow lines, or McPherson Square Metro, Blue/Orange/Silver lines); CODE 1W0-022; Members $125; Nonmembers $150

Traditional Georgian food at Supra

Please note: Walnuts are used extensively in Georgian cooking and cannot be eliminated from dishes offered at Supra restaurant

SMITHSONIAN ASSOCIATES MARCH 2018

Published ticket prices are subject to change, depending on availability.

Culture + Ideas Reading the Neapolitan Quartet The novels of Elena Ferrante’s rich, intense Neapolitan Quartet, written between 2012 and 2015, have captivated readers as they follow two friends–the fiery Lila, and the bookish narrator, Elena–whose lives change over the course of 60 years after World War II. The themes of friendship, family, education, money, and ambition play out against the backdrop of impoverished Naples and reflect the larger history of 20th-entury Italy. Join Lisbeth Strimple Fuisz, a lecturer in the English department at Georgetown University, in spirited lectures and informal discussions about these books. The beginning of Lila and Elena’s relationship, from childhood through their adolescence, is portrayed in My Brilliant Friend. March 5 In The Story of a New Name, Lila has recently married and has entered the family business. Elena continues her education beyond the neighborBOOK hood. April 9 GROUP Those Who Leave and Those Who Stay finds Lila and Elena open to new opportunities as they push against the lives they were expected to live. May 7 As The Story of the Lost Child unfolds, Elena returns to Naples to be with the man she loves. Successful entrepreneur Lila deals with old-school chauvinism and nepotism. June 4 4 sessions; Mon., March 5, April 9, May 7, and June 4, 12 noon–1:15 p.m.; Ripley Center; CODE 1H0-322; Members $80; Nonmembers $130

The Immigrant Experience in Literature In many ways, fiction is ideally suited to capture the immigrant experience at its human core. Join Lisbeth Strimple Fuisz, a lecturer in the English department at Georgetown University, in spirited lectures and informal discussions about compelling books that tell the personal stories of immigrants making their way in a new and strange environment. Sherry and cookies are available for refreshment. Monkey Bridge (1997) by Lan Cao recounts the struggles of a teenager who escapes Vietnam on the day Saigon falls and then tries to retain her Vietnamese identity in the United States. March 5 In The Beautiful Things That Heaven Bears (2007) by Dinaw Mengetsu, the protagonist is a young man who flees Ethiopia’s revolution. He lands in Washington, D.C., and reflects on his own sense of identity while navigating neighborhood gentrification. April 9 Mon., March 5 (CODE 1H0-308C); April 9 (CODE 1H0-308D); 6:45 p.m.; Ripley Center; Members $25; Nonmembers $35

NEW YORK PUBLIC LIBRARY ARCHIVES

Individual sessions: Mon., March 5 (CODE 1H0-322A); April 9 (CODE 1H0-322B); May 7 (CODE 1H0-322C); June 4 (CODE 1H0-322D) 12 noon; Ripley Center; Members $25; Nonmembers $35

FREER |SACKLER Japanese Film Classics Screenings of classic Japanese films in Meyer Auditorium, Freer Gallery of Art Free and open to the public

Onibaba Wed., March 7 2 p.m. Primal emotions, dark eroticism, and a frenzied score by Hikaru Hayashi make this chilling folktale a singular cinematic experience. (Dir.: Kaneto Shindo, Japan, 1964, 103 min., B&W, 35mm, Japanese with English subtitles)

Lady Snowblood Wed., April 4 2 p.m. Gory revenge is raised to the level of visual poetry in this wildly entertaining action film. (Dir.: Toshiya Fujita, Japan, 1973, 97 min., DCP, Japanese with English subtitles)

Visit freersackler.si.edu/films

Celebrating Brahms The Man, His Music, and His Legacy Impassioned romanticism and classical principles are reconciled in the masterworks of Johannes Brahms (1833–1897). Almost everything he wrote remains indispensable to the concert hall repertoire. With his soaring Johannes Brahms, 1889 melodies, rich harmonies, and rhythmic vigor, Brahms has taken his place among the immortals, his name linked with Bach’s and Beethoven’s as one of the “Three B’s” of classical music. Brahms eventually came to be recognized as the greatest symphonist since Beethoven. After the melodic and nostalgic charm of the Academic Festival Overture, Brahms concluded his orchestral output with Symphony No. 3 and Symphony No. 4. In a program highlighted with musical excerpts, classical music scholar Saul Lilienstein focuses on the composer’s’ symphonic music. Tues., March 6, 12 noon–1:30 p.m.; Ripley Center; CODE 1M2939F; Members $25; Nonmembers $35

More INFORMATION and TICKETS at SMITHSONIANASSOCIATES.ORG and 202-633-3030

Culture + Ideas The Great Food Cities of the World What are the elements that make a city a world gastronomic citadel? Food expert and passionate culinary historian Fred Plotkin has identified several very distinct places that are, in their own ways, world centers of food and drink.

London Jokes targeting British cooking aside, London has long been a world culinary capital. As the chief city of an empire, it drew on ingredients from everywhere to create an influential cuisine–its fish, seafood, beef, and lamb are all first-rate–and the city also boasts well-known traditional dishes. March 6

Tokyo The capital of Japan is, to some people, the best place in the world to eat right now, with superbly prepared local cuisine that ranges from simple to elaborate, the world’s largest fish market, and more Michelin-starred restaurants than any city. May 8

San Francisco New Yorkers or Los Angelenos might argue, but San Francisco draws from some of the best farms in the world for its fruit, vegetables, meat, and dairy products, along with the bountiful Pacific for fish and seafood. Many of the world’s top wines are made nearby and its multi-ethnic communities contribute to the area’s culinary traditions. June 5

Lyon Paris may be the capital, and much admired for its food and wine, but Lyon and its surrounding towns produce extraordinary pork products of every kind, outstanding poultry, splendid fruits and vegetables, and some of the world’s best wines and cheeses. Lyon combines the most traditional cooking methods with those of its in-demand three-star chefs. April 10

Individual sessions; March 6 (CODE 1M2-945C); April 10 (CODE 1M2-945D); May 8 (CODE 1M2-945E); June 5 (CODE 1M2945F); 6:45 p.m.; Ripley Center; Members $30; Nonmembers $45

How Do We Listen? Conversations in Music with Aaron Diehl and Murray Horwitz Co-presented with Washington Performing Arts

Murray Horwitz

Virtuoso jazz pianist and composer Aaron Diehl teams with Tony Award–winning playwright and lyricist Murray Horwitz for an entertaining and enlightening excursion into one of the building blocks of music: harmony. Drawing on their combined expertise—and sharing stories, musical excerpts, and more—Diehl and Horwitz offer a valuable experience for listeners of all levels.

Aaron Diehl

LISA-MARIE MAZZUCCO

Thurs., March 8, 7:30 p.m.; McEvoy Auditorium, National Portrait Gallery; CODE 1P0-582; all tickets $25

Emerson String Quartet Shostakovich and the Black Monk: A Russian Fantasy On Sunday, March 11, at 7:30 p.m., the Emerson String Quartet performs at The Barns at Wolf Trap in an unforgettable performance of Shostakovich and the Black Monk: A Russian Fantasy. Chamber music and theater intertwine as actors, including Oscar-nominated David Strathairn and Sean Astin, star of the “Lord of the Rings” trilogy, tell the dramatic story of the composer’s struggle to fulfill his inspiration. Tickets ($60) for this event are available at wolftrap.org/blackmonk Presented by Smithsonian Associates in collaboration with Wolf Trap

SMITHSONIAN ASSOCIATES MARCH 2018

Published ticket prices are subject to change, depending on availability.

Culture + Ideas

Stradivarius and Amati Smithsonian Chamber Music Society audiences are privy to the unparalleled opportunity of hearing two magnificent quartets of instruments—one made by Antonio Stradivari, the other by his teacher Nicolò Amati. In March, Juilliard School student Jasper Snow joins the quartet for the Mendelssohn Quintet in A Major, Op. 18.

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Concert Joseph Haydn: Quartet in C Major, Op. 33, No. 3, The Bird (1781) Béla Bartók: Quartet No. 1, Op. 7 (1908-9) Felix Mendelssohn: Quintet in A Major, Op. 18 (1832) Sat., March 17, concert at 7:30 p.m.; pre-concert talk at 6:30 p.m.; Hall of Music, American History Museum; CODE 1P0599; Members $27; Nonmembers $35

Smithsonian Spotlight

Axelrod Quartet (clockwise from left): Marc Destrubé, violin; James Dunham, viola; Marilyn McDonald, violin; Kenneth Slowik, violoncello

For more information on the historic instruments in the Smithsonian collection, visit smithsonianchambermusic.org

America: The Great Cookbook What DC Chefs Cook for the People They Love Joe Yonan, food and dining editor of the Washington Post and twotime James Beard Award-winner, asked passionate chefs, artisan producers, and fascinating food personalities across the country what they cook for the people they love. The result was a collection of recipes of signature dishes and family favorites in a cookbook that celebrates the diversity and rich culinary traditions of America—and that supports the No Kid Hungry campaign. Join Yonan as he discusses cooking in America and what it means today with four local contributors to the book: Jerome Grant, executive chef at the African American History and Culture Museum’s Sweet Home Café; sisters Katherine Kallinis Berman and Sophie Kallinis LaMontagne, cofounders of Georgetown Cupcake; and Joan Nathan, award-winning cookbook author and New York Times contributor. America: The Great Cookbook (Weldon Owen) is available for purchase and signing following the program, as well as samples from the panelists’ favorite recipes. Mon., March 19, 6:45 p.m.; Ripley Center; CODE 1A0-047; Members $35; Nonmembers $45

Katherine Berman and Sophie LaMontagne put on the finishing touches at Georgetown Cupcake

The King James Bible

CORPUS CHRISTI COLLEGE, OXFORD

Its Background, Creation, and Influence The King James Bible of 1611 is one of the most influential books in the English language. Its translation was the culmination of a long and often unquiet history of the Bible in English dating back as far as 1000 A.D. when portions of the Bible appeared in Old English. It built upon the struggles of religious reformers who risked their lives by committing the “heresy” of translating the Bible into English. Spend a fascinating day with Steven Galbraith The King James Bible translators began with editand Hannibal Hamlin, co-curators of the Folger ing the Bishops’ Bible (1602) Shakespeare Library’s 2011 exhibition Manifold Greatness: The Creation and Afterlife of the King James Bible, as they chronicle the making of this great literary work. They discuss how the work was accomplished, what it took to print such a tome, and the bible’s influence on the English language and on literary works from Pilgrim’s Progress and Paradise Lost to Moby Dick and “Howl.” 9:30 a.m. A History of the Bible in English 11 a.m. The Creation of the King James Bible 12:15 p.m. Lunch (participants provide their own) 1:30 p.m. The Printing of the King James Bible 3 p.m. The King James Bible’s Language and Its Enduring Impact Portrait of John Rainolds, co-editor of the Authorised Version of the Bible, 17th c.

LOTTIE HEDLEY

The Axelrod Quartet

UNIVERSITY OF OXFORD

Smithsonian Chamber Music Society

Sat., March 17, 9:30 a.m.–4:15 p.m.; Ripley Center; CODE 1M2-949; Members $90; Nonmembers $140

More INFORMATION and TICKETS at SMITHSONIANASSOCIATES.ORG and 202-633-3030

Culture + Ideas Women in Islam Ideals and Realities Stereotypes about Muslim women abound: hidden behind the veil, voiceless, oppressed, uneducated, brainwashed, and bereft of rights. Muslim scholar Zeyneb Sayilgan sheds light on the status of women in the Islamic tradition and analyzes why and how the lived realities of Muslim women are at times in contradiction or at odds with the teachings of Islam. Sayilgan provides a historical overview of the status of women in pre-Islamic 7th-century Arabia, from where Islam emerged. She then examines the rights and roles granted to women in the Qur’an, Islam’s holy scripture, and the sunna, traditional Islamic law based on the life of the prophet Muhammad. She discusses the influence of these guiding forces for Islamic law on spirituality, political participation, gender equality, sexuality, and legal rights. The evening concludes with an examination of how Islamic law affects Muslim women today, the challenges and misconceptions they face globally, and possible solutions to overcome these obstacles. Tues., March 20, 6:45 p.m.; Ripley Center; CODE 1M2-950; Members $30; Nonmembers $45

2001 at 50 An Anniversary Odyssey Regarded as a masterpiece today, 2001: A Space Odyssey received mixed reviews on its 1968 release. Nevertheless, film’s resounding commercial success launched the genre of big-budget science fiction spectaculars, and was a great influence on such directors as George Lucas, Steven Spielberg, Ridley Scott, and James Cameron. Re-experience this groundbreaking film in a special screening, then join author Michael Benson for some insights into its creation. Drawing on his book Space Odyssey: Stanley Kubrick, Arthur C. Clarke, and the Making of a Masterpiece (Simon & Schuster), Benson explains how 2001 was made, telling the story primarily through the two people most responsible for the film: Director Stanley Kurbrick and author Arthur C. Clarke. He follows the project from their first meeting in New York in 1964 through its production in England from 1965 to 1968, during which some of the most complex sets ever made were merged with innovative visual effects. He also examines the film’s legacy as it grew into its now-classic status. Space Odyssey is available for sale and signing. Tues., April 3, 6 p.m.; Warner Bros. Theater, American History Museum; CODE 1B0-254; Members $30; Nonmembers $35 Illustration of the HAL 9000 computer

Members ONLY

Free Screening of Dallas In Partnership with the Embassy of the Kingdom of Morocco

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As part of the month-long Francophonie Cultural Festival DC, the Embassy of Morocco and Smithsonian Associates present Dallas (2016, 106 mins., P H Arabic with English subtitles), a black comedy directed by Mohamed Ali El C O O N Mejboud. The popular Moroccan film follows the misadventures of a broke film director nicknamed Dallas. The director’s desperate need for cash leads him to join forces with a wealthy businessman in making a film about the man’s grandfather. As shooting begins, the production hits a snag: The lead actor dies of a heart attack. Dallas is left with no choice but to continue shooting…with the actor’s dead body. Larbi R’Miki, the embassy’s head of public diplomacy, introduces the film, and there is an opportunity to ask questions after the screening while enjoying some light refreshments.

Wed., March 14, 6:45 p.m.; Ripley Center; CODE 1P0-614; free to members but reservations are required

Read more about programs in this guide on our website. Search by code or date. Expanded program descriptions, presenters’ information, and more at smithsonianassociates.org.

SMITHSONIAN ASSOCIATES MARCH 2018

Published ticket prices are subject to change, depending on availability.

MELANIE DUNEA

Culture + Ideas Lidia Bastianich’s American Dream For cookbook author, television personality, and restaurateur Lidia Bastianich, her story begins with an upbringing in Pula, a formerly Italian city turned Yugoslavian under Tito’s communist regime. She enjoyed a childhood surrounded by love and security—despite the family’s poverty—and learned everything about Italian cooking from her beloved grandmother, Nonna Rosa. When the communist regime began investigating the family, they fled to Trieste, Italy, and lived in a refugee camp while waiting for visas to enter the United States, an experience that shaped Bastianich for the rest of her life. At 12, she started a new life in New York, and began working in restaurants as a young teenager—the first step in a remarkable food career. Drawing on her new book, My American Dream (Knopf), Bastianich has a conversation with Washington Post food and dining editor Joe Yonan about her close-knit family, the dedication and passion for food that led to multiple restaurants, best-selling cookbooks, and 20 years on public television as the host of her own cooking show. Wed., April 4, 6:45 p.m.; Rasmuson Theater, American Indian Museum; CODE 1L0-196; Members $45; Nonmembers $55 (ticket price includes book)

Bridal Traditions and Wedding Feasts of India A Regional Exploration India’s rich beauty and diversity is especially evident in its wedding celebrations. Each of the country’s 29 states has its own signature wedding garments, jewelry, make-up, decorations, and foods. Writer and cookbook author Monica Bhide showcases the distinctive traditions of 10 Indian states, including Punjab, Andhra Pradesh, Kashmir, Manipur, and Maharashtra. Bhide examines the details of traditional bridal outfits from each region and the meanings behind their colors and ornamentation. She Ritual at a Hindu wedding also discusses the significance of special wedding jewelry, such as the bright red and white bangle bracelets and golden umbrella-like accessories worn by Punjabi brides; the golden hats typical of Kashmir; the pearls worn across the faces of Maharashtrian brides and grooms; and the golden arm bands of South Indian brides. She also discusses the unique ceremonies associated with each of the regions’ weddings, as well as the symbolism of the foods that are enjoyed as part of the celebrations. The evening concludes with a buffet reception featuring typical regional wedding dishes.

An Indian Wedding Feast

(Ingredients list on website)

Appetizers: Vegetable Samosa (Uttar Pradesh); Bhelpuri (Mumbai); Entrees: Sarson Fish Curry (Bengal); Chicken Salli (Parsi); Chicken Kofta (Kashmir); Hydrabadi Biryani (Andhra Pradesh); Paneer Makhani (Punjab); Mixed-Vegetable Thoran (Kerala); Accompaniments: Plain Rice; Assorted Breads; Kosambri (Karnataka); Boondi Raita (Rajasthan); Chutney; Lemon Pickle; Desserts: Laddoos (North India); With Payasam (Tamil Nadu); Beverage: Mango Lassi

Buffet Reception

Thurs., April 12, 6:45–9:30 p.m.; Ripley Center; CODE 1M2-954; Members $75; Nonmembers $90

2018 Benjamin Franklin Creativity Laureate Presentation

Henry Louis Gates Jr. Henry Louis Gates Jr., the Alphonse Fletcher university professor and director of the Hutchins Center for African and African American Research at Harvard University, is an Emmy Award– winning filmmaker, literary scholar, journalist, cultural critic, and institution builder. Gates discusses his creative process and the influences that shape his work. Gates’ six-part 2013 PBS documentary series, The African Americans: Many Rivers to Cross, earned the Emmy for outstanding historical program. Finding Your Roots, his genealogy series, is on PBS for a fourth season. Gates is cofounder and chairman of online magazine TheRoot.com. In honor of his commitment to education, as well as his richness of ideas and originality, he is the recipient of Smithsonian Associates’ 17th annual Benjamin Franklin Creativity Laureate Award. The Benjamin Franklin Creativity Laureate Award recognizes and celeSmithsonian brates influential thinkers, innovaSpotlight tors, and catalysts in the arts, sciences, and humanities, in both traditional and emerging disciplines. Previous recipients include Yo-Yo Ma, Sen. Daniel Patrick Moynihan, Justice Sandra Day O’Connor, Jules Feiffer, Meryl Streep, Johnnetta Cole, Mark Morris, Azar Nafisi, and Tim Robbins. The award is made possible by the Creativity Collaboration, a joint project of Smithsonian Associates and the Creativity Foundation. Fri., April 13, 7 p.m.; McEvoy Auditorium, Smithsonian American Art Museum; CODE 1H0-329; Members $20; Nonmembers $30

More INFORMATION and TICKETS at SMITHSONIANASSOCIATES.ORG and 202-633-3030

Culture + Ideas Smithsonian Spotlight

Smithsonian Chamber Music Society

The Smithsonian Chamber Music Society features musical masterpieces from the early 17th century to the early 21st, played on some of the world’s most highly prized musical instruments. Concerts featuring the SCMS’s acclaimed artists, offer musical feasts simply unobtainable anywhere but at the Smithsonian. Kenneth Slowik, SCMS artistic director and recipient of the Smithsonian Distinguished Scholar Award, presents pre-concert lectures, shedding light on the glorious music and the life and times of the featured composers.

Masterworks of Five Centuries Concert Smithsonian Chamber Players Vera Beths and Cynthia Roberts, violin; Steven Dann, viola; Kenneth Slowik, violoncello; Anthony Manzo, bass; Charles Neidich, clarinet; Andrew Schwartz, bassoon; William Purvis, horn Franz Schubert: Quartet in G Minor, D173 (1815); Octet in F Major, D803 (1824)

Smithsonian Chamber Players rehearse in the Hall of Music In mid-April, one of Schubert’s most powerful early quartets is paired with the magisterial Octet with which he intended “to prepare the way for his grand symphony.” Finishing the season, in May, the Smithsonian Chamber Players present the littleknown, but fascinatingly inventive, early keyboard trios of Haydn.

Sat., April 14 (CODE 1P0-590); concert at 7:30 p.m.; pre-concert talk at 6:30 p.m.; Hall of Music, American History Museum; Members $25; Nonmembers $35

Concert Smithsonian Chamber Players Ian Swensen, violin; Elisabeth Reed, violoncello; Kenneth Slowik, harpsichord Joseph Haydn: Early Keyboard Trios (1759–85) Sat., May 5; concert at 7:30 p.m.; pre-concert talk at 6:30 p.m.; Hall of Music, American History Museum; CODE 1P0-591; Members $25; Nonmembers $35

Writings That Shaped a Nation Voices From the Revolutionary Era The revolutionary era produced some of the most important political texts and autobiographies in American history. This book discussion series led by historian Richard Bell offers the chance to learn about, read, and informally discuss three classics of the period by Founding Fathers and one too-often-overlooked masterpiece by an ordinary American soldier. Benjamin Franklin’s 1771 memoir describes his early years in Boston, his decision to run away from home, and his extraordinary new life in Philadelphia. Thomas Paine’s 1776 masterpiece of political argumentation, Common Sense, was the call to arms that catalyzed the Revolution. Ordinary Courage is a colorful and insightful first-person account written by Joseph Plumb Martin, a Connecticut farmhand who enlisted in the Continental Army when he was just 15. The Federalist Papers, written by three people but published under the pseudonym “Publius,” persuasively promoted the 1787 Constitution to a decidedly skeptical reading public. Participants should read the week’s text before each session. Sherry and cookies are available for refreshment. APR 16 The Autobiography of Benjamin Franklin

Book Discussion Group

MAY 7 Common Sense, Thomas Paine MAY 21 Ordinary Courage, Joseph Plumb Martin JUN 11 The Federalist Papers, Alexander Hamilton, James Madison, John Jay

4 sessions; Mon., April 16, May 7, May 21, and June 11, 6:45 p.m.; Ripley Center; CODE 1M2-964; Members $80; Nonmembers $130

SMITHSONIAN ASSOCIATES MARCH 2018

Published ticket prices are subject to change, depending on availability.

Culture + Ideas ELLEN SILVERMAN

La Dolce Vita: Italy’s Desserts Italians love to end their meal with sweets and special dessert wines. Join Francine Segan, author of Dolci: Italy’s Sweets, as she introduces you to la dolce vita—the way With the dessert course is enjoyed in Italy. Reception Dig into the tradition of sublime pastries such as cannoli, gelato, rum baba, biscotti, amaretti, granita, marzipan, and more. Discover the sweet advantage Italy had over the rest of Europe in developing dessert as Segan traces the fascinating stories behind delicious sweets like black rice, “virgin’s breasts,” and a sweet pudding called “pope’s soup.” Learn about special carnivalseason, Easter, and Christmas desserts and the many influences Italy has had on America’s classic desserts. Enjoy a reception with award-winning Italian treats graciously donated by companies including chocolatiers Bonajuto, Falanga, and Venchi, and San Patrignano bakers.

Torta Tenerina

Mon., April 16, 6:45 p.m.; Ripley Center; CODE 1H0-327; Members $45; Nonmembers $55

John Eaton

Glinka to Prokofiev

From Broadway to Hollywood

Beginning in the 1830s, a century of unforgettable operatic masterpieces were created, born out of the struggles to define a Russian musical identity distinct from predominant European styles—and beloved ever since throughout the world. Following the lead of Mikhail Glinka, who urged Russian music away from the West (he began the tradition of Russian opera in 1836 with A Life for the Tsar) a second generation of composers (Borodin, Mussorgsky, and Rimsky-Korsakov) continued this new tradition by presenting Russian history on the stage, bathed in exotic melody and spectacular visual color. The ideals of these musicians were countered by Tchaikovsky, who gained enormous popularity by combining Western traditions with an undeniably Russian flavor. The fruit of those competing visions has left us a thrilling repertoire, extending into the early years of the 20th century with Prokofiev’s War and Peace. Classical music scholar Saul Lilienstein explores this rich artistic heritage in sessions highlighted by musical and video recordings of great performances at the Bolshoi and the Metropolitan Opera.

Acclaimed pianist, musicologist, and humorist John Eaton shares insights, fascinating observations, and performs selections from some of America’s legendary composers of Broadway and Hollywood musicals. And, of course, he always takes requests! Learn about Richard Rodgers’s lyricists, who put words to his sublime melodies; the evolution John Eaton of Hoagy Carmichael, from jazz pianist into the great composer of beloved songs; the timeless music of the 1940s and composers such as Johnny Mercer and Irving Berlin; and Hollywood’s great themes and scores created by Harold Arlen, George Gershwin, Henry Mancini, and others.

MARIINSKY THEATRE

The Great Russian Operas

APR 18 Richard Rodgers: King of the Broadway Musical APR 25 Jazz, Folk, or Pop? The Paradoxical Genius of Hoagy Carmichael

APR 17 Mikhail Glinka (1804–1857)

MAY 2 The Fabulous ’40s: A Rich and Diverse Musical Era

APR 24 Modest Mussorgsky (1839–1891)

MAY 9 Hooray for Hollywood! 4 sessions; Wed., April 18–May 9, 10:15–11:45 a.m.; Ripley Center; CODE 1M2-960; Members $80; Nonmembers $130

MAY 1 Alexander Borodin (1833–1887) MAY 8 Pyotr Ilyich Tchaikovsky (1840–1893)

Boris Godunov, by Modest Mussorgsky, at the Mariinsky Opera

MAY 15 Nikolay Rimsky-Korsakov (1844–1908) MAY 22 Sergey Prokofiev (1891–1953) 6 sessions; Tues., April 17–May 22, 12 noon–1:30 p.m.; Ripley Center; CODE 1M2-962; Members $100; Nonmembers $150

Photo IDs Please be sure to have photo identification whenever attending a Smithsonian Associates’ program, as it may be required at the venue.

More INFORMATION and TICKETS at SMITHSONIANASSOCIATES.ORG and 202-633-3030

Culture + Ideas The South

LIBRARY OF CONGRESS

Exploring an American Idea It has been said that we may not know where the American South is anymore, but we know when we are in it. To know the South also calls for an understanding of its environment, its plantation culture, its political identity. Something about the South won’t let go of the American imagination. Historians are fascinated by the region, its people, its culture, and its influence on this country—from the Civil War to tensions and conflicts that resonate among Americans today. In a thoughtful daylong program, historian Stephen D. Engle explores the South both as place and idea, and why its complexities remain in our modern culture. 9:30 a.m. The American South: Region, Culture, and Identity 11 a.m. The Confederate South, Southern Nationalism, and the Lost Cause 12:15 p.m. Lunch (participants provide their own) 1:30 p.m. The New South and the Americanization of Dixie 3 p.m. The Enduring South: A Place, a People, and a Past Sat., April 28, 9:30 a.m.–4:15 p.m.; Ripley Center; CODE 1M2-955; Members $90; Nonmembers $140

A cotton plantation on the Mississippi, 1884, by Currier & Ives

The Romani Influence on European Music The Romani people began their migration westward from the Indian subcontinent almost 1,000 years ago. As they traveled, their music and culture adopted Persian, Turkic, and Middle-Eastern characteristics. Centuries later, European composers heard a Romani musical language filled with previously unimagined scales and an improvisational melodic style. For Haydn, Schubert, Brahms, Tchaikovsky, Rachmaninov, Berlioz, Brahms, and others, the Romani influence allowed them to broaden their own musical vocabularies and glimpse a way of life that treasured freedom beyond all European restrictions. The forays of Hungarian composers Liszt, Kodaly, and Bartok into ethnomusicology reflect an evolving understanding of Romani culture. French jazz, as well as Spanish flamenco music and dance, also absorbed Romani influences. Classical music and opera scholar Saul Lilienstein delves into the European journeys of the Romani, revealing through recordings and rare film footage their profound influence on the music we hear today. 9:30 a.m. Romani Music Enters the Classical Tradition 11 a.m. Into the Mid-19th Century 12:15 p.m. Lunch (participants provide their own) 1:15 p.m. The Hungarians Reclaim Their Tradition 2:30 p.m. Across the Continent Sat., April 28, 9:30 a.m.–4:15 p.m.; Ripley Center; CODE 1M2-961; Members $90; Nonmembers $140

Bela Bartok (fourth, from left) using a gramaphone to record Czech folk songs, 1907

Location Changes Our programs occasionally move to a different location from the one published on tickets. We do our best to inform ticket holders of location changes by mail, phone, and email. You are advised to confirm the location by calling our customer service staff at 202-633-3030 (M–F; 9–5) You can also visit smithsonianassociates.org for the most up-to-date information.

SMITHSONIAN ASSOCIATES MARCH 2018

Published ticket prices are subject to change, depending on availability.

Smithsonian Sleepovers Adventures await you after the doors close. Which will you choose first? Tickets available now American History Museum Fridays: May 11; May 25; June 15; August 10

Natural History Museum Fridays: May 18; June 1, 29; July 6; August 24, 31

Air and Space Museum’s Udvar-Hazy Center SMITHSONIAN S L E E POVERS

Saturdays: July 14, 28; August 18

Imagine rolling out your sleeping bag at the home of the Star-Spangled Banner, beneath a 50-foot whale, or in the shadow of Space Shuttle Discovery. That’s what kids and their grown-up companions can do when they attend a Smithsonian Sleepover. The American History Museum, Natural History Museum, or the Air and Space Museum’s Udvar-Hazy Center are all yours during a night of fun. Ages 8–12 years; at least one adult (21 years or older) for every three children in a group. No siblings younger than 8. No adults without children. Sleepovers are held in select areas throughout the museums.

Culture + Ideas Marvel Men Directors Joe and Anthony Russo on Bringing Avengers: Infinity War to the Screen Joe and Anthony Russo entered the Marvel film universe with Captain America: The Winter Soldier, one of the top-grossing films of 2014, and Captain America: Civil War, which pitted Cap (Chris Evans) against Iron Man (Robert Downey Jr.). Their latest film, Avengers: Infinity War, brings together the Avengers and their allies to defeat the powerful Thanos before he destroys the universe. The Russos discuss their experiences in transporting the adventures of the iconic superheroes from the page to the screen. Anthony and Joe Russo Before stepping behind the camera for the Captain America series, the Russos served as executive producers and directors for several TV series, including Community and Happy Endings and cult favorite Arrested Development. Their film debut was 2002’s Welcome to Collinwood, produced by Steven Soderbergh and George Clooney.

BASILICA OF SAN MARCO, ROME

Wed., May 2, 7 p.m.: Lisner Auditorium, George Washington University; CODE 1L0-197; Members $25; Nonmembers $35

Rossini’s Stabat Mater The Second Time’s the Charm Gioachino Rossini’s rise to the top of Europe’s opera scene was swift. Having composed nearly 40 operas in 20 years including The Barber of Seville, Otello, La Cenerentola (Cinderella), and Guillaume Tell, he had many devoted fans and fierce critics. In fact, the first edition of his Stabat Mater–a setting of a 13th-century Latin hymn concerning the Virgin Mary’s death watch–wasn’t even fully composed by him, and was the target of bitter lawsuits. Ten years later, Richard Wagner attempted to sabotage the 1842 premiere of Rossini’s second, and definitive, Stabat Mater. But it was a resounding success. Scott Tucker, artistic director of the Choral Arts Society of Washington, explores the musical structure, text, and cultural history of Stabat Mater. Highlights include recordings and a live performance by Choral Arts Chorus members.

With Performance

NEW DATE: Wed., April 25, 7 p.m.; Rasmuson Theater, American Indian Museum; CODE 1P0-610; Members $20; Nonmembers $25 Program registrants receive discount code for tickets to the chorus’s performance of Stabat Mater in Kennedy Center’s Concert Hall May 19 at 3 p.m.

Painting (detail) of the pietà by unknown artist of the 17th cent.

Mark and Jay Duplass: Like Brothers As producers, writers, directors, and actors, Mark Duplass and Jay Duplass have made their mark in the world of independent film and television on the strength of a quirky and empathetic approach to storytelling. They tell their own story of a lifelong partnership based on a bond that’s resilient, affectionate, mutually empowering, and only mildly dysfunctional Drawing on their new book Like Brothers (Ballantine), they trace a professional path that took them from a childhood spent wielding a home video camera in the suburbs of New Orleans to making a breakthrough short on a $3 budget to finding their feature Baghead at the center of a Sundance bidding war. The brothers also share their perspectives on the joys and frustrations of brotherly collaboration, how they learned to capitalize on each other’s strengths, and how they succeeded in Hollywood on their own terms. Thurs., May 10, 6:45 p.m.; Ring Auditorium, Hirshhorn Museum; CODE 1L0-198; (includes book); Members $45; Nonmembers $55

Mark and Jay Duplass

What time does the program end? Unless noted, Smithsonian Associates programs run 1.5–2 hours, including Q&A 14

SMITHSONIAN ASSOCIATES MARCH 2018

Published ticket prices are subject to change, depending on availability.

Culture + Ideas VATICAN MUSEUMS

American Authors: 50 States of Mind American literature is filled with unique voices. Discover them in occasional lectures featuring authors from coast to coast

Dashiell Hammett A Gumshoe with Polish

Myrna Loy, William Powell, and their dog Asta in “The Thin Man”, 1934

With Reception

The Continental Op, Sam Spade, and Nick and Nora Charles were enduring characters created by writer Dashiell Hammett (18941961). The Maryland native helped to pioneer a new form of American fiction, the “hardboiled” detective story, with novels such as Red Harvest, The Maltese Falcon, and The Thin Man. Hammett’s life was every bit as colorful as his fiction. He was a Pinkerton detective, hobnobbed with movie stars, served in both world wars; and did jail time for refusing to cooperate with early ’50s Communist witch hunters led by Sen. Joseph McCarthy. Grab your trench coat, dust off your fedora, and join us as we pay tribute to the original Thin Man. Author Daniel Stashower explores Hammett’s life and legacy while actor Scott Sedar offers dramatic readings. Stay for a reception that includes a toast to “the stuff that dreams are made of.” Somewhere, Bogie is smiling.

Mon., May 14, 6:45 p.m.; Ripley Center; CODE 1H0-334; Members $45 Nonmembers $60

What Is It about This Is Us? From Father Knows Best to All in the Family to Parenthood, TV shows portraying family life have been a mainstay for decades. Now come the Pearsons, whose story unfolds weekly on NBC’s This Is Us. In its second season, the show has won awards, high ratings, and social media attention, holding its own in an entertainment landscape overflowing with content choices. How has a show devoid of flashy characters and outlandish storylines become something of a cultural phenomenon? Stef Woods, a lecturer in American University’s American studies program, Cast members (back row): Milo Ventimiglia, Mandy takes a close look at the appeal of the Moore; (front row) Lonnie Chavis, Mackenzie Hanccomplex, relatable Pearson family and how sicsak, and Parker Bates the show deals with real-world issues like adoption, race, and addiction. She explores why we’re drawn to shows that make us cry and whether watching the series makes us more empathetic. Woods also provides an overview of This Is Us, with a focus on the second season’s finale and, perhaps, an illuminating look into season three.

Bust of Sophocles; Roman copy after a Greek original of the 4th cent., B.C.

Sophocles at the Embassy of Greece Among the surviving gems of classical literature are ancient Greek dramatist Sophocles’ famous tragedies, including Antigone, Oedipus the King, and Oedipus at Colonus, which chart the fate of the royal house of ancient Thebes. They were written to provide essential lessons for an Athenian audience in 5th century B.C., and address themes of justice and political leadership, the limits of rationality, and the reconciliation of mortality and aspiration. Tonight, archaeologist Frederick Winter examines these timeless works in their ancient and modern contexts. A reception follows the presentation. Thurs., May 31, 6:30 p.m.; Embassy of Greece, 2217 Mass. Ave., NW (Dupont Circle Metro, Red line); CODE 1H0-339; Members $50; Nonmembers $65

With Reception

Wed., May 30, 6:45 p.m.; Ripley Center; CODE 1W0-027; Members $30; Nonmembers $45

More INFORMATION and TICKETS at SMITHSONIANASSOCIATES.ORG and 202-633-3030

Culture + Ideas A popular summer retreat for Bostonians and New Yorkers for well over 150 years, the scenic and historic Berkshire hills of 5–DAY western Massachusetts are alive with music, art, and theatre. TOUR Arts journalist Richard Selden leads a 5-day tour that offers a splendid sampling of cultural attractions in the region, from historic writers’ homes to outstanding museums to music and theatre performances. Destinations with literary connections include Herman Melville’s evocative Pittsfield farmhouse, Arrowhead, and Edith Wharton’s elegant Lenox estate, The Mount. Visit the Clark Art Institute in picture-perfect North Adams, Berkshire County, Massachusetts Williamstown, featuring the exhibition Women Artists in Paris, 1850-1900; MASS MoCA, a collection of contemporary galleries in a 26-acre former industrial complex; and the first-rate art museums at Williams College and, on the return trip, Yale University. Be part of the audience at two intimate chamber music venues in Vermont, Music Mountain (America’s oldest continuing summer chamber music festival) and Yellow Edith Wharton’s studio, Lenox, Massachussetts Barn, as well as for a performance at the acclaimed Williamstown Theatre Festival. Overnight accommodations are at the Hampton Inn, Lenox, Mass. (1 night), the Williams Inn, Performance in the Yellow Barn, Putney, Vermont Williamstown, Mass. (2 nights), and the Hampton Inn, Brattleboro, Vt. (1 night). Sun., July 29, 6:30 a.m.–Thurs., Aug. 2, 9:30 p.m.; bus departs from the Mayflower Hotel, Connecticut Ave. and DeSales St., NW, with a pickup stop at the Doubletree by Hilton Laurel, 15101 Sweitzer Lane, Laurel, Maryland, at about 7 a.m.; singles registering at the double-room rate are paired (on a nonsmoking basis) if possible, but must pay the single-room supplement ($395) otherwise; cost includes bus transportation, lodging, all activities, admissions and fees, 3 performances, gratuities, and meals (4 breakfasts, 4 lunches, 3 dinners); tour includes indoor and outdoor walking and standing, as well as extended bus rides; information mailed to registrants about 4 weeks prior to departure; purchase of trip insurance recommended; CODE 1NNBER; Members $1,950; Nonmembers $2,600

Smithsonian Associates The Not-Its!

Sam and BG’s Accidental Day

In their pink ties and pink-and-black tutus, the Not-Its! rock kids and families with their uptempo albums and performances that give children their first ”rock show” experience.

Five-year-olds BG and Sam are aspiring junior soccer stars and best friends on and off the field. Letters, numbers, and sing-along songs make this super sports saga extra special.

Ages 2–6; Pre-K–1st Grade Thurs., March 1 and Fri., March 2 10:15 and 11:30 a.m. Discovery Theater, Ripley Center

Crazy Colors of Chemistry The Science Guys of Baltimore bring a hands-on presentation about the exciting principles of chemistry and color and how they work together. Ages 6–11; 1st–6th Grade Thurs., March 8 and Fri., March 9 10:15 and 11:30 a.m. Discovery Theater, Ripley Center

SMITHSONIAN ASSOCIATES MARCH 2018

Ages 3 to 7; Pre-K–2nd Grade Thurs., March 15 and Fri., March 16 10:15 and 11:30 a.m. Discovery Theater, Ripley Center

See the whole season — and get tickets today— at Discoverytheater.org Generous support for Discovery Theater is provided by the D.C. Commission on the Arts & Humanities, an agency supported in part by the National Endowment for the Arts, DC Public Schools, The Nora Roberts Foundation, Philip L. Graham Fund, PNC Foundation, Smithsonian Women's Committee, Smithsonian Youth Access Grants Program and Sommer endowment.

Published ticket prices are subject to change, depending on availability.

ZACHARY STEPHENS

PABLO SANCHEZ

A Berkshires Summer Sampler

Three Reasons to Support Smithsonian Associates

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Basic memberships and tickets cover only a portion of our costs.

We receive no federal funding.

Demonstrate your support today. The returns will exceed your expectations.

To learn more about levels of support and insider benefits, visit smithonianassociates.org/levels or call 202–633–3030 (M–F, 9–5)

SMITHSONIANASSOCIATES.ORG and 202-633-3030

Art + Design The Most Famous Address in Washington Perspectives on White House History In Collaboration with the White House Historical Association

The President’s House was a major feature of Pierre Charles L’Enfant’s 1791 plan for the city of Washington. He envisioned a vast palace for the nation’s leader, planned and constructed under George Washington’s personal supervision. Since then, it has been burned, reconstructed, renovated, designed, and redesigned. Noted specialists explore aspects of every corner of the famous building, where every decision has political ramifications. Participants at each program receive a copy of the speaker’s corresponding large-format, illustrated book published by the White House Historical Association. What might be the central unifying message behind the collection of 500 paintings, sculptures, and drawings that are part of the household collections of the White House? Bill Kloss, author of Art in the White House: A Nation’s Pride, discusses the artistic and historical significance of a number of the works. March 15 Situated between the first family’s home and the iron fence that protects it, the White House grounds encompass a carefully main-

tained 18-acre landscaped garden for the enjoyment of both the president and public. Jonathan Pliska, author of A Garden for the President: A History of the White House Grounds, analyzes the relationship between the White House and its landscape. April 19 With its strong and visceral ability to impact both individuals and societies in emotionally moving ways, over the years, music has been a powerful tool to shape the image of an administration through performances and ceremonies that reflect both the interests of specific presidents and the periods in which they lived. Elise Kirk, author of Music in the White House: From the 18th to the 21st Centuries, discusses music’s unique role within the White House as a form of entertainment, and how presidents supported artistic freedom and expression in return. May 17 Individual sessions: Thurs., March 15 (CODE 1B0-238); April 19 (CODE 1B0-239); May 17 (CODE 1B0-240); 6:45 p.m.; Ripley Center; Members $40; Nonmembers $50 (includes copy of book)

World Art History Certificate core course: Earn 1 credit

Art and Kingship in Southeast Asia Strategically located for trade, rich in resources, and containing a surprising variety of cultural traditions, the civilizations of mainland and island Southeast Asia are among the most Sunrise view of temples in Bagan, Myanmar dynamic and unique in the world. Art historian Robert DeCaroli examines the cultural and artistic traditions of ancient Southeast Asia from the earliest archaeological evidence to the onset of colonialism, with a particular focus on the royal arts of the great civilizations that arose within the borders of modern Thailand, Cambodia, Indonesia, Burma (Myanmar), Vietnam, Laos, and Malaysia. DeCaroli looks at the early states and civilizations in the regions under whose reigns the grand structures at Borobudur and Prambanan were built. His survey of the art of kingdoms that stood where modern Cambodia is today includes such grand structures as Angkor Wat and the Bayon. DeCaroli considers the

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state of Dai Viet, in the region of modern North Vietnam, which was culturally connected to China. He uses art and architecture to examine Dai Viet’s interactions and conflicts with the Cham state, which had strong cultural ties to the rest of the region. In discussing the emergence of the Burmese and Thai royal states, he looks at how these powers related to the cultures in the region before them. MAR 7 The Kingdoms of Java MAR 14 The Khmer Empire of Cambodia MAR 21 Dai Viet and Champa Face of the Bayon in Angkor Wat, Cambodia

MAR 28 The Burmese Kingdom of Pagan APR 4 The Sukhothai Period

5 sessions; Wed., March 7–April 4, 12 noon–1:30 p.m.; Ripley Center; CODE 1H0-315; Members $90; Nonmembers $140

Published ticket prices are subject to change, depending on availability.

GEMÄLDEGALERIE

World Art History Certificate elective: Earn ½ credit

Art Treasures of Berlin

Caravaggio

Lost, Destroyed, Recovered

Theater and Light

Berlin’s determined bid, starting in the late 19th century, to amass one of Europe’s great art collections was both a resounding success and a disaster. The decades-long campaign to place some of the world’s most precious works in the German capital also put them at the epicenter of the conflagration of World War II. Many key museums were severely damaged, and their collections lost, looted, or physically destroyed. Art historian Aneta Georgievska-Shine focuses on Old Master paintings and sculptures—including works by Donatello, Botticelli, Raphael, Caravaggio, and Rembrandt—and their wartime and postwar fates in a city that has once again become one of the top art destinations of Europe.

In his short and turbulent life (1571–1610), Caravaggio single-handedly changed the direction of European painting. His originality as a composer of visual images is so great that there were few prominent European painters of the next three generations who did not strongly feel his indelible influence. Above all, they learned about intensifying the spiritual drama of a scene Martha and Mary Magdalene (detail), ca. by using lighting effects we 1598, by Caravaggio still think of as cinematic. Art historian Nigel McGilchrist follows Caravaggio’s life and development as a painter, and looks at the unique optical tools he used and at the circle of brilliant scientists whose company he kept. His works emerge against the backdrop of the often-violent, and ultimately tragic, events that shaped his extraordinary life. McGilchrist also looks at the influence that Caravaggio’s unforgettable vision had on Bernini, Rembrandt, Velazquez, Vermeer, and Goya in particular.

Self-Portrait with Velvet Beret, 1634, by Rembrandt

Mon., March 12, 6:45 p.m.; Ripley Center; CODE 1H0-330; Members $30; Nonmembers $45

D OU L O S

Thurs., March 22, 6:45 p.m.; Ripley Center; CODE 1M2-951; Members $30; Nonmembers $45

World Art History Certificate elective: Earn 1 credit

The Vatican Collection The Heart of Europe’s Artistic Legacy The Church of Rome has been the single greatest patron of art and architecture in European history. The popes were among the first patrons to open their collections to the public in the 16th century, and the Vatican remains the most important expression, in a single place, of that long cultural dominance and display. In this richly illustrated daylong program, art historian Nigel McGilchrist looks at the Vatican’s magnificent collection of paintings and antiquities, The Bramante staircase in the Vatican Museum as well as St. Peter’s Basilica, the Sistine Chapel, Papal Apartments, Secret Archives, and the Vatican gardens and catacombs—all of which comprise an ensemble with an importance unique in the world. Follow the evolution of St. Peter’s from a tiny shrine to a monumental basilica; learn the stories behind some of the collection’s highlights, from the Apollo Belvedere to Leonardo’s unfinished St. Jerome to Etruscan bronzes, mosaics, and more; discover the fraught history behind the Sistine Chapel and other sublime spaces; and examine the problems and possibilities inherent in conserving such a vast and comprehensive collection.

UT O D SOL

9:30 a.m. St. Peter’s and the Vatican’s Artistic Monuments 11 a.m. History’s Greatest Artifacts Under One Roof 12:15 p.m. Lunch (Italian-style specialties included) 1:30 p.m. The Sistine Chapel, Raphael Rooms, and Papal Apartments

With LUNCH

3 p.m. The Vatican Collection Today—and Beyond

A fresco by Fra Angelico, ca. 1447, in the Niccoline Chapel

Sat., March 24, 9:30 a.m.–4:15 p.m.; Ripley Center; CODE 1M2-952; Members $108; Nonmembers $158

More INFORMATION and TICKETS at SMITHSONIANASSOCIATES.ORG and 202-633-3030

DETROIT MUSEUM OF ART

Art + Design

ART INSTITUTE OF CHICAGO

Art + Design Arriving Hungry? Snacks are available in the Ripley Center Beverages (water, wine, and beer) and assorted snacks will be available for purchase in the lobby of the Smithsonian Associates’ offices on Tuesdays, Wednesdays, and Thursdays, 6–7:15 p.m.

World Art History Certificate elective: Earn ½ credit

Grant Wood Beyond American Gothic Grant Wood’s American Gothic is an indelible icon of Americana. But Wood’s career consists of far more than one single painting. A new exhibition at the Whitney Museum of American Art, Grant Wood: American Gothic and Other Fables, features American Gothic, 1930, by Grant Wood the full range of his art, from his early arts-and-crafts decorative objects and impressionist oils through his mature paintings, murals, and book illustrations. It reveals that his image as a farmer-painter was as mythical as the fables he depicted in his art. Wood’s populist images of rural America spoke to America’s need for reassurance as it struggled through the economic and social upheaval following the Great Depression. On a deeper personal level, images in his art that have to do with American identity and the isolation of modern life reflect the anxiety of being an artist and a closeted gay man in the Midwest in the 1930s. Sarah Humphreville, senior curatorial assistant at the Whitney, offers an overview of the exhibition and insights into the artist’s life. NEW DATE: Wed., April 25, 6:45 p.m.; Ripley Center; CODE 1L0-189; Members $30; Nonmembers $45

THE BARNES FOUNDATION

World Art History Certificate elective: Earn ½ credit

The Barnes Foundation Philadelphia Barnes is often considered the greatest post-impressionist and earlymodern art collection in the world, with more than 3,000 masterpieces. Opened in 2012, the Barnes’ downtown Philadelphia location was designed to be a complement to the world-famous Barnes art collection. The museum houses dazzling collections of French modern and post-impressionist paintings that can be enjoyed with live interpreters in the museum. Tour participants have the opportunity to view masterpieces by Renoir, A gallery in the Barnes Foundation Cezanne, and Matisse, as well as Picasso, Seurat, Rousseau, Modigliani, Monet, Manet, and Degas. Also see Greek, Roman, and Egyptian antiquities, Chinese painting, African sculpture, Southwestern retablos, Native American art, and American decorative arts. The tour is led by art historian Ursula Wolfman, who offers a lecture en route to Philadelphia.

DO L O S

The Barnes Foundation

SMITHSONIAN ASSOCIATES MARCH 2018

Fri., April 6, 8 a.m.–7 p.m.; bus departs from the Mayflower Hotel, Connecticut Ave. and DeSales St., NW, with a pickup stop at the I-495 Exit 27 commuter parking lot at about 8:25 a.m.; 3-course private lunch at museum; CODE 1ND-016; Members $170; Nonmembers $220

Published ticket prices are subject to change, depending on availability.

Art + Design World Art History Certificate elective: Earn 1 credit

Byzantium, as we call it today, was the Eastern Roman Empire under Christian rule, from the time of Emperor Constantine in the fourth century to its fall to the Ottoman Turks in 1453. Greek-speaking and centered in Constantinople—today’s Istanbul—it was one of the medieval world’s greatest empires, at its height encircling the eastern Mediterranean. Its art and architecture, based on the legacy of imperial Rome, helped create and define Orthodox Christianity and medieval concepts of royal power. Constantine’s new capital dazzled the late antique world and became the greatest fortress city of the Middle Ages. Innovation in Roman engineering and Christian worship culminated in the great domed churches, such as the Hagia Sophia, filled with gleaming marble and gold mosaics. Icons painted by Orthodox Christian artists are among some of the most stunning spiritual art of the Middle Ages. The Byzantine Empire’s legacy continues in today’s Greece, Eastern Europe, and the Mediterranean. Cities and monasteries throughout the Orthodox world preserve the arts of late Byzantium through their churches, icons, frescoes, and libraries. Art historian Lawrence Butler explores Byzantium’s greatest contributions to world art and considers its legacy in today’s Orthodox Christian world. Emphasis is placed on the superb museum collections of Byzantine art in Washington, D.C., Baltimore, and New York. 9:30 a.m. Building Constantinople 11 a.m. The Byzantine Icon 12:15 p.m. Lunch (participants provide their own) 1:30 p.m. Luxury Arts 3 p.m. The Orthodox Legacy Sat., April 7, 9:30 a.m.–4:15 p.m.; Ripley Center; CODE 1M2-953; Members $90; Nonmembers $140

World Art History Certificate elective: Earn ½ credit

African Art and the Struggle for Independence

NATIONAL GALLERY OF ART

Hagia Sophia, Istanbul

Illumination of St. Paul, late 13th cent., Byzantine empire

World Art History Certificate elective: Earn ½ credit

Cezanne Portraits

In the mid-20th century, revolution was sweeping across the world’s second largest continent. From Morocco to Mozambique, Africans of all identities and experiences had begun to stand up and demand their right to self-determination. Since the Berlin Conference of 1884, European colonial powers had brutalized and exploited the continent and its hundreds of millions of residents. In the span of just a few decades, independence movements formed in nearly every colony on the continent. By 1977, European colonialism had been broken. The story of African liberation, however, is as much about painters and sculptors as it is about politicians and soldiers. In every region, artists played a critical role in mobilizing populations, organizing international support, and developing national pride and identity. Art historian Kevin Tervala examines the role that artists and artworks played in the struggle for African independGoing to the Independence War and ence and explores the ways in Saying Goodbye, 1964, by Malangatana which art and politics are inexNgwenya tricably connected.

A new exhibition opening in March at the National Gallery of Art, Cezanne Portraits, brings together some 60 examples drawn from collections around the world. The first devoted to the famed post-impresBoy in a Red Waistcoat, 1888–1890, by sionist’s portraits, the Paul Cézanne exhibition provides a visual account of Paul Cezanne’s portrait practice, exploring the pictorial and thematic characteristics of his works in the genre, the chronological development of his style and method, and the range and influence of his sitters. Several paintings are exclusive to the National Gallery’s presentation, and some works have never been exhibited in the United States. Join one of the exhibition’s curators, Mary Morton, head of the department of French paintings at the gallery, as she discusses its creation and the new perspectives the exhibition offers on the artist.

Mon., April 9, 6:45 p.m.; Ripley Center; CODE 1H0-321; Members $30; Nonmembers $45

Tues., April 17, 6:45 p.m.; Ripley Center; CODE 1L0-192; Members $20; Nonmembers $30

More INFORMATION and TICKETS at SMITHSONIANASSOCIATES.ORG and 202-633-3030

WALTERS ART MUSEUM

The Artistic Legacy of Byzantium

Art + Design UFIZZI, FLORENCE

World Art History Certificate elective: Earn 1 credit

What Does It Mean? Why have stories from Greek and Roman mythology and the Bible engaged, entertained, and even shocked us for centuries? Is it because they grapple with powerful and timeless themes such as mortality and immortality, power and politics, and the body? Lisa Passaglia Bauman, associate professor of art history at George Mason University, shares the mythological and Biblical narratives that have had the greatest impact on the Western tradition. Through an analysis of images, allegories, motifs, and context, she traces the iconography of these enduring stories from their ancient archetypes to contemporary interpretations. Learn how images of leaders—from ancient portraits on Roman coins to current political portrayals—have often been used as self-aggrandizing propaganda. Understand what artists were trying to communicate by using images of the body in works such as Botticelli’s Birth of Venus, Michelangelo’s David, and Titian’s Venus of Urbino. Explore the range and type of symbols that serve to sustain memories of people and events from the use of images on tombs to the monuments of Washington, D.C. David, ca. 1501-1504, by Michelangelo

NATIONAL GALLERY, LONDON

Stories and Symbols in Art

9:30 a.m. The Language of Symbols: Image, Text and Meaning

11 a.m. Power and Politics: Location and Leaders 12:15 p.m. Lunch (participants provide their own) 1:15 p.m. The Body: Heroism, Love, and Vulnerability

The Arnolfini Portrait, 1434, by Jan van Eyck

2:45 p.m. Mortality and Immortality: Tombs, Monuments, and Memorials Sat., April 21, 9:30 a.m.–4 p.m.; Ripley Center; CODE 1H0-328; Members $90; Nonmembers $140

World Art History Certificate elective: Earn ½ credit

RUSKIN LIBRARY, LANCASTER UNIVERSITY

Born almost exactly 100 years apart, the American painter, Andrew Wyeth and the British critic and amateur artist John Ruskin shared a life-long obsession for the close observation and finely rendered imagery of the world around them. Delaware Art Museum’s exhibition Eye on Nature: Andrew Wyeth and John Ruskin places the work of these artists together for the first time, examining their varying approaches to interpreting the natural world. A guided tour of the exhibition is the highlight of a day at the museum, where participants enjoy a private lunch and time on their own to explore Aiguille Charmoz, Chamonix; pencil, ink and watercolor; 1849; by John Ruskin the galleries, sculpture garden, and store. Before Blackberry Branch, Study for Blackberry returning home, relax with a splendid traditional Pickers; drybrush; 1943; by Andrew Wyeth afternoon tea at the historic Hotel Du Pont in downtown Wilmington. Art historian Bonita Billman, affiliated faculty in the department of art and art history at Georgetown University, serves as the day’s tour leader. Sat., April 28, 8 a.m.–7:30 p.m.; bus departs from the Holiday Inn Capitol, 6th and C Sts., SW, with a pick-up stop at the I-495, Exit 27 carpool lot at approximately 8:30 a.m.; CODE 1ND-020; Members $170; Nonmembers $220

SMITHSONIAN ASSOCIATES MARCH 2018

Published ticket prices are subject to change, depending on availability.

A Day at the Delaware Art Museum

Art + Design World Art History Certificate elective: Earn ½ credit

Borromini’s Rome The Baroque at Its Best The city of Rome is famous for its 17th-century Baroque architecture, and no Roman Baroque architect was more imaginative and original than Francesco Borromini. Building on the architectural legacy of his revered predecessor Michelangelo, he employed the classical vocabulary of the High Renaissance to create a new Baroque architectural language that was uniquely inventive, deeply personal, instantly recognizable, and in its special way incomparably beautiful. Independent scholar and Rome expert George Sullivan examines Borromini’s architecture in detail, discussing all five of his major commissions in the city. He gives special focus to two of Borromini’s greatest works, the tiny gem-like churches of S. Ivo della Sapienza and S. Carlo alle Quattro Fontane, which jointly receive an in-depth visual analysis that describes and explains exactly what makes his buildings so exceptional. Sullivan is the author of Not Built in a Day: Exploring the Architecture of Rome. Tues., May 1, 6:45 p.m.; Ripley Center; CODE 1M2-956; Members $30; Nonmembers $45

S. Ivo della Sapienza, Rome

Sears Houses of Arlington From 1908 to 1940, Sears Roebuck & Co. sold more than 70,000 of its prefabricated Modern Homes kits, affordable dwellings assembled on site that offered Americans of moderate means the chance to own an up-to-date house. Arlington County, which saw a boom in its growth during the 1920s, boasts a significant collection of these kit houses. After an introductory slide presentation at the Ripley Center, historian Kathryn Holt Springston leads a bus tour through historic Virginia neighborhoods in search of these distinctive and charming structures. During the tour, the exteriors of approximately 50 Sears homes are viewed, representing some 50 different models that range from the single-story “Sunlight” to the magnificent 10-room “Woodland” model. Springston discusses the rail and trolley lines “The Hathaway” Sears house, in Arlington that provided transportation for Sears products, laborers, and residents; the rapidly growing communities in which these houses were built; Advertisement for a Sears house, 1921–26 and the agrarian communities they replaced. Sat., May 5, 12:30–6 p.m.; bus departs from Ripley Center (Smithsonian Metro, Blue/Orange/Silver lines), and returns there at tour’s conclusion; bus makes one metro stop in Virginia before returning to DC; CODE 1ND-019; Members $95; Nonmembers $145

THE MET

World Art History Certificate elective: Earn ½ credit

Exploring Egypt at the Met Spend a fascinating day at New York’s Metropolitan Museum of Art, exploring the museum’s dazzling Egyptian antiquities collection, by far the largest in North America. Tour leader Gary Rendsburg, a professor of biblical studies, Hebrew language, and ancient Judaism at Rutgers University, introduces the world of ancient Egypt en route to the city. At the Met, he guides participants through the Lila Acheson Wallace Galleries of Egyptian Art, interpreting how the artifacts on display reflect the creativity and significance of Egyptian art, literature, religion, and culture, as well as how this material illuminates many of the best-known stories in the Bible. The visit also includes a docent-led tour of highlights of the Met’s collections, and time to view other galleries. Sun., April 22; 7 a.m.–11 p.m.; bus departs from the Mayflower Hotel, The Temple of Dendur, completed by 10 B.C. Connecticut Ave. and DeSales St., NW, with a pickup stop at I-495 exit 27 carpool lot, at about 7:25 a.m.; boxed lunch is included en route to New York, and a three-course dinner at the Brass Rail; CODE 1ND-021; Members $215; Nonmembers $265

More INFORMATION and TICKETS at SMITHSONIANASSOCIATES.ORG and 202-633-3030

Art + Design World Art History Certificate elective: Earn 1 credit

Chapels That Defined the Renaissance Giotto’s paintings in the Scrovegni Chapel in Padua, works by Masolino and Masaccio in Florence’s Brancacci Chapel, and Michelangelo’s ceiling of the Sistine Chapel in Rome represent three extraordinary milestones in the history of painting. Rocky Ruggiero, a specialist in the Early Renaissance, examines how these artists presented a revolutionary visual interpretation of Christian iconography. Giotto’s 14th-century fresco cycle transformed the iconic sacred subjects of his contemporary painting world into a very human story that reflects a surprisingly modern, cinematic quality. His work is full of expressive character types, landscapes, color, and visual arrangements. The transition between the late Gothic to Renaissance style is reflected in Brancacci Chapel’s 13th-century frescoes of St. Paul painted by Masolino and Sistine Chapel ceiling, painted by Michelangelo Masaccio. Masaccio, celebrated as the first true Renaissance painter, influenced future generations of artists including Michelangelo. When Michelangelo agreed to paint the Sistine Chapel’s ceiling for Pope Julius II in 1508, he embarked on a struggle with physical and existential pain that resulted, four years later, in an epic and radical vision of the Old Testament. 10 a.m. The Scrovegni Chapel 11 a.m. The Brancacci Chapel 12:15 p.m. Lunch (participants provide their own)

The Crucifixion of Christ, ca. 1306, by Giotto di Bondone

1:15 p.m. The Sistine Chapel (15-minute break at 2:30 p.m.)

Sun., May 6, 10 a.m.–4 p.m.; Ripley Center; CODE 1W0-025; Members $90; Nonmembers $140

With Optional Tour

World Art History Certificate core course: Earn 1 credit

Art of the Medieval World Cathedrals and Beyond

In the Middle Ages, kings and peasants alike believed in the power of sacred images and spaces. To them, painted icons, illuminated manuscripts, golden reliquaries, and jewel-like cathedral interiors served as mediators between earth and heaven, leading the human spirit toward a vision of eternal life. Independent art historian Judy Scott Feldman examines the art and architecture of the thousand-year period between classical antiquity and the Renaissance, and its relationship to a society infused with faith and spirituality. Two optional tours of the medieval art collections at the Walters Art Museum led by the presenter are offered on June 2. MAY 8 Early Christian and Byzantine Art MAY 15 Irish and Carolingian Illuminated Manuscripts MAY 22 Romanesque Art MAY 29 Gothic Visions of Heaven Course only: 4 sessions; Tues., May 8–29, 6:45– 8:45 p.m.; Ripley Center; CODE 1H0-336; Members $90; Nonmembers $140

Mosaic of Christ washing the feet of the Apostles, Hosios Loukas monastery, Greece

Stained glass windows in Chartres Cathedral, France, ca. early 13th century

Course and optional tour: June 2, 10:30–11:30 a.m. (CODE 1H0-337) or 12:30–1:30 p.m. (CODE 1H0-338); meet at Walters Art Museum, 600 N. Charles St., Baltimore; participants provide their own transportation; limited to 20; Members $110; Nonmembers $160

SMITHSONIAN ASSOCIATES MARCH 2018

Published ticket prices are subject to change, depending on availability.

World Art History Certificate elective: Earn 1 credit

A city at cultural and geographic crossroads, Venice was one of the most flourishing urban and artistic centers of the Italian Renaissance. Its state and religious communities sponsored the construction of numerous buildings that reflected its prosperity, as well as its openness to new styles and ideals. Venetian artists introduced new subjects or re-invented traditional ones in a marvelous blend of naturalism and love of ornament. In addition to the cultural exchanges that influenced their approach, they were inspired by the extraordinary light found in this city on the sea to The Entrance to the Grand Canal, Venice, ca. 1730, by Canaletto create masterpieces of color that had few parallels among their peers elsewhere. Art historian Aneta Georgievska-Shine presents a daylong survey of the artists—from Bellini to Titian to Tintoretto—who shaped Venice into a unique place of beauty during the Renaissance. 9:30 a.m. A City at Cultural Crossroads 11 a.m. The Invention of Venetian Art: Painting as Poetry 12:15 p.m. Lunch (participants supply their own) 1:15 p.m. The Triumph of Colorito 2:45 p.m. Titian’s Rivals and Heirs Portrait of a Man in a Red Cap, ca. 1510, by Titian

Sat., May 12, 9:30 a.m.–4 p.m.; Ripley Center; CODE 1H0-343; Members $90; Nonmembers $140

LIBRARY OF CONGRESS

THE FRICK COLLECTION

The Artists of Renaissance Venice

MUSEUM OF FINE ARTS, HOUSTON

Art + Design

World Art History Certificate elective: Earn 1 credit

Surrealism The Canvas of Dreams Surrealism: The chance meeting on a dissecting table of a sewing machine and an umbrella! —Les Chants de Maldoror, Comte de Lautreamont, 1869

One of the major art movements of the 20th century, surrealism opened the door to the exploration of the unconscious and the creation of art based on inner reality. Freud’s dream research liberated surrealist artists to see the truth of who we really are, and in their work, dreams became equivalent to imagination itself. Artist and art historian Joseph Cassar explores the origins of surrealism, its widespread influence, and many of its most prominent artists including Max Ernst, Jean Arp, Joan Miro, Andre Masson, Rene Magritte, Alberto Giacometti, and Salvador Dali. 9:30 a.m. Metaphysical Art and the Anxieties of the 20th Century

Salvador Dali with Babou, the ocelot, and cane, 1965

11 a.m. Andre Breton and the Surrealist Manifesto 12:30 p.m. Lunch (participants provide their own) 1:30 p.m. The Surrealist Revolution: Magritte, Ernst, Masson, and Others Woman and Bird, 1982, by Joan Miró, in Barcelona, Spain

2:45 p.m. Salvador Dali and the Paranoiac-Critical Method Sat., June 2, 9:30 a.m.–4 p.m.; Ripley Center; CODE 1H0-341; Members $90; Nonmembers $140

More INFORMATION and TICKETS at SMITHSONIANASSOCIATES.ORG and 202-633-3030

Art + Design World Art History Certificate core course: Earn 1 credit

Italian Renaissance Art The arts blossomed in Renaissance Italy, an era that encompassed the innovations of perspective and oil paint, a new emphasis on the study of anatomy and antiquity, and the growing independence of the artist. Art historian Lisa Passaglia Bauman explores some of the great masterworks of art and architecture created from the late-14th to the 16th centuries as she examines the intellectual trends and social context that gave rise to such giants as Giotto, Botticelli, and Michelangelo. Explore 15th-century Florence as it gives birth to new ideas of beauty and a new role for man as “the measure of all things.” Learn how papal patrons spent lavishly to have artists and architects transform Rome into a worthy capital for both God and the age, and enabled Michelangelo and Raphael to complete and beautify the city of God. The overarching principles that define Italian Renaissance art—decorum, the suitability of style to purpose, and invenzione—gave rise to experimentation with Brunelleschi’s dome of Santa Maria del Fiore, Florence new techniques and styles and inspired artists such as Michelangelo and Titian as they created in this new environment. JUN 4 Framing the Renaissance JUN 11 Renaissance in Florence: Cathedral and City The Pietà, 1499, by Michelangelo, St. Peter’s Basilica, Vatican City, Rome

JUN 18 Renaissance in Rome: Sacred and Profane JUN 25 Decorum and Invention

4 sessions; Mon., June 4–25, 6:45–8:45 p.m.; Ripley Center; CODE 1H0-342; Members $90; Nonmembers $140

Children with Flowers

by Elizabeth Catlett is a 12-color lithograph exclusively offered through Smithsonian Associates Art Collectors Program in an edition of 150, signed and numbered by the artist.

The print is sold unframed and comes with a certificate of authenticity from Smithsonian Associates. For details visit

artcollectorsprogram.org or call 202-633-8680

Members $1,075; Nonmembers $1,300 CODE: ART039.95

SMITHSONIAN ASSOCIATES MARCH 2018

Published ticket prices are subject to change, depending on availability.

SMITHSONIANASSOCIATES.ORG and 202-633-3030

Science + Nature Take an Elemental Journey A Guided Tour of the Periodic Table of Elements The Periodic Table of Elements organizes the essential building blocks of matter in our universe into an elegant visualization that speaks to their common properties. Join award-winning science educators Callan Bentley and Piraba Swaminathan as they introduce the chemical elements that populate the Periodic Table’s columns and rows, and hear their fascinating stories. From hydrogen to gold to americium, and beyond, the elements make our world what it is. Which are the elements required to create a human being? A planet? A supernova? Where can you find antimony in your garage? Join Bentley and Swaminathan on a journey of chemical exploration that may change how you view the very stuff our world is made of. Inside Science participants take home a Periodic Table of Elements-themed surprise. Thurs., March 1, 6:45 p.m.; Ripley Center; CODE 1A0-045; Members $25; Nonmembers $35

Facing Fear Why do we react the way we do when in danger? Until recently, research has focused on our physiological and behavioral responses (increased heart rate, freezing, flight, elevated hormones) to what we perceive as mortal danger. Newer investigations now show that damage to our amygdala (the brain’s center of the freeze– flight–fight responses) prevents those responses, but not the feelings that danger engenders. Emotions, or feelings, actually derive from our cortical circuits found only in humans. The broad implications of this finding for our understanding and treatment of these emotions are addressed by neurologist Joseph LeDoux, professor of science at New York University and author of Anxious: Using the Brain to Understand and Treat Fear and Anxiety and The Emotional Brain: The Mysterious Underpinnings of Emotional Life. He discusses possible changes to the current pharmacological and behavioral approaches to dealing with human fear and anxiety. After the program, LeDoux, part of the acoustic duo So We Are, performs with Irish singer-songwriter Colin Dempsey, sharing his research through songs, with lyrics that showcase ideas about the mind and brain. Wed., March 7, 6:45 p.m.; Ripley Center; CODE 1H0-323; Members $30; Nonmembers $45

Philadelphia Flower Show The 2018 edition of the world’s largest indoor flower exhibition—all 10 colorful acres of it—celebrates the beauty and life-sustaining interplay of horticulture and water. Inspired by the theme Wonders of Water, leading floral and garden designers create tropical jungles, temperate forests, native woodlands, and arid landscapes, showcasing the plants that thrive in each environment, from exquisite orchids and flowering vines to luminescent desert blooms. The legendary show is the perfect place for gardeners and flower enthusiasts to spend a day filled with beauty. TWO OPTIONS: Wed., March 7 (CODE 1ND-A15) and Fri., March 9 (CODE 1ND-B15), 9:30 a.m.–9 p.m.; bus departs from the Mayflower Hotel, Connecticut Ave. and DeSales St. NW, with a stop at the DoubleTree by Hilton Laurel, 15101 Sweitzer Lane, at approximately 10:10 a.m.; visit to the show is self-guided; a Smithsonian representative accompanies the tour; gourmet box lunch provided en route; participants purchase supper on their own before departure home; Members $135; Nonmembers $185

What's Inside Science? It’s an ongoing series of expert-led programming. It is also a community of like-minded participants who have the opportunity to participate in a lively online learning exchange. Whether you're a science fan or curious about the world around you, Inside Science offers a valuable and rewarding way to better understand science in the context of our lives. Visit smithsonianassociates.org/science

SMITHSONIAN ASSOCIATES MARCH 2018

Published ticket prices are subject to change, depending on availability.

Science + Nature Strange and Curious Smithsonian Jobs

Ear Wax and Glitter Poop In this “Strange and Curious” session, learn about the clever, low-impact ways several scientists have devised to extract samples needed to measure animals’ health and wellbeing—even from animals no longer alive. Moderator Tony Cohn is host and co-producer of Smithsonian’s Sidedoor podcast. To learn about the hormonal and environmental conditions of baleen whales throughout the 20th century, Stephen Trumble and Sascha Usenko at Baylor University read bands of whale earwax plugs archived in the Natural History Museum’s marine mammal collection as if they were tree rings. The plugs can tell them a whale’s age, reproductive history, and even the contaminants it was exposed to in the ocean. Sarah Putman an endocrinologist at the Smithsonian Conservation Smithsonian Biology Institute (SCBI) and the Smithsonian-Mason School of Spotlight Conservation in Front Royal, Virginia, monitors the hormone fluctuations of cheetahs, pandas and other Smithsonian Conservation Biology Instimembers of the zoo’s captive breeding tute endocrinologist Sarah Putman with population for signs of stress, breeding a cooler of panda samples readiness, or pregnancy. Faced with the problem of differentiating among fecal samples collected from critters living in the same enclosure, Putman explains how she has made innovative use of craft supplies to get the job done. Thurs., March 8, 6:45 p.m.; Ripley Center; CODE 1A0-046; Members $30; Nonmembers $45

Earwax plug from a 53-year-old female fin whale

Scientific inquiry has long provided the basis for seminal works that document our desire to better understand our world, our cosmos, and ourselves. Today, though, we too often learn about issues in science through a debate among semi-informed politicians or in a journalist’s brief article. Spend a fascinating day discovering the works of great scientist-writers that moved scientific development forward over the centuries, from writings by Hippocrates, Plato, Aristotle, and Copernicus through 20th-century classics in biology, physics, and cosmology. They are a reminder that scientific inquiry is an essential, often deeply personal, sometimes-flawed, and frequently brilliant way of understanding the world. Writer and historian Susan Wise Bauer, author of The Story of Western Science: From the Writings of Aristotle to the Big Bang Theory, leads this investigation into the literature of science and its timeless lessons. Hear about the earliest accounts of the universe and the rise of a sun-centered one; learn about the emergence of the modern scientific method, the birth of geology, the first modern science, and “deep time”; review seminal texts on the evolution of the science of life, biology’s beginnings, and natural selection; and move into more recent readings on scientific inquiry, underscored by a Big Bang. 9:30 a.m. The Beginnings of Science: From the Greeks to Copernicus

PHOTO ILLUSTRATION BY RISA RYAN

Lessons From the Great Books of Science

(Clockwise from left) Leonardo da Vinci drawing, title page of Francis Bacon book, Pluto, page in Darwin journal; painting of Copernicus

11 a.m. The Birth of the Scientific Method: From Francis Bacon to Isaac Newton 12 noon Lunch (boxed lunch provided) 1 p.m. Reading the Earth: From the First Geologist to the Great Asteroid Catastrophe 2:15 p.m. Reading Life: From the First Biologist to Dawkins and Gould 3:30 p.m. Reading the Cosmos: From Einstein to the Butterfly Effect Sat., March 10, 9:30 a.m.–4:30 p.m.; Ripley Center; CODE 1H0-300; Members $110, Nonmembers $160

More INFORMATION and TICKETS at SMITHSONIANASSOCIATES.ORG and 202-633-3030

Science + Nature The Potomac Rolling Through DC’s History and Heart The Potomac, sometimes called the “Nation’s River,” plays an essential role in the identity, history, and life of the Washington metropolitan area. As it flows almost 400 miles from the Appalachian Mountains to the Chesapeake Bay over rocks that are millions of years old, it collects water from key tributaries including the Shenandoah, Monocacy, and Anacostia rivers and eventually drains into a 14,670-squaremile watershed. The river provides critical habitat for wildlife and many species of fish, as well as a place to play for residents and visitors to the nation’s capital. In Washington, D.C., the Potomac is coming back to life after years of neglect and pollution. The recently opened District Wharf development sparked a new wave of residential and commercial construction along the Southwest waterfront, and a massive new infrastructure project hopes to increase the river’s cleanliness for the future. Spend a day with experts who examine the Potomac’s rich legacy, geology, and wildlife, following its course from the region’s early inhabitants to the latest in conservation technology. During lunch and after the program, browse information from local groups working to promote conservation, recreation, education, and safety on the river, and learn how to become involved. All registrants receive a signed copy of Garrett Peck’s book The Potomac River: A History and Guide.

The Potomac River in Great Falls National Park

10 a.m. History: Garrett Peck, local historian and author 11 a.m. Geology: Callan Bentley, science educator 12 noon Lunch (participants provide their own) 1 p.m. Biodiversity: Claire Buchanan, Interstate Commission on the Potomac River Basin, and Chris Jones, Potomac Environmental Research and Education Center

Looking northwest toward Rosslyn, Virginia

2 p.m. The Future: Carlton Ray, Clean Rivers Project, D.C. Water Sun., March 18, 10 a.m.–3 p.m.; Ripley Center; CODE 1B0-246; Members $100; Nonmembers $150

Narwhal: Revealing an Arctic Legend The narwhal, with its unique spiral tusk, has inspired legend in Inuit society and fascinated people across cultures for centuries. Narwhal: Revealing an Arctic Legend, a current exhibition at the Smithsonian’s Natural History Museum, dives deep into the narwhal’s Arctic world to explore what makes this mysterious animal and its changing ecosystem so important. Through first-hand accounts from scientists and Inuit community members, the exhibition reveals how traditional knowledge and experience, coupled with scientific research, heighten our understanding of these animals—and our changing global climate. After a private tour of the exhibition, experts explore the narwhals’ legends and natural history. Delve into the narwhal’s fabled connection to the unicorn; new research on the species, including drone footage that seems to show them stunning fish with their extraordinary tusks.

NATIONAL MUSEUM OF NATURAL HISTORY

Smithsonian Spotlight

9:30 a.m. Private Exhibition Tour: Narwhal: Revealing an Arctic Legend 10 a.m. The Narwhal’s World: William Fitzhugh, director, Smithsonian Arctic Studies Center, and curator, Natural History Museum; and Martin Nweeia, Harvard School of Dental Medicine 11 a.m. The Stuff of Legend—Narwhal and the Unicorn: Barbara Boehm, Paul Ruddock, and Jill Ruddock, senior curator, the Met Cloisters 12 noon Lunch (participants bring their own) 1 p.m. Latest Research: Marianne Marcoux, research scientist, Canadian Department of Fisheries and Oceans 2 p.m. The Narwhal Tusk: Martin Nweeia Life-size model of a male narwhal

Sat., April 7, 9:30 a.m.–3 p.m.; meet at the Madison Drive (Mall side) entrance to the Natural History Museum; Narwhal exhibit catalogues available for sale at discounted price; CODE 1B0-247; Members $90; Nonmembers $140

SMITHSONIAN ASSOCIATES MARCH 2018

Published ticket prices are subject to change, depending on availability.

Science + Nature Basic Instincts

PHIL STEBBING

The Biological Mind The Brain as a Responsive Organ We often consider the brain as the seat of our personal identity and our autonomy. But for Alan Jasanoff, director of the MIT Center for Neurobiological Engineering, the way we talk about it is often rooted more in mystical concepts than scientific fact, which can overlook the physical realities of mental function. The brain is an organ, he emphasizes, and as such its workings can’t be separated from its surroundings—our human body and the world beyond it. Drawing on his new book, The Biological Mind: How Brain, Body, and Environment Collaborate to Make Us Who We Are (Basic Books), Jasanoff explores the bodily influences on our brain and psychology, and ways that the environment connects to our behavior. In the process, he discusses a wide range of factors, from chemicals in the blood to bacteria in the A preserved human brain digestive system, the weather to subconscious sights and sounds. Jasanoff ’s book is available for sale and signing.

The Wild Side of Wildlife When we see the loyal gaze of a dog staring back at us or watch steadfast penguins clustering together for warmth on a nature show, it’s easy to project human emotions— such as innocence, fidelity, temperance, and hard work— Lucy Cooke makes the acquaintance onto animals. But you’ve of a pangolin in South Africa probably never considered if moose get drunk, penguins cheat on their mates, or worker ants get lazy. They do. When it comes down to it, animals are just being animals, and the most basic of instincts can explain the mysteries of the animal kingdom. Zoologist Lucy Cooke, an award-winning documentary filmmaker, uncovers the unexpected stories of strange animal habits from her travels around the world. Cooke’s book, The Truth About Animals: Stoned Sloths, Lovelorn Hippos, and Other Tales from the Wild Side of Wildlife (Basic Books), is available for sale and signing.

NEW DATE: Tues., April 10, 6:45 p.m.; Ripley Center; CODE 1A0051; Members $20; Nonmembers $30

Thurs., April 19, 6:45 p.m.; Ripley Center; CODE 1A0-049; Members $20, Nonmembers $30

NIRAJ RAY

Gardening for Mother Earth Water-wise Gardening Techniques and Workshop With Cultivate the City Some people garden to stock their kitchen, and others to liven up a yard, but what would it look like to garden with the planet in mind? This Earth Day, celebrate Mother Earth with Niraj Ray, founder of Cultivate the City, a D.C. organization of urban farmers dedicated to locally grown food who plant in school yards, empty lots, and rooftops and collaborate with community gardens, schools, restaurants, families, and businesses. Ray discusses low-impact strategies to start growing greener and transform growing spaces into water-wise gardens. At Cultivate the City’s rooftop farm and garden center, learn about native and low maintenance plants, capturing stormwater, composting and mulching techniques, and Cultivate the City’s rooftop farm and garden center showcases urban vertical farming and irrigation systems. Ray shares tips on choosing gardening techniques plants that are eco-friendly, worms-friendly, or are natural insecticides. Finally, make seed-bombs using native pollinator plant seeds to start a neighborhood garden. Sun., April 22, 2 p.m.; H St. Farms at W.S. Jenks & Sons, 910 Bladensburg Rd., NE; CODE 1A0-050; Members $30; Nonmembers $45

More INFORMATION and TICKETS at SMITHSONIANASSOCIATES.ORG and 202-633-3030

The National Arboretum, one of DC’s best-kept secrets, is home to 9 miles of winding parkland roads covering more than 450 acres. Enjoy a spring tour at what is usually the peak blooming time for azaleas, dogwoods, and seasonal wildflowers. The day includes a combination walking and bus tour to visit popular collections on the Arboretum grounds and specially guided tours of the National Bonsai & Penjing Museum and National Herb Garden. Highlights include the Azalea Collection on the hillside of Mount Hamilton; the Holly and Magnolia Collection decorated in large white, pink and purple flowers of deciduous magnolias against a backdrop of evergreen hollies; the Capitol Columns, sandstone Corinthian columns which were part of the original design of the Pinus densiflora, Japanese Red Capitol Building in 1828, reconstructed in their original Pine, “in training” since 1795 configuration USNA; the boxwood and perennial collection; four pavilions of rare and priceless bonsai; and the National Herb Garden; and a chance to meet the curators of the bonsai collections and herb gardens for a special talk and tour. Wed., April 25, 9:15 a.m.–4:15 p.m.; bus departs and returns to Ripley Center (Smithsonian Metro, Blue/Orange/Silver lines); tour involves extenstive walking; wear shoes appropriate for unpaved paths; box lunch included; CODE 1ND-024; Members $105; Nonmembers $155

U.S.NATIONAL ARBORETUM

Spring at the National Arboretum

Nesting bald eagles at the National Arboretum

Ancient DNA and the New Science of the Human Past As technological innovations allow scientists to extract and analyze ancient DNA, genomics is emerging as a key to understanding the human past. According to geneticist David Reich, a pioneer in analyzing ancient human DNA, the human genome provides not only all the information that a fertilized human egg needs to develop but also contains within it the history of our species. He discusses how the genomic revolution and ancient DNA are transforming our understanding of our lineage as modern humans, and how DNA studies reveal the history of disparity among different populations, between the sexes, and among individuals within a population. Reich examines how research contradicts the orthodoxy that there are no meaningful biological differences among human populations, and uses evidence provided by genomics and ancient DNA to show that those differences do not conform to familiar stereotypes. Reich’s new book, Who We Are and How We Got Here (Pantheon), is available for purchase and signing. Thurs., April 26, 6:45 p.m.; Ripley Center; CODE 1L0-193; Members $20; Nonmembers $30

NASA/ESA

U.S. NATIONAL ARBORETUM

Science + Nature

The Heart of a Comet For as long as humans have watched the night sky, they have been fascinated—and puzzled—by the stars that left brilliant trails of light in their path. Some thought them harbingers of Earthly disasters. In 1705, the English astronomer Edmund Halley concluded that comet sightings in 1531, 1607, and 1682 represented a single celestial object orbiting the sun in a predictable elliptical path. The rapid development of telescopes expanded investigations in astronomy, but the question of what lay at the icy heart of a comet remained a mystery. Jim Zimbelman, a planetary geologist at the Air and Space Smithsonian Museum, examines how a new explosion of insights expanded our Spotlight earlier knowledge of these comets, now seen as frozen remnants from the formation of the solar system. He describes modern investigations into comets, including the international armada of spacecraft that met the 1986 appearance of Halley’s Comet, and the European Space Agency’s Rosetta spacecraft, which in 2014 succeeded in landing a robotic lander on a comet. Mon., April 30, 6:45 p.m.; Ripley Center; CODE 1W0-024; Members $30; Nonmembers $45

SMITHSONIAN ASSOCIATES MARCH 2018

Hubble Space Telescope composite image of comet ISON, galaxies, and stars

Published ticket prices are subject to change, depending on availability.

JUDY LATHROP

Science + Nature Mallows Bay by Kayak Thirty miles south of Washington in Charles County, Maryland, the lower Potomac River holds the Western Hemisphere’s largest concentration of shipwrecks. Mallows Bay, a shallow embayment off the Nanjemoy Peninsula, is the site of this fascinating “ghost fleet” of nearly 200 vessels dating from the Revolutionary War through World War I. They had been sent to the bay in the early years of the last century to be destroyed, but instead were abandoned and now linger in varying states of decay. There’s no better vantage point than a two-person kayak from which to experience this dramatic collection, as well as to explore the bay’s marshy tributaries filled with abundant wildlife. Sandy bluffs are topped with trees that offer roosts for bald eagles, and the area is also home to thriving populations of osprey, duck, river otter, Kayakers get up close to one of the many shipwrecks in Mallows Bay deer, and numerous aquatic species. The flora is equally fascinating, from towering sycamores to an array of edible and medicinal plants such as wild rice, duck potato, and pawpaw. Each 3-hour tour is guided; a snack and bottled water are provided; all participants use tandem kayaks; beginning-level kayakers are welcome.

Pointing to Mallows Bay

MULTIPLE OPTIONS: Sun, April 29, 1 p.m. (CODE 1NS-B03); Sun., May 6, 9 a.m. (CODE 1NS-C03), 1 p.m. (CODE 1NS-D03); Sat., May 26, 9 a.m. (CODE 1NS-E03), 1 p.m. (CODE 1NS-F03); participants meet at Mallows Bay Park, 1440 Wilson Landing Road, Nanjemoy, Maryland; parking available; detailed information emailed in advance; Members $80; Nonmembers $110

Open House at the Smithsonian Environmental Research Center

Smithsonian Spotlight

The 2,650 acres of forest, farmland, wetlands, and shoreline that make up the Edgewater, Maryland, headquarters of the Smithsonian Environmental Research Center (SERC) are the site of some of the longest-running environmental projects in the world. SERC’s open house offers a oncea-year opportunity for the public to explore environmental science through a close-up look at the facility’s programs (particularly those focusing on the Chesapeake) and by meeting scientists who discuss the details of their work. Get the most out of the SERC docks, Visitor Center (left) and Wet Lab (right) day by becoming part of a tour that includes round-trip transportation to SERC, a special introduction to facility by a staff member, a boxed lunch, and reserved seats on a cruise on the Rhode River. The open house also includes hands-on activities, music, a photo booth, and plenty of tips on living a greener life. Tour participants also get an exclusive look at a facility not open to the public: the Materials Lab, a LEED Platinum-certified building that is Smithsonian’s The tour includes a boat ride on Miss Lizzy most environmentally sustainable to date.

CHUCK GALLEGOS/SERC AND LIGHTHAWK

JENNA JONES

Ghost Ships and Bald Eagles

Sat., May 19, 9 a.m.–4 p.m.; bus departs from the Holiday Inn Capitol, 550 C St., NW, with a pickup stop at the New Carrollton Metro Route 50/south-side Kiss and Ride kiosk at about 9:30 a.m.; CODE 1ND-025; Members $105; Nonmembers $155

More INFORMATION and TICKETS at SMITHSONIANASSOCIATES.ORG and 202-633-3030

Science + Nature The story of the American Plains bison, more commonly known as buffalo, played a critical role in shaping both the ecological health of the Great Plains and the culture of its native people. Centuries of overhunting have reduced their numbers from millions to fewer than 20,000 in conservation herds, but the species’ recovery is considered an important success—with links to the Smithsonian. Bison once fed on the grass in front of the Castle and later found a new home with the establishment of the National Zoo in 1891. Two Smithsonian staff members discuss the bison’s scientific and cultural significance. Paul Marinari, senior curator for species survival at the Smithsonian Conservation Biology Institute (SCBI), explores bison general biology and natural history, their place Smithsonian in Smithsonian history, and the bison-related Spotlight work of the National Zoo and SCBI. Emil Her Many Horses, an associate curator in the office of museum research at the American Indian Museum who specializes in Northern and Southern Plains culture, examines the buffalo’s historical significance to native peoples.

Wilma and Zora, American bison at Smithsonian’s National Zoo

Thurs., May 17, 6:45 p.m.; Ripley Center; CODE 1A0052; Members $20; Nonmembers $30

The Truth About Exercise Separating Myths from Realities How many push-ups should you be doing a day? Is walking better than running when you get older? Does swimming or weight-lifting help reduce your risk of heart disease? And is it true that abs are made in the kitchen and not the gym? John Whyte, a board-certified internist and author of several books on health, offers the latest information and recommendations you need to know about what exercises you should—and should not—be doing. Using a combination of physiology and engineering (and some humor along the way), he shares the seven exercises you need to do to live longer, and the seven you need to stop before you cause harm. The session begins with an interactive quiz to test your current knowledge about exercise, and participants head home with useful handouts as well as links to videos that reinforce what they’ve learned. Thurs., May 10, 6:45 p.m.; Ripley Center; CODE 1B0-255; Members $30; Nonmembers $45

Oysters of the Rappahannock New Directions for a Virginia Industry Over the last 600 years, tribal power was asserted, fortunes made and lost, the famous skipjack boat designed, and conflicts waged all in pursuit of the native Chesapeake Bay oyster, Crassostrea virginica. Environmental historian Hayden Mathews leads a tour that focuses on a new chapter in the bivalve’s history: innovative developments in commercial farming and aquaculture. After Mathews provides an en-route overview of the bay’s history, ecology, and the current issues facing it, the group visits the Steamboat Era Museum in Irvington, Virginia, for a look at an aspect of the region’s past. After a boxed lunch, the next stop focuses on the present with a visit to the Rappahannock Oyster Company in Topping, Virginia, one the pioneers of the new oyster industry. In 2001, with harvests at Harvesting oysters record-low levels in the bay, two cousins set out to revive the 119-year-old Croxton family business as one of the first sustainable aquaculture companies in the Chesapeake watershed. Thanks to the Croxtons and others who invested in industrial-scale aquaculture, Virginia leads the East Coast in oyster production. A tour of the Rappahannock Oyster Company provides insights into the biology of the native oyster; the Croxtons’ role in establishing regional oyster farming; and how an alliance of farmers, chefs, activists, and politicians developed a new industry that is helping shape the Chesapeake Bay’s future— and that of the bay oyster itself.

Oysters at Merroir Tasting Room

Wed., May 23, 7:30 a.m.–9:30 p.m.; bus departs from Mayflower Hotel, Connecticut Ave. and DeSales St., NW, with a pickup stop at the Oxon Hill Park and Ride, 6700 Oxon Hill Rd. at about 7:55 a.m. (near MD-210/I-95/I-495 Exit 38); includes boxed lunch and dinner in Rappahannock Oyster Company’s waterside Merrior Tasting Room; CODE 1ND026; Members $175; Nonmembers $225

SMITHSONIAN ASSOCIATES MARCH 2018

Published ticket prices are subject to change, depending on availability.

RAPPAHANNOCK OYSTER CO.

BARBARA STATAS, SMITHSONIAN’S NATIONAL ZOO

Where the Buffalo Roam

Science + Nature U.S. AIR FORCE

Innovations in Military Medicine Breakthroughs in Healing From the Battlefield During the wars in Iraq and Afghanistan, the American military reengineered its approach to every aspect of combat-casualty care. From redesigned battlefield tourniquets, to advances in limb reconstruction and prosthetics, to improved treatment for traumatic brain injury and PTSD patients, the military realized the highest rate of survival from battlefield wounds in history. Today, civilian healthcare is benefitting from these developments. Three military doctors who served during the wars discuss these advances and their potential applications: Col. Melissa (Missy) Givens, an Army emergency physician; Capt. Eric Elster, chair of the USU-Walter Reed department of surgery; and retired Col. Paul F. Pasquina, chair of USU’s department of physical medicine and rehabilitation and head of rehabilitation at Walter Reed. The moderator is Art Kellermann, dean of the USU School of Medicine, a member of the National Academy of Medicine and co-editor (with Elster) of Out of the Crucible: How the US Military Transformed Combat Casualty Care in Iraq and Afghanistan. Wed., May 23, 6:45 p.m.; Ripley Center; CODE 1B0-256; Members $30; Nonmembers $45

A critical care air transport team in action at Bagram Airfield, Afghanistan

Learning To Learn The New Science of Learning We have a lot to learn about how we learn. Conventional wisdom has been flipped on its head in recent years: It turns out there is little evidence that some people learn better visually or by listening while highlighting and re-reading are proving to be ineffective learning strategies. Recent research has even shown that forgetting can be a good thing. Join Ulrich Boser, author and senior fellow at the Center for American Progress, who shares specific, highly effective ways to learn, such as self-explaining, as well as the value of feedback, forgetting, and reflection. Highlighting examples like the story of Roger Craig, who once dominated the game show “Jeopardy” using the science of learning, Boser explores new ways to freshen up our brains and make learning stick. Boser’s book Learn Better (Rodale Books) is available for sale and signing after the program.

A Natural History of the Mid-Atlantic Stories of Calvert County, Maryland The geography and environment of the Mid-Atlantic was shaped over hundreds of millions of years, reflecting influences that include the impact of a massive meteor; four tectonic mountainbuilding events; ice sheets and tropical oceans; plants and animals; and at least 15,000 years of human habitation. Environmental historian and storyteller Hayden Mathews interprets the amazingly rich and varied natural history of the region as he leads a tour to three sites in Calvert County, Maryland: Battle Creek Cypress Swamp, Driftwood at Flag Ponds Nature Park Calvert Marine Museum, and Flag Ponds Beach and Nature Center. Mathews’s shares tales of colliding continents, changing climate, species new and old, and fascinating people. Smell sea salt and pines in the air; see towering Bald Cypress trees; a rare albino snapping turtle; the bones of ancient whales, camels, and mastodons; and the tools of the watermen’s trades. Stop at the 30-acre Annmarie Sculpture Gardens and Arts Center in Solomons, to view the large collection of outdoor sculpture in a serene setting.

Entrance to Annmarie Garden, Solomons, Maryland

Sat., June 16, 8:45 a.m.–6:15 p.m.; bus departs from the Holiday Inn Capitol, 550 C St., SW; outdoor boxed lunch, weather permitting; wear comfortable clothes and walking shoes; CODE 1ND-028; Members $135; Nonmembers $185

More INFORMATION and TICKETS at SMITHSONIANASSOCIATES.ORG and 202-633-3030

ANNE SUNDERMANN, CALVERT NATURE SOCIETY

Thurs., June 7, 6:45 p.m.; Ripley Center; CODE: 1H0-340; Members $30; Nonmembers $45

Overnight

A New Year of Delightful Destinations

TOURS

Smithsonian Associates Overnight Tours for 2018 Our study tours are designed for people who want more than just a getaway: They offer unique travel experiences combined with opportunities to gain new insights into the topics that interest you. Whether you’re a fan of history, art, music, science, nature, or architecture—or simply love exploring new places—these expert-led tours offer a year’s worth of tempting travels.

A Mountain Rail Extravaganza Fri., June 1–Sun., June 3 (see page 47) Stunning spring vistas, vintage locomotives, and West Virginia history are on the itinerary for a weekend spent riding the Cass Scenic Railroad and other mountain routes. Leader: Joe Nevin

Adventures on the C&O Canal Sat., May 19–Sun., May 20 (see page 46) This excursion along the towpaths in the vicinity of West Virginia’s Paw Paw Tunnel is the ideal spring outing for fans of history and hiking. The tour includes an overnight stay in Berkeley Springs. Leader: Garrett Peck

Niagara Falls A Summer Spectacular Thurs., July 12–Sat., July 14 (on sale April 2018) This visit to one of North America’s most awe-inspiring natural wonders includes all the don’t-miss attractions of Niagara Falls—and a memorable dinner in a charming and historic Ontario town. Leader: Jim Zimbelman

The Berkshires Music, MASS MoCa, and More 5-day tour! Sun., July 29–Thurs., Aug. 2 (see page 16) Sample the cultural bounty of scenic Western Massachusetts with concerts at Music Mountain and the Yellow Barn; visits to three noted museums and Edith Wharton’s country estate; and a performance at the Williamstown Theatre Festival. Leader: Richard Selden

SMITHSONIAN ASSOCIATES MARCH 2018

Published ticket prices are subject to change, depending on availability.

Theodore Roosevelt’s North Dakota

NEW TOUR

Sun., Sept. 16–Wed., Sept. 19 (on sale April 2018)

Whitney Museum, N.Y.C.

An Artful Weekend in New York August 2018 (on sale May 2018)

The wild beauty of the Dakota Territory in the 1880s was the backdrop for the formative adventure of young Theodore Roosevelt’s life, setting him on a course as a conservationist and naturalist. Fly west and see North Dakota though his eyes on a 4-day tour that includes visits to the spectacular landscapes of Theodore Roosevelt National Park; Bismarck and historic Medora; the site of TR’s Elkhorn Ranch; and a stay at the Rough Riders Hotel. Leader: Melanie Choukas-Bradley

Here’s the perfect getaway for art aficionados: Take in a trio of current exhibitions at well-known museums, enjoy an evening on your own, and stay at grandly restored Jazz-Age hotel. Leader: Ursula Rehn Wolfman

Railways and History in Altoona and Johnstown Sat., Sept. 15–Sun., Sept. 16 (on sale June 2018) Join a rail historian as you explore two key aspects of Central Pennsylvania’s past: its railroading heritage and one of the country’s most tragic natural disasters, the Johnstown Flood. Leader: Joe Nevin Johnstown Incline

Autumn in Hyde Park Oct. 2018 (on sale July 2018) Get a taste of history—and superb food—when you follow the Hudson to the Franklin D. Roosevelt home and presidential library, Eleanor Roosevelts’s Val-Kill Cottage, the opulent Vanderbilt Mansion, and the Culinary Institute of America. Leader: Bill Keene

Birding at Hawk Mountain Sanctuary Fri., Oct. 26–Sat., Oct. 27 (on sale July 2018) Greet a fall morning that holds the opportunity to see eagles, falcons, hawks, and osprey soar high over a Pennsylvania mountaintop that glows with seasonal foliage. Then go behind the-scenes for a look at this preserve’s important work. Leader: Liam McGranahan

SMITHSONIANASSOCIATES.ORG and 202-633-3030

Past + Present The Great Suffrage March of 1913 The Woman Suffrage Procession of March 3, 1913, was the first civil rights march to use the nation’s capital as a backdrop. That year, just 6 states allowed women to vote. Then suffragist Alice Paul came to Washington, D.C. Paul planned a grand spectacle on Pennsylvania Avenue that was led by lawyer and activist Inez Milholland atop a white horse. The parade, joined by more than 5,000 supporters, marked the beginning of more aggressive tactics to gain the vote. Finally, in 1920, the 19th Amendment was ratified. Rebecca Boggs Roberts, a Smithsonian Associates program coordinator, traces the struggle of Alice Paul and the National Suffrage parade in Washington, D.C. Woman’s Party to earn the vote. Her new book, Suffragists in Washington, D.C. (The History Press), is available for signing. Roberts leads an optional walking tour retracing the 1913 march.

LIBRARY OF CONGRESS

With Optional Tour

Program only: Thurs., March 1, 6:45 p.m.; Ripley Center; CODE 1B0243; Members $20; Nonmembers $30

Inez Milholland led the Suffrage parade

Smithsonian Spotlight

Program and Optional Tour: Fri., March 2; 9:30 a.m.–12:30 p.m.; tour participants meet in front of the Belmont-Paul Women’s Equality National Monument (Sewall-Belmont House), 144 Constitution Ave, NE; CODE 1B0-244; Members $45; Nonmembers $55

Feeling Like an American How the History of Emotions Reveals National Character Research into the history of emotions is a relatively new area of activity that has emerged as a valuable tool to examine social developments and cultural trends. Peter Stearns, a professor of history at George Mason University, highlights some of the core ideas of the field by looking at the past 250 years of American history through the lens of several categories of emotions: happiness, love, shame and guilt, and anger and fear. The examination considers history from new perspectives, as Stearns links the evolution of emotions to consumerism, gender roles, and politics. He explores the American commitment to the pursuit of happiness and how it has evolved along with the rise of sadness and boredom (a word that first emerged in the 19th century). He traces changes in courtship, parenting, and familial love and describes changes in approaches to love, grief, and mourning in the 20th century. A discussion of patterns of shame and guilt includes a look at current questions about these classic social emotions, and how they reflect today’s divisive culture wars. Finally, Stearns connects historical developments with contemporary issues—such as a national surge of anger—at a time when the definition of “American character” seems to be changing in significant ways. Illustration from The Scarlet Letter, 1878, an American novel by Nathaniel Hawthorne about shame and social stigmatization

MAR 8 Happiness MAR 15 Love MAR 22 Shame and Guilt

MAR 29 Anger, Fear, and a Changing Emotionality 4 sessions; Thurs., March 8–29, 12–1:30 p.m.; CODE 1H0-313; Ripley Center; Members $80; Nonmembers $130

SMITHSONIAN ASSOCIATES MARCH 2018

Published ticket prices are subject to change, depending on availability.

LIBRARY OF CONGRESS

The Final Push for the 19th Amendment

Past + Present The Conservative Legacy of William F. Buckley Jr.

William F. Buckley Jr. and Ronald Reagan after an episode of Buckley’s public affairs TV program Firing Line, 1967

A decade after World War II, William F. Buckley, Jr. set out to fuse disparate and squabbling elements on the American political right into an effective and influential political movement. Binding them together were an intense opposition to communism (whether foreign or domestic); faith in free markets; a desire for less federal intrusion into the American economy; dedication to constitutional norms and effective checks on authority; and adherence to Judeo-Christian teachings as the best guarantors of liberty. In time, Buckley’s ideas, once considered fringe, became integrated into the American political mainstream. Ronald Reagan’s presidential election reflects the apex of their influence and wide acceptance. Disagreements within the movement among grassroots conservatives wary of tried-and-true conservative policies such as tax cuts, trade agreements, and an assertive American presence abroad burst into the open by the 2016 election. Presidential historian Alvin Felzenberg, considers Buckley’s movement, especially in the age of Trump. His book A Man and His Presidents (Yale University Press) is available for sale and signing.

Tues., March 13, 6:45 p.m.; Ripley Center; CODE 1H0-326; Members $30; Nonmembers $45

Savonarola

Indiana Jones

The Moral Dictator of Florence

The Eternal Explorer

How could a lowly Florentine preacher almost singlehandedly overthrow the mighty Medici family at the height of the Italian Renaissance and unleash the “bonfire of vanities” that consigned priceless paintings and jewelry to flames? The fiery Girolamo Savonarola not only upended the civic and cultural norms of Florence, he installed himself as the head of a ruthless, ruling theocracy. Janna Bianchini, an associate professor in the department of history, University of Maryland, College Park tells the story of Savonarola’s unexpected rise, years-long domination of the city in the face of fierce outside opposition, and meteoric fall. Savonarola was burned at the stake in 1498—a fiery end to a cautionary tale about the dangers of blending religious and political extremes. His life and career committed to civic and religious reforms refute the old claim that Renaissance Italians were secularist or anti-Christian, revealing the passionate religious convictions at the Portrait of Girolamo Savonarola, ca. heart of the Renaissance 1498, Museum of San Marco itself.

The Politics of Archaeology, Empires, and Exploration

Wed., March 21, 6:45 p.m.; Ripley Center; CODE 1H0-319; Members $30; Nonmembers $45

The dashing archeologistadventurer Indiana Jones as both a movie character and an archetype offers a lens through which to examine the political controversies and historical British archaeologist Howard Carter cleans contexts of archaeology and exploration. Justin M. the coffin of Tutankhamun, ca. 1924 Jacobs, historian and author and producer of the book and documentary series Indiana Jones in History: From Pompeii to the Moon, considers just how much historical sense the Indian Jones films make, weighing fact against cinematic fiction to examine the ways in which popular culture intersects with the truth of the past. Thurs., March 22, 6:45 p.m.; Ripley Center; CODE 1B0-235; Members $20; Nonmembers $30

Photos and Videos You may be photographed or recorded for educational and promotional purposes when you attend a Smithsonian Associates event. But turn those cell phones and minicams off: Participants are not permitted to take photos or videos.

What time does the program end? Unless noted, Smithsonian Associates programs run 1.5–2 hours, including Q&A

More INFORMATION and TICKETS at SMITHSONIANASSOCIATES.ORG and 202-633-3030

YAD VASHEM

Past + Present The Jüdischer Kulturbund Keeping the Arts Alive in Nazi Germany Decades before the rise of Nazism, German Jewish culture experienced a renaissance in such areas as education and the arts, but that growth quickly contracted under the severe restrictions initiated by the Nazi regime. Established in 1933, the Jüdischer Kulturbund (Jewish Cultural League) featured prominently as an outlet where many Jewish artists expelled from German institutions could present theater, cabaret, concerts, opera, and lectures before exclusively Jewish audiences. The Kulturbund’s activities brought both opportunities and dilemmas for a persecuted minority under an authoritarian regime. Did its work provide much-needed consolation for Jewish artists and audiences? Or did its emulation of “normal” cultural life contribute to the false assumption that Germany might still hold a future for them? Michael Brenner, Lillian and Seymour Abensohn chair in Israel studies at American University and professor of Jewish history and culture at Ludwig Maximilian University in Munich, explores the history of the Kulturbund and its impact on the German Jews under Hitler’s rule.

Kurt Singer conducts the Jewish Cultural League orchestra and chorus performing Handel’s Israel in Egypt, 1937, Berlin

THE MET

Tues., March 27, 6:45 p.m.; Ripley Center; CODE 1H0-320; Members $30; Nonmembers $45

Henry Stuart The Best King England Never Had Henry Stuart, Prince of Wales was once the great hope of early 17th-century Britain. The eldest son of James I was the epitome of heroic Renaissance princely virtue: He was educated to rule, his court was filled with artists, musicians, writers, and composers. He founded a royal art collection and a priceless book collection, and led grand renovations of royal palaces. He embraced science and was patron of the North West Passage Company. He modernized Britain’s naval and military capacity and advocated for the colonization of North America. He was also preparing to become the next leader of Protestant Christendom in the face of a resurgent militant Catholicism. Instead, he died in 1612 at the age of 18 and became all but forgotten. His biographer Sarah Fraser discusses Henry’s life and times, and examines who or what was behind the suppression of his memory. Her book The Prince Who Would Be King: The Life and Death of Henry Stuart (William Collins) is available for signing. Thurs., April 5, 6:45 p.m.; Ripley Center; CODE 1W0-023; Members $20; Nonmembers $30 Henry, Prince of Wales on the Hunting Field, 1603, by Robert Peake the Elder

Judaism is one of the oldest religions in the world, and it has preserved its distinctive identity despite the extraordinarily diverse forms and beliefs it has embodied over the course of more than two millennia. Martin Goodman, a professor of Jewish studies at the University of Oxford, surveys the history of Judaism from antiquity to the present, setting the contemporary state of Judaism in a historical perspective. How has Jewish religion been affected by the different cultures within which it has developed? How varied has Judaism been at different times in its history, and how have Jews dealt with disagreements over theology and practice over the generations? Goodman explores Judaism’s origins from the polytheistic world of the second and first millennia B.C. to the temple cults at the time of Jesus. He tells the stories of early rabbis, mystics, and messiahs, examines its seminal institutions and ideas, and explores its history of doctrinal and philosophical debates. His book A History of Judaism (Princeton University Press) is available for signing. Tues., April 10, 6:45 p.m.; Ripley Center; CODE 1A0-048; Members $20; Nonmembers $30

SMITHSONIAN ASSOCIATES MARCH 2018

PRINCETON UNIVERSITY PRESS

The History of Judaism

Published ticket prices are subject to change, depending on availability.

LIBRARY OF CONGRESS

Past + Present She Persisted, and Resisted Four Centuries of Women in America

LIBRARY OF CONGRESS

Historian Elisabeth Griffith, a biographer of suffrage pioneer Elizabeth Cady Stanton, leads a fast-paced series that examines the history of women in America from the colonial period through second-wave feminism. Each session covers approximately a century of American history, tracing the advances, setbacks, accomplishments, and complications of the nation’s diverse women. APR 11 Colonial Dames, Servants, Slaves, and Free Black and Native Women (c. 1600–1770) MAY 9 Republican Mothers (1776– 1850) JUN 6 Reforming Women (1850–1920) JUL 18 Eleanor, Rosie, Rosa, and Betty (1920 –1970) 4 sessions; Wed., April 11, May 9, June 6, Susan B. Anthony and Elizabeth Cady Stanton, ca. 1891 and July 18, 6:45 p.m.; Ripley Center; CODE 1B0-248; Members $80; Nonmembers $130

Dinner with Wine Pairings

Individual sessions: Wed., April 11 (CODE 1B0-249); May 9 (CODE 1B0-250); June 6 (CODE 1B0251); July 18 (CODE 1B0-252); 6:45 p.m.; Ripley Center; Members $25; Nonmembers $35

INDEPENDENCE NATIONAL HISTORICAL PARK

Fingerprinting Rosa Parks after her arrest, 1956

Thomas Jefferson at 275

Author of the Declaration of Independence, third president of the United States, and founder of the University of Virginia, Thomas Jefferson voiced the aspirations of a new America as did no other individual of the period Mark the eve of Jefferson’s 275th birthday at an intimate celebratory dinner at Plume, the elegant Michelin-starred restaurant in the downtown hotel that bears his name. Enjoy a four-course menu that interprets Jefferson’s personal taste and his era, paired with wines from Virginia’s Barboursville Vineyards. Jefferson built an estate for his friend James Barbour on the property where the vineyard now produces its wines. Between courses, Susan Sullivan Lagon, a lecturer at Georgetown University’s Government Affairs Institute and historian at The Jefferson hotel, discusses Jefferson’s contributions to American cuisine. Luca Paschina, winemaker and Plume Restaurant at The general manager at Barboursville, shares insights into Jefferson’s Jefferson Hotel passion for fine wine.

Thomas Jefferson, (from life) 1792, by Charles Willson Peale

LIBRARY OF CONGRESS

Wed., April 11, 7 p.m.; The Jefferson, Washington, DC; 1200 16th St., NW; CODE 1L0-195; Members $295; Nonmembers $325

Battle of Spotsylvania Court House After the Battle of the Wilderness, the advance of Lt. Gen. Ulysses S. Grant and Maj. Gen. George G. Meade on Richmond by the left flank stalled at Spotsylvania Court House. For two weeks from May 8 to 21,1864, a series of bloody conflicts took place before Grant once again disengaged and continued his advance on the Confederate capital, known as his Overland Campaign. Locations in this tour led by Civil War historians Ed Bearss and Gregg Clemmer include the Bloody Angle. Here Grant captured nearly a division of Gen. Robert E. Lee’s men and almost cut his army in half during nearly 20 hours of perhaps the most ferocious sustained combat of the war. Also viewed is the Harris Farm, site of the effort to turn the Union’s right flank.

Men pump water at the Spotsylvania County Court House, ca. 1861–1865

Sat., April 14, 8 a.m.–7 p.m.; bus departs from the Holiday Inn Capitol, 550 C St., SW. with a pick-up stop at the Horner Rd. commuter lot bus shelter, I-95, Exit 158B, at about 8:25 a.m.; tour includes up to two miles of walking; lunch at Scafa’s Italian Restaurant; CODE 1ND-030; Members $145; Nonmembers $195

More INFORMATION and TICKETS at SMITHSONIANASSOCIATES.ORG and 202-633-3030

Past + Present Glimpses of Old Arlington PAM SANDERLIN

commuter towns that sprang up along the The essence of Arlington County goes route of the first rail line that connected beyond highways and high-rises—and Arlington with the District around the turn reaches deep into the past. More than a of the 20th century. Participants visit five dozen prehistoric Native American sites historic structures such as the Ball-Sellers have been discovered within the present House, a circa-1780 log cabin that’s the boundary of the county, and in the early oldest residence in the county; the Mary 17th century Captain John Smith found a Carlin House from around 1800; and the large, thriving Necostin village on what is Clarendon post office, opened in 1937. now the site of the Pentagon. From the Revolution to the Civil War to the Great Sun., April 15, 10 a.m.–6 p.m.; Depression and the postwar boom, program begins at the Ripley Arlington County has been a canvas for Center (Smithsonian Metro, American history. Blue/Orange/Silver lines), and Built in the 1740s by farmer John Ball, this log cabin continues by bus, returning to the Ripley Get a close look at sites that reflect that is the oldest structure in Arlington County fascinating heritage with historian Center at its conclusion; bus makes one Kathryn Holt Springston. After an introductory presentation at metro stop in Virginia to disembark before returning to DC; catered box lunch served in a firehouse; refreshments offered the Ripley Center, a bus tour travels through diverse neighborat a private home at tour’s end; CODE 1ND-018; Members $120; hoods in East Falls Church, Fostoria, Clarendon, Cherrydale, Fort Nonmembers $170 Myer Heights, Glencarlyn, and Ballston. All were originally

Doodlebugging Through Delaware Hop aboard a private charter of an early 20th-century selfpropelled railcar called the Doodlebug and take in the spring sights along the historic Wilmington and Western Railroad line. The W&W has been in continuous operation since 1867, stretching at its longest to 20 miles of track along the Red Clay Valley from downtown Wilmington, Delaware to Landenberg, Pennsylvania. Tour leader Joe Nevin, a railroad historian, covers the colorful background of the W&W and offers stories of the oncebustling industrial towns along the branch line. Tour the W&W’s steam locomotive and passenger car shop facilities at Marshalltown, take a guided walking tour of a vintage amusement park site at Brandywine Springs, and stop in New Castle The Wilmington and Western Railroad Doodlebug, Delaware to see remnants of the New Castle and Frenchtown Railroad, one of the nation’s first. Doodlebugging offers an ideal way for fans of historic railroads to spend the day. Sat., April 21, 7 a.m.–7 p.m.; bus departs from the Holiday Inn Capitol, 550 C Street, S.W.; with a pickup stop at the I-495 Exit 27 carpool lot at about 7:25 a.m.; lunch at the Back Burner restaurant in Hockessin; CODE 1ND-017; Members $175; Nonmembers $225

SMITHSONIAN ASSOCIATES MARCH 2018

Walking Tour of Old Town

George Washington in Alexandria No other town is as associated with George Washington as Alexandria, and Washington considered it his hometown. He surveyed Alexandria’s streets as a teenager in 1749, and his public memorial service was held there 50 years later after his death. The tour visits churches, houses, taverns and other sites associated with the first president. Author and historian Interior of Christ Church, Alexandria Garrett Peck leads a charming walk through Old Town’s alleyways, rustic taverns, 18th-century architecture, ice wells and waterfront. Bring your camera and good walking shoes; the route covers about 1.5 miles along alleyways and sidewalks. Join in an optional happy hour (with cash bar) following the tour. THREE OPTIONS: Sat., April 21, 10 a.m.–12:30 p.m. (CODE 1NW-A04); Fri., April 27, 3–5:30 p.m. (CODE 1NW-B04); Sun., April 29, 2–4:30 p.m. (CODE 1NWC04); tours begin at the main entrance of Christ Church (118 N. Washington Street) and ends at Old Presbyterian Meeting House (323 S. Fairfax Street); free trolley available from King Street Metro station to the waterfront; parking available in Old Town, with the Market Square underground garage on Fairfax at Cameron Street recommended; dress for outdoor walking; Members $30; Nonmembers $40 Published ticket prices are subject to change, depending on availability.

Past + Present The Wrong Side of History

An Insider’s Look at Field Archaeology

Loyalists in the American Revolution

To really understand field archaeology, it helps to know the basics: where to dig, how to determine the age of discovered objects, and who gets to keep them. Apart from pictures taken at archaeological digs, it is hard for the average person to really grasp what such an endeavor involves. As a field archaeologist, Eric Cline has spent more than 30 seasons trying to find what lurks beneath, using his expertise in the history, science, and technology of archaeology. Citing examples that range from Otzi the Iceman, a 5,300year-old corpse dug up in the Alps to the Eric Cline excavating at Megiddo thousands of Terracotta Warriors uncovered in China, he shares the secrets of a field archaeologist and how technology is helping to transform the process. Cline’s book Three Stones Make a Wall (Princeton University Press) is available for sale and signing.

The loyalists were the losers of the American Revolution. Americans who rejected independence and who fought to keep the colonies safely within the bosom of the British Empire forfeited almost everything when the patriots declared victory at the Battle of Yorktown in 1781. History quickly lost sight of them, and from our contemporary perspective it’s hard to understand why so many ordinary Americans were bitterly opposed to the break with Britain and the birth of a new democratic nation. Historian Richard Bell examines the American Revolution from the point of view of those colonists. He challenges deeply rooted stereotypes of loyalists as sycophantic, cowardly, and selfish persons of means—usually merchants, petty aristocrats, or government officials. In truth, loyalists came from all rungs of the social ladder. Many were white, like the Descendents of loyalists to Britain who moved to Anglican minister Shelburne, Nova Scotia, during the American Jacob Bailey, and Revolution, stage annual re-enactments some were black, like George Washington’s escaped slave Harry. Bell examines why individuals chose to remain loyal to Britain, and how they fared after the patriots’ victory.

Mon., April 23, 6:45 p.m.; Ripley Center; CODE 1H0-297; Members $30, Nonmembers $45

Tues., April 24, 6:45 p.m.; Ripley Center; CODE 1H0-331; Members $30; Nonmembers $45

Mapping the Middle East

NASA

Digging Deeper

An understanding of today’s Arab-Israeli world needs to be rooted in a knowledge of how the geography changed and developed over time. Various efforts have been made throughout history to divide or partition these lands, with differing results. Using maps and documents, Ralph Nurnberger, who taught history and international relations at Georgetown University, highlights how the countries in this area have shifted boundaries over hundreds of years—and how those changes have affected their inhabitants’ views of their own histories. Maps reveal the conflicting proposals made by the British concerning the post-World War I future of the Ottoman Empire’s holdings in the Middle East; decisions by France that had far-reaching consequences for Lebanon and Syria; and how the League of Nations helped in establishing the British Mandate of Palestine, which gave rise to the current nations of Jordan and Israel. Nurnberger also looks at how the territories Israel gained after the 1967 six-day Image of the Middle East from space war further altered the region, and concludes with a review of maps currently under discussion to determine how these might impact potential future boundaries. Wed., May 2, 6:45 p.m.; Ripley Center; CODE 1H0-335; Members $30; Nonmembers $45

More INFORMATION and TICKETS at SMITHSONIANASSOCIATES.ORG and 202-633-3030

Past + Present The period of post-biblical Judaism is exceedingly rich in archaeological evidence, found both in Israel and in the lands of an everwidening Diaspora. In an illustrated all-day program, biblical scholar Gary Rendsburg synthesizes archaeological findings and literary evidence to reveal a multifaceted portrait of Jewish life in late antiquity. Topics include the archaeological evidence related to Jewish life in Egypt and Babylonia after leaving Israel following the destruction of the First Temple in 586 B.C.; the symbiosis of Hellenism and Judaism in the late 4th century in Egypt; archeological evidence of the Jewish communities established during the Diaspora after Roman destruction of Jerusalem and its Temple in 70 A.D.; and remarkable arIron Age ruins at Megiddo, in northern Israel, chitectural remains fortified by both Solomon and Ahab and the emergence of Rabbinic Judaism in Israel during the 3rd and 4th centuries.

From 1953 to 1961 no one dominated the world stage as did President Dwight D. Eisenhower. In a 2017 survey, presidential historians ranked Eisenhower fifth on the list of great presidents, behind the perennial top four: Lincoln, Washington, Franklin D. Roosevelt, and Teddy Roosevelt. President Dwight D. Eisenhower, Tonight, historian William 1967, by James Anthony Wills Hitchcock discusses Eisenhower’s enormous influence on modern America, the Cold War, and on the presidency. Drawing on declassified material from the Eisenhower Library, the CIA, the Defense Department, and unpublished documents, he discusses Ike’s extraordinary accomplishments, including ending the Korean War, avoiding a war in Vietnam, and soothing relations with the Soviet Union after Stalin’s death. Hitchcock traces how Eisenhower guided the Republican Party to embrace central aspects of the New Deal; thwarted the demagoguery of Joseph McCarthy; advanced the agenda of civil rights for African Americans; expanded American military power; and launched the space race as part of his Cold War strategy. Hitchcock’s book The Age of Eisenhower: America and the World in the 1950s (Simon & Schuster) is available for signing.

3 p.m. The Land of Israel

Thurs., May 3, 6:45 p.m.; Ripley Center; CODE 1M2-959; Members $30; Nonmembers $45

Sat., May 5, 9:30 a.m.–4:15 p.m.; Ripley Center; CODE 1M2-958; Members $90; Nonmembers $140

9:30 a.m. The First Diasporas: Egypt and Babylonia 11 a.m. The Jews of Hellenistic Egypt 12:15 p.m. Lunch (participants provide their own) 1:30 p.m. The Diaspora

Gettysburg 101 Gettysburg endures. Whether they wore blue or gray, Americans fought each other to an outcome that continues to shape the nation today. From the boulders of Devil’s Den to the heights of Little Round Top, through the Peach Orchard to the Wheat Field, or across Seminary Ridge to Cemetery Ridge, Gettysburg is a place where valor mixed with death. To experience the essence of this three-day battle, join historian Gregg Clemmer as he explores and explains the most iconic fight of our Civil War in a full-day excursion. Walk the fields Statue of Union General Gouverneur Warren of Pickett’s Charge, view the on Little Round Top, Gettysburg National deadly challenges of Culp’s Hill, Military Park and imagine the horrors of Iverson’s Pits. Stops at McPherson’s Woods, Spangler’s Spring, and the High Water Mark bring to life the history that happened here. Conclude the day on the spot where Lincoln addressed America’s future. Sat., May 12, 8 a.m.–7 p.m.,; bus departs from Holiday Inn Capitol, 550 C Street, SW, with a pickup stop at the I-270 Exit 26 Urbana carpool parking lot at approximately 8:55 a.m.; lunch at local restaurant; dress appropriately for battlefield walks; CODE 1ND-031; Members $145; Nonmembers $195

SMITHSONIAN ASSOCIATES MARCH 2018

Lincoln’s address at the dedication of the Gettysburg National Cemetery; lithograph by Sherwood Lithograph Co., ca. 1905

Published ticket prices are subject to change, depending on availability.

LIBRARY OF CONGRESS

ANDREW N DIERKS

Perspectives on a Presidency

The Archaeology of Judaism

GARY A. RENDSBURG

THE WHITE HOUSE

Dwight D. Eisenhower

Reign of Queens Women Who Independently Ruled Britannia For most of English history, the possibility of a successful English queen at the head of government was unthinkable. Laws and cultural norms required that a man sit on the throne. And yet, several women shattered that royal glass ceiling to inherit the crown of Great Britain, and each faced unique challenges in fulfilling her royal duties, including civil wars, rebellions, and acts of Parliament that attempted to limit or remove their power. Although, in the 16th century, religious leader John Knox called the reign of women “monstrous” in the eyes of God and man, Tudor queens Mary Queen of Scots, Jane Grey, Mary I, and Elizabeth I changed the face of royalty and reimagined women as rulers. From the 18th into the 20th and 21st centuries, Britain’s queens had to navigate their countries and their families through complicated and unstable years. The reigns of Mary II, Anne, Victoria, and Elizabeth II brought England through periods of war into modern times. The most recent law regarding women as rulers, the Succession to the Crown Act of 2013, ended male-preference primogeniture in the United Kingdom and opened the door for the reign of queens to be far more likely in the future. Queen Victoria, 1855, by Franz Xaver Winterhalter Tudor and Renaissance scholar Carol Ann Lloyd Stanger examines the talents and weaknesses that each reigning queen brought to her role as monarch, as well as the challenges each faced within the context of their times. 9:30 a.m. Early Britain and the Tudor Age of Queens 12:15 p.m. Lunch (participants provide their own) 1:30 p.m. Britain and Its Queens Become Modern

COURTESY OF NAUTICUS

Queen Elizabeth I, ca. 1600, unknown artist

Sat., May 5, 9:30 a.m.–4:15 p.m.; Ripley Center; CODE 1M2-957; Members $90; Nonmembers $140

Giants of the Sea Norfolk’s Naval Heritage It was America’s first naval landing: In 1607 three ships carrying English colonists sailed into the harbor of what is now Virginia Beach. Today, the Hampton Roads area hosts the largest and most technologically advanced ships in the world. The Port of Virginia is one of America’s most dynamic centers of global maritime commerce and the nearby Norfolk Naval Station—the largest navy base in the world—is home to the U.S. Navy’s gigantic Atlantic Fleet. Transportation expert Scott Hercik leads a daylong immersive exploration of some of the world’s greatest ships and the men and women who sail them. Begin at Nauticus, one of the country’s premier maritime museums and home to the USS Wisconsin, the Navy’s last battleship. Learn of the dynamic growth in global commerce moving through the Port of Virginia and the critical Battleship Wisconsin at Nauticus, Norfolk importance that the Navy plays in protecting America’s interests around the world. Climb on board the Wisconsin, launched in 1943, for a behind-the-scenes look at one of the greatest warships of all time. Next, set sail aboard a harbor cruise ship and enjoy a close-up view of huge marine terminals, now served by some of the largest container ships in the world, and marvel at the ships of the Atlantic Fleet, highlighted by huge Nimitz-class and the newest Ford-class nuclear aircraft carriers. Wed., May 9, 7 a.m.–8:30 p.m.; bus departs from the Mayflower Hotel, Connecticut Ave. and DeSales St. N.W., with a pickup stop at I-95 and Route 123 carpool lot at about 7:30 a.m.; box lunch at Nauticus included; CODE 1ND-022; Members $175; Nonmembers $225

The USCGC Eagle passes the Portsmouth Marine Terminal en route to Norfolk

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GOVERNMENT HOUSE, MELBOURNE

Past + Present

and other benefits of donating to Smithsonian Associates

Contact Donor Services 202-633-3030

The Bill of Rights A User’s Guide In her book, The Bill of Rights: A User’s Guide (Hachette), Constitutional scholar and journalist Linda R. Monk offers an overview of the 10 amendments that have shaped American democracy. It features historical analysis of the people and events that influenced the Constitution, and tackles current hot-button issues such as abortion, immigration, and marriage equality. Monk explores the history of the Bill of Rights, explains how the Supreme Court has interpreted each right, and covers stories of ordinary people who made the Bill of Rights come alive. Among them are Simon Tam, whose 10-year trademark battle for his band The Slants ended in a Supreme Court victory; Clarence Earl Gideon, whose handwritten petition to the Supreme Court—sent from prison—led to a ruling that a poor person has the right to a lawyer in felony cases; and Fannie Lou Hamer, a Mississippi sharecropper who became a national leader in the civil rights movement. The Bill of Rights: A User’s Guide is available for sale and signing. Wed., May 16, 6:45 p.m.; Ripley Center; CODE 1W0-026; Members $30; Nonmembers $45

NICOLAS RAYMOND

OVERNIGHT TOUR

Adventures on the C&O Canal

Pack your gear for an overnight trip that explores the man-made wonders of the C&O Canal, as well as natural beauty of spring along the Potomac River, guided by writer and local historian Garrett Peck. On Saturday, visit the Monocacy Aqueduct, the most beautiful structure along the C&O near the foot of Sugarloaf Mountain, followed by a look at the bustling canal town of Williamsport, home to Cushwa Basin and Conococheague Aqueduct. Then journey up the Potomac to Berkeley Springs, West Virgnia, the site of one of the country’s first spa resorts, for an overnight stay. Bring a flashlight and hiking shoes for a Sunday excursion to the Paw Paw Tunnel, a 25-mile drive west of Berkeley Springs through magnificent scenery. After passing through the tunnel on foot, join Peck for an optional guided hike over Tunnel Mountain forming a 4-mile loop, passing historic sites from the tunnel’s construction (the ability to make a moderate hike up and down the mountain is required). The group picnics at the tunnel, then ventures to Hancock, Maryland, and the amazing Sideling Hill Road Cut, where construction of An open lock on the C&O canal Interstate 68 exposed millions of years of geological history. End the day with a tour and tasting at the Flying Dog Brewery in Frederick, Maryland.

Boardwalk trail leading to Paw Paw Tunnel along the C&O Canal towpath

Sat., May 19, 8:30 a.m.–Sun., May 20, 6 p.m.; bus departs from the Mayflower Hotel, Connecticut Ave. and DeSales St., NW, with a pickup stop about 9 a.m. at the Best Western Rockville Hotel and Suites, 1251 W. Montgomery Ave., I-270, Exit 6B; overnight accomodations at the Country Inn of Berkeley Springs, adjacent to the state park; 2 lunches, Sat. night 3-course dinner (at Lot 12 Public House), and 1 breakfast included; singles registering at the double-room rate are paired on a nonsmoking basis if possible, but must pay the single-room supplement ($60) if not; tour involves hiking; appropriate footwear required; information mailed about 4 weeks prior to tour; trip insurance recommended; CODE 1NN-ACO; Members $395; Nonmembers $525

SMITHSONIAN ASSOCIATES MARCH 2018

Published ticket prices are subject to change, depending on availability.

PHOTO ILLUSTRATION BY RISA RYAN

Ask us about RESERVED SEATING

Past + Present The Potomac Eagle A Rail Ride Through the Trough Squeezed between two Appalachian ridges, the south branch of the Potomac River between Moorefield and Romney, West Virginia, cuts through a wild, narrow wooded canyon known locally as the Trough. Although no road passes through it, a rail line does. Built between 1909 and 1910 by the Hampshire Southern Railroad, the tracks cross the river several times as they wend their way through the dramatic passage. Rail historian Joe Nevin leads a tour that includes a 3 1/2-hour excursion on the diesel-powered Potomac Eagle along the route of the South Branch Valley Railroad, from Petersburg to Romney. The panorama from the train features natural wonders such as the river’s crystal-clear water, home to some of the largest fish caught yearly in West Virginia, and eagles, deer, and other frequently seen wildlife.

Potomac Eagle Scenic Railway

Sat., May 26, 10 a.m.–9:30 p.m.; bus departs from the Holiday Inn Capitol at 550 C St., SW, with a stop at the Vienna Metro station south-side Kiss and Ride kiosk at about 10:25 a.m.; 3-course lunch at a local restaurant in Moorfield included; CODE 1ND-023; Members $190; Nonmembers $240

A Mountain Rail Extravaganza All aboard for an exciting rail journey through West Virginia’s breathtaking mountain scenery with railroad historian Joe Nevin leading 3–DAY the tour. TOUR On Friday, descend into the scenic Shenandoah Valley. After lunch at the Highland Inn, board the Durbin Rocket for a private chartered trip on the last remaining miles of the track which once connected Durbin The Durbin Rocket, built in 1910 with Cass. The leisurely 10-mile round trip along the upper Greenbrier River introduces the rugged Climax locomotive #3, as well as other early 20th-century cars. Saturday is a full day of riding the rails. Board the Cheat Mountain Salamander, a vintage passenger train featuring restored cars and early diesel locomotives. Lunch is served on board, as the train continues south through the heart of the Cheat Mountain Wilderness, with excellent opportunities to view wildlife. At the junction at Old Spruce, transfer No. 11 at the water tower, Cass Scenic Railroad to the legendary Cass Railroad for Engine State Park a four-hour ride behind historic geared steam locomotives to the top of Bald Knob. The train traverses grades exceeding nine percent, before reaching Bald Knob overlook where a large platform offers panoramic views into two states and the Allegeny Mountains. On Sunday, tour the historic lumber town buildings, view a film capturing the interrelationships of the trades comprising the Cass experience, tour the shop where the railroad’s collection of restored locomotives are maintained, and have a chance to View from Bald Knob, West Virginia meet some of the people who keep them running. Fri., June 1, 8 a.m.–Sun., June 3, 7:30 p.m., bus departs from the Mayflower Hotel, Connecticut Ave. and DeSales St., NW, with a stop at the Vienna Metro south-side Kiss and Ride at about 8:25 a.m.; accommodations are at the Isaac Jackson Hotel in Elkins; all meals included; singles registering at the double-room rate are paired (on a nonsmoking basis) if possible, but must pay the single-room supplement otherwise ($125); all meals included; information mailed about four weeks prior to departure; purchasing trip insurance recommended; CODE 1NN-CAS; Members $675; Nonmembers $725

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RON COGSWELL

The Cass Scenic Railroad and Other West Virginia Excursions

BRUCE M. WHITE

Past + Present The President’s Neighborhood Photographer Bruce White has spent much time in and around the White House, shooting it for numerous books published by the White House Historical Association, as well as others on Washington’s history and architectural heritage. Join him for a walking tour of the neighborhood most closely connected with the residents of 1600 Pennsylvania Avenue, Lafayette Park. Through a focus on historic buildings and public sculptures, White leads a tour that tells stories of the statesmen, movers and shakers, and citizens that have long been drawn to Lafayette Park and some of the most famous—and infamous—events for which the neighborhood has served as a backdrop. Stops include the Blair House, Lafayette Park sits opposite the front side of the White House the Dolley Madison House, Hay Adams Hotel, Stephen Decatur House, St. John’s Church, and of course, the White House. (All visits are exteriors only). THREE OPTIONS: Fri., June 1, 4 p.m. (CODE 1NW-A05); Sat., June 2, 10 a.m. (CODE 1NW-B05), 4 p.m. (CODE 1NW-C05); all tours are 1.5 hours; meet at the statue of Andrew Jackson in Lafayette Square, Pennsylvania Ave. and 16th St., NW; Members $25; Nonmembers $35

BRUCE M. WHITE

Lafayette Park

Historic houses on Lafayette Square

Finding Paradise in Montgomery County

MARTIN RADIGAN

Spend a June day exploring the verdant rolling hills of Montgomery County’s scenic 93,000 acre Agricultural Reserve and nearby Sugarloaf Mountain—a slice of close-in countryside bordering the Frederick County line. Melanie Choukas-Bradley, a longtime resident of the reserve and author of two books about Sugarloaf, serves as guide and introduces some of her favorite places. She also covers two remarkable preservation stories: Gordon Strong’s mission to keep Sugarloaf Mountain free of development and open for public enjoyment and education; and Montgomery County’s innovative farmland preservation program, which has served as a model for agricultural areas in the U.S. and abroad. Visit historic farms and meet farmers who explain the Lamb at Shepherd’s Hey Farm progressive methods they employ to bring fresh strawberries, peaches, apples, and vegetables to local markets. Step into an artist’s studio, explore historic sites, and take a walk along one of Sugarloaf Mountain’s A summer day in Western Montgomery County’s Agricultural Reserve shaded and inviting trails. Fri., June 8, 8:30 a.m.–7:30 p.m.; bus departs from the Mayflower Hotel, Connecticut Ave. and DeSales St., NW, with a pickup stop at the Best Western Plus Rockville, 1251 W. Montgomery Ave., at approximately 9:10 a.m.; includes lunch at the Comus Inn with a view of Sugar Loaf Mountain, and enjoy wine and cheese at a local farm at day’s end; CODE 1ND-027; Members $165; Nonmembers $215

Read more about programs in this guide on our website. Search by code or date. Expanded program descriptions, presenters’ information, and more at smithsonianassociates.org.

SMITHSONIAN ASSOCIATES MARCH 2018

Published ticket prices are subject to change, depending on availability.

LEE LANGSTAFF

Sugarloaf Mountain and the Montgomery County Agricultural Reserve

Studio Arts GENERAL

Textile Treasures From the Montgomery History Collection Enthusiasts of storied quilts, Americana, and the rich historical, cultural, and artistic significance of textiles have a rare opportunity to take a close-up look at some of the most Woodbourne Quilt important quilts, coverlets, and paisley shawls in the Montgomery History collection of the Montgomery County Historical Society. Curator and textile historian Elizabeth Lay places these beautiful pieces in the context of Montgomery County history and that of the development of 19thcentury American textiles. Participants don white gloves in order to examine the Woodbourne Quilt, a lovely Compass Rose piece from the 1850s executed in extraordinarily fine stitching. Matthew Monk, a student in the GW Corcoran–Smithsonian Decorative Arts and Design History program, shares his research on American woven coverlets through examples in the Montgomery History collection. The day ends as Lay presents outstanding examples from the paisley collection for examination, including early-19th-century Kashmir botehs and embroidered shawls and the development of popular Scottish and French paisleys. One 5-hour session; Elizabeth Lay; Fri., April 13, 10 a.m.; Montgomery County Historical Society, 103 W. Montgomery Ave., Rockville, Maryland (4 blocks from Metro Red Line, Rockville station); private family-style lunch at nearby Trapezaria; registration limited to16 participants; comfortable clothing and shoes; minimal jewelry recommended; CODE 1K0-0WY; Members $150; Nonmembers $200

Introduction to Drawing and Painting In this combination course, students work from still life, architectural interiors, and landscape to translate the world of three dimensions to two through the arts of drawing and painting. The class begins with drawing to understand value structure and the use of contrast to describe form. Next, move into the medium of oil paint to learn color mixing and Painting by Max-Karl Winkler how to employ a painterly approach to construct form, light, and space. Ideal for beginning students, the goal of the class is to become articulate and comfortable with the fundamentals of oil painting and to approach it with confidence. 8 sessions; 2.5 hours each; Max-Karl Winkler; Fri., April 20–June 15 (no class May 25), 10:15 a.m.; supply list on website; CODE 1K0-0UM; Members $225; Nonmembers $275

Classes are taught by professional artists and teachers. View detailed class descriptions and supplies information at smithsonianassociates.org/studio View portfolios of work by our instructors at smithsonianassociates.org/artinstructors

World Art History Certificate elective: Earn ½ credit

Color Theory With an understanding of color concepts and relationships, you can use color to evoke subtle as well as overwhelming sensations in a viewer. Through lecture, demonstration, and hands-on experimentation, students learn about the color wheel, the Munsell color chart, and the attributes of value, chroma, and hue. Work with tonal contrast and begin to explore color temperature and complementary color effects and harmonies. Use acrylic paints to mix and create colors, and also experiment with magazine clippings and colored papers, to develop sensitivity to color qualities and color movement in shaping composition. No drawing or painting experience is required. 8 sessions; 2.5 hours each; Jamie Platt; Mon., April 16–Jun. 11 (no class May 28), 6:30 p.m.; supply list on website; CODE 1K0-0UK; Members $225; Nonmembers $275 HERMITAGE MUSEUM

A Day With a Curator

World Art History Certificate elective: Earn ½ credit

Composition Composition is one of the most important of elements of any artwork. This twosession workshop examines fundamental concepts of composition and their practical application in Moroccan Café, 1913, by Henri Matisse studio-art practice, offering participants tools to enrich their own work as well to analyze and appreciate visual art in general. The sessions include a visual presentation, discussion, and hands-on exercises, helping participants gain a finer appreciation of compositional aspects such as structure and balance, positive and negative space, contrast and color. They create several collages based on works and themes discussed, and explore connections between formal elements of visual art and the emotional impact of works of art as a whole. 2 sessions; 3 hours each; Shahin Shikhaliyev; Tues., May 15 and 22, 2 p.m.; CODE 1K0-0UL; supplies included; Members $75; Nonmembers $95

More INFORMATION and TICKETS at SMITHSONIANASSOCIATES.ORG and 202-633-3030

Studio Arts DRAWING Children’s Book Illustration Workshop Creating illustrations for a children’s manuscript is loads of fun once you get to know the basics. Learn how to start; appropriately fit illustrations to the storyline; choose mediums that are most successful; transform reality into whimsy; and how to listen and learn from an author. Students view different types of illustration and develop their own unique characters and designs. Information on working with publishers and legally proIllustration by Lori Schue tecting your art is also discussed. Prior drawing experience is helpful but not required.

Beginning Drawing Develop the basic skills needed as a strong foundation for drawing. Working with a variety of materials and techniques including charcoal and pencils, students explore geometric forms, volume, and perspective. Still-life, architectural interiors and exteriors, and figure drawing are among the areas covered. THREE OPTIONS: 8 sessions; 2.5 hours each; Max-Karl Winkler; Mon., April 16–June 11 (no class May 28), 2 p.m.; CODE 1K0-0TT; Jamie Platt; Tues., April 17–June 5, 6:30 p.m.; CODE 1K0-0TR; Josh Highter; Sun., April 22–June 17 (no class May 27), 10:15 a.m.; supply lists on website; CODE 1K0-0TS; Members $225; Nonmembers $275

TWO OPTIONS: One 4-hour session; Lori Schue; Sun., March 18, (CODE 1K0-0RL); Sat., May 5 (CODE 1K0-0TU); 1 p.m.; bring drawing paper, a pencil, sharpener, eraser, and watercolor set or colored marker; Members $85; Nonmembers $105

Developing Your Sketchbook Students work on improving their sketchbooks and the stories they tell through using creative techniques, materials, and thought processes. Learn basic drawing skills, to observe contour lines and negative space, and discover how to capture the essence of what you see and think. A variety of materials appropriate for sketchbooks are discussed and demonstrated. Get practice in working in public spaces in classes that meet at a variety of museums and other places close to the Smithsonian. 6 sessions; 3 hours each; Lori Schue; Mon., April 9–May 14, 1 p.m.; bring hard-covered sketchbook (7 x 10 in. or larger, preferably spiralbound), a pencil with eraser, and a pencil sharpener to the first class; supply lists on website; CODE 1K0-0WX; Members $195; Nonmembers $245

Figure Drawing and Independent Projects This class covers advanced elements of composition, anatomy, and developing individual artistic direction. Working from live models, students are encouraged to draw accurate or aesthetically strong works based on the figure. Open to all levels; students work in the medium of their choice. Model fees included in tuition. 8 sessions; 3 hours each; Josh Highter; Sun., April 22–June 17 (no class May 27), 1:30 p.m.; supply list on website; CODE 1K0-0TZ; Members $235; Nonmembers $285

SMITHSONIAN ASSOCIATES MARCH 2018

Continued Drawing Participants refine and expand their drawing skills through studio practice in traditional media. Sessions focus on four classic subject areas–still-life, landscape, portrait, and figure—and include warmup exercises, individual Drawing by instructor Jamie Platt and group critiques, and demonstrations by the instructor. Students should have completed a beginning drawing class. 8 sessions; 2.5 hours each; Jamie Platt; Wed., April 18–June 6, 6:30 p.m.; supply list on website; CODE 1K0-0TW; Members $225; Nonmembers $275

Drawing on the Right Side of Your Brain Designed to improve the way people see and record objects on paper, this class helps build the ability to draw. After completing an exercise as a record of initial skill, students move through assignments that deepen their understanding of edges and space, relationships between objects, and light and shadow. This new way of seeing and working becomes second nature with practice and can be used to pursue further development in the arts or added to the things you now know how to do. TWO OPTIONS: 8 sessions; 2.5 hours each; Shahin Shikhaliyev; Fri., Apr. 20–Jun. 15 (no class May 25), 2:30 p.m.; CODE 1K0–0TX; Fri., Apr. 20–Jun. 15 (no class May 25), 6 p.m.; CODE 1K0–0TY; supply lists on website; Members $235; Nonmembers $285

Published ticket prices are subject to change, depending on availability.

Studio Arts Oil Pastels for Everyone

PAINTING

Sennelier oil pastels are richly pigmented and have a creamy consistency. They have little comparison with dry or soft pastels in look, feel, or technique. They adhere to paper, Oil pastel by instructor Chester Kasnowski canvas, wood, metal, and glass. The experience simulates drawing with oils, and the colors are bright, highly saturated and long-lasting if maintained correctly. Oil pastels travel easily and are excellent for color sketching. Learn the basics of this medium in a class that includes group technique demonstrations and one-on-one instruction. Both beginners and seasoned artists are welcome.

Introduction to Watercolor Beginning students as well as experienced painters explore new materials and techniques in watercolor painting. Working on still-lifes and landscapes from direct observation or photographs, they explore basic watercolor techniques and learn new approaches to painting through classroom demonstration, discussion, and experimentation. 7 sessions; 2.75 hours each; Karen Norman; Mon., April 9–May 21, 6:30 p.m.; supply list on website; CODE 1K0-0VD; Members $235; Nonmembers $285

6 sessions; 2 hours each; Chester Kasnowski; Thurs., April 19–May 24, 10:30 a.m.; supply list on website; CODE 1K0-0UB; Members $185; Nonmembers $235

Continued Watercolor

Introduction to Pastel Still-Life Compositions The vibrant medium of pastel has long been a favorite of artists because of its luminosity and versatility. Working from still-life arrangements in studio sessions, students learn to achieve the brilliant and subtle effects characteristic of the medium. Lectures on color theory, color mixing, and composition are given. Demonstrations on color layering and blending are also included. For inspiration and ideas, works by master pastelists are viewed and discussed. Students may work in chalk or oil pastel and should have basic drawing skills. 3 sessions; 5 hours each; Sandra Gobar; Sat., April, 21, 28, and May 5, 10 a.m.; supply list on website; CODE 1K0– 0UA; Members $155; Nonmembers $185

Pastel by instructor Sandra Gobar

Colored Pencil Workshop Colored pencil is an often overlooked medium that can produce lovely nuances to bring your art alive with rich, vibrant color and a dizzying range of effects. Learn basic methods and strategies to create wonderful artwork. Students learn layering, blending and buffing strokes to achieve the translucency of watercolors with this dry medium. No previous drawing experience necessary; all skill levels are welcome.

Watercolor paintings can be so much more than a checklist of watercolor technique. This class offers Painting by Dave Daniels students the opportunity for greater individual experimentation and expression. Go beyond the basics of paint application, and learn how to construct strong, vibrant, personality-filled paintings. Some prior painting experience would be helpful to take full advantage of the class. 7 sessions, 2.75 hours each; Dave Daniels; Mon., April 9–May 21; 10:15 a.m.; supply list on website; CODE 1K0-0VC; Members $235; Nonmembers $285

Painting Is for Everyone This introductory class will give you the thorough grounding you need to create successful paintings–and start you thinking like an artist. Begin working in the versatile and flexible medium of acrylic paints as you learn to mix colors, use brushes, and approach elements of form such as value, texture, line, color, shape, and edges. Explore composition and variation, learn art terminology, and a bit of art history as well. 6 sessions; 2 hours each; Chester Kasnowski; Wed., April 18–May 23, 10:30 a.m.; supply list on website; CODE 1K0-0VJ; Members $185; Nonmembers $235

Drawing by Lori Schue

2 sessions; 3 hours each; Lori Schue Sat., April 21 and 28, 1 p.m.; bring colored pencils, a sharpener, any size drawing paper, and eraser; supply list on website; CODE 1K0-0TV; Members $95; Nonmembers $115

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Studio Arts Classes are taught by professional artists and teachers. View detailed class descriptions, supplies information, and instructors’ portfolios at smithsonianassociates.org/studio World Art History Certificate elective: Earn ½ credit

Beginning Oil Painting Lectures, demonstrations, and hands-on experimentation introduce the medium of oils. Working from still-life arrangements, explore basic painting techniques including color-mixing, scumbling, and glazing to gain the technical background needed to get started as a painter. Experience in drawing is helpful but not necessary. 8 sessions; 3 hours each; Shahin Shikhaliyev; Thurs., April 19–June 7, 6:30 pm.; CODE 1K0-0UY; supply list on website; Members $235; Nonmembers $285

Continued Painting Working on a personal project or from still life and model arrangements, students move beyond the basics to focus on discovering and developing their own, unique painterly language. Through examination of works by artists such as Cezanne, Picasso, Matisse and Kandinsky, explore different approaches to painting, Painting by Shahin Shikhaliyev with special attention paid to the process of visual selection and the principles of composition. Sessions feature in-depth conversations about specialized painting techniques such as “glazing” and “wet on wet” and students are encouraged to experiment with different tools and materials. 8 sessions, 3 hours each; Shahin Shikhaliyev; Wed., April 18–June 6, 10:15 a.m.; supply list on website; CODE 1K0-0VB; Members $235; Nonmembers $285

Neuroscience and Art A Creative Connection Recent findings in neuroscience reveal how our visual system informs and interprets the visible world for us. As an example of science informing art, students in this painting class hear about neuroscientific concepts like “peak shift” (how the brain responds to exaggerated stimuli) and “laws of grouping” (how the brain organizes visual elements into groups). By merging new findings Painting by Chester Kasnowski on visual perception with familiar elements of art such as value, shape, and color, the landscapes and still-lifes students are painting take on new and fresh creative edges. Sessions feature individual instruction and group critiques. Some painting experience preferred. 2 sessions; 2 hours each; Chester Kasnowski; Tues., April 17 and 24, 2 p.m.; supply list on website; CODE 1K0-0VH; Members $75; Nonmembers $95

SMITHSONIAN ASSOCIATES MARCH 2018

Painting Techniques from Impressionist Women Cassatt studies by instructor Adrienne Wyman

Mary Cassatt and Berthe Morisot

Strong women, soft palettes, bold strokes, tender moments: All can describe the character of the art of two prominent members of the impressionist movement, Mary Cassatt and Berthe Morisot. Explore the techniques they used to achieve their signature effects, such as Cassatt’s feathery pastel-like strokes of pure color, and Morisot’s softly harmonious palette. Lectures, demonstrations, and an instructor-led visit to the National Gallery of Art to view their paintings offer students technical insights into paint application, canvas preparation, and color combinations that they can apply to studio work. Stories from the women’s lives, reflecting their struggles and how they supported the impressionist movement, deepen an appreciation of these great artists. TWO OPTIONS: 8 sessions; 3 hours each; Adrienne Wyman; Tues., April 17–June 5, 10 a.m.; supply lists on website; CODE 1K0-0VE; Sat., April 21–June 16 (no class May 26) 10 a.m.; supply lists on website; CODE 1K0-0VF; Members $235; Nonmembers $285

World Art History Certificate elective: Earn ½ credit

Traditional Oil Painting Techniques Lessons from Museum Masterpieces Students explore the techniques of artists and schools from the early Renaissance to today. Sessions include lectures, painting demonstrations, and exercises designed to offer an opportunity to practice the skills of the masters, using the exact colors, canvas types, and paint application techniques. Through viewing paintings at the National Gallery and practice in the studio, students learn technical secrets and understand how artists achieved their signature effects. The objective Painting in class is not to copy the style of a famous artist, but to learn skills that can be utilized in your own work. The combination of art history and hands-on painting can broaden any artist’s range of skills. 8 sessions; 3 hours each; Adrienne Wyman; Sat., April 21–June 16 (no class May 26), 2 p.m.; supply list on website; CODE 1K0-0VG; Members $235; Nonmembers $285

Published ticket prices are subject to change, depending on availability.

Studio Arts MIXED-MEDIA World Art History Certificate elective: Earn ½ credit

SMITHSONIAN AMERICAN ART MUSEUM

Mixed-Media in the Style of Romare Bearden Romare Bearden (1911–1988) worked in many mediums from oil and watercolor to various forms of printmaking. He is best known for his mixed-media collages and photomontages that depict urban and rural life and the jazz scene. After an illusEmpress of the Blues, 1974, by Romare Bearden trated lecture on his work, students try their hand creating Bearden-inspired mixed-media compositions. Development of personal style and visual storytelling are encouraged. Students benefit from group critique. 2 sessions; 3 hours each; Sandra Gobar; Sat., March 3 and 10, 2 p.m.; supply list on website; CODE 1K0-0SA; Members $100; Nonmembers $125

Exploring Encaustic and Mixed-Media Workshops

Art by Marcie Wolf-Hubbard

Learn to capture vibrant pigments using heated beeswax, as well as fusing and carving in wax. Students are encouraged to incorporate their own drawings or prints on paper as well as other collage elements into their encaustic paintings. Safe methods of working, archival materials, and historical and contemporary approaches to the medium are introduced. All experience levels are welcome.

TWO OPTIONS: 2 sessions; 5 hours each; Marcie Wolf-Hubbard; Sun., March 4 and 11, 10:15 a.m.; CODE 1K0-0RU; Members $165; Nonmembers $195 One 7.5 hour session; Marcie Wolf-Hubbard; Fri., April 27, 10:15 a.m.; supply lists on website; some shared supplies provided; CODE 1K00UQ; Members $125; Nonmembers $145

Paper Frenzy Try new techniques and have fun creating papers for collage and other art projects. Leave with a glorious collection of one-of-a-kind papers accented by acrylic, inks, stamps, and other printmaking materials. Students use a variety of papers, including art tissue and watercolor to create a supply of materials of various weights, textures, and patterns. One 6-hour session; Sharon Robinson; Tues., March 6, 10 a.m.; CODE 1K0-0TM; all supplies provided; Members $85; Nonmembers $95

Art by Sharon Robinson

Image Transfers and Photo Alteration Mixed-Media Workshop Discover multiple methods for making and using image transfers and expand your creative horizons with photo alteration. Transfers are a valuable resource for incorporating representative imagery into your abstract work, and each method provides a unique look. Mixing and matching techniques with different surfaces makes it all the more fun. Topics include applications for image transfers (focal point, pattern, theme); choosing and preparing images; materials Art by Sharon Robinson and techniques for image transfers; tools and materials for altering photos; altered photos as stand-alone artwork; and altered photos with collage.

DO L O S

One 4-hour session; Sharon Robinson; Tues., March 13, 12 noon; students provide photos, all other supplies provided; CODE 1K0-0TN; Members $65; Nonmembers $75

Collage, Assemblage, and Mixed-Media In this workshop, students are introduced to the materials, tools, and technologies used in collage and assemblage. They find inspiration in artists who worked in collage including Joseph Cornell, Romare Bearden, and Gertrude Green, whose works are held in Smithsonian collections. Students express their observations by developing their own collage, mixed media, or assemblage projects. Both the nonartist and professional are welcome. Students learn through experimentation with color, form, and design as they explore the use of text, images, texture, and natural and found objects. TWO OPTIONS: 8 sessions; 2.5 hours each; Marcie Wolf-Hubbard; Wed., April 18–June 6, 1:30 p.m.; CODE 1K0-0UN; Wed., April 18–June 6, 6:30 p.m.; CODE 1K0-0UP; supply lists on website; Members $245; Nonmembers $295

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Studio Arts Collage and Mixed Media

Exploring Abstraction

Intensive Workshop Students are introduced to the materials, tools, and techniques used in collage and assemblage. Inspired by their observations of collages created by well-known artists, they develop their own collage, mixed-media or assemblage projects. Whether creating a piece reflecting personal history or an Art by Marcie Wolf-Hubbard abstract design, learn through experimentation with color, form, and design. Both the professional and the nonartist are welcome to explore the use of text, images, texture, and natural and found objects as they create.

Explore the basis of abstraction by studying color, line, and shape as they relate to composition. The timehonored media of charcoal and pastel, as well as the newer liquid acrylic glazes and media, are used. This process-oriented class emphasizes finding a more intuitive way of working. An examination of contemporary art, including a brief visit to the Hirshhorn Museum and Sculpture Garden, provides a comprehensive look at abstract art. Critiques and group discussion contribute to the process.

Art by instructor Delna Dastur

Weekend workshop: 2 sessions; 5 hours each; Marcie Wolf-Hubbard; Sat., May 5 and Sun., May 6, 10:15 a.m.; supply list on website; some shared materials provided; CODE 1K0-0UR; Members $195; Nonmembers $245

9 sessions; 3.5 hours each; Delna Dastur; Thurs., April 5–May 31, 12 noon; supply list on website; CODE 1K0-0VA; Members $275; Nonmembers $325

SCULPTURE

CALLIGRAPHY

Neon Light Sculpture

Continued Pointed-Pen Calligraphy

In this six-session class held at the instructor’s Washington, D.C., studio, explore the mysteriously compelling qualities of neon light and create your own illuminated object. Begin with a lecture about the elusive qualities of neon, its history, and commercial development. In the sessions that follow, learn the basics of glass tube bending and observe demonstrations of tube bombarding and rare-gas filling. Beginning as well as advanced students are welcome.

The Copperplate script is unmatched in its usefulness for social stationery. The rhythm and grace of the letterform is used on invitations, menus, and place cards and can take your personal correspondence to a whole new level. Explore the versatility of this tool and continue to hone your skills with formal writing, focusing on capital letters, alternate letterCalligraphy by instructor Lee Ann Clark forms and flourishing. Contemporary styles with their modern twists and variations are also examined. Completion of the Beginning Pointed Pen class or other pointed-pen instruction is required.

Neon art by Craig Kraft

6 sessions (One 1.5 hour lecture and five 3-hour workshops); Craig Kraft; NEW DATE: Tues., May 22–June 26, 6:30 p.m.; $85 supply fee payable to the instructor at the first class covers the cost of shared supplies, the use of bending equipment, and the processing of a neon tube made by each student; separate fee to purchase transformer to operate sculpture is optional and payable to the instructor; map with directions to instructor’s studio is on website; CODE 1K0-0WK; Members $200; Nonmembers $250

8 sessions; 2.5 hours each; Lee Ann Clark; Mon., April 16–June 11 (no class May 28), 1:30 p.m.; all supplies provided; CODE 1K0-0VK; Members $245; Nonmembers $295

FIBER ARTS Boot Camp for Quilters Do you have some quilting experience and want to brush up on your skills? Are you ready to design your own quilt? This hands-on class lets you practice some fundamental techniques to help you make the quilts you want. Topics include piecing, applique, embellishment, finishing and binding, quilting, and non-traditional fabrics. With new skills in hand, students design and make a personal statement quilt. Some previous experience is recommended. One 5 hour session; Lauren Kingsland; Sun., June 10, 10 a.m.; additional materials available from the instructor; bring your own sewing machine; some machines are available for use in class, by reservation; supply list on website; CODE 1K0-0UH; Members $75; Nonmembers $95

Quilt by Lauren Kingsland

SMITHSONIAN ASSOCIATES MARCH 2018

Published ticket prices are subject to change, depending on availability.

Studio Arts FIBER ARTS Knitting for Beginners

Quilting for Beginners

Learning the Basics

A Small Handmade Quilt

Learn the fundamentals of knitting, including casting on, basic knit and purl stitches, increasing, decreasing, and binding off. Students learn by practice, and may start a knitting project during class. Time is devoted to learning basic skills as a group, and students have an option of staying an additional half-hour after class to receive individual advice and instruction. No previous knitting experience is required.

Hand stitching is a great way to reduce stress, and the portability of handwork projects allows them to fit into your day. Learn the basics of quilt-making while learning the same piecing, applique, quilting, and finishing techniques used in larger quilts by creating several small pieces. In this three-session class with homework, all work may be done by hand. Shared sewing machines are available in the classroom; use your machine at home to continue work between classes if you choose.

6 sessions; 2 hours each; Ann Richards; Wed., April 18–May 23, 6:30 p.m.; bring to the first class a set of size 8 knitting needles and a lightcolored skein of worsted-weight yarn; CODE 1K0-0UE; Members $125; Nonmembers $145

Laundry to Legacy Repurposing Treasured Garments Into Memory Quilts Discover a new way to use T-shirts and other garments of sentimental value: Transform them into usable quilts to give as gifts or to preserve cherished memories. Learn how to work with stretchy fabrics, color ideas, quilting options, and finishing techniques. In a hands-on design activity using paper, participants practice creating a quilt from a variety of sizes of blocks. Any level of experience is welcome. One 5-hour session includes a lunch break (participants provide their own lunch); Lauren Kingsland; Sat., April 21, 10 a.m.; workshop fee includes Kingsland’s book The Extraordinary T-shirt Quilt: The Scrapbook You Can Sleep Under; bring a small pair of paper scissors, 12-in. ruler, calculator, and a stick of repositionable glue or roll of transparent adhesive tape; CODE 1K0-0UJ; Members $55; Nonmembers $75

The Inspirational Quilts of Gee’s Bend The isolated rural community of Gee’s Bend in Boykin, Alabama, is populated by the descendants of African American slaves, and since the 19th century has been the source of some of the most inventive and spectacular of American quilts. The quilters of Gee’s Bend are inspired by the weathered buildings, broken paths, and rambling fences of the isolated area and create vivid, abstract works that echo the energy and syncopation of Alabama jazz. The day covers the history of the Gee’s Bend quilting tradition and community through images and recorded oral histories, followed by a Gee’s Bend-inspired quilting project. Sat., June 2, 10 a.m.; Lauren Kingsland; bring fabric scissors, handsewing needles, straight pins, thimble (if you like), and a garment (preferably a shirt) to be cut up and distributed among the group; bring a sack lunch and something to share with the group; limited to 14 participants; CODE 1K0-0UG; Members $95; Nonmembers $115

3 sessions; 4 hours each; Lauren Kingsland; Sat., May 5–19, 12 noon; supply list on website; CODE 1K0-0UF; Members $125; Nonmembers $145

Quilting for Beginners II A Small Handmade Quilt, Continued Review the basics of hand-stitched quiltmaking while working on a small quilt. The class is designed for students who have completed the introductory Quilting for Beginners class, but other advanced beginners are welcome. Students may bring a project in progress. Sessions feature several basic techniques and time is provided to practice techniques and to work on your own project. Learn template making, rotary cutter techniques, marking, fabric preparation, assembling blocks into a top, applique, bindings, display, embroidery stitches, repurposed fabrics, and log-cabin piecing. 2 sessions; 4 hours each; Lauren Kingsland; Sat., March 10 and 17, 12 noon; all work may be done by hand; shared sewing machines are available in class; supply list on website; CODE 1K0-0RS; Members $85; Nonmembers $105

OTHER MEDIA Relief Printing Linocut and Woodblock This class is an introduction to the relief print, from techniques of design and transfer through cutting and printing the block. After an introductory lecture featuring the wood cuts and wood engravings of noted 20th-century artists from the Smithsonian American Art Museum collection such as Leonard Baskin, Wanda Gag, Rockwell Kent, Lynd Ward, and William H. Johnson, students By Max-Karl Winkler learn to design and produce their own editions, using nontoxic materials and employing both one-color and two-color techniques. 8 sessions; 2.5 hours each; Max-Karl Winkler; Tues., April 17–June 5, 6:30 p.m.; supply list one website; CODE 1K0-0UW; Members $225; Nonmembers $275

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Studio Arts Rustic Woven Tray Workshop A master basket weaver guides students in creating a beautiful tray full of rustic color and texture. Round reed spokes hold a combination of natural fibers and colored reed to achieve a pattern of the weaver’s choice, using a simple over-and-under technique. Prepared tree branches serve as the tray’s handles. Unique materials and the placement of weft materials help create the individual shape, size, and aesthetics of each tray.The session includes a discussion of various materials suitable for basket weaving, and instruction in the proper way to prepare materials and use tools to create this one-of-a-kind tray. Weavers of all skill levels are welcome. One 3-hour session; Lori Schue; Sat., May 12, 1 p.m.; bring spring-type clothespins, a small garden clipper, and a dish towel to class; $35 supply fee payable to the instructor; CODE 1K0-0UV; Members $65; Nonmembers $85

Tray by Lori Schue

Tempered Glass Mosaic Collage Tempered glass, also known as crash glass, is a versatile material that when used as an overlay adds a shimmer to modern mosaic art works. Students use tempered glass, as well as stained glass and other glass products, to produce sophisticated compositions filled with unexpected visual interest. Mosaic by Bonnie Fitzgerald In the first class, students develop a prototype artwork, experimenting with and mastering the adhesive and mosaic materials. They create an elaborate paper collage with photographs, stickers, colorful tissue papers, stamps, glitter, or wrapping paper—just about anything that allows for a flat surface. They then apply the tempered- and stained-glass overlay. A larger, more complex artwork is designed and executed in subsequent weeks. Grouting is optional. No mosaic experience is necessary. Students are encouraged to bring papers, photos, and personal imagery for inclusion in their final project. 8 sessions; 2.5 hours each; Bonnie Fitzgerald; Tues., April 24–June 12, 1 p.m.; $50 supply fee includes most materials; additional supply list on website; CODE 1K0-0US; Members $245; Nonmembers $295

Sogetsu Ikebana Modern Japanese Flower Arranging Beginning and continuing students learn some of the basic styles and variations of ikebana as taught by Japan’s Sogetsu School of Ikebana. Using spring flowers, branches, greens, and glass containers, they create beautiful and striking basic and free-style arrangements, including centerpieces. 6 sessions; 2 hours each; Jane Redmon; Wed., April 18–May 23, 6:30 p.m.; flowers, branches, greens, and other basic materials are included in tuition, bring a shallow container with sides about 2 to 3 inches high and 9 inches in diameter (a Pyrex pie plate, quiche dish, or plastic design tray) and a frog (needled flower holder) 2 to 3 inches in diameter, to the first class; frogs available for purchase from instructor; additional supplies listed on website; CODE 1K0-0UU; Members $200; Nonmembers $250

SMITHSONIAN ASSOCIATES MARCH 2018

Contemporary Mosaics Mixed-Media Abstract Compositions Explore the creative interplay of the ancient art of mosaics and contemporary abstract design as you’re guided through the process of creating an un-grouted mixedmedia mosaic, from initial design Mosaic by Bonnie Fitzgerald and preparation of materials to fabrication and finishing. After an overview of mosaics recognized as contemporary masterworks, students are introduced to traditional mosaic materials (marble and smalti). They create a piece that also incorporates a variety of natural objects (shells, pebbles, and stone) in combination with handmade ceramics, broken china, glass tiles, and other materials of their choice. The workshop also covers mosaic design principles, lay patterns (andamento), tesserae technique, and color theory. 8 sessions; 2.5 hours each; Bonnie Fitzgerald; Tues., April 24–June 12, 6:30 p.m.; $65 supply fee payable to instructor; students provide anchor element and supplemental materials for their mosaic; supplemental supply list on website; CODE 1K0-0UT; Members $245; Nonmembers $295

Introduction to Beading Learn to create your own handcrafted jewelry. This workshop covers the basics of bead stringing, wire-working, and pearl knotting, along with the names and uses for common hand tools, wire, stringing materials, and findings. Students make up to two necklaces, two to three pairs of earrings, and one single-strand necklace or bracelet using the Jewelry by Mïa Vollkommer pearl-knotting technique. Intermediate techniques are also discussed. Students new to jewelry making, or those with experience who want to refresh their skills are welcome. 3 sessions, 3 hours each; Mïa Vollkommer; Mon.–Wed., April 23–25, 6:30 p.m.; $25 sterling silver findings kit fee; studio arts hand tools available to borrow; additional supply list online; CODE 1K0-0WN; Members $155; Nonmembers $175

Published ticket prices are subject to change, depending on availability.

Studio Arts Cascade Earrings

Micro-Macramé Cuff Bracelet

Find your flow in a gorgeous pair of three-tiered cascade earrings. Learn to cut and finish metal shapes, make jump rings, and explore metal texturing and oxidation. Make your piece monochrome, or join the mixedmetal trend and work in Earrings by Mïa Vollkommer sterling silver and jeweler’s brass. Adding beads to your earrings is also discussed and demonstrated. All experience levels are welcome.

If you think that macramé went out with the hanging planters and wall art of the 1970s, it’s time to think again. Micromacramé is a contemporary way of creating intricate-looking earrings, pendants, and bracelets. In this class, learn the basic knotting techniques needed to create a beautiful cuff bracelet with beads of your choice. Finishing techniques, knotting with wire, Bracelet by Mïa Vollkommer and designs for other types of jewelry are also demonstrated and discussed. All experience levels welcome.

One 3-hour session; Mïa Vollkommer; Sat., April 21, 10 a.m.; wire and sheet metal kit ($20; kit plus shop shears, $35) available for purchase in class; Studio Arts hand tools available to borrow; additional supply list on website; CODE 1K0-0WL; Members $55; Nonmembers $75

2 sessions; 3 hours each; Mïa Vollkommer; Thurs., April 26 and Fri., April 27, 6:30 p.m.; supply list online; CODE 1K0-0WP; Members $95; Nonmembers $115

Fabulous Findings and Dramatic Dangles

Calder Mobile Earrings Drawing inspiration from the mobiles of Alexander Calder, create a pair of earrings that captures grace in motion using wirework techniques and colorful bits of paper. Students craft small wire frames to decoupage with tissue in a rainbow of colors using jeweler’s resin. Several design options (including Earrings by Mïa Vollkommer ideas for larger works) allow you to make a colorful statement that is lighter than air. Basic wirework experience helpful but not required; all experience levels are welcome.

Tired of the same old clasps and ear wires? Would you like to set your work apart with unique elements that can’t be bought at the store? Then this workshop—centered on the findings that make jewelry wearable and unique—is for you. Working with wire in a variety of gauges and sheet metal, students begin by exploring different designs and production methods for headpins, clasps, ear wires, hoops, and charms. Then, they create one-of-a-kind necklaces and earring sets with the findings they’ve Findings by Mïa Vollkommer made. Wire work and the safe use of butane torches and cutting-texturing sheet metal is discussed.

One 3.5-hour session; Mïa Vollkommer; Sat., April 21, 2 p.m.; wire and paper materials kit ($20) available for purchase in class; Studio Arts hand tools available to borrow; additional supply list on website; CODE 1K0-0WM; Members $65; Nonmembers $85

One 7-hour session; Mïa Vollkommer; Sat., April 28, 10 a.m.; $45 wire and sheet metal kit fee ($60 for kit plus shop shears); studio arts hand tools are available to borrow; additional supply list online; CODE 1K0-0WS; Members $115; Nonmembers $135

Pierced-Metal and Leather Cuff Bracelet Celebrate the approach of short-sleeve weather with a statement cuff that will quickly become your everyday adornment of choice. Learn the basics of metal piercing, using a Bracelet by Mïa Vollkommer jeweler’s saw to cut a simple design in a sterling-silver sheet, and metal texturing and oxidizing techniques. Your piece is riveted to a band of upcycled leather, and clasp ends are added to finish the bracelet. No prior experience with metal work is required, but sawing requires a bit of patience. One 6-hour session; Mïa Vollkommer; Sun., April 22, 10 a.m.; metal and leather kit ($35) available for purchase in class; additional list of supplies and tools on website; CODE 1K0-0WQ; Members $95; Nonmembers $115

Multi-strand Necklace with Patinated Findings Explore the depth and color that occur when creating a patina on metal. Students cut, texture, and rivet decorative connectors using layers of jeweler’s brass or copper. After the patination process (possible with one of several different chemical compounds), design and create a multi-strand necklace using crimping techniques and a sliding knot finish that allows the piece to be worn Necklace by Mïa Vollkommer at a variety of different lengths. Anyone from beginning beaders to experienced metalsmiths is welcome. One 5-hour session; Mïa Vollkommer; Sun., April 29; 10 a.m.; all metals and patina solutions provided as a kit to be purchased in class ($15; kit plus shop shears, $30); studio arts hand tools available to borrow; additional supply list on website; CODE 1K0-0WR; Members $85; Nonmembers $105

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Studio Arts PHOTOGRAPHY BEGINNER Digital Camera Basics

Understanding Your Digital Mirrorless or SLR Camera

Get the most out of your digital camera in this daylong hands-on workshop that gives a head start on producing great shots. Exposure settings, color and tone, resolution, file formats, picture quality, transferring files, and using a browser are among the essential technical tools for the digital shooter covered in the session. One 7.5-hour session; Eliot Cohen; Sun., May 6, 10 a.m.; wear comfortable clothes and shoes for afternoon shooting session; CODE 1K0-0VN; Members $220; Nonmembers $270

Moving Beyond Auto Mode Learn how to use your SLR or mirrorless camera to best advantage in this hands-on class. In the morning, the focus is on how to use features such as ISO, shutter speed, aperture, and depth of field Information regarding RAW vs. JPEG files and White Balance is also discussed. Shooting modes such as shutter priority, aperture priority, and manual are demonstrated. The afternoon is given over to practice during a field shooting session on the Mall. You’ll be out of auto mode by the end of the session! Bring your camera and lenses, an empty card, and a fully charged battery. It may be helpful to have the camera manual. Photo by Eliot Cohen

THREE OPTIONS: One 7-hour session; Eliot Cohen; Sun., March 11 (1K0-0SH); Sun., April 15 (CODE 1K0-0WG); Sun., June 10 (CODE 1K0-0WH); 10 a.m.; Members $210; Nonmembers $260

The Joy of Photography

Introduction to Black-and-White Film Photography and the Darkroom

An Exploratory Course

This class provides a thorough introduction to the 35mm camera and the basics of photo darkroom techniques. Learn how to use your camera, compose a photograph, develop film, and make a print in Smithsonian Associates’ well-equipped darkroom. Lecture-demonstrations, class assignments, critiques, and practical darkroom work help you to understand photography from shutter speed to finished print, and how black-and-white film and darkroom skills can enhance your digital work.

This non-darkroom course is designed for beginners who want to learn how to use their digital SLR camera as a Photo by Marty Kaplan creative tool. The goal is to gain skill in technical aspects of photography so that they can concentrate on composing beautiful images. Students work digitally, and topics include aperture, shutter speed, metering, exposure, ISO, composition, special effects, and flash photography. The instructor gives weekly assignments and reviews them in subsequent classes. Pointand-shoot cameras not appropriate. Bring digital SLR camera with manual or override capabilities and images for review on a flash drive or CD or in print to first session. TWO OPTIONS: 8 sessions; 3 hours each; Marty Kaplan; Tues., April 17–June 5, 6:30 p.m.; CODE 1K0-0WE; Sun., April; 22–June 17 (no class May 27), 10:15 a.m.; CODE 1K0-0WF; Members $225; Nonmembers $275

8 sessions; 3 hours each; Patricia Howard; Tues., April 17–June 5, 6:30 p.m.; bring 35mm adjustable camera to first class; film and photographic paper to buy are discussed; all developing chemicals provided; CODE 1K0-0VR; Members $235; Nonmembers $285

Introduction to Photography Whether you want to work in digital or film, this class offers a solid foundation for new photographers ready to learn the basics. Topics include camera functions, exposure, metering, working with natural and artificial light, and composition. Critiques of class Photo by Andargé Asfaw and home assignments enhance the technical skills you learn. At least two photoshoot excursions outside of the classroom are scheduled. 8 sessions; 2.5 hours each; Andargé Asfaw; Wed., April 18–June 6, 12:30 p.m.; camera with manual controls and tripod needed for the class; bring camera and manual to first session; CODE 1K0-0VU; Members $200; Nonmembers $250

SMITHSONIAN ASSOCIATES MARCH 2018

Photo by Patricia Howard

Continued Black-andWhite Film Photography and the Darkroom

Designed for students who have completed Introduction to Black-and-White Film Photography and the Darkroom, this class refines their black-and-white printing skills and understanding of 35mm-camera operation. In addition to weekly assignments, illustrated lectures, demonstrations, and informal group critiques, students explore papers and developers in darkroom work. Sessions also cover low-light shooting, “pushing” film, special printing techniques, and electronic flash. 8 sessions; 3 hours each; Paul Matthai; Mon., April 16–June 11 (no class May 28); 6:30 p.m.; all developing chemicals included; CODE 1K0-0VS; Members $235; Nonmembers $285

Published ticket prices are subject to change, depending on availability.

Studio Arts Lightroom + Vision Lightroom software helps you organize pictures, edit and develop images, and become a better photographer. Learn to use Lightroom’s Library and Develop modules through lectures, demonstrations, hands on practice, weekly assignments, and one on-location shoot. The class emphasizes learning how and where to store and access images, protecting image integrity, and organization. Students use the latest version of the software on PCs in the computer lab (Adobe CC), or bring a personal laptop with Lightroom loaded.

Introduction to Lightroom Weekend Workshop Adobe Lightroom software is useful for organizing and editing both RAW and JPEG image files. This workshop focuses on working with a pair of essential modules for organizing and editing your files. The Library module can be used for importing, exporting, deleting, and grouping files; sorting and ranking files for quality; and attaching keywords for easy retrieval. Use the Develop module to improve files’ tone, color, and fine detail, and to edit globally or selectively with intuitive tools. Personal laptops are not required but are recommended, Lightroom 5, 6, or Classic should be installed and functional on your laptop. PCs with most current software available in computer lab.

7 classroom sessions and 1 field trip; 3 hours each; Barbara Southworth; Mon., March 26–May 7, 6:30 p.m.; field trip: Sat., March 31, 3 p.m.; CODE 1K0-0UD; Members $275; Nonmembers $325

TWO OPTIONS: 2 sessions; 4 hours each; Eliot Cohen; Sat., March 17 and Sun., March 18 (CODE 1K0-0SR); Sat., May 19 and Sun., May 20, (CODE 1K0-0VV); 9:30 a.m.; PCs available for use in computer lab; Members $225; Nonmembers $245

Introduction to iPhone Photography

PHOTOGRAPHY

Put away your point-and-shoot camera and pull out your iPhone to create great images. This half-day workshop prepares you to make the most of your iPhone’s camera, starting with photography basics such as essential compositional skills and exposure, then moving on Photo by Peggy Feerick to an exploration of some of the best apps, camera accessories, and low-cost tools for editing and image management. During the lunch break you’ll capture some sights on the National Mall to share with the class in a critique session.

INTERMEDIATE/ADVANCED

THREE OPTIONS: One 4-hour session; Peggy Feerick; Sat., April 21 (CODE 1K0-0WT); Sun., April 22 (CODE 1K0-0WU); Sat., May 19 (CODE 1K0-0WV); 10 a.m.; students provide their own lunch; Members $75; Nonmembers $95

World Art History Certificate elective: Earn ½ credit

Photography: A Hands-on History Trace photography’s development with art historian and photographer Patricia Howard. Discussion topics include pictorialism and realism in 19th-century photography; how surrealism embraced the photograph; the portrait from tintype to digital selfies; and the range of forms and styles in contemporary photography. Lectures enhance hands-on projects: building a camera Photo by Patricia Howard obscura; creating cyanotypes and surrealist-inspired ray-o-grams; and retouching and hand-painting photographs. Photographers of all experience levels as well as non-photographers are welcome. 6 sessions; 3 hours each; Patricia Howard; Sun., May 6–June 17 (no class May 27), 1 p.m.; CODE 1K0-0WJ; Members $195; Nonmembers $245

Developing Black-and-White Film at Home With a little investment, you can easily develop your own 35mm or 120mm black-andwhite film at home. Bring two rolls of exposed film (of the same type and speed) to the class. Participants are led through each stage of the chemical process to develop their negatives. Learn about film-developing theory in more detail, negative storage, film scanners, printing options, and more. Take home detailed, step-by-step developing instructions along with a complete list of supplies you’ll need to continue processing your own film. One 6.5-hour session; Joe Yablonsky; Sat., June 23, 10:15 a.m.; lunch break 1:15–2 p.m. (participants provide their own); CODE 1K0-0VM; Members $75; Nonmembers $95

Open Darkroom Plus This class is geared to photographers with basic or proficient darkroom skills who are interested in taking their work to the next level. Students benefit from smallgroup lectures, individual instruction, and independent work to gain confidence in a specific area. Possible topics include toning, fiber-based printing, dodging and burning, and assessment of print quality. THREE OPTIONS: 8 sessions; 3 hours each; Paul Matthai; Thurs., April 19–June 7, 6:30 p.m. (CODE 1K0-0WA); Joe Yablonsky; Sat., April 21– June 16 (no class May 26), 10:15 a.m. (CODE 1K0-0WB); Sat., April 21–June 16 (no class May 26), 1:30 p.m. (CODE 1K0-0WC;) Members $235; Nonmembers $285 TWO OPTIONS: 4 sessions; 3 hours each; Joe Yablonsky; Fri., April 20–May 11, 6:30 p.m. (CODE 1K0-0VY); Fri., June 1–22, 6:30 p.m. (CODE 1K0-0VZ); Members $120; Nonmembers $150

More INFORMATION and TICKETS at SMITHSONIANASSOCIATES.ORG and 202-633-3030

JOE YABLONSKY

Studio Arts Build Your Photographic Portfolio Go beyond taking random photographs and develop a cohesive body of work that is uniquely yours. Review some contemporary photographers’ work and define the characteristics that are incorporated into their portfolios. Then evaluate your best photos and identify the attributes that define your own photographic vision. Targeted homework assignments help you increase your collection of portfolio-quality work. Portfolio books, print sizes, order of presentation, photography websites, and presentation methods are also discussed. 3 sessions, 3 hours each; Joe Yablonsky; Wed., May 23–June 6 (CODE 1K0-0VL); 6:30 p.m.; Members $125; Nonmembers $145

Exhibiting and Selling Your Photographs Learn how to get your photos seen and sold. This valuable session covers strategies to get your photos seen by the public, such as juried exhibitions, photo contests, showing in alternative spaces (bookstores and coffee shops), art festivals, galleries, and websites. It also addresses photographic portfolios, copyrighting your images, email marketing, postcards, Photograph by Joe Yablonsky pricing, printing your photos, and matting and framing. One 3-hour session; Joe Yablonsky; Mon., April 16, 6:30 p.m.; CODE 1K0-0VQ; Members $45; Nonmembers $65

Custom Digital Printing and Mat Cutting Learn how to get digital photos printed accurately and custom cut windows in mat board. Sessions cover inexpensive online printing labs, paper choices, aspect ratios, how to get the whole photo printed (without cutting off the edges), mat board choices and sources, and mat cutter tools. Bring two jpg images to the first session that you would like to print and resize them in class. Students are required to have the photos printed and ready for the second session. Custom cut the window in the mat board and assemble the final product. Leave the class with work ready to be installed into easily available 11 x 14 frames! 2 sessions; 3 hours each; Joe Yablonsky; Thurs., May 31 and June 7; CODE 1K0-0VP; 6:30 p.m.; mat board included in class fee; Members $100; Nonmembers $125

SMITHSONIAN ASSOCIATES MARCH 2018

Continued Studio Portraiture This class is a follow-up to Introduction to Studio Portraiture and explores the creative lighting controls of the studio. Sessions focus on such topics as posing a subject; using highlight and shadow to create three-dimenPhotograph by Marty Kaplan sional contrast; the difference between high key and low key lighting; using a flash meter; and understanding strobe lighting. Participants produce portfolios of portraits of models and their classmates. They work in the format of their choice and in either black-and-white or color. Students should have taken Introduction to Studio Portraiture or have knowledge of camera operation, portrait posing, and lighting. Point-and-shoot cameras are not appropriate for this class. 8 sessions; 3 hours each; Marty Kaplan; Mon., April 16–June 11 (no class May 28), 6:30 p.m.; needed supplies discussed in first session; CODE 1K0-0VT; Members $225; Nonmembers $275

Mastering Exposure Participants develop a greater understanding of exposure modes, exposure compensations, filter exposure factors, bracketing, metering modes, histograms, zone system, dynamic range, eliminating camera shake, Photo by Joe Yablonsky tripods, and some flash concepts. Students learn how to correctly assess a scene and override what the camera recommends to consistently take accurately exposed photographs. Skills are honed by completing specifically designed assignments and through in-class review of work produced. Students should have taken an introductory photography class, have good working knowledge of their cameras, and have a camera with the classic exposure modes (P, A/Av, S/Tv, M). 5 sessions; 3 hours each; Joe Yablonsky; Thurs., April 26–May 24; CODE 1K0-0VW; 6:30 p.m.; Members $185; Nonmembers $235

You love art. Now become the expert you’ve always wanted to be. Earn a Smithsonian Associates’ Certificate in World Art History Registration is ongoing smithsonianassociates.org/ artcertificate 202-633-3030 Published ticket prices are subject to change, depending on availability.

Studio Arts Photographic Creativity, Design, and Composition The balance of visual tension in an image is fundamental in photography. When achieved successfully, well-made visual relationships are Photo by Joe Yablonsky created. This class offers participants a better understanding of compositional elements and how best to apply them. Emphasis is placed on practices that promote taking better and more unique photographs, including simplicity, balance, and natural lighting conditions. Weekly lectures and assignments feature topics including extended shutter speeds, light graffiti, bokeh templates, and macro photography. Students should have an understanding of basic camera operation. 5 sessions; 3 hours each; Joe Yablonsky; Wed., April 18–May 16, 6:30 p.m.; CODE 1K0-0WD; Members $185; Nonmembers $235

Lightroom and Bookmaking Rethink the traditional photobook as you use the latest version of Lightroom’s Book Module to select, develop, sequence, and lay out images, and produce two or more of your own books. Learn about tools, techniques, materials, software, and vendors. Create two types of photo collections in book form using existing photos, and use free internet-based software to publish them. Topics include identifying an audience, setting objectives, editing and sequencing, titling, and captions. Samples, demos, and online materials for reference and review are available. Familiarity with Lightroom is useful but not required. 4 sessions; 3 hours each; Barbara Southworth; Thurs, March 8–29, 6:30 p.m.; book materials not included; CODE 1K0-0SN; Members $225; Nonmembers $275

iPhone Photography II This half-day workshop is designed for those students who have completed the Introduction to iPhone workshop or for those who seek further hands-on practice with in-depth critique time. Begin with a quick refresher on the ProCamera© app and editing techniques before heading out for a shooting session on the National Mall followed by a classroom critique and further discussion on organizing, posting and printing your images.

Photo by Peggy Feerick

One 4-hour session; Peggy Feerick; Sun., May 20, 10 a.m.; CODE 1K0-0WW; Members $75; Nonmembers $95

PHOTOGRAPHY ON-LOCATION

Photo by Barbara Southworth

Spring Landscape Photography on the Potomac An Environmental Photography Experience The 15-mile Potomac gorge from Great Falls to Roosevelt Island is the primary focus of shooting assignments. Attention to photographic seeing and refinement of style and vision is emphasized on walks of up to three miles in Maryland, Virginia, and the District. Students are encouraged to consider the Potomac images they produce as a body of work or portfolio. During the initial classroom orientation in the Ripley Center, photographers discuss locations and plan 3-hour field trips to take advantage of early or late light. A class critique and photo review follows two field trips. Additional field excursions are followed by a final portfolio review. Basic photography skills required. 8 sessions; 3 hours each; Barbara Southworth; Mon., March 19–May 7, 10:15 a.m.; film, if used, processed outside of class time; CODE 1K00UC; Members $245; Nonmembers $295

On-Location Photography Capture this vibrant capital city’s many great spots for on-location shoots as you sharpen your way of thinking about shooting outdoors. Class sessions include lectures, field trips, loosely structured assignments, and critique sessions Photo by Joe Yablonsky aimed at developing strategies for successful outdoor shoots. Lectures cover depth of field; exposure adjustments; using a tripod; composition; and natural lighting conditions. A basic understanding of photographic concepts is required, along with a camera that allows for adjustments to the aperture, shutter speed, ISO, and exposure compensation. Participants provide their own cameras and may work in the camera format of their choice. 8 sessions, 3 hours each; Joe Yablonsky; Sun., April 22–June 17 (no class May 27), 1:30 p.m.; field trips are Metro accessible and may require considerable walking; students provide their own transportation; CODE 1K0-0VX; Members $225; Nonmembers $275

Classes are taught by professional artists and teachers. View detailed class descriptions and supplies information at smithsonianassociates.org/studio

More INFORMATION and TICKETS at SMITHSONIANASSOCIATES.ORG and 202-633-3030

Getting Here

Below is a list of our most frequent program locations.

1 Baird Auditorium Natural History Museum

10th and Constitution Ave., NW Metro: Federal Triangle (Blue/Orange/Silver) 2 Warner Bros. Theater

American History Museum 14th and Constitution Ave., NW

Metro: Smithsonian station, Mall exit (Blue/Orange/Silver) 3 Lisner Auditorium George Washington University 21st and H St., NW Metro: Foggy Bottom/GWU (Blue/Orange/Silver) 4 Meyer Auditorium

Freer Gallery of Art 12th and Independence Ave., SW Metro: Smithsonian station, Independence Ave. exit

(Blue/Orange/Silver) 5 Nan Tucker McEvoy Auditorium

Smithsonian American Art Museum 8th and G Sts., NW Metro: Gallery Place-Chinatown (Red, Yellow/Green)

7 Renwick Gallery, Grand Salon 1661 Pennsylvania Ave., NW Metro: Farragut North (Red) or Farragut West (Blue/Orange/Silver) 8 Ring Auditorium

Hirshhorn Museum and Sculpture Garden 7th and Independence Ave., SW Metro: Smithsonian station, Mall exit

(Blue/Orange/Silver) 9 Ripley Center 1100 Jefferson Drive, SW Metro: Smithsonian station, Mall exit

(Blue/Orange/Silver) 10 Smithsonian Castle 1000 Jefferson Drive, SW Metro: Smithsonian–Mall exit

(Blue/Orange/Silver) 11 STUDY TOURS BUS PICKUPS Location for most local tours: Holiday Inn Capitol, 550 C St., SW (corner of 6th & C); Metro: L’Enfant Plaza–7th & Maryland Ave. exit (Yellow/Green/ Blue/Orange/Silver)

6 Rasmuson Theater

12 U.S. Navy Memorial Foundation Auditorium 701 Pennsylvania Ave., NW Metro: Archives-Navy Memorial (Green/Yellow) 13 Voice of America Auditorium Wilbur J. Cohen Building 330 Independence Ave., SW (enter on C St.); Metro: Federal Center SW (Blue/Orange/Silver) 14 University of the District of Columbia Theater of the Arts NOT SHOWN ON MAP

4200 Connecticut Ave., N.W. Metro: Van Ness/UDC (Red line) METRO The Mall entrance of the Smithsonian station closes at 10 p.m. The other entrance, at Independence Ave. and 12th St., SW, closes at midnight and at 3 a.m. on Fridays and Saturdays), as do the Gallery Place and Federal Triangle stations, To be sure not to miss the last train to your destination, call Metro at 202-637-7000 for schedules.

American Indian Museum 4th and Independence Ave., SW Metro: L‘Enfant Plaza (Blue/Orange/Silver or Green/Yellow); Maryland Ave./Smithsonian Museums Exit

PARKING Nearby Colonial Parking garages are shown on the map. Some offer $6 parking for our events on weekday evenings after 5:30 p.m. and all day on Saturday and Sunday. Inquire before parking and have your event ticket with you. Parking lot hours vary. Very limited metered parking is available around the Mall ($2 per hour).

SMITHSONIAN ASSOCIATES MARCH 2018

Please note: Published ticket prices are subject to change, depending on availability.

Programs by Format

NEW LISTINGS are in RED ALL-DAY PROGRAMS

Enchanting Ireland: A Visual Journey ..............Sat, March 3 ...........................4 The King James Bible ...........................................Sat, March 17.........................7 The South: Exploring an American Idea .........Sat, April 28..........................12 The Romani Influence on European Music...Sat, April 28..........................12 The Vatican Collection..........................................Sat, March 24 ......................19 The Artistic Legacy of Byzantium......................Sat, April 7 ............................21 What Does It Mean? .............................................Sat, April 21..........................22 Chapels That Defined the Renaissance .........Sun, May 6 ...........................24 The Artists of Renaissance Venice....................Sat, May 12 ..........................25 Surrealism: The Canvas of Dreams .................Sat, June 2............................25 Great Books of Science .......................................Sat, March 10 ......................29 The Potomac: DC’s History and Heart ..........Sun, March 18.....................30 Narwhal: Revealing an Arctic Legend..............Sat, April 7 ............................30 The Archaeology of Judaism..............................Sat, May 5.............................44 Reign of Queens....................................................Sat, May 5.............................45 COURSES

The Immigrant Experience in Literature .........Mon, March 5.........................5 Reading the Neapolitan Quartet ......................Mon, March 5.........................5 The Great Food Cities of the World .................Tues, March 6.........................6 Writings That Shaped a Nation..........................Mon, April 16 .......................10 The Great Russian Operas..................................Tues, April 17 .......................11 John Eaton ...............................................................Wed, April 18 .......................11 Art and Kingship in Southeast Asia ..................Wed, March 7 ......................18 Famous Address in Washington .......................Thurs, March 15..................18 Art of the Medieval World...................................Tues, May 8..........................24 Italian Renaissance Art .........................................Mon, June 4.........................26 Feeling Like an American ....................................Thurs, March 8 ....................38 Indiana Jones ..........................................................Thurs, March 22 .................39 She Persisted, and Resisted ...............................Wed, April 11 .......................41

Gardening for Mother Earth ...............................Sun, April 22 ........................31 Ancient DNA............................................................Thurs, April 26 .....................32 The Heart of a Comet ..........................................Mon, April 30.......................32 The Truth About Exercise.....................................Thurs May 10 ......................34 Where the Buffalo Roam.....................................Thur, May 17........................34 Innovations in Military Medicine .......................Wed, May 23 .......................35 Learning to Learn...................................................Thurs, June 7 .......................35 past + present

The Great Suffrage March of 1913 .................Thurs, March 1 ....................38 William F. Buckley Jr. .............................................Tues, March 13 ...................39 Savonarola ...............................................................Wed, March 21 ...................39 The Juedischer Kulturbund.................................Tues, March 27 ...................40 Henry Stuart ............................................................Thurs, April 5 .......................40 The History of Judaism ........................................Tues, April 10.......................40 Thomas Jefferson at 275 ....................................Wed, April 11 .......................41 Digging Deeper ......................................................Mon, April 23.......................43 The Wrong Side of History..................................Tues, April 24.......................43 Mapping the Middle East ....................................Wed, May 2..........................43 Dwight D. Eisenhower .........................................Thurs, May 3 ........................44 The Bill of Rights: A User’s Guide ....................Wed, May 16 .......................46 PERFORMANCES

What Makes It Great? with Rob Kapilow.........Sun, April 22............................4 How Do We Listen? ................................................Thurs, March 8........................6 Emerson String Quartet .......................................Sun, March 11 .......................6 Smithsonian Chamber Music Society (SCMS) Axelrod String Quartet ...........................Sat, March 17 .....................................7 Masterworks of Five Centuries.............Sat, April 14, Sat, May 5..............10 STUDIO ARTS

LECTURES

Drawing, Painting, Fiber Arts, Other Media, Photography....................49-61 culture + ideas Dinner at Supra ......................................................Mon, March 5.........................4 Celebrating Brahms ..............................................Tues, March 6.........................5 America: The Great Cookbook .........................Mon, March 19 ......................7 Dallas ........................................................................Wed, March 14 ......................8 Women in Islam.....................................................Tues, March 20 ......................8 2001 at 50 ..............................................................Tues, April 3 ............................8 Lidia Bastianich.......................................................Wed, April 4 ............................9 Bridal Traditions of India ......................................Thurs, April 12........................9 Henry Louis Gates Jr.............................................Fri, April 13..............................9 La Dolce Vita: Italy’s Desserts............................Mon, April 16 .......................11 Rossini’s Stabat Mater .........................................Wed, April 25 .......................14 Marvel Men: Joe and Anthony Russo ............Wed, May 2 ..........................14 Mark and Jay Duplass ..........................................Thurs, May 10......................14 Dashiell Hammett .................................................Mon, May 14 .......................15 What Is It about This Is Us? ................................Wed, May 30 .......................15 Sophocles at the Embassy of Greece .............Thur, May 31........................15 art + design Art Treasures of Berlin ..........................................Mon, March 12 ...................19 Caravaggio: Theater and Light ...........................Thurs, March 22..................19 Grant Wood: Beyond American Gothic..........Wed, April 25.......................20 African Art.................................................................Mon, April 9 .........................21 Cezanne Portraits...................................................Tues, April 17.......................21 Borromini’s Rome..................................................Tues, May 1..........................23 science + nature Take an Elemental Journey.................................Thurs, March 1 ....................28 Facing Fear ...............................................................Wed, March 7 ......................28 Strange and Curious Jobs ...................................Thurs, March 8 ....................29 The Biological Mind ..............................................Tues, April 10.......................31 Basic Instincts .........................................................Thurs, April 19 .....................31

STUDY TOURS

A Berkshires Summer Sampler .........................Sun, July 29..........................16 The Barnes Foundation Philadelphia...............Fri, April 6..............................20 A Day at the Delaware Art Museum................Sat, April 28..........................22 Egypt at the Met ....................................................Sun, April 22 ........................23 Sears Houses of Arlington ..................................Sat, May 5.............................23 The Philadelphia Flower Show ..........................Wed, March 7 ......................28 The Philadelphia Flower Show ..........................Fri, March 9 ..........................28 Spring at the National Arboretum ....................Wed, April 25.......................32 Mallows Bay by Kayak..........................................Sun, April 29 ........................33 Mallows Bay by Kayak..........................................Sun, May 6 ...........................33 Smithsonian Environmental Research Center ...............................................Sat, May 19 ..........................33 Mallows Bay by Kayak..........................................Sat, May 26 ..........................33 Oysters of the Rappahannock ...........................Wed, May 23 .......................34 Natural History of the Mid-Atlantic...................Sat, June 16 .........................35 Battle of Spotsylvania ...........................................Sat, April 14..........................41 Glimpses of Old Arlington ..................................Sun, April 15 ........................42 Doodlebugging Through Delaware..................Sat, April 21..........................42 George Washington in Alexandria ....................Sat, April 21..........................42 George Washington in Alexandria ....................Fri, April 27 ...........................42 George Washington in Alexandria ....................Sun, April 29 ........................42 Gettysburg 101 ......................................................Sat, May 12 ..........................44 Giants of the Sea ...................................................Wed, May 9..........................45 Adventures on the C&O Canal ..........................Sat, May 19 ..........................46 The Potomac Eagle ...............................................Sat, May 26 ..........................47 A Mountain Rail Extravaganza............................Fri, June 1 .............................47 The President’s Neighborhood..........................Fri, June 1 .............................48 The President’s Neighborhood..........................Sat, June 2............................48 Paradise in Montgomery County ......................Fri, June 8 .............................48

More INFORMATION and TICKETS at SMITHSONIANASSOCIATES.ORG and 202-633-3030

Programs by Date MARCH

Thurs, March 1 Sat, March 3 Mon, March 5

Tues, March 6 Wed, March 7

Thurs, March 8

Fri, March 9 Sat, March 10 Sun, March 11 Mon, March 12 Tues, March 13 Wed, March 14 Thurs, March 15 Sat, March 17 Sun, March 18 Mon, March 19 Tues, March 20 Wed, March 21 Thurs, March 22 Sat, March 24 Tues, March 27

Take an Elemental Journey.........................................28 The Great Suffrage March of 1913 ..........................38 Enchanting Ireland: A Visual Journey .........................4 Dinner at Supra.................................................................4 Reading the Neapolitan Quartet .................................5 The Immigrant Experience in Literature ....................5 Celebrating Brahms .........................................................5 The Great Food Cities of the World ............................6 Art and Kingship in Southeast Asia ..........................18 The Philadelphia Flower Show ..................................28 Facing Fear.......................................................................28 How Do We Listen? .........................................................6 Strange and Curious Jobs ...........................................29 Feeling Like an American ............................................38 The Philadelphia Flower Show ..................................28 Great Books of Science ...............................................29 Emerson String Quartet .................................................6 Art Treasures of Berlin ..................................................19 William F. Buckley Jr. .....................................................39 Dallas...................................................................................8 Famous Address in Washington................................18 SCMS Axelrod Saturday Series .....................................7 The King James Bible......................................................7 The Potomac: DC’s History and Heart ...................30 America: The Great Cookbook ....................................7 Women in Islam ...............................................................8 Caravaggio: Theater and Light ...................................19 Savonarola .......................................................................39 Indiana Jones..................................................................39 The Vatican Collection..................................................19 The Juedischer Kulturbund.........................................40

ARIL

Sun, April 22

Mon, April 23 Tues, April 24 Wed, April 25

Thurs, April 26 Fri, April 27 Sat, April 28

Sun, April 29 Mon, April 30 MAY

Tues, May 1 Wed, May 2 Thurs, May 3 Sat, May 5

Sun, May 6 Tues, May 8 Wed, May 9 Thurs, May 10 Sat, May 12

Tues, April 3 Wed, April 4 Thurs, April 5 Fri, April 6 Sat, April 7 Mon, April 9 Tues, April 10 Wed, April 11 Thurs, April 12 Fri, April 13 Sat, April 14 Sun, April 15 Mon, April 16 Tues, April 17 Wed, April 18 Thurs, April 19 Sat, April 21

2001 at 50: An Anniversary Odyssey ........................8 Lidia Bastianich .................................................................9 Henry Stuart ....................................................................40 The Barnes Foundation Philadelphia .......................20 The Artistic Legacy of Byzantium ..............................21 Narwhal: Revealing an Arctic Legend ......................30 African Art ........................................................................21 The Biological Mind ......................................................31 The History of Judaism ................................................40 Thomas Jefferson at 275 ............................................41 She Persisted, and Resisted .......................................41 Bridal Traditions of India.................................................9 Henry Louis Gates Jr. ......................................................9 SCMS Masterworks Saturday Series........................10 Battle of Spotsylvania Court House .........................41 Glimpses of Old Arlington ..........................................42 Writings That Shaped a Nation ..................................10 La Dolce Vita: Italy’s Desserts ....................................11 The Great Russian Operas ..........................................11 Cezanne Portraits...........................................................21 John Eaton .......................................................................11 Basic Instincts .................................................................31 What Does It Mean? ....................................................22 George Washington in Alexandria ............................42 Doodlebugging Through Delaware ..........................42

Mon, May 14 Wed, May 16 Thurs, May 17 Sat, May 19

Wed, May 23 Sat, May 26 Wed, May 30 Thurs, May 31

SMITHSONIAN ASSOCIATES MARCH 2018

Borromini’s Rome..........................................................23 Marvel Men: Joe and Anthony Russo ....................14 Mapping the Middle East ............................................43 Dwight D. Eisenhower .................................................44 SCMS Masterworks Saturday Series........................10 Sears Houses of Arlington ..........................................23 The Archaeology of Judaism .....................................44 Reign of Queens............................................................45 Chapels That Defined the Renaissance ..................24 Mallows Bay by Kayak..................................................33 Art of the Medieval World ...........................................24 Giants of the Sea...........................................................45 Mark and Jay Duplass...................................................14 The Truth About Exercise.............................................34 The Artists of Renaissance Venice ............................25 Gettysburg 101 ..............................................................44 Dashiell Hammett..........................................................15 The Bill of Rights: A User’s Guide.............................46 Where the Buffalo Roam.............................................34 Smithsonian Environmental Research Center ........................................................33 Adventures on the C&O Canal ..................................46 Oysters of the Rappahannock ...................................34 Innovations in Military Medicine ...............................35 Mallows Bay by Kayak..................................................33 The Potomac Eagle .......................................................47 What Is It about This Is Us? ........................................15 Sophocles at the Embassy of Greece .....................15

JUNE

Fri, June 1 Sat, June 2 Mon, June 4 Thurs, June 7 Fri, June 8 Sat, June 16

A Mountain Rail Extravaganza ....................................47 The President’s Neighborhood..................................48 Surrealism: The Canvas of Dreams..........................25 The President’s Neighborhood..................................48 Italian Renaissance Art .................................................26 Learning to Learn...........................................................35 Paradise in Montgomery County ..............................48 Natural History of the Mid-Atlantic ...........................35

JULY

Sun, July 29

What Makes It Great? with Rob Kapilow ..................4 Egypt at the Met ............................................................23 Gardening for Mother Earth .......................................31 Digging Deeper ..............................................................43 The Wrong Side of History..........................................43 Rossini’s Stabat Mater .................................................14 Grant Wood: Beyond American Gothic ..................20 Spring at the National Arboretum.............................32 Ancient DNA....................................................................32 George Washington in Alexandria ............................42 The South: Exploring an American Idea..................12 The Romani Influence on European Music ...........12 A Day at the Delaware Art Museum ........................22 Mallows Bay by Kayak..................................................33 George Washington in Alexandria ............................42 The Heart of a Comet ..................................................32

A Berkshires Summer Sampler..................................16

Please note: Published ticket prices are subject to change, depending on availability.

Membership Depending on your level of support, you will receive special benefits, including significant savings on most Smithsonian Associates program tickets; a monthly Smithsonian Associates program guide; discounts at museum shops and restaurants; notices about behind-the-scenes tours and special receptions with world-class speakers; and much more! Visit smithsonianassociates.org/join or call 202-633-3030 for more information. Join today!

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Online.......................smithsonianassociates.org Email.........................customerservice@smithsonianassociates.org Phone...........................202-633-3030 Mon.–Fri., 9 a.m.–5 p.m.; Fax 202-786-2536

202-633-3030 smithsonianassociates.org/levels

Mail..............................Smithsonian Associates, P.O. Box 23293, Washington, D.C. 20026-3293 In person....................Mon.– Fri., 10 a.m.–5 p.m.; Ripley Center, 1100 Jefferson Dr., S.W., Suite 3077, Washington, D.C. 20560 Fees.............................There is a $3 nonrefundable per ticket processing fee on all tickets, except for Members-Only free events, Summer Camps, Smithsonian Sleepovers, and Discovery Theater. Please note that programs with multiple sessions have discounted processing fees applied to each individual session and charged as one fee. There is an additional $3 nonrefundable per order handling fee on phone orders.

REFUNDS Refunds are only issued when a program is canceled or if it sells out before we receive your order.

CREDIT TO YOUR SMITHSONIAN ASSOCIATES ACCOUNT Credit for cancellations or exchanges are only available for programs that cost more than $40. If in compliance with the specific guidelines below, credit is issued to your Smithsonian Associates account, not your credit card. Credits are non-transferable. • Programs and Studio Arts Classes If a program or studio arts class is more than $40, and you wish to cancel your tickets or exchange them for another program, please contact Customer Service in writing (email, mail, or fax) at least two weeks before the program date to request a credit. (See contact information above.) Please note that there is a $10 cancellation fee, as well as a cost adjustment when there is a price difference between the programs. • Courses To receive credit to your Smithsonian Associates account for a course, (excluding studio arts classes), please contact Customer Service in writing (email, mail, or fax) at least two weeks before the first session. Credit will also be issued within two weekdays after the first session, provided that

CHANGES IN PUBLISHED SCHEDULES Smithsonian Associates reserves the right to cancel, substitute speakers and session topics within a course, and reschedule or relocate any program, if needed. Occasionally, a time, date, or location of a program must change after it has been published or tickets have been mailed. Participants are notified by phone, email, or mail. Be sure to check our website smithsonianassociates.org for latest updates, or call 202-633-3030 during business hours for information. We also reserve the right to refuse to register any individual or to require any participant to withdraw from an activity if the Smithsonian representative deems such action to be in the best interests of the health, safety, or welfare of the group or the participant. TICKETS AT THE DOOR Tickets are available (on a first-come, first-served basis) at the door for some Smithsonian Associates programs. Call 202-633-3030 to be sure that the program is not already sold out. GROUP DISCOUNTS Group discounts (for 10 or more) are available for some programs. Please call 202-633-3030 for details. PHOTOGRAPHING AND RECORDING PROGRAMS Participants at Smithsonian Associates programs may be photographed or filmed

Customer Service is contacted in writing (email, mail, or fax) within that period. (Credit will be prorated to reflect the cost of the first session. No credit will be given after the first session.) • Overnight Study Tours To receive credit to your Smithsonian Associates account for an overnight tour, please contact Customer Service in writing (email, mail, or fax) at least 45 days before the tour date. At that point, there is a $10 cancellation fee. If your request is received between 44 and 15 days before the tour, cancellation fee is $100. No credit will be issued for cancellations received fewer than 15 days before the tour date. The cost of some components of tickets—such as entrance fees, theater tickets, food programs and meals, and some forms of transportation, may not be credited.

for the educational and promotional purposes of Smithsonian Institution and Smithsonian Associates. Filming and/or photographing by participants at Smithsonian Associates programs is not permitted. VISITORS WITH DISABILITIES Smithsonian Associates seeks to make activities accessible to people with disabilities. Patrons with disabilities are encouraged to call before registering for programs to inquire about the accessibility of the presentations and locations. For information or to request accessibility assistance, please call 202-633-3030 (VOICE) or send an email to customerservice@ smithsonianassociates.org Interpreters for programs are provided free of charge. Smithsonian Associates will make arrangements if requests are made at least two weeks in advance of the program. MOVING? Please write us with your new information and allow 6 weeks for the change to take effect. HAVE QUESTIONS? Call Customer Service at 202-633-3030 M–F, 9–5, or stop by our office at 1100 Jefferson Drive, S.W., Suite 3077, (west of the Smithsonian Castle), between 10 a.m. and 5 p.m. on weekdays. (Metro: Blue/Orange/Silver line, Smithsonian–Mall exit)

PERIODICALS POSTAGE Paid at Smithsonian Institution Washington, D.C. 20560-0701

WASHINGTON, D.C. and additional mailing offices Postmaster: please deliver March 1–3

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On the cover: Two-year-old Maisie in a wheat field on Shepherd’s Hey Farm in the Montgomery County Agricultural Reserve; photo by Martin Radigan Photography

SMITHSONIAN SUMMER CAMPS Weeklong camps for children entering grades K-9 June 18– August 17, 2018 Additional 2-week immersive camps forgrades 4-9 NEW THIS YEAR! Youth Teaching Assistant Boot Camp

Camps sell quickly, so make yourchoice today. Visit smithsonianassociates.org/camp orcall 202-633-3030