Smithsonian Associates Art Classes: Fall 2018

Add a creative spark to your fall with studio arts classes at Smithsonian Associates

Picture yourself as part of a creative community.

Discover the studio arts program from Smithsonian Associates.

Does the thought of picking up a paintbrush, camera, quilting needle, pastel stick, or calligraphy pen instantly ignite your imagination? There’s no better place to get in touch with—or perhaps reconnect with—your creative side than in the studio arts classes and workshops offered by Smithsonian Associates.

Whether you’ve never set foot in an art studio, want to expand your existing skills, explore new techniques, or try your hand at a craft that intrigues you, you’re certain to find the perfect choice among our wide variety of evening, daytime, and weekend offerings.

And because we are the Smithsonian, our studio arts program comes with some terrific advantages. Smithsonian Associates classes are guided by professional artists and experienced educators who create a supportive and stimulating atmosphere for learning and discovery.

What students experience in those studios—and during on-location sessions in many settings—makes Smithsonian Associates’ art programs unique and valuable. Small class sizes allow for highly personalized one-on-one guidance from instructors. Individual and group critiques help students develop their techniques and personal vision. Interaction with fellow participants plays a key role in each class, too: Students tell us they love both the creative and the social aspects of working together.

Becoming part of our studio arts program means more than simply taking a class. You’re taking your place in—and contributing to—a vibrant creative community.

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SMITHSONIAN ASSOCIATES

Published ticket prices are subject to change, depending on availability.

This is your invitation to add a creative spark to your summer.

Take a look at the upcoming class series and workshops listed in this special art-focused edition of our monthly program guide.

There’s plenty to tempt you. Learn the fundamentals of drawing and painting, quilting, photography, collage, or calligraphy. Noted photography pros lead a series of shoots on location and weekend workshops. There are so many more wonderful choices waiting for you on the following pages.

No matter the class you select, you’ll take home something in addition to a new painting, portfolio of drawings, craft project, or photo series you’re proud of. You’ll find a rewarding sense of enrichment, enjoyment, and satisfaction as you deepen your personal connection to the world of art.

And any way you look at it, you’ll have created a masterpiece.

More INFORMATION and TICKETS at SMITHSONIANASSOCIATES.ORG and 202-633-3030

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Studio Arts Sip and Sample Try Your Hand at Three Studio Arts Classes Have you always wanted to explore the wide range of studio arts classes offered by Smithsonian Associates but have been afraid to commit to a full 8-week course in something you might not like? Here’s your chance to sample three of our most popular courses for a single night each—all while enjoying a glass of wine as you stimulate the artist within.

Whether you’re interested in diving into a new artistic medium or are an absolute beginner who has never set foot in a studio, this trio of fun and creative evenings provides a refreshing opportunity to explore, relax, and socialize.

Each class is taught by a professional artist and experienced member of our faculty, who will provide an introduction to the medium and get your creative juices flowing.

3 sessions; 2.5 hours each; Thurs., Sept 13, 20, and 27, 6:30 p.m.; all supplies included; CODE 1K0-0ZF; Members $150; Nonmembers $180

Watercolor

Sept. 13

Watercolor is one of the most versatile and beautiful of mediums. Even if you’ve never picked up a brush—or already have some experience—this evening offers a great way to explore the materials, techniques, and expressive possibilities of this style of painting.

Get an introduction to the materials, tools, and techniques used in collage.

Structured for both the non-artist and those with experience, this class focuses on the variety of choices in this medium. Whether constructing a piece of personal history by using mementos or creating an abstract design, students learn to experiment with color, form, and design.

Sept. 27

Learn the basics of this ancient art form using modern methods and contemporary materials. Choosing from a wide variety of materials, students will create a small home décor artwork filled with texture and designed to catch the light. Students choose the design, and materials include ceramic, glass, found objects, beads, costume jewelry, bangles, and more.

Instructor: Bonnie Fitzgerald

SMITHSONIAN ASSOCIATES

Students work from still life, architectural interiors, and landscape to translate the world of three dimensions to two through the arts of drawing and painting. The class begins with Max-Karl Winkler drawing, focusing on value structure and the use of contrast to describe form. Next, students move into the medium of oil paint to learn color mixing and how to employ a painterly approach to form, light, and space. The goal is to help students become articulate and comfortable with the fundamentals of oil painting and to approach it with confidence. Beginners are welcome.

Color Theory

Instructor: Marcie Wolf-Hubbard

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Introduction to Drawing and Painting

World Art History Certificate elective: Earn ½ credit

Sept. 20

Mosaics

GENERAL

8 sessions; 2.5 hours each; Max-Karl Winkler; Wed., Oct. 10–Dec. 5 (no class Nov. 21), 10:15 a.m.; supply list on website; CODE 1K0-0BG; Members $225; Nonmembers $275

Instructor: Karen Norman

Collage and Mixed-Media

Classes are taught by professional artists and teachers. View detailed class descriptions and supplies information at smithsonianassociates.org/studio

With an understanding of color concepts and relationships, you can use color to evoke subtle as well as dynamic sensations in a viewer. Through lecture, film, demonstration, and hands-on experimentation, learn about the color wheel, color value, chroma, and hue. Work with value contrast and also begin to explore color temperature and complementary color contrast and harmonies.

Use acrylic paints to mix and create colors, and experiment with magazine clippings and colored papers, to develop sensitivity to color values and color movement in shaping composition. Open to students of all levels. No drawing or painting experience is required.

8 sessions; 2.5 hours each; Jamie Platt; Mon., Oct. 15–Dec. 10 (no class Nov. 12), 6:30 p.m.; supply list on website; CODE 1K0-0AW; Members $225; Nonmembers $275

Published ticket prices are subject to change, depending on availability.

Studio Arts World Art History Certificate elective: Earn ½ credit

Out and About with an Artist In artist-led tours and talks, a Studio Arts painting instructor gives a “behind-the-easel” perspective on French and impressionist paintings exhibited at four of Washington’s leading art museums. The series is perfect for practicing artists, art lovers, and anyone who would like to learn more about art from the viewpoint of a working artist with a wide knowledge of historical painting techniques. Viewings of “must-see” masterpieces focus on placing paintings in historical and social context, sharing background on the artists’ personal lives, and demystifying the techniques and materials used to create the works.

Painting instructor Adrienne Wyman gives insight into a Rubens painting

4 sessions; 2 hours each; Adrienne Wyman; Thurs., Oct. 18–Nov. 8, 11:30 a.m.; CODE 1K0-0CV; Members $95; Nonmembers $125 (see p. 26 for more program details)

World Art History Certificate elective: Earn ½ credit

World Art History Certificate elective: Earn ½ credit

Composition

Exploring the Visual Foundations and Traditions of Art HERMITAGE MUSEUM

This three-session workshop examines fundamental concepts of composition and their practical application in studio-art practice, offering participants tools to enrich their own work as well to analyze and appreciate visual art in general. Sessions include a visual presentation, discussion, and hands-on exercises, helping participants gain a finer appreciation of compositional aspects such as structure and balance, positive and negative space, contrast and color.

They create several collages based on art works and themes discussed, and explore connections between formal elements of visual art and the emotional impact of works of art as a whole.

3 sessions; 3 hours each; Shahin Shikhaliyev; Mon., Moroccan Café, 1913, by Henri Matisse Oct. 15–29, 2 p.m.; supplies included; CODE 1K0-0AX; Members $115; Nonmembers $145

An exploration of the scientific and artistic developments that surfaced during the Renaissance can offer valuable insights for contemporary artists and viewers.

Through lectures and drawing and composition exercises, learn how the period’s artists used the Golden Ratio, the Rule of Thirds, three-point perspective, and the Fibonacci spiral Fibonacci spiral—as well as how these elements can provide dynamic visual interest to your own compositions. Using the techniques and principles that guided Renaissance masters—still in use today—produce simple outline analytical drawings to gain a fuller understanding of visual language. Drawing experience is not required.

2 sessions; 2 hours each; Chester Kasnowski; Mon., Dec. 3 and 10, 2 p.m.; supply list on website; CODE 1K0-0BF; Members $65; Nonmembers $85

DRAWING Beginning Drawing

Continued Drawing

Develop the basic skills needed as a strong foundation for drawing. Working with a variety of materials and techniques including charcoal and pencils, students explore geometric forms, volume, and perspective. Still-life, architectural interiors and exteriors, and figure drawing are among the areas covered.

Participants refine and expand their drawing skills through studio practice in traditional media. Sessions focus on four classic subject areas–still-life, land-scape, portrait, and figure–and include warm-up exercises, individual and group critiques, and demonstrations by the instructor.

Students should have completed a beginning drawing course.

THREE OPTIONS: 8 sessions; 2.5 hours each; Jamie Platt; Wed., Oct. 10–Dec. 5 (no class Nov. 21), 6:30 p.m.; CODE 1K0-0AA; George Tkabladze; Fri., Oct. 12–Dec. 7 (no class Nov. 23), 10:15 a.m.; CODE 1K0-0AC; Josh Highter; Sun., Oct. 14–Dec. 9 (no class Nov. 25), 10:15 a.m.; CODE 1K0-0AB; supply lists on website; Members $225; Nonmembers $275

Drawing by instructor Jamie Platt

8 sessions; 2.5 hours each; Jamie Platt; Tues., Oct. 9–Dec. 4 (no class Nov. 20), 6:30 p.m.; supply list on website; CODE 1K0-0AF; Members $225; Nonmembers $275

More INFORMATION and TICKETS at SMITHSONIANASSOCIATES.ORG and 202-633-3030

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Studio Arts Drawing on the Right Side of Your Brain

Figure Drawing One-Day Marathon Challenge your artistic endurance in a fun-filled, 7-hour figure-drawing marathon

Drawing by instructor Jamie Platt

Two workstations run simultaneously throughout the day, one for quick poses and the other for extended work. A variety of male and female models are featured at each area, and artists may move freely between each. Students work primarily on their own, with the instructor on hand to provide demonstrations and advice. Students are free to come and go throughout the day. Bring your own drawing materials. Easels and chairs are provided. All skill levels are welcome.

Designed to improve the way people see and record objects on paper, this class helps build the ability to draw. After completing an exercise as a record of initial skill, students move through assignments that deepen their understanding of edges and space, relationships between objects, and light and shadow.

This new way of seeing and working becomes second nature with practice and can be used to pursue further development in the arts or added to the things you now know how to do.

TWO OPTIONS: 8 sessions; 2.5 hours each; Shahin Shikhaliyev; Fri., Oct. 12–Dec. 7 (no class Nov. 23), 2:30 p.m.; CODE 1K0–0BA; Fri., Oct. 12–Dec. 7 (no class Nov. 23), 6:15 p.m.; CODE 1K0–0BB; supply lists on website; Members $235; Nonmembers $285

One 7-hour session; Jamie Platt; Sat., Sept. 15, 10 a.m.; participants provide their own lunch; model fees included in tuition; CODE 1K00ZG; Members $95; Nonmembers $115

Figure Drawing and Independent Projects

Colored Pencil Workshop Colored pencil is an often over-looked medium that can produce lovely nuances to bring your art alive with rich, vibrant color and a dizzying range of effects.

Learn basic methods and strategies to create wonderful artwork. Students learn layering, blending and buffing strokes to achieve the translucency of watercolors with this dry medium.

All skill levels are welcome.

This class covers advanced elements of composition, anatomy, and developing individual artistic direction. Working from live models, students are encouraged to draw accurate or aesthetically strong works based on the figure. Open to all levels; students work in the medium of their choice.

8 sessions; 3 hours each; Josh Highter; Sun., Oct. 14–Dec. 9 (no class Nov. 25), 1:30 p.m.; model fees included in tuition; supply list on website; CODE 1K0-0AG; Members $235; Nonmembers $285

Lori VanKirk Schue 2 sessions; 3 hours each; Lori VanKirk Schue; Sat., Nov. 3 and 10, 1 p.m.; bring colored pencils, a sharpener, drawing paper in any size, and eraser; supply list on website; CODE 1K0-0AE; Members $95; Nonmembers $115

Pencils and Beyond An Introduction to Materials and Processes for Drawing Get ready for playful experimentation, discovering possibilities, and hands-on opportunities for using some new drawing materials—and rediscovering old standbys. Topics covered include graphite (pencil grades, mechanical vs. traditional); charcoal (compressed charcoal sticks vs. vine charcoal, pencils and powder); tools for manipulating drawing media (erasers, chamois, brushes, cotton swabs); alternative drawing processes (brushes and swabs, subtractive drawing, charcoal wash, image transfer, monotypes.)

One 6-hour session; Jamie Platt; Sat., Sept. 29, 10:15 a.m.; with lunch break (participants provide their own); bring drawing pad, 9x12 or larger (Strathmore 400 or similar); watercolor pad, 9x12 or larger; 1 chamois cloth;1 kneaded eraser; and 1 plastic eraser; all other supplies provided; CODE 1K0-0ZV; Members $75; Nonmembers $85

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SMITHSONIAN ASSOCIATES

Published ticket prices are subject to change, depending on availability.

Studio Arts Children’s Book Illustration Workshop

Drawing with Silverpoint Silverpoint is a traditional drawing technique that is experiencing a revival. It is accomplished by using a silver stylus on prepared paper to produce a fine, delicate drawing. The silver-gray drawing tarnishes when exposed to air, resulting in a pleasing, golden brown tone. Learn silverpoint’s history, evolution, materials, and process as you create your own masterpiece. Students should bring a reference image or select from images provided in class.

Confident drawing skills are recommended.

Creating illustrations for a children’s book can be fun once you know the basics. Learn how to fit illustrations to the storyline; choose mediums that are most successful; transform reality into whimsy; and how to interpret an author’s vision into vivid illustrations. Look at different types of illustration and develop unique characters and designs. Information on working with publishers and legally protecting your art is also discussed.

Prior drawing experience is helpful but not required.

Silverpoint drawing by Lori Schue

One 3-hour session; Lori VanKirk Schue; Sat., Oct. 6, 1 p.m.; $45 fee payable to instructor covers supply kit including sterling silver stylus with holder and several sheets of prepared paper; CODE 1K0-0BQ; Members $50; Nonmembers $70

One 5-hour session includes lunch Illustrations by Lori Schue break (students provide their own); Lori VanKirk Schue; Sat., Oct. 20, 11 a.m.; bring drawing paper, pencil, sharpeners, eraser, and watercolor set or colored markers; CODE 1K0-0AD; Members $95; Nonmembers $115

World Art History Certificate elective: Earn ½ credit

Introduction to Pastel Cézanne-Inspired Still-Life Compositions

Sennelier oil pastels are richly pigmented and have a creamy consistency. They have little comparison with dry or soft pastels in look, feel, or technique and adhere to paper, canvas, wood, metal, and Oil pastel by instructor Chester Kasnowski glass. The experience of using the medium simulates drawing with oils, and the colors are bright, highly saturated, and long-lasting if maintained correctly. Oil pastels travel easily and are excellent for color sketching. Learn the basics of this exciting medium in a class that includes group technique demonstrations and one-on-one instruction. Both beginners and seasoned artists are welcome.

6 sessions; 2 hours each; Chester Kasnowski; Thurs., Oct. 11–Nov. 15, 10:30 a.m.; supply list on website; CODE 1K0-0AJ; Members $185; Nonmembers $235

NATIONAL GALLERY OF ART

Oil Pastel

The vibrant medium of pastel has been a favorite of impressionist artists because of its luminosity and color layering effects. Working from still-life arrangements reminiscent of Cézanne’s in studio sessions, students learn to achieve the brilliant and subtle effects characteristic of the medium. The workshop comprises demonstrations and lectures on color theory, color mixing, optical mixing, and composition. For inspiration and creative ideas, works by master pastellists are viewed and discussed.

Students may work in chalk or oil pastel and should have basic drawing skills.

Still Life with Milk Jug and Fruit, ca. 1900,

by Paul Cézanne

2 sessions; 6 hours each; Sandra Gobar; Sat., Dec. 1 and 8, 10 a.m.; supply list on website; CODE 1K00AH; Members $175; Nonmembers $195

BRITISH LIBRARY

Manuscript Illumination in the Medieval Tradition Manuscript illumination is an ancient tradition, seen in many cultures and still practiced today. Designed to help readers understand a story or verse though fascinating additions to the written word, these small, exquisite pieces of art became a valuable necessity over the centuries. Workshop participants use finetip markers or colored pencils to produce their own tiny masterpiece in the spirit of the medieval scribes who created some of the most beautiful and imaginative examples of the form. Students learn about the history behind various types of illuminated manuscript art and the instructor uncovers the symbolism of the animals, insects, plants, and people artists included in their work. (Learn, for example, why armored knights often were depicted doing battle with snails.)

All skill levels are welcome.

Illustration of a knight charging a snail in Brunetto Latini’s Le Livre du Trésor, 14th cent., France

One 3-hour session; Lori VanKirk Schue; Sun., Oct. 7, 1 p.m.; bring a pencil with eraser, ruler, fine tip markers or colored pencils; supply fee $10 payable to instructor; CODE 1K0-0DF; Members $65; Nonmembers $85

More INFORMATION and TICKETS at SMITHSONIANASSOCIATES.ORG and 202-633-3030

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Studio Arts PAINTING World Art History Certificate elective: Earn ½ credit

World Art History Certificate elective: Earn ½ credit

Fall Plein Air Painting

Learn to Paint Like Monet

Learn the secrets of plein air landscape and Smithsonian architectural painting while on location in Spotlight the beautiful surroundings of Smithsonian gardens. Students learn how to use line, color, light, and shape to create a well-designed composition. They learn to refine their observational techniques in order to capture the atmosphere of working outdoors. The class explores impressionist and post-impressionist techniques such as paint mixing, working with a limited palette, brushwork, layering, color theory, and composition.

4 sessions; 3.5 hours each; Michelle René Cobb; Sat., Sept.

15–Oct. 6, 1 p.m.; supply list on website; CODE 1K0-0ZH; Members $175; Nonmembers $205

Painting by instructor Michelle René Cobb

Introduction to Watercolor Beginning students as well as experienced painters explore new materials and techniques in watercolor painting. Working on still-lifes and landscapes from direct observation or photographs, they explore basic watercolor techniques and learn new approaches to painting through classroom demonstration, discussion, and experimentation.

TWO OPTIONS: 7 sessions; 2.75 hours each; Dave Daniels; Mon., Sept. 17–Nov. 5 (no class Oct. 8); 10:15 a.m.; supply list on website; CODE 1K0-0ZY; Members $235; Nonmembers $285 8 sessions; 2.5 hours each; Chester Kasnowski; Sun., Oct. 14–Dec. 9, Painting by Dave Daniels (no class Nov. 25) 10:30 a.m.; supply list on website; CODE 1K0-0BD; Members $235; Nonmembers $285

Study by Adrienne Wyman

Through lectures, demonstrations, and hands-on painting exercises, students learn how to put into practice Monet’s methods, materials, and brushwork.

Special emphasis is placed on examining 19th-century color theory as it relates to impressionistic effects of light and shadow and Monet’s use of color to create visual effects using complementary colors. Work in oil paint (preferred) or acrylic. All skill levels are welcome.

8 sessions; 3 hours each; Adrienne Wyman; Sat., Oct. 13–Dec. 8 (no class Nov. 24), 2 p.m.; supply list on website; CODE 1K0-0BM; Members $235; Nonmembers $285

World Art History Certificate elective: Earn ½ credit

Techniques in Modernist Painting Students are invited to experiment with different styles of modernist painting such as cubism, suprematism, and abstract expressionism.

Through a series of exercises, including still life setups and model sessions, students learn practical applications of the concepts and techniques of modernism. Classes include lecture, demonstration, group discussion, and critique sessions.

The class moves students beyond the basics to focus on discovering and developing their own unique visual language.

Students at all skill levels are welcome.

8 sessions; 3 hours each; Shahin Shikhaliyev; Mon., Oct. 15–Dec. 10 (no class Nov. 12), 6:30 p.m.; supply list on website; CODE 1K0-0AZ; Members $235; Nonmembers $285

Still Life in Front of a Window at Saint-Raphael, 1919, by Pablo Picasso

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A digital eGuide giving you early access to the Smithsonian Associate Late-breaking program announcements eAlerts on programs that interest you most Important notices regarding your ticket purchases or your upcoming events

Published ticket prices are subject to change, depending on availability.

Studio Arts World Art History Certificate elective: Earn ½ credit Classes are taught by professional artists and teachers.

View detailed class descriptions and supplies information at smithsonianassociates.org/studio

Beginning Oil Painting Lectures, demonstrations, and hands-on experimentation introduce the medium of oils. Working from still-life arrangements, explore basic painting techniques including color-mixing, scumbling, and glazing to gain the technical background needed to get started as a painter.

Drawing experience is helpful but not necessary.

8 sessions; 3 hours each; Painting by Shahin Shikhaliyev Shahin Shikhaliyev; Thurs., Oct. 11–Dec. 6 (no class Nov. 22), 6:30 pm.; supply list on website; CODE 1K0-0AY; Members $235; Nonmembers $285

Painting Is for Everyone

Self-Portraits: Painting For centuries, artists have used their own image as model for painting. Inspired by the National Portrait Gallery’s Eye to I: SelfPortraits from 1900 to Today, this 3-session workshop examines the art of self-portraiture and puts into practice techniques observed at the exhibition. The class includes an instructor-led tour of the exhibition to view works from an artist’s perspective, examine techniques, and answer every painting student’s question: “How did they do that?” In the studio, painting demonstrations and individual instruction enable students to create their own masterpiece. The objective is not to copy the style of a famous artist, but to learn skills that can be used in your own work.

Smithsonian Spotlight

3 sessions; 3 hours each; Adrienne Wyman; Mon., Nov. 19–Dec. 3, 10:15 a.m.; first session meets in the Ripley Center studio; supply list on website; CODE 1K0-0BK; Members $120; Nonmembers $150

World Art History Certificate elective: Earn ½ credit

Traditional Oil Painting Techniques

If you’ve ever wanted to paint, here’s a class that offers the perfect introduction to the art— and will have you ready to pick up your brush with confidence.

Begin working in the versatile and flexible medium of acrylic paints as you learn to mix colors, use brushes, and approach elements of form such as value, texture, line, color, shape, and edges. Explore composition and variation, learn art terminology, and a bit of art history as well. No matter the subject or the style you choose, this thorough grounding will help you create successful paintings—and start you thinking like an artist.

Lessons from Museum Masterpieces

8 sessions; 2.5 hours each; Chester Kasnowski; Wed., Oct. 10–Dec. 5 (no class Nov. 21), 1:30 p.m.; supply list on website; CODE 1K0-0BC; Members $225; Nonmembers $275

8 sessions; 3 hours each; Adrienne Wyman; Sat., Oct. 13–Dec. 8 (no class Nov. 24), 10:15 a.m.; supply list on website; CODE 1K0-0BL; Members $235; Nonmembers $285

In this class, students explore the techniques of artists and schools from the early Renaissance to today.

Through viewing paintings at the National Gallery and practice in the studio, students learn technical secrets and understand how artists achieved their signature effects. In sessions that include lectures, painting demonstrations, and handson painting exercises, students draw on the techniques of the masters as they learn to broaden their own range of skills.

Neuroscience and Art A Creative Connection Recent findings in neuroscience reveal how our visual system informs and interprets the visible world for us. As an example of science informing art, students in this painting class hear about neuroscientific concepts such as “peak shift” (how the brain responds to exaggerated stimuli) and “laws of grouping” (how the brain organizes visual elements into groups). By merging new findings on visual perception with familiar elements of art such as value, shape, and color, the students’ landscape and still-life paintings take on new and fresh creative edges. Students benefit from individual instruction and group critiques. Some painting experience preferred.

2 sessions; 2 hours each; Chester Kasnowski; Mon., Nov. 19 and 26, 2 p.m.; supply list on website; CODE 1K0-0BE; Members $75; Nonmembers $95

Art by Chester Kasnowski

More INFORMATION and TICKETS at SMITHSONIANASSOCIATES.ORG and 202-633-3030

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Studio Arts MIXED-MEDIA Paper Frenzy

Book by Sushmita Mazumdar

Handmade Storybooks Mixed-Media Workshop Explore the many creative ways to work with paper and make personal storybooks by hand. Begin the workshop with a discussion of bookmaking styles, with an emphasis on Islamic, Japanese, and Himalayan traditions. Build and bind several books using standard bookmaking papers and thread as well as unusual materials such as manila folders and matchboxes. After lunch, the newly created books inspire an afternoon of creative writing and art making using calligraphy, collage, and other techniques. Previous experience not required.

One 6-hour session; Sushmita Mazumdar; Sat., Aug. 11, 10 a.m.; participants provide their own lunch; all supplies included; CODE 1K0-0YD; Members $85; Nonmembers $95

Exploring Abstraction Explore the basis of abstraction by studying color, line, and shape as they relate to composition. Learn to create exciting and innovative works of art using a series of drawing, painting, and collage exercises designed to examine nontraditional ways of handling traditional materials and subject matter. The time-honored media of charcoal and pastel, as well as the newer liquid acrylic glazes and media, are used. This is a processoriented class with an emphasis on Art by Delna Dastur finding a more intuitive way of working. An examination of contemporary art, including a brief visit to the Hirshhorn Museum and Sculpture Garden, provides a comprehensive look at abstract art. Critiques and group discussion contribute to the process.

9 sessions; 3.5 hours each; Delna Dastur; Thurs., Oct. 4–Dec. 6 (no class Nov. 22), 12 noon; supply list on website; CODE 1K0-0BH; Members $275; Nonmembers $325

Try new techniques while having fun creating papers for collage and other art projects. Leave with a glorious collection of one-of-akind papers using acrylic, inks, stamps and other printmaking materials. Students use art tissue, watercolor and other types of papers to create a supply of materials of various weights, textures and patterns.

2 sessions; 5 hours each; Sharon Robinson; Sat., Sept. 8 and Sun., Sept. 9, 10:15 a.m.; all supplies provided; CODE 1K0-0ZU; Members $125; Nonmembers $145

Art by Sharon Robinson

Collage and Mixed-Media Students are introduced to the materials, tools, and techniques used in collage and assemblage. They find inspiration in artists who worked in collage including Joseph Cornell, Romare Bearden, and Gertrude Green, whose works are held in Smithsonian collections. Students express their observations by developing their own collage, mixedmedia or assemblage projects. Structured for both the nonartist and professional, this class focuses on the variety of choices in this medium. Whether constructing a piece of personal history through use of mementos or an abstract work, students learn through experimentation with color, form, and design. They explore the use of text, images, texture, and natural and found objects as they create.

COURSE OPTION: 8 sessions; 2.5 hours each; Marcie Wolf-Hubbard; Wed., Oct. 10–Dec. 5 (no class Nov. 21), 6:30 p.m.; some shared supplies provided, additional supply list on website; CODE 1K0-0AP; Members $245; Nonmembers $295 INTENSIVE WEEKEND WORKSHOP: 2 sessions; 5 hours each; Marcie Wolf-Hubbard; Sat., Nov. 3 and Sun., Nov. 4, 10:30 a.m.; supply list on website; some shared supplies provided; CODE 1K0-0AQ; Members $195; Nonmembers $225

Encaustic and Mixed-Media: Elements of Nature The encaustic method of painting combines the luminescence of watercolor, the rich color and thickness of oils, and the quick-drying benefits of acrylic. The medium can be molded, sculpted, combined with collage materials, and reworked at any time. In this workshop ideal for all experience levels, learn to capture vibrant pigments using heated beeswax, as well as fusing and carving in wax. The first session takes place at the U.S. Botanic Garden, where students sketch in pencil, charcoal, or watercolor to capture elements of nature to be developed into encaustic paintings. Subsequent sessions meet in the studio where encaustic paint and brushstrokes are used to transform the drawings into a sculptural relief painting with a focus on a variety of aspects of color and highlighting positive and negative space. Safe methods of working, archival materials, and historical and contemporary approaches are introduced.

Art by Marcie Wolf-Hubbard

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8 sessions; 2.5 hours each; Marcie Wolf-Hubbard; Wed., Oct. 10–Dec. 5 (no class Nov. 21), 1:30 p.m.; shared encaustic materials provided, additional supply list on website; CODE 1K0-0AM; Members $245; Nonmembers $295

SMITHSONIAN ASSOCIATES

Published ticket prices are subject to change, depending on availability.

Studio Arts Monoprints Without A Press

Print by Sharon Robinson

Love mixed media? Expand your repertoire with an array of one-off prints using acrylic paints and other materials. While monoprints usually require a press of some type, fortunately it is a medium also adaptable to low-tech methods. Utilizing Gelli and other types of plates ranging in size from 5”x 7” to 12”x14”, create prints that can stand alone as pieces of art or be incorporated into collage or other projects. Explore additive and subtractive methods, drawing on the plate, over-printing, and using stamps and other materials to create patterns.

One 5-hour session; Sharon Robinson; Sat., Nov. 17, 10:30 a.m.; all supplies provided; CODE 1K0-0BJ; Members $75; Nonmembers $95

Build a Tiny House It takes a village! Working in paper mache, acrylics, and mixed media, students construct their tiny-house conceptions. They explore a range of materials in fabricating their house, which they finish in acrylic, photo transfers, and a variety of techniques to personalize them. Some mixed-media embellishments are available in class. Open to all levels; ages 14 and up.

Art by Marcie Wolf-Hubbard

2 sessions; 5 hours each; Marcie Wolf-Hubbard; Sun., Oct. 14 and 21, 10:30 a.m.; some shared materials provided, additional supply list on website; CODE 1K0-0AN; Members $165; Nonmembers $195

CALLIGRAPHY Introduction to Calligraphy

Exploring Eastern Calligraphy

The Foundational Hand

Discover the relationship between the Eastern traditions of Afghanistan and India exploring calligraphy’s connection to language, literary arts, religion, popular culture, memory, and art.

Sughra Hussainy, a graduate of Turquoise Mountain Institute in Kabul, Afghanistan, teaches traditional elements of Persian calligraphy, with texts by Rumi and from the Quran providing the inspiration Calligraphy by Sughra Hussainy for artwork. Sushmita Mazumdar looks at how the Persian language inspired Urdu poetry in India and guides participants in using markers, brush, ink, and other tools in writing lyrics in the Hindilanguage Devnagari script as they explore how words become design.

Persian and Devnagari Script

This class offers an introduction in the basic calligraphic strokes that make up the Foundational Hand, the starting point for learning other hands such as Italic and Black Letter. Students begin forming these letterforms first by using dual pencils and then the broad-edged pen. They acquire the necessary skills and understanding in drawing guide lines, determining heights, and letter spacing. Both the Roman minuscules (lower case) and majuscules (upper case) are covered as well as basic layout and design. As time permits, demonstrations of variations of the Foundational are given. No experience is necessary.

8 sessions; 2.5 hours each; Marta Legeckis; Tues., Oct. 9–Dec. 4 (no class Nov. 20), 10:15 a.m.; all calligraphy supplies provided; CODE 1K0-0AK; Members $245; Nonmembers $295

Calligraphy Introduction to the Italic Hand One of the most popular styles used in contemporary Western calligraphy, the elegant Italic script was developed from antique Latin texts and inscriptions during the Italian Renaissance. The versatile and legible hand-written italic alphabets remain popular, and translate well into many practical and artistic applications. Exercises provide a guide to mastering the hand, including correct proportions and slant. The workshop is geared for students who have some knowledge using the broad- edge pen and wish to expand their study of calligraphy.

8 sessions; 2.5 hours each; Marta Legeckis; Tues., Oct. 9–Dec. 4 (no class Nov. 20), 1:30 p.m.; all calligraphy supplies provided; CODE 1K00AL; Members $245; Nonmembers $295

Calligraphy by Sushmita Mazumdar

8 sessions; 2.5 hours each; Sughra Hussainy and Sushmita Mazumdar; Sat., Oct. 13–Dec. 8 (no class Nov. 24), 1:30 p.m.; all supplies included; CODE 1K0-0DD; Members $245; Nonmembers $295

Connect with us on Social Media See and share class work; watch videos by instructors, get art news, learn about upcoming classes, and more! facebook.com/ smithsonianstudioarts

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Studio Arts FIBER ARTS Quilting for Beginners A Small Handmade Quilt Hand stitching is a great way to reduce stress, and the portability of handwork projects allows them to fit into your day. Learn the basics of quilt-making while learning the same piecing, applique, quilting, and finishing techniques used in larger quilts by creating several small pieces in this class. The class allows for time to make additional pieces and practice newly learned techniques with instructor guidance. No sewing machine is needed in class as all work may be done by hand. Shared sewing machines are available in the classroom and students may use home sewing machines to continue work between classes if they choose.

2 sessions; 4 hours each; Lauren Kingsland; Sun., Sept. 23 and 30, 12 noon; supply list on website; CODE 1K0-0ZK; Members $85; Nonmembers $105

Log Cabin Quilt Improvisation Log Cabin quilts—popular in the United States since the Civil War— are made of arrangements of a repeated single block pattern consisting of hand-pieced strips of fabric around a central square.

The Log Cabin block offers a wonderful framework for exploring color and value contrast and for spontaneous sewing without a lot Quilt by Lauren Kingsland of advance planning. Using a sewing machine and a common fabric pool of scraps from the instructor and students, participants learn an efficient flag-piecing technique that allows for many blocks to be created at once. Open to all experience levels.

One 5-hour session; Lauren Kingsland; Sat., Nov. 10, 10:15 a.m.; bring an assortment of cut strips in any width and any print, longer than 18 in.; supply list on website; CODE 1K0-0AV; supply list on website; Members $65; Nonmembers $85

Confidence with Color in Quilting

Tapestry Weaving

Learn the vocabulary of color and how to use printed fabric to create spectacular color combinations in your quilts. Students work on basic color theory and color combination exercises in class using fabric and glue on paper and develop a deeper understanding of these concepts. The hands-on exercises are assembled into a personal reference color Quilt by Lauren Kingsland notebook. Students are assigned a homework project between classes that involves one sewn (or pasted) quilt block that incorporates an assigned fabric. Through experimentation, students find a new personal sense of color confidence. Open to all levels of quilt-making experience.

Learn basic tapestry weaving techniques and design in order to create a miniature woven tapestry on a small frame loom. Students are guided in techniques including warping the loom; color mixing and hatching; and creating horizontal stripes, vertical lines, irregular shapes, shading and contour. They are introduced to different types of interlock, such as a dovetail join Weaving by Tea Okropiridze and weft interlock join, as well as the techniques involved in Soumak weaving. Sessions include individual guidance and demonstrations. No experience necessary.

Learn to Paint with Yarn

2 sessions; 3 hours each; Lauren Kingsland; Sat., Oct. 13 and 20, 10:15 a.m.; CODE 1K0-0AU; supply list on website; Members $75; Nonmembers $95

8 sessions; 2.5 hours each; Tea Okropiridze; Fri., Oct. 12–Dec. 7 (no class Nov. 23), 10:15 a.m.; a $40 supply fee payable to the instructor at the first session covers loom rental plus all materials; CODE 1K00DE; Members $210; Nonmembers $260

English Precious-Metal Embroidery The Gold Standard Since Saxon times, the adornment of English finery with precious-metal materials has symbolized the wealth and status of its owner and the importance of the item itself. Students learn about the history of this art form known as Opus Anglicanum or “English Work” and its influence on the economy, culture, and politics of the medieval through early modern period. They create a gilded blossom using materials from the goldsmith purveyors to Queen Elizabeth II. Goldwork techniques are taught according to the standards of the Royal School of Needlework, Hampton Court Palace. No previous embroidery experience is necessary.

2 sessions; 7 hours each, with lunch break (participants provide their own); Deborah Merrick-Wilson; Sat., Oct. 13 and 27, 9:30 a.m.; $100 supply fee payable to instructor at first session covers all materials; CODE 1K0-0DG; Members $165; Nonmembers $185

Embroidery by Deborah Merrick-Wilson

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Published ticket prices are subject to change, depending on availability.

Studio Arts Mandala Wall Hanging Workshop

Haute-Couture Embroidery An Extravagant History Embroidery at its highest level— haute couture—is seen in an expressive, sculptural application of elements such as glass beads, sequins, gold, jewels, pearls, and hand-dyed silk flowers. Fashion and textile historian Elizabeth Lay traces the history of haute “Bee” embroidered button by Kristin couture’s embroidered fashions Skinner from the late 19th century to this season’s runways and the contemporary embroidered fashions of Gou Pei and Iris Van Herpen. Needleworker Kristin Skinner leads a studio fashion project in which students create their own hautecouture-style embroidered buttons.

TWO OPTIONS: One 3-hour session; Sun., Sept. 16 (CODE 1K0-0ZJ), and Sat., Sept. 22 (CODE 1K0-0DL); 1 p.m.; all materials provided; limited to 20 participants; see more detailed program description on p. 25; Members $55; Nonmembers $65

Eastern sacred design meets Western textile techniques as students create a quilted mandala wall hanging based on the kolam tradition.

Southern Indian women create kolam designs—traditional patterns of points surrounded by continuous lines—to beautify their doorways and to center Wallhanging by Lauren Kingsland themselves each morning.

The points are made with buttons or beads, which may be provided by the student or chosen from those offered in class. Both couching and bias-tube methods of creating the line are taught. Experience in hand- and machine-sewing and quilting is helpful, but not required.

A limited number of sewing machines are available to share in the classroom.

One 5-hour session; Lauren Kingsland; Sun., Oct. 21, 10:30 a.m.; CODE 1K0-0AT; supply list on website; Members $65; Nonmembers $85

When Good Patterns Go Bad Avoiding and Fixing Knitting Mistakes

Knitting for Beginners

Nothing can be more frustrating than realizing there’s something wrong with your knitting, and not knowing how to fix it. This workshop focuses on avoiding errors, learning to detect them sooner, and what to do once you know there’s a problem.

From dropped stitches to difficult pattern instructions to twisted stitches and more, learn a protocol to follow when you’re stuck on a knitting project.

Making a Scarf for the Holidays

One 3-hour session; Ann Richards; Wed., Oct. 10, 6:30 p.m.; bring size-8 needles, worsted-weight yarn, a yarn needle, and optionally, a knitting project that needs attention; CODE 1K0-0AS; Members $45; Nonmembers $65

Have you marveled at beautiful handknit garments, wishing that you could create one? Why not learn this skill and create a scarf for yourself or to give as a holiday gift? The instructor teaches the fundamentals of knitting, including casting on, basic knit and purl stitches, increasing, decreasing, and binding off. Students learn by practice, and knit a scarf during and between classes. No previous knitting experience is required.

2 sessions; 4 hours each; Ann Richards; Sat., Nov. 3 and Nov. 10, 10:15 a.m.; bring to the first class a set of size-8 knitting needles and a light-colored skein of worsted-weight yarn; CODE 1K0-0AR; Members $95; Nonmembers $125

OTHER MEDIA Sogetsu Ikebana Modern Japanese Flower Arranging The elegance and aesthetic harmony of ikebana—Japanese flower arranging—have inspired poets and artists for more than 500 years. Today, ikebana is evolving into a three-dimensional art form that adorns the interiors of Western homes and public spaces. Beginning and continuing students learn some of the basic styles and variations of ikebana as taught

by Japan’s Sogetsu School of Ikebana. Using flowers, branches, greens, and glass containers, they create beautiful and striking basic and free-style arrangements, including centerpieces.

6 sessions; 2 hours each; Jane Redmon; Wed., Oct. 24–Dec. 5 (no class Nov. 21), 6:30 p.m.; flowers, branches, greens, and other basic materials are included in tuition; see website for additional supplies; CODE 1K0-0BN; Members $200; Nonmembers $250

More INFORMATION and TICKETS at SMITHSONIANASSOCIATES.ORG and 202-633-3030

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Studio Arts CheckerboardPatterned Basket Workshop Get ready for summer picnics with the perfect basket! Students of all levels create a boldly graphic basket using patterning techniques. Plan a pattern, learn a basic over-and-under technique, and use various sizes of colorfully dyed natural flat reed to create a lunch basket complete with handle. The workshop includes discussion about various materials Basket by Lori Schue suitable for basket weaving, as well as instruction in preparing materials and working with tools to create this one-of-a-kind piece.

TWO OPTIONS: One 3-hour session; Lori Schue; Sat., Aug. 11, 1 p.m.; CODE 1K0-0YF; Sat., Aug. 18, 1 p.m.; CODE 1K0-0YG; students supply spring-type clothespins, small straight-nosed garden clipper, and dish towel; all other materials and shared tools provided; $35 supply fee is payable to the instructor; Members $65; Nonmembers $85

Gourd Basket Workshop A hollow dried gourd provides the foundation for a beautiful basket sure to accent your autumn décor. Learn to apply a coil-woven rim and long-leaf pine needles to complement the gourd’s natural beauty. A discussion about various materials used to create gourd crafts helps students expand Basket by Lori Schue their versatility in basket weaving.

Students supply their own straight-nosed garden clippers and a dish towel. All other materials—including gourds, pine needles and shared tools—are provided.

One 3-hour session; Lori VanKirk Schue; Sun, Oct. 14, 1 p.m.; $35 supply fee payable to the instructor; CODE 1K0-0BR; Members $65; Nonmembers $85

Relief Printing Linocut and Woodblock This class is an introduction to the relief print, from techniques of design and transfer through cutting and printing the block. After an introductory lecture featuring the wood cuts and wood engravings of noted 20th-century artists from the Smithsonian American Art Museum collection such as Leonard Baskin, Wanda Gag, Rockwell Kent, Lynd Ward, and William H. Johnson, students learn to design and produce their own editions, using nontoxic materials and employing both one-color and two-color techniques.

8 sessions; 2.5 hours each; Max-Karl Winkler; Mon. Oct. 15–Dec. 10 (no class Nov. 12), 6:30pm; supply list on website; CODE 1K0-0BP; Members $225; Nonmembers $275

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Jewelry Inspired by Burning Man Two Workshops Learn new techniques as you create unique jewelry pieces inspired by the Burning Man event’s 2018 art theme, iRobot.

Karen Christians, an educator and maker in the metal arts and co-author of Jewelry of Burning Man, leads a pair of one-day workshops.

Resin Inlay Workshop Using cloisonné-based techniques, fabricate colorful pendants and earrings using epoxy resin to create texture, color, and pattern. Build a library of colors using a paper template and resin samples mixed with a variety of materials, such as dry-paint Jewelry by Karen Christians pigments, kitchen spices, and teas. Use the resins in conjunction with flattened wire to adorn and embellish the jewelry pieces, which include a castbronze robot-themed pendant.

One 7-hour session; Karen Christians; Sat., Aug. 18, 10 a.m.; with lunch break (students provide their own); materials kit fee ($30) payable to the instructor (includes cast-bronze pendant, four geometric shapes, findings, flat wire, sandpaper, and templates); additional design components available for purchase; CODE 1K0-0ZL; Members $75; Nonmembers $85

Metal Texturing Workshop Develop skills in two metaltexturing techniques as you craft a 3-inch posable copper robot perfect to wear as a pendant, hang from a rear-view mirror, or enjoy as a desk toy. Explore Thai metal chasing, which uses specialized tools and a hammer to create lines and textures, and. create a simple decorative panel. Learn to use a rolling mill Jewelry by Karen Christians to emboss patterns onto metal.

Pieces texturized by both techniques are drilled and joined to create a one-of-a-kind wearable robot.

One 7-hour session; Karen Christians; Sun., Aug. 19, 10 a.m.; lunch break (students provide their own); materials kit fee ($35) payable to the instructor and includes all materials; CODE 1K00ZM; Members $75; Nonmembers $85

Classes are taught by professional artists and teachers.

View detailed class descriptions and supplies information at smithsonianassociates.org/studio

Published ticket prices are subject to change, depending on availability.

Studio Arts Contemporary Mosaics

SmithsonianInspired Floral Design

Interpreting Museum Collection Paintings in Glass Mosaic

Smithsonian Spotlight

This class introduces participants to the ancient art of mosaics with a specifically contemporary focus; creating a mosaic interpretation of a master painting using stained glass. Students are guided through the complete process of creating a stained glass mosaic as they work Mosaic by Bonnie Fitzgerald, inspired directly over the image provided

by Vermeer’s Girl with A Red Hat by the instructor or from their own inspiration art, with the instructor’s approval obtained 2 weeks in advance. Learn the techniques of working with stained glass as a mosaic material, including cutting, sourcing and preparation of materials, and fabrication methods. Open to all skill levels. Returning students may work independently on projects of their choice.

8 sessions; 2.5 hours each; Bonnie Fitzgerald; Tues., Oct. 9–Dec. 4 (no class Nov. 20), 6:30 p.m.; $65 supply fee payable at first session covers adhesives, grout, mosaic materials, and tool loan during class; supplemental supply list on website; CODE 1K0-0DJ; Members $245; Nonmembers $295

Mosaic Sugar Skulls

Learn the fundamentals of floral design while creating designs based on famous art in the Smithsonian’s collection. Each session focuses on a different work, providing inspiration for the flowers, greens, and vases used to create beautiful arrangements.

Learn fundamental techniques in floral design as Art-inspired floral arrangement by instrucwell as handy tips and tor Sarah von Pollaro tricks to bring your own floral masterpieces to life. No experience is necessary. Participants take home centerpiece-sized arrangements at the end of each class.

3 sessions, 2 hours each; Sarah von Pollaro; Tues., Oct. 16, 23, and 30, 6:30 p.m.; A $75 supply fee, payable to the instructor at the first class, covers the cost of flowers, greens, and vases for all three sessions; CODE 1L0-219; Members $115; Nonmembers $165

Art Deco Peacock Earrings

This class brings together the art of mosaics with an iconic symbol of the Mexican Day of the Dead celebration.

Students are guided through the creation of a 2-dimensional sugar skull mosaic complete with its own hanging device. Custom-made substrates are constructed from common building materials, and the mosaic surface is created using stained glass, glass tiles, and found objects.

Instruction includes cutting techniques, sourcing and preparation of Mosaic by Bonnie Fitzgerald materials and fabrication methods.

No mosaic or stained glass experience is required.

8 sessions; 2.5 hours each; Bonnie Fitzgerald; Tues., Oct. 9–Dec. 4 (no class Nov. 20), 1 p.m.; $65 supply fee covers all materials to complete project, including adhesives, grout, a wide variety of mosaic material and tool loan during class time; supplemental supply list on website; CODE 1K0-0ZZ; Members $245; Nonmembers $295

It’s not difficult to understand why the regal peacock was an ideal symbol of the luxury aesthetic of the art deco period. Examples of the bird and its audacious plumage can be found in the painting, sculpture, jewelry, and graphic design of the time. Create your own bit of peacockinspired elegance with earrings incorporating Swarovski Earrings by Mïa Vollkommer crystals and wire working techniques. Studio Arts hand tools available to borrow. Please see materials list if you would like to bring tools you already own.

One 3.5-hour session; Mïa Vollkommer; Sat., Dec. 1, 9:30 a.m.; beads and wire kit $30; additional supply list online; CODE 1K0-0CX; Members $75; Nonmembers $95

Smithsonian Art Collectors Program Contemporary prints and posters artcollectorsprogram.org

More INFORMATION and TICKETS at SMITHSONIANASSOCIATES.ORG and 202-633-3030

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Studio Arts Riveted Bangle Bracelet Add a bit of jingle to your holiday season with a set of beautiful, made-by-you, bangle bracelets. Learn to cut, form, and close three bracelets using sterling silver wire and silver or red brass rivets. The bracelets can be embellished with large-holed beads for an even more unique look. The class is perfect for beginners and those with previous wire or metalsmithing experience.

Bracelets by Mïa Vollkommer

One 4-hour session; Mïa Vollkommer; Sat., Dec. 1, 1:30 p.m.; $30 wire kit available for purchase in class; Studio Arts hand tools available to check out; additional supply list online; CODE 1K0-0CW; Members $75; Nonmembers $95

Introduction to Beading

Fabulous Findings and Dramatic Dangles Tired of the same old clasps and ear wires? Would you like to set your work apart with unique elements that can’t be bought at the store? Then this workshop— centered on the findings that make jewelry wearable and unique—is for you. Working with wire in a variety of gauges and sheet metal, students begin by Jewelry pieces by Mïa Vollkommer exploring different designs and production methods for headpins, clasps, ear wires, hoops, and charms. Then, they begin creating one-of-a-kind necklaces and earring sets with the findings they’ve made. Wire work and the safe use of butane torches and cutting-texturing sheet metal is discussed.

One 7-hour session includes a lunch break (students provide their own); Mïa Vollkommer; Sat., Dec. 8, 10 a.m.; $45 wire and sheet metal kit fee ($45; $60 for kit plus shop shears); additional supply list online; CODE 1K0-0DA; Members $125; Nonmembers $145

Pendant Necklaces

Learn to create your own hand-crafted jewelry in this three-session workshop.

Cover the basics of bead stringing, wire-working, and pearl knotting, along with the names and uses for common hand tools, wire, stringing materials, and findings.

During the series, students make up to two necklaces, two to three pairs of earrings, Jewelry by Mïa Vollkommer and one single-strand necklace or bracelet using the pearl-knotting technique. Intermediate techniques are also discussed. This workshop is perfect for the student new to jewelry making, or those with experience who want to refresh their skills. Studio Arts hand tools are available to check out.

Learn how to create gorgeous designs using stone pendants with tricky hole placement, such as doughnuts, top-drilled, and front-toback-drilled pieces. Using wire, a few tools, and beads, students finish several stunning pendants.

Experience with basic wirework, hand tools, and making open and Pendants by Mïa Vollkommer closed loops is recommended.

Students may borrow Studio Arts hand tools while they’re working.

3 sessions, 3 hours each; Mïa Vollkommer; Mon.–Wed., Dec. 3, 4, and 5, 6:30 p.m.; $25 sterling silver findings kit fee; additional supply list online; CODE 1K0-0CZ; Members $165; Nonmembers $195

Personalized Best Friend Necklaces

Stones and Bails

One 3.5-hour session; Mïa Vollkommer; Sun., Dec. 9, 10:30 a.m.; $20 wire kit fee; additional supply list online; CODE 1K0-0DB; Members $75; Nonmembers $95

A Riveted Ring Create a stunning ring in sterling silver using a rolling mill, jeweler’s saw, and cold- connection riveting techniques. Learn to imprint a texture onto metal, then cut, form, and rivet your design, which can also be personalized using metal alphabet stamps. Studio Arts hand tools are available to borrow.

One 5-hour session with lunch break (students provide their own); Mïa Vollkommer; Sun., Dec. 2, Ring by Mïa Vollkommer 10:30 a.m.; metal and wire kit $30 available for purchase; additional supply list online; CODE 1K0-0CY; Members $90; Nonmembers $110

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Necklaces by Mïa Vollkommer

Create the perfect unique gift for a friend or loved one and get a beautiful necklace for yourself in the bargain! Using metal texturing, wire wrapping and basic metal stamping techniques create a silver pendant with a gemstone bead accent that can be personalized with the wearer’s initials. Studio Arts tools are available to borrow, and see the materials list for some optional supplies to bring to class.

Suitable for ages 14 and up.

One 3-hour session; Mïa Vollkommer; Sun., Dec. 9, 2:30 p.m.; CODE 1K0-0DC; $25 kit fee; additional supply list online; Members $65; Nonmembers $85

Published ticket prices are subject to change, depending on availability.

Studio Arts SCULPTURE

Sculpture by instructor George Tkabladze

Beginning Sculpture

Figure Sculpture

Develop a basic understanding of the principles, techniques, and tools of sculpture through hands-on studio work and demonstrations.

Students also gain a better understanding of proportion, composition, and problem solving. Working in clay, they create head and face portraits from plaster casts or a live model. They are free to create representational or abstract works.

Open to beginning students with no sculpting experience. More experienced students are welcome.

Students examine the materials and processes for sculpting a portrait, torso, or full figure, working with a live model.

They learn clay sculpture techniques involving the use of tools, armatures, anatomy, and proportion, and they have the opportunity to explore their individual styles. Then, they begin to gain an understanding of the planes of the figure, the gesture of the body, and human expression while sculpting the human form.

Open to all levels. Student receive guidance tailored to their goals and abilities.

8 sessions; 3 hours each; George Tkabladze; Fri., Oct. 12–Dec. 7 (no class Nov. 23), 1:30 p.m.; tuition includes two bags of clay and model fees; supply list on website; CODE 1K0-0CS; Members $235; Nonmembers $285

8 sessions; 3 hours each; George Tkabladze; Fri., Oct. 12–Dec. 7 (no class Nov. 23), 6:30 p.m.; tuition includes two bags of clay and model fees; supply list on website; CODE 1K0-0CT; Members $235; Nonmembers $285

Sculpture by instructor George Tkabladze

PHOTOGRAPHY BEGINNER The Joy of Photography: An Exploratory Course This non-darkroom course is designed for beginners who want to learn how to use their digital SLR camera as a creative tool. The goal is to gain skill in technical aspects of photography so that they can concentrate on composing beautiful images. Students work digitally, and topics include aperture, shutter speed, metering, exposure, ISO, composition, special effects, and flash photography. The instructor gives weekly assignments and reviews them in subsequent classes. Point-andshoot digital cameras are not appropriate. Bring to the first class a digital SLR camera with manual or override capabilities and images for review on a flash drive or CD or in print.

TWO OPTIONS: 8 sessions; 3 hours each; Marty Kaplan; Tues., Oct. 9–Dec. 4 (no class Nov. 20), 6:30 p.m.; CODE 1K0-0BV; Sun., Oct. 14–Dec. 9 (no class Nov. 25), 10:15 a.m.; CODE 1K0-0BW; Members $225; Nonmembers $275

Photo by instructor Marty Kaplan

Understanding Your Digital Mirrorless or SLR Camera

Digital Camera Basics

Moving Beyond Auto Mode

Get the most out of your digital camera in this full-day, hands-on workshop that provides a head start on producing great shots.

Exposure settings, color and tone, resolution, file formats, picture quality, transferring files, and using a browser are among the essential technical tools for the digital shooter covered in the session.

Learn how to use your SLR or mirrorless camera to best advantage in this hands-on class. In the morning, the focus is on how to use features such as ISO, shutter speed, aperture, and depth of field Information regarding RAW vs. JPEG files and White Balance is also discussed. Shooting modes such as shutter priority, aperture priority, and manual are demonstrated. The afternoon is given over to practice during a field shooting session on the Mall. You’ll be out of auto mode by the end of the session! Bring your camera and lenses, an empty card, and a fully charged battery. It may be helpful to have the camera manual.

FOUR OPTIONS: One 7-hour session each; Eliot Cohen; Sun., Aug. 19 (CODE 1K0-0YX); Sun., Sept. 9 (CODE 1K0-0ZP); Sun., Oct. 14 (CODE 1K0-0BY); Sun., Dec. 2 (CODE 1K0-0BZ); 9:30 a.m.; Members $210; Nonmembers $260

One 7.5-hour session; Eliot Cohen; Sun., Nov. 11, 9:30 a.m.; wear comfortable clothes and shoes for afternoon shooting session; CODE 1K0-0CA; Members $220; Nonmembers $270

Photo by instructor Eliot Cohen

More INFORMATION and TICKETS at SMITHSONIANASSOCIATES.ORG and 202-633-3030

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Studio Arts Introduction to Photography

Introduction to Photography II

Whether you want to work in digital or film, this class offers a solid foundation for new photographers ready to learn the basics. Topics include camera functions, exposure, metering, working with natural and artificial light, and composition. Critiques of class and home assignments enhance the technical skills you learn. At least two photo shoot excursions outside of the classroom are scheduled. Students must have a camera with manual controls, and a tripod is needed for the class.

This class is ideal for students who are familiar with their cameras but are interested in expanding their understanding of photography fundamentals. Sessions focus on lighting, composition, shooting techniques, and gear, and photo-editing soft-ware is also discussed.

Critiques are conducted, and one photo excursion is scheduled. Students must have a camera with manual controls and a tripod; bring your camera and manual to the first session.

8 sessions; 2.5 hours each; Andargé Asfaw; Wed., Oct. 10–Dec. 5 (no class Nov. 21), 12:30 p.m.; CODE 1K00BT; Members $200; Nonmembers $250

8 sessions; 2.5 hours each; Andargé Asfaw; Tues., Oct. 9–Dec. 4 (no class Nov. 20), 12:30 p.m.; CODE 1K00BU; Members $200; Nonmembers $250

Photo by Andargé Asfaw

World Art History Certificate elective: Earn ½ credit

Photography A Hands-on History Trace photography’s development with art historian and photographer Patricia Howard. Discussion topics include pictorialism and realism in 19th-century photography; how surrealism embraced the photograph; the portrait from tintype to digital selfies; and the range of forms and styles in contemporary

By Patricia Howard photography. Lectures enhance handson projects: building a camera obscura; creating cyanotypes and surrealist-inspired ray-ograms; and retouching a portrait in Lightroom and hand-painting photographs. Photographers of all experience levels as well as non-photographers are welcome.

4 sessions; 3 hours each; Patricia Howard; Fri., Sept. 7–28, 10:30 a.m.; CODE 1K0-0ZW; Members $135; Nonmembers $165; see a detailed program description on p. 24

World Art History Certificate elective: Earn ½ credit

Self Portraits: Photography Inspired by the National Portrait Gallery exhibition Eye to Eye: Self-Portraits from 1900 to Today, this two-part workshop focuses on the art of self-portraiture through photography. During a tour of the exhibition, students view photographic self-portraits, paying attention to individual approaches including poses, lighting, angle, and specific photographic processes the artists used. In the studio, students create their own self-portrait with instructor guidance. Class discussions focus on effective approaches and methods, including lighting and angle, to achieve a successful self-portrait.

The class provides an opportunity for creativity and exploration of individual self-expression.

Self-portrait by photo student 2 sessions; 2 hours each; Patricia Tian Lan Howard; Sun., Dec. 2 and 9, 2 p.m.;

Smithsonian Spotlight

first session meets at the National Portrait Gallery’s main entrance lobby, 8th and F Streets, NW; bring a digital camera to second session in Ripley Center studio; CODE 1K0-0DH; Members $85; Nonmembers $100

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Introduction to iPhone Photography Put away your point-and-shoot camera and pull out your iPhone to create great images.

This half-day workshop prepares you to make the most of your phone’s camera, starting with photography basics such as essential compositional skills and exposure, then moving on Photo by Peggy Feerick to an exploration of some of the best apps, camera accessories, and low-cost tools for editing and image management. During the lunch break, capture some sights on the National Mall to share with the class in a critique session.

TWO OPTIONS: One 4-hour session; Peggy Feerick; Sat., Sept. 15, 10 a.m. (CODE 1K0-0ZN); Sun., Sept. 16, 10 a.m. (CODE 1K0-0ZX); participants provide their own lunch; Members $75; Nonmembers $95

Introduction to Black-and-White Film Photography and the Darkroom This class provides a thorough introduction to the 35mm camera and the basics of photo darkroom techniques. Learn how to use your camera, compose a photograph, develop film, and make a print in the Smithsonian Photo by instructor Joe Yablonsky Associates’ wellequipped darkroom. Lecture-demonstrations, class assignments, critiques, and practical darkroom work help you to understand photography from shutter speed to finished print. Discover, too, how blackand-white film and darkroom skills can enhance the work you create digitally.

8 sessions; 3 hours each; Joe Yablonsky; Fri., Oct. 12–Dec. 7 (no class Nov. 23), 6:30 p.m.; bring 35mm adjustable camera to first class; film and photographic paper to buy discussed in class all developing chemicals are provided; CODE 1K0-0CM; Members $235; Nonmembers $285

Published ticket prices are subject to change, depending on availability.

Studio Arts Introduction to Lightroom

Lightroom + Vision

Weekend Workshop

Use fun, powerful Lightroom software to organize your pictures, choose and develop your best images, and become a better photographer. The class provides a solid foundation in the Library and Develop modules in Lightroom Classic CC (and previous stand alone versions) through classroom lectures and demonstrations, with handson practice using your own pictures.

Selected web-based resources help you understand Lightroom concepts, tools and interface and complete weekly assignments, and they remain available after the class ends. Special emphasis is placed on learning how and where to store and access images, protecting image integrity, and organization, as well as image development. Students learn how to use Lightroom’s creative modules to produce projects and create a book, slideshow, or both.

Adobe Lightroom is useful software for organizing and editing both RAW and JPEG image files. This workshop focuses on working with a pair of essential modules. The Library module can be used for importing, exporting, deleting, and grouping files; sorting and ranking files for quality; and attaching keywords for easy retrieval. Learn how to set up a checklist of tasks as files are imported and managed. The Develop module is used to improve filesí tone, color, and fine detail, and to edit globally or selectively with intuitive tools. Personal laptops are not required but are recommended. Lightroom 5, 6, or Classic (not Lightroom CC) should be installed and functional on your laptop. PCs in the computer lab are also available for student use.

TWO OPTIONS: 2 sessions; 4 hours each; Eliot Cohen; Sat., Sept. 15 and Sun., Sept. 16, 9:30 a.m. (CODE 1K0-0ZQ); Sat., Nov. 17 and Sun., Nov. 18, 9:30 a.m. (CODE 1K0-0CB); Members $225; Nonmembers $245

8 classroom sessions; 3 hours each; Barbara Southworth; Mon., Oct. 15–Dec. 10 (no class Nov. 12), 6:30 p.m.; students use PCs in computer lab with Adobe Classic CC, or bring personal laptop loaded with Lightroom; the class primarily focuses on Lr Classic; CODE 1K00CP; Members $275; Nonmembers $325

PHOTOGRAPHY INTERMEDIATE/ADVANCED Developing Black and White Film at Home

Open Darkroom Plus

With a little investment, you can easily develop your own 35mm or 120mm blackand- white film at home. Bring one roll of exposed black and white film to the class, along with one roll of unexposed film that will be used to practice the process of loading film onto the developing reels.

Participants are led through each stage of the chemical process to develop their negatives. Learn about film-developing theory in more detail, negative storage, film scanners, printing options, and more. Take home detailed, step-by-step developing instructions, along with a complete list of supplies youíll need to continue processing your own film.

JOE YABLONSKY

One 6.5-hour session; Joe Yablonsky; Sat., Sept. 29, 10:15 a.m.; lunch break 1:15–2p.m.; CODE 1K0-0ZS; Members $75; Nonmembers $95

This class is geared to photographers with basic or proficient darkroom skills who are interested in taking their work to the next level. Students benefit from small-group lectures, individual instruction, and independent work to gain confidence in a specific area. Possible topics include toning, fiber-based printing, dodging and burning, and assessment of print quality.

THREE OPTIONS: 8 sessions; 3 hours each; Paul Matthai; Thurs., Oct. 11–Dec. 6 (no class Nov. 22), 6:30 p.m.; CODE 1K0-0CJ; Joe Yablonsky; Sat., Oct. 13–Dec. 8 (no class Nov. 24), 10:15 a.m.; CODE 1K0-0CK; Sat., Oct. 13–Dec. 8 (no class Nov. 24), 1:30 p.m.; CODE 1K0-0CL; Members $235; Nonmembers $285 TWO OPTIONS: 4 sessions; 3 hours each; Joe Yablonsky; Thurs., Sept.

6–27 (CODE 1K0-0ZR); Tues., Oct. 9–30 (CODE 1K0-0CH); 6:30 p.m., Members $120; Nonmembers $150

Custom Digital Printing and Mat Cutting Learn how to get digital photos printed accurately and custom cut windows in mat board.

The class covers inexpensive online printing labs, paper choices, aspect ratios, how to get the whole photo printed (without getting the edges cut off), mat board choices and sources, and mat cutter tools. Bring 2 JPG images to the first session that you would like to print and resize them in class. Students are required to get the photos printed and bring them to the second session. Then, custom cut the window in the mat board and assemble the final product. Students leave the class with work ready to be installed into easily available 11 x 14 frames.

2 sessions; 3 hours each; Joe Yablonsky; Mon., Oct. 15 and 22, 6:30 p.m.; mat board included with class fee; supply list on website; CODE 1K0-0CC; Members $100; Nonmembers $125

More INFORMATION and TICKETS at SMITHSONIANASSOCIATES.ORG and 202-633-3030

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Studio Arts Mastering Exposure Participants develop a greater understanding of exposure modes, exposure compensations, filter exposure factors, bracketing, metering modes, histograms, zone system, dynamic range, eliminating camera shake, tripods, and some flash concepts.

Students learn how to correctly assess a scene and override what the camera recommends to consistently take accurately exposed photographs.

Skills are honed by completing specifically Photo by instructor Joe Yablonsky designed assignments and through in-class review of work produced. Students should have taken an introductory photography class, have good working knowledge of their cameras, and have a camera with the classic exposure modes (P, A/Av, S/Tv, M).

Introduction to Studio Portraiture Classes focus on such topics as posing a subject; using highlight and shadow to create three-dimensional contrast; the difference between high key and low key lighting; using a flash meter; and understanding strobe lighting. Participants produce portfolios of portraits of models and their classmates.

Students may work in format of their choice; point-and-shoot cameras are not appropriate for this class. Solid camera operation experience required.

8 sessions; 3 hours each; Marty Kaplan; Mon., Oct. 15–Dec. 10 (no class Nov. 12), 6:30 p.m.; supplies discussed in first session; CODE 1K0-0BS; Members $225; Nonmembers $275

Photo by instructor Marty Kaplan

5 sessions; 3 hours each; Joe Yablonsky; Thurs., Oct. 18–Nov. 15, 6:30 p.m.; CODE 1K0-0CG; Members $185; Nonmembers $235

Exhibiting and Selling Your Photographs Learn how to get your photos seen and sold. This valuable workshop covers strategies to get your photos seen by the public, such as juried exhibitions, photo contests, showing in alternative spaces (bookstores and coffee shops), art festivals, galleries, and websites. It also addresses photographic portfolios, copyrighting your images, email marketing, postcards, pricing, printing your photos, and matting and framing.

One 3-hour session; Joe Yablonsky; Thurs., Oct. 11, 6:30 p.m.; CODE 1K0-0CF; Members $45; Nonmembers $65

Three Reasons to SupportSmithsonian Associates 1. You want us to continue our long tradition of excellence in programming.

2. Basic memberships and tickets cover only a portion of our costs.

3. We receive no federal funding.

To learn more about levels of support and insider benefits, visit our website: smithonianassociates.org/levels or call 202–633–3030 (M–F, 9–5)

Demonstrate your support today. The returns will exceed your expectations.

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Published ticket prices are subject to change, depending on availability.

Photographic Creativity, Design, and Composition The balance of visual tension in an image is fundamental in photography. When achieved successfully, well-made visual relationships are created. This course offers participants a better understanding of compositional elements and how best to apply them.

Emphasis is placed on practices that promote taking better and more unique photographs, including simplicity, balance, and natural lighting conditions. Weekly lectures and assignments feature topics including extended shutter speeds, light graffiti, bokeh templates, and macro photography. Students should have an understanding of basic camera operation.

5 sessions; 3 hours each; Joe Yablonsky; Wed., Oct. 17–Nov. 14, 6:30 p.m.; CODE 1K0-0CE; Members $185; Nonmembers $235

Photo by Joe Yablonsky

JOE YABLONSKY

Studio Arts

Build Your Photographic Portfolio Go beyond taking random photographs and develop a cohesive body of work that is uniquely yours. Review some contemporary photographers’ work and define the characteristics that are incorporated into their portfolios. Then evaluate your best photos and identify the attributes that define your own photographic vision.

Targeted homework assignments help you increase your collection of portfolio-quality work. Portfolio books, print sizes, order of presentation, photography websites, and presentation methods are also discussed.

3 sessions; 3 hours each; Joe Yablonsky; Mon., Oct. 29–Nov. 19 (no class Nov. 12), 6:30 p.m.; supply list on website; CODE 1K00CD; Members $125; Nonmembers $145

PHOTOGRAPHY ON-LOCATION On-Location Photography Learn to capture this vibrant capital city’s many great spots for on-location shoots as you sharpen your way of thinking about shooting outdoors. Students learn to take better photos by taking fewer of them and keeping post-processing to a minimum. Emphasis is placed on what happens before the shutter release is pressed, and on truly pre-visualizing the photograph. Class sessions include lectures, field trips, loosely structured assignments, and critique sessions aimed at developing strategies for shooting outdoors. Lectures cover depth of field, exposure adjustments, using a tripod, composition, and natural lighting conditions.

A basic understanding of photographic concepts is required, along with a camera that allows for adjustments to the aperture, shutter speed, ISO, and exposure compensation.

Participants provide their own cameras and may work in the camera format of their choice.

TWO OPTIONS: 3 sessions; 3 hours each; Sat., Sept. 8–22, 10 a.m.; CODE 1K0-0ZT, Members $95; Nonmembers $115 8 sessions; 3 hours each; Joe Yablonsky; Sun., Oct. 14–Dec. 9 (no class Nov. 25), 1:30 p.m.; CODE 1K0-0BX; Members $225; Nonmembers $275

Photo by Joe Yablonsky

More INFORMATION and TICKETS at SMITHSONIANASSOCIATES.ORG and 202-633-3030

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Studio Arts PHOTOGRAPHY ON-LOCATION The Washington Mall By Night Advanced photography students capture the strength and pristine beauty of the Mall in this class that combines in-classroom lecture, discussion, darkroom work, and critique sessions with five on-location shooting sessions conducted outside of regular class time, at sunset and after dark. Emphasis is given to the special equipment, film, processing, and technical and creative challenges associated with nighttime photography. Onlocation sites are discussed on the first night of class. Darkroom experience required.

8 class/darkroom sessions plus 5 on-location shooting sessions; 3 hours each; Paul Matthai; Mon., Oct. 15–Dec. 10 (no class Nov. 12), 6:30 p.m.; bring manual camera, tripod, cable release, light meter (if owned), small flashlight, timer, Black and White negative film, and note-taking supplies to the first class; students work in black-and-white film; developing chemicals are provided; CODE 1K0-0CN; Members $350; Nonmembers $400

Photo by Paul Matthai

Fall Landscape Photography on the Potomac An Environmental Photography Experience The 15-mile Potomac gorge from River Bend Park to Roosevelt Island is the primary focus of shooting assignments in this beautiful and ecologically significant area. Attention to photographic seeing and refinement of style and vision is emphasized on walks of up to three miles in Maryland, Virginia, and the District. During the classroom orientation, photographers discuss locations and plan 3-hour field trips.

(Trips typically start at sunrise or may end at sunset.) There are class critiques and a final portfolio review. A class blog is available to post images.

Basic photography skills required.

8 sessions, 3 hours each; Barbara Southworth; Fri., Oct. 12–Dec. 7 (no class Nov. 23), 10:15 a.m.; any manually adjustable digital or film-based format with camera-appropriate tripod and cable release or remote acceptable; film processed outside of class time; bring calendars and six JPG images on thumb drive to the first session in the Ripley Center; CODE 1K0-0CQ; Members $245; Nonmembers $295

Photo by Barbara Southworth

Hiking for Photographers Explore close-in sections of Virginia’s river-hugging Potomac Heritage Trail and side paths along feeder streams amidst fall splendor and seasonal change on a series of outings for photographers who are experienced hikers. Friday evening orientation includes location details, shooting styles and goals, resources, and show and tell; bring a set of up to 10 images on a PC-readable thumb drive to share. Sunday morning hikes focus on shooting high-quality, detailed images or wide-angle landscapes. A class blog is available for image sharing. Basic photography skills required. Use any manually adjustable digital or film-based format with camera-appropriate tripod and cable release or remote may be used. Students process film outside of class time.

6 sessions; Barbara Southworth; Photo by Barbara Southworth one 3-hour classroom orientation in Ripley Center classroom, Fri., Oct. 12, 6:30 p.m., plus five 4-hour hikes (starting between 6:45 a.m. and 7:15 a.m.) Sun., Oct. 14–Nov. 11 (in case of inclement weather, the class meets at 10 a.m. at an indoor shooting location or in the Ripley Center classroom for group critique); participants must be able to navigate challenging terrain, including occasional mud, rock scrambles and stream crossings, over several miles with camera gear, including tripod; CODE 1K0-0CR; Members $195; Nonmembers $245

Connect with us on Social Media Classes are taught by professional artists and teachers. View detailed class descriptions and supplies information at smithsonianassociates.org/studio

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See and share class work; watch videos by instructors, get art news, learn about upcoming classes, and more! facebook.com/ smithsonianstudioarts

instagram.com/ smithsonianassociates

Published ticket prices are subject to change, depending on availability.

Certificate Program inWorld Art History

A

rt is all around us. It excites us, enriches our lives, and enlivens our imaginations. But to truly appreciate any work of art, we need to under-

stand the context and culture in which it was produced.

That’s why the Smithsonian Associates offers an exciting

You love art. Now become the expert you’ve always wanted to be.

certificate program in World Art History.

The wide-ranging offerings are designed to provide a global perspective on art and architecture and draw on the Smithsonian’s world-class collections and the rich resources of other Washington institutions.

Since the certificate program debuted in January 2015, more than 900 lovers of art have elected to enroll in offerings that speak to their interests—and allow them to complete the program requirements at their own pace.* The core courses and electives in our program are selected from among the Smithsonian Associates’ ongoing courses, seminars, study tours, and studio art classes. Look for programs marked “World Art History Certificate” in these listings, as well as in the full online program guide.

Register now, and become part of a community where you can interact with fellow students, pose questions to lecturers, learn about upcoming offerings, and receive invitations for special tours and informal gatherings with course leaders and other program participants.

To learn more about the Smithsonian Associates certificate program in World Art History, visit SmithsonianAssociates.org/ArtCertificate *Credits are counted from the day of program registration and are not given retroactively.

Studio Arts

Smithsonian Associates Membership Benefits The Smithsonian Associates opens the Smithsonian’s rich and varied resources to our members.

When you join the Smithsonian Associates you become a part of the largest museum-based cultural and educational program in the world. As an insider, you have unparalleled access to the Smithsonian's world of knowledge—and enjoy a full array of exclusive benefits.

The Smithsonian Associates, unlike the museums, is not federally funded and relies instead on individual contributions to help bridge the gap between program expenses and ticket revenues. There are many membership options across the Smithsonian Institution, but Smithsonian Associates membership is the ONLY program that directly supports Associates’ programming and outreach efforts, and the only way to access ticket discounts and exclusive benefits at our programs.

Effective January 2018

INTRODUCTORY Memberships

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Promoter –$100

Champion – $80

Associate –$50

When you become a member you’ll be among the first to know about the outstanding programs we bring you every month—which add up to more than 750 opportunities for discovery, enrichment, and learning you’ll find nowhere else. Membership has its benefits: Members receive a range of valuable discounts, including savings up to 35% off Smithsonian Associates program tickets, and access to tickets before they go on sale to the general public.

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Members-only ticket priority—get your tickets before they go on sale to the general public (some exclusions may apply)

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Access to members-only programs, including the popular annual Breakfast at the Zoo

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Eligibility to purchase one ticket per program at the discounted member price (savings up to 35%)

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Subscription to the monthly Smithsonian Associates program guide

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10% discount at Smithsonian museum shops, SmithsonianStore.com, and select Smithsonian restaurants

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Eligibility to purchase up to four tickets per program at the discounted member price (savings up to 35%)

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Priority consideration for waitlisted programs, including study tours (some exclusions may apply)

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Recognition on the Smithsonian Associates website

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Smithsonian magazine delivered to your home

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Eligibility to purchase up to six tickets per program at the discounted member price (savings up to 35%)

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Invitation for two to exclusive complimentary tours of exhibitions throughout the year

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Discounts on Art Collectors Program fine-art prints

SMITHSONIAN ASSOCIATES

Published ticket prices are subject to change, depending on availability.

Studio Arts Benefactor–$5,000 and up

Partner – $2,500

Sponsor –$1,000

Patron – $600

Contributor– $300

Advocate – $175

CIRCLE of SUPPORT

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ALL OF THE BENEFITS of the Introductory Membership Levels, plus:

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Advance digital copy of the monthly Smithsonian Associates program guide

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20% discount at SmithsonianStore.com during special Member Days sales

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Two complimentary tickets to one exclusive after-hours Mingle at the Museum event

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VIP access, activities, and seating at the popular annual members-only Breakfast at the Zoo

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Advance ticket purchasing by phone for high-demand programs, including Smithsonian Summer Camp

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Invitation for two to a Smithsonian Insider event during the year

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No handling fees on phone purchases

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Recognition on the annual donor list in the Smithsonian Associates program guide and the annual donor plaque at our headquarters on the National Mall

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Advance ticket purchasing to select premier headliner events

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Complimentary invitation for two to an exclusive Meeting the Masters reception

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Eligibility to participate in special travel programs sponsored by Smithsonian Journeys

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Complimentary tickets for two to a lecture or performance (value equal to $30 per ticket or less)

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Copy of the Smithsonian’s annual report

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Complimentary VIP tickets for two and a parking pass for Breakfast at the Zoo

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Reserved seating at most Smithsonian Associates programs

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Invitations to backstage meet-and-greets at select Smithsonian Associates programs

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Advance ticket purchasing for embassy programs and receptions

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Dedicated concierge phone line for inquiries and tickets

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An exclusive behind-the-scenes tour with a docent

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Invitation for two to the popular Annual Smithsonian Weekend

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Recognition in the Smithsonian’s annual report

As a member of the Smithsonian Associates Circle of Support, you’ll play a vital and valued role in our work. Your contributions to the Smithsonian Associates provide the support that enables all of our programs to continue and grow. There’s no better time to consider enhancing the level of your support. Depending on the level you choose, you’ll enjoy enhanced benefits such as early registration for Smithsonian Summer Camp and special programs, reserved seating at sold-out events, and invitations to exclusive receptions with speakers.

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Recognition as a sponsor of a selected Smithsonian Associates program

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Complimentary VIP tickets for six and two parking passes for Breakfast at the Zoo

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Priority seating at all Smithsonian Associates programs

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Additional 20% discount on member prices for Art Collectors Program fine-arts prints

Visit SmithsonianAssociates.org/levels or call 202-633-3030

More INFORMATION and TICKETS at SMITHSONIANASSOCIATES.ORG and 202-633-3030

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Membership Depending on your level of support, you will receive special benefits, including significant savings on most Smithsonian Associates program tickets; a monthly Smithsonian Associates program guide; discounts at museum shops and restaurants; notices about behind-the-scenes tours and special receptions with world-class speakers; and much more! Visit smithsonianassociates.org/join or call 202-633-3030 for more information. Join today!

Tickets

Donate now

Online.......................smithsonianassociates.org Email.........................customerservice@smithsonianassociates.org Phone...........................202-633-3030 Mon.–Fri., 9 a.m.–5 p.m.; Fax 202-786-2536

202-633-3030 smithsonianassociates.org/levels

Mail..............................Smithsonian Associates, P.O. Box 23293, Washington, D.C. 20026-3293 In person....................Mon.– Fri., 10 a.m.–5 p.m.; Ripley Center, 1100 Jefferson Dr., S.W., Suite 3077, Washington, D.C. 20560 Fees.............................There is a $3 nonrefundable per ticket processing fee on all tickets, except for Members-Only free events, Summer Camps, Smithsonian Sleepovers, and Discovery Theater. Please note that programs with multiple sessions have discounted processing fees applied to each individual session and charged as one fee. There is an additional $3 nonrefundable per order handling fee on phone orders.

REFUNDS Refunds are only issued when a program is canceled or if it sells out before we receive your order.

CREDIT TO YOUR SMITHSONIAN ASSOCIATES ACCOUNT Credit for cancellations or exchanges are only available for programs that cost more than $40. If in compliance with the specific guidelines below, credit is issued to your Smithsonian Associates account, not your credit card. Credits are non-transferable.

Customer Service is contacted in writing (email, mail, or fax) • Programs and Studio Arts Classes If a program or studio arts within that period. (Credit will be prorated to reflect the cost of class is more than $40, and you wish to cancel your tickets or the first session. No credit will be given after the first session.) exchange them for another program, please contact Customer Service in writing (email, mail, or fax) at least two weeks before • Overnight Study Tours To receive credit to your Smithsonian the program date to request a credit. (See contact information Associates account for an overnight tour, please contact Customer above.) Please note that there is a $10 cancellation fee, as well Service in writing (email, mail, or fax) at least 45 days before the as a cost adjustment when there is a price difference between tour date. At that point, there is a $10 cancellation fee. If your the programs. request is received between 44 and 15 days before the tour, cancellation fee is $100. No credit will be issued for cancellations • Courses To receive credit to your Smithsonian Associates received fewer than 15 days before the tour date. The cost of account for a course, (excluding studio arts classes), please some components of tickets—such as entrance fees, theater contact Customer Service in writing (email, mail, or fax) at least tickets, food programs and meals, and some forms of transportatwo weeks before the first session. Credit will also be issued tion, may not be credited. within two weekdays after the first session, provided that

CHANGES IN PUBLISHED SCHEDULES Smithsonian Associates reserves the right to cancel, substitute speakers and session topics within a course, and reschedule or relocate any program, if needed.

Occasionally, a time, date, or location of a program must change after it has been published or tickets have been mailed. Participants are notified by phone, email, or mail. Be sure to check our website smithsonianassociates.org for latest updates, or call 202-633-3030 during business hours for information.

We also reserve the right to refuse to register any individual or to require any participant to withdraw from an activity if the Smithsonian representative deems such action to be in the best interests of the health, safety, or welfare of the group or the participant.

TICKETS AT THE DOOR Tickets are available (on a first-come, first-served basis) at the door for some Smithsonian Associates programs. Call 202-633-3030 to be sure that the program is not already sold out.

GROUP DISCOUNTS Group discounts (for 10 or more) are available for some programs. Please call 202-633-3030 for details.

PHOTOGRAPHING AND RECORDING PROGRAMS Participants at Smithsonian Associates programs may be photographed or filmed

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SMITHSONIAN ASSOCIATES

for the educational and promotional purposes of Smithsonian Institution and Smithsonian Associates. Filming and/or photographing by participants at Smithsonian Associates programs is not permitted.

VISITORS WITH DISABILITIES Smithsonian Associates seeks to make activities accessible to people with disabilities. Patrons with disabilities are encouraged to call before registering for programs to inquire about the accessibility of the presentations and locations.

For information or to request accessibility assistance, please call 202-633-3030 (VOICE) or send an email to customerservice@ smithsonianassociates.org Interpreters for programs are provided free of charge. Smithsonian Associates will make arrangements if requests are made at least two weeks in advance of the program.

MOVING? Please write us with your new information and allow 6 weeks for the change to take effect.

HAVE QUESTIONS? Call Customer Service at 202-633-3030 M–F, 9–5, or stop by our office at 1100 Jefferson Drive, S.W., Suite 3077, (west of the Smithsonian Castle), between 10 a.m. and 5 p.m. on weekdays. (Metro: Blue/Orange/Silver line, Smithsonian–Mall exit) Published ticket prices are subject to change, depending on availability.

Getting Here

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Below is a list of our most frequent program locations.

7 Renwick Gallery, Grand Salon 1661 Pennsylvania Ave., NW Metro: Farragut North (Red) or Farragut West (Blue/Orange/Silver)

1 Baird Auditorium Natural History Museum

10th and Constitution Ave., NW Metro: Federal Triangle (Blue/Orange/Silver)

8 Ring Auditorium

Hirshhorn Museum and Sculpture Garden

2 Warner Bros. Theater

American History Museum

7th and Independence Ave., SW Metro: Smithsonian station, Mall exit

14th and Constitution Ave., NW

Metro: Smithsonian station, Mall exit (Blue/Orange/Silver) 3 Lisner Auditorium George Washington University 21st and H St., NW Metro: Foggy Bottom/GWU (Blue/Orange/Silver) 4 Meyer Auditorium

Freer Gallery of Art 12th and Independence Ave., SW Metro: Smithsonian station, Independence Ave. exit

(Blue/Orange/Silver) 5 Nan Tucker McEvoy Auditorium

Smithsonian American Art Museum 8th and G Sts., NW Metro: Gallery Place-Chinatown (Red, Yellow/Green) 6 Rasmuson Theater

(Blue/Orange/Silver) 9 Ripley Center 1100 Jefferson Drive, SW Metro: Smithsonian station, Mall exit

(Blue/Orange/Silver) 10 Smithsonian Castle 1000 Jefferson Drive, SW Metro: Smithsonian–Mall exit

(Blue/Orange/Silver) 11 STUDY TOURS BUS PICKUPS Location for most local tours: Holiday Inn Capitol, 550 C St., SW (corner of 6th & C); Metro: L’Enfant Plaza–7th & Maryland Ave. exit (Yellow/Green/ Blue/Orange/Silver)

12 U.S. Navy Memorial Foundation Auditorium 701 Pennsylvania Ave., NW Metro: Archives-Navy Memorial (Green/Yellow) 13 Voice of America Auditorium Wilbur J. Cohen Building 330 Independence Ave., SW (enter on C St.); Metro: Federal Center SW (Blue/Orange/Silver) 14 University of the District of Columbia Theater of the Arts NOT SHOWN ON MAP

4200 Connecticut Ave., N.W. Metro: Van Ness/UDC (Red line) METRO The Mall entrance of the Smithsonian station closes at 10 p.m.

The other entrance, at Independence Ave. and 12th St., SW, closes at midnight and at 3 a.m. on Fridays and Saturdays), as do the Gallery Place and Federal Triangle stations, To be sure not to miss the last train to your destination, call Metro at 202-637-7000 for schedules.

American Indian Museum 4th and Independence Ave., SW Metro: L‘Enfant Plaza (Blue/Orange/Silver or Green/Yellow); Maryland Ave./Smithsonian Museums Exit

PARKING Nearby Colonial Parking garages are shown on the map. Some offer $6 parking for our events on weekday evenings after 5:30 p.m. and all day on Saturday and Sunday. Inquire before parking and have your event ticket with you. Parking lot hours vary. Very limited metered parking is available around the Mall ($2 per hour).

More INFORMATION and TICKETS at SMITHSONIANASSOCIATES.ORG and 202-633-3030

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Beyond the Studio Smithsonian Associates offers much more for art lovers than classes: Investigate our many programs and seminars on art and architecture; local and regional study tours to museums and artists’ studios; and our certificate program in world art history.

And each month you’ll find plenty of fascinating programs on topics including history, science, culinary arts, music, travel, current events, and books. Visit our website to explore all the current offerings.