Picture yourself as part of a creative community. Discover the studio arts program from Smithsonian Associates.
Does the thought of picking up a paintbrush, camera, quilting needle, pastel stick, or calligraphy pen instantly ignite your imagination? There’s no better place to get in touch with—or perhaps reconnect with—your creative side than in the studio arts classes and workshops offered by Smithsonian Associates. Whether you’ve never set foot in an art studio, want to expand your existing skills, explore new techniques, or try your hand at a craft that intrigues you, you’re certain to find the perfect choice among our wide variety of evening, daytime, and weekend offerings. And because we are the Smithsonian, our studio arts program comes with some terrific advantages. Smithsonian Associates classes are guided by professional artists and experienced educators who create a supportive and stimulating atmosphere for learning and discovery. What students experience in those studios—and during on-location sessions in many settings—makes Smithsonian Associates’ art programs unique and valuable. Small class sizes allow for highly personalized one-on-one guidance from instructors. Individual and group critiques help students develop their techniques and personal vision. Interaction with fellow participants plays a key role in each class, too: Students tell us they love both the creative and the social aspects of working together. Becoming part of our studio arts program means more than simply taking a class. You’re taking your place in—and contributing to—a vibrant creative community.
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This is your invitation to add a creative spark to your fall. Take a look at the upcoming class series and workshops listed in this special art-focused edition of our monthly program guide. There’s plenty to tempt you. Learn the fundamentals of drawing and painting, quilting, photography, collage, or calligraphy. Noted photography pros lead a series of shoots on location and weekend workshops. There are so many more wonderful choices waiting for you on the following pages. No matter the class you select, you’ll take home something in addition to a new painting, portfolio of drawings, craft project, or photo series you’re proud of. You’ll find a rewarding sense of enrichment, enjoyment, and satisfaction as you deepen your personal connection to the world of art. And any way you look at it, you’ll have created a masterpiece.
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Certificate Program in World Art History Art is all around us. It excites us, enriches our lives, and enlivens our imaginations. But to truly appreciate any work of art, we need to understand the context and culture in which it was produced. That’s why Smithsonian Associates offers an exciting certificate program in World Art History. The wide-ranging offerings are designed to provide a global perspective on art and architecture and draw on the Smithsonian’s world-class collections and the rich resources of other Washington institutions.
You love art. Now become the expert you’ve always wanted to be. The core courses and electives in our program are selected from among Smithsonian Associates’ ongoing courses, seminars, study tours, and studio art classes. Look for “World Art History Certificate” throughout the program guide to see current listings. Complete the program requirements at your own pace. Credits are counted from the day of program registration and are not given retroactively. Register now and receive invitations for special tours and informal gatherings with course leaders and other program participants.
To learn more about the Smithsonian Associates certificate program in World Art History, visit SmithsonianAssociates.org/ArtCertificate
Left column, from the top: Fresco of the Libyan Sibyl, ca. 1511, Sistine Chapel, by Michelangelo; Taj Mahal, completed 1643, Agra, India; The Young Ladies of Avignon, 1907, by Pablo Picasso; Equestrian ceramic figure; ca. 13th–15th centuries; Mali; second column; Lou Ruvo Brain Institute, 2010, by Frank Gehry, Las Vegas; The Calf-Bearer, ca. 570 B.C.; Athens, Greece; Girl with a Pearl Earring, ca. 1665, by Johannes Vermeer; Before the Ballet, ca. 1892, Edgar Degas
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Classes are taught by professional artists and teachers.
STUDIO ART
View detailed class descriptions and supply lists at SmithsonianAssociates.org/studio View portfolios of work by our instructors at SmithsonianAssociates.org/artinstructors
GENERAL
World Art History Certificate elective: Earn ½ credit
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Color Theory
Sip and Sample
Become familiar with the color wheel, color value, chroma, and hue. Use acrylic paints and colored papers to explore color qualities and movement in shaping composition.
Try Your Hand at Three Studio Art Classes Have you always wanted to explore the wide range of studio arts classes offered by the Smithsonian Associates? Here is your chance to sample three of our most popular courses for a single night each, all while enjoying a glass of wine as you stimulate the artist within.
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3 sessions; 2.5 hours each; Thurs., Sept. 12–26, 6:30 p.m.; all supplies included; details on website; CODE 1K0-0PP; Members $150; Nonmembers $180
Collage and Mixed-Media
Thurs., Sept. 12; Marcie Wolf-Hubbard
HERMITAGE MUSEUM
Get an introduction to the materials, tools, and techniques used in collage. Using mementos or creating an abstract design, experiment with color, form, and design.
8 sessions; 2.5 hours each; Dan Riesmeyer; Mon., Oct. 21–Dec. 16 (no class Nov. 11), 7 p.m.; details and supply list on website; CODE 1K00QU; Members $235; Nonmembers $265
Beginning Drawing If you doubt your artistic ability or were told as a child that you couldn’t draw, here’s your opportunity to challenge that perception. Guided drawing exercises develop a new way of seeing and working that can be used to spark further exploration in the arts, or enhance your existing skills.
Moroccan Café, 1913, by Matisse
World Art History Certificate elective: Earn ½ credit
Thurs., Sept. 19; Eric Westbrook
Composition Watercolor Watercolor is one of the most versatile and beautiful of mediums. Even if you’ve never picked up a brush—or already have some experience—this evening offers a great way to explore the materials, techniques, and expressive possibilities of this style of painting. Thurs., Sept. 26; Karen Norman
Examine concepts and application of composition. Create collages based on art works and themes discussed, and explore connections between formal elements of visual art and art’s emotional impact. 4 sessions; 3 hours each; Shahin Talishkan; Tues., Oct. 29–Nov. 19, 2 p.m.; all supplies included; details on website; CODE 1K0-0QD; Members $155; Nonmembers $175
By Karen Norman (detail)
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World Art History Certificate elective: Earn ½ credit
A Creative Writing Workshop
A working artist provides a “behind-the-easel” perspective on American artists and collectors exhibited at the Smithsonian American Art Museum, the Freer Gallery of Art, the National Portrait Adrienne Wyman at the National Gallery of Art Gallery, and the National Gallery of Art. Viewings address historical and social context and technique.
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TWO OPTIONS: 4 sessions; 1.5 hours each; Adrienne Wyman; Mon., Oct. 7–Oct. 28, 12:30 p.m.; CODE 1K0-0SK; Mon., Nov. 18–Dec. 9, 12:30 p.m.; details on website; CODE 1K0-0SL; Members $95; Nonmembers $115
Visual art can inspire writing, just as writing can deepen your connection to art. View Joan Miro’s The Farm to discover how memory informed it and inspires your own reflective writing through multi-sensory exploration, word sketching, and writing prompts. One 2.5-hour session; Mary Hall Surface; Sun., Dec. 8, 1 p.m.; details on website; CODE 1K0-0TQ; Members $35; Nonmembers $45 The Farm, 1921, by Joan Miró
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Colored Pencils
Working primarily on your own, with the instructor on hand for demos and advice, move between two model workstations running simultaneously (one for quick poses, one for extended work).
Tap into the wide range of effects possible using colored pencils. Learn layering, blending and buffing strokes to achieve the translucency of watercolors with this dry medium.
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One 7–hour session; Josh Highter; Sun., Sept. 8, 10 a.m.; mid-day break for lunch; bring drawing materials; easels and chairs provided, model fees included in tuition; CODE 1K00PS; Members $95; Nonmembers $115
By Lori VanKirk Schue TWO OPTIONS: 2 sessions; 3 hours each; Lori VanKirk Schue; Sun., Sept. 8 and 15, 1 p.m. (CODE 1K0-0PE); Sun., Nov. 10 and 17, 1 p.m. (CODE 1K0-0SB); details on website; Members $95; Nonmembers $115
Children’s Book Illustration Workshop
Figure Drawing and Independent Projects Acquire an understanding of advanced elements of composition, anatomy, and artistic direction as you work from live models.
Transform an author’s vision into vivid illustrations by learning the basics of interpreting a story through pictures. Information on working with publishers and protecting art is also discussed.
By Max-Karl Winkler
8 sessions; 3 hours each; Max-Karl Winkler; Fri., Oct. 18–Dec. 13 (no class Nov. 29), 2 p.m.; details and supply list on website; CODE 1K0-0QP; Members $245; Nonmembers $275
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STUDIO ART
Memoir: Art from Life
Out and About with an Artist
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TWO OPTIONS: One 5-hour session; Lori VanKirk Schue; Sat., Sept. 21 (CODE 1K0-0PD); Sat., Nov. 2 (CODE 1K0-0RU) 12 p.m.; details on website; Members $95; Nonmembers $115
By Lori VanKirk Schue
Published ticket prices are subject to change, depending on availability.
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World Art History Certificate elective: Earn ½ credit THE MORGAN LIBRARY & MUSEUM
Draw Like Tiepolo Study Italian Rococo painter Giambattista Tiepol’s use of gesture, movement, and grouping of figures in his pen and wash drawings. Then, apply his techniques to your own creations.
By Paul Glenshaw
A Day of Drawing at the Folger The Folger Shakespeare Library is an architectural treasure—and a perfect place to practice perspective drawing, examine architectural details, and draw from masterworks in a day that begins with a docent-led tour.
2 sessions; 2 hours each; Chester Kasnowski; Tues., Oct. 15 and 22, 2 p.m.; details on website; all supplies provided; CODE 1K0-0QF; Members $75; Nonmembers $95 Psyche Transported to Olympus, by Giambattista Tiepolo
One 5-hour session; Paul Glenshaw; Sat., Sept. 28, 10 a.m.; details and supply list on website; boxed lunch included; CODE 1K0-0ST; Members $95; Nonmembers $115
World Art History Certificate elective: Earn ½ credit
Beginning Drawing
National Gallery of Art, Freer Gallery of Art, and Smithsonian American Art Museum
Develop basic drawing skills while working with a variety of materials and techniques, Explore geometric forms, volume, and perspective in still-lifes, architecture, and figure drawing. TWO OPTIONS: 8 sessions; 2.5 hours each; Eric Westbrook; Fri., Oct. 18–Dec. 13 (no class Nov. 29), 10:15 a.m. (CODE 1K0-0QN); Josh Highter; Sun., Oct. 20–Dec. 15 (no class Dec. 1), 10:15 a.m. (CODE 1K0-0PX); details and supply lists on website; Members $235; Nonmembers $265
Continued Drawing
Drawing In Museums
Develop rendering and composition skills, and learn the art of copying, by drawing paintings and classical sculptures displayed in the museums.
By student Claire Fuller
6 sessions; 2.5 hours each; Paul Glenshaw; Sat., Oct. 12– Nov. 23 (no class Nov. 9), 1:30 p.m.; CODE 1K0-0SN; details and supply list on website; Members $195; Nonmembers $225
Refine and expand drawing skills through studio practice in traditional media. Sessions focus on four classic areas: still-life, landscape, portrait, and figure. Students should have completed a beginning drawing course.
Drawing with Silverpoint Practice using a silver stylus on prepared paper to produce a fine delicate drawing. Create a drawing in class inspired by a reference image.
8 sessions; 2.5 hours each; Daniel Riesmeyer; Wed., Oct. 16–Dec. 11 (no class Nov. 27), 7 p.m.; details and supply lists on website; CODE 1K0-0QJ; Members $235; Nonmembers $265 By Lori Schue
One 3-hour session; Lori VanKirk Schue; Sat., Oct. 5, 1 p.m.; details on website; supply kit fee $45; CODE 1K0-0SC; Members $65; Nonmembers $75 SMITHSONIAN ASSOCIATES
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Drawing on the Right Side of Your Brain
World Art History Certificate elective: Earn ½ credit
Build drawing ability and improve visualization and recording of objects on paper through drawing exercises focusing on edges and space, relationships between objects, and light and shadow.
Cezanne-Inspired Still-Life Compositions
Introduction to Pastel
8 sessions; 2.5 hours each; Shahin Talishkhan; Wed., Oct. 16– Dec. 11 (no class Nov. 27), 10:15 a.m.; details and supply lists on website; CODE 1K0–0QG; Members $235; Nonmembers $265
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Improve your observational skills, understanding of color and value, and the role of light and shadow while capturing a subject’s likeness. 4 sessions; 3 hours each; Eric Westbrook; Fri., Sept. 6–27, 10:15 a.m.; details and supply list on website; model fees included; CODE 1K0-0PL; Members $165; Nonmembers $185 By Eric Westbrook
World Art History Certificate elective: Earn ½ credit
Plein Air Painting
Work in the Smithsonian gardens, learning to use line, color, and light to create well-designed compositions. Explore techniques used by By Michelle René Cobb the impressionists and postimpressionists, including paint mixing, limited palette, brushwork, and layering. 4 sessions; 3.5 hours each; Michelle René Cobb; Sat., Sept. 7–28, 1 p.m.; details and supply list on website; CODE 1K0-0PT; Members $185; Nonmembers $205 SmithsonianAssociates.org 202-633-3030
4 sessions; 4 hours each; Still Life with Milk Jug and Fruit, ca. Sandra Gobar; Sun., Nov. 3–24, 1900, Paul Cézanne 10:15 a.m.; supply list on website; CODE 1K0-0SZ; Members $195; Nonmembers $225
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Portrait Painting
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Impressionists favored pastel’s luminosity and colorlayering effects. Learn how to achieve the medium’s best effects while working from still-life arrangements.
Oil Painting Boot Camp
Session one covers the basics: choosing materials, setting up work space, starting a painting, drawing on canvas, and applying paint. In the second session, find inspiration during a Freer Gallery tour. Then head back to the studio to create a painting. 2 sessions; 6 hours each; Adrienne Wyman; Sun., Sept. By Adrienne Wyman 15 and 22, 10:30 a.m.; details and supply list on website; CODE 1K0-0PU; Members $175; Nonmembers $195
Botanicals in Watercolor Discover the versatility and fluidity of watercolor during this introduction to drawing and painting flora. Following step-by-step instructions using watercolor, work from reference photos to create your art. 4 sessions, 3 hours each; Lubna Zahid; Thurs., Oct. 17–Nov. 7, 10:30 a.m.; details and supply list on website; CODE 1K0-0SV; Members $165; Nonmembers $185
Published ticket prices are subject to change, depending on availability.
NATIONAL GALLERY OF ART
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Beginning Oil Painting Explore basic painting techniques including color-mixing, scumbling, and glazing to gain the technical background needed to get started as a painter.
By Chester Kasnowski
Landscape Painting Working in oil, acrylic, pastel, or watercolor, students focus on the purpose, approach, and techniques used to create compelling landscape paintings. 8 sessions; 2.5 hours each; Chester Kasnowski; Wed., Oct. 16–Dec. 11 (no class Nov. 27), 1:30 p.m.; details and supply list on website; CODE 1K0-0QH; Members $225; Nonmembers $255
8 sessions; 3 hours each; Shahin Talishkhan; By Shahin Talishkhan Thurs., Oct. 17–Dec. 12 (no class Nov. 28), 6:30 pm.; details and supply list on website; CODE 1K0-0QM; Members $245; Nonmembers $275
World Art History Certificate elective: Earn ½ credit
World Art History Certificate elective: Earn ½ credit
Lessons in Portrait Painting from Sargent and Whistler
Techniques in Modernist Painting Class exercises, including still-life setups and model sessions, teach practical applications of modernism’s concepts and techniques. Develop a visual language through class lectures, demonstrations, and critiques.
Create your own elegant portrait painting. Students are inspired by viewing the work of John Singer Sargent and James McNeil Whistler, combined with class lectures and demonstrations.
Student in class
8 sessions; 3 hours each; Adrienne Wyman; Sat., Oct. 19– Dec. 14 (no class Nov. 30), 2 p.m.; CODE 1K0-0QR; details and supply list on website; Members $245; Nonmembers $275
World Art History Certificate elective: Earn ½ credit
Traditional Oil Painting Techniques Lessons from Museum Masterpieces Explore the signature effects of famous artists and draw on their techniques in painting demonstrations and exercises designed to broaden individual skills. 8 sessions; 3 hours each; Adrienne Wyman; Sat., Oct. 19– Dec. 14 (no class Nov. 30), 10 a.m.; details and supply list on website; CODE 1K0-0QQ; Members $245; Nonmembers $275
Still life in front of a window at Saint-Raphael, 1919, by Picasso
8 sessions; 3 hours each; Shahin Talishkhan; Tues., Oct. 15–Dec. 10 (no class Nov. 26), 10:15 a.m.; details and supply list on website; CODE 1K0-0QC; Members $245; Nonmembers $275
Painting Is for Everyone Begin working in the medium of acrylic paints. Learn to mix colors, use brushes, and approach elements of form such as value, texture, line, color, shape, and edges. Explore composition and variation and learn art terminology.
By Chester Kasnowski
8 sessions; 2 hours each; Chester Kasnowski; Thurs., Oct. 17–Dec. 12 (no class Nov. 28), 1:30 p.m.; details and supply list on website; CODE 1K0-0QY; Members $225; Nonmembers $255 SMITHSONIAN ASSOCIATES
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The Gift of Color Limited-edition prints from the Smithsonian Associates Art Collectors Program capture brilliant and memorable worlds of color—and make great gifts for all occasions. For details, vist ArtCollectorsProgram.org or call 202-633-8680
Full-page ad Museum Moment by Sam Gilliam (detail) Retail: $1800 Members: $1500*
August Breakfast/Maine by Carolyn Brady (detail) Retail: $1200
Members: $800*
Flowers For a Country by Mindy Weisel (detail) Retail: $1200
Members: $1000*
Hopi Eagle Dance by Dan Namingha (detail) Retail: $1200 Members: $900*
Children with Flowers by Elizabeth Catlett (detail) Retail: $1300
Members: $1075*
Blue Moonlight by April Gornik (detail) Retail: $1200
Members: $950*
*Member pricing applies to Promoter level and above
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Red Geranium by Robert Kushner (detail) Retail: $1500
Members: $1200*
Piazza San Marco by LeRoy Neiman (detail) Retail: $1200 Members: $950*
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Introduction to Watercolor Explore basic watercolor techniques and new approaches to painting through classroom demonstration, discussion, and experimentation. TWO OPTIONS: 8 sessions; 2.5 hours each; Josh Highter; Sun., Oct. 20–Dec. 15 (no class Dec. 1), 1:30 p.m.; CODE 1K00PY; David Daniels; Mon., Oct. 21–Dec. 16 (no class Nov. 11), By David Daniels 10:15 a.m.; CODE 1K0-0PZ; details and supply lists on website; Members $245; Nonmembers $275
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Exploring Encaustic and Mixed-Media Workshop The encaustic medium can be molded, sculpted, and combined with collage materials. Learn how to incorporate drawings or prints on paper and other collage elements into encaustic paintings. One 6-hour session; Marcie WolfHubbard; Fri., Oct. 25, 10:30 a.m.; By Marcie Wolf-Hubbard details and supply list on website; CODE 1K0-0RF; Members $125; Nonmembers $135
By Sushmita Mazumdar
Handmade Storybooks Mixed-Media Workshop Explore the many creative ways to use paper while building and binding several books. Use standard bookmaking papers and thread as well as unusual materials such as manila folders and matchboxes. Fill the new books in an afternoon of creative writing and art-making. One 6-hour session; Sushmita Mazumdar; Sat., Oct. 26, 10 a.m.; all supplies provided; details on website; Studio Pause, 4108 4th St. N., Arlington, Virginia (Ballston Metro); onsite parking available; CODE 1K0-0TG; Members $85; Nonmembers $95
Paper Frenzy Use a variety of art and printmaking materials to create a supply of accented papers for collage and other art projects. 2 sessions, 5 hours each; Sharon Robinson; Sat., Oct. 5 and Sun., Oct. 6, 10:30 a.m.; all supplies provided; details on website; CODE 1K0-0TH; Members $125; Nonmembers $155
Image Transfers and Photo Alteration
Collage and Mixed-Media
Mixed-Media Workshop
Develop collage, mixed-media or assemblage projects. Experiment with color, form, design and the use of text, images, texture, and found objects. TWO COURSE OPTIONS: 8 sessions; 2.5 hours each; Marcie Wolf-Hubbard; Wed., Oct. 16–Dec. 11 (no class Nov. 27), 1:30 p.m. (CODE 1K0-0RD); Wed., Oct. 16–Dec. 11 (no class Nov. 27), 6:30 p.m. (CODE 1K0-0RE); details and supply list on website; Members $235; Nonmembers $265 INTENSIVE COLLAGE and MIXED-MEDIA WORKSHOP OPTION:
2 sessions; 5 hours each; Marcie Wolf-Hubbard; Sat., Oct. 19 and Sun., Oct. 20, 10:30 a.m.; details and supply list on website; some shared supplies provided; CODE 1K0-0RA; Members $195; Nonmembers $215
By Sharon Robinson
Use multiple methods for making and using image transfers. Topics include applications, choosing images, materials and techniques, altered photos as standalone artwork, and altered photos with collage. 3 sessions; 5 hours each; Sharon Robinson; Wed., Nov. 6-20, 10:30 a.m.; students provide photos, all other supplies provided; details on website; CODE 1K0-0TK; Members $195; Nonmembers $215
By Sharon Robinson
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Monoprint Without A Press
Fabric Printing Using Natural Materials
Create prints using Gelli and other types of plates, plus acrylic paints and other materials. Explore additive and subtractive methods, drawing on the plate, over-printing, and using stamps and other materials to create patterns. 2 sessions; 5 hours each; Sharon Robinson; Wed., Dec. 11 and 18, 10:30 a.m.; By Sharon Robinson all supplies provided; details on website; CODE 1K0-0TJ; Members $165; Nonmembers $185
STUDIO ART
Experiment with handprinting on fabrics using colorful Akua water-based printmaking ink and natural materials. Practice printmaking techniques on muslin, and later design and hand-print a canvas bag. One 5-hour session; Sue Fierston; Sat., Nov. 2, 10:30 a.m.; details on website; supply fee $25; CODE 1K0-0RH; Members $65; Nonmembers $75
Gyotaku Exploring Abstraction
The Japanese Art of Printing with Fish
Develop a more intuitive way of working through drawing, painting, and collage exercises. Use traditional media such as charcoal and pastel, as well as liquid acrylic glazes, in nontraditional ways.
This venerable art is accomplished by applying water-based printing inks to a whole fish and pressing it to paper. Create several 12-by-18-inch prints featuring a variety of fish to bring home.
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By Delna Dastur
9 sessions; 3.5 hours each; Delna Dastur; Thurs., Oct. 10–Dec. 12 (no class Nov. 28), 12 p.m.; details and supply list on website; CODE 1K0-0QL; Members $275; Nonmembers $305
Painting and Printing Leaves Two Ways
Student in class
Transform contour drawings of leaf shapes into transparent watercolor paintings. Use a walking press to make leaf prints using water-based ink. Take home several 8-by-10-inch watercolor paintings and botanical leaf prints.
One 5-hour session; Sue Fierston; Sat., Oct. 26, 10:30 a.m.; $20 supply fee; details on website; CODE 1K0-0RG; Members $65; Nonmembers $75
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By Sue Fierston
One 5-hour session; Sue Fierston; Sat., Nov. 16, 10:30 a.m.; details on website; supply fee $25; CODE 1K0-0RJ; Members $65; Nonmembers $75
Exploring Book Arts Themes and Variations Learn techniques to create three standard types of handmade books, then apply creative twists and variations. Projects include an accordion By Sushmita Mazumdar book from watercolor paper, a Japanese stab-bound journal, a flag-themed journal, and single-page folded books (one made with a world map). 3 sessions; 3 hours each; Sushmita Mazumdar; Sun., Nov. 3–17, 2 p.m.; all supplies provided; details on website; CODE 1K0-0TR; Members $125; Nonmembers $145
Published ticket prices are subject to change, depending on availability.
NEUE GALERIE
World Art History Certificate elective: Earn ½ credit
A Trio of Museum Gems Treat yourself to an art-filled weekend escape to Manhattan that gives you plenty of time to take in guided visits of three distinctive and stunning smaller museums. Art historian Ursula Rehn Wolfman leads the tour, which offers the rare opportunity to visit the famed Neue Gallery before it opens to the public. Housed in a beautiful 1914 mansion on Museum Mile, the gallery focuses on German and Austrian art and design from 1890 to 1950, with works by Klimt, Schiele, Hoffmann, Beckmann, and artists of the expressionist movement and Adele Bloch-Bauer, 1907, by Gustav Klimt the Bauhaus. The Morgan Library and Museum—a Renaissance-inspired private library designed for Pierpont Morgan in 1904—houses illuminated manuscripts, rare books, literary, historical, and music manuscripts, and drawings. Gilded Age figure Henry Clay Frick’s former residence is now the Frick Collection, a museum Morgan Library & Museum and research center whose holdings grew from the Old Master paintings and European sculpture and decorative arts acquired by Frick. Accommodations are in the historic Roosevelt Hotel in midtown Manhattan—an ideal base for a Saturday evening on your own. OVERNIGHT TOUR Sat., Jan. 11, 8:30 a.m.–Sun., Jan. 12, 10:30 p.m.; by bus; Saturday boxed lunch en route and Sunday breakfast and early supper at Brass Rail included; purchase of trip insurance recommended; detailed information on website; CODE 1NN-TMG; Members $565; Nonmembers $720
DAVID MCSPADDEN
GRAHAM HABER
An Artful Weekend in New York
Interior courtyard in the Frick Collection
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Holiday Card Workshop
Figure Sculpture
Making Memorable Masterpieces
Learn about clay sculpture techniques, tool use and armatures, and the planes of the human body. Sculpt either a portrait, torso, or full figure using a live model.
Create simply elegant holiday greeting cards while learning the tips and techniques of professional card making. Learn to combine sentiments, foreground, masking, and statement embellishments to produce personalized cards for friends and family.
8 sessions; 3 hours each; George Tkabladze; Mon., Oct. 21–Dec. 16 (no class Nov. 11), 2 p.m.; details and supply list on website; CODE 1K0-0QA; Members $250; Nonmembers $280
By Karen Cadogan
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Exploring Eastern Calligraphy Persian and Arabic Script
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Neon Light Sculpture
Guided by a graduate of Kabul’s Turquoise Mountain Institute, learn to apply the traditional elements of Persian and Arabic calligraphy, with verses by Rumi and from the Quran providing inspiration.
Create your own illuminated object as you learn to bend glass tubing and observe demonstrations of the process of tube bombarding and rare-gas filling.
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One 3-hour session; Karen Cadogan; Sat., Nov. 16, 10 a.m.; supplies provided including cardstock, ink, ribbon, and more to craft at least 20 cards at home (supply fee of $40 is included in tuition); details on website; CODE 1K0-0TT; Members $75; Nonmembers $85
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6 sessions (One 1.5-hour lecture and five 3-hour workshops); Craig Kraft; Tues., Oct. 15–Nov. 19, 6:30 p.m.; $85 supply fee; details and map to instructor’s studio on website; CODE 1K0-0SM; Members $225; Nonmembers $255
STUDIO ART
8 sessions; 3 hours each; Sughra Hussainy; Sun., Oct. 20–Dec. 15 (no class Dec. 1), By Sughra Hussainy 10:30 a.m.; all supplies included; details on website; CODE 1K0-0QS; Members $245; Nonmembers $275 By Craig Kraft
Beginning Sculpture Sculpt head and face portraits using the medium of clay following hands-on studio practice and demonstrations. 8 sessions; 3 hours each; George Tkabladze; Mon., Oct. 21–Dec. 16 (no class Nov. 11), 6:30 p.m.; details and supply list on website; CODE 1K0-0QB; Members $250; Nonmembers $280 By George Tkabladze
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By Marta Legeckis
Calligraphy: Introduction to the Italic Hand The versatile Italic hand translates well into many practical and artistic applications. Exercises provide a guide to mastering the hand, including correct proportions and slant. 8 sessions; 2.5 hours each; Marta Legeckis; Thurs., Oct. 17–Dec. 12 (no class Nov. 21, 28), 9 a.m.; details on website; all supplies provided; CODE 1K0-0QK; Members $215; Nonmembers $245 Published ticket prices are subject to change, depending on availability.
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Decorative Lettering The art of stylized lettering personalizes everything from journal pages and invitations to recipe cards. This class introduces students to decorative forms such as altered block letters, botanical borders, and illuminated initials with vines and flourishes. 4 sessions; 3 hours each; Lubna Zahid; Thurs., Oct. 17–Nov. 7, 2 p.m.; details and supply list on website; CODE 1K0-0SU; Members $165; Nonmembers $185
By Lubna Zahid
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Log Cabin Quilting: Make a Table Runner Log Cabin quilts feature arrangements of a repeated single block pattern around a central square. Using a sewing machine, learn to make many blocks at once to create a table runner or wall hanging. One 5-hour session; Lauren Kingsland; Sat., Sept. 14, 10:30 a.m.; details and supply list on website; CODE 1K0-0PC; Members $65; Nonmembers $75 By Lauren Kingsland
Knitting Mittens and Gloves
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English Precious Metal Embroidery Silken Gilded Acorns
By Deborah Merrick-Wilson
Using materials from the goldsmith purveyors to HM Queen Elizabeth II, learn precious-metal embroidery techniques to create a customized gilded acorn motif on a silk ground.
2 sessions; 7 hours each with lunch break; Deborah MerrickWilson; Sat., Sept. 7 and 14, 9:30 a.m.; details on website; supply fee $85; CODE 1K0-0PJ; Members $165; Nonmembers $185
thumbs and fingers. 2 sessions; 3 hours each; Ann Richards; Mon., Oct. 21 and 28, 6:30 p.m.; details on website; CODE 1K0-0TD; Members $75; Nonmembers $95
Knitting for Beginners Making a Scarf for the Holidays
A Silvered Dove Explore the basics of traditional English precious-metal embroidery while executing an elegant dove of peace on Jim Thompson Thai silk using four different metals.
Ahead of the winter holidays, learn how to knit mittens and gloves. Instruction includes knitting in the round; increases; using markers; and knitting
Get in introduction to knitting fundamentals in this class, from casting on to binding off, and you’ll be ready to knit a scarf for yourself or as a gift. By Deborah Merrick-Wilson
One 7-hour session; Deborah Merrick-Wilson; Sat., Oct. 12, 9:30 a.m.; details and supply list on website; supply fee $65; CODE 1K0-0RT; Members $95; Nonmembers $115
2 sessions; 3 hours each; Ann Richards; Mon., Nov. 4 and Nov. 18, 6:30 p.m.; details on website; CODE 1K0-0TE; Members $75; Nonmembers $95 SMITHSONIAN ASSOCIATES
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SCIENCE
When Good Patterns Go Bad
Quilting Workshop
Avoiding and Fixing Knitting Mistakes
Appliqué and Edges
Here’s a protocol to follow to detect knitting errors sooner, from dropped stitches to difficult pattern instructions to twisted stitches and more. One 3-hour session; Ann Richards; Mon., Dec. 2, 6:30 p.m.; details on website; CODE 1K0-0TF; Members $45; Nonmembers $55
Tapestry Weaving
Create a fabric flower garden wall hanging while adding appliqué techniques to your quilt making skills. Learn how to use applied bindings, flanges, self-bindings, facings, and overstitching to finish rectangular and uneven edges.
Learn the basics of quilt-making by creating several small quilts while learning the same piecing, appliqúe, quilting, and finishing techniques used in larger quilts. 2 sessions; 4 hours each; Lauren Kingsland; Sat., Oct. 5 and 12, 1 p.m.; details and supply list on website; CODE 1K0-0SF; Members $85; Nonmembers $95
Confidence with Color in Quilting Create spectacular color combinations in your quilts. In class exercises, learn basic color theory and color combinations using fabric and glue on paper.
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After an overview of the history and art of silk painting in the instructor’s home studio (in Lanham, MD), learn the basics, including stretching, diluting, resisting, spotting, salting, wet-on-wet, fabric setting, and vocabulary. Create painted pieces to take home.
2 sessions; 4 hours each (lunch break, participants provide their own); Lauren Kingsland; Sat., Oct. 19 and 26, 1 p.m.; details and supply list on website; CODE 1K0-0SD; Members $85; Nonmembers $95
SmithsonianAssociates.org 202-633-3030
2 sessions; 6 hours each; Diane Tuckman; Sat., Nov. 2 and Sun., Nov. 3, 10 a.m.; all supplies provided; details on website; CODE 1K00TU; Members $195; Nonmembers $215
By Diane Tuckman
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A Small Handmade Quilt
By Lauren Kingsland
Silk Painting Weekend Workshop
7 sessions; 2.5 hours each; Tea Okropiridze; Mon., Oct. 21–Dec. 16 (no class Nov. 11 & Dec. 2), 10:15 a.m.; details on website; supply fee $40; CODE 1K0-0RB; Members $185; Nonmembers $215
Quilting for Beginners
By Lauren Kingsland
One 4-hour session; Lauren Kingsland; Sat., Nov. 2, 1 p.m.; details and supply list on website; CODE 1K0-0SE; Members $55; Nonmembers $65
Create a miniature woven tapestry on a small frame loom. Class instruction includes basic tapestryweaving techniques such as warping the loom, color mixing and hatching.
By Tea Okropiridze
STUDIO ART
ART
OTHER MEDIA
Everything Orchids Spend a fun, informative afternoon with an orchid care expert who discusses their evolution and growing habits, and how best to raise them. Re-pot a small Paphiopedilum orchid in class to take home. Enjoy light refreshments during a question-and-answer session.
OUT D L O S
One 2-hour session; Barbara Schmidt; Sun., Sept. 15, 2 p.m.; details on website; CODE 1K00PG; Members $75; Nonmembers $85
Paphiopedilum niveum
Published ticket prices are subject to change, depending on availability.
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Relief Printing
SCIENCE
ART
Introduction to Afghan Manuscript Illumination
Linocut and Woodblock Design and produce relief prints from techniques of design and transfer through cutting and printing the block.
Practice gold-leaf manuscript illumination in the Afghan tradition. Create geometric, vegetal, and floral motifs and nature-based designs used as ornamentation for calligraphy, manuscripts, and more.
8 sessions; 2.5 hours each; Max-Karl Winkler; Tues., Oct. 15–Dec. 10 (no class Nov. 26), 6:30 p.m.; details and supply list on website; CODE 1K0-0RC; Members $225; Nonmembers $255 By Max-Karl Winkler
8 sessions; 3 hours each; Sughra Hussainy; Sat., Oct. 19–Dec. 14 (no class Nov. 30), 1 p.m.; details By Sughra Hussainy and additional supply list on website; CODE 1K0-0QZ; Members $245; Nonmembers $275
Introduction to Beading
Contemporary Glass Mosaics: Realism Use stained-glass and vitreous glass tiles to interpret a realistic image in mosaics. Learn to discern color values, identify shapes, and define planes to enhance your work. TWO OPTIONS: 8 sessions; 2.5 hours each; Bonnie Fitzgerald; Tues., Oct. 15–Dec. By Bonnie Fitzgerald 10 (no class Nov. 26), 1 p.m. (CODE 1K0-0QV); Tues., Oct. 15–Dec. 10 (no class Nov. 26), 6:30 p.m. (CODE 1K0-0QW); $75 supply fee; details and additional supply lists on website; Members $245; Nonmembers $275
Sogetsu Ikebana Modern Japanese Flower Arranging Create beautiful basic and free-style arrangements with spring flowers, branches, greens, and other materials. 6 sessions; 2 hours each; Jane Redmon; Wed., Oct. 16–Nov. 20, 6:30 p.m.; flowers, branches, greens, and other materials included in tuition; details and supply list on website; CODE 1K0-0QX; Members $200; Nonmembers $250
STUDIO ART
After basic instruction in bead stringing, wire-working, and pearl knotting, create necklaces, earrings, and single-strand necklaces or bracelets. 3 sessions, 3 hours each; Mïa Vollkommer; Tues.–Thurs., Nov. 12, 13, 14, 6:30 p.m.; $25 sterling silver findings By Mïa Vollkommer kit fee; details and additional supply list online; CODE 1K0-0SY; Members $195; Nonmembers $215
Jewelry Workshop: Creative Chains Techniques for wire-working, forming, texturing, and fusing are used to create several chain designs. Go home with a necklacelength or bracelet-length piece. One 7-hour session; Mïa Vollkommer; Sat., Nov. 9, 10 By Mïa Vollkommer a.m.; $50 kit fee; details and additional supply list online; CODE 1K0-0TB; Members $120; Nonmembers $130
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STUDIO ART
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Stone Settings with Cold Connections
Wirework Workshop
Jewelry Workshop
Create your own colorful “abacus”-style pendant as you learn the techniques of wirework, including forming, hammering, and precision wire-wrapping .
An Abacus Pendant
Showcase a flat-backed stone or a personal treasure in a cold-connected pendant you design. Construct your mixed-metals piece with piercing, rivets, and a cutand-folded prong setting. One 5.5-hour session; Mïa Vollkommer; Sun., Nov. 10, By Mïa Vollkommer 10:30 a.m.; supply kit fee $55; details and tools list on website; CODE 1K0-0SW; Members $95; Nonmembers $105
By Mïa Vollkommer
One 3-hour session; Mïa Vollkommer; Fri., Nov. 15, 12 p.m.; $10 wire kit fee; details and additional supply list online; CODE 1K0-0TA; Members $65; Nonmembers $75
Picture Frame Pendant
Alexander Calder and His Marvelous Mobiles With Light Reception Spend a creative afternoon channeling the colorful world of Alexander Calder’s moving art. Make a fullscale group mobile from pre-fabricated pieces and one to take home. Learn how Calder created a new art form with his mobiles and wire sculptures. View participants’ creations at a wine-and-cheese “gallery walk.”
Working with piercing and riveting techniques, choose a design and frame a favorite photo, small artwork, or even a special stamp in a pendant that’s perfect for gift-giving. One 5.5-hour session; Mïa Vollkommer; Sun., Nov. 17, 10:30 a.m.; supply kit fee $55; details and tools list on website; CODE 1K0-0SX; Members $95; Nonmembers $105 By Mïa Vollkommer
One 2.5-hour session; Kevin Reese; Sun., Nov. 10, 1:30 p.m.; all supplies provided; details on website; CODE 1K0-0TP; Members $55; Nonmembers $65
Thanksgiving Centerpiece Workshop
Riveted Ring
Have fun while learning the fundamentals of floral design from a Smithsonian Gardens horticulturist. Create a centerpiece for your holiday table and pick up handy tips and tricks. Wine
Create a stunning ring in sterling silver using a rolling mill, jeweler’s saw, and cold-connection riveting techniques. Imprint a texture onto metal, then cut, form, and rivet your design.
By Mïa Vollkommer
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One 5-hour session; Mïa Vollkommer; Sat., Nov. 16, 10 a.m.; metal and wire kit $25; details and additional supply list online; CODE 1K0-0TC; Members $90; Nonmembers $100
SmithsonianAssociates.org 202-633-3030
and snacks boost the holiday mood. One 2-hour session; Sarah Tietbohl; Mon., Nov. 25, 6:30 p.m.; all materials and decorative container provided; CODE 1K0-0TN; supply list on website; Members $75; Nonmembers $85
Published ticket prices are subject to change, depending on availability.
TRENDING
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ART
Introduction to Lightroom
PHOTOGRAPHY: Beginner
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Understanding Your Digital Mirrorless or SLR Camera Moving Beyond Auto Mode This workshop covers ISO, shutter speed, aperture, depth of field, RAW vs. JPEG files, and White Balance. Learn various shooting modes and get hands-on experience in a practice session on the Mall. FOUR OPTIONS: One 7-hour session each; Eliot Cohen; Sun., Sept. 8 (CODE 1K0-0PF); Sun., Oct. 6 (CODE 1K0-0SG); Sun., Nov. 10 (CODE 1K0-0SH); Sun., Dec. 8 (CODE 1K0-0SJ); 9:30 a.m.; details on website; Members $210; Nonmembers $260
By Eliot Cohen
Surrealism and Photograms Hands-on Photography History Learn about the photo surrealists who pushed the boundaries of photographic imagery in the 1920s to 1940s and create their camera-less images—photograms or rayograms—in the darkroom.
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One 4-hour session; Patricia Howard; Fri., Sept. 13, 10:30 a.m.; details on website; see p. 38 for more information; CODE 1K00PV; Members $55; Nonmembers $65
Weekend Workshops Adobe Lightroom is useful for organizing and editing image files. Learn to use it for importing, exporting, deleting, and grouping files; sorting files; attaching keywords; and improving tone, color, and detail. TWO WEEKEND WORKSHOP OPTIONS: 2 sessions; 4 hours each; Eliot Cohen; Sat., Sept. 14 and Sun., Sept. 15 (CODE 1K00PK); Sat., Nov. 23 and Sun., Nov. 24 (CODE 1K0-0SP); 9:30 a.m.; details on website; Members $225; Nonmembers $245
World Art History Certificate elective: Earn ½ credit
Photography: A Hands-on History Cyanotypes The cyanotype, a 19th-century photographic process, produced low-cost copies or blueprints. Explore the cyanotype’s technical evolution and contemporary uses. Then, create your own cyanotype in the darkroom.
World Art History Certificate elective: Earn ½ credit
SOLD
STUDIO ART
Rayograph (untitled), 1922, by Man Ray
One 4-hour session; Patricia Howard; Fri., Oct. 11, 10:30 a.m.; details on website; CODE 1K0-0RY; Members $55; Nonmembers $65
By Patricia Howard
The Joy of Photography You love art. Now go deeper. Smithsonian Associates offers a certificate program in World Art History. Core courses and electives are selected from our courses, seminars, study tours, and studio art classes. Look for “World Art History Certificate” throughout the program guide. Get started today. Girl with a Pearl Earring, ca. 1665, by Johannes Vermeer
NOTE: Registration is ongoing and year round. Credits are counted from day of registration and are not given retroactively.
SmithsonianAssociates.org/ArtCertificate
An Exploratory Course Learn how to use a digital SLR camera as a creative tool in sessions that cover By Marty Kaplan aperture, shutter speed, metering, exposure, ISO, composition, special effects, and flash photography. TWO OPTIONS: 8 sessions; 3 hours each; Marty Kaplan; Tues., Oct. 15–Dec. 10 (no class Nov. 26), 6:30 p.m. (CODE 1K0-0RP); Sun., Oct. 20–Dec. 15 (no class Dec. 1), 10:15 a.m. (CODE 1K0-0RK); details on website; Members $225; Nonmembers $275
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Introduction to Photography
SCIENCE
PHOTOGRAPHY: Experienced
Class sessions emphasize the basics: camera functions, exposure, metering, working with natural and artificial light, and composition. Develop technical skill through assignments and offsite photo shoots. 8 sessions; 2.5 hours each; Andargé Asfaw; Tues., Oct. 15–Dec. 10 (no By Andargé Asfaw class Nov. 26), 10:15 a.m.; CODE 1K0-0SR; camera with manual controls required; details on website; Members $225; Nonmembers $255
Introduction to Black-and-White Film Photography and the Darkroom
STUDIO ART
ART
Open Darkroom Plus Elevate darkroom skills through small-group lectures, individual instruction, and independent work. Learn about toning, fiberbased printing, dodging and burning, and assessment of print quality. TWO OPTIONS: 4 sessions; 3 hours each; Joe Yablonsky; Wed., Sept. 4–25, 6:30 p.m. (CODE 1K0-0PM); Sat., Sept. 7–28, 10:15 a.m. (CODE 1K0-0PN); details on website; Members $120; Nonmembers $140 THREE OPTIONS: 8 sessions; 3 hours each; Paul Matthai; Thurs., Oct 17–Dec. 12, 6:30 p.m. (no class Nov. 28), CODE 1K0-0RX; Sat., Oct. 19– Dec 14, 10:15 a.m. (no class Nov. 30), CODE 1K0-0RZ; Joe Yablonsky; Sat., Oct. 19–Dec 14, 1:30 p.m. (no class Nov. 30), CODE 1K0-0SA; Members $235; Nonmembers $265
Get a grounding in the basics of using a 35mm camera and photo darkroom techniques. Sessions feature lecture-demonstrations, class assignments, critiques, and practical darkroom work.
ONE OPTION: 5 sessions; 3 hours each; Joe Yablonsky; Wed., Oct. 23– Nov. 20, 6:30 p.m.; CODE 1K0-0RW; Members $150; Nonmembers $170
8 sessions; 3 hours each; Paul Matthai; Mon., Oct. 21– Dec. 16 (no class Nov. 11), 6:30 p.m.; CODE 1K00RV; developing chemicals provided; details By Paul Matthai on website; Members $235; Nonmembers $265
Weekend Workshop
Developing Black-and-White Film at Home Get instruction in the chemical processes for developing negatives. Learn about film-developing theory, negative storage, film scanners, printing options, and more. 2 sessions; 3 hours each; Joe Yablonsky; Sat., Sept. 7 and 14, 1:30 p.m.; bring two rolls of exposed film (same type and speed); details and supply list on website; CODE 1K00PH; Members $65; Nonmembers $75
Introduction to iPhone Photography
By Peggy Feerick
Create great images by reviewing photography basics such as composition and exposure, and exploring the best apps, accessories, and editing and image management tools.
One 4-hour session; Peggy Feerick; Sat., Nov. 2, 10 a.m.; details on website; CODE 1K0-0TL; Members $75; Nonmembers $95
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SmithsonianAssociates.org 202-633-3030
Introduction to Photography II
By Andargé Asfaw
Expand your understanding of photography fundamentals such as lighting, composition, shooting techniques, and gear, and photo-editing software. A photo excursion reinforces in-class instruction.
8 sessions; 2.5 hours each; Andargé Asfaw; Wed., Oct. 16–Dec. 11 (no class Nov. 27); 10:15 a.m.; details and supply list on website; camera with manual controls required; CODE 1K0-0SS; Members $225; Nonmembers $255 Published ticket prices are subject to change, depending on availability.
TRENDING
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SCIENCE
iPhone Photography II
Photographic Creativity, Design, and Composition
A quick refresher on the ProCamera app and editing techniques is followed by a shooting session on the National Mall. The workshop ends with classroom critiques and discussion on organizing, posting and printing images.
Achieving a balance of visual tension in an image creates well-made visual relationships. Gain a better understanding of compositional elements and their application in lectures and assignments focusing on extended shutter speeds, light graffiti, bokeh templates, and macro photography.
By Peggy Feerick
One 4-hour session; Peggy Feerick; Sun., Nov. 3, 10 a.m.; details on website; CODE 1K0-0TM; Members $75; Nonmembers $95
STUDIO ART
ART
5 sessions; 3 hours each; Joe Yablonsky; Mon., Oct. 28–Dec. 2 (no class Nov. 11), 6:30 p.m.; details on website; CODE 1K0-0RN; Members $185; Nonmembers $235
By Joe Yablonsky
Exhibiting and Selling Your Photographs Get your photos seen and sold. Learn about strategies such as juried exhibitions, photo contests, showing in alternative spaces, art festivals, galleries, and websites. Sessions also address photographic portfolios, copyrighting, email marketing, postcards, pricing, printing photos, and matting and framing. One 3-hour session; Joe Yablonsky; Mon., Oct. 21, 6:30 p.m.; details on website; CODE 1K0-0RM; Members $45; Nonmembers $55
Introduction to Studio Portraiture Produce a portfolio of student and model portraits in this class that focuses on basics such as posing a subject; using highlight and shadow; high key and low key lighting; using a flash meter; and understanding strobe lighting. 8 sessions; 3 hours each; Marty Kaplan; Mon., Oct. 21–Dec. 16 (no class Nov. 11), 6:30 p.m.; camera By Marty Kaplan with manual controls required; details on website; CODE 1K0-0SQ; Members $235; Nonmembers $265
On-Location Photography
Mastering Exposure
Sharpen your way of thinking about shooting outdoors. Sessions include lectures on depth of field, exposure adjustments, using a tripod, composition, and natural lighting conditions. Develop shooting strategies on field trips and in critique sessions.
Develop a greater understanding of exposure modes, exposure compensations, filter exposure factors, bracketing, meterBy Joe Yablonsky ing modes, histograms, zone system, dynamic range, eliminating camera shake, tripods, and some flash concepts. Hone skills through assignments and in-class reviews. 5 sessions; 3 hours each; Joe Yablonsky; Thurs., Oct. 24–Nov. 21, 6:30 p.m.; camera with manual controls required; details on website; CODE 1K0-0RS; Members $185; Nonmembers $235
By Joe Yablonsky
8 sessions; 3 hours each; Joe Yablonsky; Sun., Oct. 20–Dec. 15 (no class Dec. 1), 1:30 p.m.; CODE 1K0-0RL; camera with manual controls required; details on website; Members $225; Nonmembers $265
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RISA RYAN
Smithsonian Associates Membership Benefits Smithsonian Associates opens the Smithsonian’s rich and varied resources to our members. When you join Smithsonian Associates you become a part of the largest museum-based cultural and educational program in the world. As an insider, you have unparalleled access to the Smithsonian's world of knowledge—and enjoy a full array of exclusive benefits. Smithsonian Associates, unlike the museums, is not federally funded and relies instead on individual contributions to help bridge the gap between program expenses and ticket revenues. There are many membership options across the Smithsonian Institution, but Smithsonian Associates membership is the ONLY program that directly supports Associates’ programming and outreach efforts, and the only way to access ticket discounts and exclusive benefits at our programs. Effective January 2019
INTRODUCTORY Memberships
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Promoter–$100
Champion–$80
Associate–$50
When you become a member you’ll be among the first to know about the outstanding programs we
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Subscription to the monthly Smithsonian Associates program guide
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10% discount at SmithsonianStore.com (with a special code) and select Smithsonian museum restaurants
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bring you every month—which add up to more than 750 opportunities for discovery, enrichment, and learning you’ll find nowhere else. Membership has its benefits: Members receive a range of valuable discounts, including savings up to 35% off Smithsonian Associates program tickets, and access to tickets before they go on sale to the general public.
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Eligibility to purchase up to six tickets per program at the discounted member price
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Smithsonian magazine delivered to your home
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Member discounts on Art Collectors Program fine-arts prints
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20% discount at SmithsonianStore.com during special Member Days sales
Benefactor–$5,000 and up
Partner–$2,500
Sponsor–$1,000
Patron–$600
Contributor–$300
Advocate–$175
CIRCLE of SUPPORT
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Advance digital copy of the monthly Smithsonian Associates program guide
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Invitation for two to a Smithsonian Insider event during the year
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Recognition in the Smithsonian Associates program guide annual donor list and the annual donor plaque at our headquarters on the National Mall
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Complimentary invitation for two to an exclusive Meeting the Masters reception
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Complimentary tickets for two to a lecture or performance (value equal to $30 per ticket or less)
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Copy of the Smithsonian’s annual report
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Complimentary VIP tickets for two and a parking pass for Breakfast at the Zoo
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As a member of Smithsonian Associates Circle of Support, you’ll play a vital and valued role in our work. Your contributions to Smithsonian Associates provide the support that enables all of our programs to continue and grow. There’s no better time to consider enhancing the level of your support. Depending on the level you choose, you’ll enjoy enhanced benefits such as early registration for Smithsonian Summer Camp and special programs, reserved seating at sold-out events, and invitations to exclusive receptions with speakers.
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Recognition as a sponsor of a selected Smithsonian Associates program
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Complimentary VIP tickets for six and two parking passes for Breakfast at the Zoo
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Visit smithsonianassociates.org/levels or call 202-633-3030 23
HELPFUL INFORMATION
1 Baird Auditorium Natural History Museum 10th and Constitution Ave., NW Metro: Federal Triangle (Blue/Orange/Silver) 2 Warner Bros. Theater American History Museum 14th and Constitution Ave., NW Metro: Smithsonian station, Mall exit (Blue/Orange/Silver) 3 Lisner Auditorium George Washington University 21st and H St., NW Metro: Foggy Bottom/GWU (Blue/Orange/Silver) 4 Meyer Auditorium Freer Gallery of Art 12th and Independence Ave., SW Metro: Smithsonian station, Independence Ave. exit (Blue/Orange/Silver) 5 Nan Tucker McEvoy Auditorium Smithsonian American Art Museum 8th and G Sts., NW Metro: Gallery Place-Chinatown (Red, Yellow/Green) 6 Rasmuson Theater American Indian Museum 4th and Independence Ave., SW Metro: L‘Enfant Plaza (Blue/Orange/Silver or Green/Yellow); Maryland Ave./Smithsonian Museums Exit
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SmithsonianAssociates.org 202-633-3030
7 Renwick Gallery, Grand Salon 1661 Pennsylvania Ave., NW Metro: Farragut North (Red) or Farragut West (Blue/Orange/Silver) 8 Ring Auditorium Hirshhorn Museum and Sculpture Garden 7th and Independence Ave., SW Metro: Smithsonian station, Mall exit (Blue/Orange/Silver) 9 Ripley Center 1100 Jefferson Drive, SW Metro: Smithsonian station, Mall exit (Blue/Orange/Silver) 10 Smithsonian Castle 1000 Jefferson Drive, SW Metro: Smithsonian–Mall exit (Blue/Orange/Silver) 11 STUDY TOURS BUS PICKUPS Location for most local tours: Holiday Inn Capitol, 550 C St., SW (corner of 6th & C); Metro: L’Enfant Plaza–7th & Maryland Ave. exit (Yellow/Green/ Blue/Orange/Silver)
12 U.S. Navy Memorial Foundation Auditorium 701 Pennsylvania Ave., NW Metro: Archives-Navy Memorial (Green/Yellow) 13 Voice of America Auditorium Wilbur J. Cohen Building 330 Independence Ave., SW (enter on C St.); Metro: Federal Center SW (Blue/Orange/Silver) 14 University of the District of Columbia Theater of the Arts (Not shown on map.) 4200 Connecticut Ave., N.W. Metro: Van Ness/UDC (Red line) METRO The Mall entrance of the Smithsonian station closes at 10 p.m. The other entrance, at Independence Ave. and 12th St., SW, closes at midnight and at 3 a.m. on Fridays and Saturdays), as do the Gallery Place and Federal Triangle stations, To be sure not to miss the last train to your destination, call Metro at 202-637-7000 for schedules.
PARKING Nearby Colonial Parking garages are shown on the map. Some offer $6 parking for our events on weekday evenings after 5:30 p.m. and all day on Saturday and Sunday. Inquire before parking and have your event ticket with you. Parking lot hours vary. Very limited metered parking is available around the Mall ($2 per hour).
MEMBERSHIP Depending on your level of support, you will receive special benefits, including significant savings on most Smithsonian Associates program tickets; a monthly Smithsonian Associates program guide; discounts at museum shops and restaurants; notices about behind-the-scenes tours and special receptions with world-class speakers; and much more! Visit SmithsonianAssociates.org/join or call 202-633-3030 for more information. Join today!
TICKETS
DONATE NOW!
Online.......................SmithsonianAssociates.org Email ........................Customerservice@SmithsonianAssociates.org Phone..........................202-633-3030 Mon.–Fri., 9 a.m.–5 p.m.; Fax 202-786-2536
202-633-3030 SmithsonianAssociates.org/levels
Mail .............................Smithsonian Associates, P.O. Box 23293, Washington, D.C. 20026-3293 In person ...................Mon.– Fri., 10 a.m.–5 p.m.; Ripley Center, 1100 Jefferson Dr., S.W., Suite 3077, Washington, D.C. 20560 Fees............................There is a $3 nonrefundable per ticket processing fee on all tickets, except for Members-Only free events, Summer Camps, Smithsonian Sleepovers, and Discovery Theater. Please note that programs with multiple sessions have discounted processing fees applied to each individual session and charged as one fee. There is an additional $3 nonrefundable per order handling fee on phone orders.
REFUNDS are only issued when a program is canceled or if it sells out before we receive your order.
CREDIT TO YOUR SMITHSONIAN ASSOCIATES ACCOUNT Credit for cancellations or exchanges are only available for programs that cost more than $40. If in compliance with the specific guidelines below, credit is issued to your Smithsonian Associates account, not your credit card. Credits are non-transferable. Programs and Studio Arts Classes If a program or studio arts class is more than $40, and you wish to cancel your tickets or exchange them for another program, please contact Customer Service in writing (email, mail, or fax) at least two weeks before the program date to request a credit. (See contact information above.) Please note that there is a $10 cancellation fee, as well as a cost adjustment when there is a price difference between the programs. Courses To receive credit to your Smithsonian Associates account for a course, (excluding studio arts classes), please contact Customer Service in writing (email, mail, or fax) at least two weeks before the first session. Credit will also be issued within two weekdays after the first session, provided that Customer Service is contacted in writing
CHANGES IN PUBLISHED SCHEDULES Smithsonian Associates reserves the right to cancel, substitute speakers and session topics within a course, and reschedule or relocate any program, if needed. Occasionally, a time, date, or location of a program must change after it has been published or tickets have been mailed. Participants are notified by phone, email, or mail. Be sure to check our website SmithsonianAssociates.org for latest updates, or call 202-633-3030 during business hours for information.
(email, mail, or fax) within that period. Credit will be prorated to reflect the cost of the first session. No credit will be given after the first session. Overnight Study Tours To receive credit to your Smithsonian Associates account for an overnight tour, please contact Customer Service in writing (email, mail, or fax) at least 45 days before the tour date. At that point, there is a $10 cancellation fee. If your request is received between 44 and 15 days before the tour, cancellation fee is $100. No credit will be issued for cancellations received fewer than 15 days before the tour date. The cost of some components of tickets— such as entrance fees, theater tickets, food programs and meals, and some forms of transportation, may not be credited.
the educational and promotional purposes of Smithsonian Institution and Smithsonian Associates. Filming and/or photographing by participants at Smithsonian Associates programs is not permitted. VISITORS WITH DISABILITIES Smithsonian Associates seeks to make activities accessible to people with disabilities. Patrons with disabilities are encouraged to call before registering for programs to inquire about the accessibility of the presentations and locations. For information or to request accessibility assistance, please call 202-633-3030 (VOICE) or send an email to customerservice@SmithsonianAssociates.org
We also reserve the right to refuse to register any individual or to require any participant to withdraw from an activity if the Smithsonian Interpreters for programs are provided free of charge. Smithsonian representative deems such action to be in the best interests of the Associates will make arrangements if requests are made at least two health, safety, or welfare of the group or the participant. weeks in advance of the program. TICKETS AT THE DOOR Tickets are available (on a first-come, MOVING? Please write us with your new information and allow 6 weeks first-served basis) at the door for some Smithsonian Associates for the change to take effect. programs. Call 202-633-3030 to be sure that the program is not already sold out. No discounts applicable to tickets sold at the door. HAVE QUESTIONS? Call Customer Service at 202-633-3030 M–F, GROUP DISCOUNTS Group discounts (for 10 or more) are available for some programs. Please call 202-633-3030 for details. PHOTOGRAPHING AND RECORDING PROGRAMS Participants at Smithsonian Associates programs may be photographed or filmed for
9–5, or stop by our office at 1100 Jefferson Drive, S.W., Suite 3077, (west of the Smithsonian Castle), between 10 a.m. and 5 p.m. on weekdays. (Metro: Blue/Orange/Silver line, Smithsonian–Mall exit)
Beyond the Studio Smithsonian Associates offers much more for art lovers than classes: Investigate our many programs and seminars on art and architecture; local and regional study tours to museums and artists’ studios; and our certificate program in world art history. And each month you’ll find plenty of fascinating programs on topics including history, science, culinary arts, music, travel, current events, and books. Visit our website to explore all the current offerings.