Picture yourself as part of a creative community. Discover the studio arts program from Smithsonian Associates.
Does the thought of picking up a paintbrush, camera, quilting needle, pastel stick, or calligraphy pen instantly ignite your imagination? There’s no better place to get in touch with—or perhaps reconnect with—your creative side than in the studio arts classes and workshops offered by Smithsonian Associates Streaming. Whether you’ve never set foot in an art studio, want to expand your existing skills, explore new techniques, or try your hand at a craft that intrigues you, you’re certain to find the perfect choice among our wide variety of evening, daytime, and weekend online offerings. And because we are the Smithsonian, our studio arts program comes with some terrific advantages. Smithsonian Associates classes are guided by professional artists and experienced educators who create a supportive and stimulating atmosphere for learning and discovery. Smithsonian Associates’ small-size online classes allow for highly personalized one-on-one guidance from instructors and make our programs unique and valuable. Individual and group critiques help students develop their techniques and personal vision. Participants tell us they love both the creative and the social aspects of sharing the experience with people from across the country. Becoming part of our studio arts program means more than simply taking a class. You’re allowing your imagination and creativity to flourish.
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This is your invitation to add a creative spark to your Fall. Take a look at the upcoming class series and workshops listed in this special art-focused edition of our monthly program guide. There’s plenty to tempt you. Explore both fundamental and specialized techniques in drawing, painting, collage, calligraphy, fiber arts, or mosaics. Noted professionals lead a wide range of workshops designed for beginning as well as experienced photographers. There are so many more wonderful choices waiting for you on the following pages. No matter the class you select, you’ll complete it with something more than a new painting, portfolio of drawings, craft project, or photo series you’re proud of. You’ll find a rewarding sense of enrichment, enjoyment, and satisfaction as you deepen your personal connection to the world of art. And any way you look at it, you’ll have created a masterpiece.
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All programs are presented on the Zoom platform; all listed times are Eastern Time. Online registration is required.
Classes are taught by professional artists and teachers. View detailed class descriptions and supply lists at SmithsonianAssociates.org/studio View portfolios of work by our instructors at SmithsonianAssociates.org/artinstructors
GENERAL
Curating a Life: Art as Memoir
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World Art History Certificate elective: Earn ½ credit Examine the fundamental concepts of composition, one of the most important elements of any artwork. Learn their practical application as you acquire the tools to enrich your work and to analyze and appreciate visual art in general. Create several collages based on art works and themes discussed. Wed., Oct. 14–Nov. 4, 10:30 a.m.; Shahin Talishkhan; supply list on website; CODE 1V0-0FC; Members $155; Nonmembers $175 Moroccan Café, 1913, by Matisse
Teaching the Visual Arts to Adults on Zoom One-on-one Consultations Available In a unique workshop perfect for both educators and arts administrators, join the Smithsonian Associates Studio Arts team for a tutorial on teaching adults hands-on, visual arts content on Zoom. Topics include curriculum development, working with multiple cameras, and troubleshooting home-technology problems. A Q&A session follows the program. The Studio Arts team is available for several private, hourlong consultation sessions on dates to be determined. Participants registering for this option should contact VollkommerM@si.edu by Feb. 18, 2021. Workshop only: Wed., Nov. 18, 6:30 p.m.; Michael Kamel, Mïa Vollkommer; CODE 1V0-0HC; Members $40; Nonmembers $50 Workshop and Private Consultation: Wed., Nov. 18, 6:30 p.m.; Michael Kamel, Mïa Vollkommer; CODE 1V0-0HD; Members $150; Nonmembers $160
Zoom class with Marcie Wolf-Hubbard
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HERMITAGE MUSEUM
Composition
Participants age 55 and older select works from the Smithsonian’s digital collections that resonate with their own lives. The images inspire hands-on exer- By Renee Sandell cises that build visual thinking skills: drawing, painting, and mixed-media; sketchbook journaling; and finally, creating a “memoir museum” of past experiences and those yet to explore. Mon., Oct. 19–Nov. 30 (no class Nov. 23), 3 p.m.; Renee Sandell; supply list on website; CODE 1V0-0FD; Members $125; Nonmembers $155
This program is made possible through generous funding from Aroha Philanthropies.
World Art History Certificate elective: Earn ½ credit
Exploring the Visual Foundations and Traditions of Art Through lectures and drawing exercises, learn how Renaissance artists used scientific principles, including the Golden Ratio, the Rule of Thirds, threepoint perspective, and the Fibonacci spiral—and how they can enhance your work’s visual dynamic. Wed., Dec. 2 and 9, 2 p.m.; Chester Kasnowski; supply list on website; CODE 1V00HB; Members $65; Nonmembers $85
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Colored Pencils
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Beginning Drawing This valuable introduction for beginners focuses on the basic skills needed as a strong foundation for drawing. Working in charcoal and graphite, students explore the rendering of geometric forms, volume, and perspective, with an emphasis on personal gesture marks. TWO OPTIONS: Sun., Oct. 18–Dec. 13 (no class Nov. 29), 10:15 a.m.; Josh Highter; CODE 1V0-0EY; Mon., Oct. 19–Dec. 7, 7 p.m.; Eric Westbrook; CODE 1V0-0EZ; Members $235; Nonmembers $265; details and supply lists on website
Drawing on the Right Side of the Brain Build your drawing ability and improve visualization working with exercises that improve how you see and record objects on paper, understand edges and space, relationships between object, and light and shadow.
Colored pencil is an often over-looked medium that is finally coming into its own. Discover the wide range of effects possible using colored pencils, including layering, blending and buffing strokes to achieve the translucency of watercolors with this dry medium. Thurs., Nov. 12 and 19, 12 p.m.; Lori VanKirk Schue; supply list on website; CODE 1V0-0GX; Members $95; Nonmembers $115 By Lori VanKirk Schue
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Thurs., Oct. 15–Dec. 10 (no class Nov. 25), 10:15 a.m.; Shahin Talishkhan; supply list on website; CODE 1V0-0FA; Members $235; Nonmembers $265
By Lubna Zahid
Children’s Book Illustration Creating illustrations for a children’s manuscript is loads of fun once you get to know the basics. In this workshop, an author and illustrator explains the process of interpreting a story through pictures. Information on working with publishers and legally protecting art is also discussed.
Exploring Color in Watercolor Enhance your knowledge and understanding of color theory in watercolor. Learn how to identify and mix colors correctly, and the psychological cues of why different colors make us feel a certain way. Thurs., Oct. 15–Dec. 10 (no class Nov. 25), 10 a.m., Lubna Zahid; CODE 1V0-0FH; supply list on website; Members $245; Nonmembers $275 By Lori VanKirk Schue
Sat., Oct. 17–24, 11 a.m.; Lori VanKirk Schue; supply list on website; CODE 1V0-0FB; Members $95; Nonmembers $115
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Beautiful Landscapes in Watercolor Develop your technical skills in painting landscapes that vividly capture the atmosphere of a scene. Learn to control the watercolor medium while exploring spontaneity, as well to create flowing, vibrant color mixtures to balance simple and complex areas in the composition. Topics include rendering the elements of skies, By Lubna Zahid trees, clouds, mountains and water; techniques to build complex foliage; and creating layers of depth, texture, and light. Thurs., Oct. 15–Dec. 10 (no class Nov. 25), 5 pm.; Lubna Zahid; supply list on website; CODE 1V0-0FG; Members $245; Nonmembers $275
Painting Landscapes from Photographs Photographs provide basic references in this landscape painting class; students provide the personal interpretations needed to create vibrant and lively work. Each student’s painting is critiqued during class using Zoom’s screen-share function.
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Beginning Oil Painting Lectures, demonstrations, and hands-on experimentation introduce the medium of oils. Working from museum masterpieces, still-life arrangements or your own favorite photos, explore basic painting techniques, including color-mixing, scumbling, and glazing. Guidelines for handling toxic chemicals are stressed. Mon., Oct. 19–Dec. 7, 6:30 p.m.; Shahin Talishkhan; supply list on website; CODE 1V0-0FJ; Members $245; Nonmembers $275
By Shahin Talishkhan
Introduction to Scientific Illustration – Watercolor and Ink Learn to see like a scientist as you use watercolor and ink to illustrate specimens from nature. Develop your skills applying techniques such as composition, working with color, and recording fine detail in nature journaling, watercolor painting, drawing, and creating stand-alone biological illustrations.
By Eric Westbrook Sat., Oct. 17–Nov. 21, 2:30 p.m.; Eric Westbrook; supply list on website; CODE 1V0-0FK; Members $195; Nonmembers $225
World Art History Certificate elective: Earn ½ credit
Learn To Paint From the Impressionists The impressionists captured the fleeting effects of natural light. Explore their technique during virtual visits to the National Gallery of Art and Musee d’Orsay. Then, try your hand at creating your own impressionist-inspired painting. Sat., Oct. 17–Dec. 12, (no class Nov. 28), 10 a.m.; Adrienne Wyman; supply list on website; CODE 1V0-0FE; Members $245; Nonmembers $275
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By Natalia Wilkins-Tyler
Thurs., Oct. 29—Nov. 12, 2:30 p.m.; Natalia Wilkins-Tyler; supply list on website: CODE 1V00HA; Members $145; Nonmembers $165
Oil Pastels Cray-Pas, the first oil pastel, was introduced in the 1920s. Two decades later, when Picasso asked Henri Sennelier to create professional oil By Chester Kasnowski pastels, the world had a truly new art medium. Become familiar with the basics of using brightly colored, long-lasting oil pastels through group technique demonstrations and one-on-one instruction. Mon., Nov. 2—Dec. 7, 1:30 p.m.; Chester Kasnowski; supply list on website; CODE 1V0-0GZ; Members $185; Nonmembers $215
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Introduction to Watercolor Beginning students as well as experienced painters explore new materials and techniques in watercolor painting. Working on still-lifes and landscapes from direct observation or photographs, they explore basic watercolor techniques and learn new approaches to painting. Mon., Oct. 19–Dec. 7, 6:30 p.m.; Josh Highter; supply list on website; CODE 1V0-0FF; Members $245; Nonmembers $275
By Josh Highter
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Gyotaku: The Japanese Art of Printing with Fish Delightful and detailed prints on paper can be made by applying water-based printing inks to a whole fish and pressing it to paper. Create several 12-by-18-inch gyotaku. Learn how to paint realistic fish eyes and cut masks to create realistic compositions.
By Sue Fierston
TWO OPTIONS: Sun., Nov. 15, 10 a.m. (CODE 1V0-0HG); Sat., Dec. 5, 1:30 p.m. (CODE 1V0-0FS); Sue Fierston; supply list on website; Members $75; Nonmembers $85
Animal Portraits Working on canvas with acrylic paints, create a portrait of your favorite animal or pet that expresses the subject’s personality. Learn about various styles of animal portraiture, from abstract to realistic. Bring a reference photo and any personal materials to incorporate into your artwork. Mon., Nov. 30 and Dec. 7, 1 p.m.; Lori VanKirk Schue; supply list on website; CODE 1V0-0HE; Members $75; Nonmembers $95
Quick-Sketch Watercolors Discover how to easily capture a variety of subjects with loose lines and painterly colors using instructor Cindy Briggs’ quick-sketch watercolors method. This go-withthe-flow technique is By Cindy Briggs perfect for studies, travel journals, and finished line art. Have fun as you capture the essence of any subject with free-flowing luminescent watercolors Thurs., Dec. 3 and 10, 3 p.m.; supply list on website; CODE 1V0-0HF; Cindy Briggs; Members $95; Nonmembers $115
Collage and Mixed-Media Collage is a highly versatile and accessible art technique that results in the playful combination of different and sometimes unlikely materials. Get an introduction to the materials, tools, and technologies used in collage and assemblage. Find inspiration in artists who worked in collage including Joseph Cornell, Romare Bearden, and Gertrude Green. Then, develop your own collage, mixed-media, or assemblage projects.
Example of student work
COURSE OPTION: Tues., Oct. 20–Dec. 15, 6:30 p.m. (no class Nov. 24); Marcie Wolf-Hubbard; supply list on website; CODE 1V0-0FL; Members $235; Nonmembers $265
INTENSIVE WORKSHOP: Fri. Oct. 30–Nov. 13, 1:30 p.m.; Marcie WolfHubbard; supply list on website; CODE 1V0-0FN; Members $165; Nonmembers $185
Join our Studio Arts instructors in their studios and see how they get to work. View the videos and follow us on instagram.com/smithsonianassociates
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Where’s My Muse?
Altered Books
Flexing Your Creative Muscle
Working in your home studio, upcycle book pages as surfaces for drawing, painting, and collage. Experiment with materials and techniques to create a story using gelatin By Marcie Wolf-Hubbard plate prints, textures, photo transfers, drawing, painting, and text redaction.
Drawing on sources of creative inspiration including discussion, visual aids, and exercises, complete at least one art piece in the form of a collage, mat board, mixedmedia on paper. or small By Sharon Robinson book. Wed., Oct. 14–28, 6:30 p.m.; Sharon Robinson; supply list on website; CODE 1V0-0FP; Members $100; Nonmembers $120
Dissecting Design with Abstract Collage Gain an understanding of design concepts and how to effectively apply them in individual pieces. In a series of exercises, break down these elements and explore different strategies to construct abstract pieces using collage techniques.
By Sharon Robinson
Fri., Oct. 16–Nov. 13 (no class Oct. 30), 1:30 p.m.; Sharon Robinson; supply list on website; CODE 1V0-0FR; Members $135; Nonmembers $155
Artful Mind, Tranquil Mind Centering practices artists use to prepare to make art can also help in everyday life! Through guided instruction designed to enhance your own art-making, explore markmaking with lines, swirls and puddles; and experiment using paper to fold and tear. Mon., Oct. 19–Nov. 9, 12 p.m.; Sushmita Mazumdar; supply list on website; CODE 1V0-0FQ; Members $60; Nonmembers $80
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Tues., Oct. 20–Dec. 15 (no class Nov. 24), 1:30 p.m.; Marcie WolfHubbard; supply list on website; CODE 1V0-0FM; Members $235; Nonmembers $265
Handmade Holiday Cards–Let It Snow Learn how to create elegant and personalized holiday greeting cards for friends and family in this workshop that focuses on construction, sentiments, foreground, masking, and statement embellishments. Sun., Nov. 8, 10 a.m.; Karen Cadogan; $35 supply fee included; additional supply list on website; CODE 1V0-0HJ; Members $70; Nonmembers $80
By Karen Cadogan
Non-traditional Holiday Ornaments Gift giving for religious and secular holidays is an honored tradition that fosters family and community ties. Using mini-canvases as the base, decorative embellishments, photos, and other personal momentos, create small hanging artworks that can be individualized to fit any occasion for giving. TWO OPTIONS: Sat., Nov. 14, 1:30 p.m.; (CODE 1V0-0HQ); Sat., Dec. 5, 1:30 p.m.; (CODE 1V0-0HR); Sharon Robinson; supply list on website; Members $70; Nonmembers $80
By Sushmita Mazumdar
SmithsonianAssociates.org
By Sharon Robinson
Published ticket prices are subject to change, depending on availability.
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Tapestry Weaving Learn basic tapestry weaving techniques and design. Then, create a miniature woven tapestry on a small frame loom. Class instruction includes basic tapestry-weaving techniques such as warping the loom, color mixing and hatching; creating shapes; and shading and contour.
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Circular Weaving Circular weaving is fun technique for new as well as experienced fiber artists. Learn how to warp and weave on several sizes of circle looms as you create wall hangings, coasters, mats, home décor, and more. Thurs., Oct. 29–Nov. 5, 12 p.m.; Tea Okropiridze; supply list on website; CODE 1V0-0FW; Members $85; Nonmembers $105
By Tea Okropiridze
Tues., Oct. 13–Nov. 17, 6:30 p.m.; Tea Okropiridze; supply list on website; CODE 1V00FX; Members $185; Nonmembers $215
Spend a morning learning how to hand-print on fabric using colorful Akua water-based printmaking ink and natural materials. Practice on muslin and then on cotton and other materials. Sun., Nov. 8, 10 a.m.; Sue Fierston; supply list on website; CODE 1V00FZ; Members $55; Nonmembers $65
A Small Handmade Quilt Learn the basics of hand-stitched quilt-making by creating an 18-by-24 inch doll or a wall hanging. Learn the same piecing, applique, quilting, and finishing techniques used in larger quilts. All work can be done by hand. Wed., Oct. 14–Nov. 4, 10 a.m.; Lauren Kingsland; supply list on website; CODE 1V0-0FU; Members $95; Nonmembers $115
Knitting in Living Color Are you ready to explore knitting as more than craft, but as art? Learn how to introduce color into knitting in three 2-hour online sessions that provide instruction in duplicate stitch, mosaic knitting, intarsia and Fair Isle knitting techniques.
By Tea Okropiridze
Fabric Printing Using Natural Materials
Quilting for Beginners
Wed., Oct. 21–Nov. 4, 6:30 p.m.; Ann Richards; supply list on website; CODE 1V0-0FY; Members $75; Nonmembers $95
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Mindful Stitching Enjoy the calming effects of hand stitching’s rhythmic motion while creating a therapeutic textile panel. Using vintage materials such as family table napkins adds a more personal meaning. Sessions provide basic instruction while emphasizing improvisation and freedom in the process of making. Tues., Nov. 17–Dec. 15 (no class Nov. 24), 12 p.m.; Lauren Kingsland; supply list on website; CODE 1V0-0FV; Members $80; Nonmembers $100 By Lauren Kingsland
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How Fashion Survived WWII Redesigning an Industry in Paris, London, and New York As war threatened the fashion business in Paris, London, and New York, rationing was imposed—even as survival strategies were conceived. Learn how the fashion capitals designed their wartime—and postwar— survival efforts. Then, in a handson project, make a kitchen apron By Lauren Kingsland from a recycled shirt. Sat., Nov. 14, 10:30 a.m.; Elizabeth Lay, Lauren Kingsland; supply list on website; CODE 1V0-0FT; Members $65; Nonmembers $75
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Indian Art and Calligraphy An Immersive Exploration Explore the interplay and influence of art and language on the culture, religions, and history of India and the South Asian subcontinent during virtual visits to the Asian Art Museum. Then, try your hand at calligraphy inspired by the museum’s art and objects. Thurs., Oct. 15–Dec. 10 (no class Nov. 26), 1:30 p.m.; Sushmita By Sushmita Mazumdar Mazumdar; supply list on website; CODE 1V0-0GC; Members $235; Nonmembers $265
Palestinian WasteCanvas Technique
Embroidery by Wafa Ghnaim
The centuries-old, traditional Palestinian long-sleeved dress called a thobe, is usually embroidered onto fabric using waste canvas. Learn the waste-canvas technique by embroidering a small size chest panel on a blouse, drawstring pouch, tote bag and more!
Tues., Nov. 10 and 17, 2 p.m.; Wafa Ghnaim; supply list on website; CODE 1V0-0HK; Members $75; Nonmembers $95
Introduction to Calligraphy The Foundational Hand The Foundational hand’s basic strokes provide a solid foundation for learning other hands such as Italic and Black Letter. Sessions cover drawing guide lines, determining heights, and letter spacing; Roman minuscules (lower case) and majuscules (upper case); and basic layout and design. Sat., Oct. 17–Dec. 12 (no class Nov. 28), 2:30 p.m.; Sharmila Karamchandani; supply list on website; CODE 1V0-0GB; Members $235; Nonmembers $265
Palestinian Embroidery 101: Create a Tatreez Sampler Learn about Palestinian embroidery’s fascinating history and how its heritage has been preserved by generations of women. Then, using the basic Palestinian crossstitch, learn how to create a tatreez sampler, using a standard size sheet of Aida cloth fabric.
Introduction to Pointed-Pen Calligraphy
Embroidery by Wafa Ghnaim
Tues., Dec. 8 and Dec. 15, 2 p.m.; Wafa Ghnaim; supply list on website; CODE 1V0-0HL; Members $75; Nonmembers $95
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Learn how to use the elegant Copperplate script and take your personal correspondence to a whole new level. Sessions focus on basic tools and mechanics; working with color; and Coppperplate’s various sizes and applications. Sat., Oct. 17–Dec. 12 (no class Nov. 28), 10:30 a.m.; Sharmila Karamchandani; supply list on website; CODE 1V0-0GA; Members $235; Nonmembers $265
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Modern Mosaics, Ancient Techniques
Decorative Glass “Stringer” Plate
Achieve the look of classical mosaics working with unglazed porcelain. Sessions cover mosaics history and classical design; fabrication; materials management; and demonstrations.
Create a colorful fused and slumped glass plate just in time for holiday table settings. The instructor, a kiln-formed glass artist, presents a short history of art glass and guides students through the creation of their own plate.
TWO OPTIONS: Tues., Oct. 13–Dec. 8 (no class Nov. 24), 1:30 p.m.; CODE 1V0-0GD; Tues., Oct. 13–Dec. 8 (no class Nov. 24), 6:30 p.m.; CODE 1V0-0GE; Bonnie Fitzgerald; details and supply list on website; purchase of mosaic kit ($95) required; Members $235; Nonmembers $265
Tues., Nov. 10 and Dec. 8, 4 p.m.; Sarinda Jones; a kit ($70) including glass and other supplies available from the instructor; additional $8 fee covers cost of shipping plate for firing; CODE 1V00HN; Members $70; Nonmembers $90 By Bonnie Fitzgerald
The Ancient Art of Henna Tattoos Explore the ancient practice of body art as you learn to apply simple, traditional Indian henna designs. Learn how to make henna paste and roll a cone applicator. Then, practice applying your own design. Sun., Nov. 22, 1 p.m.; Sharmila Karamchandani; supply list on website; CODE 1V0-0GH; Members $45; Nonmembers $55
By Sarinda Jones
Orchids for the Holidays Enjoy an entertaining and informative afternoon with an orchid expert and come away with your own holiday orchid centerpiece. The session touches on orchid history, origins, trivia, fun facts, and basic care instructions. A fun holiday trivia quiz is provided prior to class. Sun., Dec. 6, 2 p.m.; Barb Schmidt; supply list on website; CODE 1V0-0GF; Members $30; Nonmembers $40
Coiled Chain Bracelet Make a coiled chain in a beautifully fluid design that can be used to showcase a stone pendant or is striking enough to be worn on its own. Learn the secrets to great-looking wire work, as well as hammering and finishing techniques. Students practice making enough links to complete the project on their own. Sun., Nov. 1, 1 p.m.; Mïa Vollkommer; wire kit ($25 plus shipping) can be purchased from instructor’s website; additional supply list on website; CODE 1V0-0HM; Members $65; Nonmembers $75 By Mïa Vollkommer;
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Beginning Hand Lettering
Photo 101
Learn the basics of drawing letters from scratch and create a finished hand-lettered piece worthy of framing. Explore the basic structure and technique of drawing several different forms of typography and how to combine them in a balanced composition.
Lenses, Optics, and Filters
Thurs., Nov 5—Dec. 3 (no class Nov. 25), 6:30 p.m.; Breanne McCallum; supply list on website; CODE 1V00HP; Members $140; Nonmembers $160
Keep your artistry honest with the best lenses and filters. Learn the basics of optics, such as focal length and angle of view, then explore creative lens choices, including zoom. fish-eye, macro, and stabilized. The use of polarizer, UV, and neutral density filters is also discussed. Wed., Dec. 2, 6:30 p.m.; Joe Yablonsky; CODE 1V0-0GM; Members $45; Nonmembers $55
By Breanne McCallum
Photo 101
PHOTOGRAPHY: Beginner
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Introduction to Photography Whether you want to work in digital or film, this webinar offers a solid foundation for new photographers ready to learn the basics. Topics include camera functions, exposure, metering, working with natural and artificial light, and composition. Assignment critiques enhance your technical skills. By Andargé Asfaw
Mon., Oct. 19–Dec. 7, 10:30 a.m.; Andargé Asfaw; CODE 1V0-0GJ; Members $225; Nonmembers $255
Read more about programs in this guide on our website. Search by code or date. Expanded program descriptions, presenters’ information, and more at SmithsonianAssociates.org.
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Understanding ISO ISO is the numerical value used by digital and film cameras to define the light sensitivity of the recording medium. In this workshop, learn to match your ISO to your creative needs. Topics covered include using ISO to minimize (or amplify) noise; eliminate camera shake; pair with fast/slow lenses; and assist in tripod use. Wed., Dec. 9, 6:30 p.m.; Joe Yablonsky; CODE 1V0-0GN; Members $45; Nonmembers $55
Photo 101
Exposures and Histograms Histograms are a graphic display of pixels’ brightness levels in an image. They can be an essential guide to achieving proper exposure. Learn how to manipulate exposure to positively affect histograms. Topics covered include in-camera exposure meters, exposure compensation, and ISO/film speed. Wed., Dec. 16, 6:30 p.m.; Joe Yablonsky; CODE 1V0-0GP; Members $45; Nonmembers $55
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Introduction to Lightroom Adobe Lightroom is the best program for organizing and editing your photographs. Learn to work with a pair of essential modules for a variety of functions, including importing, exporting, deleting, and grouping files; sorting files; and improving tone, color, and detail. Sat., Nov. 21 and Sun., Nov. 22; 9:30 a.m.; Eliot Cohen; CODE 1V0-0GK; class size limited to 6; Members $275; Nonmembers $295
Understanding Your Digital Mirrorless or SLR Camera Photographers seeking better picture quality should consider learning about digital SLR or mirrorless cameras. Topics include ISO, shutter, and aperture controls; depth of field; raw and jpeg files; and white balance. Shutter and aperture priority shooting modes are demonstrated and students guided in their use. Several photos can be uploaded before the second session, which features gentle critiques over Zoom. Sat., Oct. 31 and Nov. 7, 9:30 a.m. Eliot Cohen; CODE 1V0-0GL; class size limited to 7; Members $255; Nonmembers $275
By Eliot Cohen
PHOTOGRAPHY: Experienced
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Introduction to Photography II If you are familiar with your digital or film camera but want to expand your understanding of photography fundamentals, this class is for you. Topics covered include lighting, composition, shooting techniques, and gear, and photo-editing software. Critiques are given over Zoom. Tues., Oct. 13–Dec. 8 (no class Nov. 24), 10:30 a.m.; Andargé Asfaw; CODE 1V0-0GQ; Members $225; Nonmembers $255
Photographic Creativity, Design, and Composition Achieving a balance of visual tension in an image is fundamental in photography. Gain a better understanding of compositional elements and their applications through online lectures and focusing on extended shutter speeds, light graffiti, bokeh templates, and macro photography. Wed., Oct. 14–Nov. 18 (no class Nov. 11), 6:30 p.m.; CODE 1V0-0GS; Joe Yablonsky; Members $185; Nonmembers $215 By Joe Yablonsky
By Andargé Asfaw
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Mastering Exposure
Introduction to iPhone Photography
Develop a greater understanding of the digital cameraís exposure options and features, including exposure modes, compensation, filter factors, bracketing, metering modes, histograms, the zone system, dynamic range, and flash concepts. Skills are honed by through assignments and inclass reviews.
Learn to make the most of your iPhone’s camera, starting with essential photography basics and then moving on to an exploration of some of the best apps, camera accessories, and low-cost tools for editing and image management. Sunday’s session includes a Q&A and photo critique.
Thurs., Oct. 15–Nov. 12, 6:30 p.m.; Joe Yablonsky; CODE 1V00GT; Members $185; Nonmembers $215
By Peggy Feerick
Custom Digital Printing and Mat Cutting
By Joe Yablonsky
World Art History Certificate elective: Earn 1/2 credit
Photography: A Hands-on History Trace the history of photography in this virtual class led by art historian and photographer Patricia Howard. Sessions are enhanced by a hands-on component in which students create their own imagery using 19th- and 20th-century techniques and processes. Activities include building a camera obscura and creating cyanotypes and surrealist-inspired collage.
Learn how to get digital photos printed accurately and custom cut windows in mat board. The class covers inexpensive online printing labs, paper choices, aspect By Joe Yablonsky ratios, printing techniques, mat board choices and sources, mat-cutting tools and a mat-cutting demonstration. Thurs., Nov. 19, 6:30 p.m.; Joe Yablonsky; CODE 1V0-0GU; Members $45; Nonmembers $55
Exhibiting and Selling Your Photographs
Fri., Oct. 16–Nov. 20, 1 p.m.; Patricia Howard; supply list on website; CODE 1V0-0GY; Members $185; Nonmembers $215
Learn how to get your photos seen and sold. Suggestions include juried exhibitions, photo contests, showing in alternative spaces (bookstores and coffee shops), art festivals, galleries, and websites. The session also addresses photographic portfolios, copyrighting your images, email marketing, postcards, pricing, printing your photos, and matting and framing.
By Patricia Howard
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TWO OPTIONS: Sat., Oct. 24 and Sun., Oct. 25, 10 a.m. (CODE 1V0-0GV); Sat., Dec. 5 and Sun., Dec. 6, 10 a.m. (CODE 1V0-0GW); Peggy Feerick; Members $75; Nonmembers $95
SmithsonianAssociates.org
Tues., Dec. 1, 6:30 p.m.; Joe Yablonsky; CODE 1V00GR; Members $40; Nonmembers $50
Certificate Program in World Art History Art is all around us. It excites us, enriches our lives, and enlivens our imaginations. But to truly appreciate any work of art, we need to understand the context and culture in which it was produced. That’s why Smithsonian Associates offers an exciting certificate program in World Art History. The wide-ranging offerings are designed to provide a global perspective on art and architecture and draw on the Smithsonian’s world-class collections and the rich resources of other Washington institutions.
You love art. Now become the expert you’ve always wanted to be. The core courses and electives in our program are selected from among Smithsonian Associates’ ongoing courses, seminars, study tours, and studio art classes. Look for “World Art History Certificate” throughout the program guide to see current listings. Complete the program requirements at your own pace. Credits are counted from the day of program registration and are not given retroactively.
To learn more about the Smithsonian Associates certificate program in World Art History, visit SmithsonianAssociates.org/ArtCertificate
Left column, from the top: Fresco of the Libyan Sibyl, ca. 1511, Sistine Chapel, by Michelangelo; Taj Mahal, completed 1643, Agra, India; The Young Ladies of Avignon, 1907, by Pablo Picasso; Equestrian ceramic figure; ca. 13th–15th centuries; Mali; second column; Lou Ruvo Brain Institute, 2010, by Frank Gehry, Las Vegas; The Calf-Bearer, ca. 570 B.C.; Athens, Greece; Girl with a Pearl Earring, ca. 1665, by Johannes Vermeer; Before the Ballet, ca. 1892, Edgar Degas
Beyond the Studio Smithsonian Associates offers much more for art lovers than classes: Investigate our many programs and seminars on art and architecture and our certificate program in world art history. And each month you’ll find plenty of fascinating programs on topics including history, science, culinary arts, music, travel, current events, and books. Visit our website to explore all the current offerings.