Picture yourself as part of a creative community. Discover the studio arts program from Smithsonian Associates.
Does the thought of picking up a paintbrush, camera, quilting needle, pastel stick, or calligraphy pen instantly ignite your imagination? There’s no better place to get in touch with—or perhaps reconnect with—your creative side than in the studio arts classes and workshops offered by Smithsonian Associates. Whether you’ve never set foot in an art studio, want to expand your existing skills, explore new techniques, or try your hand at a craft that intrigues you, you’re certain to find the perfect choice among our wide variety of evening, daytime, and weekend offerings. And because we are the Smithsonian, our studio arts program comes with some terrific advantages. Smithsonian Associates classes are guided by professional artists and experienced educators who create a supportive and stimulating atmosphere for learning and discovery. What students experience in those studios—and during on-location sessions in many settings—makes Smithsonian Associates’ art programs unique and valuable. Small class sizes allow for highly personalized one-on-one guidance from instructors. Individual and group critiques help students develop their techniques and personal vision. Interaction with fellow participants plays a key role in each class, too: Students tell us they love both the creative and the social aspects of working together. Becoming part of our studio arts program means more than simply taking a class. You’re taking your place in—and contributing to—a vibrant creative community.
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This is your invitation to add a creative spark to your Winter. Take a look at the upcoming class series and workshops listed in this special art-focused edition of our monthly program guide. There’s plenty to tempt you. Learn the fundamentals of drawing and painting, quilting, photography, collage, or calligraphy. Noted photography pros lead a series of shoots on location and weekend workshops. There are so many more wonderful choices waiting for you on the following pages. No matter the class you select, you’ll take home something in addition to a new painting, portfolio of drawings, craft project, or photo series you’re proud of. You’ll find a rewarding sense of enrichment, enjoyment, and satisfaction as you deepen your personal connection to the world of art. And any way you look at it, you’ll have created a masterpiece.
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Certificate Program in World Art History Art is all around us. It excites us, enriches our lives, and enlivens our imaginations. But to truly appreciate any work of art, we need to understand the context and culture in which it was produced. That’s why Smithsonian Associates offers an exciting certificate program in World Art History. The wide-ranging offerings are designed to provide a global perspective on art and architecture and draw on the Smithsonian’s world-class collections and the rich resources of other Washington institutions.
You love art. Now become the expert you’ve always wanted to be. The core courses and electives in our program are selected from among Smithsonian Associates’ ongoing courses, seminars, study tours, and studio art classes. Look for “World Art History Certificate” throughout the program guide to see current listings. Complete the program requirements at your own pace. Credits are counted from the day of program registration and are not given retroactively. Register now and receive invitations for special tours and informal gatherings with course leaders and other program participants.
To learn more about the Smithsonian Associates certificate program in World Art History, visit SmithsonianAssociates.org/ArtCertificate
Left column, from the top: Fresco of the Libyan Sibyl, ca. 1511, Sistine Chapel, by Michelangelo; Taj Mahal, completed 1643, Agra, India; The Young Ladies of Avignon, 1907, by Pablo Picasso; Equestrian ceramic figure; ca. 13th–15th centuries; Mali; second column; Lou Ruvo Brain Institute, 2010, by Frank Gehry, Las Vegas; The Calf-Bearer, ca. 570 B.C.; Athens, Greece; Girl with a Pearl Earring, ca. 1665, by Johannes Vermeer; Before the Ballet, ca. 1892, Edgar Degas
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HOLIDAY WORKSHOPS
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Knitting for Beginners Making a Scarf for the Holidays
Needle Felting for the Holidays Elves and Ornaments
Get in introduction to knitting fundamentals in this class, from casting on to binding off, and you’ll be ready to knit a scarf for yourself or as a gift.
Explore the art of sculpting, embellishing, and painting with a felting needle while you create a sprightly elf and an ornament of your own design. Light holiday refreshments and seasonal music complete a fun afternoon.
2 sessions; 3 hours each; Ann Richards; Mon., Nov. 4 and Nov. 18, 6:30 p.m.; details on website; CODE 1K0-0TE; Members $75; Nonmembers $95
One 4-hour session; Renate MaileMoskowitz; Sun., Dec. 8, 12 p.m.; $10 supply fee covers cost of materials. CODE 1K0-0TY; Members $65; Nonmembers $85
Holiday Card Workshop Making Memorable Masterpieces
By Karen Cadogan
Create simply elegant holiday greeting cards while learning the tips and techniques of professional card making. Learn to combine sentiments, foreground, masking, and statement embellishments to produce personalized cards
Seasonal Workshops with Smithsonian Gardens Two workshops led by Smithsonian Gardens horticulturist Christine Price-Abelow offer a chance to create your own centerpiece and wreath inspired by the botanical decorations seen in the gardens. Each session begins at the Smithsonian Castle to view the indoor holiday decorations before walking through its bedecked grounds.
Seasonal Wreaths Make a truly spectacular holiday wreath from fresh mixed evergreens, winterberry, holly, and man-made holiday accents and decorative ribbon. Learn fundamentals of design, how to use leftover materials, and the secret to making a perfect bow.
for friends and family. One 3-hour session; Karen Cadogan; Sat., Nov. 16, 2 p.m.; supplies provided including cardstock, ink, ribbon, and more to craft at least 20 cards at home (supply fee of $40 is included in tuition); details on website; CODE 1K0-0XT; Members $75; Nonmembers $85
Thanksgiving Centerpiece Workshop
Have fun while learning the fundamentals of floral design from a Smithsonian Gardens horticulturist. Create a centerpiece for your holiday table and pick up handy tips and tricks. Wine and snacks boost the holiday mood. One 2-hour session; Sarah Tietbohl; Mon., Nov. 25, 6:30 p.m.; all materials and decorative container provided; CODE 1K0-0TN; Members $75; Nonmembers $85
By Renate Maile-Moskowitz
TWO OPTIONS: 1 session, 2.5 hours each; Christine Price-Abelow; all materials and light refreshments provided; Mon., Dec. 16, 10 a.m. (CODE 1K0-0TV) and Tues., Dec. 17, 10 a.m. (CODE 1K0-0TW); Members $85; Nonmembers $95
Seasonal Centerpieces Learn the fundamentals of floral design—along with tips and tricks to create other decorations—as you make a stunning centerpiece for your holiday table. One 2.5-hour session; Christine Price-Abelow; all materials and light refreshments provided; Wed., Dec. 18, 10 a.m.; CODE 1K0-0TX; Members $85; Nonmembers $95 SMITHSONIAN ASSOCIATES
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Pysanky for the Holidays
Memoir: Art from Life
A Ukrainian Egg Decorating Workshop
Visual art can inspire writing, just as writing can deepen your connection to art. View Joan Miro’s The Farm to discover how memory informed it and inspires your own reflective writing through multisensory exploration, word sketching, and writing prompts.
A Creative Writing Workshop
Brighten your holidays with pysanky, colorful eggs decorated with traditional Slavic folk designs. Use a stylus to inscribe motifs on beeswax-covered eggs, which are then dipped in dye.
By Joanna Lohr
One 4-hour session; Joanna Lohr; Sat., Dec. 14, 12 p.m.; all supplies provided; details on website; CODE 1K0-0TZ; Members $65; Nonmembers $75
Orchids for the Holidays
One 2.5-hour session; Mary Hall Surface; Sun., Dec. 8, 1 p.m.; details on website; see p. 25 for more information; CODE 1K0-0TQ; Members $35; Nonmembers $45 The Farm, 1921, by Joan Miró
Take a break from the stress of the holiday season. Spend an entertaining and informative afternoon with an orchid expert, learning about the orchid’s history and basic care instructions. Leave with a holiday orchid centerpiece you’ve created.
Introduction to Drawing and Painting Work from still life, architectural interiors, and landscape to become familiar with the fundamentals of drawing and oil painting.
One 2-hour session; Barbara Schmidt; Sun., Dec. 8, 2 p.m.; all materials and light refreshments provided; CODE 1K0-0TS; Members $85; Nonmembers $95 By Max-Karl Winkler
GENERAL
8 sessions; 2.5 hours each; MaxKarl Winkler; Fri., Jan. 24–March 13, 10:15 a.m.; details and supply list on website; CODE 1K0-0UQ; Members $235; Nonmembers $265
World Art History Certificate elective: Earn ½ credit
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World Art History Certificate elective: Earn ½ credit
Color Theory Become familiar with the color wheel, color value, chroma, and hue. Use acrylic paints and colored papers to explore color qualities and movement in shaping composition. 8 sessions; 2.5 hours each; Dan Riesmeyer; Mon., Jan. 27–March 23 (no class Feb. 17), 6:30 p.m.; details and supply list on website; CODE 1K0-0UW; Members $235; Nonmembers $265
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Examine concepts and application of composition. Create collages based on art works and themes discussed, and explore connections between formal elements of visual art and art’s emotional impact. Moroccan Café, 1913, by Matisse 4 sessions; 3 hours each; Shahin Talishkan; Thurs., Feb. 20–March 12, 2 p.m.; all supplies included; details on website; CODE 1K0-0UM; Members $155; Nonmembers $175
Published ticket prices are subject to change, depending on availability.
HERMITAGE MUSEUM
Composition
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Classes are taught by professional artists and teachers. View detailed class descriptions and supply lists at SmithsonianAssociates.org/studio View portfolios of work by our instructors at SmithsonianAssociates.org/artinstructors
World Art History Certificate elective: Earn ½ credit
Children’s Book Illustration Workshop
Exploring the Visual Foundations and Traditions of Art
Transform an author’s vision into vivid illustrations by learning the basics of interpreting a story through pictures. Information on working with publishers and protecting art is also discussed.
Apply the science in Renaissance art. Enhance the visual dynamic in drawings using the Golden Ratio, the Rule of Thirds, three-point perspective, or the Fibonacci spiral. 2 sessions; 2 hours each; Chester Kasnowski; Thurs., March 5 and 12, 2 p.m.; details and supply list on website; CODE 1K0-0WA; Members $65; Nonmembers $85
DRAWING
By Lori VanKirk Schue
One 5-hour session; Lori VanKirk Schue; Sat., Nov. 2, 12 p.m.; details on website; CODE 1K0-0RU; Members $95; Nonmembers $115
World Art History Certificate elective: Earn ½ credit
Introduction to Pastel
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Cezanne-Inspired Still-Life Compositions Weekend Workshop Tap into the wide range of effects possible using colored pencils. Learn layering, blending and buffing strokes to achieve the translucency of watercolors with this dry medium. 2 sessions; 3 hours each; Lori VanKirk Schue; Sun., Sun., Nov. 10 and 17, 1 p.m.; details on website; CODE 1K0-0SB; Members $95; Nonmembers $115
Colored Pencils II Workshop Enhance you skill working By Lori VanKirk Schue with the medium of colored pencils. More in-depth techniques are discussed and demonstrated. Students may bring a work in progress or begin a new project in class, if desired. One 4-hour session; Lori VanKirk Schue; Mon., Jan. 27, 11 a.m.; details and supply list on website; CODE 1K0–0VY; Members $65; Nonmembers $75
Impressionists favored pastel’s luminosity and color-layering effects. Learn how to achieve the medium’s best effects while working from still-life arrangements. 4 sessions; 4 hours each; Sandra Gobar; Sun., Nov. 3– 24, 10:15 a.m.; supply list on website; CODE 1K0-0SZ; Members $195; Nonmembers $225
NATIONAL GALLERY OF ART
Colored Pencils
Still Life with Milk Jug and Fruit, ca. 1900, Paul Cézanne
Drawing on the Right Side of Your Brain Build drawing ability and improve visualization and recording of objects on paper through drawing exercises focusing on edges and space, relationships between objects, and light and shadow. 8 sessions; 2.5 hours each; Shahin Talishkhan; Wed., Jan. 22–March 11, 10:15 a.m.; details and supply lists on website; CODE 1K0–0UH; Members $235; Nonmembers $265
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Oil Pastels
Beginning Drawing
Become familiar with the basics of using brightly colored, longlasting oil pastels through group technique demonstrations and one-on-one instruction.
Develop basic drawing skills while working with a variety of materials and techniques, Explore geometric forms, volume, and perspective in still-lifes, architecture, and figure drawing.
8 sessions; 2 hours each; Chester Kasnowski; Wed., Jan. 22–March 11, 10:30 a.m.; details and supply list on website; CODE 1K0-0UX; Members $225; Nonmembers $255
Figure Drawing and Independent Projects Acquire an understanding of advanced elements of composition, anatomy, and artistic direction as you work from live models.
THREE OPTIONS: 8 sessions; 2.5 hours each; Dan Riesmeyer; Tues., Jan. 21–March 10, 6:30 p.m.; CODE 1K0-0UG; Josh Highter; Sun., Jan. 26–March 22 (no class Feb. 16), 10:15 a.m.; CODE 1K0-0UA; Eric Westbrook; Mon., Jan. 27– March 23 (no class Feb. 17), 7:00 p.m.; details and supply lists on website; CODE 1K00UD; Members $235; Nonmembers $265
Continued Drawing Refine and expand drawing skills through studio practice in traditional media. Sessions focus on four classic areas: still-life, landscape, portrait, and figure. Students should have completed a beginning drawing course. 8 sessions; 2.5 hours each; Dan Riesmeyer; Wed., Jan. 22–March 11, 6:30 p.m.; details and supply lists on website; CODE 1K00UK; Members $235; Nonmembers $265
8 sessions; 3 hours each; Josh Highter; Sun., Jan. 26–March 22 (no class Feb. 16), 1:30 p.m.; details and supply list on website; model fees included in tuition; CODE 1K0-0UB; Members $245; Nonmembers $275
Manuscript Illumination in the Medieval Tradition
Portrait Drawing
Explore the rich history of manuscript illumination. Use fine-tip markers or colored pencils to produce your own tiny masterpiece in the spirit of the medieval scribes who often depicted animal, plants, and insects to convey deeper meanings.
Create a portrait using charcoal or graphite. Explore the universal proportions of the face and learn how to better observe and record a subject’s features. 6 sessions; 2.5 hours each; Eric Westbrook; Sat., Jan. 25March 7 (no class Feb. 15), 2:30 p.m.; details and supply list on website; model fees included in tuition; CODE 1K00WB; Members $200; Nonmembers $230
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By Eric Westbrook
SmithsonianAssociates.org 202-633-3030
One 3-hour session; Lori VanKirk Schue; Mon., Feb. 10, 11 a.m.; details on website; supply fee $10; CODE 1K00VZ; Members $65; Nonmembers $75
Published ticket prices are subject to change, depending on availability.
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World Art History Certificate elective: Earn ½ credit
World Art History Certificate elective: Earn ½ credit
Drawing In Museums
Traditional Oil Painting Techniques
National Gallery of Art, Freer Gallery of Art, and Smithsonian American Art Museum
Lessons from Museum Masterpieces
Develop rendering and composition skills, and learn the art of copying, by drawing paintings and classical sculptures displayed in the museums.
6 sessions; 2.5 hours each; Paul Glenshaw; Sat., Jan. 25–March 7 (no class Feb. 15), 1:30 p.m.; By student Claire Fuller details and supply list on website; CODE 1K0-0WF; Members $195; Nonmembers $225
Explore the signature effects of famous artists and draw on their techniques in painting demonstrations and exercises designed to broaden individual skills. 8 sessions; 3 hours each; Adrienne Wyman; Sat., Jan. 25– March 21 (no class Feb. 15), 10 a.m.; details and supply list on website; CODE 1K0-0UT; Members $245; Nonmembers $275
Student in class
World Art History Certificate elective: Earn ½ credit
PAINTING
Learn To Paint From the Impressionists Somehow, the impressionists captured natural light on canvas. Students view their paintings at the National Gallery of Art, then develop their skills as they create impressionist-inspired works..
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Beginning Oil Painting Explore basic painting techniques including color-mixing, scumbling, and glazing to gain the technical background needed to get started as a painter.
By Shahin Talishkhan
8 sessions; 3 hours each; Shahin Talishkhan; Thurs., Jan. 23–March 12, 6:30 pm.; CODE 1K0-0UN; details and supply list on website; Members $245; Nonmembers $275
World Art History Certificate elective: Earn ½ credit
Techniques in Modernist Painting Class exercises, including stilllife setups and model sessions, teach practical applications of modernism’s concepts and techniques. Develop a visual language through class lectures, demonstrations, and critiques. 8 sessions; 3 hours each; Shahin Still life in front of a window at Talishkhan; Weds., Jan. 22– Saint-Raphael, 1919, by Picasso March 11, 1:30 p.m.; details and supply list on website; CODE 1K0-0UJ; Members $245; Nonmembers $275
8 sessions; 3 hours each; Adrienne Wyman; Sat., Jan. 25–March 21 (no class Feb. 15); 2 p.m.; details and Student in class supply list on website; CODE 1K0-0UU; Members $245; Nonmembers $275
Painting Is for Everyone Begin working in the medium of acrylic paints. Learn to mix colors, use brushes, and approach elements of form such as value, texture, line, color, shape, and edges. Explore composition and variation and learn art terminology.
By Chester Kasnowski
8 sessions; 2 hours each; Chester Kasnowski; Tues., Jan. 21– March 10; 2 p.m.; details and supply list on website; CODE 1K00UF; Members $225; Nonmembers $255
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Neuroscience and Art
Watercolor Magic Tricks and Tips
A Creative Connection
Experiment with watercolor paints to achieve surprising results. Use salt, plastic wrap, rice paper, sand, ice, and even liquid soap to create unusual textures in your artwork.
In this painting class, learn about new findings on how our visual system informs and interprets the visible world for us.
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INSIDE SCIENCE 2 sessions; 2 hours each; Chester Kasnowski; Thurs., By Chester Kasnowski Jan. 30 and Feb. 6, 2 p.m.; details and supply list on website; CODE 1K0-0UP; Members $75; Nonmembers $95
One 2-hour session; Lori VanKirk Schue; Fri., Feb. 7, 11 a.m. (CODE 1K0-0VL); 2 p.m. (CODE 1K00VM); supply list and details on website; Members $45; Nonmembers $55 By Lori VanKirk Schue
Touch Painting Release your creativity through your fingertips, using your hands instead of brushes in this adult finger-painting class. Students use acrylic paints to produce artwork.
Introduction to Watercolor Explore basic watercolor techniques and new approaches to painting through classroom demonstration, discussion, and experimentation.
Beautiful Landscapes in Watercolor and Ink
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TWO OPTIONS: One 2-hour session; Lori VanKirk Schue; Mon., March 2, 11 a.m. (CODE 1K0-0XD); 2 p.m. (CODE 1K0-0XE); all supplies included; details on website; Members $35; Nonmembers $45
MIXED-MEDIA
Fabric Printing Using Natural Materials Experiment with hand-printing on fabrics using colorful Akua water-based printmaking ink and natural materials. Practice printmaking techniques on muslin, and later design and hand-print a canvas bag.
Create landscapes rich in atmosphere by developing skills in painting complex foliage and layers of depth, texture, and light. 6 sessions; 3 hours each; Lubna Zahid; Tues., Jan. 21–Feb. 25, 10:15 a.m.; details and supply list on website; CODE 1K0-0UE; Members $195; Nonmembers $225
By Lori VanKirk Schue
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By David Daniels
8 sessions; 2.5 hours each; Dave Daniels; Mon., Jan. 27– March 23 (no class Feb. 17), 10:15 a.m.; details and supply lists on website; CODE 1K00UC; Members $245; Nonmembers $275
TWO OPTIONS: One 5-hour session; Sue Fierston; Sat., Nov. 2 By Sue Fierston (CODE 1K0-0RH); Sun, March 1 (CODE 1K0-0XQ); 10:30 a.m.; details on website; supply fee $25; Members $65; Nonmembers $75 By Lubna Zahid
SmithsonianAssociates.org 202-633-3030
Published ticket prices are subject to change, depending on availability.
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Image Transfers and Photo Alteration
Exploring Book Arts Themes and Variations
Mixed-Media Workshop Use multiple methods for making and using image transfers. Topics include applications, choosing images, materials and techniques, altered photos as standalone artwork, and altered photos with collage. 3 sessions; 5 hours each; Sharon Robinson; Wed., Nov. 6-20, 10:30 a.m.; students provide photos, all other supplies provided; details on website; CODE 1K0-0TK; Members $195; Nonmembers $215
By Sharon Robinson
Collage and Mixed-Media Develop collage, mixed-media or assemblage projects. Experiment with color, form, design and the use of text, images, texture, and found objects. TWO COURSE OPTIONS: 8 sessions; 2.5 hours each; Marcie Wolf-Hubbard; Tues., Jan. 21–March 10, 1:30 p.m. (CODE 1K0-0VD); Tues., Jan. 21–March 10, 6:30 p.m. (CODE 1K0-0VE); details and supply list on website; Members $235; Nonmembers $265 INTENSIVE COLLAGE and MIXED-MEDIA WORKSHOP OPTION:
2 sessions; 5 hours each; Marcie Wolf-Hubbard; Sat., Feb. 22 and Sun., Feb. 23, 10:30 a.m.; details and supply list on website; CODE 1K0-0VC; Members $195; Nonmembers $215
Monoprint Without A Press Create prints using Gelli and other types of plates, plus acrylic paints and other materials. Explore additive and subtractive methods, drawing on the plate, over-printing, and using stamps and other materials to create patterns. 2 sessions; 5 hours each; Sharon Robinson; Wed., Dec. 11 and 18, 10:30 a.m.; all supplies By Sharon Robinson provided; details on website; CODE 1K0-0TJ; Members $165; Nonmembers $185
STUDIO ART
Learn techniques to create three standard types of handmade books, then apply creative twists and variations. Projects By Sushmita Mazumdar include an accordion book from watercolor paper, a Japanese stab-bound journal, a flag-themed journal, and single-page folded books (one made with a world map). 3 sessions; 3 hours each; Sushmita Mazumdar; Sun., Nov. 3–17, 2 p.m.; all supplies provided; details on website; CODE 1K0-0TR; Members $125; Nonmembers $145
Exploring Encaustic and Mixed-Media Workshop The encaustic medium can be molded, sculpted, and combined with collage materials. Learn how to incorporate drawings or prints on paper and other collage elements into encaustic paintings. One 6-hour session; Marcie Wolf-Hubbard; Sun., March 8, By Marcie Wolf-Hubbard 10:30 a.m.; details and supply list on website; CODE 1K0-0VB; Members $125; Nonmembers: $135
Mixed-Media in the Style of Romare Bearden Romare Bearden (1911–1988) is best known for his bold mixed-media collages. Create By Sandra Gobar Bearden-inspired mixed-media compositions using various fabrics, papers, cutouts, stencils and photographs, as well as paint and drawing materials. 3 sessions; 5 hours each; Sandra Gobar; Sun., Jan. 26–Feb. 9, 10:15 a.m.; details and supply list on website; CODE 1K0-0XG; Members $195; Nonmembers $215 SMITHSONIAN ASSOCIATES
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Off-the-Wall Assemblage
Handmade Cards from the Heart
Enshrine personal mementos in a wooden box that can stand alone or be wall mounted. Explore a range of materials for collage and embellishment, including papers, paint, metal fixtures, charms, wire, beads, and other objects.
In celebration of all kinds of occasions of the heart, offer your special someone a handmade card. Learn card construction, sentiments, masking, and statement embellishments. Create cards in the session and leave with a basic starter kit to make a dozen masterpieces at home.
By Sharon Robinson
4 sessions; 4 hours each; Sharon Robinson; Sat., Feb. 29–March 21, 10 a.m.; details and supply list on website; CODE 1K0-0XH; Members $185; Nonmembers $205
One 3-hour session; Karen Cadogan; Sun., Feb. 2, 1 p.m.; all supplies provided; details on website; CODE 1K0-0XL; Members $65; Nonmembers $75 By Karen Cadogan
Animal Portraits
Gyotaku
Create a portrait of your favorite animal or pet. Learn how to capture the subject’s essence and express it on canvas using acrylic paints. Collage and other techniques are discussed as useful additions. Bring a reference photo to class.
The Japanese Art of Printing with Fish
By Lori VanKirk Schue
One 4-hour session; Lori VanKirk Schue; Mon., Feb. 24, 11 a.m.; all supplies provided; details on website; CODE 1K0-0UV; Members $85; Nonmembers $95
By Sue Fierston
This venerable art is accomplished by applying water-based printing inks to a whole fish and pressing it to paper. Create several 12-by-18-inch prints featuring a variety of fish to bring home.
One 5-hour session; Sue Fierston; Sat., Jan. 25, 10:30 a.m.; details on website; supply fee $25; CODE 1K0-0XP; Members $75; Nonmembers $85
Paper Frenzy Use a variety of art and printmaking materials to create a supply of accented papers for collage and other art projects. By Sushmita Mazumdar
Handmade Storybooks Mixed-Media Workshop Explore the many creative ways to use paper while building and binding several books. Use standard bookmaking papers and thread as well as unusual materials such as manila folders and matchboxes. Fill the new books in an afternoon of creative writing and art-making. One 6-hour session; Sushmita Mazumdar; Sat., Feb. 8, 10 a.m.; all supplies provided; details on website; Studio Pause, 4108 4th St. N., Arlington, Virginia (Ballston Metro); onsite parking; CODE 1K00XK; Members $85; Nonmembers $95
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SmithsonianAssociates.org 202-633-3030
2 sessions; 5 hours each; Sharon Robinson; Fri., Feb. 14 and 21, 10:30 a.m.; all supplies provided; details on website; CODE 1K0-0XJ; Members $125; Nonmembers $145 By Sharon Robinson
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Published ticket prices are subject to change, depending on availability.
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Alexander Calder and His Marvelous Mobiles With Light Reception Spend a creative afternoon channeling the colorful world of Alexander Calder’s moving art. Make a full-scale group mobile from pre-fabricated pieces and one to take home. Learn how Calder created a new art form with his mobiles and wire sculptures. View participants’ creations at a wine-andcheese “gallery walk.”
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One 2.5-hour session; Kevin Reese; Sun., Nov. 10, 1:30 p.m.; all supplies provided; details on website; CODE 1K0-0TP; Members $55; Nonmembers $65
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Figure Sculpture Learn about clay sculpture techniques, tool use and armatures, and the planes of the human body. Sculpt either a portrait, torso, or full figure using a live model. 8 sessions; 3 hours each; George Tkabladze; Fri., Jan. 24–March 13, 2 p.m.; details and supply lists on website; CODE 1K0-0UR; Members $250; Nonmembers $280 By George Tkabladze
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Introduction to Calligraphy The Foundational Hand Learning the basic letterforms of the Foundational Hand opens the door to other calligraphic hands such as Italic and Black Letter. Upper and lower case letters are covered as well as basic layout and design.
Neon Light Sculpture Create your own illuminated object as you learn to bend glass tubing and observe demonstrations of the process of tube bombarding and rare-gas filling. 6 sessions (one 1.5 hour lecture and five 3-hour workshops); Craig Kraft; Tues., Feb. 4, 6:30–8 p.m. and Feb. 11–March 10, 6:30– 9:30 p.m.; $85 supply fee; details on website; CODE 1K0-0WE; Members $225; Nonmembers $255
By Craig Kraft
By Marta Legeckis
8 sessions; 2.5 hours each; Marta Legeckis; Thurs., Jan. 23–March 12, 10:15 a.m.; all calligraphy supplies provided; details on website; CODE 1K0-0UL; Members $245; Nonmembers $275
Introduction to Pointed-Pen Calligraphy Beginning Sculpture Sculpt head and face portraits using the medium of clay following hands-on studio practice and demonstrations. 8 sessions; 3 hours each; George Tkabladze; Fri., Jan. 24– March 13, 6:30 p.m.; details and supply lists on website; CODE 1K0-0US; Members $250; Nonmembers $280
Add sophistication to your hand-lettering when you learn the basic strokes of the copperplate script alphabet and practice using nibs in an elbow holder. No experience required, just a steady hand. 8 sessions; 2.5 hours each; Sharmila Karamchandani; Mon., Jan. 27–March 23 (no class Feb. 17), 2 p.m.; all supplies provided; details on website; CODE 1K00XA; Members $245; Nonmembers $275
By George Tkabladze
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The Art of Chinese Calligraphy
When Good Patterns Go Bad
Using Chinese brush and ink, learn to write basic Chinese characters, short phrases, and poems. The traditional signature seal and its history are also discussed.
Avoiding and Fixing Knitting Mistakes Here’s a protocol to follow to detect knitting errors sooner, from dropped stitches to difficult pattern instructions to twisted stitches and more.
6 sessions; 2.5 hours each; John Wang; Sat., Jan. 25–March 7 (no class Feb. 15), 2 p.m.; details and supply list on website; CODE 1K0-0UY; Members $185; Nonmembers $215
An Immersive Exploration
This series combines deVasanta Vilasa (a poem on Spring) tailed looks at Indian and (detail), 1451, Guajarat, India South Asian objects and artworks in the Freer and Sackler collections with the opportunity to try your hand at calligraphy inspired by them. 6 sessions; 3 hours each; Sushmita Mazumdar; Sun., Feb. 23– March 29, 10:15 a.m.; details and supply list on website; CODE 1K0-0XM; Members $195; Nonmembers $225 (see full program details on p. 38)
Quilting Workshop Appliqué and Edges Create a fabric flower garden wall hanging while adding appliqué techniques to your quilt making skills. Learn how to use applied bindings, flanges, self-bindings, facings, and overstitching to finish rectangular and uneven edges. One 4-hour session; Lauren Kingsland; Sat., Nov. 2, 1 p.m.; By Lauren Kingsland details and supply list on website; CODE 1K0-0SE; Members $55; Nonmembers $65
Knitting for Beginners
FIBER ARTS
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Silk Painting Weekend Workshop After an overview of the history and art of silk painting in the instructor’s home studio (in Lanham, MD), learn the basics, including stretching, diluting, resisting, spotting, salting, wet-on-wet, fabric setting, and vocabulary. Create painted pieces to take home. 2 sessions; 6 hours each; Diane Tuckman; Sat., Nov. 2 and Sun., By Diane Tuckman Nov. 3, 10 a.m.; all supplies provided; details on website; CODE 1K0-0TU; Members $195; Nonmembers $215
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One 3-hour session; Ann Richards; Mon., Dec. 2, 6:30 p.m.; details on website; CODE 1K0-0TF; Members $45; Nonmembers $55
FREER GALLERY OF ART
Indian Art and Calligraphy
STUDIO ART
ART
SmithsonianAssociates.org 202-633-3030
Learn the fundamentals of knitting, including casting on, basic knit and purl stitches, increasing, decreasing, and binding off. Practice basic skills and start an optional knitting project. 6 sessions; 2 hours each; Ann Richards; Mon., Jan. 27–March 9 (no class Feb. 17), 6:30 p.m.; details on website; CODE 1K0-0WD; Members $125; Nonmembers $145
Knitting Circle In this collaborative class, expand knitting skills through investigative techniques, demonstrations, hands-on projects, and research. Bring a project or an idea for one to the first session. 6 sessions; 2 hours each; Ann Richards; Sun., Jan. 26–March 8 (no class Feb. 16), 2:30 p.m.; details on website; CODE 1K0-0WC; Members $125; Nonmembers $145
Published ticket prices are subject to change, depending on availability.
TRENDING
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SCIENCE
Quilting for Beginners
Palestinian WasteCanvas Technique
A Small Handmade Quilt Learn the basics of quilt-making by creating several small quilts while learning the same piecing, appliqĂşe, quilting, and finishing techniques used in larger quilts. 2 sessions; 4 hours each; Lauren Kingsland; Sat., Jan. 25 and Sat., Feb. 1, 12 p.m.; details and supply list on website; CODE 1K0-0VV; Members $85; Nonmembers $105
STUDIO ART
ART
By Wafa Ghnaim
For centuries, Palestinian women have created a traditional longsleeved dress called a thobe, which is first embroidered onto fabric using waste canvas. Learn the technique by transferring a pattern onto an 8 x 10 organic cotton drawstring pouch to take home.
One 3-hour session; Wafa Ghnaim; Sun., Feb. 2, 12 p.m.; details on website; all supplies included; CODE 1K0-0VS; Members $65; Nonmembers $75
Palestinian Embroidery 101 Birds of Palestine on Aida Cloth
Mandala Wall Hanging Workshop Eastern sacred design meets Western textile techniques as students create a quilted mandala wall hanging based on the kolam design tradition. Please come and enjoy a peaceful, creative experience.
Recalling the long tradition of Palestinian women working together on embroidery projects, learn the basic Palestinian cross-stitch to create a traditional bird motif on aida cloth. Take home an embroidered hoop-mounted design. One 3-hour session; Wafa Ghnaim; Sat., Feb. 29, 12 p.m.; details on website; all supplies included; CODE 1K0-0VT; Members $65; Nonmembers $75
By Wafa Ghnaim
Hand Embroidery for Today
2 sessions; 5 hours each; Lauren Kingsland; Sat., March 7 and 14, By Lauren Kingsland 10:30 a.m.; details and supply list on website; CODE 1K0-0VW; Members $110; Nonmembers $130
Learn basic hand embroidery stitches to create modern designs on contemporary fabrics. Explore threads and tools to enhance knits, felted wools, and readymade garments.
Tapestry Weaving
One 4-hour session; Lauren Kingsland; Sat., Feb. 8, 10 a.m.; details and supply list on website; CODE 1K0-0XN; Members $55; Nonmembers $65
Create a miniature woven tapestry on a small frame loom. Class instruction includes basic tapestryweaving techniques such as warping the loom, color mixing and hatching.
By Tea Okropiridze
8 sessions; 2.5 hours each; Tea Okropiridze; Mon., Jan. 27–March 23 (no class Feb. 17), 6:30 p.m.; details on website; supply fee $40; CODE 1K0-0VF; Members $215; Nonmembers $245
By Lauren Kingsland
Indigo and Shibori Workshop Japan and India have long used brilliant blue indigo dye to apply dramatic patterns to fabric. Working with this timeless natural color, create unique silk scarves using the classic Japanese shibori resist-dyeing technique. One 5-hour session; Trisha Gupta; Fri., Feb. 28, 10:30 a.m.; limited to 14 By Trisha Gupta participants; all supplies included; details on website; CODE 1K0-0XR; Members $95; Nonmembers $105
SMITHSONIAN ASSOCIATES
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TRENDING
HISTORY
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SCIENCE
Riveted Ring
OTHER MEDIA
Create a stunning ring in sterling silver using a rolling mill, jeweler’s saw, and cold-connection riveting techniques. Imprint a texture onto metal, then cut, form, and rivet your design.
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Jewelry Workshop: Creative Chains Techniques for wire-working, forming, texturing, and fusing are used to create several chain designs. Go home with a necklacelength or bracelet-length piece. One 7-hour session; Mïa Vollkommer; Sat., Nov. 9, 10 By Mïa Vollkommer a.m.; $50 kit fee; details and additional supply list online; CODE 1K0-0TB; Members $120; Nonmembers $130
Stone Settings with Cold Connections Jewelry Workshop Showcase a flat-backed stone or a personal treasure in a cold-connected pendant you design. Construct your mixed-metals piece with piercing, rivets, and a cutand-folded prong setting.
One 5-hour session; Mïa Vollkommer; Sat., Nov. 16, 10 a.m.; metal and wire kit $30; details and additional supply list online; CODE 1K0-0TC; Members $90; Nonmembers $100 By Mïa Vollkommer
Picture Frame Pendant Working with piercing and riveting techniques, choose a design and frame a favorite photo, small artwork, or even a special stamp in a pendant that’s perfect for gift-giving. One 5.5-hour session; Mïa Vollkommer; Sun., Nov. 17, 10:30 a.m.; supply kit fee $55; details and tools list on website; CODE 1K0-0SX; Members $95; Nonmembers $105 By Mïa Vollkommer
One 5.5-hour session; Mïa Vollkommer; Sun., Nov. 10, 10:30 a.m.; supply kit fee $55; details and By Mïa Vollkommer tools list on website; CODE 1K00SW; Members $95; Nonmembers $105
Relief Printing Linocut and Woodblock Design and produce relief prints from techniques of design and transfer through cutting and printing the block.
Wirework Workshop An Abacus Pendant
8 sessions; 2.5 hours each; Max-Karl Winkler; Wed., Jan. 22–March 11, 10:15 a.m.; details and supply list on website; CODE 1K0-0VG; Members $225; Nonmembers $255
Create your own colorful “abacus”-style pendant as you learn the techniques of wirework, including forming, hammering, and precision wire-wrapping .
By Mïa Vollkommer
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One 3-hour session; Mïa Vollkommer; Fri., Nov. 15, 12 p.m.; $10 wire kit fee; details and additional supply list online; CODE 1K0-0TA; Members $65; Nonmembers $75
SmithsonianAssociates.org 202-633-3030
STUDIO ART
ART
By Max-Karl Winkler
Published ticket prices are subject to change, depending on availability.
TRENDING
HISTORY
CULTURE
SCIENCE
Introduction to Indian Textile Printing
Exterior Mosaics in Unglazed Porcelain
Explore the traditions and history of Indian Rajastani textiles, dyeing with natural pigments, and sari woodblocks as you create pieces of textile and printed art. 8 sessions, 2.5 hours each; Trisha Gupta; Sat., Jan. 25–March 21 (no class Feb. 15), By Trisha Gupta 10:15 a.m.; supply fee $65; details on website; CODE 1K0-0XS; Members $225; Nonmembers $255
Retro Meets Modern Work with unglazed porcelains to mimic traditional mosaics with a contemporary flair. Create and grout a onesquare-foot piece for exterior display. TWO OPTIONS: 8 sessions; 2.5 hours each; Bonnie Fitzgerald; Tues., Jan. 28–March 17, 1 p.m. (CODE 1K0-0UZ); Tues., Jan. 28– March 17, 6:30 p.m. (CODE 1K0-0VA); $80 supply fee; details and supply list on website; Members $245; Nonmembers $275 By Bonnie Fitzgerald
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Grapevine Basket In this introduction to basket weaving, create a melon-shaped basket with grapevine handle and rim. Use a combination of natural weaving materials and learn ribbing techniques.
STUDIO ART
ART
PHOTOGRAPHY: Beginner
The Joy of Photography An Exploratory Course
TWO OPTIONS: One 3hour session; Lori VanKirk Schue; Fri., Jan. 24, 11 a.m. (CODE 1K0-0VH); Sat., Feb. 22 (CODE 1K0By Lori VanKirk Schue 0VU); supply fee $35; details and supply list on website; Members $65; Nonmembers $75
Learn how to use a digital SLR camera as a creative tool in sessions that cover aperture, shutter speed, metering, exposure, ISO, composition, special effects, and flash photography. TWO OPTIONS: 8 By Marty Kaplan sessions; 3 hours each; Marty Kaplan; Tues., Jan. 21–March 10, 6:30 p.m. (CODE 1K00WQ); Sun., Jan. 26–March 22 (no class Feb. 16), 10:15 a.m. (CODE 1K0-0WP); details on website; Members $225; Nonmembers $255
Heart Basket Use basic weaving techniques including planning and measuring, as you produce a beautiful heart-shaped basket from a complex woven pattern that is deceptively easy to create. TWO OPTIONS: One 3-hour session; Lori VanKirk Schue; Fri., Jan. 31, 11 a.m. (CODE 1K0-0VJ); Sat., Feb. 1, 1 p.m. (CODE 1K0-0VQ); supply fee $35; details and supply list on website; Members $65; Nonmembers $75 By Lori VanKirk Schue
Introduction to Photography Class sessions emphasize the basics: camera functions, exposure, metering, working with natural and artificial light, and composition. Develop technical skill through assignments and offsite photo shoots. 8 sessions; 2.5 hours each; Andargé Asfaw; Tues., Jan. 21– March 10, 10:15 a.m.; CODE 1K00XB; details on website; camera By Andargé Asfaw with manual controls and tripod required; Members $225; Nonmembers $255
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CULTURE
Introduction to Black-and-White Film Photography and the Darkroom
SCIENCE
ART
STUDIO ART
PHOTOGRAPHY: Experienced iPhone Photography II
Get a grounding in the basics of using a 35mm camera and photo darkroom techniques. Sessions feature lecturedemonstrations, class assignments, critiques, and practical darkroom work.
A quick refresher on the ProCamera app and editing techniques is followed by a shooting session on the National Mall. The workshop ends with classroom critiques and discussion on organizing, posting and printing images.
By Paul Matthai
8 sessions; 3 hours each; Joe Yablonsky; Tues., Jan. 21–March 10, 6:30 p.m.; all developing chemicals are provided; CODE 1K0-0WT; Members $235; Nonmembers $265
By Peggy Feerick
One 4-hour session; Peggy Feerick; Sun., Nov. 3, 10 a.m.; details on website; CODE 1K0-0TM; Members $75; Nonmembers $95
Introduction to Lightroom Weekend Workshops Adobe Lightroom is useful for organizing and editing image files. Learn to use it for importing, exporting, deleting, and grouping files; sorting files; attaching keywords; and improving tone, color, and detail.
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Introduction to Photography II
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2 sessions; 4 hours each; Eliot Cohen; Sat., Nov. 23 and Sun., Nov. 24, 9:30 a.m.; CODE 1K0-0SP; Members $225; Nonmembers $245
Understanding Your Digital Mirrorless or SLR Camera
Expand your understanding of photography fundamentals such as lighting, composition, shooting techniques, and gear, and photoediting software. A photo excursion reinforces in-class instruction.
Continued Black-and-White Film Photography and the Darkroom
Moving Beyond Auto Mode This workshop covers ISO, shutter speed, aperture, depth of field, RAW vs. JPEG files, and White Balance. Learn various shooting modes and get handson experience in a practice session on the Mall. FOUR OPTIONS: One 7-hour
session each; Eliot Cohen; Sun., Nov. 10 (CODE 1K0-0SH); Sun., Dec. 8 (CODE 1K0-0SJ); Sun., Jan. 12 (CODE 1K0-0WG); Sun., Feb. 9 (CODE 1K0-0WL); 9:30 a.m.; details on website; Members $210; Nonmembers $260
By Eliot Cohen
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SmithsonianAssociates.org 202-633-3030
By Andargé Asfaw
8 sessions; 2.5 hours each; Andargé Asfaw; Wed., Jan. 22–March 11, 10:15 a.m.; CODE 1K0-0XC; camera with manual controls and tripod required; details and supply list on website; Members $225; Nonmembers $255
Refine black-and-white printing skills and 35mm-camera operation in sessions including lectures, demonstrations, darkroom work, and critiques. 8 sessions; 3 hours each; Paul Matthai; Mon., Jan. 27–March 23 (no class Feb. 17), 6:30 p.m.; all developing chemicals included; CODE 1K00WM; Members $235; Nonmembers $265 By Paul Matthai
Published ticket prices are subject to change, depending on availability.
TRENDING
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CULTURE
Open Darkroom Plus
SCIENCE
STUDIO ART
ART
On-Location Photography Elevate darkroom skills through small-group lectures, individual instruction, and independent work. Learn about toning, fiber-based printing, dodging and burning, and assessment of print quality.
Sharpen your way of thinking about shooting outdoors. Sessions include lectures on depth of field, exposure adjustments, using a tripod, composition, and natural lighting conditions. Develop shooting strategies on field trips and in critique sessions. 8 sessions; 3 hours each; Joe Yablonsky; Sun., Jan. 26–March 22 (no class Feb. 16), 1:30 p.m.; field trips Metro accessible; camera with manual controls required; details on website; CODE 1K0-0WS; Members $235; Nonmembers $265
THREE OPTIONS: 8 sessions; 3 hours each; Paul Matthai; Thurs., Jan. 23– March 12, 6:30 p.m.; CODE 1K0-0WN; Joe Yablonsky; Sat., Jan. 25–March 21 (no class Feb. 15), 10:15 a.m.; CODE 1K0-0WU; Sat., Jan. 25–March 21 (no class Feb. 15), 1:30 p.m.; CODE 1K0-0WV; all developing chemicals are provided; details on website; Members $235; Nonmembers $265
Photographic Creativity, Design, and Composition Achieving a balance of visual tension in an image creates well-made visual relationships. By Joe Yablonsky Gain a better understanding of compositional elements and their application in lectures and assignments focusing on extended shutter speeds, light graffiti, bokeh templates, and macro photography.
Introduction to Studio Portraiture Produce a portfolio of student and model portraits in this class that focuses on basics such as posing a subject; using highlight and shadow; high key and low key lighting; using a flash meter; and understanding strobe lighting.
5 sessions; 3 hours each; Joe Yablonsky; Wed., Feb. 5–March 4, 6:30 p.m.; details on website; CODE 1K0-0WX; Members $185; Nonmembers $215
8 sessions; 3 hours each; By Marty Kaplan Marty Kaplan; Mon., Jan. 27– March 23 (no class Feb. 17), 6:30 p.m.; model fees included in tuition; camera with manual controls required; details on website; CODE 1K0-0WR; Members $235; Nonmembers $265
Mastering Exposure Develop a greater understanding of exposure modes, exposure compensations, filter exposure factors, bracketing, meterBy Joe Yablonsky ing modes, histograms, zone system, dynamic range, eliminating camera shake, tripods, and some flash concepts. Hone skills through assignments and in-class reviews. 5 sessions; 3 hours each; Joe Yablonsky; Thurs., Jan. 23–Feb. 20, 6:30 p.m.; details on website; CODE 1K0-0WY; Members $185; Nonmembers $215
Exhibiting and Selling Your Photographs Get your photos seen and sold. Learn about strategies such as juried exhibitions, photo contests, showing in alternative spaces, art festivals, galleries, and websites. Sessions also address photographic portfolios, copyrighting, email marketing, postcards, pricing, printing photos, and matting and framing. One 3-hour session; Joe Yablonsky; Mon., Feb. 10, 6:30 p.m.; details on website; CODE 1K0-0WW; Members $45; Nonmembers $55
Custom Digital Printing and Mat Cutting Printing digital photos and custom cutting mat board windows is explained in sessions that describe online printing labs, paper choices, aspect ratios, mat board choices, and cutter tools. Final assembly of printed photos is done in class. 2 sessions; 3 hours each; Joe Yablonsky; Mon., March 5 and 12, 6:30 p.m.; CODE 1K0-0WZ; Members $100; Nonmembers $120
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RISA RYAN
Smithsonian Associates Membership Benefits Smithsonian Associates opens the Smithsonian’s rich and varied resources to our members. When you join Smithsonian Associates you become a part of the largest museum-based cultural and educational program in the world. As an insider, you have unparalleled access to the Smithsonian's world of knowledge—and enjoy a full array of exclusive benefits. Smithsonian Associates, unlike the museums, is not federally funded and relies instead on individual contributions to help bridge the gap between program expenses and ticket revenues. There are many membership options across the Smithsonian Institution, but Smithsonian Associates membership is the ONLY program that directly supports Associates’ programming and outreach efforts, and the only way to access ticket discounts and exclusive benefits at our programs. Effective January 2019
INTRODUCTORY Memberships
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Promoter–$100
Champion–$80
Associate–$50
When you become a member you’ll be among the first to know about the outstanding programs we
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10% discount at SmithsonianStore.com (with a special code) and select Smithsonian museum restaurants
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bring you every month—which add up to more than 750 opportunities for discovery, enrichment, and learning you’ll find nowhere else. Membership has its benefits: Members receive a range of valuable discounts, including savings up to 35% off Smithsonian Associates program tickets, and access to tickets before they go on sale to the general public.
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Eligibility to purchase up to six tickets per program at the discounted member price
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Smithsonian magazine delivered to your home
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Member discounts on Art Collectors Program fine-arts prints
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20% discount at SmithsonianStore.com during special Member Days sales
Benefactor–$5,000 and up
Partner–$2,500
Sponsor–$1,000
Patron–$600
Contributor–$300
Advocate–$175
CIRCLE of SUPPORT
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ALL OF THE BENEFITS of the Introductory Membership Levels, plus:
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Advance digital copy of the monthly Smithsonian Associates program guide
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Invitation for two to a Smithsonian Insider event during the year
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Recognition in the Smithsonian Associates program guide annual donor list and the annual donor plaque at our headquarters on the National Mall
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Complimentary invitation for two to an exclusive Meeting the Masters reception
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Complimentary tickets for two to a lecture or performance (value equal to $30 per ticket or less)
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Copy of the Smithsonian’s annual report
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Complimentary VIP tickets for two and a parking pass for Breakfast at the Zoo
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Invitation for two to the prestigious Annual Smithsonian Weekend
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Recognition in the Smithsonian’s annual report
As a member of Smithsonian Associates Circle of Support, you’ll play a vital and valued role in our work. Your contributions to Smithsonian Associates provide the support that enables all of our programs to continue and grow. There’s no better time to consider enhancing the level of your support. Depending on the level you choose, you’ll enjoy enhanced benefits such as early registration for Smithsonian Summer Camp and special programs, reserved seating at sold-out events, and invitations to exclusive receptions with speakers.
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Recognition as a sponsor of a selected Smithsonian Associates program
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Complimentary VIP tickets for six and two parking passes for Breakfast at the Zoo
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Visit smithsonianassociates.org/levels or call 202-633-3030 21
HELPFUL INFORMATION
1 Baird Auditorium Natural History Museum 10th and Constitution Ave., NW Metro: Federal Triangle (Blue/Orange/Silver) 2 Warner Bros. Theater American History Museum 14th and Constitution Ave., NW Metro: Smithsonian station, Mall exit (Blue/Orange/Silver) 3 Lisner Auditorium George Washington University 21st and H St., NW Metro: Foggy Bottom/GWU (Blue/Orange/Silver) 4 Meyer Auditorium Freer Gallery of Art 12th and Independence Ave., SW Metro: Smithsonian station, Independence Ave. exit (Blue/Orange/Silver) 5 Nan Tucker McEvoy Auditorium Smithsonian American Art Museum 8th and G Sts., NW Metro: Gallery Place-Chinatown (Red, Yellow/Green) 6 Rasmuson Theater American Indian Museum 4th and Independence Ave., SW Metro: L‘Enfant Plaza (Blue/Orange/Silver or Green/Yellow); Maryland Ave./Smithsonian Museums Exit
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SmithsonianAssociates.org 202-633-3030
7 Renwick Gallery, Grand Salon 1661 Pennsylvania Ave., NW Metro: Farragut North (Red) or Farragut West (Blue/Orange/Silver) 8 Ring Auditorium Hirshhorn Museum and Sculpture Garden 7th and Independence Ave., SW Metro: Smithsonian station, Mall exit (Blue/Orange/Silver) 9 Ripley Center 1100 Jefferson Drive, SW Metro: Smithsonian station, Mall exit (Blue/Orange/Silver) 10 Smithsonian Castle 1000 Jefferson Drive, SW Metro: Smithsonian–Mall exit (Blue/Orange/Silver) 11 STUDY TOURS BUS PICKUPS Location for most local tours: Holiday Inn Capitol, 550 C St., SW (corner of 6th & C); Metro: L’Enfant Plaza–7th & Maryland Ave. exit (Yellow/Green/ Blue/Orange/Silver)
12 U.S. Navy Memorial Foundation Auditorium 701 Pennsylvania Ave., NW Metro: Archives-Navy Memorial (Green/Yellow) 13 Voice of America Auditorium Wilbur J. Cohen Building 330 Independence Ave., SW (enter on C St.); Metro: Federal Center SW (Blue/Orange/Silver) 14 University of the District of Columbia Theater of the Arts (Not shown on map.) 4200 Connecticut Ave., N.W. Metro: Van Ness/UDC (Red line) METRO The Mall entrance of the Smithsonian station closes at 10 p.m. The other entrance, at Independence Ave. and 12th St., SW, closes at midnight and at 3 a.m. on Fridays and Saturdays), as do the Gallery Place and Federal Triangle stations, To be sure not to miss the last train to your destination, call Metro at 202-637-7000 for schedules.
PARKING Nearby Colonial Parking garages are shown on the map. Some offer $6 parking for our events on weekday evenings after 5:30 p.m. and all day on Saturday and Sunday. Inquire before parking and have your event ticket with you. Parking lot hours vary. Very limited metered parking is available around the Mall ($2 per hour).
MEMBERSHIP Depending on your level of support, you will receive special benefits, including significant savings on most Smithsonian Associates program tickets; a monthly Smithsonian Associates program guide; discounts at museum shops and restaurants; notices about behind-the-scenes tours and special receptions with world-class speakers; and much more! Visit SmithsonianAssociates.org/join or call 202-633-3030 for more information. Join today!
TICKETS
DONATE NOW!
Online.......................SmithsonianAssociates.org Email ........................Customerservice@SmithsonianAssociates.org Phone..........................202-633-3030 Mon.–Fri., 9 a.m.–5 p.m.; Fax 202-786-2536
202-633-3030 SmithsonianAssociates.org/levels
Mail .............................Smithsonian Associates, P.O. Box 23293, Washington, D.C. 20026-3293 In person ...................Mon.– Fri., 10 a.m.–5 p.m.; Ripley Center, 1100 Jefferson Dr., S.W., Suite 3077, Washington, D.C. 20560 Fees............................There is a $3 nonrefundable per ticket processing fee on all tickets, except for Members-Only free events, Summer Camps, Smithsonian Sleepovers, and Discovery Theater. Please note that programs with multiple sessions have discounted processing fees applied to each individual session and charged as one fee. There is an additional $3 nonrefundable per order handling fee on phone orders.
REFUNDS are only issued when a program is canceled or if it sells out before we receive your order.
CREDIT TO YOUR SMITHSONIAN ASSOCIATES ACCOUNT Credit for cancellations or exchanges are only available for programs that cost more than $40. If in compliance with the specific guidelines below, credit is issued to your Smithsonian Associates account, not your credit card. Credits are non-transferable. Programs and Studio Arts Classes If a program or studio arts class is more than $40, and you wish to cancel your tickets or exchange them for another program, please contact Customer Service in writing (email, mail, or fax) at least two weeks before the program date to request a credit. (See contact information above.) Please note that there is a $10 cancellation fee, as well as a cost adjustment when there is a price difference between the programs. Courses To receive credit to your Smithsonian Associates account for a course, (excluding studio arts classes), please contact Customer Service in writing (email, mail, or fax) at least two weeks before the first session. Credit will also be issued within two weekdays after the first session, provided that Customer Service is contacted in writing
CHANGES IN PUBLISHED SCHEDULES Smithsonian Associates reserves the right to cancel, substitute speakers and session topics within a course, and reschedule or relocate any program, if needed. Occasionally, a time, date, or location of a program must change after it has been published or tickets have been mailed. Participants are notified by phone, email, or mail. Be sure to check our website SmithsonianAssociates.org for latest updates, or call 202-633-3030 during business hours for information.
(email, mail, or fax) within that period. Credit will be prorated to reflect the cost of the first session. No credit will be given after the first session. Overnight Study Tours To receive credit to your Smithsonian Associates account for an overnight tour, please contact Customer Service in writing (email, mail, or fax) at least 45 days before the tour date. At that point, there is a $10 cancellation fee. If your request is received between 44 and 15 days before the tour, cancellation fee is $100. No credit will be issued for cancellations received fewer than 15 days before the tour date. The cost of some components of tickets— such as entrance fees, theater tickets, food programs and meals, and some forms of transportation, may not be credited.
the educational and promotional purposes of Smithsonian Institution and Smithsonian Associates. Filming and/or photographing by participants at Smithsonian Associates programs is not permitted. VISITORS WITH DISABILITIES Smithsonian Associates seeks to make activities accessible to people with disabilities. Patrons with disabilities are encouraged to call before registering for programs to inquire about the accessibility of the presentations and locations. For information or to request accessibility assistance, please call 202-633-3030 (VOICE) or send an email to customerservice@SmithsonianAssociates.org
We also reserve the right to refuse to register any individual or to require any participant to withdraw from an activity if the Smithsonian Interpreters for programs are provided free of charge. Smithsonian representative deems such action to be in the best interests of the Associates will make arrangements if requests are made at least two health, safety, or welfare of the group or the participant. weeks in advance of the program. TICKETS AT THE DOOR Tickets are available (on a first-come, MOVING? Please write us with your new information and allow 6 weeks first-served basis) at the door for some Smithsonian Associates for the change to take effect. programs. Call 202-633-3030 to be sure that the program is not already sold out. No discounts applicable to tickets sold at the door. HAVE QUESTIONS? Call Customer Service at 202-633-3030 M–F, GROUP DISCOUNTS Group discounts (for 10 or more) are available for some programs. Please call 202-633-3030 for details. PHOTOGRAPHING AND RECORDING PROGRAMS Participants at Smithsonian Associates programs may be photographed or filmed for
9–5, or stop by our office at 1100 Jefferson Drive, S.W., Suite 3077, (west of the Smithsonian Castle), between 10 a.m. and 5 p.m. on weekdays. (Metro: Blue/Orange/Silver line, Smithsonian–Mall exit)
Beyond the Studio Smithsonian Associates offers much more for art lovers than classes: Investigate our many programs and seminars on art and architecture; local and regional study tours to museums and artists’ studios; and our certificate program in world art history. And each month you’ll find plenty of fascinating programs on topics including history, science, culinary arts, music, travel, current events, and books. Visit our website to explore all the current offerings.