Blue Ridge Craft Trails | 2025

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Blue Ridge Crafted

Welcome to the first edition of the Blue Ridge Craft Trails Magazine. This guide is designed to help you find your way through the small towns and back roads of the North Carolina mountains and foothills to discover some of the most celebrated craft artisans, both nationally and internationally. The Blue Ridge region of Western North Carolina is recognized far and wide for its rich heritage of southern Appalachian craftsmanship, including pottery, woodworking, weaving, blacksmithing, glass blowing and basket making.

The Blue Ridge Craft Trails is a collection of 350 artisan studios, galleries and cultural organizations in a 25-county area, where you can buy craft, participate in a class, and step into a studio to learn about the artists — their creativity and process.

Just days before the inaugural issue of this magazine was scheduled for publication, Western North Carolina was devastated by Hurricane Helene. While hurricanes have come through our region before, this one was especially catastrophic, breaking the bounds of our collective imaginations. Towns have been wiped off the map, roads, homes, and businesses have been washed away, and lives have been lost.

Western North Carolinians are known for their gumption and resilience, however, and our craft artists are no different. As this region begins putting the pieces back together to move forward, telling the stories of our craft artists and encouraging support of their work takes on new significance.

Enjoy the insightful feature by Anna Fariello, a nationally known scholar and curator of the Blue Ridge Craft Trails, who tells the dramatic and deep-rooted account of craft in Western North Carolina. You'll also find a map and comprehensive listing of all Blue Ridge Craft Trails sites in these pages. To explore even deeper, visit blueridgecrafttrails. com for an abundance of artists' profiles, itineraries, beautiful videos and imagery, and an interactive map to help you plan your visit.

In this time of recovery and rebuilding, our Western North Carolina craft artists, musicians, small town shops and eateries need your support. Please visit us soon and make sure to call any craft trail site before you visit. Our region has experienced tremendous loss and we appreciate your understanding.

Also, please consider donating to the Blue Ridge Craft Trails. If you love the mountain culture of Western North Carolina, please join our efforts to support and preserve all that we hold dear.

Help Protect Western North Carolina’s Natural and Cultural Treasures

The BRNHA is a nonprofit organization that preserves, cultivates, and promotes the natural and cultural heritage of 25 Western North Carolina (WNC) counties and the Qualla Boundary to benefit current and future generations. We exist to sustain our heritage and stimulate improved economic opportunity in the region. Donate Today.

The Blue Ridge Craft Trails is an initiative of the Blue Ridge National Heritage Area, a 501c3 nonprofit organization whose mission is to preserve and develop the natural and cultural resources of Western North Carolina, including agriculture, Cherokee, craft, music and natural heritage.

We want to thank Robin Johnston, Blue Ridge Craft Trails Coordinator, and Anna Fariello, Blue Ridge Craft Trails Curator, for their leadership and support.

On the Cover Handwoven silk and wool scarf by Susan McRae. Located at OSuzannah's Yarn on Union, a fiber shop in downtown Morganton, NC, and a site on the Blue Ridge Craft Trails. SHANNON HANSON PHOTO

Handcrafted HERITAGE The Craft of WNC

As Georgia is known for its peaches and New Orleans for its jazz, so too is Western North Carolina known for its high-quality craft. What makes WNC a center of craft is the artists’ knowledge of natural materials and their connection to the place that provides them. Their hand skill and imagination nurture both innovative and traditional handcraft practices that exist side by side in a thriving creative economy.

In the early 20th century, a growing interest in craft was part of a renewed worldwide focus on things made by hand. Nationally, this interest is referred to as the Arts and Crafts Movement; its Appalachian counterpart is known as the Craft Revival. For the most part, the artisans who peopled the Craft Revival were not the professional craftsmen of today; rather, they were individuals with the talent and ability to make things needed for daily living. For many rural communities, craftwork — coupled with the growing popularity of mountain tourism — helped shape the region’s economy and culture. Potters, weavers, wood workers, metal smiths, and glass artisans have made a place for themselves in these mountains for decades.

North Carolina continues to nurture its artisans. The Blue Ridge Craft Trails

is a 21st century effort that follows in the footsteps of the Revival, promoting the region’s artists, their work, and the heritage of their rural communities. An online resource of over 350 Craft Trail sites and events allows visitors to experience the artistry that has come to define Western North Carolina. The historic Revival and contemporary Craft Trails share similar goals — providing support to individual artisans to preserve their creative contributions to mountain communities.

Cherokee

All people at all times make things; some say that this act of making is the essence that defines human nature. In Western North Carolina, the first artists were Cherokee people whose craftwork continues to be acknowledged worldwide. The bounty of its homeland — wood, cane, copper, and clay — are used to create all manner of work — masks, baskets, gorgets, and pots — that are carved, woven, hammered, and coiled to form a legacy of fine handwork, some of which is featured along the Craft Trails. The Snowbird Cherokee Matriarchs Mural in Robbinsville features eleven women holding artifacts to celebrate tribal traditions. The Cherokee

Indian Fair, begun by Big Cove farmers in 1912, morphed into a tribal-wide fair in 1914 and has been a seasonal event ever since. The fair became a showcase for the tribe’s finest arts and crafts as interest in the handmade grew. The prestigious artisan cooperative, Qualla Arts and Crafts Mutual, was formed in 1946, followed in the early 1950s by the opening of the Oconaluftee

Agnes Welch dyeing splits. NATIONAL ARCHIVES PHOTO

Indian Village and the Museum of the Cherokee People. These key cultural sites form a strong basis for the preservation of native traditions, and each are stops along the Blue Ridge Craft Trails.

Pottery

Western North Carolina’s abundance of natural resources has long provided materials for industrial and creative manufacture. In the 19th century, there was a huge clay mine in Webster that extracted kaolin, a fine-grained clay, to make industrial porcelain products. At

one time, 20 mines were in operation but, within a generation, the clay pits were exhausted and no longer served as an industrial export. Still, this abundance of natural clay deposits allowed for the success of a number of family-run potteries that operated in Candler, Weaverville, and Arden. In Weaverville, Reems Creek Pottery was run by two brothers. In Arden, Walter Stephen’s Pisgah Forest Pottery produced a cameo ware reminiscent of Wedgwood and, nearby, the Brown brothers operated Brown Pottery. The Craft Trails has an abundance of potters that have built on this history. Some of the longest producing are Bringle Pottery in Penland, Leftwich Pottery in Mills River, and Bolick Pottery in Lenoir. A pottery collective and gallery forms today’s Reems Creek Pottery in Weaverville. Annually, the WNC Pottery Festival in Sylva celebrates the medium every fall.

Fiber

Other crafts have a long history in the region. In 1895, while working for the Presbyterian Home Mission in Madison County, Frances Louisa Goodrich was given a woven coverlet that inspired her to market the weaving of local women. She established Allanstand Cottage

Industries in Flag Pond before moving it to College Avenue in Asheville. South of Asheville’s center, the Spinning Wheel is remembered with an historical marker on Hendersonville Road. In 1917, a commercial weaving operation moved into a building behind the Grove Park Inn where, today, the Biltmore Industries Homespun Museum tells its story. At the height of its success, Biltmore Industries had a total of 40 looms in

Javan and Davis Brown with the “world’s tallest pot,” 1920s.
RODNEY H. LEFTWICH PHOTO
Frances Louisa Goodrich with Double Bow Knot coverlet, 1943. SOUTHERN HIGHLAND CRAFT GUILD PHOTO
Basket makers at 1947 Cherokee Indian Fair (left to right): Mary Jo Washington with rivercane; Nancy Bradley holding honeysuckle basket; possibly Martha Taylor with white oak splits. JOHN HEMMER/NORTH CAROLINA STATE ARCHIVES PHOTO
Amanda Smoker weaving a white oak storage basket. NATIONAL ARCHIVES PHOTO

steady operation producing bolts of some of the finest hand-woven wool fabric in the country. In Crossnore, a weavers’ collective is documented via a display in the Crossnore Weavers and Gallery, which continues to produce hand woven items for sale. Hendersonville’s Heritage Weavers and Fiber Artists celebrate the skills of spinning and weaving on the Historic Johnson Farm.

Murrial Martin was hired to oversee a community carving program at the John C. Campbell Folk School.

JOHN C. CAMPBELL FOLK SCHOOL PHOTO

Woodworking

Northeast of Asheville, the Woody family began making chairs in the 1800s, a tradition that carried through several

Looms at the Biltmore Industries Homespun Museum in Grovewood Village. ANNA FARIELLO PHOTO

generations. Woody’s Chair Shop has been featured in National Geographic and their chairs are in the Smithsonian’s collection. Wood products have long been a staple of Appalachian forests and North Carolina manufacture. Besides furniture, carving was popular during the Craft Revival. The Brasstown Carvers, a neighborhood cooperative, are known for their nativity sets with each piece the specialty of a different carver. In the 1950s, sculptor Amanda Crowe began teaching dozens of students how to make her signature bears and other forest animals at Cherokee High School.

Blacksmithing

Daniel and Lawrence Boone perpetuated the tradition of pioneer blacksmithing, as well as their famous name. In 1937, the Boones received a contract to forge the restoration ironwork at Colonial Williamsburg. Bea Hensley was a young neighbor boy who grew up within earshot of the Boone’s ringing anvil. Hensley worked at his own smithy for decades and, at age 76, was named a National Heritage Fellow. Today’s Fire on

Brothers, Daniel and Lawrence Boone, 5th generation from the famed Daniel Boone, operated a forge in Yancey County, circa 1927. UNIVERSITY OF NORTH

CAROLINA-CHAPEL HILL PHOTO

the Mountain festival honors the decadeslong tradition of blacksmithing in the Toe River Valley. Stuart Nye, inspired by blooms outside his window, made his first sterling silver dogwood pin in 1933 while a patient at the Veterans Hospital in Oteen.

In today’s Stuart Nye Hand Wrought Jewelry shop, a handful of full-time workers turn out jewelry in silver, copper, and brass at the Tunnel Road shop.

Crafts Education

In 1921, Olive Dame Campbell documented 42 “Southern Highland Schools” in North Carolina, many of which taught crafts as part of their manual training curriculum. Campbell later founded the John C. Campbell Folk School, which will celebrate its 100th anniversary in 2025. Located in the western-most corner of North Carolina, the school has operated continuously for an entire century, offering weeklong classes in every media. More recently, the Folk School opened Olive’s Porch in Murphy, where visitors and locals can take afternoon classes, purchase art supplies, and buy quality handwork. Lucy Morgan, a native of Andrews, moved east to join her brother at the Appalachian School in Penland. After learning to weave in 1923, she made a commitment to empower her neighbors through a revival of weaving. In 1929, on the threshold of the Great

Depression, Morgan established the Penland School of Craft, which continues to offer courses year-round. In 1933, Black Mountain College was formed as an educational experiment that left a unique legacy on American art. Although it remained open for only 24 years, today’s

Louise Pitman created natural dyes from plant materials made a large outdoor dye pot. DORIS ULMANN, CIRCA 1933/JOHN C. CAMPBELL FOLK SCHOOL PHOTO

Black Mountain College Museum + Arts Center documents and celebrates its impactful history. As public education developed, many communities outgrew their schools. Fortunately, some have found creative ways to re-purpose historic school buildings. The Cowee School Arts and Heritage Center and Stecoah Valley Cultural Arts Center preserved WPA-era stone buildings to serve as creative community centers. The Historic Banner Elk School, HUB Station Arts Center in Hudson, and Rock School Arts Foundation in Valdese have found ways to reuse schools as environments for creative learning. In Clyde, the Haywood Community College Professional Crafts Program grew from its earlier incarnation as Haywood Institute to allow for an academic study of craft.

Glassmaking

Glassmaking was a relative latecomer to the Western North Carolina craft economy, although today, it plays a significant role. It wasn't until 1965 that Penland School of Craft set up its first glass studio. Within a few years the

school was hosting glass artists who experimented, collaborated and taught others. Today, there are a number of glass artists who live and work in and around Penland and in the nearby community of Celo. Asheville is home to the North Carolina Glass Center, which maintains a gallery representing the work of 30

Artist: Cole Johnson
JACKSON COUNTY, NC
Judy McManus blowing glass at the Jackson County Green Energy Park. ANNA FARIELLO PHOTO

Watty Chiltoskie at the 1953 Craftsman’s Fair of the Southern Highlands. EDWARD DUPUY/ SOUTHERN HIGHLAND CRAFT GUILD PHOTO

WNC artists. The Jackson County Green Energy Park in Dillsboro utilizes landfill methane gas to fuel its glass furnaces, providing a space for artists while making a contribution to the health of the environment.

Southern Highland Craft Guild

With the increasing success of the craft economy in the early 20th century, its leaders encouraged craft production centers to work together. In 1928, they came together to discuss their goals and pledged to form a cooperative marketing organization. Since its founding in 1930, the Southern Highland Craft Guild has provided a framework for coordinating opportunities for artist-craftsmen in nine states. In 1948, it launched the Craft Fair of the Southern Highlands, which continues as a major event in downtown Asheville every summer and fall. The Guild supports multiple galleries, an archive, and a huge sales shop housed in the Folk Art Center on the Blue Ridge Parkway.

The Appalachian Craft Revival set out to nurture cottage industries which, in turn, successfully improved the income of rural neighbors, established schools and production centers, and created an infrastructure which would effectively encourage others to make hand crafted objects. Craft Revival makers shaped clay, in turn shaping the attitudes and values that contribute to today’s appreciation of the handmade object. Makers wove cotton, linen, and wool, weaving a sense of community that contributes to a strong sense of place. Craftsmen hammered metal, forging partnerships to effect change. Artisans worked with wood, building a regional economy based on individual talent and entrepreneurship. Craft Revival activities emphasized quality, individuality, and workmanship, values that remain evident in a 21st-century region that is both dynamic and supportive of today’s creative entrepreneurs. It is these values, skills, and creative individuals that form the foundation of the Blue Ridge Craft Trails.

Ridge Craft Trails.

Anna Fariello is curator of the Blue
Virginia Standingdeer staffing Qualla Arts and Crafts booth at the 1967 Craftsman’s Fair of the Southern Highlands in Asheville.
NATIONAL ARCHIVES PHOTO

Opening up Potential Saluda Moon Glass

The sacred act of artistic creation is who Susan Cannon is, and it’s the mark she wants to leave on the world at-large — the ultimate goal being connectivity and community.

“Whether it's music, writing, photography or any of the arts and crafts, all of it opens up your mind,” Cannon said. “And we need to be exercising those neurons to really develop.”

Cannon owns Saluda Moon Glass Studio & Gallery. She launched the business a little over three years ago on Main Street in the tiny mountain town tucked away in the depths of Polk and Henderson counties. Since opening the doors, the space has become a cherished haven for artists and the curious alike.

“I love seeing how excited people get when they learn [to work with glass],” Cannon said. “And how happy they are at the end of the class.”

Originally from the Midwest, Cannon

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started working with kilnform glass (or “fused glass”), then tried stained glass for a period. Though it was only a hobby in the beginning — with Cannon working a full-time gig as a corporate trainer and in management development — she became more and more fascinated with the craft.

But, it was fused glass that genuinely took hold of Cannon’s imagination. Soon, she began studying with international artists and instructors, soaking in any influences. Eventually, she started teaching classes parttime in the evenings and on weekends.

“In some way, I’ve always been in the ‘people business,’ teaching people and helping them do whatever to achieve their goals,” Cannon said.

About 15 years ago, Cannon retired from the corporate world and relocated to Saluda. Initially, she rented a garage where she made glass pieces and taught classes. And when a building became available on Main Street a few years back, Cannon

knew it was time to take the next step in her aspirations.

“I decided I wanted to have my own gallery, wanted to do more teaching, and just really do it big,” Cannon said.

With her forte being fused glass, the process itself involves layering pieces of glass that you cut and design. After that, fire up the kiln and let the piece melt together and form the desired result. Cannon also uses glass enamels to paint certain pieces.

“There are so many different techniques and styles — it’s endless,” Cannon said. “And fused glass is constantly evolving. People are always coming up with new ideas and ways to manipulate the glass. It just keeps going, where I can offer beginner and more advanced classes.”

Of her numerous types of fused glass pieces, Cannon’s bear collection has become her most popular item sold. Called “land and sky bears,” Cannon approached the pieces with a technique known as sgraffito, where she etches designs into dried enamel paint. There’s no template to trace, just simply Cannon letting her hands run wild and free — conjuring whatever may enter her thoughts.

“I don’t have a pattern or design in mind,” Cannon said. “And I start deciding, ‘Do I want stars here?’ or ‘Do I want curves here?’ It’s a very meditative process for me. I get so engrossed with the bears and forget everything — it’s so immersive.”

So, why bears?

“Because it’s something that’s so special about this area,” Cannon said. “The bears are the spirit of these mountains. They’re a natural part of this country — this iconic symbol of the Smokies.”

Headlong into her passion for glass and for teaching, Cannon has “never lost my taste for working with my hands.” For her, it’s about the continual growth of her skillset, and also that deep sense of community radiating out from her studio.

“I just truly enjoy meeting all these people,” Cannon said. “I love spreading the word about doing this art — anybody can do this.”

Saluda Moon Glass Studio and Gallery is on Main Street in Historic Saluda.

Hamilton Williams

Gallery & Studio

Tucked away in the charming town of Morganton, North Carolina, Hamilton Williams Gallery & Studio offers a captivating fusion of craftsmanship and artistry. A hidden gem located on East Union Street in Morganton's downtown, the space combines the warmth of a craft gallery with the intimate, working space of its owner and resident potter, Hamilton Williams.

Stepping into the gallery, visitors are enveloped by the beautifully curated sights of pottery, jewelry, hand-blown glass, and paintings. Each item is handcrafted by local artisans, many of whom display their work exclusively at this gallery. As you explore,

the light floral scent of handmade soaps mingles with the soft, nutty aroma of oiled and waxed hardwood floors, subtly hinting at the building’s history. The quiet hum of the potter’s wheel and the occasional low roar of the gas kiln in the adjacent studio lend a tactile sense of creativity to the space. This serene atmosphere invites exploration, from intricately carved wood bowls to striking encaustic paintings that capture the essence of local wildlife and scenery.

Hamilton Williams, a potter for over three decades, spends part of his day in the studio, shaping clay into functional and decorative pieces. His work, alongside the carefully

selected creations of other local artists, gives the gallery its distinctive character. The pieces here, from functional pottery to vibrant landscapes, feel deeply connected to the Appalachian region’s natural beauty and artistic traditions.

More than just a gallery, Hamilton Williams Gallery & Studio is a reflection of Morganton and its surrounding mountains. It offers visitors a chance to discover one-of-a-kind, handmade treasures that cannot be found elsewhere. Whether you’re a local or just passing through, this gallery is a must-visit destination to experience the authentic artistry of Western North Carolina.

All in the Family

C arolina Farm Table

Back in 1980, John and Penny Ulery relocated from San Diego, California, to Sparta, North Carolina. At the time, the young couple had a company called Designs in Wood, which focused primarily on smaller craft projects like mirrors and birdhouses.

“They bought some land, wanted to homestead, and fell in love with the area,” said Devin Ulery, John and Penny’s son. “That was home base. Then, we’d travel around the country doing art shows and selling pieces, which was how you built a business before the internet.”

Between his parents’ workshop and simply growing up around the craft of woodworking, Devin soon began picking up the tools and the skill set needed to parlay that experience and apprenticeship into the second generation of the company.

“I grew up around it, and I had a familiarity with the tools,” Devin said. “I

would dabble in and out during high school and college, only to kind of come back to the business full-time at [age] 22.”

Now known as Carolina Farm Table, Devin and his family are keeping one foot in artistic tradition and craftsmanship, and the other in modern ways and means of sustaining and growing a brand.

“I’m thankful to carry on the family business, but it’s not easy,” Devin said. “It’s the rollercoaster of being an entrepreneur, especially in a niche market like this. But, the Lord has always provided and we’ve always stayed busy.”

Now a nationally renowned wood furnishing brand, the decades-old company specializes in its signature farmhouse tables — the main gathering spot for family and friends in any home — alongside hutches and other custom-made items for new and longtime clients. Each project is handcrafted to perfection, with a deep sense of patience and precision smoothing and shaping every edge and side.

“My main drive these days is the relationship with the customer,” Devin said. “And I’ve been really blessed with the [woodworking] crew we have — they’re really passionate about what they do.”

For Devin, beyond working with clients on their desired creation from the first phone call to the final inspection before shipping the item, he genuinely enjoys personally delivering pieces, where expectations being exceeded are the norm for Carolina Farm Table.

“I find satisfaction in creating the quality furniture that’s going to last a lifetime,” Devin said. “We’re hand-selecting

boards. We’re sitting there looking at the grain. We’re just trying to put thought into it all.”

When asked about just what makes wood such an intriguing material to bring to fruition the designs radiating from one’s imagination, Devin paused for a moment before responding.

“Working with wood isn’t easy. It moves. It has cracks,” Devin said. “It always kind of throws a curveball at you, even if you think you have it dialed in. But that's just part of [the process].”

Approaching its 53rd year in operation, Carolina Farm Table remains steadfast in its mission to provide quality products made by real deal folks who’ve dedicated their lives to this artistic medium — that same ethos of pride and purpose intact throughout.

“And we’ve gotten a lot of community support — they’re proud to have us doing this,” Devin said. “This is a unique business and we’re proud of it.”

Museum Cherokee People of the Living history

Recently, the Museum of the Cherokee People on the Qualla Boundary has entered a new, exciting phase of its existence — one seeking an ideal balance between preservation of the past and perpetuation of the continual evolution of the sacred culture.

“We’re fortunate to be in a community that does have tourists,” said Shana Bushyhead Condill, executive director at the museum and a member of the Eastern Band of Cherokee Indians. “But, [we want] to swing the pendulum back towards our community, so that our people here would think of this [museum] as theirs.”

Cherokee Indian Fair. MUSEUM OF THE CHEROKEE PEOPLE PHOTO

One of the oldest tribal museums in the country, the Museum of the Cherokee People was opened in 1948. Originally, the organization, its artifacts,and exhibits were showcased in an old log cabin building. By 1976, the museum launched its current site on Tsali Boulevard in the heart of the Cherokee community.

“So, we’ve been here for [a while],” Condill said. “But, the museum has always

been innovative. Folks running it were always looking to be at the forefront of what’s going on in museums, and were really forward thinking in how they were presenting the collections.”

The last renovation of the museum came in 1998, which included state-of-theart facilities for displaying the exhibits. It was the same time Condill came into the fold at the museum as an intern.

“We get to tell our own story, and we get to make our own money,” Condill said of the museum’s mindset in recalibrating its image, something also at the heart of the tribe’s conversations on its cultural identity. “And we need to think about how we do that.”

Since that time, there have been world-class exhibitions showcased at the museum. The offerings are grouped into three key areas of education and exploration: Atsila Anotasgi Cultural Specialists (storytellers, dancers, Cherokee language speakers, artists), School Opportunities (school and youth groups), and Community Learning Opportunities (workshops, lectures, classes, events).

But, for Condill, she’s looking further ahead with one question in mind — how do you tell the Cherokee story to a modern-day audience?

“A lot of our staff are younger than me. And they felt the films were ‘dated’ and ‘didn’t love that our creation story is portrayed as kind of cartoony,’’’ Condill said. “The bar [for integrity and portrayal] has been risen [from when I was a kid] — and I just love that.”

Condill also points to a lot of inaccuracies and stereotypes that

continue to be attached to the Cherokee tribe. Whereas initially those inaccurate portrayals were used to increase local tourism and the amount of money spent on the Qualla Boundary, times have changed and there’s been a big push to tell a more authentic and accurate story.

“You look around [at tourist shops] and see tomahawks and pink headdresses, stuff that doesn’t represent who we are authentically as Cherokee people,” Condill said. “We’re proud of our history, where the exhibit we have up right now [allows] us to flex our sovereignty.”

With strengthening the museum’s cultural mission through a fresher, clearer lens by which the tribe and visitors alike can focus in on the proud history and current state of the Cherokee people, so, too, came a powerful name change in the fall of 2023 — from the former Museum of the Cherokee Indian to the Museum of the Cherokee People.

“We need to really be intentional about what we say, how we say it, and who we say it to,” Condill said. “We’re not only building on the work of seven generations [behind] us, we’re also laying a foundation that allows those seven generations ahead [of us] to build on that and keep going.”

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A guide speaks to visitors at the Museum of the Cherokee People, which has been open since 1948.

Life after Helene

How the WNC Arts Scene Will Recover

In the aftermath of Hurricane Helene, which roared through Western North Carolina this past September, a large chunk of the artistic and cultural identity of our region was heavily damaged — from Dillsboro to Marion, Tryon to Boone and beyond — with some areas absolutely decimated due to the ravaging floodwaters and catastrophic mudslides.

“We lost everything,” said Sarah Wells Rolland. “We had 26 feet of water. It all went into the second floor of our building — it’s just unreal.”

Founder/owner of The Village Potters Clay Center, located in the depths of Asheville’s River Arts District, Rolland and her husband, George, are now picking up the pieces, literally and figuratively, of their business and existence in the RAD, which was bulldozed by water overtaking the banks of the ancient French Broad River.

As the creative heartbeat and social beehive of the city itself, the RAD is a beacon of culture and compassion within WNC and greater Southern Appalachia. So, it’s no wonder how disheartened and downtrodden locals and visitors alike feel in the realization of the innumerable artists, studios and galleries affected by Helene across the RAD and around our region.

Opened in 2011, Village Potters is home to eight resident artisans. The business also offers numerous classes, workshops and advanced studies programs to countless aspiring artists.

“I’ll be honest with you, for the first 24 hours, I just grieved and was in shock,” Sarah Rolland said. “But, somewhere into the next day, all of a sudden I felt recharged. It was, ‘What are we going to do next?’ And then, we started to look for

a vision and a place on how to reestablish and rebuild.”

That sentiment of overcoming obstacles in the face of adversity in the midst of the wrath of Mother Nature is something currently bubbling up at Toe River Arts. With its main gallery located in downtown Spruce Pine, the town was severely walloped by the storm, with power and water services disrupted for days and weeks.

“There are so many resources and folks who have jumped in and are doing their thing [to recover],” said Toe River Arts Executive Director Nealy Andrews. “People are processing this [disaster] at their own speed and everybody’s situation is different. But, the collective grief within the community is really heavy.”

Established at the Toe Rive Arts Council

in 1976, the TRA aims to “promote and encourage the existing cultural and educational organizations of Mitchell and Yancey counties.” And since its inception, the TRA has grown into a vibrant organization providing the resources and connectivity needed to thrive as an artist.

“We were very lucky [our gallery is] on the upper street in Spruce Pine. But, every business on Locust Street [along the North Toe River] has been wiped out,” Andrews noted. “And [yet], our community is so resilient, with artists in each of these little communities taking care of their neighbors.”

And although the Village Potters RAD studio is currently closed until further notice, that hasn’t hindered the creative flow of Sarah Rolland and her resident potters. Able to save a mobile kiln before the floods hit the RAD, Village Potters is still cranking out beautiful pieces as a result of incredibly generous donations of clay from outside entities looking to lend a hand in solidarity with WNC.

“We’re just trying to help people out to get back to work — and it’s working,” Sarah Rolland said. “I mean, it’s crazy to try and do any kind of business while we’re trying to restore the studio, but we’re doing it.”

“Find these artists’ GoFundMe pages and buy artwork online from those who’ve been affected by the floods,” Andrews added. “The arts community will rise again and the creativity is never stifled, even in all this — support these artists.”

Embark on an Adventure

Blue Ridge Craft Trail Sites

FAR WEST

ROBBINSVILLE

Graham County Barn Quilt Trail grahamquilttrails.org/barn-quilts. html

QUILT TRAIL

Hunting Boy Wood Carving facebook.com/huntingboywoodcarving WOOD

Snowbird Cherokee Matriarchs Mural grahamcounty.net

MURAL

Stecoah Drive-About stecoahvalleycenter.com

STUDIO TOUR

Stecoah Valley Cultural Arts Center

stecoahvalleycenter.com

ARTS ORGANIZATION

CANTON

Sabbath-Day Woods sabbathdaywoods.com

WOOD

Thomas Langan American Folk Art thomaslangan.com

WOOD

CLYDE

Art Jewelry by Ilene art-jewelry-by-ilene.com

JEWELRY

Haywood Community College Professional Crafts Program creativearts.haywood.edu/professional-crafts-program/ EDUCATION

MAGGIE VALLEY

Different Drummer Pottery differentdrummerpottery.com

POTTERY

Haywood Barn Quilt Trails haywoodquilttrails.com

QUILT TRAIL

Mike McKinney mikemckinneywoodturning.com

WOOD

Mountain Mike's Whetstone Woodworks maggievalleycarving.com

WOOD

Woodburnings by Myron facebook.com/woodburningsbymyron

WOOD

WAYNESVILLE

Axe & Awl Leatherworks axeandawlleatherworks.com

LEATHER

Christina Bendo Pottery christinabendo.com

POTTERY

Folkmoot USA folkmoot.org/ ARTS ORGANIZATION

Glass by Gale glassbygayle.com

GLASS

Green Hill Gallery facebook.com/greenhillgallery11/ GALLERY

Haywood County Arts Council & Gallery haywoodarts.org

ARTS COUNCIL

Hazelwood Pottery hazelwoodpottery.com

POTTERY

Jewelers Workbench thejwbench.com

JEWELRY

Kaaren Stoner Design Studio facebook.com/KaarenStonerDesignStudio

POTTERY

Metzger's Burl Wood Gallery burlgallery.com

WOOD

Mud Dabbers Pottery and Crafts muddabberspottery.com

POTTERY

Museum of North Carolina Handicrafts sheltonhouse.org/ MUSEUM

Before you head out

Western North Carolina was impacted by Hurricane Helene in September 2024. Artists, galleries, and studios' hours and locations may have changed. We encourage you to contact the sites before visiting them.

Red Metal redmetal.net

METAL

Twigs & Leaves Gallery twigsandleaves.com

GALLERY

Waynesville Public Art Trail waynesvillepublicart.org

SCULPTURE

Whitewoven Textile Arts Studio graffitimats.com

FIBER

CASHIERS

Mountain Mist Gallery mountainmistgallery.com

GALLERY

Wofford Sculpture Studio woffordsculpturestudio.com

SCULPTURE

Zachary-Tolbert House cashiershistoricalsociety.org/ MUSEUM

CULLOWHEE

Mountain Heritage Center

wcu.edu/engage/mountain-heritage-center/index.aspx MUSEUM

Mountain Heritage Day mountainheritageday.com FESTIVAL

Rogers Metals Studio RogersMetals.com METAL

WCU Fine Art Musem wcu.edu/bardo-arts-center/ MUSEUM

DILLSBORO

Dogwood Crafters dogwoodcrafters.com

GALLERY

Green Energy Park jcgep.org/ ARTS ORGANIZATION

Monteith Farmstead appwomen.org

MUSEUM

Tunnel Mountain Crafts facebook.com/tunnelmountaincrafts/ GALLERY

SYLVA

BarkWood Studio facebook.com/barkwoodstudio/ PRINTMAKING/PAPER

Gallery 1 Sylva gallery1sylva.com

GALLERY

Rotunda Gallery jacksoncountyarts.org

ARTS COUNCIL

Shira Forge shiraforge.com

METAL

WNC Pottery Festival wncpotteryfestival.com POTTERY

FRANKLIN

Carol Lynn Johnson Glass Art

carollynnjohnson.com GLASS

Cowee School Arts & Heritage Center coweeschool.org/ ARTS ORGANIZATION

Cowee Textiles coweeschool.org/ FIBER

NC Mountain Made ncmountainmade.com

GALLERY

Rickman’s General Store mainspringconserves.org/ be-a-mainspring/properties/therickman-store/ ARTS ORGANIZATION

Silver Threads and Golden Needles

Silverthreadsyarn.com

FIBER

The Uptown Gallery, Macon County Art Association franklinuptowngallery.com

GALLERY

HIGHLANDS

Bijou Jewelry

bijoujeweler.myshopify.com

JEWELRY

The Bascom: A Center for Visual Arts

thebascom.org/ ARTS ORGANIZATION

CHEROKEE

Bearmeat’s Indian Den bearmeats-indian-den.com

GALLERY

Cherokee Baskets and Vessels facebook.com/traditionalcherokeenc

BASKETS, CLAY

Cherokee Indian Fair (October) visitcherokeenc.com/events/ detail/cherokee-indian-fair/ FESTIVAL

Medicine Man Crafts medicinemancrafts.com

GALLERY

Mountain Farm Museum nps.gov/grsm/planyourvisit/mfm. htm

MUSEUM

Museum of the Cherokee People motcp.org

MUSEUM

Native American Craft Shop nativeamericancraftshop.com

GALLERY

Oconaluftee Indian Village

visitcherokeenc.com/play/attractions/oconaluftee-indian-village/ MUSEUM

Qualla Arts and Crafts Mutual, Inc.

quallaartsandcrafts.com

GALLERY

Saunooke’s Mill cherokeesaunookemill.com

GALLERY

Traditional Hands TraditionalHands.com

JEWELRY, GALLERY

BRYSON CITY

Gallery Zella galleryzella.com

GALLERY

Local Handmade Pottery

POTTERY

Southwest Community College Heritage Arts facebook.com/scc.nsa/ EDUCATION

Susan Coe Pottery susancoepottery.com

POTTERY

BRASSTOWN

Brasstown Carvers folkschool.org/BrasstownCarvers/index.php

GALLERY

Fall Festival folkschool.org FESTIVAL

Craft Trail Regions

Smoke in the Mountains Pottery smokeinthemountainspottery. com

POTTERY

Time to Fuse timetofuse.com

GLASS

HAYESVILLE

Cherokee Cultural Center cccra-nc.org/ ARTS ORGANIZATION

Cherokee Heritage Festival cccra-nc.org/cherokee-culture FESTIVAL

Cherokee Homestead Exhibit clayhistoryarts.org/ MUSEUM

Clay County Barn Quilts Trail historichayesvilleinc.com

QUILT TRAIL

Waldroup Woodworks waldroupwoodworks.com

WOOD

MURPHY

Cherokee County Arts Council

cherokeeartscouncil.org/ ARTS ORGANIZATION

Cherokee County Chamber & Welcome Center cherokeecountychamber.com CHAMBER

Cherokee County Historical Museum cherokeecounty-nc.gov/183/Historical-Museum

MUSEUM

Gallery 26 gallery26.org/ GALLERY

Jo Kilmer, Spirit Tall spirittall.com WOOD

Highlander Gallery highlandergallery.com

GALLERY

John C. Campbell Folk School folkschool.org

EDUCATION

Pine Needles and Things facebook.com/PineNeedlesAndThings BASKETS

Relis Art Studio relisart.com

PAINTING

Silva Gallery facebook.com/silvagalleryart

GALLERY

Clay County Chamber

Mural claychambernc.com

MURAL

Festival on the Square clayhistoryartsnc.org/ FESTIVAL

Goldhagen Art Glass S tudio goldhagenartglass.com

GLASS

Historic Clay County Courthouse / Beal Center bealcenter.org/ ARTS ORGANIZATION

Old Jail Museum clayhistoryartsnc.org/ MUSEUM

Lotsa Memories lotsamemories-shop.info/ GALLERY

Murphy Art Center valleyriverarts.com ARTS ORGANIZATION

Olive's Porch olivesporch.org/  EDUCATION

Turning Point Clay turningpointclaystudio.com

POTTERY

ANDREWS

Valleytown Cultural Arts and Historical Center vcahs.com

ARTS CENTER

Far West Central Mountains
High Country to Yadkin Valley Foothills

CENTRAL MOUNTAINS

MARSHALL

Flow Gallery

flowmarshall.com

GALLERY

Madison County Arts Council

madisoncountyarts.com

ARTS COUNCIL

Marshall High Studios marshallhighstudios.com

ART STUDIOS

Melting Mountain Pottery

meltingmountainpottery.com

POTTERY

Moon Girl Glass moongirlglass.com

GLASS

Old Marshall Jail oldmarshalljail.com

MUSEUM

Rose Hollow Connections

rosehollowconnections.com

WOOD Township 10 township10.org/ POTTERY

MARS HILL

Lybar Creations lybarcreations.com

METAL

Mars Landing Gallery

marslandinggalle ries.com

GALLERY

Mudluscious Pottery and Gardens

mudlusciouspottery.com

POTTERY

HOT SPRINGS

Artisun Gallery

facebook.com/ArtiSunGallery

GALLERY

Gallery 339

terrythirion.com

GALLERY

OLD FORT

Arrowhead Artists and Artisans League arrowheadart.org/

GALLERY

Grove Hill Pottery & Farm

facebook.com/grove-hill-pottery1418263098386541/?ref=page_

internal POTTERY, FIBER

Turtle Island Pottery

turtleislandpottery.com/ POTTERY

MARION

McDowell Arts Council mcdowellarts.org/ ARTS COUNCIL

McDowell County Quilt Trail

mcdowellquilttrails.com

QUILT TRAIL

LITTLE SWITZERLAND

Artisan League of Little Switzerland (ALLS) Gallery facebook.com/ArtisanLeagueOfLittleSwitzerland

GALLERY

BAKERSVILLE

Joerling Studio joerlingstudio.com

POTTERY

Speckled Dog Pottery speckleddogpottery.com

POTTERY

Andersen Pottery 828-688-2645

POTTERY

Aurichio Ironworks coleaurichio.com

METAL

Bandana Pottery bandanapottery.com

POTTERY

Collene Karcher Stone

Carver collenekarcher.com

STONECARVING

Geci/Martin Studios jgeciglass.com, courtneymartinpottery.com

GLASS, POTTERY

Gertrude Graham Smith

Pottery gertrudegrahamsmith.com

POTTERY

Guerard Studios guerardglass.com

GLASS

In Tandem Gallery intandemgallery.com

GALLERY

Jenny Lou Sherburne

Pottery

jennylousherburnepottery.com

POTTERY

Kline Pottery klinepottery.com

POTTERY

LZS Pottery & Summerfield Glass lzspottery.com

POTTERY, GLASS

Mica Fine Contemporary Craft micagallerync.com

GALLERY

Nathan & Mariella Favors nathanfavors.com

WOOD

Sweetgrass Artisan Mercantile sweetgrassartisanmercantile.com

GALLERY

Teresa Pietsch Pottery teresapietsch.com

POTTERY

Terry Gess Pottery terrygesspottery.com

POTTERY

PENLAND

Bringle Gallery cynthiabringlepottery.com

POTTERY, FIBER

Penland Gallery penland.org/gallery/ GALLERY

Penland School of Craft penland.org/ CRAFT SCHOOL

SPRUCE PINE

Fire on the Mountain facebook.com/fireonthemountainfestival/ FESTIVAL

Spruce Pine Potters Market SprucePinePottersMarket.com FESTIVAL

Spruce Pine Toe River Arts Gallery toeriverarts.com

GALLERY

Stroup Hobby Shop strouphobbyshop.com

WOOD

TREATS Studio treatsstudios.org/ ART STUDIOS Woody's Chair Shop woodyschairshop.com

WOOD

BURNSVILLE

Andrew Meers Studio andrewmeersstudio.com

METAL

Bernstein Glass bernsteinglass.com

GLASS

Burnsville Toe River Arts Gallery toeriverarts.com

GALLERY

Crowder Guitars facebook.com/crowderguitars

LUTHIER

Forde-Wilson Glass instagram.com/fordewilsonglass/ GLASS

Hartsoe Pottery hartsoepottery.com

POTTERY

Hearth Glass hearthglassnc.com

GLASS

Levin Glass robertlevin.com

GLASS

McWhirter Pottery mcwhirterpottery.com

POTTERY

Mudventions mudventions.com

POTTERY

Page Pottery PagePottery.com

POTTERY

Paul Eisenhauer WOOD

Pieper Glass pieperglass.com

GLASS

Rutkowsky Pottery rutkowskypottery.com

POTTERY

Selena Glass & Metal selenaglassandmetal.com

GLASS,METAL

Toe River Studio Tour

toeriverarts.org/about-the-tour/ GALLERY

TW Weaving twweaving.com

FIBER

Yummy Mud Puddle yummymudpuddle.com

POTTERY

ASHEVILLE

Appalachian Craft Center

Appalachiancraftcenter.com

GALLERY

Arbitrary Forms Studio robertmilnes.com

POTTERY

Ariel Gallery Arielcraftgallery.com

GALLERY

Asheville Art Museum ashevilleart.org/ MUSEUM

Beaverdam Studio Tour beaverdamstudiotour.com

STUDIO TOUR

Biltmore Industries

Homespun Museum grovewood.com/biltmore-industries-homespun-museum/ MUSEUM

Black Mountain College Museum & Arts Center blackmountaincollege.org/ MUSEUM

Blue Spiral 1 Gallery bluespiral1.com

GALLERY Center for Craft centerforcraft.org/ GALLERY

Craft Fair of the Southern Highlands southernhighlandguild.org/ shops-and-fairs/craft-fair-of-thesouthern-highlands/ FESTIVAL

Edwin Salas edwinsalas.com

SCULPTURE

Folk Art Center southernhighlandguild.org

GALLERY

Gallery of the Mountains galleryofthemountains.com

GALLERY

Grovewood Gallery grovewood.com/grovewood-gallery

GALLERY

JCR Designs

jcrdesigns.net/ POTTERY

Laura Wood Studio laurawoodstudios.com

JEWELRY

Lexington Glassworks lexingtonglassworks.com

GLASS

Momentum Gallery momentumgallery.com

GALLERY

Mora moracollection.com

JEWELRY

Mountain Made mtnmade.com

GALLERY

Noir Collective AVL noircollectiveavl.com

GALLERY

North Carolina Arboretum ncarboretum.org/

GALLERY

North Carolina Ceramic Arts Festival northcarolinaceramicartsfestival. com

FESTIVAL

North Carolina Glass Center ncglasscenter.org

GLASS

Stuart Nye Hand Wrought Jewelry stuartnye.com

JEWELRY

The Basket centerforcraft.org/community-initiatives/the-basket

PUBLIC ART, SCULPTURE

The Woodrow Instrument Company thewoodrow.com

LUTHIER

Waxon Batik & Dye Studio waxonstudio.com

FIBER

Woolworth Walk Wooloworthwalk.com

GALLERY

RIVER ARTS DISTRICT

ASHEVILLE

362 Depot St. aboutcolor.net/ FIBER

Foundation Studios foundationstudiosavl.com

ART STUDIOS

Foundation Woodworks foundationwoodworks.com

WOOD

Local Cloth, Inc. localcloth.org/ FIBER

Pink Dog Creative/Noel Yovovich noelyovovich.bigcartel.com

JEWELRY

Rite of Passage Clothing and Sew Co.  riteofpassageclothing.com/, wcsewco.com/ FIBER

River Arts District Assoc. riverartsdistrict.com

ARTS ORGANIZATION

Riverview Station/The Village Potters

Thevillagepotters.com

POTTERY

Trackside Studios tracksidestudios.com

ART STUDIOS

ARDEN

Erica Stankwytch Bailey esbjewelry.com

JEWELRY

Ruthie Cohen etsy.com/shop/ruthiecohenjewelry

JEWELRY

BLACK MOUNTAIN

Black Mountain Center for the Arts blackmountainarts.org GALLERY

Mountain Nest mtnnest.com

GALLERY

Obee Editions/Wishing Flower Press & Bindery obeeeditions.com

PRINTMAKING

Rickenbacker Violins rickenbackerviolins.com LUTHIER

Sarah Sunshine Pottery sarahsunshinepottery.com POTTERY

Seven Sisters Craft Gallery sevensistersgallery.com GALLERY

The Red House Studios & Gallery redhousegallery.org/ GALLERY, STUDIOS

FAIRVIEW

The Patchwork Underground thepatchworkunderground.com FIBER, PAPER

LEICESTER

Cat Jarosz facebook.com/catjaroszpottery

POTTERY

Come to Leicester Studio Tour

cometoleicester.org STUDIO TOUR

Doc Welty thepotterydoc.com

POTTERY

Macadoo Pottery (828) 242-5110

POTTERY

Peggy Eckel, Warp7wvr 828-215-9293

FIBER

SWANNANOA

Spirit Handpans spirithandpans.com

METAL, INSTRUMENT BUILDER

WEAVERVILLE

Crucible Glassworks Crucibleglassworks.com

GLASS

Mangum Pottery mangumpottery.com

POTTERY

Miya Gallery miyagallery.com

GALLERY

Out in Jupiter Farm annhord-heatherley.com

FIBER

Pride and Archive prideandarchivejewelry.com

JEWELRY, WOOD Q Evon Design qevon.com

JEWELRY

Reems Creek Pottery facebook.com/reemscreekpottery

POTTERY

Salvaterra Pottery & Woodworks

Potsandwood.com

POTTERY, WOOD

Weaverville Art Safari weavervilleartsafari.com

STUDIO TOUR

HIGH COUNTRY TO YADKIN VALLEY SPARTA

Alleghany Arts & Crafts facebook.com/alleghanyartscrafts

GALLERY

Blue Ridge Fiber Fest blueridgefiberfest.com

FIBER

Blue Ridge Woodcrafters & Woodcrafts by Hedrick blueridgewoodcrafter.com

WOOD

Carolina Farm Table carolinafarmtable.com

WOOD

Mangum-Cater on Main mangumcateronmain.com

POTTERY

Pottery Place ncmountainartsadventure.com/ the-pottery-place/ POTTERY, GLASS

Three Crows Metal Works

threecrowsmetalworks.com

JEWELRY

LAUREL SPRINGS

Hughes Glass hughesglass.net/ GLASS

ROARING GAP

James Garrett jamespgarrett.net

PAINTING

WEST JEFFERSON

Ashe County Arts Council & Arts Center ashecountyarts.org/ ARTS CENTER

Ashe County Studio Tour ashecountyarts.org/ STUDIO TOUR

Florence Thomas Art School florenceartschool.org/ ARTS CENTER

High Meadows Pottery 336-877-0446

POTTERY

CRUMPLER

Grassy Creek Pottery grassycreekpottery.com

POTTERY

CRESTON

Red Salamander Pottery redsalamanderpottery.com

POTTERY

LANSING

Lost Province Center for the Cultural Arts lostprovincearts.org

ARTS ORGANIZATION

CROSSNORE

Crossnore Weavers crossnore.org/crossnore-weavers FIBER

BANNER ELK

Art Cellar Gallery artcellaronline.com

GALLERY

Historic Banner Elk School Cultural Arts Center beartistsgallery.com

ARTS CENTER

Before you head out

Western North Carolina was impacted by Hurricane Helene in September 2024. Artists, galleries, and studios' hours and locations may have changed. We encourage you to contact the sites before visiting them.

Maggie Black Pottery maggieblackpottery.com

POTTERY

NEWLAND

MH Studios mhstudios.com  WOOD

Pam Brewer pambrewer.com POTTERY

Stringham Carvings facebook.com/stringhamcarvings WOOD

BEECH MOUNTAIN

Avery County Quilt Trail beechmtn.com/avery-countyquilt-trail/ QUILT TRAIL

LINVILLE FALLS

Anvil Arts Sculpture Garden and Gallery studiosculpture.com  SCULPTURE

LENOIR

Bolick Pottery bolickandtraditionspottery.com POTTERY

Caldwell Arts Council caldwellarts.com

ARTS ORGANIZATION

Gin's Knob Folk Art

828-729-2437

FOLK ART

Kogut Violins 828-493-4875

LUTHIER

Latos Pottery 828-381-1589

POTTERY

Wishful Thinking Studio wishfulthinkingstudio.com

POTTERY

WNC Sculpture Center wncsculpture.org/ SCULPTURE

HUDSON

HUB Station townofhudsonnc.com/the-hubstation GALLERY

ELKIN

Foothills Arts Center foothillsarts.org

ARTS COUNCIL

John Furches Gallery johnfurches.com PRINTMAKING

The November Room remembernovember1109@gmail. com

GALLERY

Yadkin Valley Fiber Center yadkinvalleyfibercenter.org/ FIBER

Yadkin Valley Quilts yadkinvalleyquilts.com QUILTING

MT. AIRY

Surry Arts Council surryarts.org/ ARTS COUNCIL

BLOWING ROCK

Blowing Rock Art & History Museum blowingrockmuseum.org/ MUSEUM

High Country Candles highcountrycandles.net/ CANDLES

Southern Highland Craft Guild in Moses Cone Manor southernhighlandguild.org or mosesconemanor/ GALLERY

The Mountain Thread Company themountainthreadcompany.com FIBER

Traditions Pottery bolickandtraditionspottery.com POTTERY

BOONE

Doe Ridge Pottery doeridgepottery.homestead.com POTTERY

Hands Gallery handsgallery.org/ GALLERY

Jones House joneshouse.org/ GALLERY

Turchin Center tcva.appstate.edu

MUSEUM

Watauga Arts Council watauga-arts.org

ARTS COUNCIL

SUGAR GROVE

Capozzoli Guitar Company capozzoliguitarcompany.com

LUTHIER

BOOMER

Betsy Brey 336-921-2424

BASKETS

TRAPHILL

Mary Freas-Sunset Fiber Works sunsetfiberworks.com FIBER

MILLERS CREEK

Susan Roath GLASS

North Wilkesboro Taupe Gallery taupegallery.com

GALLERY

Wilkes Art Gallery wilkesartgallery.org

GALLERY

Wilkes County Hardware hardwarelifewife.com

GALLERY

WILKESBORO

Ben Long Fresco-St. Paul's stpaulwilkesboro.org/frescoes-ofst-pauls MURAL

HAMPTONVILLE

Two Creeks Pottery POTTERY

YADKINVILLE

Beth Andrews Art bethandrews-art.com

MIXED MEDIA

Lisa Reavis Drum yadkinarts.org/artisans/lisa-reavis-drum/ MIXED MEDIA

Ron Davis 336-466-3182

WOOD

Yadkin County Quilt Trail visityadkin.com

QUILT TRAIL

Yadkin Cultural Arts Center yadkinarts.org/ GALLERY

FOOTHILLS

MORGANTON

Burke Arts Council burkearts.org/ ARTS COUNCIL

Hamilton Williams Gallery and Studio hamiltonwilliams.com

POTTERY, GALLERY

Markey & Son markeywoodcraft.com

WOOD

Oak Hill Iron + Wood oakhilliron.com

METAL, WOOD

OSuzannah's osuzannahsyarnonunion.com

FIBER

Paradise Custom Glass  paradisecsg.com

GLASS

West Union Art Studios westunionartstudiosllc.com

POTTERY

DREXEL

Denise Riddle Art

POTTERY, MIXED MEDIA

VALDESE

Rock School Arts Foundation rockschoolartgalleries.com

ARTS ORGANIZATION

TRYON

Kudzu Patch Productions kudzupatch.net

LUTHIER

Meghan Bernard meghanbernardpottery.com/ about

POTTERY

Nest Artisan Market facebook.com/the-nest-artisan-market-663378487092561

GALLERY

S. Oliver Pottery samanthaoliver.com

POTTERY

Saluda Forge

saludaforge.net/ METAL

Tryon Arts & Crafts School tryonartsandcrafts.org

CRAFT SCHOOL

Tryon Fine Art Center tryonarts.org

ARTS COUNCIL

Tryon Painters & Sculptors

tryonpaintersandsculptors.com

GALLERY

Upstairs Artspace upstairsartspace.org

GALLERY

SALUDA

Heartwood Contemporary Crafts Gallery heartwoodsaluda.com

GALLERY

Saluda Moon Glass Studio & Gallery

saludamoonglassstudio.art/ GLASS

Wood Berry Gallery woodberrygallery.net

GALLERY

MILL SPRING

BJ Precourt, Wood facebook.com/bjthefolkartcover WOOD

COLUMBUS

Dacey Porcelains daceyporcelains.com

POTTERY

RUTHERFORDTON

Beard Instuments facebook.com/pages/ category/musical-instrument-store/beard-instruments-209431466155662/ LUTHIER

Dragonfly Market Place facebook.com/dragonflywnc/ GALLERY

Impulse Art Shop impulseartshop.com

GALLERY

Night Owl Iron Works

nightowlironworks.com

METAL

Porch Potters theporchpotters.com

POTTERY

Rutherford Visual Arts Center artatthevac.com

ARTS CENTER

FOREST CITY

Bairs Den Pottery facebook.com/bairsden-pottery-1042966892513692/ POTTERY

Off the Beaded Path offthebeadedpathbeadstore.com

JEWELRY

Weitzel Art weitzelart.net

SCULPTURE

CHIMNEY ROCK

Doug Bowman Galleries

therusticlamp.com

WOOD

UNION MILLS

Parsons Wood Artistry parsonswoodartistry.com WOOD

BREVARD

3 Oak Handcrafted 3oakhandcrafted.com WOOD

Blue Moon Gallery and Frame bluemoongalleryandframe.com GALLERY

DerGara Studios anndergaraart.com PRINTMAKING

Lizards Rock lizardsrockbrevard.com

GALLERY

Local Color facebook.com/LocalColorShop GALLERY

Mud Dabbers Pottery of Brevard muddabbers.com

POTTERY

Newfound Artisan newfoundartisan.com

LEATHER, JEWELRY Number 7 Arts number7arts.org

GALLERY

Red Wolf Gallery redwolfgallerync.com GALLERY

Starfangled Press StarfangledPress.com PRINTMAKING

The Duckpond Pottery facebook.com/theduckpondpottery POTTERY

The Lucy Clark Gallery & Studio

lucyclarkgallery.com

POTTERY, GALLERY

Transylvania Community Arts Council

tcarts.org

ARTS COUNCIL

HENDERSONVILLE

A Walk in the Woods awalkinthewoodswnc.com

GALLERY

Apple Country Woodcrafters applecountrywoodcrafters.org/ WOOD

Art MoB Studios and Marketplace artmobstudios.com

GALLERY, STUDIOS

Carolina Mountain Artists Guild facebook.com/carolinaartists

GALLERY

Heritage Weavers & Fiber Artists hwfawnc.org

FIBER

Pink House Studio

POTTERY

Woodlands Attire & Art shopwoodlands.com

GALLERY

FLAT ROCK

Art on Main acofhc.org/ EVENT

Arts Council of Henderson County acofhc.org/ ARTS COUNCIL

Berning Pottery berningpottery.com  POTTERY

Henderson County Open

Studio Tours

STUDIO TOUR

Sweet Magnolia Gallery melindalawton.com

JEWELRY

The Gallery at Flat Rock galleryflatrock.com

GALLERY

MILLS RIVER

Leftwich Pottery

leftwichpottery.com

POTTERY

Maggie Valley Rock Shop

Restablished In 2015 with the arrival of Blue Earth Traders, Maggie Valley’s sleepy tucked away rock shop began expanding! Still tucked away under huge trees and bamboo, they now have 2 heated buildings, a gazebo, a greenhouse and numerous outdoor displays! Ever changing huge inventory and killer

prices are the business model that makes this a world class destination rock shop! And don’t forget their gem mine sluice buckets are chock full of cool gemstones! Not just a rock shop they offer handmade jewelry, soaps, skincare products, sages and now even have a Candy Corner! Fossils? Yep! From a large collection of Carolina

Megalodons to Wooly Mammoth and Wooly Rhinoceras teeth and jawbones! Jewelry?

They’re loaded, from a vast array of Sterling Silver at rock shop prices, to your favorite gemstone stretch bracelet. Meteorites to Moldavite, its here! Open Daily 10-6!

Forged by Fire

Night Owl Iron Works & Leathercraft

LEARN MORE

Initially, Jordan Jackson was just looking for a hobby. Something where he could be creative, use his hands, and still be able to be at home and take care of his son, with Jackson being a single dad at the time.

“I’d be out behind the house working on projects while my son was in bed and I could go check on him,” Jackson said. “That’s kind of where I picked up the craft.”

The craft was blacksmithing. Jackson learned quickly, and he began to excel as a young metalsmith. Between the red-hot forge and slew of traditional tools used to craft his wares, Jackson found an artistic avenue and spiritual headspace to call his own.

“I’ve just always been really intrigued by the material,” Jackson said.

Originally, Jackson was a hairstylist in Rutherfordton. Back then, his daily life consisted of cutting hair during the day and stoking the hot coals of the forge at night, all while honing his craft as a blacksmith late into the evening.

“It was a slow build,” Jackson said of

becoming a professional blacksmith. “Then, I started taking more time off from the salon and teaching more [blacksmith classes]. I got to the point where I had to pick something to focus on — the ironwork won out.”

By 2016, he’d established Night Owl Iron Works in Rutherfordton. A few years later, his now wife, Rachel, was encouraged by Jordan to pick up a craft of her own. Soon, she found leathercraft. Rachel didn’t think it would stick at first, but something clicked within.

"I was laid off from my job and Jordan kept encouraging me to try leatherwork,” Rachel said. “I’d never worked with my hands before. But, it was so rewarding. It was trial and error, and I fell in love with it — I can’t imagine doing anything else now.”

Now known as Night Owl Iron Works & Leathercraft, the couple’s handcrafted pieces range from custom knives and a bevy of utilitarian items to wallets, belts, and more.

Jordan Jackson hammering away at a piece of iron.

“I want for something to have a use, some type of practical use,” Jordan said. “If you’re going to make something just utilitarian, you’ll make it the best you can, the most appealing you can, even if it’s something as simple as a hook or knife.”

But, the real “pinch me” moment for Night Owl came when Jordan won the “Forged in Fire” championship in 2021, a popular show on The History Channel. From there, it was international exposure for his talents.

“Right now, we’re making a shift from more custom pieces to an actual inventory,” Rachel said. “We’ve been building this brand and it’s been strange to think we now have people contacting us directly and just want to know what we have [for purchase].”

In terms of the in-person workshops offered at Night Owl, hands-on topics attendees and apprentices can dive deep into and create pieces on their own include: “Intro to Blacksmithing,” “Horseshoe Knife,” “Pack Knife,” “Railroad Spike Knife,” “Tomahawk,” and “Custom Knife,” amongst many others.

And yet, even with the accolades, notoriety, and continued evolution of Night Owl, what remains for Jordan Jackson is the intricate, intrinsic act of a human being finding themselves in a delicate dance with the natural elements of fire and water — carefully conjuring and cultivating exquisite pieces to stand the test of time.

“It’s a lot of heat and noise. It’s intense and there’s a lot going on,” Jackson said. “You’re tiring yourself out and swinging away. But, there’s this stillness I find there — it’s this quiet on the inside [of myself] that I enjoy.

Creating Community

Noir Collective AVL

In the heart of downtown Asheville, along Market Street, in a district known as “The Block,” sits the Noir Collective AVL. A beehive of creativity and community, the business is many things to many people — art gallery, boutique store, bookstore and, perhaps, most importantly, a beacon of culture.

“So, ‘collective’ kind of takes the place of the word ‘community’ to insinuate that there’s a way we can thrive together,”

said Alexandria Monque Ravenel. “The creators? Their job is to be creative. Our job is to take care of this place.”

Ravenel and her youngest child, Ajax, co-own the Noir Collective AVL. Opened in 2020, it’s a proudly Blackowned business, with the ethos of the establishment residing in what’s clearly stated on their website: “While we cannot change the past, we can look forward to an inclusive future.”

“We have some really experienced artists here who need nothing from me, just a place to show their work,” Ravenel said. “Then, we have new artists coming in and they’re not sure how to show their work. And we have conversations with these artists to talk about what it means to price according to their value, time, and work.”

“The Block” is the nickname for the longtime African American business sector centered around Market Street. The crown jewel of the district is the YMI Cultural Center, a large building housing numerous community organizations and Blackowned stores, including the Noir Collective AVL — all of which form an anchor of commerce and community for African Americans living in Asheville and greater Western North Carolina.

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Noir Collective is a cultural beehive located on “The Block” in Asheville.

“It’s an honor to be kind of a steward of this mission, which is to make sure that Black presence is not erased from The Block,” Ravenel said.

And although The Block remains a bastion of Black culture in Asheville, the city itself has had much of its Black history disappear underneath the sands of time, with much of the prominent names and businesses fading away.

Case in point, the Noir Collective AVL aims to not only preserve the rich, vibrant history of Black culture and business in the area, but also perpetuate the growth and progress of new entities pushing headlong into the 21st century and beyond.

“A lot has been erased,” Ravenel said. “And that’s our task here at the Noir Collective — we’re on a less beaten path.”

One of the key initiatives put forth by the Noir Collective AVL is the popular “First Friday” gatherings. Each first Friday of the month, the business is transformed into an evening of genuine connectivity. Certain artists are showcased and bountiful conversations sparked, with all in attendance leaving the space with a better sense of self, and of their surroundings.

“It’s themed, and nobody knows the theme until somebody emerges and says, ‘Hey, I want to do something,’” Ravenel said. “It could be poetry and painting, actors doing monologues, an art opening or a dance party — we want to give everybody an opportunity [to participate].”

And yet, even with the passion put forth by the Noir Collective AVL in cultivating Black culture and sharing it with those walking into the shop — on purpose or by happenstance — what Ravenel ultimately aims for is a time when we see each other as artists and human beings simply creating and interacting with each other.

“We hope for a time where we don’t need anything labeled as ‘Black-owned,’ ‘Black-featured,’ or ‘Black-focused,’” Ravenel said. “Where opportunities open up that are equitable across the block, so then we can just be a shop of entrepreneurs.”

"The Playwright" by Jenny Pickens.

Throwing Inspiration

WNC

Pottery Festival

When it comes to clay and pottery in Western North Carolina and greater Southern Appalachia, the epitome of creativity, camaraderie, and candor is Joe Frank McKee.

“I love promoting clay,” McKee said. “More clay is used for art therapy and so many more things than just making pots. They even use high-temperature ceramic tiles for space shuttles.”

Taking place each November, the gathering, which was originally in Dillsboro, has been held in Bridge Park in Sylva in recent years. With dozens of vendors, countless pottery lovers, and the curious alike descending upon the event, it has become one of the marquee fall arts and crafts dates in the Blue Ridge Mountains.

“Potters are a tight-knit network of friends,” McKee said. “And [the festival] is that common thread for people on what they want to make, what they want to do, and how you can just light somebody up to have a good experience.”

Launched in 2005, the festival itself has become the stuff of legend.

“We wanted to give Western North Carolina an opportunity to showcase their potters,” McKee modestly noted. “We just

wanted to establish something here.”

With thousands of spectators attending the one-day festival, it’s a place where imagination, ingenuity, and innovation collide in this organized chaos of malleable materials and the human spirit. Especially when it comes to the pinnacle of the festival, the “North Carolina Throwdown” (formerly the “Clay Olympics”), where potters compete against each other in front of a live audience.

During the throwdown, potters are given certain obstacles to overcome, including setting the potter’s wheel in reverse to shake up the competitors and see just what might come to fruition.

The WNC Pottery Festival, now a fixture at Bridge Park in Sylva, has been attracting potters and visitors since 2005.

“If the pots are flowing and everything is clicking?” McKee said. “You just keep moving.”

For McKee, his genuine love and passion for pottery first emerged while in college. Initially, he was an architectural engineering major. But, then, by chance and happenstance, McKee switched schools and found himself in a ceramics class.

“I was hooked. I could understand [pottery],” McKee said. “And I was very fortunate that my instructor owned a gallery and did art shows.”

By having a professor not only skilled in making pottery, but also well-versed in how to market and sell one’s wares, McKee absorbed the ideal skillset to create honestly and to run a business efficiently.

“We learned to make functional pots, but he taught it from a standpoint of making a living doing it,” McKee said. “And after graduation, I opened a gallery.”

Throwing clay since 1990, McKee is quickly approaching 35 years immersed in a craft and a business at the heart of who he is, with Jackson County being his home and studio for many years.

“It all just ‘harmonizes,’ I guess that would be the word,” McKee said. “You don’t hear it, but there’s rhythms all around you.”

When asked what that “in the zone” space is like while in the midst of taking a lump of clay and conjuring a piece of artistic beauty, whether it be alone in the studio setting or doing a live demonstration, McKee chuckles.

“The firing process is always a spiritual moment,” McKee said. “With the throwing part of it, you’re just so wrapped in it. When it’s right, when it’s smooth as silk? Nothing else matters.”

Happenings & Events

JANUARY

Fiber Expo, Heritage Weavers & Fiber Artists

Hendersonville www.hwfawnc.org/events

APRIL

Southern Highland Craft Guild, Glass, Metal & Clay Day

Asheville

blueridgeheritage.com/event/glass-metalday

Weaverville Art Safari

Weaverville

blueridgeheritage.com/destinations/ weaverville-art-safari

Fire on the Mountain Blacksmith Festival

Spruce Pine

blueridgeheritage.com/destinations/fireon-the-mountain

Local Cloth Fiber Fest

Asheville

blueridgeheritage.com/event/local-clothfiberfest

MAY

Southern Highland Craft Guild: Fiber Day, May

Asheville blueridgeheritage.com/event/fiber-day

Village Potters, Annual Multi-kiln Opening Event

Asheville thevillagepotters.com/but-wait-theresmore/annual-multi-kiln-openingcelebration

WNC Yarn Crawl

Various sites wncyarncrawl.com/about

JUNE

Art on the Greene Banner Elk, 4 weekends every summer bannerelk.com/members/art-on-thegreene

Before you head out Western North Carolina was impacted by Hurricane Helene in September 2024. Artists, galleries, and studios' hours and locations may have changed. We encourage you to contact the sites before visiting them.

Blue Ridge Fiber Fest

Sparta blueridgefiberfest.com

Toe River Arts Studio Tour

Burnsville, Spruce Pine, Bakersville (Yancey & Mitchell Counties), blueridgeheritage.com/destinations/toeriver-studio-tour

Stecoah Drive-about Tour

Robbinsville

blueridgeheritage.com/destinations/ stecoah-drive-about-tour

JULY

Festival on the Square

Hayesville, 2nd weekend in July blueridgeheritage.com/destinations/ festival-on-the-square

The Big Crafty

Pack Square Park, Asheville thebigcrafty.com

Craft Fair of the Southern Highlands

Asheville

blueridgeheritage.com/destinations/craftfair-of-the-southern-highlands southernhighlandguild.org/craftfair

AUGUST

Mt. Mitchell Crafts Fair

Burnsville Town Square yanceychamber.com/crafts-fair

Ashe County Studio Tour

West Jefferson, Jefferson, Crumpler, Laurel Springs, Todd, Creston, Warrensville and Lansing (or just Ashe County) blueridgeheritage.com/destinations/ashecounty-studio-tour

Southern Highland Craft Guild: Wood Day Asheville blueridgeheritage.com/event/southernhighland-craft-guild-wood-days

Come to Leicester Studio Tour Leicester cometoleicester.org

Franklin Folk Festival Cowee School, Franklin blueridgeheritage.com/event/16th-annualfranklin-area-folk-festival-a-celebration-ofappalachian-heritage

SEPTEMBER

Mountain Heritage Festival Sparta alleghanycountychamber.com/mountainheritage-festival

Cherokee Heritage Festival

Hayesville blueridgeheritage.com/destinations/ cherokee-heritage-festival

Haywood County Studio Tour

Haywood County haywoodarts.org/studio-tour

Heritage Weekend, Folk Art Center

Asheville blueridgeheritage.com/event/heritageweekend-at-the-folk-art-center

Mountain Heritage Day

Cullowhee blueridgeheritage.com/destinations/ mountain-heritage-day-western-carolinauniversity

Art in Autumn Arts & Crafts Festival

Weaverville blueridgeheritage.com/event/weavervilleart-in-autumn-arts-crafts-festival

Art on Main

Hendersonville blueridgeheritage.com/destinations/arton-main

Art on the Island Marshall blueridgeheritage.com/event/art-on-theisland-2024

OCTOBER

Folk School Fall Festival

Brasstown

blueridgeheritage.com/destinations/folkschool-fall-festival

Cherokee Indian Fair

Cherokee blueridgeheritage.com/destinations/ cherokee-indian-fair

Spruce Pine Potters Market

Spruce Pine

sprucepinepottersmarket.com

Craft Fair of the Southern Highlands

Asheville

blueridgeheritage.com/destinations/craftfair-of-the-southern-highlands southernhighlandguild.org/craftfair

NC Mountain Arts Adventure Studio Tour

Alleghany County ncmountainartsadventure.com

NC Ceramic Arts Festival

Asheville northcarolinaceramicartsfestival.com

Southeastern Animal Fiber Fair Fletcher NC saffsite.org

Open Studio Tour Presented by the Art League of Henderson County

Hendersonville

blueridgeheritage.com/destinations/ henderson-county-open-studio-tour

Beaverdam Studio Tour

Asheville beaverdamstudiotour.com

NOVEMBER

WNC Pottery Festival

Sylva

blueridgeheritage.com/destinations/wncpottery-festival/

Weaverville Art Safari

Weaverville

blueridgeheritage.com/destinations/ weaverville-art-safari

Toe River Arts Studio Tour

Burnsville, Spruce Pine, Bakersville

blueridgeheritage.com/destinations/toeriver-studio-tour

River Arts District 2022 Studio Stroll

Asheville

blueridgeheritage.com/destinations/ asheville-river-arts-district

Marshall Handmade Market

Marshall marshallhandmade.com

Stecoah Drive-about Tour

Robbinsville

blueridgeheritage.com/destinations/ stecoah-drive-about-tour

Grassy Creek Pottery, Kiln opening

Crumpler

blueridgeheritage.com/destinations/ grassy-creek-pottery

Bolick Pottery, Kiln opening

Lenoir, Saturday after Thanksgiving blueridgeheritage.com/destinations/ bolick-pottery

Two Creeks Pottery

Hamptonville, weekend after Thanksgiving blueridgeheritage.com/destinations/twocreeks-pottery

DECEMBER

Appalachian Potters Market

Marion mcdowellarts.org/apm.html

Hamilton Williams Gallery Studio

Seconds Sale

Morganton

Fairview Handmade Market

Fairview

blueridgeheritage.com/event/fairviewhandmade-market

Christmas in the Mountains

Stecoah Valley Cultural Arts Center, Robbinsville

stecoahvalleycenter.com/calendar/ christmas-in-the-mountains-indoor-artscrafts-show

Mud Dabbers Pottery & Crafts, Open House

Waynesville

blueridgeheritage.com/destinations/muddabbers-pottery-crafts/

The Big Crafty Asheville thebigcrafty.com

Christmas Makers Market at the HUB Station

Hudson, December blueridgeheritage.com/destinations/hubstation

Mud Dabbers of Brevard, Open House

Brevard, December

blueridgeheritage.com/destinations/muddabbers-pottery-of-brevard

Doc Watson mural in Wilkesboro. NCPIX.COM PHOTO

Dogwood Crafters

At a prominent crossroads in the Great Smoky Mountains lies Dillsboro, North Carolina. Just around the corner is a historic log building, the home of Dogwood Crafters. Formed in 1976, the craft cooperative houses the work of an average of 100 local craftsman in an everchanging display of creativity, imagination and skill.

From humble beginnings the shop grew to fill its present home, three tourist cabins from the 1930’s, joined together, remodeled and expanded to become what it is today, 12 rooms showcasing both traditional and contemporary art and craft. A jurying process keeps the work of its members, old and new alike, that of quality, good taste and a delightful selection of

mountain craftsmanship.

Stepping into the shop visitors are immediately immersed in a fascinating array of the work of Dogwood’s members. The walls and shelves showcase art and craft from original photography and paintings, prints and signs, both large and small, for that perfect piece of décor or gift to take home. Jewelry catches an eye just inside, too.

Explore further for baskets, woodworking, quilts, pillows and glass. Observant shoppers may note three two sided fireplaces as they work their way through the various rooms, evidence of the history of the building. Each is cleverly designed and decorated with a theme, coordinated by volunteers. Pottery, walking sticks, cards and art reside primarily in the

Gallery. Woodenware and carving, baskets of all types lead the way through to headwear, scarves and shawls. Needful things for the kitchen, including a pantry and a roomful of treasures for children are at opposite ends of the building. Of course, there is a Christmas and a Holiday room for every gift and decorating need.

Rarely does a visitor fail to find something for the hard to please! Folks return often for new things as the artwork and displays are ever changing.

The shop’s nonprofit designation results in active and continuing education and scholarship programs. It is all run by a dedicated group of crafters who prove that it DOES take a village to achieve 48 years of success!

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