17th and 18th century fashion Fashion and style research project - part 2
Snow - JOH11342572
Rococo
The Swing. 1767 Jean-HonorĂŠ Fragonard. Wallace Collection
NYMET dress 1735-40.jpg
Robe volante came bofore the sack back and were loose and flowing held to a stamacher but did not have a definate shape
The Gersaint Shop Sign, 1721 by Watteou
La Declaration d’Amor 1731 by de Troy
Robe à la Française
The most fashonable style in the 18th century was the Robe à la Française also known as the sack back gown. It had panels running from the sholder to floor that were loose from the rest of the dress, much like the mantua as it was pinned to a stommacer front but tied in the back to keep the shape. This style spread around the world as France became the center of fashion. People would even travel to France to shop and see the newest styles. Fabrics became ligther and and the style much more frivolous
V&A - 1760-1770
Madame de Pompadour, by Boucher wallace collection
Sack back NYMET
La toilette 1742 by Boucher
Stomacer 1760 KCI
Sack-back 1760 NY MET
The Exact Dress of the Head 1725-1726 Lens, Bernard
Madame de Pompadour tamour frame by Drouais. NGL 1763-4.
Sidehoop and Stays 1770-80 V&A
Penniers late 18th century NYMET
Stays and penniers Stays V&A 1780-1789
Museum of London
men’s dress Men’s costume did not change much in the first part of the 18th century. Three piece suits were still popular. However the jacket became tighter and smaller with less with. It would no longer button up all the way. They waist coat would get increasingly shorter and details such as location of pockets, collars and cuffs were the parts that would change.
Suit c 1740-60 italian NY MET Suit 1779-93 Frence NY MET
NY MET. waistcoat, british 1750
William Augustus, Duke of Cumberland, 1732 Hogarht
Suit and button 1780 NY MET
Waiscoat NY MET
Waistcoat NYMET
Longhi
Longhi
The Giant Magrat Longhi
Suit c 1760 LAMCA
Horace Walpole, aged 10, 1727-8 Hogarht
Wigs
Gustavus III of Sweeden, with his brother Karl and FredrikAdolf 1771 by Roslin
Still life (de
The Phantheon Maraconi 1773
etail) by P. de Acosta
3 by Dawe
Hogarth The Exact Dress of the Head 1725-1726 Lens, Bernard
Hogarth 1697-1764
Marriage a la Mode c 1743
IV - The Toilette
I - The Marriage settlement III - The Inspection
Befor
Hogarth - A Rake’s Progress 1733 II -The Rake’s levee
III - The Rake at the Rose -Tavern
r, c. 1730-31 Southwark Fair 1733
VII - The Rake in Prison
Robe à l’Anglaise
Robe á l’Anglaise V&A
Robe á l’Anglaise 1785-87 NYmet
Round
Standing Young Woman by Watteau – v
Wallace collection
d gown 1795 NYmet
The Pascall Family detail by hogarth
Self portrait with a harp c1790 by R. Ducreux
jean-baptiste Pater - The boudoir 1733. Wallace collection
a lady in a garden taking coffee with some children by N. Lancret 1742 NGL
Jonathan Tyers and his family 1740 by Hayman.NGP
The Jones Family, c.1730-1 by Hogarth
A Fishing Party o c.1730 by Hogarth
The Wollaston Family, 1730 by Hogarth
or ‘The Fair Angler’, h
The Edwards Hamilton Family by Hogarth
Woman’s accesorie and shoes
Fans Charlotte Phillippine de Chatre de Cange 1745 by Coypel
Hats
Hats would constantly change to accomidate new hairstyles
Hat V&A
Hat Date- 1720–5 ET
Hat ca. 1760–70 V&A
50 NYM-
Hat ca. 1780 NYMET
Hat ca. 1760 NYMET
Womans hairstyle
Shoes from the 18th century NYMET
V&A
Afternoon 1739-41
The Four Times a Day by N. L
Evening 1739-41
Lancert
Midday 1739-41
Morning 1739
Children
toward the end of the century childrens dress was starting to become more functunal and comfortable as ca nby seen in the painting of the little boy in red by Goya
The Graham children 1742 by Hogarth NGL
Don Manuel de Zuniga
a 1784 by Goya
Sir Edward Walpole’s children 1747 by Slaughter
Child with a Spaniel, detail from The Music Party c.1717-18. Watteou
the hairdresser
the dancing lesson
Pietro Longhi 1701-1785 The pharmacist
Kissing the hand
the Charlatan1757
The Wet-Nurse
A Partician Family c. 1752
The Geograpy lesson
The Duck Hunt A pedlar carrying a brazier by townhouse
Preparing the guns
The Fruit Seller
Lunch in the Country The spinner
Jan Josef the - 1790)
e Younger (1714
The Pleasure G Museum of Lo
Gardens ondon
William, third Viscount Courtenay 1791 by Cosway
A scene from Samuel Richardson’s novel - Clarrissa Harlowe 17534 by F. Hayman
The Hon. Mrs. Graham, 1777 by Gainsborough
Sarah siddons 1793 by sir william Beechey. NPG
Performace
The Beautiful Greek (La Belle Grecque) c. 1732. by Lancret Wallace collection The fair nun unmasked 1769 by Morland
A Conversation at Drottningholm 1779 by Hillestom
The Swedish court dressed in court uniform
Fashionable people walking in Spain
El paseo de las Delicias en Madrid 1785 by Bayeu
Portrait of Pierre Seriziat, 1795 David, Louvre,
English Country style t The english country style came by when the English court stopped being the social center, and society would happen in the country. It was much more somber and practical, riding clothing and the style becomes much more masculine by modern standards Although it came much more fashionable towards the end of the century there were always memebers of society that would dress less frivolously.
Portrail of Captain Coram 1 garth
Portrait of William Jones 1740 by Hogarth
1740 by Ho-
dr Ralph schomberg 1770 by Gainsborough. NGL
Sir Francis Burdett, 5th Bt 1 by Sir Thomas Lawrence
1793
V&A
The Windsor uniform Mary Wilkes; John Wilkes 1782 by Johan Joseph Zoffany NGL
Portrait of Richard We de la Warr, Romney. Pr lection
John est 4th Earl 1790 by rivate Col-
A Good Shot, or Billy-Ranger the Game-Keeper in a fine Sporting Country, published by Hannah Humphrey in 1792 Gillray, New College, Oxford
Temperance enjoying a Frugal Meal, published by Hannah Humphrey, 1792 Gillray, James tion- New College, Oxford
mr and mrs William Hallet 1785 by Gainsborough. NGL
Mr. and Mrs. Andrews 1750 by Gainsborough
mr and mrs Thomas Coltman 1770-2 by Joseph wright NGL
Lady Worsley, c.1775-79 Reynolds, Harewood House, Yorkshire, UK
Jacket 1750-1759 V&A
V&A
Robe Ă la PolonaisE 1770-1780
NYMET 1778-80 dress
Robe à la Polonaise ca. 1780
Robe à la Polonaise 1760–75 NYMET
Catherine douglas, duchess of queensbury 1725-1730, by Charles Jervas. NPG
Cotton Dresses Muslin Gown, cotton emrboidered with silk, c. 1795, V&A
Chintz Gown Cotton, resistand mordant-dyed Holland c. 1780
French revolution
Title- The Triumph of Marat. Boilly, Musee des Beaux-Arts, Lille, France
Maximilien de Robespierre. Boilly, Musee des Beaux-Arts, Lille, France.
The Singer Chenard, as a Sans-Culotte, 1792 Boilly. Musee de see Carnavalet, Paris, France
e la Ville de Paris, Mu-
Incroyable et Merveilleuse in Paris, 1797 Boilly, LocationPrivate Collection
skautbúningur, Þjóðmynjasafn íslands
A ladies riding costume ÞJóðmynjasaf Íslands
Icelandic national costume 17th and 18th cent
tury Faldbúningur and silver, Þjóðmynjasafn íslands
Faldbúningur named for it’s headdress was the traditional “sunday” dress for woman in the 17th and 18th century. Up until the 19th century the icelandic costume did not change much
Bibliography Ribiero, A. (2002) Dress in eighteenth century europe. Yale university press. London Ribiero, A. (2005) Fashion and fiction; dress in art and literature in Stuart England. Yale university press. London the brigeman archive National Gallery London - NGL National Portrait Gallery - NPG Wallace Collection Victoria and Albert Museum - V&A Museum of London NY metropolitan museum - NYMET costume museum of bath kyoto costume institute National trust