Performances Magazine San Diego | CCAE Theatricals, September 2024

Page 1


P1 Program

Cast, performances, who’s who, director’s notes, donors and more.

6 In the Wings

Murder on the Orient Express and Dracula, A Comedy of Terrors at The Old Globe; Primary Trust at La Jolla Playhouse; Looped presented by Roustabouts Theatre Co.; concerts at The Rady Shell at Jacobs Park; and more.

12 Feature: Jacobs Music Center Reopens

The San Diego Symphony launches its new season with the reopening of the Jacobs Music Center, following an extensive renovation.

18 Travel

From historical cathedrals to art galleries to truly farmto-table dining and imbibing, San José del Cabo is a meld of culture and cuisine.

32 Parting Thought

Performances’ new program platform for shows and concerts can be accessed from any digital device

BIG BIRTHDAY BASH

Friday, September 27, 2024

6-10 PM

San Diego Natural History Museum

Help us celebrate 150 years of loving nature. It’s going to be exactly the kind of party you’d expect from us—un-stuffy, unexpected, and unusually fun. We’ll be celebrating our region’s best and brightest with local chefs on every floor of the Museum, plus innovative cocktails, scientist meet-andgreets, live music, and a silent auction of cool stuff.

Don’t miss the Big Birthday Bash. It’ll be the party of the century (and a half).

PUBLISHER

Jeff Levy

EDITOR

Sarah Daoust

ART DIRE CTOR

Carol Wakano

PRODUCTION MANAGER

Glenda Mendez

PRODUCTION ARTIST

Diana Gonzalez

CONTRIBUTING WRITER

Stephanie Saad Thompson

ADVERTISING DIRECTOR

Kerry Baggett

ACCOUNT DIRE CTORS

Walter Lewis, Jean Greene, Liz Moore

CIRCULATION MANAGER

Christine Noriega-Roessler

BUSINESS MANAGER

Leanne Killian Riggar

MARKETING/ PRODUCTION MANAGER

Dawn Kiko Cheng

DIGITAL PROGRAM MANAGER

Audrey Duncan Welch

DIGITAL MANAGER

Lorenzo Dela Rama

Contact Us

ADVERTISING

Kerry.Baggett@ CaliforniaMediaGroup.com

WEBSITE

Lorenzo.DelaRama@ CaliforniaMediaGroup.com

CIRCULATION Christine.Roessler@ CaliforniaMediaGroup.com

HONORARY PRESIDENT

Ted Levy

For information about advertising and rates contact California Media Group 3679 Motor Ave., Suite 300 Los Angeles, CA 90034

Phone: 310.280.2880

Fax: 310.280.2890

Visit Performances Magazine online at socalpulse.com

Performances Magazine is published by California Media Group to serve performing arts venues throughout the West. © 2024 California Media Group. All Rights Reserved.

box office (858) 481-1055

“A masterful display of storytelling... a timeless classic in American theater.”

SEPT 11 – OCT 6

Arthur Miller’s Tony Award-winning play unfolds the intricate dynamics of family, love, and justice in a 1950s Brooklyn ItalianAmerican community. The play navigates the complexities of loyalty, unraveling secrets, and the profound consequences of one’s choices. This timeless drama captivates audiences, keeping them on the edge of their seats with escalating tensions and a powerful story.

“A heartwarming comedy with fresh and hilarious characters.”
— BROADWAYWORLD

OCT 23 – NOV 17

Embark on a delightful journey with the San Diego premiere of INCIDENT AT OUR LADY OF PERPETUAL HELP. Set against the vibrant backdrop of the 1970s, Katie Forgette’s charming comedy unfolds within the confines of a working class family home. The quirky O’Shea clan navigates the tumultuous and sometimes awkward realities of this rapidly changing decade. Join us for an unforgettable evening.

BY

group sales (858) 481-2155, ext. 202

Scan for new season lineup

From left: William Jackson Harper as Kenneth in Primary Trust; Eileen Bowman as Tallulah Bankhead in Looped

MUST-SEE LOCAL SHOWS

PLAYING AT THE Old Globe, Sept. 7-Oct. 6: Agatha Christie’s murdermystery masterpiece, Murder on the Orient Express, adapted for the stage by Ken Ludwig. The Old Globe also brings us the West Coast premiere of Dracula, A Comedy of Terrors, Sept. 20-Oct. 27; it’s a comedic twist on Bram Stoker’s famed 1897 novel. theoldglobe.org Cygnet Theatre presents Richard O’Brien’s The Rocky Horror Show, Sept. 11-Oct. 20 at Old Town Theatre. Centered on naïve lovers Brad and Janet, the cult-classic musical is a satirical tribute to the 20th century’s science fiction and low-budget horror flicks. cygnettheatre.com Eboni Booth’s 2024 Pulitzer Prize for Drama, Primary Trust, comes to La Jolla Playhouse, Sept. 24-Oct. 20. In this touching play, we meet Kenneth, a bookstore worker in upstate New York, who must face challenges he has long avoided after being laid off. Knud Adams directs. lajollaplayhouse.org And save the date for Looped, by The Roustabouts Theatre Co. at Scripps Ranch Theatre, Oct. 11-20. Focused on legendary actress Tallulah Bankhead, the play takes us to a sound studio where she re-records a “loop” for her last film. theroustabouts.org

LIGHTING UP LA JOLLA

CALLING ALL ART aficionados and oenophiles: La Jolla Art & Wine Festival returns Sept. 28-29. The 16th annual event comprises an expansive wine and craft beer garden, with more than 35 local and regional wineries, breweries and distilleries. Participants include Pali Wine Co., Bird Rock Fine Wine, Puesto, Boochcraft, IZO Spirits, Solento Tequila and more. At least 160 artists from the U.S., Mexico and beyond will have booths showcasing their works—from paintings

to sculptures, jewelry, fine glass, ceramics, woodwork, mixed media and photography. Festival-goers can also enjoy gourmet fare from local food vendors; a silent auction; live music and dance performances all weekend; interactive art installations; and myriad kids activities, such as face painting and science experiments. General admission is free; tickets for wine and beer garden are $45-$65. Proceeds support the San Diego Unified School District. Along Girard Avenue, La Jolla, ljawf.com

Wine tasting (above) and artsy fun at the La Jolla Art & Wine Festival. SPECIAL EVENT

from above: folk-rock music duo Indigo Girls (L-R: Emily Saliers and Amy Ray); New Orleans-born musician Trombone Shorty (Troy Andrews); singer and songwriter Amos Lee; and country music singer and guitarist Jason Aldean.

MUSIC

Classical, Country & CRSSD

SEPTEMBER’S DIVERSE MUSIC lineup is music to our ears. A few concerts of note at The Rady Shell at Jacobs Park include: Trombone Shorty and Orleans Ave, with special guest Big Boi, on Sept. 6; Amos Lee and Indigo Girls, Sept. 19; and Classical Albums Live, performing Fleetwood Mac’s beloved 1977 album Rumours, Sept. 21. theshell.org Country music star Jason Aldean headlines Boots in the Park—dubbed as “San Diego’s biggest country music party—on Sept. 14 at Waterfront Park; along with Dustin Lynch, Ian Munsick, Hailey Whitters, Chase Matthew, Joe Peters and Luwiss Lux. bootsinthepark.com At Waterfront Park Sept. 28-29, CRSSD Festival is an audiovisual candy land for electronic music lovers—spanning three stages and 50-plus musicians and performers. Headliners include Disclosure, Gesaffelstein, BLOND:ish, Walker & Royce, Four Tet, Boris Brejcha, Idris Elba, Adam Beyer, Gorgon City and HI-LO. crssdfest.com

Clockwise
TROMBONE SHORTY BY MATHIEU BITTON; AMOS LEE BY SHERVIN LAINEZ

Balboa Park Museum Marvels

THE GROUNDGREAKING SHOW, Wonders of Creation: Art, Science and Innovation in the Islamic World, is on view at The San Diego Museum of Art, Sept. 7-Jan. 5, 2025. The exhibit explores how science and craft in Islamic material culture and contemporary art intersect—presented through the framework of 13th-century text by Zakariyya ibn Muhammad al-Qazwini, describing the wonders of the universe. View 200-plus works of art from the 8th century to today—including illustrated manuscripts, textiles, glass and ceramic wares, and more. sdmart.org Opening Sept. 14 at Mingei International Museum, Blue Gold: The Art and Science of Indigo explores the transformation of plants into pigments. A feat of chemistry and botanical transformation, the indigo dye process dates back to ancient Mesopotamia. The exhibit showcases 130 works, including textiles and clothing, from 30 countries. mingei.org

MUSEUMS
From top: select pieces from Wonders of Creation at The San Diego Museum of Art; a dragon-motif coat and vest from China in Blue Gold at Mingei International Museum.

WELCOME HOME

San Diego Symphony’s New Season Launches the Reborn Jacobs Music Center

OPENING NIGHT OF the San Diego Symphony’s 2024-25 season will have a special frisson of excitement for audiences. As they enter Jacobs Music Center, opening with a concert and gala on Saturday, Sept. 28, they’ll be experiencing the completely refreshed and redesigned concert hall for the first time—the culmination of a two-and-a-half-year renovation project long overdue for the 95-year-old venue. (Formerly Copley Symphony Hall, it opened in 1929 as Fox Theatre.)

The Opening Night concert will feature Music Director

Rendering of the

Rafael Payare leading the orchestra in the world premiere of “Welcome Home!!” It’s a fanfare for Jacobs Music Center commissioned by the San Diego Symphony from Korean-born, American composer Texu Kim. Also Imagine

restored Jacobs Music Center; San Diego Symphony CEO Martha Gilmer.

WINNER

OF THE 2024 PULITZER PRIZE FOR DRAMA

Primary Trust is a touching story of new beginnings, old (and new) friends, and finding the courage to see the world for the first time. “It will restore your faith in theatre’s elemental storytelling powers" (The Observer).

Kenneth, a 36-year-old bookstore worker in a small upstate New York town, spends his evenings sipping mai tais at the local tiki bar with his best friend Bert. When he’s suddenly laid off, Kenneth faces challenges he has long avoided — with transformative and heart-warming results.

FEATURE

performing that night will be some of San Diego Symphony’s favorite soloists: Inon Barnatan at the piano; Alisa Weilerstein on cello; soprano Hera Hyesang Park; and violinist Jeff Thayer. The program features works by Paganini, Rachmaninoff, Tchaikovsky, Rossini, Villa-Lobos and Ravel.

Also slated for opening weekend is a free community day on Sunday, Sept. 29 that will feature performances by groups from both sides of the border—including student groups, a military band, youth orchestras and a community choir.

The opening concert launches an expanded inaugural season for Jacobs Music Center that features 20 programs— including new works, well-known masterpieces, rarely heard compositions, acclaimed and rising star soloists, and prestigious guest conductors.

Symphony CEO Martha Gilmer says the goals in the $125 million renovation of the hall were musical, aesthetic and practical. “Our main goal was to make the hall a more vibrant venue for our audiences and a better acoustic and aesthetic for our musicians; one complements the other,” she says. “The better the /CONTINUED ON PAGE 26

CCAE THEATRICALS | 2024/25 SEASON

FIRST SEASON PRODUCTION

FIRST SEASON PRODUCTION JERSEY BOYS

The Story of Frankie Valli & The Four Seasons

Book by MARSHALL BRICKMAN & RICK ELICE

Music by BOB GAUDIO With Lyrics by BOB CREWE

Directed by T. J. DAWSON

SEPTEMBER 13 - 29, 2024

SECOND SEASON PRODUCTION THE PIANO MEN:

Beatles Edition

Conceived by JORDAN BECK & J. SCOTT LAPP

Music Arrangements by BENNY LIPSON

Directed by LESLIE STEVENS

NOVEMBER 15, 16 & 17, 2024

THIRD SEASON PRODUCTION COCKTAIL HOUR:

The Songs of the Rat Pack

Conceived by JORDAN BECK & J. SCOTT LAPP

Music Arrangements by DUANE BENJAMIN

Directed by NATHAN MADDEN

DECEMBER 28, 2024

FOURTH SEASON PRODUCTION RISING STARS: 13th Annual

JANUARY 12, 2025

FIFTH SEASON PRODUCTION THE CURIOUS INCIDENT OF THE

DOG IN THE NIGHT-TIME

Remount at the Lewis Family Playhouse

Based on the Novel by MARK HADDON

Adapted by SIMON STEPHENS

Directed by J. SCOTT LAPP

JANUARY 17 - FEBRUARY 2, 2025

SIXTH SEASON PRODUCTION MOTOWN:

The Groove That Changed America

Music Arrangements by DUANE BENJAMIN

Directed by JEFFREY POLK

MARCH 7 & 8, 2025

BIG BROADWAY BINGO

Returns October 20, 2024 (Save The Date)

CENTER CABARET

Returns in 2025 (May - September)

For more information or to purchase tickets for an upcoming show, scan the QR code below or visit our website at WWW. THEATRICALS.ORG

WELCOME TO CCAE THEATRICALS

Artistic

Welcome to CCAE Theatricals and the first show of our 2024/2025 Season.

On behalf of our Staff and the Board of Directors, we are thrilled to welcome you to the Center Theatre and the San Diego Regional Premiere of Jersey Boys.

The rise of the original Four Seasons members Frankie Valli, Tommy DeVito, Bob Gaudio, and Nick Massi to fame does not follow the traditional rags-to-riches storyline with a simple, happy ending. However, through sheer grit and exceptional talent, these Jersey boys paved the way for future rock ‘n’ roll generations with their eclectic sound and octave jumping vocals. They would go on to craft lyrics and music that connected with the young, the old, the working class, and broke through the racial divide of music at the time by focusing on real issues in people’s lives. Rather than perfectly mesh the group’s voices and styles together like other harmonizing vocal bands of the time (Beach Boys & the Beatles), the band relied on its distinct set of voices and personalities to develop a sound all its own. The Four Seasons enjoyed 13 top-ten hits between 1962 and 1967, despite having to compete with the British band invasion that swept across the country. The musical opened on November 6, 2005 at the August Wilson Theatre and would go on to win both a Tony and Grammy Award in the category of Best Musical, not to mention garner a record-breaking 11-year run on Broadway.   Jersey Boys has been seen by over 24 million people in 10 countries, including Australia, South Korea and South Africa. Through infectious, nostalgic music, Jersey Boys reminds us that there are several sides to any story, and that fame has its fair share of costs.

In a time where nonprofit arts organizations and regional theatres across the country are facing extreme challenges and making difficult decisions, your presence today is the very foundation for CCAE Theatricals. Without the support of our patrons and donors, we could not realize our commitment to produce compelling theater, as well as continue our robust education and community engagement programs. Thank you for joining us today to keep live theater thriving in San Diego. We can’t wait for you to experience all that 2024/2025 has in store here in Escondido.

With gratitude,

BOARD OF DIRECTORS 2023-2024

BOARD CHAIR

Peter Hester, Sr.

TREASURER

Dave Adams

SECRETARY

Robert Dudley

BOARD OF DIRECTORS

Dave Adams

Robert Dudley

Peter Hester, Sr.

Hayley Janecek

Pamila Whitney

COMMITTEE MEMBERS

Maia Hodge

Julie Sarno

CCAE Theatricals is a 501(c)(3) nonprofit organization whose work is made possible thanks to the generous support of our donors.

Call 442.304.0500 or visit theatricals.org/give-now to learn more

Photo by Ashley Bee Photography

JULIANNA CRESPO Executive Director | J. SCOTT LAPP Artistic Director ____________________________________________________________________________________________________________ JORDAN BECK Managing Producer | DR. TOM ABRUZZO Director of Education & Enagagement

CCAE THEATRICALS in association with JAY AND GALE STIENON & 3-D THEATRICALS Presents

Book by MARSHALL BRICKMAN & RICK ELICE

Music by BOB GAUDIO

Lyrics by BOB CREWE

Original Broadway Stage Production by Dodger Theatricals (Michael David, Edward Strong, Rocco Landesman, Des McAnuff); Joseph J. Grano; Tamara and Kevin Kinsella; Pelican Group in association with Latitude Link Rick Steiner/Osher/Staton/Bell/Mayerson Group World Premiere Produced by La Jolla Playhouse, La Jolla, CA, Des McAnuff, Artistic Director & Steven B. Libman, Managing Director

NICHOLAS ALEXANDER NOAH ARCHIBALD ANTHONY CARRO TAUBERT NADALINI*

JOHNNY DiGIORGIO* MARLANA DUNN* MAGGIE EK SKYLAR GAINES

CHRISTOPHER JAMES HESTER CLAIRE MARSHALL STEFAN MILLER DONOVAN MENDELOVITZ SARAH PIERCE ANDREW SATTLER LANCE ARTHUR SMITH*

Scenic Design

STEPHEN GIFFORD

Costume Coordinator

JANET PITCHER

Dialect Coach CAITLIN MUELDER

Costume Design ADAM RAMIREZ

Hair & Wig Design PETER HERMAN

Lighting Design

JEAN-YVES TESSIER

Ass. Lighting Design JOSHUA HEMING

Production Stage Manager JULIAN OLIVE*

Projection Design JON INFANTE

Properties Coordinator CECILIA CRON

Assistant Director BETHANY SLOMKA

Music Direction by LYNDON PUGEDA

Choreography by DANA SOLIMANDO

Directed by T.J. DAWSON

Sound Design PAUL DURSO

Casting Director LINDSAY BROOKS

Production Manager TERRY HANRAHAN & AARON RUMLEY

Jersey Boys is presented through special arrangement with and all authorized performance materials are supplied by Theatrical Rights Worldwide, 1160 Avenue of the Americas, Suite 640, New York, NY 10036. www.theatricalrights.com

OPENING NIGHT SEPTEMBER 14, 2024 CCAE THEATRICALS

Generously underwritten by the David T. and Dorris E. Staples Foundation

Frankie Valli

Nick Massi

Tommy DeVito

Norm Waxman (and others)

Mary Delgado (and others)

Francine (and others)

Bob Crewe (and others)

Hal Miller (and others)

Angel (and others)

Joey (and others)

Bob Gaudio

Lorraine (and others)

Nick DeVito (and others)

Gyp DeCarlo (and others)

CAST OF CHARACTERS

(in alphabetical order)

NOAH ARCHIBALD

UNDERSTUDIES & SWINGS

Understudies and Swings never substitute for listed players unless a specific announcement for the appearance is made at the time of the performance.

For Frankie: DONOVAN MENDELOVITZ; for Bob Gaudio: ANDREW SATTLER; for Nick Massi: JOHNNY DiGIORGIO; For Tommy DeVito/Bob Crewe/Gyp DeCarlo/Joey/Norm Waxman/Nick DeVito and others: STEFAN MILLER; For Mary Delgado and others: SARAH PIERCE; For Lorraine, Francine and others: CLAIRE MARSHALL; Swings: CLAIRE MARSHALL & STEFAN MILLER

PRODUCTION STAGE MANAGER JULIAN OLIVE*

ASSISTANT STAGE MANAGER GAVIN LATTIMER

DANCE CAPTAIN MARLANA DUNN *

* Members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

Please turn off all electronic devices such as cellular phones and watch alarms. The use of any recording device, either audio or videos, and the taking of photographs, with or without flash, are strictly prohibited.

NICHOLAS ALEXANDER
JOHNNY DiGIORGIO*
MARLANA DUNN*
SKYLAR GAINES
CHRISTOPHER JAMES HESTER
CLAIRE MARSHALL
DONOVAN MENDELOVITZ
SARAH PIERCE
ANDREW SATTLER
LANCE ARTHUR SMITH*

THE COMPANY

Latecomers will be seated at the discretion of management. Patrons with disabilities: wheelchair seating is available in a variety of theatre locations. When ordering tickets, please indicate any special needs. Please contact an usher for assistance.

NICHOLAS ALEXANDER
NOAH ARCHIBALD
ANTHONY CARRO TAUBERT NADALINI*
JOHNNY DiGIORGIO*
MARLANA DUNN*
MAGGIE EK
SKYLAR GAINES
CHISTOPHER JAMES HESTER
CLAIRE MARSHALL
DONOVAN MENDELOVITZ
STEFAN MILLER
SARAH PIERCE
ANDREW SATTLER
LANCE ARTHUR SMITH*

“Ces Soirees-La (Oh What a Night)”

MUSICAL NUMBERS

PLACE & TIME 1950s to early 2000s

Various locations, especially around New Jersey

ACT I

French Rap Star, Singers “Silhouettes”

Tommy, Nick Massi, Nick DeVito, Frankie “You’re the Apple of My Eye”

“I Can’t Give You Anything But Love”

“Earth Angel”

“A Sunday Kind of Love”

Tommy, Nick Massi, Nick DeVito, Frankie

.Tommy, Nick Massi, Nick DeVito, Frankie

Tommy, Nick Massi, Nick DeVito, Judge, Detective

Frankie, Tommy, Nick Massi, Nick’s Date “My Mother’s Eyes”

“I Go Ape”

“(Who Wears) Short Shorts”

“I’m in the Mood for Love/Moody’s Mood for Love”

“Cry For Me”

“An Angel Cried”

“I Still Care”

Frankie

Tommy, Nick, Frankie, Hank

The Royal Teens

Frankie

.Tommy, Nick, Frankie, Bob, Joey

Hal Miller and The Rays

Miss Frankie Nolan and The Romans “Trance”

“Sherry”

“Big Girls Don’t Cry”

“Walk Like a Man”

“December, 1963 (Oh What a Night)”

“My Boyfriend’s Back”

“My Eyes Adored You”

Billy Dixon and The Tropix

The Four Seasons

The Four Seasons

The Four Seasons

Tommy, Bob, Nick, Party Girls

The Angels

Frankie, Mary, Tommy, Bob, Nick “Dawn (Go Away)”

There will be one 15-minute intermission during this performance

ACT II

“Big Man in Town”

“Beggin’”

“Stay”

The Four Seasons

.The Four Seasons

The Four Seasons

Frankie, Bob, Nick “Let’s Hang On (To What We’ve Got)”

“Opus 17 (Don’t You Worry ‘Bout Me)”

“Bye Bye Baby”

“C’mon Marianne”

“Can’t Take My Eyes Off You”

“Working My Way Back to You”

“Fallen Angel”

Frankie, Bob

Frankie, Bob, Joe, Charlie

Frankie, Joe, Charlie, others

Frankie, Joe, Charlie, others

Frankie

Frankie and The Four Seasons

Frankie “Rag Doll”

Frankie, Tommy, Bob, Nick “Who Loves You?”

THE ORCHESTRA

Music Director/Keyboard 3: Lyndon Pugeda

Flute/Oboe/Clarinet/Soprano Sax/Alto Sax: Greg Armstrong

Clarinet/Bass Clarinet/Tenor Sax/Bari Sax: Rob Elinson

Trumpet: Joe Harris

Guitar 1 (Electric 6 and 12 String/Steel String Acoustic): Charles Jirkovsky

The Four Seasons, Company

Guitar 2 (Electric 6 and 12 String/Steel String Acoustic/Mandolin/Baritone/Electric Sitar): Andrew Ginzel & Mike Reyes

Electric Bass: Jared Pasimo

Drums: Brian Dall

Keyboard 1: Benjamin Goniea

Keyboard 2: Michelle Gray

Music Contractors: Lyndon Pugeda & Jordan Beck

WHO’S WHO

NICHOLAS ALEXANDER he/him (Frankie Valli) is ecstatic to be joining this fantastic cast of Jersey Boys, crossing a role off of his bucket list. Some of his favorite credits include: In the Heights (Sonny), Mamma Mia (Pepper), All Shook Up (Ensemble) (Moonlight Stage Productions); Jesus Christ Superstar (Simon), Bright Star (Max), Beauty & the Beast (Lefou) (Candlelight Pavilion); Dr. Seuss’s How The Grinch Stole Christmas (Buzz Who/Papa & Max US) (The Old Globe); Big River (Tom Sawyer), Rent (Roger) (Performance Riverside); Spring Awakening (Otto) (Barn Stage Company); Sweet Charity (Daddy Brubeck) (The Welk). He is the Artistic Director for a children’s Theatre organization and would like to thank his wife and daughter for being the reason why he continues to create art. www.theaterartsproject.org

NOAH ARCHIBALD (Nick Massi) is thrilled to be making his CCAE Theatricals debut! National Tour: Grace for President. Regional: Beauty and the Beast, Jersey Boys, Miss Saigon, Grace for President (Casa Mañana). International: The Abode (Edinburgh Fringe). Selected TV/ Film: Lost Soulz (TRIBECA/STARZ), Into the Wild Frontier (INSP), Vindication (ReedemTV). Upcoming TV/ Film: Porch Pirates, Stan the Man, The Boyfriend Trap, Triumph of the Heart. BA Pepperdine University (Theatre and Music). Follow Noah on Instagram @noaharch82

ANTHONY CARRO he/him (Tommy Devito) is thrilled to be making both his professional and CCAE Theatricals debut in Jersey Boys, a dream show of his. He graduated from Hussian College Los Angeles with a BFA in Musical Theater and Film. He would like to thank his family and friends for their constant love and support, allowing him to do what he loves. He would also like to dedicate his performance to his late grandfather, Tony “Poker” Carro, a true Italian-American.

JOHNNY DiGIORGIO* (Norm Waxman & others) is thrilled to be making his CCAE Theatricals debut. A native New Yorker, he’s always excited about heading through the Lincoln Tunnel here to Jersey. He’s especially proud to be returning to the Jersey Boys famiglia, having just performed in the La Mirada production. A recent USC grad, favorite credits include Urinetown, The Seagull, and Troilus & Cressida. Many thanks to family, friends, and mentors, and immense gratitude to TJ, Dana, Lindsay, and the entire team. www. johnnydigiorgio.com. Grazie mille a tutti voi e Salud’!

MARLANA DUNN* (Mary Delgado & others / Dance Captain) is a Los Angeles based actress and filmmaker/documentarian (PBS, AppleTV, OTPYM, Maestra Productions, Skin Deep Productions). She is thrilled to be at CCAE Theatricals, returning to Jersey Boys (National Tour, Vegas, La Mirada - Mary). This show truly has a special place in her heart. A few past favorite theatre roles: Always…Patsy Cline (Patsy Cline, PCLO), The Marvelous Wonderettes (Cindy Lou, PCLO), Ruthelss… (Judy/Ginger, PCLO), Reefer Madness (Mary Lane, Pittsburgh Playhouse), All Shook Up (ensemble/dance captain, NSMT), A Musical Christmas Carol (Belle/dance captain, NSMT). As an educator at heart, Marlana is excit-

edly starting this school year on the conservatory staff at California School of the Arts. She holds a BFA(PPU), an MFA (USC, SCA) and is a proud member of AEA. Thanks to agent FSE. And as we say in Jersey, “Family is everything.” Much love. Enjoy! @marlanadunn www.marlanadunn.com

MAGGIE EK she/her (Francine & others) is beyond excited to be making her CCAE Theatricals debut! Regional credits include: Inga (Young Frankenstein) and Francine (Jersey Boys) at La Mirada, Katherine (Newsies) and Myra Bruhl (Deathtrap) at the Woodstock Playhouse, and Phyllis (42nd Street) at Musical Theatre West. Maggie would like to thank the cast and crew of Jersey Boys, her family, and friends for all their support. maggieek.com @maggie.l.ek

SKYLAR GAINES they/him (Bob Crewe & others) is thrilled to be making their CCAE Theatricals debut in this stellar show! Regional credits include Newsies (Morris Delancey), Mack & Mabel (Freddie/Villain), Little Shop of Horrors (Orin & Others), Great Age of Sail (Sidney Kanon), Assassins (John Wilkes Booth) and a few select shows in which they didn’t play jerks, like Love! Valor! Compassion! (Bobby) and debatably Tabletop: the Musical (Luke/ Paladin). They’d like to thank their family and friends for their support and for trusting that this villain trend is only a phase. SkylarGaines.com IG: @skylarcardigan

CHRISTOPHER JAMES HESTER (Hal Miller & others) is thrilled to be making his CCAE Theatricals debut! After moving to California in 2020, Hester has been honored to perform and follow his dreams. Recent credits include: Norwegian Cruise Line (lead vocalist), Oliver (5 star theatricals), NAACP’s 2024 award-winning Carmen Jones (Santa Barbara Ensemble Theater), Omar (LA Opera debut), Pirates of Penzance (Pacific Opera Project), Disney’s Philly Phonics (Disneyland Resort), Sound of Music (La Mirada Theater), Polar Express (Perris CA), Camille (Santa Clarita Shakespeare Festival) and solo performances at “Broadway at the Bourbon Room”. Hester can also be seen on television in music videos (Fridayy), national commercials (Torrid), and supporting roles on Netflix (Woman in the House), HBO max (Gwen Shamblin), and MTV (Date My Playlist). In addition to entertainment, Hester holds a master’s degree from Boston Conservatory in vocal pedagogy and continues to teach in the Los Angeles area. When Christopher is not singing, he loves hikes, playing with his adopted dog Dolce, and going out with friends.

CLAIRE MARSHALL she/her (Angel & others) is thrilled to be movin’ and groovin’ for a bit back in SoCal! She recently graduated with a BFA in Musical Theatre & Minor in Dance from Missouri State University (go bears!). When not onstage she is probably learning something new to be mediocre at. Claire enjoys furry four-legged friends, more than people sometimes. Favorite credits include Xanadu (Kira), Anything Goes (Virtue, Reno U/S), A Chorus Line (Judy Turner), and Crazy for You (Dance Captain). Say hi at @claire.m__ and learn more at claire-marshall.net. Thank you for supporting the arts!

DONOVAN MENDELOVITZ (Joey & others) is so thrilled to be joining the cast of Jersey Boys at CCAE Theatricals! Recent credits: Rock of Ages (SABT), Mack & Mabel (ARTCO) and La Cage Live! (Hollywood Roosevelt). After swinging the show on Norwegian Cruise Lines, he has been itching to get back to Jersey and is so grateful to do it with this team. Big thanks to TJ, Dana, Lyndon, and Lindsay. Love to his parents, partner, and pretty pals in the cast! Rep: ATB Talent. donovan-mendelovitz.com

STEFFAN MILLER (Swing) is thrilled to be joining CCAE Theatricals for this production of Jersey Boys. Recent credits include: National tour: The Spongebob Musical (Electric Slate; Plankton and Perch Cover) Rudolph The Red-Nosed Reindeer (swing), Off-Broadway: Queen Esther (Teresh) Regional: Interstate, East West Players (Pastor Fred) Tenor By Night, El Portal Theater (Mike), State Fair, Sierra Repertory Theatre (Fairtone), Little Women, The Chance Theatre (John Brooke), West Side Story, Theatre Royale (A-rab), Oklahoma!, Opera San Luis Obispo (Will Parker), Of Thee I Sing, Bear Valley Music Festival.

TAUBERT NADALINI* (Bob Gaudio) grew up with three Italian American brothers - this is familiar. Theatre: Jersey Boys (McCoy-Rigby/3D Theatricals), Mamma Mia! (McCoyRigby), The Angel Next Door (North Coast Rep, world premiere), Georgia McBride (International City Theatre, Robbie Award for Best Actor), Vanya and Sonia and Masha and Spike (Pacific Resident Theatre), The Lion in Winter (Laguna Playhouse), Bright Star (Musical Theatre West), Bronco Billy (Skylight Theatre, world premiere), Shooting Star! (Hudson Theatre, world premiere), The Fantasticks (CB Mountain Theatre), Evita (PV Performing Arts), Metamorphoses (Theatre 68), Frozen (Disneyland). TV: “This is Us” (NBC), “Sterling” (HBO), “Deviants” (Showtime). Taubert recently directed Cock at the L.A. LGBT Center and premiered his one-man musical, Unnerving Berlin!, at the Odyssey Theatre Ensemble in L.A. Alum of USC’s School of Dramatic Arts and The Royal Academy of Dramatic Art. Represented by Denny Sevier at The House of Reps and Heidi Rotbart Management. Immense gratitude to Sean, Heidi, Jim & Shan for their support. @taubertnadalini

SARAH PIERCE she/her (Lorraine & others) is so excited to be a part of Jersey Boys at CCAE! Selected regional credits: Little Women (Jo March), Ragtime (Evelyn Nesbit), and Hairspray (Penny) at Chance Theater; Xanadu (Erato) and The Addams Family (Ancestor/ Understudy for Morticia) at San Diego Musical Theatre. Sarah holds a BFA in Theatre Performance from Chapman University and is proudly represented by ATB Talent. Many thanks to her loved ones for their incredible love & support, especially her grandparents! sarahkpierce.com

ANDREW SATTLER (Nick DeVito & others) This is Andrew’s first production at CCAE Theatricals and his first musical on stage in a very long time! He’s been spending the last few years singing and sailing along with Norwegian Cruise Line, and also creating magic for families at Disneyland in Anaheim and Tokyo Disneyland in Japan. He is a father to 1 year old kitten, Byzantine (Byzzy) and an uncle to his adorable nephew, Milo.

Big thanks to my family and friends for all the love and support, and my agency FSE for believing in me!

LANCE ARTHUR SMITH* he/him (Gyp DeCarlo & others) CCAE Theatricals debut. Broadway LAB: October Sky (also Fight Director). San Diego: Redwood, Like They Magical (La Jolla Playhouse); How the Grinch Stole Christmas, October Sky, Life After (Old Globe); Spamalot, The Bodyguard, Mamma Mia!, My Fair Lady (Welk); Million Dollar Quartet, Around the World in 80 Days (Lamb’s Players); La Cage aux Folles, Bed and Sofa (Cygnet); Victor/Victoria, The Hunchback of Notre Dame, Mamma Mia!, Guys and Dolls (Moonlight); Intimate Apparel (San Diego Rep); Tomfoolery, Romance/Romance (North Coast Rep); A Piece of My Heart (Mo`olelo); Tuesdays with Morrie (Vista’s Broadway Theater). Regional: Julius Caesar (Kingsmen Shakespeare); The Merry Wives of Windsor, The Merchant of Venice, Return to the Forbidden Planet (ARK); Carousel, Grease (PCPA). Proud member of Actors’ Equity Association. www.lanceasmith.com

MARSHALL BRICKMAN (Book) Films (Author or co-author): Sleeper, Annie Hall, Manhattan, Manhattan Murdery Mystery, For the Boys, Intersection; (as writer/director): Simon, Lovesick, The Manhattan Project, Sister Mary Explains it All. Television: “The Tonight Show Starring Johnny Carson” (head writer), “The Dick Cavett Show” (head writer/co-producer). He has published in The New York Times, The New Yorker, Playboy and other periodicals and was the 2006 recipient of the Writers Guild of America’s Ian McClellan Hunter Lifetime Achievement Award. Jersey Boys, his first venture into musical theatre, won four Tonys including Best Musical. The Addams Family, his second Broadway venture (with co-author Rick Elice), is currently playing on national and international tours. He lives in New York City and hopes to die in his sleep, surrounded by his loved ones and their attorneys.

RICK ELICE (Book) co-wrote Jersey Boys (winner 2006 Tony Award, 2007 Grammy Award and 2009 Olivier Award for Best Musical) with Marshall Brickman. His play, Peter and The Starcatcher, received nine 2012 Tony Award nominations (including two for Rick) and won five - more than any play of the season. Also on Broadway, Elice wrote The Addams Family (with Marshall Brickman, music and lyrics by Andrew Lippa) with current productions in Europe and South America. In 2014, the Old Globe Theatre in San Diego presented the world premiere of his new musical, Dog and Pony (musical and lyrics by Michael Patrick Walker). Rick is currently writing a musical for Disney Theatricals with Benj Pasek and Justin Paul, based on the film Make Believe, and Super Fly (co-written with Seth Zvi Rosenfeld), directed and choreographed by modern dance legend, Bill T. Jones. Heartfelt thanks to those whose work in the theatre makes him grateful for the day he was born: Sondheim, Stoppard, Bennett, Prince, Fosse, Robbins, Nichols, Tune, Nunn, Laurents, Stone, Kushner, Taymor, Papp, Schumacher, Schneider, Coyne, Brickman, Timbers and Rees. Rick thinks about them a lot. He never thought about Jersey much. He does now.

BOB GAUDIO (Composer) wrote his first hit, “Who Wears Short Shorts,” at 15, for the Royal Teens, and then went on

to become a founding member of The Four Seasons and the band’s principal songwriter. He also produced the hit “You Don’t Bring Me Flowers” for Neil Diamond and Barbra Streisand (Grammy nomination, Record of the Year) as well as six albums for Diamond, including The Jazz Singer. Other producing credits include albums for Frank Sinatra, Marvin Gaye, Diana Ross, Michael Jackson and the soundtrack for the film Little Shop of Horrors. With his wife, Judy Parker, Gaudio produced and co-wrote the Who Loves You album for The Four Seasons and one of Billboard’s longest-charted singles (54 weeks), “Oh, What A Night.” A high point in his career came in 1990 when, as a member of the original The Four Seasons, Gaugio was inducted into the Rock and Roll Hall of Fame. In 1995, he was inducted into the Songwriters Hall of Fame, which hailed him as a “quintessential music-maker.” To this day, Bob Gaudio and Frankie Valli still maintain their partnership… on a handshake.

BOB CREWE (Lyricist) “New York was pregnant in the fifties,” says Bob Crewe, “gestating with possibilities.” Crewe and his music partner Frank Slay became independent writer-producers when the category hadn’t been invented. Crewe’s 1960s unprecedented producing success with The Four Seasons birthed a new sound, striking a major chord in American pop. “Sherry,” “Big Girls Don’t Cry,” “Walk Like a Man,” “Candy Girl,” “Ronnie” - all smashes! When lead Frankie Valli demanded a solo turn, Crewe and Bob Gaudio wrote (and Crewe produced) “Can’t Take My Eyes Off of You,” which eventually became the century’s fifth most-played song. Crewe ran hot with artists from Vicki Carr, Oliver and Lesley Gore to Mitch Ryder, co-writing with Charles Fox for the soundtrack for Jane Fonda’s film Barbarella. Then his own Bob Crewe generation exploded with Music to Watch Girls By. In 1972, Bob was in L.A., where he revived Frankie Valli with “My Eyes Adored You” by Crewe and Kenny Nolan. They also co-wrote Patti LaBelle’s “Lady Marmalade” (#1, July ‘75), which was a hit again on the soundtrack of Moulin Rouge (#1, June ‘01)... David Ritz.

T.J. DAWSON (Director) is thrilled to be back at CCAE Theatricals having last directed Sunday in the Park with George which was the most nominated musical for the San Diego Critics Choice Awards winning several, including Best Resident Musical! T.J. received Ovation nominations, as well as an L.A. Drama Critics Circle Lifetime Achievement Award for his direction of the 3-D Theatricals’ critically acclaimed productions of Parade and Ragtime. Select directing credits include The Drowsy Chaperone (w/ Sally Struthers), Avenue Q (Ovation Nomination), 9 to 5 (staring Tony Nominee Beth Malone), Side Show (Robby Award - Best Director, Best Musical), The Addams Family (staring Bronson Pinchot & Rachel York), The Secret Garden, Cabaret A huge thank you to Jeremy and Jordan for constantly raising the bar and providing a supportive and perfect environment to create & to this brilliant Jersey Boys cast, crew & incredible team. “Thank you to Jeanette for stepping up for our kids while I was working. Jude, Isaac and Haven, you are my every breath and I am the luckiest dad alive. Mi amor, mi corazón, Ander... I love you with all that I am. Lastly, thank you to God for being my constant source of love, inspiration and above all strength.” IG: @tjdawson81

LYNDON PUGEDA (Musical Director/Conductor) is excited to be making his CCAE Theatricals debut! Music Director credits include The Lorax, Picasso at the Lapin Agile (The Old Globe); School of Rock, Jesus Christ Superstar, Memphis, On Your Feet!, Once on This Island (Moonlight Stage Productions); Legally Blonde (San Diego Musical Theatre); Gutenberg! The Musical! (Backyard Renaissance); Forever Plaid: Plaid Tidings (New Village Arts); Man of La Mancha (Oceanside Theatre Company); The Bodyguard (Theatre at the Welk). Associate Music Director credits include Redwood, The Untitled Unauthorized Hunter S. Thompson Musical, Bhangin’ It (La Jolla Playhouse); Benny & Joon, How the Grinch Stole Christmas! (The Old Globe). Lyndon’s work has earned several honors including a Craig Noel Award nomination, BroadwayWorld Award and three National Youth Arts Awards for Outstanding Musical Direction. He received a B.A. degree in Music: Interdisciplinary Computing and the Arts from UC San Diego. Following this run, Lyndon will be traveling to Canada to serve as the Music Director for The Ballad of Johnny and June, directed by Des McAnuff, at the Citadel Theatre in Edmonton, Alberta. He would like to thank his family and friends for their constant love and support. @lyndonpugeda on Instagram

DANA SOLIMANDO (Choreographer) is excited to be making her CCAE debut. She has won several awards, including three Los Angeles Stage Alliance Ovation Awards, seven Ovation nominations, a NAACP nomination, and three L.A. Drama Critics Circle nominations. Credits include: World Premier of Irena - The Irena Sendler story for Teatr Muzyczny Poznan (2023 Koryfeusz award and 2022 Kiepura award nom), Cabaret (2019 Ovation and L.A. Drama Critics Circle nominations), Rebel Genius (2019 World Premier), American Idiot (Ovation Award nom.), Disney’s The Hunchback of Notre Dame (5th Ave Theater), Parade (Ovation nom.), Spring Awakening (Ovation nom), Mamma Mia!, Rent, The Addams Family (with Rachael York & Bronson Pinchot), Billy Elliot (L.A. Drama Critics Circle Award nom.), Ragtime (Ovation nom.), Damn Yankees (Ovation award nom.), Urinetown, Hairspray, All Shook Up, Swing! (L.A. Stage Alliance Ovation Awards— Best Choreography). Miss Saigon at Macau International Arts Festival/McCoy Rigby Ent, Jesus Christ Superstar national tour (NAACP Theatre Award nomination). La Cage aux Folles, The Wizard of Oz, Hair (Sacramento Broadway Music Circus); Little Miss Scrooge (world premiere). As a performer her Broadway performance credits include Peter Pan (Tiger Lily), Cats (Rumpleteazer), and Swing! (West Coast/Country girl). Dedicated to the memory of her Bergen County born father Frank “Butch” Solimando. Salute!

BETHANY SLOMKA (Assistant Director) is thrilled to be back at CCAE Theatricals, but this time on the other side of the table. Bethany is an actor and was seen most recently in our SRS Festival’s production of Call Your Mother, and on our main stage in Every Brilliant Thing, and Sunday in the Park with George. She has been performing professionally for the better part of the last 15 years at various theaters such as The Old Globe and Tuacahn Center for the Arts, but also has spent many years as a theater educator, audition coach, and youth theater director. She has always been interested in the other side

of the table and has a passion for learning all aspects of this art form. She cannot wait to learn from and work alongside TJ, Lyndon, Dana, this gorgeous cast, and the entire Theatricals team. Bethany would like to THANK YOU for supporting live theater! You can follow her journey both on and off stage on instagram at @beeslom.

CAITLIN MUELDER (Dialect Coach) Dialect Coaching Credits include: The Light in the Piazza, Once at CCAE Theatricals, Our Town at South Coast Rep, Oklahoma, Parade, Spamalot, A Gentleman’s Guide to Love & Murder, Young Frankenstein at 3D, A Secret Garden, The Sound of Music, The King & I, Cabaret, Mamma Mia at McCoy Rigby/ LA Mirada Theatre, Oliver, An American In Paris at Musical Theater West, The OA, 47 Meters Down, False Colors, Under Milk Wood, Cabaret, Nicky, My Mother’s Daughter. Caitlin is a writer, director, actor repped by Heroes & Villains Ent. & CAA. More info@: caitlinmuelder.com

STEPHEN GIFFORD (Scenic Designer) is happy to return to CCAE after having designed Ain’t Misbehavin’ in 2022. His designs have been seen on stages across the country and internationally including: The Grand Ole Opry, The Chicago Theatre, Madison Square Garden, The El Sett & Abdel Halim Theaters (Riyadh, Saudi Arabia), Sacramento Music Circus, The Walnut Street Theatre, 5th Avenue Theatre, Juneau Lyric Opera, La Mirada Theatre for the Performing Arts/McCoy Rigby, and many more. He has garnered many awards and nominations for his work. He was awarded The Bob Z Award for career achievement in set design by the Los Angeles Drama Critic Circle, has been awarded the Scenie Award for LA Scenic Designer of the Year every year since 2008, and was awarded Scenic Design of the Decade for Cabaret, in Los Angeles by Broadwayworld. com. In addition to scenic design for theatre, Stephen has also designed for live immersive events, themed interiors, nightclubs, and cabarets. He holds an MFA from NYU’s Tisch School of The Arts and is a proud member of United Scenic Artists, Local 829. www.stephengifforddesign.com

JON INFANTE (Projection Design) is a multimedia designer and artist based out of Southern California. Owner of Infante Media, a boutique production company, that has developed video content for television, film, museums, concert tours, plays and musicals around the world. Jonathan is also the Artistic Director of Southgate Productions and has been producing and directing shows with the Curtis Theatre for the past eleven years. He thanks his family and friends for their continued support. Most recent design credits: The Cher Show (1st US National Tour), Legally Blonde 2022/23 US National Tour, An American in Paris / South Pacific 2022 Tour. Dreamgirls 2020 Asia Tour. Regional Credits: Jersey Boys (MRE), Shrek (3D-T), Matilda (Tuachan), Prince Of Egypt (Tuacahn), Beauty and the Beast (MRE), Newsies (Moonlight), Big Fish (Moonlight), Mary Poppins (MRE), Damn Yankees (Sacramento Music Circus) American Idiot (LMT).

JANET PITCHER (Costume Coordinator) is excited to work on one of her favorite musicals for CCAE Theatricals! She has costumed over 100 professional productions throughout San Diego. Favorite productions include: Sunday in the Park with George, Witnesses, Bottle Shock!, The Light in the

Piazza, The Curious Incident of the Dog in the Night-Time , Once, Joseph… (CCAE Theatricals), In the Heights, A Christmas Story, All Shook Up, Sister Act, Young Frankenstein, Full Monty, 9 to 5, Billy Elliot, West Side Story, La Cage Aux Folles and Chicago (SDMT); Elf, The Bodyguard, A Chorus Line, Addams Family, Mamma Mia, A Christmas Carol, My Fair Lady, Sweet Charity, Jesus Christ Superstar, Cabaret, Hello Dolly, Oklahoma, Hairspray, Anything Goes, Rent (Welk Theatre) Awards: SD Theater Critics Circle winner (Sunday in the Park with George) nomination (The Light in the Piazza).

PETER HERMAN (Hair & Wigs Designer) is proud to be part of the design team for Jersey Boys. He has previously designed wigs for Curious Incident, Bottle Shock!, Sunday in the Park with George, The Light in the Piazza and Ain’t Misbehavin’ and some consultation work on Witnesses. Peter has designed wigs all over the Southern California area. Some of his work has been seen at Cygnet Theater, The La Jolla Playhouse, The San Diego REP, Moonlight Stage Productions, Diversionary Theatre, North Coast Rep as well as some design work for film, television, and various theme parks. Peter currently teaches wig and makeup design at San Diego State University.

JEAN-YVES TESSIER (Lighting Designer) was born quite small but thanks to advances in medical, evolutionary, and nutritional science grew into a larger version of himself. He hails from the cold reaches of Canada and once had a sexy french accent. He has since lost it. If found, please take good care of it. He has been rained on exactly 1,452 times. Incredibly this is also his PIN number. The universe is weird that way.

JOSHUA HEMING (Associate Lighting Design) is a lighting designer based in San Diego, CA. Design Credits include tick,tick... BOOM! (Cygnet Theatre), In a Sunshine State, Love’s Labor’s Lost, A Raisin in The Sun (San Diego State University), Birds of North America (Moxie Theatre), Associate and Assistant Design Credits include DMC Lighting Assistant for The Who’s Tommy (Broadway, 2024), Associate Lighting Designer for Is It Thursday Yet? (PACNYC, 2023), Ms. Holmes & Ms. Watson Apt 2B (The Old Globe, 2024), Great Comet (2024), Evita (2023) (Cygnet Theatre), and Assistant Lighting Designer for The Ballad of Johnny & June (2024), Redwood (2024), Babbitt (2023) (La Jolla Playhouse), Twelfth Night and Cabaret (The Old Globe, 2023). He would like to thank his partner for all the love and support she provides. For more information please visit his website at www.joshuahemingld.com & @joshuahemingld across all socials.

PAUL DURSO (Sound Designer) is a musician, composer, and creative engineer across many mediums, with a particular focus on audio engineering and sound design for themed entertainment and theatrical productions, and enjoys making the impossible happen to support the art of the show. He has written, lectured, and taught on aesthetics, themed design, audio engineering and music electronics, and comparative religion. He is an Aspirant to AA and serves as an officer at a local level for Ordo Templi Orientis. His music is available on Meaning Through Form Records. Recent theatrical credits include: The Polar Express Train Ride (national team),

Ain’t Misbehavin’, Hand To God, The Savoyard Murders, Iron, Catch Me If You Can, Disney’s Freaky Friday, In The Car.

CECILIA CRON (she/her) (Props Coordinator/Production Assistant) Select credits include: Vanity Fair (ASM, SRT), Clyde’s (ASM, Moxie Theatre), Nashville Nights (PSM, CCAE), 42nd Street (Spot Op, Moonlight Amphitheater), Saturday Night Fever (Deck Crew, Moonlight Amphitheater), Anything Goes (A2, SDMT), and Xanadu (ASM, SDMT). Additionally, she was the Assistant Choreographer for Moonlight Youth’s production of Seussical last Fall. Cecilia has most recently been working as an after school dance teacher with Moonlight Studios. She hopes you continue to support live theater and enjoy the show!

LINDSAY BROOKS (Casting Director) has worked in casting for almost 10 years with credits including The Office! A Musical Parody (Off-Broadway, 1st National), Rudolph the RedNosed Reindeer: The Musical (Off-Broadway, 1st National, 2nd National, Grand Ole Opry), Friends! A Musical Parody (1st National), The Simon & Garfunkel Story (1st National, 2nd National), Musical Thrones: A Parody of Ice & Fire (1st National), Peter Pan (Riyadh, Saudi Arabia), Greater Tuna (National Tour), The-Pout-Pout Fish (TheatreWorksUSA), multiple stage productions, tours and readings for McCoy Rigby Entertainment and is currently the resident casting director here at CCAE Theatricals. She is also a working improv comedian and a pretty cool mom. IG: @lindsaykbrooks

AARON RUMLEY (Production Manager) is excited to be working again with CCAE Theatricals. Previous productions include Every Brilliant Thing, Curious Incident, Witnesses, Ain’t Misbehavin’ and Sunday in the Park with George. He is also a stage manager, lights, sound, and projection designer. He is thankful to the Theatricals Team, Cast, Designers, and Crew for all their hard work.

TERRY HANRAHAN (Production Manager) has been active in the world of performance for roughly 100 years, beginning as an actor up through her years at UCI, and then as a Properties Designer for both theater and television. After lots and lots of infomercials and any number of Children’s Video Series with the Olsen Twins and Elijah Wood (as Pinocchio) she moved into the Art Departments of Children’s TV for Disney Channel (Kids Incorporated) and Nickelodeon (All That, Kenan and Kel, The Amanda Show) as Art Department Coordinator. Many years as an Equity Stage Manager followed for several southland theaters, mainly 3D Theatricals, McCoy Rigby Entertainment and Fullerton Civic Light Opera, eventually evolving into being Production Manager for 3DT for a number of years. And the joy of working with TJ Dawson and being a part of 3DT through all the many wonderful shows of the last 12 years has led to being a part of this very fun evening with Jersey Boys at CCAE. The joys just keep coming!

JULIAN OLIVE (Production Stage Manager) is excited to be making his CCAE Theatricals debut! Selected credits include Rudolph The Red-Nosed Reindeer National Tour, Geffen Playhouse: The Lonely Few; MTW: Newsies!, MRE: The Little Mermaid, Jersey Boys; 5-Star: Shrek, Matilda, West Side Story, The Music Man, Something Rot-

ten, Newsies, The Addams Family, Oliver!; Forestburgh Playhouse: Jersey Boys, Spamalot, Pelkey; 3DT: Newsies, South Coast Repertory: Alice’s Wonderland; Bay Street Theater; Paper Mill Playhouse: The Honeymooners.

GAVIN LATTIMER (Assistant Stage Manager) is an ASM and trainer on various shows and annual events for the Disneyland Resort. Other credits include I Need That, Thirst, Back Together Again, and Wait Until Dark for the Dorset Theatre Festival, Ragtime and Tigers Be Still for the Chance Theater, and shows and events for the Kitchen Theatre Company, State Theater of Ithaca, and the Curtis Theatre. Proud graduate of Fullerton College and Ithaca College.

ACTORS’ EQUITY ASSOCIATION (AEA) founded in 1913, represents more than 49,000 actors and stage managers in the United States. Equity seeks to advance, promote and foster the art of live theatre as an essential component of our society. Equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. AEA is a member of the AFL-CIO, and is affiliated with FIA, an international organization of performing arts unions. The Equity emblem is our mark of excellence. www.actorsequity.org

3-D THEATRICALS (Producer) has established itself as one of Southern California’s premiere professional theater companies and has earned a reputation for fresh interpretations of Broadway shows featuring the highest caliber of talent. The company seeks to provide Southern California with professional theater that includes Broadway musicals, readings and new works. They have received many awards, recognitions and nominations including Saturn Awards, Ovation Awards and LA Drama Critics Circle Awards, including the prestigious Joel Hirschhorn Lifetime Achievement Award. It is 3-D Theatricals goal to increase arts awareness throughout the community and to nurture our youth with culture and education. The company is committed to excellence and bringing new life and demand to the arts.

CCAE THEATRICALS (Producer) strives to be a place where artists and audiences come together to ask challenging questions, making space to contend with our past, our shared present and to collectively envision our future. Since its inception in 2020, CCAE Theatricals has quickly become one of Southern California’s must-see professional theatre companies earning rave reviews from critics and multiple nominations and awards from the San Diego Theatre Critics Circle: the 2022 Craig Noel Award for Outstanding New Production (Witnesses) and the 2023 Craig Noel Award for Outstanding Resident Musical (Sunday in the Park with George) among others. CCAE Theatricals brings people together to inspire discussion and open pathways to new ways of thinking. In July 2023, CCAE Theatricals embarked on a new chapter by establishing itself as an independent non-profit organization. With unwavering dedication and a vision to further our mission, we are now registered as a 501c3 Charitable Organization, providing us with the autonomy to continue nurturing the arts and culture in our community and fulfilling our commitment to producing exceptional theatrical and educational experiences for years to come.

JERSEY BOYS PRODUCTION STAFF

Director

Musical Director

Choreographer

Assistant Director

Dialect Coach

Production Stage Manager

Assistant Stage Manager

Scenic Design

Lighting Design

Projection Design

Associate Lighting Design

Sound Design

Costume Coordinator

Dressers

Hair & Wig Design

.T.J. Dawson

Lyndon Pugeda

Dana Solimando

Bethany Slomka

Caitlin Muelder

Julian Olive*

.Gavin Lattimer

Stephen Gifford

.Jean-Yves Tessier

Jon Infante

Joshua Heming

Paul Durso

Janet Pitcher

Max Cadillac, Liberty-Belle Garza-Omae

Props Coordinator/Production Assistant

Casting Director

Production Manager

Peter Herman

.Cecilia Cron

.Lindsay Brooks

Aaron Rumley, Terry Hanrahan

HOUSE CREW

IATSE Steward

Head Electrician

Head Flyman

Head Video

Head Audio

Head Props

Assistant Audio

Audio Crew

Deck Crew

Nate Woods

Oliver Hammel

Matt Wetherholt, Thomas Rhoades

Cody Glauch

Julia Hill

Tessia Ladicicco

Rose Deveson

Danika Collier

Josh ‘JD’ Noland, Silas Foster, Ryan Gordon, Erick Rosales Follow Spots

Lillie Fletcher, Josh Kirkbride Electrics

Amber Steinbeck, Nick Shelton, Marthea Rogers, Joey Prete, Oliver Hammel, Silas Foster, Matt Jenkins

Carpenters . . David Johnson, Ryan Gordon, Josh ‘JD’ Noland

Rigger

Audio

Video

Vince Jolley

Victoria Rodriguez, Rose Deveson, Julia Hill

Cody Glauch, Josh ‘JD’ Noland

PRODUCTION ACKNOWLEDGEMENTS

Production Photos

Media Filming

Design + Art Direction

Rehearsal Photography

Ken Jacques

Stephen Daniels

J. Scott Lapp

Holly Lapp

CCAE THEATRICALS STAFF

Executive Director

Artistic Director

Managing Producer

Director of Education & Engagement

Non-Profit Board Consultant

Philanthropy Consultant

Marketing Consultant

Box Office Associate

Camp Director

Arts Admin Fellow .

Julianna Crespo

J. Scott Lapp

Jordan Beck

Tom Abruzzo

Cindi Phallan

Marianne Pekala

Lesley Russe

Holly Lapp

Sebastian Montenegro

Christina Charlene Quintana Olague

Senior Marketing Apprentice

Senior Marketing Apprentice

Mariana Perezchica

Jayden Smith

The actors and Stage Managers employed in this production are members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers of the United States. This theatre operates under an agreement between the League of Resident Theatres and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

The following employees are represented by the International Alliance of Theatrical Stage Employees, Moving Picture Machine Operators, Artists and Allied Crafts of the United States, its Territories and Canada, AFL-CIO, CLC, Stage Crew Local 33, Treasurers and Ticket Sellers Local 852, Wardrobe Crew Local 768, Make-up Artists and Hair Stylists local 708.

The House Managers and Press Agents employed in this production are represented by the Association of Theatrical Press Agents & Managers.

The Musicians employed in this production are members of the American Federation of Musicians of the United States.

United Scenic Artists represents designers and scenic artists for the American Theatre.

BOX OFFICE INFORMATION

To contact the CCAE Theatricals Ticket Office, visit www.Theatricals.org boxoffice@theatricals.org or call (442) 304-0500 Ext. 1

MISSION STATEMENT

CCAE Theatricals celebrates the human connection through theater and education by sharing stories that illuminate the individual experience and cultivate a collective voice.

Connect with us on Facebook, Instagram, Youtube & TikTok @CCAETheatricals #ccaetheatricals

SPECIAL THANKS

• Stephen Daniels • Sara Matta • Cheryl West • • Dan & Verna Sundquist • 4Wall Entertainment • • TC Furlong • Copymat • Grand Restaurant Group • • Bellamy’s Restaurant • 3D Theatricals • Panorama • • Escondido Union School District • Seven Interpreting • • California Center for the Arts, Escondido Foundation •

Set, Costumes, Wigs and Props provided by 3D Theatricals

MUSIC CREDITS

“Ces Soirees-La (Oh What a Night)” (Bob Gaudio, Judy Parker, Yannick Zolo, Edmond David Bacri), Jobete Music Company Inc., Seasons Music Company (ASCAP)

“Silhouettes” (Bob Crewe, Frank Slay, Jr.), Regent Music Corporation (BMI).

“You’re the Apple of My Eye” (Otis Blackwell), EMI Unart Catalog Inc. (BMI).

“I Can’t Give You Anything But Love” (Dorothy Fields, Jimmy McHugh), EMI April Music Inc., Aldi Music Company, Cotton Club Publishing (ASCAP).

“Earth Angel” (Jesse Belvin, Curtis Williams, Gaynel Hodge), Embassy Music Corporation (BMI).

“Sunday Kind of Love” (Barbara Belle, Anita Leonard Nye, Stan Rhodes, Louis Prima), LGL Music Inc./Larry Spier, Inc. (ASCAP).

“My Mother’s Eyes” (Abel Baer, L. Wolfe Gilbert), Abel Baer Music Company, EMI Feist Catalog Inc. (ASCAP).

“I Go Ape” (Bob Crewe, Frank Slay, Jr.), MPL Music Publishing Inc. (ASCAP).

“(Who Wears) Short Shorts” (Bob Gaudio, Bill Crandall, Tom Austin, Bill Dalton), EMI Longitude Music, Admiration Music Inc.,Third Story Music Inc., and New Seasons Music (BMI).

“I’m in the Mood for Love/Moody’s Mood for Love” (Dorothy Fields, Jimmy McHugh), Famous Music Corporation (ASCAP).

“Cry For Me” (Bob Gaudio), EMI Longitude Music, Seasons Four Music (BMI).

“An Angel Cried” (Bob Gaudio), EMI Longitude Music (BMI).

“I Still Care” (Bob Gaudio), Hearts Delight Music, Seasons Four Music (BMI).

“Trance” (Bob Gaudio), Hearts Delight Music, Seasons Four Music (BMI).

“Sherry” (Bob Gaudio), MPL Music Publishing Inc. (ASCAP).

“Big Girls Don’t Cry” (Bob Gaudio, Bob Crewe), MPL Music Publishing Inc. (ASCAP).

“Walk Like a Man” (Bob Crewe, Bob Gaudio), Gavadima Music, MPL Communications Inc. (ASCAP).

“December, 1963 (Oh What a Night)” (Bob Gaudio, Judy Parker), Jobete Music Company Inc., Season Music Company (ASCAP).

“My Boyfriend’s Back” (Robert Feldman, Gerald Goldstein, Richard Gotteherr), EMI Blackwood Music Inc. (BMI).

“My Eyes Adored You” (Bob Crewe, Kenny Nolan), Jobete Music Company Inc., Kenny Nolan Publishing (ASCAP), Stone Diamond Music Coporation, Tanny Boy Music (BMI).

“Dawn, (Go Away)” (Bob Gaudio, Sandy Linzer), EMI Full Keel Music, Gavadima Music, Stebojen Music Company (ASCAP).

“Big Man in Town” (Bob Gaudio, EMI Longitude Music (BMI), Gavadima Music (ASCAP).

“Beggin’” (Bob Gaudio, Peggy Farina), EMI Longitude Music, Season Four Music (BMI).

“Stay” (Maurice Williams), Cherio Corporation (BMI).

“Let’s Hang On (To What We’ve Got)” (Bob Crewe, Denny Randell, Sandy Linzer), EMI Longitude Music, Screen Gems-EMI Music Inc., Seasons Four Music (BMI).

“Opus 17 (Don’t You Worry ‘Bout Me)” (Denny Randell, Sandy Linzer), Screen Gems-EMI Music Inc., Seasons Four Music (BMI).

“Everybody Knows My Name” (Bob Gaudio, Bob Crewe), EMI Longitude Music, Seasons Four Music (BMI).

“Bye Bye Baby” (Bob Crewe, Bob Gaudio), EMI Longitude Music, Seasons Four Music (BMI).

“C’mon Marianne” (L. Russell Brown, Ray Bloodworth), EMI Longitude Music & Seasons Four Music (BMI).

“Can’t Take My Eyes Off You” (Bob Gaudio, Bob Crewe), EMI Longitude Music, Seasons Four Music (BMI).

“Working My Way Back to You” (Denny Randell, Sandy Linzer), Screen Gems-EMI Music Inc., Seasons Four Music (BMI).

“Fallen Angel” (Guy Fletcher, Doug Flett), Chrysalis Music (ASCAP).

“Rag Doll” (Bob Crewe, Bob Gaudio), EMI Longitude Music (BMI), Gavadima Music (ASCAP).

“Who Loves You?” (Bob Gaudio, Judy Parker), Jobete Music Company Inc., Seasons Music Company (ASCAP).

THANK YOU for your generous annual support.

As we emerge from this period in CCAE Theatrical’s history, we recognize our generous individual donors for their annual and event support.

VISIONARY CIRCLE | $25,000+

Association of Arts Administration Educators

David T. & Dorris E. Staples Foundation * Empower Me Up *

The Fischer Ritchey Foundation * Delnora & Tom Janecek * Hayley Janecek & Ross Caleca*

Irving Z. & Anne D. Sigele Foundation *

Jay & Gale Stienon *

INSPIRER CIRCLE | $10,000-$24,999

Concannon Family Foundation * Susan DeDiminicantanio & Greg Conley * Robert Dudley *

John Hyland *

Audrey Conley & Gertrude & LJ Whitaker Charitable Fund in honor of Lyn and Audrey Conley

Lois Jones*

Robert Will *

ILLUMINATOR CIRCLE | $5,000-$9,999

Murriel & Gary Coleman *

Marcelle & Adam Rossman *

Cynthia & George Weir *

INNOVATOR CIRCLE | $2,500-$4,999

Lois Brossart *

Ken & Pat Denecke * Cheryl Gallant *

Robert Mogg & JoAnn Onishi-Mogg *

Connor Schon* - Kevin & Suzanne Schon Foundation

Scott Vincent & Steve Vanderwal *

Frank Yubeta & Rodney White *

CREATOR CIRCLE | $1,000-$2,499

Tom Hammond & David Adams*

Juith & Chris Hamilton

Pat & Rick Harmetz

Gerry & Mildred Mikas *

Marianne & Michael Pekala *

Jay & Julie Sarno*

George Seymour *

LeAnn & Sam Williams *

Linda Wolff *

MOTIVATOR CIRCLE | $500-$999

Bob Lynch & Dianne Brace *

Kathy Brombacher *

Michael Cachat

Jennifer & Robert Cole *

John Collins

Kurt & Bonnie Engel *

Marsha Engquist *

Norman & Patricia Gillespie

Amy & Gregg Herman *

Nicole Johnson *

Jane LaFazio & Don Strom *

Lisa Lemay *

James & Angela McCormick *

Steven Park *

John Tartaglia

Lawrence & Carol Trautner *

ADVOCATE CIRCLE | $100-$499

Anonymous

Amir & Amy Aminlari

Traci Barker-Ball *

Jeffery W. Barnett

Roy Batchelor *

Diane Benaroya - L’Chaim Magazine

Denise Bevers *

Gregory Block

Marilyn Bohle

Susan & Jim Boland *

Ed Brand & Associates

Scott Anthony Brennan *

Judy Brown *

Clark Burnett *

Daniel P. Calvillo

Domenico & Kim Camplisson

Marcelo Carrejo

Gina Castriotta & Family *

Lori Champagne *

George Cosentini *

Stephen Daniels *

Scott & Laura Deyarmond *

Melora Dietz

Lisa Donahey *

Mr. & Mrs. Charles Drexler

Clifford Elliot *

Richard & Lauraine Esparza *

Marcia Fernando *

Dr. James R. Finnerty *

Joseph Fischer *

Sharon Garza

Michael J. Gervais *

Mr. & Mrs. James Gesvelle *

Jeff Goyette

Kristy Grant-Hart *

Jason & Rachel Green *

Margaret Guy *

Lori Hindenach *

Richard & Donna Horne *

Thomas Hurt

David Johnson *

Marcia Karadashian & Family *

Elizabeth Kaye *

Christopher & Linda Khoury *

Kathleen Kildoo *

Glenna Long *

Amy Levin

Rose Lizcano

Lawrence & Marilyn Lynch *

Janet Mebane *

Michael & Chris O’Donnell *

Ronald Ottinger *

Benita Page

Don & Kathy Piller *

Mark & Janet Pitcher *

Bill Ray

Susan Remery *

John & Teri Rigby *

Carolyn Royer *

Terri Jean Rude *

Mr. & Mrs. Richard Ruhe *

Robin Rusinko *

Lesley Russe *

Rick & Leila Sackfield *

Linda Schechner *

Guy & Barbara Shaw

David Leigh Shearer

DeAndre Simmons *

Ann & Julia Smith *

John & Jeane Stevens *

Michelle Sugarman *

Leslie Tobias

Jerry & Kathy Van Leeuwen *

Laura Vedra *

Lydia Vogt

Ruth Voorhies *

Andrew & Nazarena Washburn *

Karen Wooten *

James Wray *

Gregg Yonekura

Janice Young *

Sandra Zautcke *

* Indicates an Original Founders Circle Member

This donor list includes contributions received as of August 19, 2024.

Every effort has been made to ensure its accuracy and completeness. If there are any errors or omissions, please accept our sincere apologies and notify us at the Table or by email at jcrespo@theatricals.org.

At CCAE Theatricals, our Department of Education & Engagement encompasses both Workforce Development and Creative Youth Development initiatives. Central to this department is the Dorris Staples Theatrical Conservatory, our premier professional Workforce Development program. The Conservatory’s mission is to create access to and pathways for careers in the arts, ensuring that the industry is inclusive and welcoming to all. This important work is supported by the generous gift from the David T. and Dorris E. Staples Foundation.

As we gear up to introduce the second cohort of apprentices in the Dorris Staples Theatrical Conservatory, we bid farewell to a few folks who finished the inaugural year of the program. Their dedication to the craft and values-driven work has forwarded CCAE Theatricals’ mission of celebrating the human experience. Two of our apprentices are embarking on a second year of the program and launching our Senior Apprenticeship program. Additionally, we remain excited to host our Arts Administration Fellow who is spending the year working on a poetry education project designed to help educators teach this art form. This fellowship is made possible through a grant from the California Arts Council and the Association of Arts Administration Educators.

We offer a special round of applause to these individuals, who are the future of our industry.

Mariana Perezchica, Senior Marketing & Community Engagement Apprentice

Jayden Smith, Senior Marketing & Community Engagement Apprentice

Yoni Kruvi, Artistic Apprentice

Thaise Jenkins, Education Apprentice

Lauryn Vicencio, Production & Company Management Apprentice

Christina Charlene Quintana Olague, Arts Administration Fellow

Stay tuned for the introduction of two brand new apprentices working in the artistic and philanthropy departments. Are you interested in contributing to the impact of the Dorris Staples Theatrical Conservatory?

There are several ways to support through a philanthropic gift that will ensure more access to careers in the arts to more individuals.

Sponsor an Apprentice

$20,000

Sponsor an Intern

$5,000

Sponsor a Staged Reading

$10,000

Sponsor a Teaching Artist

$1,000

We’d also like you to meet Sebastian Montenegro, the Camp Director for our premier Creative Youth Development program, Camp ¡Exprésate! Sebastian is a Colombian American actor, dancer, singer, and creative artist. Raised in Bogotá and Scotland, he immigrated to the U.S. and graduated from the San Diego School of Creative and Performing Arts. He attended the Fashion Institute of Design and Merchandising and has been performing professionally in San Diego since 2009. Sebastian won a 2023 Craig Noel Award for his performance as Usnavi de la Vega in In The Heights. He now focuses on art, theatre, and education to promote equity, inclusion, and sustainability.

For information about future camp opportunities for our elementary-aged youth, visit theatricals.org.

THE CCAE THEATRICALS DONOR CIRCLE

As CCAE Theatricals is a nonprofit organization that depends upon the generosity of our donors to sustain the excellence of our work. Approximately 60% of the production costs for a theatrical performance are covered by ticket sales alone. The other 40% is covered through the generosity of our community. That is why we need your help. Become an annual member or donate in honor of someone special.

Make a tax-deductible gift to support Theatricals and as thanks for your generous support, you will enjoy exclusive donor benefits that will bring you closer to the theatre you love.

Want to make a BIG impact all year long? We offer easy and efficient ways for you to support us monthly through secure automatic payments from your credit card, debit card or bank account. This means we will deduct your designated amount from your account until you let us know to stop or change it. To ensure the security of your information, just complete the enclosed pledge form and check monthly giving and we will contact you.

VISIONARY CIRCLE | $25,000+

All benefits of the Inspirer Circle, plus:

• Above the title Honorary Producer credit for a show of your choice

• Immersion in the theatrical process of your sponsored show with invitations to attend first read through (Meet & Greet) and final dress rehearsal before previews start

• 4 tickets to all Opening Night Mainstage & Spotlight Series shows w/ preferred seating

• 4 Complimentary Beverages at every Mainstage & Spotlight show

• Dinner w/ CCAE Theatricals team at Bellamy’s Restaurant

INSPIRER

CIRCLE | $10,000 - $24,999

All benefits of the Illuminator Circle, plus:

• 20% Discount to purchase additional tickets to Mainstage & Spotlight Series shows

• A pre-show VIP reception with a Guest Artist for you and up to ten guests. Includes beverages and a charcuterie board

• 2 complimentary beverages to every Spotlight Series show

• Meal for 2 at Bellamy’s Restaurant (reservation required). Alcoholic beverages not included

ILLUMINATOR CIRCLE | $5,000 - $9,999

All benefits of the Innovator Circle, plus:

• Special invitation for 2 patrons to all Mainstage show opening nights w/ preferred seating and the opening night parties at Bellamy’s Restaurant

• 2 complimentary beverages to every Mainstage show (soft drinks, coffee & tea)

• 2 tickets to all Spotlight Series shows w/preferred seating

• Waived service fees for additional purchases made through www.theatricals.org

INNOVATOR CIRCLE

| $2,500 - $4,999

All benefits of the Creator Circle, plus:

• 2 Tickets to an additional Mainstage show of your choice

• Special invitation for 2 patrons to one Mainstage opening night performance and the opening night party at Bellamy’s Restaurant

CREATOR CIRCLE | $1,000 - $2,499

All benefits of the Motivator Circle, plus:

• 2 Tickets to 1 Mainstage show of your choice

• Invitation & Reserved seating at Staged Readings

MOTIVATOR CIRCLE | $500 - $999

All benefits of the Advocate Circle, plus:

• 2 tickets to 1 Spotlight Series show

• 10% Discount on 4 additional tickets to a Mainstage or Spotlight Series show of your choice

• Exclusive Access to Donor Circle events

ADVOCATE CIRCLE

| $100 - $499

• Yearlong recognition in CCAE Theatricals Programs and Lobby displays

If you would like to learn more, stop by the philanthropy table at one of our shows or contact our

Executive Director, Julianna Crespo jcrespo@theatricals.org 1(442) 304-0501

If you are interested in corporate sponsorship including ad space please contact us!

info@theatricals.org

MOST WIDELY CIRCULATED ARTS PUBLICATION

97% READ PERFORMANCES MAGAZINE

92% READERS SAY PERFORMANCES MAGAZINE ENHANCES THEIR ARTS EXPERIENCE.

CABO

CALLING

Culture & Cuisine in San José del Cabo / by SARAH DAOUST /

A “Cabo getaway”

is often synonymous with “party time,” in which case one is likely referring to a trip to Cabo San Lucas. The bustling resort city plunked on Baja’s southern tip—where the Pacific Ocean and Sea of Cortez collide—is a playground for those seeking sun, outdoor fun and scintillating nightlife.

Yet, a Cabo getaway can also mean a quiet, restful escape for art aficionados, nature lovers and foodies—in which case one might be referring to San José del Cabo, a 25-minute drive north up the coastline. It’s the milder Cabo—a quaint, artsy, culture-rich town punctuated by colonial architecture and authentic eateries.

Grilled octopus at Los Tamarindos in San José del Cabo

Richard O’Brien’s THE ROCKY HORROR SHOW

Music, book and lyrics by Richard

Directed by Sean Murray

Musical Direction by Patrick Marion

Choreography by Luke H. Jacobs

September 11 - October 20

Jasmine January as Columbia
Josh Bradford as Rocky
Faith Carrion as Eddie Audrey Deubig as Janet
Drew Bradford as Brad
Jacob Caltrider as Dr. Scott
Shanyeyah White as Magenta
Nathan Madden as Frank
Allen Lucky Weaver
Eli Wood as Phantom
Linda Libby as Criminologist

Clockwise from top: San José del Cabo Cathedral; quaint local shops; tranquil scenery; the town's Gallery District.

Touring central San José del Cabo can be done on foot and makes for an easy afternoon.

Start at San José del Cabo Cathedral, aka Mission San José del Cabo, located in the heart of the town’s Historic District; it was the southernmost of the Jesuit missions on the Baja California peninsula. First founded in 1730 and relocated and rebuilt many times due to war and floods, the church was eventually restored in 1940 and bears remarkable mosaic tiles and other

significant architectural details capturing its rich history. Steps away, Plaza Mijares is a popular gathering point for locals, surrounded by historical buildings, the town’s city hall, shops and eateries. Be sure to stop by the Casa de la Cultura; the community hub offers music and acting workshops, dancing, painting, and literary events year-round.

Also nearby sits San José del Cabo’s Gallery District (artcabo.com), home to around a dozen fabulous art galleries—

showcasing everything from modern fine art to photography to jewelry by Mexican and international artists. Of note, Ivan Guaderrama Art Gallery features contemporary abstract paintings, sculptures, and glass and welding works by local craftsmen. Inside Frank Arnold Gallery, find dramatic bronze sculptures, oil paintings and fine art prints by abstract artist Frank Arnold. Touted as “the cutest shop in town,” El Armario houses oneof-a-kind Mexican folk

art from every region of the country (as well as the best cup of coffee you’ll find in the area). The Gallery District also hosts the weekly San José del Cabo Art Walk every Thursday evening, November to June.

For a dose of nature, San José del Cabo Estuary and Bird Sanctuary on the outskirts of town is an eco-tourist’s delight. Its 2,000 marshy acres comprise the only freshwater coastal lagoon in Baja and the largest body of fresh water in southern

DANIELS
Lise Lindstrom in Salome, San Diego Opera, 2012. Photo by Ken Howard.

Baja. The protected tropical landscape is home to some 250 species of bird, rare plants and hiking trails. Close by in Puerto Los Cabos, the 12-acre Wirikuta Botanical Cactus Garden grows more than 1 million plants—including 1,500 types of desert plants, 1,000 bonsai bougainvillea trees, and three pyramids built from granite boulders. The property’s adjoining sculpture garden houses works by known Mexican artists.

The best dining outposts in the area are off the beaten path, both figuratively and literally.

from

farm-to-table

Tucked away a few blocks from the Gallery District, El Toro Guero Centro is a palapa-covered locals’ seafood spot, executing regional recipes that epitomize authenticity. This means dishes such as whole-fried red snapper, chocolate clams, and molcajete de mariscos—a stone bowl loaded with raw and cooked shrimp, scallops, octopus, lime juice and jalapeños. For more authentic eats in town, Taqueria Rossy is a no-frills locals’ joint known for its scallop tacos, zesty seafood soup and extensive salsa bar.

No trip to San José del Cabo is complete without a stop at the famous Flora Farms—a 10-acre oasis at the end of a rocky, steep dirt road that will convince first-timers they’re lost before they find it. Nestled in the foothills of the Sierra de la Laguna Mountains, it’s a working farm with flourishing organic produce delivered straight to the property's kitchen— surrounded by twinkling lights, gardens, cottages, roaming friendly dogs and shops. (There’s even a James Perse concept store onsite.) The property also hosts farm tours, walks

with an herbalist, and cooking and art classes. At Flora Farm's alwaysbustling restaurant, Flora’s Field Kitchen, dine on vegetable risotto, seasonal salads and house-made gnocchi; while live music floats through the fragrant air as the sun dips behind the mountains. You’ll likely find yourself researching local real estate later to see if you can live close by.

A few questionable turns down another unpaved road nearby will transport you to the tranquil grounds of Los Tamarindos. This unsung gem is home to an organic

Clockwise
left:
bites, libations and outdoor dining at Los Tamarindos.

farm, a garden, market, restaurant, and several one-bedroom bungalows for overnight stays.

Offering cooking classes, private events and dining on a sprawling haciendastyle porch, Tamarindos emanates a community vibe that makes visitors feel like family. Dinner menu highlights include the mesquite-baked cauliflower entree with traditional Mayan salsa (called sikil p’ak); the wood-baked whole fish of the day; the lemongrassbaked Cornish hen; and the woodfire-grilled giant blue prawns with chimi-

YOU’RE HERE.

Congrats, You’ve Picked a Great Performance! Check out the interactive version of this theater program magazine and enjoy even more insight into the performers, creative talent and theater activities that are behind it all.

LINKS TO PERFORMERS’ SOCIAL MEDIA ACCOUNTS

MULTI - MEDIA PRESENTATIONS ABOUT THE PERFORMANCE.

UNDERSTUDY UPDATES

THEATER SUPPORT OPPORTUNITIES

UPCOMING SHOWS AND CONCERTS AROUND TOWN

INSIDER SCOOPS FROM THEATER AND MUSIC PROFESSIONALS

It’s the new way to read the program, it’s

churri sauce. Wash it all down with the Tamarind Rosemary Margarita or a glass of L.A. Cetto sauvignon blanc from Baja’s Valle de Guadalupe, and life sure is good in Cabo.

As for other lodging in San José del Cabo, its newer, master-planned community vibe means plenty of tranquil, ultramodern resorts and rental homes from which to choose. Of note, the JW Marriott Los Cabos Beach Resort & Spa, perched above the Sea of Cortez, is a luxurious stunner and architectural marvel. Its open-air lobby flanked by soaring marble columns and walls—which unfold into infinity pools, water features and sculpture gardens—channels the backdrop of a contemporary art museum. Dine and imbibe at six restaurants and bars; get pampered at Jasha Spa & Beauty Parlor; enjoy world-class golf overlooking the sea; and rest in a well-appointed ocean-view suite. For an even more private and personalized experience, the JW Marriott houses its own luxury boutique hotel within the resort, the Griffin Club. Added bonuses: the property is a five-minute drive (at most) into town; and only 25 minutes from Los Cabos International Airport. Enjoy your stay.

“IHAVECHILLSEVERYTIMETHISCHOIRSINGS.” — SOFIA VERGARA GOLDEN BUZZER WINNER ONNBC’S‘AMERICA’SGOTTALENT’

VOICES OF OUR CITY CHOIR'S

A SOULFUL BENEFIT CONCE�T PRESENTED BY MUSICPOWER.ORG

OCT 26 5:30PMatEVE

975 WATE�FRONT PL.

Join us for an unforgettable night out at San Diego’s elegant new waterfront venue with stunning Bay views, cocktails at sunset, and music that will feed your soul.

Featuring award-winning musicians, original compositions, and Voices’ internationally acclaimed performance ensemble. Don’t miss out on this unique experience celebrating an organization San Diego Magazine calls “an inspirational nonprofit”.

TICKETS ON SALE NOW.

Voices of Our City amplifies the voices of people impacted by homelessness through music and the arts. All concert proceeds help San Diegans out of homelessness — for good. voicesofourcity.org

CONT’D. FROM PAGE 14

Following the renovation, the seating capacity of Jacobs Music Center has been reduced to about

1,800 (including the new Choral Terrace seating area at the back of the stage), from around 2,200 before. “Before, the hall was very large, and the audience had no real connection to the stage,” Gilmer says. “We’ve condensed the main floor and brought the back and side walls in to make it more elegant and soundproof. Visually, the audience connects to the whole experience in a way it never did before.”

“ideal-sized concert hall. It’s acoustically much more connected with the stage, with a very even sound that has no differentiation from main floor to back wall. It’s a much better sound for the musicians, as well as sound on stage, the better the musicians can play and the more exciting for our audiences.”

Gilmer says Jacob Music Center is now an

Clockwise from above: Rafael Payare; Jeff Thayer; Alisa Weilerstein; Inon Barnatan; and Hera Hyesang Park.

the audience—it wraps around you. It’s a comfortable, elegant space but also an incredible sonic experience.”

That’s one of many changes made to the hall—some of which will not be discernible to the audience, but will make performing there a better and more comfortable experience. That’s what excites cellist Richard Levine, who was one of four Symphony musicians who served on the Orchestra Renovation Committee, consulting throughout the renovation.

“We were focused on all of the artistic concerns—what we could hear on stage, lighting, being able to see the conductor, backstage storage, that sort of thing,” says Levine, who has been a San Diego Symphony player since 1973. “There

ALL CONCERTS NOW ON SALE

See incomparable superstars such as Hélène Grimaud, Gil Shaham, and the Martha Graham Dance Company.

The 2024 –2025 season features acclaimed artists in classical, jazz, dance, voice, global music, and more.

Customize your own season experience with a Compose-Your-Own Package. Choose three or more concerts and instantly save 10%.

CHAMBER
DANCE RECITALS
GLOBAL MUSIC
PIANO
JAZZ
WYNTON MARSALIS

were so many details we got involved with.” One example he cites, that took a lot of time to get right, was designing a new set of permanent risers for the players on stage that maximize the available space and improve their sight lines. “Space is at a premium both onstage and offstage,” Levine says. “We tested some of the riser designs at The Shell and then made further revisions, solving a number of problems.”

Indeed, the opening of the Symphony’s lauded new outdoor venue on San Diego Bay, The Rady Shell, was key in allowing the renovation of its indoor hall to take place; as the Symphony was able to perform some concerts there instead. Ironically, so was the lockdown during the pandemic. Gilmer acknowledges it might have seen mad to take on such a comprehensive renovation just a year after The Shell opened in 2021. “There was a lot of deferred maintenance on the hall, and we always knew we wanted to renovate it, due to its age,” she says. “When The Shell opened and [the pandemic] happened and everything moved outside, it made complete sense to take advantage of a difficult time and accelerate the timeline to make

use of that downtime. We didn’t want to reopen after [the pandemic] for just a couple of years and then shut down again. We realized it was time to put our foot on the gas.”

With the acoustics as a primary concern, the renovation added acoustical tuning chambers and variable acoustic devices throughout the hall—allowing for it to be adjustable to accommodate music ranging from small chamber ensembles, to full orchestra with soloists and chorus, to amplified performances. There is now also enhanced stage lighting, an improved sound system, and an integrated video-display system.

In addition to the acoustic and configuration changes, the hall features new seating and finishes; restored architectural details; modernized lighting, sound and video equipment; updated and expanded support spaces for musicians; and enhanced audience amenities. The project was designed by architectural firm HGA, in collaboration with acoustician Paul Scarbrough of Akustiks, and theater planner Schuler Shook.

There have also been major upgrades made to the main mechanical systems of the hall, which contribute to its acoustic quality and allows space

FEATURE

to be reprioritized.

The addition of the Choral Terrace at the back of the stage provides space for a large chorus for selected works. Also, with seats for 75 when no chorus is in use, it offers an opportunity to enjoy a concert from a new vantage point that audiences don’t usually get. They’re facing the conductor instead of watching his back, and viewing different sections of the orchestra they might not usually see. “From the Choral Terrace you can see the eye contact between the conductor and the players,” Gilmer says. “Everyone should try sitting there.”

Levine agrees: “You can watch the orchestra and see the conductor pretty much like we do.”

The Choral Terrace will be in full use during the two monumental works by Mahler that open and close the Jacobs Masterworks Series: the Symphony No. 2 Resurrection opening the series; and the Symphony No. 3 that closes the season. Both works require full orchestra, solo singers and full choruses.

Reminiscent of its origin as the Fox Theatre in the golden age of movie palaces, the hall has a pipe organ that has been taken out, cleaned and reinforced before being

reinstalled. Gilmer says the Symphony also added two sets of pipes that are more classical and symphonic. The refurbished pipe organ will be showcased in the Saint-Saëns Symphony No. 3, slated for Jan. 10-11, 2025.

In addition to Jacobs Masterworks, Jazz @ The Jacobs, the Family Concert series and recitals, the Symphony is also expanding its offerings starting this season with three new series: a Friday Matinee Jacobs Masterworks series, Currents and Symphony Kids.

Gilmer says longtime audience members “will not be prepared for how comprehensive the transformation is. You will recognize the hall, but it has a freshness about it—it’s really beautiful and inviting. You walk through the doors and leave the world behind, transported to another conscious space where you want to spend time. I really can’t wait for audiences to return. We’ve been watching lots of workmen doing their jobs for all this time, and now it’s time for us to do ours and bring it back to life.”

San Diego Symphony’s new season opens on Sept. 28 and runs through May 2025 at Jacobs Music Center, located at 750 B St., downtown. For tickets and more info: sandiegosymphony.org

reprogrammed !

Performances Magazine unveils a digital program platform for shows and concerts

DROP DOWN MENU

Table of app contents.

REGISTER

Stay arts-engaged, access past programs.

THE ESSENTIALS

Acts, scenes, synopses, repertory and notes.

CONTRIBUTORS

Donors and sponsors who make it all possible—you!

NO RUSTLING PAGES, no killing trees . . . The new Performances program platform, accessed on any digital device, is among the more enduring innovations to have come out of the pandemic. The platform provides the programs for 20 Southern California performing-arts organizations, from the Los Angeles Philharmonic and Ahmanson Theatre to San Diego Opera, where the app made its debut.

The touchless platform provides cast and player bios, donor and season updates and numerous other

arts-centric features. Audiences receive a link and a code word that instantly activate the app; QR codes are posted, too.

Screens go dark when curtains go up and return when house lights come back on. Updates—such as repertory changes, understudy substitutions and significant new donations—can be made right up to showtime, no inserts necessary. Other features include video and audio streams, translations and expanded biographies.

For those who consider printed

SEARCH

Find whatever it is you want to know—easily.

SIGN IN

Link to your performing-arts companies and venues.

THE PLAYERS

Bios and background for cast, crew and creators.

WHAT’S ON

What’s coming at a glance and ticket information.

programs to be keepsakes, a limited number, as well as commemorative issues for special events, continue to be produced. Collectibles!

Meanwhile, there is less deforestation, consumption of petroleum inks and programs headed for landfills. For the ecologically minded, the platform gets a standing ovation.

When theaters and concert halls reopened after their long intermission, the digital Performances was but one more reason for audience excitement. Activate your link and enjoy the shows. —CALEB WACHS

Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.