In the Theatre
LATE SEATING
To minimize disruption, guests not seated when the performance begins will be asked to wait in the lobby until an appropriate break. Latecomers may also be given alternate seats until intermission.
FRAGRANCES
Please refrain from wearing strong perfumes and cologne. Many people are allergic to heavy scents.
LOST & FOUND
Contact a head usher or call the lost and found clerk at 213.972.2600 for the Ahmanson and the Taper. Contact the performance manager at 213.972.4435 for the Douglas.
SMOKING IS PROHIBITED
Smoking of any kind, including electronic devices, is prohibited.
FIRST AID
In case of injury or illness, please see an usher.
YOUNG CHILDREN AND BABIES
Children under age six are not admitted, unless the production is advertised for younger audiences. Regardless of age, everyone must have a ticket and be able to sit quietly through the performance. Babies in arms are not admitted.
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CENTER THEATRE GROUP PUBLICATIONS 2023
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Visit Performances
THROUGH THE ARTS.”
“I VIEW MYSELF AS A community builder
SNEHAL DESAI
Center Theatre Group’s new Artistic Director looks to celebrate the Los Angeles community onstage in its next act.
By Jessica DohertyWhat does Snehal Desai look forward to as he joins Center Theater Group as its third Artistic Director?
“We are in this incredibly multicultural city that has a rich history and legacy,” he said. “L.A. covers a large, diverse geographic region with many cultural enclaves embedded throughout. What we came to miss over the last few years are the spaces where all our different communities can come together in person. It is this opportunity to bring us all together through storytelling that celebrates our shared humanity that I look forward to the most as CTG’s next Artistic Director.”
As Snehal Desai joins Center Theatre Group, he hopes to explore what this means for the many communities and stories that can be found throughout the city. “How can we support local artists and uplift stories that are uniquely L.A.?,” is a question that has been top of mind for him as he makes his transition to CTG.
Desai is the first Artistic Director of color for Center Theatre Group and his experience as both a queer man and a person of color have helped him bring new perspectives to the institutions he has worked with. In all of his work, he thinks of the community it serves. “I view myself as a community builder through the arts and by producing artistic works that create a dialogue on the larger issues and questions of our times. What has brought me the most joy as an artistic leader is introducing audiences to artists whose work inspires, challenges, and moves us in new and innovative ways.”
He is assuming the helm of Center Theatre Group at an inflection point in the wake of the COVID-19 pandemic. Desai believes that this is a critical time for the company to stay committed to programming and developing bold work that is responsive to the times we live in but also centers laughter, joy, and
continues on page 8
BOARD OF DIRECTORS
2022-2023
honorary chairman
Lew R. Wasserman† (1913-2002)
chairperson
Kiki Ramos Gindler
president
Amy R. Forbes
vice presidents
William H. Ahmanson
Miles Benickes
Gail Berman-Masters
treasurer
William R. Lindsay
secretary
Stanley Iezman
†Deceased
board of directors
Harry Abrams
Jonathan Axel
Pamela Beck
Thom Beers
Jana Bezdek
Betsy Borns
Diana Buckhantz
Dannielle
Campos Ramirez
Wendy Chang
Jill Chozen
Sarah Clossey
Christine Cronin-Hurst
Bradford W. Edgerton, MD
Cecilia Estolano
Noah Francis
Gary Frischling
Ron Gillyard
Patricia Glaser
Manuela Cerri Goren
Max Gousse
Robert Greenblatt
Jason Grode
Aliza Karney Guren
Paul James
Gerard McCallum II
Louise Moriarty
Kari Nakama
Jamie Patricof
Meghan Pressman
David Quigg
Kristine
Louis Reynal
Jeffrey C. Reynolds
Edward Ring
Laura Rosenwald
Elliott Sernel
Glenn A.
Sonnenberg
Sandra Stern
Marsha
Tauber Sallai
Bonnie Vitti
Matthew Walden
Kim McLane
Wardlaw
Shana C. Waterman
Richard Weitz
Hattie Winston
emeritus directors
Harold Applebaum
Ronald J. Arnault
Judith Beckmen
Brindell
Roberts Gottlieb
Susan Grode
Phyllis Hennigan
Stephen F.
Hinchliffe, Jr.
Richard Kagan
Walter Mirisch†
Diane Morton
Edward B. Nahmias
Bruce L. Ross
past presidents
Lew R. Wasserman†
Marshall Berges†
Armand S. Deutsch†
Walter Mirisch†
Henry C. Rogers†
Richard E. Sherwood†
J. David Haft†
Lawrence J. Ramer†
Stephen F. Hinchliffe, Jr.
Phyllis Hennigan
Richard Kagan
Martin Massman†
William H. Ahmanson
Kiki Ramos Gindler
community. “Whether you love musicals, classics, new works or more family-friendly shows, we will present a diverse body of work that we hope will appeal to all Angelenos whether you go to the theatre once a week, once a month, or once a year.”
Desai’s studies and work have since taken him across the country and overseas. He grew up in Pennsylvania, lived in Atlanta when he was an undergraduate at Emory University, lived in New Haven while attending the David Geffen School of Drama at Yale University, and later worked in both New York and London. In 2013, he moved to Los Angeles and three years later became the Artistic Director of East West Players (EWP), the nation’s oldest and largest Asian American theatre company. Over his seven seasons at EWP, he produced and directed the Los Angeles premiere of Allegiance with George Takei in association with the Japanese American Cultural and Community Center, critically acclaimed productions of Next to Normal and Assassins, and new works including Anna Moench’s Man of God and Inda Craig-Galván’s The Great Jheri Curl Debate He also led collaborations between East West Players and Center Theatre Group including Kristina Wong, Sweatshop Overlord which was presented at the Kirk Douglas Theatre earlier this year as well as the world premiere of David Henry Hwang’s Soft Power in 2017.
“As a hyphenated American, what I have always been interested in is that collision—between eastern and western traditions that are embodied in us and our lives as Asian Americans,” he said.
While at East West Players, Desai and the company were “trying to break apart the monolith of the diaspora,” and “constantly asking ourselves, who have we not heard from our stage? Whose story has not been told and what communities have not been invited into our space?”
Compared to the theatre scenes in other regional markets, he finds that the close-knit nature of the Los Angeles theatre community allows the opportunity for more collaboration and cross-pollination of the audiences and artists from the myriad of companies. In addition to Center Theatre Group, he worked with Pasadena Playhouse, Rogue Artists Ensemble, the Los Angeles LGBT Center, The Robey Theatre Company, The Fountain Theatre, API Rise, the Japanese American Cultural Community Center, and TAIKOPROJECT.
Desai also finds that the city is becoming a hub for the intersections of many industries—especially with the expansion of film and television into streaming. And, in the coming years, those industries will only continue to grow along with the city’s global impact. Center Theatre Group’s 60th anniversary falls between the years in which Los Angeles will host the World Cup and the Summer Olympics and Paralympics.
“We are about to have the attention of the world focused on Los Angeles in the next few years,” Desai said. “I’m really excited for the ways we are going to uplift and celebrate L.A. and the honor and privilege it is to be an Angeleno.”
“IT IS THIS OPPORTUNITY TO BRING US ALL TOGETHER THROUGH storytelling that celebrates our shared humanity THAT I LOOK FORWARD TO THE MOST AS CTG’S NEXT ARTISTIC DIRECTOR.”The cast of the world premiere of David Henry Hwang and Jeanine Tesori’s Soft Power. Photo by Craig Schwartz.
Associate Artistic Director Lindsay Allbaugh on the dark magic and dangerous feminine power that underscores Our Dear Dead Drug Lord at the Kirk Douglas Theatre.
By Jessica DohertyLindsayAllbaugh’s
DEAR DIRECTORIAL DEBUT AT CENTER THEATRE GROUP
In Alexis Scheer’s Our Dear Dead Drug Lord , four high school girls find each other through the ‘Dead Leaders Club,’ in which they attempt to summon dead leaders, like Pablo Escobar, through seances and blood sacrifices in a treehouse. This group ends up being a pivotal way for these young women to cope with the grief and lack of control in their lives. For Lindsay Allbaugh, as a high schooler, she found her people while sneaking out of class and into the theatre department and staying after school to dance onstage to Cirque du Soleil and Broadway musicals while no one was watching.
“The theatre department was an escape from the horrors of high school,”” she reminisced. “I felt very alone until I found this group of overly dramatic and deliciously weird kids. We didn’t fit in anywhere else— this was the first time I felt like I could really, truly, be my full self.”
Our Dear Dead Drug Lord resonated with Allbaugh immediately. “There’s something inherently magical about the setting, about how Playwright Alexis Scheer puts us in that treehouse, and all the feelings of nostaliga and youthful possibility it implies, combined with the way that they speak to each other. It takes me right back to my high school days with my best friends and all of the deep feelings, angst, rage, and desire we were feeling,” she said.
Photo by Bettina Neiderman.Allbaugh is tapping into her high school experiences as she directs Our Dear Dead Drug Lord at the Kirk Douglas Theatre this summer. But she also brings with her the wisdom of her many years working in Los Angeles theatre, and right here at Center Theatre Group. The production will mark her directorial debut with the company—after 19 years of working here.
Allbaugh began working at Center Theatre Group as an assistant to the Managing Director. Outside of work, she became heavily involved in the 99seat theatre scene in Los Angeles. She joined the Elephant Theatre company, founded by alumni of California State University Long Beach, her alma mater, and became a Co-Artistic Director during her ten-year tenure there. She directed and produced work across Los Angeles, and eventually shadowed former Artistic Director Michael Ritchie. As an Associate Artistic Director, Allbaugh was able to bring her experience at Center Theatre Group and beyond together to start the Block Party program, in which companies from smaller theatres in Los Angeles would have their work produced at the Kirk Douglas Theatre.
But it’s not as though Allbaugh’s high school self has ever really left—she believes a part of our teenage selves still lives in us all.
“I still have a little bit of that shyness or awkwardness that I had as a teenager, I still feel like I live within this group of ragtag thespians because in a sense, we’re all still some version of our younger selves,” she said.
The characters in Our Dear Dead Drug Lord are discovering the untapped power within themselves. Allbaugh finds this as another common experience of adolescence—laying claim to power after years of living by the established rules of family, school, and the world. Allbaugh herself had a brief Wiccan phase, which she feels was a way for her to try and “find my own voice and some control in my life.”
Allbaugh has always been drawn to stories about young people, especially young girls becoming women. She is particularly fascinated by what it means to wrangle with one’s identity, outside of the many external factors that can influence it.
“Society tells you what to do as a young girl, what you are and what you’re capable of,” Allbaugh said. “And you may feel differently inside about who you feel you are and what you are capable of.” There is also the added layer of how the patriarchy impacts our society and institutions which can help explain why these young women are so drawn to the male leaders their club attempts to resurrect.”
Allbaugh as a director and Scheer as a playwright ask the actors and audience alike to wonder about what happens when women tap into the dangerous parts of themselves suppressed by the patriarchy.
Although this play is set just 15 years ago, in 2008, Allbaugh considers this a period piece. The play’s characters have drastically different political views, illustrating the beginning of much of the political polarization seen in the United States today.
But despite this story being about adolescent experiences, the journey of self-discovery is lifelong.
Allbaugh said that these characters ask the audience a multitude of questions: “What does it look like to be feminine and brutal? What does feminist power, rage, and grief look like? And at what point do you, as an adult, start to think for yourself?”
No matter the age of the audience, Allbaugh finds that this play will frighten and shock everyone in the house. “What if the scary things in the world, are actually us?,” she said. “The monster under our bed is actually the monster inside of us.”
“The theatre department was an escape from the horrors of high school. I felt very alone until I found this group of overly dramatic and deliciously weird kids.”
QUESTIONS
The breakout playwright of Our Dear Dead Drug Lord
When did you know you loved theatre?
When I was 9 doing A Christmas Carol at the Actors’ Playhouse in Miami.
What was your most embarrassing high school phase?
I was an unbearably self-serious Theatre Kid, so all of it in retrospect.
If you could bring back anyone from the dead who would it be?
I don’t f*** with that kind of magic.
What’s the last text message you sent?
6
Where do you go for inspiration?
The non-fiction section of Brookline Booksmiths.
7
Who do you look up to?
People who are taller than me.
8
Favorite play (that you haven’t written)?
This is impossible to answer! But these were foundational to my own writing: Sarah Kane’s Blasted, Tony Kushner’s Angels in America, Jose Rivera’s Marisol, and Sarah DeLappe’s The Wolves
Favorite quote?
9 1 2 3 4 5
“What is for me will not pass me.”
What’s your guilty pleasure?
Annie the musical. Not even that guilty about it. It’s brilliantly constructed and utterly delightful. Fight me.
WITHAlexis
Scheer on
‘warm’ takes, ghosts, and her ideal day off.
By Jessica Doherty11
Tell us a secret.
12
13
14
I’m terrified of singing in public—sad, considering I have a whole a** BFA in Musical Theatre Performance—but I’d love to perform in musicals again one day.
What’s the best advice you’ve ever received? When you’re short on time, slow down.
What does your ideal day off look like?
Blissfully boring and bra-less with my husband, Dan, and dog, Sagan. We’d go to Flour Bakery, the dog park, and an estate sale or three (we LOVE estate sales).
Have you ever encountered a ghost? Only once. She was a super friendly ghost in my apartment my sophomore year of college!
16
Who’s your most surprising celebrity crush? Cherry Jones.
17
What’s your favorite line from Bad Cinderella?
“I’m Cinderella, you’re the Godmother, let’s get the show on the road!”
18
Where would you go on a dream vacation? The Amalfi Coast.
19
10 20
Give us your hottest take. In print? No way. My warm take is that it’s not a real hot take if you’re comfortable putting it in writing.
What song do you have on repeat right now?
“Are You Scared Of Me Yet?" by Daisy Grenade. Honestly, I have their whole EP Cult Classic on repeat.
What were your favorite and least favorite subjects in school? Such a basic answer, but faves: English and History, least faves: Math and Science.
Show us your favorite dog picture! 21 15
What’s your go-to comfort meal?
Raising Canes. It was right next to the theatre in grad school, so now my brain is wired to want fried chicken and crinkle fries whenever I feel discomfort, vulnerability, or success.
FARCES ON STAGE!
By Bobby MartinezDeck the Halls with loose wires and falling hazards, Peter Pan Goes Wrong has officially opened here at the Ahmanson Theatre. The Mischief Company has our audiences cackling in their seats, but how do they do it?
Peter Pan Goes Wrong is a prime example of a farce, a comic dramatic piece that uses highly improbable situations, stereotyped characters, extravagant exaggeration, and violent horseplay. Let’s take a trip down memory lane and explore other farces that have shocked audiences at Center Theatre Group.
The Most Happy Fella (1991)
This musical tells the story of a blossoming romance between an older man and a younger woman using music and dance to move audiences through this musical comedy! When Tony makes a mail order marriage proposal, his bride-to-be mistakes the photo of a young, handsome foreman to be her intended husband. When she finds out the truth, their relationship is on course to end before it begins. But through the goodness that shines through him, Tony manages to enchant and win the love of his city bride.
THE MOLIÈRE COMEDIES: The School for Husbands AND The Imaginary Cuckold (2002)
This double-bill production gave audiences an inside look into the world of Molière in one jaw-dropping, laugh-inducing night. The first of the two, The School for Husbands follows the whacky suitors Sganarelle, who is controlling and overbearing of his intended wife-Isabella, and Arise, Sganarelle’s older brother who treats his intended wife Leonor more as an equal. The Imaginary Cuckold follows Sganarelle, who appears in many of Molière’s works. The story focuses on the consequences of jealousy and hasty assumptions in a series of misunderstandings and arguments that involve Sganarelle, his wife, and the young lovers, Celie and Lelie.
A Funny Thing Happened on the Way to the Forum (1971)
Though this was shown at the Ahmanson for some reason (picture it:“I’m gonna go watch A Funny Thing Happened On the Way to the Forum at the Mark Taper Forum!), this musical by the legendary Stephen Sondheim was inspired by the farces of the ancient Roman playwright, Plautus. The show follows Pseudolus, a slave who attempts to win his freedom by helping his young master woo the girl next door. A farce wouldn’t be complete without the classics-puns, slamming doors, your typical mistaken identities-and A Funny Thing... surely delivers. The original 1962 Broadway production won several Tony Awards, including Best Musical, and was later produced into a successful movie adaptation with the stage musical's original lead, Zero Mostel. Just be careful whenever you go and watch a production of the show, a funny thing could happen.
A Flea In Her Ear (1982)
This production marked the Taper’s 15th Anniversary Celebration and was a part of The Repertory Festival. The play was written by Georges Feydea in 1907, at the height of the Belle Époque era in France—characterized by optimism, peace, and economic prosperity. The show follows Raymonde Chandebise, who questions her husband’s fidelity. With the help of her old friend, Lucienne, she hatches a plan to forge a letter penned by an ‘anonymous admirer’, inviting her husband to a rendezvous at the Hotel Coq D’or. The show was first performed in Paris and was reviewed as “a piece for which we need to invent a new description” by critics, for it was so explosive and comedic that “the audience cannot catch their breath for even a second.”
Measure for Measure
(1985)
Often cited as one of Shakespeare’s iconic problem plays, Measure for Measure features comedic elements such as wordplay and irony, as well as tragic elements like executions and soliloquies, which has made it difficult to categorize the piece. The play features Duke Vincentio of Vienna, who steps out of public life to observe the city’s affairs under the governance of his deputy, who abuses the power of his office. Having originally been performed in 1604, the piece has been adapted into multiple forms of media and continues to be one of Shakespeare’s successes.
Provided by CTG Archives. Left: Rene Auberjonois and Keene Curtis in A Flea in Her Ear. Below: Ken Ruta and Kate Mulgrew in Measure for Measure. Photography by Jay Thompson. Provided by CTG Archives.OUR SUPPORTERS: ANNUAL DONORS
THANK YOU for
your generous annual support.
As we emerge from the most challenging period in Center Theatre Group’s history, we recognize our generous individual donors for their annual and event support.
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AHMANSON THEATRE | 2022/23 SEASON
FIRST SEASON PRODUCTION
2:22 – A GHOST STORY
Written by Danny Robins
Directed by Matthew Dunster
OCTOBER 29 – DECEMBER 4, 2022
BONUS PRODUCTION
AIN'T TOO PROUD – THE LIFE AND TIMES OF THE TEMPTATIONS
Book by Dominique Morisseau
Music & Lyrics from The Legendary Motown Catalog
Directed by Des McAnuff
Choreographed by Sergio Trujillo
DECEMBER 13, 2022 – JANUARY 1, 2023
SECOND SEASON PRODUCTION THE SECRET GARDEN
Book and Lyrics by Marsha Norman
Music by Lucy Simon
Directed and Choreographed by Warren Carlyle
FEBRUARY 19 – MARCH 26, 2023
THIRD SEASON PRODUCTION
1776
Music and Lyrics by Sherman Edwards
Book by Peter Stone
Based on a Concept by Sherman Edwards
Directed by Jeffrey L. Page and Diane Paulus
Choreography by Jeffrey L. Page
APRIL 11 – MAY 7, 2023
FOURTH SEASON PRODUCTION A SOLDIER'S PLAY
Written by Charles Fuller
Directed by Kenny Leon
Starring Norm Lewis
MAY 23 – JUNE 25, 2023
FIFTH SEASON PRODUCTION INTO THE WOODS
Music & Lyrics by Stephen Sondheim
Book by James Lapine
Choreographed by Lorin Latarro
Music Supervisor Rob Berman
Directed by Lear deBessonet
JUNE 27 – JULY 30, 2023
FINAL SEASON PRODUCTION PETER PAN GOES WRONG
Written by Henry Lewis
Jonathan Sayer & Henry Shields
Directed by Adam Meggido
Featuring Members of the Original Mischief Company
AUGUST 8 – SEPTEMBER 10, 2023
NARRATOR – Francis Beaumont
WENDY DARLING – Sandra Wilkinson
JOHN DARLING – Dennis Tyde
MICHAEL DARLING – Max Bennett
MARY DARLING – Annie Twilloil
GEORGE DARLING – Chris Bean
NANA THE DOG – Robert Grove
LISA – Annie Twilloil
PETER PAN – Jonathan Harris
TINKER BELL – Annie Twilloil
THE CROCODILE – Max Bennett
CURLY – Annie Twilloil
TOOTLES – Lucy Grove
CAPTAIN HOOK – Chris Bean
MR SMEE – Dennis Tyde
STARKEY – Robert Grove
CECCO – Francis Beaumont
Writer – J.M. Barrie (in a new adaptation by Susie H.K. Brideswell) Director – Chris Bean
Assistant Director – Robert Grove
Stage Manager – Trevor Watson
Flying Operator – Not yet known Assistant Stage Manager – Gill Jones
At the time of printing this programme (two days ahead of opening night) no Flying Operator has been found. If you would like to operate the flying system for our production then please make yourself known at the theatre. We can pull some strings so that you can pull some strings.
Wind in the Willows
On Thursday 7th May Robert Grove will be taking over 400 electric fans down to Cornley Public Park for a more literal one-man adaptation of the classic tale.
Wind in the Widows
On Friday 8th May Robert Grove will take his 400 electric fans down on from the park to Cornley Retirement Home to perform an avant-garde twist on his one-man literal adaptation.
Wind in the Pillows
On Saturday 9th May Robert Grove will then take his 400 electric fans back to public park along with 400 of Cornley Retirement Home’s goose feather pillows for an even more avant-garde twist on his one-man literal adaptation.
Peter Pan Backstage Tour
Come and see how the magic works on one of our behind the scenes tours. We’ll show you the secrets of the forest of Neverland, The Jolly Roger and more! NB – We are required to tell you that our Peter Pan Backstage Tour has been given the safety assessment rating “Hazardous to All” and we are legally obliged to advise you not to participate.
We’re delighted to announce that we will be presenting two pieces of new writing based on Shakespeare’s classic plays....
Romeo and Juliet 2: Back From the Dead
Two households, both alike, both full of zombies. Watch as Friar Lawrence fends off the resurrected corpses of the characters who died in Romeo & Juliet.
Timon (and Pumba) of Athens
We’re bringing this Shakespearian tragedy into the 21st century by adding everyone’s favourite Lion King character “Pumba”. Come and watch the
We would like to pay tribute to Nadia our ten-foot Nile crocodile who sadly passed away shortly after arriving in the UK during preparation for the production. When she arrived in the UK from her native country of Kenya she was loaded onto the back of a large wagon and driven through the night towards the rehearsal room when Nadia arrived at Cornley and we tried to feed her the alarm clock (which we had covered in Water Buffalo meat). Unfortunately the sedatives she had been given wore off and she burst free from her shipping crate and from the vehicle containing her hospitalising all three of her handlers and Mr Harwood esteemed head of Design Technology at Cornley University.
Nadia roamed the Cornley quad for four hours while students and lecturers hid inside the classrooms and locked the doors. Nadia was finally killed by armed police at 4:36pm outside the Cornley Science Block.
O ur thoughts are with Nadia and all those injured on that dreadful day at Cornley University. The role of the crocodile will now be played by Max Bennett.
SNEHAL DESAI Artistic Director | MEGHAN PRESSMAN Managing Director/CEO
KEVIN McCOLLUM KENNY WAX STAGE PRESENCE LTD. CATHERINE SCHREIBER GREENLEAF PRODUCTIONS BARD THEATRICALS JAMIE deROY MISCHIEF
WENDY FEDERMAN/RICHARD BATCHELDER JACK LANE/JOHN YONOVER TULCHIN BARTNER PRODUCTIONS
DEAN ROTH/42ND.CLUB MARTIAN ENTERTAINMENT/DANIEL RADFORD TOM SMEDES & PETER R. STERN/THOMAS S. PERAKOS
KEN AND ROSEMARY WILLMAN/NICOLE EISENBERG LAMS PRODUCTIONS/AYAL MIODOVNIK LUCAS McMAHON
PRESENT
A MISCHIEF PRODUCTION OF
BY HENRY LEWIS, JONATHAN SAYER & HENRY SHIELDSSTARRING
RYAN VINCENT ANDERSON MATTHEW CAVENDISH HARRY KERSHAW
CHRIS LEASK HENRY LEWIS ELLIE MORRIS CHARLIE RUSSELL JONATHAN SAYER
HENRY SHIELDS GREG TANNAHILL NANCY ZAMIT
STEPHEN JAMES ANTHONY BLAIR BAKER BARTLEY BOOZ BRENANN STACKER
SCENIC DESIGN SIMON SCULLION
COSTUME DESIGN ROBERTO SURACE
LIGHTING DESIGN MATTHEW HASKINS
SOUND DESIGN
ELLA WAHLSTRÖM
PRODUCTION STAGE MANAGER ADAM JOHN HUNTER
GENERAL MANAGEMENT
THEATER MATTERS JOHN E. GENDRON
ORIGINAL MUSIC RICHARD BAKER & ROB FALCONER
WIG & MAKE UP DESIGN TOMMY KURZMAN
TECHNICAL SUPERVISION HUDSON THEATRICAL ASSOCIATES
UK PRODUCTION MANAGER DIGBY ROBINSON
COMPANY MANAGER DANIEL HOYOS
ADVERTISING & MARKETING THE PEKOE GROUP
PRESS BONEAU/BRYAN-BROWN
DIRECTED BY ADAM MEGGIDO
ASSOCIATE PRODUCER JACK EIDSON
PETER PAN GOES WRONG IS PRESENTED BY ARRANGEMENT WITH MISCHIEF WORLDWIDE LTD. AND GREAT ORMOND STREET HOSPITAL CHILDREN’S CHARITY.
DOUGLAS C. BAKER Producing Director | GORDON DAVIDSON Founding Artistic Director AUGUST 8 – SEPTEMBER 10, 2023
Latecomers will be seated at the discretion of management. Patrons with disabilities: wheelchair seating is available in a variety of theatre locations. When ordering tickets, please indicate any special needs. For our hearing-impaired guests, the theatre is equipped with listening devices; please contact an usher for assistance.
CAST
(in order of appearance)
Trevor ................................................................. CHRIS LEASK
Chris ............................................................ HENRY SHIELDS
Robert HENRY LEWIS
Max ..................................................... MATTHEW CAVENDISH
Francis ........................................................ HARRY KERSHAW
Sandra ........................................................CHARLIE RUSSELL
Dennis ........................................................ JONATHAN SAYER
Annie ................................................................ NANCY ZAMIT
Gill ................................................ RYAN VINCENT ANDERSON
Jonathan ...................................................... GREG TANNAHILL
Lucy ................................................................ ELLIE MORRIS
UNDERSTUDIES
Understudies never substitute for listed performers unless a specific announcement is made at the time of the performance.
for Trevor—STEPHEN JAMES ANTHONY, BRENANN STACKER; for Chris—STEPHEN JAMES ANTHONY, BARTLEY BOOZ, HARRY KERSHAW; for Robert—RYAN VINCENT ANDERSON, STEPHEN JAMES ANTHONY; for Max—STEPHEN JAMES ANTHONY, BARTLEY BOOZ, CHRIS LEASK; for Francis—RYAN VINCENT ANDERSON, BLAIR BAKER; for Sandra—ELLIE MORRIS, BRENANN STACKER; for Dennis—RYAN VINCENT ANDERSON, BARTLEY BOOZ, MATTHEW CAVENDISH; for Annie—BLAIR BAKER, BRENANN STACKER; for Gill—BLAIR BAKER, BRENANN STACKER; for Jonathan—STEPHEN JAMES ANTHONY, BARTLEY BOOZ, HENRY SHIELDS; for Lucy—BLAIR BAKER, BRENANN STACKER.
There will be one 15-minute intermission.
WHO’S WHO
RYAN VINCENT ANDERSON (Gill, he/him). Broadway debut. Off-Broadway/National Tour: The Play That Goes Wrong. TV: Bull (CBS), The Crowded Room (Apple TV), Law & Order: SVU (NBC), FBI (CBS). Thanks to my parents for not flipping out when I switched from architecture to acting. Thanks Jim Flynn Agency. Carnegie Mellon University. CalArts MFA. ryanvanderson.com @ryanvanderson
MATTHEW CAVENDISH (Max). Training: LAMDA. Theatre: Boris III (Pleasance), Groan Ups (U.K. tour), Jeeves and Wooster: In Perfect Nonsense (U.K. tour), Showstopper! The Improvised Musical (West End), The Comedy About a Bank Robbery (West End), The Midnight Gang (Chichester), The Play That Goes Wrong (Broadway/West End), Peter Pan Goes Wrong (West End). TV: A Christmas Carol Goes Wrong (BBC).
HARRY KERSHAW (Francis) trained at RADA. Theatre credits include Good Luck, Studio (Mischief); What’s New Pussycat? (Birmingham Rep); Boris III (Edinburgh); The Madness of George III (Nottingham Playhouse); This House (NT/Headlong); Peter Pan Goes Wrong (original cast); The Play That Goes Wrong (Duchess); and One Man, Two Guvnors (West End). TV includes Jerk, Omid Djalili’s Little Cracker, Cuckoo, Wallander, and Endeavour. Film includes Exhibition, Unrelated, Skyfall, and Great Expectations.
CHRIS LEASK (Trevor, he/him). Theatre: Good Luck, Studio (Mercury); The Comedy About a Bank Robbery (Criterion); I Need to Vent (Vaults); The Play That Goes Wrong (Duchess); Love Your Soldiers (Sheffield). TV & Film: The Ark, The Goes Wrong Show, We Hunt Together, Casualty, A Christmas Carol Goes Wrong, Nutritiously Nicola, Peter Pan Goes Wrong, Call the Midwife, PhoneShop, The Javone Prince Show, Frankie, Breathless.
HENRY LEWIS (Robert, he/him) is an Olivier Awardwinning writer and actor. Artistic director of Mischief. Broadway: The Play That Goes Wrong. West End: Mind Mangler: Member of the Tragic Circle, Austentatious, Magic Goes Wrong, Groan Ups, Mischief Movie Night, The Comedy About a Bank Robbery, Peter Pan Goes Wrong. TV: The Goes Wrong Show, Riddiculous. Henry’s work has been produced in over 40 countries worldwide. @henrywlewis
ELLIE MORRIS (Lucy) trained at LAMDA and is a member of Mischief Theatre. Theatre credits: Spike, The Play That Goes Wrong, Mischief Movie Night, Rotterdam, The Comedy About a Bank Robbery, Peter Pan Goes Wrong, and Spring Awakening. Television credits: The Goes Wrong Show, A Christmas Carol Goes Wrong, Peter Pan Goes Wrong
CHARLIE RUSSELL (Sandra, she/her). Co-founder and creative associate at Mischief. Training: LAMDA. Credits include The Play That Goes Wrong (West End, Broadway), Peter Pan Goes Wrong (West End, BBC1), The Comedy About a Bank Robbery (West End), Groan Ups (West End), and The Goes Wrong Show (BBC1). Writer and performer: Charlie Russell Aims to Please (Edinburgh Fringe, Off West End). Improviser: Mischief Movie Night, Austentatious, Yes Queens.
JONATHAN SAYER (Dennis). An Olivier Award-winning writer, actor, producer, and company director, Jonathan’s Mischief credits include The Play That Goes Wrong, The Comedy About a Bank Robbery, Mind Mangler, Mischief Movie Night, and The Goes Wrong Show. Jonathan is a Mousetrap Theatre Projects trustee and Ashton United Football Club co-chair. His first book, Nowhere to Run, releases in 2023. @jonathansayer1
HENRY SHIELDS (Chris) is an Olivier Award-winning writer and actor known for The Play That Goes Wrong; The Comedy About a Bank Robbery; Magic Goes Wrong; Groan Ups; Good Luck, Studio; Mind Mangler: Member of the Tragic Circle; Peter Pan Goes Wrong; A Christmas Carol Goes Wrong; The Goes Wrong Show; The Royal Variety Performance; and Children in Need.
GREG TANNAHILL ( Jonathan, he/him). Training: LAMDA. Theatre includes Good Luck, Studio; The Play That Goes Wrong; The Comedy About a Bank Robbery; Peter Pan Goes Wrong; A Midsummer Night’s Dream; Beyond Beauty; Events While Guarding the Bofors Gun. Television includes The Goes Wrong Show, A Christmas Carol Goes Wrong and Peter Pan Goes Wrong (BBC). Associate director: The Play That Goes Wrong (2018 U.S. tour).
NANCY ZAMIT ( Annie) is a co-founder of Mischief. She originated roles in/co-created: The Play That Goes Wrong, Magic Goes Wrong (WOS Award nom.), Peter Pan Goes Wrong, The Comedy About a Bank Robbery, Groan Ups and Mischief Movie Night. TV: The Goes Wrong Show, Comic Relief, In Conversation With a Goddess, Brunch Bitches This run is dedicated to Herb & Chris. IG: @nancy_zamit
STEPHEN JAMES ANTHONY (Understudy). Broadway: War Horse, Skylight. Off-Broadway: Behind the Sheet (EST), The Grand Manner (LCT) Regional: Murder on the Orient Express (Ogunquit Playhouse); The Guard (City Theatre); Barefoot in the Park (Cape May Stage); Peter and the
Starcatcher, Nicholas Nickleby (OST). Television: FBI: Most Wanted, The Loudest Voice, Blue Bloods, Gotham, Billions. stephenjamesanthony.com
BLAIR BAKER (Understudy, they/she) is an actor, director, and writer. Theatre: The Humans (Broadway, Roundabout Theatre Company), The Play That Goes Wrong (First National Tour, Off-Broadway), Goldie, Max & Milk (59e59), Oleanna (Broadway, Mark Taper Forum, Bristol Riverside Theater), title role in Hvmlet (SheNYC), and The Soap Myth (opposite Ed Asner). TV/Film: Bull, The Ghost of Christmas Always (Hallmark) Billions, Blue Bloods, Harlem. Upcoming: Jules (starring Sir Kingsley), The Perfect Couple, and audio series Previa: Tech Heist for Audible/ Sonoro Media. Blairbaker.info For Em, Mom, and Dad.
BARTLEY BOOZ (Understudy). Theatre includes Off Broadway: I’m Revolting (Atlantic Theater Company); Hamlet, Oresteia (Park Avenue Armory); and The Play That Goes Wrong (New World Stages). Film and television includes The Good Fight (CBS), Bull (CBS), Happy (SyFy), TURN: Washington’s Spies (AMC) and Here and Now (Tribeca Film Festival). BFA acting: University of Cincinnati College-Conservatory of Music.
BRENANN STACKER (Understudy, she/her). Theatre includes The Play That Goes Wrong (Broadway in Chicago), Chicago Shakespeare Theater, Steppenwolf Theatre Company, TheatreSquared and Williamstown Theatre Festival. TV/film includes Chicago Med, Sirens, Dark Matter, and Banana Season. Training: Tufts University, O’Neill National Theater Institute, Russian State Institute of Performing Arts, Groundlings, The School at Steppenwolf. @brenstacker
HENRY LEWIS, JONATHAN SAYER, HENRY SHIELDS
( Authors) met while training at LAMDA. Their first show, The Play That Goes Wrong (Best New Comedy, Olivier Awards), opened in the West End in 2014 and on Broadway in 2017. Other credits include The Comedy About a Bank Robbery, Magic Goes Wrong (co-created with Penn & Teller), Groan Ups and the BBC series The Goes Wrong Show. Their work has appeared in over 40 countries worldwide.
JM BARRIE (Original Story) was born in Kirriemuir, Scotland, in May 1860. When their parents died, Barrie became guardian to three boys whom he had met in Kensington Gardens in 1897. The boys are thought to be the inspiration for the creation of Peter Pan. Peter Pan first took place in 1904 and remarkably Barrie gifted the copyright to Great Ormond Street Hospital for Children in London in 1929, later extended for perpetuity in the U.K. JM Barrie died in 1937.
GREAT ORMOND STREET HOSPITAL . Every day, around 600 children and young people from across the U.K. arrive at Great Ormond Street Hospital in London. Every day, doctors and nurses battle the most complex illnesses, and clinicians and researchers develop pioneering medical breakthroughs that will leave a legacy for children across the world. This extraordinary hospital has always depended on charitable support. Donations to Great Ormond Street Hospital Children’s Charity fund vital new facilities, specialist equipment, life-saving research and patient & family support programmes. gosh.org
ADAM MEGGIDO (Director, he/him). Co-creator/director of the Olivier Award-winning Showstopper! The Improvised Musical. Adam also directed Magic Goes Wrong (Olivier Award nominee) for Mischief Theatre. He wrote and directed new musical Burlesque (winner of four Off-West End Theatre Awards) and has composed songs for Britain’s Got Talent. He is the author of Improv Beyond Rules. @adammeggido adammeggido.com
FRED GRAY ( Associate Director) is a RADA BA acting graduate and spent several years in the West End with The Play That Goes Wrong. He started his Mischief journey as an understudy eight years ago but has since been associate director in multiple productions in the U.K., Australia, Italy, and Canada.
SIMON SCULLION (Scenic Designer). London West End includes Peter Pan Goes Wrong, Showstopper!, and Volcano. Other U.K. work includes The Father, Quatermaine’s Terms, Out There on Fried Meat Ridge Road, Killer Joe, Piaf, and What We Did to Weinstein. Film work includes Bill for BBC FILMS/BFI. Simon trained at Wimbledon School of Art and was a finalist on the Linbury Prize for Theatre Design.
ROBERTO SURACE (Costume Designer). Broadway: The Play That Goes Wrong (Lyceum & NWS). West End/U.K. Tours: Magic Goes Wrong (Vaudeville/Apollo), Groan Ups (Vaudeville), The Comedy About a Bank Robbery (Criterion), Peter Pan Goes Wrong (Apollo), The Play That Goes Wrong (Duchess). U.S tour: The Play That Goes Wrong. International: The Play That Goes Wrong, Peter Pan Goes Wrong, The Comedy About A Bank Robbery. TV: Peter Pan Goes Wrong, A Christmas Carol Goes Wrong, The Goes Wrong Show (BBC1). In memory of his late Mom, Silvana. @robrob77
MATT HASKINS (Lighting Designer). Theatre: Peter Pan Goes Wrong (West End); The Clinic (Almeida); The Empress (RSC); Mary, Fever Syndrome, I And You, Cost of Living (Hampstead Theatre); Hakawatis (Globe); The City and the Town, Nina (Riksteatern); Fair Play (Bush); Hobson’s Choice
(Royal Exchange). Opera: Glare, The Virtues of Things (Royal Opera House); Coraline (Barbican); The Turn of the Screw (Opera North); Sukanya (Royal Festival Hall). matthaskins.com @matthaskins_lighting
ELLA WAHLSTRÖM (Sound Designer). Her recent credits include The Unfriend (Criterion, West End), Ava: The Secret Conversations (Riverside Studios), Dogs of Europe (Barbican Centre), A Christmas Carol (Alexandra Palace), The Lemon Table (Michael Grandage Company), Noises Off (Garrick, West End), Letter to a Man (Robert Wilson and Mikhail Baryshnikov). She’s also the sound designer of Esa-Pekka Salonen’s Cello Concerto written for Yo-Yo Ma.
RICHARD BAKER (Co-Composer) is a composer, music director and improviser. He has worked with Mischief since 2013 including for Good Luck, Studio, and Mischief Movie Night. As an MD Richard has worked in a number of London theatres including the Palace, the Vaudeville and Charing Cross. Other recent compositions include the new musical Tasting Notes and for the play Indebted to Chance.
ROB FALCONER (Co-Composer) is an actor, musician, and writer. Amongst other credits, he originated the role of Trevor in The Play That Goes Wrong and Peter Pan Goes Wrong, also composing music for both. You may recognize his voice from video games. He also only has a 60-word limit for this, so before that runs out, he would like to thank—
TOMMY KURZMAN (Wig/Hair & Makeup Design).
Broadway: Pictures From Home, The Collaboration, Macbeth, Mrs. Doubtfire, All My Sons, True West, Saint Joan, My Fair Lady, The Little Foxes, Long Day’s Journey Into Night, Bright Star, The King and I and Fiddler on the Roof. Off-Broadway: Little Shop of Horrors (Westside Theatre), Roundabout, MCC, Atlantic, The New Group, The Public, MTC, NWS. IG: @ TommyKurzmanWigs
HUDSON THEATRICAL ASSOCIATES (Technical Supervisor). Over 100 Broadway productions and tours.
Recent: New York, New York; Sweeney Todd; A Doll’s House; Pictures From Home; Ohio State Murders; Hadestown; Hamilton; Aladdin. HTA is a member of Neil A. Mazzella’s Hudson family which includes Hudson Scenic Studios, Sean Gorski, Anastasia Olowin, Sam Ellis, Brianna Stankiewicz, Brianne Tabak, Bridget Van Dyke, and Irene Wang.
ADAM JOHN HUNTER (Production Stage Manager ).
PSM on the Rialto for Mrs. Doubtfire, The Encounter, Bronx Bombers, Rock of Ages, Sweeney Todd..., and A Catered Affair, also the world premieres of The Exorcist, Moulin Rouge!, and
August Rush. He was PSM on over 20 Encores! He lives in Red Hook, Brooklyn, with his wife and two kids, who are waaaay smarter than he is.
CHRISTINE D’AMORE (Stage Manager). Broadway: Mrs. Doubtfire, The Color Purple, Les Misérables, 20 productions at New York City Center Encores! World premieres: August Rush, Moulin Rouge! and The Last Supper. Other productions at The Public Theater, Shakespeare in the Park, Lincoln Center Theater, Signature Theatre, Berkeley Rep, and more.
THEATER MATTERS (General Management) manages live entertainment globally. It is represented on Broadway and across North America by SIX. Recent productions include The Play That Goes Wrong, Mrs. Doubtfire, The Devil Wears Prada, and The Notebook
KEVIN McCOLLUM (Producer) has also produced some good shows. He has never been a pirate and is in full possession of his shadow.
KENNY WAX (Producer) has SIX the musical on Broadway and in the West End. Also in the West End and Off-Broadway The Play That Goes Wrong. He has produced Olivier Awardwinning productions of Top Hat, Once on This Island, and The Worst Witch in the U.K. For three years prior to lockdown, he was the president of the Society of London Theatre (SOLT).
STAGE PRESENCE LTD. (Producer) is delighted to be part of the team presenting Mischief comedies in New York and across the United States.
CATHERINE SCHREIBER (Producer). Five-time Tony and Olivier award winner. Life of Pi, The Play That Goes Wrong (Off-Broadway). Recently: Company; The Lion, the Witch, and the Wardrobe (U.K.). Past: Death of a Salesman, The Lehman Trilogy, A Christmas Carol, Angels in America, The Inheritance, The Play That Goes Wrong, Network, Peter and the Starcatcher, The King’s Speech, Clybourne Park. Nine Tony nominations. Five Olivier nominations. Catherine brought The Scottsboro Boys to London (seven Olivier nominations).
GREENLEAF PRODUCTIONS (Co-Producer). We are staking our entire financial future and reputation on the execution of this performance. We have only the strongest belief in the quality and competence of the Cornley Polytechnic Drama Society, and know they will deliver a flawless production, this time. GreenleafProductions.com
BARD THEATRICALS (Co-Producer). Annette Jolles, Laurence Holzman, David Stern, Jim van Bergen, Lara Holzman, Linda Hamil. Broadway: Jagged Little Pill, Mrs.
Doubtfire, The Play That Goes Wrong, Fiddler on the Roof, China Doll, The Scottsboro Boys, The Anarchist, Looped. OffBroadway: Stranger Sings. Also Museum of Broadway.
JAMIE deROY (Co-Producer). Ten Tony Awards Current: Leopoldstadt; Life of Pi; Parade; Good Night, Oscar; New York, New York; The Play That Goes Wrong; The Piano Lesson; Death of a Salesman. Film: Broadway: Beyond the Golden Age. Tours: Tina...; Mockingbird; Ain’t Too Proud; Pretty Woman.
MISCHIEF (Producer) has grown from a fringe British theatre group to a multi-award-winning global comedy sensation. The Play That Goes Wrong is onstage in London and New York and licensed around the world. Other productions include The Comedy About a Bank Robbery, Magic Goes Wrong, and Mind Mangler. Onscreen work includes BBC series The Goes Wrong Show. Mischief develops new work for theatre, TV, film, and beyond. MischiefComedy.com.
FEDERMAN BATCHELDER PRODUC T IONS (Co-Producer). Wendy Federman : thirteen Tony, two Olivier, eleven Drama Desk, three GLAAD awards. Ellis Island Medal of Honor recipient. Upcoming film: Lilly. Richard Batchelder: The Inheritance (Tony); 2023 shows: The Piano Lesson; Pictures from Home; Parade; New York, New York; Folger Shakespeare Library board.
JACK LANE (Co-Producer). Broadway: Peter and the Starcatcher, Fun Home (Tony), The Humans (Tony), The Play That Goes Wrong, The Prom, A Christmas Carol, Company (Tony), & Juliet.
JOHN YONOVER (Co-Producer). Invested in more than 55 productions Broadway, Chicago & London including The Lehman Trilogy (Tony) and Six. Soon in London, What’s New Pussycat and Bleak Expectations
TULCHIN BARTNER PRODUCTIONS (Co-Producer) is currently represented on Broadway with Moulin Rouge! West End: Cabaret, To Kill a Mockingbird, The Book of Mormon.
DEAN ROTH (Co-Producer). The Play That Goes Wrong, Macbeth (Alan Cumming), Clinton the Musical, and investor in 47 productions on and off Broadway and in the U.K.
42ND.CLUB (Co-Producer) is a network of Broadway producers and investors. Producers: Phil Kenny, Claire Kenny, Winston Hatta, and Ken Kades.
MARTIAN ENTERTAINMENT (Co-Producer) is a Tony Award-winning theatrical production and general management company owned by Carl D. White and Gregory Rae.
DANIEL RADFORD (Co-Producer). Dedicating my efforts to my late producing partner and dear friend, Jacki Florin, who loved to laugh more than anything!
TOM SMEDES & PETER STERN (Co-Producer ). Tony & Olivier award producers with Heather Shields including Cabaret U.K. (Olivier), A Christmas Carol (five Tonys), Bandstand, Farinelli, The Prom, and Pippin (Tony). tomsmedes.com
THOMAS S. PERAKOS (Co-Producer). Participation in Peter Pan Goes Wrong is made in loving memory of his beloved mother in remembrance of love and fun in theatre.
KEN AND ROSEMARY WILLMAN (Co-Producer). Over 20 productions including Come From Away (Olivier) and Hadestown (Tony). Thanks, Ron, for flying to Neverland with us.
NICOLE EISENBERG (Co-Producer). Broadway: Into the Woods, Indecent. MCC board of directors, emeritus GLAAD national board of directors. With Love to my Family— Stephen, Noah and Evan.
LAMS PRODUCTIONS (Co-Producer ). Tony & Olivernominated producers Bradley Reynolds and David Siesko are currently working on Mrs. Doubtfire (London) and The Notebook.
AYAL MIODOVNIK (Co-Producer). CEO of Bright Lights Big City Tours, a boutique travel company offering customized tours, masterclasses and unparalleled access to Broadway and NYC.
LUCAS MCMAHON (Producer). Current: Broadway smash SIX. Other Broadway/national tour: The Play That Goes Wrong, Mike Birbiglia: The New One, Something Rotten!, Hand to God, Mrs. Doubtfire (and upcoming West End). Off-Broadway: Leo Reich: Literally Who Cares?! His personal credits include getting it wrong for 29 years until he met his incredible wife, Ellie, who makes everything right.
CENTER THEATRE GROUP
SNEHAL DESAI (Artistic Director, he/him). Prior to being named Center Theatre Group’s new Artistic Director, Snehal Desai was the Producing Artistic Director of East West Players, designated an American Cultural Treasure by the Ford Foundation and the nation’s largest and oldest Asian American theatre company. A Soros Fellow and the recipient of a Tanne Award, Desai was in the Inaugural Class of Theatre Communications Group’s (TCG) “Spark” Leadership Program and the Inaugural Recipient of the Drama League’s Classical Directing Fellowship. While at East West Players, Desai produced and directed the three highest grossing and most attended shows in EWP’s fiftyseven-year history including the post-Broadway premiere of Allegiance starring George Takei. During his tenure at East West Players, Desai led co-productions with Center Theatre Group, Pasadena Playhouse, Rogue Artists Ensemble, the LA LGBT Center, Robey Theater Company, The Fountain Theatre, API Rise, the Japanese American Cultural and Community Center (JACCC) and TAIKOPROJECT, to name a few. East West Players’ collaboration with singer/songwriter Daniel Ho was nominated for a 2022 Grammy Award. As an artistic leader, Snehal has sought to raise awareness on social issues that affect Angelenos through impactful and empowering storytelling. Desai has served on the boards of the Consortium of Asian American Theaters and Artists (Caata), Theatre Communications Group (TCG), and Los Feliz Charter School for the Arts (LFCSA). He currently serves on the board of the National Alliance for Musical Theatre (NAMT); is a member of the Lincoln Center Directors Lab; and was a literary fellow with London’s Royal Shakespeare Company. Most recently, Snehal was on the faculty of USC’s graduate program in Arts Leadership where he taught Executive Arts Leadership. He is a graduate of Emory University and the Yale School of Drama.
MEGHAN PRESSMAN (Managing Director/CEO, she/ her) joined Center Theatre Group in 2019. Previously, she served as Managing Director of Woolly Mammoth Theatre Company (D.C.), Director of Development for Signature Theatre (N.Y.), and Associate Managing Director of Berkeley Rep. She is a graduate of Yale School of Drama/ Yale School of Management, and serves as a mentor in the Theater Management program. Meghan has served as the Vice-Chair for the Theatre Communications Group Board of Directors, and is a member of the Broadway League.
DOUGLAS C. BAKER (Producing Director, he/him) joined Center Theatre Group in 1990. Doug is an active member of the Broadway League, the Independent Presenters Network (IPN), and is a proud member of the Association of Theatrical Press Agents and Managers (ATPAM). In 2013, Doug received the Broadway League’s prestigious Outstanding Achievement in Presenter Management Award.
GORDON DAVIDSON (Founding Artistic Director) led the Taper throughout its first 38 seasons, guiding over 300 productions to its stage and winning countless awards for himself and the theatre—including the Tony Award for theatrical excellence, Margo Jones Award, The Governor’s Award for the Arts, and a Guggenheim fellowship. The Kentucky Cycle and Angels in America (Part One) won the Pulitzer in consecutive years and, in 1994, three of the four plays nominated for the Tony Award for Best Play were from the Taper (Angels in America won). In 1989, Gordon took over the Ahmanson and, in 2004, he produced the inaugural season in the Kirk Douglas Theatre.
CENTER THEATRE GROUP, one of the nation’s preeminent arts and cultural organizations, is Los Angeles’ leading not-for-profit theatre company, which, under the leadership of Artistic Director Snehal Desai, Managing Director / CEO Meghan Pressman, and Producing Director Douglas C. Baker, programs seasons at the 736-seat Mark Taper Forum and 1,600 to 2,100-seat Ahmanson Theatre at The Music Center in Downtown Los Angeles, and the 317seat Kirk Douglas Theatre in Culver City. In addition to presenting and producing the broadest range of theatrical entertainment in the country, Center Theatre Group is one of the country’s leading producers of ambitious new works through commissions and world premiere productions and a leader in interactive community engagement and education programs that reach across generations, demographics, and circumstances to serve Los Angeles. Founded in 1967, Center Theatre Group was led by Founding Artistic Director Gordon Davidson until 2005 when Michael Ritchie was the artistic director until his retirement in 2021; Snehal Desai was appointed the organization’s next artistic director in 2023. Center Theatre Group has produced more than 700 productions across its three stages, including such iconic shows as Zoot Suit; Angels in America; The Kentucky Cycle; Biloxi Blues; Twilight: Los Angeles, 1992; Children of a Lesser God; Curtains; The Drowsy Chaperone; 9 to 5: The Musical; and Bengal Tiger at the Baghdad Zoo. CenterTheatreGroup.org
ADDITIONAL STAFF FOR PETER PAN GOES WRONG
GENERAL MANAGEMENT
THEATER MATTERS
John E. Gendron
Accounting Withum Smith + Brown, PC
Controller
Galbraith & Co./Jeffrey Vincent
Payroll Services Checks and Balances Payroll
Banking Flagstar Bank/Margaret Monigan, Stephanie Krauss
Associate General Manager
Ashley Berman
Insurance T he Arts Insurance Program, LLC/Bob Middleton, Meghan Coleman, Toni Preto
Travel Agent The A Team/Tzell Travel Services
COMPANY MANAGER
Daniel Hoyos
Assistant Company Manager Ben Otten
TECHNICAL SUPERVISON
HUDSON THEATRICAL ASSOCIATES
Neil Mazzella Sean Gorski Anastasia Olowin
Sam Ellis Brianna Stankiewicz Brianne Tabak
Bridget Van Dyke Irene Wang
PRESS REPRESENTATIVE
BONEAU BRYAN-BROWN
Adrian Bryan-Brown
Jackie Green Angela Yamarone
ADVERTISING/MARKETING/SOCIAL MEDIA
THE PEKOE GROUP
Amanda Pekoe Jessica Ferreira Christopher Lueck
Jenny Dorso Connor Santos Kiernan Matts
LEGAL COUNSEL
LEVINE PLOTKIN & MENIN, LLP
Loren Plotkin Conrad Rippy Susan Mindell
Daniel Watkins Emily Erstling
Kevin Hess Cris Criswell
CHOREOGRAPHY
Nancy Zamit Dave Hearn
Housing Coordination Road Rebel Global Physical Therapy Fusion Arts Physical Therapy/Karen Moran, PT
Production Photographer Jeremy Daniel
Merchandise
Creative Goods
Visa Consultant Wiskoff Law, PLLC/Carly Wiskoff
ALCHEMATION
Kevin McCollum
Lucas McMahon
John Ban Jack Eidson Annie Van Nostrand
Evan Shalat Lyndsay Borko
Rachel Bonner Breanne Jackson
K ENNY WAX LTD.
Kenny Wax
Lettie Graham Lauri Cryan Sarah Whiteside
Katy Keggie Fiona Taylor Amanda Sutton
Jennifer Amey Gemma Prince
MISCHIEF WORLDWIDE, LTD.
Jo Danvers Jessica Hall
Harry Lockyear Minoli De Silva
CREDITS
Associate Director
Production Stage Manager
Stage Manager
Fight Captain
U.S. Casting
Associate Scenic Designer
Associate Costume Designer
Assistant Costume Designer
Associate Lighting Designer
Assistant Lighting Designer
Associate Sound Designers
U.K. Technical Design Consultant
U.K. Stage Management Consultant
U.K. Production Manager
Production Carpenter
Advance Carpenter
Production Electrician
Advance Electrician
Head Electrician
Moving Light Programmer
Production Sound
Fred Gray
Adam John Hunter
Christine D’Amore
Greg Tannahill
Stephen Kopel/C12 Casting
Erica Hemminger
Lisa Zinni
Abby Hahn
Joel Shier
Kat Zhou
Chris Cronin, Josh Liebert, Phillip Peglow
Alan Bartlett
Tom Platt
Digby Robinson
Richard Force
Mike Eickmeyer
Brian Messina
David Trovarelli
Rachel Fraley
Brad Gray
Dillon Cody
Advance Sound John Sibley
Audio Engineer
Production Properties
Production Properties Associate
Special Effects Consultant
Head Props
Advance Wardrobe
Wardrobe Supervisor
Covid Safety Supervisor
U.K. Marketing
Marisa Barnes
Emiliano Pares
Richard Klinger
Bohdan Bushell
Olivia Wells
Margaret Lazenby
Tyler Carlton Williams
Emma Brock
Harry Lockyear for Mischief Worldwide Ltd.
U.K. Press J o Allan PR
U.K. Social Media Management Rona Kelly
U.K. Photography Matt Crockett, Danny Kaan
U.K. Videography
Mark Yeoman, Eliza Larkey
U.K. Trailer Umbrella Rooms
Ticketing Manager Annie Van Nostrand
People and Culture Partner
Tiffanie Claude
The Pekoe Group Staff Ryan Meitzler, Briana Lynch, Dounia Benabdallah, Damien Nguyen, Kelly Ganning, David Blaakman, Nicole Hatcher
Boneau/Bryan-Brown Staff Chris Boneau, Michelle Farabaugh, Amy Kass, Faith Maciolek, Scott Munson, Heath Schwartz, Susanne Tighe, Kenya Williams
Scenery built, painted and electrified by Hudson Scenic Studios. Automation and show control featuring Hudson Motion Control by Hudson Scenic Studios. Lighting equipment by PRG Lighting. Sound equipment by Sound Associates. Props provided by BrenBri Properties. Flying effects by Flying by Foy. SFX by J&M Special Effects. Select costumes executed by Arel Studio. Select costumes executed by Timberlake Studios Inc. Tree costume executed by Carfagno Productions. Select pieces/ alterations by Eve Guttman and Carmella Simonetti. Painting by Jeff Fender Studio. Distressing by Michael McDonald. Costume studio admin by Meredith Prouty-Due.
Fellowship in partnership with the Black Theatre Coalition
SPECIAL THANKS
Matt DiCarlo, Martian Entertainment, Jere Harris, Peter Fitzgerald, Arts Club Theatre Company (Vancouver), The Citadel Theatre, Dave Hearn, Tom Platt, Digby Robinson, Mike Bodie, Bryony Corrigan, Joshua Elliott, Niall Ransome, Hilary Strong, Charlotte Johnson, Sacha Brooks
To learn more about the production, please visit PanGoesWrongBway.com
Follow us on Twitter, Facebook and Instagram: @PeterPanBway
The actors and stage managers employed in this production are members of Actors’ Equity Association, the union of professional actors and stage managers in the United States.
The House Managers, Press Agents and Company Managers employed in this production are represented by the Association of Theatrical Press Agents & Managers.
The following employees are represented by the International Alliance of Theatrical Stage Employees, Moving Picture Machine Operators, Artists and Allied Crafts of the United States, its Territories and Canada, AFLCIO, CLC: Stage Crew Local 33; Treasurers and Ticket Sellers Local 857; Wardrobe Crew Local 768; Make-up Artists and Hair Stylists Local 706.
The Director is a member of the Society of Stage Directors and Choreographers, Inc., an independent national labor union.
United Scenic Artists represents the designers and scenic painters for the American Theatre.
This production is produced by a member of The Broadway League in collaboration with our professional union-represented employees.
Center Theatre Group is a member of the League of Resident Theatres (LORT), the American Arts Alliance, the Broadway League, Independent Producers’ Network (IPN), and the Theatre Communications Group (TCG).
SNEHAL DESAI Artistic Director | MEGHAN PRESSMAN Managing Director/CEO
DOUGLAS C. BAKER ♦ Producing Director | GORDON DAVIDSON Founding Artistic Director
Center Theatre Group would like to thank its exceptional staff for their ongoing commitment, dedication, and extraordinary efforts.
ARTISTIC
LINDSAY ALLBAUGH,♦ TYRONE DAVIS, NEEL KELLER,♦ KELLEY KIRKPATRICK♦ Associate Artistic Directors
TIFFANY SLAGLE Artistic & Literary Administrative Assistant
CASEY NICHOLAW, PHYLICIA RASHAD, PAULA VOGEL Associate Artists
EXECUTIVE
CAMILLE SCHENKKAN♦ Deputy Managing Director
A'RAELLE FLYNN-BOLDEN Staff Programs Manager
ADRIENNE KNIGHT.... Assistant to the Artistic Director and Managing Director/CEO
LYNNE GUGENHEIM Advancement Strategy, Special Events & Leadership Consulting
BRANDON MENDEZ HOMER Executive Office Fellow
MANAGEMENT
NAUSICA STERGIOU♦ General Manager
ERIC SIMS♦ Ahmanson Theatre Presentations Manager
KATIE SOFF ♦ Associate General Manager
JEFFREY UPAH♦ General Management Associate
KIARA BRYANT Company Manager
EDUCATION AND COMMUNITY PARTNERSHIPS
TRACI KWON♦ Arts Education Initiatives Director
JESUS REYES♦ Community Partnerships Director
NICO ROSARIO Creative Workforce Initiatives Director
AURORA ILOG Program Manager
COURTNEY CLARK Digital Learning Manager
MEIGHAN LA ROCCA Education & Community Partnerships Coordinator
ZAID ALABWAINI Digital Learning Intern
ESTELA GARCIA Resident Teaching Artist
CHRISTINE BREIHAN, ZACHARY BROWN, RAMY EL-ETREBY, AJA HOUSTON, DEREK JACKSON, JOHNATHON L. JACKSON, JER ADRIANNE LELLIOTT, CARENE ROSE MEKERTICHYAN, MARA PALMA, TIANA RANDALL-QUANT, MONIQUE SYPKENS Teaching Artists
PRODUCTION
JOE HAMLIN♦ Director of Production
SHANNON G. BICKNELL Production Manager
KATIE CHEN Associate Production Manager
BEONICA BULLARD Assistant Production Manager
CAMBRIA CHICHI Production Coordinator
SHAWN ANDERSON♦ Head Carpenter (Ahmanson Theatre)
SCOTT LUCAS Head Properties (Ahmanson Theatre)
JARED BATTY Head Electrician (Ahmanson Theatre)
ROBERT SMITH♦ Head Sound (Ahmanson Theatre)
SHANE ANDERSON Head Flyrail (Ahmanson Theatre)
MICHAEL GARDNER♦ Wardrobe Supervisor (Ahmanson Theatre)
MARY BORGIA Hair & Make-up Supervisor (Ahmanson Theatre)
CHRISTINE L. COX♦ House Manager (Ahmanson Theatre)
EMMET KAISER♦ Head Carpenter (Mark Taper Forum)
MARY ROMERO Head Properties (Mark Taper Forum)
AARON STAUBACH♦ Head Electrician (Mark Taper Forum)
CHRISTIAN LEE Head Sound (Mark Taper Forum)
LORETTA BUSSEN Wardrobe Supervisor (Mark Taper Forum)
LINDA WALKER♦ House Manager (Mark Taper Forum)
ZANE WAYNERIGHT Stage Supervisor (Kirk Douglas Theatre)
CESAR VARGAS Head Electrician (Kirk Douglas Theatre)
MATTHEW COLLERAN...Head Audio and Video (Kirk Douglas Theatre)
CHLOE JOY Assistant Technical Director
EDUARDO FERNANDEZ-BAUMANN Shop Coordinator
MERRIANNE NEDREBERG♦ Shop Director
KATE REINLIB Associate Prop Director
ERIC BABB Assistant Prop Director
RAUL VEGA MARTINEZ Prop Carpenter
CAYLYN DABNEY Resident Assistant Costume Designer
ASHPHORD JACOWAY Resident Assistant Costume Designer
NATASHA WELLS Costume Apprentice
CINDY CAMPOS Prop Apprentice
ANTHONY MOSES SANCHEZ Scenic Design Assistanship
OPERATIONS
PETER WYLIE Operations & Facilities Director
CHASE ANDERSON-SHAW Kirk Douglas Theatre Manager
CHRISTIAN TAYLOR Facilities Manager
NIKI ARMATO Facilities Associate
JULIO A. CUELLAR♦ Facilities Assistant
VANESSA DE LOERA Facilities Coordinator
JASMINE BRAFF Operations Supervisor
CURT GAVIN Operations Assistant
NAT PERRY, D’ANGELO ANDERSON, SIMON J.O. MARTIN, REGINA NILES Drivers
VANESSA BRADCHULIS, OLIVIA CHOATE, PRESSLY COKER, MONICA GREENE, PAT LOEB, TWON POPE, SAM UDERO Stage Door
FINANCE, INFORMATION TECHNOLOGY, AND HUMAN RESOURCES
CHERYL SHEPHERD Chief Financial Officer
SARAH STURDIVANT Director of Finance & Technology
DENICE BEHDAD Assistant Controller
ANAHITA ASHRAFIPOUR Senior Accountant
XOCHITL ORTEGA Accounts Payable Supervisor
KERRY LARICK Accounting Assistant
JESSICA HERNANDEZ Payroll Manager
JUAN MARTINEZ Payroll Specialist
AMBER JACKSON Temporary Payroll Assistant
TOM MEGALE Director of Business Applications
JANELLE CABRERA TORRES Tessitura & Web Administration Director
JOEY SOLANO Digital Product Manager
CHIMA OMEAKU Help Desk Support
CRIS SPACCA♦ Tessitura & IT Support
JODY HORWITZ♦ Director of Human Resources
CRISTINA TORRES Human Resources Generalist
MOSS ADAMS Auditor
MICHAEL C. DONALDSON, LISA A. CALLIF Legal Counsel
GIBSON, DUNN & CRUTCHER Legal Counsel
INSTITUTIONAL ADVANCEMENT
SARAH SULLIVAN Director of Institutional Advancement
RICKY CARTER Director of Major and Planned Gifts
PAMELA KUHR Director of Annual Giving
PAULA MATALLANA Associate Director of Institutional Grants
VANESSA WHEELER Associate Director of Gift Accounting & Research
ELIZABETH DELLORUSSO Major Gifts Officer
OYE EHIKHAMHEN Individual Giving Officer
ZAIN PATEL Individual Giving Officer
NICOLE SCIPIONE♦ Individual Giving Officer
KATELIN URGO Individual Giving Officer
CHRISTOPHER ECKHART Donor Communications Manager
WENDY HUI Grants Manager
MIKE RATTERMAN Telefunding Manager
BK DAWSON Senior Analyst, Gift & Accountin Reporting
ALICE PELAYO Donor Liason & Institutional Advancement Assistant
IRENE CHO Temporary Executive Assistant
AL BERMAN,♦ VARTAN MERJANIAN,
BENJAMIN SCHWARTZ, PAUL VITAGLIANO Donor Advisors
ANYÉ YOUNG Advancement Intern
MARKETING AND GRAPHICS
GARRETT COLLINS Deputy Director of Marketing
CANDICE WALTERS♦ Associate Director, Marketing Operations
KIYOMI EMI♦ Senior Manager, Marketing Events & Partnerships
DEVANY HARDEN Manager, CRM & Email Marketing
KATHARINE MEANS Marketing Associate
JILLIAN MOORE Marketing Coordinator
MOLLY SMITH Theatre Archival Fellow
ALEXA EDWARDS Marketing Fellow
ANASTASIA ERNST Marketing Intern
CAROLINE THOMPSON/IMPACT 123 Media Planning
DEANNA McCLURE Art & Design Director
JAVIER VASQUEZ Digital Content Producer
IRENE T. KANESHIRO♦ Senior Design Manager
LILA WAKILI Senior Graphic Designer
CINDY ANDRADE Production Artist
COMMUNICATIONS
BRETT WEBSTER Communications Director
JESSICA DOHERTY Associate Editorial Director
BOBBY MARTINEZ Communications Coordinator
MICHELLE TEH Publicity Intern
DAVIDSON & CHOY PUBLICITY
TIM CHOY, PETER GOLDMAN, VICTORIA WESTBROOK.................................Publicity Consultants
TICKET SALES AND SERVICES
SHAWN ROBERTSON♦ Ticket Sales Director
MICHAEL ZOLDESSY♦ Associate Director, Ticket Sales
SKYPP CABANAS♦ Senior Manager, Ticket Operations
TINTIN NGUYEN Ticketing Operations Coordinator
SANDY CZUBIAK♦ Audience & Subscriber Services Director
JENNIFER BAKER,♦
CHERYL HAWKER♦ Audience Services Senior Supervisors
JONATHAN FLORES Audience Services Assistant Supervisor
GARY HOLLAND,♦
CHRISTIAN UNGER Audience Services Sales Associate
JESSICA ABROMAVICH, JUSTINE PEREZ♦ Donor Associates
KIMBERLY ARENCIBIA, VICKI BERNDT,♦
CLAY BUNKER, FRANK ENSENBERGER, DANIEL GARCIA, MICHAEL MUNOZ, DENISE REYNOSO,
FELIPE ROQUE, SAMUEL ROQUE, JURGEN SANTOS,
CHRISTINA WRIGHT Audience Services Representatives
DANUTA SIEMAK♦ Subscriber Services Supervisor
CHRISTINA GUTIERREZ♦ Subscriber Services Asst. Supervisor
LIGIA PISTE,♦
PETER STALOCH♦ Subscriber Services Senior Representatives
SARAH K. GONTA♦ Box Office Treasurer
KEANA JACKSON, MICHAEL VALLE♦ 1st Assistant Treasurers
KAITLYN GALVEZ, MICHAEL KEMPISTY,♦ RICHARD RUBIO, LUIS ESPINOZA 2nd Assistant Treasurers
SD&A TELESERVICES, INC. Outbound Sales Partner
JEFFREY LIMONCELLI, KATHLEEN LITTLEFIELD, DIANE WARD Subscription Sales Representatives
ARTISTIC DEVELOPMENT & COMMISSIONS
As part of our commitment to supporting new plays and playwrights, we foster and develop a broad range of theatrical work from diverse artists locally, nationally, and abroad.
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L.A. WRITER'S WORKSHOP
Since 2005, we have invited local playwrights to spend a year researching and writing a new work with the feedback of their fellow writers and artistic staff as part of our L.A. Writers’ Workshop. Learn more at CTGLA.org/Artists.
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Rosalie Friis-Ross^
Howard J. Fulfrost
Cora Fullmore
Greenblatt Charitable Fund^
Dr. Robert Gasway & Kristen Wong
Lesley & Dr. Kenneth H. Geiger^
Freddi & Marvin Gelfand^
Patrick & Frank Gibson-McMinn^
Marylyn & Chuck Klaus^
Kelly Lynn Gitter^
Bruce & Madelyn Glickfeld
Barbara Gollin
Nan & Allan Goodman^
Edith Gould
Mr. & Mrs. Francisco Govea^
Dr. Stuart & Adrienne Green^
Lenore S. & Bernard A.
Greenberg Fund^
Pam Grissom^
In Honor of My Mother, Consuelo Lopez^
Kathy Speer & Terry Grossman^
Virginia Grossman
Scott Hall & Rhonda Church^
Greg Halvorsen &
Laurie Inadomi-Halvorsen^
Diane & J.P. Harris^
Johnny Ruth Harrison, M.D.^
Trish Harrison-Runnette & John Runnette^
Cynthia & Robert Hart^
Michael Lurey & Laurie Hasencamp
Catherine & Mark Helm^
Eric & Carol Helm^
Phyllis & J. Michael Hennigan^
Barbara Herman^
Winifred C. Hervey
Cathy & Ed Hession^
Dr. & Mrs. H. Allen Hooper
Laurie Zaks & Jeff Horn^
Dozar Office Furnishings^
Dr. Brian Hurley & Santiago Mandi^
Douglas Hutchinson^
John & Marilyn Hykes
Elizabeth Irvine Bray^
Joan R. Isaacs^
Dr. & Mrs. Robert Itami^
Susan & Larry Ivanjack
Irwin & Meredith Jacobson
In Memory of Wayne Jervis, Jr.^
Barbara Schnell & Gordon Johnson^
Sean Johnson & Alex Ocampo
Starr C. Johnson^
The Brannan Family Foundation
Mark A. Kadzielski
Janet & Steve Kahane^
Judith & Russell Kantor^
Regina & Richard G. Kaplan^
Perla Karney^
Elyse & Stanley Katz^
Claudia E. Kazachinsky & Richard A. Sherer^
Peter Kazaras
Jennifer Keller^
Joel Kelly & Hedda Jason
Sharon Kerson^
Sarah E. Kiefer
Terry Koepke^
Kerry Korf
Carol Krause
Sharon & Joel Krischer^
Dr. Micheal and Mrs. Mindy Kuhn
Jale Kutay^
Holly R. Lake
Katherine L’Amour
Michael Lanning^
Mr. & Mrs. Jack D. Lantz^
Sharon Lapid
Joan & Chris Larkin
Marvin & Margaret Lee
Gordon Lemke & Brian Rodgers^
Lisa Hinchliffe & Dave Link
Patty Loch
Dr. Dianne Long
Mary Anne Lucero^
Loris & Kory Lunsford
Ron Lushing & Dan Reid^
Marge & Bill MacLaughlin
Darlene Manus^
Emily & Phillips Marshall
Connie L. Martin
Mr. & Mrs. Dennis G. Martin^
Laura Stevenson Maslon^
Vernita Mason
Amy & Harold Masor
Neil McLean^
Mark Measures^
Jill Meeks
Robert L. Mendow^
Lorraine & Craig Meyer^
Nick & Vaughan Meyer^
Donna Millan
Carole Miller^
Gretchen & Marshall Milligan^
Steven Modglin
Dr. Ali Moinzadeh
Mr. James W. Montgomery
Ron Myrick^
Arline M. Nakanishi^
Marianne & Michael Newman^
Marsha Niles^
Drs. William Magee & Casey O’Connell
Dr. David Oh
Valerie Oishi
Mary Rose & Edward Ortega^
Steve Page^
Nan Rae^
Sheryl J. Anderson & Family^
Elsie & Peter Paterno^
Thomas Payne
Carole Pelton^
Steven Penn^
Mr. Stephen Pescetti^
Carol Phillips & Bob Shapiro^
Carolyn & John Poer^
Pauline & Drew Pomerance^
Clark and Kathryn Porter Family
Foundation^
Mrs. Eleanor Pott^
Michael Powell & Dr. Sheila Phillips^
Shelley Powsner & Stephen Skrovan^
Nancy Price^
Patricia Price^
Drs. Laurence & Isabell Purdy^
All My Friends Films
Qing Duncan
Lee Ramer
Tracy L. Ramont
Courtney Rangen^
Stuart & Laurie Rice In Loving Memory of Adam Rice^
Lindsay Ritter^
Alexander Rivkin^
Suzanne & David Robinson
Murphy & Ed Romano^
Nathalie & Jim Rosen
Joseph Rosenblum^
Richard M. Ross
Leonard J. & JoAnn Roth
Ron & Sharon Ryan^
David A. & Karen Richards Sachs^
Jay & Linda Sandrich
Stephen J. Sass & Dr. Steven Hochstadt
Wes Schaefer & Cathy King-Schaefer
Linda & Clifford Schaffer^
Dr. Marlene Schultz & Philip Walent
Scolamieri/Colwell Family Trust
D’Artagnan Scorza^
Rob & Cathy Sevell^
Pamela Shamshiri^
James & Alexis Sheehy^
Loretta Hirsh Shine
Jacqueline & Harvey Shulman^
In Memory of Ruth & Leon Sirkin
Charlene & Mike Sievers^
Roman Silberfeld & Pat Klous
Lee & Gail Silver
Karen & Gordon Silverstein^
Alan and Esther Siman^
In Memory of Bill Moynihan
Kurt & Keli Skarin^
Catherine S. Skubik
Stephen & Judith Slagle
Leslie Smith^
Roberta Smith
Shayna Smith
Carol Stein Sterling & James Sterling
David A. Steinberg
Tom Stempel^
Kimberly Stirling
Judy Stone
Tracy A. Stone^
Ms. Gail Goldberg Stoter
Stephen J. Strauss & Harriet M.
Rolnick
Ellen & Steve Sugerman
Jack & Marlene Susser
Mr. & Mrs. Mitchell Sussman^
I.H. Sutnick^
Stephen & Karen Sweeney
Nathan Swisher^
Ellen Tam^
William L. Tan^
Judith N. Taylor^
Mary & Peter Tennyson^
Dr. Keith Terasaki^
Ms. Allison Thomas^
Marla Thornton^
Susan & William Tinkley^
Eileen T’Kaye & David Bischoff^
Sue Tsao^
United Talent Agency^
Valerie Vanaman^
Carol Vernon & Robert Turbin^
Jacob Villere
Claire Vincent^
Denise & Peter Walsh
Steven Warheit & Jean Christensen
Cliff Warner
Stephen Waters
Henry Watkins^
Charles W. Weeks^
Mr. Dean Weichel^
Janice & Larry Weiner^
Ben & Rose Weinstein^
Bonnie Weis
John & Martha Wengert
Pat West
Lori Williams & Stephen Schulte^
Valerie & Nathaniel E. Williams
Austin Winsberg^
In Honor of Laura Woolls^
Robert & Shealen Wynner^
The above list reflects total annual giving from either the FY23 fiscal year (July 1, 2022 – May 19th, 2023) or previous fiscal year FY22 (July 1, 2021 – June 30, 2022), whichever is greater.
Please contact our Advancement team at 213.972.7564 or Give@CTGLA.org with any corrections to this list. Thank you!
^Acknowledges a loyal supporter who has pledged a multi-year commitment to Center Theatre Group, including next year.
*Deceased
Out of This NEARBY
OPENING NIGHT September 30
GRAHAM100 The First and the Future American Legacies
Rhiannon Giddens Nathalie Stutzmann Martha Graham Dance Company Savion Glover Anoushka Shankar Vasily Petrenko Isata Kanneh-Mason Lisa Fischer Eliades Ochoa Ballet Folklórico de Los ÁngelesTHANK YOU for your institutional support.
We deeply appreciate the corporate members, grant-making institutions, and government agencies that partner with Center Theatre Group to sustain and expand our engagement with the Los Angeles community through the art of theatre.
$250,000+ Anonymous
The Ahmanson Foundation
Rosenthal Family Foundation
$200,000+ Bank of America
State of California
The Shubert Foundation, Inc.
$100,000+
California Arts Council
California Mental Health Services Authority
Los Angeles County
Department of Mental Health
The Norman and Sadie Lee Foundation
$50,000+
Amazon Studios
Dwight Stuart Youth Fund
Los Angeles County
Department of Arts and Culture
Warner Bros. Discovery
$25,000+ Anonymous
Center Theatre Group
Affiliates
City of Los Angeles
Department of Cultural Affairs
Edgerton Foundation
Gibson, Dunn & Crutcher, LLP
JP Morgan Chase & Co.
Lockton Insurance Brokers, Inc.
Mitchell Silberberg & Knupp LLP
The Capital Group Companies
Charitable Foundation
The Edward A. and Ai O. Shay Family Foundation
The David William Upham Foundation
The Friars Charitable Foundation
The Harold and Mimi Steinberg
Charitable Trust
National Endowment for the Arts
The Perkins Charitable
Foundation
The Rosalinde and Arthur Gilbert Foundation
Tiger Baron Foundation US Bank
$15,000+ Anonymous
Culver City Unified School District
The Kenneth T. & Eileen L. Norris Foundation
The Liberty Company
Pasadena Showcase House for the Arts
The Sheri and Les Biller
Family Foundation
Warner Bros. Discovery
$10,000+
Edison International
The Ella Fitzgerald Charitable Foundation
Lawrence P. Frank Foundation
Sascha Brastoff Foundation
The Fran and Ray Stark Foundation
The Otis Booth Foundation
$7,500+
Final Draft Jones Day
Payden & Rygel
Perry, Neidorf & Grassl, LLP
The City of Culver City Cultural Affairs Commission
USI Insurance Services
$5,000+
David Bohnett Foundation
City National Bank
CopperPoint
Find Your Light Foundation
Leonard Hill Charitable Trust
Paramount Pictures
SoCalGas
The Brookside Fund
$1,000+
The Caplin Foundation
Sidney Stern Memorial Trust
CORPORATE SUPPORT
Corporate Circle members receive VIP concierge service, complimentary and discounted tickets to our shows, business development opportunities, and more. For more information, email Give@CTGLA.org.
TWO MUST-SEE THEATRICAL EVENTS. PERFORMANCES WILL SELL OUT. GET TICKETS EARLY. TICKETS START AT $25 or subscribe to see more and save.
OUR SUPPORTERS: THE AFFILIATES
THANK YOU
for being part of our history.
We gratefully recognize the long-term dedication of The Affiliates, who have supported Center Theatre Group through active fundraising, volunteering, and outreach since 1971.
PRESIDENT
Marsha Tauber Sallai
EXECUTIVE BOARD
Stephanie Germeraad
Roberta Haft*
Christine Harte
Marianne Tobé Karns
Melinda J. Kelly
Thea F. Koss
Diane Lesser
Marianne Mandel
Jerri Nagelberg
Diane Neubauer*
Sheila Poncher*
Courtney Rangen
Sharon Reisz
June Sanders Sattler*
Dr. Carmen Estrada
Schaye*
Mary Kay
Schumacher
Donna Sussman*
Janice Brock Wallace*
Janice Weiner
Rosalind Zane*
MEMBERS
Jamila Abu-Omar
Jacqui Assadi
Vi Ballard
Janet Barnet*
Sue Bass
Judith Beckmen*◆
Marjorie Bender ◆
Lanie Bernhard
Deena Blum
Lestrita Boardman◆
Audrey L. Bornstein
Roanna Araneta
Brown
Elnora Guerrero
Campos
Jan Cobert
Judy Colich
Mary Levin Cutler
Judi Davidson
Ilene Eisenberg◆
Lynda Wolfson Fadel
Ruth Flinkman-
Marandy
Carolyn H. Fried
Carole A. Gillie
Dina Goldstein
Debra C. Gordon
Brindell Gottlieb
Meg Greenwood
Kristina Greiner
Stephanie J. Hibler
Diane Kessler*
Dianne King
Ellen Kliavkoff
Barbara Krasnoff
Kellie Lang
Rita Lee◆
Annie Maria Lehrer
Helen Gordon Lowy
Dr. Elizabeth Lu
Gladys Lyons
Phyllis
Massing Ph.D
Deena Nahmias
Olivia Neece
Lisa Nichols
Gina Russ
Posalski*
Mariel Reed
Irene Ribner
Harriett
Chatters Rose◆
Lois Rosen
Marla Rubin
Gaile Gray Ryan
Carole Schiffer
Suzanne M. Shapiro
Joyce Sheingold
Maggy Simon
Carole Solomon◆
Robbie J. Solomon
Marilyn Stambler*◆
Judy Stone
Rosalyn Holt Swartz
Louise Taper
Katherine L. Todd*
Sue Tsao ◆
Elinor Turner
Carol
Le-Veque-Uri
Barbara
Van Orden
Donna Marie
Venick*
Barbara Weber
Beth White
Kim White Peterson*
Sue Wittner
* Past Presidents ◆ Executive Board Members at Large
Clue (2024)
Okay, have we done this one officially? Well...no... but it’s coming! Clue is a prime example of a comedic, dramatic piece. How many times have you and your friends laughed and fought as you worked to find the murderer in this nostalgic board game? Now, you will have the opportunity to relive those moments live in the theatre! This show follows a detective who has been tasked with solving a murder that has occurred in a mansion with various guests. Through comedy, the group uses various clues (no pun intended.... actually, it probably was intended) to solve the murder! But they can’t do it without your help! Will you be there to find out who did it? Or will they get away with it....?
for investing in our future.
We are honored to recognize contributors who have provided support that extends well beyond the current season and safeguards the future of Center Theatre Group. We thank all of our endowment and Ovation Circle donors for making a commitment that sustains the
$25,000+
Abbott Brown
Linda Brown
Greve Foundation
Dr. Tom Hickey
Renata Landres and Family
Levine Foundation
Diane & Leon Morton
The Estate of
Anita Mae Hirsh
$10,000+
A and J Davidson Skipper
Award Fund
George A. V. Dunning
Carolyn & Kit Lokey
Betty & Sanford Sigoloff
PLANNED GIFTS
Shirley & Irving Ashkenas
W. Lee Bailey, M.D.
Angela Bardowell
Chris & Rose Bauss
Pamela & Dennis Beck
Judith & Thomas Beckmen
The Bennetts
Dr. Adrienne Brandriss
Linda Brown
Allan & Joan Burns
Richard & Norma Camp
Bill Cohn & Dan Miller
Earl & Christine Cory
Ava & Charles Fries
Brindell & Milton Gottlieb
The Hearst Foundation, Inc.
Vicki King
Gloria Lothrop
Richard G. & Virginia L. Martin
The Estate of Frank J. Sherwood
Louise Taper
$50,000+
Moira Byrne Foster Foundation
Margaret Collins
Deborah M. Hyde
Ellen & Michael S.
Korney
Dorothy & Richard
Sherwood
Zoe Cosgrove Estate
Mary Levin Cutler
Susan D. Clines & Charles Dillingham
Anne M. Dougherty & David Dobrikin
Kirk & Anne Douglas
Elisabeth Katte
Harris Trust
Amy Forbes & Andrew Murr
Kiki and David Gindler
Mr. & Mrs. Walter E. Grauman
Susan A. Grode
Virginia Hayes
Sharon L. Henderson
Mr. Kim L. Hunter
Deborah M. Hyde
The Doug Jones and John Sanger Theater
Ticket Fund
Richard & Julie Kagan This
Arlene M.
Kageyama-Chikami
Sarah & Andy Kane
Debra L. Karrenbrock
Dr. & Mrs. Jack Kavanaugh
The Paul Kowal Charitable Foundation
Darell L. Krasnoff
Sandra Krause & William Fitzgerald
Joyce & Kent Kresa
Marla E. Levine
Steven Llanusa & Glenn Miya, M.D.
Carol & Douglas Mancino
George Manet
Meg McComb
Betty McMicken
in honor of
Jeanette Shammas
Diane & Leon Morton
Merle & Peter Mullin
Isabel F. Newman
Bob & Renee Nunn
Linda S. Peterson
Sally & Frank Raab
Edward L. Rada
Nan Rae
Stuart & Laurie Rice
In Loving Memory of Adam Rice
Penelope C. Roeder, Ph.D.
Bruce & Randy Ellen Ross
Allyson S. Rubin
Eileen B. Salmas
Wes Schaefer & Cathy King-Schaefer
Elliott Sernel
Sue & Steve Soldoff
I.H. Sutnick
William Tierney and Barry Weiss
Paulette Toumazos & Michael Lorenz
Sue Tsao
Carol Vernon & Robert Turbin
Peter & Susan Van Haften
Magda & Frederick R. Waingrow
Dr. & Mrs. Daniel Wallace
Pat Warford
Susan & William Weintraub
Lauri N. Weiss
James Blair White
Margaret H. White
Mary J. Witt
Tim Curtis and Shandon Youngclaus
Welcome to The Music Center!
We are incredibly honored you have chosen to join us at L.A.’s only performing arts destination!
The Music Center is your place, where you can experience all the arts have to offer, from self-expression and connection to the joy of witnessing live performance and events in our four incredible theatres, at Jerry Moss Plaza and in Gloria Molina Grand Park.
With safety as our number one priority, we promise to provide you the best, safest experience possible on our campus.
Be sure to visit musiccenter.org to learn about upcoming events and performances. Enjoy the show!
#BeAPartOfIt
@musiccenterla
General Information
(213) 972-7211 | musiccenter.org
Support The Music Center (213) 972-3333 | musiccenter.org/support
2023/2024 BOARD OF DIRECTORS
OFFICERS
Cindy Miscikowski Chair
Robert J. Abernethy Vice Chair
Darrell R. Brown Vice Chair
Rachel S. Moore President & CEO
Diane G. Medina Secretary
Susan M. Wegleitner Treasurer
William Taylor Assistant Treasurer and Chief Financial Officer
MEMBERS AT LARGE
Charles F. Adams
William H. Ahmanson
Jill C. Baldauf
Susan E. Baumgarten
Phoebe Beasley
Thomas L. Beckmen
Kristin Burr
Dannielle Campos
Elizabeth Khuri Chandler
Amy R. Forbes
Greg T. Geyer
Joan E. Herman
Jeffrey M. Hill
Mary Ann Hunt-Jacobsen
Carl Jordan
Richard B. Kendall
Terri M. Kohl
Lily Lee
Cary J. Lefton
Keith R. Leonard, Jr.
David B. Lippman
Susan M. Matt
Elizabeth Michelson
Darrell D. Miller
Teresita Notkin
Michael J. Pagano
Cynthia M. Patton
Karen Kay Platt
Joseph J. Rice
Melissa Romain
Beverly P. Ryder
GENERAL COUNSEL
Rollin A. Ransom
DIRECTORS EMERITI
Wallis Annenberg
Peter K. Barker
Judith Beckmen
Ronald W. Burkle
John B. Emerson **
Richard M. Ferry
Brindell Gottlieb
Bernard A. Greenberg
Stephen F. Hinchliffe, Jr.
Glen A. Holden
Kent Kresa
Edward J. McAniff
Mattie McFaddenLawson
Fredric M. Roberts
Richard K. Roeder
Claire L. Rothman
Joni J. Smith
Lisa Specht **
Cynthia A. Telles
James A. Thomas
Andrea L. Van de Kamp **
Thomas R. Weinberger
Alyce de Roulet
Williamson
** Chair Emeritus
Current as of July 1, 2023
TAKE A TOUR OF THE MUSIC CENTER
Free 90-minute docent-led tours take you through the Dorothy Chandler Pavilion, Ahmanson Theatre, Mark Taper Forum and Walt Disney Concert Hall, along with Jerry Moss Plaza. You’ll learn about the history and architecture of the theatres along with The Music Center’s beautiful outdoor spaces.
Tours are offered daily. Check the schedule to plan a fun-filled day in Downtown L.A.!
Visit musiccenter.org for additional information.
Corinne Jessie Sanchez
Maria S. Salinas
Mimi Song
Matthew J. Spence
Johnese Spisso
Michael William Stockton
Philip A. Swan
Timothy S. Wahl
Jennifer M. Walske
Jay S. Wintrob
Complexions Contemporary Ballet’s Jillian Davis. Photo by Rachel Neville.BOARD OF SUPERVISORS
COUNTY OF LOS ANGELES
Support from the Los Angeles County Board of Supervisors plays an invaluable role in the successful operation of The Music Center.
Hilda L. Solis Supervisor, First District Janice Hahn Chair, Fourth District Kathryn Barger Supervisor, Fifth District Holly J. Mitchell Supervisor, Second District Lindsey P. Horvath Chair Pro Tem, Third DistrictLive at The Music Center
SAT 4 AUG / 7:00 p.m.
The Music Center’s Dance
DTLA—Afro-Cuban Rumba & Cuban Rhythms Night
THE MUSIC CENTER
@ Jerry Moss Plaza at The Music Center
FRI 5 AUG / 8:00 p.m.
The Music Center’s Summer Soundwaves
—Jazz Unleashed L.A.
THE MUSIC CENTER
@ Jerry Moss Plaza at The Music Center
TUE 8 AUG / 8:00 p.m. Peter Pan Goes Wrong
CENTER THEATRE GROUP @ Ahmanson Theatre Thru 9/10/2023
AUG 2023
SAT 11 AUG / 7:00 p.m.
The Music Center’s Dance
DTLA—Disco Night
THE MUSIC CENTER
@ Jerry Moss Plaza at The Music Center
FRI 18 AUG / 7:00 p.m.
The Music Center’s Dance
DTLA—Bollywood Night
THE MUSIC CENTER
@ Jerry Moss Plaza at The Music Center
FRI 18 AUG / 8:00 p.m.
Voices of Unity
LOS ANGELES MASTER
CHORALE AND BUSAN
METROPOLITAN CHORUS
@ Walt Disney Concert Hall
SAT 19 AUG / 8:00 p.m.
Live at The Music Center
La Marisoul | Eliades Ochoa
THE MUSIC CENTER
@Jerry Moss Plaza at The Music Center
HUBBARD STREET DANCE CHICAGO
“
— The New York Times
Friday, September 29, 2023 / 7:30 p.m.
Saturday, September 30, 2023 / 7:30 p.m.
Sunday, October 1, 2023 / 2:00 p.m. The Music Center’s Ahmanson Theatre
| (213) 972-0711
Be A Part Of It.
SEE IT.
FEEL IT.
LIVE IT.
Summer at The Music Center
SCAN HERE TO LEARN MORE!