EXPERIENCES ELEVATE
world-class rare around the globe.
EXPERIENCES
The Killers Sept. 21 The Pines Modern Steakhouse, a 2023 Forbes Four-Star recipient. $25,000WELCOME!
Summer evokes so many traditions—from fireworks celebrations and picnics to a restorative opportunity to get away and focus on the people who make our lives fuller. Here in Los Angeles, summer also means music. This season, we are thrilled to present a wide array of exciting jazz, rock, pop, and some stellar concerts with the Los Angeles Philharmonic. Whether you’re hearing Maxwell or Mendelssohn, we believe each night ofers a chance to share in great music and—just as importantly—community.
As remarkable as what happens on the Hollywood Bowl’s stage can be, what has made the Bowl a beloved Angeleno tradition often occurs where you’re sitting now: sharing time with family, making new friends over food and a favorite song, building community with those around us season after season. We’ve been so touched to have many of you share your personal Bowl stories and favorite traditions with us over these years, and we’re grateful to be part of how you experience summer in Los Angeles.
Daniel Song Interim Chief Executive Officer; Chief Operating Officer David C. Bohnett Chief Executive Officer Chair Los Angeles Philharmonic AssociationBOARD OF DIRECTORS
CHAIR
Thomas L. Beckmen*
VICE CHAIRS
David C. Bohnett*
Reveta Bowers*
Jane B. Eisner*
David Meline*
Diane Paul*
Jay Rasulo*
DIRECTORS
Nancy Abell
Gregory A. Adams
Julie Andrews
Camilo Esteban Becdach
Linda Brittan
Jennifer Broder
Kawanna Brown
Andrea Chao-Kharma*
R. Martin Chavez
Christian D. Chivaroli, JD
Donald P. de Brier*
Louise D. Edgerton
Lisa Field
David A. Ford
Alfred Fraijo, Jr.
Jennifer Miller Goff*
Carol Colburn Grigor
Marian L. Hall
Suzanne Hart
Antonia Hernández*
Teena Hostovich
Jonathan Kagan*
Darioush Khaledi
Winnie Kho
Francois Mobasser
Margaret Morgan
Leith O’Leary
Andy Park
Sandy Pressman
Richard Raffetto
Geoff Rich
Laura Rosenwald
G. Gabrielle Starr
Jay Stein*
Christian Stracke*
Jason Subotky
Ronald D. Sugar*
Vikki Sung
Jack Suzar
Sue Tsao
Jon Vein
Megan Watanabe
Regina Weingarten
Alyce de Roulet Williamson
Irwin Winkler
Debra Wong Yang
HONORARY LIFE DIRECTORS
Frank Gehry
Lenore S. Greenberg
Bowen H. “Buzz” McCoy
*Executive Committee Member as of October 1, 2022EDITOR
Anna Ress
ART DIRECTOR
Natalie Suarez
PRODUCTION ARTIST
Studio Fuse, Inc.
PUBLISHER
Jeff Levy
ART DIRECTOR
Carol Wakano
PRODUCTION MANAGER
Glenda Mendez
PRODUCTION ARTIST
Diana Gonzalez
CONTRIBUTING WRITER
Benjamin Epstein
ADVERTISING DIRECTOR
Walter Lewis
ACCOUNT DIRECTORS
Kerry Baggett, Jan Bussman, Jean Greene, Tina Marie Smith
CIRCULATION MANAGER
Christine Noriega-Roessler
DIGITAL PROGRAM MANAGER
Audrey Duncan Welch
DIGITAL MANAGER
Lorenzo Dela Rama
BUSINESS MANAGER
Leanne Killian Riggar
MARKETING/PRODUCTION MANAGER
Dawn Kiko Cheng
Contact Us
PUBLISHER
Jeff.Levy@CaliforniaMediaGroup.com
ADVERTISING
Walter.Lewis@CaliforniaMediaGroup.com
CIRCULATION
Christine.Roessler@CaliforniaMediaGroup.com
WEB
Lorenzo.DelaRama@CaliforniaMediaGroup.com
HONORARY PRESIDENT Ted Levy
IT’S COOLER ON THE COAST
WELCOME FROM SUPERVISOR BARGER
or a concert with a visiting world-class musician, the Hollywood Bowl is known for its commitment to excellence both on the stage and behind the scenes.
This is the second year the Hollywood Bowl finds its home in Los Angeles County’s Fifth District, making it part of the communities I have the privilege to represent. With such a rich and storied history, the Bowl is a welcome recent addition.
Be sure to take advantage of all the incredible opportunities available to you this season! Hop on the convenient Park & Ride shuttles accessible from all over the County, take a gander at the delicious food options, get a sneak peek at your seats, and fi nd everything else you need to know at hollywoodbowl.com/visit.
welcome you to the Hollywood Bowl, among the most historic and beloved venues in Los Angeles County.
Whether this iconic facility is hosting a performance by the exceptional Los Angeles Philharmonic
No matter if you’re visiting from down the street, across the County, or around the world, I hope you enjoy your time at this special venue. I still hold near and dear to me the many memories I’ve made at the Hollywood Bowl throughout my life. I know your experience here will be just as memorable, whether it’s your first show or you’re a frequent visitor.
You can stay in touch with me at kathrynbarger.lacounty.gov or on social media for the latest updates on our community. I look forward to connecting with you soon and hope to see you at a Hollywood Bowl concert this season!
Best wishes, Supervisor Kathryn Barger Fifth
District, Los Angeles County DIRECTOR NORMA EDITH GARCÍA-GONZALEZCOUNTY OF LOS ANGELES DEPARTMENT OF PARKS AND RECREATION A MESSAGE FROM
The Hollywood Bowl is a worldclass venue in a beautiful setting. I am proud that the Bowl is a part of the County of Los Angeles Department of Parks and Recreation (LA County Parks) system. When the Los Angeles Philharmonic and other performers are not onstage, the Hollywood Bowl is open to the public for recreation and exercise.
LA County Parks and the LA Phil partner to enhance the dual role of the Hollywood Bowl as a public park and a world-class performance venue. The Hollywood Bowl ofers a magnificent park where visitors can stroll, bring out-of-town guests, take pictures in front of the iconic shell, and learn about the Bowl’s history at the on-site museum. The Hollywood Bowl is also the perfect setting for a great workout, with exercise enthusiasts taking advantage of the steps throughout the park.
The Hollywood Bowl never falls short of ofering a dynamic summer concert series creating memories and experiences for families, friends, and visitors alike. Summer at the Bowl is certainly a time of excitement, not only for music lovers but also for those who work behind the scenes to make it a memorable experience for all.
The 2023 Hollywood Bowl season features diverse music and exceptional performances for all ages and music enthusiasts. This summer’s lineup includes the hallmark Classical Tuesdays and Thursdays, Weekend Spectaculars—including Quincy Jones’ 90th-Birthday Tribute—and of course the annual July Fourth Fireworks Spectacular.
LA County Parks and the LA Phil have also partnered to support the Hollywood Bowl access program by providing youth and older adults the opportunity to experience the magic of the Bowl. This partnership serves to further strengthen the commitment of the LA County Board of Supervisors and LA County Parks to access for all! For more on LA County Parks’ dynamic summer programming, follow us via social media @lacountyparks.
As for now, sit back, relax, and enjoy music under the stars.
GUSTAVO DUDAMEL
Gustavo Dudamel is driven by the belief that music has the power to transform lives, to inspire, and to change the world. Through his dynamic presence on the podium and his tireless advocacy for arts education, Dudamel has introduced classical music to new audiences around the globe and has helped to provide access to the arts for countless people in under-resourced communities. He currently serves as the Music & Artistic Director, Walt and Lilly Disney Chair, of the Los Angeles Philharmonic and Music Director of the Simón Bolívar Symphony Orchestra.
Dudamel’s bold programming and expansive vision led The New York Times to herald the LA Phil as “the most important orchestra in America—period.” In the 2022/23 season, Dudamel and the LA Phil continued their visionary, multiyear Pan-American Music Initiative and celebrated the 90th birthday of legendary film composer John Williams with a Gala event. Further highlights with the LA Phil included a fall tour with performances at Carnegie Hall, Boston, and Mexico City and Guanajuato as part of the Cervantino Festival; a multi-week exploration of the piano/orchestral works of Rachmaninof with Yuja Wang; and the return of Wagner’s Tristan und Isolde, directed by Peter Sellars, with video by Bill Viola.
Following his inaugural season as Music Director of the Paris Opera, the 2022/23 season featured Dudamel leading productions of Puccini’s Tosca, Wagner’s Tristan und Isolde, a new production of John Adams’ Nixon in China, and Thomas Adès’ Dante Project, choreographed by Wayne McGregor. Dudamel has led over 30 staged and semi-staged operas as well as concert productions across the world’s major stages, including five productions with Teatro alla Scala,
productions at the Berlin and Vienna State Operas, and the Metropolitan Opera in New York, and 13 operas in Los Angeles, with repertoire ranging from Così fan tutte to Carmen, from Otello to Tannhäuser, from West Side Story to contemporary operas by composers like John Adams and Oliver Knussen. In April 2022, Dudamel conducted the LA Phil and a star-studded cast in a new production of Beethoven’s opera Fidelio, produced in collaboration with Los Angeles’ Tony Award-winning Deaf West Theatre, Deaf performers of El Sistema Venezuela’s Coro de Manos Blancas (White Hands Choir), and the Dudamel Foundation.
Dudamel’s advocacy for the power of music to unite, heal, and inspire is global in scope. Shaped by his own training as a young musician, Dudamel with the LA Phil and its community partners founded YOLA (Youth Orchestra Los Angeles) in 2007, now providing 1,700 young people with free instruments, intensive music instruction, academic support, and leadership training. In October 2021, YOLA opened its first permanent, purpose-built facility: The Judith and Thomas L. Beckmen YOLA Center at Inglewood, designed by architect Frank Gehry. Dudamel also created the
Dudamel Foundation in 2012 with the goal “to expand access to music and the arts for young people by providing tools and opportunities to shape their creative futures.”
One of the few classical musicians to become a bona fide pop-culture phenomenon, Dudamel was honored with a star on the Hollywood Walk of Fame in 2019, joining Hollywood greats as well as musical luminaries such as Leonard Bernstein, Duke Ellington, and Arturo Toscanini. He conducted the score to Steven Spielberg’s new film adaptation of Bernstein’s West Side Story and starred as the subject of the documentary ¡Viva Maestro!
Dudamel’s extensive, multipleGrammy Award-winning discography numbers 65 releases, including recent Deutsche Grammophon LA Phil recordings of Mahler’s Symphony No. 8, which won the Grammy for Best Choral Performance, and the complete Charles Ives symphonies and Andrew Norman’s Sustain, which both won the Grammy Award for Best Orchestral Performance.
For more information about Gustavo Dudamel, visit his ofcial website at gustavodudamel.com and the Dudamel Foundation at dudamelfoundation.org
“THE RARE CLASSICAL ARTIST TO HAVE CROSSED INTO POP-CULTURE CELEBRITY.” — The New York Times’ Zachary Woolfe and Laura Cappelle
WHERE L.A. COMES TO
Summertime is for celebrating occasions big and small. Whether it’s a birthday, baby shower, wedding or long weekend, Marina del Rey’s waterfront hotels, restaurants, and party yachts set the stage for unforgettable events.
LOS ANGELES PHILHARMONIC
The Los Angeles Philharmonic, under the vibrant leadership of Music & Artistic Director Gustavo Dudamel, presents an inspiring array of music through a commitment to foundational works and adventurous explorations. Both at home and abroad, the LA Phil—recognized as one of the world’s outstanding orchestras—is leading the way in groundbreaking and diverse programming, onstage and in the community, that reflects the orchestra’s artistry and demonstrates its vision. The 2022/23 season is the orchestra’s 104th. Nearly 300 concerts are either performed or presented by the LA Phil at its three iconic venues: the Frank Gehry-designed Walt Disney Concert Hall, The Ford, and the famed Hollywood Bowl. During its winter season at Walt Disney Concert Hall, with approximately 165 performances, the LA Phil creates festivals, artist residencies, and other thematic programs designed to enhance the audience’s experience of orchestral music. Since 1922, its summer home has been the worldfamous Hollywood Bowl, host to the finest artists from all genres of music. Situated in a 32-acre
park and under the stewardship of the LA Phil since December 2019, The Ford presents an eclectic summer season of music, dance, film, and family events that are reflective of the communities that comprise Los Angeles.
The orchestra’s involvement with Los Angeles extends far beyond its venues. Among its influential and multifaceted learning initiatives is YOLA (Youth Orchestra Los Angeles). Through YOLA, inspired by Gustavo Dudamel’s own training as a young musician, the LA Phil and its community partners provide free instruments, intensive music training, and academic support to over 1,700 young musicians, empowering them to become vital citizens, leaders, and agents of change. In the fall of 2021, YOLA opened its own permanent, purpose-built facility: the Judith and Thomas L. Beckmen YOLA Center at Inglewood, designed by Frank Gehry.
The orchestra also undertakes tours, both domestically and internationally, including regular visits to New York, London (where the orchestra is the Barbican Centre’s International Orchestral Partner), Paris, and Tokyo. As part of its global Centennial activities, the orchestra visited Seoul, Tokyo, Mexico City,
London, Boston, and New York. The LA Phil’s first tour was in 1921, and the orchestra has made annual tours since the 1969/70 season.
The LA Phil has released an array of critically acclaimed recordings, including world premieres of the music of John Adams and Louis Andriessen, along with Grammy Award-winning recordings featuring the music of Johannes Brahms, Charles Ives, and Andrew Norman. Deutsche Grammophon has released a comprehensive box set in honor of the orchestra’s centennial.
The Los Angeles Philharmonic was founded in 1919 by William Andrews Clark, Jr., a wealthy amateur musician. Walter Henry Rothwell became its first Music Director, serving until 1927; since then, 10 renowned conductors have served in that capacity. Their names are Georg Schnéevoigt (1927-1929), Artur Rodziński (1929-1933), Otto Klemperer (1933-1939), Alfred Wallenstein (1943-1956), Eduard van Beinum (1956-1959), Zubin Mehta (1962-1978), Carlo Maria Giulini (1978-1984), André Previn (1985-1989), Esa-Pekka Salonen (1992-2009), and Gustavo Dudamel (2009-present).
“SO FAR AHEAD OF OTHER AMERICAN ORCHESTRAS THAT IT IS IN COMPETITION MAINLY WITH ITS OWN PAST ACHIEVEMENTS.”
— The New Yorker ’s Alex Ross
THOMAS WILKINS
Thomas Wilkins is Principal Conductor of the Hollywood Bowl Orchestra. He has held a titled position at the Hollywood Bowl since 2008, when he was named Principal Guest Conductor; in the spring of 2014 he became Principal Conductor.
Additionally, he is the Boston Symphony’s Artistic Advisor, Education and Community Engagement; Indiana University’s Henry A. Upper Chair of Orchestral Conducting established by the late Barbara and David Jacobs; and Principal Guest Conductor of the Virginia Symphony. At the close of the 2020/21 season, he ended his long and successful tenure as Music Director of the Omaha Symphony. Other past positions have included resident conductor of the Detroit Symphony and Florida Orchestra (Tampa Bay) and associate conductor of the Richmond (VA) Symphony. He also has served on
the music faculties of North Park University (Chicago), the University of Tennessee in Chattanooga, and Virginia Commonwealth University in Richmond.
Devoted to promoting a lifelong enthusiasm for music, Thomas Wilkins brings energy and commitment to audiences of all ages. He is hailed as a master at communicating and connecting with audiences. Following his highly successful first season with the Boston Symphony, The Boston Globe named him among the “Best People and Ideas of 2011.” In 2014, Wilkins received the prestigious “Outstanding Artist” award at the Nebraska Governor’s Arts Awards for his significant contribution to music in the state, and in March of 2018, the Longy School of Music honored him with the Leonard Bernstein Lifetime Achievement Award for the Elevation of Music in Society. In 2019 the Virginia Symphony
bestowed Thomas Wilkins with their annual Dreamer’s Award. In 2022 the Omaha Entertainment and Arts Awards presented him with their Lifetime Achievement Award for Music, Boston Conservatory at Berklee awarded him an honorary Doctorate of Arts, and he was the recipient of the League of American Orchestras’ Gold Baton Award.
During his conducting career, he has led orchestras throughout the United States, including the New York and Los Angeles philharmonics; the Philadelphia and Cleveland orchestras; the symphonies of Chicago, Boston, Cincinnati, and Detroit; and the National Symphony.
A native of Norfolk, VA, Thomas Wilkins is a graduate of the Shenandoah Conservatory of Music and the New England Conservatory of Music in Boston. He and his wife Sheri-Lee are the proud parents of twin daughters, Erica and Nicole.
SEPTEMBER HIGHLIGHTS
From our annual Sing-A-Long Sound of Music to the spectacular Fireworks Finale, here are the memorable movie nights, legendary performers, and timeless classics you’ll want to put on your calendar this month.
SING-A-LONG SOUND OF MUSIC, SEPT 16
PROMISES, FT. FLOATING POINTS, SEPT 20
LOS AUTÉNTICOS DECADENTES, SEPT 24
LOS
24
HOLLYWOOD BOWL ORCHESTRA
The Hollywood Bowl Orchestra is composed of approximately 65 regular players, an international mix of classically trained musicians who are among the best studio musicians in Los Angeles. Many spend their days on Hollywood’s scoring stages. It might be surprising to learn that there is no overlap between the musicians of the Los Angeles Philharmonic and the Hollywood Bowl Orchestra—another indicator that LA has a tremendous pool of musical talent.
Musicians have been performing at the Hollywood Bowl since its opening in 1922. “Bowl Orchestra” was used as early as 1925, and “Hollywood Bowl Orchestra” appeared on live recordings made in 1928. Leopold Stokowski was Music Director of the Hollywood
Bowl Symphony Orchestra from 1945 to 1946. During this time, the Orchestra recorded a number of classical works. In the 1950s and 1960s, Capitol Records issued an extensive series of recordings of the Hollywood Bowl Symphony Orchestra with a number of different conductors, including Carmen Dragon, Felix Slatkin, Alfred Newman, and Miklós Rózsa, with album titles such as Rhapsody Under the Stars, Chopin by Starlight, Fiesta!, Marche!, and many others.
From the 1950s on, there was no official Hollywood Bowl Orchestra, until it reappeared in 1991, under the auspices of the Los Angeles Philharmonic Association, as a completely new ensemble under the direction of Principal Conductor John Mauceri. After retiring from the orchestra in 2006, Mauceri
was awarded the lifelong title of Founding Director of the Hollywood Bowl Orchestra. In 2008, Thomas Wilkins began an appointment as Principal Guest Conductor of the Hollywood Bowl Orchestra. In June 2014, he became Principal Conductor of the Hollywood Bowl Orchestra, in which position he continues to lead the ensemble each summer in a diverse range of concerts at the fabled outdoor venue. From Mozart to Motown, the repertoire of the Hollywood Bowl Orchestra is as diverse as Hollywood itself. In a single season, the orchestra may perform everything from Broadway favorites to film music, pop music to jazz, and classical music to world premieres by living composers. In essence, the Hollywood Bowl Orchestra does it all.
GOSPEL THE AT COLONUS
September 7–30, 2023 Thursdays–Saturdays, 8:00 p.m.
YOLA
Through YOLA (Youth Orchestra
Los Angeles), inspired by Gustavo Dudamel’s own training as a young musician, the LA Phil and its community partners provide free instruments, intensive music training, and academic support to over 1,700 young musicians, empowering them to become vital citizens, leaders, and agents of change. YOLA provides players aged 6-18 with a strong musical and social foundation through participation in 12 to 15 hours of programming each week.
Sixteen years ago, the LA Phil and its community partners launched YOLA with 80 students at the EXPO Center in South LA. Today, there are five sites: in South LA, the Rampart District, Westlake/MacArthur Park, East LA, and Inglewood. YOLA engages players from more than 200 schools in culturally vibrant and ethnically diverse communities across LA County. Music study is complemented by leadership development opportunities, workshops, and performances. YOLA’s young musicians have performed on great stages all over the world, including the LA Phil’s iconic venues—the Hollywood Bowl and Walt Disney Concert Hall—and in many other locations throughout
Southern California, on national and international television broadcasts, and alongside the greatest artists.
On October 15, 2021, the Los Angeles Philharmonic opened the
Judith and Thomas L. Beckmen
YOLA Center at Inglewood, designed by Gehry Partners, LLC, the first permanent, purpose-built facility for YOLA.
To learn more about YOLA, please visit laphil.com/yola
Thanks to generous support from our philanthropic community, including Margo and Irwin Winkler, Marc and Ashley Merrill, the Friars Charitable Foundation, and an Anonymous donor, more than 2,000 tickets to Hollywood Bowl concerts throughout the season are being provided to YOLA musicians, families, and teaching staf.
Experiencing concerts under the stars provides inspiration for the young musicians of YOLA and can inform their music-making, artistic expression, and academic endeavors.
Learn more about how you can provide tickets for YOLA musicians by contacting friends@laphil.org.
Kaiser Permanente cares for all that is you
Because you’re more than one note — you’re a symphony.
Thank you for sharing the music with us tonight. Enjoy the show.
NOW ON SOUND/STAGE: RACHMANINOFF WITH YUJA WANG
Last February, Yuja Wang joined Gustavo Dudamel and the Los Angeles Philharmonic to perform all four of Rachmaninof’s Piano Concertos as well as the unofcial Fifth—Rhapsody on a Theme of Paganini—at Walt Disney Concert Hall. Wang describes Rachmaninof’s writing as “the most sensuous and passionate thing” and says that playing his music is a gift. This month, recordings of the entire Rachmaninof cycle from those concerts come to Sound/Stage, the LA Phil’s free digital concert platform. In connection with those performances, Wang sat down with Dudamel to talk about Rachmaninof’s music; their conversation is excerpted below. Watch all six episodes at laphil.com/soundstage starting September 8.
GUSTAVO DUDAMEL: You have been studying Rachmaninoff since you were 15, or something like that.
YUJA WANG: I learned the [Third Concerto] because I’m a huge fan of Horowitz, and I heard a recording with Zubin Mehta. (I actually got to perform it with Zubin at one point.) He told me last time he conducted it, it was Horowitz. And then I was frozen.
GD: Everybody loves the Second and Third Concertos and the [Rhapsody on a Theme of Paganini ].
YW: We did Number 3 in Caracas. It’s just so beastly and so satisfying. It’s been programmed a lot for me since I graduated at 21. The Number 1, though, I learned it during the pandemic. Number 2 is actually, to be honest, my least favorite because it’s just been [played] so much. But it’s funny. It was also the first piece I played after the pandemic. And every time that music comes, you’re just like, “OK, there’s a reason why it’s so popular and so, so moving.”
Number 4—we’re going to see. It’s going to be very tricky.
It’s such a fabulous work, but it’s not played very often. It’s harder to get the colors of that work. It’s just so amazing. It’s all the language of Rachmaninof, but each concerto [was written in] its own decade.
GD: That is very important because you have the chance to play all of them. He’s an amazing composer, but he was a pianist [performing these pieces]. It is one thing to be 18 and another to be 40 or 50. So, how do you see that evolution in there?
YW: [With the First Concerto] it was just so fresh. He wrote it for his own exam as a composer and pianist at 18, and then his model was the Grieg concerto. So you hear a little bit of copying [of that] and a little bit of Tchaikovsky. But also, it foreshadows even the Paganini [Rhapsody] that comes four decades later. It’s all there and all the chromaticism. And the melodies are just so…well, with Rachmaninof, words are so inefcient [to describe] what the music can do.
[About the Fourth Concerto, written many decades later,] some people say it’s the one you want to forget. But it’s really hard for the orchestra. Everything is ofbeat and syncopated [and nobody has] a full phrase. That also makes it so ghostly and interesting. And the last movement—it sounds like Tom and Jerry. But it’s much more than that. It’s kind of like looking at old Hollywood movies, actually, or [an] old book that was part of the golden age. But with age, it’s faded. It has a little bit of that sentiment. And I love the Paganini. It’s such a gem. Complex but beautiful piece.
GD: We have played Number 3 a lot. We recorded it, even. But that concerto has [a mystique] or an aura of unplayability. Some people get afraid of it.
YW: I think it’s just the scope of things. It’s kind of like the first time I was in Moscow. Even a drugstore is just huge. With Rachmaninof, there’s always the structure. There’s always one big moment. But with this one, you kind of felt like there were lots of big moments until you actually get to the biggest moment.
But in terms of music, it’s so diferent [in each concerto]. It’s almost like I’m not playing just one composer. The world is so rich. There is the young, ardent, passionate love. There is a dark
Number 2 and the breakthrough [that was for him] and the world of Hollywood in LA. And then, I think Number 3—he wrote in Dresden in Europe. So I have been traveling a lot myself, and that makes you think about how influenced the piece is being written.
GD: One question that I think a lot of people who see you want to know is, just before the concert, what is happening in your mind? What are you thinking about? We can always rehearse it one way, but then in concert it happens another way.
YW: I wish I had the answer. Sometimes it works. Sometimes it doesn’t, but after the pandemic, everything is about mental health. I have heard a few meditations [that I try], and I think about how to center myself or take a few deep breaths, all so we can just create [anew] in the moment.
I’m trying to make it fresh each time. Sometimes, I’m trying to think about pretending I never heard this melody before and thinking about the shape.
AN ODE TO P-22
In 2012, a mountain lion set off on a 50-mile journey from the Santa Monica Mountains, crossing two major freeways and eventually making a home in Griffith Park.
the resilience of nature in a world redesigned for people. The Guardian dubbed him “the Brad Pitt of mountain lions” for the celebrity he unknowingly gained.
In 2017, his story was turned into a permanent exhibit at the Natural History Museum of LA County (whose staf graciously shared images for this story). Following his death in 2022, P-22 received an overwhelming outpouring of remembrances and admiration.
LA’s most famous mountain lion also inspired composer Adam Schoenberg, whose piece Cool Cat is scheduled to be premiered by the LA Phil on September 12. The following interview with the composer has been edited for space.
ABOUT P-22?
Adam Schoenberg: I first learned of P-22 several years ago when my wife and I used to hike quite a bit in Griffith Park. I couldn’t believe his story! Here was a creature who had defied all odds. Who inhabited a space that was entirely too small for him to survive in for years. Let alone cross the 405 and 101 freeways without getting injured.
WHY DO YOU THINK HIS STORY RESONATED WITH ANGELENOS?
AS: I think many people come to Los Angeles because it’s a place where you can will yourself into a diferent type of existence. Whether you’re chasing stardom or a new beginning, this is a city where you can make anything happen. But it takes grit, determination, perseverance, and a lot of luck. P-22 embodied all of that. And I believe he willed his survival. His existence reminded us of the power of nature even within a vast city where trees are a rare commodity. His story feels distinctly LA because it sounds almost like a myth. Larger than life.
YOUR PIECES HAVE TOPICS RANGING FROM MARK ROTHKO’S EXPRESSIONISM TO CLIMATE CHANGE. HOW DID YOU DECIDE THIS WAS A TOPIC YOU WANTED TO EXPLORE?
AS: I always try to write from a place of passion, so I tend to choose subjects that I’m inspired and moved by. Like many Angelenos,
I was very taken with P-22’s story. And when I was approached to write this piece, I was dealing with severe health issues. I felt that there was a strange parallel between P-22’s life and his ability to defy the odds and my life, as I nearly died. I was in a very fragile state while writing this piece and not sleeping. I would go into the studio at 2:00 or 3:00 in the morning, and the music seemed to just pour out of me. It was the only comfort I had during that time. I honestly believe that writing this piece gave me the strength to keep on going.
HOW DID YOU TRY TO MUSICALLY REPRESENT P-22 IN COOL CAT ?
AS: Pumas can live in a wide variety of habitats, from mountains to tropical rainforests because of their ability to adapt to their surroundings. My goal was to juxtapose the idea of P-22’s original lush habitat with the urban landscape that he ultimately was forced to live in. And I wanted to capture his journey in one sonic experience. There is heavy use of percussion, such as congas and bongos, as well as some junkyard percussion like trash metals. I also wanted to create a theme that would be memorable and could be hummed back. Since P-22 became a local celebrity, this was also an opportunity for me to write something more cinematic for the concert stage.
NEW FACES AT THE LA PHIL
The Los Angeles Philharmonic recently announced RODOLFO BARRÁEZ as Assistant Conductor, Ann Ronus Chair, for the 2023/24 season. As part of the position, Barráez will serve as the cover conductor for Gustavo Dudamel and guest conductors throughout the orchestra’s subscription season and on tour, helping in rehearsal and stepping in to lead the orchestra should any conductor fall ill. He will also make his Hollywood Bowl debut in 2024.
The LA Phil also announced its newest group of Dudamel Fellows for the 2023/24 season: ANNA HANDLER (Colombia/Germany), ROSS JAMIE COLLINS (Finland/United Kingdom), CARLOS ÁGREDA (Colombia), and MICHELLE DI RUSSO (Argentina). The four Dudamel Fellows selected for this year’s class are rising international conductors chosen by Dudamel and the LA Phil who will work with the LA Phil artistic family and visiting artists to hone their skills, mentor young musicians in YOLA, and debut as featured conductors in upcoming learning concerts.
RODOLFO BARRÁEZ ANNA HANDLER ROSS JAMIE COLLINSVIOLINIST ANNE AKIKO MEYERS INSPIRES MUSICAL JOURNEYS
Renowned violinist Anne Akiko Meyers has a remarkable connection to the Hollywood Bowl. It was here that her professional musical dream began at the age of seven while enjoying a bento-box dinner at a concert. Inspired by the venue and captivating performances she witnessed under the stars, Anne found her passion for music further ignited, motivating her studies and leading her to become the extraordinary soloist she is today.
Not only is Meyers a remarkable musician, but she and her husband, LA Phil Board Member Jason Subotky, are also devoted philanthropists and ardent supporters of the LA Phil and its YOLA (Youth Orchestra Los Angeles) program. In 2021, they established the Jason Subotky and Anne Akiko Meyers YOLA Ticket Fund, an uplifting initiative aimed at providing free tickets to YOLA musicians and their families for concerts at Walt Disney Concert Hall and
If
the Hollywood Bowl. This year marks the second consecutive year of their support for the YOLA Ticket Fund.
YOLA provides young people ages five through 18 with free instruments, intensive music instruction, and opportunities to perform on stages in their communities and around the world. The program brings incomparable and equitable access to a high-quality and intensive music education for young people in diverse and vibrant communities across Los Angeles and beyond.
Recognizing the importance of concerts as an integral part of the YOLA experience, Meyers and Subotky go above and beyond to ensure that the entire family can partake in the musical festivities. To make the concerts as accessible as possible, the evening includes complimentary food and parking. The seat locations designated for YOLA musicians and their families are carefully
chosen, offering them the opportunity to enjoy the performances from the front benches, providing an upclose-and-personal experience.
For Subotky and Meyers, “Music under the stars at the Hollywood Bowl has been a family tradition which we are excited to share with aspiring musicians and their families. We are honored to support YOLA students and hope to create magical moments that energize them as they embrace their own musical journeys.”
Meyers and Subotky’s commitment to supporting YOLA has inspired other donors to contribute to a YOLA ticket fund of their own, ensuring that more young musicians can experience the joy of attending concerts with their loved ones.
The LA Phil is deeply grateful to Margo and Irwin Winkler, Marc and Ashley Merrill, Linda May and Jack Suzar, and the Friars Charitable Foundation for their support of the Fund as well.
Your contribution can make a significant difference in the lives of young musicians and their families, fostering a lifelong love of music and creating lasting memories at the Hollywood Bowl.
you’d like to learn more about the way you can support the YOLA Ticket Fund or become involved in the LA Phil’s music learning programs, please contact friends@laphil.org.
A Stellar Season:
Start your summer on a high note by visiting the Hollywood Bowl and enjoying a gourmet meal from Gelson’s Kitchen.
Choose from freshly made, restaurant-quality fare, including hors d’oeuvres, salads, shrimp, salmon, crab cakes, chicken, and beef. Vegetarian options are also available. And our scrumptious desserts are legendary.
Just stop by Gelson’s Kitchen or order online. When it comes to a season of summer fun at the Bowl, think of Gelson’s as your ticket to stress-free, superb dining!
Hollywood Bowl Ticket Ofer: Purchase any two gourmet picnic meals or lunch bags and receive a complimentary voucher to select performances at Hollywood Bowl. See store for details. Voucher redeemable in-store only.
LOS ANGELES PHILHARMONIC
Gustavo Dudamel
Music & Artistic Director
Walt and Lilly
Disney Chair
Zubin Mehta
Conductor Emeritus
Esa-Pekka Salonen
Conductor
Laureate
Paolo Bortolameolli
Associate
Conductor
John Adams
John and Samantha Williams
Creative Chair
Herbie Hancock
Creative Chair for Jazz
FIRST VIOLINS
Martin Chalifour
Principal
Concertmaster
Marjorie Connell Wilson Chair
Nathan Cole
First Associate
Concertmaster
Ernest Fleischmann Chair
Bing Wang
Associate
Concertmaster
Barbara and Jay Rasulo Chair
Akiko Tarumoto
Assistant
Concertmaster
Philharmonic
Afliates Chair
Rebecca Reale
Michele Bovyer
Deanie and Jay
Stein Chair
Rochelle Abramson
Camille Avellano
Margaret and Jerrold
L. Eberhardt Chair
Minyoung Chang
I.H. Albert
Sutnick Chair
Tianyun Jia
Jordan Koransky
Mischa Lefkowitz
Edith Markman
Ashley Park
Stacy Wetzel
Justin Woo
SECOND VIOLINS
Lyndon Johnston Taylor
Principal
Dorothy Rossel
Lay Chair
Mark Kashper+
Associate Principal
Kristine Whitson
Johnny Lee
Dale Breidenthal
Mark Houston Dalzell and James Dao-
Dalzell Chair for Artistic Service to the Community
Ingrid Chun
Jin-Shan Dai
Chao-Hua Jin
Jung Eun Kang
Nickolai Kurganov
Varty Manouelian
Michelle Tseng
Suli Xue
Gabriela
Peña-Kim*
Sydney Adedamola*
Eugene and Marilyn
Stein LA Phil Resident Fellow Chair
VIOLAS
Teng Li
Principal
John Connell Chair
Ben Ullery
Assistant Principal
Jenni Seo
Dana Lawson
Richard Elegino
John Hayhurst
Ingrid Hutman
Michael Larco
Hui Liu
Meredith Snow+
Leticia Oaks Strong
Minor L. Wetzel
Jarrett Threadgill*
Nancy and Leslie
Abell LA Phil Resident Fellow Chair
CELLOS
Robert deMaine
Principal
Bram and Elaine Goldsmith Chair
Ben Hong
Associate Principal
Sadie and Norman
Lee Chair
Dahae Kim
Assistant Principal
Jonathan Karoly
David Garrett
Barry Gold
Jason Lippmann
Gloria Lum
Linda and Maynard
Brittan Chair
Serge Oskotsky
Brent Samuel
Ismael Guerrero*
BASSES
Christopher Hanulik Principal
Diane Disney Miller and Ron Miller Chair
Kaelan Decman
Associate Principal
Oscar M. Meza
Assistant Principal
David Allen Moore
Ted Botsford
Jack Cousin
Jory Herman
Brian Johnson
Peter Rofé
Nicholas Arredondo*
FLUTES
Denis Bouriakov
Principal
Virginia and Henry Mancini Chair
Catherine
Ransom Karoly
Associate Principal
Mr. and Mrs. H. Russell Smith Chair
Elise Shope Henry
Mari L. Danihel Chair
Sarah Jackson
Piccolo
Sarah Jackson
OBOES
Marc Lachat Principal
Carol Colburn Grigor Chair
Marion Arthur Kuszyk
Associate Principal
Anne Marie Gabriele
Carolyn Hove
English Horn
Carolyn Hove
CLARINETS
Boris Allakhverdyan
Principal
Michele and Dudley Rauch Chair
Burt Hara
Associate Principal
Andrew Lowy
E-Flat Clarinet
Andrew Lowy
BASSOONS
Whitney Crockett
Principal
Shawn Mouser
Associate Principal
Ann Ronus Chair
Michele Grego
Evan Kuhlmann
Contrabassoon
Evan Kuhlmann
HORNS
Andrew Bain Principal
John Cecil Bessell Chair
Amy Jo Rhine
Acting Associate Principal
Loring Charitable Trust Chair
Gregory Roosa
Alan Scott Klee Chair
Elyse Lauzon
Reese and Doris
Gothie Chair
Ethan Bearman Assistant
Bud and Barbara Hellman Chair
TRUMPETS
Thomas Hooten Principal
M. David and Diane
Paul Chair
James Wilt Associate Principal
Nancy and Donald
de Brier Chair
Christopher Still
Ronald and Valerie
Sugar Chair
Jefrey Strong
TROMBONES
David Rejano
Cantero Principal
James Miller Associate Principal
Judith and Thomas
L. Beckmen Chair
Paul Radke
Bass Trombone
John Lofton
Miller and Gof Family Chair
TUBA
Mason Soria
TIMPANI
Joseph Pereira Principal
Cecilia and Dudley Rauch Chair
David Riccobono
Assistant Principal
PERCUSSION
Matthew Howard Principal
James Babor
Perry Dreiman+
David Riccobono
Justin Ochoa*
KEYBOARDS
Joanne Pearce
Martin
Katharine Bixby
Hotchkis Chair
HARP
Emmanuel Ceysson Principal
Ann Ronus Chair
LIBRARIANS
Stephen Biagini
Benjamin Picard
KT Somero
CONDUCTING FELLOWS
Rodolfo Barráez
Linhan Cui
Chloé Dufresne
Luis Toro Araya
HOLLYWOOD BOWL ORCHESTRA
Thomas Wilkins
Principal
Conductor
John Mauceri
Founding Director
FIRST VIOLINS
Kathryn Eberle
Concertmaster
Marisa Sorajja
Principal
Grace Oh
Associate Principal
Rebecca Bunnell
Chloe Szu-Yun Chiu
Christine Frank
Yen-Ping Lai
Radu Pieptea
Adrianne Pope
Yutong Sharp
Shelly Shi
Mari Tsumura
SECOND VIOLINS
[position vacant]
Principal
Cheryl Norman Brick
Associate Principal
Pam Gates
Natalie Leggett
Carolyn Osborn
Robert Schumitzky
Kathleen Sloan
Olivia Tsui
Vivian Wolf
VIOLAS
Erik Rynearson
Principal
[position vacant]
Associate Principal
Carrie Holzman-Little
Carole
Kleister-Castillo
Adam Neely
Stefan L. Smith
Phillip Triggs
Hyeree Yu
CELLOS
Dennis Karmazyn
Principal
Armen Ksajikian
Associate Principal
Giovanna Moraga
Clayton
Trevor Handy
Julie Jung
Erin Breene Schumitzky
BASSES
[position vacant] Principal
Denise Briesé
Associate Principal
Paul Macres
Barry Newton
FLUTES
Heather Clark Principal
Lawrence Kaplan Piccolo [position vacant]
OBOES
Lelie Resnick
Principal
English Horn
Catherine
Del Russo
CLARINETS
Gary Bovyer Principal
Bass Clarinet
Ralph Williams
BASSOONS
Elliott Moreau Principal
Contrabassoon
Allen Savedof
HORNS
Dylan Hart Principal
Allen Fogle Associate Principal
Todd Miller
TRUMPETS
Robert Schaer Principal
Robert Frear
TROMBONES
William Booth Principal
Alexander Iles
Bass Trombone
Todd Eames
TUBA
Jim Self Principal
TIMPANI
Tyler Stell Principal
DRUMS
Brian Miller Principal
PERCUSSION
Wade Culbreath Principal
Gregory Goodall
HARP [position vacant] Principal
KEYBOARDS
Alan Steinberger Principal
SAXOPHONE [position vacant]
ASSOCIATE CONDUCTOR
Scott Dunn
PERSONNEL MANAGERS
Shana Bey
LIBRARIAN
Steve Biagini
The Hollywood Bowl Orchestra string section utilizes revolving seating on a systematic basis. Players listed alphabetically change seats periodically.
FOOD + WINE
The Bowl’s food and wine team— James Beard Award winners chef Suzanne Goin (right) and restaurateur
Caroline Styne of celebrated restaurants Lucques, a.o.c., Caldo Verde, and Cara Cara—are now in their eighth year of providing exceptional cuisine designed to make your concert experiences even more spectacular. From supper in your box seats to specially prepared picnic baskets and market-fresh fare, there’s truly something for everyone.
SUPPER IN YOUR SEATS
Enjoy a delicious pre-concert meal served to you in the comfort of your box seats. Menu selections include Suzanne Goin’s threecourse menus, family-style feasts, à la carte starters, main courses, desserts, and wine. Order by 6pm the day before your concert.
ANN’S WINE BAR BY A.O.C.
Inspired by the original a.o.c. on 3rd Street, Ann’s Wine Bar features a wide selection of Caroline’s favorite new- and old-world wines to be explored by both experienced and novice wine lovers, all paired with Suzanne Goin’s signature small-plates menu. Reservations recommended
KITCHEN 22
Kitchen 22 is the best place to indulge in fan favorites like burgers, french fries, Spanish fried chicken, specialty sandwiches, and salads.
THE BACKYARD
Inspired by the gorgeous natural surroundings of the Bowl, this alfresco space has the feel of a chic backyard in the Hollywood Hills. Two large wood-burning grills are the focus of this farmers-market-driven restaurant serving grilled fish, chops, steaks, vegetables, salads, and more.
LUCQUES AT THE CIRCLE
Fine dining for subscribers of the Pool Circle, with a seasonal made-to-order menu and an exceptional wine list styled from the award-winning restaurant Lucques.
CATERING AT THE BOWL
Give your guests the experience of a lifetime when you host your next event at the Bowl! Our beautiful venues are perfect for events of all sizes, from intimate gatherings to elaborate afairs.
MARKETPLACES
Specialty sandwiches, seasonal grab-and-go salads, cheese and charcuterie plates, snacks, beer, and a variety of approachable and delicious wines await you at all three of our Marketplaces. You’ll find everything you need to build a picnic from scratch or to enhance one you brought.
STREET FOOD AND SNACKS
A variety of delicious options are available throughout the Bowl, including street tacos, Suzanne’s fried chicken, salads, specialty sandwiches, gourmet pizza, pulled-pork sandwiches, artisan baked goods, sweets, soft-serve ice cream, and popcorn.
MOBILE ORDERING
Download the Hollywood Bowl app or scan one of the many QR codes to place an order from the comfort of your seat and skip the line at pickup. Mobile ordering is available throughout the venue.
2023 OPENING NIGHT AT THE HOLLYWOOD BOWL CHAIRS AND COMMITTEE
TITLE SPONSOR
Kaiser Permanente
CENTENNIAL LEADERS
R. Martin Chavez
Lisa Field
Robyn Field and Anthony O’Carroll
OPENING NIGHT COMMITTEE
Leslie and Nancy Abell
Tom and Judy Beckmen
Joe Berchtold
David C. Bohnett
Kawanna and Jay Brown
Ron Burkle
California Community Foundation
Andrea Chao-Kharma and Ken Kharma
Esther Chui-Chao
Steve Cius and Risk Placement Services
Tara Dollinger
OPENING NIGHT CO-CHAIRS
Gregory A. Adams
Lisa Field
Robyn Field and Anthony O’Carroll
PREMIER SPONSOR
City National Bank
Louise and Brad Edgerton
Jane and Michael Eisner
Alexandra Glickman and Gayle Whittemore
Jennifer Miller Gof
Marnie and Dan Gruen, The Fred & Peggy Hartley Family Foundation
Antonia Hernández
Andy and Jacinta Hewitt
Julia Huang and Intertrend
Terri and Jerry Kohl
Rafael and Sharyl Mendez
Carmen Morgan
Teena Hostovich, Doug Martinet, and Michael Martinet
Stasia and Michael Washington
MUSE SPONSORS
Amazon
Tracy Anderson
Live Nation-Hewitt Silva
Christine Muller and John Swanson
Sujata Murthy and Universal Music
Jay and Barbara Rasulo
Ariane and Richard Rafetto
William Rodriguez
Marc Chazaud and Diana Reid
Bill Silva
Christian Stracke
Jack Suzar and Linda May
Jon Vein and Ellen Goldsmith-Vein
Emory Walton
Kathy S. Walton
Casey and Laura Wasserman
Megan Watanabe and Hideya Terashima
Gregory Annenberg
Weingarten, GRoW @ Annenberg
Jef Wilson and Chevron Products Company
Stephen Schulte and Lori Williams
Alyce de Roulet Williamson
Kimberly K. Wilson
From left: Marc Chazaud, James Muhammad, Lori Williams, Stephen Schulte FRONT ROW (from left): Christine Muller, Gayle Whittemore, Nancy Abell, Teena Hostovich, Lisa Field, Stasia Washington, Robyn Field BACK ROW (from left): John Swanson, Alexandra Glickman, Steve Cius, Thelma Houston, Kathy Walton, Kimberly K. Wilson, Anthony O’Carroll2023–24 SEASON
Andrew von Oeyen
piano
Animaniacs in Concert
Chad Lawson
Cirque Mechanics in Zephyr: A Whirlwind of Circus
Diana Adamyan
violin
Leo Kottke
MOMIX: Alice
Richie Furay
The Righteous Brothers: Bill Medley & Bucky Heard
Sheena Easton
Veronica Swift
Versa-Style Dance Company
When You Wish Upon a Star: A Jazz Tribute to 100 Years of Disney & MORE
HOLLYWOOD BOWL BROADCASTS ON CLASSICAL KUSC
Ten Los Angeles Philharmonic concerts from the current Hollywood Bowl season are now being broadcast on Classical California
KUSC’s SoCal Sunday Night series, the station’s weekly spotlight on local concerts, beginning Sunday, August 20, 2023, at 7PM.
This marks the 16th year of the orchestra’s summer partnership with Southern California’s listener-sponsored classical music radio station. The broadcast series allows hundreds of thousands of KUSC listeners across Southern California to experience Hollywood Bowl performances each week.
The concerts are recorded live on select nights at the Hollywood Bowl and feature the Los Angeles Philharmonic with a stellar roster of artists and conductors. Hosted and produced by KUSC’s Brian Lauritzen, the programs air weekly at 7PM on Sundays from August 20 through October 22 and are also streamed online, on demand at the KUSC website, for one week immediately following the broadcast. For complete details, please visit laphil.com/radio
UPCOMING BROADCASTS
SoCal Sunday Nights at 7PM on Classical California KUSC
SEPTEMBER 3
Leonard Slatkin, conductor Makoto Ozone, piano
Cindy McTEE Timepiece
GERSHWIN Rhapsody in Blue DVOŘ ÁK Symphony No. 9, “From the New World”
SEPTEMBER 10
Ryan Bancroft, conductor Eric Lu, piano
Caroline SHAW Entr’acte BEETHOVEN Piano Concerto No. 4 ELGAR Enigma Variations
SEPTEMBER 17
Louis Langrée, conductor Jean-Yves Thibaudet, piano
RAVEL Piano Concerto in G major BERLIOZ Symphonie fantastique
SEPTEMBER 24
Anna Rakitina, conductor Sterling Elliott, cello
DVOŘ ÁK Cello Concerto SHOSTAKOVICH Symphony No. 5
Programs and artists subject to change.
FOR TICKETS AND SPONSORSHIPS:
LEAVE THE DRIVING TO US!
Audiences have been riding the Hollywood Bowl bus program since 1974, helping make it the largest and most comprehensive transportation system of any concert venue west of the Mississippi. The two official services, Park & Ride and Bowl Shuttle, help reduce the number of vehicles coming to the Bowl by an estimated 2,000 cars per concert, providing access to the Bowl for all LA County residents. With just over 3,500 separate bus trips to Bowl events last season, ridership is poised to expand with new shuttle lines from Burbank Metro and West Hollywood/Pacific Design Center in 2023.
DID YOU KNOW?
• When you show your same-day Park & Ride or Shuttle ticket at the Plaza Marketplace, you get 20% off your purchase.
• Buses drop you of at the Box Office Plaza near the top of the hill.
• Bowl Shuttle rides are FREE with valid Metro and Metrolink TAP cards.
LAND ACKNOWLEDGMENT
We acknowledge the Gabrielino Tongva, Gabrielino Kizh, and Fernandeño Tataviam Nations as the traditional stewards of the land now called the Hollywood Bowl.
We honor and respect the many indigenous peoples connected to this land and express our admiration for their resilient and important cultural leaders in our region—past, present, and future.
Celebrating California Institute of the Arts’ 50th Anniversary
For 50 years, California Institute of the Arts has been a place where creative individuals come together to experiment, practice, teach, and learn as a community of artists. Their impact and influence have transformed the cultural landscape of Los Angeles and beyond.
As we celebrate this milestone anniversary, we look to our artists to challenge what has come before and show us what could be for generations to come.
Ofering undergraduate and graduate degrees in:
Top right: The Herb Alpert School of Music at CalArts faculty, Jonathan Pinson Bottom right: Cissi Efraimsson MFA3 Experimental Animation thesis film, “Sea Angels” At left: The Sharon Disney Lund School of Dance. Photo: Josh RoseAn account with us is like a mezuzah on the door.
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Daniel Song
INTERIM CHIEF EXECUTIVE OFFICER; CHIEF OPERATING OFFICER
Paula Michea
EXECUTIVE ASSISTANT TO THE CEO
EXECUTIVE TEAM
Summer Bjork
CHIEF OF STAFF
Nora Brady
CHIEF MARKETING & COMMUNICATIONS OFFICER
Glenn Brifa CHIEF FINANCIAL OFFICER
Margie Kim
CHIEF PHILANTHROPY OFFICER
Emanuel Maxwell
CHIEF TALENT & EQUITY OFFICER
Mona Patel
GENERAL COUNSEL
Meghan Umber
CHIEF CONTENT OFFICER
SENIOR MANAGEMENT TEAM
Laura Connelly
GENERAL MANAGER, HOLLYWOOD BOWL; VICE PRESIDENT, PRODUCTION
Cynthia Fuentes
DIRECTOR, THE FORD
Elsje Kibler-Vermaas
VICE PRESIDENT, LEARNING
Sara Kim
VICE PRESIDENT, PHILANTHROPY
Johanna Rees
VICE PRESIDENT, PRESENTATIONS
Carlos Singer
DIRECTOR, GOVERNMENT & COMMUNITY ENGAGEMENT
Julia Ward
DIRECTOR, HUMANITIES
ADMINISTRATION
Stephanie Bates
COVID MONITOR
Michael Chang
DATABASE ADMINISTRATOR
Linda Diaz
OFFICE MANAGER/RECEPTIONIST
Kevin Higa
CLOUD INFRASTRUCTURE
ENGINEER
Dean Hughes
SYSTEM SUPPORT III
Charles Koo
INFRASTRUCTURE MANAGER
Kevin Ma
SENIOR MANAGER, STRATEGIC INITIATIVES
Jef Matchan DIRECTOR, INFORMATION
TECHNOLOGY
Sergio Menendez
SYSTEM SUPPORT I
Edward Mesina
INFRASTRUCTURE ENGINEER
Andrew Moreno
ASSISTANT, OFFICE SERVICES
Angela Morrell
TESSITURA SUPPORT
Marius Olteanu
IT SUPPORT ENG I
Sean Pinto
DATABASE APPLICATIONS MANAGER
Miguel A. Ponce, Jr.
SYSTEM SUPPORT I
Christopher Prince
TESSITURA SUPPORT
Mark Quinto DIRECTOR, IT SERVICES
Meredith Reese
SENIOR MANAGER, INFORMATION TECHNOLOGY
Aly Zacharias DIRECTOR, LEGAL
ARTISTIC PLANNING & PRESENTATIONS
Emily Davis
ARTIST LIAISON
Kristen Flock-Ritchie
PROGRAMMING MANAGER
Brian Grohl
PROGRAM MANAGER, POPS/MANAGER, HOLLYWOOD BOWL ORCHESTRA
Ljiljana Grubisic
ARCHIVES AND MUSEUM DIRECTOR
Daniel Mallampalli
SENIOR PROGRAMMING MANAGER
Rafael Mariño
PROGRAM MANAGER
Mark McNeill
CREATIVE PRODUCER
Ayrten Rodriguez
SENIOR PROGRAM MANAGER
Stephanie Yoon
ARTIST SERVICES MANAGER
Rebeca Zepeda
ASSISTANT TO THE MUSIC & ARTISTIC DIRECTOR
AUDIENCE SERVICES
Denise Alfred
REPRESENTATIVE
Vilma Alvarez
SUPERVISOR
Brendan Broms
SUPERVISOR
Diego De La Torre
SUPERVISOR
Jacquie Ferger
REPRESENTATIVE
Linda Holloway
PATRON SERVICES MANAGER
Jennifer Hugus
PATRON SERVICES
Bernie Keating
REPRESENTATIVE
William Minor
REPRESENTATIVE
Rosa Ochoa
AUDIENCE SERVICES MANAGER
Karen O’Sullivan
REPRESENTATIVE
Eden Palomino
REPRESENTATIVE
Teresa Phillips
SUPERVISOR
Richard Ponce
REPRESENTATIVE
Diana Salazar
PATRON SERVICES
Christopher Selland
PATRON SERVICES REPRESENTATIVE
Michelle Sov
REPRESENTATIVE
HOLLYWOOD BOWL / FORD BOX OFFICE
Gema Allatorre
2ND ASSISTANT TREASURER
Yuliza Barraza
TICKET SELLER
Alejandra Cabrales
TICKET SELLER
Angelica Carbajal
1ST ASSISTANT TREASURER
Irene Chow
2ND ASSISTANT TREASURER
David Cranton
2ND ASSISTANT TREASURER
Shawana Deloach
2ND ASSISTANT TREASURER
Matt Dolce
TICKET SELLER
Nancy Fitzgerald
2ND ASSISTANT TREASURER
Angelia Franco
TICKET SELLER
Noricel Fulay Cole
TICKET SELLER
Carla Galvez
2ND ASSISTANT TREASURER
Chris Harmony
TICKET SELLER
Kim Havens
TICKET SELLER
Russell Healey
1ST ASSISTANT TREASURER
Liliana Hernandez
2ND ASSISTANT TREASURER
Lillian Herrera
1ST ASSISTANT TREASURER
Jason Horst
2ND ASSISTANT TREASURER
Tomorrow Kitchen
2ND ASSISTANT TREASURER
Richard Martinez
2ND ASSISTANT TREASURER
Yasmine Melendez
TICKET SELLER
Kishisa Ross
TREASURER
Steve Sims
1ST ASSISTANT TREASURER
Fabio Tassone
1ST ASSISTANT TREASURER
Jose Villasenor
TICKET SELLER
William Walton
TICKET SELLER
Mark Wilson
TICKET SELLER
FINANCE
Jyoti Aaron
CONTROLLER
Adriana Aguilar
PAYROLL ADMINISTRATOR
Steven Cao
ACCOUNTING MANAGER
Katherine Franklin
VENUE ACCOUNTING SUPERVISOR
Lisa Hernandez
ACCOUNTS PAYABLE MANAGER
LaTonya Lindsey
ACCOUNTS PAYABLE COORDINATOR
Debbie Marcelo
FINANCIAL PLANNING MANAGER
Wade Mueller
PAYROLL MANAGER
Kristine Nichols PAYROLL COORDINATOR
Yuri Park
FINANCIAL PLANNING ANALYST
Nina Phay PAYROLL ADMINISTRATOR
Lisa Renteria
ACCOUNTS PAYABLE SPECIALIST
Sierra Shultz STAFF ACCOUNTANT
HOLLYWOOD BOWL SUMMER STAFF
Joel Argueta
CUSTODIAL MANAGER
Frank Ayala
BOWL SECURITY
Edwin Bonilla
FACILITIES SERVICE MANAGER
Oswaldo Camarena
LOT MANAGER
Jairo Flores
LOT MANAGER
Tamir Gilboa
VALET PARKING MANAGER
Emilia House
HOUSE MANAGER
Judy Lim
LOT MANAGER
Kelsey Reeder
HOUSE MANAGER
Ruben Reyes
ASSOCIATE HOUSE MANAGER
Hai Tran
LOT MANAGER
Thao Tran LOT MANAGER
Fred Vogler
SOUND DESIGNER
HOLLYWOOD BOWL & THE FORD
Steve Arredondo TRANSIT MANAGER
Dreima Flores OPERATIONS ADMINISTRATOR
Charee Heard
EVENT MANAGER
Gabriella Isabel Hernandez COORDINATOR, THE FORD
Norm Kinard
PARKING & TRAFFIC MANAGER
Mark Ladd DIRECTOR, OPERATIONS/ HOLLYWOOD BOWL
Gina Leoni OPERATIONS MANAGER, THE FORD
Megan Ly-Lim OPERATIONS COORDINATOR, HOLLYWOOD BOWL
Tom Waldron OPERATIONS MANAGER, HOLLYWOOD BOWL
HUMAN RESOURCES
Amber Blanco
HR BUSINESS PARTNER
Monica Ly HR REPRESENTATIVE
Melissa Magdaleno HR COORDINATOR
Bryan Namba
HR BUSINESS PARTNER
Frank Patano
HR MANAGER
LEARNING
Camille Delaney-McNeil DIRECTOR, YOLA & BECKMEN
YOLA CENTER
Fabian Fuertes SENIOR MANAGER, YOLA
Julie Hernandez FACILITIES MANAGER, BECKMEN YOLA CENTER
Lorenzo Johnson PROGRAM MANAGER, YOLA AT INGLEWOOD
Mariam Kaddoura MANAGER, LEARNING
Sarah Little ASSOCIATE DIRECTOR, LEARNING
Diana Melgar ASSISTANT MANAGER, YOLA
Michael Salas MANAGER, YOLA NATIONAL
Gaudy Sanchez YOLA ARTISTIC ADMINISTRATOR
MARKETING & COMMUNICATIONS
Micaela Accardi-Krown MANAGER, SOCIAL MEDIA
Mary Allen
SENIOR MANAGER, SOCIAL MEDIA
Lushia Anson MARKETING & COMMUNICATIONS OPERATIONS MANAGER
Scott Arenstein
SENIOR DIRECTOR, BRAND
Janice Bartczak DIRECTOR, RETAIL SERVICES
Lisa Burlingham
SENIOR DIRECTOR, MARKETING & PARTNERSHIPS
Charles Carroll MANAGER, MARKETING COMMUNICATIONS
Joe Carter
SENIOR DIRECTOR, SALES AND CUSTOMER EXPERIENCE
Elias Feghali
ASSOCIATE DIRECTOR, AUDIENCE STRATEGIES & ANALYTICS
Justin Foo
ASSOCIATE DIRECTOR, SALES & CUSTOMER ENGAGEMENT
Caila Gale DIGITAL PRODUCER
Tara Gardner
MANAGER, DIGITAL MARKETING
Karin Haule
GRAPHIC DESIGNER
Annisha Hinkle
SENIOR MANAGER, PROMOTIONS & PARTNERSHIPS
Jennifer Hofner ASSOCIATE DIRECTOR, ADVERTISING
Sophie Jeferies
DIRECTOR, PUBLIC RELATIONS
Alexis Kaneshiro
SENIOR GRAPHIC DESIGNER
Jordan Kaufman
MANAGER, AUDIENCE GROWTH & ENGAGEMENT
Jediah McCourt
MANAGER, CORPORATE PARTNERSHIPS
Ino Mercado
RETAIL MANAGER, MERCHANDISING
Ricky O’Bannon
DIRECTOR, CONTENT
Erin Puckett
MARKETING COORDINATOR, PROMOTIONS & PARTNERSHIPS
Andrew Radden DIRECTOR, CORPORATE PARTNERSHIPS
Anna Ress
SENIOR DIRECTOR, COMMUNICATIONS
Sadie Sartini Garner
CREATIVE COPYWRITER
Mary Smudde
ASSOCIATE CREATIVE DIRECTOR
Natalie Suarez
SENIOR CREATIVE DIRECTOR
Kahler Suzuki
VIDEO PRODUCER
Jonathan Thomas
MARKETING DATABASE SPECIALIST
Holly Wallace
PUBLICIST
Lauren Winn
SENIOR PROJECT MANAGER, CREATIVE SERVICES
ORCHESTRA
MANAGEMENT & MEDIA INITIATIVES
Shana Bey
DIRECTOR, ORCHESTRA
MANAGEMENT
Kristie Chan
DIRECTOR, ORCHESTRA
PERSONNEL
Jessica Farber
ASSOCIATE DIRECTOR, MEDIA INITIATIVES
Raymond Horwitz
PROJECT MANAGER, MEDIA INITIATIVES
Maren Slaughter
MANAGER, ORCHESTRA
PERSONNEL
PRODUCTION
Alex Grossman
PRODUCTION MANAGER
Tina Kane
SCHEDULING MANAGER
Taylor Lockwood
PRODUCTION MANAGER
Kimberly Mitchell
PRODUCTION MANAGER
Christopher Slaughter
PRODUCTION MANAGER
Michael Vitale
DIRECTOR, PRODUCTION
Kelvin Vu
TECHNICAL DIRECTOR
Bill Williams
PRODUCTION ADMINISTRATOR
PHILANTHROPY
Robert Albini
DIRECTOR, MAJOR GIFTS
Joshua Alvarenga
SENIOR MAJOR GIFTS OFFICER
Nancy Baxter
DIRECTOR OF GIFT PLANNING
Taylor Burrows
SENIOR COORDINATOR, GIFT PLANNING
Julia Cole
DIRECTOR, INSTITUTIONAL GIVING
Joel Fernandez
SENIOR RESEARCH ANALYST
Elan Fields
GIFT & DATA SPECIALIST
Clara Fuhrman
SENIOR COORDINATOR, MAJOR GIFTS
Freyja Glover
ASSISTANT MANAGER, ANNUAL FUND
Genevieve Goetz
GIFT PLANNING OFFICER
Angelina Grego
SENIOR COORDINATOR OF AFFILIATES/ANNUAL FUND
Gerry Heise
SENIOR MAJOR GIFTS OFFICER
Ashley Helm
ASSISTANT MANAGER, SPECIAL EVENTS
Crystal K. Jones ASSOCIATE DIRECTOR, MAJOR GIFTS
Julian Kehs
MANAGER, INSTITUTIONAL GIVING
Emily Lair
MAJOR GIFTS OFFICER
Christina Magaña
DONOR RELATIONS ASSOCIATE
Allison Mitchell DIRECTOR, BOARD RELATIONS
Gisela Morales
MAJOR GIFTS OFFICER
Ryan Murphy
ASSISTANT MANAGER, SPECIAL EVENTS
Sophie Nelson
DONOR RELATIONS ASSISTANT
Ragan Reviere DIRECTOR/PRODUCER, SPECIAL EVENTS
Carina Sanchez
SENIOR MANAGER, RESEARCH & PROSPECT DEVELOPMENT
Dustin Seo
ASSISTANT MANAGER, ANNUAL FUND
Erica Sitko DIRECTOR, STEWARDSHIP & PRINCIPAL GIFT STRATEGY
Peter Szumlas
ASSOCIATE DIRECTOR, PHILANTHROPY OPERATIONS
Tyler Teich
SENIOR GIFT AND DATA SPECIALIST
Derek Traub MANAGER, PHILANTHROPY COMMUNICATIONS
Kevin Tsao ANNUAL GIVING OFFICER
Morgan Walton ASSOCIATE DIRECTOR, SPECIAL EVENTS AND AFFILIATES
Richard T. Watkins
ASSOCIATE DIRECTOR, PHILANTHROPY
IATSE LOCAL 33
Kevin Brown MASTER CARPENTER
Eduardo Hernandez
CARPENTER
Andy Kassan
MASTER ELECTRICIAN
Jesse Kolouch
PROPERTYMAN
Robert Naughton
PROJECTION
Donald Quick
MASTER PROPERTYMAN
Michael Sheppard
MASTER SOUNDMAN
Kevin Wapner
ASSISTANT MASTER SOUNDMAN
Andrew Webberley
ASSISTANT MASTER ELECTRICIAN
and Ticket Sellers.
23 24 SEASON
AT AMBASSADOR AUDITORIUM
TCHAIKOVSKY 4
OCTOBER 21, 2023
BRETT MITCHELL, conductor
DIANA ADAMYAN, violin
MASON BATES Garages of the Valley
MENDELSSOHN Violin Concerto
TCHAIKOVSKY Symphony No. 4
RHAPSODY ON A THEME OF PAGANINI
NOVEMBER 18, 2023
WARD STARE, conductor
NATASHA PAREMSKI, piano
PATRICK HARLIN Earthrise
RACHMANINOFF Rhapsody on a Theme of Paganini ELGAR Enigma Variations
BEETHOVEN EMPEROR
JANUARY 27, 2024
KENSHO WATANABE, conductor
GEORGE LI, piano
JESSICA HUNT Climb
KODÁLY Dances of Galánta BEETHOVEN Piano Concerto No. 5 “Emperor”
TCHAIKOVSKY
PIANO CONCERTO NO. 1
FEBRUARY 17, 2024
KYLE DICKSON, conductor
WYNONA WANG, piano
JESSIE MONTGOMERY Strum
TCHAIKOVSKY Piano Concerto No. 1
SIBELIUS Symphony No. 2
BEETHOVEN VIOLIN CONCERTO
MARCH 23, 2024
FRANÇOIS LÓPEZ-FERRER, conductor
FRANCISCO FULLANA, violin
SHAWN OKPEBHOLO Kutimbua Kivumbi (Stomp the Dust!)
BEETHOVEN Violin Concerto STRAVINSKY The Firebird Suite
VIVALDI FOUR SEASONS
APRIL 20, 2024
LINHAN CUI, conductor
CHARLOTTE MARCKX, violin
SI-ANG CHEN Adagio
BACH Brandenburg Concerto No. 3
PUCCINI Crisantemi
VIVALDI Four Seasons
Clasica Music’s Greaet Hits
TICKETS START AT $35! 626.793.7172 | PASADENASYMPHONY-POPS.ORG
Out of This NEARBY
OPENING NIGHT
September 30
GRAHAM100
The First and the Future American Legacies
Martha Graham Dance Company Lila Downs Anoushka Shankar David Finckel & Wu Han Vadym KholodenkoSavion Glover Rhiannon Giddens MidoriSEPTEMBER
Sat Sep 30 | 8pm
Graham100
The First and the Future
American Legacies
OCTOBER
Wed Oct 4 | 8pm
David Finckel and Wu Han
ONSTAGE SESSIONS
Sat Oct 7 | 8pm
Savion Glover
NOVEMBER
Thu Nov 2 | 8pm
Joshua Henry’s GET UP, STAND UP!
Sat Nov 4 | 8pm
The Colburn Orchestra
ESA-PEKKA SALONEN Conducts Shostakovich and Brahms
Thu Nov 9 | 8pm
Midori and Festival Strings Lucerne
DANIEL DODDS, Leader and Artistic Director
Beethoven and Schumann
SoUNDz’ SaCRoSaNcT
Tribute to Gregory Hines and The Hoofers
Sat Oct 14 | 8pm
Lila Downs
Sun Nov 12 | 7pm
AMERICAN RAILROAD
Silkroad Ensemble with Rhiannon Giddens
Dos Corazones | Día de Muertos
Wed Oct 18 | 8pm
Vadym Kholodenko
In Recital | ONSTAGE SESSIONS
Sun Oct 22 | 7pm
Anoushka Shankar Quintet
Aparna Ramaswamy’s Ananta, The Eternal
Sat Oct 28 | 8pm Sun Oct 29 | 3pm
Sat Nov 18 | 3pm Sat Nov 18 | 8pm
Disney In Concert
The Sound of Magic
Celebrating 100 Years of the Walt Disney Company Live in Concert
Thu Nov 30 | 8pm
Los Angeles Chamber Orchestra
Bach’s Brandenburg Concerti
TURN IT OUT with Tiler Peck & Friends
Tiler Peck Esa-Pekka Salonen Joshua Henry Disney’s FantasiaTHE FIRST YEARS OF MUSIC: 7-LP VINYL BOX SET
In its first century, the Hollywood Bowl hosted legendary performances from some of the biggest names in music history. The Los Angeles Philharmonic has called the Bowl home for decades and has made a tradition of presenting unparalleled artistry in a gorgeous setting.
Frank Sinatra caused a sensation when he became the first pop musician to sing with an orchestra on the Bowl stage. Rock artists brought the counterculture into one of LA’s most esteemed venues. Annual musicals, starstudded specials, titans of jazz—if it’s soul-stirring or foot-tapping, it’s happened at the Bowl.
And now, you can bring the Bowl’s history home with the Hollywood Bowl 100 vinyl box set. Beautifully designed to reflect the diversity of sounds that have made the Bowl one of LA’s richest cultural institutions, the set comprises seven LPs of recordings made live on the Bowl
stage—including some from as far back as 1928. The set captures the sonic heritage of the Bowl’s first century, with performances by everyone from the LA Phil—led by conductors including Eugene Goossens, Igor Stravinsky, Zubin Mehta, and Gustavo Dudamel—to The Doors to Audra McDonald, with frequent stops between. Order your copy now, available exclusively at the LA Phil Stores at the Bowl and Walt Disney Concert Hall, and online at laphilstore.com, and get ready to relive some of the greatest moments of the Hollywood Bowl’s first 100 years. Each purchase includes a limitededition tote bag.
For a complete track list, product images, and listening samples, please visit hollywoodbowl.com/vinyl.
CITY OF LOS ANGELES
Karen Bass Mayor
Hydee Feldstein Soto
City Attorney
Kenneth Mejia Controller
CITY COUNCIL
Bob Blumenfield
Kevin de León
Marqueece Harris-Dawson
Eunisses Hernandez
Heather Hutt
Paul Krekorian President
John S. Lee
Tim McOsker
Traci Park
Curren D. Price, Jr.
Nithya Raman
Monica Rodriguez
Hugo Soto-Martinez
Katy Young Yaroslavsky
DEPARTMENT OF CULTURAL AFFAIRS
Daniel Tarica General Manager
CULTURAL AFFAIRS
COMMISSION
Thien Ho President
Evonne Gallardo Vice President
Ray Jimenez
Asantewa Olatunji
Eric Paquette
Cathy Unger
Robert Vinson
WALT DISNEY CONCERT
HALL HOUSE STAFF
Sergio Quintanar
Master Carpenter
Marcus Conroy
Master Electrician
Kevin F. Wapner
Master Audio/Video
Greg Flusty House Manager
The stage crew is represented by the International Alliance of Theatrical Stage Employees and Moving Picture Machine Operators of the United States and Canada, Local No. 33.
LOS ANGELES COUNTY BOARD OF SUPERVISORS
BOARD OF SUPERVISORS
Hilda L. Solis
Holly J. Mitchell
Lindsey P. Horvath
Janice K. Hahn Chair
Kathryn Barger
DEPARTMENT OF ARTS AND CULTURE
Kristin Sakoda Director
COUNTY ARTS COMMISSION
Liane Weintraub President
The mission of the Los Angeles County Department of Arts and Culture is to advance arts, culture, and creativity throughout LA County. We provide leadership, services, and support in areas including grants and technical assistance for nonprofit organizations, countywide arts education initiatives, commissioning and care for civic art collections, research and evaluation, access to creative pathways, professional development, free community programs, and cross-sector creative strategies that address civic issues. All of this work is framed by our longstanding commitment to fostering access to the arts and by the County’s Cultural Equity and Inclusion Initiative.
The Los Angeles County Arts Commission supports and advocates for the mission, vision, and values of the Los Angeles County Department of Arts and Culture. The Commission is an advisory group to the Board of Supervisors, with three appointees for each District.
The Los Angeles Philharmonic Association’s programs are made possible, in part, by generous grants from the Los Angeles County Board of Supervisors through the Los Angeles County Arts Commission, from the City of Los Angeles Department of Cultural Afairs, and from the National Endowment for the Arts.
Leticia Buckley
Vice President
Patrisse Cullors Secretary
Madeline Di Nonno
Executive Committee
Eric R. Eisenberg
Immediate Past President
Pamela Bright-Moon
Diana Diaz
Sandra Hahn
Helen Hernandez
Constance Jolcuvar
Alis Clausen Odenthal
Anita Ortiz
Jennifer Price-Letscher
Randi Tahara
Rosalind Wyman
FALL/WINTER SEASON
All Tickets Now On Sale Starting At Only $10!
THEWALLIS.ORG
L.A.’S CULTURAL DESTINATION
ENDOWMENT DONORS
We are honored to recognize our endowment donors, whose generosity ensures the long-term health of our organization. The following list represents cumulative contributions to the Los Angeles Philharmonic Endowment Fund as of March 31, 2023.
$25,000,000 AND ABOVE
Walt and Lilly Disney Foundation
Cecilia and Dudley Rauch
$20,000,000 TO $24,999,999
David Bohnett Foundation
$10,000,000 TO $19,000,000
The Annenberg Foundation
Colburn Foundation
$5,000,000 TO $9,999,999
Anonymous
Dunard Fund USA
Lenore S. and Bernard A.
Greenberg Fund
Carol Colburn Grigor
Terri and Jerry M. Kohl
Los Angeles
Philharmonic Afliates
Diane and Ron Miller
Charitable Fund
M. David and Diane Paul
Ann and Robert Ronus
Ronus Foundation
John and Samantha Williams
$2,500,000 TO $4,999,999
Peggy Bergmann
YOLA Endowment Fund in Memory of
Lenore Bergmann and John Elmer
Bergmann
Lynn Booth/Otis Booth Foundation
Elaine and
Bram Goldsmith
Norman and Sadie Lee Foundation
Karl H. Loring
Alfred E. Mann
Elise Mudd
Marvin Trust
Barbara and Jay Rasulo
Flora L. Thornton
$1,000,000
TO $2,499,999
Linda and Robert Attiyeh
Judith and Thomas Beckmen
Gordon Binder and Adele Haggarty
Helen and Peter Bing
William H. Brady, III
Linda and Maynard Brittan
Richard and Norma Camp
Mr. and Mrs. Michael J. Connell
Mark Houston
Dalzell and James
Dao-Dalzell
Mari L. Danihel
Nancy and Donald de Brier
The Rafael & Luisa
de MarchenaHuyke Foundation
The Walt Disney Company
Fairchild-Martindale
Foundation
Eris and Larry Field
Reese and Doris Gothie
Joan and John Hotchkis
Janeway Foundation
Bernice and Wendell Jefrey
Carrie and Stuart Ketchum
Kenneth N. and Doreen R. Klee
B. Allen and Dorothy Lay
Los Angeles
Philharmonic Committee
Estate of Judith Lynne
MaddocksBrown Foundation
Ginny Mancini
Raulee Marcus
Barbara and Buzz McCoy
Merle and Peter Mullin
William and Carolyn Powers
H. Russell Smith Foundation
Deanie and Jay Stein
Ronald and Valerie Sugar
I.H. Sutnick
$500,000
TO $999,999
Ann and Martin Albert
Abbott Brown
Mr. George L. Cassat
Kathleen and Jerrold
L. Eberhardt
Valerie Franklin
Yvonne and Gordon Hessler
Ernest Mauk and Doyce Nunis
Mr. and Mrs. David Meline
Sandy and Barry D. Pressman
Earl and Victoria Pushee
William and Sally Rutter
Nancy and Barry Sanders
Richard and Bradley Seeley
Christian Stracke
Donna Swayze
Lee and Hope
Landis Warner
YOLA Student Fund
Edna Weiss
$250,000 TO $499,999
Mr. Gregory A. Adams
Baker Family Trust
Veronica and Robert Egelston
Gordon Family Foundation
Ms. Kay Harland
Joan Green Harris Trust
Bud and Barbara Hellman
Gerald L. Katell
Norma Kayser
Joyce and Kent Kresa
Raymond Lieberman
Mr. Kevin MacCarthy and Ms. Lauren Lexton
Alfred E Mann
Family Foundation
Jane and Marc B. Nathanson
Y & S Nazarian
Family Foundation
Nancy and Sidney Petersen
Rice Family Foundation
Robert Robinson
Katharine and Thomas Stoever
Sue Tsao
Alyce and Warren Williamson
$100,000
TO $249,999
Mr. Robert J. Abernethy
William A. Allison
Rachel and Lee Ault
W. Lee Bailey, M.D.
Angela Bardowell
Deborah Borda
The Eli and Edythe
Broad Foundation
Jane Carruthers
Pei-yuan Chia and Katherine Shen
James and Paula Coburn Foundation
The Geraldine P. Coombs Trust in memory of Gerie
P. Coombs
Mr. and Mrs. Terry Cox
Silvia and Kevin Dretzka
Allan and Diane Eisenman
Christine and Daniel Ewell
Arnold Gilberg, M.D., Ph.D.
David and Paige Glickman
Nicholas T. Goldsborough
Gonda Family Foundation
Margaret Grauman
Kathryn Kert Green and Mark Green
Joan and John F. Hotchkis
Freya and Mark Ivener
Ruth Jacobson
Stephen A. Kanter, M.D.
Jo Ann and Charles Kaplan
Yates Keir
Susanne and Paul Kester
Vicki King
Sylvia Kunin
Ann and Edward Leibon
Ellen and Mark Lipson
B. and Lonis Liverman
Glenn Miya and Steven Llanusa
Ms. Gloria Lothrop
Vicki and Kerry McCluggage
David and Margaret Mgrublian
Diane and Leon Morton
Mary Pickford Foundation
Sally and Frank Raab
Mr. David Sanders
Malcolm Schneer and Cathy Liu
David and Linda
Shaheen Foundation
William E.B. and Laura K. Siart
Magda and Frederick
R. Waingrow
Wasserman Foundation
Robert Wood
Syham Yohanna and James W. Manns
$25,000
TO $99,999
Marie Baier Foundation
Dr. Richard Bardowell, M.D.
Jacqueline Briskin
Dona Burrell
Ying Cai & Wann
S. Lee Foundation
Ann and Tony Cannon
Dee and Robert E. Cody
The Colburn Fund
Margaret Sheehy Collins
Mr. Allen Don Cornelsen
Ginny and John Cushman
Marilyn J. Dale
Mrs. Barbara A. Davis
Dr. and Mrs. Roger DeBard
Jennifer and Royce Diener
Jane B. and Michael D. Eisner
The Englekirk Family
Claudia and Mark Foster
Lillian and Stephen Frank
Dr. Suzanne Gemmell
Paul and Florence Glaser
Good Works Foundation
Anne Heineman
Ann and Jean Horton
Drs. Judith and Herbert Hyman
Albert E. and Nancy C. Jenkins
Robert Jesberg and Michael J. Carmody
Ms. Ann L. Kligman
Sandra Krause and William Fitzgerald
Michael and Emily Laskin
Sarah and Ira R. Manson
Carole McCormac
Meitus Marital Trust
Sharyl and Rafael Mendez, M.D.
John Millard
National Endowment for the Arts
Alfred and Arlene Noreen
Occidental Petroleum Corporation
Dr. M. Lee Pearce
Lois Rosen
Anne and James Rothenberg
Donald Tracy Rumford
Family Trust
The SahanDaywi Foundation
Mrs. Nancie
Schneider
William and Luiginia Sheridan
Virginia Skinner
Living Trust
Nancy and Richard Spelke
Mary H. Statham
Ms. Fran H. Tuchman
Tom and Janet Unterman
Rhio H. Weir
Mrs. Joseph F. Westheimer
Jean Willingham
Winnick Family Foundation
Cheryl and Peter Ziegler
Lynn and Roger Zino
LA PHIL MUSICIANS
Anonymous
Kenneth Bonebrake
Nancy and Martin Chalifour
Brian Drake
Perry Dreiman
Barry Gold
Christopher Hanulik
John Hayhurst
Jory and Selina Herman
Ingrid Hutman
Andrew Lowy
Gloria Lum
Joanne Pearce Martin
Kazue Asawa
McGregor
Oscar and Diane Meza
Mitchell Newman
Peter Rofé
Meredith Snow and Mark Zimoski
Barry Socher
Paul Stein
Leticia Oaks Strong
Lyndon and Beth Johnston Taylor
Dennis Trembly
Allison and Jim Wilt
Suli Xue
We extend our heartfelt appreciation to the many donors who have contributed to the LA Phil Endowment with contributions below $25,000, whose names are too numerous to list due to space considerations. If your name has been misspelled or omitted from this list in error, please contact the Philanthropy Department at contributions@laphil.org. Thank you.
Valrhona Chocolate
Produced in France since 1922, Valrhona is committed to creating unique, artisan-quality chocolates with complex and balanced flavors. At Pavilions, our in-store chocolatier expertly tempers only Valrhona chocolate to create your favorite indulgences, including hand-rolled truffles, bon-bons and hand-dipped fruit and cookies.
Celebrating California Wine Month
We now carry over 2,200 wines, including 500 new imported wines, 100 new rosés, expanded premiums 1.5’s (magnums) and 375 ml. wines. We also carry 700 spirits, 100 craft and local spirits, plus expanded local and craft beers.
CORPORATE PARTNERS
The Los Angeles Philharmonic Association is honored to recognize our corporate partners, whose generosity supports the LA Phil’s mission of bringing music in its varied forms to audiences at Walt Disney Concert Hall, the Hollywood Bowl, and The Ford. To learn more about becoming a partner, email jmccourt@laphil.org.
ANNUAL GIVING
From the concerts that take place onstage at Walt Disney Concert Hall, Hollywood Bowl, and The Ford to the learning programs that fill our community with music, it is the consistent support of Annual Donors that sustains and propels our work. We hope you, too, will consider joining the LA Phil family. Your contribution will enable the LA Phil to build on a long history of artistic excellence and civic engagement. Through your patronage, you become a part of the music— sharing in its power to uplift, unite, and transform the lives of its listeners. Your participation, at any level, is critical to our success.
FRIENDS OF THE LA PHIL
Friends and Patrons of the LA Phil share a deep love of music and are committed to ensuring that great musical performance thrives in Los Angeles. As a Friend or Patron, you will be supporting the LA Phil’s critically acclaimed artistic programs at Walt Disney Concert Hall, the Hollywood Bowl, and The Ford, as well as groundbreaking learning initiatives such as YOLA, which provides free afterschool music instruction to children in culturally vibrant and ethnically diverse communities across LA County. Let your passion be your guide, and join us as a member of the Friends and Patrons of the LA Phil. For more information, please call 213 972 7557.
PHILHARMONIC COUNCIL
Winnie Kho and Chris Testa, Co-Chairs Christian and Tifany Chivaroli, Co-Chairs
PARTNER
The Philharmonic Council is a vital leadership group whose members provide critical resources in support of the LA Phil’s general operations. Their vision and generosity enable the LA Phil to recruit the best musicians, invest in groundbreaking learning initiatives, and stage innovative artistic programs, heralded worldwide for the quality of their artistry and imagination. We invite you to consider joining the Philharmonic Council as a major donor. For more information, please call 213 972 7209 or email patrons@laphil.org.
MOZART UNDER THE STARS
TUESDAY
SEPTEMBER 5, 2023 8PM
Los Angeles Philharmonic Nicholas McGegan, conductor
Bomsori Kim, violin
MOZART
Overture to Don Giovanni, K. 527 (c. 6 minutes)
MOZART Violin Concerto No. 5 (“Turkish”) in A major, K. 219 (c. 31 minutes)
Allegro aperto
Adagio
Rondo: Tempo di menuetto Bomsori Kim
INTERMISSION
MOZART Sy mphony No. 38 (“Prague”) in D major, K. 504 (c. 23 minutes)
Adagio—Allegro Andante Presto
Programs and artists subject to change.
OVERTURE TO DON GIOVANNI Wolfgang Amadeus Mozart (1756–1791)
The plot of Don Giovanni adapted by Mozart and his librettist Lorenzo Da Ponte was already centuries old in 1786; its elements—a ghostly statue and an unrepentant libertine—were even older. The opera is animated by the dramatic tension between comedy and tragedy: where they are opposed, where they overlap, and where it is impossible to distinguish between them. Mozart makes full use of this tension in the overture, which, in a departure from the standard practice of the day, plays a dramatic function.
Opening D-minor chords immediately set the tone and, indeed, will announce the appearance of the vengeful statue in the opera’s finale. Thus, even as the ominous beginning gives way to a more conventional sonata form, the listener’s consciousness has already been formed, and the subsequent vivacious themes acquire added depth and texture. —Susan Key
VIOLIN CONCERTO NO. 5 (“TURKISH”) IN A MAJOR, K. 219
Wolfgang Amadeus Mozart
Mozart’s Fifth Violin Concerto presents dramatic proof of the kind of advancement the composer made in this genre in a matter of months. It is an expansive composition with a solo part more virtuosic than the others and a design that is highly imaginative. To substantiate the latter, one need only mention the violin’s slow, dreamy entry in the first movement after the orchestra’s expansive, alternately buoyant and tender opening and, in the last movement, the quasiexotic minor-key episode that has given the Concerto its nickname—the “Turkish.”
The Concerto’s splendors are hardly confined to these two events, distinctive though they are. For example, the orchestra’s first measures do not detail the movement’s main theme but rather,
the accompaniment to the main theme, as it is at last presented by the violin after its rhapsodic entry on the scene. Here is an imaginative approach such as only a supremely confident youth would take. Confident too are the minor-key excursions Mozart takes in this movement. The Concerto’s slow movement is off of that Mozartean vine on which blossomed lyricism of the most insinuatingly tender and ultimately poignant kind. And the finale is blessed with all manner of rondo niceties, only one of which is that extended Turkish section that supplies brilliance, surprise, and humor to an already splendid structure consisting of minuet grace (main theme), whimsy (the figure that trips by way of grace notes up the clef on several occasions, including the Concerto’s blithe ending), and Hungarian flavor (the minor-key third theme).
—Orrin HowardSYMPHONY NO. 38 “PRAGUE” IN D MAJOR, K. 504
Wolfgang Amadeus MozartMozart was all the rage in Prague at the end of 1786. His latest opera, The Marriage of Figaro, had thrilled music lovers there and won rave reviews. Rumors began to circulate that Mozart himself would come to the city to give concerts and maybe even lead a performance of his hit opera. He did both in a visit that was among the most satisfying and successful of his career.
Mozart traveled to Prague in style, with a retinue that included his wife, Constanze, several fellow musicians, a servant, and even his dog Gauckerl. The Mozarts stayed in the palace of Count Franz Joseph Thun, a patron whose relationship with the composer dated back to his Salzburg days. (It was for a concert at Thun’s other palace, in Linz, that Mozart had composed his Symphony No. 36.) Mozart et al. enjoyed sumptuous meals, extravagant musical entertainments, and lavish balls and parties.
The visit culminated in two public appearances by Mozart, leading a concert at the National Theater on January 19, 1787, and a performance of Figaro there three days later. Mozart’s early biographer Franz Niemetschek remembered the concert, which he had attended: “We did not, in fact, know what to admire most, whether the extraordinary compositions or his extraordinary playing; together they made such an overwhelming impression on us that we felt we had been bewitched.” One of those extraordinary compositions was the “Prague” Symphony, which was receiving its first performance. Mozart had brought the symphony with him from Vienna—the manuscript is dated December 6, 1786 —and it reflects his symphonic style at its most sophisticated. He had composed a full-blown, four-movement symphony three years earlier—the aforementioned “Linz”—but this time around, he omitted the minuet, which actually
strengthens the symphony’s dramatic argument. The extra musical heft is almost immediately apparent, with the abrupt move into the minor mode during the symphony’s slow introduction. The ensuing allegro is one of the most complex Mozart ever wrote—unusually, sketches survive showing him working through possible thematic combinations. The andante, whose sonata-form layout is another example of the symphony’s sophistication, contrasts its inward, lyrical first theme with tenser material prefaced by a series of woodwind chords. The finale covers a remarkable emotional spectrum, something readily apparent in its opening moments, as Mozart calls the celebratory atmosphere into question with a purple patch for winds alone that develops into something almost violent. It is music where darkness lurks just beneath the light, where equivocation calls every seemingly joyous outburst into question. —John
MangumNICHOLAS M cGEGAN
In his sixth decade on the podium, Nic McGegan is recognized for his probing and revelatory explorations of music of all periods. Following a 34year tenure as Music Director of Philharmonia Baroque Orchestra and Chorale, he is now Music Director Laureate. He is also Principal Guest Conductor of Hungary’s Capella Savaria. At home in opera houses, McGegan shone new light on close to 20 Handel operas as the Artistic Director and conductor at Germany’s Göttingen Handel Festival for 20 years (1991–2011) and the Mozart canon as Principal Guest Conductor at Scottish Opera in the 1990s.
Highlights of his 2022/23 guest bookings in North America include his return to the Hollywood Bowl and the Philharmonia Baroque Orchestra, the St. Louis Symphony Orchestra performing the Mendelssohn Walpurgisnacht (in English) and selections from Beethoven’s Egmont. In Europe, he appears with the Aalborg Symphony Orchestra, the Royal Scottish National Orchestra, and the Royal Northern Sinfonia in a program that brings together Bach’s Magnificat in D major and Caroline Shaw’s Is a Rose, performed
by singers from the Samling Institute for Young Artists. McGegan’s prolific discography includes more than 100 releases spanning five decades. Having recorded over 50 albums of Handel, McGegan has explored the depths of the composer’s output with a dozen oratorios and close to 20 of his operas. His extensive discography with Philharmonia Baroque includes two Grammy nominees, Handel’s Susanna and Haydn’s Symphonies Nos. 104, 88, and 101. McGegan’s recent disc of Mozart violin concertos
with Gil Shaham (SWR Music) was released to great acclaim. English-born, Nic McGegan was educated at Cambridge and Oxford. He was made an Officer of the Most Excellent Order of the British Empire (OBE) “for services to music overseas.” Other awards include the Halle Handel Prize, the Order of Merit of the State of Lower Saxony (Germany), the Medal of Honor of the City of Göttingen, and a declaration of Nicholas McGegan Day by the mayor of San Francisco in recognition of his work with Philharmonia.
BOMSORI KIM
Violinist Bomsori Kim signed an exclusive contract with the Deutsche Grammophon label in Berlin in February 2021.
Highlights of her 2022/23 season include appearances with the New York Philharmonic and Jaap van Zweden, a tour with the Rotterdam Philharmonic Orchestra and Lahav Shani, concerts with the Royal Philharmonic Orchestra and Vasily Petrenko, with the BBC National Orchestra of Wales and Ryan Bancroft, and debuts with the Barcelona Symphony Orchestra and the Gulbenkian Orchestra. Bomsori returns to the Danish National Symphony with Fabio Luisi and to the San Francisco Symphony with a recital. She performs in Germany with the Basel Chamber Orchestra in Stuttgart and Freiburg, with the Bavarian Radio Chamber Orchestra in Munich, and in recital in Baden-Baden.
Bomsori made her BBC Proms debut in July with the BBC
Philharmonic and Anja Bihlmaier, performing Bruch’s Violin Concerto No. 1. She makes her Hollywood Bowl debut performing Mozart’s Violin Concerto No. 5 with the Los Angeles Philharmonic. Bomsori has also had the privilege of performing under the direction of conductors including Marin Alsop, Pablo Heras-Casado, Hannu Lintu, Sakari Oramo, John Storgårds, Andrey Boreyko, and Giancarlo Guerrero, and has appeared with leading orchestras such as New York Philharmonic, Symphonieorchester des Bayerischen Rundfunks, Moscow Symphony Orchestra, Montreal Symphony Orchestra, Belgian National Orchestra, Warsaw National Philharmonic Orchestra, NDR Radiophilharmonie Hannover, Finnish Radio Symphony Orchestra, Helsinki Philharmonic Orchestra, Camerata Salzburg, Munich Chamber Orchestra, and Basel Chamber Orchestra. Bomsori has appeared at venues worldwide, such as Musikverein Golden Hall in Vienna, Tchaikovsky Hall in Moscow, Philharmonic
Hall in Saint Petersburg, Finlandia Hall in Helsinki, the Herkulessaal and the Prinzregententheater in Munich, the Berlin Philharmonic, the Rudolfinum and Smetana Hall in Prague, and Carnegie Hall and Lincoln Center in New York.
In addition to winning the 62nd ARD International Music Competition, Bomsori is a prize winner of the Tchaikovsky International Competition, Queen Elisabeth Competition, International Jean Sibelius Violin Competition, Joseph Joachim International Violin Competition Hannover, Montreal International Musical Competition, Sendai International Music Competition, and the 15th International Henryk Wieniawski Violin Competition. Bomsori received the 2018 Young Artist Award from the Korean Ministry of Culture, Sports, and Tourism, and the Korean Music Association’s 2019 Young Artist Award.
In June 2021, Bomsori released her first Deutsche Grammophon solo album, Violin on Stage, with NFM Wrocław Philharmonic and Giancarlo Guerrero. A duet album with pianist Rafał Blechacz, featuring works by Fauré, Debussy, Szymanowski, and Chopin, came out in February 2019 and won the Fryderyk Music Award for “Best Polish Album Abroad.”
Born in South Korea, Bomsori received a bachelor’s degree at Seoul National University, where she studied with Young Uck Kim. She also earned her Master of Music degree and Artist Diploma at the Juilliard School, where she studied with Sylvia Rosenberg and Ronald Copes.
She performs on the Guarnerius del Gesù violin “ex-Moller” (Cremona, 1725), on extended loan through the generous efforts of the Samsung Foundation of Culture of Korea and the Stradivari Society of Chicago.
BOMSORI KIMBUDDY GUY
CHRISTONE “KINGFISH” INGRAM
WEDNESDAY SEPTEMBER 6, 2023 8PM
IN ORDER OF APPEARANCE
Christone “Kingfish” Ingram
INTERMISSION
Buddy Guy
Programs and artists subject to change.
BUDDY GUY
At age 87, Buddy Guy is a Rock & Roll Hall of Fame inductee, a major influence on rock titans like Jimi Hendrix, Eric Clapton, and Stevie Ray Vaughan, a pioneer of Chicago’s fabled West Side sound, and a living link to the city’s halcyon days of electric blues. Buddy Guy has received eight Grammy Awards, a 2015 Lifetime Achievement Grammy Award, 38 Blues Music Awards (the most any artist has received), the Billboard Magazine Century Award for distinguished artistic achievement, a Kennedy Center Honor, and the Presidential National Medal of Arts. Rolling Stone magazine ranked him No. 23 in its “100 Greatest Guitarists of All Time.”
In 2019, Buddy Guy won his eighth and most recent Grammy Award for his 18th solo LP, The Blues Is Alive and Well. In July 2021, in honor of his 85th birthday, PBS American Masters released Buddy Guy: The Blues Chase the Blues Away, a documentary following his rise from a childhood spent picking cotton in Louisiana to becoming one of the most influential guitar players in history. The documentary features new interviews with Guy, Carlos Santana, Eric Clapton, John Mayer, Gary Clark Jr., and more. Though Buddy Guy will forever be associated with Chicago, his story begins in Louisiana. One of five children, he was born in 1936 to a sharecropper’s family and raised on a plantation near the small town of Lettsworth, some
140 miles northwest of New Orleans. Buddy was just seven years old when he fashioned his first makeshift “guitar”—a twostring contraption attached to a piece of wood and secured with his mother’s hairpins.
In 1957, he took his guitar to Chicago, where he would permanently alter the direction of the instrument, first on numerous sessions for Chess Records playing alongside Howlin’ Wolf, Muddy Waters, and the rest of the label’s legendary roster, and then on recordings of his own. His incendiary style left its mark on guitarists from Jimmy Page to John Mayer.
“He was for me what Elvis was probably like for other people,” said Eric Clapton at Buddy Guy’s Rock & Roll Hall of Fame induction in 2005. “My course was set, and he was my pilot.”
Seven years later, 2012 proved to be one of Buddy Guy’s most remarkable years ever. In July, he was awarded a Kennedy Center Honor for his lifetime contribution to American culture; earlier in the year, at a performance at the White House, he even persuaded President Obama to join him on a chorus of “Sweet Home Chicago.” Also in 2012, he published his long-awaited memoir, When I Left Home
These many years later, Buddy Guy remains a genuine American treasure and one of the final surviving connections to a historic era in the country’s musical evolution.
CHRISTONE “KINGFISH” INGRAM
Since the release of Kingfish, his Grammy-nominated 2019 Alligator Records debut, and 662, his 2021 Grammy-winning sophomore album, guitarist, vocalist, and songwriter Christone “Kingfish” Ingram has become the defining blues voice of his generation. From his hometown of Clarksdale, Mississippi, to stages around the world, Ingram has headlined U.S. tours, performed at
Australia’s largest music festival, amazed fans across Europe and the U.K., and was selected to open for the Rolling Stones in London’s Hyde Park. Kingfish has also performed with friends including Vampire Weekend, Jason Isbell, and Buddy Guy, with whom he appeared on Austin City Limits In April 2022, Kingfish made his national television debut on CBS Saturday Morning, performing three songs as well as being featured in an in-depth interview segment. Kingfish debuted on the Billboard Blues
Chart in the No. 1 position and remained on the chart for an astonishing 91 weeks. In addition to receiving a Grammy nomination, Kingfish was named the Best Blues Album of the Year by MOJO magazine. Ingram’s journey began in the city of Clarksdale, in Coahoma County, Mississippi, just 10 miles from the legendary crossroads of highways 61 and 49. Born to a talented family, he fell in love with music as a child, initially playing drums and then bass. At a young age, he got his first guitar and quickly soaked up music from Robert Johnson to Lightnin’ Hopkins, from B.B. King to Muddy Waters, from Jimi Hendrix to Prince. Sparked by his nonstop touring, writing, and recording schedule, Kingfish’s natural talent just keeps growing. With his eye-popping guitar playing and his reach-outand-grab-you-by-the-collar vocals, he performs every song with unmatched passion and precision. While his songs tell personal stories, they also tell of shared human experiences. With both Kingfish and 662, Christone “Kingfish” Ingram creates contemporary blues music that speaks to his generation and beyond, delivering the full healing power of the blues.
BACH AND MENDELSSOHN
THURSDAY SEPTEMBER 7, 2023 8PM
Los Angeles Philharmonic
Masaaki Suzuki, conductor
Martin Chalifour, violin
J.S. BACH
Orchestral Suite No. 3 in D major, BWV 1068 (c. 20 minutes)
Overture
Air
Gavotte I & II
Bourrée
Gigue
J.S. BACH Violin Concerto No. 2 in E major, BWV 1042 (c. 20 minutes)
Allegro
Adagio
Allegro assai
Ma rtin Chalifour
INTERMISSION
MENDELSSOHN Symphony No. 4 (“Italian”) in A major, Op. 90 (c. 26 minutes)
Allegro vivace
Andante con moto
Con moto moderato
Saltarello: Presto
Programs and artists subject to change.
ORCHESTRAL SUITE NO. 3
Johann Sebastian Bach (1685–1750)Whereas Bach wrote the Brandenburg Concertos for a prince, he composed his four Orchestral Suites for the wealthy burghers of Leipzig. The Suite No. 3 in D major most likely premiered at Zimmermann’s Coffee House either in 1730 or 1731 at one of the composer’s Collegium Musicum concerts there. Bach had assumed responsibility for the concerts in 1729, and the programs required him to renew his efforts in the field of instrumental composition. (Since taking up his position at St. Thomas’ in 1723, Bach had been responsible primarily for vocal religious music for services there and in Leipzig's other churches.)
The Suite No. 3 opens with an imposing French overture, so called because of its slow–fast–slow structure and the rhythm of its opening. What follows is perhaps one of Bach’s bestloved instrumental works, the glorious and serene Air. A group of dances—the French gavotte and bourrée followed by the gigue, a dance derived from the late 16thcentury Irish jig—brings the Suite to a spirited close. —John Mangum
VIOLIN CONCERTO NO. 2
Johann Sebastian BachLocation. Location. Location. That, as we know, is the watchword of real estate agents. It was also the defining element in the career of Johann Sebastian Bach, who never set foot outside of his native Germany but found several locations in which he developed his magnificent talent to genius level. In fact, Bach has rightly been described by the redoubtable musicologist Nicolas Slonimsky as a “master comparable in greatness of stature with Aristotle in philosophy and Leonardo da Vinci in art.”
The first stop on his journey was Ohrdruf, where he learned much about organs in his brother’s church. Next, Lüneberg and the discovery of French music from a student of Lully, whose opera overtures were a kind of blueprint for the overtures to his four orchestral suites. As his virtuosity on the organ flourished, Bach settled in Weimar, where most of his important works for the instrument were written. Perhaps of greatest interest to the general public, because of frequency of performance in our concert halls, is the concerto
repertoire, which emerged in the important location of Cöthen. Bach’s concerto output includes the six Brandenburgs and several harpsichord concertos, most of the latter being transcriptions of his own violin concertos (selfplagiarism has never been a crime in the composer fraternity). As for the violin concertos themselves, only three of the many he was known to have written remain, two for single violin and one for two violins.
During the Cöthen period, from 1717 to 1723, Bach had to satisfy the requirements of his boss, Prince Leopold, by turning out large numbers of secular works.
He was well prepared. Earlier, in Weimar, the hopelessly provincial Bach took a “grand tour” of Italy by spending countless hours at his writing table copying out the music of the Italian masters Vivaldi, Corelli, and others. With his genius working at warp speed, he was able to put to marvelous practical use this hard-gained knowledge of Italian string writing, which was so far in advance of any other kind. The Cöthen works are striking evidence of Bach’s ability to assimilate and create.
The E-major Violin Concerto is a creation of purest Bachian
splendor. Opening with three aggressive chords, built on an E-major triad, that form the beginning of the main subject, the first movement unfolds in a fashion characteristic of the composer, but with some surprises. Two serious episodes in minor provide sharp contrast to the ebullience of the main material. And before the return to the main subject, the violin has a tiny solo followed by an unexpected pause before those three opening chords announce the final full exposition of the movement’s main substance.
The minor-keyed slow movement opens the floodgates of a kind of exquisitely controlled poignancy that is Bach’s inimitable version of Baroque romanticism. The form is chaconne-like, which is to say there is a persistent figure in the orchestra above which the violin, after entering on a long-held note, spins seemingly improvisatory strands of serene expressiveness. Bach at his most exalted.
The exuberant final movement is calculated to be give-and-take between orchestra and soloist—the group refrain appears five times with the soloist’s episodes in between. In the final solo episode, Bach gives the soloist a brief but telling bit of virtuosity. —Orrin
HowardSYMPHONY NO. 4, “ITALIAN” Felix Mendelssohn (1809–1847)
Mendelssohn went to Italy in October 1830. The trip lasted 10 months—he started in Venice and worked his way south to Rome, stopping in Bologna and Florence along the way. During his stay in Rome, he witnessed the coronation of Pope Pius VIII and the city’s festivities during Holy Week (the week leading up to Easter). From Rome, he went on to Naples and visited Pompeii before returning to Germany through Genoa and Milan. His impressions of the trip were recorded in a series of watercolors and sketches— Mendelssohn was a decent amateur artist—and in the present Symphony. There is nothing particularly Italian about the symphony until its final movement. Rather, the work strives more to convey a series of impressions of Italy—Mediterranean sunshine, religious solemnity, monumental art and architecture, and open countryside.
The symphony opens with a burst of sound—woodwinds and pizzicato strings—whose irrepressible eighth notes become the accompaniment to a jubilant string melody. The winds play an especially prominent role in this movement, with Mendelssohn treating them with a great degree of freedom that gives the movement a transparent, airy texture. It’s like a musical rendition of the Italian blue sky that impressed Mendelssohn (he once described the Symphony as “blue sky in A major”). The movement is in sonata form, but it also uniquely includes a transitional passage between the exposition and its repeat whose material is developed later on. The turbulent minorkey development section also may remind the listener that Mendelssohn was working on his storm-cloud-riddled “Scottish” Symphony (in A minor) at the same time he was composing the “Italian.”
In the second movement, an Andante con moto in D minor, Mendelssohn recalls the impressive processions he had witnessed during
his time in Rome. He evokes these with a dusky melody (oboes, clarinets, and violas) that unfolds over an ambling bass line. This alternates with two contrasting, relaxed, major-key sections.
The flowing minuet (Con moto moderato), with its legato writing for strings and winds, offers a musical equivalent of the symmetrical forms and restrained beauty of some of the architecture Mendelssohn saw during his Italian sojourn. The trio sounds vaguely militaristic, with its fanfare-like melodic
figure for horns and bassoons.
In the finale, Mendelssohn uses another dance, the raucous Neapolitan saltarello, as the basis of the movement. He never relaxes the tension during the movement, which hurtles to a close with a minorkey reiteration of the first movement’s opening theme.
Mendelssohn completed the Symphony on March 13, 1833, in partial fulfillment of a commission from the Philharmonic Society of London. He conducted the premiere exactly two
months later, on May 13—it was a great success, and the work was repeated in June. Mendelssohn, however, was never entirely satisfied with the Symphony. He revised it twice, in 1837 and again before he died in 1847, but it was never published during his lifetime. This final version premiered in Leipzig on November 1, 1849, with Julius Rietz conducting the Gewandhaus Orchestra. It is this version that was published in 1851 and is regularly performed today.
—J ohn MangumMASAAKI SUZUKI
Since founding Bach Collegium Japan in 1990, Masaaki Suzuki has established himself as a leading authority on the works of Bach. He has remained the group’s Music Director ever since, taking them regularly to major venues and festivals in Europe and the U.S. and building up an outstanding reputation for the expressive refinement and truth of his performances.
In addition to working with renowned period ensembles, such as the Orchestra of the Age of Enlightenment and Philharmonia Baroque Orchestra, Suzuki is invited to conduct diverse repertoire encompassing Brahms, Britten, Fauré, Mahler, Mendelssohn, and Stravinsky with orchestras such as the Bavarian Radio Symphony, Danish National Symphony, Gothenburg Symphony, Orchestre Philharmonique de Radio France, and Yomiuri Nippon Symphony Orchestra.
Suzuki’s impressive discography on the BIS label, featuring all of Bach’s major choral works as well as complete works for harpsichord, has brought him many critical plaudits. The year 2018 marked the triumphant conclusion of Bach Collegium Japan’s epic recording of the complete sacred and secular cantatas initiated in 1995 and comprising 65 volumes.
Suzuki combines his conducting career with his work as an organist and harpsichordist; he recently recorded Bach’s solo works for these instruments. Born in Kobe, Japan, he graduated from the Tokyo University of Fine Arts and Music with a degree in composition and organ performance and went on to study at the Sweelinck Conservatory in Amsterdam under Ton Koopman and Piet Kee. Founder and Professor Emeritus of the early-music department at
the Tokyo University of the Arts, he was on the choral conducting faculty at the Yale School of Music and Yale Institute of Sacred Music from 2009 until 2013, and he remains affiliated as principal guest conductor of the Yale Schola Cantorum.
In 2012, Suzuki was awarded the Leipzig Bach Medal and, in 2013, the Royal Academy of Music Bach Prize. In April 2001, he was decorated with the Verdienstkreuz am Bande des Verdienstordens der Bundesrepublik from Germany.
MARTIN CHALIFOUR
Martin Chalifour has been Principal Concertmaster of the Los Angeles Philharmonic since 1995. He graduated with honors from the Montreal Conservatory at the age of 18 and then moved to the United States to continue studies at the famed Curtis Institute of Music.
Chalifour received a Certificate of Honor at the Tchaikovsky Competition in Moscow and is also a laureate of the prestigious Montreal International Competition. Apart from his LA Phil duties, he maintains an active solo career, playing a diverse repertoire of more than 60 concertos.
Chalifour has appeared as soloist with conductors Pierre
Boulez, Gustavo Dudamel, Charles Dutoit, Christoph Eschenbach, Neville Marriner, and Esa-Pekka Salonen. Outside the U.S., he has played solos with the Auckland Philharmonia, the Montreal Symphony, the Hong Kong Philharmonic, the National Orchestra of Taiwan, and the Malaysian Philharmonic, among others.
Chalifour began his orchestral career with the late Robert Shaw and the Atlanta Symphony, playing as Associate Concertmaster for six years. Subsequently, for five years he occupied the same position in the Cleveland Orchestra, where he also served as Acting Concertmaster under Christoph von Dohnányi. While in Cleveland, Chalifour taught at the Cleveland Institute of Music and was a founding member of the Cleveland Orchestra Piano Trio.
Chalifour is a frequent guest at summer music festivals, including the Mainly Mozart Festival and the Ottawa Chamber Music Festival.
Maintaining close ties with his native country, he has returned there often to teach and perform as soloist with various Canadian orchestras, most recently in Vancouver and in Hamilton.
Chalifour has recorded solo and chamber music for the Telarc, Northstar, and Yarlung labels. He teaches at Caltech and at the University of Southern California’s Thornton School of Music.
THE PLANETS
TUESDAY SEPTEMBER 12, 2023 8PM
Los Angeles Philharmonic
Karen Kamensek, conductor
Anne Akiko Meyers, violin
Pacific Chorale
Rob ert Istad, Artistic Director
Kibsaim Escárcega, Chorusmaster
Adam SCHOENBERG Co ol Cat (world premiere, LA Phil commission) (c. 5 minutes)
Philip GLASS
Violin Concerto No. 1 (c. 30 minutes)
I II III
Anne Akiko Meyers
INTERMISSION
HOLST The Planets (c. 48 minutes)
Mars, the Bringer of War Venus, the Bringer of Peace Mercury, the Winged Messenger Jupiter, the Bringer of Jollity Saturn, the Bringer of Old Age Uranus, the Magician Neptune, the Mystic
Programs and artists subject to change.
This performance is generously supported by Pasadena Showcase House for the Arts and the Kohl Virtuoso Violin FundCOOL CAT Adam Schoenberg (b. 1980)
Cool Cat is inspired by the extraordinary life of P-22, the mountain lion that captured the heart of Los Angeles and beyond. This playful and celebratory concert-opener, aka fanfare, is meant to get the party started.
We knew that this work would be premiered on September 12, 2023. Serendipitously, that date falls exactly 10 years to the day when the orchestra premiered my first commission for the LA Phil. At the time, I was asked to write a children’s ballet, which I titled Bounce That work was dedicated to my then one-month-old, Luca. My youngest son, Leo, had yet to have a piece solely dedicated to him, so I knew it was only fitting. He is fierce and determined, just like P-22! This new piece is dedicated to Leo, our very own cool cat.
—Adam SchoenbergPlease turn to page 28 to read an interview with composer ADAM SCHOENBERG
VIOLIN CONCERTO NO. 1 Philip Glass (b. 1937)
Glass had composed a large and pioneering body of ensemble pieces since 1965, but the Violin Concerto from 1987 was his first major work for a conventional symphony orchestra. (As a student he had composed many pieces, including another violin concerto that he worked on with Darius Milhaud at the Aspen Festival in 1960.) “This piece explores what an orchestra can do for me,” Glass said. “In it, I’m more interested in my own sound than in the capability of particular orchestral instruments. It is tailored to my musical needs.” The concerto was written for Glass’ friend and former Juilliard schoolmate Paul Zukofsky, who gave the premiere with Dennis Russell Davies and the American Composers Orchestra in April 1987. It is cast in the familiar threemovement, fast–slow–fast form of concerto tradition, and the agile, energetic, idiomatic solo figuration of the first movement suggests a sort of punk Vivaldi. The slow movement, with its floating cantilena over a passacaglia bass line, also recalls Baroque textures. The main body of the finale is again fast and florid, goaded to a darker, more urgent edge than the opening by aggressive percussion. Zukofsky had wanted a slow, high ending, and Glass closes the concerto with a long coda that reflects on the previous movements. —John Henken
THE PLANETS
Gustav Holst (1874–1934)Holst began composing The Planets in 1914, yet, in spite of the first section’s title, “Mars, the Bringer of War,” it is not a war piece, for Holst was well into it before World War I started. The composer, a man of intellect and wide-ranging interests, found musical inspiration in diverse places. “As a rule,” he said, “I only study things that suggest music to me. That’s why I worried at Sanskrit.” (When he became interested in Hindu literature through translations, he proceeded to learn the original Sanskrit and wrote several Hinduinspired works, including two operas.) “And then,” he concluded, “recently, the character of each planet suggested lots to me.”
In his preface to The Planets, Holst advised that there was no program in the pieces and that the subtitles should be sufficient to guide the imagination of the listener. Holst’s own imagination had been stimulated by many things, not the least of which was the great literature of English folk songs, introduced to him by his lifelong friend Ralph Vaughan Williams. Another influence was that of Stravinsky, whose music
had greatly impressed Holst before he took on the universe, the effects of which in The Planets can be seen in the very large Firebird and Petrushka kind of orchestration, in insistent rhythms, and also in striding rhythmic shifts. Holst’s musico-spatial explorations may not be cosmic, but they are brilliant, dramatic, and picturesque enough to fit into almost anyone’s concert hall horoscope.
Mars, the Bringer of War opens in ominous quiet, with the portent of a fierce martial confrontation. Brass fanfares blare contemptuously while timpani provide support. A sudden cessation of the activity is only a pause before an even more violent onslaught, with rhythmic punctuation throbbing mercilessly.
Venus, the Bringer of Peace is a tranquil scene cooled by flutes and an austere solo violin. A suggestion of sensuality evolves as the music gathers strength, but it is tempered by serene dissipation.
Mercury, the Winged Messenger, a dashing, stunning orchestral scherzo, features harps, celesta, and a solo violin dancing to an ephemeral tune. The fuller orchestral textures invest Mercury with a decidedly French Impressionistic character.
Jupiter, the Bringer of Jollity is the most thoroughly English section of the work, with Jupiter’s high spirits projected through a broad, infectiously energetic melody. A stately, more serious processional theme then enters, its royal dignity fully intact, after which the vigorous melody returns.
In Saturn, the Bringer of Old Age, the aching despair of youth lost fills the section, first with solemnity, then with outrage as bells clang wildly. But the protest is futile, and the inevitable journey continues, this time ending in transfigured peacefulness.
Uranus, the Magician:
Here, Holst unleashes diabolical energy, some of it reminiscent of some earlier conjurings by Dukas, Saint-Saëns, Mussorgsky—i.e., Sorcerer’s Apprentice, Danse macabre, Bald Mountain
Neptune, the Mystic: A pure otherworldliness, an aura of lost-in-space, permeates this final section. The transparency of the scoring is intensified by the disembodied sound of a wordless women’s chorus, the combination casting a spell that is wondrously mystic, transcendental. —Orrin Howard
KAREN KAMENSEK
Karen Kamensek, born in Chicago, is equally at home on the opera and concert stages. Her broad range of interests and her varied work extend from classical to modern, including many world premieres, film music, and crossover projects (jazz and world music). A specialist in contemporary music, she regularly works with the American composer Philip Glass, whose Orphée she conducted in New York and Germany, as well as Glass’
world premiere of Les Enfants Terribles at the Spoleto Festival USA. A further Glass premiere to take place under Kamensek’s baton was the first-ever live performance of Passages in collaboration with Anoushka Shankar, which marked her debut at the BBC Proms, where she returned in summer 2022. In recent years, Kamensek has also made Glass’ opera Akhnaten a core part of her repertoire and was honored with a Grammy Award for her recorded performance of the work at the Metropolitan Opera in 2019.
The 2022/23 season brings Kamensek back to the Norwegian National Opera to conduct Bernstein’s Wonderful Town, to the English National Opera for Akhnaten, and to the Welsh National Opera for Candide. Her symphonic engagements this season include concerts with the Brussels Philharmonic, Calgary Philharmonic, London Philharmonic, Orchestre National d’Île-de-France, Pacific Symphony, RBB Ultraschall Festival, Tiroler Sinfonieorchester, and Vancouver Symphony. Kamensek was First Kapellmeister at the Vienna Volksoper from 2000 to 2002 and Music Director at the Theater Freiburg from 2003 to 2006, after which she took on the position of interim Chief Conductor of the Slovenian National Theater in Maribor in the 2007/08 season. Beginning in 2008, Kamensek served as deputy Music Director at the Hamburg State Opera before becoming Music Director and Chief Conductor of the Hanover State Opera in 2011. She led the opera in Hanover until 2016, and during her tenure she conducted numerous new productions, including Shostakovich’s Lady Macbeth of the Mtsensk District, Wagner’s Die Meistersinger von Nürnberg, Puccini’s Il trittico, Detlev Glanert’s Caligula, and Janáček’s Jenůfa.
ANNE AKIKO MEYERS
Anne Akiko Meyers is one of the world’s most esteemed violinists. She regularly performs around the world as soloist with leading orchestras and in recital and is a prolific recording artist, with over 40 recordings. A muse and champion of living composers, she recently premiered and performed Fandango by Arturo Márquez with Gustavo Dudamel and the Los Angeles Philharmonic at the Hollywood Bowl, Carnegie Hall,
Walt Disney Concert Hall, and the Auditorio Nacional in Mexico City to great critical acclaim. Her 2022/23 season includes appearances with the Los Angeles Philharmonic and the National, Albany, Detroit, Nashville, Princeton, San Diego, San Jose, Tucson, and Wichita symphony orchestras. She also released her latest recording, Mysterium, of newly imagined violin/choral music by J.S. Bach and Morten Lauridsen, with Grant Gershon and the Los Angeles Master Chorale, on Avie Records.
Meyers’ many television appearances include The Tonight Show with Johnny Carson, Evening at Pops with John Williams, CBS Sunday Morning, Great Performances, Countdown with Keith Olbermann (in a segment that was the third-most-popular story of that year), the Emmy Awards, and The View. John Williams personally chose Anne to perform “Schindler’s List” for a Great Performances PBS telecast, and Arvo Pärt invited her to perform at the opening-ceremony concerts of his new center and concert hall in Estonia.
Meyers has been featured in commercials and advertising campaigns including Anne Klein, shot by legendary photographer Annie Leibovitz; J.Jill; Northwest Airlines; DDI Japan; and TDK, and she was the inspiration for the main character’s career path in the
J. Courtney Sullivan novel The Engagements. Outside of the classical-music sphere, Meyers has collaborated with a diverse array of artists, including jazz icons Chris Botti and Wynton Marsalis, avant-garde musician Ryuichi Sakamoto, electronic music pioneer Isao Tomita, pop-era act Il Divo, and singer Michael Bolton. Meyers was born in San Diego and grew up in Southern California, where she and her mother traveled eight hours roundtrip from the Mojave Desert to Pasadena for lessons with Alice and Eleonore Schoenfeld at the Colburn School of Performing Arts. At the invitation of legendary teacher Dorothy DeLay, Meyers moved to New York at the age of 14 to study with her, Felix Galimir, and Masao Kawasaki at the Juilliard School. She signed with management at 16, recording her debut album of the Barber and Bruch violin concertos with the Royal Philharmonic Orchestra at Abbey Road Studios at 18. Meyers has received the Avery Fisher Career Grant and a Distinguished Alumna Award and honorary doctorate from the Colburn School. She is a member of the Board of Trustees of the Juilliard School.
Meyers endorses Larsen Strings and performs on the Ex-Vieuxtemps Guarneri del Gesù, dated 1741, considered by many to be the finestsounding violin in existence.
PACIFIC CHORALE
The Grammy Award-winning Pacific Chorale, an Orange County “treasure” with a “fresh viewpoint” that “can sing anything you put in front of it with polish, poise, and tonal splendor” (Orange County Register), has “risen to national prominence” (Los Angeles Times) since its inception in 1968. Hailed for delivering “thrilling entertainment” (Voice of OC), the resident choir at Segerstrom Center for the Arts is noted for its artistic innovation and commitment to expanding the choral repertoire. It has given the world, U.S., and West Coast premieres of more than 35 works, including numerous commissions, by such lauded composers as John Adams, Jake Heggie, James Hopkins, David Lang, Morten Lauridsen, Tarik O’Regan, Karen Thomas, Frank Ticheli, András Gábor Virágh, and Eric Whitacre.
In addition to presenting its own concert series each season, Pacific Chorale enjoys a long-standing partnership with Pacific Symphony, with which the choir made its highly anticipated Carnegie Hall debut in 2018. The chorus also regularly appears with the Los Angeles Philharmonic, with which it won the 2022 Grammy Award for Best Choral Performance as well as a Grammy nomination for Best Engineered Album, Classical, for its contribution to the live recording of Mahler’s Symphony No. 8, conducted by Gustavo Dudamel, featuring the Los Angeles Philharmonic, Los Angeles Children’s Chorus, Los Angeles Master Chorale, and the National Children’s Chorus as well as Pacific Chorale. The choir has also performed with such leading orchestras as the Boston Symphony, National Symphony, Los Angeles Chamber Orchestra, Philharmonia Baroque Orchestra, San Diego Symphony, and Musica Angelica, among others.
Pacific Chorale has garnered international acclaim as well, having toured extensively to more than 19 countries in Europe, South America, and Asia, and through collaborations with the London Symphony, Munich Symphony, Orchestre Lamoureux and Orchestre de l’Académie de l’île Saint-Louis of Paris, National Orchestra of Belgium, China National Symphony, Hong Kong Sinfonietta, Estonian National Symphony, and Orquesta Sinfónica Nacional of Argentina, among others.
Deeply committed to making choral music accessible to people of all ages, the organization has a discography of 14 self-produced recordings and an extensive collection of exceptional free digital offerings. The choir’s critically acclaimed original concert film The Wayfaring Project, broadcast on PBS SoCal and KCET in 2021, features Pacific Chorale, members of Pacific Symphony, and soloists performing J.S. Bach’s motet Jesu meine Freude, interwoven with contemporary works by Moira Smiley, Dolly Parton, Samuel Barber, and others. Currently streaming on pbssocal.org, kcet.org, and the PBS app, it follows Pacific Chorale’s progression through the COVID-19 pandemic: from complete social distancing with each singer performing in isolation through the choir’s return 17 months later to live music-making at the Renée and Henry Segerstrom Concert Hall. Pacific Chorale also places a significant emphasis on choral music education, providing after-school vocal programs for elementary school students, a choral summer camp for high school students, and an annual community-wide singing event at Segerstrom Center for the Arts. pacificchorale.org
WOMEN OF PACIFIC CHORALE
Robert Istad
Artistic Director & Conductor
Phillip N. and Mary A. Lyons
Ar tistic Director Chair
Kibsaim Escárcega
Assistant Conductor & Chorusmaster
Andrew Brown President & CEO
SOPRANO
Rebecca Hasquet
Section Leader
Lauren Adaska
Andria Nuñez Cabrera
Ariana Celeste
Chelsea Chaves
Katy Compton
Adrien Gonzalez
Brooke Lea Jackson
Saousan Jarjour
Sarah Lonsert
Anne McClintic
Shannon A. Miller
Hien Nguyen
Laura Pluth
Libby Quam
Sarah Schaffner-Pepe
Amelia H. Thompson
Rachel Van Skike
Anne Williams
ALTO
Jane Hyun-Jung Shim
Section Leader
Shinaie Ahn
Hannah Black
Emily Border
Mary Clark
Denean R. Dyson
I-Chin Betty Feinblatt
Erin Girard
Kathleen Thomsen Gremillion
Brandon Harris
Allison Hieger
Even Johnson
Kathleen Preston
Kaleigh Sanchez
Laurel Sanders
Lauren Shafer
Stephanie Shepson
Marijke van Niekerk
Mayuri Vasan
Emily Weinberg
JACOB COLLIER WITH THE LA PHIL
WEDNESDAY SEPTEMBER 13, 2023 8PM
Programs and artists subject to change.
Official Hotel of the Hollywood BowlJACOB COLLIER
Recognized by audiences, critics, and fellow musicians alike as one of the most gifted young artists of modern times, 28-year-old Jacob Collier already has a seemingly endless list of achievements. He has received five Grammy wins along with 11 Grammy nominations, including Album of the Year nominations in 2021 and 2023.
As a result, his roster of collaborators is astoundingly varied and vibrant. Jacob’s voice has been featured on recent songs from the likes of Coldplay, SZA, Stormzy, and Kehlani. In his own projects, Collier has worked with an unpredictable cast of artistic powerhouses, from Malian singer Oumou Sangaré to John Mayer, T-Pain, Ty Dolla $ign, Daniel Caesar, and Tori Kelly (to name a few).
Collier has left such a mark on the artistic landscape already that he has been profiled by
the most prolific media outlets, has recorded two NPR Tiny Desk Concerts, has spoken at the renowned TED conference, and has performed on multiple national late-night TV shows.
Exploding onto the global stage with the viral success of his multi-frame, multiinstrumental YouTube covers, Collier caught the attention of Quincy Jones and under his mentorship released his debut album, In My Room, in 2016. Recorded, produced, and played entirely by Collier, In My Room heralded the arrival of a staggering musical mind.
Djesse (his most recent album project) has been a natural progression from the one-man process of In My Room, expanding to include collaborators from all over the world. In what has been defined as a four-album epic, the resulting volumes of Djesse have delivered on Collier’s ambitious promise, featuring an incredible array of artistic
peers and musical themes that encompass everything from orchestral composition to folk songwriting, R&B, rap, and pop. Although Collier has already achieved more than most artists could hope for in a lifetime, he is still restlessly creative. Alongside the upcoming release of Djesse Vol. 4, he has plans for future projects centered on solo piano, orchestras, and film scoring, and he has written for a forthcoming West End musical on the life of legendary opera singer Luciano Pavarotti. With such an ineffable and unpredictable career to date, the only certainty is that Collier will continue to surprise and delight, no matter which avenue he explores next.
THOMAS WILKINS
To read about conductor
THOMAS WILKINS, please tu rn to page 16
PROMISES
WEDNESDAY SEPTEMBER 20, 2023 8PM
Floating Points
With Shabaka Hutchings
Conducted by Miguel Atwood-Ferguson
Featuring Kara-Lis Coverdale
John Escreet
Kieran Hebden (Four Tet)
Jeffrey Makinson
Hinako Omori
Lara Serafin
Dan Snaith (Caribou)
The Los Angeles Studio Orchestra
And a special performance by Sun Ra Arkestra
IN ORDER OF APPEARANCE
Sun Ra Arkestra
INTERMISSION
Promises
Programs and artists subject to change.
Pianos provided by Steinway Piano Gallery—Beverly Hills
PROMISES
In 2019, the composer Floating Points (Sam Shepherd) converged with spiritual jazz icon Pharoah Sanders to create Promises, a breathtaking album-length composition and mesmerizing journey also featuring the London Symphony Orchestra. Issued two years later, the recording has become one of the most acclaimed releases of our time.
Tonight, Floating Points is premiering Promises in full
live at the Hollywood Bowl. The performance brings to life a recording that capped Sanders’ profoundly influential six decades in music.
Shepherd began working with Sanders after the tenor saxophonist heard Floating Points’ debut album, Elaenia, in 2015. The two reconnected often, and as Shepherd gained further attention and success for the sublime Floating Points electronic albums Reflections: Mojave Desert (2017) and Crush (2019), his bond with
Sanders grew into a creative partnership that brought forth the meditative Promises. Upon its release, critics lined up to sing its praises, with NPR jazz critic Nate Chinen calling it “grand in scale but startlingly intimate in its effect.”
The pair were developing this Hollywood Bowl debut in the months before the tenor saxophonist died in 2022, and now Shepherd fulfills this wish with orchestra and an all-star lineup handpicked, in part, by Sanders himself.
A RICHLY ILLUSTRATED 16-CD COLLECTOR BOOK EDITION ON SALE NOW AT BARNES & NOBLE AND AMAZON
"The magnetism of José Iturbi's passion still resounds in these recordings. His music lives, and I am excited for new generations to discover what makes Iturbi essential and enduring."
– Michael Feinstein, Founder of The Great American Songbook Foundation
José Iturbi was an extraordinary musical talent whose brilliant performances continue to inspire everyone who experiences them, and this collection reintroduces Iturbi's genius to a new generation.
- Roslyn Kind, Critically Acclaimed Recording Artist
Iturbi was the first classical artist to reach the sale of one million copies of a single record. He bridged the worlds of classical music and Hollywood - he was truly one-of-a-kind!
- Ilene Graff, Grammy Nominee/Broadway, TV Star & Ben Lanzarone, ASCAP Award Winning Composer
José Iturbi artfully introduced the gospel of classical music to a mass audience through his appearances in popular movies; you might say he was their ambassador, and a charming one at that.
- Leonard Maltin, Film Historian & Critic
What a gift to music lovers. This superb collection of José Iturbi's recordings will fill you with musical joy.
- Charles Fox, Grammy and Emmy Winning Composer
José Iturbi believed “music was the ultimate international language that we all can understand”. I know you will enjoy this exciting collection of classical music favorites! This collector’s set is worthy of a Grammy!
- Donelle Dadigan, President, The José Iturbi Foundation
501(c)(3) not-for-profit organization
ANNUAL DONORS
The LA Phil is pleased to recognize and thank our generous donors. The following list includes donors who have contributed $2,000 or more to the LA Phil, including special event fundraisers (LA Phil Gala and Opening Night at the Hollywood Bowl) between April 1, 2022, and March 31, 2023.
$1,000,000 AND ABOVE
Anonymous (3) Ann and Robert Ronus
$500,000 TO $999,999
Ballmer Group
$200,000 TO $499,999
Anonymous (2)
Judith and Thomas L. Beckmen
Colburn Foundation
Dunard Fund USA
Jane B. and Michael D. Eisner
Lisa Field
Robyn Field and Anthony O’Carroll
Gordon P. Getty
Max H. Gluck
Foundation
Jenny Miller Goff
$100,000 TO $199,999
Anonymous (3)
Nancy and Leslie Abell
Mr. Gregory A. Adams
Regina Weingarten and Gregory Annenberg
Weingarten
The Blue Ribbon
R. Martin Chavez
Michael J. Connell Foundation
The Eisner Foundation
Ms. Erika J. Glazer
The Grand LA/ Related
$50,000 TO $99,999
Anonymous (2)
Mr. Robert J. Abernethy
Amgen Foundation
Ms. Kate Angelo and Mr. Francois
Mobasser
Aramont Charitable Foundation
David Bohnett Foundation
Linda and Maynard Brittan
Michele Brustin
Gail Buchalter and Warren Breslow
Steven and Lori Bush
California
Arts Council
Chevron Products Company
Esther S.M. Chui-Chao and Andrea
Chao-Kharma
Dan Clivner
Donelle Dadigan
Nancy and Donald de Brier
The Rafael & Luisa de MarchenaHuyke Foundation
De MarchenaHuyke Foundation
Kathleen and Jerry L. Eberhardt
Louise and Brad
Edgerton/Edgerton Foundation
$25,000 TO $49,999
Anonymous (7)
Anonymous in memory of Dr. Suzanne Gemmell
The Herb Alpert Foundation
Music Center Foundation
Hearthland Foundation
Tylie Jones
Terri and Jerry M. Kohl
The Norman and Sadie Lee Foundation
Kaiser Permanente
Ms. Ursula C. Krummel
Linda May and Jack Suzar
John Mohme
Foundation
Maureen and Stanley Moore
Austin and Lauren Fite Foundation
William Kelly and Tomas Fuller
Mr. James Gleason
Alexandra S. Glickman and Gayle Whittemore
Lenore S. and Bernard A. Greenberg Fund
Yvonne Hessler
Mr. Philip Hettema
The Hillenburg Family
The Hirsh Family
Barbara and Amos Hostetter
County of Los Angeles
Anne Akiko
Meyers and Jason Subotky
The Music Man Foundation
Pasadena Showcase House for the Arts
M. David and Diane Paul
The Rauch Family Foundation
Koni and Geoff Rich
Rolex Watch USA, Inc.
The Rose Hills Foundation
Linda and David Shaheen
The Ralph M. Parsons Foundation
Richard and Ariane Raffetto
James D. Rigler/ Lloyd E. Rigler
- Lawrence E. Deutsch Foundation
Ms. Teena
Hostovich and Mr. Doug Martinet
Monique and Jonathan Kagan
W.M. Keck
Foundation
Ms. Sarah H. Ketterer
Darioush and Shahpar Khaledi
Winnie Kho and Chris Testa
Dr. Ralph A. Korpman
Live Nation
Los Angeles County
Department of Arts and Culture
The Seth MacFarlane Foundation
James and Laura Rosenwald/Orinoco Foundation
Allyson Rubin
Sony Pictures
Entertainment, Inc.
Christian Stracke
Ms. Lois M. Tandy
Alyce de Roulet Williamson
Margo and Irwin Winkler
Ellen and Arnold Zetcher
Alfred E. Mann
Charities
Barbara and Buzz McCoy
Michael and Lori Milken Family
Foundation
National Endowment for the Arts
Peninsula Committee
Ms. Linda L. Pierce
Sandy and Barry D. Pressman
Andrew M. Rosenfeld
Wendy and Ken Ruby
Marilyn and Eugene Stein
Antonia Hernández and Michael L. Stern
Ronald and Valerie Sugar
Sue Tsao
Ellen GoldsmithVein and Jon Vein
Stasia and Michael
Washington
Mr. Alex Weingarten
Willkie Farr & Gallagher LLP
John and Marilyn
Wells Family Foundation
Debra Wong Yang and John
W. Spiegel
Debra and Benjamin Ansell
Mr. and Mrs. Phil Becker
Samuel and Erin Biggs
Mr. and Mrs. Norris
J. Bishton, Jr.
Jill Black Zalben
Robert and Joan Blackman Family Foundation
Kawanna and Jay Brown
Oleg and Tatiana Butenko
Ying Cai and Wann S. Lee Foundation
Chivaroli and Associates, Tiffany and Christian
Chivaroli
Mr. Richard W. Colburn
Becca and Jonathan Congdon
Mr. and Mrs. Robert Cook
Lynette and Michael C. Davis
Orna and David Delrahim
The Walt Disney Company
Lauren Shuler Donner
Malsi DoyleForman and Michael Forman
Van and Francine Durrer
East West Bank
Michael Edelstein and Dr. Robin Hilder
Geoff Emery
Marianna J. Fisher and David Fisher
Foothill Philharmonic Committee
Drs. Jessie and Steven Galson
The Rosalinde and Arthur Gilbert Foundation
Kiki Ramos Gindler and David Gindler
Goldman
Sachs Gives
Mr. Gregg Goldman and Mr. Anthony
DeFrancesco
Mr. and Mrs.
Louis L. Gonda
Lucy S. Gonda MA, Creative Arts
Therapies
Good Works Foundation and Laura Donnelley
The Gorfaine/ Schwartz Agency
Liz and Peter Goulds
The Green Foundation
Faye Greenberg and David Lawrence
Jason Greenman and Jeanne Williams
$15,000 TO $24,999
Anonymous (7)
Drew and Susan Adams
Honorable and Mrs. Richard Adler
Bank of America
Susan Baumgarten
Dr. William Benbassat
Miles and Joni Benickes
Susan and Adam Berger
Helen and Peter S. Bing
Mr. Ronald H. Bloom
Mr. and Mrs.
Wade Bourne
Thy Bui
California Community Foundation
Campagna Family Trust
Ms. Nancy Carson and Mr. Chris Tobin
Andrea Chao-
Kharma and Kenneth Kharma
Sarah and Roger Chrisman
Mr. and Mrs.
Jonathan Cookler
Alison Moore Cotter
Mark Houston
Dalzell and James
Dao-Dalzell
Victoria Seaver Dean, Patrick Seaver,
Carlton Seaver
Jennifer Diener
Renée and Paul Haas
Harman Family Foundation
Fritz Hoelscher
Mr. Tyler Holcomb
Thomas Dubois
Hormel Foundation
Mr. and Mrs. James L. Hunter
Mr. and Mrs.
Joshua R. Kaplan
Terri and Michael Kaplan
Paul Kester
The Erich and Della
Koenig Foundation
Mr. and Mrs. Keith Landenberger
Ken Lemberger and Linda Sasson
Lauren B. Leichtman and Arthur E. Levine
Marvin J. Levy
City of Los Angeles, Department of Cultural Affairs
Renee and Meyer Luskin
Roger Lustberg and Cheryl Petersen
Pam and Ron Mass Matt Construction Corporation
Ashley McCarthy and Bret Barker
Ms. Kim McCarthy and Mr. Ben Cheng
Ms. Irene Mecchi
Sharyl and Rafael Mendez, M.D.
Marc and Ashley Merrill
David and Margaret Mgrublian
Molly Munger and Stephen English
NBC Universal
Carrie Nery
Mr. Robert W. Olsen
Tye Ouzounian
Andy Park
Bruce and Aulana Peters
Nancy and Glenn Pittson
Mr. Bennett Rosenthal
Ross Endowment Fund
Katy and Michael S. Saei
Thomas Safran
Mr. Lee C. Samson
Ellen and Richard Sandler
Elizabeth and Justus Schlichting
Gregory Slewett
Randy and Susan Snyder
Lisa and Wayne Stelmar
Mrs. Zenia Stept
Dwight Stuart Youth Fund
Frank Hu and Vikki Sung
Tracey BoldemannTatkin and Stan Tatkin
Megan Watanabe and Hideya Terashima
Dr. James
Thompson and Dr. Diane Birnbaumer
Warren B. and Nancy L. Tucker
The David William Upham Foundation
Nancy Valentine
Mindy and David Weiner
WHH Foundation
Zolla Family Foundation
Dr. and Mrs. William M. Duxler
Ms. Robin Eisenman and Mr. Maurice
LaMarche
Evelyn and Norman Feintech Family Foundation
Alfred Fraijo Jr. and Arturo Becerra
Debra Frank
Tony and Elisabeth Freinberg
Joan Friedman, Ph.D. and Robert
N. Braun, M.D.
Mr. and Mrs. Josh Friedman
Gary and Cindy Frischling
Dr. and Mrs. David Fung
Carrie and Rob Glicksteen
Goodman Family Foundation
Robert and Lori Goodman
Mr. Bill Grubman
Marnie and Dan Gruen
Mr. and Mrs. Paul Guerin
Roberta L. Haft and Howard L. Rosoff
Vicken and Susan J. Haleblian
Dwight Hare and Stephanie
Bergsma
Stephen T. Hearst
Walter and Donna Helm
Diane Henderson, M.D.
Stephen D. Henry and Rudy M. Oclaray
Ms. Luanne Hernandez
Marion and Tod Hindin
Gerry Hinkley and Allen Briskin
Bob and Nita Hirsch
Family Foundation
Liz Levitt Hirsch
Ms. Michelle Horowitz
Mr. and Mrs. Daniel
Paul Horwitz
Meg and Bahram Jalali
Mr. Eugene Kapaloski
Marilee and Fred Karlsen
Tobe and Greg Karns
Mr. and Mrs. Robert A. Kasirer
Sandi and Kevin Kayse
Cary and Jennifer Kleinman
Larry and Lisa Kohorn
Nickie and Marc Kubasak
Naomi and Fred Kurata
Vicki Lan
David Lee
Allyn and Jeffrey L. Levine
Dr. Stuart Levine and Dr. Donna Richey
Ms. Agnes Lew
Ms. Judith W. Locke
Anita Lorber
Los Angeles
Philharmonic Affiliates
Theresa Macellaro / The Macellaro
Law Firm
The Mailman Foundation
Raulee Marcus
Jonathan and Delia Matz
Liliane Quon McCain
Dwayne and Eileen McKenzie
Mr. and Mrs. David Meline
Marcy Miller
Mrs. Judith S. Mishkin
Joel and Joanne Mogy
Ms. Susan Morad at Worldwide Integrated Resources, Inc.
Deena and Edward Nahmias
Ms. Kari Nakama
Mr. and Mrs.
Dan Napier
Ms. Mary D. Nichols
Shelby Notkin and Teresita Tinajero
Christine M. Ofiesh
Jennifer Broder and Soham Patel
Gregory Pickert and Beth Price
Dennis C. Poulsen and Cindy Costello
Barbara and Jay Rasulo
Diana Reid and Marc Chazaud
Cathleen and Scott Richland
Mimi Rotter
Linda and Tony Rubin
The SahanDaywi
Foundation
Ron and Melissa Sanders
Dena and Irv
Schechter/The Hyman Levine
Family Foundation: L’DOR V’DOR
Evy and Fred Scholder Family
Joan and Arnold Seidel
Neil Selman and Cynthia Chapman
Marc Seltzer and Christina Snyder
Mr. James J. Sepe
Mr. Steven Shapiro
Nina Shaw and Wallace Little
Jill and Neil Sheffield
Walter H. Shepard and Arthur A.
Scangas
Hyon Chough and Maurice Singer
Mr. and Mrs. Richard Sondheimer
The Specialty Family Foundation
Mr. Lev Spiro and Ms. Melissa Rosenberg
Jeremy Stark
Stein Family FundJudie Stein
Tom Strickler
Marcie Polier Swartz and David Swartz
Akio Tagawa
Elinor and Rubin Turner
Tom and Janet Unterman
Christine Upton
Noralisa Villarreal and John Matthew Trott
Tee Vo and Chester Wang
Frank Wagner and Lynn O’Hearn
Wagner
Warner Bros. Discovery
Bryan D. Weissman and Jennifer Resnik
Mr. and Mrs. Steven White
John and Samantha Williams
Mahvash and Farrok Yazdi
Andre Young
Karl and Dian Zeile
Kevork and Elizabeth Zoryan
David Zuckerman and Ellie Kanner
$10,000 TO $14,999
Anonymous (5)
B. Allen and Dorothy Lay
Art and Pat Antin
Andy Arica
Ms. Lisette
Arsuaga and Mr. Gilbert Davila
The Aversano
Family Trust
Lorrie and Dan Baldwin
Stephanie Barron
Mr. Joseph A. Bartush
Stiv Bators
Sondra Behrens
Phyllis and Sandy Beim
Mr. Mark and Pat Benjamin
Suzette and Monroe Berkman
Ken Blakeley and Quentin O’Brien
Ms. Deborah Booth
Mr. and Mrs. Hal Borthwick
Mr. Ronald W. Burkle
Larison Clark
Mr. and Mrs. V. Shannon Clyne
Ms. Bernice Colman
Committee of Professional Women
Mr. and Mrs. Jim Connelly
Mr. and Mrs. Richard R. Crowell
Dr. and Mrs. Nazareth E. Darakjian
Chaz Dean
Tim and Neda Disney
Tara Dollinger
Sean Dugan and Joe Custer
Anna Sanders Eigler
Dr. Paul and Patti Eisenberg
Emil Ellis Farrar and Bill Ramackers
Bonnie and Ronald Fein
Mr. Tommy Finkelstein and
Mr. Dan Chang
E. Mark Fishman and Carrie Feldman
Ella Fitzgerald
Charitable Foundation
Daniel and Maryann Fong
Mr. Michael Fox
Jane Fujishige
Dr. and Mrs. Bruce Gainsley
Beth Gertmenian
Greg and Etty Goetzman
Harriett and Richard E. Gold
Mr. and Mrs. Russell Goldsmith
Nestor Gonzalez and Richard Rivera
Manuela Cerri Goren
$5,500 TO $9,999
Anonymous (5)
Alex Alben
Juan Carlos Albors
Adrienne S. Alpert
Bobken and Hasmik Amirian
Sandra Aronberg,
M.D. and Charles
Aronberg, M.D.
Ms. Judith A. Avery
Mr. Mustapha Baha
Dr. Richard
Bardowell, M.D.
Mrs. Linda E. Barnes
Karen and Jonathan Bass
Mr. Barry Beitler
Logan Beitler
Maria and Bill Bell
Ms. Gail K. Bernstein
Denise Bevers
Mr. and Mrs. Daniel M. Gottlieb
Mr. and Mrs. Ken Gouw
Diane and Peter H. Gray
Alexia Grevious
Tricia and Richard Grey
Mrs. Judith Gurian
Mr. William Hair
Laurie and Chris Harbert
Gabrielle Starr and John Harpole
Lynette Hayde
Madeleine Heil and Sean Petersen
Mr. and Mrs. Irwin Helford and Family
Carol Henry
Myrna and Uri Herscher Family Foundation
Arlene Hirschkowitz
Mr. Raymond W. Holdsworth
Joyce and Fredric Horowitz
Ms. Julia Huang
Ms. Loretta Hung
Mr. Frank J. Intiso
Mr. Gregory Jackson and Mrs. Lenora Jackson
Kristi Jackson and William Newby
Mr. and Mrs. Theodore W. Jackson
Robin and Gary Jacobs
Earvin Johnson Jr.
Barbara A. Jones
Mr. and Mrs. Steaven K. Jones, Jr. Dr. William B. Jones
Linda and Donald Kaplan
Marty and Cari Kavinoky
Mr. and Mrs. Stephen Keller
Vicki King
Mr. and Mrs.
Kenneth N. Klee
Alan S. Koenigsberg and John A. Dotto
Lee Kolodny
Ellie and Mark Lainer
Ms. Leerae Leaver
Leisure Group, Inc.
Mr. and Mrs. Norman A. Levin
Milli M. Martinez and Don Wilson
Vilma S. Martinez, Esq.
Lisa and Willem Mesdag
Cynthia Miscikowski
Marc and Jessica Mitchell
Mr. John Monahan
Carmen Morgan
Wendy Stark
Morrissey
Mr. Brian R. Morrow
Ms. Christine Muller and Mr. John Swanson
Sujata Murthy
Anthony and Olivia Neece
Dick and Chris Newman / C & R
Newman Family Foundation
Kenneth T. & Eileen L. Norris
Foundation
Mr. John Nuckols
Steve and Gail Orens
Ellen Pansky
Cynthia Patton
Chris Pine
Audrey Prins
William “Mito” Rafert
Lee Ramer
Hon. Vicki Reynolds and Mr. Murray Pepper
William F. Rodriguez
Murphy and Ed Romano and Family
Robyn and Steven Ross
Jesse Russo and
Alicia Hirsch
Alexander and Mariette Sawchuk
Dr. and Mrs. Heinrich Schelbert
Mr. Alan M. Schwartz
Mr. Walter Sebring
Samantha and Marc Sedaka
Dr. Donald Seligman and Dr. Jon Zimmermann
Julie and Bradley Shames
Ruth and Mitchell Shapiro
Gloria Sherwood
The Sikand Foundation
Mr. George Sponhaltz
Joseph and Suzanne Sposato
Mr. Adrian B. Stern
Mr. and Mrs. Mark Stern
James C. Stewart
Charitable Foundation
Priscilla and Curtis S. Tamkin
Michael Frazier Thompson
Gabrielle Union
Terry and Ann Marie Volk
Nancy Voorhees
Rachel Wagman
Emory Walton
Bob and Dorothy Webb
Abby and Ray Weiss
Kimberly K. Wilson
Mr. and Mrs. Howard Zelikow
Bobbi and Walter Zifkin
Mr. and Mrs. Richard Birnholz
Dr. Andrew C.
Blaine and Dr. Leigh Lindsey
Mr. Michael Blea Mitchell Bloom
Roz and Peter Bonerz
Greg Borrud
The Hon. Bob Bowers and Mrs. Reveta Bowers
Mr. David F. Bowman
Lynne Brickner and Gerald Gallard
Mr. Donald M.
Briggs and Mrs. Deborah J. Briggs
Mr. and Mrs. Gary D. Brown
Business and Professional Committee
Mr. and Mrs. Tom R. Camp
Mara and Joseph Carieri
CBS Entertainment
Dr. Kirk Y. Chang
Chien Family
Dr. Stephanie Cho and Jacob Green
Mr. and Mrs. Ronald Clements
Dr. and Mrs. Lawrence J. Cohen
Mr. David Colburn
Susan Cole-Hill
Jay and Nadege Conger
Mr. and Mrs. Richard W. Cook
Victoria Cook
Mr. and Mrs. Michael Corben
Mr. and Mrs. Bruce Corwin
Lloyd Eric Cotsen
Dr. Carey Cullinane
Mrs. Nancy A.
Cypert
Mr. Howard M.
Davine
Ms. Rosette Delug
Ms. Nancy L. Dennis
The Randee and Ken Devlin
Foundation
Mark Dorner
Julie and Stan Dorobek
Shaun D’Souza
The Duane Wilder Foundation, Inc
Bob Ducsay
Mr. and Mrs. Brack W. Duker
Drs. Ray Duncan and Lauren Crosby
Cameron Dunn
Kristen Engle
Dr. Annette
Ermshar and Dan Monahan
Jennifer Feeley
The Hon. Michael
W. Fitzgerald and Mr. Arturo Vargas
Ms. Penelope Foley
Mrs. Diane Forester
Fox Rothschild LLP
The Franke
Family Trust
Ms. Kimberly Friedman
Jason Gilbert
Leslie and Cliff Gilbert-Lurie
The Gillis Family
Tina Warsaw
Gittelson
Mr. Daniel Goldman
Lori G. Gordon
Lee Graff Foundation
Mr. and Mrs.
Paul E. Griffin III
Cornelia HaagMolkenteller, M.D.
Ms. Marian L. Hall
Christy Haubegger
Stephen and Hope Heaney
Elizabeth HofertDailey Trust
Janice and Laurence Hoffmann
Roberta and Burt Horwitch
Dr. and Mrs.
Mel Hoshiko
Rif and Bridget Hutton
Harry and Judy Isaacs
Michele and James Jackoway
Ms. Melinda
Johnstone
Randi and Richard B. Jones
Lawrence Kalantari
Katherine Kang
Leigha Kemmett
Bradley Keywell
Mr. Mark Kim and Ms. Jeehyun Lee
Mr. and Mrs. Jon Kirchner
Phyllis H. Klein, M.D.
Mr. and Mrs. Joseph
K. Kornwasser
Barry Kraus
Sandra Krause and William Fitzgerald
Mr. and Mrs. Scott Krivis
Dr. and Mrs.
Mark Labowe
Mr. Richard W. Labowe
Mr. and Mrs. Ronald B. Labowe
Katherine Lance
Mr. and Mrs.
Jack D. Lantz
Mr. Jason Larian
Ana Paludi and Michael Lebovitz
Mr. George Lee
Mr. Randall Lee and Ms.
Stella M. Jeong
Mary Beth and John Leonard
Randi Levine
Saul Levine
David and Rebecca Lindberg
Devon Lipe
Ms. Diana Longarzo
Susan Disney Lord and Scott Lord
Mr. Joseph Lund and Mr. James Kelley
Ruth and Roger MacFarlane
Susan MacLaurin
Douglas MacLennan
Nedda Mahrou
Sandra Cumings
Malamed and Kenneth D.
Malamed
Todd Marshall
Areva Martin
Mr. Arthur
Maruyama
Kaavya Matatova
Leslie and Ray Mathiasen
Mr. Gary J. Matus
Mr. and Mrs. Thomas E. McCarthy
$3,500 TO $5,499
Anonymous (3)
Dr. and Mrs. Frank Agrama
Ms. Rose Ahrens
Edgar Aleman
Mr. James P. Alstad
James Alva
Mrs. Betty Anderson
Mr. Peter Anderson and Ms. Valerie Goo
Dr. Philip Anthony
Victor and Iris Antola
Chukwuma
Anyaoku
Dr. Mehrdad Ariani
Cheryl Atienza
Pamela and Jeffrey Balton
Ms. Catherine McClenahan
Cathy and John McMullen
Mr. Sheldon and Dr. Linda Mehr
Lawry Meister
Mr. and Mrs.
Dana Messina
Ms. Marlane Meyer
Rachel Miller
Mr. Weston F. Milliken
Wesley Mizutani
Heidi and Jon Monkarsh
Mr. David S. Moromisato
Gregory and Jennifer Morrison
Mrs. Lillian Mueller
Sheila Muller
Craig and Lisa Murray
Mr. Emory R. Myrick
Mr. and Mrs. Jeff Nathan
Mrs. Cynthia Nelson
David T. Netto
Mr. and Mrs. Randy Newman
Ms. Kimberly Nicholas
Ms. Margo Leonetti
O’Connell
Irene and Edward Ojdana
Mr. Ralph Page and Patty Lesh
Ms. Melissa Papp-Green
Ms. Debra Pelton and Mr. Jon Johannessen
Alyssa Phaneuf
Carolyn Phillips
Julie and Marc Platt
Lyle and Lisi Poncher
Robert J. Posek, M.D.
John Powell
Debbie and Rick Powell
James S. Pratty, M.D.
Mr. Albert Praw
Joyce and David Primes
Mr. Eduardo
Repetto
Christopher
Reynolds
Jhamal Robinson
Craig Kwiatkowski and Oren
Rosenthal
Amy and William Roth
Ms. Rita Rothman
Dr. Michael Rudolph
Miles Rutkowski
Mr. and Mrs. Paul Rutter
Thomas C. Sadler and Dr.
Eila C. Skinner
Dr. and Mrs. Bernard Salick
Mrs. Elizabeth
Loucks Samson
San MarinoPasadena
Philharmonic Committee
Jason Sanford
Santa MonicaWestside Philharmonic Committee
Mark and Valerie Sawicki
Ms. Maryanne Sawoski
Dr. Marlene M. Schultz and Philip M. Walent
Schwab Charitable Fund
Dr. and Mrs. Hervey Segall
Claire and Charlie Shaeffer
Ms. Julie Shaperman
Ranada Shepard
Pamela and Russ Shimizu
Mr. Adam Sidy
Kenneth and Renata Simril
Bryan Sims
Mr. and Mrs. Peter R. Skinner
Brandi Slayton
Mr. Douglas H. Smith
Michael Soloman and Steven Good
Mr. Charles P. Souw
William Spiller
Lael Stabler and Jerone English
Hilde StephensLevonian
Rose and Mark Sturza
Ron Sweet
Jennifer Taguchi
Mr. and Mrs.
Randall Tamura
Andrew Tapper and Mary Ann
Weyman
Mrs. Elayne
Techentin
Keith and Cecelia Terasaki
Richard Turkanis and Wendy Kirshner
Charles and Nicole Uhlmann
Jon Van Sluyters
Mr. and Mrs. Craig Vickers
Mr. Nate Walker
Lisa and Tim Wallender
Shirley Wangl
Scott Ward
Westside Committee
Robert and Penny White
Ms. Jill Wickert
Mr. Robert E. Willett
Denita Willoughby
David and Michele Wilson
Mr. Steve Winfield
Karen and Rick Wolfen
Mr. and Mrs. Richard Wynne
Mrs. Lillian Zacky
Michael Zells
Rudolf H. Ziesenhenne
Catherine and Joseph Battaglia
Kay and Joe Baumbach
Reed Baumgarten
Newton and Rochelle Becker
Charitable Trust
Benjamin Family Foundation
Mr. and Mrs. Richard Bennett
Peter Benudiz
Mr. and Mrs. Gregg and Dara Bernstein
Nitin Bhatia
D Bichir
Eileen Bigelow and Brien J. Bigelow
Aaron Blackburn
Thomas J. Blumenthal
Joan N. Borinstein
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Mr. Ray Boucher
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Anita and
Joel Boxer
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Robert Brichacek
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Corena De Klerk
Ann Deal
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Nikki Depaola
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Dockweiler
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Mr. Anthony Dominici and Ms. Georgia Archer
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Mr. and Mrs.
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Glendale Philharmonic Committee
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Dr. Patricia Goldring
Elliot Gordon and Carol Schwartz
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Lynn Wheeler
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Ms. Elisabeth Lipsman
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Julie Long
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Los Angeles
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In memory of RJ and JK Roe
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Smooke
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Philharmonic Committee
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Tpc Inc Steve Lang
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Hearst Wickstrom
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Mr. Lee Winkelman and Ms.
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Alisa Abecssis
Mr. Alan Abramson
Allan Abshez
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Lelah Adler
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Ms. Lynn Allen
Mr. Robert C. Anderson
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Ms. Karen S.
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Robert T. Flesh
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Foley & Lardner LLP
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Nonproft Los Angeles Jewish Health, formerly Los Angeles Jewish Home, is committed to excellence in senior care for all.
Our comprehensive selection of living options and awardwinning care meets seniors where they are in life, providing individualized services focused on mind, body, and spirit.
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Seyedi-Rezvani
ABOUT LAST KNIFE
Reflecting the incredible energy, style, and distinctive vibe of the City of Angels, ALK brings a fresh and inventive approach to a gastropub in Hollywood. New American and classic staples meet a lively cocktail bar in this inviting challenger of the traditional. About Last Knife is a spot to unwind, a stage to tell your best stories, and above all a place where you know you will have a good time.
Board certified Plastic surgeon and UCLA Associate Clinical Professor Dr. Brent Moelleken celebrates 11 consecutive years as Super Doctor for Southern California, and now his induction in the Super Doctors Hall of Fame.
He provides patients with innovative procedures for like the Ultrashort Incision Cheek Lift , the 360 Face Lift , Live Fill and the Hybrid Tummy Tuck , a short, low incision abdominoplasty for fit moms.
For patients who need minimally invasive improvements, his Cloud Med Spa features the very latest in Lasers and Radio Frequency devices for skin rejuvenation and tightening.
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Richard Spelke
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“
a die-hard humbug
Friends of the LA Phil at the $500 level and above are recognized on our website. Please visit laphil.com.
ONLY IN LA— ONLY AT
Dedicated to showcasing the incredible range of artistic expression happening in our vibrant city, The Ford is the perfect place to discover artists reimagining tradition, along with LA’s latest up-and-comers and names you’ve seen in bright lights. theford.com
GENERAL INFORMATION
CONCERT CONDUCT
If the behavior of a patron or patrons near you becomes disruptive, the incident should be reported to the nearest usher or security person. To report an incident discreetly during an event, a text can be placed to the Customer Courtesy Line using the keyword BOWL sent to 69050. For the full Code of Conduct, visit hollywoodbowl.com/houserules
SMOKING POLICY
By law (LACC 17.04.645), smoking is not permitted on the Hollywood Bowl grounds, except in designated areas. Violators are subject to removal. Smoking in any other areas could lead to arrest and would be considered a misdemeanor.
FIRST AID
In case of illness or injury, please see an usher, who will escort you to the First Aid Station.
LOST AND FOUND
Any lost articles found on concert nights may be claimed at the Operations Ofce the next morning. Unclaimed articles are kept for 30 days from the date they are found. For information, call 323 850 2060
PHOTOGRAPHS
Your use of a ticket constitutes acknowledgment of willingness to appear in photographs taken in public areas of the Hollywood Bowl and releases the Los Angeles Philharmonic Association, its lessees, and all others from liability resulting from the use of such photographs.
PATRONS WITH DISABILITIES
For information detailing accessible seating, restrooms, dining, on-site transportation, assistive listening devices, or any further information, please request the Map of the Hollywood Bowl for Patrons with Disabilities by phoning 323 850 2125. Please ask for Accessible Services or visit hollywoodbowl.com/accessible.
LEGEND
ATM
Accessible Facilities
Accessible Cart Path
Accessible Facilities
The Bowl Store Box Ofce, Info, & Accessibility Dept
Cushion Rental
Elevator
Entrance Gate
Escalator / Moving Sidewalk
First Aid
Park & Ride / Shuttle
Parking Food + Wine
Picnic Box Pick-Up
Restrooms
Rideshare
Chao’s Popcorn
Picnic Areas